More index entries, and clean up two index entry placements.

[text-free-culture-lessig.git] / freeculture.nb.po

diff --git a/freeculture.nb.po b/freeculture.nb.po
index d24850e5129da83623f1108633c55e135a640829..965e511f96b06dfdee5676c5c9cf917c3d0080bd 100644 (file)
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -7,7 +7,7 @@
 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"
 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"

-"POT-Creation-Date: 2012-08-08 09:38+0300\n"
+"POT-Creation-Date: 2012-08-13 08:02+0300\n"

 "PO-Revision-Date: 2012-07-13 21:50+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"
 "PO-Revision-Date: 2012-07-13 21:50+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"


@@ -137,11 +137,11 @@ msgid ""
 "Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the "
 "Public Library of Science, the Electronic Frontier Foundation, and Public "
 "Knowledge. He was the winner of the Free Software Foundation's Award for the "
 "Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the "
 "Public Library of Science, the Electronic Frontier Foundation, and Public "
 "Knowledge. He was the winner of the Free Software Foundation's Award for the "

-"Advancement of Free Software, twice listed in BusinessWeek's \"e.biz 25,\" "
-"and named one of Scientific American's \"50 visionaries.\" A graduate of the "
-"University of Pennsylvania, Cambridge University, and Yale Law School, "
-"Lessig clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of "
-"Appeals."
+"Advancement of Free Software, twice listed in BusinessWeek's <quote>e.biz 25,"
+"</quote> and named one of Scientific American's <quote>50 visionaries.</"
+"quote> A graduate of the University of Pennsylvania, Cambridge University, "
+"and Yale Law School, Lessig clerked for Judge Richard Posner of the U.S. "
+"Seventh Circuit Court of Appeals."

 msgstr ""
 "Lawrense Lessig (<ulink url=\"http://www.lessig.org\">http://www.lessig.org</"
 "ulink>), professor i juss og en John A. Wilson Distinguished Faculty Scholar "
 msgstr ""
 "Lawrense Lessig (<ulink url=\"http://www.lessig.org\">http://www.lessig.org</"
 "ulink>), professor i juss og en John A. Wilson Distinguished Faculty Scholar "


@@ -152,11 +152,11 @@ msgstr ""
 "Cyberspace (Basic Books, 1999), og er medlem av styrene i Public Library of "
 "Science, the Electronic Frontier Foundation, og Public Knowledge.  Han har "
 "vunnet Free Software Foundation's Award for the Advancement of Free "
 "Cyberspace (Basic Books, 1999), og er medlem av styrene i Public Library of "
 "Science, the Electronic Frontier Foundation, og Public Knowledge.  Han har "
 "vunnet Free Software Foundation's Award for the Advancement of Free "

-"Software, to ganger vært oppført i BusinessWeek's \"e.biz 25,\" og omtalt "
-"som en av Scientific American's \"50 visjonærer\".  Etter utdanning ved "
-"University of Pennsylvania, Cambridge University, og Yale Law School, "
-"assisterte Lessig dommer Richard Posner ved U.S. Seventh Circuit Court of "
-"Appeals."
+"Software, to ganger vært oppført i BusinessWeek's <quote>e.biz 25,</quote> "
+"og omtalt som en av Scientific American's <quote>50 visjonærer</quote>.  "
+"Etter utdanning ved University of Pennsylvania, Cambridge University, og "
+"Yale Law School, assisterte Lessig dommer Richard Posner ved U.S. Seventh "
+"Circuit Court of Appeals."

 
 #
 #
 
 #
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@@ -242,9 +242,9 @@ msgstr ""
 
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-"Excerpt from an editorial titled \"The Coming of Copyright Perpetuity,\" "
-"<citetitle>The New York Times</citetitle>, January 16, 2003. Copyright "
-"&copy; 2003 by The New York Times Co.  Reprinted with permission."
+"Excerpt from an editorial titled <quote>The Coming of Copyright Perpetuity,</"
+"quote> <citetitle>The New York Times</citetitle>, January 16, 2003. "
+"Copyright &copy; 2003 by The New York Times Co.  Reprinted with permission."

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@@ -365,21 +365,23 @@ msgstr "Pogue, David"
 
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-"At the end of his review of my first book, <citetitle>Code: And Other Laws "
-"of Cyberspace</citetitle>, David Pogue, a brilliant writer and author of "
-"countless technical and computer-related texts, wrote this:"
+"<emphasis role=\"bold\">At the end</emphasis> of his review of my first "
+"book, <citetitle>Code: And Other Laws of Cyberspace</citetitle>, David "
+"Pogue, a brilliant writer and author of countless technical and computer-"
+"related texts, wrote this:"

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+"<emphasis role=\"bold\">På slutten av</emphasis> hans gjennomgang av min "
+"første bok <citetitle>Code: And Other Laws of Cyberspace</citetitle>, skrev "

 "David Pogue, en glimrende skribent og forfatter av utallige tekniske "
 "David Pogue, en glimrende skribent og forfatter av utallige tekniske "

-"datarelaterte tekster, skrev dette på slutten av hans gjennomgang av min "
-"første bok, <citetitle>Code: And Other Laws of Cyberspace</citetitle>:"
+"datarelaterte tekster, dette:"

 
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-"David Pogue, \"Don't Just Chat, Do Something,\" <citetitle>New York Times</"
-"citetitle>, 30 January 2000."
+"David Pogue, <quote>Don't Just Chat, Do Something,</quote> <citetitle>New "
+"York Times</citetitle>, 30 January 2000."

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-"David Pogue, \"Don't Just Chat, Do Something,\" <citetitle>New York Times</"
-"citetitle>, 30. januar 2000"
+"David Pogue, <quote>Don't Just Chat, Do Something,</quote> <citetitle>New "
+"York Times</citetitle>, 30. januar 2000"

 
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@@ -397,18 +399,20 @@ msgstr ""
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 "Pogue was skeptical of the core argument of the book&mdash;that software, or "
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-"\"code,\" functioned as a kind of law&mdash;and his review suggested the "
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+"<quote>code,</quote> functioned as a kind of law&mdash;and his review "
+"suggested the happy thought that if life in cyberspace got bad, we could "
+"always <quote>drizzle, drazzle, druzzle, drome</quote>-like simply flip a "
+"switch and be back home. Turn off the modem, unplug the computer, and any "
+"troubles that exist in <emphasis>that</emphasis> space wouldn't "
+"<quote>affect</quote> us anymore."

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-"programvaren, eller \"koden\", fungerte som en slags lov &mdash; og foreslo "
-"i sin anmeldelse den lykkelig tanken at hvis livet i cyberspace gikk dårlig, "
-"så kan vi alltid som med en trylleformel slå over en bryter og komme hjem "
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+"programvaren, eller <quote>koden</quote>, fungerte som en slags lov &mdash; "
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+"problemer som finnes <emphasis>den</emphasis> virkeligheten ville ikke "
+"<quote>påvirke</quote> oss mer."

 
 #. PAGE BREAK 12
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 #. PAGE BREAK 12
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@@ -417,17 +421,17 @@ msgid ""
 "even if he was right then, the point is not right now: <citetitle>Free "
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 "modem is turned off. It is an argument about how the battles that now rage "
 "even if he was right then, the point is not right now: <citetitle>Free "
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-"regarding life on-line have fundamentally affected \"people who aren't "
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+"regarding life on-line have fundamentally affected <quote>people who aren't "
+"online.</quote> There is no switch that will insulate us from the Internet's "

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 "Pogue kan ha hatt rett i 1999 &mdash; jeg er skeptisk, men det kan hende. "
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+"brer om seg i livet on-line har fundamentalt påvirket <quote>folk som er "
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@@ -452,57 +456,66 @@ msgstr ""
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 "That tradition is the way our culture gets made. As I explain in the pages "
 #. type: Content of: <book><preface><para>
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 "That tradition is the way our culture gets made. As I explain in the pages "

-"that follow, we come from a tradition of \"free culture\"&mdash;not \"free\" "
-"as in \"free beer\" (to borrow a phrase from the founder of the free "
-"software movement<placeholder type=\"footnote\" id=\"0\"/>), but \"free\" as "
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-"rights, to guarantee that follow-on creators and innovators remain "
-"<emphasis>as free as possible</emphasis> from the control of the past. A "
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-"with the permission of the powerful, or of creators from the past."
+"that follow, we come from a tradition of <quote>free culture</quote>&mdash;"
+"not <quote>free</quote> as in <quote>free beer</quote> (to borrow a phrase "
+"from the founder of the free software movement<placeholder type=\"footnote\" "
+"id=\"0\"/>), but <quote>free</quote> as in <quote>free speech,</quote> "
+"<quote>free markets,</quote> <quote>free trade,</quote> <quote>free "
+"enterprise,</quote> <quote>free will,</quote> and <quote>free elections.</"
+"quote> A free culture supports and protects creators and innovators. It does "
+"this directly by granting intellectual property rights. But it does so "
+"indirectly by limiting the reach of those rights, to guarantee that follow-"
+"on creators and innovators remain <emphasis>as free as possible</emphasis> "
+"from the control of the past. A free culture is not a culture without "
+"property, just as a free market is not a market in which everything is free. "
+"The opposite of a free culture is a <quote>permission culture</quote>&mdash;"
+"a culture in which creators get to create only with the permission of the "
+"powerful, or of creators from the past."

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 "Den tradisjonen er måten vår kultur blir laget på.  Som jeg vil forklare i "
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 "Den tradisjonen er måten vår kultur blir laget på.  Som jeg vil forklare i "

-"sidene som følger, kommer vi fra en tradisjon av \"fri kultur\"&mdash;ikke "
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+"sidene som følger, kommer vi fra en tradisjon av <quote>fri kultur</"
+"quote>&mdash;ikke <quote>fri</quote> som i <quote>fri bar</quote> (for å "
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+"\"footnote\" id=\"0\"/>), men <quote>fri</quote> som i <quote>talefrihet</"
+"quote>, <quote>fritt marked</quote>, <quote>frihandel</quote>, <quote>fri "
+"konkurranse</quote>, <quote>fri vilje</quote> og <quote>frie valg</quote>.  "
+"En fri kultur støtter og beskytter skapere og oppfinnere.  Dette gjør den "
+"direkte ved å tildele immaterielle rettigheter.  Men det gjør den indirekte "
+"ved å begrense rekkevidden for disse rettighetene, for å garantere at neste "
+"generasjon skapere og oppfinnere forblir <emphasis>så fri som mulig</"
+"emphasis> fra kontroll fra fortiden.  En fri kultur er ikke en kultur uten "
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+"der skapere kun kan skape med tillatelse fra de mektige, eller fra skaperne "
+"fra fortiden."

 
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-"If we understood this change, I believe we would resist it. Not \"we\" on "
-"the Left or \"you\" on the Right, but we who have no stake in the particular "
-"industries of culture that defined the twentieth century.  Whether you are "
-"on the Left or the Right, if you are in this sense disinterested, then the "
-"story I tell here will trouble you. For the changes I describe affect values "
-"that both sides of our political culture deem fundamental."
-msgstr ""
-"Hvis vi forsto denne endringen, så tror jeg vi ville stå imot den.  Ikke \"vi"
-"\" på venstresiden eller \"dere\" på høyresiden, men vi som ikke har "
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-"endringene jeg beskriver påvirker verdier som begge sider av vår politiske "
-"kultur anser som grunnleggende."
+"If we understood this change, I believe we would resist it. Not <quote>we</"
+"quote> on the Left or <quote>you</quote> on the Right, but we who have no "
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+"century.  Whether you are on the Left or the Right, if you are in this sense "
+"disinterested, then the story I tell here will trouble you. For the changes "
+"I describe affect values that both sides of our political culture deem "
+"fundamental."
+msgstr ""
+"Hvis vi forsto denne endringen, så tror jeg vi ville stå imot den.  Ikke "
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+"du i denne forstand ikke har interesser, vil historien jeg forteller her gi "
+"deg problemer. For endringene jeg beskriver påvirker verdier som begge sider "
+"av vår politiske kultur anser som grunnleggende."

 
 #. type: Content of: <book><chapter><indexterm><primary>
 msgid "CodePink Women in Peace"
 msgstr ""
 
 
 #. type: Content of: <book><chapter><indexterm><primary>
 msgid "CodePink Women in Peace"
 msgstr ""
 

-#. type: Content of: <book><chapter><para><indexterm><primary>
+#. type: Content of: <book><preface><indexterm><primary>
+msgid "Stevens, Ted"
+msgstr "Stevens, Ted"
+
+#. type: Content of: <book><chapter><indexterm><primary>

 msgid "Safire, William"
 msgstr "Safire, William"
 
 msgid "Safire, William"
 msgstr "Safire, William"
 


@@ -512,29 +525,29 @@ msgid ""
 "the FCC considered changes in media ownership rules that would relax limits "
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-"William Safire, \"The Great Media Gulp,\" <citetitle>New York Times</"
-"citetitle>, 22 May 2003.  <placeholder type=\"indexterm\" id=\"0\"/>"
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-"William Safire, \"The Great Media Gulp,\" <citetitle>New York Times</"
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@@ -565,8 +578,8 @@ msgid ""
 "Foundation. Indeed, as I reread Stallman's own work, especially the essays "
 "in <citetitle>Free Software, Free Society</citetitle>, I realize that all of "
 "the theoretical insights I develop here are insights Stallman described "
 "Foundation. Indeed, as I reread Stallman's own work, especially the essays "
 "in <citetitle>Free Software, Free Society</citetitle>, I realize that all of "
 "the theoretical insights I develop here are insights Stallman described "

-"decades ago. One could thus well argue that this work is \"merely\" "
-"derivative."
+"decades ago. One could thus well argue that this work is <quote>merely</"
+"quote> derivative."

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@@ -581,7 +594,7 @@ msgstr ""
 "nytt, spesielt essyene i <citetitle>Free Software, Free Society</citetitle>, "
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@@ -637,6 +650,26 @@ msgstr ""
 msgid "INTRODUCTION"
 msgstr "Introduksjon"
 
 msgid "INTRODUCTION"
 msgstr "Introduksjon"
 

+#. type: Content of: <book><chapter><indexterm><primary>
+msgid "air traffic, land ownership vs."
+msgstr "lufttrafikk, landeierskap mot"
+
+#. type: Content of: <book><chapter><section><section><indexterm><primary>
+msgid "land ownership, air traffic and"
+msgstr "landeierskap, lufttrafikk og"
+
+#. type: Content of: <book><chapter><section><section><indexterm><primary>
+msgid "property rights"
+msgstr "eiendomsrettigheter"
+
+#. type: Content of: <book><chapter><section><section><indexterm><secondary>
+msgid "air traffic vs."
+msgstr "lufttrafikk mot"
+
+#. type: Content of: <book><chapter><indexterm><primary>
+msgid "Wright brothers"
+msgstr "Wright-brødrene"
+

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@@ -666,20 +699,20 @@ msgid ""
 "At the time the Wright brothers invented the airplane, American law held "
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-"above, to \"an indefinite extent, upwards.\"<placeholder type=\"footnote\" "
-"id=\"0\"/> For many years, scholars had puzzled about how best to interpret "
-"the idea that rights in land ran to the heavens. Did that mean that you "
-"owned the stars? Could you prosecute geese for their willful and regular "
-"trespass?"
+"above, to <quote>an indefinite extent, upwards.</quote><placeholder type="
+"\"footnote\" id=\"0\"/> For many years, scholars had puzzled about how best "
+"to interpret the idea that rights in land ran to the heavens. Did that mean "
+"that you owned the stars? Could you prosecute geese for their willful and "
+"regular trespass?"

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@@ -715,9 +748,9 @@ msgid ""
 "walls and died), the Causbys filed a lawsuit saying that the government was "
 "trespassing on their land. The airplanes, of course, never touched the "
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 "walls and died), the Causbys filed a lawsuit saying that the government was "
 "trespassing on their land. The airplanes, of course, never touched the "
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-"said, their land reached to \"an indefinite extent, upwards,\" then the "
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+"wanted it to stop."

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 "døde), saksøkte Causbyene regjeringen for å trenge seg inn på deres eiendom. "
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 "stemte som Blackstone, Kent, og Cola hadde sagt, at deres eiendom strakk seg "
 "døde), saksøkte Causbyene regjeringen for å trenge seg inn på deres eiendom. "
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+"på deres eiendom, og Causbys ønsket å sette en stopper for dette."

 
 #. type: Content of: <book><chapter><para>
 msgid ""
 "The Supreme Court agreed to hear the Causbys' case. Congress had declared "
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 "The Supreme Court agreed to hear the Causbys' case. Congress had declared "
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 #. type: Content of: <book><chapter><blockquote><para><footnote><para>
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 "United States v. Causby, U.S. 328 (1946): 256, 261. The Court did find that "
 
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 "United States v. Causby, U.S. 328 (1946): 256, 261. The Court did find that "

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-"Notes Toward a Cultural Geography of Authorship,\" <citetitle>Stanford Law "
-"Review</citetitle> 48 (1996): 1293, 1333. See also Paul Goldstein, "
-"<citetitle>Real Property</citetitle> (Mineola, N.Y.: Foundation Press, "
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-"<placeholder type=\"indexterm\" id=\"1\"/>"
+"there could be a <quote>taking</quote> if the government's use of its land "
+"effectively destroyed the value of the Causbys' land. This example was "
+"suggested to me by Keith Aoki's wonderful piece, <quote>(Intellectual)  "
+"Property and Sovereignty: Notes Toward a Cultural Geography of Authorship,</"
+"quote> <citetitle>Stanford Law Review</citetitle> 48 (1996): 1293, 1333. See "
+"also Paul Goldstein, <citetitle>Real Property</citetitle> (Mineola, N.Y.: "
+"Foundation Press, 1984), 1112&ndash;13.  <placeholder type=\"indexterm\" id="
+"\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"

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-"\"indexterm\" id=\"1\"/>"
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+"meg i Keith Aokis flotte stykke, <quote>(intellectual) Property and "
+"Sovereignty: Notes Toward a cultural Geography of Authorship</quote>, "
+"<citetitle>Stanford Law Review</citetitle> 48 (1996): 1293, 1333. Se også "
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+"\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"

 
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-msgid "\"Common sense revolts at the idea.\""
-msgstr "\"Idéen er i strid med sunn fornuft.\""
+msgid "<quote>Common sense revolts at the idea.</quote>"
+msgstr "<quote>Idéen er i strid med sunn fornuft.</quote>"

 
 #. PAGE BREAK 18
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 #. PAGE BREAK 18
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+"that Douglas holds in a single line: <quote>Common sense revolts at the idea."
+"</quote> But whether it takes pages or a few words, it is the special genius "
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+"of the time. And as it adjusts, it changes. Ideas that were as solid as rock "
+"in one age crumble in another."

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@@ -827,13 +860,14 @@ msgid ""
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+
+#. type: Content of: <book><part><chapter><section><indexterm><primary>
+msgid "Armstrong, Edwin Howard"
+msgstr "Armstrong, Edwin Howard"

 
 #. type: Content of: <book><chapter><para><indexterm><primary>
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 #. type: Content of: <book><chapter><para><indexterm><primary>
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@@ -865,28 +904,29 @@ msgstr "Faraday, Michael"
 
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@@ -914,8 +954,8 @@ msgid ""
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 #. type: Content of: <book><chapter><para>
 msgid "The audience was hearing something no one had thought possible:"
 
 #. type: Content of: <book><chapter><para>
 msgid "The audience was hearing something no one had thought possible:"


@@ -945,16 +985,16 @@ msgid ""
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 #. PAGE BREAK 20
 #. type: Content of: <book><chapter><para>
 
 #. PAGE BREAK 20
 #. type: Content of: <book><chapter><para>


@@ -980,24 +1020,26 @@ msgid ""
 "RCA's president, David Sarnoff, a friend of Armstrong's, was eager that "
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+"Rochelle Dreyfuss ved NYU kritiserer som <quote>hvis verdi, så rettighet</"
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+"id=\"0\"/>&mdash;hvis det finnes verdi, så må noen ha rettigheten til denne "
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+"\"1\"/> Det fantes <quote>verdi</quote> (sangene), så det måtte ha vært en "
+"<quote>rettighet</quote>&mdash;til og med mot jentespeiderne."

