msgid ""
msgstr ""
"Project-Id-Version: Made with Creative Commons\n"
-"POT-Creation-Date: 2017-10-24 12:24-0500\n"
-"PO-Revision-Date: 2018-01-19 16:34+0000\n"
-"Last-Translator: Ingrid Yrvin <ingrid.yrvin@gmail.com>\n"
-"Language-Team: Norwegian Bokmål "
-"<https://hosted.weblate.org/projects/madewithcc/translation/nb/>\n"
+"POT-Creation-Date: 2018-02-22 21:29+0000\n"
+"PO-Revision-Date: 2018-02-22 21:31+0000\n"
+"Last-Translator: Petter Reinholdtsen <pere-weblate@hungry.com>\n"
+"Language-Team: Norwegian Bokmål <https://hosted.weblate.org/projects/"
+"madewithcc/translation/nb/>\n"
"Language: nb\n"
"MIME-Version: 1.0\n"
"Content-Type: text/plain; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"
"Plural-Forms: nplurals=2; plural=n != 1;\n"
-"X-Generator: Weblate 2.19-dev\n"
+"X-Generator: Weblate 2.20-dev\n"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2
+#. type: Attribute 'lang' of: <book>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3
+msgid "en"
+msgstr "nb"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:42
+msgid ""
+"This book is published under a CC BY-SA license, which means that you can "
+"copy, redistribute, remix, transform, and build upon the content for any "
+"purpose, even commercially, as long as you give appropriate credit, provide "
+"a link to the license, and indicate if changes were made. If you remix, "
+"transform, or build upon the material, you must distribute your "
+"contributions under the same license as the original. License details: "
+"<ulink url=\"http://creativecommons.org/licenses/by-sa/4.0/\"/>"
+msgstr ""
+"Denne boken er utgitt under en CC BY-SA lisens, noe som betyr at du kan "
+"kopiere, distribuere videre, remikse, transformere og bygge videre for ulike "
+"formål, også kommersielt, så lenge du gir riktig kreditering, gir en link "
+"til lisensen og angir om endringer er gjort. Hvis du remikser, transformerer "
+"eller bygger på materialet, må du distribuere dine bidrag under samme lisens "
+"som den opprinnelige. Lisensdetaljer: <ulink url=\"http://creativecommons."
+"org/licenses/by-sa/4.0/\"/>"
+
+#. type: Content of: <book><bookinfo><publisher><address>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:24
+#, no-wrap
+msgid ""
+" <city>Mexico City</city>\n"
+" "
+msgstr ""
+" <city>Oslo</city>\n"
+" "
+
+#. type: Content of: <book><bookinfo>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:17
+msgid ""
+"<copyright> <year>2017</year> <holder>Creative Commons</holder> </copyright> "
+"<publisher> <publishername>Gunnar Wolf</publishername> <placeholder type="
+"\"address\" id=\"0\"/> </publisher>"
+msgstr ""
+"<copyright><year>2017</year> <holder>Creative Commons</holder></copyright> "
+"<publisher> <publishername>Petter Reinholdtsen</publishername> <placeholder "
+"type=\"address\" id=\"0\"/> </publisher>"
+
+#. type: Content of: <book><bookinfo><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:27
msgid "Made with Creative Commons"
msgstr "Laget med Creative Commons"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4
-msgid "Paul Stacey and Sarah Hinchliff Pearson"
-msgstr "Paul Stacey og Sarah Hinchliff Pearson"
+#. type: Content of: <book><bookinfo><authorgroup><author><firstname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:30
+msgid "Paul"
+msgstr "Paul"
+
+#. type: Content of: <book><bookinfo><authorgroup><author><surname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:31
+msgid "Stacey"
+msgstr "Stacey"
+
+#. type: Content of: <book><bookinfo><authorgroup><author><firstname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:34
+msgid "Sarah Hinchliff"
+msgstr "Sarah Hinchliff"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6
+#. type: Content of: <book><bookinfo><authorgroup><author><surname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:35
+msgid "Pearson"
+msgstr "Pearson"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:39
msgid "Made With Creative Commons"
msgstr "Laget med Creative Commons"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:8
-msgid "by Paul Stacey & Sarah Hinchliff Pearson"
-msgstr "av Paul Stacey & Sarah Hinchliff Pearson"
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:39
+msgid "by Paul Stacey & Sarah Hinchliff Pearson"
+msgstr "av Paul Stacey & Sarah Hinchliff Pearson"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:10
-msgid "© 2017, by Creative Commons."
-msgstr "© 2017, av Creative Commons."
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:39
+msgid "© 2017 by the Creative Commons Foundation."
+msgstr "© 2017 av Creative Commons-stiftelsen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:13
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:39
msgid ""
"Published under a Creative Commons Attribution-ShareAlike license (CC BY-"
"SA), version 4.0."
"Publisert med lisensen Creative Commons Attribution-ShareAlike (CC BY-SA), "
"versjon 4.0."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:15
-msgid "ISBN 978-87-998733-3-3"
-msgstr "Vanlig tekst"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:17
-msgid "Cover and interior design by Klaus Nielsen, vinterstille.dk"
-msgstr "Omslag og boksideutforming av Klaus Nielsen, vinterstille.dk"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:19
-msgid "Content editing by Grace Yaginuma"
-msgstr "Innhold redigert av Grace Yaginuma"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:21
-msgid "Illustrations by Bryan Mathers, bryanmathers.com"
-msgstr "Illustrasjoner av Bryan Mathers, bryanmathers.com"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:23
-msgid "Downloadable e-book available at madewith.cc"
-msgstr "Nedlastbar e-bok er tilgjengelig fra madewith.cc"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:25
-msgid "Publisher:"
-msgstr "Forlegger:"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:27
-msgid "Ctrl+Alt+Delete Books"
-msgstr "Ctrl+Alt+Delete Bøker"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:29
-msgid "Husumgade 10, 5."
-msgstr "Husumgade 10, 5."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:31
-msgid "2200 Copenhagen N"
-msgstr "2200 København N"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:33
-msgid "Denmark"
-msgstr "Danmark"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:35
-msgid "www.cadb.dk"
-msgstr "www.cadb.dk"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:37
-msgid "hey@cadb.dk"
-msgstr "hey@cadb.dk"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:39
-msgid "Printer:"
-msgstr "Trykkeri:"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:41
-msgid "Drukarnia POZKAL Spółka z o.o. Spółka komandytowa"
-msgstr "Drukarnia POZKAL Spółka z o.o. Spółka komandytowa"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:43
-msgid "88-100 Inowrocław,"
-msgstr "88-100 Inowrocław,"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:45
-msgid "ul. Cegielna 10/12,"
-msgstr "ul. Cegielna 10/12,"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:47
-msgid "Poland"
-msgstr "Polen"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:55
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:40
msgid ""
-"This book is published under a CC BY-SA license, which means that you can "
-"copy, redistribute, remix, transform, and build upon the content for any "
-"purpose, even commercially, as long as you give appropriate credit, provide "
-"a link to the license, and indicate if changes were made. If you remix, "
-"transform, or build upon the material, you must distribute your "
-"contributions under the same license as the original. License details: "
-"creativecommons.org/licenses/by-sa/4.0/"
+"ISBN: YET-TO-BE-DECIDED (PDF), YET-TO-BE-DECIDED (ePub), YET-TO-BE-DECIDED "
+"(Paperback)"
msgstr ""
-"Denne boken er utgitt under en CC BY-SA lisens, noe som betyr at du kan "
-"kopiere, distribuere videre, remikse, transformere og bygge videre for ulike "
-"formål, også kommersielt, så lenge du gir riktig kreditering, gir en link "
-"til lisensen og angir om endringer er gjort. Hvis du remikser, transformerer "
-"eller bygger på materialet, må du distribuere dine bidrag under samme lisens "
-"som den opprinnelige. Lisensdetaljer: creativecommons.org/licenses/by-sa/4.0/"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:59
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:41
+msgid ""
+"Illustrations by Bryan Mathers, <ulink url=\"https://bryanmathers.com/\"/>"
+msgstr ""
+"Illustrasjoner av Bryan Mathers, <ulink url=\"https://bryanmathers.com/\"/>"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:41
+msgid "Publisher: Gunnar Wolf."
+msgstr "Forlegger: Gunnar Wolf."
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:41
+msgid " "
+msgstr ""
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:41
+msgid "Downloadable e-book available at <ulink url=\"https://madewith.cc/\"/>"
+msgstr ""
+"Nedlastbar e-bok er tilgjengelig fra <ulink url=\"https://madewith.cc/\"/>"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:48
msgid ""
"Made With Creative Commons is published with the kind support of Creative "
"Commons and backers of our crowdfunding-campaign on the Kickstarter.com "
"platform."
msgstr ""
"Laget med Creative Commons er offentliggjort med godhjertet støtte fra "
-"Creative Commons og bidragsytere fra vår kronerullingskampanje på Kickstarter"
-".com-plattformen."
+"Creative Commons og bidragsytere fra vår kronerullingskampanje på "
+"Kickstarter.com-plattformen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:66
+#. type: Content of: <book><dedication><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:83
msgid ""
-"“I don’t know a whole lot about nonfiction journalism. . . The way that I "
-"think about these things, and in terms of what I can do is. . . essays like "
+"“I don’t know a whole lot about nonfiction journalism. . . The way that I "
+"think about these things, and in terms of what I can do is. . . essays like "
"this are occasions to watch somebody reasonably bright but also reasonably "
"average pay far closer attention and think at far more length about all "
"sorts of different stuff than most of us have a chance to in our daily "
"følger nærmere og tenker mer i dybden om mange forskjellige ting enn de "
"fleste av oss har en sjanse til i våre daglige liv.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:70
-msgid "- David Foster Wallace"
-msgstr "- David Foster Wallace"
+#. type: Content of: <book><dedication><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:91
+msgid "— <emphasis>David Foster Wallace</emphasis>"
+msgstr "— <emphasis>David Foster Wallace</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:72
-msgid "## Foreword"
-msgstr "## Forord"
+#. type: Content of: <book><preface><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:96
+msgid "Foreword"
+msgstr "Forord"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:80
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:98
msgid ""
"Three years ago, just after I was hired as CEO of Creative Commons, I met "
"with Cory Doctorow in the hotel bar of Toronto’s Gladstone Hotel. As one of "
"For tre år siden, like etter at jeg ble ansatt som daglig leder av Creative "
"Commons, møtte jeg Cory Doctorow i en hotellbar på Gladstone Hotell i "
"Toronto. Som en av CCs mest velkjente forkjempere - en som har hatt en "
-"suksessfull karriere som en skribent som deler alle sine verk som CC - "
-"fortalte jeg ham at jeg mente CC hadde en rolle i å definiere og fremme åpne "
+"suksessfull karrière som en skribent som deler alle sine verk som CC - "
+"fortalte jeg ham at jeg mente CC hadde en rolle i å definere og fremme åpne "
"forretningsmodeller. Han forklarte på en hyggelig måte at han var uenig, og "
"kalte jakten på fungerende forretningsmodeller via CC en blindvei."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:86
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:107
msgid ""
"He was, in a way, completely correct—those who make things with Creative "
"Commons have ulterior motives, as Paul Stacey explains in this book: "
"være til er å gjøre verden til et bedre sted, ikke for fortjeneste. Penger "
"er et middel til et sosialt mål, ikke målet selv. »"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:92
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:115
msgid ""
"In the case study about Cory Doctorow, Sarah Hinchliff Pearson cites Cory’s "
"words from his book Information Doesn’t Want to Be Free: “Entering the arts "
"Det kan fungere, men nesten helt sikkert så vil det ikke det. Men, "
"selvfølgelig, noen vinner alltid i et lotteri.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:99
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:123
msgid ""
"Today, copyright is like a lottery ticket—everyone has one, and almost "
"nobody wins. What they don’t tell you is that if you choose to share your "
-"work, the returns can be significant and long-lasting. This book is filled "
+"work, the returns can be significant and long-lasting. This book is filled "
"with stories of those who take much greater risks than the two dollars we "
"pay for a lottery ticket, and instead reap the rewards that come from "
"pursuing their passions and living their values."
msgstr ""
"I dag er opphavsrett som et lodd i et lotteri - alle har et, og nesten ingen "
-"vinner. Hva de ikke forteller deg, er at hvis du velger å dele ditt arbeid, "
+"vinner. Det de ikke forteller deg, er at hvis du velger å dele ditt arbeid, "
"kan det du får igjen være betydelig, og vare lenge. Denne boken er fylt med "
"historier om dem som tar mye større risiko enn de kronene vi betaler for et "
-"lodd, og i stedet høster belønninger som kommer fra å følge sin lidenskap og "
-"bygge på sine verdier."
+"lodd, og i stedet høster belønninger fra det å følge sin lidenskap og bygge "
+"på sine verdier."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:105
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:132
msgid ""
"So it’s not about the money. Also: it is. Finding the means to continue to "
-"create and share often requires some amount of income. Max Temkin of Cards "
+"create and share often requires some amount of income. Max Temkin of Cards "
"Against Humanity says it best in their case study: “We don’t make jokes and "
"games to make money—we make money so we can make more jokes and games.”"
msgstr ""
"og spill for å tjene penger - vi tjener penger slik at vi kan lage flere "
"vitser og spill.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:113
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:139
msgid ""
"Creative Commons’ focus is on building a vibrant, usable commons, powered by "
"collaboration and gratitude. Enabling communities of collaboration is at the "
"forfatterne skrive Made with Creative Commons: Laget med kreative "
"allmenninger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:121
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:148
msgid ""
"Paul dreams of a future where new models of creativity and innovation "
"overpower the inequality and scarcity that today define the worst parts of "
"gartner. Han har en rolig, kul stemme som formidler en lidenskap som "
"inspirerer kolleger og samfunn."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:131
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:157
msgid ""
"Sarah is the best kind of lawyer—a true advocate who believes in the good of "
-"people, and the power of collective acts to change the world. Over the past "
+"people, and the power of collective acts to change the world. Over the past "
"year I’ve seen Sarah struggle with the heartbreak that comes from investing "
"so much into a political campaign that didn’t end as she’d hoped. Today, "
"she’s more determined than ever to live with her values right out on her "
"praktisk, detaljorientert og dyktig. Det er ingen på mitt laget jeg liker "
"mer å debattere med."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:140
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:169
msgid ""
"As coauthors, Paul and Sarah complement each other perfectly. They "
"researched, analyzed, argued, and worked as a team, sometimes together and "
"passion and curiosity, and a deep respect for what goes into building the "
"commons and sharing with the world. They remained open to new ideas, "
"including the possibility that their initial theories would need refinement "
-"or might be completely wrong. That’s courageous, and it has made for a "
+"or might be completely wrong. That’s courageous, and it has made for a "
"better book that is insightful, honest, and useful."
msgstr ""
"Som medforfattere, utfylte Paul og Sarah hverandre perfekt. De forsket, "
"er modig, og det har gitt en bedre bok som er mer innsiktsfull, ærlig og "
"nyttig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:146
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:180
msgid ""
"From the beginning, CC wanted to develop this project with the principles "
"and values of open collaboration. The book was funded, developed, "
"bruke, remikse eller tilpasse med henvisning på plass. Det er i seg selv et "
"eksempel på en åpen forretningsmodell."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:153
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:188
msgid ""
"For 31 days in August of 2015, Sarah took point to organize and execute a "
"Kickstarter campaign to generate the core funding for the book. The "
"strekk helt til mål. De fleste giverne var nye tilhengere av Creative "
"Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:162
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:197
msgid ""
"Paul and Sarah worked openly throughout the project, publishing the plans, "
"drafts, case studies, and analysis, early and often, and they engaged "
"communities all over the world to help write this book. As their opinions "
"diverged and their interests came into focus, they divided their voices and "
-"decided to keep them separate in the final product. Working in this way "
+"decided to keep them separate in the final product. Working in this way "
"requires both humility and self-confidence, and without question it has made "
"Made with Creative Commons a better project."
msgstr ""
"selvtillit, og det har uten tvil gjort «Made with Creative Commons» til et "
"bedre prosjekt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:167
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:207
msgid ""
-"Those who work and share in the commons are not typical creators. They are "
+"Those who work and share in the commons are not typical creators. They are "
"part of something greater than themselves, and what they offer us all is a "
"profound gift. What they receive in return is gratitude and a community."
msgstr ""
"er en del av noe større enn seg selv, og hva de tilbyr oss alle er en raus "
"gave. Hva de får tilbake er takknemlighet og et fellesskap."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:174
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:213
msgid ""
-"Jonathan Mann, who is profiled in this book, writes a song a day. When I "
+"Jonathan Mann, who is profiled in this book, writes a song a day. When I "
"reached out to ask him to write a song for our Kickstarter (and to offer "
"himself up as a Kickstarter benefit), he agreed immediately. Why would he "
"agree to do that? Because the commons has collaboration at its core, and "
"allmenning er en nøkkelverdi, og fordi CC-lisensene har hjulpet så mange å "
"dele med et globalt publikum på den måten de velger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:186
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:222
msgid ""
"Sarah writes, “Endeavors that are Made with Creative Commons thrive when "
"community is built around what they do. This may mean a community "
"satisfying end goal than having someone tell you that what you do is "
"genuinely of value to them.”"
msgstr ""
-"Sarah skriver, \"Innsats som lages med \"Made with Creative Commons\" trives "
-"når allmenningen bygges rundt hva som gjøres. Dette kan bety at et "
-"fellesskap samarbeider for å skape noe nytt, eller eller kan rett og slett "
-"være en samling av likesinnede som blir kjent hverandre og samler seg rundt "
-"felles interesser eller tro. Til en viss grad, å bare bruke \"Made with "
-"Creative Commons\" bringer automatisk med seg elementer av allmenningen, ved "
-"å hjelpe til med å koble deg til likesinnede, som gjenkjenner og trekkes til "
-"de verdiene som symboliseres ved å bruke CC. \" Amanda Palmer, den andre "
-"musikeren som er profilert i boken, vil sikkert legge til dette fra sin "
-"studie: \"Det er ikke noe mer tilfredsstillende mål enn når noen forteller "
-"deg at det du gjør virkelig verdi for dem..\""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:195
+"Sarah skriver, «Innsats som lages med Made with Creative Commons trives når "
+"allmenningen bygges rundt hva som gjøres. Dette kan bety at et fellesskap "
+"samarbeider for å skape noe nytt, eller kan rett og slett være en samling av "
+"likesinnede som blir kjent hverandre og samler seg rundt felles interesser "
+"eller tro. Til en viss grad, å bare bruke Made with Creative Commons bringer "
+"automatisk med seg elementer av allmenningen, ved å hjelpe til med å koble "
+"deg til likesinnede, som gjenkjenner og trekkes til de verdiene som "
+"symboliseres ved å bruke CC.» Amanda Palmer, den andre musikeren som er "
+"profilert i boken, vil sikkert legge til dette fra sin studie: «Det er ikke "
+"noe mer tilfredsstillende mål enn når noen forteller deg at det du gjør "
+"virkelig verdi for dem.»"
+
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:236
msgid ""
"This is not a typical business book. For those looking for a recipe or a "
"roadmap, you might be disappointed. But for those looking to pursue a social "
"end, to build something great through collaboration, or to join a powerful "
-"and growing global community, they’re sure to be satisfied. Made with "
+"and growing global community, they’re sure to be satisfied. Made with "
"Creative Commons offers a world-changing set of clearly articulated values "
"and principles, some essential tools for exploring your own business "
"opportunities, and two dozen doses of pure inspiration."
msgstr ""
-"Dette er ikke en typisk bedriftsøkonomi-bok. For de som leter etter en "
-"oppskrift eller et veikart, kan dere bli skuffet. Men for de som ønsker å "
+"Dette er ikke en typisk bedriftsøkonomibok. For de som leter etter en "
+"oppskrift eller et veikart, kan du bli skuffet. Men for de som ønsker å "
"bidra til et sosialt mål, å bygge noe stort gjennom samarbeid, eller bli med "
"i en kraftig og voksende globalt samfunn, kan de være sikre på å bli "
"fornøyd. Made with Creative Commons tilbyr en global endring med et sett "
"utforske dine egne forretningsmuligheter, og to dusin doser med ren "
"inspirasjon."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:203
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:246
msgid ""
"In a 1996 Stanford Law Review article “The Zones of Cyberspace”, CC founder "
"Lawrence Lessig wrote, “Cyberspace is a place. People live there. They "
"groups, in communities, among strangers, among people they come to know, and "
"sometimes like.”"
msgstr ""
-"I 1996-artikkelen i Stanford Law Review \"Sonene i kyberrom\", skrev CC-"
-"grunnlegger Lawrence Lessig. \"Kyberrommet et sted. Folk bor der. Der "
+"I 1996-artikkelen i Stanford Law Review «Sonene i kyberrom», skrev CC-"
+"grunnlegger Lawrence Lessig: «Kyberrommet et sted. Folk bor der. Der "
"opplever de alle mulige ting, og de oppleves i reelle rom . Og noen, de "
"opplever mer. Dette opplever de ikke som isolerte individer, som spillere av "
"noe høyteknologiske dataspill; De opplever det i grupper, i fellesskap, "
-"blant fremmede, blant dem de lærer å kjenne, og noen ganger like.\""
+"blant fremmede, blant dem de lærer å kjenne, og noen ganger like.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:209
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:255
msgid ""
"I’m incredibly proud that Creative Commons is able to publish this book for "
-"the many communities that we have come to know and like. I’m grateful to "
+"the many communities that we have come to know and like. I’m grateful to "
"Paul and Sarah for their creativity and insights, and to the global "
-"communities that have helped us bring it to you. As CC board member "
+"communities that have helped us bring it to you. As CC board member "
"Johnathan Nightingale often says, “It’s all made of people.”"
msgstr ""
"Jeg er utrolig stolt at Creative Commons er i stand å utgi denne boken for "
"så mange allmenninger som vi har lært å kjenne og liker. Jeg er takknemlig "
"overfor Paul og Sarah for deres kreativitet og innsikt, og de globale "
"samfunn som har hjulpet oss å bringe den til deg. Som CC-styremedlem "
-"Johnathan Nightingale ofte sier: \"Alt er laget av mennesker.\""
+"Johnathan Nightingale ofte sier: «Alt er laget av mennesker.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:211
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:263
msgid "That’s the true value of things that are Made with Creative Commons."
msgstr "Det er den sanne verdien av ting som er laget med Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:213
-#, no-wrap
-msgid "*Ryan Merkley*\n"
-msgstr "*Ryan Merkley*\n"
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:266
+msgid "<emphasis>Ryan Merkley</emphasis>"
+msgstr "<emphasis>Ryan Merkley</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:215
-#, no-wrap
-msgid "*CEO, Creative Commons*\n"
-msgstr "*CEO, Creative Commons*\n"
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:269
+msgid "<emphasis>CEO, Creative Commons</emphasis>"
+msgstr "<emphasis>Daglig leder, Creative Commons</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:217
-msgid "## Introduction"
-msgstr "## Introduksjon"
+#. type: Content of: <book><preface><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:273
+msgid "Introduction"
+msgstr "Introduksjon"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:220
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:275
msgid ""
"This book shows the world how sharing can be good for business—but with a "
"twist."
"Denne boken viser verden hvordan deling kan være bra i forretningsøyemed, "
"men med en vri."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:230
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:279
msgid ""
"We began the project intending to explore how creators, organizations, and "
"businesses make money to sustain what they do when they share their work "
"analyze their business model."
msgstr ""
"Vi startet prosjektet å utforske hvordan skapere, organisasjoner og "
-"bedrifter tjener penger å videreføre hva de gjør når de deler arbeidet sitt "
-"med Creative Commons-lisenser. Målet var ikke til å identifisere en formel "
+"bedrifter tjener penger på å videreføre hva de gjør når de deler arbeidet "
+"sitt med Creative Commons-lisenser. Målet var ikke å identifisere en formel "
"for forretningsmodeller som bruker Creative Commons, men i stedet samle "
-"friske ideer og dynamiske eksempler som tenner nye, innovative modeller og "
-"hjelper andre å følge etter ved å bygge på det allerede virker. I starten "
-"rammet vi inn våre undersøkelser i kjente forretningsbegreper. Vi laget et "
-"ubeskrevet \"åpent forretningsmodell-lerret,\" et interaktivt nettbasert "
-"verktøy som hjelper folk å skape og analysere sin forretningsmodell."
+"friske ideer og dynamiske eksempler som tenner nye, innovative modeller, og "
+"hjelper andre å følge etter ved å bygge på det som allerede virker. I "
+"starten rammet vi inn våre undersøkelser i kjente forretningsbegreper. Vi "
+"laget et ubeskrevet «åpent forretningsmodell-lerret,» et interaktivt "
+"nettbasert verktøy som hjelper folk å skape og analysere sin "
+"forretningsmodell."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:237
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:291
msgid ""
"Through the generous funding of Kickstarter backers, we set about this "
"project first by identifying and selecting a diverse group of creators, "
"Med raus finansiering fra Kickstarters støttespillere, satte vi i gang dette "
"prosjektet, først ved å identifisere og velge ut en bred gruppe av skapere, "
"organisasjoner og bedrifter som bruker Creative Commons på en integrert måte "
-"- det vi kaller \"Gjort på Creative Commons-vis\". Vi intervjuet dem og "
-"skrev ned deres historier. Vi analyserte hva vi hørte, og gravde dypt i "
+"- det vi kaller «Gjort på Creative Commons-vis». Vi intervjuet dem og skrev "
+"ned deres historier. Vi analyserte hva vi hørte, og gravde dypt i "
"litteraturen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:240
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:299
msgid ""
"But as we did our research, something interesting happened. Our initial way "
"of framing the work did not match the stories we were hearing."
"Mens vi gjorde våre undersøkelser, skjedde det noe interessant. Vår første "
"måte å ramme inn arbeidet på, samsvarte ikke med de historiene vi hørte."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:246
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:304
msgid ""
"Those we interviewed were not typical businesses selling to consumers and "
-"seeking to maximize profits and the bottom line. Instead, they were sharing "
+"seeking to maximize profits and the bottom line. Instead, they were sharing "
"to make the world a better place, creating relationships and community "
"around the works being shared, and generating revenue not for unlimited "
"growth but to sustain the operation."
msgstr ""
-"De vi intervjuet var ikke typisk bedrifter som selger til forbrukerne og "
-"søker å maksimere overskudd og bunnlinje. I stedet, de delte for å gjøre "
+"De vi intervjuet var ikke typiske bedrifter som selger til forbrukerne og "
+"søker å maksimere overskudd og bunnlinje. I stedet delte de for å gjøre "
"verden til et bedre sted, ved å skape relasjoner og samfunn rundt arbeidene "
"som ble delt, og genererte inntekter, ikke for ubegrenset vekst, men for å "
"opprettholde driften."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:252
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:312
+#, fuzzy
msgid ""
"They often didn’t like hearing what they do described as an open business "
-"model. Their endeavor was something more than that. Something different. "
+"model. Their endeavor was something more than that. Something different. "
"Something that generates not just economic value but social and cultural "
"value. Something that involves human connection. Being Made with Creative "
"Commons is not “business as usual.”"
msgstr ""
-"Ofte likte de ikke å høre, at hva de gjør, ble beskrevet som en åpen "
-"forretningsmodell. Deres oppgave var noe mer enn det. Noe annet. Noe som "
-"genererer ikke bare økonomisk verdi, men sosiale og kulturelle verdi. Noe "
-"som involverer forbindelser mennesker imellom. Å \"Gjøre med Creative "
-"Commons\" er ikke \"business as usual.\""
+"Ofte likte de ikke å høre hva de gjorde beskrevet som åpen "
+"forretningsmodell. Deres oppgave var noe mer enn det. Noe annet. Noe til "
+"ervervelse av ikke bare økonomisk, men sosial og kulturell verdi. Til "
+"knytting av mellommenneskelige forbindelser. Å «Gjøre med Creative Commons» "
+"er ikke «business as usual» («som vi pleier»)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:260
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:320
msgid ""
"We had to rethink the way we conceived of this project. And it didn’t happen "
"overnight. From the fall of 2015 through 2016, we documented our thoughts in "
"ikke over natten. Fra høsten av 2015 og hele 2016 dokumenterte vi våre "
"tanker i blogginnlegg på Medium og med regelmessige oppdateringer til våre "
"Kickstarter-støttespillere. Vi delte utkast av enkeltstudier og analyse med "
-"våre Kickstarter-samarbeidspartnere, som ga uvurderlige endringer, "
+"våre Kickstarter-samarbeidspartnere, som ga uvurderlige endringer, "
"tilbakemeldinger og råd. Vår tenkning endret seg dramatisk i løpet av "
"halvannet år."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:269
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:329
msgid ""
"Throughout the process, the two of us have often had very different ways of "
"understanding and describing what we were learning. Learning from each other "
"has been one of the great joys of this work, and, we hope, something that "
"has made the final product much richer than it ever could have been if "
-"either of us undertook this project alone. We have preserved our voices "
+"either of us undertook this project alone. We have preserved our voices "
"throughout, and you’ll be able to sense our different but complementary "
"approaches as you read through our different sections."
msgstr ""
"Gjennom hele prosessen, har vi to ofte hatt svært ulike måter å forstå og "
"beskrive hva vi lærer. Gjensidig læring har vært en av de store gledene i "
-"dette arbeidet, og vi håper, noe som har gjort det endelige produktet mye "
+"dette arbeidet, og vi håper; noe som har gjort det endelige produktet mye "
"mer innholdsrikt enn det ville vært hvis én av oss gjennomførte dette "
"prosjektet alene. Våre stemmer er tatt vare på underveis, og du vil kunne "
"finne våre ulike, men utfyllende, tilnærminger når du henholdsvis leser "
"gjennom våre ulike seksjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:273
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:339
msgid ""
"While we recommend that you read the book from start to finish, each section "
"reads more or less independently. The book is structured into two main parts."
"Mens vi anbefaler at du leser boken fra start til slutt, kan hver del leses "
"mer eller mindre uavhengig av hverandre. Boken er organisert i to hoveddeler."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:280
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:344
msgid ""
"Part one, the overview, begins with a big-picture framework written by Paul. "
"He provides some historical context for the digital commons, describing the "
"markedsbegreper, og er velformulert om deling og utvidelse av Digital "
"Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:289
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:352
msgid ""
"The overview continues with Sarah’s chapter, as she considers what it means "
"to be successfully Made with Creative Commons. While making money is one "
msgstr ""
"Oversikten fortsetter med Sarahs kapittel, der hun vurderer hva det betyr å "
"lykkes med Creative Commons. Mens å tjene penger er en del av kaken, er det "
-"også et sett av offentlig-baserte verdier og hva slags menneskelige "
+"også et sett av offentlig-baserte verdier, og hva slags menneskelige "
"forbindelser som gjør deling virkelig meningsfullt. Denne delen beskriver "
"hvordan skaperne, organisasjoner og bedrifter vi intervjuet, skaffer "
"inntekter, hvordan de videre fremmer allmenne interesser og realiserer sine "
"verdier, og hvordan de bygger forbindelser med folk de deler med."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:295
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:362
msgid ""
"And to end part one, we have a short section that explains the different "
"Creative Commons licenses. We talk about the misconception that the more "
msgstr ""
"Og for å avslutte første del, har vi et kort avsnitt som forklarer de ulike "
"Creative Commons-lisensene. Vi snakker om misforståelsen om at jo mer "
-"restriktiv lisensene - de som er nærmest \"alle rettigheter reservert\"-"
-"modellen i tradisjonell opphavsrett, - er den eneste måten å tjene penger på."
+"restriktiv lisensene - de som er nærmest «alle rettigheter reservert»-"
+"modellen i tradisjonell opphavsrett - er den eneste måten å tjene penger på."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:300
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:369
msgid ""
"Part two of the book is made up of the twenty-four stories of the creators, "
"businesses, and organizations we interviewed. While both of us participated "
"in the interviews, we divided up the writing of these profiles."
msgstr ""
-"Del to av boken består av de fire og tyve historiene til aktører, bedrifter "
-"og organisasjoner vi intervjuet. Begge deltok i intervjuene, mens vi "
-"fordelte skrivingen av profilene."
+"Del to av boken består av de fireogtyve historiene til aktører, bedrifter og "
+"organisasjoner vi intervjuet. Begge deltok i intervjuene, mens vi fordelte "
+"skrivingen av profilene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:304
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:375
msgid ""
"Of course, we are pleased to make the book available using a Creative "
"Commons Attribution-ShareAlike license. Please copy, distribute, translate, "
"Commons Attribution-ShareAlike lisens. Kopier, distribuer, oversett, "
"lokaliser, og bygg gjerne videre på dette arbeidet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:310
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:380
msgid ""
"Writing this book has transformed and inspired us. The way we now look at "
"and think about what it means to be Made with Creative Commons has "
"economy and world for the better."
msgstr ""
"Denne boka har endret og inspirert oss. Måten vi nå betrakter og tenker på "
-"hva det betyr å \"gjøre med Creative Commons\" er ugjenkallelig forandret. "
-"Vi håper denne boken inspirerer deg og ditt foretak til å bruke Creative "
-"Commons og dermed bidra til forandringen av vår økonomi og verden til bedre."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:312
-#, no-wrap
-msgid "*Paul and Sarah *\n"
-msgstr "*Paul og Sarah *\n"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:315
-msgid "# The Big Picture"
-msgstr "# Det store bildet"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:317
-msgid "## The New World of Digital Commons"
-msgstr "## Digital Commons nye verden"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:319
+"hva det betyr å «gjøre med Creative Commons» er ugjenkallelig forandret. Vi "
+"håper denne boken inspirerer deg og ditt foretak til å bruke Creative "
+"Commons, og dermed bidra til forandringen av vår økonomi og verden til det "
+"bedre."
+
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:387
+msgid "<emphasis>Paul and Sarah </emphasis>"
+msgstr "<emphasis>Paul og Sarah </emphasis>"
+
+#. type: Content of: <book><part><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:391
+msgid "The Big Picture"
+msgstr "Det store bildet"
+
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:393
+msgid "The New World of Digital Commons"
+msgstr "Digital Commons nye verden"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:395
msgid "Paul Stacey"
msgstr "Paul Stacey"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:327
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:405
+msgid ""
+"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Koehler, 2013), 14."
+msgstr ""
+"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Köhler, 2013), 14."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:398
msgid ""
"Jonathan Rowe eloquently describes the commons as “the air and oceans, the "
"web of species, wilderness and flowing water—all are parts of the commons. "
"So are language and knowledge, sidewalks and public squares, the stories of "
"childhood and the processes of democracy. Some parts of the commons are "
-"gifts of nature, others the product of human endeavor. Some are new, such "
-"as the Internet; others are as ancient as soil and calligraphy.”1"
+"gifts of nature, others the product of human endeavor. Some are new, such as "
+"the Internet; others are as ancient as soil and calligraphy.”<placeholder "
+"type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Jonathan Rowe beskriver velformulert allmenningen som \"luften og havene, "
+"Jonathan Rowe beskriver elegant allmenningen som «luften og havene, "
"nettverket av arter, villmark og rennende vann - alle er deler av "
-"allmenninger. Så er språk og kunnskap, fortau og torg, historier fra "
+"allmenninger. Det samme er språk og kunnskap, fortau og torg, historier fra "
"barndommen og demokratiske prosesser. Noen deler av allmenningen er gaver "
"fra naturen, andre er resultat av av menneskelige bestrebelser. Noen er "
-"nytt, for eksempel Internett; andre er like gamle som jord og kalligrafi.\"1"
+"nye, for eksempel Internett; andre er like gamle som jord og "
+"kalligrafi.»<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:336
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:410
msgid ""
"In Made with Creative Commons, we focus on our current era of digital "
"commons, a commons of human-produced works. This commons cuts across a broad "
"range of areas including cultural heritage, education, research, technology, "
-"art, design, literature, entertainment, business, and data. Human-produced "
+"art, design, literature, entertainment, business, and data. Human-produced "
"works in all these areas are increasingly digital. The Internet is a kind of "
"global, digital commons. The individuals, organizations, and businesses we "
"profile in our case studies use Creative Commons to share their resources "
"online over the Internet."
msgstr ""
-"I \"Laget med Creative Commons\" fokuserer vi på vår nåværende æra med "
-"digitale allmenninger, enn allmenningen med menneskelagede arbeider. Dinne "
+"I «Laget med Creative Commons» fokuserer vi på vår nåværende æra med "
+"digitale allmenninger, enn allmenningen med menneskelagede arbeider. Denne "
"allmenningen går på tvers av en rekke områder, inkludert kulturarv, "
"utdanning, forskning, teknologi, kunst, design, litteratur, underholdning, "
-"forretning og data. Menneskelagde arbeider på alle disse områdene er i "
+"forretning og data. Menneskelagede arbeider på alle disse områdene er i "
"økende grad digitale. Internett er en slags global, digital allmenning. "
"Personer, organisasjoner og bedrifter i våre referanseløsninger bruker "
"Creative Commons til å dele sine ressurser tilkoblet Internett."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:347
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:425
+msgid ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 176."
+msgstr ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 176."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:433
+msgid "Ibid., 15."
+msgstr "Ibid., 15."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:421
msgid ""
"The commons is not just about shared resources, however. It’s also about the "
"social practices and values that manage them. A resource is a noun, but to "
-"common—to put the resource into the commons—is a verb.2 The creators, "
-"organizations, and businesses we profile are all engaged with commoning. "
-"Their use of Creative Commons involves them in the social practice of "
-"commoning, managing resources in a collective manner with a community of "
-"users.3 Commoning is guided by a set of values and norms that balance the "
+"common—to put the resource into the commons—is a verb.<placeholder type="
+"\"footnote\" id=\"0\"/> The creators, organizations, and businesses we "
+"profile are all engaged with commoning. Their use of Creative Commons "
+"involves them in the social practice of commoning, managing resources in a "
+"collective manner with a community of users.<placeholder type=\"footnote\" "
+"id=\"1\"/> Commoning is guided by a set of values and norms that balance the "
"costs and benefits of the enterprise with those of the community. Special "
"regard is given to equitable access, use, and sustainability."
msgstr ""
-"Allmenninger er imidlertid ikke bare om delte ressurser. De er også om "
-"sosial praksis og verdiene som styrer dem. En ressurs er et substantiv, men "
-"til allmenngjøring - å legge ressursen inn i allmenningen - er et verb.2 "
-"Produsenter, organisasjoner og bedrifter vi profilerer er alle engasjert i "
-"allmenngjøring. Deres bruk av Creative Commons involverer dem i den sosiale "
-"gjennomføring av allmenngjøring, administrere ressurser kollektivt i et "
-"brukerfellesskap.3 Allmenngjøring styres av et sett med verdier og normer "
-"som balanserer kostnadene og fordelene for foretaket med de til "
-"fellesskapet. Særlig vekt er lagt på rettferdig tilgang, bruk og bærekraft."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:349
-msgid "### The Commons, the Market, and the State"
-msgstr "### Almenningen, markedet, og staten"
+"Allmenningen handler imidlertid ikke bare om delte ressurser, også sosial "
+"praksis og verdiene som styrer den. En ressurs er et substantiv, men "
+"allmenngjøring - å legge ressursen inn i allmenningen - er et verb."
+"<placeholder type=\"footnote\" id=\"0\"/> Produsenter, organisasjoner og "
+"bedrifter vi profilerer er alle engasjert i allmenngjøring. Deres bruk av "
+"Creative Commons involverer dem i den sosiale gjennomføringen av "
+"allmenngjøring, administrering av ressurser kollektivt i et brukerfellesskap."
+"<placeholder type=\"footnote\" id=\"1\"/> Allmenngjøring styres av et sett "
+"verdier og normer som balanserer kostnadene og fordelene for foretaket med "
+"de fra fellesskapet. Særlig vekt er tillagt rettferdig tilgang, bruk og "
+"bærekraft."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:440
+msgid "The Commons, the Market, and the State"
+msgstr "Almenningen, markedet, og staten"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:446
+msgid "Ibid., 145."
+msgstr "Ibid., 145."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:354
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:442
msgid ""
"Historically, there have been three ways to manage resources and share "
"wealth: the commons (managed collectively), the state (i.e., the "
-"government), and the market—with the last two being the dominant forms "
-"today.4"
+"government), and the market—with the last two being the dominant forms today."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Historisk har det vært tre måter å administrere ressurser og fordele rikdom: "
-"Allmenninger (håndtert kollektivt) og staten (dvs. regjeringen) markedet - "
-"med de siste to som de dominerende former i dag.4"
+"Historisk har det vært tre måter å administrere ressurser og fordele rikdom "
+"på: Allmenninger (håndtert kollektivt) og staten (dvs. regjeringen) markedet "
+"- med de siste to som de dominerende former i dag.<placeholder type="
+"\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:455
+msgid "Ibid., 175."
+msgstr "Ibid., 175."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:362
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:450
msgid ""
"The organizations and businesses in our case studies are unique in the way "
"they participate in the commons while still engaging with the market and/or "
"state. The extent of engagement with market or state varies. Some operate "
-"primarily as a commons with minimal or no reliance on the market or state.5 "
-"Others are very much a part of the market or state, depending on them for "
-"financial sustainability. All operate as hybrids, blending the norms of the "
-"commons with those of the market or state."
+"primarily as a commons with minimal or no reliance on the market or state."
+"<placeholder type=\"footnote\" id=\"0\"/> Others are very much a part of the "
+"market or state, depending on them for financial sustainability. All operate "
+"as hybrids, blending the norms of the commons with those of the market or "
+"state."
msgstr ""
"Organisasjoner og bedrifter i våre referanseløsninger er unike i måten de "
-"deltar i felleskap mens de fortsatt er engasjert i markedet og/eller i "
-"offentlig sektor. Omfanget av engasjement i markedet eller med det "
-"offentlige varierer. Noen opererer primært som en allmenning med minimal "
-"eller ingen avhengighet av markedet eller det offentlige.5 Andre er for en "
-"stor del i markedet eller det offentlige, og avhenger av dem for finansiell "
-"bærekraft. Alle fungerer som hybrider, som kombinerer normer fra allemanneie "
-"med dem som gjelder for markeder eller det offentlige."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:365
+"deltar i allmenningen mens de fortsatt er engasjert i markedet og/eller i "
+"offentlig sektor. Omfanget av engasjement i markedet, eller i det offentlige "
+"varierer. Noen opererer primært som allmenning hvis virke uten eller i liten "
+"grad er avhengig av markedet eller det offentlige.<placeholder type="
+"\"footnote\" id=\"0\"/> Andre er i høyeste grad en del av markedet eller "
+"det offentlige, og avhenger av dem for sin finansielle bærekraft. Alle "
+"fungerer som hybrider, som kombinerer allemannseiets normer med dem som "
+"gjelder for markeder eller det offentlige."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:462
msgid ""
"Fig. 1. is a depiction of how an enterprise can have varying levels of "
"engagement with commons, state, and market."
msgstr ""
-"Fig.1. skildrer hvordan en bedrift kan ha varierende grad av engasjement med "
-"allemannseie , det offentlige og markedet."
+"Fig.1. Skildrer hvordan en bedrift kan ha varierende grad av engasjement med "
+"allemannseie, det offentlige og markedet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:374
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:466
msgid ""
"Some of our case studies are simply commons and market enterprises with "
"little or no engagement with the state. A depiction of those case studies "
"as being primarily of one type or another affects the balance of norms by "
"which they operate."
msgstr ""
-"Noen av våre referanseløsninger er bare allemannseie og har liten elle ikke "
-"noe engasjenet i forhold til offentlig sektor. En beskrivelse av de "
-"løsningene ville vise at tilknytningen til offentlig sektor er liten eller "
+"Noen av våre referanseløsninger er bare allemannseie, og har liten eller "
+"ikke noe engasjement i forhold til offentlig sektor. En beskrivelse av disse "
+"løsningene ville vise at tilknytningen til offentlig sektor er liten, eller "
"til og med fraværende. Andre referanser er primært markedsbaserte med bare "
-"et lite engasjement i allemannsseie. Fremstillingen av de referansestudiene "
-"viser at markedsfæren er stor og fellesskapsfæren liten. I hvilken grad en "
-"bedrift ser seg selv som hovedsakelig av én type eller annen påvirker "
-"sammensetningen av de normer de styrer etter."
+"et lite engasjement i allemannseie. Fremstillingen av disse "
+"referansestudiene viser at markedssfæren er stor og fellesskapssfæren liten. "
+"I hvilken grad en bedrift ser seg selv som hovedsakelig av én type eller en "
+"annen påvirker sammensetningen av de normer de styrer etter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:382
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:477
msgid ""
"All our case studies generate money as a means of livelihood and "
"sustainability. Money is primarily of the market. Finding ways to generate "
msgstr ""
"Alle våre referanseløsninger genererer penger til livsopphold og bærekraft. "
"Penger kommer hovedsakelig fra markedet. Det er utfordrende å finne måter å "
-"generere inntekter på, når man holder seg til kjerneverdiene i allemannseie ("
-"vanligvis uttrykt i målformuleringer). Å administrere samhandling og "
-"engasjement mellom fellesskapene og markedet krever litt netthendt, en sterk "
-"følelse av verdier, og evnen til å kombinere det beste fra begge."
+"generere inntekter på, når man holder seg til kjerneverdiene i allemannseie "
+"(vanligvis uttrykt i målformuleringer). Å administrere samhandling og "
+"engasjement mellom fellesskapene og markedet krever litt netthendthet, en "
+"sterk følelse av verdier, og evnen til å kombinere det beste fra begge."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:388
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:486
msgid ""
"The state has an important role to play in fostering the use and adoption of "
"the commons. State programs and funding can deliberately contribute to and "
"copyright, business, and finance can all be designed to foster the commons."
msgstr ""
"Staten har en viktig rolle å spille i å fremme aksept og bruk av felleseier. "
-"Statlige programmer og finansiering kan bevisst bidra til og bygge "
+"Statlige programmer og finansiering kan bevisst bidra til å bygge "
"allemannseier. Utover bevilgninger, lovgivning og regler om eiendomsrett, "
"kan opphavsrett, forretningsvirksomhet og finansiering, alle være utformet "
"for å fremme allemannseie."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:391
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:493
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:499
+msgid "Enterprise engagements"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:495
msgid ""
-"{width=\"6.5in\" "
-"height=\"3.5417in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000008000000045C30360249076453E6.png\" width=\"100.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.5417in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000008000000045C30360249076453E6.png\" width=\"100.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:399
+#. type: Content of: <book><part><chapter><sect1><figure>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:494
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:543
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:660
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:789
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:830
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:914
+msgid "<placeholder type=\"mediaobject\" id=\"0\"/>"
+msgstr "<placeholder type=\"mediaobject\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:505
msgid ""
"It’s helpful to understand how the commons, market, and state manage "
"resources differently, and not just for those who consider themselves "
"Det er nyttig for alle å forstå hvordan allemannseie, markedet og offentlig "
"sektor håndterer ressurser på ulike måter, og ikke bare for dem som anser "
"seg selv som hovedsakelig et felleseie. For bedrifter eller offentlige "
-"organisasjoner som ønsker å engasjere seg i og bruke allemannseie, vil det å "
-"vite hvordan allmenninger fungere være til hjelp for å forstå den beste "
-"måten for å gjøre dette på. For å delta i og bruke felleseie på samme måte "
-"som man ellers arbeider i markedet eller i staten, er ikke en strategi for "
-"suksess."
+"organisasjoner som ønsker å engasjere seg i, og å bruke allemannseie, vil "
+"det å vite hvordan allmenninger fungerer være til hjelp for å forstå den "
+"beste måten for å gjøre dette på. For å delta i og bruke felleseie på samme "
+"måte som man ellers arbeider i markedet eller i staten, er ikke en strategi "
+"for suksess."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:516
+msgid "The Four Aspects of a Resource"
+msgstr "De fire aspektene ved en ressurs"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:401
-msgid "### The Four Aspects of a Resource"
-msgstr "### De fire aspektene ved en ressurs"
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:521
+msgid ""
+"Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
+"Commons for the Knowledge Commons,” in Governing Knowledge Commons, eds. "
+"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg (New "
+"York: Oxford University Press, 2014), 53."
+msgstr ""
+"Daniel H. Cole, «Learning from Lin: Lessons and Cautions from the Natural "
+"Commons for the Knowledge Commons», i Governing Knowledge Commons, eds. "
+"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg (New "
+"York: Oxford University Press, 2014), 53."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:409
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:518
msgid ""
"As part of her Nobel Prize–winning work, Elinor Ostrom developed a framework "
-"for analyzing how natural resources are managed in a commons.6 Her framework "
-"considered things like the biophysical characteristics of common resources, "
-"the community’s actors and the interactions that take place between them, "
-"rules-in-use, and outcomes. That framework has been simplified and "
-"generalized to apply to the commons, the market, and the state for this "
-"chapter."
-msgstr ""
-"Som en del av hennes Nobel Prize-vinnende arbeid, utviklet Elinor Ostrom et "
+"for analyzing how natural resources are managed in a commons.<placeholder "
+"type=\"footnote\" id=\"0\"/> Her framework considered things like the "
+"biophysical characteristics of common resources, the community’s actors and "
+"the interactions that take place between them, rules-in-use, and outcomes. "
+"That framework has been simplified and generalized to apply to the commons, "
+"the market, and the state for this chapter."
+msgstr ""
+"Som en del av sitt Nobelprisvinnende arbeid, utviklet Elinor Ostrom et "
"rammeverk for å analysere hvordan naturressurser administreres i en "
-"allmenning.6 Hennes rammeverk vurdert ting som biofysiske karakteristikker "
-"ved felles ressurser, samfunnets aktører og samhandlingene som foregår "
-"mellom dem, uformelle regler-i-bruk, og resultater. Dette rammeverket er "
-"forenklet og generalisert for å bruke på felleseie, markedet og staten, det "
-"offentlige, for dette kapitlet."
+"allmenning.<placeholder type=\"footnote\" id=\"0\"/> Hennes rammeverk "
+"vurderte ting som biofysiske karakteristikker ved felles ressurser, "
+"samfunnets aktører og samhandlingene som foregår mellom dem, uformelle "
+"regler-i-bruk, og resultater. Dette rammeverket er forenklet og generalisert "
+"for å brukes på felleseie, markedet og staten, det offentlige, for dette "
+"kapitlet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:415
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:534
msgid ""
"To compare and contrast the ways in which the commons, market, and state "
"work, let’s consider four aspects of resource management: resource "
"markedet, og det offentlige arbeider, la oss vurdere fire sider ved "
"ressursadministrasjon: Ressursens karakteristika, de involverte personene og "
"den prosessen de bruker, normer og regler de utvikler for å styre bruken, og "
-"til slutt den faktiske ressursbruken sammen med resultatene av denne bruken ("
-"se Fig. 2)."
+"til slutt den faktiske ressursbruken sammen med resultatene av denne bruken "
+"(se Fig. 2)."
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:542
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:548
+msgid "Aspects of resource management"
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:418
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:544
msgid ""
-"{width=\"6.5in\" "
-"height=\"6.5in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000007D0000007D0ACF13F8B71EAF0B9.png\" width=\"100.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"6.5in\" "
-"height=\"6.5in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000007D0000007D0ACF13F8B71EAF0B9.png\" width=\"100.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:420
-msgid "#### Characteristics"
-msgstr "#### Karakteristika"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:554
+msgid "Characteristics"
+msgstr "Karakteristika"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:425
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:556
msgid ""
"Resources have particular characteristics or attributes that affect the way "
"they can be used. Some resources are natural; others are human produced. And—"
msgstr ""
"Ressurser har spesielle egenskaper eller attributter som påvirker hvordan de "
"kan brukes. Noen ressurser er naturlige; andre er menneskeskapt. Og - av "
-"betydelig for dagens felleseider - ressurser kan være fysiske eller "
-"digitale, som påvirker det iboende ressurspotensialet."
+"betydning for dagens felleseie - ressurser kan være fysiske eller digitale, "
+"som påvirker det iboende ressurspotensialet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:434
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:563
msgid ""
"Physical resources exist in limited supply. If I have a physical resource "
-"and give it to you, I no longer have it. When a resource is removed and "
+"and give it to you, I no longer have it. When a resource is removed and "
"used, the supply becomes scarce or depleted. Scarcity can result in "
"competing rivalry for the resource. Made with Creative Commons enterprises "
"are usually digitally based but some of our case studies also produce "
"resources in physical form. The costs of producing and distributing a "
"physical good usually require them to engage with the market."
msgstr ""
-"Fysiske ressurser er begrensede. Hvis jeg har en fysisk ressurs og gi det "
+"Fysiske ressurser er begrensede. Hvis jeg har en fysisk ressurs og gir den "
"til deg, har jeg den ikke lenger. Når en ressurs er fjernet og brukt, blir "
"tilbudet knapt eller utarmet. Knapphet kan føre til konkurranse og "
"rivalisering om ressursen. Tiltak laget med Creative Commons er vanligvis "
"ressurser i fysisk form. Kostnadene ved å produsere og distribuere et fysisk "
"gode, krever vanligvis at man benytter markedet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:442
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:574
msgid ""
-"Physical resources are depletable, exclusive, and rivalrous. Digital "
+"Physical resources are depletable, exclusive, and rivalrous. Digital "
"resources, on the other hand, are nondepletable, nonexclusive, and "
"nonrivalrous. If I share a digital resource with you, we both have the "
"resource. Giving it to you does not mean I no longer have it. Digital "
"depleted, and at close to zero cost. Abundance rather than scarcity is an "
"inherent characteristic of digital resources."
msgstr ""
-"Fysiske ressurser blir uttømt, er eksklusive og de konkurreres om. Digitale "
-"ressurser, derimot, er uutømmelige, ikke-eksklusive og gir ikke "
+"Fysiske ressurser blir uttømt, er eksklusive, og de konkurreres om. Digitale "
+"ressurser, derimot, er uutømmelige, ikke-eksklusive, og gir ikke "
"rivalisering. Hvis jeg deler en digital ressurs med deg, har vi begge "
"ressursen. Å gi den til deg betyr ikke at jeg ikke lenger har den. Digitale "
-"ressursene kan lages i det uendelige, kopieres og distribueres uten bli "
-"uttømt og til en kostnad på nær null. Overflod i stedet for knapphet er en "
-"iboende karakteristisk ved digitale ressurser."
+"ressurser kan lages i det uendelige, kopieres og distribueres uten å bli "
+"uttømt, og til en kostnad på nær null. Overflod i stedet for knapphet er en "
+"iboende karakteristikk ved digitale ressurser."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:449
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:584
msgid ""
"The nondepletable, nonexclusive, and nonrivalrous nature of digital "
-"resources means the rules and norms for managing them can (and ought to) be "
+"resources means the rules and norms for managing them can (and ought to) be "
"different from how physical resources are managed. However, this is not "
"always the case. Digital resources are frequently made artificially scarce. "
"Placing digital resources in the commons makes them free and abundant."
msgstr ""
"At de digitale ressursene er uuttømmelige, ikke-eksklusive og ikke-"
-"revialiserende betyr reglene og normene for å håndtere dem kan (og bør) være "
-"forskjellige fra hvordan fysiske ressurser håndteres. Men er ikke alltid "
-"tilfelle. Digitale ressurser gjøres ofte kunstig knappe. Å plassere digitale "
-"ressurser i allmenninger gjør dem gratis og rikelige."
+"rivaliserende, betyr at reglene og normene for å håndtere dem kan (og bør) "
+"være forskjellige fra hvordan fysiske ressurser håndteres. Men det er ikke "
+"alltid tilfellet. Digitale ressurser gjøres ofte kunstig knappe. Å plassere "
+"digitale ressurser i allmenninger gjør dem gratis og rikelige."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:458
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:592
msgid ""
"Our case studies frequently manage hybrid resources, which start out as "
"digital with the possibility of being made into a physical resource. The "
"digital file of a book can be printed on paper and made into a physical "
"book. A computer-rendered design for furniture can be physically "
-"manufactured in wood. This conversion from digital to physical invariably "
-"has costs. Often the digital resources are managed in a free and open way, "
+"manufactured in wood. This conversion from digital to physical invariably "
+"has costs. Often the digital resources are managed in a free and open way, "
"but money is charged to convert a digital resource into a physical one."
msgstr ""
"Våre referanseprosjekter håndterer ofte hybrid-ressurser, som begynner som "
"digitale bokfilen kan trykkes på papir og gjøres til en fysisk bok. Et data-"
"gjengitt design for møbler kan fysisk produseres i tre. Denne konverteringen "
"fra digital til fysisk har alltid kostnader. De digitale ressursene "
-"administreres ofte på en fri og åpen måte, men et kreves penger for å "
+"administreres ofte på en fri og åpen måte, men det kreves penger for å "
"konvertere en digital ressurs til en fysisk."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:466
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:603
msgid ""
"Beyond this idea of physical versus digital, the commons, market, and state "
-"conceive of resources differently (see Fig. 3). The market sees resources as "
-"private goods—commodities for sale—from which value is extracted. The state "
-"sees resources as public goods that provide value to state citizens. The "
-"commons sees resources as common goods, providing a common wealth extending "
-"beyond state boundaries, to be passed on in undiminished or enhanced form to "
-"future generations."
+"conceive of resources differently (see Fig. 3). The market sees resources "
+"as private goods—commodities for sale—from which value is extracted. The "
+"state sees resources as public goods that provide value to state citizens. "
+"The commons sees resources as common goods, providing a common wealth "
+"extending beyond state boundaries, to be passed on in undiminished or "
+"enhanced form to future generations."
msgstr ""
"Utover denne ideen med fysisk versus digital, forstår allmenninger, markedet "
"og staten ressurser forskjellig (se Fig. 3). Markedet ser ressurser som "
"grenser, og videreformidles uforminsket eller forbedret til fremtidige "
"generasjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:468
-msgid "#### People and processes"
-msgstr "#### Folk og prosesser"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:614
+msgid "People and processes"
+msgstr "Folk og prosesser"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:472
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:616
msgid ""
"In the commons, the market, and the state, different people and processes "
"are used to manage resources. The processes used define both who has a say "
"and how a resource is managed."
msgstr ""
"I allemannseie, markedet og staten brukes ulike mennesker og prosesser til å "
-"administrere ressurser. De prosesser som brukes definerer både som har "
+"administrere ressurser. De prosesser som brukes definerer både hvem som har "
"innflytelse og hvordan en ressurs skal håndteres."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:480
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:621
msgid ""
"In the state, a government of elected officials is responsible for managing "
"resources on behalf of the public. The citizens who produce and use those "
"resources are not directly involved; instead, that responsibility is given "
-"over to the government. State ministries and departments staffed with public "
-"servants set budgets, implement programs, and manage resources based on "
-"government priorities and procedures."
+"over to the government. State ministries and departments staffed with "
+"public servants set budgets, implement programs, and manage resources based "
+"on government priorities and procedures."
msgstr ""
"I staten utgår en regjering fra folkevalgte som er ansvarlige for "
"ressurshåndteringen på vegne av folk flest. Innbyggerne som produserer og "
"bruker disse ressursene er ikke direkte involvert; i stedet er ansvaret gitt "
"over til regjeringen. Statlige departementer og avdelinger bemannet med "
"offentlige tjenestemenn setter opp budsjetter, gjennomfører programmer og "
-"administrerer ressurser basert på regjeringen prioriteringer og prosedyrer."
+"administrerer ressurser basert på regjeringens prioriteringer og prosedyrer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:487
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:630
msgid ""
"In the market, the people involved are producers, buyers, sellers, and "
"consumers. Businesses act as intermediaries between those who produce "
"resources are managed as commodities, frequently mass-produced, and sold to "
"consumers on the basis of a cash transaction."
msgstr ""
-"I markedet er de involverte produsenter, kjøpere, selgere og forbrukere. "
-"Bedrifter fungere som mellomledd mellom dem som produserer ressurser og dem "
-"som konsumerer eller bruke dem. Markedets prosesser søker å trekke ut så mye "
-"verdi fra ressurser som mulig. Ressurser håndteres som en handelsvare i "
-"markedet, ofte masseprodusert og solgt til forbrukere på grunnlag av en "
-"betalingstransaksjon."
+"I markedet er menneskene som er involvert produsenter, kjøpere, selgere og "
+"forbrukere. Bedrifter fungerer som mellomledd mellom dem som produserer "
+"ressurser og dem som konsumerer eller bruke dem. Markedets prosesser søker å "
+"trekke ut så mye verdi fra ressurser som mulig. Ressurser håndteres som en "
+"handelsvare i markedet, ofte masseprodusert, og solgt til forbrukere på "
+"grunnlag av en betalingstransaksjon."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:501
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:641
+msgid ""
+"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
+"and the Commons (New York: Zed Books, 2014), 93."
+msgstr ""
+"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
+"and the Commons (New York: Zed bøker, 2014), 93."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:639
msgid ""
"In contrast to the state and market, resources in a commons are managed more "
-"directly by the people involved.7 Creators of human produced resources can "
-"put them in the commons by personal choice. No permission from state or "
-"market is required. Anyone can participate in the commons and determine for "
-"themselves the extent to which they want to be involved—as a contributor, "
-"user, or manager. The people involved include not only those who create and "
-"use resources but those affected by outcome of use. Who you are affects your "
-"say, actions you can take, and extent of decision making. In the commons, "
-"the community as a whole manages the resources. Resources put into the "
-"commons using Creative Commons require users to give the original creator "
-"credit. Knowing the person behind a resource makes the commons less "
-"anonymous and more personal."
-msgstr ""
-"I motsetning til staten og markedet, håndters ressurser i en allmenning mer "
-"direkte av dem som er involvert.7 De som lager menneske-produserte ressurser "
-"kan legge dem i felleseie ut fra et personlig valg. Det kreves ingen "
-"tillatelse fra staten eller markedet. Alle kan delta i allmenninger og selv "
-"bestemme seg for hvor mye de vil være involvert, - som en bidragsyter, "
-"bruker eller administrator. Involverte inkluderer ikke bare dem som "
-"oppretter og bruker ressurser, men også dem som berøres av resultatet av "
-"bruk. Hvem du er påvirker hva du har å si, hvilke handlinger du kan utføre, "
-"og omfanget av beslutningstaking. I allmenninger, ere de fellesskapet som "
-"helhet administrerer ressursene. Ressurser lagt inn i felleseie ved å bruke "
-"Creative Commons krever at at brukerne krediterer den opprinnelige skaperen. "
-"Å vite personen bak en ressurs gjør fellesskapseie mindre anonymt og mer "
-"personlig."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:504
-msgid ""
-"{width=\"6.5in\" "
-"height=\"4.2362in\"}"
-msgstr ""
-"{width=\"6.5in\" "
-"height=\"4.2362in\"}"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:506
-msgid "#### Norms and rules"
-msgstr "#### Normer og regler"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:511
+"directly by the people involved.<placeholder type=\"footnote\" id=\"0\"/> "
+"Creators of human produced resources can put them in the commons by personal "
+"choice. No permission from state or market is required. Anyone can "
+"participate in the commons and determine for themselves the extent to which "
+"they want to be involved—as a contributor, user, or manager. The people "
+"involved include not only those who create and use resources but those "
+"affected by outcome of use. Who you are affects your say, actions you can "
+"take, and extent of decision making. In the commons, the community as a "
+"whole manages the resources. Resources put into the commons using Creative "
+"Commons require users to give the original creator credit. Knowing the "
+"person behind a resource makes the commons less anonymous and more personal."
+msgstr ""
+"I motsetning til staten og markedet, håndteres ressurser i en allmenning mer "
+"direkte av dem som er involvert.<placeholder type=\"footnote\" id=\"0\"/> "
+"De som lager menneskeproduserte ressurser kan legge dem i felleseiet ut fra "
+"et personlig valg. Det kreves ingen tillatelse fra staten eller markedet. "
+"Alle kan delta i allmenninger og selv bestemme seg for hvor mye de vil være "
+"involvert - som en bidragsyter, bruker eller administrator. Involverte "
+"inkluderer ikke bare dem som oppretter og bruker ressurser, men også dem som "
+"berøres av resultatet av bruk. Hvem du er, påvirker hva du har å si, hvilke "
+"handlinger du kan utføre, og omfanget av beslutningstaking. I allmenninger "
+"er det fellesskapet som helhet som administrerer ressursene. Ressurser lagt "
+"inn i felleseiet ved å bruke Creative Commons krever at brukerne krediterer "
+"den opprinnelige skaperen. Å vite hvem personen bak en ressurs er gjør "
+"fellesskapseie mindre anonymt og mer personlig."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:659
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:665
+msgid "Different views on resources"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><figure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:661
+msgid ""
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C40000065D9EC4F530BD4DFBE0.png\" width=\"100.0%\"/> "
+"</imageobject>"
+msgstr ""
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C40000065D9EC4F530BD4DFBE0.png\" width=\"100.0%\"/> "
+"</imageobject>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:672
+msgid "Norms and rules"
+msgstr "Normer og regler"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:674
msgid ""
"The social interactions between people, and the processes used by the state, "
"market, and commons, evolve social norms and rules. These norms and rules "
"define permissions, allocate entitlements, and resolve disputes."
msgstr ""
"De sosiale samhandlingene mellom mennesker, og prosessene i bruk av staten, "
-"markedet og samfunnet forøvrig, utvikler sosiale normer og regler. Disse "
+"markedet og samfunnet for øvrig, utvikler sosiale normer og regler. Disse "
"normene og reglene definerer tillatelser, tildeler rettigheter og løser "
"disputter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:517
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:680
msgid ""
"State authority is governed by national constitutions. Norms related to "
"priorities and decision making are defined by elected officials and "
msgstr ""
"Statlig myndighet er underlagt nasjonale regelverk. Normer knyttet til "
"prioriteringer og beslutningsprosesser defineres av folkevalgte og "
-"parlamentarisk prosedyrer. Statlige føringer uttrykkes gjennom politiske "
+"parlamentariske prosedyrer. Statlige føringer uttrykkes gjennom politiske "
"vedtak, lover og regler. Staten påvirker normer og regler for markedet og "
"allemannseie gjennom de reglene som lages."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:521
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:688
msgid ""
"Market norms are influenced by economics and competition for scarce "
"resources. Market rules follow property, business, and financial laws "
"Markedsreguleringene omfatter eierforhold, virksomheter og økonomiske lover "
"definert av staten."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:528
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:700
+msgid "Bollier, Think Like a Commoner, 175."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:693
msgid ""
"As with the market, a commons can be influenced by state policies, "
"regulations, and laws. But the norms and rules of a commons are largely "
"defined by the community. They weigh individual costs and benefits against "
"the costs and benefits to the whole community. Consideration is given not "
-"just to economic efficiency but also to equity and sustainability.9"
+"just to economic efficiency but also to equity and sustainability."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Som med markedet, kan et felleseie påvirkes av offentlig politikk, "
"forskrifter og lover. Men normer og regler for et allemannseie er i det "
"store og hele definert av det selv. De veier individuelle kostnader og "
"fordeler - mot kostnader og fordeler for hele felleseiet. Det tas hensyn "
-"ikke bare til økonomisk effektivitet, men også tuk egenkapital og "
-"bærekraftighet.9"
+"ikke bare til økonomisk effektivitet, men også til egenkapital og "
+"bærekraftighet.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:530
-msgid "#### Goals"
-msgstr "#### Mål"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:705
+msgid "Goals"
+msgstr "Mål"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:535
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:707
msgid ""
"The combination of the aspects we’ve discussed so far—the resource’s "
"inherent characteristics, people and processes, and norms and rules—shape "
"how resources are used. Use is also influenced by the different goals the "
"state, market, and commons have."
msgstr ""
-"Kombinasjonen av forhold vi har diskutert så langt, - de innebygde "
+"Kombinasjonen av forhold vi har diskutert så langt - de innebygde "
"egenskapene, folk, prosesser, normer og regler - utformer hvordan ressursene "
"brukes. Bruken påvirkes også av de ulike målene til stat, marked og "
"allmenninger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:542
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:719
+msgid ""
+"Joshua Farley and Ida Kubiszewski, “The Economics of Information in a Post-"
+"Carbon Economy,” in Free Knowledge: Confronting the Commodification of Human "
+"Discovery, eds. Patricia W. Elliott and Daryl H. Hepting (Regina, SK: "
+"University of Regina Press, 2015), 201–4."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:714
msgid ""
-"In the market, the focus is on maximizing the utility of a resource. What "
-"we pay for the goods we consume is seen as an objective measure of the "
-"utility they provide. The goal then becomes maximizing total monetary value "
-"in the economy.10 Units consumed translates to sales, revenue, profit, and "
-"growth, and these are all ways to measure goals of the market."
