Adjust a few fuzzies after the new docbook tags was introduced.

[text-free-culture-lessig.git] / freeculture.nb.po

diff --git a/freeculture.nb.po b/freeculture.nb.po
index 7a247e0c72e2056e4fd2e4e891c7f21151166ff3..92101c23b7be9be23c2c549c4422c82f540710db 100644 (file)
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -6,7 +6,7 @@
 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"
 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"

-"POT-Creation-Date: 2012-07-21 08:46+0300\n"
+"POT-Creation-Date: 2012-07-27 20:12+0300\n"

 "PO-Revision-Date: 2012-07-13 21:50+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"
 "PO-Revision-Date: 2012-07-13 21:50+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"


@@ -33,7 +33,19 @@ msgstr "Fri kultur"
 msgid "<abbrev>\"freeculture\"</abbrev>"
 msgstr "<abbrev>\"frikultur\"</abbrev>"
 
 msgid "<abbrev>\"freeculture\"</abbrev>"
 msgstr "<abbrev>\"frikultur\"</abbrev>"
 

-#. type: Content of: <book><bookinfo><subtitle>
+#. type: Content of: <book><colophon><para>
+msgid ""
+"HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN CULTURE AND CONTROL "
+"CREATIVITY"
+msgstr ""
+"Hvordan store mediaaktører bruker teknologi og loven til å låse ned kulturen "
+"og kontrollere kreativiteten"
+
+#. type: Content of: <book><bookinfo>
+msgid "<pubdate>2004-03-25</pubdate>"
+msgstr ""
+
+#. type: Content of: <book><bookinfo><releaseinfo>

 msgid "Version 2004-02-10"
 msgstr "Versjon 2004-02-10"
 
 msgid "Version 2004-02-10"
 msgstr "Versjon 2004-02-10"
 


@@ -47,19 +59,24 @@ msgstr "Lessig"
 
 #. type: Content of: <book><bookinfo>
 msgid ""
 
 #. type: Content of: <book><bookinfo>
 msgid ""

-"<copyright> <year>2004</year> <holder> Lawrence Lessig.  This version of "
-"Free Culture is licensed under a Creative Commons license. This license "
-"permits non-commercial use of this work, so long as attribution is given.  "
-"For more information about the license, click the icon above, or visit "
-"<ulink url=\"http://creativecommons.org/licenses/by-nc/1.0/\">http://"
-"creativecommons.org/licenses/by-nc/1.0/</ulink> </holder> </copyright>"
+"<copyright> <year>2004</year> <holder>Lawrence Lessig</holder> </copyright>"
+msgstr ""
+"<copyright> <year>2004</year> <holder>Lawrence Lessig</holder> </copyright>"
+
+#. type: Content of: <book><bookinfo><legalnotice><para>
+msgid ""
+"This version of <citetitle>Free Culture</citetitle> is licensed under a "
+"Creative Commons license. This license permits non-commercial use of this "
+"work, so long as attribution is given.  For more information about the "
+"license, click the icon above, or visit <ulink url=\"http://creativecommons."
+"org/licenses/by-nc/1.0/\">http://creativecommons.org/licenses/by-nc/1.0/</"
+"ulink>"

 msgstr ""
 msgstr ""

-"<copyright> <year>2004</year> <holder> Lawrence Lessig.  Denne versjonen av "
-"Fri Kultur er lisensert med en Creative Commons-lisens.  Denne lisensen "
-"tillater ikke-kommersiell utnyttelse av verket, hvis opphavsinnehaveren er "
-"navngitt.  For mer informasjon om lisensen, klikk på ikonet over eller besøk "
-"<ulink url=\"http://creativecommons.org/licenses/by-nc/1.0/\">http://"
-"creativecommons.org/licenses/by-nc/1.0/</ulink> </holder> </copyright>"
+"Denne versjonen av <citetitle>Fri Kultur</citetitle> er lisensert med en Creative Commons-lisens.  "
+"Denne lisensen tillater ikke-kommersiell utnyttelse av verket, hvis "
+"opphavsinnehaveren er navngitt.  For mer informasjon om lisensen, klikk på "
+"ikonet over eller besøk <ulink url=\"http://creativecommons.org/licenses/by-"
+"nc/1.0/\">http://creativecommons.org/licenses/by-nc/1.0/</ulink>"

 
 #. type: Content of: <book><bookinfo><abstract><title>
 msgid "ABOUT THE AUTHOR"
 
 #. type: Content of: <book><bookinfo><abstract><title>
 msgid "ABOUT THE AUTHOR"


@@ -97,161 +114,144 @@ msgstr ""
 "assisterte Lessig dommer Richard Posner ved U.S. Seventh Circuit Court of "
 "Appeals."
 
 "assisterte Lessig dommer Richard Posner ved U.S. Seventh Circuit Court of "
 "Appeals."
 

-#. type: Content of: <book><chapter><title>
-msgid "Info"
-msgstr "Info"
-
-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "You can buy a copy of this book by clicking on one of the links below:"
 msgstr ""
 "Du kan kjøpe en kopi av denne boken ved å klikke på en av lenkene nedenfor:"
 
 msgid "You can buy a copy of this book by clicking on one of the links below:"
 msgstr ""
 "Du kan kjøpe en kopi av denne boken ved å klikke på en av lenkene nedenfor:"
 

-#. type: Content of: <book><chapter><itemizedlist><listitem><para>
+#. type: Content of: <book><colophon><itemizedlist><listitem><para>

 msgid "<ulink url=\"http://www.amazon.com/\">Amazon</ulink>"
 msgstr "<ulink url=\"http://www.amazon.com/\">Amazon</ulink>"
 
 msgid "<ulink url=\"http://www.amazon.com/\">Amazon</ulink>"
 msgstr "<ulink url=\"http://www.amazon.com/\">Amazon</ulink>"
 

-#. type: Content of: <book><chapter><itemizedlist><listitem><para>
+#. type: Content of: <book><colophon><itemizedlist><listitem><para>

 msgid "<ulink url=\"http://www.barnesandnoble.com/\">B&amp;N</ulink>"
 msgstr "<ulink url=\"http://www.barnesandnoble.com/\">B&amp;N</ulink>"
 
 msgid "<ulink url=\"http://www.barnesandnoble.com/\">B&amp;N</ulink>"
 msgstr "<ulink url=\"http://www.barnesandnoble.com/\">B&amp;N</ulink>"
 

-#. type: Content of: <book><chapter><itemizedlist><listitem><para>
+#. type: Content of: <book><colophon><itemizedlist><listitem><para>

 msgid "<ulink url=\"http://www.penguin.com/\">Penguin</ulink>"
 msgstr "<ulink url=\"http://www.penguin.com/\">Penguin</ulink>"
 
 msgid "<ulink url=\"http://www.penguin.com/\">Penguin</ulink>"
 msgstr "<ulink url=\"http://www.penguin.com/\">Penguin</ulink>"
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "ALSO BY LAWRENCE LESSIG"
 msgstr "Andre bøker av Lawrence Lessig"
 
 msgid "ALSO BY LAWRENCE LESSIG"
 msgstr "Andre bøker av Lawrence Lessig"
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "The Future of Ideas: The Fate of the Commons in a Connected World"
 msgstr "The Future of Ideas: The Fate of the Commons in a Connected World"
 
 msgid "The Future of Ideas: The Fate of the Commons in a Connected World"
 msgstr "The Future of Ideas: The Fate of the Commons in a Connected World"
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "Code: And Other Laws of Cyberspace"
 msgstr "Code: And Other Laws of Cyberspace"
 
 msgid "Code: And Other Laws of Cyberspace"
 msgstr "Code: And Other Laws of Cyberspace"
 

-#. type: Content of: <book><chapter><para>
-msgid "THE PENGUIN PRESS"
-msgstr "The Penguin Press"
-
-#. type: Content of: <book><chapter><para>
-msgid "NEW YORK"
-msgstr "New York"
+#. type: Content of: <book><colophon><para>
+msgid "THE PENGUIN PRESS, NEW YORK"
+msgstr "The Penguin Press, New York"

 
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "FREE CULTURE"
 msgstr "Fri Kultur"
 
 msgid "FREE CULTURE"
 msgstr "Fri Kultur"
 

-#. type: Content of: <book><chapter><para>
-msgid ""
-"HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN CULTURE AND CONTROL "
-"CREATIVITY"
-msgstr ""
-"Hvordan store mediaaktører bruker teknologi og loven til å låse ned kulturen "
-"og kontrollere kreativiteten"
-
-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "LAWRENCE LESSIG"
 msgstr "Lawrence Lessig"
 
 msgid "LAWRENCE LESSIG"
 msgstr "Lawrence Lessig"
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 msgid ""

-"a member of Penguin Group (USA) Inc.  375 Hudson Street New York, New York"
+"THE PENGUIN PRESS, a member of Penguin Group (USA) Inc.  375 Hudson Street "
+"New York, New York"

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
-msgid "Copyright &copy; Lawrence Lessig,"
-msgstr "Opphavsrett &copy; Lawrence Lessig,"
-
-#. type: Content of: <book><chapter><para>
-msgid "All rights reserved"
-msgstr "Alle rettigheter reservert"
-
-#. type: Content of: <book><chapter><para>
-msgid ""
-"Excerpt from an editorial titled \"The Coming of Copyright Perpetuity,\" The "
-"New York Times, January 16, 2003. Copyright &copy; 2003 by The New York "
-"Times Co.  Reprinted with permission."
+#. type: Content of: <book><colophon><para>
+msgid "Copyright &copy; Lawrence Lessig.  All rights reserved."

 msgstr ""
 msgstr ""

+"Opphavsrettbeskyttet &copy; Lawrence Lessig.  Alle rettigheter reservert."

 
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 msgid ""

-"Cartoon by Paul Conrad on page 159. Copyright Tribune Media Services, Inc."
+"Excerpt from an editorial titled \"The Coming of Copyright Perpetuity,\" "
+"<citetitle>The New York Times</citetitle>, January 16, 2003. Copyright "
+"&copy; 2003 by The New York Times Co.  Reprinted with permission."

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
-msgid "All rights reserved. Reprinted with permission."
+#. type: Content of: <book><colophon><para>
+msgid ""
+"Cartoon in <xref linkend=\"fig-1711\"/> by Paul Conrad, copyright Tribune "
+"Media Services, Inc.  All rights reserved. Reprinted with permission."

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 msgid ""

-"Diagram on page 164 courtesy of the office of FCC Commissioner, Michael J. "
-"Copps."
+"Diagram in <xref linkend=\"fig-1761\"/> courtesy of the office of FCC "
+"Commissioner, Michael J. Copps."

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "Library of Congress Cataloging-in-Publication Data"
 msgstr ""
 
 msgid "Library of Congress Cataloging-in-Publication Data"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 "Lessig, Lawrence.  Free culture : how big media uses technology and the law "
 "to lock down culture and control creativity / Lawrence Lessig."
 msgstr ""
 
 msgid ""
 "Lessig, Lawrence.  Free culture : how big media uses technology and the law "
 "to lock down culture and control creativity / Lawrence Lessig."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "p. cm."
 msgstr ""
 
 msgid "p. cm."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "Includes index."
 msgstr ""
 
 msgid "Includes index."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "ISBN 1-59420-006-8 (hardcover)"
 msgstr ""
 
 msgid "ISBN 1-59420-006-8 (hardcover)"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 "1. Intellectual property&mdash;United States. 2. Mass media&mdash;United "
 "States."
 msgstr ""
 
 msgid ""
 "1. Intellectual property&mdash;United States. 2. Mass media&mdash;United "
 "States."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 "3. Technological innovations&mdash;United States. 4. Art&mdash;United "
 "States. I. Title."
 msgstr ""
 
 msgid ""
 "3. Technological innovations&mdash;United States. 4. Art&mdash;United "
 "States. I. Title."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "KF2979.L47"
 msgstr ""
 
 msgid "KF2979.L47"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "343.7309'9&mdash;dc22"
 msgstr ""
 
 msgid "343.7309'9&mdash;dc22"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "This book is printed on acid-free paper."
 msgstr ""
 
 msgid "This book is printed on acid-free paper."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "Printed in the United States of America"
 msgstr ""
 
 msgid "Printed in the United States of America"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "1 3 5 7 9 10 8 6 4"
 msgstr ""
 
 msgid "1 3 5 7 9 10 8 6 4"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "Designed by Marysarah Quinn"
 msgstr ""
 
 msgid "Designed by Marysarah Quinn"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid "&translationblock;"
 msgid "&translationblock;"

-msgstr "Oversatt til bokmål av Petter Reinholdtsen og Anders Hagen Jarmund."
+msgstr ""
+"Oversatt til bokmål av Petter Reinholdtsen og Anders Hagen Jarmund. "
+"Kildefilene til oversetterprosjektet er <ulink url=\"https://github.com/"
+"petterreinholdtsen/free-culture-lessig\">tilgjengelig fra github</ulink>.  "
+"Rapporter feil med oversettelsen via github."

 
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><colophon><para>

 msgid ""
 "Without limiting the rights under copyright reserved above, no part of this "
 "publication may be reproduced, stored in or introduced into a retrieval "
 msgid ""
 "Without limiting the rights under copyright reserved above, no part of this "
 "publication may be reproduced, stored in or introduced into a retrieval "


@@ -265,7 +265,7 @@ msgid ""
 "materials. Your support of the author's rights is appreciated."
 msgstr ""
 
 "materials. Your support of the author's rights is appreciated."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><dedication><para>

 msgid ""
 "To Eric Eldred&mdash;whose work first drew me to this cause, and for whom it "
 "continues still."
 msgid ""
 "To Eric Eldred&mdash;whose work first drew me to this cause, and for whom it "
 "continues still."


@@ -273,41 +273,49 @@ msgstr ""
 "Til Eric Eldred &mdash; hvis arbeid først trakk meg til denne saken, og for "
 "hvem saken fortsetter."
 
 "Til Eric Eldred &mdash; hvis arbeid først trakk meg til denne saken, og for "
 "hvem saken fortsetter."
 

-#. type: Content of: <book><chapter><figure><title>
+#. type: Content of: <book><dedication><para><figure><title>

 msgid "Creative Commons, Some rights reserved"
 msgstr "Creative Commons, noen rettigheter reservert"
 
 msgid "Creative Commons, Some rights reserved"
 msgstr "Creative Commons, noen rettigheter reservert"
 

-#. type: Content of: <book><chapter><figure>
+#. type: Content of: <book><dedication><para><figure>

 msgid "<graphic fileref=\"images/cc.png\"></graphic>"
 msgstr "<graphic fileref=\"images/cc.png\"></graphic>"
 
 msgid "<graphic fileref=\"images/cc.png\"></graphic>"
 msgstr "<graphic fileref=\"images/cc.png\"></graphic>"
 

-#. type: Content of: <book><chapter><lot><title>
+#. type: Content of: <book><dedication><para>
+msgid "<placeholder type=\"figure\" id=\"0\"/>"
+msgstr "<placeholder type=\"figure\" id=\"0\"/>"
+
+#. type: Content of: <book><lot><title>

 msgid "List of figures"
 msgstr "Figurliste"
 
 msgid "List of figures"
 msgstr "Figurliste"
 

-#. type: Content of: <book><chapter><title>
+#. type: Content of: <book><preface><title>

 msgid "PREFACE"
 msgstr "Forord"
 
 msgid "PREFACE"
 msgstr "Forord"
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><preface><indexterm><primary>
+msgid "Pogue, David"
+msgstr "Pogue, David"
+
+#. type: Content of: <book><preface><para>

 msgid ""
 msgid ""

-"At the end of his review of my first book, Code: And Other Laws of "
-"Cyberspace, David Pogue, a brilliant writer and author of countless "
-"technical and computer-related texts, wrote this:"
+"At the end of his review of my first book, <citetitle>Code: And Other Laws "
+"of Cyberspace</citetitle>, David Pogue, a brilliant writer and author of "
+"countless technical and computer-related texts, wrote this:"

 msgstr ""
 "David Pogue, en glimrende skribent og forfatter av utallige tekniske "
 "datarelaterte tekster, skrev dette på slutten av hans gjennomgang av min "
 msgstr ""
 "David Pogue, en glimrende skribent og forfatter av utallige tekniske "
 "datarelaterte tekster, skrev dette på slutten av hans gjennomgang av min "

-"første bok, Code: And Other Laws of Cyberspace:"
+"første bok, <citetitle>Code: And Other Laws of Cyberspace</citetitle>:"

 
 

-#. type: Content of: <book><chapter><blockquote><para><footnote><para>
+#. type: Content of: <book><preface><blockquote><para><footnote><para>

 msgid ""
 msgid ""

-"David Pogue, \"Don't Just Chat, Do Something,\" New York Times, 30 January "
-"2000."
+"David Pogue, \"Don't Just Chat, Do Something,\" <citetitle>New York Times</"
+"citetitle>, 30 January 2000."

 msgstr ""
 msgstr ""

-"David Pogue, \"Don't Just Chat, Do Something,\" New York Times, 30. januar "
-"2000"
+"David Pogue, \"Don't Just Chat, Do Something,\" <citetitle>New York Times</"
+"citetitle>, 30. januar 2000"

 
 

-#. type: Content of: <book><chapter><blockquote><para>
+#. type: Content of: <book><preface><blockquote><para>

 msgid ""
 "Unlike actual law, Internet software has no capacity to punish. It doesn't "
 "affect people who aren't online (and only a tiny minority of the world "
 msgid ""
 "Unlike actual law, Internet software has no capacity to punish. It doesn't "
 "affect people who aren't online (and only a tiny minority of the world "


@@ -320,59 +328,61 @@ msgstr ""
 "ikke liker systemet på internett, så kan du alltid slå av modemet."
 "<placeholder type=\"footnote\" id=\"0\"/>"
 
 "ikke liker systemet på internett, så kan du alltid slå av modemet."
 "<placeholder type=\"footnote\" id=\"0\"/>"
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><preface><para>

 msgid ""
 "Pogue was skeptical of the core argument of the book&mdash;that software, or "
 "\"code,\" functioned as a kind of law&mdash;and his review suggested the "
 "happy thought that if life in cyberspace got bad, we could always \"drizzle, "
 "drazzle, druzzle, drome\"-like simply flip a switch and be back home. Turn "
 msgid ""
 "Pogue was skeptical of the core argument of the book&mdash;that software, or "
 "\"code,\" functioned as a kind of law&mdash;and his review suggested the "
 "happy thought that if life in cyberspace got bad, we could always \"drizzle, "
 "drazzle, druzzle, drome\"-like simply flip a switch and be back home. Turn "

-"off the modem, unplug the computer, and any troubles that exist in that "
-"space wouldn't \"affect\" us anymore."
+"off the modem, unplug the computer, and any troubles that exist in "
+"<emphasis>that</emphasis> space wouldn't \"affect\" us anymore."

 msgstr ""
 "Pogue var skeptisk til argumentet som er kjernen av boken &mdash; at "
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 "igjen. Slå av modemet, koble fra datamaskinen, og eventuelle problemer som "
 msgstr ""
 "Pogue var skeptisk til argumentet som er kjernen av boken &mdash; at "
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 "så kan vi alltid som med en trylleformel slå over en bryter og komme hjem "
 "igjen. Slå av modemet, koble fra datamaskinen, og eventuelle problemer som "

-"finnes der ville ikke \"påvirke\" oss mer."
+"finnes <emphasis>den</emphasis> virkeligheten ville ikke \"påvirke\" oss mer."