 
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@@ -1965,15 +2022,16 @@ msgstr "ASCAP"
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@@ -2049,9 +2107,9 @@ msgid ""
 "But with the birth of the Internet, this natural limit to the reach of the "
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 "certainly as it affects noncommercial creativity, and increasingly as it "
 "affects commercial creativity as well. Thus, as we'll see more clearly in "
 "the chapters below, the law's role is less and less to support creativity, "


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+"kreative klassen."

 
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+"context the current battles about behavior labeled <quote>piracy.</quote>"

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 #. type: Content of: <book><part><chapter><title>
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 msgstr "Kapittel en: Skaperne"
 
 
 #. type: Content of: <book><part><chapter><title>
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 msgstr "Kapittel en: Skaperne"
 

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+msgstr "tegnefilmer"
+

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 #.  PAGE BREAK 42
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 "took years of training before they could be deployed by amateurs in any "
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 #.  f6
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+"familiar. The photographer was <quote>taking</quote> something from the "
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 #.  f8
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+"Se Melville B. Nimmer, <quote>The Right of Publicity</quote>, <citetitle>Law "
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-"As Brown believes, we learn by tinkering. When \"a lot of us grew up,\" he "
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-"This opportunity creates a \"completely new kind of learning platform,\" as "
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 #.  PAGE BREAK 63
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@@ -4750,14 +4880,14 @@ msgid ""
 "university brochures&mdash;basically anything that users of the RPI network "
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@@ -4772,21 +4902,20 @@ msgid ""
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@@ -4795,68 +4924,82 @@ msgid ""
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+"Den 3. april 2003 ble Jesse kontaktet av lederen for studentkontoret ved "
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+"Jesse forkynt søksmålet og fikk overlevert dokumentene.  Mens han leste "
+"disse dokumentene og så på nyhetsrapportene om den, ble han stadig mer "
+"forbauset."
+
+#. type: Content of: <book><part><chapter><para>
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+"<quote>Det var absurd</quote>, fortalte han meg. <quote>Jeg mener at jeg "
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+"få tilgang til innhold, som Jesse ikke hadde laget eller gjort tilgjengelig, "
+"og der det store flertall av dette ikke hadde noe å gjøre med musikk."
+
+#. type: Content of: <book><part><chapter><indexterm><primary>
+msgid "statutory damages"
+msgstr "lovbestemte skader"

 
 #.  PAGE BREAK 64
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-"As the RIAA alleged more than one hundred specific copyright infringements, "
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-msgstr ""
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+msgstr ""
+"Men RIAA kalte Jesse en pirat.  De hevdet at han opererte et nettverk og "
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+"opphavsrettskrenkelser, krevde de dermed at Jesse betalte dem minst "
+"$15&nbsp;000&nbsp;000."
+
+#. type: Content of: <book><part><chapter><indexterm><primary>
+msgid "Princeton University"
+msgstr "Princeton University"
+
+#. type: Content of: <book><part><chapter><indexterm><primary>
+msgid "Michigan Technical University"
+msgstr "Michigan Technical University"

 
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-"citetitle> 6 (2003): 5, available at 2003 WL 55179443."
+"Tim Goral, <quote>Recording Industry Goes After Campus P-2-P Networks: Suit "
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@@ -4864,46 +5007,59 @@ msgid ""
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+"States to award the plaintiffs close to $100 <emphasis>billion</"
+"emphasis>&mdash;six times the <emphasis>total</emphasis> profit of the film "
+"industry in 2001.<placeholder type=\"footnote\" id=\"0\"/>"
+msgstr ""
+"Lignende søksmål ble gjort mot tre andre studenter: en annen student ved "
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+"opp disse kravene, ba disse fire søksmålene domstolene i USA å tildele "
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 "<placeholder type=\"footnote\" id=\"0\"/>"
 "<placeholder type=\"footnote\" id=\"0\"/>"

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+
+#. type: Content of: <book><part><chapter><indexterm><primary>
+msgid "Oppenheimer, Matt"
+msgstr "Oppenheimer, Matt"

 
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 #.  PAGE BREAK 65
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 #.  PAGE BREAK 65
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 "Så Jesse hadde et mafia-lignende valg: $250&nbsp;000 og en sjanse til å "
 "vinne, eller $12&nbsp;000 og et forlik."
 

+#. type: Content of: <book><chapter><section><section><indexterm><primary>
+msgid "artists"
+msgstr "artister"
+
+#. type: Content of: <book><chapter><section><section><indexterm><secondary>
+msgid "recording industry payments to"
+msgstr "musikkindustriens betaling til"
+

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@@ -4965,6 +5129,15 @@ msgid ""
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 "&hellip; Jeg synes det er sært at de ville lage bråk med ham.  Men han "
 "ønsker å la folk vite at de sender feil budskap.  Og han ønsker å korrigere "
 "konservativ, og det samme gjør jeg. &hellip; Han er ingen treklemmer. "
 "&hellip; Jeg synes det er sært at de ville lage bråk med ham.  Men han "
 "ønsker å la folk vite at de sender feil budskap.  Og han ønsker å korrigere "

-"rullebladet.\""
+"rullebladet.</quote>"

 
 #. type: Content of: <book><part><chapter><title>
 
 #. type: Content of: <book><part><chapter><title>

-msgid "CHAPTER FOUR: \"Pirates\""
-msgstr "Kapittel fire: \"Pirater\""
+msgid "CHAPTER FOUR: <quote>Pirates</quote>"
+msgstr "Kapittel fire: <quote>Pirater</quote>"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

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 msgid ""

-"If \"piracy\" means using the creative property of others without their "
-"permission&mdash;if \"if value, then right\" is true&mdash;then the history "
-"of the content industry is a history of piracy. Every important sector of "
-"\"big media\" today&mdash;film, records, radio, and cable TV&mdash;was born "
-"of a kind of piracy so defined. The consistent story is how last "
-"generation's pirates join this generation's country club&mdash;until now."
+"If <quote>piracy</quote> means using the creative property of others without "
+"their permission&mdash;if <quote>if value, then right</quote> is true&mdash;"
+"then the history of the content industry is a history of piracy. Every "
+"important sector of <quote>big media</quote> today&mdash;film, records, "
+"radio, and cable TV&mdash;was born of a kind of piracy so defined. The "
+"consistent story is how last generation's pirates join this generation's "
+"country club&mdash;until now."

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-"Hvis \"piratkopiering\" betyr ved hjelp av kreative egenskapen til andre "
-"uten deres tillatelse&mdash;Hvis \"Hvis verdien, deretter høyre\" er "
-"sant&mdash; deretter historien av innhold industrien er en historie om "
-"piratkopiering. viktig sektor av \"store media\" i dag - filmen, poster, "
-"radio og kabel-tv&mdash;ble født av en form for piratkopiering derfor "
-"definert. konsekvent historien er hvordan siste generasjon pirater bli med "
-"denne generasjon country club&mdash;før nå."
+"Hvis <quote>piratvirksomhet</quote> betyr å bruke den kreative eiendommen "
+"til andre uten deres tillatelse&mdash;hvis <quote>hvis verdi, så rettighet</"
+"quote> er sant&mdash;da er historien om innholdsindustrien en historie om "
+"piratvirksomhet.  Hver eneste viktige sektor av <quote>store medier</quote> "
+"i dag&mdash;film, plater, radio og kabel-TV&mdash;kom fra en slags "
+"piratvirksomhet etter den definisjonen.  Den konsekvente fortellingen er at "
+"forrige generasjon pirater blir del av denne generasjonens borgerskap&mdash;"
+"inntil nå."

 
 #. type: Content of: <book><part><chapter><section><title>
 msgid "Film"
 
 #. type: Content of: <book><part><chapter><section><title>
 msgid "Film"


@@ -5034,14 +5208,14 @@ msgstr "Film"
 msgid ""
 "I am grateful to Peter DiMauro for pointing me to this extraordinary "
 "history. See also Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</"
 msgid ""
 "I am grateful to Peter DiMauro for pointing me to this extraordinary "
 "history. See also Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</"

-"citetitle>, 87&ndash;93, which details Edison's \"adventures\" with "
-"copyright and patent.  <placeholder type=\"indexterm\" id=\"0\"/>"
+"citetitle>, 87&ndash;93, which details Edison's <quote>adventures</quote> "
+"with copyright and patent.  <placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "Jeg er takknemlig til Peter DiMauro for å ha pekt meg i retning av denne "
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 "and Copywrongs</citetitle>, 87&ndash;93, som forteller detaljer om Edisons "
 msgstr ""
 "Jeg er takknemlig til Peter DiMauro for å ha pekt meg i retning av denne "
 "ekstraordinære historien.  Se også Siva Vaidhyanathan, <citetitle>Copyrights "
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-"\"0\"/>"
+"<quote>eventyr</quote> med opphavsrett og patent. <placeholder type="
+"\"indexterm\" id=\"0\"/>"

 
 #.  PAGE BREAK 67
 #. type: Content of: <book><part><chapter><section><para>
 
 #.  PAGE BREAK 67
 #. type: Content of: <book><part><chapter><section><para>


@@ -5050,20 +5224,27 @@ msgid ""
 "type=\"footnote\" id=\"0\"/> Creators and directors migrated from the East "
 "Coast to California in the early twentieth century in part to escape "
 "controls that patents granted the inventor of filmmaking, Thomas Edison. "
 "type=\"footnote\" id=\"0\"/> Creators and directors migrated from the East "
 "Coast to California in the early twentieth century in part to escape "
 "controls that patents granted the inventor of filmmaking, Thomas Edison. "

-"These controls were exercised through a monopoly \"trust,\" the Motion "
-"Pictures Patents Company, and were based on Thomas Edison's creative "
+"These controls were exercised through a monopoly <quote>trust,</quote> the "
+"Motion Pictures Patents Company, and were based on Thomas Edison's creative "

 "property&mdash;patents.  Edison formed the MPPC to exercise the rights this "
 "creative property gave him, and the MPPC was serious about the control it "
 "demanded."
 msgstr ""
 "property&mdash;patents.  Edison formed the MPPC to exercise the rights this "
 "creative property gave him, and the MPPC was serious about the control it "
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 msgstr ""

+"Filmindustrien i Hollywood var bygget av flyktende pirater.<placeholder type="
+"\"footnote\" id=\"0\"/> Skapere og regisører migrerte fra østkysten til "
+"California tidlig i det tjuende århundret delvis for å slippe unna "
+"kontrollene som patenter ga oppfinneren av det å lage filmer, Thomas "
+"Edison.  Disse kontrollene be utøvet gjennom et monopol-<quote>kartell</"
+"quote>, The Motion Pictures Patents company, og var basert på Tomhas Edisons "
+"kreative eierrettigheter&mdash;patenter. Edison stiftet MPPC for å utøve "
+"rettighetene som disse kreative eierrettighetene ga ham, og MPPC var seriøst "
+"med kontrollen de krevde."

 
 #. type: Content of: <book><part><chapter><section><para>
 
 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

 msgid "As one commentator tells one part of the story,"
 msgid "As one commentator tells one part of the story,"

-msgstr "som en kommentator forteller en del av historien,"
+msgstr "Som en kommentaror forteller en del av historien,"

 
 #. type: Content of: <book><part><chapter><section><blockquote><para>
 
 #. type: Content of: <book><part><chapter><section><blockquote><para>

-#, mtrans, fuzzy

 msgid ""
 "A January 1909 deadline was set for all companies to comply with the "
 "license. By February, unlicensed outlaws, who referred to themselves as "
 msgid ""
 "A January 1909 deadline was set for all companies to comply with the "
 "license. By February, unlicensed outlaws, who referred to themselves as "


@@ -5072,26 +5253,31 @@ msgid ""
 "in full-swing, with producers and theater owners using illegal equipment and "
 "imported film stock to create their own underground market."
 msgstr ""
 "in full-swing, with producers and theater owners using illegal equipment and "
 "imported film stock to create their own underground market."
 msgstr ""

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-"lisens. februar, ulisensiert outlaws, som henviste til seg selv som "
-"independents protesterte tillit og videreførte virksomhet uten å sende til "
-"edison-monopol. i løpet av 1909 sommeren var uavhengige bevegelsen i full-"
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-"film lager til å lage sine egne underjordisk marked."
+"En tidsfrist ble satt til januar 1909 for alle selskaper å komme i samsvar "
+"med lisensen.  Når februar kom, protesterte de ulisensierte fredløse, som "
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+"forretningsvirksomhet uten å bøye seg for Edisons monopol.  Sommeren 1909 "
+"var bevegelsen med uavhenginge i full sving, med produsenter og kinoeiere "
+"som brukte ulovlig utstyr og importerte filmlager for å opprette sitt eget "
+"undergrunnsmarked."
+
+#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
+msgid "broadcast flag"
+msgstr "kringkastingsflagg"

 
 

-#.  f2

 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para>
 msgid ""
 "J. A. Aberdeen, <citetitle>Hollywood Renegades: The Society of Independent "
 "Motion Picture Producers</citetitle> (Cobblestone Entertainment, 2000) and "
 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para>
 msgid ""
 "J. A. Aberdeen, <citetitle>Hollywood Renegades: The Society of Independent "
 "Motion Picture Producers</citetitle> (Cobblestone Entertainment, 2000) and "

-"expanded texts posted at \"The Edison Movie Monopoly: The Motion Picture "
-"Patents Company vs. the Independent Outlaws,\" available at <ulink url="
-"\"http://free-culture.cc/notes/\">link #11</ulink>. For a discussion of the "
-"economic motive behind both these limits and the limits imposed by Victor on "
-"phonographs, see Randal C. Picker, \"From Edison to the Broadcast Flag: "
-"Mechanisms of Consent and Refusal and the Propertization of Copyright"
-"\" (September 2002), University of Chicago Law School, James M. Olin Program "
-"in Law and Economics, Working Paper No. 159."
+"expanded texts posted at <quote>The Edison Movie Monopoly: The Motion "
+"Picture Patents Company vs. the Independent Outlaws,</quote> available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #11</ulink>. For a "
+"discussion of the economic motive behind both these limits and the limits "
+"imposed by Victor on phonographs, see Randal C. Picker, <quote>From Edison "
+"to the Broadcast Flag: Mechanisms of Consent and Refusal and the "
+"Propertization of Copyright</quote> (September 2002), University of Chicago "
+"Law School, James M. Olin Program in Law and Economics, Working Paper No. "
+"159.  <placeholder type=\"indexterm\" id=\"0\"/>"

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 #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary>


@@ -5121,46 +5307,68 @@ msgid ""
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 "id=\"3\"/>"
 msgstr ""
 "<placeholder type=\"indexterm\" id=\"2\"/> <placeholder type=\"indexterm\" "
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+"Med et land som så en kolosal økning i antall billige kinoer, såkalte "
+"nickelodeons, reagerte patentselskapet på bevegelsen av uavhengige med å "
+"stifte et hardhendt datterselskap ved navn General Film Company for å "
+"blokkere innføringen av ulisensierte uavhengige.  Med tvangstaktikker som "
+"har blitt legendariske, konfiserte General Film ulisensiert utstyr, stoppet "
+"varelevering til kinoer som viste ulisensiert fil, og effektivt "
+"monopoliserte distribusjon ved å kjøpe opp alle USAs filmsentraler, med "
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-"Marc Wanamaker, \"The First Studios,\" <citetitle>The Silents Majority</"
-"citetitle>, archived at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#12</ulink>."
+"Marc Wanamaker, <quote>The First Studios,</quote> <citetitle>The Silents "
+"Majority</citetitle>, archived at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #12</ulink>."

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 msgstr ""

-"Marc Wanamaker, \"The First Studios,\" <citetitle>The Silents Majority</"
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+"Marc Wanamaker, <quote>The First Studios,</quote> <citetitle>The Silents "
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 #. type: Content of: <book><part><chapter><section><para>
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-"The Napsters of those days, the \"independents,\" were companies like Fox. "
-"And no less than today, these independents were vigorously resisted.  "
-"\"Shooting was disrupted by machinery stolen, and `accidents' resulting in "
-"loss of negatives, equipment, buildings and sometimes life and limb "
-"frequently occurred.\"<placeholder type=\"footnote\" id=\"0\"/> That led the "
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+"sometimes life and limb frequently occurred.</quote><placeholder type="
+"\"footnote\" id=\"0\"/> That led the independents to flee the East Coast. "
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+"pirate his inventions without fear of the law. And the leaders of Hollywood "
+"filmmaking, Fox most prominently, did just that."

 msgstr ""
 msgstr ""

+"Napsterne i de dager, de <quote>uavhengige</quote>, var selskaper som Fox.  "
+"Og ikke mindre enn i dag ble disse uavhengige intenst motarbeidet.  "
+"<quote>Opptak ble avbrutt av stjålet maskineri, og 'uhell' som førte til "
+"tapte negativer, utstyr, bygninger og noen ganger liv og lemmer skjedde ofte."
+"</quote><placeholder type=\"footnote\" id=\"0\"/> Dette fikk de uavhengige "
+"til å flykte til østkysten.  Californa var fjernt nok fra Edisons "
+"innflytelse til at filmskaperne der kunne røve hans nyvinninger uten å "
+"frykte loven.  Og lederne blant Hollywods filmskapere, Fox mest "
+"fremtredende, gjorde akkurat dette."

 
 #.  PAGE BREAK 68
 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "Of course, California grew quickly, and the effective enforcement of federal "
 "law eventually spread west. But because patents grant the patent holder a "
 
 #.  PAGE BREAK 68
 #. type: Content of: <book><part><chapter><section><para>
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 "Of course, California grew quickly, and the effective enforcement of federal "
 "law eventually spread west. But because patents grant the patent holder a "

-"truly \"limited\" monopoly (just seventeen years at that time), by the time "
-"enough federal marshals appeared, the patents had expired. A new industry "
-"had been born, in part from the piracy of Edison's creative property."
+"truly <quote>limited</quote> monopoly (just seventeen years at that time), "
+"by the time enough federal marshals appeared, the patents had expired. A new "
+"industry had been born, in part from the piracy of Edison's creative "
+"property."

 msgstr ""
 "California vokste naturligvis raskt, og effektiv håndhevelse av føderale "
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 msgstr ""
 "California vokste naturligvis raskt, og effektiv håndhevelse av føderale "
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+"patentinnehaveren et i sannhet <quote>begrenset</quote> monopol (kun sytten "
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+"kreative rettigheter."

 
 #. type: Content of: <book><part><chapter><section><title>
 msgid "Recorded Music"
 
 #. type: Content of: <book><part><chapter><section><title>
 msgid "Recorded Music"


@@ -5171,7 +5379,7 @@ msgid ""
 "The record industry was born of another kind of piracy, though to see how "
 "requires a bit of detail about the way the law regulates music."
 msgstr ""
 "The record industry was born of another kind of piracy, though to see how "
 "requires a bit of detail about the way the law regulates music."
 msgstr ""

-"Plateindustrien ble født av en annen type piratvirksomhet, dog for å forstå "
+"Musikkindustrien ble født av en annen type piratvirksomhet, dog for å forstå "

 "hvordan krever at en setter seg inn i detaljer om hvordan loven regulerer "
 "musikk."
 
