Add a few missing chapter cross references.

diff --git a/freeculture.xml b/freeculture.xml
index f7fb5d0c961d6480b0c75a2919c01a5cf07e11c3..fff0e5cc7128d76a1b91c69f0d7835539b74967f 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -9184,19 +9184,23 @@ We achieved that free culture because our law respected important
 limits on the scope of the interests protected by <quote>property.</quote> The very
 birth of <quote>copyright</quote> as a statutory right recognized those limits, by
 granting copyright owners protection for a limited time only (the
-story of chapter 6). The tradition of <quote>fair use</quote> is animated by a
-similar concern that is increasingly under strain as the costs of
-exercising any fair use right become unavoidably high (the story of
-chapter 7). Adding
+story of chapter <xref xrefstyle="select: labelnumber"
+linkend="founders"/>). The tradition of <quote>fair use</quote> is
+animated by a similar concern that is increasingly under strain as the
+costs of exercising any fair use right become unavoidably high (the
+story of chapter <xref xrefstyle="select: labelnumber"
+linkend="recorders"/>). Adding
 <!-- PAGE BREAK 184 -->
 statutory rights where markets might stifle innovation is another
-familiar limit on the property right that copyright is (chapter
-8). And granting archives and libraries a broad freedom to collect,
-claims of property notwithstanding, is a crucial part of guaranteeing
-the soul of a culture (chapter 9). Free cultures, like free markets,
-are built with property. But the nature of the property that builds a
-free culture is very different from the extremist vision that
-dominates the debate today.
+familiar limit on the property right that copyright is (chapter <xref
+xrefstyle="select: labelnumber" linkend="transformers"/>). And
+granting archives and libraries a broad freedom to collect, claims of
+property notwithstanding, is a crucial part of guaranteeing the soul
+of a culture (chapter <xref xrefstyle="select: labelnumber"
+linkend="collectors"/>). Free cultures, like free markets, are built
+with property. But the nature of the property that builds a free
+culture is very different from the extremist vision that dominates the
+debate today.
 </para>
 <para>
 Free culture is increasingly the casualty in this war on piracy. In
@@ -9597,11 +9601,12 @@ examples of extreme penalties for vague infringements continue to
 proliferate. It is impossible to get a clear sense of what's allowed
 and what's not, and at the same time, the penalties for crossing the
 line are astonishingly harsh.  The four students who were threatened
-by the RIAA ( Jesse Jordan of chapter 3 was just one) were threatened
-with a $98 billion lawsuit for building search engines that permitted
-songs to be copied. Yet World-Com&mdash;which defrauded investors of
-$11 billion, resulting in a loss to investors in market capitalization
-of over $200 billion&mdash;received a fine of a mere $750
+by the RIAA (Jesse Jordan of chapter <xref xrefstyle="select:
+labelnumber" linkend="catalogs"/> was just one) were threatened with a
+$98 billion lawsuit for building search engines that permitted songs
+to be copied. Yet World-Com&mdash;which defrauded investors of $11
+billion, resulting in a loss to investors in market capitalization of
+over $200 billion&mdash;received a fine of a mere $750
 million.<footnote><para>
 <!-- f1. -->
 See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at WorldCom</citetitle>