+"In the market, the focus is on maximizing the utility of a resource. What we "
+"pay for the goods we consume is seen as an objective measure of the utility "
+"they provide. The goal then becomes maximizing total monetary value in the "
+"economy.<placeholder type=\"footnote\" id=\"0\"/> Units consumed translates "
+"to sales, revenue, profit, and growth, and these are all ways to measure "
+"goals of the market."
msgstr ""
"I markedet er fokus på å maksimere nytten av en ressurs. Hva vi betaler for "
-"varene vi forbruker sees på som et objektivt mål på den nytten de gir. Målet "
-"blir maksimere totale økonomiske pengeverdien.10 Forbrukte enheter forstås "
-"som salg, inntekter, fortjeneste og vekst, og alle disse er måter å måle "
-"markedet på."
+"varene vi forbruker, sees på som et objektivt mål på den nytten de gir. "
+"Målet blir da å maksimere den totale økonomiske pengeverdien.<placeholder "
+"type=\"footnote\" id=\"0\"/> Forbrukte enheter forstås som salg, inntekter, "
+"fortjeneste og vekst, og alle disse er måter å måle markedet på."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:549
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:729
msgid ""
"The state aims to use and manage resources in a way that balances the "
"economy with the social and cultural needs of its citizens. Health care, "
"Staten skal bruke og administrere ressurser på en måte som balanserer "
"økonomi mot sosiale og kulturelle behov hos sine innbyggere. Helsetjenester, "
"utdanning, jobb, miljø, transport, sikkerhet, arv og rettferdighet er alle "
-"fasetter av et sunt samfunn, og staten bruker sine ressurser får å nå disse "
+"fasetter av et sunt samfunn, og staten bruker sine ressurser får å nå disse "
"målene. Statlige mål gjenspeiles i mål på livskvalitet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:556
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:738
msgid ""
"In the commons, the goal is maximizing access, equity, distribution, "
-"participation, innovation, and sustainability. You can measure success by "
+"participation, innovation, and sustainability. You can measure success by "
"looking at how many people access and use a resource; how users are "
"distributed across gender, income, and location; if a community to extend "
"and enhance the resources is being formed; and if the resources are being "
"forbedrer de ressurser som lages; og om ressursene brukes på innovative "
"måter til fordel for personlige og sosiale goder."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:561
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:747
msgid ""
"As hybrid combinations of the commons with the market or state, the success "
"and sustainability of all our case study enterprises depends on their "
"ability to strategically utilize and balance these different aspects of "
"managing resources."
msgstr ""
-"Som hybrid-kombinasjoner av fellesskapseie og marked eller staten, avhenger "
+"Som hybridkombinasjoner av fellesskapseie og marked eller staten, avhenger "
"suksessen og bærekraften i alle våre referansestudier av tiltakenes evne til "
"å strategisk bruke og balansere disse ulike aspektene ved sin "
"ressurshåndtering."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:563
-msgid "### A Short History of the Commons"
-msgstr "### Commons korte historie"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:755
+msgid "A Short History of the Commons"
+msgstr "Commons korte historie"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:570
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:757
msgid ""
"Using the commons to manage resources is part of a long historical "
"continuum. However, in contemporary society, the market and the state "
"from consciousness and consideration. There are no news reports or speeches "
"about the commons."
msgstr ""
-"Å bruk av felleseie for å håndtere ressurser, er en del av et langt "
-"historiske kontinuum. Men i det moderne samfunn dominerer markedet og staten "
+"Å bruke felleseiet for å håndtere ressurser er en del av et langt historisk "
+"kontinuum. Men i det moderne samfunn dominerer markedet og staten "
"diskusjonen om hvordan ressurser best håndteres. Sjelden er allmenneie "
"engang vurdert som et alternativ. Allmenneie har i stor grad forsvunnet fra "
"bevissthet og omtanke. Det finnes ingen nyheter eller taler om allemenninger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:576
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:766
msgid ""
"But the more than 1.1 billion resources licensed with Creative Commons "
"around the world are indications of a grassroots move toward the commons. "
"history."
msgstr ""
"Men mer enn 1,1 milliarder ressurser er lisensiert med Creative Commons "
-"verden over og er indikasjon på en grasrotbevegelse i retning allemannseie. "
+"verden over, og er indikasjon på en grasrotbevegelse i retning allemannseie. "
"Felleseie blomstrer opp. For å forstå motstandsdyktigheten til slik eie og "
-"den pågående fornyelsen, er det nyttig å vite noe om historien."
+"den pågående fornyelsen er det nyttig å vite noe om historien."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:777
+msgid ""
+"Rowe, Our Common Wealth, 19; and Heather Menzies, Reclaiming the Commons for "
+"the Common Good: A Memoir and Manifesto (Gabriola Island, BC: New Society, "
+"2014), 42–43."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:585
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:773
msgid ""
"For centuries, indigenous people and preindustrialized societies managed "
"resources, including water, food, firewood, irrigation, fish, wild game, and "
-"many other things collectively as a commons.11 There was no market, no "
-"global economy. The state in the form of rulers influenced the commons but "
-"by no means controlled it. Direct social participation in a commons was the "
-"primary way in which resources were managed and needs met. (Fig. 4 "
-"illustrates the commons in relation to the state and the market.)"
-msgstr ""
-"I århundrer, håndterte urfolk og førindustrielle samfunn ressurser, "
-"inkludert vann, mat, brensel, vanning, fisk, vilt og mange andre ting, "
-"kollektivt som et felleseie.11 Det var intet marked, ingen verdensøkonomi. "
-"Staten, i form av herskere, påvirket allmenningene, men kontrollerte dem "
-"ikke. Direkte sosial deltakelse i en allmenning var primært måten ressurser "
-"ble styrt på og behov møtt. (Fig. 4 illustrerer allemannseie i forhold til "
-"stat og marked.)"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:588
-msgid ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
-msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:596
-msgid ""
-"This is followed by a long history of the state (a monarchy or ruler) "
-"taking over the commons for their own purposes. This is called enclosure of "
-"the commons.12 In olden days, “commoners” were evicted from the land, fences "
-"and hedges erected, laws passed, and security set up to forbid access.13 "
+"many other things collectively as a commons.<placeholder type=\"footnote\" "
+"id=\"0\"/> There was no market, no global economy. The state in the form of "
+"rulers influenced the commons but by no means controlled it. Direct social "
+"participation in a commons was the primary way in which resources were "
+"managed and needs met. (Fig. 4 illustrates the commons in relation to the "
+"state and the market.)"
+msgstr ""
+"I århundrer håndterte urfolk og førindustrielle samfunn ressurser, inkludert "
+"vann, mat, brensel, vanning, fisk, vilt og mange andre ting, kollektivt som "
+"et felleseie.<placeholder type=\"footnote\" id=\"0\"/> Det var intet "
+"marked, ingen verdensøkonomi. Staten, i form av herskere, påvirket "
+"allmenningene, men kontrollerte dem ikke. Direkte sosial deltakelse i en "
+"allmenning var primært måten ressurser ble styrt på og behov møtt. (Fig. 4 "
+"illustrerer allemannseie i forhold til stat og marked.)"
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:788
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:794
+msgid "Long ago"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:790
+msgid ""
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C4000005153EACBD62F00F6BA9.png\" width=\"100.0%\"/> "
+"</imageobject>"
+msgstr ""
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C4000005153EACBD62F00F6BA9.png\" width=\"100.0%\"/> "
+"</imageobject>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:802
+msgid "Bollier, Think Like a Commoner, 55–78."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:806
+msgid ""
+"Fritjof Capra and Ugo Mattei, The Ecology of Law: Toward a Legal System in "
+"Tune with Nature and Community (Oakland, CA: Berrett-Koehler, 2015), 46–57; "
+"and Bollier, Think Like a Commoner, 88."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:799
+msgid ""
+"This is followed by a long history of the state (a monarchy or ruler) taking "
+"over the commons for their own purposes. This is called enclosure of the "
+"commons.<placeholder type=\"footnote\" id=\"0\"/> In olden days, “commoners” "
+"were evicted from the land, fences and hedges erected, laws passed, and "
+"security set up to forbid access.<placeholder type=\"footnote\" id=\"1\"/> "
"Gradually, resources became the property of the state and the state became "
"the primary means by which resources were managed. (See Fig. 5)."
msgstr ""
"Dette etterfølges av en lang historie der staten (monarkiet eller en "
"makthaver) overtar allmenninger til sine egne formål. Dette kalles "
-"innkapsling av allemannseie.12 I gamle dager ble \"commoners\" kastet ut fra "
-"land, gjerder og hekker reist, lover og sikkerhet konfigurert til å forby "
-"adgang.13 Gradvis ble ressursene statens eiendom, og staten ble det primære "
-"verktøy for styring av disse ressursene. (Se Fig. 5)."
+"innkapsling av allemannseie.<placeholder type=\"footnote\" id=\"0\"/> I "
+"gamle dager ble «commoners» kastet ut fra land, gjerder og hekker reist, "
+"lover og sikkerhet satt opp for å forby adgang.<placeholder type=\"footnote"
+"\" id=\"1\"/> Gradvis ble ressursene statens eiendom, og staten ble det "
+"primære verktøy for styring av disse ressursene. (Se Fig. 5)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:608
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:815
msgid ""
"Holdings of land, water, and game were distributed to ruling family and "
"political appointees. Commoners displaced from the land migrated to cities. "
"With the emergence of the industrial revolution, land and resources became "
-"commodities sold to businesses to support production. Monarchies evolved "
+"commodities sold to businesses to support production. Monarchies evolved "
"into elected parliaments. Commoners became labourers earning money operating "
"the machinery of industry. Financial, business, and property laws were "
"revised by governments to support markets, growth, and productivity. Over "
"living, improved health, and education. Fig. 6 shows how today the market is "
"the primary means by which resources are managed."
msgstr ""
-"Eierskap tll land, vann og vilt ble distribuert til den herskende familien "
+"Eierskap til land, vann og vilt ble distribuert til den herskende familien "
"og politisk utvalgte. Vanlige borgere ble fordrevet fra landområdene og "
"flyttet til byer. Med fremveksten av den industrielle revolusjonen ble "
"landområder og ressurser solgt til bedrifter for å støtte produksjon. "
-"Folkevalgte forsamlinger overtok etterhvert fra monarkier. Vanlige borgere "
+"Folkevalgte forsamlinger overtok etter hvert fra monarkier. Vanlige borgere "
"ble arbeidere som tjente penger ved å betjene maskiner i industrien. Finans, "
-"business og eiendomsrett ble omdannet av regjeringene å støtte markeder, "
-"vekst og produktivitet. Over tid ga tilgang til markedsproduserte varer en "
-"økende levestandard, bedre helse og utdanning. Fig. 6 viser hvordan markedet "
-"i dag er hovedmåten for ressurhåndtering."
+"virksomhet (business) og eiendomsrett ble omdannet av regjeringene til å "
+"støtte markeder, vekst og produktivitet. Over tid ga tilgang til "
+"markedsproduserte varer en økende levestandard, bedre helse og utdanning. "
+"Fig. 6 viser hvordan markedet i dag er hovedmåten for ressurhåndtering."
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:829
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:835
+#, fuzzy
+#| msgid "### A Short History of the Commons"
+msgid "State takeover of the commons"
+msgstr "### Commons korte historie"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:611
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:831
msgid ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C4000005150F069409C1CC12F0.png\" width=\"100.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C4000005150F069409C1CC12F0.png\" width=\"100.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:615
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:841
msgid ""
"However, the world today is going through turbulent times. The benefits of "
"the market have been offset by unequal distribution and overexploitation."
"Men i dag går verden gjennom turbulente tider. Fordelene med markedet har "
"blitt motvirket av ulik fordeling og rovdrift."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:624
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:846
msgid ""
"Overexploitation was the topic of Garrett Hardin’s influential essay “The "
"Tragedy of the Commons,” published in Science in 1968. Hardin argues that "
"everyone in a commons seeks to maximize personal gain and will continue to "
-"do so even when the limits of the commons are reached. The commons is then "
+"do so even when the limits of the commons are reached. The commons is then "
"tragically depleted to the point where it can no longer support anyone. "
"Hardin’s essay became widely accepted as an economic truism and a "
"justification for private property and free markets."
msgstr ""
-"Fiskeriressurser var tema for Garrett Hardin innflytelsesrike essay om \"The "
-"Tragedy of the Commons,\" publisert i Science i 1968. Hardin hevder at alle "
-"i et allmenneie søker å maksimere personlig vinning og vil fortsette å gjøre "
-"så selv når allmenningens grenser er nådd. Felleseiet blir så, tragisk nok, "
-"utarmet til et punkt hvor det ikke lenger understøtter noen. Hardins essay "
-"ble allment akseptert som en økonomisk sannhet og en begrunnelse for privat "
-"eiendom og frie markeder."
+"Overutnyttelse var tema for Garrett Hardins innflytelsesrike essay om «The "
+"Tragedy of the Commons», publisert i Science i 1968. Hardin hevder at alle i "
+"et allmenneie søker å maksimere personlig vinning, og vil fortsette å gjøre "
+"det selv når allmenningens grenser er nådd. Felleseiet blir så, tragisk "
+"nok, utarmet til et punkt hvor det ikke lenger understøtter noen. Hardins "
+"essay ble allment akseptert som en økonomisk sannhet og en begrunnelse for "
+"privat eiendom og frie markeder."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:873
+#, fuzzy
+#| msgid ""
+#| "Cole, “Learning from Lin,” in Frischmann, Madison, and Strandburg, "
+#| "Governing Knowledge Commons, 59."
+msgid ""
+"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg, "
+"“Governing Knowledge Commons,” in Frischmann, Madison, and Strandburg "
+"Governing Knowledge Commons, 12."
+msgstr ""
+"Cole, «Learning from Lin», i Frischmann, Madison, og Strandburg, Governing "
+"Knowledge Commons, 59."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:641
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:856
msgid ""
"However, there is one serious flaw with Hardin’s “The Tragedy of the "
"Commons”—it’s fiction. Hardin did not actually study how real commons work. "
"situated to manage it. Ostrom’s approach to the governance of natural "
"resources broke with convention; she recognized the importance of the "
"commons as an alternative to the market or state for solving problems of "
-"collective action.14"
+"collective action.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Men det er en alvorlig feil med Hardins \"Allmenningens tragedie\"- det er "
+"Men det er en alvorlig feil med Hardins «Allmenningens tragedie» - det er "
"fiksjon. Hardin studerer ikke faktisk hvordan virkelige felleseier fungerer. "
"Elinor Ostrom vant Nobelprisen i økonomi i 2009 for sitt arbeid med å med "
"studere allmenneier over hele verden. Ostroms arbeid viser at naturressurs-"
"med naturressursene, har den mest direkte relasjonen, og en historie knyttet "
"til dem, og er derfor best plassert til å administrere den. Ostroms "
"tilnærming til styringen av naturressurser brøt med konvensjonen; hun innså "
-"betydningen av felleseie som et alternativ til markedet eller staten for "
-"løsning av oppgaver med problemløsning som krever felles innsats.14"
+"betydningen av felleseie som et alternativ til markedet, eller staten for "
+"løsning av oppgaver med problemløsning som krever felles innsats."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:651
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:879
msgid ""
"Hardin failed to consider the actual social dynamic of the commons. His "
"model assumed that people in the commons act autonomously, out of pure self-"
"while Hardin’s essay is called The Tragedy of the Commons it might more "
"accurately be titled The Tragedy of the Market."
msgstr ""
-"Hardin mislyktes å vurdere den faktiske sosiale dynamikken ved felleseie. "
-"Hans modell antok at folk i allmenneier halet uavhengig av hveandre, ut fra "
-"ren egeninteresse, uten interaksjon eller ta andre i betraktning. Men som "
+"Hardin mislyktes i å vurdere den faktiske sosiale dynamikken ved felleseie. "
+"Hans modell antok at folk i allmenneier handler uavhengig av hverandre, ut "
+"fra ren egeninteresse, uten interaksjon eller hensyn til andre. Men som "
"Ostrom fant, i virkeligheten, å håndtere felles ressurser sammen, danner et "
"fellesskap og oppfordrer til meningsutveksling. Dette generer naturligvis "
-"normer og regler som hjelpe folk til å arbeide sammen og sikre et "
+"normer og regler som hjelpe folk til å arbeide sammen, og sikre et "
"bærekraftig felleseie. Paradoksalt nok, mens Hardins essay kalles The "
-"tragedy of the Commons kanskje det mer nøyaktig burde ha tittelen The "
+"tragedy of the Commons, burde det kanskje mer nøyaktig hatt tittelen The "
"Tragedy of the Market."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:661
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:895
+msgid ""
+"Farley and Kubiszewski, “Economics of Information,” in Elliott and Hepting, "
+"Free Knowledge, 203."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:891
msgid ""
"Hardin’s story is based on the premise of depletable resources. Economists "
-"have focused almost exclusively on scarcity-based markets. Very little is "
-"known about how abundance works.15 The emergence of information technology "
-"and the Internet has led to an explosion in digital resources and new means "
-"of sharing and distribution. Digital resources can never be depleted. An "
-"absence of a theory or model for how abundance works, however, has led the "
-"market to make digital resources artificially scarce and makes it possible "
-"for the usual market norms and rules to be applied."
+"have focused almost exclusively on scarcity-based markets. Very little is "
+"known about how abundance works.<placeholder type=\"footnote\" id=\"0\"/> "
+"The emergence of information technology and the Internet has led to an "
+"explosion in digital resources and new means of sharing and distribution. "
+"Digital resources can never be depleted. An absence of a theory or model for "
+"how abundance works, however, has led the market to make digital resources "
+"artificially scarce and makes it possible for the usual market norms and "
+"rules to be applied."
msgstr ""
"Hardins historie er basert på forutsetningen om begrensede ressurser. "
-"Økonomer har fokusert nesten utelukkende, på knapphet-baserte markeder. "
-"Svært lite er kjent om virkningene av overflod.15 Fremveksten av "
-"informasjonsteknologi og Internett har ført til en eksplosjon i digitale "
-"ressurser og nye måter for deling og distribusjon. Digitale ressursene kan "
-"aldri bli uttømt. Fravær av en teori eller modell for hvordan overflod "
-"fungerer, har ledet markedet til å gjøre digitale ressurser kunstig knappe, "
-"og gjøre det mulig å anvende markedets vanlige normer og regler."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:666
+"Økonomer har fokusert nesten utelukkende på knapphetsbaserte markeder. "
+"Svært lite er kjent om virkningene av overflod.<placeholder type=\"footnote"
+"\" id=\"0\"/> Fremveksten av informasjonsteknologi og Internett har ført "
+"til en eksplosjon i digitale ressurser og nye måter for deling og "
+"distribusjon. Digitale ressursene kan aldri bli uttømt. Fravær av en teori "
+"eller modell for hvordan overflod fungerer, har ledet markedet til å gjøre "
+"digitale ressurser kunstig knappe, og gjøre det mulig å anvende markedets "
+"vanlige normer og regler."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:906
msgid ""
"When it comes to use of state funds to create digital goods, however, there "
"is really no justification for artificial scarcity. The norm for state "
"for statlig finansierte digitale arbeider skal være at de er fritt og åpent "
"tilgjengelige for allmennheten som betalte for dem."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:669
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:913
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:919
+msgid "Today"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:915
msgid ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C400000515F1CAA15B223F6BAF.png\" width=\"100.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000009C400000515F1CAA15B223F6BAF.png\" width=\"100.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:671
-msgid "### The Digital Revolution"
-msgstr "### Den digitale revolusjonen"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:925
+msgid "The Digital Revolution"
+msgstr "Den digitale revolusjonen"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:675
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:927
msgid ""
"In the early days of computing, programmers and developers learned from each "
"other by sharing software. In the 1980s, the free-software movement codified "
"this practice of sharing into a set of principles and freedoms:"
msgstr ""
-"I databehandlingens tidlige dager lærte programmerere og utviklere lært fra "
-"hverandre ved å dele programvare. På 80-tallet kodifiserte fri programvare-"
+"I databehandlingens tidlige dager lærte programmerere og utviklere fra "
+"hverandre ved å dele programvare. På 1980-tallet kodifiserte fri programvare-"
"bevegelsen denne delingspraksisen til et sett med prinsipper og friheter:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:935
msgid "The freedom to run a software program as you wish, for any purpose."
msgstr "Frihet til å kjøre et program som du ønsker, for ethvert formål."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:941
msgid ""
"The freedom to study how a software program works (because access to the "
"source code has been freely given), and change it so it does your computing "
"kildekoden er frigitt), og endre den så den utfører databehandlingen din "
"slik du ønsker."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:948
msgid "The freedom to redistribute copies."
msgstr "Friheten til å redistribuere kopier."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
-msgid "The freedom to distribute copies of your modified versions to others.16"
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:955
+msgid ""
+"“What Is Free Software?” GNU Operating System, the Free Software "
+"Foundation’s Licensing and Compliance Lab, accessed December 30, 2016, "
+"<ulink url=\"http://www.gnu.org/philosophy/free-sw\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:953
+msgid ""
+"The freedom to distribute copies of your modified versions to others."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Friheten til å distribuere kopier av dine modifiserte versjoner til andre.16"
+"Friheten til å distribuere kopier av dine modifiserte versjoner til andre."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:686
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:964
msgid ""
"These principles and freedoms constitute a set of norms and rules that "
"typify a digital commons."
msgstr ""
-"Disse prinsippene og friheter utgjør et sett av normer og regler som "
+"Disse prinsippene og frihetene utgjør et sett av normer og regler som "
"karakteriserer et digitalt felleseie."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:699
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:979
+msgid ""
+"Wikipedia, s.v. “Open-source software,” last modified November 22, 2016."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:968
msgid ""
"In the late 1990s, to make the sharing of source code and collaboration more "
"appealing to companies, the open-source-software initiative converted these "
"recognized and accepted. Customers liked the way open source gave them "
"control without being locked into a closed, proprietary technology. Free and "
"open-source software also generated a network effect where the value of a "
-"product or service increases with the number of people using it.17 The "
-"dramatic growth of the Internet itself owes much to the fact that nobody has "
-"a proprietary lock on core Internet protocols."
+"product or service increases with the number of people using it.<placeholder "
+"type=\"footnote\" id=\"0\"/> The dramatic growth of the Internet itself owes "
+"much to the fact that nobody has a proprietary lock on core Internet "
+"protocols."
msgstr ""
"I 1990, for å gjøre deling av kildekode og samarbeid mer tiltrekkende for "
-"selskaper, konverterte åpen-kildekode-programvare- initiativet prinsippene "
-"til lisenser og standarder for å håndtere tilgang til og distribusjon av "
+"selskaper, konverterte åpen-kildekodeprogramvare-initiativet prinsippene til "
+"lisenser og standarder for å håndtere tilgang til og distribusjon av "
"programvare. Fordelene av åpen kildekode - som pålitelighet, skalerbarhet og "
"kvalitet kontrollert av uavhengige fagfellevurderinger, ble anerkjent og "
-"akseptert. Kundene likte måten åpen kildekode ga dem kontroll uten blir låst "
-"inn i en lukket, proprietær teknologi. Gratis og åpen kildekode-programvare "
-"genereres også en nettverk-effekt der verdien av et produkt eller tjeneste "
-"øker med antall personer som bruker det.17 Den dramatiske veksten i selve "
-"Internettet skyldes mye til det faktum at ingen har en proprietær lås på "
-"kjernens Internett-protokoller."
+"akseptert. Kundene likte måten åpen kildekode ga dem kontroll uten å bli "
+"låst inn i en lukket, proprietær teknologi. Gratis og åpen "
+"kildekodeprogramvare genereres også en nettverkseffekt der verdien av et "
+"produkt eller tjeneste øker med antall personer som bruker det.<placeholder "
+"type=\"footnote\" id=\"0\"/> Den dramatiske veksten i selve Internettet "
+"skyldes mye det faktum at ingen har en proprietær lås på kjernens Internett-"
+"protokoller."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:994
+msgid ""
+"Eric S. Raymond, “The Magic Cauldron,” in The Cathedral and the Bazaar: "
+"Musings on Linux and Open Source by an Accidental Revolutionary, rev. ed. "
+"(Sebastopol, CA: O’Reilly Media, 2001), <ulink url=\"http://www.catb.org/esr/"
+"writings/cathedral-bazaar/\"/>."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:708
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:986
msgid ""
"While open-source software functions as a commons, many businesses and "
"markets did build up around it. Business models based on the licenses and "
"standards of open-source software evolved alongside organizations that "
"managed software code on principles of abundance rather than scarcity. Eric "
"Raymond’s essay “The Magic Cauldron” does a great job of analyzing the "
-"economics and business models associated with open-source software.18 These "
-"models can provide examples of sustainable approaches for those Made with "
-"Creative Commons."
+"economics and business models associated with open-source software."
+"<placeholder type=\"footnote\" id=\"0\"/> These models can provide examples "
+"of sustainable approaches for those Made with Creative Commons."
msgstr ""
-"Mens åpen kildekode-programvare fungerer som et felleseie, bygget mange "
+"Mens åpen kildekodeprogramvare fungerer som et felleseie, bygget mange "
"bedrifter og markeder seg rundt det. Forretningsmodeller basert på lisenser "
-"og standarder for åpen kilde-kode utviklet seg sammen med organisasjoner som "
+"og standarder for åpen kildekode utviklet seg sammen med organisasjoner som "
"håndterte programvarekode med prinsippene om overflod i stedet for knapphet. "
-"Eric Raymonds essay \"The Magic Cauldron\" gjør en stor jobb med å analysere "
-"økonomi- og forretningsmodellene forbundet med åpen kildekode.18 Disse "
-"modellene kan gi eksempler på bærekraftig tilnærminger for de som er laget "
-"med Creative Commons."
+"Eric Raymonds essay «The Magic Cauldron» gjør en stor jobb med å analysere "
+"økonomi- og forretningsmodellene forbundet med åpen kildekode.<placeholder "
+"type=\"footnote\" id=\"0\"/> Disse modellene kan gi eksempler på "
+"bærekraftige tilnærminger for de som er laget med Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:719
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1003
msgid ""
"It isn’t just about an abundant availability of digital assets but also "
"about abundance of participation. The growth of personal computing, "
"others are excluded from accessing and using it without the creator’s "
"permission."
msgstr ""
-"Det er ikke bare om en rikelig tilgjengelighet av digitale ressurser, men "
-"også om en overflod av deltakelse. Veksten i personlige datamaskiner, "
+"Det handler ikke bare om en rikelig tilgjengelighet av digitale ressurser, "
+"men også om en overflod av deltakelse. Veksten i personlige datamaskiner, "
"informasjonsteknologi og Internett gjorde det mulig for massedeltakelse i "
-"produksjon av kreative arbeider og distribusjon av dem. Bilder, bøker, "
+"produksjon av kreative arbeider, og distribusjon av dem. Bilder, bøker, "
"musikk og mange andre typer digitalt innhold kan nå lett opprettes og "
-"distribueres av nær sagt alle. Til tross for dette overflods-potensialet, er "
-"disse digitale arbeidene som standard ikke underlagt lovgivning om "
-"opphavsrett. Med opphavsrett, at et digitalt arbeid er eiendommen til den "
-"som har laget det, og etter loven, er andre ekskludert fra adgangen til og "
-"bruken det uten opphavspersonens tillatelse."
+"distribueres av nær sagt alle. Til tross for dette overflodspotensialet, er "
+"disse digitale arbeidene som standard underlagt lovgivning om opphavsrett. "
+"Med opphavsrett, at et digitalt arbeid er eiendommen til den som har laget "
+"det, og etter loven, er andre ekskludert fra adgangen til å bruke det uten "
+"opphavspersonens tillatelse."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1022
+msgid ""
+"New York Times Customer Insight Group, The Psychology of Sharing: Why Do "
+"People Share Online? (New York: New York Times Customer Insight Group, "
+"2011), <ulink url=\"http://www.iab.net/media/file/POSWhitePaper.pdf\"/>."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:725
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1016
msgid ""
"But people like to share. One of the ways we define ourselves is by sharing "
"valuable and entertaining content. Doing so grows and nourishes "
"relationships, seeks to change opinions, encourages action, and informs "
"others about who we are and what we care about. Sharing lets us feel more "
-"involved with the world.19"
+"involved with the world.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Men folk liker å dele. En av måtene vi definerer oss selv på er å dele "
-"verdifull og underholdende innhold. Dermed vokser og nærer relasjoner, vi "
-"søker å endre meninger, oppmuntrer til handing, og informerer andre om hvem "
-"vi er og hva vi bryr oss om. Deling lar oss føle oss mer involvert i "
-"verden.19"
+"verdifull og underholdende innhold. Dette gir vekst og næring til "
+"relasjoner, vi søker å endre meninger, oppmuntrer til handling, og "
+"informerer andre om hvem vi er og hva vi bryr oss om. Deling lar oss føle "
+"oss mer involvert i verden.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:727
-msgid "### The Birth of Creative Commons"
-msgstr "### Creative Commons blir til"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1030
+msgid "The Birth of Creative Commons"
+msgstr "Creative Commons blir til"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:734
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1032
msgid ""
"In 2001, Creative Commons was created as a nonprofit to support all those "
"who wanted to share digital content. A suite of Creative Commons licenses "
"individual creators to large companies and institutions a simple, "
"standardized way to grant copyright permissions to their creative work."
msgstr ""
-"I 2001, ble Creative Commons opprettet som et nonprofit opplegg for å støtte "
+"I 2001 ble Creative Commons opprettet som et nonprofit opplegg for å støtte "
"alle de som ønsket å dele digitalt innhold. En pakke med Creative Commons-"
-"lisenser var modellert etter de for programvare med åpen kilde-kode, men for "
+"lisenser var modellert etter de for programvare med åpen kildekode, men for "
"bruk for digitalt innhold i stedet for programvarekode. Lisensene gir alle, "
-"fra individuelle skaperne til store selskaper og institusjoner, en "
-"standardisert måte for å gi opphavsretts-tillatelser for sitt skapende "
-"arbeid."
+"fra individuelle skapere til store selskaper og institusjoner, en enkel "
+"standardisert måte å gi opphavsrettstillatelser for sitt skapende arbeid."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:748
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1053
+msgid ""
+"“Licensing Considerations,” Creative Commons, accessed December 30, 2016, "
+"<ulink url=\"http://creativecommons.org/share-your-work/licensing-"
+"considerations/\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1041
msgid ""
"Creative Commons licenses have a three-layer design. The norms and rules of "
"each license are first expressed in full legal language as used by lawyers. "
"beneath. The third layer is the machine-readable one, making it easy for the "
"Web to know a work is Creative Commons–licensed by expressing permissions in "
"a way that software systems, search engines, and other kinds of technology "
-"can understand.20 Taken together, these three layers ensure creators, users, "
-"and even the Web itself understand the norms and rules associated with "
-"digital content in a commons."
+"can understand.<placeholder type=\"footnote\" id=\"0\"/> Taken together, "
+"these three layers ensure creators, users, and even the Web itself "
+"understand the norms and rules associated with digital content in a commons."
msgstr ""
"Creative Commons-lisenser har en tre-lags design. Normer og regler for hver "
-"lisens uttrykkes først i fullt ut i det juridiske språket som brukes av "
+"lisens uttrykkes først fullt ut i det juridiske språket som brukes av "
"advokater. Dette kalles den juridiske lisensteksten. Men siden de fleste "
-"bidragsytere og brukere ikke er advokater, lisensene har også en commons "
+"bidragsytere og brukere ikke er advokater, har lisensene også en commons "
"avtaletekst, som uttrykker tillatelsene i vanlig språk, som folk flest raskt "
"kan lese og forstå. Det fungerer som et brukervennlig grensesnitt til den "
"juridiske koden som ligger under. Det tredje laget er den maskinlesbare, som "
"gjør det enkelt for Internettet å vite om et arbeid har en Creative Commons-"
"lisens ved å uttrykke tillatelser på en måte som programvaresystemer, "
-"søkemotorer og andre typer teknologi kan forstå.20 Sett samlet sikrer disse "
-"tre lagene at skaperne, brukere, og selv nettområdet selv forstår normer og "
-"regler for digitalt innhold i et allemannseie."
+"søkemotorer og andre typer teknologi kan forstå.<placeholder type=\"footnote"
+"\" id=\"0\"/> Sett samlet sikrer disse tre lagene at skaperne, brukere, og "
+"nettområdet selv forstår normer og regler for digitalt innhold i et "
+"allemannseie."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:755
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1061
msgid ""
"In 2015, there were over one billion Creative Commons licensed works in a "
-"global commons. These works were viewed online 136 billion times. People "
-"are using Creative Commons licenses all around the world, in thirty-four "
+"global commons. These works were viewed online 136 billion times. People are "
+"using Creative Commons licenses all around the world, in thirty-four "
"languages. These resources include photos, artwork, research articles in "
"journals, educational resources, music and other audio tracks, and videos."
msgstr ""
"inkluderer bilder, illustrasjoner, forskningsartikler i tidsskrifter, "
"pedagogiske ressurser, musikk og andre lydspor, og videoer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:763
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1074
+msgid ""
+"Creative Commons, 2015 State of the Commons (Mountain View, CA: Creative "
+"Commons, 2015), <ulink url=\"http://stateof.creativecommons.org/2015/\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1069
msgid ""
"Individual artists, photographers, musicians, and filmmakers use Creative "
"Commons, but so do museums, governments, creative industries, manufacturers, "
"and publishers. Millions of websites use CC licenses, including major "
-"platforms like Wikipedia and Flickr and smaller ones like blogs.21 Users of "
-"Creative Commons are diverse and cut across many different sectors. (Our "
-"case studies were chosen to reflect that diversity.)"
+"platforms like Wikipedia and Flickr and smaller ones like blogs.<placeholder "
+"type=\"footnote\" id=\"0\"/> Users of Creative Commons are diverse and cut "
+"across many different sectors. (Our case studies were chosen to reflect that "
+"diversity.)"
msgstr ""
"Individuelle kunstnere, fotografer, musikere og filmskapere bruker Creative "
-"Commons, men så også museer, regjeringer, kreative næringer, produsenter og "
-"forleggere. Millioner av nettsteder bruker CC-lisenser, inkludert store "
-"plattformer som Wikipedia og Flickr, og mindre som blogger.21 Brukere av "
-"Creative Commons er mangfoldige og går på tvers av mange ulike sektorer. ("
-"Våre referanseløsninger ble valgt for å reflektere det mangfoldet.)"
+"Commons, men det gjør også museer, regjeringer, kreative næringer, "
+"produsenter og forleggere. Millioner av nettsteder bruker CC-lisenser, "
+"inkludert store plattformer som Wikipedia og Flickr, og mindre slik som "
+"blogger.<placeholder type=\"footnote\" id=\"0\"/> Brukere av Creative "
+"Commons er mangfoldige, og går på tvers av mange ulike sektorer. (Våre "
+"referanseløsninger ble valgt for å reflektere dette mangfoldet.)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:773
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1082
msgid ""
"Some see Creative Commons as a way to share a gift with others, a way of "
-"getting known, or a way to provide social benefit. Others are simply "
+"getting known, or a way to provide social benefit. Others are simply "
"committed to the norms associated with a commons. And for some, "
"participation has been spurred by the free-culture movement, a social "
"movement that promotes the freedom to distribute and modify creative works. "
"software movement."
msgstr ""
"Noen ser Creative Commons som en måte å dele en gave med andre, en måte for "
-"å bli kjent, eller en måte å gi en sosial fordel. Andre er bare forpliktet i "
-"forhold til normene knyttet til et allemannseie. Og for noen, er deltakelsen "
-"ansporet av gratis-kultur-bevegelsen, en sosial bevegelse som fremmer "
-"friheten til å distribuere og endre kreative arbeider. Gratis-kultur "
+"å bli kjent, eller en måte å gi en sosial fordel på. Andre er bare "
+"forpliktet i forhold til normene knyttet til et allemannseie. Og for noen er "
+"deltakelsen ansporet av fri kultur-bevegelsen, en sosial bevegelse som "
+"fremmer friheten til å distribuere og endre kreative arbeider. Fri kultur-"
"bevegelsen ser at allemannseie gir viktige fordeler sammenlignet med "
"restriktive lover om opphavsrett. Denne grunnholdning til fri utveksling i "
-"en allmenning samstemmer gratis-kultur bevegelsen med den frie og åpen "
+"en allmenning samstemmer fri kultur-bevegelsen med den frie og åpen "
"kildekode-programvare-bevegelsen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:779
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1094
msgid ""
"Over time, Creative Commons has spawned a range of open movements, including "
"open educational resources, open access, open science, and open data. The "
msgstr ""
"Over tid, har Creative Commons avfødt en hel rekke med åpne bevegelser, "
"inkludert åpne pedagogiske ressurser, åpen tilgang, åpen vitenskap og åpne "
-"data. Målet har i alle tilfeller vært å demokratisere deltakelse og dele "
+"data. Målet har i alle tilfeller vært å demokratisere deltakelse, og dele "
"digitale ressurser kostnadsfritt, med juridiske tillatelser for alle for "
"fritt å ha tilgang, bruke, og endre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:789
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1107
+msgid ""
+"Wikipedia, s.v. “Open Government Partnership,” last modified September 24, "
+"2016, <ulink url=\"http://en.wikipedia.org/wiki/Open_Government_Partnership"
+"\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1102
msgid ""
-"The state is increasingly involved in supporting open movements. The Open "
+"The state is increasingly involved in supporting open movements. The Open "
"Government Partnership was launched in 2011 to provide an international "
"platform for governments to become more open, accountable, and responsive to "
"citizens. Since then, it has grown from eight participating countries to "
-"seventy.22 In all these countries, government and civil society are working "
-"together to develop and implement ambitious open-government reforms. "
-"Governments are increasingly adopting Creative Commons to ensure works "
-"funded with taxpayer dollars are open and free to the public that paid for "
-"them."
+"seventy.<placeholder type=\"footnote\" id=\"0\"/> In all these countries, "
+"government and civil society are working together to develop and implement "
+"ambitious open-government reforms. Governments are increasingly adopting "
+"Creative Commons to ensure works funded with taxpayer dollars are open and "
+"free to the public that paid for them."
msgstr ""
"Staten er i økende grad involvert i å støtte åpne bevegelser. The Open "
-"Government Partnership ble lansert i 2011 for å gi en internasjonal "
-"plattform for regjeringer til å bli mer åpne, ansvarlige og mottakelige i "
-"forhold til innbyggerne. Siden da har det vokst fra åtte deltakerlandene til "
-"sytti.22 I alle disse landene, arbeider regjeringen og det sivile samfunnet "
-"sammen om å utvikle og implementere ambisiøse åpen-regjering-reformer. "
-"Regjeringer adopterer i økende grad Creative Commons for å sikre at arbeid "
-"finansiert av skattebetalerne er åpent og gratis for det publikum som "
+"Government Partnership (åpen regjeringspartnerskap) ble lansert i 2011 for å "
+"gi en internasjonal plattform for regjeringer til å bli mer åpne, ansvarlige "
+"og mottakelige i forhold til innbyggerne. Siden da har det vokst fra åtte "
+"deltakerland til sytti.<placeholder type=\"footnote\" id=\"0\"/> I alle "
+"disse landene arbeider regjeringen og det sivile samfunnet sammen om å "
+"utvikle og implementere ambisiøse åpen-regjering-reformer (offentlige "
+"reformer). Regjeringer bruker i økende grad Creative Commons for å sikre at "
+"arbeid finansiert av skattebetalerne er åpent og gratis for det publikum som "
"betalte for dem."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:791
-msgid "### The Changing Market"
-msgstr "### Markedet i forandring"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1118
+msgid "The Changing Market"
+msgstr "Markedet i forandring"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1126
+msgid "Capra and Mattei, Ecology of Law, 114."
+msgstr "Capra og Mattei, Ecology of Law, 114."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1134
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 116."
+msgstr "Ibid., 15."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:803
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1120
+#, fuzzy
+#| msgid ""
+#| "Today’s market is largely driven by global capitalism. Law and financial "
+#| "systems are structured to support extraction, privatization, and "
+#| "corporate growth. A perception that the market is more efficient than the "
+#| "state has led to continual privatization of many public natural "
+#| "resources, utilities, services, and infrastructures.23 While this system "
+#| "has been highly efficient at generating consumerism and the growth of "
+#| "gross domestic product, the impact on human well-being has been mixed. "
+#| "Offsetting rising living standards and improvements to health and "
+#| "education are ever-increasing wealth inequality, social inequality, "
+#| "poverty, deterioration of our natural environment, and breakdowns of "
+#| "democracy.24"
msgid ""
"Today’s market is largely driven by global capitalism. Law and financial "
"systems are structured to support extraction, privatization, and corporate "
"growth. A perception that the market is more efficient than the state has "
"led to continual privatization of many public natural resources, utilities, "
-"services, and infrastructures.23 While this system has been highly efficient "
-"at generating consumerism and the growth of gross domestic product, the "
-"impact on human well-being has been mixed. Offsetting rising living "
-"standards and improvements to health and education are ever-increasing "
-"wealth inequality, social inequality, poverty, deterioration of our natural "
-"environment, and breakdowns of democracy.24"
+"services, and infrastructures.<placeholder type=\"footnote\" id=\"0\"/> "
+"While this system has been highly efficient at generating consumerism and "
+"the growth of gross domestic product, the impact on human well-being has "
+"been mixed. Offsetting rising living standards and improvements to health "
+"and education are ever-increasing wealth inequality, social inequality, "
+"poverty, deterioration of our natural environment, and breakdowns of "
+"democracy.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Dagens marked er i stor grad drevet av global kapitalisme. Lov og økonomiske "
"systemer er strukturert for å støtte inntjening, privatisering og bedriftens "
-"vekst. En oppfatning at markedet er mer effektiv enn det offentlige har ført "
-"til en kontinuerlig privatisering av mange offentlige ressurser, "
-"hjelpemidler, tjenester og infrastruktur.23 Mens dette systemet har vært "
-"svært effektiv til å generere forbruk og vekst i bruttonasjonalproduktet, "
+"vekst. En oppfatning at markedet er mer effektivt enn det offentlige, har "
+"ført til en kontinuerlig privatisering av mange offentlige ressurser, "
+"hjelpemidler, tjenester og infrastruktur.23) Mens dette systemet har vært "
+"svært effektivt til å generere forbruk og vekst i bruttonasjonalproduktet, "
"har innvirkningen på menneskets trivsel vært blandet. Motstykket til økende "
-"levestandard og forbedringer i helse og utdanning, er stadig økende "
-"ulikheter i rikdom, sosial ulikhet, fattigdom, forverring av vårt naturlige "
-"miljø, og demokratiske sammenbrudd.24"
+"levestandard og forbedringer i helse og utdanning er stadig økende ulikheter "
+"i rikdom, sosial ulikhet, fattigdom, forverring av vårt naturlige miljø, og "
+"demokratiske sammenbrudd.24)"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1144
+msgid ""
+"The Swedish International Development Cooperation Agency, “Stockholm "
+"Statement” accessed February 15, 2017, <ulink url=\"http://sida.se/"
+"globalassets/sida/eng/press/stockholm-statement.pdf\"/>"
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:809
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1138
+#, fuzzy
+#| msgid ""
+#| "In light of these challenges there is a growing recognition that GDP "
+#| "growth should not be an end in itself, that development needs to be "
+#| "socially and economically inclusive, that environmental sustainability is "
+#| "a requirement not an option, and that we need to better balance the "
+#| "market, state and community.25"
msgid ""
"In light of these challenges there is a growing recognition that GDP growth "
"should not be an end in itself, that development needs to be socially and "
"economically inclusive, that environmental sustainability is a requirement "
"not an option, and that we need to better balance the market, state and "
-"community.25"
+"community.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"I lys av disse utfordringene er det en voksende anerkjennelse av at BNP-"
"veksten ikke bør være et mål i seg selv, at utvikling trenger å være sosialt "
"og økonomisk inkluderende, at miljømessig bærekraft er en forutsetning ikke "
-"et alternativ, og at vi trenger å bedre balanse markedet, stat og samfunn.25"
+"et alternativ, og at vi trenger å balansere markedet, stat og samfunn "
+"bedre.25)"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1155
+msgid ""
+"City of Bologna, Regulation on Collaboration between Citizens and the City "
+"for the Care and Regeneration of Urban Commons, trans. LabGov (LABoratory "
+"for the GOVernance of Commons) (Bologna, Italy: City of Bologna, 2014), "
+"<ulink url=\"http://www.labgov.it/wp-content/uploads/sites/9/Bologna-"
+"Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-"
+"regeneration-of-urban-commons1.pdf\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1165
+msgid ""
+"The Seoul Sharing City website is <ulink url=\"http://english.sharehub.kr\"/"
+">; for Amsterdam Sharing City, go to <ulink url=\"http://www.sharenl.nl/"
+"amsterdam-sharing-city/\"/>."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:817
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1150
+#, fuzzy
+#| msgid ""
+#| "These realizations have led to a resurgence of interest in the commons as "
+#| "a means of enabling that balance. City governments like Bologna, Italy, "
+#| "are collaborating with their citizens to put in place regulations for the "
+#| "care and regeneration of urban commons.26 Seoul and Amsterdam call "
+#| "themselves “sharing cities,” looking to make sustainable and more "
+#| "efficient use of scarce resources. They see sharing as a way to improve "
+#| "the use of public spaces, mobility, social cohesion, and safety.27"
msgid ""
"These realizations have led to a resurgence of interest in the commons as a "
"means of enabling that balance. City governments like Bologna, Italy, are "
"collaborating with their citizens to put in place regulations for the care "
-"and regeneration of urban commons.26 Seoul and Amsterdam call themselves "
-"“sharing cities,” looking to make sustainable and more efficient use of "
-"scarce resources. They see sharing as a way to improve the use of public "
-"spaces, mobility, social cohesion, and safety.27"
+"and regeneration of urban commons.<placeholder type=\"footnote\" id=\"0\"/> "
+"Seoul and Amsterdam call themselves “sharing cities,” looking to make "
+"sustainable and more efficient use of scarce resources. They see sharing as "
+"a way to improve the use of public spaces, mobility, social cohesion, and "
+"safety.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Disse erkjennelser har ført til en fornyet interesse i allemannseie som "
"muliggjør en slik balanse. Byregjeringer, som italienske Bologna, "
-"samarbeider med sine innbyggere å få til forskrifter for omsorg for og "
-"modernisering av bymessige felleseier.26 Seoul og Amsterdam kaller seg \""
-"delingsbyer,\" når de søker etter å få til bærekraftig og mer effektiv bruk "
-"av knappe ressurser. De ser som en måte å forbedre bruken av offentlige rom, "
-"mobilitet, sosialt samhold og sikkerhet.27"
+"samarbeider med sine innbyggere for å få til forskrifter for omsorg for og "
+"modernisering av bymessige felleseier.26) Seoul og Amsterdam kaller seg "
+"«delingsbyer», når de søker etter å få til bærekraftig og mer effektiv bruk "
+"av knappe ressurser. De ser deling som en måte å forbedre bruken av "
+"offentlige rom, mobilitet, sosialt samhold og sikkerhet.27)"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1182
+msgid ""
+"Tom Slee, What’s Yours Is Mine: Against the Sharing Economy (New York: OR "
+"Books, 2015), 42."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:834
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1172
+#, fuzzy
+#| msgid ""
+#| "The market itself has taken an interest in the sharing economy, with "
+#| "businesses like Airbnb providing a peer-to-peer marketplace for short-"
+#| "term lodging and Uber providing a platform for ride sharing. However, "
+#| "Airbnb and Uber are still largely operating under the usual norms and "
+#| "rules of the market, making them less like a commons and more like a "
+#| "traditional business seeking financial gain. Much of the sharing economy "
+#| "is not about the commons or building an alternative to a corporate-driven "
+#| "market economy; it’s about extending the deregulated free market into new "
+#| "areas of our lives.28 While none of the people we interviewed for our "
+#| "case studies would describe themselves as part of the sharing economy, "
+#| "there are in fact some significant parallels. Both the sharing economy "
+#| "and the commons make better use of asset capacity. The sharing economy "
+#| "sees personal residents and cars as having latent spare capacity with "
+#| "rental value. The equitable access of the commons broadens and "
+#| "diversifies the number of people who can use and derive value from an "
+#| "asset."
msgid ""
"The market itself has taken an interest in the sharing economy, with "
"businesses like Airbnb providing a peer-to-peer marketplace for short-term "
-"lodging and Uber providing a platform for ride sharing. However, Airbnb and "
+"lodging and Uber providing a platform for ride sharing. However, Airbnb and "
"Uber are still largely operating under the usual norms and rules of the "
"market, making them less like a commons and more like a traditional business "
"seeking financial gain. Much of the sharing economy is not about the commons "
"or building an alternative to a corporate-driven market economy; it’s about "
-"extending the deregulated free market into new areas of our lives.28 While "
-"none of the people we interviewed for our case studies would describe "
-"themselves as part of the sharing economy, there are in fact some "
-"significant parallels. Both the sharing economy and the commons make better "
-"use of asset capacity. The sharing economy sees personal residents and cars "
-"as having latent spare capacity with rental value. The equitable access of "
-"the commons broadens and diversifies the number of people who can use and "
-"derive value from an asset."
-msgstr ""
-"Markedet selv har tatt en interesse i delingsøkonomien, med bedrifter som "
-"Airbnb som gir et peer-to-peer markedet for kortvarig overnatting og Uber "
-"som gir en plattform for deling av bilturer. Mens Airbnb og Uber fortsatt i "
-"stor grad opererer med vanlige normer og regler i et marked, noe som gjør "
-"dem mindre som en felleseier mo mer som en tradisjonell virksomhet som søker "
-"finansiell inntjening. Mye av delingsøkonomien er ikke om allmennger eller å "
-"bygge et alternativ til en bedrifts-drevet markedsøkonomi; Det handler om å "
-"utvide det deregulerte frie markedet til nye områder i våre lives.28 Mens "
-"ingen av de vi intervjuet for våre referanseløsninger ville beskriver seg "
-"selv som en del av delingsøkonomien, er det faktisk noen viktige "
-"paralleller. Både delingsøkonomi og allmenneie gjøre bedre bruk av "
-"eiendelens kapasitet. Delingsøkonomien ser personlig beboere og biler som "
-"har en latent ekstra kapasitet med utleieverdi. Rettferdig tilgang på "
-"felleseier utvider og diversifiserer antall personer som kan bruke og få "
-"verdi ut av en eiendel."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:844
+"extending the deregulated free market into new areas of our lives."
+"<placeholder type=\"footnote\" id=\"0\"/> While none of the people we "
+"interviewed for our case studies would describe themselves as part of the "
+"sharing economy, there are in fact some significant parallels. Both the "
+"sharing economy and the commons make better use of asset capacity. The "
+"sharing economy sees personal residents and cars as having latent spare "
+"capacity with rental value. The equitable access of the commons broadens and "
+"diversifies the number of people who can use and derive value from an asset."
+msgstr ""
+"Markedet selv har vært interessert i delingsøkonomien, med bedrifter som "
+"Airbnb som gir et peer-to-peer marked (P2P: likemannsnettverk) for kortvarig "
+"overnatting, og Uber som gir en plattform for deling av bilturer. Airbnb og "
+"Uber opererer imidlertid fortsatt i stor grad med vanlige normer og regler i "
+"et marked, noe som gjør dem mindre som en felleseier, og mer som en "
+"tradisjonell virksomhet som søker finansiell inntjening. Mye av "
+"delingsøkonomien er ikke om allmenneier, eller å bygge et alternativ til en "
+"bedriftsdrevet markedsøkonomi: Det handler om å utvide det deregulerte frie "
+"markedet til nye områder i våre liv.28) Mens ingen av de vi intervjuet for "
+"våre referanseløsninger ville beskrive seg selv som en del av "
+"delingsøkonomien, er det faktisk noen viktige paralleller. Både "
+"delingsøkonomi og allmenneie gjør bedre bruk av eiendelens kapasitet. "
+"Delingsøkonomien ser på personlig beboere og biler å ha en latent ekstra "
+"kapasitet med utleieverdi. Rettferdig tilgang på felleseier utvider og "
+"diversifiserer (spre, fordele på ) antall personer som kan bruke og få verdi "
+"ut av en eiendel."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1204
+#, fuzzy
+#| msgid ""
+#| "Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+#| "Something for Nothing, reprint with new preface (New York: Hyperion, "
+#| "2010), 224."
+msgid ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, Reprint with new preface. (New York: Hyperion, "
+"2010), 78."
+msgstr ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
+"224."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1194
+#, fuzzy
+#| msgid ""
+#| "One way Made with Creative Commons case studies differ from those of the "
+#| "sharing economy is their focus on digital resources. Digital resources "
+#| "function under different economic rules than physical ones. In a world "
+#| "where prices always seem to go up, information technology is an anomaly. "
+#| "Computer-processing power, storage, and bandwidth are all rapidly "
+#| "increasing, but rather than costs going up, costs are coming down. "
+#| "Digital technologies are getting faster, better, and cheaper. The cost of "
+#| "anything built on these technologies will always go down until it is "
+#| "close to zero.29"
msgid ""
"One way Made with Creative Commons case studies differ from those of the "
"sharing economy is their focus on digital resources. Digital resources "
"function under different economic rules than physical ones. In a world where "
-"prices always seem to go up, information technology is an anomaly. Computer-"
+"prices always seem to go up, information technology is an anomaly. Computer-"
"processing power, storage, and bandwidth are all rapidly increasing, but "
-"rather than costs going up, costs are coming down. Digital technologies are "
+"rather than costs going up, costs are coming down. Digital technologies are "
"getting faster, better, and cheaper. The cost of anything built on these "
-"technologies will always go down until it is close to zero.29"
-msgstr ""
-"Enveis \"Made with Creative Commons\" referansestudier skiller seg fra "
-"delingsøkonomien med sine fokus på digitale ressurser. Digitale ressurser "
-"virker under ulike økonomiske regler enn de fysiske. I en verden hvor "
-"prisene alltid synes å gå opp, er informasjonsteknologi et avvik. "
-"Databehandlingsmakt, lagringsplass og båndbredde er alle raskt økende, men "
-"heller enn at kostnadene går opp, går kostnadene ned. Digital teknologi blir "
-"raskere, bedre og billigere. Kostnaden for noe som bygger på disse "
-"teknologiene vil alltid gå ned til nær null.29"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:855
+"technologies will always go down until it is close to zero.<placeholder type="
+"\"footnote\" id=\"0\"/>"
+msgstr ""
+"Enveis «Made with Creative Commons» (Laget med Creative Commons) "
+"referansestudier skiller seg fra delingsøkonomien med sine fokus på digitale "
+"ressurser. Digitale ressurser virker under ulike økonomiske regler enn de "
+"fysiske. I en verden hvor prisene alltid synes å gå opp, er "
+"informasjonsteknologi et avvik. Databehandlingsmakt, lagringsplass og "
+"båndbredde er alle raskt økende, men heller enn at kostnadene går opp, går "
+"kostnadene ned. Digital teknologi blir raskere, bedre og billigere. "
+"Kostnaden for noe som bygger på disse teknologiene vil alltid gå ned til nær "
+"null.29)"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1210
msgid ""
"Those that are Made with Creative Commons are looking to leverage the unique "
"inherent characteristics of digital resources, including lowering costs. The "
"Creative Commons licenses are used to put digital content out in the "
"commons, taking advantage of the unique economics associated with being "
"digital. The aim is to see digital resources used as widely and by as many "
-"people as possible. Maximizing access and participation is a common goal. "
+"people as possible. Maximizing access and participation is a common goal. "
"They aim for abundance over scarcity."
msgstr ""
"De som lages med Creative Commons søker å utnytte de unike iboende "
"egenskaper til digitale ressurser, inkludert å senke kostnadene. Bruken av "
-"digitale rettighetshånterte teknologier i form av låser, passord og "
-"kontroller for å hindre at digitale produkter fra å bli brukt, endret, "
+"digitale rettighetshåndterte teknologier i form av låser, passord og "
+"kontroller for å hindre at digitale produkter blir tilgjengelige, endret, "
"kopiert og distribuert, er minimal eller ikke-eksisterende. I stedet brukes "
"Creative Commons-lisenser til å legge digitalt innhold i felleseier, og ta "
-"fordelen ved av den unike økonomi som er knyttet til å være digital. Målet "
-"er å oppnå at digitale ressursene brukes så mye og av så mange som mulig. "
+"fordelen ved den unike økonomi som er knyttet til å være digital. Målet er å "
+"oppnå at digitale ressursene brukes så mye og av så mange som mulig. "
"Maksimert tilgang og deltakelse er et felles mål. Deres mål er overflod "
"fremfor knapphet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:862
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1229
+msgid ""
+"Jeremy Rifkin, The Zero Marginal Cost Society: The Internet of Things, the "
+"Collaborative Commons, and the Eclipse of Capitalism (New York: Palgrave "
+"Macmillan, 2014), 273."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1224
+#, fuzzy
+#| msgid ""
+#| "The incremental cost of storing, copying, and distributing digital goods "
+#| "is next to zero, making abundance possible. But imagining a market based "
+#| "on abundance rather than scarcity is so alien to the way we conceive of "
+#| "economic theory and practice that we struggle to do so.30 Those that are "
+#| "Made with Creative Commons are each pioneering in this new landscape, "
+#| "devising their own economic models and practice."
msgid ""
"The incremental cost of storing, copying, and distributing digital goods is "
"next to zero, making abundance possible. But imagining a market based on "
"abundance rather than scarcity is so alien to the way we conceive of "
-"economic theory and practice that we struggle to do so.30 Those that are "
-"Made with Creative Commons are each pioneering in this new landscape, "
-"devising their own economic models and practice."
+"economic theory and practice that we struggle to do so.<placeholder type="
+"\"footnote\" id=\"0\"/> Those that are Made with Creative Commons are each "
+"pioneering in this new landscape, devising their own economic models and "
+"practice."
msgstr ""
"Den trinnvise kostnaden ved lagring, kopiering og distribusjon av digitale "
-"produkter er neste til null, og gjør overflod mulig. Men forestille et "
-"marked basert mer på overflod enn knapphet er så fremmed for måten vi tenker "
-"oss økonomisk teori og praksis, så vi strever imot å gjøre det.30 Det som er "
-"laget med Creative Commons er banebrytende i dette nye landskapet, og "
-"utformer sine egne økonomiske modeller og praksiser."
+"produkter er neste null, og gjør overflod mulig. Men å forestille seg et "
+"marked basert mer på overflod snarere enn knapphet er så fremmed for måten "
+"vi tenker oss økonomisk teori og praksis på, at vi strever med å gjøre "
+"det.30) Det som er laget med Creative Commons er banebrytende i dette nye "
+"landskapet, og utformer sine egne økonomiske modeller og praksiser."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:868
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1237
msgid ""
"Some are looking to minimize their interactions with the market and operate "
"as autonomously as possible. Others are operating largely as a business "
"innenfor eksisterende regler og normer for markedet. Og andre igjen, søker "
"etter muligheter til å endre normer og regler som markedet fungerer etter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:879
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1251
+msgid ""
+"Gar Alperovitz, What Then Must We Do? Straight Talk about the Next American "
+"Revolution: Democratizing Wealth and Building a Community-Sustaining Economy "
+"from the Ground Up (White River Junction, VT: Chelsea Green, 2013), 39."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1260
+msgid ""
+"Marjorie Kelly, Owning Our Future: The Emerging Ownership Revolution; "
+"Journeys to a Generative Economy (San Francisco: Berrett-Koehler, 2012), 8–9."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1244
+#, fuzzy
+#| msgid ""
+#| "For an ordinary corporation, making social benefit a part of its "
+#| "operations is difficult, as it’s legally required to make decisions that "
+#| "financially benefit stockholders. But new forms of business are emerging. "
+#| "There are benefit corporations and social enterprises, which broaden "
+#| "their business goals from making a profit to making a positive impact on "
+#| "society, workers, the community, and the environment.31 Community-owned "
+#| "businesses, worker-owned businesses, cooperatives, guilds, and other "
+#| "organizational forms offer alternatives to the traditional corporation. "
+#| "Collectively, these alternative market entities are changing the rules "
+#| "and norms of the market.32"
msgid ""
"For an ordinary corporation, making social benefit a part of its operations "
"is difficult, as it’s legally required to make decisions that financially "
"benefit stockholders. But new forms of business are emerging. There are "
"benefit corporations and social enterprises, which broaden their business "
"goals from making a profit to making a positive impact on society, workers, "
-"the community, and the environment.31 Community-owned businesses, worker-"
-"owned businesses, cooperatives, guilds, and other organizational forms offer "
-"alternatives to the traditional corporation. Collectively, these alternative "
-"market entities are changing the rules and norms of the market.32"
+"the community, and the environment.<placeholder type=\"footnote\" id=\"0\"/> "
+"Community-owned businesses, worker-owned businesses, cooperatives, guilds, "
+"and other organizational forms offer alternatives to the traditional "
+"corporation. Collectively, these alternative market entities are changing "
+"the rules and norms of the market.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
-"For et vanlig aksjeselskap, er det vanskelig å få til sosial fordel med som "
+"For et vanlig aksjeselskap er det vanskelig å få til sosial fordel med som "
"en del av sin virksomhet, så det er lovpålagt å ta avgjørelser til økonomisk "
-"fordel aksjonærene. Men nye former for forretningsvirksomhet vokser frem. "
-"Det er veldedige sammenslutninger og sosiale foretak, som utvider sine "
+"fordel for aksjonærene. Men nye former for forretningsvirksomhet vokser "
+"frem. Det er veldedige sammenslutninger og sosiale foretak som utvider sine "
"forretningsmål fra å gjøre fortjeneste til å gjøre en positiv innvirkning "
-"på samfunnet, arbeidere, lokalsamfunnet og miljøet.31 Felles- og "
-"arbeidstaker-eide bedrifter, kooperativer, laug og andre organisasjonsformer "
+"på samfunnet, arbeidere, lokalsamfunnet og miljøet.31) Fellesskapseide og "
+"arbeidstakereide bedrifter, kooperativer, laug og andre organisasjonsformer "
"er alternativer til tradisjonelle bedrifter. Samlet endrer disse alternative "
-"markedsaktørene markedets regler og normer.32"
+"markedsaktørene markedets regler og normer.32)"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1273
+#, fuzzy
+#| msgid ""
+#| "Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, "
+#| "NJ: John Wiley and Sons, 2010), 14. A preview of the book is available at "
+#| "strategyzer.com/books/business-model-generation."
+msgid ""
+"Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010). A preview of the book is available at <ulink url="
+"\"http://strategyzer.com/books/business-model-generation\"/>."
+msgstr ""
+"Alex Osterwalder og Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. En forhåndsvisning av boken er tilgjengelig "
+"på strategyzer.com/books/business-model-generation."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:886
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1266
+#, fuzzy
+#| msgid ""
+#| "“A book on open business models” is how we described it in this book’s "
+#| "Kickstarter campaign. We used a handbook called Business Model Generation "
+#| "as our reference for defining just what a business model is. Developed "
+#| "over nine years using an “open process” involving 470 coauthors from "
+#| "forty-five countries, it is useful as a framework for talking about "
+#| "business models.33"
msgid ""
"“A book on open business models” is how we described it in this book’s "
"Kickstarter campaign. We used a handbook called Business Model Generation as "
-"our reference for defining just what a business model is. Developed over "
+"our reference for defining just what a business model is. Developed over "
"nine years using an “open process” involving 470 coauthors from forty-five "
-"countries, it is useful as a framework for talking about business models.33"
+"countries, it is useful as a framework for talking about business models."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"\"En bok om åpne forretningsmodeller\" er hvordan vi beskrev det i denne "
-"bokens Kickstarter-kampanje. Vi brukte en håndbok kalt \"Business Model "
-"Generation\" som vår referanse for å definere hva en forretningsmodell er. "
-"Utviklet over ni år med en \"åpen prosess\" som involverte 470 medforfattere "
+"«En bok om åpne forretningsmodeller» er hvordan vi beskrev det i denne "
+"bokens Kickstarter-kampanje. Vi brukte en håndbok kalt «Business Model "
+"Generation» som vår referanse for å definere hva en forretningsmodell er. "
+"Utviklet over ni år med en «åpen prosess» som involverte 470 medforfattere "
"fra 45 land, er den nyttig som et rammeverk for å omtale "
-"forretningsmodeller.33"
+"forretningsmodeller.33)"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1282
+msgid ""
+"This business model canvas is available to download at <ulink url=\"http://"
+"strategyzer.com/canvas/business-model-canvas\"/>."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:895
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1290
+msgid ""
+"We’ve made the “Open Business Model Canvas,” designed by the coauthor Paul "
+"Stacey, available online at <ulink url=\"http://docs.google.com/drawings/"
+"d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit\"/>. You can also find "
+"the accompanying Open Business Model Canvas Questions at <ulink url=\"http://"
+"docs.google.com/drawings/d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit"
+"\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1280
+#, fuzzy
+#| msgid ""
+#| "It contains a “business model canvas,” which conceives of a business "
+#| "model as having nine building blocks.34 This blank canvas can serve as a "
+#| "tool for anyone to design their own business model. We remixed this "
+#| "business model canvas into an open business model canvas, adding three "
+#| "more building blocks relevant to hybrid market, commons enterprises: "
+#| "social good, Creative Commons license, and “type of open environment that "
+#| "the business fits in.”35 This enhanced canvas proved useful when we "
+#| "analyzed businesses and helped start-ups plan their economic model."
msgid ""
"It contains a “business model canvas,” which conceives of a business model "
-"as having nine building blocks.34 This blank canvas can serve as a tool for "
-"anyone to design their own business model. We remixed this business model "
-"canvas into an open business model canvas, adding three more building blocks "
-"relevant to hybrid market, commons enterprises: social good, Creative "
-"Commons license, and “type of open environment that the business fits in.”35 "
-"This enhanced canvas proved useful when we analyzed businesses and helped "
-"start-ups plan their economic model."
-msgstr ""
-"Den inneholder et \"lerret for forretningsmodeller\", som oppfatter at en "
-"forretningsmodell har ni byggestener.34 Dette tomme lerretet kan tjene som "
+"as having nine building blocks.<placeholder type=\"footnote\" id=\"0\"/> "
+"This blank canvas can serve as a tool for anyone to design their own "
+"business model. We remixed this business model canvas into an open business "
+"model canvas, adding three more building blocks relevant to hybrid market, "
+"commons enterprises: social good, Creative Commons license, and “type of "
+"open environment that the business fits in.”<placeholder type=\"footnote\" "
+"id=\"1\"/> This enhanced canvas proved useful when we analyzed businesses "
+"and helped start-ups plan their economic model."
+msgstr ""
+"Den inneholder et «lerret for forretningsmodeller», som oppfatter at en "
+"forretningsmodell har ni byggestener.34) Dette tomme lerretet kan tjene som "
"et verktøy for alle som vil lage sine egen forretningsmodell. Vi remikset "
"dette lerretet for forretningsmodeller til et lerret for en åpen "
"virksomhetsmodell, og la til tre flere byggeklosser passende for "
"fellesskapsbedrifter i et hybrid marked: Sosial nytte, Creative Commons-"
-"lisens, og \"type åpent miljø som virksomheten passer i\".35 Dette "
-"forbedrede lerret viste seg nyttig når vi analyserte bedrifter, og hjalp "
-"grundere å planlegge sin økonomiske modell."
