Reflow.

diff --git a/freeculture.nb.po b/freeculture.nb.po
index 26801377b16032930e08e72a498ef8883cad3840..376316cef836a80ee49215b4a73671fd62e3cbc5 100644 (file)
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -2554,8 +2554,8 @@ msgid ""
 "(1953), <citetitle>Lady and the Tramp</citetitle> (1955), <citetitle>Mulan</"
 "citetitle> (1998), <citetitle>Sleeping Beauty</citetitle> (1959), "
 "<citetitle>101 Dalmatians</citetitle> (1961), <citetitle>The Sword in the "
-"Stone</citetitle> (1963), and <citetitle>The Jungle Book</citetitle> (1967)"
-"&mdash;not to mention a recent example that we should perhaps quickly "
+"Stone</citetitle> (1963), and <citetitle>The Jungle Book</citetitle> "
+"(1967)&mdash;not to mention a recent example that we should perhaps quickly "
 "forget, <citetitle>Treasure Planet</citetitle> (2003). In all of these "
 "cases, Disney (or Disney, Inc.) ripped creativity from the culture around "
 "him, mixed that creativity with his own extraordinary talent, and then "
@@ -2576,12 +2576,13 @@ msgstr ""
 "(1953), <citetitle>Lady og landstrykeren</citetitle> (1955), "
 "<citetitle>Mulan</citetitle> (1998), <citetitle>Tornerose</citetitle> "
 "(1959), <citetitle>101 Dalmatinere</citetitle> (1961), <citetitle>Sverdet i "
-"steinen</citetitle> (1963), og <citetitle>Jungelboken</citetitle> (1967)"
-"&mdash;for ikke å nevne et nylig eksempel som vi bør kanskje glemme raskt, "
-"<citetitle>Treasure Planet</citetitle> (2003). I alle disse tilfellene, har "
-"Disney (eller Disney, Inc.) hentet kreativitet fra kultur rundt seg, blandet "
-"med kreativiteten fra sitt eget ekstraordinære talent, og deretter brent "
-"denne blandingen inn i sjelen til kulturen sin. Hente, blande og brenne."
+"steinen</citetitle> (1963), og <citetitle>Jungelboken</citetitle> "
+"(1967)&mdash;for ikke å nevne et nylig eksempel som vi bør kanskje glemme "
+"raskt, <citetitle>Treasure Planet</citetitle> (2003). I alle disse "
+"tilfellene, har Disney (eller Disney, Inc.) hentet kreativitet fra kultur "
+"rundt seg, blandet med kreativiteten fra sitt eget ekstraordinære talent, og "
+"deretter brent denne blandingen inn i sjelen til kulturen sin. Hente, blande "
+"og brenne."
 
 #. type: Content of: <book><part><chapter><para>
 msgid ""
@@ -2931,12 +2932,12 @@ msgstr "Mehra, Salil"
 msgid ""
 "See Salil K. Mehra, <quote>Copyright and Comics in Japan: Does Law Explain "
 "Why All the Comics My Kid Watches Are Japanese Imports?</quote> "
-"<citetitle>Rutgers Law Review</citetitle> 55 (2002): 155, 182. <quote>[T]"
-"here might be a collective economic rationality that would lead manga and "
-"anime artists to forgo bringing legal actions for infringement. One "
-"hypothesis is that all manga artists may be better off collectively if they "
-"set aside their individual self-interest and decide not to press their legal "
-"rights. This is essentially a prisoner's dilemma solved.</quote>"
+"<citetitle>Rutgers Law Review</citetitle> 55 (2002): 155, 182. "
+"<quote>[T]here might be a collective economic rationality that would lead "
+"manga and anime artists to forgo bringing legal actions for infringement. "
+"One hypothesis is that all manga artists may be better off collectively if "
+"they set aside their individual self-interest and decide not to press their "
+"legal rights. This is essentially a prisoner's dilemma solved.</quote>"
 msgstr ""
 "Se Salil K. Mehra, <quote>Copyright and Comics in Japan: Does Law Explain "
 "Why All the Comics My Kid Watches Are Japanese Imports?</quote> "
@@ -8372,9 +8373,9 @@ msgid ""
 "machines. Under the Ninth Circuit's rule, this totally familiar "
 "technology&mdash;which Jack Valenti had called <quote>the Boston Strangler "
 "of the American film industry</quote> (worse yet, it was a "
-"<emphasis>Japanese</emphasis> Boston Strangler of the American film industry)"
-"&mdash;was an illegal technology.<placeholder type=\"footnote\" id=\"0\"/> "
-"<placeholder type=\"indexterm\" id=\"1\"/>"
+"<emphasis>Japanese</emphasis> Boston Strangler of the American film "
+"industry)&mdash;was an illegal technology.<placeholder type=\"footnote\" id="
+"\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
 msgstr ""
 "Det tok åtte år før denne saken ble avgjort av høyesterett.  I mellomtiden "
 "hadde den niende ankekrets, som har Hollywood i sin jurisdiksjon&mdash;det "
@@ -8384,9 +8385,9 @@ msgstr ""
 "maskiner.  I følge regelen til niende ankrekrets var denne kjente "
 "teknologien&mdash;som Jack Valenti hadde omtalt som <quote>Boston-kveleren "
 "for amerikansk filmindustri</quote> (verre enn dette, det var en "
-"<emphasis>japansk</emphasis> Boston-kveler for amerikansk filmindustri)"
-"&mdash; en ulovlig teknologi.<placeholder type=\"footnote\" id=\"0\"/> "
-"<placeholder type=\"indexterm\" id=\"1\"/>"
+"<emphasis>japansk</emphasis> Boston-kveler for amerikansk "
+"filmindustri)&mdash; en ulovlig teknologi.<placeholder type=\"footnote\" id="
+"\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
 
 #.  PAGE BREAK 90 
 #. type: Content of: <book><part><chapter><section><para>