Update to current status.

[text-free-culture-lessig.git] / freeculture.pot

diff --git a/freeculture.pot b/freeculture.pot
index af99162268a82822a3d736d68aa019881680bdfd..11a65456280c6fffa163c458f030efd3f687966c 100644 (file)
--- a/freeculture.pot
+++ b/freeculture.pot
@@ -7,7 +7,7 @@
 msgid ""
 msgstr ""
 "Project-Id-Version: PACKAGE VERSION\n"
-"POT-Creation-Date: 2012-09-10 23:02+0300\n"
+"POT-Creation-Date: 2012-09-17 19:55+0300\n"
 "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n"
 "Last-Translator: FULL NAME <EMAIL@ADDRESS>\n"
 "Language-Team: LANGUAGE <LL@li.org>\n"
@@ -16367,7 +16367,7 @@ msgid ""
 "of the history of film, the costs of restoring film were very high; digital "
 "technology has lowered these costs substantially. While it cost more than "
 "$10,000 to restore a ninety-minute black-and-white film in 1993, it can now "
-"cost as little as $100 to digitize one hour of mm film.<placeholder "
+"cost as little as $100 to digitize one hour of 8 mm film.<placeholder "
 "type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
@@ -16590,7 +16590,7 @@ msgid ""
 "message is absolutely not antimarket. But where we see the market is not "
 "doing the job, then we should allow nonmarket forces the freedom to fill the "
 "gaps. As one researcher calculated for American culture, 94 percent of the "
-"films, books, and music produced between and 1946 is not commercially "
+"films, books, and music produced between 1923 and 1946 is not commercially "
 "available. However much you love the commercial market, if access is a "
 "value, then 6 percent is a failure to provide that value.<placeholder "
 "type=\"footnote\" id=\"0\"/>"