Translated using Weblate (Spanish)

Currently translated at 26.7% (332 of 1239 strings)

Translation: Made With Creative Commons/Translation
Translate-URL: https://hosted.weblate.org/projects/madewithcc/translation/es/

diff --git a/po/es/mwcc.po b/po/es/mwcc.po
index 75c7c77800984056b4f1eb6bebfe739b49656131..2b7caca9bc95c5bd2a31fb0b316df74b742224cb 100644 (file)
--- a/po/es/mwcc.po
+++ b/po/es/mwcc.po
@@ -7,7 +7,7 @@ msgid ""
 msgstr ""
 "Project-Id-Version: Made with Creative Commons\n"
 "POT-Creation-Date: 2017-06-19 14:24-0500\n"
 msgstr ""
 "Project-Id-Version: Made with Creative Commons\n"
 "POT-Creation-Date: 2017-06-19 14:24-0500\n"

-"PO-Revision-Date: 2017-07-15 04:21+0000\n"
+"PO-Revision-Date: 2017-07-19 05:41+0000\n"

 "Last-Translator: Leo Arias <yo@elopio.net>\n"
 "Language-Team: Spanish "
 "<https://hosted.weblate.org/projects/madewithcc/translation/es/>\n"
 "Last-Translator: Leo Arias <yo@elopio.net>\n"
 "Language-Team: Spanish "
 "<https://hosted.weblate.org/projects/madewithcc/translation/es/>\n"


@@ -1550,7 +1550,7 @@ msgstr ""
 #. type: Plain text
 #: MadewithCreativeCommonsmostup-to-dateversion.md:1374
 msgid "<span id=\"anchor-32\"></span>Problem Zero: Getting Discovered"
 #. type: Plain text
 #: MadewithCreativeCommonsmostup-to-dateversion.md:1374
 msgid "<span id=\"anchor-32\"></span>Problem Zero: Getting Discovered"

-msgstr ""
+msgstr "<span id=\"anchor-32\"></span>Problema Cero: ser descubierto"

 
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@@ -1558,6 +1558,21 @@ msgid ""
 "Once you create or collect your content, the next step is finding users, customers, fans—in other words, your people. As Amanda Palmer wrote, “It has to start with the art. The songs had to touch people initially, and mean something, for anything to work at all.”6 There isn’t any magic to finding your people, and there is certainly no formula. Your work has to connect with people and offer them some artistic and/or utilitarian value. In some ways, this is easier than ever. Online we are not limited by shelf space, so there is room for every obscure interest, taste, and need imaginable. This is what Chris Anderson dubbed the Long Tail, where consumption becomes less about mainstream mass “hits” and more about micromarkets for every "
 "particular niche. As Anderson wrote, “We are all different, with different wants and needs, and the Internet now has a place for all of them in the way that physical markets did not.”7 We are no longer limited to what appeals to the masses."
 msgstr ""
 "Once you create or collect your content, the next step is finding users, customers, fans—in other words, your people. As Amanda Palmer wrote, “It has to start with the art. The songs had to touch people initially, and mean something, for anything to work at all.”6 There isn’t any magic to finding your people, and there is certainly no formula. Your work has to connect with people and offer them some artistic and/or utilitarian value. In some ways, this is easier than ever. Online we are not limited by shelf space, so there is room for every obscure interest, taste, and need imaginable. This is what Chris Anderson dubbed the Long Tail, where consumption becomes less about mainstream mass “hits” and more about micromarkets for every "
 "particular niche. As Anderson wrote, “We are all different, with different wants and needs, and the Internet now has a place for all of them in the way that physical markets did not.”7 We are no longer limited to what appeals to the masses."
 msgstr ""