 
 #.  PAGE BREAK 12
 
 #.  PAGE BREAK 12

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><preface><para>

 msgid ""
 "Pogue might have been right in 1999&mdash;I'm skeptical, but maybe.  But "
 msgid ""
 "Pogue might have been right in 1999&mdash;I'm skeptical, but maybe.  But "

-"even if he was right then, the point is not right now: Free Culture is about "
-"the troubles the Internet causes even after the modem is turned off. It is "
-"an argument about how the battles that now rage regarding life on-line have "
-"fundamentally affected \"people who aren't online.\" There is no switch that "
-"will insulate us from the Internet's effect."
+"even if he was right then, the point is not right now: <citetitle>Free "
+"Culture</citetitle> is about the troubles the Internet causes even after the "
+"modem is turned off. It is an argument about how the battles that now rage "
+"regarding life on-line have fundamentally affected \"people who aren't "
+"online.\" There is no switch that will insulate us from the Internet's "
+"effect."

 msgstr ""
 "Pogue kan ha hatt rett i 1999 &mdash; jeg er skeptisk, men det kan hende. "
 msgstr ""
 "Pogue kan ha hatt rett i 1999 &mdash; jeg er skeptisk, men det kan hende. "

-"Men selv om han hadde rett da, så er ikke argumentet gyldig nå. Fri Kultur "
+"Men selv om han hadde rett da, så er ikke argumentet gyldig nå. <citetitle>Fri Kultur</citetitle> "

 "er om problemene internett forårsaker selv etter at modemet er slått av.  "
 "Den er et argument om hvordan slagene som nå brer om seg i livet on-line har "
 "fundamentalt påvirket \"folk som er ikke pålogget.\"  Det finnes ingen "
 "bryter som kan isolere oss fra internettets effekt."
 
 "er om problemene internett forårsaker selv etter at modemet er slått av.  "
 "Den er et argument om hvordan slagene som nå brer om seg i livet on-line har "
 "fundamentalt påvirket \"folk som er ikke pålogget.\"  Det finnes ingen "
 "bryter som kan isolere oss fra internettets effekt."
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><preface><para>

 msgid ""
 msgid ""

-"But unlike Code, the argument here is not much about the Internet itself. It "
-"is instead about the consequence of the Internet to a part of our tradition "
-"that is much more fundamental, and, as hard as this is for a geek-wanna-be "
-"to admit, much more important."
+"But unlike <citetitle>Code</citetitle>, the argument here is not much about "
+"the Internet itself. It is instead about the consequence of the Internet to "
+"a part of our tradition that is much more fundamental, and, as hard as this "
+"is for a geek-wanna-be to admit, much more important."

 msgstr ""
 msgstr ""

-"Men i motsetning til i boken Code, er argumentet her ikke så mye om "
+"Men i motsetning til i boken <citetitle>Code</citetitle>, er argumentet her ikke så mye om "

 "internett i seg selv. Istedet er det om konsekvensen av internett for en del "
 "av vår tradisjon som er mye mer grunnleggende, og uansett hvor hardt dette "
 "er for en geek-wanna-be å innrømme, mye viktigere."
 
 "internett i seg selv. Istedet er det om konsekvensen av internett for en del "
 "av vår tradisjon som er mye mer grunnleggende, og uansett hvor hardt dette "
 "er for en geek-wanna-be å innrømme, mye viktigere."
 

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-"Richard M. Stallman, Free Software, Free Societies 57 (Joshua Gay, ed. 2002)."
+"Richard M. Stallman, <citetitle>Free Software, Free Societies</citetitle> 57 "
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 "2002)."
 
 "2002)."
 

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+"\"permission culture\"&mdash;a culture in which creators get to create only "
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 msgid "CodePink Women in Peace"
 msgstr ""
 
 msgid "CodePink Women in Peace"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#. type: Content of: <book><chapter><para><indexterm><primary>
+msgid "Safire, William"
+msgstr "Safire, William"
+
+#. type: Content of: <book><preface><para>

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-#. type: Content of: <book><chapter><blockquote><para><footnote><para>
-msgid "William Safire, \"The Great Media Gulp,\" New York Times, 22 May 2003."
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+"<placeholder type=\"indexterm\" id=\"0\"/>"

 
 

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+#| "Amy Harmon, \"Black Hawk Download: Moving Beyond Music, Pirates Use New "
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-"deler er å utforske disse to ideene."
+"deler er å utforske disse to idéene."

 
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@@ -1666,8 +1722,11 @@ msgstr ""
 msgid "\"PIRACY\""
 msgstr "\"Piratvirksomhet\""
 
 msgid "\"PIRACY\""
 msgstr "\"Piratvirksomhet\""
 

+#. type: Content of: <book><chapter><sect1><indexterm><primary>
+msgid "Mansfield, William Murray, Lord"
+msgstr "Mansfield, William Murray, Lord"
+

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@@ -1675,15 +1734,19 @@ msgid ""
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 "to include sheet music,"
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-msgid "Bach v. Longman, 98 Eng. Rep. 1274 (1777) (Mansfield)."
+#, fuzzy
+#| msgid "Bach v. Longman, 98 Eng. Rep. 1274 (1777) (Mansfield)."
+msgid ""
+"<citetitle>Bach</citetitle> v. <citetitle>Longman</citetitle>, 98 Eng. Rep. "
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@@ -1698,7 +1761,6 @@ msgstr ""
 
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-#, mtrans, fuzzy

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 "distributed intelligence, p2p systems facilitate the easy spread of content "
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-#, mtrans, fuzzy

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 "This efficiency does not respect the traditional lines of copyright.  The "
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@@ -1723,47 +1784,51 @@ msgid ""
 "copyrighted content. That sharing in turn has excited the war, as copyright "
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 #. type: Content of: <book><chapter><para>
 
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-#, mtrans, fuzzy
+#, fuzzy
+#| msgid ""
+#| "The warriors have turned to the courts, to the legislatures, and "
+#| "increasingly to technology to defend their \"property\" against this "
+#| "\"piracy.\" A generation of Americans, the warriors warn, is being raised "
+#| "to believe that \"property\" should be \"free.\" Forget tattoos, never "
+#| "mind body piercing&mdash;our kids are becoming thieves!"

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+"ikke tenk på kroppspiercing&mdash;våre barn blir tyver!"

 
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-#, mtrans, fuzzy

 msgid "The idea goes something like this:"
 msgid "The idea goes something like this:"

-msgstr "ideen går omtrent slik:"
+msgstr "Idéen høres omtrent slik ut:"

 
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-#, mtrans, fuzzy

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@@ -1771,10 +1836,11 @@ msgid ""
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 #. type: Content of: <book><chapter><indexterm><primary>
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@@ -1782,22 +1848,44 @@ msgstr "Dreyfuss, Rochelle"
 
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+#, fuzzy
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+#| "See Rochelle Dreyfuss, \"Expressive Genericity: Trademarks as Language in "
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+#| "Lisa Bannon, \"The Birds May Sing, but Campers Can't Unless They Pay Up,"
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@@ -1811,6 +1899,15 @@ msgid ""
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+"Før teknologiene til internettet dukket opp, betød ikke denne begrepsmessige "
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+"håndtere byrden pålagt av loven&mdash;til og med byrden som den bysantiske "
+"kompleksiteten som opphavsrettsloven har blitt.  Det var bare nok en kostnad "
+"ved å drive forretning."

 
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+"Likevel var disse bidragene bygget på toppen av fundamentet som var lånt.  "
+"Disney bygget på arbeidet til andre som kom før han, og skapte noe nytt ut "
+"av noe som bare var litt gammelt."

 
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+#| "Disney took these stories and retold them in a way that carried them into "
+#| "a new age. He animated the stories, with both characters and light. "
+#| "Without removing the elements of fear and danger altogether, he made "
+#| "funny what was dark and injected a genuine emotion of compassion where "
+#| "before there was fear. And not just with the work of the Brothers Grimm. "
+#| "Indeed, the catalog of Disney work drawing upon the work of others is "
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+#| "(1959), 101 Dalmatians (1961), The Sword in the Stone (1963), and The "
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+#| "Disney (or Disney, Inc.) ripped creativity from the culture around him, "
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+"Disney tok disse historiene og fortalte dem på nytt på en måte som førte dem "
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+"This is the phenomenon of <citetitle>doujinshi</citetitle>. Doujinshi are "
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+#. type: Content of: <book><chapter><sect1><indexterm><primary>
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+#| "For an excellent history, see Scott McCloud, Reinventing Comics (New "
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-#.  f7
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 msgid "CHAPTER TWO: \"Mere Copyists\""
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-#, mtrans, fuzzy
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+#| "Reese V. Jenkins, Images and Enterprise (Baltimore: Johns Hopkins "
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 "Reese V. Jenkins, Images and Enterprise (Baltimore: Johns Hopkins University "
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-"Reese v. jenkins, bilder og enterprise (baltimore: johns hopkins university "
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-"For illustrative cases, see, for example, Pavesich v. N.E. Life Ins. Co., 50 "
-"S.E."
+"For illustrative cases, see, for example, <citetitle>Pavesich</citetitle> v. "
+"<citetitle>N.E. Life Ins. Co</citetitle>., 50 S.E. 68 (Ga. 1905); "
+"<citetitle>Foster-Milburn Co</citetitle>. v. <citetitle>Chinn</citetitle>, "
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@@ -2940,9 +3148,9 @@ msgstr "Warren, Samuel D."
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@@ -3070,6 +3280,10 @@ msgid ""
 "2002, available at <ulink url=\"http://free-culture.cc/notes/\">link #7</"
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+"You Need to Create Digital Multimedia Presentations,\" cadalyst, februar "
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 #. type: Content of: <book><chapter><sect1><para>
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@@ -3084,7 +3298,10 @@ msgid ""
 "teachers call \"media literacy.\""
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-#.  PAGE BREAK 49
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Yanofsky, Dave"
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-"Judith Van Evra, Television and Child Development (Hillsdale, N.J.: Lawrence "
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+"Judith Van Evra, <citetitle>Television and Child Development</citetitle> "
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+#| "Bruce Ackerman and James Fishkin, \"Deliberation Day,\" Journal of "
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+msgstr "Winer, Dave"
+

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@@ -3822,9 +4062,8 @@ msgstr "CNN"
 
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 msgid "Telephone interview with David Winer, 16 April 2003."
 msgid "Telephone interview with David Winer, 16 April 2003."

-msgstr "telefon intervju med david vin, 16 april 2003."
+msgstr "Telefonintervju med David Winer, 16. april 2003."

 
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@@ -3838,17 +4077,17 @@ msgid ""
 "with a reporter in Iraq. The New York headquarters was telling the reporter "
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-"told her that they were writing \"the story.\")"
+"told her <emphasis>that</emphasis> they were writing \"the story.\")"

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 "John Schwartz, \"Loss of the Shuttle: The Internet; A Wealth of Information "
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 "John Schwartz, \"Loss of the Shuttle: The Internet; A Wealth of Information "

-"Online,\" New York Times, 2 February 2003, A28; Staci D. Kramer, \"Shuttle "
-"Disaster Coverage Mixed, but Strong Overall,\" Online Journalism Review, 2 "
-"February 2003, available at <ulink url=\"http://free-culture.cc/notes/"
-"\">link #10</ulink>."
+"Online,\" <citetitle>New York Times</citetitle>, 2 February 2003, A28; Staci "
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@@ -3868,14 +4107,15 @@ msgstr ""
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-"See Michael Falcone, \"Does an Editor's Pencil Ruin a Web Log?\" New York "
-"Times, 29 September 2003, C4. (\"Not all news organizations have been as "
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-"who started a blog about his reporting of the war on March 9, stopped "
-"posting 12 days later at his bosses' request. Last year Steve Olafson, a "
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+"<citetitle>New York Times</citetitle>, 29 September 2003, C4. (\"Not all "
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+"Last year Steve Olafson, a <citetitle>Houston Chronicle</citetitle> "
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+#. type: Content of: <book><chapter><sect1><indexterm><primary>
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+msgstr "Brown, John Seely"
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-#, mtrans, fuzzy
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+#| "Tim Goral, \"Recording Industry Goes After Campus P-2-P Networks: Suit "
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+#, fuzzy
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+#| "Marc Wanamaker, \"The First Studios,\" The Silents Majority, archived at "
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-#, mtrans, fuzzy

 msgid "Recorded Music"
 msgid "Recorded Music"

-msgstr "innspilt musikk"
+msgstr "Innspilt musikk"

 
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@@ -4713,7 +4980,7 @@ msgstr ""
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 "offentlig."
 
 "musikalske poeng, og jeg vil også måtte betale for retten til å utføre det "
 "offentlig."
 

-#. type: Content of: <book><chapter><sect1><sect2><indexterm><primary>
+#. type: Content of: <book><chapter><sect1><sect2><para><indexterm><primary>

 msgid "Beatles"
 msgstr "Beatles"
 
 msgid "Beatles"
 msgstr "Beatles"
 


@@ -4767,9 +5034,9 @@ msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright: Hearings on S. 6330 "
 "and H.R. 19853 Before the ( Joint) Committees on Patents, 59th Cong. 59, 1st "
 "sess. (1906) (statement of Senator Alfred B. Kittredge, of South Dakota, "
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 "and H.R. 19853 Before the ( Joint) Committees on Patents, 59th Cong. 59, 1st "
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-"chairman), reprinted in Legislative History of the Copyright Act, E. Fulton "
-"Brylawski and Abe Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, "
-"1976)."
+"chairman), reprinted in <citetitle>Legislative History of the Copyright Act</"
+"citetitle>, E. Fulton Brylawski and Abe Goldman, eds. (South Hackensack, N."
+"J.: Rothman Reprints, 1976)."

 msgstr ""
 "endre og konsolidere handlinger som respekterer copyright: hearings på s. "
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 msgstr ""
 "endre og konsolidere handlinger som respekterer copyright: hearings på s. "
 "6330 og hr 19853 før (felles) komiteer på patenter, 59th cong. 59, 1 sess. "


@@ -4872,16 +5139,16 @@ msgstr ""
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-"The law soon resolved this battle in favor of the composer and the recording "
-"artist. Congress amended the law to make sure that composers would be paid "
-"for the \"mechanical reproductions\" of their music. But rather than simply "
-"granting the composer complete control over the right to make mechanical "
-"reproductions, Congress gave recording artists a right to record the music, "
-"at a price set by Congress, once the composer allowed it to be recorded "
-"once. This is the part of copyright law that makes cover songs possible. "
-"Once a composer authorizes a recording of his song, others are free to "
-"record the same song, so long as they pay the original composer a fee set by "
-"the law."
+"The law soon resolved this battle in favor of the composer <emphasis>and</"
+"emphasis> the recording artist. Congress amended the law to make sure that "
+"composers would be paid for the \"mechanical reproductions\" of their music. "
+"But rather than simply granting the composer complete control over the right "
+"to make mechanical reproductions, Congress gave recording artists a right to "
+"record the music, at a price set by Congress, once the composer allowed it "
+"to be recorded once. This is the part of copyright law that makes cover "
+"songs possible. Once a composer authorizes a recording of his song, others "
+"are free to record the same song, so long as they pay the original composer "
+"a fee set by the law."

 msgstr ""
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 "loven løst snart denne kampen til fordel for komponisten og opptak "
 "kunstneren. kongressen endret loven å sørge for at komponister ville bli "


@@ -4901,7 +5168,7 @@ msgid ""
 "refer to it as a \"statutory license.\" A statutory license is a license "
 "whose key terms are set by law. After Congress's amendment of the Copyright "
 "Act in 1909, record companies were free to distribute copies of recordings "
 "refer to it as a \"statutory license.\" A statutory license is a license "
 "whose key terms are set by law. After Congress's amendment of the Copyright "
 "Act in 1909, record companies were free to distribute copies of recordings "

-"so long as they paid the composer (or copyright holder) the fee set by the "
+"so long as they paid the composer (or copyright holder)  the fee set by the "

 "statute."
 msgstr ""
 "amerikansk lov vanligvis kaller dette en \"tvangslisens\", men jeg vil se "
 "statute."
 msgstr ""
 "amerikansk lov vanligvis kaller dette en \"tvangslisens\", men jeg vil se "


@@ -4911,6 +5178,10 @@ msgstr ""
 "de betalte komponist (eller opphavsrettsinnehaver) gebyr som er angitt av "
 "Vedtektene."
 
 "de betalte komponist (eller opphavsrettsinnehaver) gebyr som er angitt av "
 "Vedtektene."
 

