-#, fuzzy
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-#| "But though we could imagine this system of permission, it would be very "
-#| "hard to see how photography could have flourished as it did if the "
-#| "requirement for permission had been built into the rules that govern it. "
-#| "Photography would have existed. It would have grown in importance over "
-#| "time. Professionals would have continued to use the technology as they "
-#| "did—since professionals could have more easily borne the burdens of "
-#| "the permission system. But the spread of photography to ordinary people "
-#| "would not have occurred. Nothing like that growth would have been "
-#| "realized. And certainly, nothing like that growth in a democratic "
-#| "technology of expression would have been realized. If you drive through "
-#| "San Francisco's Presidio, you might see two gaudy yellow school buses "
-#| "painted over with colorful and striking images, and the logo \"Just Think!"
-#| "\" in place of the name of a school. But there's little that's \"just\" "
-#| "cerebral in the projects that these busses enable. These buses are "
-#| "filled with technologies that teach kids to tinker with film. Not the "
-#| "film of Eastman. Not even the film of your VCR. Rather the \"film\" of "
-#| "digital cameras. Just Think! is a project that enables kids to make "
-#| "films, as a way to understand and critique the filmed culture that they "
-#| "find all around them. Each year, these busses travel to more than thirty "
-#| "schools and enable three hundred to five hundred children to learn "
-#| "something about media by doing something with media. By doing, they "
-#| "think. By tinkering, they learn."