 "hvordan krever at en setter seg inn i detaljer om hvordan loven regulerer "
 "musikk."
 


@@ -5184,75 +5392,76 @@ msgid "Russel, Phil"
 msgstr "Russel, Phil"
 
 #. type: Content of: <book><part><chapter><section><para>
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 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

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 "At the time that Edison and Henri Fourneaux invented machines for "
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-msgstr ""
-"på tiden at edison og henri fourneaux oppfunnet maskiner for å gjengi musikk "
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+"Mose,</quote> the law said I would have to pay for the right to get a copy "
+"of the musical score, and I would also have to pay for the right to perform "
+"it publicly."
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+"På den tiden da Edison og Henri Fourneaux fant opp maskiner for å "
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 #. type: Content of: <book><part><chapter><section><para><indexterm><primary>
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 #. type: Content of: <book><part><chapter><section><para>
 
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 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

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 msgid ""

-"But what if I wanted to record \"Happy Mose,\" using Edison's phonograph or "
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-msgstr ""
-"men hva om jeg ønsket å spille inn \"happy mose,\" ved hjelp av Edisons "
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+"Men hva hvis jeg ønsket å spille inn <quote>Happy Mose</quote> ved hjelp av "
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+"av dette hullet i loven, sa kunne jeg i effekt røve noen andres sang uten å "
+"betale dets komponist noe."

 
 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary>
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 msgstr "Kittredge, Alfred"
 
 #. type: Content of: <book><part><chapter><section><para>
 
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 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

 msgid ""
 "The composers (and publishers) were none too happy about this capacity to "
 "pirate. As South Dakota senator Alfred Kittredge put it, <placeholder type="
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 msgstr ""
 msgid ""
 "The composers (and publishers) were none too happy about this capacity to "
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-"komponister (og utgivere) var ingen så glade om denne kapasiteten til pirat. "
-"som i Sør-dakota senator alfred sa kittredge,"
+"Komponistene (og utgiverne) var ikke veldig glade for denne kapasiteten til "
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+"<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para>
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@@ -5279,71 +5488,85 @@ msgid ""
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 msgstr ""
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+"Forestill dere denne urettferdigheten.  En komponist skriver en sang eller "
+"en opera.  En utgiver kjøper til et høy sum rettighetene til denne, og "
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+"selskapene som skjærer musikk-ruller og med vitende og vilje stjeler "
+"arbeidet som kommer fra hjernet til komponisten og utgiveren uten å bry seg "
+"om [deres] rettigheter.<placeholder type=\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><section><indexterm><primary>
+msgid "Sousa, John Philip"
+msgstr "Sousa, John Philip"

 
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 "To Amend and Consolidate the Acts Respecting Copyright, 223 (statement of "
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 #.  f7
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 #. type: Content of: <book><part><chapter><section><para>
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 #. type: Content of: <book><part><chapter><section><para>
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+"were <quote>sponging upon the toil, the work, the talent, and genius of "
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+"As John Philip Sousa put it, in as direct a way as possible, <quote>When "
+"they make money out of my pieces, I want a share of it.</quote><placeholder "
+"type=\"footnote\" id=\"2\"/>"
+msgstr ""
+"Innovatørene som utviklet teknologien for å spille inn andres arbeide "
+"<quote>snyltet på innsatsen, arbeidet, tallentet og geniet til amerikanske "
+"komponister</quote>,<placeholder type=\"footnote\" id=\"0\"/> og "
+"<quote>musikkpubliseringsindistrien</quote> var dermed <quote>fullstendig i "
+"denne piratens vold</quote>.<placeholder type=\"footnote\" id=\"1\"/> Som "
+"John Philip Sousa formulerte det, så direkte som det kan sies, <quote>når de "
+"tjener penger på mine stykker, så vil jeg ha en andel</quote>.<placeholder "
+"type=\"footnote\" id=\"2\"/>"

 
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-#, mtrans, fuzzy

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 "To Amend and Consolidate the Acts Respecting Copyright, 283&ndash;84 "
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-"new york)."
+"To Amend and Consolidate the Acts Respecting Copyright, 283&ndash;84 "
+"(uttalelse fra Albert Walker, representant for the Auto-Music Perforating "
+"Company of New York)."

 
 #.  f9
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-#, mtrans, fuzzy

 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 376 (prepared "
 "memorandum of Philip Mauro, general patent counsel of the American "
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+"To Amend and Consolidate the Acts Respecting Copyright, 376 (forberedt "
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+"Company Association)."

 
 #. type: Content of: <book><part><chapter><section><para><indexterm><primary>
 msgid "American Graphophone Company"
 
 #. type: Content of: <book><part><chapter><section><para><indexterm><primary>
 msgid "American Graphophone Company"


@@ -5353,68 +5576,66 @@ msgstr ""
 msgid ""
 "These arguments have familiar echoes in the wars of our day. So, too, do the "
 "arguments on the other side. The innovators who developed the player piano "
 msgid ""
 "These arguments have familiar echoes in the wars of our day. So, too, do the "
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-"argued that \"it is perfectly demonstrable that the introduction of "
+"argued that <quote>it is perfectly demonstrable that the introduction of "

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 "automatic music players has not deprived any composer of anything he had "

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 #.  PAGE BREAK 70
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 #.  PAGE BREAK 70
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-#, mtrans, fuzzy

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 "The law soon resolved this battle in favor of the composer <emphasis>and</"
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 "The law soon resolved this battle in favor of the composer <emphasis>and</"
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-"composers would be paid for the \"mechanical reproductions\" of their music. "
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-"to make mechanical reproductions, Congress gave recording artists a right to "
-"record the music, at a price set by Congress, once the composer allowed it "
-"to be recorded once. This is the part of copyright law that makes cover "
-"songs possible. Once a composer authorizes a recording of his song, others "
-"are free to record the same song, so long as they pay the original composer "
-"a fee set by the law."
-msgstr ""
-"loven løst snart denne kampen til fordel for komponisten og opptak "
-"kunstneren. kongressen endret loven å sørge for at komponister ville bli "
-"betalt for \"mekaniske reproduksjoner\" av musikken deres. men i stedet for "
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-"andre gratis å registrere samme sang, så lenge de betaler den opprinnelige "
-"komponisten et gebyr som er angitt av loven."
-
-#. type: Content of: <book><part><chapter><section><para>
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-msgid ""
-"American law ordinarily calls this a \"compulsory license,\" but I will "
-"refer to it as a \"statutory license.\" A statutory license is a license "
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-"Act in 1909, record companies were free to distribute copies of recordings "
-"so long as they paid the composer (or copyright holder)  the fee set by the "
-"statute."
-msgstr ""
-"amerikansk lov vanligvis kaller dette en \"tvangslisens\", men jeg vil se "
-"det som en \"lovbestemte lisens.\" en lovbestemte lisens er en lisens som "
-"hovedtermene angis av loven. etter congress's endring av copyright act i "
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+"composers would be paid for the <quote>mechanical reproductions</quote> of "
+"their music. But rather than simply granting the composer complete control "
+"over the right to make mechanical reproductions, Congress gave recording "
+"artists a right to record the music, at a price set by Congress, once the "
+"composer allowed it to be recorded once. This is the part of copyright law "
+"that makes cover songs possible. Once a composer authorizes a recording of "
+"his song, others are free to record the same song, so long as they pay the "
+"original composer a fee set by the law."
+msgstr ""
+"Loven løste snart denne kampen i favør av <emphasis>både</emphasis> "
+"komponisten og innspillingsartisten.  Kongressen endret loven slik at "
+"komponisten fikk betalt for den <quote>mekaniske reproduksjonen</quote> av "
+"deres musikk.  Men i stedet for å ganske enkelt gi komponisten full kontroll "
+"over rettigheten til å lage mekaniske reproduksjoner, ga kongressen "
+"innspillingsartister rett en til å spille inn musikk, til en pris satt av "
+"kongressen, så snart komponisten har tillatt at den ble spilt inn en gang.  "
+"Det er denne delen av opphavsrettsloven som gjør cover-låter mulig.  Så "
+"snart en komponist tillater en innspilling av hans sang, har andre mulighet "
+"til å spille inn samme sang, så lenge de betaler den originale komponisten "
+"et gebyr fastsatt av loven."
+
+#. type: Content of: <book><part><chapter><section><para>
+msgid ""
+"American law ordinarily calls this a <quote>compulsory license,</quote> but "
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+"amendment of the Copyright Act in 1909, record companies were free to "
+"distribute copies of recordings so long as they paid the composer (or "
+"copyright holder)  the fee set by the statute."
+msgstr ""
+"Amerikansk lov kaller dette vanligvis en <quote>tvangslisens</quote>, men "
+"jeg vil referere til dette som en <quote>lovbestemt lisens</quote>.  En "
+"lovbestemt lisens er en lisens hvis nøkkelvilkår er bestemt i lovverket.  "
+"Etter kongressens endring av opphavsrettsloven i 1909, sto plateselskapene "
+"fritt til å distribuere kopier av innspillinger så lenge som de betalte "
+"komponisten (eller opphavsrettsinnehaveren) gebyret spesifisert i lovverket."

 
 #. type: Content of: <book><chapter><section><section><para><indexterm><primary>
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 #. type: Content of: <book><part><chapter><section><para>
 
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 msgstr "Grisham, John"
 
 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

 msgid ""
 "This is an exception within the law of copyright. When John Grisham writes a "
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 msgid ""
 "This is an exception within the law of copyright. When John Grisham writes a "
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@@ -5424,12 +5645,13 @@ msgid ""
 "work except with permission of Grisham.  <placeholder type=\"indexterm\" id="
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 #.  f10
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 #.  f10
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@@ -5465,15 +5687,15 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>
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 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

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 "While the recording industry has been quite coy about this recently, "
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-"mens musikkindustrien har vært ganske sjenert om dette nylig, historisk har "
-"det vært ganske en tilhenger av lovbestemte lisensen for poster. som en 1967 "
-"relaterer rapport fra house committee på rettsvesenet,"
+"Mens musikkindustrien har vært ganske stille om dette i det siste, har de "
+"historisk vært høylytte tilhengere av den lovbestemte lisensen for "
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 #.  f11
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 #.  f11
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@@ -5505,22 +5727,20 @@ msgid ""
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-#, mtrans, fuzzy

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 "By limiting the rights musicians have, by partially pirating their creative "
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 msgid ""
 "By limiting the rights musicians have, by partially pirating their creative "
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+"Ved å begrense rettighetene musikere hadde, ved å delvis røve deres kreative "
+"verk, fikk innspillingsprodusentene, og folket, fordeler."

 
 #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry>
 msgid "Radio"
 msgstr "Radio"
 
 #. type: Content of: <book><part><chapter><section><para>
 
 #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry>
 msgid "Radio"
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 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

 msgid "Radio was also born of piracy."
 msgid "Radio was also born of piracy."

-msgstr "Radio ble også født av piratkopiering."
+msgstr "Radio kom også fra piratvirksomhet."

 
 #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
 msgid "Hand, Learned"
 
 #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
 msgid "Hand, Learned"


@@ -5530,16 +5750,17 @@ msgstr "Hand, Learned"
 #, mtrans, fuzzy
 msgid ""
 "See 17 <citetitle>United States Code</citetitle>, sections 106 and 110. At "
 #, mtrans, fuzzy
 msgid ""
 "See 17 <citetitle>United States Code</citetitle>, sections 106 and 110. At "

-"the beginning, record companies printed \"Not Licensed for Radio Broadcast\" "
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+"that a warning attached to a record might restrict the rights of the radio "
+"station. See <citetitle>RCA Manufacturing Co</citetitle>. v. "
+"<citetitle>Whiteman</citetitle>, 114 F. 2d 86 (2nd Cir. 1940). See also "
+"Randal C.  Picker, <quote>From Edison to the Broadcast Flag: Mechanisms of "
+"Consent and Refusal and the Propertization of Copyright,</quote> "
+"<citetitle>University of Chicago Law Review</citetitle> 70 (2003): 281.  "
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@@ -5553,12 +5774,18 @@ msgstr ""
 
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 #. type: Content of: <book><part><chapter><section><para>
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-"When a radio station plays a record on the air, that constitutes a \"public "
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+"When a radio station plays a record on the air, that constitutes a "
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+"\"footnote\" id=\"0\"/> As I described above, the law gives the composer (or "
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 msgstr ""
 msgstr ""

+"Når en radiostasjon spiller en plate på luften, så utgjør dette en "
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+"opphavsrettsinnehaveren) en eksklusiv rett til offentlige fremføringer av "
+"hans verk.  Radiostasjonen skylder dermed komponisten penger for denne "
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 #. type: Content of: <book><part><chapter><para><indexterm><primary>
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 #. type: Content of: <book><part><chapter><para><indexterm><primary>
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@@ -5566,30 +5793,31 @@ msgstr "Lovett, Lyle"
 
 #.  PAGE BREAK 72
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-#, mtrans, fuzzy

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 "But when the radio station plays a record, it is not only performing a copy "
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 msgid ""
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@@ -5597,50 +5825,48 @@ msgid ""
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@@ -5648,24 +5874,23 @@ msgid ""
 "the right to make this choice. By making the choice for him or her, the law "
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 msgstr "Kabel-TV"
 
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-#, mtrans, fuzzy

 msgid "Cable TV was also born of a kind of piracy."
 msgid "Cable TV was also born of a kind of piracy."

-msgstr "kabel-tv ble også født av en form for piratkopiering."
+msgstr "Kabel-TV kom også fra en form for piratvirksomhet."

 
 #.  PAGE BREAK 73
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 msgid ""
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@@ -5675,13 +5900,13 @@ msgid ""
 "egregiously than anything Napster ever did&mdash; Napster never charged for "
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 msgstr ""
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+"Da kabel-TV-gründere først begynte å koble opp fellesskap med kabel-TV i "
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+"noen gang gjorde&mdash;Napster tok aldri betalt for innholdet som det ble "
+"mulig for andre å gi bort."

 
 #. type: Content of: <book><part><chapter><section><indexterm><primary>
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@@ -5722,13 +5947,14 @@ msgstr ""
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@@ -5812,14 +6038,14 @@ msgid "Zimmerman, Edwin"
 msgstr "Zimmerman, Edwin"
 
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@@ -5844,14 +6070,15 @@ msgstr ""
 #, mtrans, fuzzy
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@@ -5869,16 +6096,16 @@ msgid ""
 "See, for example, National Music Publisher's Association, <citetitle>The "
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-msgid "CHAPTER FIVE: \"Piracy\""
-msgstr "Kapittel fem: \"Piratvirksomhet\""
+msgid "CHAPTER FIVE: <quote>Piracy</quote>"
+msgstr "Kapittel fem: <quote>Piratvirksomhet</quote>"

 
 #. type: Content of: <book><part><chapter><para>
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 #. type: Content of: <book><part><chapter><para>
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@@ -5924,9 +6152,12 @@ msgstr ""
 "det så ofte har gjort i fortiden."
 
 #. type: Content of: <book><part><chapter><section><title>
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 #. type: Content of: <book><part><chapter><section><title>

-#, mtrans, fuzzy

 msgid "Piracy I"
 msgid "Piracy I"

-msgstr "piratkopiering jeg"
+msgstr "Piratvirksomhet I"
+
+#. type: Content of: <book><chapter><section><section><indexterm><primary>
+msgid "Asia, commercial piracy in"
+msgstr "Asia, kommersiell piratvirksomhet i"

 
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@@ -5934,8 +6165,8 @@ msgid ""
 "See IFPI (International Federation of the Phonographic Industry), "
 "<citetitle>The Recording Industry Commercial Piracy Report 2003</citetitle>, "
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-"<citetitle>Financial Times</citetitle>, 14 February 2003, 11."
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@@ -6075,12 +6306,12 @@ msgstr "Liebowitz, Stan"
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@@ -6105,13 +6336,13 @@ msgid ""
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-"taking. Extremists in this debate love to say, \"You wouldn't go into Barnes "
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+"Barnes &amp; Noble and take a book off of the shelf without paying; why "
+"should it be any different with on-line music?</quote> The difference is, of "
+"course, that when you take a book from Barnes &amp; Noble, it has one less "
+"book to sell. By contrast, when you take an MP3 from a computer network, "
+"there is not one less CD that can be sold.  The physics of piracy of the "
+"intangible are different from the physics of piracy of the tangible."

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@@ -6134,13 +6365,13 @@ msgid ""
 "the terms under which content is shared. If the copyright owner doesn't want "
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 "the terms under which content is shared. If the copyright owner doesn't want "
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+"copyright owner. Those licenses give people the right to <quote>take</quote> "

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 "copyrighted content whether or not the copyright owner wants to sell. But "
 "where the law does not give people the right to take content, it is wrong to "
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 "system, and that system is properly balanced to the technology of a time, "
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-"owner. That is exactly what \"property\" means."
+"owner. That is exactly what <quote>property</quote> means."

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@@ -6163,7 +6394,7 @@ msgstr "GNU/Linux-operativsystemet"
 msgid "Linux operating system"
 msgstr "Linux-operativsystemet"
 
 msgid "Linux operating system"
 msgstr "Linux-operativsystemet"
 

-#. type: Content of: <book><part><chapter><section><para><indexterm><primary>
+#. type: Content of: <book><part><chapter><indexterm><primary>

 msgid "Microsoft"
 msgstr "Microsoft"
 
 msgid "Microsoft"
 msgstr "Microsoft"
 


@@ -6178,16 +6409,16 @@ msgstr "Windows"
 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "Finally, we could try to excuse this piracy with the argument that the "
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-"life in the Microsoft world. Over time, as the nation grows more wealthy, "
-"more and more people will buy software rather than steal it. And hence over "
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+"quote> Windows, that makes the Chinese dependent on Microsoft.  Microsoft "
+"loses the value of the software that was taken. But it gains users who are "
+"used to life in the Microsoft world. Over time, as the nation grows more "
+"wealthy, more and more people will buy software rather than steal it. And "
+"hence over time, because that buying will benefit Microsoft, Microsoft "
+"benefits from the piracy. If instead of pirating Microsoft Windows, the "
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+"would not eventually be buying Microsoft.  Without piracy, then, Microsoft "
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-"is increasingly used today. Many kinds of \"piracy\" are useful and "
-"productive, to produce either new content or new ways of doing business.  "
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+"suggest, even if some piracy is plainly wrong, not all <quote>piracy</quote> "
+"is. Or at least, not all <quote>piracy</quote> is wrong if that term is "
+"understood in the way it is increasingly used today. Many kinds of "
+"<quote>piracy</quote> are useful and productive, to produce either new "
+"content or new ways of doing business.  Neither our tradition nor any "
+"tradition has ever banned all <quote>piracy</quote> in that sense of the "
+"term."

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 #. type: Content of: <book><part><chapter><section><title>
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-#, mtrans, fuzzy

 msgid "Piracy II"
 msgid "Piracy II"

-msgstr "piratkopiering ii"
+msgstr "Piratvirksomhet II"

 
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 #.  PAGE BREAK 80
 #. type: Content of: <book><part><chapter><section><para>
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-"know how strongly the law should seek to either prevent it or find an "
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+"The key to the <quote>piracy</quote> that the law aims to quash is a use "
+"that <quote>rob[s] the author of [his] profit.</quote><placeholder type="
+"\"footnote\" id=\"0\"/> This means we must determine whether and how much "
+"p2p sharing harms before we know how strongly the law should seek to either "
+"prevent it or find an alternative to assure the author of his profit."