+"lisens, og «type åpent miljø som virksomheten passer i».35) Dette "
+"forbedrede lerretet viste seg nyttig når vi analyserte bedrifter, og hjalp "
+"gründere å planlegge sin økonomiske modell."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:906
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1300
msgid ""
"In our case study interviews, many expressed discomfort over describing "
"themselves as an open business model—the term business model suggested "
-"primarily being situated in the market. Where you sit on the commons-to-"
+"primarily being situated in the market. Where you sit on the commons-to-"
"market spectrum affects the extent to which you see yourself as a business "
-"in the market. The more central to the mission shared resources and commons "
+"in the market. The more central to the mission shared resources and commons "
"values are, the less comfort there is in describing yourself, or depicting "
"what you do, as a business. Not all who have endeavors Made with Creative "
"Commons use business speak; for some the process has been experimental, "
"emergent, and organic rather than carefully planned using a predefined model."
msgstr ""
-"I intervjuene i vår studie, uttrykte mange ubehag over å beskrive seg selv "
-"som å ha en åpen forretningsmodell - begrepet forretningsmodell foreslo "
+"I intervjuene i vår studie uttrykte mange ubehag over å beskrive seg selv "
+"som å ha en åpen forretningsmodell – begrepet forretningsmodell foreslo "
"primært å være plassert i markedet. Hvor du er plassert i spektret, fra "
-"felleseie - til marked, påvirker i hvilken grad du ser deg selv som en "
-"markedsbedrift. Jo mer sentralt for oppgaven delte ressurs- og allemannseie-"
-"verdiene er, jo mindre komfortabelt er det å beskrive seg, eller vise til "
-"hva du gjør, som en bedrift. Ikke alle som har oppgaver laget med Creative "
-"Commons bruker forretningsspråk; for noen har prosessen heller vært "
-"eksperimentell, vokst frem og organisk, enn nøye planlagt ved hjelp av en "
-"forhåndsdefinert modell."
+"felleseie – til marked, påvirker i hvilken grad du ser deg selv som en "
+"markedsbedrift. Jo mer sentralt for oppgaven delte ressurs- og "
+"allemannseieverdiene er, jo mindre komfortabelt er det å beskrive seg, eller "
+"vise til hva du gjør, som en bedrift. Ikke alle som har oppgaver laget med "
+"Creative Commons bruker forretningsspråk; for noen har prosessen heller vært "
+"eksperimentell, vokst frem og organisk snarere enn nøye planlagt ved hjelp "
+"av en forhåndsdefinert modell."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:917
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1313
msgid ""
"The creators, businesses, and organizations we profile all engage with the "
"market to generate revenue in some way. The ways in which this is done vary "
"patrons . . . the list goes on and on. (Initial description of how to earn "
"revenue available through reference note. For latest thinking see How to "
"Bring In Money in the next section.) 36 There is no single magic bullet, and "
-"each endeavor has devised ways that work for them. Most make use of more "
+"each endeavor has devised ways that work for them. Most make use of more "
"than one way. Diversifying revenue streams lowers risk and provides multiple "
"paths to sustainability."
msgstr ""
-"Bidragsyterne, bedrifter og organisasjoner vi profiler er alle engasjere i "
+"Bidragsyterne, bedrifter og organisasjoner vi profiler er alle engasjerte i "
"markedet for å generere inntekter på ulik måte. Hvordan dette gjøres "
-"varierer mye. Donasjoner, Betal hva du kan, Medlemskap, \"Digitalt gratis "
-"men fysisk for betaling, \"fellesfinansiering, matchmaking, verdiøkende "
-"tjenester, beskyttere ... listen fortsetter og fortsetter. (Første "
-"beskrivelse av hvordan å skaffe inntekt fremgår av referansenoten. Om "
-"seneste tenkning om det se \"Hvordan bringe inn penger\" i neste seksjon.)36 "
+"varierer mye. Donasjoner, betal hva du kan, medlemskap, «Digitalt gratis, "
+"men fysisk for betaling», fellesfinansiering, matchmaking, verdiøkende "
+"tjenester, beskyttere ... listen fortsetter og fortsetter. (Første "
+"beskrivelse av hvordan skaffe inntekt fremgår av referansenoten. Om seneste "
+"tenkning om dette, se «Hvordan bringe inn penger» i neste seksjon.)36) "
"Det er ingen enkel, magisk kule, og hver oppgave har utviklet måter som "
"passer for den. De fleste gjør bruk av mer enn én måte. Å diversifisere "
-"inntektsstrømmer reduserer risikoen og gir flere veier til bærekraft."
+"inntektsstrømmer reduserer risikoen, og gir flere veier til bærekraft."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:919
-msgid "### Benefits of the Digital Commons"
-msgstr "### Fordelene med Digital Commons"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1327
+msgid "Benefits of the Digital Commons"
+msgstr "Fordelene med Digital Commons"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:924
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1329
msgid ""
"While it may be clear why commons-based organizations want to interact and "
"engage with the market (they need money to survive), it may be less obvious "
msgstr ""
"Mens det kan være klart hvorfor felleseie-baserte organisasjoner ønsker å "
"samhandle og engasjere seg med markedet (de trenger penger for å overleve), "
-"kan det være mindre opplagt hvorfor markedet vil engasjere med felleseier. "
-"Digitale allmenneier tilbyr mange fordeler."
+"kan det være mindre opplagt hvorfor markedet vil engasjere seg med "
+"felleseier. Digitale allmenneier tilbyr mange fordeler."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:931
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1335
msgid ""
"The commons speeds dissemination. The free flow of resources in the commons "
"offers tremendous economies of scale. Distribution is decentralized, with "
"markedsføring. Desentralisert distribusjon forsterker leveranse og "
"ekspertise."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:942
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1344
msgid ""
"The commons ensures access to all. The market has traditionally operated by "
"putting resources behind a paywall requiring payment first before access. "
"The commons puts resources in the open, providing access up front without "
"payment. Those that are Made with Creative Commons make little or no use of "
-"digital rights management (DRM) to manage resources. Not using DRM frees "
+"digital rights management (DRM) to manage resources. Not using DRM frees "
"them of the costs of acquiring DRM technology and staff resources to engage "
"in the punitive practices associated with restricting access. The way the "
"commons provides access to everyone levels the playing field and promotes "
"inclusiveness, equity, and fairness."
msgstr ""
-"Commons sikrer tilgang for alle. Markedet har tradisjonelt operert ved å "
-"sette ressurser bak en betalingsvegg og krever betaling før tilgang. "
-"Felleseier åpner ressursene, og gir tilgang med en gang og uten betaling. De "
-"som er laget med Creative Commons gjøre lite eller ingen bruk av digital "
-"rettighetsadministrasjon (DRM) til å administrere ressurser. Ved ikke å "
-"bruke DRM frigjøres kostnadene ved å anskaffe DRM-teknologi og "
-"arbeidsressurser til å engasjere seg i straffepraksis knyttet til "
-"adgangsbegrensning. Måten fellesskapet gir tilgang til alle, jevner ut "
-"spillefeltet og fremmer inkludering, rettferdighet og redelighet."
+"Commons sikrer alle tilgang. Markedets tradisjon har vært å betalingsmure "
+"inn ressurser, betaling før tilgang. Felleseie åpner ressurstilgangen, "
+"umiddelbar tilgang uten betaling. Laget med Creative Commons gjør lite eller "
+"ingen bruk av digital tilgangsnekting (DRM – digital rights management) til "
+"ressursbakstreveri. Ved ikke å bruke DRM frigjøres kostnadene ved å "
+"anskaffe DRM-teknologi og arbeidsressurser til ervervelse av "
+"straffepraksisinformasjon knyttet til adgangsbegrensning. Måten fellesskapet "
+"gir tilgang til alle, gir alle én spade, fremmer inkludering, rettferdighet "
+"og redelighet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:953
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1357
msgid ""
"The commons maximizes participation. Resources in the commons can be used "
"and contributed to by everyone. Using the resources of others, contributing "
"your own, and mixing yours with others to create new works are all dynamic "
-"forms of participation made possible by the commons. Being Made with "
+"forms of participation made possible by the commons. Being Made with "
"Creative Commons means you’re engaging as many users with your resources as "
-"possible. Users are also authoring, editing, remixing, curating, localizing, "
-"translating, and distributing. The commons makes it possible for people to "
-"directly participate in culture, knowledge building, and even democracy, and "
-"many other socially beneficial practices."
-msgstr ""
-"Allemannseie maksimerer deltakelse. Ressurser i felleseier kan brukes og er "
-"åpen for medvirkning av og fra alle. Å bruke andres ressurser, bidra med "
-"ditt eget, og blande ditt med andres for å skape nye arbeider er alle "
-"dynamiske skjemaer for deltakelse som er gjort mulig av commons. Å gjøre med "
-"Creative Commons betyr at du engasjerer så mange brukere av dine ressursene "
-"som mulig. Brukerne godkjenner, redigerer, remikser, heler, lokaliserer, "
-"oversetter og distribuerer. Felleseie gjør det mulig for folk direkte å "
-"delta i kulturer, kunnskapsbygging, til og med demokrati, og mange andre "
-"former for samfunnsnyttige praksis."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:965
+"possible. Users are also authoring, editing, remixing, curating, "
+"localizing, translating, and distributing. The commons makes it possible for "
+"people to directly participate in culture, knowledge building, and even "
+"democracy, and many other socially beneficial practices."
+msgstr ""
+"Allemannseie er deltagelsens seiersgang. Ressurser i felleseie kan brukes, "
+"og er åpne for medvirkning av og med alle. Å bruke andres ressurser, bidra "
+"med eget, og blande med andres for å skape nye arbeider, er alle dynamiske "
+"former for deltakelse muliggjort av allmenningen. Laget med Creative Commons "
+"betyr engasjering av så mange brukere av ressursene dine som mulig. Brukerne "
+"godkjenner, redigerer, remikser, retter, lokaliserer, oversetter og "
+"distribuerer. Felleseie gjør det mulig for folk å delta direkte i kulturer, "
+"kunnskapsbygging, til og med demokrati, og mange andre former for "
+"samfunnsnyttig praksis."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1379
+msgid ""
+"Henry Chesbrough, Open Innovation: The New Imperative for Creating and "
+"Profiting from Technology (Boston: Harvard Business Review Press, 2006), 31–"
+"44."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1370
+#, fuzzy
+#| msgid ""
+#| "The commons spurs innovation. Resources in the hands of more people who "
+#| "can use them leads to new ideas. The way commons resources can be "
+#| "modified, customized, and improved results in derivative works never "
+#| "imagined by the original creator. Some endeavors that are Made with "
+#| "Creative Commons deliberately encourage users to take the resources being "
+#| "shared and innovate them. Doing so moves research and development (R&D) "
+#| "from being solely inside the organization to being in the community.37 "
+#| "Community-based innovation will keep an organization or business on its "
+#| "toes. It must continue to contribute new ideas, absorb and build on top "
+#| "of the innovations of others, and steward the resources and the "
+#| "relationship with the community."
msgid ""
"The commons spurs innovation. Resources in the hands of more people who can "
"use them leads to new ideas. The way commons resources can be modified, "
"customized, and improved results in derivative works never imagined by the "
"original creator. Some endeavors that are Made with Creative Commons "
"deliberately encourage users to take the resources being shared and innovate "
-"them. Doing so moves research and development (R&D) from being solely inside "
-"the organization to being in the community.37 Community-based innovation "
-"will keep an organization or business on its toes. It must continue to "
-"contribute new ideas, absorb and build on top of the innovations of others, "
-"and steward the resources and the relationship with the community."
-msgstr ""
-"Allmenneie sporer til innovasjon. Ressurser i hånden på flere personer som "
-"kan bruke dem, fører til nye ideer. Måten felleseide ressurser kan endres, "
-"tilpasses, og bedre resultatene i avledede arbeider som den "
-"opprinnelsespersonen aldri hadde forestilt seg. Noen bestrebelser i Creative "
-"Commons oppfordrer bevisst brukere til å fornye de delte ressursene. Dermed "
-"flyttes forskning og utvikling (R&D) blir utelukkende utføres innenfor "
-"organisasjonen til å være i fellesskapet.37 Fellesskap-basert innovasjon vil "
-"holde en organisasjon eller virksomhet på tærne. Den må fortsette å bidra "
-"med nye ideer, absorbere og bygge videre på toppen av andres innovasjoner og "
-"forvaltere ressursene3 og forholdet til fellesskapet."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:975
-msgid ""
-"The commons boosts reach and impact. The digital commons is global. "
+"them. Doing so moves research and development (R&D) from being solely "
+"inside the organization to being in the community.<placeholder type="
+"\"footnote\" id=\"0\"/> Community-based innovation will keep an organization "
+"or business on its toes. It must continue to contribute new ideas, absorb "
+"and build on top of the innovations of others, and steward the resources and "
+"the relationship with the community."
+msgstr ""
+"Allemannseie leder an til innovasjon. Ressurser flere personer i hende, som "
+"evner å nytte dem, fører nye ideer med seg. Måten felleseide ressurser kan "
+"endre, tilpasse, og bedrede resultatene i avledninger muliggjør arbeider "
+"opphavsmannen aldri hadde forestilt seg. Noen bestrebelser i Creative "
+"Commons oppfordrer bevisst brukere fornyelse av delte ressurser. Dermed "
+"flyttes forskning og utvikling (R&D – research and development) fra "
+"utelukkende innlemmet organisasjonens virke, til fellesskapet.37) "
+"Fellesskapsbasert innovasjon holder en organisasjon eller virksomhet "
+"skjerpet. Den må fortsette å bidra med nye idéer, absorbere og bygge videre "
+"på andres innovasjoner, forvalte ressursene og forholdet til fellesskapet."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1388
+msgid ""
+"The commons boosts reach and impact. The digital commons is global. "
"Resources may be created for a local or regional need, but they go far and "
"wide generating a global impact. In the digital world, there are no borders "
"between countries. When you are Made with Creative Commons, you are often "
"digital commons magnifies impact by connecting creators to those who use and "
"build on their work both locally and globally."
msgstr ""
-"Allmenneie øker rekkevidde og slagkraft. Digital commons er global. "
-"Ressurser kan opprettes for et lokalt eller regionalt behov, men de går vidt "
-"og bredt og genererer en global effekt. I den digitale verden er det ingen "
-"grenser mellom landene. Når du er i Made with reative Commons, er du ofte "
-"lokalt og globalt samtidig: Digital design som globalt distribueres men er "
-"laget og produsert lokalt. Digitale bøker eller musikk distribueres globalt, "
-"men opplesninger og konserter utført lokalt. Digitale felleseier forstørrer "
-"virkningen ved å koble bidragsyterne til dem som bruker og bygger videre på "
-"deres arbeid både lokalt og globalt."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:987
+"Allemannseie øker rekkevidden og slagkraften av den. Digitalallmenningen er "
+"verdensomspennende. Ressurser kan opprettes for lokale eller regionale "
+"behov, men favne vidt og bredt, og generere en global effekt. I den digitale "
+"verden er det ingen grenser landene imellom. Made with Creative Commons, "
+"ofte både lokal og global: Digital design distribuert globalt, men laget og "
+"produsert lokalt. Digitale bøker eller musikk distribuert globalt, men "
+"opplest og fremført lokalt. Digitale felleseier øker virkningen ved å koble "
+"bidragsyterne allesteds hen, til dem som bruker og bygger videre på deres "
+"arbeide."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1401
+#, fuzzy
msgid ""
"The commons is generative. Instead of extracting value, the commons adds "
"value. Digitized resources persist without becoming depleted, and through "
"commons generates value for a broader range of beneficiaries including the "
"business, the customer, the creator, the public, and the commons itself. The "
"generative nature of the commons means that it is more cost-effective and "
-"produces a greater return on investment. Value is not just measured in "
+"produces a greater return on investment. Value is not just measured in "
"financial terms. Each new resource added to the commons provides value to "
"the public and contributes to the overall value of the commons."
msgstr ""
-"Allmenneie er generativt. I stedet for trekke ut verdi, tilfører felleseie "
-"verdi. Digitaliserte ressurser blir ikke oppbrukt, men er der fortsatt, - og "
-"ved bruk, forbedret, tilpasset og lokalisert. Hvert bruk tilfører verdi. "
-"Markedet fokuserer på å generere verdi for virksomheten og kunden. "
-"Felleseier genererer verdi for et bredere spekter av mottakere inkludert "
-"virksomheten, forbrukeren, innholdsleverandøren, publikum og allmenneiet "
-"selv. Allmenneiets generative natur betyr at det er mer kostnadseffektivt og "
-"gir en høyere avkastning på investeringen. Verdi er ikke bare målt "
-"finansielt. Hver ny ressurs som legges til allmenningen gir verdi til "
-"publikum og bidrar til den samlede verdien av felleseiene."
+"Allmannseie er generativt. I stedet for å trekke ut verdi, tilfører "
+"felleseiet verdi. Digitaliserte ressurser blir ikke oppbrukt, men er der "
+"fortsatt – og ved bruk, forbedret, tilpasset og lokalisert. Hvert type bruk "
+"tilfører verdi. Markedet fokuserer på å generere verdi for virksomheten og "
+"kunden. Felleseier genererer verdi for et bredere spekter av mottakere "
+"inkludert virksomheten, forbrukeren, innholdsleverandøren, publikum og "
+"allemannseiet selv. Allemannseiets generative natur betyr at det er mer "
+"kostnadseffektivt, og gir en høyere avkastning på investeringen. Verdi er "
+"ikke bare målt finansielt. Hver ny ressurs som legges til allmenningen gir "
+"verdi til publikum, og bidrar til den samlede verdien av felleseiene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1000
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1415
msgid ""
"The commons brings people together for a common cause. The commons vests "
"people directly with the responsibility to manage the resources for the "
"common good. The costs and benefits for the individual are balanced with the "
-"costs and benefits for the community and for future generations. Resources "
+"costs and benefits for the community and for future generations. Resources "
"are not anonymous or mass produced. Their provenance is known and "
"acknowledged through attribution and other means. Those that are Made with "
"Creative Commons generate awareness and reputation based on their "
"contributions to the commons. The reach, impact, and sustainability of those "
"contributions rest largely on their ability to forge relationships and "
-"connections with those who use and improve them. By functioning on the "
-"basis of social engagement, not monetary exchange, the commons unifies "
-"people."
+"connections with those who use and improve them. By functioning on the basis "
+"of social engagement, not monetary exchange, the commons unifies people."
msgstr ""
-"Allemannseier fører folk sammen for en felles sak. Allmenneier binder folk "
+"Allemannseier fører folk sammen for en felles sak. Allmannseier binder folk "
"sammen om ansvaret for å administrere ressursene som et felles gode. "
"Kostnader og fordeler for den enkelte balanseres med kostnader og fordeler "
-"for samfunnet og for fremtidige generasjoner. Ressursene er ikke anonyme "
+"for samfunnet og for fremtidige generasjoner. Ressursene er ikke anonyme "
"eller masseproduserte. Opprinnelse er kjent og anerkjent gjennom "
"henvisninger og andre virkemidler. De som er laget med Creative Commons "
"genererer oppmerksomhet og omdømme basert på deres bidrag til fellesskapet. "
"Innflytelsen og bærekraften til disse bidragene hviler i stor grad på deres "
"evne til å etablere relasjoner og forbindelser med dem som bruker og "
-"forbedrer dem. Allemannseie forener folk ved å virke ut fra sitt sosiale "
-"engasjement, og ikke bed utveksling av penger."
+"forbedrer dem. Allemannseie forener folk ved å virke ut fra sitt sosiale "
+"engasjement, ikke ved utveksling av penger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1005
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1430
msgid ""
"The benefits of the commons are many. When these benefits align with the "
"goals of individuals, communities, businesses in the market, or state "
"enterprises, choosing to manage resources as a commons ought to be the "
"option of choice."
msgstr ""
-"Fordelene ved allmenninger mange. Når disse fordelene knyttes sammen med "
-"enkeltpersoners mål, samfunn, bedrifter i markedet, eller statlige "
-"virksomheter, burde det å administrere ressurser som et felleseie, være det "
-"valgte alternativet."
+"Allmenningsfordelene er mange. Når disse knyttes sammen med enkeltpersoners "
+"mål, samfunn, bedrifter i markedet, eller statlige virksomheter, burde det å "
+"administrere ressurser som i felleseie være det klare alternativet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1007
-msgid "### Our Case Studies"
-msgstr "### Våre referansestudier"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1437
+msgid "Our Case Studies"
+msgstr "Våre referansestudier"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1016
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1439
msgid ""
"The creators, organizations, and businesses in our case studies operate as "
-"nonprofits, for-profits, and social enterprises. Regardless of legal status, "
-"they all have a social mission. Their primary reason for being is to make "
-"the world a better place, not to profit. Money is a means to a social end, "
-"not the end itself. They factor public interest into decisions, behavior, "
-"and practices. Transparency and trust are really important. Impact and "
-"success are measured against social aims expressed in mission statements, "
-"and are not just about the financial bottom line."
-msgstr ""
-"I våre referanseløsninger opererer Innholdsleverandører, organisasjoner og "
+"nonprofits, for-profits, and social enterprises. Regardless of legal "
+"status, they all have a social mission. Their primary reason for being is "
+"to make the world a better place, not to profit. Money is a means to a "
+"social end, not the end itself. They factor public interest into decisions, "
+"behavior, and practices. Transparency and trust are really important. Impact "
+"and success are measured against social aims expressed in mission "
+"statements, and are not just about the financial bottom line."
+msgstr ""
+"I våre referanseløsninger opererer innholdsleverandører, organisasjoner og "
"bedrifter både som ideelle eller inntektsgivende organisasjoner, og som "
"sosiale foretak. Uansett rettslig status har de alle sosiale oppdrag. Deres "
"viktigste grunn til å være til, er å gjøre verden til et bedre sted, ikke "
"for fortjenesten. Penger er et middel til å nå sosiale mål, og er ikke selv "
"sluttmålet. De produserer en offentlig interesse for beslutninger, atferd og "
-"praksis. Transparens og tillit er svært viktig. Virkning og suksess måles "
-"mot sosiale målene uttrykt i idégrunnlaget, og gjelder ikke bare den "
-"finansielle bunnlinjen."
+"praksis. Transparens (åpenhet) og tillit er svært viktig. Virkning og "
+"suksess måles mot sosiale mål uttrykt i idégrunnlaget, og gjelder ikke bare "
+"den finansielle bunnlinjen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1022
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1451
msgid ""
"The case studies are based on the narratives told to us by founders and key "
"staff. Instead of solely using financials as the measure of success and "
"sustainability, they emphasized their mission, practices, and means by which "
-"they measure success. Metrics of success are a blend of how social goals are "
-"being met and how sustainable the enterprise is."
+"they measure success. Metrics of success are a blend of how social goals "
+"are being met and how sustainable the enterprise is."
msgstr ""
-"Referanse-studiene er basert på fortellingene vi ble fortalt av grunnleggere "
-"og viktige ansatte. I stedet for utelukkende ha økonomi som mål på suksess "
+"Referansestudiene er basert på fortellingene vi ble fortalt av grunnleggere "
+"og nøkkelpersoner. I stedet for utelukkende å ha økonomi som mål på suksess "
"og bærekraft, understreket de sin oppgave, praksis og metodene som de måler "
-"suksess etter. Beregninger av suksess er en blanding av hvordan sosiale "
-"målene er nådd, og hvor bærekraftig organisasjonen er."
+"suksess etter. Beregninger av suksess er en blanding av hvordan sosiale mål "
+"er nådd, og hvor bærekraftig organisasjonen er."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1030
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1459
msgid ""
"Our case studies are diverse, ranging from publishing to education and "
"manufacturing. All of the organizations, businesses, and creators in the "
"physical resources. Others are born digital but can be made into physical "
"resources."
msgstr ""
-"Våre referansestudier er mangfoldige og spenner fra publisering - til "
+"Våre referansestudier er mangfoldige, og spenner fra publisering – til "
"utdanning og produksjon. Alle organisasjoner, bedrifter, og "
"innholdsleverandører i studiene produserer digitale ressurser. Disse "
"ressursene finnes i mange former, inkludert bøker, design, sanger, "
"forskning, data, kulturelle uttrykk, undervisningsmateriell, grafiske ikoner "
"og video. Noen er digitale representasjoner av fysiske ressurser. Andre er "
-"opprinnelig digitale men kan gjøres i fysiske ressurser."
+"opprinnelig digitale, men kan gjøres til fysiske ressurser."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1037
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1469
msgid ""
"They are creating new resources, or using the resources of others, or mixing "
"existing resources together to make something new. They, and their audience, "
"vare på, bevare, distribuere og forbedre. Tilgang og deltakelse er åpen for "
"alle uavhengig av økonomiske midler."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1042
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1477
msgid ""
"And as users of Creative Commons licenses, they are automatically part of a "
"global community. The new digital commons is global. Those we profiled come "
msgstr ""
"Som brukere av Creative Commons-lisenser, er de automatisk en del av et "
"globalt samfunn. De nye digitale allmenneiene er globale. De vi har løftet "
-"frem kommer fra nesten alle verdens kontinenter. For å bygge og samhandle i "
+"frem, kommer fra nesten alle verdens kontinenter. Å bygge og samhandle i "
"dette globale samfunnet leder til suksess."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1053
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1484
msgid ""
"Creative Commons licenses may express legal rules around the use of "
"resources in a commons, but success in the commons requires more than "
"of beliefs, values, and principles that underlie their actions: Give more "
"than you take. Be open and inclusive. Add value. Make visible what you are "
"using from the commons, what you are adding, and what you are monetizing. "
-"Maximize abundance. Give attribution. Express gratitude. Develop trust; "
+"Maximize abundance. Give attribution. Express gratitude. Develop trust; "
"don’t exploit. Build relationship and community. Be transparent. Defend the "
"commons."
msgstr ""
"intervjuer hvordan suksess og bærekraft er knyttet til et sett av tro, "
"verdier og prinsipper som ligger til grunn for deres handlinger: Gi mer enn "
"du tar. Være åpen og inkluderende. Legge til verdi. Gjør synlig hva du "
-"bruker fra felleseier og hva du legger til og hva som er økonomisk. "
+"bruker fra felleseier, og hva du legger til, og hva som er økonomisk. "
"Maksimere overfloden. Henvis. Vis takknemlighet. Utvikle tillit; ikke "
-"utnytt. Bygg relasjoner og samfunn. Være transparent. Forsvar allmenneier."
+"utnytt. Bygg relasjoner og samfunn. Være transparent (åpen). Forsvar "
+"allmenneier."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1060
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1497
msgid ""
"The new digital commons is here to stay. Made With Creative Commons case "
"studies show how it’s possible to be part of this commons while still "
-"functioning within market and state systems. The commons generates benefits "
+"functioning within market and state systems. The commons generates benefits "
"neither the market nor state can achieve on their own. Rather than the "
"market or state dominating as primary means of resource management, a more "
"balanced alternative is possible."
msgstr ""
-"Nye digitale felleseier er her å bli. Referansestudiene om Made With "
-"Creative Commons om hvordan det er mulig å være del av dette felleseie mens "
-"en fortsatt er i markedet og i statlig systemer. Allmenneie genererer "
+"Nye digitale felleseier er her for å bli. Referansestudiene om Made with "
+"Creative Commons viser hvordan det er mulig å være del av dette felleseiet "
+"mens en fortsatt er i markedet og i statlige systemer. Allmenneie genererer "
"fordeler verken markedet eller staten kan oppnå på egen hånd. Heller enn at "
"markedet eller staten dominerer som primærinstans for ressursforvaltning, så "
"er et mer balansert alternativ mulig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1067
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1506
msgid ""
"Enterprise use of Creative Commons has only just begun. The case studies in "
"this book are merely starting points. Each is changing and evolving over "
"and insights on how it works."
msgstr ""
"Bedriftenes bruk av Creative Commons har bare såvidt begynt. Case-studiene i "
-"denne boken er bare startpunktet. De er i endring og utvikles over tid. "
-"Mange kommer med og finner nye modeller. Denne oversikten har som mål å gi "
+"denne boken er bare startpunktet. De er i endring, og utvikles over tid. "
+"Mange kommer med, og finner nye modeller. Denne oversikten har som mål å gi "
"rammeverk og språk for å tenke og snakke om nye digitale felleseier. De "
-"påfølgende kapitlene går dypere inn og gir ytterligere veiledning og innsikt "
-"i hvordan dette virker."
+"påfølgende kapitlene går dypere inn, og gir ytterligere veiledning og "
+"innsikt i hvordan dette virker."
+
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1517
+msgid "How to Be Made with Creative Commons"
+msgstr "Hvordan bli laget med Creative Commons"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1069
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2269
-msgid "### Notes"
-msgstr "### Merknader"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1519
+msgid "Sarah Hinchliff Pearson"
+msgstr "Sarah Hinchliff Pearson"
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1522
msgid ""
-"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Koehler, 2013), 14."
+"When we began this project in August 2015, we set out to write a book about "
+"business models that involve Creative Commons licenses in some significant "
+"way—what we call being Made with Creative Commons. With the help of our "
+"Kickstarter backers, we chose twenty-four endeavors from all around the "
+"world that are Made with Creative Commons. The mix is diverse, from an "
+"individual musician to a university-textbook publisher to an electronics "
+"manufacturer. Some make their own content and share under Creative Commons "
+"licensing. Others are platforms for CC-licensed creative work made by "
+"others. Many sit somewhere in between, both using and contributing creative "
+"work that’s shared with the public. Like all who use the licenses, these "
+"endeavors share their work—whether it’s open data or furniture designs—in a "
+"way that enables the public not only to access it but also to make use of it."
msgstr ""
-"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Köhler, 2013), 14."
+"Da vi startet dette prosjektet i August 2015, startet vi for å skrive en bok "
+"om forretningsmodeller som i noe omfang involverer Creative Commons-lisenser "
+"– det vi kaller Made with Creative Commons. Ved hjelp av våre Kickstarter-"
+"støttespillere valgte vi tjuefire arbeidsopplegg fra hele verden laget med "
+"Creative Commons. Blandingen er variert, fra en enkelt musiker til en "
+"utgiver av lærebøker for universitetet, over til en elektronikkprodusent. "
+"Noen lager sitt eget innhold og deler under Creative Commons-lisensiering. "
+"Andre er plattformer for CC-lisensierte kreative arbeider gjort av andre. "
+"Mange sitter et sted imellom både som bruker og som bidragsyter til skapende "
+"arbeid som er delt med offentligheten. Som for alle som bruker lisensene, er "
+"disse oppleggene for å dele sitt arbeid – enten det er åpne dataprogrammer "
+"eller møbeldesign – på en måte som gjør at offentligheten ikke bare å får "
+"tilgang til dem, men også å kan bruke dem."
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1538
msgid ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 176."
+"We analyzed the revenue models, customer segments, and value propositions of "
+"each endeavor. We searched for ways that putting their content under "
+"Creative Commons licenses helped boost sales or increase reach. Using "
+"traditional measures of economic success, we tried to map these business "
+"models in a way that meaningfully incorporated the impact of Creative "
+"Commons. In our interviews, we dug into the motivations, the role of CC "
+"licenses, modes of revenue generation, definitions of success."
msgstr ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 176."
+"Vi analyserte inntektsmodeller, kundesegmenter og forslag til verdier for "
+"hver oppgave. Vi søkte etter måter som, ved å sette innholdet under Creative "
+"Commons-lisenser, hjalp til å øke salget eller øke utbredelsen. Ved å bruke "
+"tradisjonelle tiltak for økonomisk suksess, prøvde vi å kartlegge disse "
+"forretningsmodellene på en måte slik at de meningsfullt inneholdt en "
+"hensiktsmessig innvirkning av Creative Commons. I våre intervjuer gikk vi "
+"inn i motivasjonen, rollen CC til lisenser, ulike former for inntekter, og "
+"definisjoner av suksess."
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid "Ibid., 15."
-msgstr "Ibid., 15."
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid "Ibid., 145."
-msgstr "Ibid., 145."
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid "Ibid., 175."
-msgstr "Ibid., 175."
-
-#. type: Bullet: '6. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
-"Commons for the Knowledge Commons,” in Governing Knowledge Commons, eds. "
-"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg (New "
-"York: Oxford University Press, 2014), 53."
-msgstr ""
-"Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
-"Commons for the Knowledge Commons,” i Governing Knowledge Commons, eds. "
-"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg (New "
-"York: Oxford University Press, 2014), 53."
-
-#. type: Bullet: '7. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
-"and the Commons (New York: Zed Books, 2014), 93."
-msgstr ""
-"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
-"and the Commons (New York: Zed bøker, 2014), 93."
-
-#. type: Bullet: '8. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Cole, “Learning from Lin,” in Frischmann, Madison, and Strandburg, Governing "
-"Knowledge Commons, 59."
-msgstr ""
-"Cole, “Learning from Lin,” i Frischmann, Madison, og Strandburg, Governing "
-"Knowledge Commons, 59."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-#, no-wrap
-msgid ""
-"9. Bollier, Think Like a Commoner, 175.\n"
-"10. Joshua Farley and Ida Kubiszewski, “The Economics of Information in\n"
-" a Post-Carbon Economy,” in Free Knowledge: Confronting the\n"
-" Commodification of Human Discovery, eds. Patricia W. Elliott and\n"
-" Daryl H. Hepting (Regina, SK: University of Regina Press, 2015),\n"
-" 201–4.\n"
-"11. Rowe, Our Common Wealth, 19; and Heather Menzies, Reclaiming the\n"
-" Commons for the Common Good: A Memoir and Manifesto (Gabriola\n"
-" Island, BC: New Society, 2014), 42–43.\n"
-"12. Bollier, Think Like a Commoner, 55–78.\n"
-"13. Fritjof Capra and Ugo Mattei, The Ecology of Law: Toward a Legal\n"
-" System in Tune with Nature and Community (Oakland, CA:\n"
-" Berrett-Koehler, 2015), 46–57; and Bollier, Think Like a\n"
-" Commoner, 88.\n"
-"14. Brett M. Frischmann, Michael J. Madison, and Katherine J.\n"
-" Strandburg, “Governing Knowledge Commons,” in Frischmann, Madison,\n"
-" and Strandburg Governing Knowledge Commons, 12.\n"
-"15. Farley and Kubiszewski, “Economics of Information,” in Elliott and\n"
-" Hepting, Free Knowledge, 203.\n"
-"16. “What Is Free Software?” GNU Operating System, the Free Software\n"
-" Foundation’s Licensing and Compliance Lab, accessed December 30,\n"
-" 2016, www.gnu.org/philosophy/free-sw.\n"
-"17. Wikipedia, s.v. “Open-source software,” last modified November\n"
-" 22, 2016.\n"
-"18. Eric S. Raymond, “The Magic Cauldron,” in The Cathedral and the\n"
-" Bazaar: Musings on Linux and Open Source by an Accidental\n"
-" Revolutionary, rev. ed. (Sebastopol, CA: O’Reilly Media, 2001),\n"
-" www.catb.org/esr/writings/cathedral-bazaar/.\n"
-"19. New York Times Customer Insight Group, The Psychology of Sharing:\n"
-" Why Do People Share Online? (New York: New York Times Customer\n"
-" Insight Group, 2011), www.iab.net/media/file/POSWhitePaper.pdf.\n"
-"20. “Licensing Considerations,” Creative Commons, accessed December 30,\n"
-" 2016, creativecommons.org/share-your-work/licensing-considerations/.\n"
-"21. Creative Commons, 2015 State of the Commons (Mountain View, CA:\n"
-" Creative Commons, 2015), stateof.creativecommons.org/2015/.\n"
-"22. Wikipedia, s.v. “Open Government Partnership,” last modified\n"
-" September 24, 2016,\n"
-" en.wikipedia.org/wiki/Open\\_Government\\_Partnership.\n"
-"23. Capra and Mattei, Ecology of Law, 114.\n"
-"24. Ibid., 116.\n"
-"25. The Swedish International Development Cooperation Agency, “Stockholm\n"
-" Statement” accessed February 15, 2017,\n"
-" sida.se/globalassets/sida/eng/press/stockholm-statement.pdf\n"
-"26. City of Bologna, Regulation on Collaboration between Citizens and\n"
-" the City for the Care and Regeneration of Urban Commons, trans.\n"
-" LabGov (LABoratory for the GOVernance of Commons) (Bologna, Italy:\n"
-" City of Bologna, 2014),\n"
-" www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-of-urban-commons1.pdf.\n"
-"27. The Seoul Sharing City website is english.sharehub.kr; for Amsterdam\n"
-" Sharing City, go to www.sharenl.nl/amsterdam-sharing-city/.\n"
-"28. Tom Slee, What’s Yours Is Mine: Against the Sharing Economy (New\n"
-" York: OR Books, 2015), 42.\n"
-"29. Chris Anderson, Free: How Today’s Smartest Businesses Profit by\n"
-" Giving Something for Nothing, Reprint with new preface. (New York:\n"
-" Hyperion, 2010), 78.\n"
-"30. Jeremy Rifkin, The Zero Marginal Cost Society: The Internet of\n"
-" Things, the Collaborative Commons, and the Eclipse of Capitalism\n"
-" (New York: Palgrave Macmillan, 2014), 273.\n"
-"31. Gar Alperovitz, What Then Must We Do? Straight Talk about the Next\n"
-" American Revolution: Democratizing Wealth and Building a\n"
-" Community-Sustaining Economy from the Ground Up (White River\n"
-" Junction, VT: Chelsea Green, 2013), 39.\n"
-"32. Marjorie Kelly, Owning Our Future: The Emerging Ownership\n"
-" Revolution; Journeys to a Generative Economy (San Francisco:\n"
-" Berrett-Koehler, 2012), 8–9.\n"
-"33. Alex Osterwalder and Yves Pigneur, Business Model Generation\n"
-" (Hoboken, NJ: John Wiley and Sons, 2010). A preview of the book is\n"
-" available at strategyzer.com/books/business-model-generation.\n"
-"34. This business model canvas is available to download at\n"
-" strategyzer.com/canvas/business-model-canvas.\n"
-"35. We’ve made the “Open Business Model Canvas,” designed by the\n"
-" coauthor Paul Stacey, available online at\n"
-" docs.google.com/drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit.\n"
-" You can also find the accompanying Open Business Model Canvas\n"
-" Questions at\n"
-" docs.google.com/drawings/d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit.\n"
-"36. A more comprehensive list of revenue streams is available in this\n"
-" post I wrote on Medium on March 6, 2016. “What Is an Open Business\n"
-" Model and How Can You Generate Revenue?”, available at\n"
-" medium.com/made-with-creative-commons/what-is-an-open-business-model-and-how-can-you-generate-revenue-5854d2659b15.\n"
-"37. Henry Chesbrough, Open Innovation: The New Imperative for Creating\n"
-" and Profiting from Technology (Boston: Harvard Business Review\n"
-" Press, 2006), 31–44.\n"
-msgstr ""
-"9. Bollier, Think Like a Commoner, 175.\n"
-"10. Joshua Farley and Ida Kubiszewski, “The Economics of Information in\n"
-" a Post-Carbon Economy,” i Free Knowledge: Confronting the\n"
-" Commodification of Human Discovery, eds. Patricia W. Elliott and\n"
-" Daryl H. Hepting (Regina, SK: University of Regina Press, 2015),\n"
-" 201–4.\n"
-"11. Rowe, Our Common Wealth, 19; og Heather Menzies, Reclaiming the\n"
-" Commons for the Common Good: A Memoir and Manifesto (Gabriola\n"
-" Island, BC: New Society, 2014), 42–43.\n"
-"12. Bollier, Think Like a Commoner, 55–78.\n"
-"13. Fritjof Capra og Ugo Mattei, The Ecology of Law: Toward a Legal\n"
-" System in Tune with Nature and Community (Oakland, CA:\n"
-" Berrett-Koehler, 2015), 46–57; og Bollier, Think Like a\n"
-" Commoner, 88.\n"
-"14. Brett M. Frischmann, Michael J. Madison, og Katherine J.\n"
-" Strandburg, “Governing Knowledge Commons,” i Frischmann, Madison,\n"
-" and Strandburg Governing Knowledge Commons, 12.\n"
-"15. Farley and Kubiszewski, “Economics of Information,” i Elliott and\n"
-" Hepting, Free Knowledge, 203.\n"
-"16. “What Is Free Software?” GNU Operating System, the Free Software\n"
-" Foundation’s Licensing and Compliance Lab, accessed December 30,\n"
-" 2016, www.gnu.org/philosophy/free-sw.\n"
-"17. Wikipedia, s.v. “Open-source software,” senes endret i november\n"
-" 22, 2016.\n"
-"18. Eric S. Raymond, “The Magic Cauldron,” i The Cathedral and the\n"
-" Bazaar: Musings on Linux and Open Source by an Accidental\n"
-" Revolutionary, rev. ed. (Sebastopol, CA: O’Reilly Media, 2001),\n"
-" www.catb.org/esr/writings/cathedral-bazaar/.\n"
-"19. New York Times Customer Insight Group, The Psychology of Sharing:\n"
-" Why Do People Share Online? (New York: New York Times Customer\n"
-" Insight Group, 2011), www.iab.net/media/file/POSWhitePaper.pdf.\n"
-"20. “Licensing Considerations,” Creative Commons, accessed December 30,\n"
-" 2016, creativecommons.org/share-your-work/licensing-considerations/.\n"
-"21. Creative Commons, 2015 State of the Commons (Mountain View, CA:\n"
-" Creative Commons, 2015), stateof.creativecommons.org/2015/.\n"
-"22. Wikipedia, s.v. “Open Government Partnership,” senest endret September "
-"24, 2016,\n"
-" en.wikipedia.org/wiki/Open\\_Government\\_Partnership.\n"
-"23. Capra and Mattei, Ecology of Law, 114.\n"
-"24. Ibid., 116.\n"
-"25. The Swedish International Development Cooperation Agency, “Stockholm\n"
-" Statement” accessed February 15, 2017,\n"
-" sida.se/globalassets/sida/eng/press/stockholm-statement.pdf\n"
-"26. City of Bologna, Regulation on Collaboration between Citizens and\n"
-" the City for the Care and Regeneration of Urban Commons, trans.\n"
-" LabGov (LABoratory for the GOVernance of Commons) (Bologna, Italy:\n"
-" City of Bologna, 2014),\n"
-" www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-on-"
-"collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-of-"
-"urban-commons1.pdf.\n"
-"27. The Seoul Sharing City website is english.sharehub.kr; for Amsterdam\n"
-" Sharing City, gå til www.sharenl.nl/amsterdam-sharing-city/.\n"
-"28. Tom Slee, What’s Yours Is Mine: Against the Sharing Economy (New\n"
-" York: OR Books, 2015), 42.\n"
-"29. Chris Anderson, Free: How Today’s Smartest Businesses Profit by\n"
-" Giving Something for Nothing, Reprint med nytt forord. (New York:\n"
-" Hyperion, 2010), 78.\n"
-"30. Jeremy Rifkin, The Zero Marginal Cost Society: The Internet of\n"
-" Things, the Collaborative Commons, and the Eclipse of Capitalism\n"
-" (New York: Palgrave Macmillan, 2014), 273.\n"
-"31. Gar Alperovitz, What Then Must We Do? Straight Talk about the Next\n"
-" American Revolution: Democratizing Wealth and Building a\n"
-" Community-Sustaining Economy from the Ground Up (White River\n"
-" Junction, VT: Chelsea Green, 2013), 39.\n"
-"32. Marjorie Kelly, Owning Our Future: The Emerging Ownership\n"
-" Revolution; Journeys to a Generative Economy (San Francisco:\n"
-" Berrett-Koehler, 2012), 8–9.\n"
-"33. Alex Osterwalder and Yves Pigneur, Business Model Generation\n"
-" (Hoboken, NJ: John Wiley and Sons, 2010). Forhåndslesing av boken er "
-"mulig hos strategyzer.com/books/business-model-generation.\n"
-"34. Dette opplegget for forretningsmodell kan lastes ned hos\n"
-" strategyzer.com/canvas/business-model-canvas.\n"
-"35. Vi har åpnet “Open Business Model Canvas,” designet av medforfatter Paul "
-"Stacey, tilgjengelig på nettet her "
-"docs.google.com/drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit."
-"\n"
-" Du kan også finne det tilhørende Open Business Model Canvas\n"
-" Questions på\n"
-" "
-"docs.google.com/drawings/d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit."
-"\n"
-"36. En mer omfattende liste over inntektsstrømmer er tilgjengelig i denne "
-"posten jeg skrev i Medium 6. mars 2016. “What Is an Open Business\n"
-" Model and How Can You Generate Revenue?”, tilgjengelig herfra:\n"
-" medium.com/made-with-creative-commons/what-is-an-open-business-model-and-"
-"how-can-you-generate-revenue-5854d2659b15.\n"
-"37. Henry Chesbrough, Open Innovation: The New Imperative for Creating\n"
-" and Profiting from Technology (Boston: Harvard Business Review\n"
-" Press, 2006), 31–44.\n"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1171
-msgid "## How to Be Made with Creative Commons"
-msgstr "## Hvordan bli laget med Creative Commons"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1173
-msgid "Sarah Hinchliff Pearson"
-msgstr "Sarah Hinchliff Pearson"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1187
-msgid ""
-"When we began this project in August 2015, we set out to write a book about "
-"business models that involve Creative Commons licenses in some significant "
-"way—what we call being Made with Creative Commons. With the help of our "
-"Kickstarter backers, we chose twenty-four endeavors from all around the "
-"world that are Made with Creative Commons. The mix is diverse, from an "
-"individual musician to a university-textbook publisher to an electronics "
-"manufacturer. Some make their own content and share under Creative Commons "
-"licensing. Others are platforms for CC-licensed creative work made by "
-"others. Many sit somewhere in between, both using and contributing creative "
-"work that’s shared with the public. Like all who use the licenses, these "
-"endeavors share their work—whether it’s open data or furniture designs—in a "
-"way that enables the public not only to access it but also to make use of it."
-msgstr ""
-"Da vi startet dette prosjektet i August 2015, startet vi for å skrive en bok "
-"om forretningsmodeller som i noe omfang involverer Creative Commons-lisenser "
-"- det vi kaller Made With Creative Commons. Ved hjelp av våre Kickstarter-"
-"støttespillere valgte vi tjuefire arbeidsopplegg fra hele verden laget med "
-"Creative Commons. Blandingen er variert, fra en enkelt musiker til en "
-"utgiver av lærebøker for universitetet, over til en elektronikkprodusent. "
-"Noen lager sitt eget innhold og deler under Creative Commons lisensiering. "
-"Andre er plattformer for CC-lisensierte kreative arbeider gjort av andre. "
-"Mange sitter et sted imellom både som bruker og som bidragsyter til skapende "
-"arbeid som er delt med offentligheten. Som for alle som bruker lisensene, er "
-"disse oppleggene for å dele sitt arbeid, - enten det er åpne dataprogrammer "
-"eller møbeldesign - på en måte som gjør at offentligheten ikke bare å får "
-"tilgang til dem, men også å kan bruke den."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1196
-msgid ""
-"We analyzed the revenue models, customer segments, and value propositions of "
-"each endeavor. We searched for ways that putting their content under "
-"Creative Commons licenses helped boost sales or increase reach. Using "
-"traditional measures of economic success, we tried to map these business "
-"models in a way that meaningfully incorporated the impact of Creative "
-"Commons. In our interviews, we dug into the motivations, the role of CC "
-"licenses, modes of revenue generation, definitions of success."
-msgstr ""
-"Vi analyserte inntektsmodeller, kundesegmenter og forslag til verdier for "
-"hver oppgave. Vi søkte etter måter som, ved å sette innholdet under Creative "
-"Commons-lisense, hjalp til å øke salget eller øke utbredelsen. Å bruker "
-"tradisjonelle tiltak for økonomisk suksess, prøvde vi å kartlegge disse "
-"forretningsmodeller slik at de meningsfullt kunne inkluderes i "
-"innvirkningen av Creative Commons. I våre intervjuer gikk vi inn i "
-"motivasjonen, rollen CC til lisenser, ulike former for inntekter, og "
-"definisjoner av suksess."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1200
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1548
msgid ""
"In fairly short order, we realized the book we set out to write was quite "
"different from the one that was revealing itself in our interviews and "
"research."
msgstr ""
-"På relativt kort tid skjønte vi boken vi gikk ut for å skrive, var ganske "
+"På relativt kort tid skjønte vi at boken vi gikk ut for å skrive, var ganske "
"forskjellig fra den som dukket frem i våre intervjuer og forskning."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1208
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1553
msgid ""
"It isn’t that we were wrong to think you can make money while using Creative "
"Commons licenses. In many instances, CC can help make you more money. Nor "
"What we didn’t realize was just how misguided it would be to write a book "
"about being Made with Creative Commons using only a business lens."
msgstr ""
-"Det er ikke at vi tok feil i å tro at du kan tjene penger når du bruker "
-"Creative Commons-lisenser. I mange tilfeller hjelpe CC til å tjene mer "
-"penger. Heller ikke tok vi feil i at det er forretningsmodeller der ute som "
-"andre, som ønsker å bruke CC-lisenser som en del av sitt levebrød eller sin "
-"bedrift, kan benytte. Hva vi skjønte var hvor misforstått det ville være å "
-"skrive en bok om Made with Creative Commons og bare bruker "
+"Det var ikke for at vi tok feil i å tro at du kan tjene penger når du "
+"bruker Creative Commons-lisenser. I mange tilfeller hjelper CC til å tjene "
+"mer penger. Heller ikke tok vi feil i at det er forretningsmodeller der ute "
+"som andre, som ønsker å bruke CC-lisenser som en del av sitt levebrød eller "
+"sin bedrift, kan benytte. Hva vi skjønte var hvor misforstått det ville være "
+"å skrive en bok om Made with Creative Commons, og bare bruke "
"forretningsvirksomhet som fokus."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1216
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1565
+#, fuzzy
+#| msgid ""
+#| "Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, "
+#| "NJ: John Wiley and Sons, 2010), 14. A preview of the book is available at "
+#| "strategyzer.com/books/business-model-generation."
+msgid ""
+"Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. A preview of the book is available at <ulink "
+"url=\"http://strategyzer.com/books/business-model-generation\"/>."
+msgstr ""
+"Alex Osterwalder og Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. En forhåndsvisning av boken er tilgjengelig "
+"på strategyzer.com/books/business-model-generation."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1562
+#, fuzzy
+#| msgid ""
+#| "According to the seminal handbook Business Model Generation, a business "
+#| "model “describes the rationale of how an organization creates, delivers, "
+#| "and captures value.”1 Thinking about sharing in terms of creating and "
+#| "capturing value always felt inappropriately transactional and out of "
+#| "place, something we heard time and time again in our interviews. And as "
+#| "Cory Doctorow told us in our interview with him, “Business model can mean "
+#| "anything you want it to mean.”"
msgid ""
"According to the seminal handbook Business Model Generation, a business "
"model “describes the rationale of how an organization creates, delivers, and "
-"captures value.”1 Thinking about sharing in terms of creating and capturing "
-"value always felt inappropriately transactional and out of place, something "
-"we heard time and time again in our interviews. And as Cory Doctorow told us "
-"in our interview with him, “Business model can mean anything you want it to "
-"mean.”"
-msgstr ""
-"Ifølgeden banebrytende håndboken Business Model Generation, en "
-"forretingsmodell som \"beskriver begrunnelsen for hvordan en organisasjon "
-"skaper, leverer og fanger inn verdi.\"1 Tenking om deling i betydningen å "
+"captures value.”<placeholder type=\"footnote\" id=\"0\"/> Thinking about "
+"sharing in terms of creating and capturing value always felt inappropriately "
+"transactional and out of place, something we heard time and time again in "
+"our interviews. And as Cory Doctorow told us in our interview with him, "
+"“Business model can mean anything you want it to mean.”"
+msgstr ""
+"Ifølge den banebrytende håndboken Business Model Generation, en "
+"forretningsmodell som «beskriver begrunnelsen for hvordan en organisasjon "
+"skaper, leverer og fanger inn verdi.»1) Tenking om deling i betydningen å "
"skape og fange inn verdier, føltes alltid uriktig transaksjonsbasert og "
-"malplassert, noe vi hørt gang på gang i våre intervjuer. Og som Cory "
-"Doctorow fortalt oss i vårt intervju med ham, \"forretningsmodell kan bety "
-"alt dere mener det skal bety.\""
+"malplassert, noe vi hørte gang på gang i våre intervjuer. Og som Cory "
+"Doctorow fortalte oss i vårt intervju med ham, «forretningsmodell kan bety "
+"alt dere mener det skal bety.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1221
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1576
msgid ""
"Eventually, we got it. Being Made with Creative Commons is more than a "
"business model. While we will talk about specific revenue models as one "
"del av vår analyse (og mer detaljert i referansestudiene), skrotet vi det "
"som som vår styrende overskrift for boken."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1229
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1583
msgid ""
"Admittedly, it took me a long time to get there. When Paul and I divided up "
"our writing after finishing the research, my charge was to distill "
"interacted. But there is no formula. You’ll probably have to discard that "
"way of thinking before you read any further."
msgstr ""
-"Riktignok er tok det lang tid for meg å komme dit. Når Paul og jeg delt opp "
+"Riktignok er tok det lang tid for meg å komme dit. Når Paul og jeg delte opp "
"vår skriving etter avsluttet forskning, var mitt ansvar å løfte frem alt vi "
-"lært fra referansestudiene og skrive opp praktiske leksjoner og snarveier. "
+"lærte fra referansestudiene, og skrive opp praktiske leksjoner og snarveier. "
"Jeg tilbrakte måneder med å prøve å få frem det vi lærte i boksen for "
"forretningsmodell, overbevist om det var en formel for hvordan ting hang "
-"sammen. Men det var ingen formel. Du vil sannsynligvis måtte kaste den måten "
-"å tenke på før du leser videre."
+"sammen. Men det var ingen formel. Du vil sannsynligvis måtte forkaste den "
+"måten å tenke på før du leser videre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1239
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1593
msgid ""
-"In every interview, we started from the same simple questions. Amid all the "
+"In every interview, we started from the same simple questions. Amid all the "
"diversity among the creators, organizations, and businesses we profiled, "
"there was one constant. Being Made with Creative Commons may be good for "
"business, but that is not why they do it. Sharing work with Creative Commons "
"revenue model later. This was our first hint that writing a book solely "
"about the impact of sharing on business might be a little off track."
msgstr ""
-"I hver intervju startet vi med de samme enkle spørsmålene. Blant alle "
+"I hvert intervju startet vi med de samme enkle spørsmålene. Blant alle "
"variasjonene hos bidragsytere, organisasjoner og bedrifter vi gjennomgikk, "
-"det var det en konstant. Made with Creative Commons kan være bra for "
-"forretningen, men det er ikke derfor de de gjør det. Å dele arbeidet med "
+"var det en konstant. Made with Creative Commons kan være bra for "
+"forretningen, men det er ikke derfor de gjør det. Å dele arbeidet med "
"Creative Commons, er i bunn og grunn en moralsk beslutning. Kommersielle og "
-"andre fordeler i egeninteresse er sekundære. De fleste besluttet å bruke CC "
-"lisenser først, og fant en omsetning modell senere. Dette var vårt første "
+"andre fordeler i egeninteresse er sekundære. De fleste besluttet å bruke CC-"
+"lisenser først, og fant en inntekstsmodell senere. Dette var vårt første "
"hint, at å skrive en bok bare om virkningen av deling i ett "
-"forretningspespektiv kan være litt utenfor sporet."
+"forretningspespektiv, kan være litt utenfor sporet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1245
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1605
msgid ""
"But we also started to realize something about what it means to be Made with "
"Creative Commons. When people talked to us about how and why they used CC, "
"it was clear that it meant something more than using a copyright license. It "
-"also represented a set of values. There is symbolism behind using CC, and "
+"also represented a set of values. There is symbolism behind using CC, and "
"that symbolism has many layers."
msgstr ""
"Men vi har også begynt å innse noe om hva det betyr å være Made with "
"Creative Commons. Når folk snakket med oss om hvordan og hvorfor de brukte "
"CC, ble det klart at det betydde noe mer enn å bruke en lisens for "
-"opphavsrett. Det representerte og et verdisett. Det er symbolikk bak å bruke "
-"CC, og den symbolikken har mange lag."
+"opphavsrett. Det representerte også et verdisett. Det er symbolikk bak å "
+"bruke CC, og den symbolikken har mange lag."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1256
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1613
msgid ""
"At one level, being Made with Creative Commons expresses an affinity for the "
"value of Creative Commons. While there are many different flavors of CC "
"something to contribute, and that no one can own our shared culture. They "
"reflect a belief in the promise of sharing."
msgstr ""
-"På ett nivå uttrykker Made with Creative Commons en tilknytning til "
-"betydningen av Creative Commons. Mens det er mange forskjellige variasjoner "
-"av CC lisenser, og nesten uendelige måter for å være Made with Creative "
-"Commons, den grunnleggende verdisystemet er forankret i en grunnleggende tro "
-"på at kunnskap og kreativitet er byggesteinene i vår kultur, heller enn bare "
-"varer som har en markedsverdi som gir inntekt. Disse verdiene gjenspeiler "
-"troen på at fellesgodet alltid bør være en del av sammenhengen når vi "
-"bestemmer hvordan vi regulerer vår kulturelle produksjon. De gjenspeiler en "
-"tro på at alle har noe å bidra med, og at ingen kan eie vår felles kultur. "
-"De gjenspeiler en tro på løftet om å dele."
+"På ett nivå uttrykker Made with Creative Commons en tilknytning for verdien "
+"av Creative Commons. Mens det er mange forskjellige variasjoner av CC-"
+"lisenser, og nesten uendelige måter for å være Made with Creative Commons, "
+"er det grunnleggende verdisystemet forankret i en grunnleggende tro på at "
+"kunnskap og kreativitet er byggesteinene i vår kultur, heller enn bare varer "
+"som har en markedsverdi som gir inntekt. Disse verdiene gjenspeiler troen på "
+"at fellesgodet alltid bør være en del av sammenhengen når vi bestemmer "
+"hvordan vi regulerer vår kulturelle produksjon. De gjenspeiler en tro på at "
+"alle har noe å bidra med, og at ingen kan eie vår felles kultur. De "
+"gjenspeiler en tro på løftet om å dele."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1266
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1627
msgid ""
"Whether the public makes use of the opportunity to copy and adapt your work, "
"sharing with a Creative Commons license is a symbol of how you want to "
-"interact with the people who consume your work. Whenever you create "
+"interact with the people who consume your work. Whenever you create "
"something, “all rights reserved” under copyright is automatic, so the "
"copyright symbol (©) on the work does not necessarily come across as a "
"marker of distrust or excessive protectionism. But using a CC license can be "
"Om publikum gjør bruk av muligheten til å kopiere og tilpasse sitt arbeid, "
"er å dele med en Creative Commons-lisens et symbol på hvordan du skal "
"kommunisere med personer som bruker ditt arbeidet. Når du oppretter noe, er "
-"\"alle rettigheter reservert\" med opphavsrett automatisk, så "
+"«alle rettigheter reservert» med opphavsrett automatisk, så "
"opphavsrettsymbolet (©) på arbeidet formidles ikke nødvendigvis som en "
"markør av mistro eller overdreven proteksjonisme. Men å bruke en CC-lisens "
-"kan være et symbol på det motsatte - av at en ønsker en ekte menneskelig "
-"relasjon, i stedet for en upersonlig markedstansaksjon. Det etterlater en "
+"kan være et symbol på det motsatte – av at en ønsker en ekte menneskelig "
+"relasjon, i stedet for en upersonlig markedstransaksjon. Det etterlater en "
"åpen mulighet for forbindelse."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1272
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1639
msgid ""
"Being Made with Creative Commons not only demonstrates values connected to "
"CC and sharing. It also demonstrates that something other than profit drives "
"what you do. In our interviews, we always asked what success looked like for "
-"them. It was stunning how rarely money was mentioned. Most have a deeper "
+"them. It was stunning how rarely money was mentioned. Most have a deeper "
"purpose and a different vision of success."
msgstr ""
"Made with Creative Commons viser ikke bare verdiene med CC og å dele. Det "
"viser også at noe annet enn at profitt driver hva man gjør. I våre "
"intervjuer spurte vi alltid hva suksess var for dem. Det var overraskende "
-"hvor sjelden penger ble nevnt. De fleste har en dypere hensikt og et annet "
+"hvor sjelden penger ble nevnt. De fleste har en dypere hensikt, og et annet "
"syn på suksess."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1283
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1652
msgid ""
-"The driving motivation varies depending on the type of endeavor. For "
+"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
+"Age (San Francisco, CA: McSweeney’s, 2014) 68."
+msgstr ""
+"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
+"Age (San Francisco, CA: McSweeney’s, 2014) 68."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1647
+#, fuzzy
+#| msgid ""
+#| "The driving motivation varies depending on the type of endeavor. For "
+#| "individual creators, it is most often about personal inspiration. In some "
+#| "ways, this is nothing new. As Doctorow has written, “Creators usually "
+#| "start doing what they do for love.”2 But when you share your creative "
+#| "work under a CC license, that dynamic is even more pronounced. "
+#| "Similarly, for technological innovators, it is often less about creating "
+#| "a specific new thing that will make you rich and more about solving a "
+#| "specific problem you have. The creators of Arduino told us that the key "
+#| "question when creating something is “Do you as the creator want to use "
+#| "it? It has to have personal use and meaning.”"
+msgid ""
+"The driving motivation varies depending on the type of endeavor. For "
"individual creators, it is most often about personal inspiration. In some "
"ways, this is nothing new. As Doctorow has written, “Creators usually start "
-"doing what they do for love.”2 But when you share your creative work under a "
-"CC license, that dynamic is even more pronounced. Similarly, for "
-"technological innovators, it is often less about creating a specific new "
-"thing that will make you rich and more about solving a specific problem you "
-"have. The creators of Arduino told us that the key question when creating "
-"something is “Do you as the creator want to use it? It has to have personal "
-"use and meaning.”"
+"doing what they do for love.”<placeholder type=\"footnote\" id=\"0\"/> But "
+"when you share your creative work under a CC license, that dynamic is even "
+"more pronounced. Similarly, for technological innovators, it is often less "
+"about creating a specific new thing that will make you rich and more about "
+"solving a specific problem you have. The creators of Arduino told us that "
+"the key question when creating something is “Do you as the creator want to "
+"use it? It has to have personal use and meaning.”"
msgstr ""
"Motivasjonen varierer avhengig av hva en skal oppnå. For individuelle "
"innholdsleverandører er det oftest en personlig inspirasjon. På noen måter "
-"er dette ikke noe nytt. Som Doctorow har skrevet, \"skapere starter "
-"vanligvis å gjøre hva de gjør av kjærlighet.\"2 Men når du deler din "
-"skapende arbeid under en CC-lisens, er denne dynamikken enda mer uttalt. "
-"Tilsvarende for teknologiske innovatører, gjelder det ofte mindre å skape en "
-"bestemt ny ting som vil gjøre deg rik men mer om å løse et bestemt problem "
-"du har. Skaperne av Arduino fortalte oss at de viktigste spørsmålet når du "
-"oppretter noe er \"vil du som lager det, bruke det? Det må ha en personlig "
-"bruk og betydning.\""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1292
+"er dette ikke noe nytt. Som Doctorow har skrevet, «skapere starter vanligvis "
+"å gjøre hva de gjør av kjærlighet».2) Men når du deler ditt skapende arbeid "
+"under en CC-lisens, er denne dynamikken enda mer uttalt. Tilsvarende for "
+"teknologiske innovatører gjelder det ofte mindre å skape en bestemt ny ting "
+"som vil gjøre deg rik, men mer om å løse et bestemt problem du har. Skaperne "
+"av Arduino fortalte oss at de viktigste spørsmålet når du oppretter noe er "
+"«vil du som lager det, bruke det? Det må ha en personlig bruk og betydning.»"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1663
msgid ""
"Many that are Made with Creative Commons have an express social mission that "
"underpins everything they do. In many cases, sharing with Creative Commons "
"Commons klare fremskritt for dette sosiale formålet, og å bruke lisensene "
"kan være forskjellen mellom legitimitet og hykleri. Medgrunnlegger Edward "
"Boatman i Noun Project fortalte at de ikke kunne ha formulert sitt "
-"samfunnsoppdrag med å dele med ansiktet i riktige folder hvis de ikke var "
-"villig til å vise verden at det var OK å dele innholdet med en Creative "
-"Commons-lisens."
+"samfunnsoppdrag med å dele «with a straight face» («holde masken» )hvis de "
+"ikke var villig til å vise verden at det var OK å dele innholdet med en "
+"Creative Commons-lisens."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1300
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1673
msgid ""
"This dynamic is probably one reason why there are so many nonprofit examples "
"of being Made with Creative Commons. The content is the result of a labor of "
msgstr ""
"Denne dynamikken er nok en grunn til hvorfor det er så mange nonprofit "
"eksempler på Made with Creative Commons. Innholdet er resultatet av en "
-"innsats en føler mye for eller et verktøy for å oppnå sosial endring, og "
-"penger er som gassen i bilen, noe som du må holde i gang, men ikke er et mål "
-"i seg selv. Made with Creative Commons er et annet syn på en bedrift eller "
-"et levebrød, der profitt ikke er avgjørende, men å produsere et sosial gode "
-"og menneskelig tilknytning er en integrert del for å oppnå suksess."
+"innsats en føler mye for, eller et verktøy for å oppnå sosial endring, og "
+"penger er som gassen i bilen, noe som du må holde i gang, men som ikke er et "
+"mål i seg selv. Made with Creative Commons er et annet syn på en bedrift "
+"eller et levebrød, der profitt ikke er avgjørende, men å produsere et sosial "
+"gode og menneskelig tilknytning er en integrert del for å oppnå suksess."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1304
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1683
msgid ""
"Even if profit isn’t the end goal, you have to bring in money to be "
"successfully Made with Creative Commons. At a bare minimum, you have to make "
"velykket med Made with Creative Commons. Som et absolutt minimum må du tjene "
"nok til å holde lysene påslått."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1314
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1688
msgid ""
"The costs of doing business vary widely for those made with CC, but there is "
"generally a much lower threshold for sustainability than there used to be "
"Kostnadene for å gjøre forretninger varierer ved bruk av CC, men det er "
"vanligvis en mye lavere terskel for lønnsomhet enn det pleide å være for "
"kreative innsatser. Digital teknologi har gjort det enklere enn noensinne å "
-"lage og enklere enn noensinne å distribuere. Som Doctorow skrev i sin bok \""
-"Information Doesn’t Want to Be Free\", \"Hvis analoge dollar har snudd til "
-"digitale skillemynt (som kritikere av annonse-støttede media vil ha det til)"
-", er det det faktum at det er mulig å drive en forretning som får samme "
-"mengde reklame som sine forgjengere til en brøkdel av prisen.\""
+"lage, og enklere enn noensinne å distribuere. Som Doctorow skrev i sin bok "
+"«Information Doesn’t Want to Be Free»: «Hvis analoge dollar har snudd til "
+"digitale skillemynt (som kritikere av annonsestøttede media vil ha det til), "
+"er det det et faktum at det er mulig å drive en forretning som får samme "
+"mengde reklame som sine forgjengere til en brøkdel av prisen.»"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1705
+msgid "Ibid., 55."