+#. type: Content of: <book><chapter><sect1><sect2><para><indexterm><primary>
+msgid "Grisham, John"
+msgstr "Grisham, John"
+

 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""


@@ -4919,7 +5190,8 @@ msgid ""
 "publisher permission. Grisham, in turn, is free to charge whatever he wants "
 "for that permission. The price to publish Grisham is thus set by Grisham, "
 "and copyright law ordinarily says you have no permission to use Grisham's "
 "publisher permission. Grisham, in turn, is free to charge whatever he wants "
 "for that permission. The price to publish Grisham is thus set by Grisham, "
 "and copyright law ordinarily says you have no permission to use Grisham's "

-"work except with permission of Grisham."
+"work except with permission of Grisham.  <placeholder type=\"indexterm\" id="
+"\"0\"/>"

 msgstr ""
 "Dette er et unntak i henhold til loven om opphavsrett. Når john grisham "
 "skriver en roman, er en utgiver gratis å publisere denne romanen bare hvis "
 msgstr ""
 "Dette er et unntak i henhold til loven om opphavsrett. Når john grisham "
 "skriver en roman, er en utgiver gratis å publisere denne romanen bare hvis "


@@ -4934,9 +5206,10 @@ msgstr ""
 msgid ""
 "Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and H.R. "
 "11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., 217 "
 msgid ""
 "Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and H.R. "
 "11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., 217 "

-"(1908) (statement of Senator Reed Smoot, chairman), reprinted in Legislative "
-"History of the 1909 Copyright Act, E. Fulton Brylawski and Abe Goldman, eds. "
-"(South Hackensack, N.J.: Rothman Reprints, 1976)."
+"(1908) (statement of Senator Reed Smoot, chairman), reprinted in "
+"<citetitle>Legislative History of the 1909 Copyright Act</citetitle>, E. "
+"Fulton Brylawski and Abe Goldman, eds. (South Hackensack, N.J.: Rothman "
+"Reprints, 1976)."

 msgstr ""
 "Copyright lov revision: hearings på s. 2499, s. 2900, hr 243 og hr 11794 før "
 "(felles) komiteen på patenter, 60 cong., 1 sess., 217 (1908) (setning av "
 msgstr ""
 "Copyright lov revision: hearings på s. 2499, s. 2900, hr 243 og hr 11794 før "
 "(felles) komiteen på patenter, 60 cong., 1 sess., 217 (1908) (setning av "


@@ -4947,16 +5220,17 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "But the law governing recordings gives recording artists less. And thus, in "
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "But the law governing recordings gives recording artists less. And thus, in "

-"effect, the law subsidizes the recording industry through a kind of "
-"piracy&mdash;by giving recording artists a weaker right than it otherwise "
-"gives creative authors. The Beatles have less control over their creative "
-"work than Grisham does. And the beneficiaries of this less control are the "
-"recording industry and the public. The recording industry gets something of "
-"value for less than it otherwise would pay; the public gets access to a much "
-"wider range of musical creativity. Indeed, Congress was quite explicit about "
-"its reasons for granting this right. Its fear was the monopoly power of "
-"rights holders, and that that power would stifle follow-on creativity."
-"<placeholder type=\"footnote\" id=\"0\"/>"
+"effect, the law <emphasis>subsidizes</emphasis> the recording industry "
+"through a kind of piracy&mdash;by giving recording artists a weaker right "
+"than it otherwise gives creative authors. The Beatles have less control over "
+"their creative work than Grisham does. And the beneficiaries of this less "
+"control are the recording industry and the public. The recording industry "
+"gets something of value for less than it otherwise would pay; the public "
+"gets access to a much wider range of musical creativity. Indeed, Congress "
+"was quite explicit about its reasons for granting this right. Its fear was "
+"the monopoly power of rights holders, and that that power would stifle "
+"follow-on creativity.<placeholder type=\"footnote\" id=\"0\"/> <placeholder "
+"type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -5009,7 +5283,6 @@ msgstr ""
 "skapende arbeid, registrere produsentene og offentligheten."
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 "skapende arbeid, registrere produsentene og offentligheten."
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "Radio"
 msgstr "Radio"
 
 msgid "Radio"
 msgstr "Radio"
 


@@ -5018,19 +5291,24 @@ msgstr "Radio"
 msgid "Radio was also born of piracy."
 msgstr "Radio ble også født av piratkopiering."
 
 msgid "Radio was also born of piracy."
 msgstr "Radio ble også født av piratkopiering."
 

-#.  f12
+#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para><indexterm><primary>
+msgid "Hand, Learned"
+msgstr "Hand, Learned"
+

 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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-"See 17 United States Code, sections 106 and 110. At the beginning, record "
-"companies printed \"Not Licensed for Radio Broadcast\" and other messages "
-"purporting to restrict the ability to play a record on a radio station.  "
-"Judge Learned Hand rejected the argument that a warning attached to a record "
-"might restrict the rights of the radio station. See RCA Manufacturing Co. v. "
-"Whiteman, 114 F. 2d 86 (2nd Cir. 1940). See also Randal C.  Picker, \"From "
+"See 17 <citetitle>United States Code</citetitle>, sections 106 and 110. At "
+"the beginning, record companies printed \"Not Licensed for Radio Broadcast\" "
+"and other messages purporting to restrict the ability to play a record on a "
+"radio station.  Judge Learned Hand rejected the argument that a warning "
+"attached to a record might restrict the rights of the radio station. See "
+"<citetitle>RCA Manufacturing Co</citetitle>. v. <citetitle>Whiteman</"
+"citetitle>, 114 F. 2d 86 (2nd Cir. 1940). See also Randal C.  Picker, \"From "

 "Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and the "
 "Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and the "

-"Propertization of Copyright,\" University of Chicago Law Review 70 (2003): "
-"281."
+"Propertization of Copyright,\" <citetitle>University of Chicago Law Review</"
+"citetitle> 70 (2003): 281.  <placeholder type=\"indexterm\" id=\"0\"/> "
+"<placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 "se 17, united states code, inndelinger 106 og 110. på begynnelsen av, spille "
 "inn selskapene skrives ut \"ikke lisensiert for radiosendingen\" og andre "
 msgstr ""
 "se 17, united states code, inndelinger 106 og 110. på begynnelsen av, spille "
 "inn selskapene skrives ut \"ikke lisensiert for radiosendingen\" og andre "


@@ -5046,23 +5324,29 @@ msgstr ""
 msgid ""
 "When a radio station plays a record on the air, that constitutes a \"public "
 "performance\" of the composer's work.<placeholder type=\"footnote\" id=\"0\"/"
 msgid ""
 "When a radio station plays a record on the air, that constitutes a \"public "
 "performance\" of the composer's work.<placeholder type=\"footnote\" id=\"0\"/"

-"> As I described above, the law gives the composer (or copyright holder) an "
+"> As I described above, the law gives the composer (or copyright holder)  an "

 "exclusive right to public performances of his work. The radio station thus "
 "owes the composer money for that performance."
 msgstr ""
 
 "exclusive right to public performances of his work. The radio station thus "
 "owes the composer money for that performance."
 msgstr ""
 

+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Lovett, Lyle"
+msgstr "Lovett, Lyle"
+

 #.  PAGE BREAK 72
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 "But when the radio station plays a record, it is not only performing a copy "
 #.  PAGE BREAK 72
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 "But when the radio station plays a record, it is not only performing a copy "

-"of the composer's work. The radio station is also performing a copy of the "
-"recording artist's work. It's one thing to have \"Happy Birthday\" sung on "
-"the radio by the local children's choir; it's quite another to have it sung "
-"by the Rolling Stones or Lyle Lovett. The recording artist is adding to the "
-"value of the composition performed on the radio station.  And if the law "
-"were perfectly consistent, the radio station would have to pay the recording "
-"artist for his work, just as it pays the composer of the music for his work."
+"of the <emphasis>composer's</emphasis> work. The radio station is also "
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+"children's choir; it's quite another to have it sung by the Rolling Stones "
+"or Lyle Lovett. The recording artist is adding to the value of the "
+"composition performed on the radio station.  And if the law were perfectly "
+"consistent, the radio station would have to pay the recording artist for his "
+"work, just as it pays the composer of the music for his work.  <placeholder "
+"type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "men når radiostasjonen spiller en post, det er ikke bare utføre en kopi av "
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 msgstr ""
 "men når radiostasjonen spiller en post, det er ikke bare utføre en kopi av "
 "komponistens arbeid. radiostasjonen presterer også en kopi av den "


@@ -5088,6 +5372,10 @@ msgstr ""
 "å utføre den Plateartist arbeid gratis, selv om det må betale komponisten "
 "noe for privilegiet av å spille sangen."
 
 "å utføre den Plateartist arbeid gratis, selv om det må betale komponisten "
 "noe for privilegiet av å spille sangen."
 

+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Madonna"
+msgstr "Madonna"
+

 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -5109,8 +5397,8 @@ msgid ""
 "our law, every time a radio station plays your song, you get some money. But "
 "Madonna gets nothing, save the indirect effect on the sale of her CDs. The "
 "public performance of her recording is not a \"protected\" right. The radio "
 "our law, every time a radio station plays your song, you get some money. But "
 "Madonna gets nothing, save the indirect effect on the sale of her CDs. The "
 "public performance of her recording is not a \"protected\" right. The radio "

-"station thus gets to pirate the value of Madonna's work without paying her "
-"anything."
+"station thus gets to <emphasis>pirate</emphasis> the value of Madonna's work "
+"without paying her anything."

 msgstr ""
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 msgstr ""
 "forestille hun gjør synge sangen, og forestille hun liker det mye. Hun "
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@@ -5252,13 +5540,12 @@ msgstr ""
 
 #.  f17
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
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-#, mtrans, fuzzy

 msgid ""
 "Copyright Law Revision&mdash;CATV, 209 (statement of Charlton Heston, "
 "president of the Screen Actors Guild)."
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 "Copyright Law Revision&mdash;CATV, 209 (statement of Charlton Heston, "
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-"Copyright lov revision&mdash;catv, 209 (charlton heston-setningen, president "
-"i screen actors guild)."
+"Copyright Law Revision&mdash;CATV, 209 (vitnemål fra Charlton Heston, "
+"president i Screen Actors Guild)."

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -5266,22 +5553,28 @@ msgid ""
 "said, who were \"depriving actors of compensation.\"<placeholder type="
 "\"footnote\" id=\"0\"/>"
 msgstr ""
 "said, who were \"depriving actors of compensation.\"<placeholder type="
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 #. type: Content of: <book><chapter><sect1><sect2><para>
 
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-#, mtrans, fuzzy

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 "But again, there was another side to the debate. As Assistant Attorney "
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 msgstr ""

-"men igjen, det var en annen side i debatten. som assistent justisministeren "
-"sa edwin zimmerman,"
+"Men igjen, det er en annen side i debatten.  Som assisterende justisminister "
+"Edwin Zimmerman sa det,"
+
+#. type: Content of: <book><chapter><sect1><sect2><blockquote><para><indexterm><primary>
+msgid "Zimmerman, Edwin"
+msgstr "Zimmerman, Edwin"

 
 

-#.  f18

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@@ -5293,17 +5586,17 @@ msgid ""
 "already compensated, who already have a monopoly, should be permitted to "
 "extend that monopoly. . . . The question here is how much compensation they "
 "should have and how far back they should carry their right to compensation."
 "already compensated, who already have a monopoly, should be permitted to "
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 #. type: Content of: <book><chapter><sect1><sect2><para>

-#, mtrans, fuzzy

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 "Copyright owners took the cable companies to court. Twice the Supreme Court "
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 msgstr ""

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+"Opphavsrettinnehaverne tok kabelselskapene til retten. Høyesterett fant to "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -5331,11 +5624,12 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
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-"See, for example, National Music Publisher's Association, The Engine of Free "
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-"available at <ulink url=\"http://free-culture.cc/notes/\">link #13</ulink>. "
-"\"The threat of piracy&mdash;the use of someone else's creative work without "
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+"See, for example, National Music Publisher's Association, <citetitle>The "
+"Engine of Free Expression: Copyright on the Internet&mdash;The Myth of Free "
+"Information</citetitle>, available at <ulink url=\"http://free-culture.cc/"
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -5343,11 +5637,11 @@ msgid ""
 "These separate stories sing a common theme. If \"piracy\" means using value "
 "from someone else's creative property without permission from that "
 "creator&mdash;as it is increasingly described today<placeholder type="
 "These separate stories sing a common theme. If \"piracy\" means using value "
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-"\"footnote\" id=\"0\"/> &mdash; then every industry affected by copyright "
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 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><title>
 msgstr ""
 
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@@ -5395,11 +5689,11 @@ msgstr "piratkopiering jeg"
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-"See IFPI (International Federation of the Phonographic Industry), The "
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-"<ulink url=\"http://free-culture.cc/notes/\">link #14</ulink>. See also Ben "
-"Hunt, \"Companies Warned on Music Piracy Risk,\" Financial Times, 14 "
-"February 2003, 11."
+"See IFPI (International Federation of the Phonographic Industry), "
+"<citetitle>The Recording Industry Commercial Piracy Report 2003</citetitle>, "
+"July 2003, available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#14</ulink>. See also Ben Hunt, \"Companies Warned on Music Piracy Risk,\" "
+"<citetitle>Financial Times</citetitle>, 14 February 2003, 11."

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 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -5486,20 +5780,20 @@ msgstr "Drahos, Peter"
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-"Knowledge Economy? (New York: The New Press, 2003), 10&ndash;13, 209.  The "
-"Trade-Related Aspects of Intellectual Property Rights (TRIPS) agreement "
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-"\" id=\"0\"/>"
+"See Peter Drahos with John Braithwaite, Information Feudalism: "
+"<citetitle>Who Owns the Knowledge Economy?</citetitle> (New York: The New "
+"Press, 2003), 10&ndash;13, 209.  The Trade-Related Aspects of Intellectual "
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+"administrative and enforcement mechanisms for intellectual property rights, "
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+"may lead to higher prices for staple industries such as agriculture. Critics "
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+"permit governments to use patents for public, noncommercial uses without "
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+msgstr "Liebowitz, Stan"
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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+"Liebowitz, <citetitle>Rethinking the Network Economy</citetitle> (New York: "
+"Amacom, 2002), 144&ndash;90. \"In some instances . . . the impact of piracy "
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@@ -5760,14 +6065,15 @@ msgstr "Christensen, Clayton M."
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-"See Clayton M. Christensen, The Innovator's Dilemma: The Revolutionary "
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+"See Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The "
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+"why companies that give rise to and dominate a product area are frequently "
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+"Christensens idéer, kan du se lawrence lessig, fremtidige, 89­92, 139."

 
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-"See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" San "
-"Francisco Chronicle, 24 September 2002, A1; \"Rock 'n' Roll Suicide,\" New "
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+"See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" "
+"<citetitle>San Francisco Chronicle</citetitle>, 24 September 2002, A1; "
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-"See Ipsos-Insight, TEMPO: Keeping Pace with Online Music Distribution "
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 msgid "How do these different types of sharing balance out?"
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+msgstr "Hvordan balanserer disse ulike delingstypene?"

 
 

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-msgstr "se liebowitz, rethinking nettverk økonomien, 148­49."
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-"See Cap Gemini Ernst &amp; Young, Technology Evolution and the Music "
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+"Recording Industry Association of America, <citetitle>Some Facts About Music "
+"Piracy</citetitle>, 25 June 2003, available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #16</ulink>: \"In the past four years, unit "
+"shipments of recorded music have fallen by 26 percent from 1.16 billion "
+"units in to 860 million units in 2002 in the United States (based on units "
+"shipped).  In terms of sales, revenues are down 14 percent, from $14.6 "
+"billion in to $12.6 billion last year (based on U.S. dollar value of "
+"shipments). The music industry worldwide has gone from a $39 billion "
+"industry in 2000 down to a $32 billion industry in 2002 (based on U.S. "
+"dollar value of shipments).\""

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para><indexterm><primary>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para><indexterm><primary>


@@ -6158,10 +6473,10 @@ msgid ""
 "account for at least some of the loss. \"From 1999 to 2001, the average "
 "price of a CD rose 7.2 percent, from $13.04 to $14.19.\"<placeholder type="
 "\"footnote\" id=\"1\"/> Competition from other forms of media could also "
 "account for at least some of the loss. \"From 1999 to 2001, the average "
 "price of a CD rose 7.2 percent, from $13.04 to $14.19.\"<placeholder type="
 "\"footnote\" id=\"1\"/> Competition from other forms of media could also "

-"account for some of the decline. As Jane Black of BusinessWeek notes, \"The "
-"soundtrack to the film High Fidelity has a list price of $18.98. You could "
-"get the whole movie [on DVD] for $19.99.\"<placeholder type=\"footnote\" id="
-"\"2\"/>"
+"account for some of the decline. As Jane Black of <citetitle>BusinessWeek</"
+"citetitle> notes, \"The soundtrack to the film <citetitle>High Fidelity</"
+"citetitle> has a list price of $18.98. You could get the whole movie [on "
+"DVD] for $19.99.\"<placeholder type=\"footnote\" id=\"2\"/>"

 msgstr ""
 
 #.  PAGE BREAK 84
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 #.  PAGE BREAK 84


@@ -6242,7 +6557,7 @@ msgid ""
 "because the artist producing the content doesn't want it to be made "
 "available, the vast majority of it is unavailable solely because the "
 "publisher or the distributor has decided it no longer makes economic sense "
 "because the artist producing the content doesn't want it to be made "
 "available, the vast majority of it is unavailable solely because the "
 "publisher or the distributor has decided it no longer makes economic sense "

-"to the company to make it available."
+"<emphasis>to the company</emphasis> to make it available."

 msgstr ""
 
 #.  f16
 msgstr ""
 
 #.  f16


@@ -6250,12 +6565,12 @@ msgstr ""
 msgid ""
 "While there are not good estimates of the number of used record stores in "
 "existence, in 2002, there were 7,198 used book dealers in the United States, "
 msgid ""
 "While there are not good estimates of the number of used record stores in "
 "existence, in 2002, there were 7,198 used book dealers in the United States, "

-"an increase of 20 percent since 1993. See Book Hunter Press, The Quiet "
-"Revolution: The Expansion of the Used Book Market (2002), available at "
-"<ulink url=\"http://free-culture.cc/notes/\">link #19</ulink>. Used records "
-"accounted for $260 million in sales in 2002. See National Association of "
-"Recording Merchandisers, \"2002 Annual Survey Results,\" available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #20</ulink>."
+"an increase of 20 percent since 1993. See Book Hunter Press, <citetitle>The "
+"Quiet Revolution: The Expansion of the Used Book Market</citetitle> (2002), "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #19</ulink>. "
+"Used records accounted for $260 million in sales in 2002. See National "
+"Association of Recording Merchandisers, \"2002 Annual Survey Results,\" "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #20</ulink>."

 msgstr ""
 
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@@ -6265,11 +6580,11 @@ msgid ""
 "of used book and used record stores in America today.<placeholder type="
 "\"footnote\" id=\"0\"/> These stores buy content from owners, then sell the "
 "content they buy. And under American copyright law, when they buy and sell "
 "of used book and used record stores in America today.<placeholder type="
 "\"footnote\" id=\"0\"/> These stores buy content from owners, then sell the "
 "content they buy. And under American copyright law, when they buy and sell "

-"this content, even if the content is still under copyright, the copyright "
-"owner doesn't get a dime. Used book and record stores are commercial "
-"entities; their owners make money from the content they sell; but as with "
-"cable companies before statutory licensing, they don't have to pay the "
-"copyright owner for the content they sell."
+"this content, <emphasis>even if the content is still under copyright</"
+"emphasis>, the copyright owner doesn't get a dime. Used book and record "
+"stores are commercial entities; their owners make money from the content "
+"they sell; but as with cable companies before statutory licensing, they "
+"don't have to pay the copyright owner for the content they sell."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><indexterm><primary>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><indexterm><primary>


@@ -6324,14 +6639,14 @@ msgid ""
 "sharing to occur&mdash;the sharing of content that copyright owners want to "
 "have shared or for which there is no continuing copyright. This sharing "
 "clearly benefits authors and society. Science fiction author Cory Doctorow, "
 "sharing to occur&mdash;the sharing of content that copyright owners want to "
 "have shared or for which there is no continuing copyright. This sharing "
 "clearly benefits authors and society. Science fiction author Cory Doctorow, "

-"for example, released his first novel, Down and Out in the Magic Kingdom, "
-"both free on-line and in bookstores on the same day. His (and his "
-"publisher's) thinking was that the on-line distribution would be a great "
-"advertisement for the \"real\" book. People would read part on-line, and "
-"then decide whether they liked the book or not. If they liked it, they would "
-"be more likely to buy it. Doctorow's content is type D content. If sharing "
-"networks enable his work to be spread, then both he and society are better "
-"off. (Actually, much better off: It is a great book!)"
+"for example, released his first novel, <citetitle>Down and Out in the Magic "
+"Kingdom</citetitle>, both free on-line and in bookstores on the same day. "
+"His (and his publisher's) thinking was that the on-line distribution would "
+"be a great advertisement for the \"real\" book. People would read part on-"
+"line, and then decide whether they liked the book or not. If they liked it, "
+"they would be more likely to buy it. Doctorow's content is type D content. "
+"If sharing networks enable his work to be spread, then both he and society "
+"are better off. (Actually, much better off: It is a great book!)"

 msgstr ""
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 msgstr ""
 "til slutt, og kanskje viktigst, tillater fildelings-nettverk typen d deling "
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@@ -6411,9 +6726,9 @@ msgid ""
 "See Transcript of Proceedings, In Re: Napster Copyright Litigation at 34- 35 "
 "(N.D. Cal., 11 July 2001), nos. MDL-00-1369 MHP, C 99-5183 MHP, available at "
 "<ulink url=\"http://free-culture.cc/notes/\">link #21</ulink>. For an "
 "See Transcript of Proceedings, In Re: Napster Copyright Litigation at 34- 35 "
 "(N.D. Cal., 11 July 2001), nos. MDL-00-1369 MHP, C 99-5183 MHP, available at "
 "<ulink url=\"http://free-culture.cc/notes/\">link #21</ulink>. For an "

-"account of the litigation and its toll on Napster, see Joseph Menn, All the "
-"Rave: The Rise and Fall of Shawn Fanning's Napster (New York: Crown "
-"Business, 2003), 269&ndash;82."
+"account of the litigation and its toll on Napster, see Joseph Menn, "
+"<citetitle>All the Rave: The Rise and Fall of Shawn Fanning's Napster</"
+"citetitle> (New York: Crown Business, 2003), 269&ndash;82."