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 #, mtrans, fuzzy
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-"See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" "
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-"<citetitle>San Francisco Chronicle</citetitle>, 23 May 2003, C1; \"Napster's "
-"Wake-Up Call,\" <citetitle>Economist</citetitle>, 24 June 2000, 23; John "
-"Naughton, \"Hollywood at War with the Internet\" (London) <citetitle>Times</"
+"See Carolyn Lochhead, <quote>Silicon Valley Dream, Hollywood Nightmare,</"
+"quote> <citetitle>San Francisco Chronicle</citetitle>, 24 September 2002, "
+"A1; <quote>Rock 'n' Roll Suicide,</quote> <citetitle>New Scientist</"
+"citetitle>, 6 July 2002, 42; Benny Evangelista, <quote>Napster Names CEO, "
+"Secures New Financing,</quote> <citetitle>San Francisco Chronicle</"
+"citetitle>, 23 May 2003, C1; <quote>Napster's Wake-Up Call,</quote> "
+"<citetitle>Economist</citetitle>, 24 June 2000, 23; John Naughton, "
+"<quote>Hollywood at War with the Internet</quote> (London) <citetitle>Times</"

 "citetitle>, 26 July 2002, 18."
 msgstr ""
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 "citetitle>, 26 July 2002, 18."
 msgstr ""
 "se carolyn lochhead, \"silicon valley dream, hollywood mareritt\" san "


@@ -6427,7 +6659,7 @@ msgstr ""
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 #. type: Content of: <book><part><chapter><section><para><footnote><para>
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-"Amy Harmon, \"Industry Offers a Carrot in Online Music Fight,\" "
+"Amy Harmon, <quote>Industry Offers a Carrot in Online Music Fight,</quote> "

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@@ -6443,9 +6675,9 @@ msgid ""
 "estimated that 43 million citizens used file-sharing networks to exchange "
 "content in May 2003.<placeholder type=\"footnote\" id=\"1\"/> The vast "
 "majority of these are not kids. Whatever the actual figure, a massive "
 "estimated that 43 million citizens used file-sharing networks to exchange "
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-"quantity of content is being \"taken\" on these networks. The ease and "
-"inexpensiveness of file-sharing networks have inspired millions to enjoy "
-"music in a way that they hadn't before."
+"quantity of content is being <quote>taken</quote> on these networks. The "
+"ease and inexpensiveness of file-sharing networks have inspired millions to "
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@@ -6522,12 +6754,12 @@ msgid ""
 "among the most rewarding for many. Songs that were part of your childhood "
 "but have long vanished from the marketplace magically appear again on the "
 "network. (One friend told me that when she discovered Napster, she spent a "
 "among the most rewarding for many. Songs that were part of your childhood "
 "but have long vanished from the marketplace magically appear again on the "
 "network. (One friend told me that when she discovered Napster, she spent a "

-"solid weekend \"recalling\" old songs. She was astonished at the range and "
-"mix of content that was available.)  For content not sold, this is still "
-"technically a violation of copyright, though because the copyright owner is "
-"not selling the content anymore, the economic harm is zero&mdash;the same "
-"harm that occurs when I sell my collection of 1960s 45-rpm records to a "
-"local collector."
+"solid weekend <quote>recalling</quote> old songs. She was astonished at the "
+"range and mix of content that was available.)  For content not sold, this is "
+"still technically a violation of copyright, though because the copyright "
+"owner is not selling the content anymore, the economic harm is zero&mdash;"
+"the same harm that occurs when I sell my collection of 1960s 45-rpm records "
+"to a local collector."

 msgstr ""
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 msgstr ""
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@@ -6586,7 +6818,8 @@ msgid ""
 "type A sharing is. Just as Edison complained about Hollywood, composers "
 "complained about piano rolls, recording artists complained about radio, and "
 "broadcasters complained about cable TV, the music industry complains that "
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-"type A sharing is a kind of \"theft\" that is \"devastating\" the industry."
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 msgstr ""
 "om på saldo deling er skadelig avhenger av viktigere på hvordan skadelige "
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@@ -6602,11 +6835,11 @@ msgid ""
 "Music Industry's Business Model Crisis</citetitle> (2003), 3. This report "
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@@ -6627,12 +6860,13 @@ msgid ""
 "While the numbers do suggest that sharing is harmful, how harmful is harder "
 "to reckon. It has long been the recording industry's practice to blame "
 "technology for any drop in sales. The history of cassette recording is a "
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+"good example. As a study by Cap Gemini Ernst &amp; Young put it, "
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+"the answer."

 msgstr ""
 
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@@ -6644,11 +6878,12 @@ msgstr "amerikanske Kongressen, copyright og hjem kopiering, 4."
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@@ -6676,10 +6911,10 @@ msgstr ""
 msgid ""
 "We start to answer this question by focusing on the net harm, from the "
 "standpoint of the industry as a whole, that sharing networks cause.  The "
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@@ -6709,14 +6944,14 @@ msgid ""
 "notes/\">link #15</ulink>. A later report indicates even greater losses. See "
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 #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
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@@ -6725,13 +6960,13 @@ msgstr "Black, Jane"
 
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 #. type: Content of: <book><part><chapter><section><para><footnote><para>
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-"Jane Black, \"Big Music's Broken Record,\" BusinessWeek online, 13 February "
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@@ -6742,13 +6977,14 @@ msgid ""
 "causes that could account for this drop. SoundScan, for example, reports a "
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 msgstr ""
 
 #.  PAGE BREAK 84
 msgstr ""
 
 #.  PAGE BREAK 84


@@ -6773,16 +7009,17 @@ msgstr ""
 msgid ""
 "There are too many different things happening at the same time to explain "
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@@ -6841,8 +7078,9 @@ msgid ""
 "Quiet Revolution: The Expansion of the Used Book Market</citetitle> (2002), "
 "available at <ulink url=\"http://free-culture.cc/notes/\">link #19</ulink>. "
 "Used records accounted for $260 million in sales in 2002. See National "
 "Quiet Revolution: The Expansion of the Used Book Market</citetitle> (2002), "
 "available at <ulink url=\"http://free-culture.cc/notes/\">link #19</ulink>. "
 "Used records accounted for $260 million in sales in 2002. See National "

-"Association of Recording Merchandisers, \"2002 Annual Survey Results,\" "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #20</ulink>."
+"Association of Recording Merchandisers, <quote>2002 Annual Survey Results,</"
+"quote> available at <ulink url=\"http://free-culture.cc/notes/\">link #20</"
+"ulink>."

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@@ -6871,11 +7109,12 @@ msgid ""
 "available isn't making money from making the content available.  It is also "
 "different, of course, because in real space, when I sell a record, I don't "
 "have it anymore, while in cyberspace, when someone shares my 1949 recording "
 "available isn't making money from making the content available.  It is also "
 "different, of course, because in real space, when I sell a record, I don't "
 "have it anymore, while in cyberspace, when someone shares my 1949 recording "

-"of Bernstein's \"Two Love Songs,\" I still have it. That difference would "
-"matter economically if the owner of the copyright were selling the record in "
-"competition to my sharing. But we're talking about the class of content that "
-"is not currently commercially available. The Internet is making it "
-"available, through cooperative sharing, without competing with the market."
+"of Bernstein's <quote>Two Love Songs,</quote> I still have it. That "
+"difference would matter economically if the owner of the copyright were "
+"selling the record in competition to my sharing. But we're talking about the "
+"class of content that is not currently commercially available. The Internet "
+"is making it available, through cooperative sharing, without competing with "
+"the market."

 msgstr ""
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@@ -6914,11 +7153,11 @@ msgid ""
 "for example, released his first novel, <citetitle>Down and Out in the Magic "
 "Kingdom</citetitle>, both free on-line and in bookstores on the same day. "
 "His (and his publisher's) thinking was that the on-line distribution would "
 "for example, released his first novel, <citetitle>Down and Out in the Magic "
 "Kingdom</citetitle>, both free on-line and in bookstores on the same day. "
 "His (and his publisher's) thinking was that the on-line distribution would "

-"be a great advertisement for the \"real\" book. People would read part on-"
-"line, and then decide whether they liked the book or not. If they liked it, "
-"they would be more likely to buy it. Doctorow's content is type D content. "
-"If sharing networks enable his work to be spread, then both he and society "
-"are better off. (Actually, much better off: It is a great book!)"
+"be a great advertisement for the <quote>real</quote> book. People would read "
+"part on-line, and then decide whether they liked the book or not. If they "
+"liked it, they would be more likely to buy it. Doctorow's content is type D "
+"content. If sharing networks enable his work to be spread, then both he and "
+"society are better off. (Actually, much better off: It is a great book!)"

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@@ -6950,9 +7189,10 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "The point throughout is this: While the recording industry understandably "
 #, mtrans, fuzzy
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 "The point throughout is this: While the recording industry understandably "

-"says, \"This is how much we've lost,\" we must also ask, \"How much has "
-"society gained from p2p sharing? What are the efficiencies? What is the "
-"content that otherwise would be unavailable?\""
+"says, <quote>This is how much we've lost,</quote> we must also ask, "
+"<quote>How much has society gained from p2p sharing? What are the "
+"efficiencies? What is the content that otherwise would be unavailable?</"
+"quote>"

 msgstr ""
 "det hele er dette: mens recording industry forståelig sier, \"Dette er hvor "
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 msgstr ""
 "det hele er dette: mens recording industry forståelig sier, \"Dette er hvor "
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@@ -6963,16 +7203,16 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "For unlike the piracy I described in the first section of this chapter, much "
 #, mtrans, fuzzy
 msgid ""
 "For unlike the piracy I described in the first section of this chapter, much "

-"of the \"piracy\" that file sharing enables is plainly legal and good.  And "
-"like the piracy I described in chapter <xref xrefstyle=\"select: labelnumber"
-"\" linkend=\"pirates\"/>, much of this piracy is motivated by a new way of "
-"spreading content caused by changes in the technology of distribution. Thus, "
-"consistent with the tradition that gave us Hollywood, radio, the recording "
-"industry, and cable TV, the question we should be asking about file sharing "
-"is how best to preserve its benefits while minimizing (to the extent "
-"possible) the wrongful harm it causes artists. The question is one of "
-"balance. The law should seek that balance, and that balance will be found "
-"only with time."
+"of the <quote>piracy</quote> that file sharing enables is plainly legal and "
+"good.  And like the piracy I described in chapter <xref xrefstyle=\"select: "
+"labelnumber\" linkend=\"pirates\"/>, much of this piracy is motivated by a "
+"new way of spreading content caused by changes in the technology of "
+"distribution. Thus, consistent with the tradition that gave us Hollywood, "
+"radio, the recording industry, and cable TV, the question we should be "
+"asking about file sharing is how best to preserve its benefits while "
+"minimizing (to the extent possible) the wrongful harm it causes artists. The "
+"question is one of balance. The law should seek that balance, and that "
+"balance will be found only with time."

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@@ -6987,11 +7227,11 @@ msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>
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-"\"But isn't the war just a war against illegal sharing? Isn't the target "
-"just what you call type A sharing?\""
+"<quote>But isn't the war just a war against illegal sharing? Isn't the "
+"target just what you call type A sharing?</quote>"

 msgstr ""
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-"Men er ikke krigen bare en krig mot ulovlig deling?  Er ikke angrepsmålet "
-"bare det du kaller type A-deling?"
+"<quote>Men er ikke krigen bare en krig mot ulovlig deling?  Er ikke "
+"angrepsmålet bare det du kaller type-A-deling?</quote>"

 
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@@ -7012,8 +7252,8 @@ msgid ""
 "When Napster told the district court that it had developed a technology to "
 "block the transfer of 99.4 percent of identified infringing material, the "
 "district court told counsel for Napster 99.4 percent was not good enough. "
 "When Napster told the district court that it had developed a technology to "
 "block the transfer of 99.4 percent of identified infringing material, the "
 "district court told counsel for Napster 99.4 percent was not good enough. "

-"Napster had to push the infringements \"down to zero.\"<placeholder type="
-"\"footnote\" id=\"0\"/>"
+"Napster had to push the infringements <quote>down to zero.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/>"

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@@ -7060,15 +7300,15 @@ msgstr ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""

-"So, as we've seen, when \"mechanical reproduction\" threatened the interests "
-"of composers, Congress balanced the rights of composers against the "
-"interests of the recording industry. It granted rights to composers, but "
-"also to the recording artists: Composers were to be paid, but at a price set "
-"by Congress. But when radio started broadcasting the recordings made by "
-"these recording artists, and they complained to Congress that their "
-"\"creative property\" was not being respected (since the radio station did "
-"not have to pay them for the creativity it broadcast), Congress rejected "
-"their claim. An indirect benefit was enough."
+"So, as we've seen, when <quote>mechanical reproduction</quote> threatened "
+"the interests of composers, Congress balanced the rights of composers "
+"against the interests of the recording industry. It granted rights to "
+"composers, but also to the recording artists: Composers were to be paid, but "
+"at a price set by Congress. But when radio started broadcasting the "
+"recordings made by these recording artists, and they complained to Congress "
+"that their <quote>creative property</quote> was not being respected (since "
+"the radio station did not have to pay them for the creativity it broadcast), "
+"Congress rejected their claim. An indirect benefit was enough."

 msgstr ""
 "så, som vi har sett, når \"mekaniske reproduksjon\" truet interessene til "
 "komponister, Kongressen balansert rettigheter mot interessene til "
 msgstr ""
 "så, som vi har sett, når \"mekaniske reproduksjon\" truet interessene til "
 "komponister, Kongressen balansert rettigheter mot interessene til "


@@ -7137,10 +7377,11 @@ msgid ""
 "produced, the Betamax. Disney's and Universal's claim against Sony was "
 "relatively simple: Sony produced a device, Disney and Universal claimed, "
 "that enabled consumers to engage in copyright infringement. Because the "
 "produced, the Betamax. Disney's and Universal's claim against Sony was "
 "relatively simple: Sony produced a device, Disney and Universal claimed, "
 "that enabled consumers to engage in copyright infringement. Because the "

-"device that Sony built had a \"record\" button, the device could be used to "
-"record copyrighted movies and shows. Sony was therefore benefiting from the "
-"copyright infringement of its customers. It should therefore, Disney and "
-"Universal claimed, be partially liable for that infringement."
+"device that Sony built had a <quote>record</quote> button, the device could "
+"be used to record copyrighted movies and shows. Sony was therefore "
+"benefiting from the copyright infringement of its customers. It should "
+"therefore, Disney and Universal claimed, be partially liable for that "
+"infringement."

 msgstr ""
 "samme år at Kongressen traff denne balansen, to store produsenter og "
 "distributører av filmen innhold anlagt en sak mot en annen teknologi, video "
 msgstr ""
 "samme år at Kongressen traff denne balansen, to store produsenter og "
 "distributører av filmen innhold anlagt en sak mot en annen teknologi, video "


@@ -7161,12 +7402,12 @@ msgid ""
 "design its machine to make it very simple to record television shows. It "
 "could have built the machine to block or inhibit any direct copying from a "
 "television broadcast. Or possibly, it could have built the machine to copy "
 "design its machine to make it very simple to record television shows. It "
 "could have built the machine to block or inhibit any direct copying from a "
 "television broadcast. Or possibly, it could have built the machine to copy "

-"only if there were a special \"copy me\" signal on the line. It was clear "
-"that there were many television shows that did not grant anyone permission "
-"to copy. Indeed, if anyone had asked, no doubt the majority of shows would "
-"not have authorized copying. And in the face of this obvious preference, "
-"Sony could have designed its system to minimize the opportunity for "
-"copyright infringement. It did not, and for that, Disney and Universal "
+"only if there were a special <quote>copy me</quote> signal on the line. It "
+"was clear that there were many television shows that did not grant anyone "
+"permission to copy. Indeed, if anyone had asked, no doubt the majority of "
+"shows would not have authorized copying. And in the face of this obvious "
+"preference, Sony could have designed its system to minimize the opportunity "
+"for copyright infringement. It did not, and for that, Disney and Universal "

 "wanted to hold it responsible for the architecture it chose."
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 msgstr ""
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@@ -7224,25 +7465,25 @@ msgstr ""
 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "MPAA president Jack Valenti became the studios' most vocal champion. Valenti "
 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "MPAA president Jack Valenti became the studios' most vocal champion. Valenti "

-"called VCRs \"tapeworms.\" He warned, \"When there are 20, 30, 40 million of "
-"these VCRs in the land, we will be invaded by millions of `tapeworms,' "
-"eating away at the very heart and essence of the most precious asset the "
-"copyright owner has, his copyright.\"<placeholder type=\"footnote\" id=\"0\"/"
-"> \"One does not have to be trained in sophisticated marketing and creative "
-"judgment,\" he told Congress, \"to understand the devastation on the after-"
-"theater marketplace caused by the hundreds of millions of tapings that will "
-"adversely impact on the future of the creative community in this country. It "
-"is simply a question of basic economics and plain common sense."
-"\"<placeholder type=\"footnote\" id=\"1\"/> Indeed, as surveys would later "
-"show, percent of VCR owners had movie libraries of ten videos or "
-"more<placeholder type=\"footnote\" id=\"2\"/> &mdash; a use the Court would "
-"later hold was not \"fair.\" By \"allowing VCR owners to copy freely by the "
-"means of an exemption from copyright infringementwithout creating a "
-"mechanism to compensate copyrightowners,\" Valenti testified, Congress would "
-"\"take from the owners the very essence of their property: the exclusive "
-"right to control who may use their work, that is, who may copy it and "
-"thereby profit from its reproduction.\"<placeholder type=\"footnote\" id="
-"\"3\"/>"
+"called VCRs <quote>tapeworms.</quote> He warned, <quote>When there are 20, "
+"30, 40 million of these VCRs in the land, we will be invaded by millions of "
+"`tapeworms,' eating away at the very heart and essence of the most precious "
+"asset the copyright owner has, his copyright.</quote><placeholder type="
+"\"footnote\" id=\"0\"/> <quote>One does not have to be trained in "
+"sophisticated marketing and creative judgment,</quote> he told Congress, "
+"<quote>to understand the devastation on the after-theater marketplace caused "
+"by the hundreds of millions of tapings that will adversely impact on the "
+"future of the creative community in this country. It is simply a question of "
+"basic economics and plain common sense.</quote><placeholder type=\"footnote"
+"\" id=\"1\"/> Indeed, as surveys would later show, percent of VCR owners had "
+"movie libraries of ten videos or more<placeholder type=\"footnote\" id=\"2\"/"
+"> &mdash; a use the Court would later hold was not <quote>fair.</quote> By "
+"<quote>allowing VCR owners to copy freely by the means of an exemption from "
+"copyright infringementwithout creating a mechanism to compensate "
+"copyrightowners,</quote> Valenti testified, Congress would <quote>take from "
+"the owners the very essence of their property: the exclusive right to "
+"control who may use their work, that is, who may copy it and thereby profit "
+"from its reproduction.</quote><placeholder type=\"footnote\" id=\"3\"/>"

 msgstr ""
 
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 #.  f22


@@ -7263,13 +7504,14 @@ msgid ""
 "It took eight years for this case to be resolved by the Supreme Court. In "
 "the interim, the Ninth Circuit Court of Appeals, which includes Hollywood in "
 "its jurisdiction&mdash;leading Judge Alex Kozinski, who sits on that court, "
 "It took eight years for this case to be resolved by the Supreme Court. In "
 "the interim, the Ninth Circuit Court of Appeals, which includes Hollywood in "
 "its jurisdiction&mdash;leading Judge Alex Kozinski, who sits on that court, "