+msgstr "Ibid., 55."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1325
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1700
+#, fuzzy
+#| msgid ""
+#| "Some creation costs are the same as they always were. It takes the same "
+#| "amount of time and money to write a peer-reviewed journal article or "
+#| "paint a painting. Technology can’t change that. But other costs are "
+#| "dramatically reduced by technology, particularly in production-heavy "
+#| "domains like filmmaking.3 CC-licensed content and content in the public "
+#| "domain, as well as the work of volunteer collaborators, can also "
+#| "dramatically reduce costs if they’re being used as resources to create "
+#| "something new. And, of course, there is the reality that some content "
+#| "would be created whether or not the creator is paid because it is a labor "
+#| "of love."
msgid ""
"Some creation costs are the same as they always were. It takes the same "
"amount of time and money to write a peer-reviewed journal article or paint a "
"painting. Technology can’t change that. But other costs are dramatically "
"reduced by technology, particularly in production-heavy domains like "
-"filmmaking.3 CC-licensed content and content in the public domain, as well "
-"as the work of volunteer collaborators, can also dramatically reduce costs "
-"if they’re being used as resources to create something new. And, of course, "
-"there is the reality that some content would be created whether or not the "
-"creator is paid because it is a labor of love."
+"filmmaking.<placeholder type=\"footnote\" id=\"0\"/> CC-licensed content and "
+"content in the public domain, as well as the work of volunteer "
+"collaborators, can also dramatically reduce costs if they’re being used as "
+"resources to create something new. And, of course, there is the reality that "
+"some content would be created whether or not the creator is paid because it "
+"is a labor of love."
msgstr ""
"Noen igangsettingskostnader er de samme som de alltid har vært. Det tar like "
-"mye tid og penger til å skrive en fagfellevurdert tidsskriftsartikkel eller "
+"mye tid og penger til å skrive en fagfellevurdert tidsskriftsartikkel ,eller "
"male et maleri. Teknologi endrer ikke på det. Men andre kostnader er "
-"dramatisk redusert med teknologi, særlig i produksjon-tunge områder som "
-"filmproduksjon.3 CC-lisensiert innhold og innhold i den offentlige sfæren, "
+"dramatisk redusert med teknologi, særlig i produksjonstunge områder som "
+"filmproduksjon.3) CC-lisensiert innhold og innhold i den offentlige sfæren, "
"samt arbeidet til frivillige samarbeidspartnere, kan også redusere kostnader "
-"hvis de brukes som ressurser til å lage noe nytt. Og, selvfølgelig, er det "
+"hvis de brukes som ressurser til å lage noe nytt. Og, selvfølgelig, det er "
"realiteten at noe innhold lages enten den som lager det blir betalt eller "
"ikke, fordi det lages ut fra overbevisning."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1335
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1717
+msgid ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
+"224."
+msgstr ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
+"224."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1714
+#, fuzzy
+#| msgid ""
+#| "Distributing content is almost universally cheaper than ever. Once "
+#| "content is created, the costs to distribute copies digitally are "
+#| "essentially zero.4 The costs to distribute physical copies are still "
+#| "significant, but lower than they have been historically. And it is now "
+#| "much easier to print and distribute physical copies on-demand, which also "
+#| "reduces costs. Depending on the endeavor, there can be a whole host of "
+#| "other possible expenses like marketing and promotion, and even expenses "
+#| "associated with the various ways money is being made, like touring or "
+#| "custom training."
msgid ""
"Distributing content is almost universally cheaper than ever. Once content "
-"is created, the costs to distribute copies digitally are essentially zero.4 "
-"The costs to distribute physical copies are still significant, but lower "
-"than they have been historically. And it is now much easier to print and "
-"distribute physical copies on-demand, which also reduces costs. Depending on "
-"the endeavor, there can be a whole host of other possible expenses like "
-"marketing and promotion, and even expenses associated with the various ways "
-"money is being made, like touring or custom training."
+"is created, the costs to distribute copies digitally are essentially zero."
+"<placeholder type=\"footnote\" id=\"0\"/> The costs to distribute physical "
+"copies are still significant, but lower than they have been historically. "
+"And it is now much easier to print and distribute physical copies on-demand, "
+"which also reduces costs. Depending on the endeavor, there can be a whole "
+"host of other possible expenses like marketing and promotion, and even "
+"expenses associated with the various ways money is being made, like touring "
+"or custom training."
msgstr ""
"Å distribuere innhold er nesten universelt billigere enn noensinne. Når "
"innhold er laget, er kostnadene ved å distribuere kopier digitalt egentlig "
-"null.4 Kostnadene til å distribuere fysisk kopier er fortsatt betydelige, "
-"men lavere enn de har vært sett historisk. Og det er nå mye enklere å skrive "
+"null.4) Kostnadene til å distribuere fysiske kopier er fortsatt betydelige, "
+"men lavere enn de har vært historisk sett. Og det er nå mye enklere å skrive "
"ut og distribuere fysiske kopier på forespørsel, noe som også reduserer "
-"kostnadene. Avhengig av oppgaven, det kan være en hel rekke andre utgifter "
+"kostnadene. Avhengig av oppgaven kan det være en hel rekke andre utgifter "
"som markedsføring og promotering, og selv utgifter forbundet med ulike måter "
"pengene kommer inn på, som reising eller tilpasset opplæring."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1348
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1739
+msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1729
+#, fuzzy
+#| msgid ""
+#| "It’s important to recognize that the biggest impact of technology on "
+#| "creative endeavors is that creators can now foot the costs of creation "
+#| "and distribution themselves. People now often have a direct route to "
+#| "their potential public without necessarily needing intermediaries like "
+#| "record labels and book publishers. Doctorow wrote, “If you’re a creator "
+#| "who never got the time of day from one of the great imperial powers, this "
+#| "is your time. Where once you had no means of reaching an audience without "
+#| "the assistance of the industry-dominating megacompanies, now you have "
+#| "hundreds of ways to do it without them.”5 Previously, distribution of "
+#| "creative work involved the costs associated with sustaining a monolithic "
+#| "entity, now creators can do the work themselves. That means the financial "
+#| "needs of creative endeavors can be a lot more modest."
msgid ""
"It’s important to recognize that the biggest impact of technology on "
"creative endeavors is that creators can now foot the costs of creation and "
"got the time of day from one of the great imperial powers, this is your "
"time. Where once you had no means of reaching an audience without the "
"assistance of the industry-dominating megacompanies, now you have hundreds "
-"of ways to do it without them.”5 Previously, distribution of creative work "
-"involved the costs associated with sustaining a monolithic entity, now "
-"creators can do the work themselves. That means the financial needs of "
-"creative endeavors can be a lot more modest."
+"of ways to do it without them.”<placeholder type=\"footnote\" id=\"0\"/> "
+"Previously, distribution of creative work involved the costs associated with "
+"sustaining a monolithic entity, now creators can do the work themselves. "
+"That means the financial needs of creative endeavors can be a lot more "
+"modest."
msgstr ""
"Det er viktig å innse at den største effekten av teknologi for kreative "
"oppgaver er at bidragsyterne nå selv kan stå for kostnadene for å utføre "
"oppgaven og distribusjonen. Ofte har folk selv nå en direkte rute til sitt "
"potensielle publikum uten nødvendigvis å trenge mellomledd som "
-"plateselskaper og bokutgivere. Doctorow skrev, \"Hvis du er en "
-"innholdsleverandør som aldri fikk et klokkeslettet fra en av de store "
-"imperialistiske maktene, dette er din tid. Der en gang du ikke hadde noen "
-"mulighet til å nå ut til et publikum uten hjelp av industri-dominerte mega-"
-"selskaper, nå har hundrevis av måter å gjøre det på uten dem\"5 Tidligere "
-"innebar distribusjon av skapende arbeid kostnadene knyttet til å "
+"plateselskaper og bokutgivere. Doctorow skrev, «Hvis du er en "
+"innholdsleverandør som aldri fikk et klokkeslett fra en av de store "
+"imperialistiske maktene, er dette din tid. Der du en gang ikke hadde noen "
+"mulighet til å nå ut til et publikum uten hjelp av industri-dominerte "
+"megaselskaper, har du nå hundrevis av måter å gjøre det på uten dem».5) "
+"Tidligere innebar distribusjon av skapende arbeid kostnadene knyttet til å "
"opprettholde en monolittisk enhet, nå kan skaperne gjøre dette arbeidet "
"selv. Det betyr at de finansielle forutsetningene for kreativt innhold kan "
"være mye mer beskjedne."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1359
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1746
msgid ""
"Whether for an individual creator or a larger endeavor, it usually isn’t "
-"enough to break even if you want to make what you’re doing a livelihood. "
-"You need to build in some support for the general operation. This extra bit "
+"enough to break even if you want to make what you’re doing a livelihood. You "
+"need to build in some support for the general operation. This extra bit "
"looks different for everyone, but importantly, in nearly all cases for those "
"Made with Creative Commons, the definition of “enough money” looks a lot "
"different than it does in the world of venture capital and stock options. It "
"Enten det er for en individuell bidragsyter eller en større oppgave, er det "
"vanligvis ikke nok til å gå i balanse om det en ønsker å gjøre, skal bli et "
"levebrød. Du må bygge inn noen støtte til generell drift. Denne ekstra "
-"delen ser ulikt ut for alle, men viktigere, i nesten alle tilfeller de som "
-"er \"Made with Creative Commons\", er definisjonen av \"nok penger\" mye "
-"annerledes enn i verden av risikovillig kapital og aksjeopsjoner. Det er mer "
-"om bærekraft og mindre om ubegrenset vekst og fortjeneste. Som SparkFun "
-"grunnlegger Nathan Seidle fortalte oss, \"Forretningsmodell er et virkelig "
-"store ord for det. Det gjelder egentlig bare å holde operasjonen gående fra "
-"dag til dag.\""
+"delen ser ulikt ut for alle, men viktigere, i nesten alle tilfeller for de "
+"som er «Made with Creative Commons», er definisjonen av «nok penger» mye "
+"annerledes enn i verden av risikovillig kapital og aksjeopsjoner. Det "
+"handler mer om bærekraft og mindre om ubegrenset vekst og fortjeneste. Som "
+"SparkFun grunnlegger Nathan Seidle fortalte oss, «Forretningsmodell er et "
+"virkelig stort ord for det. Det gjelder egentlig bare å holde operasjonen "
+"gående fra dag til dag»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1365
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1759
msgid ""
"This book is a testament to the notion that it is possible to make money "
"while using CC licenses and CC-licensed content, but we are still very much "
"som vi profilerer i denne boken, blitser opp veien videre i sanntid når de "
"forfølger denne nye måten å operere på."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1369
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1767
msgid ""
"There are, however, plenty of ways in which CC licensing can be good for "
"business in fairly predictable ways. The first is how it helps solve "
"“problem zero.”"
msgstr ""
"Det er imidlertid mange måter der CC-lisenser kan være bra for forretningen "
-"på ganske forutsigbare måter. Først, hvordan hjelper det å løse \"problem "
-"null.\""
+"på ganske forutsigbare måter. Først, hvordan det hjelper å løse «problem "
+"null»."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1772
+msgid "Problem Zero: Getting Discovered"
+msgstr "Problem Null: Å bli oppdaget"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1779
+#, fuzzy
+msgid ""
+"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
+"People Help (New York: Grand Central, 2014), 121."
+msgstr ""
+"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
+"People Help (New York: Grand Central, 2014), 121."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1371
-msgid "### Problem Zero: Getting Discovered"
-msgstr "### Problem Zero: Å bli oppdaget"
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1793
+msgid ""
+"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
+"2012), 64."
+msgstr ""
+"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
+"2012), 64."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1386
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1774
+#, fuzzy
+#| msgid ""
+#| "Once you create or collect your content, the next step is finding users, "
+#| "customers, fans—in other words, your people. As Amanda Palmer wrote, “It "
+#| "has to start with the art. The songs had to touch people initially, and "
+#| "mean something, for anything to work at all.”6 There isn’t any magic to "
+#| "finding your people, and there is certainly no formula. Your work has to "
+#| "connect with people and offer them some artistic and/or utilitarian "
+#| "value. In some ways, this is easier than ever. Online we are not limited "
+#| "by shelf space, so there is room for every obscure interest, taste, and "
+#| "need imaginable. This is what Chris Anderson dubbed the Long Tail, where "
+#| "consumption becomes less about mainstream mass “hits” and more about "
+#| "micromarkets for every particular niche. As Anderson wrote, “We are all "
+#| "different, with different wants and needs, and the Internet now has a "
+#| "place for all of them in the way that physical markets did not.”7 We are "
+#| "no longer limited to what appeals to the masses."
msgid ""
"Once you create or collect your content, the next step is finding users, "
"customers, fans—in other words, your people. As Amanda Palmer wrote, “It has "
"to start with the art. The songs had to touch people initially, and mean "
-"something, for anything to work at all.”6 There isn’t any magic to finding "
-"your people, and there is certainly no formula. Your work has to connect "
-"with people and offer them some artistic and/or utilitarian value. In some "
-"ways, this is easier than ever. Online we are not limited by shelf space, so "
-"there is room for every obscure interest, taste, and need imaginable. This "
-"is what Chris Anderson dubbed the Long Tail, where consumption becomes less "
-"about mainstream mass “hits” and more about micromarkets for every "
-"particular niche. As Anderson wrote, “We are all different, with different "
-"wants and needs, and the Internet now has a place for all of them in the way "
-"that physical markets did not.”7 We are no longer limited to what appeals to "
-"the masses."
+"something, for anything to work at all.”<placeholder type=\"footnote\" id="
+"\"0\"/> There isn’t any magic to finding your people, and there is certainly "
+"no formula. Your work has to connect with people and offer them some "
+"artistic and/or utilitarian value. In some ways, this is easier than ever. "
+"Online we are not limited by shelf space, so there is room for every obscure "
+"interest, taste, and need imaginable. This is what Chris Anderson dubbed the "
+"Long Tail, where consumption becomes less about mainstream mass “hits” and "
+"more about micromarkets for every particular niche. As Anderson wrote, “We "
+"are all different, with different wants and needs, and the Internet now has "
+"a place for all of them in the way that physical markets did "
+"not.”<placeholder type=\"footnote\" id=\"1\"/> We are no longer limited to "
+"what appeals to the masses."
msgstr ""
"Når du oppretter eller samler ditt innhold, er det neste trinnet er å finne "
-"brukere, kunder, fans - med andre ord, folk. Som Amanda Palmer skrev, er\""
-"Det må starte med kunsten. Sangene måtte røre folk først, og mene noe, om "
-"noe skal virke i det hele tatt.\"6 Det er ikke noe magi å finne dine, og det "
-"er absolutt ingen formel. Arbeidet ditt er å få kontakt med folk og tilby "
-"dem noe med kunstnerisk og/eller nytteverdi. På noen måter er det enklere "
-"enn noensinne. På nettet er vi ikke begrenset av hylleplass, så det er rom "
-"for alle tenkelige særinteresser, smak og behov. Dette er hva Chris Anderson "
-"kalte den lange halen, hvor forbruket mindre er om bredspekrede \"treff\" og "
-"mer om mikromarkeder for hver enkelt nisje. Som Anderson skrev, \"Vi er alle "
+"brukere, kunder, fans – med andre ord, folk. Som Amanda Palmer skrev, «Det "
+"må starte med kunsten. Sangene måtte røre folk først, og bety noe, om noe "
+"skal virke i det hele tatt».6) Det er ikke noe magi å finne dine, og det er "
+"absolutt ingen formel. Arbeidet ditt er å få kontakt med folk, og tilby dem "
+"noe med kunstnerisk og/eller nytteverdi. På noen måter er det enklere enn "
+"noensinne. På nettet er vi ikke begrenset av hylleplass, så det er rom for "
+"alle tenkelige særinteresser, smak og behov. Dette er hva Chris Anderson "
+"kalte den lange halen, hvor forbruket mindre er om bredspekrede «treff», og "
+"mer om mikromarkeder for hver enkelt nisje. Som Anderson skrev, «Vi er alle "
"forskjellige, med forskjellige ønsker og behov, og Internett har nå en plass "
-"for dem alle på en måte som fysiske markeder ikke gjorde.\"7 Vi er ikke "
+"for dem alle på en måte som fysiske markeder ikke gjorde».7) Vi er ikke "
"lenger begrenset til hva som appellerer til massene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1399
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1806
+msgid ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 70."
+msgstr ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 70."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1812
+msgid "Anderson, Makers, 66."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1816
+msgid ""
+"Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy (New "
+"York: Morgan James, 2016), 10."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1799
+#, fuzzy
+#| msgid ""
+#| "While finding “your people” online is theoretically easier than in the "
+#| "analog world, as a practical matter it can still be difficult to actually "
+#| "get noticed. The Internet is a firehose of content, one that only grows "
+#| "larger by the minute. As a content creator, not only are you competing "
+#| "for attention against more content creators than ever before, you are "
+#| "competing against creativity generated outside the market as well.8 "
+#| "Anderson wrote, “The greatest change of the past decade has been the "
+#| "shift in time people spend consuming amateur content instead of "
+#| "professional content.”9 To top it all off, you have to compete against "
+#| "the rest of their lives, too—“friends, family, music playlists, soccer "
+#| "games, and nights on the town.”10 Somehow, some way, you have to get "
+#| "noticed by the right people."
msgid ""
"While finding “your people” online is theoretically easier than in the "
"analog world, as a practical matter it can still be difficult to actually "
"get noticed. The Internet is a firehose of content, one that only grows "
"larger by the minute. As a content creator, not only are you competing for "
"attention against more content creators than ever before, you are competing "
-"against creativity generated outside the market as well.8 Anderson wrote, "
-"“The greatest change of the past decade has been the shift in time people "
-"spend consuming amateur content instead of professional content.”9 To top it "
-"all off, you have to compete against the rest of their lives, too—“friends, "
-"family, music playlists, soccer games, and nights on the town.”10 Somehow, "
-"some way, you have to get noticed by the right people."
-msgstr ""
-"Samtidig som å finne \"dine folk\" på nettet teoretisk er enklere enn i den "
+"against creativity generated outside the market as well.<placeholder type="
+"\"footnote\" id=\"0\"/> Anderson wrote, “The greatest change of the past "
+"decade has been the shift in time people spend consuming amateur content "
+"instead of professional content.”<placeholder type=\"footnote\" id=\"1\"/> "
+"To top it all off, you have to compete against the rest of their lives, too"
+"—“friends, family, music playlists, soccer games, and nights on the "
+"town.”<placeholder type=\"footnote\" id=\"2\"/> Somehow, some way, you have "
+"to get noticed by the right people."
+msgstr ""
+"Samtidig som å finne «dine folk» på nettet teoretisk er enklere enn i den "
"analoge verden, kan det, som et praktisk spørmål, fortsatt være vanskelig å "
"faktisk bli lagt merke til. Internett er en brannslange med innhold, som "
-"bare vokser minutt for minutt. Som innholdleverandør, konkurrerer du også "
-"mot kreativitet som er generert utenfor markedet.8 Anderson skrev, \"Den "
+"bare vokser minutt for minutt. Som innholdsleverandør konkurrerer du også "
+"mot kreativitet som er generert utenfor markedet.8) Anderson skrev, «Den "
"største endringen i det siste tiåret har vært skifte i tiden folk bruker på "
-"amatørinnhold i stedet for profesjonelt innhold.\"9 For å toppe det hele, du "
-"må konkurrere med resten av deres liv, også - \"venner, familie, "
-"musikkspillelister, fotballkamper, og kveld på byen.\"10 På en eller annen "
+"amatørinnhold i stedet for profesjonelt innhold».9) For å toppe det hele du "
+"må konkurrere med resten av deres liv, også – «venner, familie, "
+"musikkspillelister, fotballkamper, og kveld på byen».10) På en eller annen "
"måte må du bli lagt merke til av de rette folkene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1412
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1830
+msgid "Anderson, Free, 62."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1822
+#, fuzzy
+#| msgid ""
+#| "When you come to the Internet armed with an all-rights-reserved mentality "
+#| "from the start, you are often restricting access to your work before "
+#| "there is even any demand for it. In many cases, requiring payment for "
+#| "your work is part of the traditional copyright system. Even a tiny cost "
+#| "has a big effect on demand. It’s called the penny gap—the large "
+#| "difference in demand between something that is available at the price of "
+#| "one cent versus the price of zero.11 That doesn’t mean it is wrong to "
+#| "charge money for your content. It simply means you need to recognize the "
+#| "effect that doing so will have on demand. The same principle applies to "
+#| "restricting access to copy the work. If your problem is how to get "
+#| "discovered and find “your people,” prohibiting people from copying your "
+#| "work and sharing it with others is counterproductive."
msgid ""
"When you come to the Internet armed with an all-rights-reserved mentality "
"from the start, you are often restricting access to your work before there "
"is even any demand for it. In many cases, requiring payment for your work is "
"part of the traditional copyright system. Even a tiny cost has a big effect "
-"on demand. It’s called the penny gap—the large difference in demand between "
+"on demand. It’s called the penny gap—the large difference in demand between "
"something that is available at the price of one cent versus the price of "
-"zero.11 That doesn’t mean it is wrong to charge money for your content. It "
-"simply means you need to recognize the effect that doing so will have on "
-"demand. The same principle applies to restricting access to copy the work. "
-"If your problem is how to get discovered and find “your people,” prohibiting "
-"people from copying your work and sharing it with others is "
-"counterproductive."
-msgstr ""
-"Når du kommer til Internettet med en all-rettigheter-reservert mentalitet "
+"zero.<placeholder type=\"footnote\" id=\"0\"/> That doesn’t mean it is wrong "
+"to charge money for your content. It simply means you need to recognize the "
+"effect that doing so will have on demand. The same principle applies to "
+"restricting access to copy the work. If your problem is how to get "
+"discovered and find “your people,” prohibiting people from copying your work "
+"and sharing it with others is counterproductive."
+msgstr ""
+"Når du kommer til Internettet med en alle-rettigheter-reservert mentalitet "
"når du starter, begrenser du ofte adgangen til innholdet ditt før det engang "
-"er blitt noen etterspørsel etter det. I mange tilfeller, er å kreve betaling "
-"for innholdet en del av tradisjonelle opphavsrett-systemet. Selv en liten "
-"pris har en stor effekt på etterspørselen. Det kalles \"penny gap\": Den "
+"er blitt noen etterspørsel etter det. I mange tilfeller er å kreve betaling "
+"for innholdet en del av det tradisjonelle opphavsrettssystemet. Selv en "
+"liten pris har en stor effekt på etterspørselen. Det kalles «penny gap»: Den "
"store forskjellen i etterspørsel mellom noe som er tilgjengelig til prisen "
-"på ett øre mot en pris på null.11 Det betyr ikke at det er galt å ta betalt "
+"på ett øre mot en pris på null.11) Det betyr ikke at det er galt å ta betalt "
"for innholdet. Det betyr bare du må innse hvilken betydning dette vil ha på "
"etterspørselen. Det samme prinsippet gjelder ved å begrense tilgangen til å "
-"kopiere arbeidet. Hvis problemet ditt er å bli oppdaget og finne \"dine "
-"folk\", virker å hindre folk fra å kopiere arbeidet ditt og dele det med "
-"andre mot sin hensikt."
+"kopiere arbeidet. Hvis problemet ditt er å bli oppdaget og finne «dine "
+"folk», virker å hindre folk fra å kopiere arbeidet ditt og dele det med "
+"andre, mot sin hensikt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1416
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1844
+#, fuzzy
+#| msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
+msgid "Doctorow, Information Doesn’t Want to Be Free, 38."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1840
+#, fuzzy
+#| msgid ""
+#| "Of course, it’s not that being discovered by people who like your work "
+#| "will make you rich—far from it. But as Cory Doctorow says, “Recognition "
+#| "is one of many necessary preconditions for artistic success.”12"
msgid ""
"Of course, it’s not that being discovered by people who like your work will "
"make you rich—far from it. But as Cory Doctorow says, “Recognition is one of "
-"many necessary preconditions for artistic success.”12"
+"many necessary preconditions for artistic success.”<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Selvfølgelig, det er ikke at å bli oppdaget av folk som liker arbeidet ditt "
-"vil gjøre deg rik - langt fra det. Men som Cory Doctorow sier, \""
-"anerkjennelse er en av mange nødvendige forutsetninger for kunstnerisk "
-"suksess.\"12"
+"vil gjøre deg rik - langt fra det. Men som Cory Doctorow sier, "
+"«anerkjennelse er en av mange nødvendige forutsetninger for kunstnerisk "
+"suksess».12)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1425
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1848
msgid ""
"Choosing not to spend time and energy restricting access to your work and "
"policing infringement also builds goodwill. Lumen Learning, a for-profit "
"this decision has generated an immense amount of goodwill within the "
"community."
msgstr ""
-"Å velge å ikke å bruke tid og energi på å begrense tilgangen til ditt arbeid "
-"med og forfølge overtredelser bygger også goodwill. Lumen Learning, et for-"
-"fortjeneste selskap som utgir læremidler på nett, tok en tidlig avgjørelse "
-"om ikke å forhindre studentene adgang innholdet, selv i form av en liten "
-"betalingsvegg, fordi det negativt ville påvirke student suksess på en måte "
-"som ville undergrave samfunnsoppdraget bak det de gjør. De tror denne "
-"beslutningen har generert en betydelig mengde goodwill i samfunnet."
+"Å velge å ikke bruke tid og energi på å begrense tilgangen til ditt arbeid, "
+"og forfølge overtredelser, bygger også goodwill. Lumen Learning, et selskap "
+"som er for fortjeneste (profitselskap), og som utgir læremidler på nett, tok "
+"en tidlig avgjørelse om ikke å forhindre studentenes adgang til innholdet, "
+"selv i form av en liten betalingsvegg, fordi det negativt ville påvirke "
+"studentens suksess på en måte som ville undergrave samfunnsoppdraget bak det "
+"de gjør. De tror denne beslutningen har generert en betydelig mengde "
+"goodwill i samfunnet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1432
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1865
+msgid "Bollier, Think Like a Commoner, 68."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1859
+#, fuzzy
+#| msgid ""
+#| "It is not just that restricting access to your work may undermine your "
+#| "social mission. It also may alienate the people who most value your "
+#| "creative work. If people like your work, their natural instinct will be "
+#| "to share it with others. But as David Bollier wrote, “Our natural human "
+#| "impulses to imitate and share—the essence of culture—have been "
+#| "criminalized.”13"
msgid ""
"It is not just that restricting access to your work may undermine your "
"social mission. It also may alienate the people who most value your creative "
"work. If people like your work, their natural instinct will be to share it "
"with others. But as David Bollier wrote, “Our natural human impulses to "
-"imitate and share—the essence of culture—have been criminalized.”13"
+"imitate and share—the essence of culture—have been "
+"criminalized.”<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Det er ikke bare det at begrenset tilgang til innholdet ditt undergraver "
"ditt sosiale oppdrag. Det kan også fremmedgjøre folk som mest verdsetter din "
-"kreative innsats. Hvis folk liker ditt arbeid, blir deres naturlig instinkt "
-"å dele det med andre. Men som David Bollier skrev, \"vår naturlige "
-"menneskelige impulser til å imitere og dele - essensen av hva kultur er - "
-"har blitt kriminalisert.\"13"
+"kreative innsats. Hvis folk liker ditt arbeid, blir deres naturlige instinkt "
+"å dele det med andre. Men som David Bollier skrev, «våre naturlige "
+"menneskelige impulser til å imitere og dele – essensen av hva kultur er – "
+"har blitt kriminalisert». 13)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1440
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1869
msgid ""
"The fact that copying can carry criminal penalties undoubtedly deters "
"copying it, but copying with the click of a button is too easy and "
"convenient to ever fully stop it. Try as the copyright industry might to "
"persuade us otherwise, copying a copyrighted work just doesn’t feel like "
-"stealing a loaf of bread. And, of course, that’s because it isn’t. Sharing "
-"a creative work has no impact on anyone else’s ability to make use of it."
+"stealing a loaf of bread. And, of course, that’s because it isn’t. Sharing a "
+"creative work has no impact on anyone else’s ability to make use of it."
msgstr ""
-"Det faktum at kopiering kan innebære straffeansvar forhindrer utvilsomt "
+"Det faktum at kopiering kan innebære straffeansvar, forhindrer utvilsomt "
"kopiering, men kopiering ved å klikke på en knapp er for enkelt og praktisk "
-"til noensinne å få en fullstendig stopp for det. Forsøk som opphavsretts--"
-"industrien å overbevise oss om det motsatte, å kopierer et åndsprodukt føles "
+"til noensinne å få en fullstendig stopp for det. Opphavsrettsindustrien "
+"forsøk på å overbevise oss om det motsatte, å kopierer et åndsprodukt føles "
"ikke som å stjele et brød. Og, selvfølgelig, det er fordi det ikke gjør "
"det. Å dele skapende arbeid har ingen innvirkning på noen annens mulighet "
"til å gjøre bruk av det."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1454
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1878
msgid ""
"If you take some amount of copying and sharing your work as a given, you can "
"invest your time and resources elsewhere, rather than wasting them on "
"playing a cat and mouse game with people who want to copy and share your "
"work. Lizzy Jongma from the Rijksmuseum said, “We could spend a lot of money "
-"trying to protect works, but people are going to do it anyway. And they "
-"will use bad-quality versions.” Instead, they started releasing high-"
-"resolution digital copies of their collection into the public domain and "
-"making them available for free on their website. For them, sharing was a "
-"form of quality control over the copies that were inevitably being shared "
-"online. Doing this meant forgoing the revenue they previously got from "
-"selling digital images. But Lizzy says that was a small price to pay for all "
-"of the opportunities that sharing unlocked for them."
+"trying to protect works, but people are going to do it anyway. And they will "
+"use bad-quality versions.” Instead, they started releasing high-resolution "
+"digital copies of their collection into the public domain and making them "
+"available for free on their website. For them, sharing was a form of quality "
+"control over the copies that were inevitably being shared online. Doing this "
+"meant forgoing the revenue they previously got from selling digital images. "
+"But Lizzy says that was a small price to pay for all of the opportunities "
+"that sharing unlocked for them."
msgstr ""
"Tar du for gitt endel kopiering og deling av arbeidet ditt, kan du investere "
"tid og ressurser andre steder enn å kaste dem bort på å leke katt og mus med "
"folk som vil kopiere og dele ditt innhold. Lizzy Jongma fra Rijksmuseum sa, "
-"\"vi kan bruke mye penger på å prøve å beskytte verkene, men folk kommer til "
-"å gjøre det likevel. Og de vil bruke gjengivelser med dårlig kvalitet.\" I "
+"«vi kan bruke mye penger på å prøve å beskytte verkene, men folk kommer til "
+"å gjøre det likevel. Og de vil bruke gjengivelser med dårlig kvalitet». I "
"stedet startet de med å utgi høyoppløselige digitale kopier fra sine "
-"samlinger i det offentlige rom og gjøre dem tilgjengelige gratis fra sin "
+"samlinger i det offentlige rom, og gjøre dem tilgjengelige gratis fra sin "
"hjemmeside. For dem var deling en form for kvalitetskontroll av kopiene som "
-"uunngåelig ville blitt delt på nettet. Å gjør dette betydde å gi avkall "
+"uunngåelig ville blitt delt på nettet. Å gjør dette betydde å gi avkall på "
"inntektene de tidligere fikk fra salg av digitale bilder. Men Lizzy sier det "
"var en liten pris å betale for alle mulighetene som deling låste opp for dem."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1462
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1898
+msgid "Anderson, Free, 86."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1894
+#, fuzzy
+#| msgid ""
+#| "Being Made with Creative Commons means you stop thinking about ways to "
+#| "artificially make your content scarce, and instead leverage it as the "
+#| "potentially abundant resource it is.14 When you see information abundance "
+#| "as a feature, not a bug, you start thinking about the ways to use the "
+#| "idling capacity of your content to your advantage. As my friend and "
+#| "colleague Eric Steuer once said, “Using CC licenses shows you get the "
+#| "Internet.”"
msgid ""
"Being Made with Creative Commons means you stop thinking about ways to "
"artificially make your content scarce, and instead leverage it as the "
-"potentially abundant resource it is.14 When you see information abundance as "
-"a feature, not a bug, you start thinking about the ways to use the idling "
-"capacity of your content to your advantage. As my friend and colleague Eric "
-"Steuer once said, “Using CC licenses shows you get the Internet.”"
+"potentially abundant resource it is.<placeholder type=\"footnote\" id=\"0\"/"
+"> When you see information abundance as a feature, not a bug, you start "
+"thinking about the ways to use the idling capacity of your content to your "
+"advantage. As my friend and colleague Eric Steuer once said, “Using CC "
+"licenses shows you get the Internet.”"
msgstr ""
-"Å ha brukt Made with Creative Commons betyr du slutter å tenke på måter å "
+"Å ha brukt Made with Creative Commons betyr at du slutter å tenke på måter å "
"kunstig gjøre innholdet til et knapphetsgode, og i stedet utnytte det som "
-"den potensielt rikelige ressursen det er.14 Når du ser informasjonsoverflod "
-"som en funksjon, ikke en feil, begynner du å tenke på måter å bruke denne "
-"tomgangskapasiteten til din fordel. Som min venn og kollega Eric Steuer "
-"engang sa, \"å bruke CC-lisenser viser du har taket på Internettet.\""
+"den potensielt rikelige ressursen det er.14) Når du ser "
+"informasjonsoverflod som en funksjon, ikke en feil, begynner du å tenke på "
+"måter å bruke denne tomgangskapasiteten til din fordel. Som min venn og "
+"kollega Eric Steuer engang sa, «å bruke CC-lisenser viser at du har taket på "
+"Internettet»."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1909
+#, fuzzy
+#| msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
+msgid "Doctorow, Information Doesn’t Want to Be Free, 144."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1471
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1906
+#, fuzzy
+#| msgid ""
+#| "Cory Doctorow says it costs him nothing when other people make copies of "
+#| "his work, and it opens the possibility that he might get something in "
+#| "return.15 Similarly, the makers of the Arduino boards knew it was "
+#| "impossible to stop people from copying their hardware, so they decided "
+#| "not to even try and instead look for the benefits of being open. For "
+#| "them, the result is one of the most ubiquitous pieces of hardware in the "
+#| "world, with a thriving online community of tinkerers and innovators that "
+#| "have done things with their work they never could have done otherwise."
msgid ""
"Cory Doctorow says it costs him nothing when other people make copies of his "
-"work, and it opens the possibility that he might get something in return.15 "
-"Similarly, the makers of the Arduino boards knew it was impossible to stop "
-"people from copying their hardware, so they decided not to even try and "
-"instead look for the benefits of being open. For them, the result is one of "
-"the most ubiquitous pieces of hardware in the world, with a thriving online "
-"community of tinkerers and innovators that have done things with their work "
-"they never could have done otherwise."
+"work, and it opens the possibility that he might get something in return."
+"<placeholder type=\"footnote\" id=\"0\"/> Similarly, the makers of the "
+"Arduino boards knew it was impossible to stop people from copying their "
+"hardware, so they decided not to even try and instead look for the benefits "
+"of being open. For them, the result is one of the most ubiquitous pieces of "
+"hardware in the world, with a thriving online community of tinkerers and "
+"innovators that have done things with their work they never could have done "
+"otherwise."
msgstr ""
"Cory Doctorow sier det koster ham ingenting når andre mennesker lager kopier "
-"av hans arbeid, når det åpner muligheten for at han kan få noe i tilbake.15 "
+"av hans arbeid, når det åpner muligheten for at han kan få noe tilbake.15) "
"På samme måte, skaperne av Arduino Boards visste det var umulig å stoppe "
-"folk fra å kopiere maskinvaren deres, så de besluttet ikke å selv engang å "
-"prøve på det, og i stedet se etter fordelene ved å være åpne. For dem er "
+"folk fra å kopiere maskinvaren deres, så de besluttet og selv ikke engang å "
+"prøve på det, og i stedet se etter fordelene med å være åpne. For dem er "
"resultatet en av de mest utbredte datakort i verden, med et blomstrende "
-"nettsamfunn (community) av tenkere og innovatører som har bidratt med ting "
-"som de selv aldri kunne ha gjort på noen annen måte."
+"nettverkssamfunn (community) av tenkere og innovatører som har bidratt med "
+"ting som de selv aldri kunne ha gjort på noen annen måte."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1474
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1919
msgid ""
"There are all kinds of way to leverage the power of sharing and remix to "
"your benefit. Here are a few."
msgstr ""
-"Det er alle slags måte å utnytte kraften i å dele og remikse til din fordel. "
-"Her er noen."
+"Det er alle slags måter å utnytte kraften i å dele og remikse til din "
+"fordel. Her er noen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1476
-msgid "#### Use CC to grow a larger audience"
-msgstr "#### Bruk CC for å finne et større publikum"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1923
+msgid "Use CC to grow a larger audience"
+msgstr "Bruk CC for å finne et større publikum"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1486
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1925
msgid ""
"Putting a Creative Commons license on your content won’t make it "
"automatically go viral, but eliminating legal barriers to copying the work "
"at deling er velkomment. Den kan fungere som et lite klapp på skulderen til "
"de som kommer over arbeidet – et lite dytt til å kopiere arbeidet om de "
"fornemmer det. Forutsatt at alt annet er likt, hvis ett stykke innhold har "
-"et skilt som sier \"Del\" og det andre sier \"Ikke del\" (som er det \"©\" "
-"betyr), hvilket tror du det er mer sannsynlig at folk deler?"
+"et skilt som sier «Del» og det andre sier «Ikke del» (som er det «©» betyr), "
+"hvilket tror du det er mer sannsynlig at folk deler?"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1493
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1937
msgid ""
"The Conversation is an online news site with in-depth articles written by "
"academics who are experts on particular topics. All of the articles are CC-"
"Denne voksende effekten, som spores, er en sentral del av verdien for de "
"akademiske forfattere som ønsker å nå så mange lesere som mulig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1505
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1953
+msgid "Anderson, Free, 123."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1946
+#, fuzzy
+#| msgid ""
+#| "The idea that more eyeballs equates with more success is a form of the "
+#| "max strategy, adopted by Google and other technology companies. "
+#| "According to Google’s Eric Schmidt, the idea is simple: “Take whatever it "
+#| "is you are doing and do it at the max in terms of distribution. The other "
+#| "way of saying this is that since marginal cost of distribution is free, "
+#| "you might as well put things everywhere.”16 This strategy is what often "
+#| "motivates companies to make their products and services free (i.e., no "
+#| "cost), but the same logic applies to making content freely shareable. "
+#| "Because CC-licensed content is free (as in cost) and can be freely "
+#| "copied, CC licensing makes it even more accessible and likely to spread."
msgid ""
"The idea that more eyeballs equates with more success is a form of the max "
-"strategy, adopted by Google and other technology companies. According to "
+"strategy, adopted by Google and other technology companies. According to "
"Google’s Eric Schmidt, the idea is simple: “Take whatever it is you are "
"doing and do it at the max in terms of distribution. The other way of saying "
"this is that since marginal cost of distribution is free, you might as well "
-"put things everywhere.”16 This strategy is what often motivates companies to "
-"make their products and services free (i.e., no cost), but the same logic "
-"applies to making content freely shareable. Because CC-licensed content is "
-"free (as in cost) and can be freely copied, CC licensing makes it even more "
-"accessible and likely to spread."
-msgstr ""
-"Ideen om at flere øyne faller sammen med mer suksess, er en form for "
-"maksimumstrategi, adoptert av Google og andre teknologiselskaper. Ifølge "
-"Eric Schmidt i Google er ideen enkel: \"Uansett hva du gjør, gjør det med "
-"maksimum distribusjon. Den andre måten å si dette på er at når de marginale "
-"distribusjonskostnadene er gratis, kan du også legge ut ting overalt.\"16 "
-"Denne strategien motiverer ofte selskaper til å gjøre sine produkter og "
-"tjenester gratis (dvs. til ingen kostnad), men den samme logikken gjelder "
-"for å dele innhold fritt. Fordi CC-lisensiert innhold er gratis (i kostnad) "
-"og fritt kan deles, gjør CC lisensiering innholdet enda mer tilgjengelig og "
-"sannsynligvis til å bli spredt."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1513
+"put things everywhere.”<placeholder type=\"footnote\" id=\"0\"/> This "
+"strategy is what often motivates companies to make their products and "
+"services free (i.e., no cost), but the same logic applies to making content "
+"freely shareable. Because CC-licensed content is free (as in cost) and can "
+"be freely copied, CC licensing makes it even more accessible and likely to "
+"spread."
+msgstr ""
+"Ideen om at jo flere øyne som ser, og gir tilsvarende mer suksess, er en "
+"form for maksimumsstrategi, adoptert av Google og andre teknologiselskaper. "
+"Ifølge Eric Schmidt i Google er ideen enkel: «Uansett hva du gjør, gjør det "
+"med maksimum distribusjon. Den andre måten å si dette på er at når de "
+"marginale distribusjonskostnadene er gratis, kan du også legge ut ting "
+"overalt».16) Denne strategien motiverer ofte selskaper til å gjøre sine "
+"produkter og tjenester gratis (dvs. til ingen kostnad), men den samme "
+"logikken gjelder for å dele innhold fritt. Fordi CC-lisensiert innhold er "
+"gratis (i kostnad) og fritt kan deles, gjør CC-lisensiering innholdet enda "
+"mer tilgjengelig, og sannsynligvis til å bli spredt."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1967
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 132."
+msgstr "Ibid., 15."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1972
+#, fuzzy
+#| msgid "Ibid., 175."
+msgid "Ibid., 70."
+msgstr "Ibid., 175."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1962
+#, fuzzy
+#| msgid ""
+#| "If you are successful in reaching more users, readers, listeners, or "
+#| "other consumers of your work, you can start to benefit from the bandwagon "
+#| "effect. The simple fact that there are other people consuming or "
+#| "following your work spurs others to want to do the same.17 This is, in "
+#| "part, because we simply have a tendency to engage in herd behavior, but "
+#| "it is also because a large following is at least a partial indicator of "
+#| "quality or usefulness.18"
msgid ""
"If you are successful in reaching more users, readers, listeners, or other "
"consumers of your work, you can start to benefit from the bandwagon effect. "
"The simple fact that there are other people consuming or following your work "
-"spurs others to want to do the same.17 This is, in part, because we simply "
-"have a tendency to engage in herd behavior, but it is also because a large "
-"following is at least a partial indicator of quality or usefulness.18"
+"spurs others to want to do the same.<placeholder type=\"footnote\" id=\"0\"/"
+"> This is, in part, because we simply have a tendency to engage in herd "
+"behavior, but it is also because a large following is at least a partial "
+"indicator of quality or usefulness.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Hvis du lykkes i å nå flere brukere, lesere, lyttere eller andre brukere av "
"arbeidet, kan du starte med å benytte deg av bandwagon-effekten. Det enkle "
-"faktum er at andre folk som bruker eller følger ditt arbeide sporer andre "
-"til å gjøre same.17 Dette er delvis fordi vi ganske enkelt har en tendens "
-"til å engasjere seg oss i flokkatferd, men det er også fordi en stor "
-"følgeskare delvis er indikator på kvalitet eller nytteverdi.18"
+"faktum er at andre folk som bruker eller følger ditt arbeid ansporer andre "
+"til å gjøre samme.17) Dette er delvis fordi vi ganske enkelt har en tendens "
+"til å engasjere oss i flokkatferd, men det er også fordi en stor følgeskare "
+"delvis er indikator på kvalitet eller nytteverdi.18)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1977
+msgid "Use CC to get attribution and name recognition"
+msgstr "Å bruke CC for å få henvisninger og navnegjenkjenning"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1515
-msgid "#### Use CC to get attribution and name recognition"
-msgstr "### Å bruke CC for å få henvisninger og navnegjenkjenning"
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1991
+msgid ""
+"James Surowiecki, The Wisdom of Crowds (New York: Anchor Books, 2005), 124. "
+"Surowiecki says, “The measure of success of laws and contracts is how rarely "
+"they are invoked.”"
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1530
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1979
+#, fuzzy
+#| msgid ""
+#| "Every Creative Commons license requires that credit be given to the "
+#| "author, and that reusers supply a link back to the original source of the "
+#| "material. CC0, not a license but a tool used to put work in the public "
+#| "domain, does not make attribution a legal requirement, but many "
+#| "communities still give credit as a matter of best practices and social "
+#| "norms. In fact, it is social norms, rather than the threat of legal "
+#| "enforcement, that most often motivate people to provide attribution and "
+#| "otherwise comply with the CC license terms anyway. This is the mark of "
+#| "any well-functioning community, within both the marketplace and the "
+#| "society at large.19 CC licenses reflect a set of wishes on the part of "
+#| "creators, and in the vast majority of circumstances, people are naturally "
+#| "inclined to follow those wishes. This is particularly the case for "
+#| "something as straightforward and consistent with basic notions of "
+#| "fairness as providing credit."
msgid ""
"Every Creative Commons license requires that credit be given to the author, "
"and that reusers supply a link back to the original source of the material. "
"norms, rather than the threat of legal enforcement, that most often motivate "
"people to provide attribution and otherwise comply with the CC license terms "
"anyway. This is the mark of any well-functioning community, within both the "
-"marketplace and the society at large.19 CC licenses reflect a set of wishes "
-"on the part of creators, and in the vast majority of circumstances, people "
-"are naturally inclined to follow those wishes. This is particularly the case "
-"for something as straightforward and consistent with basic notions of "
-"fairness as providing credit."
-msgstr ""
-"Hver Creative Commons-lisens krever at forfatteren gis referanse, og at "
-"gjenbrukere gir en lenke tilbake til den opprinnelige kilden for materialet. "
-"CC0, er ikke en lisens, men et verktøy som brukes til å legge arbeider ut i "
-"den offentlige sfæren, gjør ikke henvisning juridisk påkrevd, men mange "
-"fellesskap gir fortsatt henvisninger i tråd med beste praksis og sosiale "
-"normer. Faktisk er det sosiale normer, heller enn trusselen om juridiske "
-"håndhevelse, som oftest uansett motiverer folk til å henvise og ellers "
-"overholde lisensvilkårene i CC. Dette er særkjennet på et velfungerende "
-"fellesskap, både i markedet og samfunnet i stort.19 CC-lisenser gjenspeiler "
-"et sett av ønsker fra bidragsyterne, og i de aller fleste tilfelle, er folk "
-"naturligvis tilbøyelige til å følge de ønskene. Dette er spesielt tilfelle "
-"for noe så rett frem og samsvarende med grunnleggende forestillinger om "
-"rimelighet som å gi henvisning."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1541
+"marketplace and the society at large.<placeholder type=\"footnote\" id=\"0\"/"
+"> CC licenses reflect a set of wishes on the part of creators, and in the "
+"vast majority of circumstances, people are naturally inclined to follow "
+"those wishes. This is particularly the case for something as straightforward "
+"and consistent with basic notions of fairness as providing credit."
+msgstr ""
+"Hver Creative Commons-lisens krever at forfatteren gis referanse (kreditt), "
+"og at gjenbrukere gir en lenke tilbake til den opprinnelige kilden for "
+"materialet. CC0, ikke en lisens, men et verktøy som brukes til å legge "
+"arbeider ut i den offentlige sfæren, gjør ikke henvisning juridisk påkrevd, "
+"men mange fellesskap gir fortsatt henvisninger i tråd med beste praksis og "
+"sosiale normer. Faktisk er det sosiale normer, heller enn trusselen om "
+"juridiske håndhevelse, som oftest uansett motiverer folk til å henvise, og "
+"ellers overholde lisensvilkårene i CC. Dette er kjennetegnet på et "
+"velfungerende fellesskap, både i markedet og samfunnet som helhet.19) CC-"
+"lisenser gjenspeiler et sett av ønsker fra bidragsyterne, og i de aller "
+"fleste tilfeller er folk naturligvis tilbøyelige til å følge disse ønskene. "
+"Dette er spesielt tilfellet for noe så rett frem, og i samsvar med "
+"grunnleggende forestillinger om rimelighet, slik som å gi henvisning "
+"(kreditt)."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2002
msgid ""
"The fact that the name of the creator follows a CC-licensed work makes the "
"licenses an important means to develop a reputation or, in corporate speak, "
"arbeid, gjør lisensene til et viktig middel for å utvikle et omdømme, eller "
"i bedriftenes språk, en merkevare. Drivkraften bak å knytte ditt navn til "
"ditt arbeid er ikke bare basert på en kommersiell motivasjon, det er "
-"grunnleggende i forfatterskapet. Åpent - er en ideell egenskap som bidrar "
-"til å subsidiere produksjonen av CC-lisensierte akademiske tekster ved "
-"samling og deling av bidrag fra biblioteker rundt i USA. Direktøren, Frances "
-"Pinter, sier at Creative Commons-lisensen på verker har en stor verdi for "
-"forfattere fordi omdømme er den viktigste valutaen for akademikere. Deling "
-"med CC er en måte for å få flest til å se og sitere ditt arbeide."
+"grunnleggende i forfatterskapet. Åpenhet - Knowledge Unlatched (KU) - er en "
+"ideell egenskap som bidrar til å subsidiere produksjonen av CC-lisensierte "
+"akademiske tekster ved samling og deling av bidrag fra biblioteker rundt i "
+"USA. Direktøren, Frances Pinter, sier at Creative Commons-lisensen på verker "
+"har en stor verdi for forfattere fordi omdømme er den viktigste valutaen for "
+"akademikere. Deling med CC er en måte for å få flest til å se og sitere ditt "
+"arbeide."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1553
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2016
msgid ""
"Attribution can be about more than just receiving credit. It can also be "
"about establishing provenance. People naturally want to know where content "
"came from—the source of a work is sometimes just as interesting as the work "
"itself. Opendesk is a platform for furniture designers to share their "
-"designs. Consumers who like those designs can then get matched with local "
+"designs. Consumers who like those designs can then get matched with local "
"makers who turn the designs into real-life furniture. The fact that I, "
"sitting in the middle of the United States, can pick out a design created by "
"a designer in Tokyo and then use a maker within my own community to "
"transform the design into something tangible is part of the power of their "
"platform. The provenance of the design is a special part of the product."
msgstr ""
-"Å bli navngitt kan være om mer enn bare å motta godskriving. Det kan også "
-"være om å etablere kilden. Naturligvis ønsker folk å vite hvor innholdet kom "
-"fra - kilden til et arbeid er noen ganger like interessant som selve "
-"arbeidet. Opendesk er en plattform for møbeldesignere til å dele sine "
+"Å bli navngitt kan handle om mer enn bare å få æren (bli kreditert). Det kan "
+"også handle e om å etablere kilden. Naturligvis ønsker folk å vite hvor "
+"innholdet kom fra – kilden til et arbeid er noen ganger like interessant som "
+"selve arbeidet. Opendesk er en plattform for møbeldesignere til å dele sine "
"design. Forbrukere som liker disse designene kan deretter bli koblet med "
"lokale produsenter som omsetter tegninger til virkelige møbler. Det faktum "
-"at jeg sitter i USA, kan plukke ut en design laget av designer i Tokyo og "
-"deretter bruke en produsent i min eget lokalsamfunn til å forvandle designet "
-"til noe håndfast, inngår i kraft av denne plattform. Opphavet til designet "
-"blir en spesiell del av produktet."
+"at jeg sitter i USA, kan plukke ut et design laget av en designer i Tokyo, "
+"og deretter bruke en produsent i mitt eget lokalsamfunn til å forvandle "
+"designet til noe håndfast, er en del av kraften til plattformen. Opphavet "
+"til designet blir en spesiell del av produktet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1561
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2031
msgid ""
"Knowing the source of a work is also critical to ensuring its credibility. "
"Just as a trademark is designed to give consumers a way to identify the "
"med feilinformasjon, er det å være en pålitelig informasjonskilde mer "
"verdifullt enn noensinne."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1563
-msgid "#### Use CC-licensed content as a marketing tool"
-msgstr "#### Å bruke CC-lisensiert innhold som markedsføringsverktøy"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2041
+msgid "Use CC-licensed content as a marketing tool"
+msgstr "Å bruke CC-lisensiert innhold som markedsføringsverktøy"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1570
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2043
msgid ""
"As we will cover in more detail later, many endeavors that are Made with "
"Creative Commons make money by providing a product or service other than the "
"performance of the CC content. In all cases, the CC content can attract "
"people to your other product or service."
msgstr ""
-"Som vi vil dekke mer detaljert senere, mange arbeider som er \"Made with "
-"Creative Commons\" tjener penger ved å tilby et annet produkt eller en "
+"Som vi vil dekke mer detaljert senere; mange arbeider som er «Made with "
+"Creative Commons» tjener penger ved å tilby et annet produkt eller en "
"tjeneste enn det CC-lisensierte arbeidet. Noen ganger er det andre produktet "
"eller tjenesten ikke relatert til CC-innholdet. Andre ganger er det en "
"fysisk utgave eller liveopptreden med CC-innholdet. I alle tilfeller kan CC-"
"innholdet trekke folk til dine andre produkter eller tjenester."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1583
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2065
+msgid "Anderson, Free, 44."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2052
+#, fuzzy
+#| msgid ""
+#| "Knowledge Unlatched’s Pinter told us she has seen time and again how "
+#| "offering CC-licensed content—that is, digitally for free—actually "
+#| "increases sales of the printed goods because it functions as a marketing "
+#| "tool. We see this phenomenon regularly with famous artwork. The Mona Lisa "
+#| "is likely the most recognizable painting on the planet. Its ubiquity has "
+#| "the effect of catalyzing interest in seeing the painting in person, and "
+#| "in owning physical goods with the image. Abundant copies of the content "
+#| "often entice more demand, not blunt it. Another example came with the "
+#| "advent of the radio. Although the music industry did not see it coming "
+#| "(and fought it!), free music on the radio functioned as advertising for "
+#| "the paid version people bought in music stores.20 Free can be a form of "
+#| "promotion."
msgid ""
"Knowledge Unlatched’s Pinter told us she has seen time and again how "
"offering CC-licensed content—that is, digitally for free—actually increases "
"most recognizable painting on the planet. Its ubiquity has the effect of "
"catalyzing interest in seeing the painting in person, and in owning physical "
"goods with the image. Abundant copies of the content often entice more "
-"demand, not blunt it. Another example came with the advent of the radio. "
+"demand, not blunt it. Another example came with the advent of the radio. "
"Although the music industry did not see it coming (and fought it!), free "
"music on the radio functioned as advertising for the paid version people "
-"bought in music stores.20 Free can be a form of promotion."
+"bought in music stores.<placeholder type=\"footnote\" id=\"0\"/> Free can be "
+"a form of promotion."
msgstr ""
-"Knowlegde Unlatched's Pinter fortalte oss at hun igjen og igjen har sett "
-"hvordan det å tilby CC-lisensierte innhold - som er digitalt gratis - "
-"faktisk øker salg av de trykte varene fordi det fungerer som et "
+"Knowlegde Unlatcheds Pinter fortalte oss at hun igjen og igjen har sett "
+"hvordan det å tilby CC-lisensiert innhold – som er digitalt gratis – faktisk "
+"øker salg av de trykte varene fordi det fungerer som et "
"markedsføringsverktøy. Vi ser dette fenomenet regelmessig med kjente "
-"kunstverk. Mona Lisa er trolig den mest gjenkjennelige maleriet på planeten. "
-"Denne allestedsnærværselen utløser interessen for å ville se maleriet selv, "
-"og eie fysiske goder med avbildningen. Rikelig med kopier av innholdet, "
-"lokker ofte til mer etterspørsel, ikke til redusert. Et annet eksempel er "
-"når radioen kom. Selv om musikkbransjen ikke så det komme (og kjempet mot "
+"kunstverk. Mona Lisa er trolig det mest gjenkjennelige maleriet på planeten. "
+"Denne allestedsnærværelsen utløser interessen for å ville se maleriet selv, "
+"og eie fysiske goder med avbildningen. Rikelig med kopier av innholdet "
+"lokker ofte til mer etterspørsel, ikke til redusert. Et annet eksempel var "
+"da radioen kom. Selv om musikkbransjen ikke så det komme (og kjempet mot "
"den!), fungerte gratis musikk på radio som reklame for den betalte versjonen "
-"folk kjøpte i musikkforretninger.20 Gratis kan være en form for "
+"folk kjøpte i musikkforretninger.20) Gratis kan være en form for "
"markedsføring."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1597
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2069
msgid ""
"In some cases, endeavors that are Made with Creative Commons do not even "
"need dedicated marketing teams or marketing budgets. Cards Against Humanity "
"marketing. The textbook publisher OpenStax has also avoided hiring a "
"marketing team. Their products are free, or cheaper to buy in the case of "
"physical copies, which makes them much more attractive to students who then "
-"demand them from their universities. They also partner with service "
+"demand them from their universities. They also partner with service "
"providers who build atop the CC-licensed content and, in turn, spend money "
"and resources marketing those services (and by extension, the OpenStax "
"textbooks)."
msgstr ""
"I noen tilfeller trenger arbeid utført med Creative Commons ikke engang egne "
-"markedsførings-team eller -budsjetter. Cards Against Humanity er et CC-"
-"lisensiert kortspill tilgjengelig som en gratis nedlasting. Og på grunn av "
-"det (takk til CC-lisensen på spillet) sier de som laget det at det en av de "
-"best markedsførte spillene i verden, og de har aldri brukt en krone på "
+"markedsføringsteam eller -budsjetter. Cards Against Humanity er et CC-"
+"lisensiert kortspill tilgjengelig som en gratis nedlasting. På grunn av "
+"dette (takk til CC-lisensen på spillet) sier de som laget det at det en av "
+"de best markedsførte spillene i verden, og at de har aldri brukt en krone på "
"markedsføring. Lærebokutgiveren OpenStax har også sluppet å ansette et "
"markedsføringsteam. Deres produkter er gratis, eller billigere å kjøpe som "
"fysiske kopier, noe som gjør dem mye mer attraktive for studenter, som "
"deretter krever dem fra sine universiteter. De samarbeider også med "
"tjenesteleverandører som bygger videre oppå det CC-lisensierte innholdet og, "
-"igjen, bruker penger og ressurser på å markedsføring disse tjenestene (og "
+"igjen, bruker penger og ressurser på å markedsføre disse tjenestene (og "
"dermed OpenStax lærebøker)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1599
-msgid "#### Use CC to enable hands-on engagement with your work"
-msgstr "### Bruke CC til å aktivere hands-on engasjement fra med arbeidet ditt"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2086
+msgid "Use CC to enable hands-on engagement with your work"
+msgstr ""
+"Bruke CC til å aktivere hands-on engasjement (aktiv deltakelse) med arbeidet "
+"ditt"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1604
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2089
msgid ""
"The great promise of Creative Commons licensing is that it signifies an "
"embrace of remix culture. Indeed, this is the great promise of digital "
"public participation in creative work."
msgstr ""
"Den store lovnaden med Creative Commons-lisensiering er at den omfavner en "
-"remiksings-kultur. Dette er faktisk det store løftet med digital teknologi. "
+"remiksingskultur. Dette er faktisk det store løftet med digital teknologi. "
"Internettet åpnet opp en helt ny verden av muligheter for offentlig "
"deltakelse i skapende arbeid."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1614
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2103
+msgid "Osterwalder and Pigneur, Business Model Generation, 23."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2096
+#, fuzzy
+#| msgid ""
+#| "Four of the six CC licenses enable reusers to take apart, build upon, or "
+#| "otherwise adapt the work. Depending on the context, adaptation can mean "
+#| "wildly different things—translating, updating, localizing, improving, "
+#| "transforming. It enables a work to be customized for particular needs, "
+#| "uses, people, and communities, which is another distinct value to offer "
+#| "the public.21 Adaptation is more game changing in some contexts than "
+#| "others. With educational materials, the ability to customize and update "
+#| "the content is critically important for its usefulness. For photography, "
+#| "the ability to adapt a photo is less important."
msgid ""
"Four of the six CC licenses enable reusers to take apart, build upon, or "
"otherwise adapt the work. Depending on the context, adaptation can mean "
"wildly different things—translating, updating, localizing, improving, "
"transforming. It enables a work to be customized for particular needs, uses, "
-"people, and communities, which is another distinct value to offer the "
-"public.21 Adaptation is more game changing in some contexts than others. "
-"With educational materials, the ability to customize and update the content "
-"is critically important for its usefulness. For photography, the ability to "
-"adapt a photo is less important."
+"people, and communities, which is another distinct value to offer the public."
+"<placeholder type=\"footnote\" id=\"0\"/> Adaptation is more game changing "
+"in some contexts than others. With educational materials, the ability to "
+"customize and update the content is critically important for its usefulness. "
+"For photography, the ability to adapt a photo is less important."
msgstr ""
-"Fire av de seks CC-lisensene åpner for gjenbruk å bygge på, eller på andre "
+"Fire av de seks CC-lisensene åpner for å bygge på gjenbruk, eller på andre "
"måter tilpasse arbeidet. Avhengig av sammenhengen, kan tilpasning bety vidt "
-"forskjellige ting, - oversettelse, oppdatering, lokalisering, forbedring, "
-"transformering. De gjør det mulig for et arbeid å bli tilpasset til "
-"spesielle behov, bruk, mennesker og samfunn, som er en annen distinkt verdi "
-"å tilby til offentligheten.21 Tilpasning er mer en endring av spillereglene "
-"i noen sammenhenger enn i andre. Med læremidler er muligheten til å tilpasse "
-"og oppdatere innholdet kritisk viktig for nytteverdien. For fotografi er "
+"forskjellige ting – oversettelse, oppdatering, lokalisering, forbedring, "
+"transformering. De gjør det mulig å tilpasse et arbeid for spesielle behov, "
+"bruk, mennesker og samfunn, som er en annen distinkt verdi å tilby til "
+"offentligheten.21) Tilpasning er mer en endring av spillereglene i noen "
+"sammenhenger enn i andre. Med læremidler er muligheten til å tilpasse og "
+"oppdatere innholdet kritisk viktig for nytteverdien. For fotografi er "
"muligheten til å tilpasse et bilde mindre viktig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1626
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2116
+msgid "Anderson, Free, 67."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2121
+#, fuzzy
+#| msgid "Ibid., 55."
+msgid "Ibid., 58."
+msgstr "Ibid., 55."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2124
+msgid "Anderson, Makers, 71."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2129
+msgid ""
+"Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into "
+"Collaborators (London: Penguin Books, 2010), 78."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2111
+#, fuzzy
+#| msgid ""
+#| "This is a way to counteract a potential downside of the abundance of free "
+#| "and open content described above. As Anderson wrote in Free, “People "
+#| "often don’t care as much about things they don’t pay for, and as a result "
+#| "they don’t think as much about how they consume them.”22 If even the tiny "
+#| "act of volition of paying one penny for something changes our perception "
+#| "of that thing, then surely the act of remixing it enhances our perception "
+#| "exponentially.23 We know that people will pay more for products they had "
+#| "a part in creating.24 And we know that creating something, no matter what "
+#| "quality, brings with it a type of creative satisfaction that can never be "
+#| "replaced by consuming something created by someone else.25"
msgid ""
"This is a way to counteract a potential downside of the abundance of free "
"and open content described above. As Anderson wrote in Free, “People often "
"don’t care as much about things they don’t pay for, and as a result they "
-"don’t think as much about how they consume them.”22 If even the tiny act of "
-"volition of paying one penny for something changes our perception of that "
-"thing, then surely the act of remixing it enhances our perception "
-"exponentially.23 We know that people will pay more for products they had a "
-"part in creating.24 And we know that creating something, no matter what "
-"quality, brings with it a type of creative satisfaction that can never be "
-"replaced by consuming something created by someone else.25"
-msgstr ""
-"Dette er en måte å motvirke mulige ulemper i overfloden av gratis og åpent "
-"innhold beskrevet ovenfor. Som Anderson skrev i Free, \"Folk bryr seg ofte "
-"så mye om ting de ikke betaler for, og som et resultat de tenker ikke så mye "
-"om hvordan de bruker dem..\" 22 Hvis selv en så liten viljekraft som å "
-"betale én penny for noe, endrer vår oppfatning av den tingen, så vil sikkert "
-"å remikse det forbedre vår oppfatning ekspotensielt.23 Vi vet at folk vil "
-"betale mer for produkter de hadde en del i å lage.24 Og vi vet at å skape "
-"noe, uansett hvilken kvalitet, bringer med seg en slags kreativ tilfredshet "
-"som kan aldri bli erstattet av å bruke noe som er laget av noen andre.25"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1634
+"don’t think as much about how they consume them.”<placeholder type=\"footnote"
+"\" id=\"0\"/> If even the tiny act of volition of paying one penny for "
+"something changes our perception of that thing, then surely the act of "
+"remixing it enhances our perception exponentially.<placeholder type="
+"\"footnote\" id=\"1\"/> We know that people will pay more for products they "
+"had a part in creating.<placeholder type=\"footnote\" id=\"2\"/> And we know "
+"that creating something, no matter what quality, brings with it a type of "
+"creative satisfaction that can never be replaced by consuming something "
+"created by someone else.<placeholder type=\"footnote\" id=\"3\"/>"
+msgstr ""
+"Dette er en måte å motvirke mulige ulemper på i overfloden av gratis og "
+"åpent innhold beskrevet ovenfor. Som Anderson skrev i Free, «Folk bryr seg "
+"ofte ikke så mye om ting de ikke betaler for, og som et resultat tenker de "
+"ikke så mye på hvordan de bruker dem». 22) Hvis selv den lille handlingen "
+"som vilje til å betale én penny for noe, endrer vår oppfatning av den "
+"tingen, så vil sikkert det å remikse forbedre vår oppfatning "
+"eksponensielt.23) Vi vet at folk vil betale mer for produkter de hadde en "
+"rolle i å lage.24) Og vi vet at å skape noe, uansett hvilken kvalitet, "
+"bringer med seg en slags kreativ tilfredshet som kan bli erstattet av å "
+"bruke noe som er laget av noen andre.25)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2142
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 21."
+msgstr "Ibid., 15."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2135
+#, fuzzy
+#| msgid ""
+#| "Actively engaging with the content helps us avoid the type of aimless "
+#| "consumption that anyone who has absentmindedly scrolled through their "
+#| "social-media feeds for an hour knows all too well. In his book, Cognitive "
+#| "Surplus, Clay Shirky says, “To participate is to act as if your presence "
+#| "matters, as if, when you see something or hear something, your response "
+#| "is part of the event.”26 Opening the door to your content can get people "
+#| "more deeply tied to your work."
msgid ""
"Actively engaging with the content helps us avoid the type of aimless "
"consumption that anyone who has absentmindedly scrolled through their social-"
"media feeds for an hour knows all too well. In his book, Cognitive Surplus, "
"Clay Shirky says, “To participate is to act as if your presence matters, as "
"if, when you see something or hear something, your response is part of the "
-"event.”26 Opening the door to your content can get people more deeply tied "
-"to your work."
