-#, fuzzy
-#| msgid ""
-#| "In most countries, artists, authors, and musicians join a collecting "
-#| "society that manages the licensing and helps collect the royalties. "
-#| "Copyright collecting societies in the European Union usually hold "
-#| "monopolies in their respective national markets. In addition, they "
-#| "require their members to transfer exclusive administration rights to them "
-#| "of all of their works. This complicates the picture for Tribe of Noise, "
-#| "who wants to represent artists, or at least a portion of their "
-#| "repertoire. Hessel and his legal team reached out to collecting "
-#| "societies, starting with those in the Netherlands. What would be the best "
-#| "legal way forward that would respect the wishes of composers and "
-#| "musicians who’d be interested in trying out new models like the In-store "
-#| "Music Service? Collecting societies at first were hesitant and said no, "
-#| "but Tribe of Noise persisted arguing that they primarily work with "
-#| "unknown artists and provide them exposure in parts of the world where "
-#| "they don’t get airtime normally and a source of revenue—and this "
-#| "convinced them that it was OK. However, Hessel says, “We are still "
-#| "fighting for a good cause every single day.”"