-"refers to it as the \"Hollywood Circuit\"&mdash;held that Sony would be "
-"liable for the copyright infringement made possible by its machines. Under "
-"the Ninth Circuit's rule, this totally familiar technology&mdash;which Jack "
-"Valenti had called \"the Boston Strangler of the American film industry"
-"\" (worse yet, it was a <emphasis>Japanese</emphasis> Boston Strangler of "
-"the American film industry)&mdash;was an illegal technology.<placeholder "
-"type=\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
+"refers to it as the <quote>Hollywood Circuit</quote>&mdash;held that Sony "
+"would be liable for the copyright infringement made possible by its "
+"machines. Under the Ninth Circuit's rule, this totally familiar "
+"technology&mdash;which Jack Valenti had called <quote>the Boston Strangler "
+"of the American film industry</quote> (worse yet, it was a "
+"<emphasis>Japanese</emphasis> Boston Strangler of the American film industry)"
+"&mdash;was an illegal technology.<placeholder type=\"footnote\" id=\"0\"/> "
+"<placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 
 #.  PAGE BREAK 90
 msgstr ""
 
 #.  PAGE BREAK 90


@@ -7308,8 +7550,9 @@ msgstr ""
 msgid ""
 "Congress was asked to respond to the Supreme Court's decision.  But as with "
 "the plea of recording artists about radio broadcasts, Congress ignored the "
 msgid ""
 "Congress was asked to respond to the Supreme Court's decision.  But as with "
 "the plea of recording artists about radio broadcasts, Congress ignored the "

-"request. Congress was convinced that American film got enough, this \"taking"
-"\" notwithstanding.  If we put these cases together, a pattern is clear:"
+"request. Congress was convinced that American film got enough, this "
+"<quote>taking</quote> notwithstanding.  If we put these cases together, a "
+"pattern is clear:"

 msgstr ""
 "Kongressen ble bedt om å svare på den Høyesterett beslutningen. men som med "
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 msgstr ""
 "Kongressen ble bedt om å svare på den Høyesterett beslutningen. men som med "
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@@ -7321,8 +7564,8 @@ msgid "CASE"
 msgstr "Tilfelle"
 
 #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry>
 msgstr "Tilfelle"
 
 #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry>

-msgid "WHOSE VALUE WAS \"PIRATED\""
-msgstr "Hvems verdi ble \"røvet\""
+msgid "WHOSE VALUE WAS <quote>PIRATED</quote>"
+msgstr "Hvems verdi ble <quote>røvet</quote>"

 
 #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry>
 msgid "RESPONSE OF THE COURTS"
 
 #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry>
 msgid "RESPONSE OF THE COURTS"


@@ -7385,10 +7628,10 @@ msgid ""
 "<citetitle>United States Code</citetitle>), Pub. L. No. 102-563, 106 Stat.  "
 "4237, codified at 17 U.S.C. §1001. Again, however, this regulation did not "
 "eliminate the opportunity for free riding in the sense I've described. See "
 "<citetitle>United States Code</citetitle>), Pub. L. No. 102-563, 106 Stat.  "
 "4237, codified at 17 U.S.C. §1001. Again, however, this regulation did not "
 "eliminate the opportunity for free riding in the sense I've described. See "

-"Lessig, <citetitle>Future</citetitle>, 71. See also Picker, \"From Edison to "
-"the Broadcast Flag,\" <citetitle>University of Chicago Law Review</"
-"citetitle> 70 (2003): 293&ndash;96.  <placeholder type=\"indexterm\" id="
-"\"0\"/>"
+"Lessig, <citetitle>Future</citetitle>, 71. See also Picker, <quote>From "
+"Edison to the Broadcast Flag,</quote> <citetitle>University of Chicago Law "
+"Review</citetitle> 70 (2003): 293&ndash;96.  <placeholder type=\"indexterm\" "
+"id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
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@@ -7405,8 +7648,8 @@ msgstr ""
 msgid ""
 "In each case throughout our history, a new technology changed the way "
 "content was distributed.<placeholder type=\"footnote\" id=\"0\"/> In each "
 msgid ""
 "In each case throughout our history, a new technology changed the way "
 "content was distributed.<placeholder type=\"footnote\" id=\"0\"/> In each "

-"case, throughout our history, that change meant that someone got a \"free "
-"ride\" on someone else's work."
+"case, throughout our history, that change meant that someone got a "
+"<quote>free ride</quote> on someone else's work."

 msgstr ""
 
 #.  PAGE BREAK 91
 msgstr ""
 
 #.  PAGE BREAK 91


@@ -7417,10 +7660,11 @@ msgid ""
 "Congress eliminate all free riding. In <emphasis>none</emphasis> of these "
 "cases did the courts or Congress insist that the law should assure that the "
 "copyright holder get all the value that his copyright created. In every "
 "Congress eliminate all free riding. In <emphasis>none</emphasis> of these "
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-"case, the copyright owners complained of \"piracy.\" In every case, Congress "
-"acted to recognize some of the legitimacy in the behavior of the \"pirates."
-"\" In each case, Congress allowed some new technology to benefit from "
-"content made before. It balanced the interests at stake."
+"case, the copyright owners complained of <quote>piracy.</quote> In every "
+"case, Congress acted to recognize some of the legitimacy in the behavior of "
+"the <quote>pirates.</quote> In each case, Congress allowed some new "
+"technology to benefit from content made before. It balanced the interests at "
+"stake."

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@@ -7467,13 +7711,13 @@ msgstr ""
 msgid ""
 "We could answer yes to each of these questions, but our tradition has "
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 msgid ""
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+"<quote>has never accorded the copyright owner complete control over all "
+"possible uses of his work.</quote><placeholder type=\"footnote\" id=\"0\"/> "
+"Instead, the particular uses that the law regulates have been defined by "
+"balancing the good that comes from granting an exclusive right against the "
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+"into the mix of technologies that facilitate the distribution of content."

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 #. type: Content of: <book><part><chapter><section><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>


@@ -7482,14 +7726,14 @@ msgid ""
 "We should be doing the same thing today. The technology of the Internet is "
 "changing quickly. The way people connect to the Internet (wires vs. "
 "wireless) is changing very quickly. No doubt the network should not become a "
 "We should be doing the same thing today. The technology of the Internet is "
 "changing quickly. The way people connect to the Internet (wires vs. "
 "wireless) is changing very quickly. No doubt the network should not become a "

-"tool for \"stealing\" from artists. But neither should the law become a tool "
-"to entrench one particular way in which artists (or more accurately, "
-"distributors) get paid. As I describe in some detail in the last chapter of "
-"this book, we should be securing income to artists while we allow the market "
-"to secure the most efficient way to promote and distribute content. This "
-"will require changes in the law, at least in the interim. These changes "
-"should be designed to balance the protection of the law against the strong "
-"public interest that innovation continue."
+"tool for <quote>stealing</quote> from artists. But neither should the law "
+"become a tool to entrench one particular way in which artists (or more "
+"accurately, distributors) get paid. As I describe in some detail in the last "
+"chapter of this book, we should be securing income to artists while we allow "
+"the market to secure the most efficient way to promote and distribute "
+"content. This will require changes in the law, at least in the interim. "
+"These changes should be designed to balance the protection of the law "
+"against the strong public interest that innovation continue."

 msgstr ""
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 msgstr ""
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@@ -7507,8 +7751,9 @@ msgstr ""
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-"John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes "
-"Past Efforts,\" <citetitle>New York Times</citetitle>, 22 September 2003, C3."
+"John Schwartz, <quote>New Economy: The Attack on Peer-to-Peer Software "
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 "of distribution. And this p2p has done. P2p technologies can be ideally "
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-msgid "\"PROPERTY\""
-msgstr "\"Eiendom\""
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+msgstr "<quote>Eiendom</quote>"

 
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+"<citetitle>Arizona Law Review</citetitle> 45 (2003): 373, 429 n. 241."
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+"Slik de juridiske realistene lærte bort amerikansk lov, var alle "
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 #. type: Content of: <book><part><chapter><title>
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@@ -7674,6 +7937,10 @@ msgstr "Kapittel seks: Grunnleggerne"
 msgid "Henry V"
 msgstr "Henry V"
 
 msgid "Henry V"
 msgstr "Henry V"
 

+#. type: Content of: <book><part><chapter><indexterm><primary>
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 #.  f4
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 #.  f4
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@@ -8127,34 +8405,35 @@ msgid ""
 "authors certain protections through positive law, but those protections were "
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-"Lyman Ray Patterson, \"Free Speech, Copyright, and Fair Use,\" "
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@@ -8163,19 +8442,19 @@ msgstr ""
 msgid ""
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 #.  f7
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 #.  f7
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 #.  f10
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 #.  f10
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 #.  f11
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 #.  f11
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 msgstr "Allen, Paul"
 
 msgid "Allen, Paul"
 msgstr "Allen, Paul"
 

-#. type: Content of: <book><part><chapter><section><indexterm><primary>
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@@ -9469,7 +9779,7 @@ msgid ""
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@@ -9501,15 +9811,15 @@ msgid ""
 "To some, these stories suggest a solution: Let's alter the mix of rights so "
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-"a full property right (meaning the right to name his own price) unless he "
-"registers the work."
+"the <quote>free</quote> use be free as in <quote>free beer.</quote> Instead, "
+"the system could simply make it easy for follow-on creators to compensate "
+"artists without requiring an army of lawyers to come along: a rule, for "
+"example, that says <quote>the royalty owed the copyright owner of an "
+"unregistered work for the derivative reuse of his work will be a flat 1 "
+"percent of net revenues, to be held in escrow for the copyright owner.</"
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+"quoted as saying, <quote>If anyone can create a way to bring old films to "
+"new audiences, it is Mike.</quote>"

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+"perhaps a curse, reserved for the few."

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@@ -9628,16 +9939,20 @@ msgstr ""
 msgid "CHAPTER NINE: Collectors"
 msgstr "Kapittel ni: Samlere"
 
 msgid "CHAPTER NINE: Collectors"
 msgstr "Kapittel ni: Samlere"
 

+#. type: Content of: <book><part><chapter><indexterm><primary>
+msgid "archives, digital"
+msgstr "arkiver, digitale"
+

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+#. type: Content of: <book><part><chapter><indexterm><primary>
+msgid "Orwell, George"
+msgstr "Orwell, George"
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-#.  f1
+#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary>
+msgid "White House press releases"
+msgstr ""
+

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+#. type: Content of: <book><part><chapter><indexterm><primary>
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+msgstr "Vanderbilt University"
+

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+"citetitle> 13 nos. 2&ndash;3 (1980): 5; Anthony Slide, <citetitle>Nitrate "
+"Won't Wait: A History of Film Preservation in the United States</citetitle> "
+"( Jefferson, N.C.: McFarland &amp; Co., 1992), 36."

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 msgid "Movie Archive"
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+msgstr "Internett-arkivet"
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+"Dave Barns, <quote>Fledgling Career in Antique Books: Woodstock Landlord, "
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+"<citetitle>Chicago Tribune</citetitle>, 5 September 1997, at Metro Lake 1L. "
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+"Networks,</quote> <citetitle>Boston College Law Review</citetitle> 44 "
+"(2003): 593 n. 51."

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+#. type: Content of: <book><part><chapter><blockquote><indexterm><primary>
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-msgstr "Kapittel ti: \"Eiendom\""
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@@ -10352,8 +10697,8 @@ msgid ""
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+msgstr "markedskonsentrasjon"
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+#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary>
+msgid "architecture, constraint effected through"
+msgstr "arkitektur, begrensninger med opphav i"
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@@ -10858,8 +11218,8 @@ msgid ""
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+#. type: Content of: <book><part><chapter><section><indexterm><primary>
+msgid "steel industry"
+msgstr "stålindustri"
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+#. type: Content of: <book><chapter><section><section><indexterm><primary>
+msgid "Brezhnev, Leonid"
+msgstr "Brezhnev, Leonid"
+
+#. type: Content of: <book><chapter><para><indexterm><primary>
+msgid "Gates, Bill"
+msgstr "Gates, Bill"
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-#. type: Content of: <book><part><chapter><section><para><indexterm><primary>
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 msgstr "Carson, Rachel"
 

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+#. type: Content of: <book><part><chapter><section><indexterm><primary>

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 msgid "Silent Sprint (Carson)"
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@@ -11411,9 +11782,9 @@ msgstr "Opphav"
 #, mtrans, fuzzy
 msgid ""
 "America copied English copyright law. Actually, we copied and improved "
 #, mtrans, fuzzy
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 "America copied English copyright law. Actually, we copied and improved "

-"English copyright law. Our Constitution makes the purpose of \"creative "
-"property\" rights clear; its express limitations reinforce the English aim "
-"to avoid overly powerful publishers."
+"English copyright law. Our Constitution makes the purpose of <quote>creative "
+"property</quote> rights clear; its express limitations reinforce the English "
+"aim to avoid overly powerful publishers."

 msgstr ""
 "Amerika kopiert engelsk lov om opphavsrett. egentlig vi kopiert og forbedret "
 "engelsk lov om opphavsrett. vår grunnlov gjør formålet med \"creative "
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 "Amerika kopiert engelsk lov om opphavsrett. egentlig vi kopiert og forbedret "
 "engelsk lov om opphavsrett. vår grunnlov gjør formålet med \"creative "


@@ -11423,9 +11794,9 @@ msgstr ""
 #. type: Content of: <book><part><chapter><section><para>
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-"The power to establish \"creative property\" rights is granted to Congress "
-"in a way that, for our Constitution, at least, is very odd. Article I, "
-"section 8, clause 8 of our Constitution states that:"
+"The power to establish <quote>creative property</quote> rights is granted to "
+"Congress in a way that, for our Constitution, at least, is very odd. Article "
+"I, section 8, clause 8 of our Constitution states that:"

 msgstr ""
 "makt til å etablere \"kreative\" eiendomsrettigheter gis til Kongressen på "
 "en måte som for vår grunnlov, minst, er veldig rart. artikkel, del 8, 8-"
 msgstr ""
 "makt til å etablere \"kreative\" eiendomsrettigheter gis til Kongressen på "
 "en måte som for vår grunnlov, minst, er veldig rart. artikkel, del 8, 8-"


@@ -11438,12 +11809,12 @@ msgid ""
 "Congress has the power to promote the Progress of Science and useful Arts, "
 "by securing for limited Times to Authors and Inventors the exclusive Right "
 "to their respective Writings and Discoveries.  We can call this the "
 "Congress has the power to promote the Progress of Science and useful Arts, "
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-"\"Progress Clause,\" for notice what this clause does not say. It does not "
-"say Congress has the power to grant \"creative property rights.\" It says "
-"that Congress has the power <emphasis>to promote progress</emphasis>. The "
-"grant of power is its purpose, and its purpose is a public one, not the "
-"purpose of enriching publishers, nor even primarily the purpose of rewarding "
-"authors."
+"<quote>Progress Clause,</quote> for notice what this clause does not say. It "
+"does not say Congress has the power to grant <quote>creative property rights."
+"</quote> It says that Congress has the power <emphasis>to promote progress</"
+"emphasis>. The grant of power is its purpose, and its purpose is a public "
+"one, not the purpose of enriching publishers, nor even primarily the purpose "
+"of rewarding authors."

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 msgstr ""
 "Kongressen har makt til å fremme utviklingen av vitenskap og nyttig kunst, "
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@@ -11463,8 +11834,8 @@ msgid ""
 "exercise disproportionate control over culture by exercising "
 "disproportionate control over publishing. We can assume the framers followed "
 "the English for a similar purpose. Indeed, unlike the English, the framers "
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-"reinforced that objective, by requiring that copyrights extend \"to Authors"
-"\" only."
+"reinforced that objective, by requiring that copyrights extend <quote>to "
+"Authors</quote> only."

 msgstr ""
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@@ -11505,11 +11876,11 @@ msgstr ""
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-"I doubt the framers would recognize the regulation we call \"copyright\" "
-"today. The scope of that regulation is far beyond anything they ever "
+"I doubt the framers would recognize the regulation we call <quote>copyright</"
+"quote> today. The scope of that regulation is far beyond anything they ever "

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-"\"copyright\" in context: We need to see how it has changed in the 210 years "
-"since they first struck its design."
+"<quote>copyright</quote> in context: We need to see how it has changed in "
+"the 210 years since they first struck its design."

 msgstr ""
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@@ -11534,8 +11905,8 @@ msgid "We will end here:"
 msgstr "Vi kommer til å ende opp her:"
 
 #. type: Content of: <book><part><chapter><section><figure><title>
 msgstr "Vi kommer til å ende opp her:"
 
 #. type: Content of: <book><part><chapter><section><figure><title>

-msgid "&quot;Copyright&quot; today."
-msgstr "&quot;Opphavsrett&quot; i dag."
+msgid "<quote>Copyright</quote> today."
+msgstr "<quote>Opphavsrett</quote> i dag."

 
 #. type: Content of: <book><part><chapter><section><figure>
 msgid "<graphic fileref=\"images/1442.png\"></graphic>"
 
 #. type: Content of: <book><part><chapter><section><figure>
 msgid "<graphic fileref=\"images/1442.png\"></graphic>"


@@ -11559,10 +11930,10 @@ msgstr "Crosskey, William W."
 msgid ""
 "William W. Crosskey, <citetitle>Politics and the Constitution in the History "
 "of the United States</citetitle> (London: Cambridge University Press, 1953), "
 msgid ""
 "William W. Crosskey, <citetitle>Politics and the Constitution in the History "
 "of the United States</citetitle> (London: Cambridge University Press, 1953), "

-"vol. 1, 485&ndash;86: \"extinguish[ing], by plain implication of `the "
+"vol. 1, 485&ndash;86: <quote>extinguish[ing], by plain implication of `the "

 "supreme Law of the Land,' <emphasis>the perpetual rights which authors had, "
 "supreme Law of the Land,' <emphasis>the perpetual rights which authors had, "

-"or were supposed by some to have, under the Common Law</emphasis>"
-"\" (emphasis added).  <placeholder type=\"indexterm\" id=\"0\"/>"
+"or were supposed by some to have, under the Common Law</emphasis></quote> "
+"(emphasis added).  <placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "William W. Crosskey, politikk og Grunnloven i historien av USA (London: "
 "Cambridge University Press, 1953), vol. 1, 485&ndash;86: \"slukke [ing], ved "
 msgstr ""
 "William W. Crosskey, politikk og Grunnloven i historien av USA (London: "
 "Cambridge University Press, 1953), vol. 1, 485&ndash;86: \"slukke [ing], ved "


@@ -11675,12 +12046,12 @@ msgid ""
 "Few copyright holders ever chose to renew their copyrights. For instance, of "
 "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For "
 "a year-by-year analysis of copyright renewal rates, see Barbara A. Ringer, "
 "Few copyright holders ever chose to renew their copyrights. For instance, of "
 "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For "
 "a year-by-year analysis of copyright renewal rates, see Barbara A. Ringer, "

-"\"Study No. 31: Renewal of Copyright,\" <citetitle>Studies on Copyright</"
-"citetitle>, vol. 1 (New York: Practicing Law Institute, 1963), 618. For a "
-"more recent and comprehensive analysis, see William M. Landes and Richard "
-"A.  Posner, \"Indefinitely Renewable Copyright,\" <citetitle>University of "
-"Chicago Law Review</citetitle> 70 (2003): 471, 498&ndash;501, and "
-"accompanying figures."
+"<quote>Study No. 31: Renewal of Copyright,</quote> <citetitle>Studies on "
+"Copyright</citetitle>, vol. 1 (New York: Practicing Law Institute, 1963), "
+"618. For a more recent and comprehensive analysis, see William M. Landes and "
+"Richard A.  Posner, <quote>Indefinitely Renewable Copyright,</quote> "
+"<citetitle>University of Chicago Law Review</citetitle> 70 (2003): 471, "
+"498&ndash;501, and accompanying figures."

 msgstr ""
 "noen rettighetshavere valgte noensinne å fornye sine opphavsrettigheter. for "
 "eksempel av 25,006 opphavsretten registrert i 1883, ble bare 894 fornyet i "
 msgstr ""
 "noen rettighetshavere valgte noensinne å fornye sine opphavsrettigheter. for "
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@@ -11796,11 +12167,11 @@ msgstr ""
 msgid ""
 "The United States abandoned this sensible system in 1976. For all works "
 "created after 1978, there was only one copyright term&mdash;the maximum "
 msgid ""
 "The United States abandoned this sensible system in 1976. For all works "
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-"term. For \"natural\" authors, that term was life plus fifty years. For "
-"corporations, the term was seventy-five years. Then, in 1992, Congress "
-"abandoned the renewal requirement for all works created before 1978. All "
-"works still under copyright would be accorded the maximum term then "
-"available. After the Sonny Bono Act, that term was ninety-five years."
+"term. For <quote>natural</quote> authors, that term was life plus fifty "
+"years. For corporations, the term was seventy-five years. Then, in 1992, "
+"Congress abandoned the renewal requirement for all works created before "
+"1978. All works still under copyright would be accorded the maximum term "
+"then available. After the Sonny Bono Act, that term was ninety-five years."

 msgstr ""
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@@ -11818,8 +12189,8 @@ msgid ""
 "that works that were no longer exploited passed into the public domain. And "
 "indeed, after these changes, it is unclear whether it is even possible to "
 "put works into the public domain. The public domain is orphaned by these "
 "that works that were no longer exploited passed into the public domain. And "
 "indeed, after these changes, it is unclear whether it is even possible to "
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-"changes in copyright law. Despite the requirement that terms be \"limited,\" "
-"we have no evidence that anything will limit them."
+"changes in copyright law. Despite the requirement that terms be "
+"<quote>limited,</quote> we have no evidence that anything will limit them."