+"event.”<placeholder type=\"footnote\" id=\"0\"/> Opening the door to your "
+"content can get people more deeply tied to your work."
msgstr ""
"Å aktivt engasjere seg i innholdet hjelper oss til å unngå et planløst "
"forbruk som alle som åndsfraværende har rullet igjennom det som kommer inn i "
"ens sosiale medier en times tid, vet alt for godt. I sin bok, Cognitive "
-"Surplus, sier Clay Shirky, \"Å delta er å handle som om din tilstedeværelse "
-"betyr noe, som om, når du ser noe eller høre noe, er ditt svar en del av "
-"hendelsen.\" 26 Å åpne døren til ditt innhold kan få folk dypere knyttet til "
-"arbeidet ditt."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1636
-msgid "#### Use CC to differentiate yourself"
-msgstr "#### Bruke CC for å skille deg ut"
+"Surplus, sier Clay Shirky, «Å delta er å handle som om din tilstedeværelse "
+"betyr noe, som om, når du ser noe eller hører noe, er ditt svar en del av "
+"hendelsen». 26) Å åpne døren til ditt innhold kan få folk dypere knyttet "
+"til arbeidet ditt."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2148
+msgid "Use CC to differentiate yourself"
+msgstr "Bruke CC for å skille deg ut"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2157
+#, fuzzy
+#| msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
+msgid "Doctorow, Information Doesn’t Want to Be Free, 43."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1648
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2150
+#, fuzzy
+#| msgid ""
+#| "Operating under a traditional copyright regime usually means operating "
+#| "under the rules of establishment players in the media. Business "
+#| "strategies that are embedded in the traditional copyright system, like "
+#| "using digital rights management (DRM) and signing exclusivity contracts, "
+#| "can tie the hands of creators, often at the expense of the creator’s best "
+#| "interest.27 Being Made with Creative Commons means you can function "
+#| "without those barriers and, in many cases, use the increased openness as "
+#| "a competitive advantage. David Harris from OpenStax said they "
+#| "specifically pursue strategies they know that traditional publishers "
+#| "cannot. “Don’t go into a market and play by the incumbent rules,” David "
+#| "said. “Change the rules of engagement.”"
msgid ""
"Operating under a traditional copyright regime usually means operating under "
"the rules of establishment players in the media. Business strategies that "
"are embedded in the traditional copyright system, like using digital rights "
"management (DRM) and signing exclusivity contracts, can tie the hands of "
-"creators, often at the expense of the creator’s best interest.27 Being Made "
-"with Creative Commons means you can function without those barriers and, in "
-"many cases, use the increased openness as a competitive advantage. David "
-"Harris from OpenStax said they specifically pursue strategies they know that "
-"traditional publishers cannot. “Don’t go into a market and play by the "
-"incumbent rules,” David said. “Change the rules of engagement.”"
-msgstr ""
-"Å opererer under et tradisjonelt opphavsrettsregime betyr vanligvis å "
-"operere under reglene til etablerte aktører i media. Forretningsstrategier "
-"som er innebygd i den tradisjonelle opphavsrettsystemet, som bruker digital "
-"rettinghetshåndtering (DRM), og signere eksklusivitetskontrakter, kan binde "
-"hendene til innholdsleverandører, ofte på bekostning av leverandørens beste "
-"interesse.27 Made with Creative Commons betyr du kan fungere uten disse "
-"barrierene, og i mange tilfeller bruke økt åpenhet som et "
-"konkurransefortrinn. David Harris fra OpenStax sa de spesielt forfulgte "
-"strategier de vet at tradisjonelle utgivere ikke kan. \"Ikke gå inn i et "
-"marked og spille etter de gjeldende reglene,\" sa David. \"Reglene for "
-"engasjement må endres.\""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1650
-msgid "### Making Money"
-msgstr "### Å tjene penger"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1665
+"creators, often at the expense of the creator’s best interest.<placeholder "
+"type=\"footnote\" id=\"0\"/> Being Made with Creative Commons means you can "
+"function without those barriers and, in many cases, use the increased "
+"openness as a competitive advantage. David Harris from OpenStax said they "
+"specifically pursue strategies they know that traditional publishers cannot. "
+"“Don’t go into a market and play by the incumbent rules,” David said. "
+"“Change the rules of engagement.”"
+msgstr ""
+"Å operere under et tradisjonelt opphavsrettsregime betyr vanligvis å operere "
+"under reglene til etablerte aktører i media. Forretningsstrategier som er "
+"innebygd i det tradisjonelle opphavsrettssystemet, som bruker digital "
+"rettinghetshåndtering (DRM), og signering av eksklusivitetskontrakter, kan "
+"binde hendene til innholdsleverandører, ofte på bekostning av leverandørens "
+"beste interesse.27) Made with Creative Commons betyr at du kan fungere uten "
+"disse barrierene, og i mange tilfeller bruke økt åpenhet som et "
+"konkurransefortrinn. David Harris fra OpenStax sa at de spesielt forfulgte "
+"strategier de vet at tradisjonelle utgivere ikke kan. «Ikke gå inn i et "
+"marked og lek med de etablerte reglene», sa David. «Reglene for engasjement "
+"må endres»."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2169
+msgid "Making Money"
+msgstr "Å tjene penger"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2179
+msgid ""
+"William Landes Foster, Peter Kim, and Barbara Christiansen, “Ten Nonprofit "
+"Funding Models,” Stanford Social Innovation Review, Spring 2009, <ulink url="
+"\"http://ssir.org/articles/entry/ten_nonprofit_funding_models\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2171
+#, fuzzy
+#| msgid ""
+#| "Like any moneymaking endeavor, those that are Made with Creative Commons "
+#| "have to generate some type of value for their audience or customers. "
+#| "Sometimes that value is subsidized by funders who are not actually "
+#| "beneficiaries of that value. Funders, whether philanthropic institutions, "
+#| "governments, or concerned individuals, provide money to the organization "
+#| "out of a sense of pure altruism. This is the way traditional nonprofit "
+#| "funding operates.28 But in many cases, the revenue streams used by "
+#| "endeavors that are Made with Creative Commons are directly tied to the "
+#| "value they generate, where the recipient is paying for the value they "
+#| "receive like any standard market transaction. In still other cases, "
+#| "rather than the quid pro quo exchange of money for value that typically "
+#| "drives market transactions, the recipient gives money out of a sense of "
+#| "reciprocity."
msgid ""
"Like any moneymaking endeavor, those that are Made with Creative Commons "
-"have to generate some type of value for their audience or customers. "
+"have to generate some type of value for their audience or customers. "
"Sometimes that value is subsidized by funders who are not actually "
"beneficiaries of that value. Funders, whether philanthropic institutions, "
"governments, or concerned individuals, provide money to the organization out "
"of a sense of pure altruism. This is the way traditional nonprofit funding "
-"operates.28 But in many cases, the revenue streams used by endeavors that "
-"are Made with Creative Commons are directly tied to the value they generate, "
-"where the recipient is paying for the value they receive like any standard "
-"market transaction. In still other cases, rather than the quid pro quo "
-"exchange of money for value that typically drives market transactions, the "
-"recipient gives money out of a sense of reciprocity."
-msgstr ""
-"Som ethvert foretagende som tjener penger , må det som lages med Creative "
-"Commons bidra noen slags nytteverdi for sitt publikum eller forbrukere. Noen "
-"ganger blir verdien subsidiert av bidragsytere som ikke direkte nyter godt "
-"av den direkte. Bidragsytere, enten veldedige institusjoner, myndigheter, "
-"eller folk som bryr seg, gir penger til organisasjonen av egen vilje. Det er "
-"måten vanlig veldedig finansiering virker på. I mange fall er pengestrømmen "
-"som genereres med arbeid Made with Creative Commons direkte knyttet verdien "
+"operates.<placeholder type=\"footnote\" id=\"0\"/> But in many cases, the "
+"revenue streams used by endeavors that are Made with Creative Commons are "
+"directly tied to the value they generate, where the recipient is paying for "
+"the value they receive like any standard market transaction. In still other "
+"cases, rather than the quid pro quo exchange of money for value that "
+"typically drives market transactions, the recipient gives money out of a "
+"sense of reciprocity."
+msgstr ""
+"Som ethvert foretagende som tjener penger, må det som lages med Creative "
+"Commons bidra til en slags nytteverdi for sitt publikum eller forbrukere. "
+"Noen ganger blir verdien subsidiert av bidragsytere som ikke direkte nyter "
+"godt av den direkte. Bidragsytere, enten veldedige institusjoner, "
+"myndigheter, eller folk som bryr seg, gir penger til organisasjonen av egen "
+"vilje. Dette er den måten vanlig veldedig finansiering virker på.28) I "
+"mange tilfeller er pengestrømmene som genereres med arbeid laget med "
+"Creative Commons (Made with Creative Commons) direkte knyttet til verdien "
"det genererer, der mottakere betaler for verdien de mottar, som i enhver "
-"annen standard markedstransaksjon. I mange andre tilfelle, snarere enn i en "
-"noe for noe-utveksling av penger for verdi, som typisk for "
-"markedstransaksjoner, gir mottakeren penger i forståelse av gjensidighet."
+"annen standard markedstransaksjon. I mange andre tilfeller, snarere enn i en "
+"noe for noe-utveksling av penger for verdi («en tjeneste er en annen "
+"verdt»), som typisk for markedstransaksjoner, gir mottakeren penger i "
+"forståelse av en gjensidighet."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2200
+msgid "Shirky, Cognitive Surplus, 111."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1673
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2192
+#, fuzzy
+#| msgid ""
+#| "Most who are Made with Creative Commons use a variety of methods to bring "
+#| "in revenue, some market-based and some not. One common strategy is using "
+#| "grant funding for content creation when research-and-development costs "
+#| "are particularly high, and then finding a different revenue stream (or "
+#| "streams) for ongoing expenses. As Shirky wrote, “The trick is in knowing "
+#| "when markets are an optimal way of organizing interactions and when they "
+#| "are not.”29"
msgid ""
"Most who are Made with Creative Commons use a variety of methods to bring in "
"revenue, some market-based and some not. One common strategy is using grant "
"funding for content creation when research-and-development costs are "
"particularly high, and then finding a different revenue stream (or streams) "
"for ongoing expenses. As Shirky wrote, “The trick is in knowing when markets "
-"are an optimal way of organizing interactions and when they are not.”29"
+"are an optimal way of organizing interactions and when they are "
+"not.”<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Det meste som er laget med Creative Commons bruker en rekke ulike metoder "
"for å bringe inn omsetning, noen markedsbaserte og andre ikke. En vanlig "
-"strategi å bruke eksterne bevilgninger til innhold når forsknings- og "
+"strategi er å bruke eksterne bevilgninger til innhold når forsknings- og "
"utviklingskostnader er spesielt høye, og deretter finne en annen "
"inntektsstrøm (eller strømmer) til påløpende utgifter. Som Shirky skrev, er "
-"\"trikset å vite når markedene er en optimal måte å organisere interaksjoner "
-"på og når de ikke er det.\" 29"
+"«trikset å vite når markedene er en optimal måte å organisere interaksjoner "
+"på og når de ikke er det». 29)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1680
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2204
msgid ""
"Our case studies explore in more detail the various revenue-generating "
"mechanisms used by the creators, organizations, and businesses we "
"interviewed. There is nuance hidden within the specific ways each of them "
"makes money, so it is a bit dangerous to generalize too much about what we "
-"learned. Nonetheless, zooming out and viewing things from a higher level of "
+"learned. Nonetheless, zooming out and viewing things from a higher level of "
"abstraction can be instructive."
msgstr ""
"Våre referansestudier gjennomgår nærmere de ulike veiene til å skaffe "
"fant. Likevel, å ta et skritt tilbake og vise ting fra et høyere "
"abstraksjonsnivå, kan være lærerikt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1682
-msgid "#### Market-based revenue streams"
-msgstr "#### Markedsbaserte inntektsstrømmer"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2213
+msgid "Market-based revenue streams"
+msgstr "Markedsbaserte inntektsstrømmer"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2218
+msgid "Osterwalder and Pigneur, Business Model Generation, 30."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2225
+msgid ""
+"Jim Whitehurst, The Open Organization: Igniting Passion and Performance "
+"(Boston: Harvard Business Review Press, 2015), 202."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1689
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2215
+#, fuzzy
+#| msgid ""
+#| "In the market, the central question when determining how to bring in "
+#| "revenue is what value people are willing to pay for.30 By definition, if "
+#| "you are Made with Creative Commons, the content you provide is available "
+#| "for free and not a market commodity. Like the ubiquitous freemium "
+#| "business model, any possible market transaction with a consumer of your "
+#| "content has to be based on some added value you provide.31"
msgid ""
"In the market, the central question when determining how to bring in revenue "
-"is what value people are willing to pay for.30 By definition, if you are "
-"Made with Creative Commons, the content you provide is available for free "
-"and not a market commodity. Like the ubiquitous freemium business model, any "
-"possible market transaction with a consumer of your content has to be based "
-"on some added value you provide.31"
-msgstr ""
-"I markedet er det sentrale spørsmålet, når vi bestemmer hvordan vi skal få "
-"inntekter, hvor mye folk er villige til å betale.30 Per definisjon, hvis du "
-"bruker Made with Creative Commons, er innholdet du gir tilgjengelig gratis "
-"og ikke en markedsvare. I den allestedsnærværende freemium modellen (som "
-"kombinerer \"free\" og \"premium”-utgaver av et produkt eller en tjeneste, "
+"is what value people are willing to pay for.<placeholder type=\"footnote\" "
+"id=\"0\"/> By definition, if you are Made with Creative Commons, the content "
+"you provide is available for free and not a market commodity. Like the "
+"ubiquitous freemium business model, any possible market transaction with a "
+"consumer of your content has to be based on some added value you provide."
+"<placeholder type=\"footnote\" id=\"1\"/>"
+msgstr ""
+"I markedet er det sentrale spørsmålet når vi bestemmer hvordan vi skal få "
+"inntekter, hvor mye folk er villige til å betale.30) Per definisjon, hvis "
+"du bruker Made with Creative Commons, er innholdet du gir tilgjengelig "
+"gratis og ikke en markedsvare. I den allestedsnærværende freemium-modellen "
+"(som kombinerer «free» og «premium»-utgaver av et produkt eller en tjeneste, "
"der inntjeningen ligger i premium-utgaven), må enhver markedstransaksjon med "
-"en forbruker av innholdet være basert en verdiøkning du tilbyr.31"
+"en forbruker av innholdet være basert på en verdiøkning du tilbyr.31)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2241
+msgid "Anderson, Free, 71."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1703
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2231
+#, fuzzy
+#| msgid ""
+#| "In many ways, this is the way of the future for all content-driven "
+#| "endeavors. In the market, value lives in things that are scarce. Because "
+#| "the Internet makes a universe of content available to all of us for free, "
+#| "it is difficult to get people to pay for content online. The struggling "
+#| "newspaper industry is a testament to this fact. This is compounded by the "
+#| "fact that at least some amount of copying is probably inevitable. That "
+#| "means you may end up competing with free versions of your own content, "
+#| "whether you condone it or not.32 If people can easily find your content "
+#| "for free, getting people to buy it will be difficult, particularly in a "
+#| "context where access to content is more important than owning it. In "
+#| "Free, Anderson wrote, “Copyright protection schemes, whether coded into "
+#| "either law or software, are simply holding up a price against the force "
+#| "of gravity.”"
msgid ""
"In many ways, this is the way of the future for all content-driven "
"endeavors. In the market, value lives in things that are scarce. Because the "
"industry is a testament to this fact. This is compounded by the fact that at "
"least some amount of copying is probably inevitable. That means you may end "
"up competing with free versions of your own content, whether you condone it "
-"or not.32 If people can easily find your content for free, getting people to "
-"buy it will be difficult, particularly in a context where access to content "
-"is more important than owning it. In Free, Anderson wrote, “Copyright "
-"protection schemes, whether coded into either law or software, are simply "
-"holding up a price against the force of gravity.”"
-msgstr ""
-"På mange måter er dette veien fremover for alle innholds-drevne "
-"bestrebelser. I markedet ligger verdien i ting som er mangelvare. Med "
-"Internetter som et gratis tilgjengelig univers av innhold for oss, er det "
-"vanskelig å få folk til å betale for innhold på nettet. Den kjempende "
-"avisbransjen er et uttrykk for dette faktum. Dette er forverret av det "
-"faktum at i det minste er noe kopiering trolig uunngåelig. Det betyr at du "
-"kan ende opp med å konkurrere med gratis versjoner av ditt eget innhold, "
-"enten du ser gjennom fingrene med det eller ikke.32 Hvis folk kan lett finne "
-"innholdet gratis, vil det være vanskelig å få folk til å kjøpe det, spesielt "
-"i en kontekst der tilgang til innhold er viktigere enn å eie den. I Free "
-"skrev Anderson: \"Opphavsrettigheter, enten regelfestet i lov eller i "
-"programvaren, er i enkelhet å holde en pris opp imot tyngdekraften.\""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1712
+"or not.<placeholder type=\"footnote\" id=\"0\"/> If people can easily find "
+"your content for free, getting people to buy it will be difficult, "
+"particularly in a context where access to content is more important than "
+"owning it. In Free, Anderson wrote, “Copyright protection schemes, whether "
+"coded into either law or software, are simply holding up a price against the "
+"force of gravity.”"
+msgstr ""
+"På mange måter er dette veien fremover for alle innholdsdrevne bestrebelser. "
+"I markedet ligger verdien i ting som er mangelvare. Med Internetter som et "
+"gratis tilgjengelig univers av innhold for oss, er det vanskelig å få folk "
+"til å betale for innhold på nettet. Den kjempende avisbransjen er et uttrykk "
+"for dette faktum. Dette er forverret av det faktum at i det minste er noe "
+"kopiering trolig uunngåelig. Det betyr at du kan ende opp med å konkurrere "
+"med gratis versjoner av ditt eget innhold, enten du ser gjennom fingrene med "
+"det eller ikke.32) Hvis folk lett kan finne innholdet gratis, vil det være "
+"vanskelig å få folk til å kjøpe det, spesielt i en kontekst der tilgang til "
+"innhold er viktigere enn å eie den. I Free skrev Anderson: "
+"«Opphavsrettigheter, enten regelfestet i lov eller i programvaren, er i "
+"enkelhet å holde en pris opp imot tyngdekraften»."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2260
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 231."
+msgstr "Ibid., 15."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2250
+#, fuzzy
+#| msgid ""
+#| "Of course, this doesn’t mean that content-driven endeavors have no future "
+#| "in the traditional marketplace. In Free, Anderson explains how when one "
+#| "product or service becomes free, as information and content largely have "
+#| "in the digital age, other things become more valuable. “Every abundance "
+#| "creates a new scarcity,” he wrote. You just have to find some way other "
+#| "than the content to provide value to your audience or customers. As "
+#| "Anderson says, “It’s easy to compete with Free: simply offer something "
+#| "better or at least different from the free version.”33"
msgid ""
"Of course, this doesn’t mean that content-driven endeavors have no future in "
"the traditional marketplace. In Free, Anderson explains how when one product "
"or service becomes free, as information and content largely have in the "
-"digital age, other things become more valuable. “Every abundance creates a "
+"digital age, other things become more valuable. “Every abundance creates a "
"new scarcity,” he wrote. You just have to find some way other than the "
"content to provide value to your audience or customers. As Anderson says, "
"“It’s easy to compete with Free: simply offer something better or at least "
-"different from the free version.”33"
+"different from the free version.”<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Dette betyr selvfølgelig at innholds-drevne bestrebelser ikke har noen "
+"Dette betyr selvfølgelig at innholdsdrevne bestrebelser ikke har noen "
"fremtid på den tradisjonelle markedsplassen. I Free forklarer Anderson at "
"når et produkt eller en tjeneste blir gratis, som informasjon og innhold i "
"stor grad blir i den digitale tidsalderen, blir andre ting mer verdifulle. "
-"\"Hver overflod skaper en ny knapphet,\" skrev han. Du må bare finne en måte "
-"annet enn enn innholdet for å gi verdi til brukere eller kunder. Som "
-"Anderson sier, \"det er lett å konkurrere med Free: Bare tilby noe bedre "
-"eller i det minste ulik gratisversjonen.\"33"
+"«Hver overflod skaper en ny knapphet», skrev han. Du må bare finne en måte "
+"annet enn enn innholdet for å gi verdi til brukere eller kunder. Som "
+"Anderson sier, «det er lett å konkurrere med Free: Bare tilby noe bedre, "
+"eller i det minste ulik gratisversjonen».33)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1719
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2264
msgid ""
"In light of this reality, in some ways endeavors that are Made with Creative "
"Commons are at a level playing field with all content-based endeavors in the "
"also benefit from the goodwill that stems from the values behind being Made "
"with Creative Commons."
msgstr ""
-"I lys av denne virkeligheten, er det på noen måter slik innhold Made with "
+"I lys av denne virkeligheten er det på noen måter slik innhold Made with "
"Creative Commons er på samme bane som alle innholdsbaserte produkter i den "
-"digitale tidsalderen. Faktisk, de kan selv ha en fordel fordi de kan bruke "
+"digitale tidsalderen. De kan faktisk selv ha en fordel fordi de kan bruke "
"overfloden av innhold til å få inntekter fra noen knappe ressurser. De kan "
"også nyttiggjøre seg velviljen som stammer fra verdiene bak å være Made with "
"Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1725
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2273
msgid ""
"For content creators and distributors, there are nearly infinite ways to "
"provide value to the consumers of your work, above and beyond the value that "
"functions as a marketing tool for the paid product or service."
msgstr ""
"For innholdskapere og distributører er det nesten uendelige måter å gi verdi "
-"til forbrukerne av deres arbeid, over og utover verdien av det som er "
+"til forbrukerne av ditt arbeid, over og utover verdien av det som er "
"innenfor ditt gratis digitale innhold. Ofte fungerer det CC-lisensierte "
"innholdet som et markedsføringsverktøy for de betalte produkter eller "
"tjenester."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1727
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2280
msgid "Here are the most common high-level categories."
-msgstr "Her er de vanligste høy-nivå kategoriene."
+msgstr "Her er de vanligste høynivå kategoriene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1729
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2284
msgid ""
-"#### Providing a custom service to consumers of your work * \\[MARKET-BASED"
-"\\]*"
+"Providing a custom service to consumers of your work <emphasis>[MARKET-"
+"BASED]</emphasis>"
msgstr ""
-"#### Å tilby en tilpasset tjeneste til brukere av ditt arbeid * \\[MARKET-"
-"BASED\\]*"
+"Å tilby en tilpasset tjeneste til brukere av ditt arbeid "
+"<emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2294
+#, fuzzy
+#| msgid "Ibid., 175."
+msgid "Ibid., 97."
+msgstr "Ibid., 175."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1738
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2287
+#, fuzzy
+#| msgid ""
+#| "In this age of information abundance, we don’t lack for content. The "
+#| "trick is finding content that matches our needs and wants, so customized "
+#| "services are particularly valuable. As Anderson wrote, “Commodity "
+#| "information (everybody gets the same version) wants to be free. "
+#| "Customized information (you get something unique and meaningful to you) "
+#| "wants to be expensive.”34 This can be anything from the artistic and "
+#| "cultural consulting services provided by Ártica to the custom-song "
+#| "business of Jonathan “Song-A-Day” Mann."
msgid ""
"In this age of information abundance, we don’t lack for content. The trick "
"is finding content that matches our needs and wants, so customized services "
-"are particularly valuable. As Anderson wrote, “Commodity information "
-"(everybody gets the same version) wants to be free. Customized information "
-"(you get something unique and meaningful to you) wants to be expensive.”34 "
-"This can be anything from the artistic and cultural consulting services "
-"provided by Ártica to the custom-song business of Jonathan “Song-A-Day” Mann."
+"are particularly valuable. As Anderson wrote, “Commodity information "
+"(everybody gets the same version) wants to be free. Customized information "
+"(you get something unique and meaningful to you) wants to be "
+"expensive.”<placeholder type=\"footnote\" id=\"0\"/> This can be anything "
+"from the artistic and cultural consulting services provided by Ártica to the "
+"custom-song business of Jonathan “Song-A-Day” Mann."
msgstr ""
"I denne informasjonsalderens overflod mangler vi ikke innhold. Trikset er å "
"finne innhold som samsvarer med våre behov og ønsker, så tilpassede "
-"tjenester er spesielt verdifulle. Som Anderson skrev, \"Vareinformasjon ("
-"alle får den samme versjonen) ønsker å være fri. Tilpasset informasjon (du "
-"får noe unikt og meningsfullt for deg) ønsker å være dyr.\"34 Dette kan være "
-"alt fra kunstneriske og kulturelle rådgivingstjenester som tilbys av Ártica "
-"til det skreddersydde sangtilbudet fra Jonathan \"Song-A-Day\" Mann."
+"tjenester er spesielt verdifulle. Som Anderson skrev, «Vareinformasjon (alle "
+"får den samme versjonen) ønsker å være fri. Tilpasset informasjon (du får "
+"noe unikt og meningsfullt for deg) ønsker å være dyr».34) Dette kan være alt "
+"fra kunstneriske og kulturelle rådgivingstjenester som tilbys av Ártica til "
+"det skreddersydde sangtilbudet fra Jonathan «Song-A-Day» Mann."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1740
-msgid "#### Charging for the physical copy * \\[MARKET-BASED\\]*"
-msgstr "#### Å belaste for den den fysisk kopien * \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2301
+msgid "Charging for the physical copy <emphasis>[MARKET-BASED]</emphasis>"
+msgstr "Å ta betalt for den fysiske kopien <emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2308
+msgid "Anderson, Makers, 107."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1761
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2304
+#, fuzzy
+#| msgid ""
+#| "In his book about maker culture, Anderson characterizes this model as "
+#| "giving away the bits and selling the atoms (where bits refers to digital "
+#| "content and atoms refer to a physical object).35 This is particularly "
+#| "successful in domains where the digital version of the content isn’t as "
+#| "valuable as the analog version, like book publishing where a significant "
+#| "subset of people still prefer reading something they can hold in their "
+#| "hands. Or in domains where the content isn’t useful until it is in "
+#| "physical form, like furniture designs. In those situations, a significant "
+#| "portion of consumers will pay for the convenience of having someone else "
+#| "put the physical version together for them. Some endeavors squeeze even "
+#| "more out of this revenue stream by using a Creative Commons license that "
+#| "only allows noncommercial uses, which means no one else can sell physical "
+#| "copies of their work in competition with them. This strategy of reserving "
+#| "commercial rights can be particularly important for items like books, "
+#| "where every printed copy of the same work is likely to be the same "
+#| "quality, so it is harder to differentiate one publishing service from "
+#| "another. On the other hand, for items like furniture or electronics, the "
+#| "provider of the physical goods can compete with other providers of the "
+#| "same works based on quality, service, or other traditional business "
+#| "principles."
msgid ""
"In his book about maker culture, Anderson characterizes this model as giving "
"away the bits and selling the atoms (where bits refers to digital content "
-"and atoms refer to a physical object).35 This is particularly successful in "
-"domains where the digital version of the content isn’t as valuable as the "
-"analog version, like book publishing where a significant subset of people "
-"still prefer reading something they can hold in their hands. Or in domains "
-"where the content isn’t useful until it is in physical form, like furniture "
-"designs. In those situations, a significant portion of consumers will pay "
-"for the convenience of having someone else put the physical version together "
-"for them. Some endeavors squeeze even more out of this revenue stream by "
-"using a Creative Commons license that only allows noncommercial uses, which "
-"means no one else can sell physical copies of their work in competition with "
-"them. This strategy of reserving commercial rights can be particularly "
-"important for items like books, where every printed copy of the same work is "
-"likely to be the same quality, so it is harder to differentiate one "
-"publishing service from another. On the other hand, for items like furniture "
-"or electronics, the provider of the physical goods can compete with other "
-"providers of the same works based on quality, service, or other traditional "
-"business principles."
-msgstr ""
-"I sin bok om \"maker culture\", karakteriserer Anderson denne modellen ved "
-"at den gir bort biter og selger atomene (der biter refererer til digitalt "
-"innhold og atomer refererer til et fysisk objekt).35 Dette er særlig "
-"vellykket i domener der den digitale versjonen av innholdet er ikke så "
-"verdifull som den analoge versjonen, som i bokpublisering der en stor "
-"undergruppe fortsatt foretrekker å lese noe de kan holde i hendene. Eller i "
-"domener der innholdet er nyttig til det er i fysisk form, som møbeldesign. I "
-"slike situasjoner er vil en betydelig del av forbrukerne betale for nytten "
-"av å ha noen andre til å sette sammen den fysiske versjonen for dem. Noen "
-"bidragsytere klemmer enda mer ut av denne inntektsstrømmen ved hjelp av en "
-"Creative Commons-lisens som bare tillater ikke-kommersiell bruk, noe som "
-"betyr at ingen andre kan selger fysiske kopier av arbeidet i konkurranse med "
-"dem. Denne strategien for å reservere kommersielle rettigheter kan være "
-"spesielt viktig for varer som bøker, der hver utskrift av det samme arbeidet "
-"sannsynligvis har samme kvalitet, så det er vanskeligere å skille en "
-"publiseringstjeneste fra en annen. På den annen side, for varer som møbler "
-"eller elektronikk, kan leverandøren av de fysiske varene konkurrere med "
-"andre leverandører av de samme varene basert på kvalitet, tjeneste eller "
-"andre tradisjonelle forretningsprinsipper."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1763
-msgid "#### Charging for the in-person version * \\[MARKET-BASED\\]*"
-msgstr "#### Å ta betalt for en personlig versjon * \\[MARKET-BASED\\]*"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1771
+"and atoms refer to a physical object).<placeholder type=\"footnote\" id="
+"\"0\"/> This is particularly successful in domains where the digital version "
+"of the content isn’t as valuable as the analog version, like book publishing "
+"where a significant subset of people still prefer reading something they can "
+"hold in their hands. Or in domains where the content isn’t useful until it "
+"is in physical form, like furniture designs. In those situations, a "
+"significant portion of consumers will pay for the convenience of having "
+"someone else put the physical version together for them. Some endeavors "
+"squeeze even more out of this revenue stream by using a Creative Commons "
+"license that only allows noncommercial uses, which means no one else can "
+"sell physical copies of their work in competition with them. This strategy "
+"of reserving commercial rights can be particularly important for items like "
+"books, where every printed copy of the same work is likely to be the same "
+"quality, so it is harder to differentiate one publishing service from "
+"another. On the other hand, for items like furniture or electronics, the "
+"provider of the physical goods can compete with other providers of the same "
+"works based on quality, service, or other traditional business principles."
+msgstr ""
+"I sin bok om «maker culture» (produsentkultur) karakteriserer Anderson denne "
+"modellen ved at den gir bort biter og selger atomene (der biter refererer "
+"til digitalt innhold og atomer refererer til et fysisk objekt).35) Dette er "
+"særlig vellykket i domener der den digitale versjonen av innholdet ikke er "
+"så verdifull som den analoge versjonen, som i bokpublisering der en stor "
+"undergruppe fortsatt foretrekker å lese noe de kan holde i hendene, eller i "
+"domener der innholdet ikke er nyttig før det er i fysisk form, som "
+"møbeldesign. I slike situasjoner vil en betydelig del av forbrukerne betale "
+"for nytten av å ha noen andre til å sette sammen den fysiske versjonen for "
+"dem. Noen bidragsytere klemmer enda mer ut av denne inntektsstrømmen ved "
+"hjelp av en Creative Commons-lisens som bare tillater ikke-kommersiell bruk, "
+"noe som betyr at ingen andre kan selge fysiske kopier av arbeidet i "
+"konkurranse med dem. Denne strategien for å reservere kommersielle "
+"rettigheter kan være spesielt viktig for varer som bøker, der hver utskrift "
+"av det samme arbeidet sannsynligvis har samme kvalitet, så det er "
+"vanskeligere å skille en publiseringstjeneste fra en annen. På den annen "
+"side, for varer som møbler eller elektronikk, kan leverandøren av de fysiske "
+"varene konkurrere med andre leverandører av de samme varene basert på "
+"kvalitet, tjeneste eller andre tradisjonelle forretningsprinsipper."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2332
+msgid "Charging for the in-person version <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Å ta betalt for en personlig versjon <emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2335
msgid ""
"As anyone who has ever gone to a concert will tell you, experiencing "
"creativity in person is a completely different experience from consuming a "
"person version of experience. You can see this effect when people go view "
"original art in person or pay to attend a talk or training course."
msgstr ""
-"Som alle som noensinne har gått til en konsert vil fortelle deg, å oppleve "
-"kreativitet personlig en helt annen opplevelse i forhold til å oppleve en "
+"Som alle som noensinne har gått på en konsert vil fortelle deg, å oppleve "
+"kreativitet personlig er en helt annen opplevelse i forhold til å oppleve en "
"digital kopi på egenhånd. Langt fra å være en erstatning for å samhandle "
-"ansikt til ansikt, kan CC-lisensiert innholdet faktisk skape etterspørsel "
+"ansikt til ansikt, kan CC-lisensiert innhold faktisk skape etterspørsel "
"etter å oppleve dette som en personlig erfaring. Du kan se denne effekten "
-"når folk går for å se original kunst personlig eller betaler for å delta på "
+"når folk går for å se original kunst personlig, eller betaler for å delta på "
"et tale- eller opplæringskurs."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1773
-msgid "#### Selling merchandise * \\[MARKET-BASED\\]*"
-msgstr "#### Å selge handelsvarer * \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2346
+msgid "Selling merchandise <emphasis>[MARKET-BASED]</emphasis>"
+msgstr "Å selge handelsvarer <emphasis>[MARKEDSBASERT]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1778
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2349
msgid ""
"In many cases, people who like your work will pay for products demonstrating "
"a connection to your work. As a child of the 1980s, I can personally attest "
"to the power of a good concert T-shirt. This can also be an important "
"revenue stream for museums and galleries."
msgstr ""
-"I mange tilfeller, vil folk som liker ditt arbeide betale for produkter som "
-"viser en forbindelse til ditt arbeide. Som barn i 1980, kan jeg personlig "
-"bekrefte kraften i en t-skjorte fra en god konsert. Dette kan også bli være "
+"I mange tilfeller vil folk som liker ditt arbeid betale for produkter som "
+"viser en forbindelse til ditt arbeid. Som barn i 1980, kan jeg personlig "
+"bekrefte kraften i en T-skjorte fra en god konsert. Dette kan også være en "
"viktig inntektskilde for museer og gallerier."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1789
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2366
+msgid "Osterwalder and Pigneur, Business Model Generation, 89."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2356
+#, fuzzy
+#| msgid ""
+#| "Sometimes the way to find a market-based revenue stream is by providing "
+#| "value to people other than those who consume your CC-licensed content. "
+#| "In these revenue streams, the free content is being subsidized by an "
+#| "entirely different category of people or businesses. Often, those people "
+#| "or businesses are paying to access your main audience. The fact that the "
+#| "content is free increases the size of the audience, which in turn makes "
+#| "the offer more valuable to the paying customers. This is a variation of a "
+#| "traditional business model built on free called multi-sided platforms.36 "
+#| "Access to your audience isn’t the only thing people are willing to pay for"
+#| "—there are other services you can provide as well."
msgid ""
"Sometimes the way to find a market-based revenue stream is by providing "
-"value to people other than those who consume your CC-licensed content. In "
+"value to people other than those who consume your CC-licensed content. In "
"these revenue streams, the free content is being subsidized by an entirely "
"different category of people or businesses. Often, those people or "
"businesses are paying to access your main audience. The fact that the "
"content is free increases the size of the audience, which in turn makes the "
"offer more valuable to the paying customers. This is a variation of a "
-"traditional business model built on free called multi-sided platforms.36 "
-"Access to your audience isn’t the only thing people are willing to pay for—"
-"there are other services you can provide as well."
+"traditional business model built on free called multi-sided platforms."
+"<placeholder type=\"footnote\" id=\"0\"/> Access to your audience isn’t the "
+"only thing people are willing to pay for—there are other services you can "
+"provide as well."
msgstr ""
-"Noen ganger kan en finne en markedsbaserte inntektsstrøm ved å gi verdi til "
+"Noen ganger kan en finne en markedsbasert inntektsstrøm ved å gi verdi til "
"andre enn dem som bruker ditt CC-lisensierte innhold. I disse "
-"inntektstrømmene, bli gratis innhold subsidiert av en helt annen kategori "
+"inntektstrømmene blir gratis innhold subsidiert av en helt annen kategori "
"personer eller bedrifter. Ofte betaler disse personene eller bedriftene for "
-"tilgang til din viktigste målgruppe. Det faktum at innholdet er gratis øker "
-"størrelsen på publikumet, som igjen gjør tilbudet mer verdifull for de "
+"tilgang til din viktigste målgruppe. Det faktum at innholdet er gratis, øker "
+"størrelsen på publikumet, som igjen gjør tilbudet mer verdifullt for de "
"betalende kundene. Dette er en variant av en tradisjonell forretningsmodell "
-"bygget på frie såkalte flersidige-plattformer.36 Tilgang til ditt publikum "
+"bygget på frie såkalte flersidige-plattformer.36) Tilgang til ditt publikum "
"er ikke det eneste folk er villige til å betale for, du kan også levere "
-"andre andre tjenester."
+"andre tjenester."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1791
-msgid "#### Charging advertisers or sponsors * \\[MARKET-BASED\\]*"
-msgstr "#### Å belaste annonsører og sponsorer * \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2373
+msgid "Charging advertisers or sponsors <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Ta betalt fra annonsører og sponsorer <emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2381
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 92."
+msgstr "Ibid., 15."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1802
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2385
+msgid "Anderson, Free, 142."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2376
+#, fuzzy
+#| msgid ""
+#| "The traditional model of subsidizing free content is advertising. In this "
+#| "version of multi-sided platforms, advertisers pay for the opportunity to "
+#| "reach the set of eyeballs the content creators provide in the form of "
+#| "their audience.37 The Internet has made this model more difficult because "
+#| "the number of potential channels available to reach those eyeballs has "
+#| "become essentially infinite.38 Nonetheless, it remains a viable revenue "
+#| "stream for many content creators, including those who are Made with "
+#| "Creative Commons. Often, instead of paying to display advertising, the "
+#| "advertiser pays to be an official sponsor of particular content or "
+#| "projects, or of the overall endeavor."
msgid ""
"The traditional model of subsidizing free content is advertising. In this "
"version of multi-sided platforms, advertisers pay for the opportunity to "
"reach the set of eyeballs the content creators provide in the form of their "
-"audience.37 The Internet has made this model more difficult because the "
-"number of potential channels available to reach those eyeballs has become "
-"essentially infinite.38 Nonetheless, it remains a viable revenue stream for "
+"audience.<placeholder type=\"footnote\" id=\"0\"/> The Internet has made "
+"this model more difficult because the number of potential channels available "
+"to reach those eyeballs has become essentially infinite.<placeholder type="
+"\"footnote\" id=\"1\"/> Nonetheless, it remains a viable revenue stream for "
"many content creators, including those who are Made with Creative Commons. "
"Often, instead of paying to display advertising, the advertiser pays to be "
"an official sponsor of particular content or projects, or of the overall "
msgstr ""
"Den tradisjonelle modellen for å subsidiere gratis innhold er reklame. I "
"denne versjonen av flersidige plattformer, betaler annonsørene for "
-"muligheten til kontakt til rekken av øyne i innholdleverandørenes "
-"publikum.37 Internett har gjort denne modellen vanskeligere fordi antallet "
-"tilgjengelige, mulige kanaler for å nå de aktuelle øynene er i bunn og grunn "
-"blitt uendelige.38 Likevel, det fortsatt en livskraftig inntektskilde for "
-"mange innholdskapere, inkludert dem som bruker Made with Creative Commons. "
-"Ofte, i stedet for å betaling for å vise reklame, betaler annonsøren for å "
-"være en offisiell sponsor av et bestemt innhold, prosjekter eller oppgaven "
-"som sådan."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1804
-msgid "#### Charging your content creators * \\[MARKET-BASED\\]*"
-msgstr "#### Betaling fra dine innholdsleverandører * \\[MARKET-BASED\\]*"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1814
+"muligheten til kontakt til rekken av «antall øyne som ser» i "
+"innholdleverandørenes publikum.37) Internett har gjort denne modellen "
+"vanskeligere fordi antallet tilgjengelige, mulige kanaler for å nå det "
+"aktuelle antallet er i bunn og grunn blitt uendelig.38) Likevel, det er "
+"fortsatt en livskraftig inntektskilde for mange innholdsskapere, inkludert "
+"dem som bruker Made with Creative Commons. Ofte, i stedet for betaling for å "
+"vise reklame, betaler annonsøren for å være en offisiell sponsor av et "
+"bestemt innhold, prosjekter eller oppgaven som sådan."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2394
+msgid "Charging your content creators <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Betaling fra dine innholdsleverandører <emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2397
msgid ""
"Another type of multisided platform is where the content creators themselves "
-"pay to be featured on the platform. Obviously, this revenue stream is only "
+"pay to be featured on the platform. Obviously, this revenue stream is only "
"available to those who rely on work created, at least in part, by others. "
"The most well-known version of this model is the “author-processing charge” "
"of open-access journals like those published by the Public Library of "
"website."
msgstr ""
"En annen type flersidig plattform er der de som lager innholdet selv betaler "
-"å bli omtalt på plattformen. Selvfølgelig er denne inntektsstrømmen bare "
+"for å bli omtalt på plattformen. Selvfølgelig er denne inntektsstrømmen bare "
"tilgjengelig for dem som stoler på det arbeidet som er laget, i all fall "
-"delvis, av andre. Den mest kjente versjonen av denne modellen er \""
-"forfatteravgift\" i tidsskrifter med åpen tilgang som de som er publisert av "
+"delvis, av andre. Den mest kjente versjonen av denne modellen er "
+"«forfatteravgift» i tidsskrifter med åpen tilgang som de som er publisert av "
"Public Library of Science, men det finnes også andre varianter. The "
-"Conversation primært finansiert med en universitetetsmedlemskaps-modell, der "
-"universiteter betaler for at fakultetene kan ha forfattere som leverer "
+"Conversation er primært finansiert med en universitetetsmedlemskapsmodell, "
+"der universiteter betaler for at fakultetene kan ha forfattere som leverer "
"innhold til Conversations nettside."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1816
-msgid "#### Charging a transaction fee * \\[MARKET-BASED\\]*"
-msgstr "#### Transaksjonsgebyr * \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2411
+msgid "Charging a transaction fee <emphasis>[MARKET-BASED]</emphasis>"
+msgstr "Transaksjonsgebyr <emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2416
+msgid "Osterwalder and Pigneur, Business Model Generation, 32."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1826
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2414
+#, fuzzy
+#| msgid ""
+#| "This is a version of a traditional business model based on brokering "
+#| "transactions between parties.39 Curation is an important element of this "
+#| "model. Platforms like the Noun Project add value by wading through CC-"
+#| "licensed content to curate a high-quality set and then derive revenue "
+#| "when creators of that content make transactions with customers. Other "
+#| "platforms make money when service providers transact with their "
+#| "customers; for example, Opendesk makes money every time someone on their "
+#| "site pays a maker to make furniture based on one of the designs on the "
+#| "platform."
msgid ""
"This is a version of a traditional business model based on brokering "
-"transactions between parties.39 Curation is an important element of this "
-"model. Platforms like the Noun Project add value by wading through CC-"
-"licensed content to curate a high-quality set and then derive revenue when "
-"creators of that content make transactions with customers. Other platforms "
-"make money when service providers transact with their customers; for "
-"example, Opendesk makes money every time someone on their site pays a maker "
-"to make furniture based on one of the designs on the platform."
-msgstr ""
-"Dette er en versjon av en tradisjonell modell basert på å megle "
-"transaksjoner mellom deltakere.39 Utvalg og organisering er et viktig "
-"element i denne modellen. Plattformer som Noun Project tilfører verdi ved å "
-"vade gjennom CC-lisensiert innhold for å velge ut et høykvalitets utvalg og "
-"så utlede inntekt når innholdsleverandørene gjør transaksjoner med kunder. "
-"Andre plattformer tjener penger når tjenesteleverandører gjør transaksjoner "
-"med kundene deres; for eksempel tjener Opendesk penger hver gang noen på "
-"deres nettsted betaler en håndverker for å lage møbler basert på ett av "
-"designene på plattformen."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1828
-msgid "#### Providing a service to your creators* \\[MARKET-BASED\\]*"
-msgstr ""
-"#### Å levere en tjeneste til dine innholdsleverandører * \\[MARKET-BASED\\]*"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1835
+"transactions between parties.<placeholder type=\"footnote\" id=\"0\"/> "
+"Curation is an important element of this model. Platforms like the Noun "
+"Project add value by wading through CC-licensed content to curate a high-"
+"quality set and then derive revenue when creators of that content make "
+"transactions with customers. Other platforms make money when service "
+"providers transact with their customers; for example, Opendesk makes money "
+"every time someone on their site pays a maker to make furniture based on one "
+"of the designs on the platform."
+msgstr ""
+"Dette er en versjon av en tradisjonell modell basert på "
+"meglingstransaksjoner mellom deltakere.39) Utvalg og organisering er et "
+"viktig element i denne modellen. Plattformer som Noun Project tilfører verdi "
+"ved å vade gjennom CC-lisensiert innhold for å velge ut et høykvalitets "
+"utvalg, og så utlede inntekt når innholdsleverandørene gjør transaksjoner "
+"med kunder. Andre plattformer tjener penger når tjenesteleverandører gjør "
+"transaksjoner med kundene deres; for eksempel tjener Opendesk penger hver "
+"gang noen på deres nettsted betaler en håndverker for å lage møbler basert "
+"på ett av designene på plattformen."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2428
+msgid ""
+"Providing a service to your creators <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Levere en tjeneste til dine innholdsleverandører "
+"<emphasis>[MARKEDSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2431
msgid ""
"As mentioned above, endeavors can make money by providing customized "
"services to their users. Platforms can undertake a variation of this service "
"tilpassede tjenester til brukerne. Plattformer kan gi en variant av denne "
"tjenestemodellen rettet mot innholdsleverandører som legger inn et innhold "
"de får omtalt. Dataplattformene Figure.NZ og Figshare utnytter denne "
-"modellen ved å tilby betalte verktøy for å hjelpe sine brukerne å gjøre "
+"modellen ved å tilby betalte verktøy for å hjelpe sine brukere å gjøre "
"dataene de bidrar med til plattformen mer synlige og gjenbrukbare."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1837
-msgid "#### Licensing a trademark* \\[MARKET-BASED\\]*"
-msgstr "#### Lisensiere et varemerke* \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2441
+msgid "Licensing a trademark <emphasis>[MARKET-BASED]</emphasis>"
+msgstr "Lisensiere et varemerke <emphasis>[MARKEDSBASERT]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1846
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2444
msgid ""
"Finally, some that are Made with Creative Commons make money by selling use "
"of their trademarks. Well known brands that consumers associate with "
"deriving revenue from something scarce while taking advantage of the "
"abundance of CC content."
msgstr ""
-"Endelig tjener noen som er Made with Creative Commons penger på å selge "
-"bruken av sitt varemerker. Kjente merker som forbrukerne forbinder med "
-"kvalitet, troverdighet, eller selv en holdning kan lisensiere varemerket til "
+"Endelig tjener noen som er laget med Creative Commons penger på å selge bruk "
+"av varemerker. Kjente merker som forbrukerne forbinder med kvalitet, "
+"troverdighet, eller selv en holdning (etos) kan lisensiere varemerket til "
"selskaper som ønsker å dra nytte av dets goodwill. Per definisjon er "
"varemerker knappe fordi de representerer et bestemt opphav for et gode eller "
"en tjeneste. Å ta betalt for muligheten til å bruke det varemerket er en "
"måte å skaffe inntekt fra noe det er knapphet på, og samtidig utnytte "
"fordelen av overfloden av CC-innhold."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1848
-msgid "#### Reciprocity-based revenue streams"
-msgstr "#### Gjensidighets-baserte inntektsstrømmer"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2456
+msgid "Reciprocity-based revenue streams"
+msgstr "Gjensidighetsbaserte inntektsstrømmer"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1853
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2458
msgid ""
"Even if we set aside grant funding, we found that the traditional economic "
"framework of understanding the market failed to fully capture the ways the "
msgstr ""
"Selv om vi setter til side velgjørenhetsfinansiering, fant vi at "
"tradisjonelle økonomiske rammen for å forstå markedet ikke fullt ut fanger "
-"måtene den innsatsen vi analyserte for å tjene penger. Det var ikke bare om "
-"å tjene penger på knapphet."
+"måtene den innsatsen vi analyserte for å tjene penger. Det handlet ikke bare "
+"om å tjene penger på knapphet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1863
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2465
msgid ""
"Rather than devising a scheme to get people to pay money in exchange for "
"some direct value provided to them, many of the revenue streams were more "
"tradisjonelle veldedige finansieringsmodeller, er de ikke det. Innsatsen "
"utveksler verdier mellom mennesker, ikke nødvendigvis synkront eller på en "
"måte som krever at disse verdiene er like. Som David Bollier skrev i Think "
-"Like a Commoner, \"Det er ingen iboende kalkyle i om verdien som er gitt og "
-"mottatt er helt lik.\""
+"Like a Commoner, «Det er ingen iboende kalkyle i om verdien som er gitt og "
+"mottatt er helt lik»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1869
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2478
msgid ""
"This should be a familiar dynamic—it is the way you deal with your friends "
"and family. We give without regard for what and when we will get back. David "
"identity, community and culture. It is a vital brain function that helps the "
"human species survive and evolve.”"
msgstr ""
-"Dette skulle være en kjent dynamikk - det er måten du behandler dine venner "
+"Dette skulle være en kjent dynamikk – det er måten du behandler dine venner "
"og familie. Vi gir uten hensyn til hva vi får, og når vi får tilbake. David "
-"Bollier skrev, \"Gjensidig sosial utveksling ligger i hjertet av menneskets "
+"Bollier skrev, «Gjensidig sosial utveksling ligger i hjertet av menneskets "
"identitet, samfunn og kultur. Det er en viktig hjernefunksjon som hjelper "
-"menneskeheten i sin overlevelse og utvikling.\""
+"menneskeheten i sin overlevelse og utvikling»."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2488
+msgid "Bollier, Think Like a Commoner, 150."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2492
+#, fuzzy
+#| msgid "Ibid., 145."
+msgid "Ibid., 134."
+msgstr "Ibid., 145."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1874
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2486
+#, fuzzy
+#| msgid ""
+#| "What is rare is to incorporate this sort of relationship into an endeavor "
+#| "that also engages with the market.40 We almost can’t help but think of "
+#| "relationships in the market as being centered on an even-steven exchange "
+#| "of value.41"
msgid ""
"What is rare is to incorporate this sort of relationship into an endeavor "
-"that also engages with the market.40 We almost can’t help but think of "
-"relationships in the market as being centered on an even-steven exchange of "
-"value.41"
+"that also engages with the market.<placeholder type=\"footnote\" id=\"0\"/> "
+"We almost can’t help but think of relationships in the market as being "
+"centered on an even-steven exchange of value.<placeholder type=\"footnote\" "
+"id=\"1\"/>"
msgstr ""
-"Det er sjeldent å innlemme slike forhold i en innsats som også er i favner "
-"markedet.40 Vi kan nesten ikke unngå å tenke på markedsrelasjoner som "
-"sentrert, uten gjensidig utveksling av verdi.41"
+"Det er sjeldent å innlemme slike forhold i en innsats som også favner "
+"markedet.40) Vi kan nesten ikke unngå å tenke på markedsrelasjoner som "
+"sentrert, uten gjensidig utveksling av verdi.41)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1876
-msgid "#### Memberships and individual donations *\\[RECIPROCITY-BASED\\]*"
-msgstr "#### Medlemskap og individuelle donasjoner * \\[RECIPROCITY-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2497
+msgid ""
+"Memberships and individual donations <emphasis>[RECIPROCITY-BASED]</emphasis>"
+msgstr ""
+"Medlemskap og individuelle donasjoner "
+"<emphasis>[GJENSIDIGHETSBASERT]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1888
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2500
msgid ""
"While memberships and donations are traditional nonprofit funding models, in "
"the Made with Creative Commons context, they are directly tied to the "
"that the content is a public good or that the entire endeavor is furthering "
"a social mission, the more likely this strategy is to succeed."
msgstr ""
-"Medlemskap og donasjoner er tradisjonelle veldedige finansieringsmodeller, i "
-"Made with Creative Commons-sammenheng, er de direkte knyttet til det "
-"gjensidige forholdet dyrket med de som nyter godt av arbeidet. Jo større "
-"mengde som mottar verdi fra innholdet, jo mer sannsynlig er det at denne "
-"strategien vil fungere, gitt at bare en liten prosentandel av brukerne "
-"sannsynligvis vil bidra. Siden det å bruke CC-lisenser kan smøre hjulene for "
-"at innhold skal å nå flere mennesker, kan denne strategien være mer effektiv "
-"for innsatser utført med laget med Creative Commons. Jo viktigere argumentet "
-"er for at innholdet er et kollektivt gode, eller at hele innsatsen skal "
-"fremme en sosial oppgave, jo mer sannsynlig er det at denne strategien "
-"lykkes."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1890
-msgid "#### The pay-what-you-want model *\\[RECIPROCITY-BASED\\]*"
-msgstr "#### Betal-hva-du-vil-modellen * \\[RECIPROCITY-BASED\\]*"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1900
+"Mens medlemskap og donasjoner er tradisjonelle veldedige "
+"finansieringsmodeller, i Made with Creative Commons-sammenheng, er de "
+"direkte knyttet til det gjensidige forholdet dyrket med de som nyter godt av "
+"arbeidet. Jo større mengde som mottar verdi fra innholdet, jo mer sannsynlig "
+"er det at denne strategien vil fungere, gitt at bare en liten prosentandel "
+"av brukerne sannsynligvis vil bidra. Siden det å bruke CC-lisenser kan smøre "
+"hjulene for at innhold skal nå flere mennesker, kan denne strategien være "
+"mer effektiv for innsatser utført med laget med Creative Commons. Jo "
+"viktigere argumentet er for at innholdet er et kollektivt gode, eller at "
+"hele innsatsen skal fremme en sosial oppgave, jo mer sannsynlig er det at "
+"denne strategien lykkes."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2516
+msgid "The pay-what-you-want model <emphasis>[RECIPROCITY-BASED]</emphasis>"
+msgstr "Betal-hva-du-vil-modellen <emphasis>[GJENSIDIGHETSBASERT]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2519
msgid ""
"In the pay-what-you-want model, the beneficiary of Creative Commons content "
"is invited to give—at any amount they can and feel is appropriate, based on "
"I betal-hva-du-vil-modellen blir mottakere av Creative Commons-innhold "
"invitert til å gi et beløp de synes de kan gi og føler er nødvendig, basert "
"på den offentlige og personlige verdi de føler er frembrakt av det åpne "
-"innholdet. Kritisk sett er ikke disse modellene myntet på å \"kjøpe\" noe "
+"innholdet. Kritisk sett er ikke disse modellene myntet på å «kjøpe» noe "
"gratis. De likner en skål til drikkepenger. Folk gir et økonomiske bidrag "
"som en takk. Disse modellene kapitaliserer det faktum at vi er naturlig "
"tilbøyelige til å gi penger for tingene vi setter pris på i markedet, selv i "
-"situasjoner der vi ellers kan finne en måte å få det gratis."
+"situasjoner der vi ellers kan finne en måte å få det gratis på ."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1902
-msgid "#### Crowdfunding *\\[RECIPROCITY-BASED\\]*"
-msgstr "#### Folkefinansiering * \\[RECIPROCITY-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2532
+msgid "Crowdfunding <emphasis>[RECIPROCITY-BASED]</emphasis>"
+msgstr "Folkefinansiering <emphasis>[GJENSIDIGHETSBASERT]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1917
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2535
msgid ""
"Crowdfunding models are based on recouping the costs of creating and "
"distributing content before the content is created. If the endeavor is Made "
"community and creating a connection with her fans. She wrote in The Art of "
"Asking, “Good art is made, good art is shared, help is offered, ears are "
"bent, emotions are exchanged, the compost of real, deep connection is "
-"sprayed all over the fields. Then one day, the artist steps up and asks for "
+"sprayed all over the fields. Then one day, the artist steps up and asks for "
"something. And if the ground has been fertilized enough, the audience says, "
"without hesitation: of course.”"
msgstr ""
"Folkefinansiering er modeller basert på å tjene inn igjen kostnadene til å "
"lage og distribuere innhold når innholdet er opprettet. Hvis arbeidet er "
-"Made with Creative Commons, kunne de som ønsker det aktuelle arbeidet "
-"aktuelle bare vente til det er opprettet og deretter tilgang til det gratis. "
-"Det betyr, for å få denne modellen til å virke, at folk må bry seg mer enn å "
+"laget med Creative Commons, kunne de som ønsker det aktuelle arbeidet bare "
+"vente til det er opprettet, og deretter få tilgang til det gratis. Det "
+"betyr, for å få denne modellen til å virke, at folk må bry seg mer enn å "
"bare motta arbeidet. De må ønske at du lykkes. Amanda Palmer tillegger "
"suksessen med folkefinansiering av Kickstarter og Patreon til årene hun "
-"brukte til bygge opp sitt fellesskap utvikle koblingen med tilhengerne sine. "
-"Hun skrev i The Art og Asking, \"God kunst er laget, god kunst deles, hjelp "
-"tilbys, ører spisset, følelser utvekslets, kompost av ekte og dyp "
+"brukte til bygge opp sitt fellesskap, og utvikle koblingen med tilhengerne "
+"sine. Hun skrev i The Art og Asking, «God kunst er laget, god kunst deles, "
+"hjelp tilbys, ører spisset, følelser utveksles, kompost av ekte og dyp "
"forbindelse er spredt over åkrene. Så en dag, trapper kunstneren opp og ber "
"om noe. Og hvis bakken er gjødslet nok, sier publikum, uten å nøle: "
-"Selvfølgelig. \""
+"Selvfølgelig»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1924
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2553
msgid ""
"Other types of crowdfunding rely on a sense of responsibility that a "
"particular community may feel. Knowledge Unlatched pools funds from major U."
"amerikanske biblioteker for å støtte CC-lisensiert akademisk arbeid som vil "
"bli, per definisjon, tilgjengelig gratis for alle. Biblioteker med større "
"budsjetter tenderer til å gi mer av en følelse av forpliktelse til "
-"biblioteksamfunnet og ideen om åpen tilgang generelt."
+"biblioteksamfunnet, og ideen om åpen tilgang generelt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1926
-msgid "### Making Human Connections"
-msgstr "### Å bygge menneskelige forbindelser"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2564
+msgid "Making Human Connections"
+msgstr "Å bygge menneskelige forbindelser"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1939
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2566
msgid ""
"Regardless of how they made money, in our interviews, we repeatedly heard "
"language like “persuading people to buy” and “inviting people to pay.” We "
"Lumen Learning showed us the letter they send to those who opt not to pay "
"for the services they provide in connection with their CC-licensed "
"educational content. It isn’t a cease-and-desist letter; it’s an invitation "
-"to pay because it’s the right thing to do. This sort of behavior toward "
-"what could be considered nonpaying customers is largely unheard of in the "
+"to pay because it’s the right thing to do. This sort of behavior toward what "
+"could be considered nonpaying customers is largely unheard of in the "
"traditional marketplace. But it seems to be part of the fabric of being Made "
"with Creative Commons."
msgstr ""
-"Uansett hvordan de tjente penger, i våre intervjuer, hørte vi gjentatte "
-"ganger ord som \"å overtale folk til å kjøpe\" og \"inviterer folk til å "
-"betale\". Vi hørte det selv i forbindelse med inntektsstrømmer som er helt "
-"og holdent i markedet. Cory Doctorow fortalte oss, \"Jeg må overbevise mine "
-"lesere om at det riktige å gjøre er å betale meg.\" Grunnleggerne av for "
-"profitt selskapet Lumen Learning, viste oss brevet de sender til dem som "
-"velger ikke å betale for tjenestene de leverer med sitt CC-lisensierte "
-"utdanningsinnhold. Det er ikke et stanse og avslå brev; Det er en invitasjon "
-"til å betale fordi det er den riktige tingen å gjøre. Denne typen atferd "
-"overfor hva som kan anses som ikke betalende kunder, er hovedsakelig uhørt "
-"på den tradisjonelle markedsplassen. Men det synes å være en del av "
+"Uansett hvordan de tjente penger, i våre intervjuer hørte vi gjentatte "
+"ganger ord som «å overtale folk til å kjøpe» og «invitere folk til å "
+"betale». Vi hørte det selv i forbindelse med inntektsstrømmer som er helt og "
+"holdent i markedet. Cory Doctorow fortalte oss, «Jeg må overbevise mine "
+"lesere om at det riktige å gjøre er å betale meg». Grunnleggerne av for-"
+"profitt-selskapet Lumen Learning, viste oss brevet de sender til dem som "
+"velger å ikke betale for tjenestene de leverer med sitt CC-lisensierte "
+"utdanningsinnhold. Det er ikke et stanse- og avslå-brev; det er en "
+"invitasjon til å betale fordi det er den riktige tingen å gjøre. Denne typen "
+"atferd overfor hva som kan anses som ikke betalende kunder, er hovedsakelig "
+"uhørt på den tradisjonelle markedsplassen. Men det synes å være en del av "
"oppbyggingen av å være Made with Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1946
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2582
msgid ""
"Nearly every endeavor we profiled relied, at least in part, on people being "
"invested in what they do. The closer the Creative Commons content is to "
-"being “the product,” the more pronounced this dynamic has to be. Rather "
-"than simply selling a product or service, they are making ideological, "
-"personal, and creative connections with the people who value what they do."
-msgstr ""
-"Nesten alle forsøk vi undersøkte støtte seg, minst delvis, på folk er "
-"innsatt i hva de gjør. Jo nærmere Creative Commons-innhold er i å være \""
-"produktet\", jo mer uttalt må denne dynamikken være. I stedet for bare å "
-"selge et produkt eller en service, gjør de ideologiske, personlige og "
+"being “the product,” the more pronounced this dynamic has to be. Rather than "
+"simply selling a product or service, they are making ideological, personal, "
+"and creative connections with the people who value what they do."
+msgstr ""
+"Nesten alle forsøk vi undersøkte støtte seg, minst delvis, på at folk "
+"investerer i hva de gjør. Jo nærmere Creative Commons-innhold er i å være "
+"«produktet», jo mer uttalt må denne dynamikken være. I stedet for bare å "
+"selge et produkt eller en service, knytter de ideologiske, personlige og "
"kreative forbindelser med folk som verdsetter det de gjør."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1950
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2590
msgid ""
"It took me a very long time to see how this avoidance of thinking about what "
"they do in pure market terms was deeply tied to being Made with Creative "
"Det tok meg lang tid å se hvordan dette å unngå å tenke på hva de gjør i "
"rene markedstermer, var sterkt knyttet til Made with Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1954
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2595
msgid ""
"I came to the research with preconceived notions about what Creative Commons "
"is and what it means to be Made with Creative Commons. It turned out I was "
"wrong on so many counts."
msgstr ""
-"Jeg kom til prosjektet med forhåndsoppfatningen om hva Creative Commons er "
+"Jeg kom til prosjektet med forhåndsoppfatningen om hva Creative Commons er, "
"og hva det betyr å være laget med Creative Commons. Det viste seg at jeg tok "
"feil på så mange punkter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1963
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2600
msgid ""
"Obviously, being Made with Creative Commons means using Creative Commons "
"licenses. That much I knew. But in our interviews, people spoke of so much "
"with sharing. You have to widen the lens."
msgstr ""
"Selvfølgelig er Made with Creative Commons å bruke Creative Commons-"
-"lisenser. Så mye visste jeg. Men i våre intervjuer, snakket folk om så mye "
+"lisenser. Så mye visste jeg. Men i våre intervjuer snakket folk om så mye "
"mer enn opphavsrettigheter når de forklarte hvordan deling passer inn i hva "
"de gjør. Jeg tenkte for smalt på deling, og resultatet var jeg hadde store "
"sprekker i meningen som er pakket inn i Creative Commons. Snarere enn å "
"analysere den spesifikke og smale rollen til opphavsretten i sammenhengen, "
-"er det viktig ikke å skille ut resten av det som følger med deling. Du må "
+"er det viktig å ikke skille ut resten av det som følger med deling. Du må "
"utvide synsfeltet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1975
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2611
msgid ""
"Being Made with Creative Commons is not just about the simple act of "
"licensing a copyrighted work under a set of standardized terms, but also "
"with whom you share—connections with you, with your work, with your values, "
"with each other."
msgstr ""
-"Made with Creative Commons er ikke bare om den enkle handlingen å lisensiere "
-"et åndsprodukt med et sett standardiserte vilkår, men også om fellesskap, "
-"sosial nytte, å bidra med ideer, uttrykke et verdisystem, samarbeide. Det er "
-"vanskelig å kultivere delingskomponentene hvis du tenker på hva du gjør med "
-"ren markedstenkning. Anstendig sosial atferd er ikke like intuitivt når vi "
-"gjør noe med en monetær utveksling. Det kreves en bevisst innsats for å "
-"fremme en kontekst med ekte deling, ikke bare basert på upersonlige "
-"utveksling i markedet, men på forbindelsene med folk som du deler med - "
-"forbindelsene til deg, med arbeidet ditt, med dine verdier, med hverandre."
+"Made with Creative Commons dreier seg ikke bare om den enkle handlingen å "
+"lisensiere et åndsprodukt med et sett standardiserte vilkår, men også om "
+"fellesskap, sosial nytte, å bidra med ideer, uttrykke et verdisystem, "
+"samarbeide. Det er vanskelig å kultivere delingskomponentene hvis du tenker "
+"på hva du gjør med ren markedstenkning. Anstendig sosial atferd er ikke like "
+"intuitivt når vi gjør noe med en monetær utveksling. Det kreves en bevisst "
+"innsats for å fremme en kontekst med ekte deling, ikke bare basert på "
+"upersonlig utveksling i markedet, men på forbindelsene med folk som du "
+"deler med – forbindelsene til deg, med arbeidet ditt, med dine verdier, med "
+"hverandre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1980
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2625
msgid ""
"The rest of this section will explore some of the common strategies that "
"creators, companies, and organizations use to remind us that there are "
-"humans behind every creative endeavor. To remind us we have obligations to "
+"humans behind every creative endeavor. To remind us we have obligations to "
"each other. To remind us what sharing really looks like."
msgstr ""
"I resten av denne seksjonen vil vi gjennomgå noen av de vanlige strategiene "
"som innholdsleverandører, selskaper og organisasjoner bruker for å minne oss "
"på at det finnes mennesker bak ethvert kreativt arbeid. For å minne oss om "
-"at vi forpliktelser overfor hverandre. Å minne oss om hvordan deling "
-"virkelig ser ut."
+"at vi har forpliktelser overfor hverandre. For å minne oss om hvordan "
+"deling virkelig ser ut."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2632
+msgid "Be human"
+msgstr "Vær menneskelig"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1982
-msgid "#### Be human"
-msgstr "#### Vær menneskelig"
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2636
+msgid ""
+"Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our "
+"Decisions, rev. ed. (New York: Harper Perennial, 2010), 109."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1989
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2634
+#, fuzzy
+#| msgid ""
+#| "Humans are social animals, which means we are naturally inclined to treat "
+#| "each other well.42 But the further removed we are from the person with "
+#| "whom we are interacting, the less caring our behavior will be. While the "
+#| "Internet has democratized cultural production, increased access to "
+#| "knowledge, and connected us in extraordinary ways, it can also make it "
+#| "easy forget we are dealing with another human."
msgid ""
"Humans are social animals, which means we are naturally inclined to treat "
-"each other well.42 But the further removed we are from the person with whom "
-"we are interacting, the less caring our behavior will be. While the "
-"Internet has democratized cultural production, increased access to "
-"knowledge, and connected us in extraordinary ways, it can also make it easy "
-"forget we are dealing with another human."
-msgstr ""
-"Mennesker er sosiale dyr, noe som betyr at vi naturlig er tilbøyelig til å "
-"behandle hverandre godt.42 Men jo fjernere vi er fra personen som vi "
+"each other well.<placeholder type=\"footnote\" id=\"0\"/> But the further "
+"removed we are from the person with whom we are interacting, the less caring "
+"our behavior will be. While the Internet has democratized cultural "
+"production, increased access to knowledge, and connected us in extraordinary "
+"ways, it can also make it easy forget we are dealing with another human."