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@@ -6520,8 +6835,8 @@ msgid ""
 "associated with broadcasters would use their power to stifle this new "
 "technology, cable. But if Congress had permitted cable to use broadcasters' "
 "content for free, then it would have unfairly subsidized cable. Thus "
 "associated with broadcasters would use their power to stifle this new "
 "technology, cable. But if Congress had permitted cable to use broadcasters' "
 "content for free, then it would have unfairly subsidized cable. Thus "

-"Congress chose a path that would assure compensation without giving the past "
-"(broadcasters)  control over the future (cable)."
+"Congress chose a path that would assure <emphasis>compensation</emphasis> "
+"without giving the past (broadcasters) control over the future (cable)."

 msgstr ""
 "denne sårbarheten, som kompromiss som påvirker poster og spilleren pianoer, "
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 msgstr ""
 "denne sårbarheten, som kompromiss som påvirker poster og spilleren pianoer, "
 "servert to viktige mål&mdash;faktisk to sentrale målene noen opphavsrett "


@@ -6617,8 +6932,8 @@ msgstr "opphavsrett infringements (lyd og video-opptakere), 475."
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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-"Universal City Studios, Inc. v. Sony Corp. of America, 480 F. Supp. 429, (C."
-"D. Cal., 1979)."
+"<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony Corp. "
+"of America</citetitle>, 480 F. Supp. 429, (C.D. Cal., 1979)."

 msgstr ""
 "Universal city studios, inc. v. sony Corporation of america, 480 f. supp. "
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 msgstr ""
 "Universal city studios, inc. v. sony Corporation of america, 480 f. supp. "
 "429, (klientadgangslisens CAL (CD), 1979)."


@@ -6661,8 +6976,8 @@ msgstr ""
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-"Universal City Studios, Inc. v. Sony Corp. of America, 659 F. 2d 963 (9th "
-"Cir.  1981)."
+"<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony Corp. "
+"of America</citetitle>, 659 F. 2d 963 (9th Cir.  1981)."

 msgstr ""
 "Universal city studios, inc. v. sony Corporation of america, 659 f. 2d 963 "
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 msgstr ""
 "Universal city studios, inc. v. sony Corporation of america, 659 f. 2d 963 "
 "(9 cir. 1981)."


@@ -6676,9 +6991,9 @@ msgid ""
 "liable for the copyright infringement made possible by its machines. Under "
 "the Ninth Circuit's rule, this totally familiar technology&mdash;which Jack "
 "Valenti had called \"the Boston Strangler of the American film industry"
 "liable for the copyright infringement made possible by its machines. Under "
 "the Ninth Circuit's rule, this totally familiar technology&mdash;which Jack "
 "Valenti had called \"the Boston Strangler of the American film industry"

-"\" (worse yet, it was a Japanese Boston Strangler of the American film "
-"industry)&mdash;was an illegal technology.<placeholder type=\"footnote\" id="
-"\"0\"/>"
+"\" (worse yet, it was a <emphasis>Japanese</emphasis> Boston Strangler of "
+"the American film industry)&mdash;was an illegal technology.<placeholder "
+"type=\"footnote\" id=\"0\"/>"

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 #.  PAGE BREAK 90
 msgstr ""
 
 #.  PAGE BREAK 90


@@ -6697,8 +7012,8 @@ msgstr ""
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-"Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, 431 "
-"(1984)."
+"<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City "
+"Studios, Inc</citetitle>., 464 U.S. 417, 431 (1984)."

 msgstr ""
 "Sony Corporation of america v. universal city studios, inc., 464 amerikanske "
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 msgstr ""
 "Sony Corporation of america v. universal city studios, inc., 464 amerikanske "
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@@ -6751,7 +7066,6 @@ msgid "RESPONSE OF CONGRESS"
 msgstr "Responsen til Kongressen"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 msgstr "Responsen til Kongressen"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "Recordings"
 msgstr "Innspillinger"
 
 msgid "Recordings"
 msgstr "Innspillinger"
 


@@ -6769,7 +7083,6 @@ msgid "Statutory license"
 msgstr "lovbestemte lisens"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 msgstr "lovbestemte lisens"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "Recording artists"
 msgstr "Innspillingsartister"
 
 msgid "Recording artists"
 msgstr "Innspillingsartister"
 


@@ -6794,7 +7107,6 @@ msgstr "Videoopptakere"
 msgid "Film creators"
 msgstr "Filmskapere"
 
 msgid "Film creators"
 msgstr "Filmskapere"
 

-#.  f24

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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 #, mtrans, fuzzy
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@@ -6803,11 +7115,13 @@ msgid ""
 "regulated by Congress to minimize the risk of piracy. The remedy Congress "
 "imposed did burden DAT producers, by taxing tape sales and controlling the "
 "technology of DAT. See Audio Home Recording Act of 1992 (Title 17 of the "
 "regulated by Congress to minimize the risk of piracy. The remedy Congress "
 "imposed did burden DAT producers, by taxing tape sales and controlling the "
 "technology of DAT. See Audio Home Recording Act of 1992 (Title 17 of the "

-"United States Code), Pub. L. No. 102-563, 106 Stat.  4237, codified at 17 U."
-"S.C. §1001. Again, however, this regulation did not eliminate the "
-"opportunity for free riding in the sense I've described. See Lessig, Future, "
-"71. See also Picker, \"From Edison to the Broadcast Flag,\" University of "
-"Chicago Law Review 70 (2003): 293&ndash;96."
+"<citetitle>United States Code</citetitle>), Pub. L. No. 102-563, 106 Stat.  "
+"4237, codified at 17 U.S.C. §1001. Again, however, this regulation did not "
+"eliminate the opportunity for free riding in the sense I've described. See "
+"Lessig, <citetitle>Future</citetitle>, 71. See also Picker, \"From Edison to "
+"the Broadcast Flag,\" <citetitle>University of Chicago Law Review</"
+"citetitle> 70 (2003): 293&ndash;96.  <placeholder type=\"indexterm\" id="
+"\"0\"/>"

 msgstr ""
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 msgstr ""
 "disse er de viktigste forekomstene i vår historie, men det finnes andre "
 "tilfeller også. teknologi for digital audio tape (dat), for eksempel var "


@@ -6832,14 +7146,14 @@ msgstr ""
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-"In none of these cases did either the courts or Congress eliminate all free "
-"riding. In none of these cases did the courts or Congress insist that the "
-"law should assure that the copyright holder get all the value that his "
-"copyright created. In every case, the copyright owners complained of "
-"\"piracy.\" In every case, Congress acted to recognize some of the "
-"legitimacy in the behavior of the \"pirates.\" In each case, Congress "
-"allowed some new technology to benefit from content made before. It balanced "
-"the interests at stake."
+"In <emphasis>none</emphasis> of these cases did either the courts or "
+"Congress eliminate all free riding. In <emphasis>none</emphasis> of these "
+"cases did the courts or Congress insist that the law should assure that the "
+"copyright holder get all the value that his copyright created. In every "
+"case, the copyright owners complained of \"piracy.\" In every case, Congress "
+"acted to recognize some of the legitimacy in the behavior of the \"pirates."
+"\" In each case, Congress allowed some new technology to benefit from "
+"content made before. It balanced the interests at stake."

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 "Ingen av disse tilfellene enten domstoler eller Kongressen eliminere alle "
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@@ -6876,7 +7190,8 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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-"Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, (1984)."
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@@ -6889,9 +7204,9 @@ msgid ""
 "uses of his work.\"<placeholder type=\"footnote\" id=\"0\"/> Instead, the "
 "particular uses that the law regulates have been defined by balancing the "
 "good that comes from granting an exclusive right against the burdens such an "
 "uses of his work.\"<placeholder type=\"footnote\" id=\"0\"/> Instead, the "
 "particular uses that the law regulates have been defined by balancing the "
 "good that comes from granting an exclusive right against the burdens such an "

-"exclusive right creates. And this balancing has historically been done after "
-"a technology has matured, or settled into the mix of technologies that "
-"facilitate the distribution of content."
+"exclusive right creates. And this balancing has historically been done "
+"<emphasis>after</emphasis> a technology has matured, or settled into the mix "
+"of technologies that facilitate the distribution of content."

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 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -6926,7 +7241,7 @@ msgstr ""
 #, mtrans, fuzzy
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 "John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes "
 #, mtrans, fuzzy
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 "John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes "

-"Past Efforts,\" New York Times, 22 September 2003, C3."
+"Past Efforts,\" <citetitle>New York Times</citetitle>, 22 September 2003, C3."

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 msgstr ""
 "John schwartz, \"nye økonomien: angrepet på node-til-node-programvare "
 "reflekterer forbi innsats,\" new york times, 22 september 2003, c3."


@@ -6937,23 +7252,23 @@ msgid ""
 "of distribution. And this p2p has done. P2p technologies can be ideally "
 "efficient in moving content across a widely diverse network.  Left to "
 "develop, they could make the network vastly more efficient.  Yet these "
 "of distribution. And this p2p has done. P2p technologies can be ideally "
 "efficient in moving content across a widely diverse network.  Left to "
 "develop, they could make the network vastly more efficient.  Yet these "

-"\"potential public benefits,\" as John Schwartz writes in The New York "
-"Times, \"could be delayed in the P2P fight.\"<placeholder type=\"footnote\" "
-"id=\"0\"/> Yet when anyone begins to talk about \"balance,\" the copyright "
-"warriors raise a different argument. \"All this hand waving about balance "
-"and incentives,\" they say, \"misses a fundamental point. Our content,\" the "
-"warriors insist, \"is our property. Why should we wait for Congress to "
-"`rebalance' our property rights? Do you have to wait before calling the "
-"police when your car has been stolen? And why should Congress deliberate at "
-"all about the merits of this theft? Do we ask whether the car thief had a "
-"good use for the car before we arrest him?\""
+"\"potential public benefits,\" as John Schwartz writes in <citetitle>The New "
+"York Times</citetitle>, \"could be delayed in the P2P fight.\"<placeholder "
+"type=\"footnote\" id=\"0\"/> Yet when anyone begins to talk about \"balance,"
+"\" the copyright warriors raise a different argument. \"All this hand waving "
+"about balance and incentives,\" they say, \"misses a fundamental point. Our "
+"content,\" the warriors insist, \"is our <emphasis>property</emphasis>. Why "
+"should we wait for Congress to `rebalance' our property rights? Do you have "
+"to wait before calling the police when your car has been stolen? And why "
+"should Congress deliberate at all about the merits of this theft? Do we ask "
+"whether the car thief had a good use for the car before we arrest him?\""

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-"\"It is our property,\" the warriors insist. \"And it should be protected "
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+"\"It is <emphasis>our property</emphasis>,\" the warriors insist. \"And it "
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 msgstr ""
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@@ -6984,13 +7299,14 @@ msgid ""
 "Indeed, the very idea of property in any idea or any expression is very odd. "
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 "I understand what I am taking when I take the picnic table you put in your "
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-"don't have it. But what am I taking when I take the good idea you had to put "
-"a picnic table in the backyard&mdash;by, for example, going to Sears, buying "
-"a table, and putting it in my backyard? What is the thing I am taking then?"
+"don't have it. But what am I taking when I take the good <emphasis>idea</"
+"emphasis> you had to put a picnic table in the backyard&mdash;by, for "
+"example, going to Sears, buying a table, and putting it in my backyard? What "
+"is the thing I am taking then?"

 msgstr ""
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-"misvisende, for copyright-egenskapen er en odde type bolig. selve ideen om "
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+"misvisende, for copyright-egenskapen er en odde type bolig. selve idéen om "
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@@ -7001,9 +7317,9 @@ msgstr ""
 #. type: Content of: <book><chapter><para><footnote><para>
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 #. type: Content of: <book><chapter><para><footnote><para>
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-"Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in The "
-"Writings of Thomas Jefferson, vol. 6 (Andrew A. Lipscomb and Albert Ellery "
-"Bergh, eds., 1903), 330, 333&ndash;34."
+"Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in "
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@@ -7032,9 +7348,9 @@ msgid ""
 "here. Here the law says you can't take my idea or expression without my "
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 msgstr ""
 "here. Here the law says you can't take my idea or expression without my "
 "permission: The law turns the intangible into property."
 msgstr ""

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-"loven sier du ikke kan ta min ide eller uttrykk uten min tillatelse: loven "
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@@ -7046,8 +7362,8 @@ msgid ""
 "against the world to do or not do certain things that may or may not attach "
 "to a physical object. The right itself is intangible, even if the object to "
 "which it is (metaphorically) attached is tangible. See Adam Mossoff, \"What "
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 "which it is (metaphorically) attached is tangible. See Adam Mossoff, \"What "

-"Is Property? Putting the Pieces Back Together,\" Arizona Law Review 45 "
-"(2003): 373, 429 n. 241."
+"Is Property? Putting the Pieces Back Together,\" <citetitle>Arizona Law "
+"Review</citetitle> 45 (2003): 373, 429 n. 241."

 msgstr ""
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 msgstr ""
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@@ -7077,9 +7393,9 @@ msgid ""
 "from the implications that the copyright warriors would have us draw."
 msgstr ""
 "min strategi for å gjøre dette vil være det samme som min strategi i den "
 "from the implications that the copyright warriors would have us draw."
 msgstr ""
 "min strategi for å gjøre dette vil være det samme som min strategi i den "

-"foregående delen. Jeg tilbyr fire historier å hjelpe sette ideen om "
+"foregående delen. Jeg tilbyr fire historier å hjelpe sette idéen om "

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-"ideen kommer fra? Hva er sine grenser? Hvordan fungerer det i praksis? Når "
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@@ -7090,15 +7406,25 @@ msgid "CHAPTER SIX: Founders"
 msgstr "Kapittel seks: Grunnleggerne"
 
 #. type: Content of: <book><chapter><sect1><para>
 msgstr "Kapittel seks: Grunnleggerne"
 
 #. type: Content of: <book><chapter><sect1><para>

-msgid ""
-"William Shakespeare wrote Romeo and Juliet in 1595. The play was first "
-"published in 1597. It was the eleventh major play that Shakespeare had "
-"written. He would continue to write plays through 1613, and the plays that "
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-"deeply have the works of a sixteenth-century writer seeped into our culture "
-"that we often don't even recognize their source.  I once overheard someone "
-"commenting on Kenneth Branagh's adaptation of Henry V: \"I liked it, but "
-"Shakespeare is so full of clichés.\""
+#, fuzzy
+#| msgid ""
+#| "William Shakespeare wrote Romeo and Juliet in 1595. The play was first "
+#| "published in 1597. It was the eleventh major play that Shakespeare had "
+#| "written. He would continue to write plays through 1613, and the plays "
+#| "that he wrote have continued to define Anglo-American culture ever since. "
+#| "So deeply have the works of a sixteenth-century writer seeped into our "
+#| "culture that we often don't even recognize their source.  I once "
+#| "overheard someone commenting on Kenneth Branagh's adaptation of Henry V: "
+#| "\"I liked it, but Shakespeare is so full of clichés.\""
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@@ -7111,14 +7437,24 @@ msgstr ""
 
 #.  f1
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 
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+#, fuzzy
+#| msgid ""
+#| "Jacob Tonson is typically remembered for his associations with prominent "
+#| "eighteenth-century literary figures, especially John Dryden, and for his "
+#| "handsome \"definitive editions\" of classic works. In addition to Romeo "
+#| "and Juliet, he published an astonishing array of works that still remain "
+#| "at the heart of the English canon, including collected works of "
+#| "Shakespeare, Ben Jonson, John Milton, and John Dryden. See Keith Walker, "
+#| "\"Jacob Tonson, Bookseller,\" American Scholar 61:3 (1992): 424&ndash;31."

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@@ -7130,26 +7466,44 @@ msgstr ""
 
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 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 
 #.  f2
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+#, fuzzy
+#| msgid ""
+#| "Lyman Ray Patterson, Copyright in Historical Perspective (Nashville: "
+#| "Vanderbilt University Press, 1968), 151&ndash;52."

