-# Free Culture
-# Copyright (C) 2004 Lawrence Lessig
+# SOME DESCRIPTIVE TITLE
+# Copyright (C) YEAR Free Software Foundation, Inc.
+# This file is distributed under the same license as the PACKAGE package.
+# FIRST AUTHOR <EMAIL@ADDRESS>, YEAR.
#
#, fuzzy
msgid ""
msgstr ""
"Project-Id-Version: PACKAGE VERSION\n"
-"POT-Creation-Date: 2013-08-03 22:41+0300\n"
+"POT-Creation-Date: 2013-08-28 23:08+0300\n"
"PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n"
"Last-Translator: FULL NAME <EMAIL@ADDRESS>\n"
"Language-Team: LANGUAGE <LL@li.org>\n"
#. type: Content of: <book><dedication><para>
#: freeculture.xml:168
msgid ""
-"To Eric Eldred—whose work first drew me to this cause, and for whom it "
-"continues still."
+"To Eric Eldred — whose work first drew me to this cause, and for whom "
+"it continues still."
msgstr ""
#. type: Content of: <book><lot><title>
"flourish. As American graphic novelist Judd Winick said to me, <quote>The "
"early days of comics in America are very much like what's going on in Japan "
"now. … American comics were born out of copying each other. … "
-"That's how [the artists] learn to draw—by going into comic books and "
+"That's how [the artists] learn to draw — by going into comic books and "
"not tracing them, but looking at them and copying them</quote> and building "
"from them.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"<citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York "
"University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of "
"Ideas</citetitle> (New York: Random House, 2001), 293 n. 26. The term "
-"accurately describes a set of <quote>property</quote> "
-"rights—copyright, patents, trademark, and trade-secret—but the "
-"nature of those rights is very different."
+"accurately describes a set of <quote>property</quote> rights — "
+"copyright, patents, trademark, and trade-secret — but the nature of "
+"those rights is very different."
msgstr ""
#. type: Content of: <book><part><chapter><para>
<!-- PAGE BREAK 7 -->
<dedication><title></title>
<para>
-To Eric Eldred—whose work first drew me to this cause, and for whom
+To Eric Eldred — whose work first drew me to this cause, and for whom
it continues still.
</para>
</dedication>
early days of comics in America are very much like what's going on
in Japan now. … American comics were born out of copying each
<!-- PAGE BREAK 40 -->
-other. … That's how [the artists] learn to draw—by going into comic
+other. … That's how [the artists] learn to draw — by going into comic
books and not tracing them, but looking at them and copying them</quote>
and building from them.<footnote><para>
<!-- f5 -->
Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York
University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of Ideas</citetitle>
(New York: Random House, 2001), 293 n. 26. The term accurately
-describes a set of <quote>property</quote> rights—copyright, patents,
-trademark, and trade-secret—but the nature of those rights is
+describes a set of <quote>property</quote> rights — copyright, patents,
+trademark, and trade-secret — but the nature of those rights is
very different.
</para></footnote>
A large, diverse society cannot survive without property; a large,