From: Petter Reinholdtsen Date: Wed, 22 Jul 2015 09:55:44 +0000 (+0200) Subject: Reflow. X-Git-Tag: edition-2015-10-10~410 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/81ca63c9931f23dd4a5a979cc580fdbfe3c069ca?hp=b8dd8b334d70eb0c99ad82e9b0d34332fa0aa006 Reflow. --- diff --git a/freeculture.nb.po b/freeculture.nb.po index 2680137..376316c 100644 --- a/freeculture.nb.po +++ b/freeculture.nb.po @@ -2554,8 +2554,8 @@ msgid "" "(1953), Lady and the Tramp (1955), Mulan (1998), Sleeping Beauty (1959), " "101 Dalmatians (1961), The Sword in the " -"Stone (1963), and The Jungle Book (1967)" -"—not to mention a recent example that we should perhaps quickly " +"Stone (1963), and The Jungle Book " +"(1967)—not to mention a recent example that we should perhaps quickly " "forget, Treasure Planet (2003). In all of these " "cases, Disney (or Disney, Inc.) ripped creativity from the culture around " "him, mixed that creativity with his own extraordinary talent, and then " @@ -2576,12 +2576,13 @@ msgstr "" "(1953), Lady og landstrykeren (1955), " "Mulan (1998), Tornerose " "(1959), 101 Dalmatinere (1961), Sverdet i " -"steinen (1963), og Jungelboken (1967)" -"—for ikke Ã¥ nevne et nylig eksempel som vi bør kanskje glemme raskt, " -"Treasure Planet (2003). I alle disse tilfellene, har " -"Disney (eller Disney, Inc.) hentet kreativitet fra kultur rundt seg, blandet " -"med kreativiteten fra sitt eget ekstraordinære talent, og deretter brent " -"denne blandingen inn i sjelen til kulturen sin. Hente, blande og brenne." +"steinen (1963), og Jungelboken " +"(1967)—for ikke Ã¥ nevne et nylig eksempel som vi bør kanskje glemme " +"raskt, Treasure Planet (2003). I alle disse " +"tilfellene, har Disney (eller Disney, Inc.) hentet kreativitet fra kultur " +"rundt seg, blandet med kreativiteten fra sitt eget ekstraordinære talent, og " +"deretter brent denne blandingen inn i sjelen til kulturen sin. Hente, blande " +"og brenne." #. type: Content of: msgid "" @@ -2931,12 +2932,12 @@ msgstr "Mehra, Salil" msgid "" "See Salil K. Mehra, Copyright and Comics in Japan: Does Law Explain " "Why All the Comics My Kid Watches Are Japanese Imports? " -"Rutgers Law Review 55 (2002): 155, 182. [T]" -"here might be a collective economic rationality that would lead manga and " -"anime artists to forgo bringing legal actions for infringement. One " -"hypothesis is that all manga artists may be better off collectively if they " -"set aside their individual self-interest and decide not to press their legal " -"rights. This is essentially a prisoner's dilemma solved." +"Rutgers Law Review 55 (2002): 155, 182. " +"[T]here might be a collective economic rationality that would lead " +"manga and anime artists to forgo bringing legal actions for infringement. " +"One hypothesis is that all manga artists may be better off collectively if " +"they set aside their individual self-interest and decide not to press their " +"legal rights. This is essentially a prisoner's dilemma solved." msgstr "" "Se Salil K. Mehra, Copyright and Comics in Japan: Does Law Explain " "Why All the Comics My Kid Watches Are Japanese Imports? " @@ -8372,9 +8373,9 @@ msgid "" "machines. Under the Ninth Circuit's rule, this totally familiar " "technology—which Jack Valenti had called the Boston Strangler " "of the American film industry (worse yet, it was a " -"Japanese Boston Strangler of the American film industry)" -"—was an illegal technology. " -"" +"Japanese Boston Strangler of the American film " +"industry)—was an illegal technology. " msgstr "" "Det tok Ã¥tte Ã¥r før denne saken ble avgjort av høyesterett. I mellomtiden " "hadde den niende ankekrets, som har Hollywood i sin jurisdiksjon—det " @@ -8384,9 +8385,9 @@ msgstr "" "maskiner. I følge regelen til niende ankrekrets var denne kjente " "teknologien—som Jack Valenti hadde omtalt som Boston-kveleren " "for amerikansk filmindustri (verre enn dette, det var en " -"japansk Boston-kveler for amerikansk filmindustri)" -"— en ulovlig teknologi. " -"" +"japansk Boston-kveler for amerikansk " +"filmindustri)— en ulovlig teknologi. " #. PAGE BREAK 90 #. type: Content of: