Make space around some mdash-es.

diff --git a/freeculture.pot b/freeculture.pot
index 9b77de3c70373e6323374547dd1e311b70c4ac07..3dedb0f27bcc25edfca3cfd9440675a132087790 100644 (file)
--- a/freeculture.pot
+++ b/freeculture.pot
@@ -1,11 +1,13 @@
-# Free Culture
-# Copyright (C) 2004 Lawrence Lessig
+# SOME DESCRIPTIVE TITLE
+# Copyright (C) YEAR Free Software Foundation, Inc.
+# This file is distributed under the same license as the PACKAGE package.
+# FIRST AUTHOR <EMAIL@ADDRESS>, YEAR.

 #
 #, fuzzy
 msgid ""
 msgstr ""
 "Project-Id-Version: PACKAGE VERSION\n"
 #
 #, fuzzy
 msgid ""
 msgstr ""
 "Project-Id-Version: PACKAGE VERSION\n"

-"POT-Creation-Date: 2013-08-03 22:41+0300\n"
+"POT-Creation-Date: 2013-08-28 23:08+0300\n"

 "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n"
 "Last-Translator: FULL NAME <EMAIL@ADDRESS>\n"
 "Language-Team: LANGUAGE <LL@li.org>\n"
 "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n"
 "Last-Translator: FULL NAME <EMAIL@ADDRESS>\n"
 "Language-Team: LANGUAGE <LL@li.org>\n"


@@ -218,8 +220,8 @@ msgstr ""
 #. type: Content of: <book><dedication><para>
 #: freeculture.xml:168
 msgid ""
 #. type: Content of: <book><dedication><para>
 #: freeculture.xml:168
 msgid ""

-"To Eric Eldred&mdash;whose work first drew me to this cause, and for whom it "
-"continues still."
+"To Eric Eldred &mdash; whose work first drew me to this cause, and for whom "
+"it continues still."

 msgstr ""
 
 #. type: Content of: <book><lot><title>
 msgstr ""
 
 #. type: Content of: <book><lot><title>


@@ -2256,7 +2258,7 @@ msgid ""
 "flourish. As American graphic novelist Judd Winick said to me, <quote>The "
 "early days of comics in America are very much like what's going on in Japan "
 "now. &hellip; American comics were born out of copying each other. &hellip; "
 "flourish. As American graphic novelist Judd Winick said to me, <quote>The "
 "early days of comics in America are very much like what's going on in Japan "
 "now. &hellip; American comics were born out of copying each other. &hellip; "

-"That's how [the artists] learn to draw&mdash;by going into comic books and "
+"That's how [the artists] learn to draw &mdash; by going into comic books and "

 "not tracing them, but looking at them and copying them</quote> and building "
 "from them.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 "not tracing them, but looking at them and copying them</quote> and building "
 "from them.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""


@@ -2372,9 +2374,9 @@ msgid ""
 "<citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York "
 "University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of "
 "Ideas</citetitle> (New York: Random House, 2001), 293 n. 26. The term "
 "<citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York "
 "University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of "
 "Ideas</citetitle> (New York: Random House, 2001), 293 n. 26. The term "

-"accurately describes a set of <quote>property</quote> "
-"rights&mdash;copyright, patents, trademark, and trade-secret&mdash;but the "
-"nature of those rights is very different."
+"accurately describes a set of <quote>property</quote> rights &mdash; "
+"copyright, patents, trademark, and trade-secret &mdash; but the nature of "
+"those rights is very different."

 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>

diff --git a/freeculture.xml b/freeculture.xml
index 54531b192cc6526783276e790a09fc9d14c3817e..c3737b9129a52e01c9fd427a00ae6028c5fa41e1 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -165,7 +165,7 @@ Code: And Other Laws of Cyberspace
 <!-- PAGE BREAK 7 -->
 <dedication><title></title>
 <para>
 <!-- PAGE BREAK 7 -->
 <dedication><title></title>
 <para>

-To Eric Eldred&mdash;whose work first drew me to this cause, and for whom
+To Eric Eldred &mdash; whose work first drew me to this cause, and for whom

 it continues still.
 </para>
 </dedication>
 it continues still.
 </para>
 </dedication>


@@ -1550,7 +1550,7 @@ flourish. As American graphic novelist Judd Winick said to me, <quote>The
 early days of comics in America are very much like what's going on
 in Japan now. &hellip; American  comics were born out of copying each
 <!-- PAGE BREAK 40 -->
 early days of comics in America are very much like what's going on
 in Japan now. &hellip; American  comics were born out of copying each
 <!-- PAGE BREAK 40 -->

-other. &hellip; That's how [the artists] learn to draw&mdash;by going into comic
+other. &hellip; That's how [the artists] learn to draw &mdash; by going into comic

 books and not tracing them, but looking at them and copying them</quote>
 and building from them.<footnote><para>
 <!-- f5 -->
 books and not tracing them, but looking at them and copying them</quote>
 and building from them.<footnote><para>
 <!-- f5 -->


@@ -1646,8 +1646,8 @@ The term <citetitle>intellectual property</citetitle> is of relatively recent or
 Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York
 University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of Ideas</citetitle>
 (New York: Random House, 2001), 293 n. 26. The term accurately
 Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York
 University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of Ideas</citetitle>
 (New York: Random House, 2001), 293 n. 26. The term accurately

-describes a set of <quote>property</quote> rights&mdash;copyright, patents,
-trademark, and trade-secret&mdash;but the nature of those rights is
+describes a set of <quote>property</quote> rights &mdash; copyright, patents,
+trademark, and trade-secret &mdash; but the nature of those rights is

 very different.
 </para></footnote>
 A large, diverse society cannot survive without property; a large,
 very different.
 </para></footnote>
 A large, diverse society cannot survive without property; a large,