</para></footnote>
</para>
</blockquote>
+<indexterm id='idxlessing' class='startofrange'>
+ <primary>Lessing, Lawrence</primary>
+</indexterm>
<para>
Armstrong's invention threatened RCA's AM empire, so the company
launched a campaign to smother FM radio. While FM may have been a
</para></footnote>
</para>
</blockquote>
+<indexterm startref='idxlessing' class='endofrange'/>
<indexterm><primary>AT&T</primary></indexterm>
<para>
To make room in the spectrum for RCA's latest gamble, television,
don't recognize the reasons for limiting copyright terms; it is thus
still possible to see good faith within the resistance.
</para>
+<indexterm><primary>Kelly, Kevin</primary></indexterm>
<para>
But when the copyright owners oppose a proposal such as the Eldred
Act, then, finally, there is an example that lays bare the naked
content. It would simply liberate what Kevin Kelly calls the <quote>Dark
Content</quote> that fills archives around the world. So when the warriors
oppose a change like this, we should ask one simple question:
-<indexterm><primary>Kelly, Kevin</primary></indexterm>
</para>
<para>
What does this industry really want?
</para>
<indexterm><primary>Public Enemy</primary></indexterm>
<indexterm><primary>rap music</primary></indexterm>
+<indexterm><primary>Leaphart, Walter</primary></indexterm>
<para>
These are examples of using the Commons to better spread proprietary
content. I believe that is a wonderful and common use of the
</para></footnote>),
these artists release into the creative environment content
that others can build upon, so that their form of creativity might grow.
-<indexterm><primary>Leaphart, Walter</primary></indexterm>
</para>
<para>
Finally, there are many who mark their content with a Creative Commons