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@@ -11835,7 +12206,7 @@ msgid ""
 "These statistics are understated. Between the years 1910 and 1962 (the first "
 "year the renewal term was extended), the average term was never more than "
 "thirty-two years, and averaged thirty years. See Landes and Posner, "
 "These statistics are understated. Between the years 1910 and 1962 (the first "
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-"\"Indefinitely Renewable Copyright,\" loc. cit."
+"<quote>Indefinitely Renewable Copyright,</quote> loc. cit."

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 msgstr ""
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@@ -11860,10 +12231,10 @@ msgstr "Loven: Virkeområde"
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-"The \"scope\" of a copyright is the range of rights granted by the law.  The "
-"scope of American copyright has changed dramatically. Those changes are not "
-"necessarily bad. But we should understand the extent of the changes if we're "
-"to keep this debate in context."
+"The <quote>scope</quote> of a copyright is the range of rights granted by "
+"the law.  The scope of American copyright has changed dramatically. Those "
+"changes are not necessarily bad. But we should understand the extent of the "
+"changes if we're to keep this debate in context."

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 msgstr ""
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@@ -11873,17 +12244,17 @@ msgstr ""
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-"In 1790, that scope was very narrow. Copyright covered only \"maps, charts, "
-"and books.\" That means it didn't cover, for example, music or architecture. "
-"More significantly, the right granted by a copyright gave the author the "
-"exclusive right to \"publish\" copyrighted works. That means someone else "
-"violated the copyright only if he republished the work without the copyright "
-"owner's permission. Finally, the right granted by a copyright was an "
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-"the right of someone other than the author to translate a copyrighted book, "
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-"published book)."
+"In 1790, that scope was very narrow. Copyright covered only <quote>maps, "
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+"architecture. More significantly, the right granted by a copyright gave the "
+"author the exclusive right to <quote>publish</quote> copyrighted works. That "
+"means someone else violated the copyright only if he republished the work "
+"without the copyright owner's permission. Finally, the right granted by a "
+"copyright was an exclusive right to that particular book. The right did not "
+"extend to what lawyers call <quote>derivative works.</quote> It would not, "
+"therefore, interfere with the right of someone other than the author to "
+"translate a copyrighted book, or to adapt the story to a different form "
+"(such as a drama based on a published book)."

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@@ -11905,13 +12276,13 @@ msgid ""
 "practically any creative work that is reduced to a tangible form. It covers "
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-"significant way on the initial creative work."
+"<quote>publish</quote> the work, but also the exclusive right of control "
+"over any <quote>copies</quote> of that work. And most significant for our "
+"purposes here, the right gives the copyright owner control over not only his "
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-"All of these \"formalities\" were abolished in the American system when we "
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-"copyright exists whether or not you actually make a copy available for "
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+"All of these <quote>formalities</quote> were abolished in the American "
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+"available for others to copy."

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@@ -12004,10 +12375,11 @@ msgstr ""
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-"See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of "
-"American Literature,\" 29 <citetitle>New York University Journal of "
-"International Law and Politics</citetitle> 255 (1997), and James Gilraeth, "
-"ed., Federal Copyright Records, 1790&ndash;1800 (U.S. G.P.O., 1987)."
+"See Thomas Bender and David Sampliner, <quote>Poets, Pirates, and the "
+"Creation of American Literature,</quote> 29 <citetitle>New York University "
+"Journal of International Law and Politics</citetitle> 255 (1997), and James "
+"Gilraeth, ed., Federal Copyright Records, 1790&ndash;1800 (U.S. G.P.O., "
+"1987)."

 msgstr ""
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@@ -12078,14 +12450,14 @@ msgstr ""
 msgid ""
 "That much is the obvious part. Any system of copyright would control "
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 msgid ""
 "That much is the obvious part. Any system of copyright would control "
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-"that is not at all obvious. This is the protection of \"derivative rights.\" "
-"If you write a book, no one can make a movie out of your book without "
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+"that is not at all obvious. This is the protection of <quote>derivative "
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@@ -12119,14 +12491,15 @@ msgstr ""
 
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-"Jonathan Zittrain, \"The Copyright Cage,\" <citetitle>Legal Affairs</"
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 "culture.cc/notes/\">link #26</ulink>.  <placeholder type=\"indexterm\" id="
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+msgstr ""
+"Jonathan Zittrain, <quote>The Copyright Cage</quote>, <citetitle>Legal "
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@@ -12151,10 +12524,11 @@ msgstr "Rubenfeld, Jeb"
 msgid ""
 "Professor Rubenfeld has presented a powerful constitutional argument about "
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 msgid ""
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-"<citetitle>Yale Law Journal</citetitle> 112 (2002): 1&ndash;60 (see "
-"especially pp. 53&ndash;59).  <placeholder type=\"indexterm\" id=\"0\"/>"
+"First Amendment) between mere <quote>copies</quote> and derivative works. "
+"See Jed Rubenfeld, <quote>The Freedom of Imagination: Copyright's "
+"Constitutionality,</quote> <citetitle>Yale Law Journal</citetitle> 112 "
+"(2002): 1&ndash;60 (see especially pp. 53&ndash;59).  <placeholder type="
+"\"indexterm\" id=\"0\"/>"

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@@ -12176,9 +12550,9 @@ msgstr ""
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+"paying me or crediting me? Or if Disney creates a creature called "
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@@ -12207,13 +12581,14 @@ msgstr "Lov og arkitektur: Rekkevidde"
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+"copyrighted song, for example, is regulated even though performance per se "
+"doesn't make a copy; 17 <citetitle>United States Code</citetitle>, section "
+"106(4). And it certainly sometimes doesn't regulate a <quote>copy</quote>; "
+"17 <citetitle>United States Code</citetitle>, section 112(a). But the "
+"presumption under the existing law (which regulates <quote>copies;</quote> "
+"17 <citetitle>United States Code</citetitle>, section 102) is that if there "
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@@ -12374,8 +12750,8 @@ msgid ""
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-msgid "Unregulated copying considered &quot;fair uses.&quot;"
-msgstr "Uregulert kopiering anses som &quot;rimelig bruk&quot;."
+msgid "Unregulated copying considered <quote>fair uses.</quote>"
+msgstr "Uregulert kopiering anses som <quote>rimelig bruk</quote>."

 
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@@ -12410,7 +12786,8 @@ msgstr "<graphic fileref=\"images/1551.png\"></graphic>"
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 msgid ""
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+"are nonetheless deemed <quote>fair</quote> regardless of the copyright "
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-"I don't mean \"nature\" in the sense that it couldn't be different, but "
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@@ -12528,12 +12905,12 @@ msgid ""
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@@ -12549,14 +12926,14 @@ msgstr ""
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@@ -12590,10 +12967,10 @@ msgstr ""
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@@ -12606,10 +12983,11 @@ msgstr ""
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@@ -12692,11 +13070,11 @@ msgid ""
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@@ -12711,6 +13089,10 @@ msgstr ""
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 "kontroll, fordi teknologien bygger en kopi til hver transaksjon."
 

+#. type: Content of: <book><part><chapter><section><indexterm><primary>
+msgid "Barnes &amp; Noble"
+msgstr "Barnes &amp; Noble"
+

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-"See David Lange, \"Recognizing the Public Domain,\" <citetitle>Law and "
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-"Se David Lange, \"Recognizing the Public Domain,\" <citetitle>Law and "
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@@ -12833,18 +13215,19 @@ msgstr ""
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-msgid "E-book of Aristotle;s &quot;Politics&quot;"
-msgstr "E-bok av Aristoteles &quot;Politikk&quot;"
+msgid "E-book of Aristotle;s <quote>Politics</quote>"
+msgstr "E-bok av Aristoteles <quote>Politikk</quote>"

 
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@@ -13006,7 +13389,7 @@ msgstr ""
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-msgid "List of the permissions for Aristotle;s &quot;Politics&quot;."
+msgid "List of the permissions for Aristotle;s <quote>Politics</quote>."

 msgstr "Liste med tillatelser for Aristotles &quot;Politikk&quot;."
 
 #. type: Content of: <book><part><chapter><section><figure>
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 #. type: Content of: <book><part><chapter><section><figure>


@@ -13023,8 +13406,8 @@ msgstr ""
 "opprinnelige e-bok-versjonen av boken min siste, fremtiden for idéer:"
 
 #. type: Content of: <book><part><chapter><section><figure><title>
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 #. type: Content of: <book><part><chapter><section><figure><title>

-msgid "List of the permissions for &quot;The Future of Ideas&quot;."
-msgstr ""
+msgid "List of the permissions for <quote>The Future of Ideas</quote>."
+msgstr "Liste med tillatelser for <quote>The Future of Ideas</quote>."

 
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 msgid "<graphic fileref=\"images/1631.png\"></graphic>"
 
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-"read aloud."
+"which the e-book <quote>lives.</quote> Though the e-book says that these are "
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+"same with the silly restriction that says that you can't use the Read Aloud "
+"button to read my book aloud&mdash;it's not that the company will sue you if "
+"you do; instead, if you push the Read Aloud button with my book, the machine "
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-"List of the permissions for &quot;Alice's Adventures in Wonderland&quot;."
-msgstr ""
+"List of the permissions for <quote>Alice's Adventures in Wonderland</quote>."
+msgstr "Liste med tillatelser for <quote>Alice i Eventyrland</quote>."

 
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@@ -13186,8 +13569,8 @@ msgstr "<graphic fileref=\"images/1641.png\"></graphic>"
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+"not allowed to lend, not allowed to give, and, as the <quote>permissions</"
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@@ -13330,10 +13713,10 @@ msgid ""
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@@ -13426,18 +13809,19 @@ msgstr "Elektronisk forpost-stiftelsen (EFF)"
 
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-"See Pamela Samuelson, \"Anticircumvention Rules: Threat to Science,\" "
-"<citetitle>Science</citetitle> 293 (2001): 2028; Brendan I. Koerner, \"Play "
-"Dead: Sony Muzzles the Techies Who Teach a Robot Dog New Tricks,\" "
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+"<quote>Play Dead: Sony Muzzles the Techies Who Teach a Robot Dog New Tricks,"
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+"<citetitle>Intellectual Property Litigation Reporter</citetitle>, 11 "
+"December 2001; Bill Holland, <quote>Copyright Act Raising Free-Speech "
+"Concerns,</quote> <citetitle>Billboard</citetitle>, May 2001; Janelle Brown, "
+"<quote>Is the RIAA Running Scared?</quote> Salon.com, April 2001; Electronic "
+"Frontier Foundation, <quote>Frequently Asked Questions about "

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@@ -13455,10 +13839,10 @@ msgid ""
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 "be banned because it was a copyright-infringing technology: It enabled "
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 #.  PAGE BREAK 170
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 #.  PAGE BREAK 170


@@ -13884,9 +14269,10 @@ msgstr ""
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-"James Fallows, \"The Age of Murdoch,\" <citetitle>Atlantic Monthly</"
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+"time television was owned by the networks that ran it. <quote>In the ten-"
+"year period between 1992 and 2002, the number of prime time television hours "
+"per week produced by network studios increased over 200%, whereas the number "
+"of prime time television hours per week produced by independent studios "
+"decreased 63%.</quote><placeholder type=\"footnote\" id=\"1\"/>"

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+"produced scores of short film clips about issues related to illegal drugs. "
+"In one series (the Nick and Norm series) two men are in a bar, discussing "
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-"Washington, D.C., area. Comcast rejected the ads as \"against [their] policy."
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-"The local ABC affiliate, WJOA, originally agreed to run the ads and accepted "
-"payment to do so, but later decided not to run the ads and returned the "
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-"Nat Ives, \"On the Issue of an Iraq War, Advocacy Ads Meet with Rejection "
-"from TV Networks,\" <citetitle>New York Times</citetitle>, 13 March 2003, "
-"C4.  Outside of election-related air time there is very little that the FCC "
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-"Advertising on Television and Radio,\" <citetitle>Yale Law and Policy "
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+"citetitle>, 13 March 2003, C4.  Outside of election-related air time there "
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+"playing field. For a general overview, see Rhonda Brown, <quote>Ad Hoc "
+"Access: The Regulation of Editorial Advertising on Television and Radio,</"
+"quote> <citetitle>Yale Law and Policy Review</citetitle> 6 (1988): "
+"449&ndash;79, and for a more recent summary of the stance of the FCC and the "
+"courts, see <citetitle>Radio-Television News Directors Association</"
+"citetitle> v. <citetitle>FCC</citetitle>, 184 F. 3d 872 (D.C. Cir. 1999). "
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+"rejected an ad that criticized its Muni diesel buses. Phillip Matier and "
+"Andrew Ross, <quote>Antidiesel Group Fuming After Muni Rejects Ad,</quote> "
+"SFGate.com, 16 June 2003, available at <ulink url=\"http://free-culture.cc/"
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-"to cultivate and build upon our past, then we have to ask whether this "
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@@ -14962,10 +15354,10 @@ msgstr ""
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-"\"Thank Heaven for science!\" says the father to the doctor. They inform "
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+"enough, <quote>the copyright wars,</quote> the more I think we're dealing "
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-"Berkman Center for Internet and Society at Harvard Law School, \"Copyright "
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-"<ulink url=\"http://free-culture.cc/notes/\">link #33</ulink>. Reps. John "
-"Conyers Jr. (D-Mich.) and Howard L. Berman (D-Calif.) have introduced a bill "
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-"demand that an ISP reveal the identity of a user accused of sharing more "
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-"Settlements ranging from $12,000 to $17,500 for four students accused of "
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-"next to the $98 billion the RIAA could seek should the matter proceed to "
-"court. See Elizabeth Young, \"Downloading Could Lead to Fines,\" redandblack."
-"com, August 2003, available at <ulink url=\"http://free-culture.cc/notes/"
-"\">link #35</ulink>. For an example of the RIAA's targeting of student file "
-"sharing, and of the subpoenas issued to universities to reveal student file-"
-"sharer identities, see James Collins, \"RIAA Steps Up Bid to Force BC, MIT "
-"to Name Students,\" <citetitle>Boston Globe</citetitle>, 8 August 2003, D3, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #36</ulink>.  "
-"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" "
-"id=\"1\"/>"
+"Berkman Center for Internet and Society at Harvard Law School, "
+"<quote>Copyright and Digital Media in a Post-Napster World,</quote> 27 June "
+"2003, available at <ulink url=\"http://free-culture.cc/notes/\">link #33</"
+"ulink>. Reps. John Conyers Jr. (D-Mich.) and Howard L. Berman (D-Calif.) "
+"have introduced a bill that would treat unauthorized on-line copying as a "
+"felony offense with punishments ranging as high as five years imprisonment; "
+"see Jon Healey, <quote>House Bill Aims to Up Stakes on Piracy,</quote> "
+"<citetitle>Los Angeles Times</citetitle>, 17 July 2003, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #34</ulink>. Civil penalties are "
+"currently set at $150,000 per copied song. For a recent (and unsuccessful) "
+"legal challenge to the RIAA's demand that an ISP reveal the identity of a "
+"user accused of sharing more than 600 songs through a family computer, see "
+"<citetitle>RIAA</citetitle> v. <citetitle>Verizon Internet Services (In re. "
+"Verizon Internet Services)</citetitle>, 240 F.  Supp. 2d 24 (D.D.C. 2003). "
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+"four students accused of heavy file sharing on university networks must have "
+"seemed a mere pittance next to the $98 billion the RIAA could seek should "
+"the matter proceed to court. See Elizabeth Young, <quote>Downloading Could "
+"Lead to Fines,</quote> redandblack.com, August 2003, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #35</ulink>. For an example of the "
+"RIAA's targeting of student file sharing, and of the subpoenas issued to "
+"universities to reveal student file-sharer identities, see James Collins, "
+"<quote>RIAA Steps Up Bid to Force BC, MIT to Name Students,</quote> "
+"<citetitle>Boston Globe</citetitle>, 8 August 2003, D3, available at <ulink "
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-"I'm not talking about the opportunities for kids to \"steal\" music. My "
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-"To fight \"piracy,\" to protect \"property,\" the content industry has "
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+"explodes the boundaries of Kodak-like technologies. The technology of "
+"digital <quote>capturing and sharing</quote> promises a world of "
+"extraordinarily diverse creativity that can be easily and broadly shared. "
+"And as that creativity is applied to democracy, it will enable a broad range "
+"of citizens to use technology to express and criticize and contribute to the "
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-"for details of the settlement, see MCI press release, \"MCI Wins U.S. "
-"District Court Approval for SEC Settlement\" (7 July 2003), available at "
-"<ulink url=\"http://free-culture.cc/notes/\">link #37</ulink>.  <placeholder "
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+"for details of the settlement, see MCI press release, <quote>MCI Wins U.S. "
+"District Court Approval for SEC Settlement</quote> (7 July 2003), available "
+"at <ulink url=\"http://free-culture.cc/notes/\">link #37</ulink>.  "
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@@ -15720,13 +16114,13 @@ msgstr "Bush, George W."
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 "The bill, modeled after California's tort reform model, was passed in the "
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-"\"http://free-culture.cc/notes/\">link #39</ulink>. President Bush has "
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-"\"indexterm\" id=\"0\"/>"
+"overview, see Tanya Albert, <quote>Measure Stalls in Senate: `We'll Be "
+"Back,' Say Tort Reformers,</quote> amednews.com, 28 July 2003, available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #38</ulink>, and "
+"<quote>Senate Turns Back Malpractice Caps,</quote> CBSNews.com, 9 July 2003, "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #39</ulink>. "
+"President Bush has continued to urge tort reform in recent months.  "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

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@@ -15749,15 +16143,20 @@ msgid ""
 "negligently butchering a patient? <placeholder type=\"indexterm\" id=\"2\"/>"
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 "negligently butchering a patient? <placeholder type=\"indexterm\" id=\"2\"/>"
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+#. type: Content of: <book><part><chapter><section><indexterm><primary>
+msgid "art, underground"
+msgstr "kunst, undergrunns"
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-"See Danit Lidor, \"Artists Just Wanna Be Free,\" <citetitle>Wired</"
-"citetitle>, 7 July 2003, available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #40</ulink>. For an overview of the exhibition, see <ulink url="
-"\"http://free-culture.cc/notes/\">link #41</ulink>."
+"See Danit Lidor, <quote>Artists Just Wanna Be Free,</quote> "
+"<citetitle>Wired</citetitle>, 7 July 2003, available at <ulink url=\"http://"
+"free-culture.cc/notes/\">link #40</ulink>. For an overview of the "
+"exhibition, see <ulink url=\"http://free-culture.cc/notes/\">link #41</"
+"ulink>."