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-"kept high; competition to produce better or cheaper editions was eliminated."
+#, fuzzy
+#| msgid ""
+#| "In 1774, almost 180 years after Romeo and Juliet was written, the \"copy-"
+#| "right\" for the work was still thought by many to be the exclusive right "
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+#| "id=\"0\"/> Tonson was the most prominent of a small group of publishers "
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+#| "from authors. That perpetual right meant that no one else could publish "
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+#| "classics were thus kept high; competition to produce better or cheaper "
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+"editions was eliminated."

 msgstr ""
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@@ -7162,16 +7516,34 @@ msgstr ""
 "bøker holdt oppe; alle konkurrenter som lagde bedre eller billigere utgaver, "
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-#.  f3

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 #. type: Content of: <book><chapter><sect1><para><footnote><para>

+#, fuzzy
+#| msgid ""
+#| "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a "
+#| "\"copyright law.\" See Vaidhyanathan, Copyrights and Copywrongs, 40.  "
+#| "<placeholder type=\"indexterm\" id=\"0\"/>"

 msgid ""
 "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a "
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 "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a "

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 msgstr ""

-"Aom Siva Vaidhyanathan pent hevder, er det feilaktige å kalle dette en \"lov "
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+"Som Siva Vaidhyanathan så pent argumenterer, er det feilaktige å kalle dette "
+"en \"opphavsrettslov.\" Se Vaidhyanathan, Copyrights and Copywrongs, 40.  "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><chapter><sect1><para>
 
 #. type: Content of: <book><chapter><sect1><para>

+#, fuzzy
+#| msgid ""
+#| "Now, there's something puzzling about the year 1774 to anyone who knows a "
+#| "little about copyright law. The better-known year in the history of "
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+#| "\"copyright\" act. Known as the Statute of Anne, the act stated that all "
+#| "published works would get a copyright term of fourteen years, renewable "
+#| "once if the author was alive, and that all works already published by "
+#| "1710 would get a single term of twenty-one additional years.<placeholder "
+#| "type=\"footnote\" id=\"0\"/> Under this law, Romeo and Juliet should have "
+#| "been free in 1731. So why was there any issue about it still being under "
+#| "Tonson's control in 1774?"

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 msgid ""
 "Now, there's something puzzling about the year 1774 to anyone who knows a "
 "little about copyright law. The better-known year in the history of "


@@ -7180,9 +7552,9 @@ msgid ""
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@@ -7215,16 +7587,29 @@ msgstr ""
 "en eksklusiv rett til å trykke bøker."
 
 #. type: Content of: <book><chapter><sect1><para>
 "en eksklusiv rett til å trykke bøker."
 
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-msgid ""
-"There was no positive law, but that didn't mean that there was no law. The "
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+#, fuzzy
+#| msgid ""
+#| "There was no positive law, but that didn't mean that there was no law. "
+#| "The Anglo-American legal tradition looks to both the words of "
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@@ -7272,26 +7657,43 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><para>
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+#, fuzzy
+#| msgid ""
+#| "Now, the thing to puzzle about for a moment is this: Why would Parliament "
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+#, fuzzy
+#| msgid ""
+#| "For the booksellers, and the authors whom they represented, had a very "
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@@ -7315,6 +7717,19 @@ msgstr ""
 
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 #.  PAGE BREAK 99
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+#, fuzzy
+#| msgid ""
+#| "First, about copyright. In the last three hundred years, we have come to "
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 msgid ""
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@@ -7322,10 +7737,10 @@ msgid ""
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+#, fuzzy
+#| msgid ""
+#| "Philip Wittenberg, The Protection and Marketing of Literary Property (New "
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 msgid ""
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@@ -7441,9 +7860,9 @@ msgid ""
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+"develop as the many English readers chose to let it develop&mdash; chose in "
+"the books they bought and wrote; chose in the memes they repeated and "
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+

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+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
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 msgid "CHAPTER EIGHT: Transformers"
 msgid "CHAPTER EIGHT: Transformers"

-msgstr "Kapittel åtte: transformatorer"
+msgstr "Kapittel åtte: Omformere"

 
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+"U.S. Department of Commerce Office of Acquisition Management, "
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+#| msgid ""
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+#| "loved every minute of it."

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@@ -9044,9 +9600,9 @@ msgstr ""
 #, mtrans, fuzzy
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 "This is the thing about the Internet that Orwell would have appreciated.  In "
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 "It is said that those who fail to remember history are doomed to repeat it. "
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+"That's not quite correct. We <emphasis>all</emphasis> forget history. The "
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@@ -9223,9 +9779,9 @@ msgid ""
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@@ -9271,9 +9827,10 @@ msgstr ""
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@@ -9333,6 +9890,10 @@ msgstr ""
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 "on-line. alle kunne se hvordan nyhetsrapporter fra rundt om i verden dekkes "
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+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Movie Archive"
+msgstr ""
+

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@@ -9350,7 +9911,7 @@ msgid ""
 "important part of our culture.  Want to see a copy of the \"Duck and Cover\" "
 "film that instructed children how to save themselves in the middle of "
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@@ -9441,11 +10002,11 @@ msgstr ""
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@@ -9565,15 +10126,15 @@ msgstr ""
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 "Kahle is not the only librarian. The Internet Archive is not the only "
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-"technology of digital arts could make the dream of the Library of Alexandria "
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+"libraries or archives could be. <emphasis>When</emphasis> the commercial "
+"life of creative property ends, I don't know. But it does. And whenever it "
+"does, Kahle and his archive hint at a world where this knowledge, and "
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@@ -9598,7 +10159,7 @@ msgid ""
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@@ -9629,6 +10190,34 @@ msgstr ""
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 "kanskje mest iøynefallende og effektiv korridorpolitiker i washington."
 

+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Disney, Inc."
+msgstr ""
+
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Sony Pictures Entertainment"
+msgstr ""
+
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "MGM"
+msgstr "MGM"
+
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Paramount Pictures"
+msgstr ""
+
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Twentieth Century Fox"
+msgstr ""
+
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Universal Pictures"
+msgstr ""
+
+#. type: Content of: <book><chapter><sect1><para><indexterm><primary>
+msgid "Warner Brothers"
+msgstr ""
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@@ -9640,7 +10229,11 @@ msgid ""
 "made up of the chairmen and presidents of the seven major producers and "
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@@ -9721,11 +10314,11 @@ msgid ""
 "No matter the lengthy arguments made, no matter the charges and the counter-"
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 msgstr ""
 
 #.  PAGE BREAK 129
 msgstr ""
 
 #.  PAGE BREAK 129


@@ -9753,15 +10346,16 @@ msgid ""
 "This claim has an obvious and powerful intuitive pull. It is stated with "
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@@ -9779,8 +10373,8 @@ msgid ""
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@@ -9871,8 +10465,9 @@ msgid ""
 "house, or acquires a slice of land from your farm&mdash;it is required, "
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+"1799, only 556 copyright registrations were filed; John Tebbel, <citetitle>A "
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+"<citetitle>The Creation of an Industry, 1630&ndash;1865</citetitle> (New "
+"York: Bowker, 1972), 141. Of the 21,000 imprints recorded before 1790, only "
+"twelve were copyrighted under the 1790 act; William J. Maher, "
+"<citetitle>Copyright Term, Retrospective Extension and the Copyright Law of "
+"1790 in Historical Context</citetitle>, 7&ndash;10 (2002), available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #25</ulink>.  Thus, the "

 "overwhelming majority of works fell immediately into the public domain. Even "
 "those works that were copyrighted fell into the public domain quickly, "
 "because the term of copyright was short. The initial term of copyright was "
 "overwhelming majority of works fell immediately into the public domain. Even "
 "those works that were copyrighted fell into the public domain quickly, "
 "because the term of copyright was short. The initial term of copyright was "


@@ -10975,11 +11592,12 @@ msgid ""
 "Few copyright holders ever chose to renew their copyrights. For instance, of "
 "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For "
 "a year-by-year analysis of copyright renewal rates, see Barbara A. Ringer, "
 "Few copyright holders ever chose to renew their copyrights. For instance, of "
 "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For "
 "a year-by-year analysis of copyright renewal rates, see Barbara A. Ringer, "

-"\"Study No. 31: Renewal of Copyright,\" Studies on Copyright, vol. 1 (New "
-"York: Practicing Law Institute, 1963), 618. For a more recent and "
-"comprehensive analysis, see William M. Landes and Richard A.  Posner, "
-"\"Indefinitely Renewable Copyright,\" University of Chicago Law Review 70 "
-"(2003): 471, 498&ndash;501, and accompanying figures."
+"\"Study No. 31: Renewal of Copyright,\" <citetitle>Studies on Copyright</"
+"citetitle>, vol. 1 (New York: Practicing Law Institute, 1963), 618. For a "
+"more recent and comprehensive analysis, see William M. Landes and Richard "
+"A.  Posner, \"Indefinitely Renewable Copyright,\" <citetitle>University of "
+"Chicago Law Review</citetitle> 70 (2003): 471, 498&ndash;501, and "
+"accompanying figures."

 msgstr ""
 "noen rettighetshavere valgte noensinne å fornye sine opphavsrettigheter. for "
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 msgstr ""
 "noen rettighetshavere valgte noensinne å fornye sine opphavsrettigheter. for "
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@@ -11000,9 +11618,8 @@ msgstr ""
 
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-#, mtrans, fuzzy

 msgid "See Ringer, ch. 9, n. 2."
 msgid "See Ringer, ch. 9, n. 2."

-msgstr "se ringer, ch. 9, n. 2."
+msgstr "Se Ringer, kap. 9, n. 2."

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -11010,10 +11627,10 @@ msgid ""
 "actual commercial life of just a couple of years. Most books fall out of "
 "print after one year.<placeholder type=\"footnote\" id=\"0\"/> When that "
 "happens, the used books are traded free of copyright regulation. Thus the "
 "actual commercial life of just a couple of years. Most books fall out of "
 "print after one year.<placeholder type=\"footnote\" id=\"0\"/> When that "
 "happens, the used books are traded free of copyright regulation. Thus the "

-"books are no longer effectively controlled by copyright. The only practical "
-"commercial use of the books at that time is to sell the books as used books; "
-"that use&mdash;because it does not involve publication&mdash;is effectively "
-"free."
+"books are no longer <emphasis>effectively</emphasis> controlled by "
+"copyright. The only practical commercial use of the books at that time is to "
+"sell the books as used books; that use&mdash;because it does not involve "
+"publication&mdash;is effectively free."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -11237,9 +11854,9 @@ msgid ""
 "there was a requirement that a work be registered before it could receive "
 "the protection of a copyright. There was also a requirement that any "
 "copyrighted work be marked either with that famous &copy; or the word "
 "there was a requirement that a work be registered before it could receive "
 "the protection of a copyright. There was also a requirement that any "
 "copyrighted work be marked either with that famous &copy; or the word "

-"copyright. And for most of the history of American copyright law, there was "
-"a requirement that works be deposited with the government before a copyright "
-"could be secured."
+"<emphasis>copyright</emphasis>. And for most of the history of American "
+"copyright law, there was a requirement that works be deposited with the "
+"government before a copyright could be secured."

 msgstr ""
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 msgstr ""
 "på samme tid som har utvidet omfanget av copyright, er fremgangsmåter for "
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@@ -11305,9 +11922,9 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of "
 #, mtrans, fuzzy
 msgid ""
 "See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of "

-"American Literature,\" 29 New York University Journal of International Law "
-"and Politics 255 (1997), and James Gilraeth, ed., Federal Copyright Records, "
-"1790&ndash;1800 (U.S. G.P.O., 1987)."
+"American Literature,\" 29 <citetitle>New York University Journal of "
+"International Law and Politics</citetitle> 255 (1997), and James Gilraeth, "
+"ed., Federal Copyright Records, 1790&ndash;1800 (U.S. G.P.O., 1987)."

 msgstr ""
 "se thomas bender og david sampliner, \"poeter, pirater og etableringen av "
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 msgstr ""
 "se thomas bender og david sampliner, \"poeter, pirater og etableringen av "
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@@ -11350,10 +11967,10 @@ msgstr ""
 msgid ""
 "Today the story is very different: If you write a book, your book is "
 "automatically protected. Indeed, not just your book. Every e-mail, every "
 msgid ""
 "Today the story is very different: If you write a book, your book is "
 "automatically protected. Indeed, not just your book. Every e-mail, every "

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+"note to your spouse, every doodle, <emphasis>every</emphasis> creative act "
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+"copyrighted.  There is no need to register or mark your work. The protection "
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 msgstr ""
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 "i dag historien er svært forskjellige: Hvis du skriver en bok, boken er "
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@@ -11417,12 +12034,20 @@ msgstr ""
 "spøk av opphavsretten, slik loven ble riktig utvidet til å omfatte disse små "
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 "spøk av opphavsretten, slik loven ble riktig utvidet til å omfatte disse små "
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-#.  f14

 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, fuzzy
+#| msgid ""
+#| "Jonathan Zittrain, \"The Copyright Cage,\" Legal Affairs, July/August "
+#| "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link #26</"
+#| "ulink>.  <placeholder type=\"indexterm\" id=\"0\"/>"

 msgid ""
 msgid ""

-"Jonathan Zittrain, \"The Copyright Cage,\" Legal Affairs, July/August 2003, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #26</ulink>."
+"Jonathan Zittrain, \"The Copyright Cage,\" <citetitle>Legal Affairs</"
+"citetitle>, July/August 2003, available at <ulink url=\"http://free-culture."
+"cc/notes/\">link #26</ulink>.  <placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 msgstr ""

+"Jonathan Zittrain, \"The Copyright Cage,\" Legal Affairs, juli/august 2003, "
+"tilgjengelig fra <ulink url=\"http://free-culture.cc/notes/\">link #26</"
+"ulink>.  <placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -11430,12 +12055,12 @@ msgid ""
 "culture&mdash;at least, it's astonishing when you understand that the law "
 "applies not just to the commercial publisher but to anyone with a computer. "
 "I understand the wrong in duplicating and selling someone else's work. But "
 "culture&mdash;at least, it's astonishing when you understand that the law "
 "applies not just to the commercial publisher but to anyone with a computer. "
 "I understand the wrong in duplicating and selling someone else's work. But "

-"whatever that wrong is, transforming someone else's work is a different "
-"wrong. Some view transformation as no wrong at all&mdash;they believe that "
-"our law, as the framers penned it, should not protect derivative rights at "
-"all.<placeholder type=\"footnote\" id=\"0\"/> Whether or not you go that "
-"far, it seems plain that whatever wrong is involved is fundamentally "
-"different from the wrong of direct piracy."
+"whatever <emphasis>that</emphasis> wrong is, transforming someone else's "
+"work is a different wrong. Some view transformation as no wrong at all&mdash;"
+"they believe that our law, as the framers penned it, should not protect "
+"derivative rights at all.<placeholder type=\"footnote\" id=\"0\"/> Whether "
+"or not you go that far, it seems plain that whatever wrong is involved is "
+"fundamentally different from the wrong of direct piracy."

 msgstr ""
 
 #.  f15
 msgstr ""
 
 #.  f15


@@ -11446,7 +12071,8 @@ msgid ""
 "the difference that copyright law should draw (from the perspective of the "
 "First Amendment) between mere \"copies\" and derivative works. See Jed "
 "Rubenfeld, \"The Freedom of Imagination: Copyright's Constitutionality,\" "
 "the difference that copyright law should draw (from the perspective of the "
 "First Amendment) between mere \"copies\" and derivative works. See Jed "
 "Rubenfeld, \"The Freedom of Imagination: Copyright's Constitutionality,\" "

-"Yale Law Journal 112 (2002): 1&ndash;60 (see especially pp. 53&ndash;59)."
+"<citetitle>Yale Law Journal</citetitle> 112 (2002): 1&ndash;60 (see "
+"especially pp. 53&ndash;59)."

 msgstr ""
 "professor rubenfeld har presentert en kraftig konstitusjonelle argument om "
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 msgstr ""
 "professor rubenfeld har presentert en kraftig konstitusjonelle argument om "
 "forskjellen som lov om opphavsrett bør trekke (fra perspektivet til den "


@@ -11491,9 +12117,8 @@ msgstr ""
 "at denne utvidelsen er en betydelig endring fra de opprinnelig rettighetene."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
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-#, mtrans, fuzzy

 msgid "Law and Architecture: Reach"
 msgid "Law and Architecture: Reach"

-msgstr "lov og arkitektur: nå"
+msgstr "Lov og arkitektur: Rekkevidde"

 
 #.  f16
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 #.  f16
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>


@@ -11502,10 +12127,11 @@ msgid ""
 "This is a simplification of the law, but not much of one. The law certainly "
 "regulates more than \"copies\"&mdash;a public performance of a copyrighted "
 "song, for example, is regulated even though performance per se doesn't make "
 "This is a simplification of the law, but not much of one. The law certainly "
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-"doesn't regulate a \"copy\"; 17 United States Code, section 112(a). But the "
-"presumption under the existing law (which regulates \"copies;\" 17 United "
-"States Code, section 102) is that if there is a copy, there is a right."
+"a copy; 17 <citetitle>United States Code</citetitle>, section 106(4). And it "
+"certainly sometimes doesn't regulate a \"copy\"; 17 <citetitle>United States "
+"Code</citetitle>, section 112(a). But the presumption under the existing law "
+"(which regulates \"copies;\" 17 <citetitle>United States Code</citetitle>, "
+"section 102) is that if there is a copy, there is a right."

 msgstr ""
 "Dette er en forenkling av loven, men ikke mye av en. loven absolutt "
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 msgstr ""
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@@ -11528,14 +12154,15 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
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-"\"Copies.\" That certainly sounds like the obvious thing for copyright law "
-"to regulate. But as with Jack Valenti's argument at the start of this "
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+"\"Copies.\" That certainly sounds like the obvious thing for <emphasis>copy</"
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+"\" as all other property, it is the <emphasis>obvious</emphasis> that we "
+"need to be most careful about. For while it may be obvious that in the world "
+"before the Internet, copies were the obvious trigger for copyright law, upon "
+"reflection, it should be obvious that in the world with the Internet, copies "
+"should <emphasis>not</emphasis> be the trigger for copyright law. More "
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 msgstr ""
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@@ -11580,7 +12207,7 @@ msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><figure><title>
 msgid "All potential uses of a book."
 
 #. type: Content of: <book><chapter><sect1><sect2><figure><title>
 msgid "All potential uses of a book."

-msgstr ""
+msgstr "Alle potensielle bruk av en bok."

 
 #. type: Content of: <book><chapter><sect1><sect2><figure>
 msgid "<graphic fileref=\"images/1521.png\"></graphic>"
 
 #. type: Content of: <book><chapter><sect1><sect2><figure>
 msgid "<graphic fileref=\"images/1521.png\"></graphic>"


@@ -11591,15 +12218,15 @@ msgstr "<graphic fileref=\"images/1521.png\"></graphic>"
 #, mtrans, fuzzy
 msgid ""
 "Think about a book in real space, and imagine this circle to represent all "
 #, mtrans, fuzzy
 msgid ""
 "Think about a book in real space, and imagine this circle to represent all "

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@@ -11615,7 +12242,7 @@ msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><figure><title>
 msgid "Examples of unregulated uses of a book."
 
 #. type: Content of: <book><chapter><sect1><sect2><figure><title>
 msgid "Examples of unregulated uses of a book."

-msgstr ""
+msgstr "Eksempler på uregulert bruk av en bok."