+msgstr ""
+"Mennesker er sosiale dyr, noe som betyr at vi er naturlig tilbøyelig til å "
+"behandle hverandre godt.42) Men jo fjernere vi er fra personen som vi "
"samhandler med, jo mindre omsorgsfull vil vår atferd være. Mens Internett "
"har demokratisert kulturell produksjon, har økt tilgangen til kunnskap, og "
"koblet oss sammen på ekstraordinære måter, kan det også gjøre det lett å "
"glemme at vi arbeider med et annet menneske."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2001
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2660
+msgid ""
+"Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and Get "
+"Discovered (New York: Workman, 2014), 93."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2647
msgid ""
"To counteract the anonymous and impersonal tendencies of how we operate "
"online, individual creators and corporations who use Creative Commons "
"where things came from, how they were made, and who made them. The stories "
"you tell about the work you do have a huge effect on how people feel and "
"what they understand about your work, and how people feel and what they "
-"understand about your work affects how they value it.”43"
+"understand about your work affects how they value it.”<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"For å motvirke anonyme og upersonlige tendenser i hvordan vi opererer på "
"nettet, arbeider individuelle leverandører og selskaper, som bruker Creative "
-"Commons lisenser, med å demonstrere sin menneskelighet. For noen, betyr "
-"dette å legge ut sine liv på nettsiden. For andre betyr dette å vise sin "
-"kreative prosess, gir et innblikk i hvordan de gjør det de gjør. Som "
-"forfatter skrev Austin Kleon, \"vårt arbeid ikke snakke for seg selv. "
-"Mennesker ønsker å vite hvor ting kom fra, hvor de ble gjort, og som gjorde "
-"dem. Historiene du fortelle om arbeidet du gjør, har stor innvirkning på "
-"hvordan folk føler, hva de forstår om arbeidet ditt, hvordan folk føler og "
-"hva de forstår om hvordan arbeidet ditt påvirker hvordan de verdsetter det.\""
-"43"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2011
+"Commons-lisenser, med å demonstrere sin menneskelighet. For noen betyr dette "
+"å legge ut sine liv på nettsiden. For andre betyr dette å vise sin kreative "
+"prosess, gi et innblikk i hvordan de gjør det de gjør. Som forfatter skrev "
+"Austin Kleon, «Vårt arbeid snakker ikke for seg selv. Mennesker ønsker å "
+"vite hvor ting kom fra, hvordan de ble laget, og hvem som laget dem. "
+"Historiene du fortelle om arbeidet du gjør, har stor innvirkning på hvordan "
+"folk føler, hva de forstår om arbeidet ditt, hvordan folk føler, og hva de "
+"forstår om hvordan arbeidet ditt påvirker hvordan de verdsetter det»."
+"<placeholder type=\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2666
msgid ""
"A critical component to doing this effectively is not worrying about being a "
"“brand.” That means not being afraid to be vulnerable. Amanda Palmer says, "
"You’re too preoccupied with the task of impressing them.” Not everyone is "
"suited to live life as an open book like Palmer, and that’s OK. There are a "
"lot of ways to be human. The trick is just avoiding pretense and the "
-"temptation to artificially craft an image. People don’t just want the "
-"glossy version of you. They can’t relate to it, at least not in a meaningful "
-"way."
+"temptation to artificially craft an image. People don’t just want the glossy "
+"version of you. They can’t relate to it, at least not in a meaningful way."
msgstr ""
"En kritisk komponent for å gjøre dette effektivt er å ikke bekymre seg om å "
-"være en \"merkevare\". Det betyr å ikke å være redd for å være sårbar. "
-"Amanda Palmer sier, \"når du er redd for noens dom, må du ikke koble deg "
-"sammen med dem. Du blir for opptatt med oppgaven å imponere dem.\" Det "
-"passer ikke for alle å leve livet som en åpen bok, som Palmer, og det er OK. "
-"Det er mange måter å være menneske. Trikset er bare unngå å late som og "
-"fristelsen til å lage et kunstig bilde. Folk ønsker ikke bare den skinnende "
-"versjonen av deg. De kan ikke forholder seg til det, i hvert fall ikke på en "
+"være en «merkevare». Det betyr å ikke å være redd for å være sårbar. Amanda "
+"Palmer sier, «når du er redd for noens dom, må du ikke koble deg sammen med "
+"dem. Du blir for opptatt med oppgaven å imponere dem». Det passer ikke for "
+"alle å leve livet som en åpen bok, som Palmer, og det er OK. Det er mange "
+"måter å være menneske på. Trikset er bare unngå å late som, og fristelsen "
+"til å lage et kunstig bilde. Folk ønsker ikke bare den skinnende versjonen "
+"av deg. De kan ikke forholder seg til det, i hvert fall ikke på en "
"meningsfull måte."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2020
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2686
+msgid "Kramer, Shareology, 76."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2678
+#, fuzzy
+#| msgid ""
+#| "This advice is probably even more important for businesses and "
+#| "organizations because we instinctively conceive of them as nonhuman "
+#| "(though in the United States, corporations are people!). When "
+#| "corporations and organizations make the people behind them more apparent, "
+#| "it reminds people that they are dealing with something other than an "
+#| "anonymous corporate entity. In business-speak, this is about “humanizing "
+#| "your interactions” with the public.44 But it can’t be a gimmick. You "
+#| "can’t fake being human."
msgid ""
"This advice is probably even more important for businesses and organizations "
"because we instinctively conceive of them as nonhuman (though in the United "
"States, corporations are people!). When corporations and organizations make "
"the people behind them more apparent, it reminds people that they are "
"dealing with something other than an anonymous corporate entity. In business-"
-"speak, this is about “humanizing your interactions” with the public.44 But "
-"it can’t be a gimmick. You can’t fake being human."
+"speak, this is about “humanizing your interactions” with the public."
+"<placeholder type=\"footnote\" id=\"0\"/> But it can’t be a gimmick. You "
+"can’t fake being human."
msgstr ""
"Dette rådet er sannsynligvis enda viktigere for bedrifter og organisasjoner "
-"fordi vi instinktivt tenke på dem som ikke menneskelige (men i USA, er "
+"fordi vi instinktivt tenker på dem som ikke menneskelige (men i USA, er "
"selskaper mennesker!). Når bedrifter og organisasjoner gjør menneskene bak "
-"dem mer tydelige, minner det folk at de har å gjøre med noe annet enn en "
-"anonym enhet i en bedrift. I forretningsspråket handler dette om å \""
-"menneskeliggjøre sine samhandlinger\" med offentligheten.44 Men det kan ikke "
-"være en gimmick. Du kan ikke forfalske å være menneske."
+"dem mer tydelige, minner det folk om at de har å gjøre med noe annet enn en "
+"anonym enhet i en bedrift. I forretningsspråket handler dette om å "
+"«menneskeliggjøre sine samhandlinger» med offentligheten.44) Men det kan "
+"ikke være en gimmick. Du kan ikke forfalske det å være menneske."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2692
+msgid "Be open and accountable"
+msgstr "Vær åpen og ansvarlig"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2022
-msgid "#### Be open and accountable"
-msgstr "#### Vær åpen og ansvarlig"
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2701
+msgid "Palmer, Art of Asking, 252."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2706
+msgid "Whitehurst, Open Organization, 145."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2032
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2694
+#, fuzzy
+#| msgid ""
+#| "Transparency helps people understand who you are and why you do what you "
+#| "do, but it also inspires trust. Max Temkin of Cards Against Humanity told "
+#| "us, “One of the most surprising things you can do in capitalism is just "
+#| "be honest with people.” That means sharing the good and the bad. As "
+#| "Amanda Palmer wrote, “You can fix almost anything by authentically "
+#| "communicating.”45 It isn’t about trying to satisfy everyone or trying to "
+#| "sugarcoat mistakes or bad news, but instead about explaining your "
+#| "rationale and then being prepared to defend it when people are critical.46"
msgid ""
"Transparency helps people understand who you are and why you do what you do, "
"but it also inspires trust. Max Temkin of Cards Against Humanity told us, "
"“One of the most surprising things you can do in capitalism is just be "
"honest with people.” That means sharing the good and the bad. As Amanda "
"Palmer wrote, “You can fix almost anything by authentically "
-"communicating.”45 It isn’t about trying to satisfy everyone or trying to "
-"sugarcoat mistakes or bad news, but instead about explaining your rationale "
-"and then being prepared to defend it when people are critical.46"
+"communicating.”<placeholder type=\"footnote\" id=\"0\"/> It isn’t about "
+"trying to satisfy everyone or trying to sugarcoat mistakes or bad news, but "
+"instead about explaining your rationale and then being prepared to defend it "
+"when people are critical.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Åpenhet hjelper folk å forstå hvem du er og hvorfor du gjør det du gjør, men "
"det inspirerer også til tillit. Som Max Temkin i Cards Against Humanity "
-"fortalte oss, \"En av de mest overraskende tingene du kan gjøre i "
-"kapitalismen, er bare være ærlig med folk.\" Det betyr at å dele det gode og "
-"dårlige. Som Amanda Palmer skrev, kan \"du fikse nesten alt med autentisk "
-"kommunikasjon.\"45 Det handler ikke om å prøve å tilfredsstille alle eller "
-"prøver å glatte over feil eller dårlige nyheter, men i stedet forklare om "
-"din begrunnelsen, og så være forberedt på å forsvare den når folk er "
-"kritiske.46"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2045
-msgid ""
-"Being accountable does not mean operating on consensus. According to James "
-"Surowiecki, consensus-driven groups tend to resort to lowest-common-"
-"denominator solutions and avoid the sort of candid exchange of ideas that "
-"cultivates healthy collaboration.47 Instead, it can be as simple as asking "
-"for input and then giving context and explanation about decisions you make, "
-"even if soliciting feedback and inviting discourse is time-consuming. If you "
-"don’t go through the effort to actually respond to the input you receive, it "
-"can be worse than not inviting input in the first place.48 But when you get "
-"it right, it can guarantee the type of diversity of thought that helps "
-"endeavors excel. And it is another way to get people involved and invested "
-"in what you do."
-msgstr ""
-"Å være ansvarlige betyr ikke å operere med konsensus. Ifølge James "
-"Surowiecki, tenderer konsensus-drevne grupper til å ty til løsninger med "
-"laveste fellesnevner, og unngå en oppriktig utveksling av ideer som fremmer "
-"sunt samarbeid.47 Isteden, det kan være så enkelt som å be om innspill og "
-"deretter gi sammenheng og forklaring på beslutninger du tar, selv om å be om "
-"tilbakemelding og innby til meningsutveksling er tidkrevende. Hvis du ikke "
-"leverer innsatsen å svare på innspillene du får, kan det være verre enn å "
-"ikke invitere til innspill i første omgang.48 Men når du får det riktig til, "
-"kan det garantere den typen mangfold i tenkingen som hjelper til slik at "
-"innsatsen utmerker seg. Og det er en annen måte å få folk involvert og "
-"innsatt i hva du gjør."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2047
-msgid "#### Design for the good actors"
-msgstr "#### Design for de gode skuespillerne"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2060
-msgid ""
-"Traditional economics assumes people make decisions based solely on their "
-"own economic self-interest.49 Any relatively introspective human knows this "
-"is a fiction—we are much more complicated beings with a whole range of "
-"needs, emotions, and motivations. In fact, we are hardwired to work together "
-"and ensure fairness.50 Being Made with Creative Commons requires an "
+"fortalte oss, «En av de mest overraskende tingene du kan gjøre i "
+"kapitalismen, er bare å være ærlig med folk». Det betyr at du deler det gode "
+"og dårlige. Som Amanda Palmer skrev, «Du kan fikse nesten alt med ekte og "
+"pålitelig kommunikasjon».45) Det handler ikke om å prøve å tilfredsstille "
+"alle, eller prøver å glatte over feil eller dårlige nyheter, men i stedet "
+"forklare om din begrunnelse, og så være forberedt på å forsvare den når folk "
+"er kritiske.46)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2715
+msgid "Surowiecki, Wisdom of Crowds, 203."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2722
+msgid "Whitehurst, Open Organization, 80."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2710
+#, fuzzy
+#| msgid ""
+#| "Being accountable does not mean operating on consensus. According to "
+#| "James Surowiecki, consensus-driven groups tend to resort to lowest-common-"
+#| "denominator solutions and avoid the sort of candid exchange of ideas that "
+#| "cultivates healthy collaboration.47 Instead, it can be as simple as "
+#| "asking for input and then giving context and explanation about decisions "
+#| "you make, even if soliciting feedback and inviting discourse is time-"
+#| "consuming. If you don’t go through the effort to actually respond to the "
+#| "input you receive, it can be worse than not inviting input in the first "
+#| "place.48 But when you get it right, it can guarantee the type of "
+#| "diversity of thought that helps endeavors excel. And it is another way to "
+#| "get people involved and invested in what you do."
+msgid ""
+"Being accountable does not mean operating on consensus. According to James "
+"Surowiecki, consensus-driven groups tend to resort to lowest-common-"
+"denominator solutions and avoid the sort of candid exchange of ideas that "
+"cultivates healthy collaboration.<placeholder type=\"footnote\" id=\"0\"/> "
+"Instead, it can be as simple as asking for input and then giving context and "
+"explanation about decisions you make, even if soliciting feedback and "
+"inviting discourse is time-consuming. If you don’t go through the effort to "
+"actually respond to the input you receive, it can be worse than not inviting "
+"input in the first place.<placeholder type=\"footnote\" id=\"1\"/> But when "
+"you get it right, it can guarantee the type of diversity of thought that "
+"helps endeavors excel. And it is another way to get people involved and "
+"invested in what you do."
+msgstr ""
+"Å være ansvarlig betyr ikke å operere med konsensus. Ifølge James "
+"Surowiecki, tenderer konsensusdrevne grupper til å ty til løsninger basert "
+"på laveste fellesnevner, og unngår oppriktig utveksling av ideer i "
+"fremmingen av sunt samarbeid.47) Isteden kan det være så enkelt som å be om "
+"innspill, og deretter tilby bindeleddsinformasjon og forklaringer på "
+"beslutninger du tar, selv om det å be om tilbakemeldinger og innby til "
+"meningsutveksling er tidkrevende. Hvis du ikke tar deg bryderiet med å svare "
+"på innspillene du får, kan det være verre enn å ikke invitere dem i første "
+"omgang.4) Når du dog får det godt til, kan det garantere den typen mangfold "
+"i tenkingen som hjelper til å utmerke innsatsen. Samtidig er det en annen "
+"måte å få folk involvert og investert i det du gjør."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2730
+msgid "Design for the good actors"
+msgstr "Design for de gode aktører"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2734
+msgid "Bollier, Think Like a Commoner, 25."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2739
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 31."
+msgstr "Ibid., 15."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2732
+#, fuzzy
+#| msgid ""
+#| "Traditional economics assumes people make decisions based solely on their "
+#| "own economic self-interest.49 Any relatively introspective human knows "
+#| "this is a fiction—we are much more complicated beings with a whole range "
+#| "of needs, emotions, and motivations. In fact, we are hardwired to work "
+#| "together and ensure fairness.50 Being Made with Creative Commons requires "
+#| "an assumption that people will largely act on those social motivations, "
+#| "motivations that would be considered “irrational” in an economic sense. "
+#| "As Knowledge Unlatched’s Pinter told us, “It is best to ignore people who "
+#| "try to scare you about free riding. That fear is based on a very shallow "
+#| "view of what motivates human behavior.” There will always be people who "
+#| "will act in purely selfish ways, but endeavors that are Made with "
+#| "Creative Commons design for the good actors."
+msgid ""
+"Traditional economics assumes people make decisions based solely on their "
+"own economic self-interest.<placeholder type=\"footnote\" id=\"0\"/> Any "
+"relatively introspective human knows this is a fiction—we are much more "
+"complicated beings with a whole range of needs, emotions, and motivations. "
+"In fact, we are hardwired to work together and ensure fairness.<placeholder "
+"type=\"footnote\" id=\"1\"/> Being Made with Creative Commons requires an "
"assumption that people will largely act on those social motivations, "
"motivations that would be considered “irrational” in an economic sense. As "
"Knowledge Unlatched’s Pinter told us, “It is best to ignore people who try "
"design for the good actors."
msgstr ""
"Tradisjonell økonomi forutsetter at folk tar avgjørelser basert utelukkende "
-"ut fra sin økonomiske egeninteresse.49 Noe relativt selvanalyserende "
-"mennesker vet er en fiksjon - vi er mye mer kompliserte vesener med en hel "
-"rekke behov, følelser og motivasjoner. Faktisk er vi fastkoblet å samarbeide "
-"og sikre rettferdighet.50 Made with Creative Commons forutsetter en "
-"oppfatning om at folk i stor grad vil handle ut fra disse sosiale "
-"motivasjonene, motivasjoner som ville bli betraktet som \"irrasjonelle\" i "
-"en økonomisk forstand. Som Pinter i Knowlegde Unlatched fortalte oss, er \""
-"det best å ignorere mennesker som prøver å skremme deg med gratisturer. Den "
-"frykten er basert på et svært grunt syn på hva som motiverer menneskelig "
-"atferd.\" Det vil alltid være folk som vil handle på rent egoistiske måter, "
-"men oppgaver som er laget Made with Creative Commons-design er for de gode "
-"aktørene."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2069
+"ut fra sin økonomiske egeninteresse.49) Ethvert relativt selvanalyserende "
+"menneske vet at dette er en fiksjon – vi er mye mer kompliserte vesener med "
+"en hel rekke behov, følelser og motivasjoner. Faktisk er vi bundet til å "
+"samarbeide og sikre rettferdighet.50) Made with Creative Commons "
+"forutsetter en oppfatning om at folk i stor grad vil handle ut fra disse "
+"sosiale motivasjonene, motivasjoner som ville bli betraktet som "
+"«irrasjonelle» i økonomisk forstand. Som Pinter i Knowlegde Unlatched "
+"fortalte oss, er «det best å ignorere mennesker som prøver å skremme deg med "
+"gratisturer. Den frykten er basert på et svært grunt syn på hva som "
+"motiverer menneskelig atferd». Det vil alltid være folk som vil handle på "
+"rent egoistiske måter, men oppgaver som er laget med Creative Commons-design "
+"er for de gode aktørene."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2757
+msgid "Shirky, Cognitive Surplus, 112."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2751
+#, fuzzy
+#| msgid ""
+#| "The assumption that people will largely do the right thing can be a self-"
+#| "fulfilling prophecy. Shirky wrote in Cognitive Surplus, “Systems that "
+#| "assume people will act in ways that create public goods, and that give "
+#| "them opportunities and rewards for doing so, often let them work together "
+#| "better than neoclassical economics would predict.”51 When we acknowledge "
+#| "that people are often motivated by something other than financial self-"
+#| "interest, we design our endeavors in ways that encourage and accentuate "
+#| "our social instincts."
msgid ""
"The assumption that people will largely do the right thing can be a self-"
"fulfilling prophecy. Shirky wrote in Cognitive Surplus, “Systems that assume "
"people will act in ways that create public goods, and that give them "
"opportunities and rewards for doing so, often let them work together better "
-"than neoclassical economics would predict.”51 When we acknowledge that "
-"people are often motivated by something other than financial self-interest, "
-"we design our endeavors in ways that encourage and accentuate our social "
-"instincts."
-msgstr ""
-"Antagelsen om at folk i stor grad vil gjøre rette kan være en "
-"selvoppfyllende profeti. Shirky skrev i Cognitive Surplus: \"Systemer som "
-"antar folk vil opptre på måter som skaper offentlige goder og som gir dem "
-"mulighetene og belønningene for å gjøre det, lar dem ofte arbeide sammen "
-"bedre enn neoklassisk økonomi vil forutse.\" 51 Når vi erkjenner at folk "
+"than neoclassical economics would predict.”<placeholder type=\"footnote\" id="
+"\"0\"/> When we acknowledge that people are often motivated by something "
+"other than financial self-interest, we design our endeavors in ways that "
+"encourage and accentuate our social instincts."
+msgstr ""
+"Antagelsen om at folk i stor grad vil gjøre det rette, kan være en "
+"selvoppfyllende profeti. Shirky skrev i Cognitive Surplus: «Systemer som "
+"antar at folk vil opptre på måter som skaper offentlige goder, og som gir "
+"dem muligheter og belønninger for å gjøre det, lar dem ofte arbeide sammen "
+"bedre enn neoklassisk økonomi ville forutse». 51) Når vi erkjenner at folk "
"ofte er motivert av noe annet enn finansiell egeninteresse, designer vi våre "
-"bestrebelser på måter som stimulerer og fremhever vår sosiale instinkter."
+"bestrebelser på måter som stimulerer og fremhever våre sosiale instinkter."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2774
+msgid "Surowiecki, Wisdom of Crowds, 124."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2079
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2764
+#, fuzzy
+#| msgid ""
+#| "Rather than trying to exert control over people’s behavior, this mode of "
+#| "operating requires a certain level of trust. We might not realize it, but "
+#| "our daily lives are already built on trust. As Surowiecki wrote in The "
+#| "Wisdom of Crowds, “It’s impossible for a society to rely on law alone to "
+#| "make sure citizens act honestly and responsibly. And it’s impossible for "
+#| "any organization to rely on contracts alone to make sure that its "
+#| "managers and workers live up to their obligation.” Instead, we largely "
+#| "trust that people—mostly strangers—will do what they are supposed to "
+#| "do.52 And most often, they do."
msgid ""
"Rather than trying to exert control over people’s behavior, this mode of "
"operating requires a certain level of trust. We might not realize it, but "
"make sure citizens act honestly and responsibly. And it’s impossible for any "
"organization to rely on contracts alone to make sure that its managers and "
"workers live up to their obligation.” Instead, we largely trust that people—"
-"mostly strangers—will do what they are supposed to do.52 And most often, "
-"they do."
+"mostly strangers—will do what they are supposed to do.<placeholder type="
+"\"footnote\" id=\"0\"/> And most often, they do."
msgstr ""
"Snarere enn å prøve å utøve kontroll over menneskers atferd, krever denne "
-"arbeidsmåten en viss grad av tillit. Vi innser det kanskje, men våre "
-"dagligliv er allerede bygget på tillit. Som Surowiecki skrev i The visdom of "
-"Crowds; \"det er umulig for et samfunn å stole på loven alene for å sikre at "
-"borgere opptrer ærlig og ansvarlig. Og det er umulig for noen organisasjon å "
-"stole på kontrakter alene for å sørge for at dens ledere og arbeidere lever "
-"opp til sine forpliktelser.\" I stedet stoler vi i stor grad på at folk - "
-"for det meste fremmede - vil gjøre det som er forventet av dem.52 Og oftest, "
-"de gjør de."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2081
-msgid "#### Treat humans like, well, humans"
-msgstr "#### Å behandle mennesker som, vel, mennesker"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2090
+"arbeidsmåten en viss grad av tillit. Vi innser det kanskje, men våre daglige "
+"liv er allerede bygget på tillit. Som Surowiecki skrev i The visdom of "
+"Crowds; «Det er umulig for et samfunn å stole på loven alene for å sikre at "
+"borgere opptrer ærlig og ansvarlig. Det er også umulig for noen organisasjon "
+"å stole på kontrakter alene for å sørge for at dens ledere og arbeidere "
+"lever opp til sine forpliktelser». I stedet stoler vi i stor grad på at folk "
+"– for det meste fremmede – vil gjøre hva som forventes av dem.52) Som "
+"oftest gjør de det."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2779
+msgid "Treat humans like, well, humans"
+msgstr "Å behandle mennesker som, vel, mennesker"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2784
+msgid "Kleon, Show Your Work, 127."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2792
+msgid "Palmer, Art of Asking, 121."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2781
+#, fuzzy
+#| msgid ""
+#| "For creators, treating people as humans means not treating them like "
+#| "fans. As Kleon says, “If you want fans, you have to be a fan first.”53 "
+#| "Even if you happen to be one of the few to reach celebrity levels of "
+#| "fame, you are better off remembering that the people who follow your work "
+#| "are human, too. Cory Doctorow makes a point to answer every single email "
+#| "someone sends him. Amanda Palmer spends vast quantities of time going "
+#| "online to communicate with her public, making a point to listen just as "
+#| "much as she talks.54"
msgid ""
"For creators, treating people as humans means not treating them like fans. "
-"As Kleon says, “If you want fans, you have to be a fan first.”53 Even if you "
-"happen to be one of the few to reach celebrity levels of fame, you are "
-"better off remembering that the people who follow your work are human, too. "
-"Cory Doctorow makes a point to answer every single email someone sends him. "
-"Amanda Palmer spends vast quantities of time going online to communicate "
-"with her public, making a point to listen just as much as she talks.54"
+"As Kleon says, “If you want fans, you have to be a fan first.”<placeholder "
+"type=\"footnote\" id=\"0\"/> Even if you happen to be one of the few to "
+"reach celebrity levels of fame, you are better off remembering that the "
+"people who follow your work are human, too. Cory Doctorow makes a point to "
+"answer every single email someone sends him. Amanda Palmer spends vast "
+"quantities of time going online to communicate with her public, making a "
+"point to listen just as much as she talks.<placeholder type=\"footnote\" id="
+"\"1\"/>"
msgstr ""
"For innholdsleverandører betyr å behandle folk som mennesker ikke å behandle "
-"dem som fans. Som Kleon sier, \"Hvis du vil ha fans, må du først være en fan."
-"\"53 Selv om du tilfeldigvis blir en av de få som når en kjendisberømmelse, "
-"er det bedre om du husker at folk som følger arbeidet ditt også er "
-"menneskelige. Cory Doctorow gjør et poeng å svare på hver enkelt e-post noen "
-"sender ham. Amanda Palmer bruker store deler av tiden på nettet til å "
-"kommunisere med sitt publikum, og gjør et poeng av å lytte like mye som hun "
-"snakker.54"
+"dem som fans. Som Kleon sier, «Hvis du vil ha fans, må du først være en "
+"fan«.53) Selv om du tilfeldigvis blir en av de få som når en "
+"kjendisberømmelse, er det bedre om du husker at folk som følger arbeidet "
+"ditt, også er menneskelige. Cory Doctorow gjør et poeng av å svare på hver "
+"enkelt e-post noen sender ham. Amanda Palmer bruker store deler av tiden på "
+"nettet til å kommunisere med sitt publikum, og gjør et poeng av å lytte like "
+"mye som hun snakker.54)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2095
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2796
msgid ""
"The same idea goes for businesses and organizations. Rather than automating "
"its customer service, the music platform Tribe of Noise makes a point to "
msgstr ""
"Den samme ideen gjelder for bedrifter og organisasjoner. I stedet for å "
"automatisere sin kundeservice, gjør musikkplattformen Tribe of Noise et "
-"poeng av å sikre at deres ansatte har en personlig, en til en interaksjon "
+"poeng av å sikre at deres ansatte har en personlig, en-til-en-interaksjon "
"med brukere."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2107
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2807
+msgid "Ariely, Predictably Irrational, 87."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2817
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 105."
+msgstr "Ibid., 15."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2802
+#, fuzzy
+#| msgid ""
+#| "When we treat people like humans, they typically return the gift in kind. "
+#| "It’s called karma. But social relationships are fragile. It is all too "
+#| "easy to destroy them if you make the mistake of treating people as "
+#| "anonymous customers or free labor.55 Platforms that rely on content from "
+#| "contributors are especially at risk of creating an exploitative dynamic. "
+#| "It is important to find ways to acknowledge and pay back the value that "
+#| "contributors generate. That does not mean you can solve this problem by "
+#| "simply paying contributors for their time or contributions. As soon as we "
+#| "introduce money into a relationship—at least when it takes a form of "
+#| "paying monetary value in exchange for other value—it can dramatically "
+#| "change the dynamic.56"
msgid ""
"When we treat people like humans, they typically return the gift in kind. "
"It’s called karma. But social relationships are fragile. It is all too easy "
"to destroy them if you make the mistake of treating people as anonymous "
-"customers or free labor.55 Platforms that rely on content from contributors "
-"are especially at risk of creating an exploitative dynamic. It is important "
-"to find ways to acknowledge and pay back the value that contributors "
-"generate. That does not mean you can solve this problem by simply paying "
-"contributors for their time or contributions. As soon as we introduce money "
-"into a relationship—at least when it takes a form of paying monetary value "
-"in exchange for other value—it can dramatically change the dynamic.56"
-msgstr ""
-"Når vi behandler folk som mennesker, vil de vanligvis returnere gaven på "
-"samme måte. Det kalles karma. Men sosiale relasjoner er skjøre. Det er "
-"altfor lett å ødelegge dem hvis du gjør feilen å behandle folk som anonyme "
-"kunder eller gratisarbeidere.55 Plattformer som bruker innhold fra "
-"bidragsytere er spesielt i fare for å skape en dynamikk som utnytter. Det "
-"er viktig å finne måter å anerkjenne og betale tilbake verdien bidragsytere "
-"genererer. Det betyr ikke at du kan løse dette problemet bare ved å i "
-"enkelhet betale bidragsytere for deres tid eller bidrag. Så snart vi "
-"introduserer penger inn i et forhold, - i det minste når får formen av å "
-"betale en pengeverdi i bytte for en annen verdi - kan det dramatisk endre "
-"dynamikken.56"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2109
-msgid "#### State your principles and stick to them"
-msgstr "#### Legg frem dine prinsipper og hold deg til dem"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2119
+"customers or free labor.<placeholder type=\"footnote\" id=\"0\"/> Platforms "
+"that rely on content from contributors are especially at risk of creating an "
+"exploitative dynamic. It is important to find ways to acknowledge and pay "
+"back the value that contributors generate. That does not mean you can solve "
+"this problem by simply paying contributors for their time or contributions. "
+"As soon as we introduce money into a relationship—at least when it takes a "
+"form of paying monetary value in exchange for other value—it can "
+"dramatically change the dynamic.<placeholder type=\"footnote\" id=\"1\"/>"
+msgstr ""
+"Når vi behandler folk som mennesker, vil de vanligvis behandle oss på samme "
+"måte. Det kalles karma. Men sosiale relasjoner er skjøre. Det er altfor lett "
+"å ødelegge dem hvis du gjør den feilen å behandle folk som anonyme kunder "
+"eller gratisarbeidere.55) Plattformer som bruker innhold fra bidragsytere "
+"er spesielt i fare for å skape en dynamikk som utnytter. Det er viktig å "
+"finne måter å anerkjenne og betale tilbake verdien bidragsytere genererer. "
+"Det betyr ikke at du kan løse dette problemet bare ved å, i enkelhet, betale "
+"bidragsytere for deres tid eller bidrag. Så snart vi introduserer penger inn "
+"i et forhold – i det minste når det tar form av å betale en pengeverdi i "
+"bytte for en annen verdi - kan det dramatisk endre dynamikken.56)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2822
+msgid "State your principles and stick to them"
+msgstr "Legg frem dine prinsipper og hold deg til dem"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2824
msgid ""
"Being Made with Creative Commons makes a statement about who you are and "
"what you do. The symbolism is powerful. Using Creative Commons licenses "
"akin to a political statement. Other times people will identify and feel "
"connected with an endeavor’s separate social mission. Often both."
msgstr ""
-"Når du bruker Made with Creative Commons fastslår du hvem du er og hva du "
+"Når du bruker Made with Creative Commons, fastslår du hvem du er og hva du "
"gjør. Symbolikken er kraftig. Med Creative Commons-lisenser demonstrerer du "
"tilslutning til en bestemt trossystem, som genererer goodwill og knytter "
"likesinnede til arbeidet ditt. Noen ganger trekkes folk til innhold som er "
"Made with Creative Commons som en måte å demonstrere sin egen forpliktelse "
"overfor verdisystemet til Creative Commons, som en politisk erklæring. Andre "
-"ganger vil folk vil identifisere seg med og føle seg knyttet til innholdets "
+"ganger vil folk vil identifisere seg med, og føle seg knyttet til innholdets "
"separate sosiale oppgave. Ofte begge."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2128
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2836
msgid ""
"The expression of your values doesn’t have to be implicit. In fact, many of "
"the people we interviewed talked about how important it is to state your "
-"guiding principles up front. Lumen Learning attributes a lot of their "
+"guiding principles up front. Lumen Learning attributes a lot of their "
"success to having been outspoken about the fundamental values that guide "
"what they do. As a for-profit company, they think their expressed commitment "
"to low-income students and open licensing has been critical to their "
"credibility in the OER (open educational resources) community in which they "
"operate."
msgstr ""
-"Uttrykket for dine verdier trenger ikke å være implisitt. Faktisk, mange av "
-"menneskene vi intervjuet snakket om hvor viktig det er å angi dine førende "
-"prinsipper opp front. Lumen Learning tillegger mye av sin suksess at de har "
-"vært frittalende om de grunnleggende verdiene som leder hva de gjør. Som et "
-"for fortjeneste-selskap, mener de at deres uttrykte forpliktelse overfor "
-"lavinntekt-studenter og åpen lisensiering har vært avgjørende for til deres "
-"troverdighet i OER-(åpne pedagogiske ressurser)-samfunnet der de arbeider."
+"Uttrykket for dine verdier trenger ikke å være implisitt. Faktisk snakket "
+"mange av menneskene vi intervjuet om hvor viktig det er å angi dine førende "
+"prinsipper på forhånd. Lumen Learning tillegger mye av sin suksess på at de "
+"har vært frittalende om de grunnleggende verdiene som styrer hva de gjør. "
+"Som et for-fortjeneste-selskap, mener de at deres uttrykte forpliktelse "
+"overfor lavinntekt-studenter og åpen lisensiering har vært avgjørende for "
+"deres troverdighet i OER-samfunnet (åpne pedagogiske ressurser) der de "
+"arbeider."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2851
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 36."
+msgstr "Ibid., 15."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2134
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2847
+#, fuzzy
+#| msgid ""
+#| "When your end goal is not about making a profit, people trust that you "
+#| "aren’t just trying to extract value for your own gain. People notice when "
+#| "you have a sense of purpose that transcends your own self-interest.57 It "
+#| "attracts committed employees, motivates contributors, and builds trust."
msgid ""
"When your end goal is not about making a profit, people trust that you "
"aren’t just trying to extract value for your own gain. People notice when "
-"you have a sense of purpose that transcends your own self-interest.57 It "
-"attracts committed employees, motivates contributors, and builds trust."
+"you have a sense of purpose that transcends your own self-interest."
+"<placeholder type=\"footnote\" id=\"0\"/> It attracts committed employees, "
+"motivates contributors, and builds trust."
msgstr ""
-"Når målet ikke er og lage fortjeneste, stoler folk på at du ikke bare prøver "
-"bruke verdien til din egen vinning. Folk merker når du har en hensikt som "
-"går utover din egeninteresse.57 Det tiltrekker engasjerte ansatte, motiverte "
-"bidragsytere og bygger tillit."
+"Når målet ditt ikke handler om å gjøre fortjeneste , stoler folk på at du "
+"ikke bare prøver å bruke verdien til din egen vinning. Folk merker når du "
+"har en hensikt som overskrider din egeninteresse.57) Det tiltrekker "
+"engasjerte ansatte, motiverte bidragsytere, og bygger tillit."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2136
-msgid "#### Build a community"
-msgstr "### Å bygge et fellesskap"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2857
+msgid "Build a community"
+msgstr "Å bygge et fellesskap"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2865
+msgid ""
+"Jono Bacon, The Art of Community, 2nd ed. (Sebastopol, CA: O’Reilly Media, "
+"2012), 36."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2146
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2859
msgid ""
"Endeavors that are Made with Creative Commons thrive when community is built "
"around what they do. This may mean a community collaborating together to "
"create something new, or it may simply be a collection of like-minded people "
-"who get to know each other and rally around common interests or beliefs.58 "
-"To a certain extent, simply being Made with Creative Commons automatically "
-"brings with it some element of community, by helping connect you to like-"
-"minded others who recognize and are drawn to the values symbolized by using "
-"CC."
+"who get to know each other and rally around common interests or beliefs."
+"<placeholder type=\"footnote\" id=\"0\"/> To a certain extent, simply being "
+"Made with Creative Commons automatically brings with it some element of "
+"community, by helping connect you to like-minded others who recognize and "
+"are drawn to the values symbolized by using CC."
msgstr ""
"Innhold laget med Made with Creative Commons blomstrer når allmenneier er "
"bygget rundt det de gjør. Dette kan bety at et fellesskap samarbeider om å "
-"skape noe nytt, eller det kan være en samling av likesinnede som bli kjent "
-"hverandre og samles rundt felles interesser eller oppfatninger.58 Til en "
-"viss grad bringer Made with Creative Commons automatisk med seg elementer av "
-"fellesskap, med hjelp til å koble deg til likesinnede som gjenkjenner og "
-"trekkes til verdiene som symboliseres ved å bruke CC."
+"skape noe nytt, eller det kan være en samling av likesinnede som blir kjent "
+"med hverandre, og samles rundt felles interesser eller oppfatninger."
+"<placeholder type=\"footnote\" id=\"0\"/> Til en viss grad bringer Made with "
+"Creative Commons automatisk med seg elementer av fellesskap, med hjelp til å "
+"koble deg til likesinnede som gjenkjenner og trekkes til verdiene som "
+"symboliseres ved å bruke CC."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2881
+msgid "Palmer, Art of Asking, 98."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2888
+msgid "Whitehurst, Open Organization, 34."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2158
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2873
+#, fuzzy
+#| msgid ""
+#| "To be sustainable, though, you have to work to nurture community. People "
+#| "have to care—about you and each other. One critical piece to this is "
+#| "fostering a sense of belonging. As Jono Bacon writes in The Art of "
+#| "Community, “If there is no belonging, there is no community.” For Amanda "
+#| "Palmer and her band, that meant creating an accepting and inclusive "
+#| "environment where people felt a part of their “weird little family.”59 "
+#| "For organizations like Red Hat, that means connecting around common "
+#| "beliefs or goals. As the CEO Jim Whitehurst wrote in The Open "
+#| "Organization, “Tapping into passion is especially important in building "
+#| "the kinds of participative communities that drive open organizations.”60"
msgid ""
"To be sustainable, though, you have to work to nurture community. People "
"have to care—about you and each other. One critical piece to this is "
"fostering a sense of belonging. As Jono Bacon writes in The Art of "
"Community, “If there is no belonging, there is no community.” For Amanda "
"Palmer and her band, that meant creating an accepting and inclusive "
-"environment where people felt a part of their “weird little family.”59 For "
-"organizations like Red Hat, that means connecting around common beliefs or "
-"goals. As the CEO Jim Whitehurst wrote in The Open Organization, “Tapping "
-"into passion is especially important in building the kinds of participative "
-"communities that drive open organizations.”60"
-msgstr ""
-"For å være bærekraftig, må du jobbe hardt for å livnære allmenneiet. Folk må "
-"bry seg — om deg og hverandre. Én kritisk brikke i dette er å få frem "
-"følelsen av tilhørighet. Som Jono Bacon skriver i The Art of Community: «"
-"Hvis det ikke er tilhørighet, er det ikke noe fellesskap.» For Amanda "
-"Palmer og hennes band, betydde dette å lage og godta et inkluderende miljø "
-"der folk følte seg som del av deres «lille rare familie.»59 For "
+"environment where people felt a part of their “weird little "
+"family.”<placeholder type=\"footnote\" id=\"0\"/> For organizations like Red "
+"Hat, that means connecting around common beliefs or goals. As the CEO Jim "
+"Whitehurst wrote in The Open Organization, “Tapping into passion is "
+"especially important in building the kinds of participative communities that "
+"drive open organizations.”<placeholder type=\"footnote\" id=\"1\"/>"
+msgstr ""
+"For å være bærekraftig må du jobbe hardt for å livnære allmenneiet. Folk må "
+"bry seg – om deg og hverandre. Én kritisk brikke i dette er å få frem "
+"følelsen av tilhørighet. Som Jono Bacon skriver i The Art of Community: "
+"«Hvis det ikke er tilhørighet, er det ikke noe fellesskap». For Amanda "
+"Palmer og hennes band betydde dette å lage og godta et inkluderende miljø "
+"der folk følte seg som del av deres «lille rare familie.»59) For "
"organisasjoner som Red Hat, betyr det å samle seg rundt felles oppfatninger "
"eller mål. Som administrerende direktør Jim Whitehurst skrev i The Open "
-"Organization: «Å etablere følesesmessig tilknytning er spesielt viktig for "
-"bygging de typer deltakende fellesskap som driver åpne organisasjoner.»60"
+"Organization: «Å etablere følelsesmessig tilknytning er spesielt viktig for "
+"bygging av de typer deltakende fellesskap som driver åpne organisasjoner».60)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2170
-msgid ""
-"Communities that collaborate together take deliberate planning. Surowiecki "
-"wrote, “It takes a lot of work to put the group together. It’s difficult to "
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2900
+msgid "Surowiecki, Wisdom of Crowds, 200."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2904
+msgid "Bollier, Think Like a Commoner, 29."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2892
+#, fuzzy
+#| msgid ""
+#| "Communities that collaborate together take deliberate planning. "
+#| "Surowiecki wrote, “It takes a lot of work to put the group together. "
+#| "It’s difficult to ensure that people are working in the group’s interest "
+#| "and not in their own. And when there’s a lack of trust between the "
+#| "members of the group (which isn’t surprising given that they don’t really "
+#| "know each other), considerable energy is wasted trying to determine each "
+#| "other’s bona fides.”61 Building true community requires giving people "
+#| "within the community the power to create or influence the rules that "
+#| "govern the community.62 If the rules are created and imposed in a top-"
+#| "down manner, people feel like they don’t have a voice, which in turn "
+#| "leads to disengagement."
+msgid ""
+"Communities that collaborate together take deliberate planning. Surowiecki "
+"wrote, “It takes a lot of work to put the group together. It’s difficult to "
"ensure that people are working in the group’s interest and not in their own. "
"And when there’s a lack of trust between the members of the group (which "
"isn’t surprising given that they don’t really know each other), considerable "
-"energy is wasted trying to determine each other’s bona fides.”61 Building "
-"true community requires giving people within the community the power to "
-"create or influence the rules that govern the community.62 If the rules are "
+"energy is wasted trying to determine each other’s bona fides.”<placeholder "
+"type=\"footnote\" id=\"0\"/> Building true community requires giving people "
+"within the community the power to create or influence the rules that govern "
+"the community.<placeholder type=\"footnote\" id=\"1\"/> If the rules are "
"created and imposed in a top-down manner, people feel like they don’t have a "
"voice, which in turn leads to disengagement."
msgstr ""
-"Allmenneier som samarbeider planlegger bevisst. Surowiecki skrev: \"Det "
+"Allmenneier som samarbeider planlegger bevisst. Surowiecki skrev: «Det "
"krever mye arbeid å få satt sammen gruppen. Det er vanskelig å sikre at folk "
-"jobber i gruppens interesse og ikke i sin egen. Og når det er mangel på "
+"jobber i gruppens interesse, og ikke i sin egen. Og når det er mangel på "
"tillit mellom medlemmer av gruppen (som ikke overraskende gitt at de ikke "
"egentlig kjenner hverandre), er en betraktelig del av energien bortkastet "
-"ved å prøver å avklare hverandres ærlige interesser.\"61 Å bygge ekte "
+"ved å prøve å avklare hverandres ærlige interesser». 61) Å bygge ekte "
"fellesskap forutsetter å gi folk i fellesskapet makt til å lage eller "
-"påvirke reglene som styrer fellesskapet.62 Hvis reglene lages og innføres "
+"påvirke reglene som styrer fellesskapet.62) Hvis reglene lages og innføres "
"ovenfra og ned, føler folk at de ikke har noe å si, som igjen fører til "
"tilbaketrekning."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2174
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2910
msgid ""
"Community takes work, but working together, or even simply being connected "
"around common interests or values, is in many ways what sharing is about."
"knyttet sammen rundt felles interesser eller verdier, er på mange måter hva "
"deling betyr."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2176
-msgid "#### Give more to the commons than you take"
-msgstr "#### Gi mer til fellesskapet enn du tar"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2916
+msgid "Give more to the commons than you take"
+msgstr "Gi mer til fellesskapet enn du tar"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2187
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2927
+msgid ""
+"Giana Eckhardt and Fleura Bardhi, “The Sharing Economy Isn’t about Sharing "
+"at All,” Harvard Business Review (website), January 28, 2015, <ulink url="
+"\"http://hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all\"/>."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2935
+msgid ""
+"Lisa Gansky, The Mesh: Why the Future of Business Is Sharing, reprint with "
+"new epilogue (New York: Portfolio, 2012)."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2918
+#, fuzzy
+#| msgid ""
+#| "Conventional wisdom in the marketplace dictates that people should try to "
+#| "extract as much money as possible from resources. This is essentially "
+#| "what defines so much of the so-called sharing economy. In an article on "
+#| "the Harvard Business Review website called “The Sharing Economy Isn’t "
+#| "about Sharing at All,” authors Giana Eckhardt and Fleura Bardhi explained "
+#| "how the anonymous market-driven trans-actions in most sharing-economy "
+#| "businesses are purely about monetizing access.63 As Lisa Gansky put it in "
+#| "her book The Mesh, the primary strategy of the sharing economy is to sell "
+#| "the same product multiple times, by selling access rather than "
+#| "ownership.64 That is not sharing."
msgid ""
"Conventional wisdom in the marketplace dictates that people should try to "
"extract as much money as possible from resources. This is essentially what "
"Harvard Business Review website called “The Sharing Economy Isn’t about "
"Sharing at All,” authors Giana Eckhardt and Fleura Bardhi explained how the "
"anonymous market-driven trans-actions in most sharing-economy businesses are "
-"purely about monetizing access.63 As Lisa Gansky put it in her book The "
-"Mesh, the primary strategy of the sharing economy is to sell the same "
-"product multiple times, by selling access rather than ownership.64 That is "
-"not sharing."
+"purely about monetizing access.<placeholder type=\"footnote\" id=\"0\"/> As "
+"Lisa Gansky put it in her book The Mesh, the primary strategy of the sharing "
+"economy is to sell the same product multiple times, by selling access rather "
+"than ownership.<placeholder type=\"footnote\" id=\"1\"/> That is not sharing."
msgstr ""
"Tradisjonell markedsvisdom tilsier at folk bør prøve å trekke ut så mye "
"penger som mulig fra ressursene. Dette er egentlig hva som definerer mye av "
"den såkalte delingsøkonomien. I en artikkel på nettsiden til Harvard "
-"Business Review, kalt “The Sharing Economy Isn’t about Sharing at All,” "
+"Business Review, kalt «The Sharing Economy Isn’t about Sharing at All», "
"forklarte forfatterne Giana Eckhardt og Fleura Bardhi hvordan anonyme "
"markedsdrevne transaksjoner i de fleste delingsøkonomibedrifter bare er "
-"myntet på å tjene penger.63 Som Lisa Gansky førte det i pennen i sin bok The "
-"Mesh, er delingsøkonomiens primære strategi å selge det samme produktet "
-"flere ganger ved å selge adgang i stedet for eie.64 Det er ikke deling."
+"myntet på å tjene penger.63) Som Lisa Gansky førte det i pennen i sin bok "
+"The Mesh, er delingsøkonomiens primære strategi å selge det samme produktet "
+"flere ganger ved å selge adgang i stedet for eie.64) Det er ikke deling."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2951
+msgid ""
+"David Lee, “Inside Medium: An Attempt to Bring Civility to the Internet,” "
+"BBC News, March 3, 2016, <ulink url=\"http://www.bbc.com/news/"
+"technology-35709680\"/>."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2199
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2941
+#, fuzzy
+#| msgid ""
+#| "Sharing requires adding as much or more value to the ecosystem than you "
+#| "take. You can’t simply treat open content as a free pool of resources "
+#| "from which to extract value. Part of giving back to the ecosystem is "
+#| "contributing content back to the public under CC licenses. But it doesn’t "
+#| "have to just be about creating content; it can be about adding value in "
+#| "other ways. The social blogging platform Medium provides value to its "
+#| "community by incentivizing good behavior, and the result is an online "
+#| "space with remarkably high-quality user-generated content and limited "
+#| "trolling.65 Opendesk contributes to its community by committing to help "
+#| "its designers make money, in part by actively curating and displaying "
+#| "their work on its platform effectively."
msgid ""
"Sharing requires adding as much or more value to the ecosystem than you "
"take. You can’t simply treat open content as a free pool of resources from "
"which to extract value. Part of giving back to the ecosystem is contributing "
"content back to the public under CC licenses. But it doesn’t have to just be "
-"about creating content; it can be about adding value in other ways. The "
+"about creating content; it can be about adding value in other ways. The "
"social blogging platform Medium provides value to its community by "
"incentivizing good behavior, and the result is an online space with "
-"remarkably high-quality user-generated content and limited trolling.65 "
-"Opendesk contributes to its community by committing to help its designers "
-"make money, in part by actively curating and displaying their work on its "
-"platform effectively."
+"remarkably high-quality user-generated content and limited trolling."
+"<placeholder type=\"footnote\" id=\"0\"/> Opendesk contributes to its "
+"community by committing to help its designers make money, in part by "
+"actively curating and displaying their work on its platform effectively."
msgstr ""
"Deling krever å legge til lik mengde verdi eller mer i økosystemet enn du "
"tar ut. Du kan ikke bare behandle åpent innhold som en gratis ansamling "
"verdien på andre måter. Den sosiale bloggingsplattformen Medium utgjør verdi "
"for sitt fellesskap ved å fremme god oppførsel, resultatet er et nettsted "
"med bemerkelsesverdig brukergenerert innhold av høy kvalitet, og begrenset "
-"forsøpling.65 Opendesk bidrar til sine fellesskap ved å hjelpe sine "
+"forsøpling.65) Opendesk bidrar til sine fellesskap ved å hjelpe sine "
"designere å tjene penger, delvis ved å organisere og effektivt vise arbeidet "
"deres på sin plattform."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2207
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2960
msgid ""
"In all cases, it is important to openly acknowledge the amount of value you "
"add versus that which you draw on that was created by others. Being "
"med, og gir mer til bidragsytere når verdien de bidrar med er større verdien "
"du leverer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2209
-msgid "#### Involve people in what you do"
-msgstr "#### Involver folk i det du gjør"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2971
+msgid "Involve people in what you do"
+msgstr "Involver folk i det du gjør"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2976
+msgid "Anderson, Makers, 148."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2980
+msgid "Shirky, Cognitive Surplus, 164."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2987
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3051
+msgid "Whitehurst, foreword to Open Organization."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2221
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2973
+#, fuzzy
+#| msgid ""
+#| "Thanks to the Internet, we can tap into the talents and expertise of "
+#| "people around the globe. Chris Anderson calls it the Long Tail of "
+#| "talent.66 But to make collaboration work, the group has to be effective "
+#| "at what it is doing, and the people within the group have to find "
+#| "satisfaction from being involved.67 This is easier to facilitate for some "
+#| "types of creative work than it is for others. Groups tied together online "
+#| "collaborate best when people can work independently and asynchronously, "
+#| "and particularly for larger groups with loose ties, when contributors can "
+#| "make simple improvements without a particularly heavy time commitment.68"
msgid ""
"Thanks to the Internet, we can tap into the talents and expertise of people "
-"around the globe. Chris Anderson calls it the Long Tail of talent.66 But to "
-"make collaboration work, the group has to be effective at what it is doing, "
-"and the people within the group have to find satisfaction from being "
-"involved.67 This is easier to facilitate for some types of creative work "
-"than it is for others. Groups tied together online collaborate best when "
-"people can work independently and asynchronously, and particularly for "
-"larger groups with loose ties, when contributors can make simple "
-"improvements without a particularly heavy time commitment.68"
+"around the globe. Chris Anderson calls it the Long Tail of talent."
+"<placeholder type=\"footnote\" id=\"0\"/> But to make collaboration work, "
+"the group has to be effective at what it is doing, and the people within the "
+"group have to find satisfaction from being involved.<placeholder type="
+"\"footnote\" id=\"1\"/> This is easier to facilitate for some types of "
+"creative work than it is for others. Groups tied together online collaborate "
+"best when people can work independently and asynchronously, and particularly "
+"for larger groups with loose ties, when contributors can make simple "
+"improvements without a particularly heavy time commitment.<placeholder type="
+"\"footnote\" id=\"2\"/>"
msgstr ""
"Takket være Internett, kan vi utnytte talentene og ekspertisen til folk over "
-"hele verden. Chris Anderson kaller det \"en lang hale\" av talent.66 Men for "
+"hele verden. Chris Anderson kaller det «en lang hale» av talent.66) Men for "
"å få samarbeid til å virke, må gruppen være effektiv i hva den gjør, og folk "
-"i gruppen må finne tilfredshet i å være involvert.67 Dette er enklere å få "
+"i gruppen må finne tilfredshet i å være involvert.67) Dette er enklere å få "
"til for noen typer kreative oppgaver enn andre. Grupper som er knyttet "
"sammen på nettet samarbeider best når folk kan arbeide uavhengig og "
"asynkront, og særlig i større grupper med løselig knyttede bånd, der "
-"bidragsytere kan gjøre enkle forbedringer uten å beslaglegge mye tid.68"
+"bidragsytere kan gjøre enkle forbedringer uten å beslaglegge mye tid.68)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3000
+msgid "Shirky, Cognitive Surplus, 144."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2230
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2991
+#, fuzzy
+#| msgid ""
+#| "As the success of Wikipedia demonstrates, editing an online encyclopedia "
+#| "is exactly the sort of activity that is perfect for massive co-creation "
+#| "because small, incremental edits made by a diverse range of people acting "
+#| "on their own are immensely valuable in the aggregate. Those same sorts of "
+#| "small contributions would be less useful for many other types of creative "
+#| "work, and people are inherently less motivated to contribute when it "
+#| "doesn’t appear that their efforts will make much of a difference.69"
msgid ""
"As the success of Wikipedia demonstrates, editing an online encyclopedia is "
"exactly the sort of activity that is perfect for massive co-creation because "
"own are immensely valuable in the aggregate. Those same sorts of small "
"contributions would be less useful for many other types of creative work, "
"and people are inherently less motivated to contribute when it doesn’t "
-"appear that their efforts will make much of a difference.69"
+"appear that their efforts will make much of a difference.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Suksessen til Wikipedia viser, å redigere et leksikon på nettet er akkurat "
"typen aktivitet som er perfekt for massivt samarbeid fordi små, trinnvise "
"redigeringer laget av en broket forsamling av folk som handler på egen hånd, "
"er svært verdifullt i sum. Samme slags små bidrag vil være mindre nyttig for "
"mange andre typer skapende arbeid, og folk iboende er mindre motivert til å "
-"bidra, når det ikke vises at deres innsats utgjør noen særlig forskjell.69"
+"bidra, når det ikke vises at deres innsats utgjør noen særlig forskjell.69)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3012
+#, fuzzy
+#| msgid "Ibid., 15."
+msgid "Ibid., 154."
+msgstr "Ibid., 15."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2247
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3024
+msgid "Palmer, Art of Asking, 163."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3004
+#, fuzzy
+#| msgid ""
+#| "It is easy to romanticize the opportunities for global cocreation made "
+#| "possible by the Internet, and, indeed, the successful examples of it are "
+#| "truly incredible and inspiring. But in a wide range of circumstances—"
+#| "perhaps more often than not—community cocreation is not part of the "
+#| "equation, even within endeavors built on CC content. Shirky wrote, "
+#| "“Sometimes the value of professional work trumps the value of amateur "
+#| "sharing or a feeling of belonging.70 The textbook publisher OpenStax, "
+#| "which distributes all of its material for free under CC licensing, is an "
+#| "example of this dynamic. Rather than tapping the community to help "
+#| "cocreate their college textbooks, they invest a significant amount of "
+#| "time and money to develop professional content. For individual creators, "
+#| "where the creative work is the basis for what they do, community "
+#| "cocreation is only rarely a part of the picture. Even musician Amanda "
+#| "Palmer, who is famous for her openness and involvement with her fans, "
+#| "said, “The only department where I wasn’t open to input was the writing, "
+#| "the music itself.”71"
msgid ""
"It is easy to romanticize the opportunities for global cocreation made "
"possible by the Internet, and, indeed, the successful examples of it are "
-"truly incredible and inspiring. But in a wide range of circumstances—perhaps "
-"more often than not—community cocreation is not part of the equation, even "
-"within endeavors built on CC content. Shirky wrote, “Sometimes the value of "
-"professional work trumps the value of amateur sharing or a feeling of "
-"belonging.70 The textbook publisher OpenStax, which distributes all of its "
-"material for free under CC licensing, is an example of this dynamic. Rather "
-"than tapping the community to help cocreate their college textbooks, they "
-"invest a significant amount of time and money to develop professional "
-"content. For individual creators, where the creative work is the basis for "
-"what they do, community cocreation is only rarely a part of the picture. "
-"Even musician Amanda Palmer, who is famous for her openness and involvement "
-"with her fans, said, “The only department where I wasn’t open to input was "
-"the writing, the music itself.”71"
+"truly incredible and inspiring. But in a wide range of circumstances—"
+"perhaps more often than not—community cocreation is not part of the "
+"equation, even within endeavors built on CC content. Shirky wrote, "
+"“Sometimes the value of professional work trumps the value of amateur "
+"sharing or a feeling of belonging.<placeholder type=\"footnote\" id=\"0\"/> "
+"The textbook publisher OpenStax, which distributes all of its material for "
+"free under CC licensing, is an example of this dynamic. Rather than tapping "
+"the community to help cocreate their college textbooks, they invest a "
+"significant amount of time and money to develop professional content. For "
+"individual creators, where the creative work is the basis for what they do, "
+"community cocreation is only rarely a part of the picture. Even musician "
+"Amanda Palmer, who is famous for her openness and involvement with her fans, "
+"said, “The only department where I wasn’t open to input was the writing, the "
+"music itself.”<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Det er lett å romantisere mulighetene for en global samlet innsats gjort "
"mulig gjennom Internett, og faktisk, de vellykkede eksemplene på det er "
"virkelig utrolige og inspirerende. Men i en rekke tilfeller, kanskje oftere "
-"enn ikke - allmenneier basert på samlet innsats inngår ikke i ligningen, "
-"selv med innsats bygget på CC-innhold. Shirky skrev, \"Noen ganger trumfer "
+"enn ikke – allmenneier basert på samlet innsats inngår ikke i ligningen, "
+"selv med innsats bygget på CC-innhold. Shirky skrev, «Noen ganger trumfer "
"verdien av profesjonelt arbeid amatørdeling eller en følelse av "
-"tilhørighet.70 Lærebokutgiveren OpenStax, som distribuerer alt sitt "
+"tilhørighet.70) Lærebokutgiveren OpenStax, som distribuerer alt sitt "
"materiale gratis med CC-lisensiering, er et eksempel på denne dynamikken. I "
"stedet for å tappe fellesskapet for samlede bidrag til sine college-"
"lærebøker, investerer de en betydelig mengde tid og penger på å utvikle "
"faglig innhold. For individuelle innholdsleverandører, der det kreative "
"arbeidet er grunnlaget for hva de gjør, er samlede innsatser kun sjeldent "
"sett en del av bildet. Selv musikeren Amanda Palmer, kjent for sin åpenhet "
-"og gode forhold til fansen, sa, \"Det eneste område der jeg var ikke var "
-"åpen for innspill var i skrivingen, musikken i seg selv.\" 71"
+"og gode forhold til fansen, sa, «Det eneste området der jeg ikke var åpen "
+"for innspill var i skrivingen, musikken i seg selv». 71)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3035
+msgid "Anderson, Makers, 173."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3042
+msgid ""
+"Tom Kelley and David Kelley, Creative Confidence: Unleashing the Potential "
+"within Us All (New York: Crown, 2013), 82."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2258
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3028
+#, fuzzy
+#| msgid ""
+#| "While we tend to immediately think of cocreation and remixing when we "
+#| "hear the word collaboration, you can also involve others in your creative "
+#| "process in more informal ways, by sharing half-baked ideas and early "
+#| "drafts, and interacting with the public to incubate ideas and get "
+#| "feedback. So-called “making in public” opens the door to letting people "
+#| "feel more invested in your creative work.72 And it shows a nonterritorial "
+#| "approach to ideas and information. Stephen Covey (of The 7 Habits of "
+#| "Highly Effective People fame) calls this the abundance mentality—treating "
+#| "ideas like something plentiful—and it can create an environment where "
+#| "collaboration flourishes.73"
msgid ""
"While we tend to immediately think of cocreation and remixing when we hear "
"the word collaboration, you can also involve others in your creative process "
"in more informal ways, by sharing half-baked ideas and early drafts, and "
"interacting with the public to incubate ideas and get feedback. So-called "
"“making in public” opens the door to letting people feel more invested in "
-"your creative work.72 And it shows a nonterritorial approach to ideas and "
-"information. Stephen Covey (of The 7 Habits of Highly Effective People fame) "
-"calls this the abundance mentality—treating ideas like something plentiful—"
-"and it can create an environment where collaboration flourishes.73"
+"your creative work.<placeholder type=\"footnote\" id=\"0\"/> And it shows a "
+"nonterritorial approach to ideas and information. Stephen Covey (of The 7 "
+"Habits of Highly Effective People fame) calls this the abundance mentality—"
+"treating ideas like something plentiful—and it can create an environment "
+"where collaboration flourishes.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Mens tankene umiddelbart rettes mot samlet innsats og remiksing når vi hører "
"ordet samarbeid, kan du også involvere andre i kreative prosesser på mer "
"uformelle måter, ved å dele halvferdige ideer og tidlige utkast, og "
"samhandling med publikum i det å ruge ut ideer og få tilbakemeldinger. "
-"Såkalt \"offentlighetslaging\" åpner døren for å la folk føle seg mer "
-"involvert i ditt kreative arbeid.72 Og det viser en ikke-territoriell "
+"Såkalt «offentlighetslaging» åpner døren for å la folk føle seg mer "
+"involvert i ditt kreative arbeid.72) Og det viser en ikke-territoriell "
"tilnærming til ideer og informasjon. Stephen Covey (i The 7 Habits of Highly "
-"Effective People fame) kaller dette overflods- mentalitet - å behandle ideer "
-"som noe rikelig, og det kan skape et miljø der samarbeid blomstrer.73"
+"Effective People fame) kaller dette overflodsmentalitet – å behandle ideer "
+"som noe rikelig, og det kan skape et miljø der samarbeid blomstrer.73)"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3059
+msgid ""
+"Rachel Botsman and Roo Rogers, What’s Mine Is Yours: The Rise of "
+"Collaborative Consumption (New York: Harper Business, 2010), 188."
+msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2267
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3048
+#, fuzzy
+#| msgid ""
+#| "There is no one way to involve people in what you do. They key is finding "
+#| "a way for people to contribute on their terms, compelled by their own "
+#| "motivations.74 What that looks like varies wildly depending on the "
+#| "project. Not every endeavor that is Made with Creative Commons can be "
+#| "Wikipedia, but every endeavor can find ways to invite the public into "
+#| "what they do. The goal for any form of collaboration is to move away from "
+#| "thinking of consumers as passive recipients of your content and "
+#| "transition them into active participants.75"
msgid ""
"There is no one way to involve people in what you do. They key is finding a "
"way for people to contribute on their terms, compelled by their own "
-"motivations.74 What that looks like varies wildly depending on the project. "
-"Not every endeavor that is Made with Creative Commons can be Wikipedia, but "
-"every endeavor can find ways to invite the public into what they do. The "
-"goal for any form of collaboration is to move away from thinking of "
-"consumers as passive recipients of your content and transition them into "
-"active participants.75"
-msgstr ""
-"Det er ikke bare en måte å involvere folk i hva du gjør. De sentrale er å "
+"motivations.<placeholder type=\"footnote\" id=\"0\"/> What that looks like "
+"varies wildly depending on the project. Not every endeavor that is Made with "
+"Creative Commons can be Wikipedia, but every endeavor can find ways to "
+"invite the public into what they do. The goal for any form of collaboration "
+"is to move away from thinking of consumers as passive recipients of your "
+"content and transition them into active participants.<placeholder type="
+"\"footnote\" id=\"1\"/>"
+msgstr ""
+"Det er ikke bare en måte å involvere folk i hva du gjør. Det sentrale er å "
"finne en måte for folk å bidra på deres betingelser, nødet av sin egen "
-"motivasjon.74 Hvordan det arter seg varierer vidt, avhengig av prosjektet. "
+"motivasjon.74) Hvordan det arter seg, varierer vidt, avhengig av prosjektet. "
"Ikke alle tiltak laget med Creative Commons kan være Wikipedia, men enhver "
"oppgave kan finne måter å invitere publikum med på hva som gjøres. Målet for "
"alle former for samarbeid er å bevege seg bort fra å tenke på forbrukere som "
-"passive mottakere av innholdet ditt, og ta imot deres aktive deltagelse.75"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, NJ: "
-"John Wiley and Sons, 2010), 14. A preview of the book is available at "
-"strategyzer.com/books/business-model-generation."
-msgstr ""
-"Alex Osterwalder og Yves Pigneur, Business Model Generation (Hoboken, NJ: "
-"John Wiley and Sons, 2010), 14. En forhåndsvisning av boken er tilgjengelig "
-"på strategyzer.com/books/business-model-generation."
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
-"Age (San Francisco, CA: McSweeney’s, 2014) 68."
-msgstr ""
-"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
-"Age (San Francisco, CA: McSweeney’s, 2014) 68."
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid "Ibid., 55."
-msgstr "Ibid., 55."
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
-"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
-"224."
-msgstr ""
-"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
-"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
-"224."
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
-msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
-
-#. type: Bullet: '6. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-#, fuzzy
-msgid ""
-"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
-"People Help (New York: Grand Central, 2014), 121."
-msgstr ""
-"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
-"People Help (New York: Grand Central, 2014), 121."
-
-#. type: Bullet: '7. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-#, fuzzy
-msgid ""
-"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
-"2012), 64."
-msgstr ""
-"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
-"2012), 64."
+"passive mottakere av innholdet ditt, og ta imot deres aktive deltagelse.75)"
-#. type: Bullet: '8. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-#, fuzzy
-msgid ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 70."
-msgstr ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 70."