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-"Se Danit Lidor, \"Artists Just Wanna Be Free,\" <citetitle>Wired</"
+"Se Danit Lidor, <quote>Artists Just Wanna Be Free</quote>, <citetitle>Wired</"

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 "citetitle>, 7. juli 2003, tilgjengelig fra <ulink url=\"http://free-culture."
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@@ -15767,18 +16166,18 @@ msgid ""
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+"those who can pay are allowed to create. As was the case in the Soviet "
+"Union, though for very different reasons, we will begin to see a world of "
+"underground art&mdash;not because the message is necessarily political, or "
+"because the subject is controversial, but because the very act of creating "
+"the art is legally fraught. Already, exhibits of <quote>illegal art</quote> "
+"tour the United States.<placeholder type=\"footnote\" id=\"0\"/> In what "
+"does their <quote>illegality</quote> consist? In the act of mixing the "
+"culture around us with an expression that is critical or reflective."

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@@ -15867,13 +16266,13 @@ msgstr ""
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-"rules that newspapers impose upon journalists&mdash; these are the real laws "
-"governing creativity. And these rules have little relationship to the \"law"
-"\" with which judges comfort themselves."
+"<quote>breathing room</quote> between regulation by the law and the access "
+"the law should allow. But it is a measure of how out of touch our legal "
+"system has become that anyone actually believes this. The rules that "
+"publishers impose upon writers, the rules that film distributors impose upon "
+"filmmakers, the rules that newspapers impose upon journalists&mdash; these "
+"are the real laws governing creativity. And these rules have little "
+"relationship to the <quote>law</quote> with which judges comfort themselves."

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-"they live in a culture that is free."
+"that pass under the name <quote>copyright</quote> silence speech and "
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-"See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" <citetitle>Los "
-"Angeles Times</citetitle>, 23 April 2003. For a parallel argument about the "
-"effects on innovation in the distribution of music, see Janelle Brown, \"The "
-"Music Revolution Will Not Be Digitized,\" Salon.com, 1 June 2001, available "
-"at <ulink url=\"http://free-culture.cc/notes/\">link #42</ulink>.  See also "
-"Jon Healey, \"Online Music Services Besieged,\" <citetitle>Los Angeles "
-"Times</citetitle>, 28 May 2001."
+"See Joseph Menn, <quote>Universal, EMI Sue Napster Investor,</quote> "
+"<citetitle>Los Angeles Times</citetitle>, 23 April 2003. For a parallel "
+"argument about the effects on innovation in the distribution of music, see "
+"Janelle Brown, <quote>The Music Revolution Will Not Be Digitized,</quote> "
+"Salon.com, 1 June 2001, available at <ulink url=\"http://free-culture.cc/"
+"notes/\">link #42</ulink>.  See also Jon Healey, <quote>Online Music "
+"Services Besieged,</quote> <citetitle>Los Angeles Times</citetitle>, 28 May "
+"2001."

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@@ -16233,15 +16633,17 @@ msgstr "Needleman, Rafe"
 
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-"Rafe Needleman, \"Driving in Cars with MP3s,\" <citetitle>Business 2.0</"
-"citetitle>, 16 June 2003, available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #43</ulink>. I am grateful to Dr. Mohammad Al-Ubaydli for this "
-"example.  <placeholder type=\"indexterm\" id=\"0\"/>"
+"Rafe Needleman, <quote>Driving in Cars with MP3s,</quote> "
+"<citetitle>Business 2.0</citetitle>, 16 June 2003, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #43</ulink>. I am grateful to Dr. "
+"Mohammad Al-Ubaydli for this example.  <placeholder type=\"indexterm\" id="
+"\"0\"/>"

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-"Rafe Needleman, \"Driving in Cars with MP3s,\" <citetitle>Business 2.0</"
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+"Rafe Needleman, <quote>Driving in Cars with MP3s</quote>, "
+"<citetitle>Business 2.0</citetitle>, 16. juni 2003, tilgjengelig via <ulink "
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-"It is impossibly hard if that company is constantly threatened by litigation."
+"This is the world of the mafia&mdash;filled with <quote>your money or your "
+"life</quote> offers, governed in the end not by courts but by the threats "
+"that the law empowers copyright holders to exercise. It is a system that "
+"will obviously and necessarily stifle new innovation. It is hard enough to "
+"start a company. It is impossibly hard if that company is constantly "
+"threatened by litigation."

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 "systematically stifle creativity and innovation. It will protect some "
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@@ -16366,11 +16769,11 @@ msgid ""
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@@ -16403,12 +16806,13 @@ msgid ""
 "require computers to determine whether the content they access is protected "
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+"a mandatory <quote>broadcast flag</quote> that would be required on any "
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+"\" id=\"1\"/>"

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-"See David McGuire, \"Tech Execs Square Off Over Piracy,\" Newsbytes, "
-"February 2002 (Entertainment)."
+"See David McGuire, <quote>Tech Execs Square Off Over Piracy,</quote> "
+"Newsbytes, February 2002 (Entertainment)."

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 "gjennomføre for attenuated å gjøre distributøren ansvarlig for krenkelse av "
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+#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
+msgid "Tauzin, Billy"
+msgstr "Tauzin, Billy"
+

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 msgid "Hollings, Fritz"
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-"For example, in July 2002, Representative Howard Berman introduced the Peer-"
-"to-Peer Piracy Prevention Act (H.R. 5211), which would immunize copyright "
-"holders from liability for damage done to computers when the copyright "
-"holders use technology to stop copyright infringement. In August 2002, "
-"Representative Billy Tauzin introduced a bill to mandate that technologies "
-"capable of rebroadcasting digital copies of films broadcast on TV (i.e., "
-"computers) respect a \"broadcast flag\" that would disable copying of that "
-"content. And in March of the same year, Senator Fritz Hollings introduced "
-"the Consumer Broadband and Digital Television Promotion Act, which mandated "
+"<placeholder type=\"indexterm\" id=\"0\"/> For example, in July 2002, "
+"Representative Howard Berman introduced the Peer-to-Peer Piracy Prevention "
+"Act (H.R. 5211), which would immunize copyright holders from liability for "
+"damage done to computers when the copyright holders use technology to stop "
+"copyright infringement. In August 2002, Representative Billy Tauzin "
+"introduced a bill to mandate that technologies capable of rebroadcasting "
+"digital copies of films broadcast on TV (i.e., computers) respect a "
+"<quote>broadcast flag</quote> that would disable copying of that content. "
+"And in March of the same year, Senator Fritz Hollings introduced the "
+"Consumer Broadband and Digital Television Promotion Act, which mandated "

 "copyright protection technology in all digital media devices. See GartnerG2, "
 "copyright protection technology in all digital media devices. See GartnerG2, "

-"\"Copyright and Digital Media in a Post-Napster World,\" 27 June 2003, "
-"33&ndash;34, available at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#44</ulink>.  <placeholder type=\"indexterm\" id=\"0\"/> <placeholder type="
-"\"indexterm\" id=\"1\"/>"
+"<quote>Copyright and Digital Media in a Post-Napster World,</quote> 27 June "
+"2003, 33&ndash;34, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #44</ulink>.  <placeholder type=\"indexterm\" id=\"1\"/> "
+"<placeholder type=\"indexterm\" id=\"2\"/> <placeholder type=\"indexterm\" "
+"id=\"3\"/>"

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@@ -16577,13 +16987,13 @@ msgstr ""
 msgid ""
 "As I described in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
 "\"pirates\"/>, when a radio station plays a song, the recording artist "
 msgid ""
 "As I described in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
 "\"pirates\"/>, when a radio station plays a song, the recording artist "

-"doesn't get paid for that \"radio performance\" unless he or she is also the "
-"composer. So, for example if Marilyn Monroe had recorded a version of "
-"\"Happy Birthday\"&mdash;to memorialize her famous performance before "
-"President Kennedy at Madison Square Garden&mdash; then whenever that "
-"recording was played on the radio, the current copyright owners of \"Happy "
-"Birthday\" would get some money, whereas Marilyn Monroe would not.  "
-"<placeholder type=\"indexterm\" id=\"0\"/>"
+"doesn't get paid for that <quote>radio performance</quote> unless he or she "
+"is also the composer. So, for example if Marilyn Monroe had recorded a "
+"version of <quote>Happy Birthday</quote>&mdash;to memorialize her famous "
+"performance before President Kennedy at Madison Square Garden&mdash; then "
+"whenever that recording was played on the radio, the current copyright "
+"owners of <quote>Happy Birthday</quote> would get some money, whereas "
+"Marilyn Monroe would not.  <placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "som jeg beskrevet i kapittel 4, når en radiostasjon spiller en sang, får "
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 msgstr ""
 "som jeg beskrevet i kapittel 4, når en radiostasjon spiller en sang, får "
 "ikke innspillingen artisten betalt for at \"radio ytelse\" med mindre han "


@@ -16621,9 +17031,9 @@ msgid ""
 "Enter Internet radio. Like regular radio, Internet radio is a technology to "
 "stream content from a broadcaster to a listener. The broadcast travels "
 "across the Internet, not across the ether of radio spectrum.  Thus, I can "
 "Enter Internet radio. Like regular radio, Internet radio is a technology to "
 "stream content from a broadcaster to a listener. The broadcast travels "
 "across the Internet, not across the ether of radio spectrum.  Thus, I can "

-"\"tune in\" to an Internet radio station in Berlin while sitting in San "
-"Francisco, even though there's no way for me to tune in to a regular radio "
-"station much beyond the San Francisco metropolitan area."
+"<quote>tune in</quote> to an Internet radio station in Berlin while sitting "
+"in San Francisco, even though there's no way for me to tune in to a regular "
+"radio station much beyond the San Francisco metropolitan area."

 msgstr ""
 "Skriv inn Internett-radio. som vanlige radio er Internett-radio en teknologi "
 "å direktesende innhold fra en kringkasteren til en lytter. kringkastingen "
 msgstr ""
 "Skriv inn Internett-radio. som vanlige radio er Internett-radio en teknologi "
 "å direktesende innhold fra en kringkasteren til en lytter. kringkastingen "


@@ -16707,8 +17117,9 @@ msgstr "ibid., 229."
 msgid ""
 "This potential for FM radio was never realized&mdash;not because Armstrong "
 "was wrong about the technology, but because he underestimated the power of "
 msgid ""
 "This potential for FM radio was never realized&mdash;not because Armstrong "
 "was wrong about the technology, but because he underestimated the power of "

-"\"vested interests, habits, customs and legislation\"<placeholder type="
-"\"footnote\" id=\"0\"/> to retard the growth of this competing technology."
+"<quote>vested interests, habits, customs and legislation</quote><placeholder "
+"type=\"footnote\" id=\"0\"/> to retard the growth of this competing "
+"technology."

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@@ -16736,10 +17147,10 @@ msgid ""
 "radio in 1995, the lobbyists had primed Congress to adopt a different rule "
 "for Internet radio than the rule that applies to terrestrial radio. While "
 "terrestrial radio does not have to pay our hypothetical Marilyn Monroe when "
 "radio in 1995, the lobbyists had primed Congress to adopt a different rule "
 "for Internet radio than the rule that applies to terrestrial radio. While "
 "terrestrial radio does not have to pay our hypothetical Marilyn Monroe when "

-"it plays her hypothetical recording of \"Happy Birthday\" on the air, "
-"<emphasis>Internet radio does</emphasis>. Not only is the law not neutral "
-"toward Internet radio&mdash;the law actually burdens Internet radio more "
-"than it burdens terrestrial radio."
+"it plays her hypothetical recording of <quote>Happy Birthday</quote> on the "
+"air, <emphasis>Internet radio does</emphasis>. Not only is the law not "
+"neutral toward Internet radio&mdash;the law actually burdens Internet radio "
+"more than it burdens terrestrial radio."

 msgstr ""
 "men her kraften i lobbyister tilbakeføres. Internett-radio er en ny "
 "industri. artister, derimot, har en svært kraftig lobby, riaa. dermed hadde "
 msgstr ""
 "men her kraften i lobbyister tilbakeføres. Internett-radio er en ny "
 "industri. artister, derimot, har en svært kraftig lobby, riaa. dermed hadde "


@@ -16765,15 +17176,15 @@ msgid ""
 "Zittrain, Digital Performance Right in Sound Recordings and Ephemeral "
 "Recordings, Docket No. 2000-9, CARP DTRA 1 and 2, available at <ulink url="
 "\"http://free-culture.cc/notes/\">link #45</ulink>.  For an excellent "
 "Zittrain, Digital Performance Right in Sound Recordings and Ephemeral "
 "Recordings, Docket No. 2000-9, CARP DTRA 1 and 2, available at <ulink url="
 "\"http://free-culture.cc/notes/\">link #45</ulink>.  For an excellent "

-"analysis making a similar point, see Randal C. Picker, \"Copyright as Entry "
-"Policy: The Case of Digital Distribution,\" <citetitle>Antitrust Bulletin</"
-"citetitle> (Summer/Fall 2002): 461: \"This was not confusion, these are just "
-"old-fashioned entry barriers. Analog radio stations are protected from "
-"digital entrants, reducing entry in radio and diversity. Yes, this is done "
-"in the name of getting royalties to copyright holders, but, absent the play "
-"of powerful interests, that could have been done in a media-neutral way.\" "
-"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" "
-"id=\"1\"/>"
+"analysis making a similar point, see Randal C. Picker, <quote>Copyright as "
+"Entry Policy: The Case of Digital Distribution,</quote> <citetitle>Antitrust "
+"Bulletin</citetitle> (Summer/Fall 2002): 461: <quote>This was not confusion, "
+"these are just old-fashioned entry barriers. Analog radio stations are "
+"protected from digital entrants, reducing entry in radio and diversity. Yes, "
+"this is done in the name of getting royalties to copyright holders, but, "
+"absent the play of powerful interests, that could have been done in a media-"
+"neutral way.</quote> <placeholder type=\"indexterm\" id=\"0\"/> <placeholder "
+"type=\"indexterm\" id=\"1\"/>"

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@@ -16959,11 +17370,11 @@ msgid ""
 "about what they thought a willing buyer would pay to a willing seller, and "
 "it was much higher. It was ten times higher than what radio stations pay to "
 "perform the same songs for the same period of time. And so the attorneys "
 "about what they thought a willing buyer would pay to a willing seller, and "
 "it was much higher. It was ten times higher than what radio stations pay to "
 "perform the same songs for the same period of time. And so the attorneys "

-"representing the webcasters asked the RIAA, &hellip; \"How do you come up "
-"with a rate that's so much higher? Why is it worth more than radio? Because "
-"here we have hundreds of thousands of webcasters who want to pay, and that "
-"should establish the market rate, and if you set the rate so high, you're "
-"going to drive the small webcasters out of business. &hellip;\""
+"representing the webcasters asked the RIAA, &hellip; <quote>How do you come "
+"up with a rate that's so much higher? Why is it worth more than radio? "
+"Because here we have hundreds of thousands of webcasters who want to pay, "
+"and that should establish the market rate, and if you set the rate so high, "
+"you're going to drive the small webcasters out of business. &hellip;</quote>"

 msgstr ""
 "riaa, som var som representerer plateselskapene, presentert noen vitnesbyrd "
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 msgstr ""
 "riaa, som var som representerer plateselskapene, presentert noen vitnesbyrd "
 "om hva de tenkte en villig kjøper betaler til en villig selger, og det var "


@@ -16978,10 +17389,10 @@ msgstr ""
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-"And the RIAA experts said, \"Well, we don't really model this as an industry "
-"with thousands of webcasters, <emphasis>we think it should be an industry "
-"with, you know, five or seven big players who can pay a high rate and it's a "
-"stable, predictable market</emphasis>.\" (Emphasis added.)"
+"And the RIAA experts said, <quote>Well, we don't really model this as an "
+"industry with thousands of webcasters, <emphasis>we think it should be an "
+"industry with, you know, five or seven big players who can pay a high rate "
+"and it's a stable, predictable market</emphasis>.</quote> (Emphasis added.)"

 msgstr ""
 "og riaa eksperter sa, \"Vel, vi ikke virkelig modell dette som industri med "
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 msgstr ""
 "og riaa eksperter sa, \"Vel, vi ikke virkelig modell dette som industri med "
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-"Mike Graziano and Lee Rainie, \"The Music Downloading Deluge,\" Pew Internet "
-"and American Life Project (24 April 2001), available at <ulink url=\"http://"
-"free-culture.cc/notes/\">link #46</ulink>.  The Pew Internet and American "
-"Life Project reported that 37 million Americans had downloaded music files "
-"from the Internet by early 2001."
+"Mike Graziano and Lee Rainie, <quote>The Music Downloading Deluge,</quote> "
+"Pew Internet and American Life Project (24 April 2001), available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #46</ulink>.  The Pew Internet "
+"and American Life Project reported that 37 million Americans had downloaded "
+"music files from the Internet by early 2001."

 msgstr ""
 
 #.  PAGE BREAK 209
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@@ -17064,8 +17475,8 @@ msgstr ""
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-"Alex Pham, \"The Labels Strike Back: N.Y. Girl Settles RIAA Case,\" "
-"<citetitle>Los Angeles Times</citetitle>, 10 September 2003, Business."
+"Alex Pham, <quote>The Labels Strike Back: N.Y. Girl Settles RIAA Case,</"
+"quote> <citetitle>Los Angeles Times</citetitle>, 10 September 2003, Business."

 msgstr ""
 "Alex pham, \"etikettene streik tilbake: ny jente settles riaa tilfelle,\" "
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 msgstr ""
 "Alex pham, \"etikettene streik tilbake: ny jente settles riaa tilfelle,\" "
 "los angeles times, 10 september 2003, business."


@@ -17095,9 +17506,9 @@ msgstr ""
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-"Jeffrey A. Miron and Jeffrey Zwiebel, \"Alcohol Consumption During "
-"Prohibition,\" <citetitle>American Economic Review</citetitle> 81, no. 2 "
-"(1991): 242."
+"Jeffrey A. Miron and Jeffrey Zwiebel, <quote>Alcohol Consumption During "
+"Prohibition,</quote> <citetitle>American Economic Review</citetitle> 81, no. "
+"2 (1991): 242."

 msgstr ""
 "Jeffrey a. miron og jeffrey zwiebel, \"alkoholforbruk under forbudstiden,\" "
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 msgstr ""
 "Jeffrey a. miron og jeffrey zwiebel, \"alkoholforbruk under forbudstiden,\" "
 "amerikanske økonomiske anmeldelse 81, no. 2 (1991): 242."