 
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 msgid "<graphic fileref=\"images/1531.png\"></graphic>"
 
 #. type: Content of: <book><chapter><sect1><sect2><figure>
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@@ -11746,11 +12373,12 @@ msgstr ""
 msgid ""
 "So let's be very specific to make this general point clear. Before the "
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 msgid ""
 "So let's be very specific to make this general point clear. Before the "
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@@ -11766,13 +12394,13 @@ msgstr ""
 msgid ""
 "But the same book as an e-book is effectively governed by a different set of "
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 msgid ""
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@@ -11818,13 +12446,13 @@ msgstr ""
 msgid ""
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@@ -11866,8 +12494,9 @@ msgid ""
 "culture. We have been cornered into arguing that our rights depend upon fair "
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@@ -11902,7 +12531,7 @@ msgid ""
 "be able to sample a bit from the movie on-line before you bought it."
 msgstr ""
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 "bokhandel du kan lese noen få sider av en bok før du kjøper boken, så, du "
 "var å utvide sin \"selger ved prøvetaking\" teknikk ved å gi on-line "
 "butikker samme muligheten til å aktivere \"surfing.\" akkurat som i en "
 "bokhandel du kan lese noen få sider av en bok før du kjøper boken, så, du "


@@ -12049,9 +12678,8 @@ msgstr ""
 "er en oppskrift på katastrofe i enkelte sammenhenger."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
 "er en oppskrift på katastrofe i enkelte sammenhenger."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>

-#, mtrans, fuzzy

 msgid "Architecture and Law: Force"
 msgid "Architecture and Law: Force"

-msgstr "arkitektur og lov: tvinge"
+msgstr "Arkitektur og lov: Makt"

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy


@@ -12087,20 +12715,31 @@ msgstr "Casablanca"
 
 #.  f19
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
 #.  f19
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, fuzzy
+#| msgid ""
+#| "See David Lange, \"Recognizing the Public Domain,\" Law and Contemporary "
+#| "Problems 44 (1981): 172&ndash;73."

 msgid ""
 msgid ""

-"See David Lange, \"Recognizing the Public Domain,\" Law and Contemporary "
-"Problems 44 (1981): 172&ndash;73."
+"See David Lange, \"Recognizing the Public Domain,\" <citetitle>Law and "
+"Contemporary Problems</citetitle> 44 (1981): 172&ndash;73."

 msgstr ""
 "Se David Lange, \"Recognizing the Public Domain,\" Law and Contemporary "
 "Problems 44 (1981): 172&ndash;73."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 "Se David Lange, \"Recognizing the Public Domain,\" Law and Contemporary "
 "Problems 44 (1981): 172&ndash;73."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>

+#, fuzzy
+#| msgid ""
+#| "There's a famous story about a battle between the Marx Brothers and "
+#| "Warner Brothers. The Marxes intended to make a parody of Casablanca. "
+#| "Warner Brothers objected. They wrote a nasty letter to the Marxes, "
+#| "warning them that there would be serious legal consequences if they went "
+#| "forward with their plan.<placeholder type=\"footnote\" id=\"0\"/>"

 msgid ""
 "There's a famous story about a battle between the Marx Brothers and Warner "
 msgid ""
 "There's a famous story about a battle between the Marx Brothers and Warner "

-"Brothers. The Marxes intended to make a parody of Casablanca. Warner "
-"Brothers objected. They wrote a nasty letter to the Marxes, warning them "
-"that there would be serious legal consequences if they went forward with "
-"their plan.<placeholder type=\"footnote\" id=\"0\"/>"
+"Brothers. The Marxes intended to make a parody of <citetitle>Casablanca</"
+"citetitle>. Warner Brothers objected. They wrote a nasty letter to the "
+"Marxes, warning them that there would be serious legal consequences if they "
+"went forward with their plan.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 "Det er en berømt historie om en kamp mellom Marx-brødrene (the Marx "
 "Brothers) og Warner Brothers.  Marx-brødrene planla å lage en parodi av "
 msgstr ""
 "Det er en berømt historie om en kamp mellom Marx-brødrene (the Marx "
 "Brothers) og Warner Brothers.  Marx-brødrene planla å lage en parodi av "


@@ -12108,18 +12747,34 @@ msgstr ""
 "brødrene og advarte dem om at det ville få seriøse juridiske konsekvenser "
 "hvis de gikk videre med sin plan.<placeholder type=\"footnote\" id=\"0\"/>"
 
 "brødrene og advarte dem om at det ville få seriøse juridiske konsekvenser "
 "hvis de gikk videre med sin plan.<placeholder type=\"footnote\" id=\"0\"/>"
 

-#.  f20

 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

-msgid "Ibid. See also Vaidhyanathan, Copyrights and Copywrongs, 1&ndash;3."
-msgstr "Ibid. Se også Vaidhyanathan, Copyrights and Copywrongs, 1&ndash;3."
+#, fuzzy
+#| msgid ""
+#| "Ibid. See also Vaidhyanathan, Copyrights and Copywrongs, 1&ndash;3.  "
+#| "<placeholder type=\"indexterm\" id=\"0\"/>"
+msgid ""
+"Ibid. See also Vaidhyanathan, <citetitle>Copyrights and Copywrongs</"
+"citetitle>, 1&ndash;3.  <placeholder type=\"indexterm\" id=\"0\"/>"
+msgstr ""
+"Ibid. Se også Vaidhyanathan, Copyrights and Copywrongs, 1&ndash;3.  "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 
 #. type: Content of: <book><chapter><sect1><sect2><para>

+#, fuzzy
+#| msgid ""
+#| "This led the Marx Brothers to respond in kind. They warned Warner "
+#| "Brothers that the Marx Brothers \"were brothers long before you were."
+#| "\"<placeholder type=\"footnote\" id=\"0\"/> The Marx Brothers therefore "
+#| "owned the word brothers, and if Warner Brothers insisted on trying to "
+#| "control Casablanca, then the Marx Brothers would insist on control over "
+#| "brothers."

 msgid ""
 "This led the Marx Brothers to respond in kind. They warned Warner Brothers "
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 "type=\"footnote\" id=\"0\"/> The Marx Brothers therefore owned the word "
 msgid ""
 "This led the Marx Brothers to respond in kind. They warned Warner Brothers "
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-"brothers, and if Warner Brothers insisted on trying to control Casablanca, "
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+"<citetitle>brothers</citetitle>, and if Warner Brothers insisted on trying "
+"to control <citetitle>Casablanca</citetitle>, then the Marx Brothers would "
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 msgstr ""
 "Dette fikk Marx-brødrene til å svare tilbake med samme mynt.  De advarte "
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 msgstr ""
 "Dette fikk Marx-brødrene til å svare tilbake med samme mynt.  De advarte "
 "Warner Brothers om at Marx-brødrene \"var brødre lenge før dere var det\"."


@@ -12188,16 +12843,17 @@ msgstr ""
 msgid ""
 "As you can see, I have a small collection of e-books within this e-book "
 "library. Some of these books reproduce content that is in the public domain: "
 msgid ""
 "As you can see, I have a small collection of e-books within this e-book "
 "library. Some of these books reproduce content that is in the public domain: "

-"Middlemarch, for example, is in the public domain.  Some of them reproduce "
-"content that is not in the public domain: My own book The Future of Ideas is "
-"not yet within the public domain.  Consider Middlemarch first. If you click "
-"on my e-book copy of Middlemarch, you'll see a fancy cover, and then a "
-"button at the bottom called Permissions."
+"<citetitle>Middlemarch</citetitle>, for example, is in the public domain.  "
+"Some of them reproduce content that is not in the public domain: My own book "
+"<citetitle>The Future of Ideas</citetitle> is not yet within the public "
+"domain.  Consider <citetitle>Middlemarch</citetitle> first. If you click on "
+"my e-book copy of <citetitle>Middlemarch</citetitle>, you'll see a fancy "
+"cover, and then a button at the bottom called Permissions."

 msgstr ""
 "som du ser, har jeg en liten samling av e-bøker i denne e-boken biblioteket. "
 "noen av disse bøkene reprodusere innholdet i public domain: middlemarch, er "
 "for eksempel i public domain. noen av dem reprodusere innhold som ikke er "
 msgstr ""
 "som du ser, har jeg en liten samling av e-bøker i denne e-boken biblioteket. "
 "noen av disse bøkene reprodusere innholdet i public domain: middlemarch, er "
 "for eksempel i public domain. noen av dem reprodusere innhold som ikke er "

-"allemannseie: min egen bok fremtiden for ideer er ennå ikke i public domain. "
+"allemannseie: min egen bok fremtiden for idéer er ennå ikke i public domain. "

 "vurdere middlemarch først. Hvis du klikker på min e-bok-kopi av middlemarch, "
 "vil du se en fancy cover og deretter en knapp på bunnen kalt tillatelser."
 
 "vurdere middlemarch først. Hvis du klikker på min e-bok-kopi av middlemarch, "
 "vil du se en fancy cover og deretter en knapp på bunnen kalt tillatelser."
 


@@ -12237,7 +12893,8 @@ msgid ""
 "of the computer ten text selections every ten days. (So far, I've copied no "
 "text to the clipboard.)  I also have the permission to print ten pages from "
 "the book every ten days. Lastly, I have the permission to use the Read Aloud "
 "of the computer ten text selections every ten days. (So far, I've copied no "
 "text to the clipboard.)  I also have the permission to print ten pages from "
 "the book every ten days. Lastly, I have the permission to use the Read Aloud "

-"button to hear Middlemarch read aloud through the computer."
+"button to hear <citetitle>Middlemarch</citetitle> read aloud through the "
+"computer."

 msgstr ""
 "Ifølge min eBok-leser har jeg tillatelse til å kopiere til utklippstavlen på "
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 msgstr ""
 "Ifølge min eBok-leser har jeg tillatelse til å kopiere til utklippstavlen på "
 "datamaskinen ti tekstområder ti dager. (så langt jeg har kopiert ingen tekst "


@@ -12249,7 +12906,7 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "Here's the e-book for another work in the public domain (including the "
 #, mtrans, fuzzy
 msgid ""
 "Here's the e-book for another work in the public domain (including the "

-"translation): Aristotle's Politics."
+"translation): Aristotle's <citetitle>Politics</citetitle>."

 msgstr ""
 "Her er e-bok for et annet arbeid i den offentlige sfæren (inkludert "
 "oversettelse): Aristoteles politikk."
 msgstr ""
 "Her er e-bok for et annet arbeid i den offentlige sfæren (inkludert "
 "oversettelse): Aristoteles politikk."


@@ -12283,10 +12940,10 @@ msgstr "<graphic fileref=\"images/1622.png\"></graphic>"
 #, mtrans, fuzzy
 msgid ""
 "Finally (and most embarrassingly), here are the permissions for the original "
 #, mtrans, fuzzy
 msgid ""
 "Finally (and most embarrassingly), here are the permissions for the original "

-"e-book version of my last book, The Future of Ideas:"
+"e-book version of my last book, <citetitle>The Future of Ideas</citetitle>:"

 msgstr ""
 "Endelig (og mest embarrassingly), her er du tillatelsene for den "
 msgstr ""
 "Endelig (og mest embarrassingly), her er du tillatelsene for den "

-"opprinnelige e-bok-versjonen av boken min siste, fremtiden for ideer:"
+"opprinnelige e-bok-versjonen av boken min siste, fremtiden for idéer:"

 
 #. type: Content of: <book><chapter><sect1><sect2><figure><title>
 msgid "List of the permissions for &quot;The Future of Ideas&quot;."
 
 #. type: Content of: <book><chapter><sect1><sect2><figure><title>
 msgid "List of the permissions for &quot;The Future of Ideas&quot;."


@@ -12326,11 +12983,11 @@ msgid ""
 "works under copyright, the copyright owner certainly does have the "
 "power&mdash;up to the limits of the copyright law. But for work not under "
 "copyright, there is no such copyright power.<placeholder type=\"footnote\" "
 "works under copyright, the copyright owner certainly does have the "
 "power&mdash;up to the limits of the copyright law. But for work not under "
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-"id=\"0\"/> When my e-book of Middlemarch says I have the permission to copy "
-"only ten text selections into the memory every ten days, what that really "
-"means is that the eBook Reader has enabled the publisher to control how I "
-"use the book on my computer, far beyond the control that the law would "
-"enable."
+"id=\"0\"/> When my e-book of <citetitle>Middlemarch</citetitle> says I have "
+"the permission to copy only ten text selections into the memory every ten "
+"days, what that really means is that the eBook Reader has enabled the "
+"publisher to control how I use the book on my computer, far beyond the "
+"control that the law would enable."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -12369,9 +13026,9 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
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-"These are controls, not permissions. Imagine a world where the Marx Brothers "
-"sold word processing software that, when you tried to type \"Warner Brothers,"
-"\" erased \"Brothers\" from the sentence."
+"These are <emphasis>controls</emphasis>, not permissions. Imagine a world "
+"where the Marx Brothers sold word processing software that, when you tried "
+"to type \"Warner Brothers,\" erased \"Brothers\" from the sentence."

 msgstr ""
 "Dette er kontroller, ikke tillatelser. Forestill deg en verden der marx "
 "brødrene solgte tekstbehandling programvare som, da du prøvde å skrive inn "
 msgstr ""
 "Dette er kontroller, ikke tillatelser. Forestill deg en verden der marx "
 "brødrene solgte tekstbehandling programvare som, da du prøvde å skrive inn "


@@ -12380,12 +13037,13 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
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-"This is the future of copyright law: not so much copyright law as copyright "
-"code. The controls over access to content will not be controls that are "
-"ratified by courts; the controls over access to content will be controls "
-"that are coded by programmers. And whereas the controls that are built into "
-"the law are always to be checked by a judge, the controls that are built "
-"into the technology have no similar built-in check."
+"This is the future of copyright law: not so much copyright <emphasis>law</"
+"emphasis> as copyright <emphasis>code</emphasis>. The controls over access "
+"to content will not be controls that are ratified by courts; the controls "
+"over access to content will be controls that are coded by programmers. And "
+"whereas the controls that are built into the law are always to be checked by "
+"a judge, the controls that are built into the technology have no similar "
+"built-in check."

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@@ -12424,9 +13082,9 @@ msgstr ""
 msgid ""
 "Early in the life of the Adobe eBook Reader, Adobe suffered a public "
 "relations nightmare. Among the books that you could download for free on the "
 msgid ""
 "Early in the life of the Adobe eBook Reader, Adobe suffered a public "
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-"Adobe site was a copy of Alice's Adventures in Wonderland.  This wonderful "
-"book is in the public domain. Yet when you clicked on Permissions for that "
-"book, you got the following report:"
+"Adobe site was a copy of <citetitle>Alice's Adventures in Wonderland</"
+"citetitle>.  This wonderful book is in the public domain. Yet when you "
+"clicked on Permissions for that book, you got the following report:"

 msgstr ""
 "tidlig i livet av adobe eBok reader LED adobe et PR mareritt. Blant bøkene "
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 msgstr ""
 "tidlig i livet av adobe eBok reader LED adobe et PR mareritt. Blant bøkene "
 "som du kan laste ned gratis på adobe siden var en kopi av alice's adventures "


@@ -12573,13 +13231,14 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 msgid ""

-"If you're not a programmer or don't know many programmers, the word hack has "
-"a particularly unfriendly connotation. Nonprogrammers hack bushes or weeds. "
-"Nonprogrammers in horror movies do even worse. But to programmers, or "
-"coders, as I call them, hack is a much more positive term. Hack just means "
-"code that enables the program to do something it wasn't originally intended "
-"or enabled to do. If you buy a new printer for an old computer, you might "
-"find the old computer doesn't run, or \"drive,\" the printer. If you "
+"If you're not a programmer or don't know many programmers, the word "
+"<citetitle>hack</citetitle> has a particularly unfriendly connotation. "
+"Nonprogrammers hack bushes or weeds. Nonprogrammers in horror movies do even "
+"worse. But to programmers, or coders, as I call them, <citetitle>hack</"
+"citetitle> is a much more positive term. <citetitle>Hack</citetitle> just "
+"means code that enables the program to do something it wasn't originally "
+"intended or enabled to do. If you buy a new printer for an old computer, you "
+"might find the old computer doesn't run, or \"drive,\" the printer. If you "

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 "someone who has written a driver to enable the computer to drive the printer "
 "you just bought."
 "discovered that, you'd later be happy to discover a hack on the Net by "
 "someone who has written a driver to enable the computer to drive the printer "
 "you just bought."


@@ -12633,8 +13292,8 @@ msgid ""
 "dance jazz. Nor is it a crime to teach your dog to dance jazz. Nor should it "
 "be a crime (though we don't have a lot to go on here) to teach your robot "
 "dog to dance jazz. Dancing jazz is a completely legal activity. One imagines "
 "dance jazz. Nor is it a crime to teach your dog to dance jazz. Nor should it "
 "be a crime (though we don't have a lot to go on here) to teach your robot "
 "dog to dance jazz. Dancing jazz is a completely legal activity. One imagines "

-"that the owner of aibopet.com thought, What possible problem could there be "
-"with teaching a robot dog to dance?"
+"that the owner of aibopet.com thought, <emphasis>What possible problem could "
+"there be with teaching a robot dog to dance?</emphasis>"

 msgstr ""
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 msgstr ""
 "Jeg har fortalt denne historien i mange sammenhenger, både i og utenfor USA. "
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@@ -12671,18 +13330,20 @@ msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para><indexterm><primary>
 msgid "Electronic Frontier Foundation"
 
 #. type: Content of: <book><chapter><sect1><sect2><para><indexterm><primary>
 msgid "Electronic Frontier Foundation"

-msgstr "Stiftelsen Elektronisk forpost (EFF)"
+msgstr "Elektronisk forpost-stiftelsen (EFF)"

 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Pamela Samuelson, \"Anticircumvention Rules: Threat to Science,\" "
 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "See Pamela Samuelson, \"Anticircumvention Rules: Threat to Science,\" "

-"Science 293 (2001): 2028; Brendan I. Koerner, \"Play Dead: Sony Muzzles the "
-"Techies Who Teach a Robot Dog New Tricks,\" American Prospect, January 2002; "
-"\"Court Dismisses Computer Scientists' Challenge to DMCA,\" Intellectual "
-"Property Litigation Reporter, 11 December 2001; Bill Holland, \"Copyright "
-"Act Raising Free-Speech Concerns,\" Billboard, May 2001; Janelle Brown, \"Is "
-"the RIAA Running Scared?\" Salon.com, April 2001; Electronic Frontier "
-"Foundation, \"Frequently Asked Questions about Felten and USENIX v. RIAA "
+"<citetitle>Science</citetitle> 293 (2001): 2028; Brendan I. Koerner, \"Play "
+"Dead: Sony Muzzles the Techies Who Teach a Robot Dog New Tricks,\" "
+"<citetitle>American Prospect</citetitle>, January 2002; \"Court Dismisses "
+"Computer Scientists' Challenge to DMCA,\" <citetitle>Intellectual Property "
+"Litigation Reporter</citetitle>, 11 December 2001; Bill Holland, \"Copyright "
+"Act Raising Free-Speech Concerns,\" <citetitle>Billboard</citetitle>, May "
+"2001; Janelle Brown, \"Is the RIAA Running Scared?\" Salon.com, April 2001; "
+"Electronic Frontier Foundation, \"Frequently Asked Questions about "
+"<citetitle>Felten and USENIX</citetitle> v. <citetitle>RIAA</citetitle> "

 "Legal Case,\" available at <ulink url=\"http://free-culture.cc/notes/\">link "
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 msgstr ""
 "Legal Case,\" available at <ulink url=\"http://free-culture.cc/notes/\">link "
 "#27</ulink>.  <placeholder type=\"indexterm\" id=\"0\"/>"
 msgstr ""


@@ -12757,7 +13418,7 @@ msgstr ""
 "loven, men også fordi det er en virkelig god idé. en sterkt beskyttet "
 "tradisjon av ytringsfriheten er sannsynlig å oppmuntre til et bredt spekter "
 "av kritikk. at kritikk er sannsynlig, i sin tur til å forbedre systemer "
 "loven, men også fordi det er en virkelig god idé. en sterkt beskyttet "
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 "av kritikk. at kritikk er sannsynlig, i sin tur til å forbedre systemer "

-"eller personer eller ideer kritisert."
+"eller personer eller idéer kritisert."