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3068
+msgid "The Creative Commons Licenses"
+msgstr "Creative Commons-lisensene"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-#, no-wrap
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3070
msgid ""
-"9. Anderson, Makers, 66.\n"
-"10. Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy\n"
-" (New York: Morgan James, 2016), 10.\n"
-"11. Anderson, Free, 62.\n"
-"12. Doctorow, Information Doesn’t Want to Be Free, 38.\n"
-"13. Bollier, Think Like a Commoner, 68.\n"
-"14. Anderson, Free, 86.\n"
-"15. Doctorow, Information Doesn’t Want to Be Free, 144.\n"
-"16. Anderson, Free, 123.\n"
-"17. Ibid., 132.\n"
-"18. Ibid., 70.\n"
-"19. James Surowiecki, The Wisdom of Crowds (New York: Anchor Books,\n"
-" 2005), 124. Surowiecki says, “The measure of success of laws and\n"
-" contracts is how rarely they are invoked.”\n"
-"20. Anderson, Free, 44.\n"
-"21. Osterwalder and Pigneur, Business Model Generation, 23.\n"
-"22. Anderson, Free, 67.\n"
-"23. Ibid., 58.\n"
-"24. Anderson, Makers, 71.\n"
-"25. Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into\n"
-" Collaborators (London: Penguin Books, 2010), 78.\n"
-"26. Ibid., 21.\n"
-"27. Doctorow, Information Doesn’t Want to Be Free, 43.\n"
-"28. William Landes Foster, Peter Kim, and Barbara Christiansen, “Ten\n"
-" Nonprofit Funding Models,” Stanford Social Innovation Review, Spring\n"
-" 2009, ssir.org/articles/entry/ten\\_nonprofit\\_funding\\_models.\n"
-"29. Shirky, Cognitive Surplus, 111.\n"
-"30. Osterwalder and Pigneur, Business Model Generation, 30.\n"
-"31. Jim Whitehurst, The Open Organization: Igniting Passion and\n"
-" Performance (Boston: Harvard Business Review Press, 2015), 202.\n"
-"32. Anderson, Free, 71.\n"
-"33. Ibid., 231.\n"
-"34. Ibid., 97.\n"
-"35. Anderson, Makers, 107.\n"
-"36. Osterwalder and Pigneur, Business Model Generation, 89.\n"
-"37. Ibid., 92.\n"
-"38. Anderson, Free, 142.\n"
-"39. Osterwalder and Pigneur, Business Model Generation, 32.\n"
-"40. Bollier, Think Like a Commoner, 150.\n"
-"41. Ibid., 134.\n"
-"42. Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our\n"
-" Decisions, rev. ed. (New York: Harper Perennial, 2010), 109.\n"
-"43. Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and\n"
-" Get Discovered (New York: Workman, 2014), 93.\n"
-"44. Kramer, Shareology, 76.\n"
-"45. Palmer, Art of Asking, 252.\n"
-"46. Whitehurst, Open Organization, 145.\n"
-"47. Surowiecki, Wisdom of Crowds, 203.\n"
-"48. Whitehurst, Open Organization, 80.\n"
-"49. Bollier, Think Like a Commoner, 25.\n"
-"50. Ibid., 31.\n"
-"51. Shirky, Cognitive Surplus, 112.\n"
-"52. Surowiecki, Wisdom of Crowds, 124.\n"
-"53. Kleon, Show Your Work, 127.\n"
-"54. Palmer, Art of Asking, 121.\n"
-"55. Ariely, Predictably Irrational, 87.\n"
-"56. Ibid., 105.\n"
-"57. Ibid., 36.\n"
-"58. Jono Bacon, The Art of Community, 2nd ed. (Sebastopol, CA: O’Reilly\n"
-" Media, 2012), 36.\n"
-"59. Palmer, Art of Asking, 98.\n"
-"60. Whitehurst, Open Organization, 34.\n"
-"61. Surowiecki, Wisdom of Crowds, 200.\n"
-"62. Bollier, Think Like a Commoner, 29.\n"
-"63. Giana Eckhardt and Fleura Bardhi, “The Sharing Economy Isn’t about\n"
-" Sharing at All,” Harvard Business Review (website), January 28,\n"
-" 2015, hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all.\n"
-"64. Lisa Gansky, The Mesh: Why the Future of Business Is Sharing,\n"
-" reprint with new epilogue (New York: Portfolio, 2012).\n"
-"65. David Lee, “Inside Medium: An Attempt to Bring Civility to the\n"
-" Internet,” BBC News, March 3, 2016,\n"
-" www.bbc.com/news/technology-35709680.\n"
-"66. Anderson, Makers, 148.\n"
-"67. Shirky, Cognitive Surplus, 164.\n"
-"68. Whitehurst, foreword to Open Organization.\n"
-"69. Shirky, Cognitive Surplus, 144.\n"
-"70. Ibid., 154.\n"
-"71. Palmer, Art of Asking, 163.\n"
-"72. Anderson, Makers, 173.\n"
-"73. Tom Kelley and David Kelley, Creative Confidence: Unleashing the\n"
-" Potential within Us All (New York: Crown, 2013), 82.\n"
-"74. Whitehurst, foreword to Open Organization.\n"
-"75. Rachel Botsman and Roo Rogers, What’s Mine Is Yours: The Rise of\n"
-" Collaborative Consumption (New York: Harper Business, 2010), 188.\n"
-msgstr ""
-"9. Anderson, Makers, 66.\n"
-"10. Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy\n"
-" (New York: Morgan James, 2016), 10.\n"
-"11. Anderson, Free, 62.\n"
-"12. Doctorow, Information Doesn’t Want to Be Free, 38.\n"
-"13. Bollier, Think Like a Commoner, 68.\n"
-"14. Anderson, Free, 86.\n"
-"15. Doctorow, Information Doesn’t Want to Be Free, 144.\n"
-"16. Anderson, Free, 123.\n"
-"17. Ibid., 132.\n"
-"18. Ibid., 70.\n"
-"19. James Surowiecki, The Wisdom of Crowds (New York: Anchor Books,\n"
-" 2005), 124. Surowiecki says, “The measure of success of laws and\n"
-" contracts is how rarely they are invoked.”\n"
-"20. Anderson, Free, 44.\n"
-"21. Osterwalder and Pigneur, Business Model Generation, 23.\n"
-"22. Anderson, Free, 67.\n"
-"23. Ibid., 58.\n"
-"24. Anderson, Makers, 71.\n"
-"25. Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into\n"
-" Collaborators (London: Penguin Books, 2010), 78.\n"
-"26. Ibid., 21.\n"
-"27. Doctorow, Information Doesn’t Want to Be Free, 43.\n"
-"28. William Landes Foster, Peter Kim, and Barbara Christiansen, “Ten\n"
-" Nonprofit Funding Models,” Stanford Social Innovation Review, Spring\n"
-" 2009, ssir.org/articles/entry/ten\\_nonprofit\\_funding\\_models.\n"
-"29. Shirky, Cognitive Surplus, 111.\n"
-"30. Osterwalder and Pigneur, Business Model Generation, 30.\n"
-"31. Jim Whitehurst, The Open Organization: Igniting Passion and\n"
-" Performance (Boston: Harvard Business Review Press, 2015), 202.\n"
-"32. Anderson, Free, 71.\n"
-"33. Ibid., 231.\n"
-"34. Ibid., 97.\n"
-"35. Anderson, Makers, 107.\n"
-"36. Osterwalder and Pigneur, Business Model Generation, 89.\n"
-"37. Ibid., 92.\n"
-"38. Anderson, Free, 142.\n"
-"39. Osterwalder and Pigneur, Business Model Generation, 32.\n"
-"40. Bollier, Think Like a Commoner, 150.\n"
-"41. Ibid., 134.\n"
-"42. Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our\n"
-" Decisions, rev. ed. (New York: Harper Perennial, 2010), 109.\n"
-"43. Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and\n"
-" Get Discovered (New York: Workman, 2014), 93.\n"
-"44. Kramer, Shareology, 76.\n"
-"45. Palmer, Art of Asking, 252.\n"
-"46. Whitehurst, Open Organization, 145.\n"
-"47. Surowiecki, Wisdom of Crowds, 203.\n"
-"48. Whitehurst, Open Organization, 80.\n"
-"49. Bollier, Think Like a Commoner, 25.\n"
-"50. Ibid., 31.\n"
-"51. Shirky, Cognitive Surplus, 112.\n"
-"52. Surowiecki, Wisdom of Crowds, 124.\n"
-"53. Kleon, Show Your Work, 127.\n"
-"54. Palmer, Art of Asking, 121.\n"
-"55. Ariely, Predictably Irrational, 87.\n"
-"56. Ibid., 105.\n"
-"57. Ibid., 36.\n"
-"58. Jono Bacon, The Art of Community, 2nd ed. (Sebastopol, CA: O’Reilly\n"
-" Media, 2012), 36.\n"
-"59. Palmer, Art of Asking, 98.\n"
-"60. Whitehurst, Open Organization, 34.\n"
-"61. Surowiecki, Wisdom of Crowds, 200.\n"
-"62. Bollier, Think Like a Commoner, 29.\n"
-"63. Giana Eckhardt and Fleura Bardhi, “The Sharing Economy Isn’t about\n"
-" Sharing at All,” Harvard Business Review (website), January 28,\n"
-" 2015, hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all.\n"
-"64. Lisa Gansky, The Mesh: Why the Future of Business Is Sharing,\n"
-" reprint with new epilogue (New York: Portfolio, 2012).\n"
-"65. David Lee, “Inside Medium: An Attempt to Bring Civility to the\n"
-" Internet,” BBC News, March 3, 2016,\n"
-" www.bbc.com/news/technology-35709680.\n"
-"66. Anderson, Makers, 148.\n"
-"67. Shirky, Cognitive Surplus, 164.\n"
-"68. Whitehurst, foreword to Open Organization.\n"
-"69. Shirky, Cognitive Surplus, 144.\n"
-"70. Ibid., 154.\n"
-"71. Palmer, Art of Asking, 163.\n"
-"72. Anderson, Makers, 173.\n"
-"73. Tom Kelley and David Kelley, Creative Confidence: Unleashing the\n"
-" Potential within Us All (New York: Crown, 2013), 82.\n"
-"74. Whitehurst, foreword to Open Organization.\n"
-"75. Rachel Botsman and Roo Rogers, What’s Mine Is Yours: The Rise of\n"
-" Collaborative Consumption (New York: Harper Business, 2010), 188.\n"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2372
-msgid "## The Creative Commons Licenses"
-msgstr "## Creative Commons-lisensene"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2385
-msgid ""
-"All of the Creative Commons licenses grant a basic set of permissions. At a "
+"All of the Creative Commons licenses grant a basic set of permissions. At a "
"minimum, a CC- licensed work can be copied and shared in its original form "
-"for noncommercial purposes so long as attribution is given to the creator. "
+"for noncommercial purposes so long as attribution is given to the creator. "
"There are six licenses in the CC license suite that build on that basic set "
"of permissions, ranging from the most restrictive (allowing only those basic "
-"permissions to share unmodified copies for noncommercial purposes) to the "
+"permissions to share unmodified copies for noncommercial purposes) to the "
"most permissive (reusers can do anything they want with the work, even for "
"commercial purposes, as long as they give the creator credit). The licenses "
"are built on copyright and do not cover other types of rights that creators "
"minstemål kan et CC-lisensiert arbeid kopieres og deles i opprinnelig form "
"for ikke-kommersielle formål, så lenge henvisning er gitt til den som har "
"levert innholdet. Det er seks lisenser i CC sine lisenspakker som bygger på "
-"det grunnleggende settet med tillatelser, alt fra de mest romslige ("
-"tillatelse av kun grunnleggende tillgang til å deling av uforandrede kopier "
-"for ikke-kommersielle formål) til den mest romslige (gjenbrukere kan gjøre "
-"hva de vil med arbeidet, til og med for kommersielle formål, så lenge de "
-"krediterer opphavsmannen). Lisensene er bygget på opphavsrett, og dekker "
+"det grunnleggende settet med tillatelser, alt fra de mest restriktive "
+"(tillatelse av kun grunnleggende tilgang til å dele uforandrede kopier for "
+"ikke-kommersielle formål) til den mest romslige (gjenbrukere kan gjøre hva "
+"de vil med arbeidet, til og med for kommersielle formål, så lenge de "
+"krediterer opphavspersonen). Lisensene er bygget på opphavsrett, og dekker "
"ikke andre typer rettigheter bidragsytere kan ha til sine arbeider, som "
"patenter eller varemerker."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2387
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3084
msgid "Here are the six licenses:"
msgstr "Her er de seks lisensene:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2390
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3088
msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008D83BF99FC0821C489.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008D83BF99FC0821C489.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2396
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3097
msgid ""
"The Attribution license (CC BY) lets others distribute, remix, tweak, and "
"build upon your work, even commercially, as long as they credit you for the "
"original creation. This is the most accommodating of licenses offered. "
"Recommended for maximum dissemination and use of licensed materials."
msgstr ""
-"Attribusjons-lisensen (CC BY) lar andre distribuere, remikse, justere og "
+"Attribusjonslisensen (CC BY) lar andre distribuere, remikse, justere og "
"bygge videre på ditt arbeid, også kommersielt, så lenge de krediterer deg "
"for det opprinnelige arbeidet. Dette er den mest imøtekommende lisensen som "
"tilbys. Anbefalt for maksimal spredning og bruk av lisensiert materiale."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2399
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3105
msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008DFD3592CB17C4EC38.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008DFD3592CB17C4EC38.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2406
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3114
msgid ""
"The Attribution-Share-Alike license (CC BY-SA) lets others remix, tweak, and "
"build upon your work, even for commercial purposes, as long as they credit "
"works based on yours will carry the same license, so any derivatives will "
"also allow commercial use."
msgstr ""
-"Med Attribution-Share-Alike lisensen (CC BY-SA) kan andre remikse, "
+"Med Attribution-Share-Alike-lisensen (CC BY-SA) kan andre remikse, "
"finjustere og bygge videre på ditt arbeid, selv til kommersielle formål, så "
-"lenge de krediterer deg og lisensierer sine nye\n"
-"bidrag på samme vilkår. Denne lisensen er ofte sammenlignet med \"copyleft\"-"
-"programvarelisenser med gratis og åpen kildekode GNU(GPL). Alle nye arbeider "
-"basert på ditt vil ha den samme lisensen, så alle derivater kan også tillate "
-"kommersielt bruk."
+"lenge de krediterer deg og lisensierer sine nye bidrag på samme vilkår. "
+"Denne lisensen er ofte sammenlignet med «copyleft»-programvarelisenser med "
+"gratis og åpen kildekode GNU(GPL). Alle nye arbeider basert på ditt vil ha "
+"den samme lisensen, så alle derivater kan også tillate kommersielt bruk."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2409
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3124
msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008D254882DE24793FEA.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008D254882DE24793FEA.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2413
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3133
msgid ""
"The Attribution-NoDerivs license (CC BY-ND) allows for redistribution, "
"commercial and noncommercial, as long as it is passed along unchanged with "
"kommersielt og ikke-kommersielt, så lenge arbeidet leveres videre uendret og "
"kreditert deg."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2416
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3139
msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008DCAF78FB61D1CBDA6.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008DCAF78FB61D1CBDA6.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2421
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3148
msgid ""
"The Attribution-NonCommercial license (CC BY-NC) lets others remix, tweak, "
"and build upon your work noncommercially. Although their new works must also "
"også må anerkjenne deg, trenger de ikke å lisensiere sine avledede arbeider "
"på samme vilkår."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2424
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3155
msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008D16DA603376395620.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008D16DA603376395620.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2428
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3164
msgid ""
-"The Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA) lets others "
+"The Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA) lets others "
"remix, tweak, and build upon your work noncommercially, as long as they "
"credit you and license their new creations under the same terms."
msgstr ""
"Attribution-NonCommercial-ShareAlike-lisensen (CC BY-NC-SA) lar andre "
"remikse, finjustere og bygge på arbeidet ditt ikke-kommersielt, så lenge de "
-"krediterer deg og lisensiere sine nye arbeider med samme vilkår."
+"krediterer deg, og lisensierer sine nye arbeider på samme vilkår."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2431
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3171
msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008DC3FEF92B21310965.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001930000008DC3FEF92B21310965.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2436
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3180
msgid ""
"The Attribution-NonCommercial-NoDerivs license (CC BY-NC-ND) is the most "
"restrictive of our six main licenses, only allowing others to download your "
msgstr ""
"Attribution-NonCommercial-NoDerivs-lisensen (CC BY-NC-ND) er den mest "
"restriktive av våre seks viktigste lisenser, og tillater bare andre å laste "
-"ned dine verk og dele dem med andre så lenge de krediterer deg, men de kan "
+"ned dine verk, og dele dem med andre så lenge de krediterer deg, men de kan "
"ikke endre dem eller bruke dem kommersielt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2441
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3187
msgid ""
"In addition to these six licenses, Creative Commons has two public-domain "
"tools—one for creators and the other for those who manage collections of "
"existing works by authors whose terms of copyright have expired:"
msgstr ""
-"I tillegg til disse seks lisenser, jar Creative Commons to offentlige "
-"verktøy - en for innholdsleverandører og den andre for dem som håndterer "
+"I tillegg til disse seks lisenser, har Creative Commons to offentlige "
+"verktøy – en for innholdsleverandører og den andre for dem som håndterer "
"samlinger av eksisterende arbeider der opphavsrettighetene til bidragsyterne "
"har utløpt:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2444
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3194
msgid ""
-"{width=\"4.1665in"
-"\" height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001900000008DBE3414994CD27786.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.1665in\""
-" height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001900000008DBE3414994CD27786.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2447
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3203
msgid ""
"CC0 enables authors and copyright owners to dedicate their works to the "
"worldwide public domain (“no rights reserved”)."
msgstr ""
"CC0 gjør det mulig for innholdsleverandører og rettighetshavere å tilegne "
-"sine arbeider til det verdensomspennende offentlige domenet (\"ingen "
-"rettigheter reservert\")."
+"sine arbeider til det verdensomspennende offentlige domenet («ingen "
+"rettigheter reservert»)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2450
+#. type: Content of: <book><part><chapter><informalfigure><mediaobject>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3208
msgid ""
-"{width=\"4.1665in"
-"\" height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001900000008D36DCD649C5B1411F.png\" width=\"40.0%\"/> "
+"</imageobject>"
msgstr ""
-"{width=\"4.1665in\""
-" height=\"1.4689in\"}"
+"<imageobject> <imagedata fileref="
+"\"Pictures/10000201000001900000008D36DCD649C5B1411F.png\" width=\"40.0%\"/> "
+"</imageobject>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2454
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3217
msgid ""
"The Creative Commons Public Domain Mark facilitates the labeling and "
"discovery of works that are already free of known copyright restrictions."
msgstr ""
-"Creative Commons Public Domain Mark-et muliggjør merkingen og å oppdage av "
-"verk som allerede er fri for kjente opphavsretts-restriksjoner."
+"Creative Commons Public Domain Mark muliggjør merkingen, og å oppdage verk "
+"som allerede er fri for kjente opphavsrettsrestriksjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2463
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3222
msgid ""
"In our case studies, some use just one Creative Commons license, others use "
-"several. Attribution (found in thirteen case studies) and Attribution-"
+"several. Attribution (found in thirteen case studies) and Attribution-"
"ShareAlike (found in eight studies) were the most common, with the other "
"licenses coming up in four or so case studies, including the public-domain "
"tool CC0. Some of the organizations we profiled offer both digital content "
"and Creative Commons licenses for digital content, they amplify their "
"involvement with and commitment to sharing."
msgstr ""
-"I vår referanse-studier, bruker noen bare en Creative Commons-lisens, andre "
-"bruker flere. Attribution (funnet i tretten referanse-studier) og "
-"Attribution-ShareAlike (funnet i åtte studier) var de vanligste. De andre "
-"andre lisenser forekom i rundt fire referanse-studier, inkludert offentlig-"
-"domene-verktøyet CC0. Noen organisasjoner vi undersøkte tilbyr både digitalt "
-"innhold og programvare. Ved å bruke åpen-kildekode-lisenser for programvare-"
-"koden og Creative Commons-lisenser for digitalt innhold, forsterker de sitt "
-"engasjement og forpliktelse til å dele."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2475
+"I våre referansestudier bruker noen bare én Creative Commons-lisens, andre "
+"bruker flere. Attribution (funnet i tretten referansestudier) og Attribution-"
+"ShareAlike (funnet i åtte studier) var de vanligste. De andre lisenser "
+"forekom i rundt fire referansestudier, inkludert det offentlig-domene-"
+"verktøyet CC0. Noen organisasjoner vi undersøkte tilbyr både digitalt "
+"innhold og programvare. Ved å bruke åpen-kildekode-lisenser for "
+"programvarekoden og Creative Commons-lisenser for digitalt innhold, "
+"forsterker de sitt engasjement og forpliktelse til å dele."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3233
#, fuzzy
msgid ""
"There is a popular misconception that the three NonCommercial licenses "
"offered by CC are the only options for those who want to make money off "
"their work. As we hope this book makes clear, there are many ways to make "
-"endeavors that are Made with Creative Commons sustainable. Reserving "
+"endeavors that are Made with Creative Commons sustainable. Reserving "
"commercial rights is only one of those ways. It is certainly true that a "
"license that allows others to make commercial use of your work (CC BY, CC BY-"
"SA, and CC BY-ND) forecloses some traditional revenue streams. If you apply "
"på arbeidet sitt. Vi håper denne boka bringer på det rene at det er mange "
"måter å fremme bærekraftigheten i tiltak som er laget med Creative Commons. "
"Å reservere seg kommersielle rettigheter er bare én av de måtene. Det er "
-"sannelig sant at en lisens som tillater andre kommersiell bruk av ditt verk ("
-"CC BY, CC BY-SA, og CC BY-ND) forkaster noen tradisjonelle inntektsårer. "
+"sannelig sant at en lisens som tillater andre kommersiell bruk av ditt verk "
+"(CC BY, CC BY-SA, og CC BY-ND) forkaster noen tradisjonelle inntektsårer. "
"Hvis du legger til en nevnelse (CC BY) -lisens til din bok, kan du ikke "
"tvinge et filmselskap til å betale deg bruksgebyr hvis de gjør din bok til "
"en helaftens film, eller forhindre et annet selskap å selge fysiske kopier "
"av ditt verk."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2487
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3247
msgid ""
"The decision to choose a NonCommercial and/or NoDerivs license comes down to "
"how much you need to retain control over the creative work. The "
"portion of the exclusive bundle of rights that copyright grants to creators. "
"In some cases, reserving those rights is important to how you bring in "
"revenue. In other cases, creators use a NonCommercial or NoDerivs license "
-"because they can’t give up on the dream of hitting the creative jackpot. The "
-"music platform Tribe of Noise told us the NonCommercial licenses were "
+"because they can’t give up on the dream of hitting the creative jackpot. "
+"The music platform Tribe of Noise told us the NonCommercial licenses were "
"popular among their users because people still held out the dream of having "
"a major record label discover their work."
msgstr ""
-"Beslutningen om å velge en NonCommercial- og/eller NoDerivs-lisens "
-"resulterer i en vurdering av hvor mye du trenger å beholde kontrollen over "
-"det kreative arbeidet. NonCommercial- and NoDerivs-lisensene er måter å "
-"reservere en vesentlig del av det eksklusive knippet av rettigheter som "
-"opphavsrett sikrer innholdsleverandører. I noen tilfeller er å reservere "
-"disse rettighetene viktig for hvordan du bringer inn inntekter. I andre "
-"tilfeller, bruker innholdsleverandørene NonCommercial- and NoDerivs-"
-"lisensene fordi de ikke kan gi opp drømmen om å treffe den kreative "
-"storgevinsten. Musikkplattformen Tribe of Noise fortalte oss at "
-"NonCommercial-lisensene var populære blant brukere deres fordi de fortsatt "
-"holdt på drømmen om at et større plateselskap ville oppdage arbeidet deres."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2492
+"Beslutningen om å velge en NonCommercial- (ikke-kommersiell) og/eller "
+"NoDerivs-lisens (ikke-derivate lisenser) resulterer i en vurdering av hvor "
+"mye du trenger å beholde kontrollen over det kreative arbeidet. "
+"NonCommercial- and NoDerivs-lisensene er måter å reservere en vesentlig del "
+"av det eksklusive knippet av rettigheter som opphavsrett sikrer "
+"innholdsleverandører. I noen tilfeller er å reservere disse rettighetene "
+"viktig for hvordan du bringer inn inntekter. I andre tilfeller bruker "
+"innholdsleverandørene NonCommercial- og NoDerivs-lisensene fordi de ikke kan "
+"gi opp drømmen om å treffe den kreative storgevinsten. Musikkplattformen "
+"Tribe of Noise fortalte oss at NonCommercial-lisensene var populære blant "
+"brukerne deres fordi de fortsatt holdt på drømmen om at et større "
+"plateselskap ville oppdage arbeidet deres."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3260
msgid ""
"Other times the decision to use a more restrictive license is due to a "
"concern about the integrity of the work. For example, the nonprofit "
"TeachAIDS uses a NoDerivs license for its educational materials because the "
"medical subject matter is particularly important to get right."
msgstr ""
-"Andre ganger er beslutningen om å bruke en mer restriktiv lisens en "
-"bekymring for integriteten til arbeidet. For eksempel bruker det ikke-"
-"kommersielle TeachAIDS en NoDerivs-lisens for sin læremidler fordi dette "
+"Andre ganger er beslutningen om å bruke en mer restriktiv lisens på grunn av "
+"bekymring for arbeidets integritet. For eksempel bruker det ikke-"
+"kommersielle TeachAIDS en NoDerivs-lisens for sine læremidler fordi dette "
"medisinske emnet er særlig viktig å få riktig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2502
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3267
msgid ""
"There is no one right way. The NonCommercial and NoDerivs restrictions "
"reflect the values and preferences of creators about how their creative work "
"were used. The CC licenses are an attempt to standardize norms across all "
"domains."
msgstr ""
-"Det er ikke bare en riktig måte. NonCommercial- og NoDerivs-begrensningene "
+"Det er ikke bare én riktig måte. NonCommercial- og NoDerivs-begrensningene "
"gjenspeiler verdiene og preferansene til innholdsleverandørene om hvordan "
"deres kreative arbeid skal gjenbrukes, akkurat som ShareAlike-lisensen "
"gjenspeiler et annet sett med verdier, som er mindre om å kontrollere "
"tilgangen til sitt eget arbeid og mer om å sikre at det som blir laget med "
-"deres arbeid er tilgjengelig for alle på samme vilkår. Siden starten av "
+"deres arbeid, er tilgjengelig for alle på samme vilkår. Siden starten av "
"allmenneier, har folk laget strukturer som hjalp til å regulere måten delte "
"ressurser ble brukt på. CC-lisensene er et forsøk på å standardisere normer "
"på tvers av alle domener."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2504
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3279
msgid "Note"
msgstr "Merk"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2508
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3282
+#, fuzzy
+#| msgid ""
+#| "For more about the licenses including examples and tips on sharing your "
+#| "work in the digital commons, start with the Creative Commons page called "
+#| "“Share Your Work” at"
msgid ""
"For more about the licenses including examples and tips on sharing your work "
"in the digital commons, start with the Creative Commons page called “Share "
-"Your Work” at"
+"Your Work” at <ulink url=\"http://creativecommons.org/share-your-work/\"/>."
msgstr ""
"For mer om lisenser, inkludert eksempler og tips om deling av verkene dine i "
-"den digitalle allmenningen, start med Creative Commons-siden med tittelen \""
-"Del ditt verk\" på"
+"den digitale allmenningen, start med Creative Commons-siden med tittelen "
+"«Del ditt verk» på"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2510
-msgid "creativecommons.org/share-your-work/."
-msgstr "creativecommons.org/share-your-work/."
+#. type: Content of: <book><part><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3290
+msgid "The Case Studies"
+msgstr "Referansestudiene"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2513
-msgid "# The Case Studies"
-msgstr "# Referansestudiene"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2521
+#. type: Content of: <book><part><partintro><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3293
msgid ""
"The twenty-four case studies in this section were chosen from hundreds of "
"nominations received from Kickstarter backers, Creative Commons staff, and "
"the global Creative Commons community. We selected eighty potential "
"candidates that represented a mix of industries, content types, revenue "
-"streams, and parts of the world. Twelve of the case studies were selected "
+"streams, and parts of the world. Twelve of the case studies were selected "
"from that group based on votes cast by Kickstarter backers, and the other "
"twelve were selected by us."
msgstr ""
"av forslag fra hjelpere i Kickstarter, medarbeidere i Creative Commons og "
"det globale Creative Commons-felleskapet. Vi valgte åtti potensielle "
"kandidater som representerte en blanding av bransjer, innholdstyper, "
-"inntektsstrømmer og deler av verden. Tolv referansestudier ble valgt ut fra "
+"inntektsstrømmer, og deler av verden. Tolv referansestudier ble valgt ut fra "
"den gruppen etter avstemning blant Kickstarters hjelpere, og de andre tolv "
"ble valgt av oss."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2527
+#. type: Content of: <book><part><partintro><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3303
msgid ""
"We did background research and conducted interviews for each case study, "
-"based on the same set of basic questions about the endeavor. The idea for "
+"based on the same set of basic questions about the endeavor. The idea for "
"each case study is to tell the story about the endeavor and the role sharing "
"plays within it, largely the way in which it was told to us by those we "
"interviewed."
msgstr ""
-"Vi gjorde bakgrunnsundersøkelser og gjennomførte intervjuer for hver "
+"Vi gjorde bakgrunnsundersøkelser, og gjennomførte intervjuer for hver "
"referansestudie, basert på det samme settet med grunnleggende spørsmål om "
"innsatsen. Fokus for hver referansestudie er å fortelle historien om hvordan "
-"oppgaven løses og hvilken rolle deling spiller i den, i hovedsak som måten "
-"det ble fortalt oss på av dem vi intervjuet."
+"oppgaven løses, og hvilken rolle deling spiller i den, i hovedsak som måten "
+"det ble fortalt oss på av dem vi intervjuet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2529
-msgid "## Arduino"
-msgstr "## Arduino"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3311
+msgid "Arduino"
+msgstr "Arduino"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2532
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3314
msgid ""
"Arduino is a for-profit open-source electronics platform and computer "
"hardware and software company. Founded in 2005 in Italy."
msgstr ""
-"Arduino er en inntektsgivende åpen kildekode plattform, og et selskap for "
+"Arduino er en inntektsgivende åpen kildekodeplattform, og et selskap for "
"datautstyr og programvare. Grunnlagt i 2005 i Italia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2534
-msgid "www.arduino.cc"
-msgstr "www.arduino.cc"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2538
-msgid ""
-"Revenue model: charging for physical copies (sales of boards, modules, "
-"shields, and kits), licensing a trademark (fees paid by those who want to "
-"sell Arduino products using their name)"
-msgstr ""
-"Inntektsmodell: Betaling for fysiske kopier (salg av brett, moduler, "
-"skjermer og byggesett), lisensiering av et varemerke (avgifter betalt av dem "
-"som ønsker å selge Arduino produkter med deres navn)"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2540
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3223
-msgid "Interview date: February 4, 2016"
-msgstr "Dato for intervju: 4 februar 2016"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2542
-msgid "Interviewees: David Cuartielles and Tom Igoe, cofounders"
-msgstr "Intervjuobjekter: David Cuartielles og Tom Igoe, medgrunnleggere"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2544
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3227
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3582
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3787
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4027
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4264
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4672
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4884
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5111
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5349
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5784
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6028
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6417
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7061
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3319
+msgid "<ulink url=\"http://www.arduino.cc\"/>"
+msgstr "<ulink url=\"http://www.arduino.cc\"/>"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3321
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies (sales of boards, modules, shields, and kits), licensing a trademark "
+"(fees paid by those who want to sell Arduino products using their name)"
+msgstr ""
+"<emphasis role=\"strong\">Inntektsmodell</emphasis>: Betaling for fysiske "
+"kopier (salg av brett, moduler, skjermer og byggesett), lisensiering av et "
+"varemerke (avgifter betalt av dem som ønsker å selge Arduino-produkter med "
+"deres navn)"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3326
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4167
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 4, 2016"
+msgstr "<emphasis role=\"strong\">Dato for intervju</emphasis>: 4. februar 2016"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3329
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: David Cuartielles and Tom "
+"Igoe, cofounders"
+msgstr ""
+"<emphasis role=\"strong\">Intervjuobjekter</emphasis>: David Cuartielles og "
+"Tom Igoe, medgrunnleggere"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3333
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4174
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4605
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4846
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5128
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5437
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5947
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6200
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6521
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6872
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7412
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7696
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8160
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8936
msgid "Profile written by Paul Stacey"
msgstr "Profilen skrevet av Paul Stacey"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2556
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3337
msgid ""
"In 2005, at the Interaction Design Institute Ivrea in northern Italy, "
"teachers and students needed an easy way to use electronics and programming "
"General Public License."
msgstr ""
"I 2005, hos Interaction Design Institute Ivrea i Nord-Italia, trengte lærere "
-"og elever en enkel måte å bruke elektronikk og programmering på for raskt "
+"og elever en enkel måte å bruke elektronikk og programmering på for raskt å "
"lage prototyper for designideer. Musikere, kunstnere og designere trengte en "
"plattform som ikke krevde ingeniørekspertise. En gruppe lærere og studenter, "
"inkludert Massimo Banzi, David Cuartielles, Tom Igoe, Gianluca Martino og "
-"David Mellis, bygget en plattform som kombinerte ulik åpen kildekode-"
+"David Mellis, bygget en plattform som kombinerte ulike åpne kildekode-"
"teknologier. De kalte det Arduino. Plattformen integrerte programvare, "
"maskinvare, mikrokontroller og elektronikk. Alle aspekter av plattformen ble "
"åpent lisensiert: Maskinvare og dokumentasjon med Attribution-Share-Alike-"
"lisens (CC BY-SA), og programvare med GNU General Public License."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2564
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3351
msgid ""
"Arduino boards are able to read inputs—light on a sensor, a finger on a "
"button, or a Twitter message—and turn it into outputs—activating a motor, "
msgstr ""
"Kretskort fra Arduino kan lese inndata: Lys på en sensor, en finger på en "
"knapp, eller en Twitter-melding, og snu den til utganger, aktivere en motor, "
-"slå på en LED, og publiserer noe på nettet. Du sender et sett med "
-"instruksjoner til mikrokontrollen på kortet ved hjelp Arduino "
-"programmeringsspråk og Arduino programvare (basert på åpen kildekode "
-"programvare kalt Prosessing, et programmeringsverktøy som brukes til å lage "
-"kunst)."
+"slå på en LED, og publisere noe på nettet. Du sender et sett med "
+"instruksjoner til mikrokontrollen på kortet ved hjelp av Arduino "
+"programmeringsspråk og Arduino programvare (basert på åpen "
+"kildekodeprogramvare kalt Prosessing, et programmeringsverktøy som brukes "
+"til å lage kunst)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2571
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3361
msgid ""
-"“The reasons for making Arduino open source are complicated,” Tom says. "
+"“The reasons for making Arduino open source are complicated,” Tom says. "
"Partly it was about supporting flexibility. The open-source nature of "
"Arduino empowers users to modify it and create a lot of different "
-"variations, adding on top of what the founders build. David says this “ended "
-"up strengthening the platform far beyond what we had even thought of "
+"variations, adding on top of what the founders build. David says this "
+"“ended up strengthening the platform far beyond what we had even thought of "
"building.”"
msgstr ""
-"\"Grunnene for å lage Arduino som åpen kildekode er komplisert,\" sier Tom. "
-"Delvis var det som støtte til fleksibilitet. Opplegget med åpen kildekode "
+"«Grunnene for å lage Arduino som åpen kildekode er kompliserte», sier Tom. "
+"Delvis handlet det om å støtte fleksibilitet. Opplegget med åpen kildekode "
"hos Arduino gir brukere rett til å endre og lage mange forskjellige "
-"varianter, lagt på toppen av det grunnleggerne bygget. David sier dette \""
-"endte opp styrke plattformen langt utover det vi til og med hadde tenkt å "
-"bygge.\""
+"varianter, lagt på toppen av det grunnleggende bygget. David sier dette "
+"«endte opp med å styrke plattformen langt utover det vi til og med hadde "
+"tenkt å bygge»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2580
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3369
msgid ""
"For Tom another factor was the impending closure of the Ivrea design school. "
"He’d seen other organizations close their doors and all their work and "
"lives on. In Tom’s view, “Open sourcing makes it easier to trust a product.”"
msgstr ""
"En annen faktor for Tom var den forestående nedleggelsen av Ivrea "
-"designskole. Han hadde sett andre organisasjoner lukke dørene og at alt "
+"designskole. Han hadde sett andre organisasjoner lukke dørene, og at alt "
"arbeid og forskning bare forsvant. Åpen kildekode sikret at Arduino ville "
"overleve nedleggelsen av Ivrea. Utholdenhet er den tingen Tom virkelig liker "
"ved åpen kildekode. Hvis nøkkelpersoner drar, eller selskapet avsluttes, "
-"lever et åpen kildekode-produkt videre. Etter Toms syn \"Bruk av åpen "
-"kildekode gjør det enklere å stole på et produkt.\""
+"lever et åpent kildekode-produkt videre. Etter Toms syn, «Bruk av åpen "
+"kildekode gjør det enklere å stole på et produkt»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2587
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3378
msgid ""
"With the school closing, David and some of the other Arduino founders "
"started a consulting firm and multidisciplinary design studio they called "
"Tinker, in London. Tinker designed products and services that bridged the "
"digital and the physical, and they taught people how to use new technologies "
-"in creative ways. Revenue from Tinker was invested in sustaining and "
+"in creative ways. Revenue from Tinker was invested in sustaining and "
"enhancing Arduino."
msgstr ""
-"Da skolen lukket startet David og noen av de andre Arduino-grunnleggerne et "
+"Da skolen lukket, startet David og noen av de andre Arduino-grunnleggerne et "
"konsulentfirma og et tverrfaglig designstudio de kalte Tinker, i London. "
"Tinker utviklet produkter og tjenester som bygde bro mellom det digitale og "
"fysiske, og de lærte folk hvordan de skulle bruke ny teknologi på kreative "
"måter. Inntekter fra Tinker ble investert i å opprettholde og styrke Arduino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2594
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3387
msgid ""
"For Tom, part of Arduino’s success is because the founders made themselves "
"the first customer of their product. They made products they themselves "
"this, we’ll make a lot of money.” Tom notes that being your own first "
"customer makes you more confident and convincing at selling your product."
msgstr ""
-"For Tom er del av Arduinos suksess at grunnleggerne har gjort seg den første "
-"kunden til produktet deres. De laget de produktene de selv personlig ønsket. "
-"Det var et spørsmål om \"Jeg trenger denne tingen,\" ikke \"Hvis vi lager "
-"denne, vil vi tjene mye penger.\" Tom bemerker at å være din egen første "
-"kunde gjør deg mer trygg og overbevisende når produktet ditt skal selges."
+"For Tom er del av Arduinos suksess at grunnleggerne gjorde seg selv til den "
+"første kunden til produktet deres. De laget de produktene de selv personlig "
+"ønsket. Det var et spørsmål om «Jeg trenger denne tingen», ikke «Hvis vi "
+"lager denne, vil vi tjene mye penger». Tom bemerker at å være din egen "
+"første kunde, gjør deg mer trygg og overbevisende når produktet ditt skal "
+"selges."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2606
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3395
msgid ""
"Arduino’s business model has evolved over time—and Tom says model is a "
"grandiose term for it. Originally, they just wanted to make a few boards and "
"get them out into the world. They started out with two hundred boards, sold "
"them, and made a little profit. They used that to make another thousand, "
-"which generated enough revenue to make five thousand. In the early days, "
+"which generated enough revenue to make five thousand. In the early days, "
"they simply tried to generate enough funding to keep the venture going day "
"to day. When they hit the ten thousand mark, they started to think about "
"Arduino as a company. By then it was clear you can open-source the design "
-"but still manufacture the physical product. As long as it’s a quality "
+"but still manufacture the physical product. As long as it’s a quality "
"product and sold at a reasonable price, people will buy it."
msgstr ""
-"Arduinos forretningsmodell har utviklet seg over tid - og Tom sier at modell "
-"er et stort ord for den. Opprinnelig ville de bare lage noen få kretskort og "
-"få dem ut i verden. De startet med to hundre kort, solgte dem, og fikk et "
-"lite overskudd. De brukte det for å lage tusen til, som genererte nok "
+"Arduinos forretningsmodell har utviklet seg over tid – og Tom sier at modell "
+"er et stort ord for den. Opprinnelig ville de bare lage noen få kretskort, "
+"og få dem ut i verden. De startet med to hundre kort, solgte dem, og fikk et "
+"lite overskudd. De brukte det til å lage tusen til, som genererte nok "
"inntekter til å lage fem tusen. I begynnelsen prøvde de bare å generere nok "
-"midler for å holde virksomheten gående fra dag til dag. Når de traff titusen-"
+"midler for å holde virksomheten gående fra dag til dag. Da de traff titusen-"
"merket, begynte de å tenke på Arduino som selskap. Da var det klart at du "
"kan ha åpen kildekode for designet, men fortsatt produsere det fysiske "
-"produktet. Så lenge det er et kvalitetsprodukt og selges til en rimelig "
+"produktet. Så lenge det er et kvalitetsprodukt, og selges til en rimelig "
"pris, vil folk kjøpe det."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2619
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3409
msgid ""
"Arduino now has a worldwide community of makers—students, hobbyists, "
"artists, programmers, and professionals. Arduino provides a wiki called "
"amatører, kunstnere, programmerere og fagfolk. Arduino tilbyr en wiki kalt "
"Playground (en wiki er der alle brukere kan redigere og legge til sider, "
"bidra til, og ha nytte av kollektive undersøkelser). Folk deler koden, "
-"kretsdiagrammer, veiledninger, gjør det selv-instruksjoner og tips og triks, "
-"og viser frem sine prosjekter. I tillegg er det et flerspråklig "
-"diskusjonsforum der brukere kan få hjelp til å bruke Arduino, diskutere "
-"temaer som robotikk og komme med forslag til nye Arduino produktdesigner. I "
-"januar 2017, hadde 324 928 medlemmer laget 2 989 489 innlegg om 379 044 "
-"emner. Det verdensomspennende fellesskapet av bidragsytere har gitt en "
-"utrolig mengde tilgjengelig kunnskap til hjelp både for nybegynnere og "
-"eksperter."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2626
-msgid ""
-"Transitioning Arduino from a project to a company was a big step. Other "
-"businesses who made boards were charging a lot of money for them. Arduino "
+"kretsdiagrammer, veiledninger, gjør det selv-instruksjoner (DIY "
+"instructions: Do it yourself instructions) og tips og triks, og viser frem "
+"sine prosjekter. I tillegg er det et flerspråklig diskusjonsforum der "
+"brukere kan få hjelp til å bruke Arduino, diskutere temaer som robotikk, og "
+"komme med forslag til nye Arduino produktdesigner. I januar 2017 hadde 324 "
+"928 medlemmer laget 2 989 489 innlegg om 379 044 emner. Det "
+"verdensomspennende fellesskapet av bidragsytere har gitt en utrolig mengde "
+"tilgjengelig kunnskap til hjelp både for nybegynnere og eksperter."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3423
+msgid ""
+"Transitioning Arduino from a project to a company was a big step. Other "
+"businesses who made boards were charging a lot of money for them. Arduino "
"wanted to make theirs available at a low price to people across a wide range "
"of industries. As with any business, pricing was key. They wanted prices "
"that would get lots of customers but were also high enough to sustain the "
"business."
msgstr ""
"Arduinos overgang fra et prosjekt til et selskap var et stort skritt. Andre "
-"bedrifter som lagte kretskort tok mye penger for dem. Arduino ville gjøre "
-"sine tilgjengelige til en lav pris for et bredt spekter av bransjer. Som med "
+"bedrifter som lagde kretskort tok mye penger for dem. Arduino ville gjøre "
+"sine tilgjengelig til en lav pris for et bredt spekter av bransjer. Som med "
"all forretning var priser nøkkelen. De ønsket priser som vil gi mange "
"kunder, men som også var høy nok til å opprettholde virksomheten."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2632
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3431
msgid ""
"For a business, getting to the end of the year and not being in the red is a "
"success. Arduino may have an open-licensing strategy, but they are still a "
"source way can only help you.”"
msgstr ""
"For en bedrift er å ikke være i rødt ved slutten av året en suksess. Arduino "
-"kan ha en åpen-lisens strategi, men de er fortsatt en bedrift, og alt som er "
-"nødvendig for å kunne drive den vellykket, gjelder fortsatt. David sier, \""
-"Hvis du gjør disse andre tingene bra, kan å deling ting med åpen kildekode "
-"bare hjelpe deg.\""
+"kan ha en åpen lisensstrategi, men de er fortsatt en bedrift, og alt som er "
+"nødvendig for å kunne drive den vellykket, gjelder fortsatt. David sier, "
+"«Hvis du gjør disse andre tingene bra, kan å dele ting med åpen kildekode "
+"bare hjelpe deg»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2642
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3439
msgid ""
"While openly licensing the designs, documentation, and software ensures "
"longevity, it does have risks. There’s a possibility that others will create "
"the new design using the same Creative Commons license to ensure that the "
"new version is equally free and open."
msgstr ""
-"Mens åpen lisens sikres design, dokumentasjon og programvare lang levetid, "
-"innebærer den også risiko. Det er en mulighet for at andre vil lage "
-"rimeligere utgaver, kloner og kopier. CC BY-SA lisensen betyr noen kan lage "
-"kopier av deres kretskort, omforme dem og til og med selge kretskort som "
-"kopierer designet. De trenger ikke å betale en lisensavgift til Arduino "
-"eller be om tillatelse. Men hvis de gir ut kortet igjen med samme design, må "
-"de henvise til Arduino. Hvis de endrer utformingen, må de utgi den nye "
-"utformingen med samme Creative Commons lisens for å sikre at den nye "
-"versjonen er like fri og åpen."
+"Mens åpen lisensiering av design, dokumentasjon og programvare sikrer lang "
+"levetid, innebærer den også risiko. Det er en mulighet for at andre vil lage "
+"rimeligere utgaver, kloner og kopier. CC BY-SA lisensen betyr at hvem som "
+"helst kan lage kopier av deres kretskort, omforme dem, og til og med selge "
+"kretskort som kopierer designet. De trenger ikke å betale en lisensavgift "
+"til Arduino, eller be om tillatelse. Men hvis de gir ut kortet igjen med "
+"samme design, må de henvise til Arduino. Hvis de endrer utformingen, må de "
+"utgi den nye utformingen med samme Creative Commons-lisens for å sikre at "
+"den nye versjonen er like fri og åpen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2652
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3451
msgid ""
"Tom and David say that a lot of people have built companies off of Arduino, "
"with dozens of Arduino derivatives out there. But in contrast to closed "
"Arduino community use and incorporate into new products."
msgstr ""
"Tom og David sier at mange mennesker har bygget selskaper ut fra Arduino, "
-"med dusinvis av Arduino derivater der ute. Men i motsetning til lukkede "
+"med dusinvis av Arduino-derivater der ute. Men i motsetning til lukkede "
"forretningsmodeller som kan vri penger ut av systemet over mange år fordi "
"det ikke er konkurranse, så Arduinos grunnleggere konkurransen som et middel "
-"til å holder seg ærlige og rettet mot et samarbeidsmiljø. En fordel med åpen "
-"fremfor lukket, er de mange nye ideer og design andre har bidratt med til "
-"Arduinos økosystem, ideer og design som Arduino og Arduinos allmenneie "
+"til å holder seg ærlige, og rettet mot et samarbeidsmiljø. En fordel med "
+"åpen fremfor lukket, er de mange nye ideer og design andre har bidratt med "
+"til Arduinos økosystem, ideer og design som Arduino og Arduinos allmenneie "
"bruker og innlemmer i nye produkter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2661
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3471
+msgid "<ulink url=\"http://www.arduino.cc/en/Main/Products\"/>"
+msgstr "<ulink url=\"http://www.arduino.cc/en/Main/Products\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3462
+#, fuzzy
+#| msgid ""
+#| "Over time, the range of Arduino products has diversified, changing and "
+#| "adapting to new needs and challenges. In addition to simple entry level "
+#| "boards, new products have been added ranging from enhanced boards that "
+#| "provide advanced functionality and faster performance, to boards for "
+#| "creating Internet of Things applications, wearables, and 3-D printing. "
+#| "The full range of official Arduino products includes boards, modules (a "
+#| "smaller form-factor of classic boards), shields (elements that can be "
+#| "plugged onto a board to give it extra features), and kits.1"
msgid ""
"Over time, the range of Arduino products has diversified, changing and "
"adapting to new needs and challenges. In addition to simple entry level "
"boards, new products have been added ranging from enhanced boards that "
"provide advanced functionality and faster performance, to boards for "
-"creating Internet of Things applications, wearables, and 3-D printing. The "
+"creating Internet of Things applications, wearables, and 3-D printing. The "
"full range of official Arduino products includes boards, modules (a smaller "
"form-factor of classic boards), shields (elements that can be plugged onto a "
-"board to give it extra features), and kits.1"
+"board to give it extra features), and kits.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
-"Over tid, har det utviklet seg en mangeslungen varietet av Arduino "
-"produkter,i endring og tilpasning til nye behov og utfordringer. I tillegg "
-"til enkle kretskort på inngangsnivå, er nye produkter lagt til - fra "
-"forbedrede kort med avansert funksjonalitet og raskere ytelse, til kort for "
-"å lage programmer til Internett av ting, iklebare ting og 3D-printing. Hele "
-"spekteret av offisielle Arduino produkter inkluderer kort, moduler (en "
-"mindre formfaktor av klassiske kort), skjold (shield) (elementer som kan "
-"kobles til et kort for å gi den ekstra funksjoner) og byggesett.1"
+"Over tid har Arduino-produkter spredt seg, endret og tilpasset seg nye behov "
+"og utfordringer. I tillegg til enkle kretskort på inngangsnivå, er nye "
+"produkter lagt til – fra forbedrede kort med avansert funksjonalitet og "
+"raskere ytelse, til kort for å lage programmer til Internett av ting, "
+"iklebare ting og 3D-printing (3D-utskrift). Hele spekteret av offisielle "
+"Arduino-produkter inkluderer kort, moduler (en mindre formfaktor av "
+"klassiske kort), skjold (shield) (elementer som kan kobles til et kort for å "
+"gi den ekstra funksjoner) og byggesett.1)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2672
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3474
msgid ""
"Arduino’s focus is on high-quality boards, well-designed support materials, "
"and the building of community; this focus is one of the keys to their "
"solved people’s problems. The community grew organically from there."
msgstr ""
"Arduinos fokus er på høykvalitetskort, godt designet støttemateriell og "
-"bygging dets fellesskap; Dette fokuset er én av nøklene til suksessen. Det å "
-"være åpen lar deg bygge et ekte fellesskap. David sier Arduinos samfunn er "
-"en stor styrke og noe som virkelig gjør noe, som han sier: \"det er god "
-"forretningsførsel.\" Da de begynte, hadde Arduino-laget nesten ingen anelse "
-"om hvordan man bygger fellesskap. De startet ved å gjennomføre mange "
+"bygging av dets fellesskap; Dette fokuset er én av nøklene til suksessen. "
+"Det å være åpen lar deg bygge et ekte fellesskap. David sier Arduinos "
+"samfunn er en stor styrke, og noe som virkelig gjør noe, som han sier; «det "
+"er god forretningsførsel». Da de begynte, hadde Arduino-laget nesten ingen "
+"anelse om hvordan man bygger fellesskap. De startet ved å gjennomføre mange "
"arbeidsrettede møter, direkte med personer som bruker plattformen for å "
"kontrollere at maskinvaren og programvaren var formålstjenlig i det å løse "
"folks problemer. Samfunnet vokste organisk derfra."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2682
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3487
msgid ""
"A key decision for Arduino was trademarking the name. The founders needed a "
"way to guarantee to people that they were buying a quality product from a "
"forpliktet til friprog-filosofi og kunnskapsdeling. Varemerking av Arduinos "
"navn og logo gir den garantien, og hjelper kundene å enkelt identifisere "
"produktene deres, samt produkter godkjent av dem. Hvis andre ønsker å selge "
-"kretskort med Arduinonavn og -logo, må de betale en liten avgift til "
+"kretskort med Arduino-navn og -logo, må de betale en liten avgift til "
"Arduino. Dette gjør Arduino i stand til å skalere opp produksjon og "
-"distribusjon på samtidig som det forsikres at Arduino-merket ikke skades av "
+"distribusjon, samtidig som det forsikres at Arduino-merket ikke skades av "
"lavkvalitetskopier."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2690
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3499
msgid ""
"Current official manufacturers are Smart Projects in Italy, SparkFun in the "
-"United States, and Dog Hunter in Taiwan/China. These are the only "
-"manufacturers that are allowed to use the Arduino logo on their boards. "
+"United States, and Dog Hunter in Taiwan/China. These are the only "
+"manufacturers that are allowed to use the Arduino logo on their boards. "
"Trademarking their brand provided the founders with a way to protect "
"Arduino, build it out further, and fund software and tutorial development. "
"The trademark-licensing fee for the brand became Arduino’s revenue-"
"Gjeldende offisielle produsenter er Smart-prosjekter i Italia, SparkFun i "
"USA, og Dog Hunter i Taiwan/Kina. Dette er de eneste produsentene som "
"tillates å bruke Arduino-logoen på brettene sine. Varemerkingen av "
-"merkevare deres har gitt grunnleggerne en måte å beskytte Arduino på, bygge "
+"merkevaren deres har gitt grunnleggerne en måte å beskytte Arduino på, bygge "
"ut videre, finansiere utvikling av programvare og opplæring. Gebyret for "
"varemerke-lisensiering ble Arduinos inntektsgenererende modell."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2697
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3509
msgid ""
"How far to open things up wasn’t always something the founders perfectly "
"agreed on. David, who was always one to advocate for opening things up more, "
"critical tool for Arduino."
msgstr ""
"Hvilken utstrekning ting skulle åpnes i var ikke alltid noe grunnleggerne "
-"helt enige om. David, som alltid gikk i bresjen for å åpne ting opp mer, "
-"hadde noen betenkeligheter om beskyttelse av Arduino-navnet, i det at folk "
-"kanskje ble sure om de beskyttet deres merkevare. Det var et tidlig "
+"var helt enige om. David, som alltid gikk i bresjen for å åpne ting opp mer, "
+"hadde noen betenkeligheter om beskyttelse av Arduino-navnet, idet folk "
+"kanskje ville bli sure om de beskyttet deres merkevare. Det var et tidlig "
"tilbakeslag med et prosjekt kalt Freeduino, men samlet, varemerking og "
"merkevarebygging har vært et kritisk verktøy for Arduino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2710
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3530
+msgid "<ulink url=\"http://blog.arduino.cc/2013/07/10/send-in-the-clones/\"/>"
+msgstr "<ulink url=\"http://blog.arduino.cc/2013/07/10/send-in-the-clones/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3518
+#, fuzzy
+#| msgid ""
+#| "David encourages people and businesses to start by sharing everything as "
+#| "a default strategy, and then think about whether there is anything that "
+#| "really needs to be protected and why. There are lots of good reasons to "
+#| "not open up certain elements. This strategy of sharing everything is "
+#| "certainly the complete opposite of how today’s world operates, where "
+#| "nothing is shared. Tom suggests a business formalize which elements are "
+#| "based on open sharing and which are closed. An Arduino blog post from "
+#| "2013 entitled “Send In the Clones,” by one of the founders Massimo Banzi, "
+#| "does a great job of explaining the full complexities of how trademarking "
+#| "their brand has played out, distinguishing between official boards and "
+#| "those that are clones, derivatives, compatibles, and counterfeits.2"
msgid ""
"David encourages people and businesses to start by sharing everything as a "
"default strategy, and then think about whether there is anything that really "
"Clones,” by one of the founders Massimo Banzi, does a great job of "
"explaining the full complexities of how trademarking their brand has played "
"out, distinguishing between official boards and those that are clones, "
-"derivatives, compatibles, and counterfeits.2"
+"derivatives, compatibles, and counterfeits.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
"David oppfordrer folk og bedrifter til å starte ved å dele alt som forvalgt "
"strategi, og deretter tenke på om det er noe som virkelig trenger "
"elementer. Denne strategien for å dele alt, er den diametrale motsats til "
"hvordan dagens verden opererer, der ingenting er delt. Tom foreslår at en "
"bedrift formaliserer hvilke elementer som er basert på åpen deling, og "
-"hvilke som er lukket. Et Arduino-blogginnlegg fra 2013, med tittelen “Send "
-"In the Clones”, fra en av grunnleggerne Massimo Banzi, er til stor hjelp for "
+"hvilke som er lukket. Et Arduino-blogginnlegg fra 2013, med tittelen «Send "
+"In the Clones», fra en av grunnleggerne Massimo Banzi, er til stor hjelp for "
"å forklare hele kompleksiteten i hvordan varemerkingen deres ble rullet ut, "
"ved å skille mellom offisielle kort og de som er kloner, derivater, "
-"kompatible og forfalskninger.2"
+"kompatible og forfalskninger.2)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2716
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3533
msgid ""
"For David, an exciting aspect of Arduino is the way lots of people can use "
"it to adapt technology in many different ways. Technology is always making "
"more things possible but doesn’t always focus on making it easy to use and "
-"adapt. This is where Arduino steps in. Arduino’s goal is “making things that "
-"help other people make things.”"
+"adapt. This is where Arduino steps in. Arduino’s goal is “making things "
+"that help other people make things.”"
msgstr ""
"For David er en spennende del av Arduino hvordan bruken muliggjør tilpasning "
"av teknologi på mange forskjellige måter for så mange. Teknologi åpner "
"alltid flere muligheter, men ikke alltid med fokus på dens enkelhet i bruk "
-"og tilpasningsdyktighet. Det er der Arduino trår til. Arduinos mål er \"å "
-"lage ting som hjelper andre mennesker å lage ting.\""
+"og tilpasningsdyktighet. Det er der Arduino trår til. Arduinos mål er «å "
+"lage ting som hjelper andre mennesker å lage ting»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2722
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3541
msgid ""
"Arduino has been hugely successful in making technology and electronics "
"reach a larger audience. For Tom, Arduino has been about “the "
"says, “Technology is a literacy everyone should learn.”"
msgstr ""
"Arduino har vært svært vellykket med å få teknologi og elektronikk ut til et "
-"større publikum. For Tom, har Arduino vært om \"demokratisering av "
-"teknologi\". Tom ser Arduinos åpen kildekodestrategi som å hjelpe verden å "
-"komme over den tanken at teknologien må ha beskyttelse. Tom sier, \""
-"Teknologi er en ferdighet om alle burde lære.\""
+"større publikum. For Tom har Arduino handlet om «demokratisering av "
+"teknologi». Tom ser Arduinos åpne kildekodestrategi som å hjelpe verden å "
+"komme over tanken at teknologien må ha beskyttelse. Tom sier, «Teknologi er "
+"en ferdighet som alle burde lære»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2726
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3549
msgid ""
"Ultimately, for Arduino, going open has been good business—good for product "
"development, good for distribution, good for pricing, and good for "
"manufacturing."
msgstr ""
-"Til slutt, for Arduino, å bli åpne har vært bra for forretningen - bra for "
+"Til slutt, for Arduino, å bli åpne har vært bra for forretningen – bra for "
"produktutvikling, bra for distribusjon, bra for prising og bra for "
"produksjon."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2728
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3766
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4006
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4243
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4863
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5088
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5327
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5574
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6007
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6234
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6675
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7242
-msgid "Web links"
-msgstr "Linker til nettet"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2731
-msgid "www.arduino.cc/en/Main/Products"
-msgstr "www.arduino.cc/en/Main/Products"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2731
-msgid "blog.arduino.cc/2013/07/10/send-in-the-clones/"
-msgstr "blog.arduino.cc/2013/07/10/send-in-the-clones/"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2733
-msgid "## Ártica"
-msgstr "## Ártica"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2737
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3555
+msgid "Ártica"
+msgstr "Ártica"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3558
msgid ""
"Ártica provides online courses and consulting services focused on how to use "
"digital technology to share knowledge and enable collaboration in arts and "
"bruker digital teknologi til å dele kunnskap og muliggjøre samarbeid i kunst "
"og kultur. Grunnlagt i 2011 i Uruguay."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2739
-msgid "www.articaonline.com"
-msgstr "www.articaonline.com"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2741
-msgid "Revenue model: charging for custom services"
-msgstr "Inntektsmodell: Betaling for tilpassede tjenester"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2743
-msgid "Interview date: March 9, 2016"
-msgstr "Dato for intervju: 9. mars 2016"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2745
-msgid "Interviewees: Mariana Fossatti and Jorge Gemetto, cofounders"
-msgstr "Intervjuobjekter: Mariana Fossatti og Jorge Gemetto, medgrunnleggere"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2747
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2897
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3052
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3393
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4503
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5591
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6258
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6695
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6873
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7261
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3563
+msgid "<ulink url=\"http://www.articaonline.com\"/>"
+msgstr "<ulink url=\"http://www.articaonline.com\"/>"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3565
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services"
+msgstr ""
+"<emphasis role=\"strong\">Inntektsmodell</emphasis>: Betaling for tilpassede "
+"tjenester"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3568
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 9, 2016"
+msgstr "<emphasis role=\"strong\">Dato for intervju</emphasis>: 9. mars 2016"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3570
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: Mariana Fossatti and "
+"Jorge Gemetto, cofounders"
+msgstr ""
+"<emphasis role=\"strong\">Intervjuobjekter</emphasis>: Mariana Fossatti og "
+"Jorge Gemetto, medgrunnleggere"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3574
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3761
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3953
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4372
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5739
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7183
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7964
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8486
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8707
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9173
msgid "Profile written by Sarah Hinchliff Pearson"
msgstr "Profilen skrevet av Sarah Hinchliff Pearson"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2752
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3578
msgid ""
"The story of Mariana Fossatti and Jorge Gemetto’s business, Ártica, is the "
"ultimate example of DIY. Not only are they successful entrepreneurs, the "
"themselves."
msgstr ""
"Historien om Mariana Fossattis og Jorge Gemettos virksomhet, Ártica, er det "
-"beste eksempelet på Gjør det selv(DIY). Ikke bare er de vellykkede grundere, "
-"nisjen deres lille virksomhet opererer er i, er i hovedsak en de har bygget "
-"selv."
+"beste eksempelet på Gjør det selv (DIY: Do it yourself). Ikke bare er de "
+"vellykkede gründere, nisjen deres lille virksomhet opererer i, er i hovedsak "
+"en de har bygget selv."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2754
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3584
msgid "Their dream jobs didn’t exist, so they created them."
msgstr "Drømmejobbene deres eksisterer ikke, så de laget dem."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2764
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3587
msgid ""
"In 2011, Mariana was a sociologist working for an international organization "
"to develop research and online education about rural-development issues. "
"institusjoner som utvikler kunstneriske og kulturelle prosjekter på "
"Internettet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2775
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3599
msgid ""
"Ártica feels like a uniquely twenty-first century business. The small "
"company has a global online presence with no physical offices. Jorge and "
"by creating a MOOC (massive open online course) about remix culture and "
"collaboration in the arts, which gave them a direct way to reach an "
"international audience, attracting students from across Latin America and "
-"Spain. In other words, it is the classic Internet story of being able to "
+"Spain. In other words, it is the classic Internet story of being able to "
"directly tap into an audience without relying upon gatekeepers or "
"intermediaries."
msgstr ""
"Ártica føles som en unik virksomhet i det tjueførste århundre. Det lille "
"selskapet har en global tilstedeværelse på Internett uten fysiske kontorer. "
"Jorge og Mariana bor i Uruguay, og de andre to fulltids ansatte, som Jorge "
-"og Mariana har aldri møtt personlig, bor i Spania. De startet ved å opprette "
+"og Mariana aldri har møtt personlig, bor i Spania. De startet ved å opprette "
"en MOOC (et fleksibelt nettkurs, gratis og tilgjengelig for alle) om remiks-"
"kultur og samarbeid innen kunsten, som ga dem en direkte vei til et "
"internasjonalt publikum, og tiltrekke seg studenter fra hele Latin-Amerika "
"kunne koble seg direkte til publikum uten å være avhengig av portvoktere "
"eller mellommenn."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2784
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3612
msgid ""
"Ártica offers personalized education and consulting services, and helps "
"clients implement projects. All of these services are customized. They call "
"questions,” Mariana said. Rather than sell access to their content, they "
"provide it for free and charge for the personalized services."
msgstr ""
-"Ártica tilbyr tilpasset utdanning og konsulenttjenester og hjelper kundene "
-"gjennomføre prosjekter. Alle disse tjenestene er tilpasset. De kaller det en "
-"\"artisan\" prosess på grunn av den tid og det krefter det tar for å "
-"tilpasse sitt arbeid til de spesielle behovene til studenter og kunder. \""
-"Hver student eller kunden betaler for en bestemt løsning på hans eller "
-"hennes problemer og spørsmål,\" sier Mariana. I stedet for å selge tilgang "
-"til innholdet sitt, de gir det gratis, og tar betalt for de "
-"tilpasningstjenestene."
