Translated using Weblate (German)

[text-madewithcc.git] / MadewithCreativeCommonsmostup-to-dateversion.md

diff --git a/MadewithCreativeCommonsmostup-to-dateversion.md b/MadewithCreativeCommonsmostup-to-dateversion.md
index cebd8ba1b111887cf60fff2e11a18837c7a958b7..afd9af5452ee1f624f305ff1bb0fd3100c097c09 100644 (file)
--- a/MadewithCreativeCommonsmostup-to-dateversion.md
+++ b/MadewithCreativeCommonsmostup-to-dateversion.md
@@ -67,7 +67,7 @@ a chance to in our daily lives."
 
 
 
-> — *David Foster Wallace*
+- David Foster Wallace
 
 # Foreword
 
@@ -2508,7 +2508,6 @@ Note
 For more about the licenses including examples and tips on sharing your
 work in the digital commons, start with the Creative Commons page called
 "Share Your Work" at
-
 [](http://creativecommons.org/share-your-work/).
 
 
@@ -4001,7 +4000,6 @@ future."
 Lillian sees Figure.NZ's model as having global potential. But for now,
 their focus is completely on making Figure.NZ work in New Zealand and to
 get the "network effect"---
-
 users dramatically increasing value for themselves and for others
 through use of their service. Creative Commons is core to making the
 network effect possible.
@@ -4614,7 +4612,6 @@ entire process really does resemble good journalism, but of course the
 final product of his work is a song rather than news. "There is
 something about being challenged and forced to take information that
 doesn't seem like it should be sung about
-
 or doesn't seem like it lends itself to a song," he said. "I find that
 creative challenge really satisfying. I enjoy getting lost in that
 process."