 
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -12840,8 +13501,9 @@ msgid ""
 "response was to find technologies that might compensate.  These new "
 "technologies would be copyright protection technologies&mdash; technologies "
 "to control the replication and distribution of copyrighted material. They "
 "response was to find technologies that might compensate.  These new "
 "technologies would be copyright protection technologies&mdash; technologies "
 "to control the replication and distribution of copyrighted material. They "

-"were designed as code to modify the original code of the Internet, to "
-"reestablish some protection for copyright owners."
+"were designed as <emphasis>code</emphasis> to modify the original "
+"<emphasis>code</emphasis> of the Internet, to reestablish some protection "
+"for copyright owners."

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@@ -12855,9 +13517,10 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "The DMCA was a bit of law intended to back up the protection of this code "
 #, mtrans, fuzzy
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 "The DMCA was a bit of law intended to back up the protection of this code "

-"designed to protect copyrighted material. It was, we could say, legal code "
-"intended to buttress software code which itself was intended to support the "
-"legal code of copyright."
+"designed to protect copyrighted material. It was, we could say, "
+"<emphasis>legal code</emphasis> intended to buttress <emphasis>software "
+"code</emphasis> which itself was intended to support the <emphasis>legal "
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@@ -12930,8 +13593,8 @@ msgid ""
 "be banned because it was a copyright-infringing technology: It enabled "
 "consumers to copy films without the permission of the copyright owner. No "
 "doubt there were uses of the technology that were legal: Fred Rogers, aka "
 "be banned because it was a copyright-infringing technology: It enabled "
 "consumers to copy films without the permission of the copyright owner. No "
 "doubt there were uses of the technology that were legal: Fred Rogers, aka "

-"\"Mr. Rogers,\" for example, had testified in that case that he wanted "
-"people to feel free to tape Mr. Rogers' Neighborhood."
+"\"<citetitle>Mr. Rogers</citetitle>,\" for example, had testified in that "
+"case that he wanted people to feel free to tape Mr. Rogers' Neighborhood."

 msgstr ""
 "bizarreness av disse argumentene er fanget i en tegneserie tegnet i 1981 av "
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 msgstr ""
 "bizarreness av disse argumentene er fanget i en tegneserie tegnet i 1981 av "
 "paul conrad. på den tiden, en domstol i california hadde holdt at "


@@ -12945,9 +13608,10 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
 #, mtrans, fuzzy
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 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
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-"Sony Corporation of America v. Universal City Studios, Inc., 464 U.S. 417, "
-"455 fn. 27 (1984). Rogers never changed his view about the VCR. See James "
-"Lardner, Fast Forward: Hollywood, the Japanese, and the Onslaught of the VCR "
+"<citetitle>Sony Corporation of America</citetitle> v. <citetitle>Universal "
+"City Studios, Inc</citetitle>., 464 U.S. 417, 455 fn. 27 (1984). Rogers "
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 "(New York: W. W. Norton, 1987), 270&ndash;71."
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@@ -13308,7 +13976,8 @@ msgid ""
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+#| "See, for example, \"Music Media Watch,\" The J@pan Inc. Newsletter, 3 "
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-"Clayton M. Christensen, The Innovator's Dilemma: The Revolutionary National "
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@@ -13957,14 +14664,14 @@ msgid ""
 "tools to publish, for the market then was much more diverse. Not when there "
 "were only three television networks, for even then, newspapers, film "
 "studios, radio stations, and publishers were independent of the networks. "
 "tools to publish, for the market then was much more diverse. Not when there "
 "were only three television networks, for even then, newspapers, film "
 "studios, radio stations, and publishers were independent of the networks. "

-"Never has copyright protected such a wide range of rights, against as broad "
-"a range of actors, for a term that was remotely as long. This form of "
-"regulation&mdash;a tiny regulation of a tiny part of the creative energy of "
-"a nation at the founding&mdash;is now a massive regulation of the overall "
-"creative process. Law plus technology plus the market now interact to turn "
-"this historically benign regulation into the most significant regulation of "
-"culture that our free society has known.<placeholder type=\"footnote\" id="
-"\"0\"/>"
+"<emphasis>Never</emphasis> has copyright protected such a wide range of "
+"rights, against as broad a range of actors, for a term that was remotely as "
+"long. This form of regulation&mdash;a tiny regulation of a tiny part of the "
+"creative energy of a nation at the founding&mdash;is now a massive "
+"regulation of the overall creative process. Law plus technology plus the "
+"market now interact to turn this historically benign regulation into the "
+"most significant regulation of culture that our free society has known."
+"<placeholder type=\"footnote\" id=\"0\"/>"

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 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -13988,9 +14695,8 @@ msgstr ""
 "1790, loven så ut som dette:"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
 "1790, loven så ut som dette:"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>

-#, mtrans, fuzzy

 msgid "PUBLISH"
 msgid "PUBLISH"

-msgstr "publisere"
+msgstr "Publiser"

 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
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@@ -13998,24 +14704,20 @@ msgid "TRANSFORM"
 msgstr "transformere"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 msgstr "transformere"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "Commercial"
 msgid "Commercial"

-msgstr "kommersielle"
+msgstr "Kommersiell"

 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "&copy;"
 msgid "&copy;"

-msgstr "�"
+msgstr "&copy;"

 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "Free"
 msgid "Free"

-msgstr "gratis"
+msgstr "Fri"

 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>

-#, mtrans, fuzzy

 msgid "Noncommercial"
 msgid "Noncommercial"

-msgstr "reklamefrie"
+msgstr "Ikke-kommersiell"

 
 #.  PAGE BREAK 182
 #. type: Content of: <book><chapter><sect1><sect2><para>
 
 #.  PAGE BREAK 182
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -14066,13 +14768,12 @@ msgstr ""
 "slik ut:"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
 "slik ut:"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>

-#, mtrans, fuzzy

 msgid "COPY"
 msgstr "Kopier"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 msgid "&copy;/Free"
 msgid "COPY"
 msgstr "Kopier"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
 msgid "&copy;/Free"

-msgstr ""
+msgstr "&copy;/Fri"

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -14140,8 +14841,8 @@ msgid ""
 "It was the single most important contribution of the legal realist movement "
 "to demonstrate that all property rights are always crafted to balance public "
 "and private interests. See Thomas C. Grey, \"The Disintegration of Property,"
 "It was the single most important contribution of the legal realist movement "
 "to demonstrate that all property rights are always crafted to balance public "
 "and private interests. See Thomas C. Grey, \"The Disintegration of Property,"

-"\" in Nomos XXII: Property, J. Roland Pennock and John W.  Chapman, eds. "
-"(New York: New York University Press, 1980)."
+"\" in <citetitle>Nomos XXII: Property</citetitle>, J. Roland Pennock and "
+"John W.  Chapman, eds. (New York: New York University Press, 1980)."

 msgstr ""
 "Det var enkelt viktigste bidrag av juridiske realist-bevegelse for å "
 "demonstrere at alle eiendomsrettigheter alltid er laget for å balansere "
 msgstr ""
 "Det var enkelt viktigste bidrag av juridiske realist-bevegelse for å "
 "demonstrere at alle eiendomsrettigheter alltid er laget for å balansere "


@@ -14159,9 +14860,10 @@ msgid ""
 "need to give authors and artists incentives with the equally important need "
 "to assure access to creative work. This balance has always been struck in "
 "light of new technologies.  And for almost half of our tradition, the "
 "need to give authors and artists incentives with the equally important need "
 "to assure access to creative work. This balance has always been struck in "
 "light of new technologies.  And for almost half of our tradition, the "

-"\"copyright\" did not control at all the freedom of others to build upon or "
-"transform a creative work. American culture was born free, and for almost "
-"180 years our country consistently protected a vibrant and rich free culture."
+"\"copyright\" did not control <emphasis>at all</emphasis> the freedom of "
+"others to build upon or transform a creative work. American culture was born "
+"free, and for almost 180 years our country consistently protected a vibrant "
+"and rich free culture."

 msgstr ""
 
 #.  PAGE BREAK 184
 msgstr ""
 
 #.  PAGE BREAK 184


@@ -14246,9 +14948,9 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
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-"H. G. Wells, \"The Country of the Blind\" (1904, 1911). See H. G. Wells, The "
-"Country of the Blind and Other Stories, Michael Sherborne, ed. (New York: "
-"Oxford University Press, 1996)."
+"H. G. Wells, \"The Country of the Blind\" (1904, 1911). See H. G. Wells, "
+"<citetitle>The Country of the Blind and Other Stories</citetitle>, Michael "
+"Sherborne, ed. (New York: Oxford University Press, 1996)."

 msgstr ""
 "h. g. wells, \"land for blind\" (1904, 1911). se h. g. wells, landet av "
 "blind og andre historier, michael sherborne, ed. (new york: oxford "
 msgstr ""
 "h. g. wells, \"land for blind\" (1904, 1911). se h. g. wells, landet av "
 "blind og andre historier, michael sherborne, ed. (new york: oxford "


@@ -14272,14 +14974,14 @@ msgstr ""
 msgid ""
 "Things don't go quite as he planned. He tries to explain the idea of sight "
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 msgid ""
 "Things don't go quite as he planned. He tries to explain the idea of sight "
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-msgstr ""
-"ting går ikke helt som han har planlagt. han prøver å forklare ideen om "
+"They don't have the word <citetitle>blind</citetitle>. They think he's just "
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+"control him. He, in turn, becomes increasingly frustrated. \"`You don't "
+"understand,' he cried, in a voice that was meant to be great and resolute, "
+"and which broke. `You are blind and I can see. Leave me alone!'\""
+msgstr ""
+"ting går ikke helt som han har planlagt. han prøver å forklare idéen om "

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 "\" de ikke har word-blind. de tror han er bare tykk. faktisk, som de stadig "
 "mer merke tingene han ikke kan gjøre (høre lyden av gress å bli trappet på, "
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 "\" de ikke har word-blind. de tror han er bare tykk. faktisk, som de stadig "
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@@ -14390,7 +15092,7 @@ msgid ""
 "this reality."
 msgstr ""
 "før jeg hadde lest om regenererende, ville jeg sagt de var umulig. en enkelt "
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 msgstr ""
 "før jeg hadde lest om regenererende, ville jeg sagt de var umulig. en enkelt "

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+"person kan ikke ha to sett med dna. selve idéen om dna er at det er koden "

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 "for en person. men faktisk, ikke bare kan to personer har samme sett med dna "
 "(identisk tvillinger), men en person kan ha to forskjellige sett med dna (en "
 "chimera). vår forståelse av en \"person\" skal gjenspeile denne "


@@ -14450,7 +15152,8 @@ msgid ""
 "a Tower Records and taking a CD off the shelf and walking out with it,\" "
 "that's true, at least in part. If, after Lyle Lovett (finally) releases a "
 "new album, rather than buying it, I go to Kazaa and find a free copy to "
 "a Tower Records and taking a CD off the shelf and walking out with it,\" "
 "that's true, at least in part. If, after Lyle Lovett (finally) releases a "
 "new album, rather than buying it, I go to Kazaa and find a free copy to "

-"take, that is very much like stealing a copy from Tower."
+"take, that is very much like stealing a copy from Tower.  <placeholder type="
+"\"indexterm\" id=\"0\"/>"

 msgstr ""
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@@ -14493,7 +15196,10 @@ msgstr ""
 "for å begynne å tenke på hvordan vi skal reagere på denne chimera. hvilke "
 "regler bør styre det?"
 
 "for å begynne å tenke på hvordan vi skal reagere på denne chimera. hvilke "
 "regler bør styre det?"
 

-#.  f2.
+#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para><indexterm><primary>
+msgid "Berman, Howard L."
+msgstr "Berman, Howard L."
+

 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 msgid ""
 "For an excellent summary, see the report prepared by GartnerG2 and the "
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 msgid ""
 "For an excellent summary, see the report prepared by GartnerG2 and the "


@@ -14503,15 +15209,16 @@ msgid ""
 "Conyers Jr. (D-Mich.) and Howard L. Berman (D-Calif.) have introduced a bill "
 "that would treat unauthorized on-line copying as a felony offense with "
 "punishments ranging as high as five years imprisonment; see Jon Healey, "
 "Conyers Jr. (D-Mich.) and Howard L. Berman (D-Calif.) have introduced a bill "
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 "punishments ranging as high as five years imprisonment; see Jon Healey, "

-"\"House Bill Aims to Up Stakes on Piracy,\" Los Angeles Times, 17 July 2003, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #34</ulink>. "
-"Civil penalties are currently set at $150,000 per copied song. For a recent "
-"(and unsuccessful)  legal challenge to the RIAA's demand that an ISP reveal "
-"the identity of a user accused of sharing more than 600 songs through a "
-"family computer, see RIAA v. Verizon Internet Services (In re. Verizon "
-"Internet Services), 240 F.  Supp. 2d 24 (D.D.C. 2003). Such a user could "
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+"\"House Bill Aims to Up Stakes on Piracy,\" <citetitle>Los Angeles Times</"
+"citetitle>, 17 July 2003, available at <ulink url=\"http://free-culture.cc/"
+"notes/\">link #34</ulink>. Civil penalties are currently set at $150,000 per "
+"copied song. For a recent (and unsuccessful) legal challenge to the RIAA's "
+"demand that an ISP reveal the identity of a user accused of sharing more "
+"than 600 songs through a family computer, see <citetitle>RIAA</citetitle> v. "
+"<citetitle>Verizon Internet Services (In re. Verizon Internet Services)</"
+"citetitle>, 240 F.  Supp. 2d 24 (D.D.C. 2003). Such a user could face "
+"liability ranging as high as $90 million. Such astronomical figures furnish "
+"the RIAA with a powerful arsenal in its prosecution of file sharers. "

 "Settlements ranging from $12,000 to $17,500 for four students accused of "
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 "Settlements ranging from $12,000 to $17,500 for four students accused of "
 "heavy file sharing on university networks must have seemed a mere pittance "
 "next to the $98 billion the RIAA could seek should the matter proceed to "


@@ -14520,8 +15227,9 @@ msgid ""
 "\">link #35</ulink>. For an example of the RIAA's targeting of student file "
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 "sharer identities, see James Collins, \"RIAA Steps Up Bid to Force BC, MIT "

-"to Name Students,\" Boston Globe, 8 August 2003, D3, available at <ulink url="
-"\"http://free-culture.cc/notes/\">link #36</ulink>."
+"to Name Students,\" <citetitle>Boston Globe</citetitle>, 8 August 2003, D3, "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #36</ulink>.  "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
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 #. type: Content of: <book><chapter><sect1><para>


@@ -14559,8 +15267,9 @@ msgid ""
 "recognizes the truth in both. And while I end this book with a sketch of a "
 "system that does just that, my aim in the next chapter is to show just how "
 "awful it would be for us to adopt the zero-tolerance extreme. I believe "
 "recognizes the truth in both. And while I end this book with a sketch of a "
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-"either extreme would be worse than a reasonable alternative.  But I believe "
-"the zero-tolerance solution would be the worse of the two extremes."
+"<emphasis>either</emphasis> extreme would be worse than a reasonable "
+"alternative.  But I believe the zero-tolerance solution would be the worse "
+"of the two extremes."

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 msgstr ""
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@@ -14664,11 +15373,16 @@ msgid ""
 "everyone's interests.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 "everyone's interests.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 

+#. type: Content of: <book><chapter><sect1><sect2><indexterm><primary>
+msgid "Vivendi Universal"
+msgstr ""
+

 #. type: Content of: <book><chapter><sect1><para>
 #, mtrans, fuzzy
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 "In April 2001, eMusic.com was purchased by Vivendi Universal, one of \"the "

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+"major labels.\" Its position on these matters has now changed.  <placeholder "
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 "i april 2001, ble emusic.com kjøpt av vivendi universal, en av \"den store "
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 msgstr ""
 "i april 2001, ble emusic.com kjøpt av vivendi universal, en av \"den store "
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@@ -14850,14 +15564,18 @@ msgstr ""
 "over Internett. men som loven er nå laget, dette arbeidet er presumptively "
 "ugyldig."
 
 "over Internett. men som loven er nå laget, dette arbeidet er presumptively "
 "ugyldig."
 

-#.  f1.
+#. type: Content of: <book><chapter><sect1><sect2><para><indexterm><primary>
+msgid "Worldcom"
+msgstr "Worldcom"
+

 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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-"See Lynne W. Jeter, Disconnected: Deceit and Betrayal at WorldCom (Hoboken, "
-"N.J.: John Wiley &amp; Sons, 2003), 176, 204; for details of the settlement, "
-"see MCI press release, \"MCI Wins U.S. District Court Approval for SEC "
-"Settlement\" (7 July 2003), available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #37</ulink>."
+"See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at "
+"WorldCom</citetitle> (Hoboken, N.J.: John Wiley &amp; Sons, 2003), 176, 204; "
+"for details of the settlement, see MCI press release, \"MCI Wins U.S. "
+"District Court Approval for SEC Settlement\" (7 July 2003), available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #37</ulink>.  <placeholder "
+"type=\"indexterm\" id=\"0\"/>"

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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para><indexterm><primary>
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para><indexterm><primary>


@@ -14894,17 +15612,27 @@ msgid ""
 "damages for pain and suffering.<placeholder type=\"footnote\" id=\"1\"/> Can "
 "common sense recognize the absurdity in a world where the maximum fine for "
 "downloading two songs off the Internet is more than the fine for a doctor's "
 "damages for pain and suffering.<placeholder type=\"footnote\" id=\"1\"/> Can "
 "common sense recognize the absurdity in a world where the maximum fine for "
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+"negligently butchering a patient? <placeholder type=\"indexterm\" id=\"2\"/>"

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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 #.  f3.
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+#, fuzzy
+#| msgid ""
+#| "See Scott Steinberg, \"Crichton Gets Medieval on PCs,\" E!online, 4 "
+#| "November 2000, available at <ulink url=\"http://free-culture.cc/notes/"
+#| "\">link #8</ulink>; \"Timeline,\" 22 November 2000, available at <ulink "
+#| "url=\"http://free-culture.cc/notes/\">link #9</ulink>."

 msgid ""
 msgid ""

-"See Danit Lidor, \"Artists Just Wanna Be Free,\" Wired, 7 July 2003, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #40</ulink>. "
-"For an overview of the exhibition, see <ulink url=\"http://free-culture.cc/"
-"notes/\">link #41</ulink>."
+"See Danit Lidor, \"Artists Just Wanna Be Free,\" <citetitle>Wired</"
+"citetitle>, 7 July 2003, available at <ulink url=\"http://free-culture.cc/"
+"notes/\">link #40</ulink>. For an overview of the exhibition, see <ulink url="
+"\"http://free-culture.cc/notes/\">link #41</ulink>."