+"Una vez que se crea o colecciona el contenido, el siguiente paso es "
+"encontrar usuarios, clientes y fanáticos—en otras palabras, su gente. Como "
+"Amanda Palmer escribió, «Tiene que empezar con el arte. Las canciones "
+"tuvieron que tocar a la gente al inicio, y significar algo, para que "
+"cualquier cosa funcione.»6 No hay ninguna magia para encontrar su gente, y "
+"ciertamente no hay ninguna fórmula. El trabajo tiene que conectar con las "
+"personas y ofrecerles algún valor artístico y/o utilitario. De cierta forma, "
+"esto nunca antes ha sido tan fácil. En línea no estamos limitados por el "
+"espacio en los estantes, así que hay espacio para cualquier oscuro interés, "
+"gusto y necesidad imaginables. Esto es lo que Chris Anderson llamo la Larga "
+"Cola, donde el consumo se vuelve menos acerca de éxitos masivos populares, y "
+"más acerca de micromercados para cada nicho particular. Como escrribió "
+"Anderson, «Todos somos diferentes, con diferentes gustos y necesidades, y la "
+"Internet ahora tiene un lugar para todos estos en una forma que el mercado "
+"físico no tuvo.»7 Ya no estamos limitados a lo que apela a las masas."

 
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@@ -1565,6 +1580,18 @@ msgid ""
 "While finding “your people” online is theoretically easier than in the analog world, as a practical matter it can still be difficult to actually get noticed. The Internet is a firehose of content, one that only grows larger by the minute. As a content creator, not only are you competing for attention against more content creators than ever before, you are competing against creativity generated outside the market as well.8 Anderson wrote, “The greatest change of the past decade has been the shift in time people spend consuming amateur content instead of professional content.”9 To top it all off, you have to compete against the rest of their lives, too—“friends, family, music playlists, soccer games, and nights on the town.”10 "
 "Somehow, some way, you have to get noticed by the right people."
 msgstr ""
 "While finding “your people” online is theoretically easier than in the analog world, as a practical matter it can still be difficult to actually get noticed. The Internet is a firehose of content, one that only grows larger by the minute. As a content creator, not only are you competing for attention against more content creators than ever before, you are competing against creativity generated outside the market as well.8 Anderson wrote, “The greatest change of the past decade has been the shift in time people spend consuming amateur content instead of professional content.”9 To top it all off, you have to compete against the rest of their lives, too—“friends, family, music playlists, soccer games, and nights on the town.”10 "
 "Somehow, some way, you have to get noticed by the right people."
 msgstr ""

+"Aunque encontrar a «su gente» en línea es en teoría más sencillo que en el "
+"mundo analógico, como un asunto práctico puede aún ser difícil ser realmente "
+"notado. La internet es una manguera de contenidos, una que crece cada "
+"minuto. Como una persona creadora de contenidos, no solo se compite por "
+"atención contra más creadoras de contenidos que nunca antes, también se "
+"compite contra la creatividad generada fuera del mercado.8 Anderson "
+"escribió, «El cambio más grande en la década pasada ha sido el cambio en el "
+"tiempo que las personas pasan consumiendo contenidos aficionados en lugar de "
+"contenidos profesionales.»9 Para colmo, se debe competir contra el resto de "
+"sus vidas también—«amistades, familia, listas de reproducción de música, "
+"juegos de fútbol y noches en la ciudad.»10 De algún modo, de alguna forma, "
+"tiene que llamar la atención de las personas correctas."

 
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@@ -1572,16 +1599,41 @@ msgid ""
 "When you come to the Internet armed with an all-rights-reserved mentality from the start, you are often restricting access to your work before there is even any demand for it. In many cases, requiring payment for your work is part of the traditional copyright system. Even a tiny cost has a big effect on demand. It’s called the penny gap—the large difference in demand between something that is available at the price of one cent versus the price of zero.11 That doesn’t mean it is wrong to charge money for your content. It simply means you need to recognize the effect that doing so will have on demand. The same principle applies to restricting access to copy the work. If your problem is how to get discovered and find “your people,” "
 "prohibiting people from copying your work and sharing it with others is counterproductive."
 msgstr ""
 "When you come to the Internet armed with an all-rights-reserved mentality from the start, you are often restricting access to your work before there is even any demand for it. In many cases, requiring payment for your work is part of the traditional copyright system. Even a tiny cost has a big effect on demand. It’s called the penny gap—the large difference in demand between something that is available at the price of one cent versus the price of zero.11 That doesn’t mean it is wrong to charge money for your content. It simply means you need to recognize the effect that doing so will have on demand. The same principle applies to restricting access to copy the work. If your problem is how to get discovered and find “your people,” "
 "prohibiting people from copying your work and sharing it with others is counterproductive."
 msgstr ""