@@ -17118,9 +17529,9 @@ msgstr ""
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-"See James Andreoni, Brian Erard, and Jonathon Feinstein, \"Tax Compliance,\" "
-"<citetitle>Journal of Economic Literature</citetitle> 36 (1998): 818 (survey "
-"of compliance literature)."
+"See James Andreoni, Brian Erard, and Jonathon Feinstein, <quote>Tax "
+"Compliance,</quote> <citetitle>Journal of Economic Literature</citetitle> 36 "
+"(1998): 818 (survey of compliance literature)."

 msgstr ""
 "se james andreoni, brian Eberhard og jonathon feinstein, \"skatt samsvar,\" "
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 msgstr ""
 "se james andreoni, brian Eberhard og jonathon feinstein, \"skatt samsvar,\" "
 "journal av økonomiske litteratur 36 (1998): 818 (undersøkelse av samsvar "


@@ -17146,10 +17557,10 @@ msgid ""
 "the population. We regulate automobiles to the point where the vast majority "
 "of Americans violate the law every day. We run such a complex tax system "
 "that a majority of cash businesses regularly cheat.<placeholder type="
 "the population. We regulate automobiles to the point where the vast majority "
 "of Americans violate the law every day. We run such a complex tax system "
 "that a majority of cash businesses regularly cheat.<placeholder type="

-"\"footnote\" id=\"2\"/> We pride ourselves on our \"free society,\" but an "
-"endless array of ordinary behavior is regulated within our society. And as a "
-"result, a huge proportion of Americans regularly violate at least some law.  "
-"<placeholder type=\"indexterm\" id=\"3\"/>"
+"\"footnote\" id=\"2\"/> We pride ourselves on our <quote>free society,</"
+"quote> but an endless array of ordinary behavior is regulated within our "
+"society. And as a result, a huge proportion of Americans regularly violate "
+"at least some law.  <placeholder type=\"indexterm\" id=\"3\"/>"

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@@ -17161,18 +17572,18 @@ msgstr ""
 msgid ""
 "This state of affairs is not without consequence. It is a particularly "
 "salient issue for teachers like me, whose job it is to teach law students "
 msgid ""
 "This state of affairs is not without consequence. It is a particularly "
 "salient issue for teachers like me, whose job it is to teach law students "

-"about the importance of \"ethics.\" As my colleague Charlie Nesson told a "
-"class at Stanford, each year law schools admit thousands of students who "
-"have illegally downloaded music, illegally consumed alcohol and sometimes "
-"drugs, illegally worked without paying taxes, illegally driven cars. These "
-"are kids for whom behaving illegally is increasingly the norm. And then we, "
-"as law professors, are supposed to teach them how to behave ethically&mdash;"
-"how to say no to bribes, or keep client funds separate, or honor a demand to "
-"disclose a document that will mean that your case is over. Generations of "
-"Americans&mdash;more significantly in some parts of America than in others, "
-"but still, everywhere in America today&mdash;can't live their lives both "
-"normally and legally, since \"normally\" entails a certain degree of "
-"illegality.  <placeholder type=\"indexterm\" id=\"0\"/>"
+"about the importance of <quote>ethics.</quote> As my colleague Charlie "
+"Nesson told a class at Stanford, each year law schools admit thousands of "
+"students who have illegally downloaded music, illegally consumed alcohol and "
+"sometimes drugs, illegally worked without paying taxes, illegally driven "
+"cars. These are kids for whom behaving illegally is increasingly the norm. "
+"And then we, as law professors, are supposed to teach them how to behave "
+"ethically&mdash;how to say no to bribes, or keep client funds separate, or "
+"honor a demand to disclose a document that will mean that your case is over. "
+"Generations of Americans&mdash;more significantly in some parts of America "
+"than in others, but still, everywhere in America today&mdash;can't live "
+"their lives both normally and legally, since <quote>normally</quote> entails "
+"a certain degree of illegality.  <placeholder type=\"indexterm\" id=\"0\"/>"

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@@ -17238,9 +17649,9 @@ msgid ""
 "incarcerate the rapist. But I do care whether my students respect the law. "
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@@ -17290,7 +17701,8 @@ msgid ""
 "plastic encode music that in a certain sense we have bought.  The law "
 "protects our right to buy and sell that plastic: It is not a copyright "
 "infringement for me to sell all my classical records at a used record store "
 "plastic encode music that in a certain sense we have bought.  The law "
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 "infringement for me to sell all my classical records at a used record store "

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+"and buy jazz records to replace them. That <quote>use</quote> of the "
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@@ -17303,10 +17715,11 @@ msgstr ""
 msgid ""
 "But as the MP3 craze has demonstrated, there is another use of phonograph "
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-"copy-protection technologies, I am \"free\" to copy, or \"rip,\" music from "
-"my records onto a computer hard disk. Indeed, Apple Corporation went so far "
-"as to suggest that \"freedom\" was a right: In a series of commercials, "
-"Apple endorsed the \"Rip, Mix, Burn\" capacities of digital technologies."
+"copy-protection technologies, I am <quote>free</quote> to copy, or "
+"<quote>rip,</quote> music from my records onto a computer hard disk. Indeed, "
+"Apple Corporation went so far as to suggest that <quote>freedom</quote> was "
+"a right: In a series of commercials, Apple endorsed the <quote>Rip, Mix, "
+"Burn</quote> capacities of digital technologies."

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@@ -17322,14 +17735,15 @@ msgstr "Adromeda"
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-"This \"use\" of my records is certainly valuable. I have begun a large "
-"process at home of ripping all of my and my wife's CDs, and storing them in "
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-"Andromeda, we can build different play lists of our music: Bach, Baroque, "
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-"build a creativity with play lists that is itself independently valuable. "
-"Compilations of songs are creative and meaningful in their own right."
+"This <quote>use</quote> of my records is certainly valuable. I have begun a "
+"large process at home of ripping all of my and my wife's CDs, and storing "
+"them in one archive. Then, using Apple's iTunes, or a wonderful program "
+"called Andromeda, we can build different play lists of our music: Bach, "
+"Baroque, Love Songs, Love Songs of Significant Others&mdash;the potential is "
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+"help build a creativity with play lists that is itself independently "
+"valuable. Compilations of songs are creative and meaningful in their own "
+"right."

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 "technologies would effectively destroy the archiving use of CDs. The "
 "technology, in other words, would force us all back to the world where we "
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 "technologies would effectively destroy the archiving use of CDs. The "
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-"massively complex \"digital rights management\" system."
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@@ -17464,10 +17878,10 @@ msgid ""
 "important as our tradition of free culture.  There's one more aspect to this "
 "corruption that is particularly important to civil liberties, and follows "
 "directly from any war of prohibition.  As Electronic Frontier Foundation "
 "important as our tradition of free culture.  There's one more aspect to this "
 "corruption that is particularly important to civil liberties, and follows "
 "directly from any war of prohibition.  As Electronic Frontier Foundation "

-"attorney Fred von Lohmann describes, this is the \"collateral damage\" that "
-"\"arises whenever you turn a very large percentage of the population into "
-"criminals.\" This is the collateral damage to civil liberties generally.  "
-"<placeholder type=\"indexterm\" id=\"0\"/>"
+"attorney Fred von Lohmann describes, this is the <quote>collateral damage</"
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-"See Frank Ahrens, \"RIAA's Lawsuits Meet Surprised Targets; Single Mother in "
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-"September 2003, C1; Margo Varadi, \"Is Brianna a Criminal?\" "
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+"to Avoid Being Sued,</quote> <citetitle>Orlando Sentinel Tribune</"
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-"See Jeff Adler, \"Cambridge: On Campus, Pirates Are Not Penitent,\" "
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-"<citetitle>Christian Science Monitor</citetitle>, 2 September 2003, 20; "
-"Robert Becker and Angela Rozas, \"Music Pirate Hunt Turns to Loyola; Two "
-"Students Names Are Handed Over; Lawsuit Possible,\" <citetitle>Chicago "
-"Tribune</citetitle>, 16 July 2003, 1C; Beth Cox, \"RIAA Trains Antipiracy "
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-"Letters Are Weapons at Universities,\" <citetitle>USA Today</citetitle>, 26 "
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+"See Jeff Adler, <quote>Cambridge: On Campus, Pirates Are Not Penitent,</"
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+"Frank Ahrens, <quote>Four Students Sued over Music Sites; Industry Group "
+"Targets File Sharing at Colleges,</quote> <citetitle>Washington Post</"
+"citetitle>, 4 April 2003, E1; Elizabeth Armstrong, <quote>Students `Rip, "
+"Mix, Burn' at Their Own Risk,</quote> <citetitle>Christian Science Monitor</"
+"citetitle>, 2 September 2003, 20; Robert Becker and Angela Rozas, "
+"<quote>Music Pirate Hunt Turns to Loyola; Two Students Names Are Handed "
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+"</quote> <citetitle>Internet News</citetitle>, 30 January 2003, available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #48</ulink>; Benny "
+"Evangelista, <quote>Download Warning 101: Freshman Orientation This Fall to "
+"Include Record Industry Warnings Against File Sharing,</quote> "
+"<citetitle>San Francisco Chronicle</citetitle>, 11 August 2003, E11; "
+"<quote>Raid, Letters Are Weapons at Universities,</quote> <citetitle>USA "
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@@ -18440,11 +18876,11 @@ msgstr "USA v. morrison, 529 amerikanske 598 (2000)."
 
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@@ -19217,8 +19659,8 @@ msgid ""
 "district court in Washington, D.C., asking the court to declare the Sonny "
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@@ -19404,10 +19853,11 @@ msgid ""
 "I hate this view of the law. Of course I thought the Sonny Bono Act was a "
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@@ -19498,14 +19948,15 @@ msgid ""
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@@ -19613,8 +20064,9 @@ msgid ""
 "Nobel winners demonstrates, spanned the political spectrum. Their "
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+#. type: Content of: <book><part><chapter><indexterm><primary>
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-"But this \"consistency\" should be kept in perspective. Congress extended "
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 msgid "CONCLUSION"
 msgstr "Konklusjon"
 
 msgid "CONCLUSION"
 msgstr "Konklusjon"
 

+#. type: Content of: <book><chapter><indexterm><primary>
+msgid "antiretroviral drugs"
+msgstr ""
+
+#. type: Content of: <book><chapter><indexterm><primary>
+msgid "HIV/AIDS therapies"
+msgstr ""
+
+#. type: Content of: <book><chapter><indexterm><primary>
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-"Jonathan Krim, \"The Quiet War over Open-Source,\" <citetitle>Washington "
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+"(Washington, D.C.: AEI-Brookings Joint Center for Regulatory Studies, "
+"American Enterprise Institute for Public Policy Research, 2002), 69, "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #62</ulink>. "
+"See also Craig Mundie, Microsoft senior vice president, <citetitle>The "
+"Commercial Software Model</citetitle>, discussion at New York University "
+"Stern School of Business (3 May 2001), available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #63</ulink>."

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-"William Fisher, <citetitle>Digital Music: Problems and Possibilities</"
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+"The evidence of this bending is compelling. I'm attacked as a "
+"<quote>radical</quote> by many within the profession, yet the positions that "
+"I am advocating are precisely the positions of some of the most moderate and "
+"significant figures in the history of this branch of the law. Many, for "
+"example, thought crazy the challenge that we brought to the Copyright Term "
+"Extension Act. Yet just thirty years ago, the dominant scholar and "
+"practitioner in the field of copyright, Melville Nimmer, thought it obvious."

 "<placeholder type=\"footnote\" id=\"0\"/>"
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+msgstr ""
+"Indisiene for slik bøyning er overbevisene.  Jeg er angrepet som en "
+"<quote>radikal</quote> av mange innenfor yrket, og likevel er meningene jeg "
+"argumenterer for nøyaktig de meningene til mange av de mest moderate og "
+"betydningsfulle personene i historien til denne delen av loven. Mange trodde "
+"for eksempel at vår utfordring til lovforslaget om å utvide opphavsrettens "
+"vernetid var galskap.  Mens bare tredve år siden mente den dominerende "
+"foreleser og utøver i opphavsrettsfeltet, Melville Nimmer, at den var "
+"åpenbar.<placeholder type=\"footnote\" id=\"0\"/>"

 
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 "again.  Compare Stan J. Liebowitz, <citetitle>Rethinking the Network "
 "Economy: The True Forces That Drive the Digital Marketplace</citetitle> (New "
 "York: Amacom, 2002), (reviewing his original view but expressing skepticism) "
 "again.  Compare Stan J. Liebowitz, <citetitle>Rethinking the Network "
 "Economy: The True Forces That Drive the Digital Marketplace</citetitle> (New "
 "York: Amacom, 2002), (reviewing his original view but expressing skepticism) "

-"with Stan J.  Liebowitz, \"Will MP3s Annihilate the Record Industry?\" "
-"working paper, June 2003, available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #86</ulink>.  Liebowitz's careful analysis is extremely "
-"valuable in estimating the effect of file-sharing technology. In my view, "
-"however, he underestimates the costs of the legal system. See, for example, "
-"<citetitle>Rethinking</citetitle>, 174&ndash;76.  <placeholder type="
+"with Stan J.  Liebowitz, <quote>Will MP3s Annihilate the Record Industry?</"
+"quote> working paper, June 2003, available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #86</ulink>.  Liebowitz's careful analysis is "
+"extremely valuable in estimating the effect of file-sharing technology. In "
+"my view, however, he underestimates the costs of the legal system. See, for "
+"example, <citetitle>Rethinking</citetitle>, 174&ndash;76.  <placeholder type="

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@@ -25463,13 +26016,13 @@ msgstr ""
 "på nytt.  Sammenlign Stan J. Liebowitz, <citetitle>Rethinking the Network "
 "Economy: The True Forces That Drive the Digital Marketplace</citetitle> (New "
 "York: Amacom, 2002), (gikk igjennom hans originale syn men uttrykte skepsis) "
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 "Economy: The True Forces That Drive the Digital Marketplace</citetitle> (New "
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-"cc/notes/\">link #86</ulink>.  Den nøye analysen til Liebowitz er ekstremt "
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-"type=\"indexterm\" id=\"0\"/>"
+"med Stan J.  Liebowitz, <quote>Will MP3s Annihilate the Record Industry?</"
+"quote> artikkelutkast, juni 2003, tilgjengelig fra <ulink url=\"http://free-"
+"culture.cc/notes/\">link #86</ulink>.  Den nøye analysen til Liebowitz er "
+"ekstremt verdifull i sin estimering av effekten av fildelingsteknologi.  "
+"Etter mitt syn underestimerer han forøvrig kostnaden til det juridiske "
+"system.  Se, for eksempel, <citetitle>Rethinking</citetitle>, 174&ndash;76.  "
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@@ -25572,24 +26125,25 @@ msgid ""
 "The law should regulate in certain areas of culture&mdash;but it should "
 "regulate culture only where that regulation does good. Yet lawyers rarely "
 "test their power, or the power they promote, against this simple pragmatic "
 "The law should regulate in certain areas of culture&mdash;but it should "
 "regulate culture only where that regulation does good. Yet lawyers rarely "
 "test their power, or the power they promote, against this simple pragmatic "

-"question: \"Will it do good?\" When challenged about the expanding reach of "
-"the law, the lawyer answers, \"Why not?\""
+"question: <quote>Will it do good?</quote> When challenged about the "
+"expanding reach of the law, the lawyer answers, <quote>Why not?</quote>"

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-"spørsmålet: \"vil det bidra positivt?\".  Når de blir utfordret om det "
-"utvidede rekkevidden til loven, er advokat-svaret, \"Hvorfor ikke?\""
+"spørsmålet: <quote>vil det bidra positivt?</quote>.  Når de blir utfordret "
+"om det utvidede rekkevidden til loven, er advokat-svaret, <quote>Hvorfor "
+"ikke?</quote>"

 
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-"We should ask, \"Why?\" Show me why your regulation of culture is needed. "
-"Show me how it does good. And until you can show me both, keep your lawyers "
-"away."
+"We should ask, <quote>Why?</quote> Show me why your regulation of culture is "
+"needed. Show me how it does good. And until you can show me both, keep your "
+"lawyers away."

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-"Vi burde spørre: \"Hvorfor?\". Vis meg hvorfor din regulering av kultur er "
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-"meg begge, holde advokatene din unna."
+"Vi burde spørre: <quote>Hvorfor?</quote>. Vis meg hvorfor din regulering av "
+"kultur er nødvendig og vis meg hvordan reguleringen bidrar positivt.  Før du "
+"kan vise meg begge, holde advokatene din unna."

 
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@@ -25693,9 +26247,10 @@ msgid ""
 "McMullen, Fred Norton, John Pormann, Pedro A. D.  Rezende, Shabbir Safdar, "
 "Saul Schleimer, Clay Shirky, Adam Shostack, Kragen Sitaker, Chris Smith, "
 "Bruce Steinberg, Andrzej Jan Taramina, Sean Walsh, Matt Wasserman, Miljenko "
 "McMullen, Fred Norton, John Pormann, Pedro A. D.  Rezende, Shabbir Safdar, "
 "Saul Schleimer, Clay Shirky, Adam Shostack, Kragen Sitaker, Chris Smith, "
 "Bruce Steinberg, Andrzej Jan Taramina, Sean Walsh, Matt Wasserman, Miljenko "

-"Williams, \"Wink,\" Roger Wood, \"Ximmbo da Jazz,\" and Richard Yanco. (I "
-"apologize if I have missed anyone; with computers come glitches, and a crash "
-"of my e-mail system meant I lost a bunch of great replies.)"
+"Williams, <quote>Wink,</quote> Roger Wood, <quote>Ximmbo da Jazz,</quote> "
+"and Richard Yanco. (I apologize if I have missed anyone; with computers come "
+"glitches, and a crash of my e-mail system meant I lost a bunch of great "
+"replies.)"

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@@ -25709,10 +26264,11 @@ msgstr ""
 "Mann, Mark Manning, Nora McCauley, Jeffrey McHugh, Evan McMullen, Fred "
 "Norton, John Pormann, Pedro A. D.  Rezende, Shabbir Safdar, Saul Schleimer, "
 "Clay Shirky, Adam Shostack, Kragen Sitaker, Chris Smith, Bruce Steinberg, "
 "Mann, Mark Manning, Nora McCauley, Jeffrey McHugh, Evan McMullen, Fred "
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 "Clay Shirky, Adam Shostack, Kragen Sitaker, Chris Smith, Bruce Steinberg, "

-"Andrzej Jan Taramina, Sean Walsh, Matt Wasserman, Miljenko Williams, \"Wink,"
-"\" Roger Wood, \"Ximmbo da Jazz,\" og Richard Yanco. (jeg beklager hvis jeg "
-"gikk glipp av noen, med datamaskiner kommer feil og en krasj i e-"
-"postsystemet mitt gjorde at jeg mistet en haug med flotte svar.)"
+"Andrzej Jan Taramina, Sean Walsh, Matt Wasserman, Miljenko Williams, "
+"<quote>Wink,</quote> Roger Wood, <quote>Ximmbo da Jazz,</quote> og Richard "
+"Yanco. (jeg beklager hvis jeg gikk glipp av noen, med datamaskiner kommer "
+"feil og en krasj i e-postsystemet mitt gjorde at jeg mistet en haug med "
+"flotte svar.)"

 
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