From: Petter Reinholdtsen Date: Wed, 28 Aug 2013 21:11:44 +0000 (+0200) Subject: Make space around some mdash-es. X-Git-Tag: edition-2015-10-10~683 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/023a34dea5e892aebf92a4143ac14ba097bebea4?ds=sidebyside Make space around some mdash-es. --- diff --git a/freeculture.pot b/freeculture.pot index 9b77de3..3dedb0f 100644 --- a/freeculture.pot +++ b/freeculture.pot @@ -1,11 +1,13 @@ -# Free Culture -# Copyright (C) 2004 Lawrence Lessig +# SOME DESCRIPTIVE TITLE +# Copyright (C) YEAR Free Software Foundation, Inc. +# This file is distributed under the same license as the PACKAGE package. +# FIRST AUTHOR , YEAR. # #, fuzzy msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" -"POT-Creation-Date: 2013-08-03 22:41+0300\n" +"POT-Creation-Date: 2013-08-28 23:08+0300\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: LANGUAGE \n" @@ -218,8 +220,8 @@ msgstr "" #. type: Content of: #: freeculture.xml:168 msgid "" -"To Eric Eldred—whose work first drew me to this cause, and for whom it " -"continues still." +"To Eric Eldred — whose work first drew me to this cause, and for whom " +"it continues still." msgstr "" #. type: Content of: @@ -2256,7 +2258,7 @@ msgid "" "flourish. As American graphic novelist Judd Winick said to me, <quote>The " "early days of comics in America are very much like what's going on in Japan " "now. … American comics were born out of copying each other. … " -"That's how [the artists] learn to draw—by going into comic books and " +"That's how [the artists] learn to draw — by going into comic books and " "not tracing them, but looking at them and copying them</quote> and building " "from them.<placeholder type=\"footnote\" id=\"0\"/>" msgstr "" @@ -2372,9 +2374,9 @@ msgid "" "<citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York " "University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of " "Ideas</citetitle> (New York: Random House, 2001), 293 n. 26. The term " -"accurately describes a set of <quote>property</quote> " -"rights—copyright, patents, trademark, and trade-secret—but the " -"nature of those rights is very different." +"accurately describes a set of <quote>property</quote> rights — " +"copyright, patents, trademark, and trade-secret — but the nature of " +"those rights is very different." msgstr "" #. type: Content of: <book><part><chapter><para> diff --git a/freeculture.xml b/freeculture.xml index 54531b1..c3737b9 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -165,7 +165,7 @@ Code: And Other Laws of Cyberspace <!-- PAGE BREAK 7 --> <dedication><title> -To Eric Eldred—whose work first drew me to this cause, and for whom +To Eric Eldred — whose work first drew me to this cause, and for whom it continues still. @@ -1550,7 +1550,7 @@ flourish. As American graphic novelist Judd Winick said to me, The early days of comics in America are very much like what's going on in Japan now. … American comics were born out of copying each -other. … That's how [the artists] learn to draw—by going into comic +other. … That's how [the artists] learn to draw — by going into comic books and not tracing them, but looking at them and copying them and building from them. @@ -1646,8 +1646,8 @@ The term intellectual property is of relatively recent or Siva Vaidhyanathan, Copyrights and Copywrongs, 11 (New York: New York University Press, 2001). See also Lawrence Lessig, The Future of Ideas (New York: Random House, 2001), 293 n. 26. The term accurately -describes a set of property rights—copyright, patents, -trademark, and trade-secret—but the nature of those rights is +describes a set of property rights — copyright, patents, +trademark, and trade-secret — but the nature of those rights is very different. A large, diverse society cannot survive without property; a large,