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 msgstr ""

+"Se Scott Steinberg, \"Crichton Gets Medieval on PCs,\" E!online, 4. november "
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@@ -15168,11 +15896,11 @@ msgstr ""
 #, mtrans, fuzzy
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 "Consider one example to make the point, a story whose beginning I told in "
 #, mtrans, fuzzy
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-"The Future of Ideas and which has progressed in a way that even I (pessimist "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
 "(pessimist extraordinaire) ville aldri ha forutsett."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -15199,10 +15927,10 @@ msgid ""
 "recommend music to its users. The idea behind this alternative was to "
 "leverage the revealed preferences of music listeners to recommend new "
 "artists. If you like Lyle Lovett, you're likely to enjoy Bonnie Raitt. And "
 "recommend music to its users. The idea behind this alternative was to "
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 "utnytte åpenbarte innstillingene av musikk lyttere å anbefale nye artister. "
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@@ -15327,12 +16055,13 @@ msgstr "Hummer, John"
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-"See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" Los Angeles Times, "
-"23 April 2003. For a parallel argument about the effects on innovation in "
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-"Not Be Digitized,\" Salon.com, 1 June 2001, available at <ulink url=\"http://"
-"free-culture.cc/notes/\">link #42</ulink>.  See also Jon Healey, \"Online "
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+"See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" <citetitle>Los "
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+"effects on innovation in the distribution of music, see Janelle Brown, \"The "
+"Music Revolution Will Not Be Digitized,\" Salon.com, 1 June 2001, available "
+"at <ulink url=\"http://free-culture.cc/notes/\">link #42</ulink>.  See also "
+"Jon Healey, \"Online Music Services Besieged,\" <citetitle>Los Angeles "
+"Times</citetitle>, 28 May 2001."

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 "in the marketplace, but in the courtroom as well.  Your investment buys you "
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-"that touch content. In an article in Business 2.0, Rafe Needleman describes "
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+"that touch content. In an article in <citetitle>Business 2.0</citetitle>, "
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+#| "Rafe Needleman, \"Driving in Cars with MP3s,\" Business 2.0, 16 June "
+#| "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link #43</"
+#| "ulink>. I am grateful to Dr. Mohammad Al-Ubaydli for this example.  "
+#| "<placeholder type=\"indexterm\" id=\"0\"/>"

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-"Rafe Needleman, \"Driving in Cars with MP3s,\" Business 2.0, 16 June 2003, "
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+"Rafe Needleman, \"Driving in Cars with MP3s,\" <citetitle>Business 2.0</"
+"citetitle>, 16 June 2003, available at <ulink url=\"http://free-culture.cc/"
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-"Jessica Litman, Digital Copyright (Amherst, N.Y.: Prometheus Books, 2001)."
+"Jessica Litman, <citetitle>Digital Copyright</citetitle> (Amherst, N.Y.: "
+"Prometheus Books, 2001)."

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@@ -15611,12 +16347,12 @@ msgstr ""
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-"Litman in her book Digital Copyright,<placeholder type=\"footnote\" id=\"0\"/"
-"> overall this history of copyright is not bad. As chapter 10 details, when "
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+"Litman in her book <citetitle>Digital Copyright</citetitle>,<placeholder "
+"type=\"footnote\" id=\"0\"/> overall this history of copyright is not bad. "
+"As chapter 10 details, when new technologies have come along, Congress has "
+"struck a balance to assure that the new is protected from the old. "
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+"use (as in the case of the VCR) has been another."

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-"The only circuit court exception is found in Recording Industry Association "
-"of America (RIAA) v. Diamond Multimedia Systems, 180 F. 3d 1072 (9th Cir. "
-"1999). There the court of appeals for the Ninth Circuit reasoned that makers "
-"of a portable MP3 player were not liable for contributory copyright "
-"infringement for a device that is unable to record or redistribute music (a "
-"device whose only copying function is to render portable a music file "
-"already stored on a user's hard drive).  At the district court level, the "
-"only exception is found in Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, "
-"Ltd., 259 F. Supp. 2d 1029 (C.D.  Cal., 2003), where the court found the "
-"link between the distributor and any given user's conduct too attenuated to "
-"make the distributor liable for contributory or vicarious infringement "
+"The only circuit court exception is found in <citetitle>Recording Industry "
+"Association of America (RIAA)</citetitle> v. <citetitle>Diamond Multimedia "
+"Systems</citetitle>, 180 F. 3d 1072 (9th Cir. 1999). There the court of "
+"appeals for the Ninth Circuit reasoned that makers of a portable MP3 player "
+"were not liable for contributory copyright infringement for a device that is "
+"unable to record or redistribute music (a device whose only copying function "
+"is to render portable a music file already stored on a user's hard drive).  "
+"At the district court level, the only exception is found in <citetitle>Metro-"
+"Goldwyn-Mayer Studios, Inc</citetitle>. v. <citetitle>Grokster, Ltd</"
+"citetitle>., 259 F. Supp. 2d 1029 (C.D.  Cal., 2003), where the court found "
+"the link between the distributor and any given user's conduct too attenuated "
+"to make the distributor liable for contributory or vicarious infringement "

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 "gjennomføre for attenuated å gjøre distributøren ansvarlig for krenkelse av "
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@@ -15679,7 +16415,7 @@ msgid ""
 "copyright protection technology in all digital media devices. See GartnerG2, "
 "\"Copyright and Digital Media in a Post-Napster World,\" 27 June 2003, "
 "33&ndash;34, available at <ulink url=\"http://free-culture.cc/notes/\">link "
 "copyright protection technology in all digital media devices. See GartnerG2, "
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 "for Internet radio than the rule that applies to terrestrial radio. While "
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-"Internet radio does. Not only is the law not neutral toward Internet "
-"radio&mdash;the law actually burdens Internet radio more than it burdens "
-"terrestrial radio."
+"<emphasis>Internet radio does</emphasis>. Not only is the law not neutral "
+"toward Internet radio&mdash;the law actually burdens Internet radio more "
+"than it burdens terrestrial radio."

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 "Recordings, Docket No. 2000-9, CARP DTRA 1 and 2, available at <ulink url="
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-"Policy: The Case of Digital Distribution,\" Antitrust Bulletin (Summer/Fall "
-"2002): 461: \"This was not confusion, these are just old-fashioned entry "
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-"reducing entry in radio and diversity. Yes, this is done in the name of "
-"getting royalties to copyright holders, but, absent the play of powerful "
-"interests, that could have been done in a media-neutral way.\" <placeholder "
-"type=\"indexterm\" id=\"0\"/>"
+"Policy: The Case of Digital Distribution,\" <citetitle>Antitrust Bulletin</"
+"citetitle> (Summer/Fall 2002): 461: \"This was not confusion, these are just "
+"old-fashioned entry barriers. Analog radio stations are protected from "
+"digital entrants, reducing entry in radio and diversity. Yes, this is done "
+"in the name of getting royalties to copyright holders, but, absent the play "
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 "pending further study. And he also changed the original rates set by the "
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-"According to the RIAA, the behavior of those 43 million Americans is a "
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+"of America into criminals. As the RIAA launches lawsuits against not only "
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+"engines, and increasingly against ordinary users downloading content, the "
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-"Alex Pham, \"The Labels Strike Back: N.Y. Girl Settles RIAA Case,\" Los "
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+"<citetitle>Orlando Sentinel Tribune</citetitle>, 30 August 2003, C1; "
+"Jefferson Graham, \"Recording Industry Sues Parents,\" <citetitle>USA Today</"
+"citetitle>, 15 September 2003, 4D; John Schwartz, \"She Says She's No Music "
+"Pirate. No Snoop Fan, Either,\" <citetitle>New York Times</citetitle>, 25 "
+"September 2003, C1; Margo Varadi, \"Is Brianna a Criminal?\" "
+"<citetitle>Toronto Star</citetitle>, 18 September 2003, P7."

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-"See Jeff Adler, \"Cambridge: On Campus, Pirates Are Not Penitent,\" Boston "
-"Globe, 18 May 2003, City Weekly, 1; Frank Ahrens, \"Four Students Sued over "
-"Music Sites; Industry Group Targets File Sharing at Colleges,\" Washington "
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+"<citetitle>Boston Globe</citetitle>, 18 May 2003, City Weekly, 1; Frank "
+"Ahrens, \"Four Students Sued over Music Sites; Industry Group Targets File "
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+"E1; Elizabeth Armstrong, \"Students `Rip, Mix, Burn' at Their Own Risk,\" "
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+"Robert Becker and Angela Rozas, \"Music Pirate Hunt Turns to Loyola; Two "
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+"Tribune</citetitle>, 16 July 2003, 1C; Beth Cox, \"RIAA Trains Antipiracy "
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+"conservative Supreme Court, which believed in states' rights, using its "
+"power over Congress to advance its own personal political preferences. But I "
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 "interpretation of the Constitution. The idea that the Supreme Court decides "
 "cases based upon its politics struck me as extraordinarily boring.  I was "
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+"years. Because of interim changes, Frost and Disney had already enjoyed a "
+"seventy-five-year monopoly for their work. They had gotten the benefit of "
+"the bargain that the Constitution envisions: In exchange for a monopoly "
+"protected for fifty-six years, they created new work. But now these entities "
+"were using their power&mdash;expressed through the power of lobbyists' "
+"money&mdash;to get another twenty-year dollop of monopoly. That twenty-year "
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-"Brief of the Nashville Songwriters Association, Eldred v. Ashcroft, 537 U."
-"S.  186 (2003) (No. 01-618), n.10, available at <ulink url=\"http://free-"
-"culture.cc/notes/\">link #51</ulink>."
+"Brief of the Nashville Songwriters Association, <citetitle>Eldred</"
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-#.  PAGE BREAK 240
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 "copyright der det gjør ingenting bortsett fra blokkerer tilgang og spredning "
 "av kunnskap. La det for så lenge Kongressen tillater for disse arbeider der "
 "er verdt minst $1. men for alt annet, kan du la til innhold gå."


@@ -19927,7 +20737,7 @@ msgid ""
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 "books published in the United Kingdom must be deposited in the British "
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+"Commission on Intellectual Property Rights, \"Final Report: Integrating "
+"Intellectual Property Rights and Development Policy\" (London, 2002), "
+"tilgjengelig fra <ulink url=\"http://free-culture.cc/notes/\">link #55</"
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@@ -20667,10 +21493,16 @@ msgid "Braithwaite, John"
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+#| "See Peter Drahos with John Braithwaite, Information Feudalism: Who Owns "
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-"International Intellectual Property Institute (IIPI), Patent Protection and "
-"Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a Report Prepared "
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-"14, available at <ulink url=\"http://free-culture.cc/notes/\">link #56</"
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+"Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a "
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+#| "International Intellectual Property Institute (IIPI), Patent Protection "
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 #. type: Content of: <book><chapter><para><footnote><para>
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 "See Sabin Russell, \"New Crusade to Lower AIDS Drug Costs: Africa's Needs at "
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-"Synopsis,\" Widener Law Symposium Journal (Spring 2001): 175."
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+"cc/notes/\">link #57</ulink> (\"compulsory licenses and gray markets pose a "
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+"Weissman, \"AIDS and Developing Countries: Democratizing Access to Essential "
+"Medicines,\" <citetitle>Foreign Policy in Focus</citetitle> 4:23 (August "
+"1999), available at <ulink url=\"http://free-culture.cc/notes/\">link #58</"
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+#| "principal opposition is to \"free software\" licensed under a \"copyleft"
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+#| "Open Source Software (Washington, D.C.: AEI-Brookings Joint Center for "
+#| "Regulatory Studies, American Enterprise Institute for Public Policy "
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-"at <ulink url=\"http://free-culture.cc/notes/\">link #67</ulink>."
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+"Defendants,\" Washington Post, 10. september 2003, E1; Katie Dean, "
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-#, mtrans, fuzzy

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 msgid "US, NOW"

-msgstr "oss nå"
+msgstr "Oss, nå"

 
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-#, mtrans, fuzzy

 msgid "Rebuilding Freedoms Previously Presumed: Examples"
 msgid "Rebuilding Freedoms Previously Presumed: Examples"

-msgstr "å gjenoppbygge friheter tidligere antatt: eksempler"
+msgstr "Gjenoppbygging av friheter som tidligere var antatt: Eksempler"

 
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 msgid "Rebuilding Free Culture: One Idea"
 msgid "Rebuilding Free Culture: One Idea"

-msgstr "å gjenoppbygge fri kultur: en idé"
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-#.  PAGE BREAK 289
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 msgid "1. More Formalities"

-msgstr "1. mer formaliteter"
+msgstr "1. Flere formaliteter"

 
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-#, mtrans, fuzzy

 msgid "REGISTRATION AND RENEWAL"
 msgid "REGISTRATION AND RENEWAL"

-msgstr "registrering og fornyelse"
+msgstr "Registrering og fornying"

 
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-#, mtrans, fuzzy

 msgid "MARKING"
 msgid "MARKING"

-msgstr "merking"
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-#, mtrans, fuzzy

 msgid "2. Shorter Terms"
 msgid "2. Shorter Terms"

-msgstr "2. kortere vilkår"
+msgstr "2. Kortere vernetid"

 
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+#| "\"A Radical Rethink,\" Economist, 366:8308 (25 January 2003): 15, "
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 "available at <ulink url=\"http://free-culture.cc/notes/\">link #79</ulink>. "
 "For other proposals, see Lawrence Lessig, \"Who's Holding Back Broadband?\" "

-"Washington Post, 8 January 2002, A17; Philip S. Corwin on behalf of Sharman "
-"Networks, A Letter to Senator Joseph R. Biden, Jr., Chairman of the Senate "
-"Foreign Relations Committee, 26 February 2002, available at <ulink url="
-"\"http://free-culture.cc/notes/\">link #80</ulink>; Serguei Osokine, A Quick "
-"Case for Intellectual Property Use Fee (IPUF), 3 March 2002, available at "
-"<ulink url=\"http://free-culture.cc/notes/\">link #81</ulink>; Jefferson "
-"Graham, \"Kazaa, Verizon Propose to Pay Artists Directly,\" USA Today, 13 "
-"May 2002, available at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#82</ulink>; Steven M. Cherry, \"Getting Copyright Right,\" IEEE Spectrum "
-"Online, 1 July 2002, available at <ulink url=\"http://free-culture.cc/notes/"
-"\">link #83</ulink>; Declan McCullagh, \"Verizon's Copyright Campaign,\" "
-"CNET News.com, 27 August 2002, available at <ulink url=\"http://free-culture."
-"cc/notes/\">link #84</ulink>.  Fisher's proposal is very similar to Richard "
+"<citetitle>Washington Post</citetitle>, 8 January 2002, A17; Philip S. "
+"Corwin on behalf of Sharman Networks, A Letter to Senator Joseph R. Biden, "
+"Jr., Chairman of the Senate Foreign Relations Committee, 26 February 2002, "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #80</ulink>; "
+"Serguei Osokine, <citetitle>A Quick Case for Intellectual Property Use Fee "
+"(IPUF)</citetitle>, 3 March 2002, available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #81</ulink>; Jefferson Graham, \"Kazaa, Verizon "
+"Propose to Pay Artists Directly,\" <citetitle>USA Today</citetitle>, 13 May "
+"2002, available at <ulink url=\"http://free-culture.cc/notes/\">link #82</"
+"ulink>; Steven M. Cherry, \"Getting Copyright Right,\" IEEE Spectrum Online, "
+"1 July 2002, available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#83</ulink>; Declan McCullagh, \"Verizon's Copyright Campaign,\" CNET News."
+"com, 27 August 2002, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #84</ulink>.  Fisher's proposal is very similar to Richard "

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 "pay artists directly proportionally, though more popular artists would get "
 "more than the less popular. As is typical with Stallman, his proposal "
 "Stallman's proposal for DAT. Unlike Fisher's, Stallman's proposal would not "
 "pay artists directly proportionally, though more popular artists would get "
 "more than the less popular. As is typical with Stallman, his proposal "


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+#| "Lawrence Lessig, \"Copyright's First Amendment\" (Melville B. Nimmer "
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+#| "A good example is the work of Professor Stan Liebowitz. Liebowitz is to "
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+#| "initially predicted that downloading would substantially harm the "
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@@ -24331,8 +25406,8 @@ msgstr ""
 "teknologi&mdash;filmen, musikken, web-siden, bloggen. Eller tenk på de "
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-"Dette er hva et hvert regime som krever tillatelser fører til. Dette er "
+"kreative tingene, og tenk deretter på kald sirup helt inn i maskinene. Dette "
+"er hva et hvert regime som krever tillatelser fører til. Dette er "

 "virkeligheten slik den var i Brezhnevs Russland."
 
 #.  PAGE BREAK 311
 "virkeligheten slik den var i Brezhnevs Russland."
 
 #.  PAGE BREAK 311


@@ -24381,7 +25456,7 @@ msgstr ""
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@@ -24438,7 +25513,7 @@ msgid ""
 "Tadashi Shiraishi and Kiyokazu Yamagami for their generous help while I was "
 "there."
 msgstr ""
 "Tadashi Shiraishi and Kiyokazu Yamagami for their generous help while I was "
 "there."
 msgstr ""

-"Yuko Noguchi hjalp meg å forstå lovene i japan, så vel som japans kultur. "
+"Yuko Noguchi hjalp meg å forstå lovene i Japan, så vel som Japans kultur. "

 "Jeg er henne takknemlig, og til de mange i Japan som hjalp meg med "
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@@ -24510,3 +25585,11 @@ msgstr ""
 "på at det ville være endeløs lykke utenfor disse kampene, og som alltid har "
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 "evigvarende tålmodighet og kjærlighet."

+
+#, fuzzy
+#~ msgid ""
+#~ "For illustrative cases, see, for example, Pavesich v. N.E. Life Ins. Co., "
+#~ "50 S.E."
+#~ msgstr ""
+#~ "for illustrerende tilfeller, se, for eksempel pavesich v. ne livet ins. "
+#~ "co, 50 se"