+"Al entrar a la Internet armaos con una mentalidad de todos los derechos "
+"reservados desde el inicio, con frecuencia está restringiendo el acceso a su "
+"trabajo incluso antes de que haya una demanda por él. En muchos casos, "
+"requerir pago por su trabajo es parte de la tradición del sistema "
+"tradicional de derechos de autor. Incluso un costo diminuto tiene un gran "
+"efecto en la demanda. A esto se le llama la brecha del penique—la gran "
+"diferencia en la demanda entre algo que está disponible por un precio de un "
+"centavo comparado con un precio de cero.11 Esto no significa que está "
+"equivocado cobrar dinero por su contenido. Simplemente significa que debe "
+"reconocer el efecto sobre la demanda que tiene el hacerlo. El mismo "
+"principio aplica a restringir al acceso a copiar el trabajo. Si su problema "
+"es cómo ser descubierto y encontrar a «su gente,» prohibirle a las personas "
+"que copien su trabajo y que lo compartan con otros es contraproducente."

 
 #. type: Plain text
 #: MadewithCreativeCommonsmostup-to-dateversion.md:1419
 msgid "Of course, it’s not that being discovered by people who like your work will make you rich—far from it. But as Cory Doctorow says, “Recognition is one of many necessary preconditions for artistic success.”12"
 msgstr ""
 
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 msgid "Of course, it’s not that being discovered by people who like your work will make you rich—far from it. But as Cory Doctorow says, “Recognition is one of many necessary preconditions for artistic success.”12"
 msgstr ""

+"Por supuesto, no es que ser descubierto por personas a las que les gusta su "
+"trabajo le hará rico—lejos de eso. Pero como Cory Doctorow dice, «El "
+"reconocimiento es una de las muchas precondiciones necesarias para el éxito "
+"artístico.»12"

 
 #. type: Plain text
 #: MadewithCreativeCommonsmostup-to-dateversion.md:1428
 msgid "Choosing not to spend time and energy restricting access to your work and policing infringement also builds goodwill. Lumen Learning, a for-profit company that publishes online educational materials, made an early decision not to prevent students from accessing their content, even in the form of a tiny paywall, because it would negatively impact student success in a way that would undermine the social mission behind what they do. They believe this decision has generated an immense amount of goodwill within the community."
 msgstr ""
 
 #. type: Plain text
 #: MadewithCreativeCommonsmostup-to-dateversion.md:1428
 msgid "Choosing not to spend time and energy restricting access to your work and policing infringement also builds goodwill. Lumen Learning, a for-profit company that publishes online educational materials, made an early decision not to prevent students from accessing their content, even in the form of a tiny paywall, because it would negatively impact student success in a way that would undermine the social mission behind what they do. They believe this decision has generated an immense amount of goodwill within the community."
 msgstr ""

+"Escoger no gastar tiempo y energía en restringir el acceso a su trabajo y "
+"vigilar violaciones también construye buena voluntad. Lumen Learning, una "
+"compañía con fines de lucro que publica materiales educativos en línea, hizo "
+"una decisión temprana de no prevenir que estudiantes accesaran su contenido, "
+"incluso en la forma de una diminuta página de pagos, porque esto impactaría "
+"negativamente el éxito de los estudiantes en una forma que socavaría la "
+"misión detrás de lo que ellos hacen. Ellos creen que esta decisión ha "
+"generado una inmensa cantidad de buena voluntad dentro de la comunidad."

 
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