X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/a134ebfc40e0481286bd5f63223428f3ec1dce59..db027c11c875a0ec9b5adac571b0014b6afb853e:/freeculture.pot diff --git a/freeculture.pot b/freeculture.pot index af99162..11a6545 100644 --- a/freeculture.pot +++ b/freeculture.pot @@ -7,7 +7,7 @@ msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" -"POT-Creation-Date: 2012-09-10 23:02+0300\n" +"POT-Creation-Date: 2012-09-17 19:55+0300\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: LANGUAGE \n" @@ -16367,7 +16367,7 @@ msgid "" "of the history of film, the costs of restoring film were very high; digital " "technology has lowered these costs substantially. While it cost more than " "$10,000 to restore a ninety-minute black-and-white film in 1993, it can now " -"cost as little as $100 to digitize one hour of mm film." msgstr "" @@ -16590,7 +16590,7 @@ msgid "" "message is absolutely not antimarket. But where we see the market is not " "doing the job, then we should allow nonmarket forces the freedom to fill the " "gaps. As one researcher calculated for American culture, 94 percent of the " -"films, books, and music produced between and 1946 is not commercially " +"films, books, and music produced between 1923 and 1946 is not commercially " "available. However much you love the commercial market, if access is a " "value, then 6 percent is a failure to provide that value."