+"Ártica tilbyr tilpasset utdanning og konsulenttjenester, og hjelper kundene "
+"å gjennomføre prosjekter. Alle disse tjenestene er tilpasset. De kaller det "
+"en «artisan» prosess på grunn av den tid og krefter det tar for å tilpasse "
+"sitt arbeid til de spesielle behovene til studenter og kunder. «Hver student "
+"eller kunde betaler for en bestemt løsning på hans eller hennes problemer og "
+"spørsmål», sier Mariana. I stedet for å selge tilgang til innholdet sitt, "
+"gir de det gratis, og tar betalt for tilpasningstjenestene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2791
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3622
msgid ""
"When they started, they offered a smaller number of courses designed to "
"attract large audiences. “Over the years, we realized that online "
"classes on more specialized topics."
msgstr ""
"Da de begynte, tilbød de et mindre antall kurs laget for å tiltrekke seg "
-"store målgrupper. \"Gjennom årene har vi innsett at nettsamfunn er mer "
-"spesifikke enn vi trodde,\" sa Mariana. Ártica leverer nå flere alternative "
-"klasser og har færre påmeldinger på hvert kurs. Dette betyr at de kan gi "
-"hver enkelte elev mer oppmerksomhet og tilby klasser om mer spesialiserte "
+"store målgrupper. «Gjennom årene har vi innsett at nettsamfunn er mer "
+"spesifikke enn vi trodde», sa Mariana. Ártica leverer nå flere alternative "
+"klasser, og har færre påmeldinger på hvert kurs. Dette betyr at de kan gi "
+"hver enkelte elev mer oppmerksomhet, og tilby kurs på mer spesialiserte "
"emner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2797
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3631
msgid ""
"Online courses are their biggest revenue stream, but they also do more than "
"a dozen consulting projects each year, ranging from digitization to event "
"størrelse, spesielt når de jobber med kulturinstitusjoner, mens andre er "
"mindre prosjekter på oppdrag fra enkeltartister."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2803
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3639
msgid ""
-"Ártica also seeks out public and private funding for specific projects. "
+"Ártica also seeks out public and private funding for specific projects. "
"Sometimes, even if they are unsuccessful in subsidizing a project like a new "
-"course or e-book, they will go ahead because they believe in it. They take "
+"course or e-book, they will go ahead because they believe in it. They take "
"the stance that every new project leads them to something new, every new "
"resource they create opens new doors."
msgstr ""
-"Ártica ser også etter offentlig og privat finansiering til bestemte "
+"Ártica søker også etter offentlig og privat finansiering til bestemte "
"prosjekter. Noen ganger, selv om de ikke lykkes i å få støtte til et "
-"prosjekt som et nytt kurs eller en nettbok, gå de videre fordi de tror på "
-"det. De tar det standpunktet at hvert nytt prosjekt fører dem til noe nytt, "
+"prosjekt som et nytt kurs eller en nettbok, går de videre fordi de tror på "
+"det. De har det standpunktet at hvert nytt prosjekt fører dem til noe nytt, "
"hver ny ressurs de lager åpner nye dører."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2817
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3647
msgid ""
"Ártica relies heavily on their free Creative Commons–licensed content to "
"attract new students and clients. Everything they create—online education, "
"viral,” Jorge said. For them, giving others the right to reuse and remix "
"their content is a fundamental value. “How can you offer an online "
"educational service without giving permission to download, make and keep "
-"copies, or print the educational resources?” Jorge said. “If we want to do "
+"copies, or print the educational resources?” Jorge said. “If we want to do "
"the best for our students—those who trust in us to the point that they are "
"willing to pay online without face-to-face contact—we have to offer them a "
"fair and ethical agreement.”"
msgstr ""
-"Ártica lener seg stoler tungt på sitt gratis Creative Commons-lisensierte "
-"innhold for å tiltrekke seg nye studenter og kunder. Alt de lager, "
-"nettbasert utdanning, blogginnlegg, videoer, er utgitt med en Attribution-"
-"ShareAlike lisens (CC BY-SA). \"Vi bruker en ShareAlike lisense fordi vi vil "
-"gi den største friheten til våre studenter og lesere, og vi ønsker også at "
-"denne friheten skal spre seg viralt,\" sa Jorge. For dem er gi andre rett "
-"til å gjenbruke og remikse innholdet en grunnleggende verdi. \"Hvordan kan "
-"du tilby en nettbasert pedagogisk tjeneste uten å gi tillatelse til å laste "
-"ned, lage og beholde kopier, eller skriv ut de pedagogiske ressursene?\" "
-"sier Jorge. \"Hvis vi ønsker å gjøre best mulig for våre studenter - de som "
-"stoler på oss til punktet at de er villige til å betale på nett uten ansikt "
-"til ansikt kontakt - vi har bare å tilby dem en god og etisk forsvarlig "
-"avtale.\""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2823
+"Ártica lener seg tungt på at deres gratis Creative Commons-lisensierte "
+"innhold vil trekke til seg nye studenter og kunder. Alt de lager, nettbasert "
+"utdanning, blogg-innlegg, videoer, utgis med en Attribution-ShareAlike-"
+"lisens (CC BY-SA). «Vi bruker en ShareAlike-lisens fordi vi vil gi størst "
+"mulig frihet til våre studenter og lesere, og vi ønsker også at friheten "
+"skal være viral», sa Jorge. For dem er å gi andre rett til å gjenbruke og "
+"remikse innholdet en grunnleggende verdi. «Hvordan kan du tilby en "
+"nettbasert pedagogisk tjeneste uten å gi tillatelse til å laste ned, lage og "
+"beholde kopier, eller skrive ut de pedagogiske ressursene?» Jorge sier: "
+"«Hvis vi ønsker å gjøre det best for våre studenter - de som stoler på oss "
+"til det punktet at de er villige til å betale på nettet uten ansikt til "
+"ansikt kontakt - har vi bare å tilby dem en hederlig og etisk avtale»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3663
msgid ""
"They also believe sharing their ideas and expertise openly helps them build "
"their reputation and visibility. People often share and cite their work. A "
msgstr ""
"De tror også at å dele sine ideer og sin ekspertise åpent hjelper dem å "
"bygge omdømmet og synligheten sin. Folk deler og siterer deres arbeid ofte. "
-"For noen år siden, plukket en utgiver selv opp en av nettbøkene deres og "
+"For noen år siden plukket en utgiver selv opp en av nettbøkene deres, og "
"distribuerte trykte kopier. Ártica ser gjenbruk av arbeidet deres som en vei "
"til å åpne opp nye muligheter for sin virksomhet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2832
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3671
msgid ""
"This belief that openness creates new opportunities reflects another belief—"
"in serendipity. When describing their process for creating content, they "
msgstr ""
"Troen på at åpenhet skaper nye muligheter, reflekterer en annen tro, til alt "
"hell. Når de beskriver sin prosess når de lager innhold, snakker de om alle "
-"de spontane og organiske måtene de finne inspirasjon på. \"Noen ganger "
+"de spontane og organiske måtene de finne inspirasjon på. «Noen ganger "
"starter samarbeidsprosessen med en samtale mellom oss, eller med venner fra "
-"andre prosjekter,\" sa Jorge. \"Det kan være det første skrittet til et nytt "
-"blogginnlegg eller et nytt enkelt innhold, som i fremtiden kan utvikle seg "
-"til et mer sammensatt produkt, som et kurs eller en bok.\""
+"andre prosjekter», sa Jorge. «Det kan være det første skrittet til et nytt "
+"blogginnlegg, eller et nytt enkelt innhold, som i fremtiden kan utvikle seg "
+"til et mer sammensatt produkt, som et kurs eller en bok»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2840
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3681
msgid ""
"Rather than planning their work in advance, they let their creative process "
"be dynamic. “This doesn’t mean that we don’t need to work hard in order to "
"learn, always exploring and testing new ideas and ways of operating. In many "
"ways, for them, the process is just as important as the final product."
msgstr ""
-"Heller enn å planlegging arbeideet sitt på forhånd, lar de kreative "
-"prosessen sine være dynamiske. \"Dette betyr ikke at vi ikke trenger å jobbe "
-"hardt for å få gode profesjonelle resultater, men utformingsprosessen er mer "
-"fleksibel,\" sa Jorge. De deler tidlig og ofte, og de justerer ut fra det de "
+"Heller enn å planlegging arbeidet sitt på forhånd, lar de deres kreative "
+"prosess være dynamisk. «Dette betyr ikke at vi ikke trenger å jobbe hardt "
+"for å få gode profesjonelle resultater, men utformingsprosessen er mer "
+"fleksibel», sa Jorge. De deler tidlig og ofte, og de justerer ut fra det de "
"lærer, og utforsker og tester alltid nye ideer og måter å arbeide på. På "
"mange måter er prosessen for dem like viktig som sluttproduktet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2846
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3690
msgid ""
"People and relationships are also just as important, sometimes more. “In the "
"educational and cultural business, it is more important to pay attention to "
"people and process, rather than content or specific formats or materials,” "
-"Mariana said. “Materials and content are fluid. The important thing is the "
+"Mariana said. “Materials and content are fluid. The important thing is the "
"relationships.”"
msgstr ""
-"Folk og relasjoner er like viktige, noen ganger mer. \"I den pedagogiske og "
-"kulturelle virksomheten, det er viktig å ta hensyn til folk og prosesser, "
-"snarere enn innhold eller spesielle formater eller materialer,\" sa Mariana. "
-"\"Materialer og innhold er flytende. Den viktige tingen er relasjonene.\""
+"Folk og relasjoner er også like viktige, noen ganger mer. «I den pedagogiske "
+"og kulturelle virksomheten, er det viktigere å ta hensyn til folk og "
+"prosesser, snarere enn innhold eller spesielle formater eller materialer», "
+"sa Mariana. «Materialer og innhold er flytende. Den viktige tingen er "
+"relasjonene»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2850
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3698
msgid ""
"Ártica believes in the power of the network. They seek to make connections "
"with people and institutions across the globe so they can learn from them "
"mennesker og institusjoner over hele verden, så de kan lære av dem og dele "
"sine kunnskaper."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2861
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3703
msgid ""
"At the core of everything Ártica does is a set of values. “Good content is "
"not enough,” Jorge said. “We also think that it is very important to take a "
"system. Ultimately, what drives their work is a mission to democratize art "
"and culture."
msgstr ""
-"Kjernen i alt Ártica gjør er et sett verdier. \"Godt innhold ikke er nok,\" "
-"sa Jorge. \"Vi tror også at det er svært viktig å ta et standpunkt for noe i "
-"kultursektoren.\" Mariana og Jorge er aktivister. De forsvarer fri kultur ("
-"bevegelsen som fremmer frihet til å endre og distribuere kreativt arbeid) og "
-"arbeider for å vise skjæringspunktet mellom fri kultur og andre bevegelser "
-"for sosial rettferdighet. Innsatsen deres for å involvere mennesker i sitt "
-"arbeid og aktivere kunstnere og kulturinstitusjoner til å bedre bruken av "
-"teknologi er tett knyttet til deres holdninger. Til syvende og sist, det som "
-"driver deres arbeid er målet om å demokratisere kunst og kultur."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2869
-msgid ""
-"Of course, Ártica also has to make enough money to cover its expenses. "
-"Human resources are, by far, their biggest expense. They tap a network of "
+"Kjernen i alt Ártica gjør er et sett verdier. «Godt innhold ikke er nok», sa "
+"Jorge. «Vi tror også at det er svært viktig å ta et standpunkt for noe i "
+"kultursektoren». Mariana og Jorge er aktivister. De forsvarer fri kultur "
+"(bevegelsen som fremmer frihet til å endre og distribuere kreativt arbeid), "
+"og arbeider for å vise skjæringspunktet mellom fri kultur og andre "
+"bevegelser for sosial rettferdighet. Innsatsen deres for å involvere "
+"mennesker i sitt arbeid, og aktivere kunstnere og kulturinstitusjoner til å "
+"bedre bruken av teknologi, er tett knyttet til deres holdninger. Til syvende "
+"og sist, det som driver deres arbeid er målet om å demokratisere kunst og "
+"kultur."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3716
+msgid ""
+"Of course, Ártica also has to make enough money to cover its expenses. Human "
+"resources are, by far, their biggest expense. They tap a network of "
"collaborators on a case-by-case basis and hire contractors for specific "
"projects. Whenever possible, they draw from artistic and cultural resources "
"in the commons, and they rely on free software. Their operation is small, "
"efficient, and sustainable, and because of that, it is a success."
msgstr ""
"Ártica må selvfølgelig også tjene nok penger til å dekke sine utgifter. I "
-"stor grad er menneskelige ressursser den største utgiftsposten. De trekker "
-"veksler på samarbeidspartnere fra sak til sak og leier inn oppdragstakere "
-"til bestemte prosjekter. Når det er mulig trekker de vekslere på "
-"kunstneriske og kulturelle ressurser i fellesskapet, og de stoleer på fri "
+"stor grad er menneskelige ressurser den største utgiftsposten. De trekker "
+"veksler på samarbeidspartnere fra sak til sak, og leier inn oppdragstakere "
+"til bestemte prosjekter. Når det er mulig, trekker de veksler på "
+"kunstneriske og kulturelle ressurser i fellesskapet, og de stoler på fri "
"programvare. Virksomheten deres er liten, effektiv og bærekraftig, og derfor "
-"den er en suksess."
+"er den en suksess."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2875
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3725
msgid ""
-"“There are lots of people offering online courses,” Jorge said. “But it is "
+"“There are lots of people offering online courses,” Jorge said. “But it is "
"easy to differentiate us. We have an approach that is very specific and "
-"personal.” Ártica’s model is rooted in the personal at every level. For "
+"personal.” Ártica’s model is rooted in the personal at every level. For "
"Mariana and Jorge, success means doing what brings them personal meaning and "
"purpose, and doing it sustainably and collaboratively."
msgstr ""
-"\"Det er mange mennesker som tilbyr kurs på nettet,\" sa Jorge. \"Men det er "
+"«Det er mange mennesker som tilbyr kurs på nettet», sa Jorge. «Men det er "
"lett å skille oss ut. Vi har en tilnærming som er veldig spesifikk og "
-"personlig.\" Árticas modell er forankret i det personlige på alle nivåer. "
-"For Mariana og Jorge betyr suksess å gjøre det som bringer dem personlig "
-"mening og hensikt, og gjøre det bærekraftig og i samarbeid."
+"personlig». Árticas modell er forankret i det personlige på alle nivåer. For "
+"Mariana og Jorge betyr suksess å gjøre det som gir dem personlig mening og "
+"hensikt, og gjøre det bærekraftig og i samarbeid."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2881
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3733
msgid ""
"In their work with younger artists, Mariana and Jorge try to emphasize that "
"this model of success is just as valuable as the picture of success we get "
"will get frustrated,” Mariana said. “We try to show them another image of "
"what it looks like.”"
msgstr ""
-"I sitt arbeid med yngre artister, prøver Mariana og Jorge å understreke at "
-"denne modellen for suksess er like verdifull som bildet av suksess vi får i "
-"media. \"Hvis de bare søker etter den tradisjonell typen suksess, vil de bli "
-"frustrert,\" sa Mariana. \"Vi prøver å vise dem et annet bilde av hvordan "
-"det ser ut.\""
+"I sitt arbeid med yngre artister prøver Mariana og Jorge å understreke at "
+"denne modellen for suksess er like verdifull som det bildet av suksess vi "
+"får i media. «Hvis de bare søker etter den tradisjonell typen suksess, vil "
+"de bli frustrert», sa Mariana. «Vi prøver å vise dem et annet bilde av "
+"hvordan det ser ut»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2883
-msgid "## Blender Institute"
-msgstr "## Blender Institute"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3741
+msgid "Blender Institute"
+msgstr "Blender Institute"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2886
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3744
msgid ""
"The Blender Institute is an animation studio that creates 3-D films using "
"Blender software. Founded in 2006 in the Netherlands."
msgstr ""
-"Blender Institute er et animasjonsstudio som lager 3D filmer med Blender "
+"Blender Institute er et animasjonsstudio som lager 3D-filmer med Blender "
"programvare. Grunnlagt i 2006 i Nederland."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2888
-msgid "www.blender.org"
-msgstr "www.blender.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3749
+msgid "<ulink url=\"http://www.blender.org\"/>"
+msgstr "<ulink url=\"http://www.blender.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2891
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3751
msgid ""
-"Revenue model: crowdfunding (subscription-based), charging for physical "
-"copies, selling merchandise"
+"<emphasis role=\"strong\">Revenue model</emphasis>: crowdfunding "
+"(subscription-based), charging for physical copies, selling merchandise"
msgstr ""
-"Inntektsmodell: Folkefinansiering (abonnementsbasert), betaling for fysiske "
-"kopier, varesalg"
+"<emphasis role=\"strong\">Inntektsmodell</emphasis>: Folkefinansiering "
+"(abonnementsbasert), betaling for fysiske kopier, varesalg"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2893
-msgid "Interview date: March 8, 2016"
-msgstr "Dato for intervju: 8 mars 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3755
+#, fuzzy
+#| msgid "Interview date: March 8, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 8, 2016"
+msgstr "Dato for intervju: 8. mars 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2895
-msgid "Interviewee: Francesco Siddi, production coordinator"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3757
+#, fuzzy
+#| msgid "Interviewee: Francesco Siddi, production coordinator"
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Francesco Siddi, "
+"production coordinator"
msgstr "Intervjuet: Francesco Siddi, produksjonsleder"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2906
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3765
msgid ""
"For Ton Roosendaal, the creator of Blender software and its related "
"entities, sharing is practical. Making their 3-D content creation software "
"content they create in a way that benefits Blender and its community in "
"concrete ways."
msgstr ""
+"For Ton Roosendaal, som skapte Blender programvare og de tilknyttede "
+"enhetene, er deling praktisk. Å gjøre deres programvare for å lage 3D-"
+"innhold tilgjengelig under fri programvarelisens har vært integrerende for "
+"programmets utvikling og popularitet. Å bruke programvaren til å lage filmer "
+"lisensiert med Creative Commons, skjøv denne utviklingen ytterligere "
+"fremover. Deling gjør det mulig for folk å delta og samhandle med, og å "
+"bygge videre på, den teknologien og innholdet de lager på en måte som er til "
+"fordel for Blender og Blenders fellesskap helt konkret."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2915
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3776
msgid ""
"Each open-movie project Blender runs produces a host of openly licensed "
"outputs, not just the final film itself but all of the source material as "
"easier. And, of course, each project involves a long, rewarding process for "
"the creative and technical community working together."
msgstr ""
+"Hvert åpen-filmprosjekt Blender kjører, produserer en rekke åpne lisensierte "
+"resultater, ikke bare den endelige filmen selv, men alt kildematerialet "
+"også. Den kreative prosessen forbedrer også utviklingen av Blenders "
+"programvare fordi det tekniske teamet responderer direkte på behovene "
+"filmens produksjonsteam har, ved å lage verktøy og funksjoner som gjør livet "
+"deres enklere. Og, selvfølgelig, hvert prosjekt innebærer en lang, givende "
+"prosess der det kreative og tekniske fellesskapet arbeider sammen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2921
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3786
msgid ""
"Rather than just talking about the theoretical benefits of sharing and free "
-"culture, Ton is very much about doing and making free culture. Blender’s "
+"culture, Ton is very much about doing and making free culture. Blender’s "
"production coordinator Francesco Siddi told us, “Ton believes if you don’t "
"make content using your tools, then you’re not doing anything.”"
msgstr ""
+"Heller enn bare å snakke om de teoretisk fordelene av deling og fri kultur, "
+"er Ton veldig for å få til og lage fri kultur. Blenders produksjonsleder "
+"Francesco Siddi fortalte oss at, «Ton tror hvis du ikke ikke bruker "
+"verktøyet ditt til å lage innhold, så gjør du ikke noenting»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2931
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3793
msgid ""
"Blender’s history begins in the late 1990s, when Ton created the Blender "
"software. Originally, the software was an in-house resource for his "
-"animation studio based in the Netherlands. Investors became interested in "
+"animation studio based in the Netherlands. Investors became interested in "
"the software, so he began marketing the software to the public, offering a "
"free version in addition to a paid version. Sales were disappointing, and "
"his investors gave up on the endeavor in the early 2000s. He made a deal "
"with investors—if he could raise enough money, he could then make the "
"Blender software available under the GNU General Public License."
msgstr ""
+"Blenders historie begynner i 1990, da Ton opprettet programvaren Blender. "
+"Opprinnelig var programvaren en intern ressurs for hans animasjonsstudio i "
+"Nederland. Investorer ble interessert i programvaren, så han begynte å "
+"markedsføre programvaren til publikum, og tilbød en gratis versjon i tillegg "
+"til en betalt versjon. Salget var skuffende, og hans investorer ga opp "
+"forsøket tidlig på 2000-tallet. Han gjorde en avtale med investorer – hvis "
+"han kunne skaffe nok penger, kunne han så gjøre Blender-programvaren "
+"tilgjengelig under GNU General Public License."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2941
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3804
msgid ""
"This was long before Kickstarter and other online crowdfunding sites "
"existed, but Ton ran his own version of a crowdfunding campaign and quickly "
"and he put a lot of work into fostering a community of developers so that "
"the project could live.”"
msgstr ""
+"Dette var lenge før Kickstarter og andre nettsteder for folkefinansiering "
+"eksisterte, men Ton kjørte sin egen versjon av en folkefinansiering, og "
+"skaffet raskt pengene han trengte. Blender-programvaren ble fritt "
+"tilgjengelig å bruke for alle. Men bare å bruke General Public License til "
+"programvaren, var ikke nok til å få til et blomstrende fellesskap rundt den. "
+"Francesco fortalte oss: «Programvare med denne kompleksiteten er avhengig av "
+"mennesker og deres visjon om hvordan folk arbeider sammen. Ton er en "
+"fantastisk felleskapsbygger og leder, og han har lagt ned mye arbeid i å "
+"fremme et fellesskap av utviklere slik at prosjektet kunne leve»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2948
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3816
msgid ""
"Like any successful free and open-source software project, Blender developed "
"quickly because the community could make fixes and improvements. “Software "
"doing the same thing in the dark for ten years.” Ton set up the Blender "
"Foundation to oversee and steward the software development and maintenance."
msgstr ""
+"Som ethvert vellykket programvareprosjekt med gratis og åpen kildekode "
+"utviklet Blender seg raskt fordi fellesskapet kunne gjøre feilrettinger og "
+"forbedringer. «Programvare bør være fritt og åpent for rettelser», sa "
+"Francesco. «Ellers gjør alle det samme i mørket i ti år». Ton satt opp "
+"Blender Foundation til å overvåke og forvalte programvareutviklingen og "
+"vedlikeholdet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2957
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3824
msgid ""
"After a few years, Ton began looking for new ways to push development of the "
"software. He came up with the idea of creating CC-licensed films using the "
"Blender software. Ton put a call online for all interested and skilled "
"artists. Francesco said the idea was to get the best artists available, put "
"them in a building together with the best developers, and have them work "
-"together. They would not only produce high-quality openly licensed content, "
+"together. They would not only produce high-quality openly licensed content, "
"they would improve the Blender software in the process."
msgstr ""
+"Etter noen år begynte Ton å lete etter nye måter å fremme utviklingen av "
+"programvaren på. Han fikk ideen om å lage CC-lisensierte filmer med Blender-"
+"programvare. Ton la ut en forespørsel på nettet til alle interesserte og "
+"erfarne kunstnere. Francesco sa ideen var å få de beste artistene som var "
+"tilgjengelig, sette dem i en bygning sammen med de beste utviklerne, og få "
+"dem til å arbeide sammen. De skulle ikke bare lage åpent lisensiert innhold "
+"av høy kvalitet, de skulle forbedre Blenders programvare i prosessen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2964
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3834
msgid ""
-"They turned to crowdfunding to subsidize the costs of the project. They had "
+"They turned to crowdfunding to subsidize the costs of the project. They had "
"about twenty people working full-time for six to ten months, so the costs "
"were significant. Francesco said that when their crowdfunding campaign "
"succeeded, people were astounded. “The idea that making money was possible "
"by producing CC-licensed material was mind-blowing to people,” he said. "
"“They were like, ‘I have to see it to believe it.’”"
msgstr ""
+"De vendte seg til folkefinansiering for å subsidiere prosjektkostnadene. De "
+"hadde tyve personer som jobbet fulltid i seks til ti måneder, så kostnadene "
+"var betydelige. Francesco sa at når folkefinansieringskampanjen deres "
+"lyktes, var folk forbløffet. «Ideen om at å tjene penger var mulig ved å "
+"produsere CC-lisensiert materiale, var overveldende for folk», sa han. «De "
+"var som, 'jeg må se det for å tro det'»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2970
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3843
msgid ""
"The first film, which was released in 2006, was an experiment. It was so "
"successful that Ton decided to set up the Blender Institute, an entity "
"project was an even bigger success. The film, Big Buck Bunny, went viral, "
"and its animated characters were picked up by marketers."
msgstr ""
+"Den første filmen, som ble utgitt i 2006, var et eksperiment. Det var så "
+"vellykket at Ton besluttet å sette opp Blender Institute, en enhet øremerket "
+"til å huse åpen-filmprosjekter. Blender Institute sitt neste prosjekt var en "
+"enda større suksess. Filmen Big Buck Bunny gikk viralt, og de animerte "
+"figurene ble plukket opp av markedsførere."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2981
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3851
msgid ""
"Francesco said that, over time, the Blender Institute projects have gotten "
"bigger and more prominent. That means the filmmaking process has become more "
"number of moving parts. This requires a lot of specialized assistance, but "
"the Blender Institute has no problem finding the talent it needs to help on "
"projects. “Blender hardly does any recruiting for film projects because the "
-"talent emerges naturally,” Francesco said. “So many people want to work with "
-"us, and we can’t always hire them because of budget constraints.”"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2989
+"talent emerges naturally,” Francesco said. “So many people want to work "
+"with us, and we can’t always hire them because of budget constraints.”"
+msgstr ""
+"Francesco sa at over tid har Blender Institute-prosjektene blitt større og "
+"mer betydningsfulle. Det betyr at prosessen med å lage film har blitt mer "
+"kompleks ved å kombinere tekniske eksperter og kunstnere som har fokus på "
+"historiefortelling. Francesco sier prosessen er nesten på industriell skala "
+"på grunn av antallet bevegelige deler. Dette krever mye spesialisert hjelp, "
+"men Blender Institute har ingen problemer med å finne det talentet som "
+"trengs for å bistå prosjekter. «Blender gjør knapt noen rekruttering til "
+"filmprosjekter fordi talentet dukker helt naturlig opp», sa Francesco. «Så "
+"mange mennesker ønsker å samarbeide med oss, at vi ikke alltid kan ansette "
+"dem på grunn av budsjettbegrensninger»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3864
msgid ""
"Blender has had a lot of success raising money from its community over the "
-"years. In many ways, the pitch has gotten easier to make. Not only is "
+"years. In many ways, the pitch has gotten easier to make. Not only is "
"crowdfunding simply more familiar to the public, but people know and trust "
"Blender to deliver, and Ton has developed a reputation as an effective "
"community leader and visionary for their work. “There is a whole community "
"who sees and understands the benefit of these projects,” Francesco said."
msgstr ""
+"Blender har hatt stor suksess med å skaffe penger fra fellesskapet gjennom "
+"årene. På mange måter har det blitt lettere å bane vei. Ikke bare er "
+"folkefinansiering blitt bedre kjent i offentligheten, men folk kjenner til, "
+"og stoler på at Blender leverer, og Ton har opparbeidet et rykte som en "
+"effektiv fellesskapsleder, og visjonær for arbeidet deres. «Det er et helt "
+"fellesskap som ser og forstår fordelen med disse prosjektene», sa Francesco."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2996
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3873
msgid ""
"While these benefits of each open-movie project make a compelling pitch for "
"crowdfunding campaigns, Francesco told us the Blender Institute has found "
"some limitations in the standard crowdfunding model where you propose a "
-"specific project and ask for funding. “Once a project is over, everyone goes "
-"home,” he said. “It is great fun, but then it ends. That is a problem.”"
+"specific project and ask for funding. “Once a project is over, everyone "
+"goes home,” he said. “It is great fun, but then it ends. That is a problem.”"
msgstr ""
+"Mens disse fordelene fra hvert åpen-filmprosjekt gir et overbevisende "
+"grunnlag for folkefinansieringskampanjer, fortalte Francesco oss at Blender "
+"Institute har funnet noen begrensninger i den standard "
+"folkefinansieringsmodellen der man legger frem et bestemt prosjekt og ber om "
+"finansiering. «Når et prosjekt er over, drar alle hjem», sa han. «Det er mye "
+"moro, men så slutter det. Det er et problem»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3010
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3881
msgid ""
"To make their work more sustainable, they needed a way to receive ongoing "
"support rather than on a project-by-project basis. Their solution is Blender "
"Cloud, a subscription-style crowdfunding model akin to the online "
"crowdfunding platform, Patreon. For about ten euros each month, subscribers "
"get access to download everything the Blender Institute produces—software, "
-"art, training, and more. All of the assets are available under an "
+"art, training, and more. All of the assets are available under an "
"Attribution license (CC BY) or placed in the public domain (CC0), but they "
"are initially made available only to subscribers. Blender Cloud enables "
"subscribers to follow Blender’s movie projects as they develop, sharing "
"also has extensive training materials and libraries of characters and other "
"assets used in various projects."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3015
+"For å gjøre arbeidet mer bærekraftig trengte de en måte for å motta "
+"kontinuerlig støtte, og ikke på prosjekt-for-prosjektbasis. Deres løsning er "
+"Blender Sky, en abonnementstype folkefinansieringsmodell som likner den "
+"nettbaserte folkfinansieringsplattformen Patreon. For ca. 10 euro hver måned "
+"får abonnenter tilgang til å laste ned alt det Blender Institute produserer "
+"– programvare, kunst, opplæring, og mer. Alle disse ressursene er "
+"tilgjengelige med en Attribution-lisens (CC BY), eller plassert i den "
+"offentlige sfæren (CC0), men de er opprinnelig gjort tilgjengelige kun for "
+"abonnenter. Blender Cloud lar abonnentene følge Blenders filmprosjekter mens "
+"de utvikles, og deler detaljert informasjon og innhold til bruk i den "
+"kreative prosessen. Blender Cloud har også omfattende opplæringsmateriell, "
+"biblioteker med rollemodeller og andre ressurser til bruk i ulike prosjekter."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3896
msgid ""
"The continuous financial support provided by Blender Cloud subsidizes five "
"to six full-time employees at the Blender Institute. Francesco says their "
"goal is to grow their subscriber base. “This is our freedom,” he told us, "
"“and for artists, freedom is everything.”"
msgstr ""
+"Kontinuerlig økonomisk støtte fra Blender Cloud finansierer fem til seks "
+"heltidsansatte ved Blender Institute. Francesco sier at deres mål er å "
+"utvide sin abonnentbase. «Dette er vår frihet», fortalte han oss, «og for "
+"kunstnere er frihet alt»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3022
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3903
msgid ""
-"Blender Cloud is the primary revenue stream of the Blender Institute. The "
+"Blender Cloud is the primary revenue stream of the Blender Institute. The "
"Blender Foundation is funded primarily by donations, and that money goes "
"toward software development and maintenance. The revenue streams of the "
"Institute and Foundation are deliberately kept separate. Blender also has "
"other revenue streams, such as the Blender Store, where people can purchase "
"DVDs, T-shirts, and other Blender products."
msgstr ""
+"Blender Cloud er den primære inntektskilden for Blender Institute. Blender "
+"Fundation er finanisert hovedsakelig av donasjoner, og pengene går til "
+"programvareutvikling og -vedlikehold. Inntektsstrømmene til Blender "
+"Institute og Foundation er bevisst holdt separat. Blender har også andre "
+"inntektsstrømmer, som Blender-butikken, hvor folk kan kjøpe DVD-er, T-"
+"skjorter og andre Blender-produkter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3027
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3912
msgid ""
"Ton has worked on projects relating to his Blender software for nearly "
"twenty years. Throughout most of that time, he has been committed to making "
"the software and the content produced with the software free and open. "
"Selling a license has never been part of the business model."
msgstr ""
+"Ton har jobbet med prosjekter knyttet til Blender-programvare i nesten tjue "
+"år. Gjennom det meste av denne tiden, har han vært opptatt av å gjøre "
+"programvaren og innholdet som er produsert med programvaren gratis og åpent. "
+"Å selge en lisens har aldri vært en del av forretningsmodellen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3035
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3919
msgid ""
"Since 2006, he has been making films available along with all of their "
"source material. He says he has hardly ever seen people stepping into "
"sources, it still takes a lot of talent, skills, time, and budget to "
"reproduce what you did,” Ton said."
msgstr ""
+"Siden 2006 har han gjort filmer tilgjengelig sammen med alt tilhørende "
+"kildemateriale. Han sier han har knapt sett mennesker som har satt foten i "
+"Blenders sko og prøvd å tjene penger på innholdet. Ton mener dette er fordi "
+"den sanne verdien av hva de gjør, er i det kreative og i "
+"produksjonsprosessen. «Selv om du deler alt, alle din originale kilder, "
+"kreves det mye talent, ferdigheter, tid og budsjett å reprodusere hva du "
+"gjorde», sa Ton."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3037
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3929
msgid "For Ton and Blender, it all comes back to doing."
-msgstr ""
+msgstr "For Ton og Blender, går alt tilbake til hva du gjør."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3039
-msgid "## Cards Against Humanity"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3933
+msgid "Cards Against Humanity"
+msgstr "Cards Against Humanity"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3042
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3936
msgid ""
"Cards Against Humanity is a private, for-profit company that makes a popular "
"party game by the same name. Founded in 2011 in the U.S."
msgstr ""
+"Cards Against Humanity er et privat, for-fortjeneste selskap som lager et "
+"populært fest-spill ved samme navn. Grunnlagt i USA i 2011."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3044
-msgid "www.cardsagainsthumanity.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3941
+msgid "<ulink url=\"http://www.cardsagainsthumanity.com\"/>"
+msgstr "<ulink url=\"http://www.cardsagainsthumanity.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3046
-msgid "Revenue model: charging for physical copies"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3943
+#, fuzzy
+#| msgid "Revenue model: charging for physical copies"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies"
+msgstr "Inntektsmodell: Betaling for fysiske kopier"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3048
-msgid "Interview date: February 3, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3946
+#, fuzzy
+#| msgid "Interview date: February 3, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 3, 2016"
+msgstr "Dato for intervju: 3. februar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3050
-msgid "Interviewee: Max Temkin, cofounder"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3949
+#, fuzzy
+#| msgid "Interviewee: Max Temkin, cofounder"
+msgid "<emphasis role=\"strong\">Interviewee</emphasis>: Max Temkin, cofounder"
+msgstr "Intervjuet: Max Temkin, medgrunnlegger"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3057
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3957
msgid ""
"If you ask cofounder Max Temkin, there is nothing particularly interesting "
"about the Cards Against Humanity business model. “We make a product. We sell "
"it for money. Then we spend less money than we make,” Max said."
msgstr ""
+"Hvis du spør medgrunnlegger Max Temkin, er det ikke noe spesielt interessant "
+"vedrørende forretningsmodellen til Cards Against Humanity. «Vi lager et "
+"produkt. Vi selger det og tar betalt. Så bruker vi mindre penger enn vi får "
+"inn», sa Max."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3065
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3963
msgid ""
"He is right. Cards Against Humanity is a simple party game, modeled after "
"the game Apples to Apples. To play, one player asks a question or fill-in-"
"the-blank statement from a black card, and the other players submit their "
-"funniest white card in response. The catch is that all of the cards are "
-"filled with crude, gruesome, and otherwise awful things. For the right kind "
+"funniest white card in response. The catch is that all of the cards are "
+"filled with crude, gruesome, and otherwise awful things. For the right kind "
"of people (“horrible people,” according to Cards Against Humanity "
"advertising), this makes for a hilarious and fun game."
msgstr ""
+"Han har rett. Cards Against Humanity er et enkelt fest-spill, tuftet på "
+"spillet Apples to Apples. For å spille stiller en spiller et spørsmål, eller "
+"fyller-inn-feltet- påstanden fra et svart kort, og de andre spillerne sender "
+"sine morsomste hvite kort som svar. Haken er at alle kortene er fylt med "
+"grove, grusomme og ellers forferdelig ting. For den rette typen folk "
+"(«fryktelige», ifølge Cards Against Humanitys reklame), blir dette et artig "
+"og morsomt spill."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3071
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3973
msgid ""
"The revenue model is simple. Physical copies of the game are sold for a "
"profit. And it works. At the time of this writing, Cards Against Humanity is "
"are official expansion packs available, and several official themed packs "
"and international editions as well."
msgstr ""
+"Inntektsmodellen er enkel. Fysiske kopier av spillet blir solgt med "
+"fortjeneste, og det fungerer. Når dette blir skrevet, er Cards Against "
+"Humanity det bestselgende produktet blant alle leker og spill hos Amazon. "
+"Offisielle utvidelsespakker er tilgjengelig, og også flere offisielle "
+"temapakker samt internasjonale utgaver."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3076
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3981
msgid ""
"But Cards Against Humanity is also available for free. Anyone can download a "
"digital version of the game on the Cards Against Humanity website. More than "
"one million people have downloaded the game since the company began tracking "
"the numbers."
msgstr ""
+"Men Cards Against Humanity er også tilgjengelig gratis. Alle kan laste ned "
+"en digital versjon av spillet fra nettsiden til Cards Against Humanity. Mer "
+"enn én million mennesker har lastet ned spillet etter at selskapet begynte å "
+"loggføre tallene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3082
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3987
msgid ""
"The game is available under an Attribution-NonCommercial-ShareAlike license "
"(CC BY-NC-SA). That means, in addition to copying the game, anyone can "
"same noncommercial terms. The ability to adapt the game is like an entire "
"new game unto itself."
msgstr ""
+"Spillet er tilgjengelig med en Attribution-NonCommercial-ShareAlike-lisens "
+"(CC BY-NC-SA). Det betyr, i tillegg til å kopiere spillet, at alle kan lage "
+"nye versjoner av spillet så lenge de gjør det tilgjengelig på de samme ikke-"
+"kommersielle vilkårene. Muligheten til å tilpasse spillet, er som et helt "
+"nytt spill i seg selv."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3087
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3995
msgid ""
"All together, these factors—the crass tone of the game and company, the free "
"download, the openness to fans remixing the game—give the game a massive "
"cult following."
msgstr ""
+"Til sammen gir disse faktorene – den krasse tonen i spillet og selskapet, "
+"gratis nedlasting, åpenhet for fans til å remikse spillet – det som gir "
+"spillet solid kultstatus."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3098
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4000
+#, fuzzy
+#| msgid ""
+#| "Their success is not the result of a grand plan. Instead, Cards Against "
+#| "Humanity was the last in a long line of games and comedy projects that "
+#| "Max Temkin and his friends put together for their own amusement. As Max "
+#| "tells the story, they made the game so they could play it themselves on "
+#| "New Year’s Eve because they were too nerdy to be invited to other "
+#| "parties. The game was a hit, so they decided to put it up online as a "
+#| "free PDF. People started asking if they could pay to have the game "
+#| "printed for them, and eventually they decided to run a Kickstarter to "
+#| "fund the printing. They set their Kickstarter goal at \\$4,000—and raised "
+#| "\\$15,000. The game was officially released in May 2011."
msgid ""
"Their success is not the result of a grand plan. Instead, Cards Against "
"Humanity was the last in a long line of games and comedy projects that Max "
"Eve because they were too nerdy to be invited to other parties. The game was "
"a hit, so they decided to put it up online as a free PDF. People started "
"asking if they could pay to have the game printed for them, and eventually "
-"they decided to run a Kickstarter to fund the printing. They set their "
-"Kickstarter goal at \\$4,000—and raised \\$15,000. The game was officially "
+"they decided to run a Kickstarter to fund the printing. They set their "
+"Kickstarter goal at $4,000—and raised $15,000. The game was officially "
"released in May 2011."
msgstr ""
+"Suksessen deres er ikke et resultat av en storstilt plan. Cards Against "
+"Humanity var det siste i en lang rekke spill og komedieprosjekter Max Temkin "
+"og vennene hans satte sammen for egen fornøyelse. Som Max forteller "
+"historien, laget de spillet så de kunne spille det selv på nyttårsaften "
+"fordi de var for nerdete til å bli invitert i andres selskap. Spillet ble en "
+"hit, så de bestemte seg for å legge det ut på nettet som en gratis PDF. Folk "
+"begynte å spørre om de kunne betale for å få spillet trykket for dem, og til "
+"slutt bestemte de seg å kjøre en Kickstarter for å finansiere trykkingen. De "
+"satt Kickstarter-målet til \\$4,000 – og fikk inn \\$15,000. Spillet ble "
+"utgitt offisielt i mai 2011."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3102
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4013
msgid ""
"The game caught on quickly, and it has only grown more popular over time. "
"Max says the eight founders never had a meeting where they decided to make "
"it an ongoing business. “It kind of just happened,” he said."
msgstr ""
+"Spillet fenget raskt, og populariteten har bare vokst med tiden. Max sier at "
+"de åtte grunnleggerne aldri hatt et møte hvor de bestemte seg for å gjøre "
+"dette til en kontinuerlig virksomhet. «På en måte hendte det bare», sa han."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3107
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4019
+#, fuzzy
msgid ""
"But this tale of a “happy accident” belies marketing genius. Just like the "
-"game, the Cards Against Humanity brand is irreverent and memorable. It is "
+"game, the Cards Against Humanity brand is irreverent and memorable. It is "
"hard to forget a company that calls the FAQ on their website “Your dumb "
"questions.”"
msgstr ""
+"Men denne fortellingen om en «lykkelig tilfeldighet» står i motsetning til "
+"markedsføringbegavelsen. Akkurat som spillet, er Cards Against Humanity sitt "
+"kjennemerke er distanse og minnenedverdighet. Det er vanskelig å glemme en "
+"virksomhet som kaller OSS-en på sin hjemmeside: \"Dine dumme spørsmål.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3119
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4025
+#, fuzzy
+#| msgid ""
+#| "Like most quality satire, however, there is more to the joke than "
+#| "vulgarity and shock value. The company’s marketing efforts around Black "
+#| "Friday illustrate this particularly well. For those outside the United "
+#| "States, Black Friday is the term for the day after the Thanksgiving "
+#| "holiday, the biggest shopping day of the year. It is an incredibly "
+#| "important day for Cards Against Humanity, like it is for all U.S. "
+#| "retailers. Max said they struggled with what to do on Black Friday "
+#| "because they didn’t want to support what he called the “orgy of "
+#| "consumerism” the day has become, particularly since it follows a day that "
+#| "is about being grateful for what you have. In 2013, after deliberating, "
+#| "they decided to have an Everything Costs \\$5 More sale."
msgid ""
"Like most quality satire, however, there is more to the joke than vulgarity "
"and shock value. The company’s marketing efforts around Black Friday "
"illustrate this particularly well. For those outside the United States, "
"Black Friday is the term for the day after the Thanksgiving holiday, the "
"biggest shopping day of the year. It is an incredibly important day for "
-"Cards Against Humanity, like it is for all U.S. retailers. Max said they "
+"Cards Against Humanity, like it is for all U.S. retailers. Max said they "
"struggled with what to do on Black Friday because they didn’t want to "
"support what he called the “orgy of consumerism” the day has become, "
"particularly since it follows a day that is about being grateful for what "
-"you have. In 2013, after deliberating, they decided to have an Everything "
-"Costs \\$5 More sale."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3123
+"you have. In 2013, after deliberating, they decided to have an Everything "
+"Costs $5 More sale."
+msgstr ""
+"Som de fleste kvalitetssatirer er det imidlertid mer en vits enn vulgaritet "
+"og sjokk. Selskapets markedsføring rundt Black Friday illustrerer dette "
+"spesielt godt. For dem utenfor USA er Black Friday begrepet for dagen etter "
+"Thanksgiving-helligdagen, den største handledagen i året. Det er en utrolig "
+"viktig dag for Cards Against Humanity, som det er for alle deres forhandlere "
+"i USA. Max sa at de strevde med hva de skulle gjøre med Black Friday fordi "
+"de ikke ønsker å støtte det han kalte «en orgie av forbruk», som dagen er "
+"blitt, spesielt siden den følger etter en dag som handler om å være "
+"takknemlig for hva du har. I 2013 besluttet de, etter rådslaging, å ha et "
+"salg der Everything Costs \\$5 More sale ( Alt koster \\$ 5 Mer salg.)."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4039
msgid ""
"“We sweated it out the night before Black Friday, wondering if our fans were "
"going to hate us for it,” he said. “But it made us laugh so we went with it. "
"People totally caught the joke.”"
msgstr ""
+"«Vi svettet natten før Black Friday, og lurte på om våre fans ville hate "
+"oss», sa han. «Men det fikk oss til å le, så vi gikk ut med det. Og folk "
+"oppfattet helt klart spøken»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3128
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4044
msgid ""
"This sort of bold transparency delights the media, but more importantly, it "
"engages their fans. “One of the most surprising things you can do in "
"capitalism is just be honest with people,” Max said. “It shocks people that "
"there is transparency about what you are doing.”"
msgstr ""
+"Denne typen modig åpenhet gleder media, men enda viktigere, det engasjerer "
+"fansen. «En av de mest overraskende tingene du kan gjøre i kapitalismen er "
+"bare å være ærlig med folk», sa Max. «Det sjokkerer folk at det er åpenhet "
+"om hva du gjør»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3135
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4051
+#, fuzzy
+#| msgid ""
+#| "Max also likened it to a grand improv scene. “If we do something a little "
+#| "subversive and unexpected, the public wants to be a part of the joke.” "
+#| "One year they did a Give Cards Against Humanity \\$5 event, where people "
+#| "literally paid them five dollars for no reason. Their fans wanted to make "
+#| "the joke funnier by making it successful. They made \\$70,000 in a single "
+#| "day."
msgid ""
"Max also likened it to a grand improv scene. “If we do something a little "
"subversive and unexpected, the public wants to be a part of the joke.” One "
-"year they did a Give Cards Against Humanity \\$5 event, where people "
-"literally paid them five dollars for no reason. Their fans wanted to make "
-"the joke funnier by making it successful. They made \\$70,000 in a single "
-"day."
+"year they did a Give Cards Against Humanity $5 event, where people literally "
+"paid them five dollars for no reason. Their fans wanted to make the joke "
+"funnier by making it successful. They made $70,000 in a single day."
msgstr ""
+"Max sammenlignet det også med en stor improvisasjonsscene. «Hvis vi gjør noe "
+"litt revolusjonært og uventet, vil publikum være med på spøken. Ett år laget "
+"de spøken Give Cards Against Humanity \\$5, hvor folk bokstavelig talt "
+"betalte dem fem dollar uten grunn. Fansen ville gjøre spøken morsommere ved "
+"å gjøre den vellykket. De fikk inn \\$70,000 på én dag."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3146
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4059
msgid ""
"This remarkable trust they have in their customers is what inspired their "
"decision to apply a Creative Commons license to the game. Trusting your "
-"customers to reuse and remix your work requires a leap of faith. Cards "
+"customers to reuse and remix your work requires a leap of faith. Cards "
"Against Humanity obviously isn’t afraid of doing the unexpected, but there "
"are lines even they do not want to cross. Before applying the license, Max "
"said they worried that some fans would adapt the game to include all of the "
"jokes they intentionally never made because they crossed that line. “It "
-"happened, and the world didn’t end,” Max said. “If that is the worst cost "
-"of using CC, I’d pay that a hundred times over because there are so many "
+"happened, and the world didn’t end,” Max said. “If that is the worst cost of "
+"using CC, I’d pay that a hundred times over because there are so many "
"benefits.”"
msgstr ""
+"Denne bemerkelsesverdige tilliten de har hos sine kunder var det som "
+"inspirerte beslutningen deres om å bruke en Creative Commons-lisens til "
+"spillet. Å tiltro kundene dine gjenbruk og remiksing av arbeidet ditt krever "
+"en porsjon tæl. Cards Against Humanity er åpenbart ikke redd for å gjøre det "
+"uventede, men det finnes grenser selv ikke de ønsker å krysse. Før de brukte "
+"lisensen, sier Max de var bekymret for at noen fans ville tilpasse spillet "
+"til å inkludere alle vitser de forsettlig aldri laget fordi de gikk over den "
+"linjen. «Det skjedde, og verden gikk ikke under», sa Max. «Hvis det er den "
+"verste kostnaden ved å bruke CC, ville jeg betalt dét hundre ganger, fordi "
+"det er så mange fordeler»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3153
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4072
msgid ""
"Any successful product inspires its biggest fans to create remixes of it, "
-"but unsanctioned adaptations are more likely to fly under the radar. The "
+"but unsanctioned adaptations are more likely to fly under the radar. The "
"Creative Commons license gives fans of Cards Against Humanity the freedom to "
"run with the game and copy, adapt, and promote their creations openly. Today "
"there are thousands of fan expansions of the game."
msgstr ""
+"Et vellykket produkt inspirerer sine største fans til å lage remikser av "
+"det, men ikke-sanksjonerte tilpasninger flyr sannsynligvis under radaren. "
+"Creative Commons-lisensen gir tilhengere av Cards Against Humanity frihet "
+"til å bruke spillet, og kopiere, tilpasse, og åpent reklamere for det de har "
+"laget. I dag finnes det tusenvis av utvidelser fra tilhengere av spillet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3158
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4080
msgid ""
"Max said, “CC was a no-brainer for us because it gets the most people "
"involved. Making the game free and available under a CC license led to the "
"unbelievable situation where we are one of the best-marketed games in the "
"world, and we have never spent a dime on marketing.”"
msgstr ""
+"Max sa, «CC var lett for oss fordi det får mest folk involvert. Å gjøre "
+"spillet gratis og tilgjengelig med en CC-lisens ledet til den utrolige "
+"situasjonen der vi er en av de best markedsført spillene i verden, og vi har "
+"aldri brukt en krone på markedsføring»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4087
msgid ""
"Of course, there are limits to what the company allows its customers to do "
"with the game. They chose the Attribution-NonCommercial-ShareAlike license "
-"because it restricts people from using the game to make money. It also "
+"because it restricts people from using the game to make money. It also "
"requires that adaptations of the game be made available under the same "
"licensing terms if they are shared publicly. Cards Against Humanity also "
"polices its brand. “We feel like we’re the only ones who can use our brand "
-"and our game and make money off of it,” Max said. About 99.9 percent of the "
+"and our game and make money off of it,” Max said. About 99.9 percent of the "
"time, they just send an email to those making commercial use of the game, "
"and that is the end of it. There have only been a handful of instances where "
"they had to get a lawyer involved."
msgstr ""
+"Selvfølgelig er det grenser for hva firmaet tillater sine kunder å gjøre med "
+"spillet. De valgte Attribution-NonCommercial-ShareAlike-lisensen fordi den "
+"begrenser folk fra å bruke spillet til å tjene penger. Det krever også at "
+"tilpasninger av spillet gjøres tilgjengelig med de samme lisensvilkårene "
+"hvis de deles offentlig. Cards Against Humanity passer også på sin "
+"merkevare. «Vi føler at vi er de eneste som kan bruke vår merkevare og vårt "
+"spill til å tjene penger», sa Max. Rundt 99,9 prosent av tiden sender de "
+"bare en e-post til dem som bruker spillet kommersielt, og det er slutten på "
+"det. Det har bare vært en håndfull tilfeller der de har måttet hyre advokat."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3177
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4101
msgid ""
"Just as there is more than meets the eye to the Cards Against Humanity "
-"business model, the same can be said of the game itself. To be playable, "
+"business model, the same can be said of the game itself. To be playable, "
"every white card has to work syntactically with enough black cards. The "
"eight creators invest an incredible amount of work into creating new cards "
-"for the game. “We have daylong arguments about commas,” Max said. “The "
+"for the game. “We have daylong arguments about commas,” Max said. “The "
"slacker tone of the cards gives people the impression that it is easy to "
"write them, but it is actually a lot of work and quibbling.”"
msgstr ""
+"Akkurat som det er mer for øyet enn det en ser i forretningsmodellen til "
+"Cards Against Humanity, kan det samme sies om selve spillet. For å være "
+"spillbare må alle hvite kort kunne fungere sammen med nok svarte kort. Åtte "
+"bidragsytere legger ned en utrolig mengde arbeid for å skape nye kort for "
+"spillet. «Vi har dagelange diskusjoner om kommaer», sa Max. «Slappfisk-"
+"tonen i kortene gir folk inntrykk av at det er enkelt å skrive dem, men det "
+"er faktisk mye arbeid og ordkløveri»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3186
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4111
msgid ""
"That means cocreation with their fans really doesn’t work. The company has a "
"submission mechanism on their website, and they get thousands of "
-"suggestions, but it is very rare that a submitted card is adopted. Instead, "
+"suggestions, but it is very rare that a submitted card is adopted. Instead, "
"the eight initial creators remain the primary authors of expansion decks and "
-"other new products released by the company. Interestingly, the creativity "
-"of their customer base is really only an asset to the company once their "
+"other new products released by the company. Interestingly, the creativity of "
+"their customer base is really only an asset to the company once their "
"original work is created and published when people make their own "
"adaptations of the game."
msgstr ""
+"Det betyr at å lage dem sammen med fansen deres, virkelig ikke virker. "
+"Selskapet har en innleveringsmulighet på hjemmesiden sin, og de får inn "
+"tusenvis av forslag, men det er sjelden at et innsendt kort kommer med. De "
+"åtte første forfatterne er og blir de viktigste bidragsytere til nye grupper "
+"tilleggskort, og andre nye produkter utgitt av selskapet. Interessant nok er "
+"kreativiteten i kundebasen deres egentlig bare en ressurs for selskapet, "
+"først når det opprinnelige arbeidet er ferdig og publisert, og idet folk "
+"lager sine egne tilpasninger til spillet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3192
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4122
msgid ""
"For all of their success, the creators of Cards Against Humanity are only "
"partially motivated by money. Max says they have always been interested in "
"games to make money—we make money so we can make more jokes and games,” he "
"said."
msgstr ""
+"Med all sin suksess, er de som laget Cards Against Humanity bare delvis "
+"motivert av penger. Max sier de alltid har vært interessert i Walt Disney "
+"sin filosofi om økonomisk suksess. «Vi lager ikke vitser og spill for å "
+"tjene penger – vi tjener penger slik at vi kan lage flere vitser og spill», "
+"sa han."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3199
-msgid ""
-"In fact, the company has given more than \\$4 million to various charities "
-"and causes. “Cards is not our life plan,” Max said. “We all have other "
-"interests and hobbies. We are passionate about other things going on in our "
-"lives. A lot of the activism we have done comes out of us taking things from "
-"the rest of our lives and channeling some of the excitement from the game "
-"into it.”"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3205
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4129
+#, fuzzy
+#| msgid ""
+#| "In fact, the company has given more than \\$4 million to various "
+#| "charities and causes. “Cards is not our life plan,” Max said. “We all "
+#| "have other interests and hobbies. We are passionate about other things "
+#| "going on in our lives. A lot of the activism we have done comes out of us "
+#| "taking things from the rest of our lives and channeling some of the "
+#| "excitement from the game into it.”"
+msgid ""
+"In fact, the company has given more than $4 million to various charities and "
+"causes. “Cards is not our life plan,” Max said. “We all have other interests "
+"and hobbies. We are passionate about other things going on in our lives. A "
+"lot of the activism we have done comes out of us taking things from the rest "
+"of our lives and channeling some of the excitement from the game into it.”"
+msgstr ""
+"Faktisk har selskapet gitt mer enn \\$4 millioner til forskjellige "
+"veldedighetsorganisasjoner og formål. «Kort er ikke vår plan for livet», sa "
+"Max. «Vi har andre interesser og hobbyer. Vi er opptatt av andre ting som "
+"skjer i våre liv. Mye av vår aktivisme som vi har utført springer ut fra at "
+"vi tar ut ting fra resten av våre liv og kanaliserer noe av spenningen i "
+"spillet inn i det»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4137
msgid ""
"Seeing money as fuel rather than the ultimate goal is what has enabled them "
"to embrace Creative Commons licensing without reservation. CC licensing "
"giving up exclusive control of your work necessarily means giving up some "
"opportunities to extract more money from customers."
msgstr ""
+"Å se penger som drivstoff i stedet for det endelige målet, er det som har "
+"gjort dem i stand til, uten reservasjon, å favne om Creative Commons-"
+"lisensiering. CC-lisensiering endte opp som et forstandig markedsføringsgrep "
+"for selskapet, men likevel, å gi opp den eksklusive kontrollen over sitt "
+"arbeid betyr nødvendigvis å gi opp noe av mulighetene til å hente ut mer "
+"penger fra kunder."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3210
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4145
msgid ""
"“It’s not right for everyone to release everything under CC licensing,” Max "
"said. “If your only goal is to make a lot of money, then CC is not best "
"strategy. This kind of business model, though, speaks to your values, and "
"who you are and why you’re making things.”"
msgstr ""
+"«Det er ikke riktig for alle å legge ut alt under CC-lisensiering», sa Max. "
+"«Hvis du har som eneste mål å tjene masse penger, er ikke CC beste strategi. "
+"Denne forretningsmodellen snakker imidlertid om dine verdier, og hvem du er "
+"og hvorfor du lager ting»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3212
-msgid "## The Conversation"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4153
+msgid "The Conversation"
+msgstr "The Conversation"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3216
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4156
msgid ""
"The Conversation is an independent source of news, sourced from the academic "
"and research community and delivered direct to the public over the Internet. "
"Founded in 2011 in Australia."
msgstr ""
+"The Conversation er en uavhengig kilde for nyheter, hentet fra akademiske og "
+"forskningsamfunnet og levert direkte til publikum over Internett. Grunnlagt "
+"2011 i Australia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3218
-msgid "theconversation.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4161
+msgid "<ulink url=\"http://theconversation.com\"/>"
+msgstr "<ulink url=\"http://theconversation.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3221
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4163
+#, fuzzy
+#| msgid ""
+#| "Revenue model: charging content creators (universities pay membership "
+#| "fees to have their faculties serve as writers), grant funding"
msgid ""
-"Revenue model: charging content creators (universities pay membership fees "
-"to have their faculties serve as writers), grant funding"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging content "
+"creators (universities pay membership fees to have their faculties serve as "
+"writers), grant funding"
msgstr ""
+"Inntektsmodell: Betaling fra innholdsleverandørene (universiteter betaler "
+"kontingent for å ha sine fakulteter som forfattere), donasjonsfinansiering"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3225
-msgid "Interviewee: Andrew Jaspan, founder"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4170
+#, fuzzy
+#| msgid "Interviewee: Andrew Jaspan, founder"
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Andrew Jaspan, founder"
+msgstr "Intervjuet: Andrew Jaspan, grunnlegger"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3235
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4178
msgid ""
"Andrew Jaspan spent years as an editor of major newspapers including the "
"Observer in London, the Sunday Herald in Glasgow, and the Age in Melbourne, "
"After he left the Age in 2005, his concern for the future journalism didn’t "
"go away. Andrew made a commitment to come up with an alternative model."
msgstr ""
+"Andrew Jaspan tilbrakte flere år som redaktør for store aviser, inkludert "
+"The Observer i London, The Sunday Herald i Glasgow og The age i Melbourne, "
+"Australia. Han opplevde selv nedgangen for avisene, inkludert fallet i "
+"inntekter, og permitteringer, og konstant press for kostnadsreduksjon. Etter "
+"at han forlot The Age i 2005, forsvant ikke hans bekymring for fremtidens "
+"journalistikk. Andrew forpliktet seg til å koke opp en alternativ modell."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3241
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4188
msgid ""
"Around the time he left his job as editor of the Melbourne Age, Andrew "
"wondered where citizens would get news grounded in fact and evidence rather "
"journalism with depth and substance but was concerned about the increasing "
"focus on the sensational and sexy."
msgstr ""
+"På det tidspunktet han forlot jobben som redaktør av Melbourne Age, undret "
+"Andrew seg på hvor borgerne ville få nyheter forankret i fakta og bevis "
+"snarere enn i mening eller ideologi. Han mente det fortsatt var etterspørsel "
+"etter journalistikk med dybde og substans, men var bekymret for økende fokus "
+"på det spekulative."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3259
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4195
msgid ""
"While at the Age, he’d become friends with a vice-chancellor of a university "
"in Melbourne who encouraged him to talk to smart people across campus—an "
"disconnected from it. They are an enormous public resource but not that good "
"at presenting their expertise to the wider public."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3270
+"Mens han var i avisen «The Age», var han blitt venner med en prorektor ved "
+"et universitet i Melbourne, som oppmuntret ham til å snakke med gløgge folk "
+"på hele lærestedet – en astrofysiker, en nobelprisvinner, forskere fra "
+"geovitenskap, økonomer ... Disse var dyktige folk som han ønsket var mer "
+"involvert i å informere verden om hva som skjer, og rette feilene som dukker "
+"opp i media. De var imidlertid uvillige til å engasjere seg i massemedia. "
+"Ofte forsto ikke journalister hva de sa, eller valgte ensidig ut hvilket "
+"aspekt av en historie som ble fortalt, og publiserte en versjon som "
+"fagfolkene følte var feil eller feilkarakterisert. Aviser ønsker å tiltrekke "
+"seg et stort publikum. Forskere vil kommunisere seriøse nyheter, funn og "
+"innsikter. Det er ikke en perfekt overensstemmelse (match) . Universiteter "
+"er massive lagre med kunnskap, forskning, visdom og ekspertise. Men mye av "
+"dette ligger bak en vegg de har laget selv – det er metaforene om en "
+"inngjerdet hage og elfenbenstårnet, og i mer bokstavelig forstand, "
+"betalingsveggen. Bredt sagt er universiteter en del av samfunnet, men "
+"frakoblet det. De er en enorm offentlig ressurs, men ikke så bra på å "
+"presentere sin kompetanse til det bredere publlikum."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4216
msgid ""
"Andrew believed he could to help connect academics back into the public "
"arena, and maybe help society find solutions to big problems. He thought "
"about pairing professional editors with university and research experts, "
"working one-on-one to refine everything from story structure to headline, "
-"captions, and quotes. The editors could help turn something that is academic "
-"into something understandable and readable. And this would be a key "
+"captions, and quotes. The editors could help turn something that is "
+"academic into something understandable and readable. And this would be a key "
"difference from traditional journalism—the subject matter expert would get a "
"chance to check the article and give final approval before it is published. "
"Compare this with reporters just picking and choosing the quotes and writing "
"whatever they want."
msgstr ""
+"Andrew trodde han kunne hjelpe til med å koble akademikere til den "
+"offentlige arenaen igjen, og kanskje bidra til at samfunnet finner løsninger "
+"på større problemer. Han tenkte på å koble profesjonelle redaktører med "
+"universitet og forskere, til å arbeider én-til-én for å forbedre alt fra "
+"fortellingsstruktur til overskrift, bildetekster og sitater. Redaktørene kan "
+"bidra til å gjøre noe som er akademisk, til noe forståelig og lesbart. Dette "
+"ville vært en hovedforskjell fra tradisjonell journalistikk – emneeksperten "
+"ville fått en sjanse å se artikkelen, og gi den en endelig godkjenning før "
+"den blir publisert. Sammenlign dette med journalister som bare plukker og "
+"velger sitater, og skriver hva enn de måtte ønske."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3281
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4229
msgid ""
"The people he spoke to liked this idea, and Andrew embarked on raising money "
"and support with the help of the Commonwealth Scientific and Industrial "
"was launched as an independent news site in Australia. Everything published "
"in the Conversation is openly licensed with Creative Commons."
msgstr ""
+"De han snakket med likte denne idéen, og Andrew gikk i gang med å skaffe "
+"penger og støtte ved hjelp av Commonwealth Scientific og Industrial Research "
+"Organisation (CSIRO), University of Melbourne, Monash University, University "
+"of Technology Sydney, og University of Western Australia. Disse "
+"grunnleggende samarbeidspartnere så verdien av en uavhengig "
+"informasjonskanal som også ville bli et utstillingsvindu for talent og "
+"kunnskap i universitets- og forskningssektoren. Med deres hjelp, i 2011, ble "
+"Conversation lansert som en uavhengig nyhetsside i Australia. Alt som "
+"publiseres i Conversation lisensieres åpent med Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3290
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4242
msgid ""
"The Conversation is founded on the belief that underpinning a functioning "
"democracy is access to independent, high-quality, informative journalism. "
"dedicated to the public good. Their core mission is simple: to provide "
"readers with a reliable source of evidence-based information."
msgstr ""
+"Conversation er grunnlagt på den oppfatning at forankringen av et fungerende "
+"demokrati er tilgang til uavhengig, informativ journalistikk med høy "
+"kvalitet. Conversations mål er at folk skal få en bedre forståelse av "
+"aktuelle saker og komplekse problemstillinger – og forhåpentligvis også "
+"høyne kvaliteten på den offentlige diskusjonen. Conversation ser seg selv "
+"som en kilde til pålitelig informasjon til vårt felles beste. Kjerneoppgaven "
+"deres er enkel: Å gi leserne en pålitelig kilde til bevisbasert informasjon."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4255
+msgid "<ulink url=\"http://theconversation.com/us/charter\"/>"
+msgstr "<ulink url=\"http://theconversation.com/us/charter\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3303
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4253
msgid ""
"Andrew worked hard to reinvent a methodology for creating reliable, credible "
"content. He introduced strict new working practices, a charter, and codes of "
-"conduct.1 These include fully disclosing who every author is (with their "
-"relevant expertise); who is funding their research; and if there are any "
-"potential or real conflicts of interest. Also important is where the content "
-"originates, and even though it comes from the university and research "
-"community, it still needs to be fully disclosed. The Conversation does not "
-"sit behind a paywall. Andrew believes access to information is an issue of "
-"equality—everyone should have access, like access to clean water. The "
-"Conversation is committed to an open and free Internet. Everyone should have "
-"free access to their content, and be able to share it or republish it."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3314
+"conduct.<placeholder type=\"footnote\" id=\"0\"/> These include fully "
+"disclosing who every author is (with their relevant expertise); who is "
+"funding their research; and if there are any potential or real conflicts of "
+"interest. Also important is where the content originates, and even though it "
+"comes from the university and research community, it still needs to be fully "
+"disclosed. The Conversation does not sit behind a paywall. Andrew believes "
+"access to information is an issue of equality—everyone should have access, "
+"like access to clean water. The Conversation is committed to an open and "
+"free Internet. Everyone should have free access to their content, and be "
+"able to share it or republish it."
+msgstr ""
+"Andrew jobbet hardt for å gjenoppfinne en metodikk for å lage pålitelig, "
+"troverdig innhold. Han innførte strenge nye arbeidsrutiner, prinsipper og "
+"koder for utføringen.<placeholder type=\"footnote\" id=\"0\"/> Disse "
+"inkluderer full åpenhet om hvem hver forfatter er (med sin relevante "
+"kompetanse); hvem som finansierer forskningen deres; og om det er noen "
+"potensielle eller faktiske interessekonflikter. Viktig er det også hvor "
+"innholdet kommer fra, og selv om det kommer fra universitets- og "
+"forskningssamfunnet, må det fremdeles være helt åpent. Conversation "
+"befinner seg ikke bak betalingsmur. Andrew tror at tilgang til informasjon "
+"er et likhetsspørsmål – alle skal ha tilgang, som tilgang til rent vann. "
+"Conversation er forpliktet til et åpent og gratis Internett. Alle bør ha "
+"gratis tilgang til innholdet deres, kunne dele det, eller publiserere det på "
+"nytt."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4268
msgid ""
"Creative Commons help with these goals; articles are published with the "
"Attribution- NoDerivs license (CC BY-ND). They’re freely available for "
"Commons license, and in Andrew’s view, Creative Commons is central to "
"everything the Conversation does."
msgstr ""
+"Creative Commons hjelper til med disse målene; artiklene publiseres med "
+"Attribution-NoDerivs-lisens (CC BY-ND). Det er fritt tilgjengelig for andre "
+"å viderepublisere et annet sted så lenge henvisning er gitt, og innholdet "
+"ikke er endret. I fem år har mer enn tjueto tusen nettsteder republisert "
+"innholdet. Conversations nettsted får om lag 2,9 millioner unike "
+"sidevisninger pr. måned, men gjennom viderepublisering har de trettifem "
+"millioner lesere. Dette kunne ikke blitt gjort uten Creative Commons-"
+"lisensen, og etter Andrews syn, er Creative Commons sentral i alt "
+"Conversation gjør."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3321
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4280
msgid ""
"When readers come across the Conversation, they seem to like what they find "
-"and recommend it to their friends, peers, and networks. Readership has grown "
-"primarily through word of mouth. While they don’t have sales and marketing, "
-"they do promote their work through social media (including Twitter and "
-"Facebook), and by being an accredited supplier to Google News."
+"and recommend it to their friends, peers, and networks. Readership has "
+"grown primarily through word of mouth. While they don’t have sales and "
+"marketing, they do promote their work through social media (including "
+"Twitter and Facebook), and by being an accredited supplier to Google News."
msgstr ""
+"Når leserne kommer over Conversation, virker det som om de liker det de "
+"finner, og anbefaler det til venner, kolleger, og sine nettverk. Leserskaren "
+"har primært vokst gjennom jungeltelegrafen. Selv om de ikke har salg og "
+"markedsføring, fremmer de sitt arbeid gjennom sosiale medier (inkludert "
+"Twitter og Facebook), og ved å være en akkreditert leverandør til Google "
+"News."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3329
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4288
msgid ""
"It’s usual for the founders of any company to ask themselves what kind of "
"company it should be. It quickly became clear to the founders of the "
"eyeballs as possible and sell ads. The Conversation founders didn’t want "
"this model. It takes no advertising and is a not-for-profit venture."
msgstr ""
+"Det er vanlig for grunnleggerne av alle selskaper å spørre seg selv hva "
+"slags selskap det skal være. Det ble raskt klart for grunnleggerne av "
+"Conversation at de ønsket å opprette et offentlig gode i stedet for å tjene "
+"penger på informasjonen. De fleste medieselskaper arbeider med å samle så "
+"mange øyne som mulig for salg av annonser. Conversation-stifterne ønsket "
+"ikke den modellen. De har ingen reklame og er et ikke-for-profitt -"
+"foretagende."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3338
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4297
msgid ""
"There are now different editions of the Conversation for Africa, the United "
"Kingdom, France, and the United States, in addition to the one for "
"hundred universities around the world. The Conversation would like to be "
"working with university scholars from even more parts of the world."
msgstr ""
+"I dag er det ulike utgaver av Conversation for Afrika, Storbritannia, "
+"Frankrike og USA, i tillegg til en for Australia. Alle fem versjonene har "
+"egne redaksjonelle kolofoner, eget rådgivende styre og eget innhold. "
+"Conversations globale virtuelle redaksjon har omtrent nitti ansatte som "
+"arbeider med trettifem tusen akademikere fra over seksten hundre "
+"universiteter over hele verden. Conversation ønsker å jobbe med "
+"universitetsforskere fra enda flere deler av verden."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3345
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4307
msgid ""
"Additionally, each edition has its own set of founding partners, strategic "
"partners, and funders. They’ve received funding from foundations, "
"to sustain operations. This would safeguard the current service and help "
"improve coverage and features."
msgstr ""
+"I tillegg har hver utgave sitt eget sett av finansieringspartnere, "
+"strategiske partnere og finansielle bidragsytere. De har mottatt "
+"finansiering fra stiftelser, bedrifter, institusjoner og individuelle "
+"donasjoner, men Conversation beveger seg mot betalt medlemskap fra "
+"universiteter og forskningsinstitusjoner for å videreføre virksomheten. "
+"Dette ville sikre den nåværende tjenesten, og hjelpe til med å forbedre "
+"dekning og funksjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3351
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4316
msgid ""
"When professors from member universities write an article, there is some "
"branding of the university associated with the article. On the Conversation "
"Early participants may be designated as “founding members,” with seats on "
"the editorial advisory board."
msgstr ""
+"Når professorer fra medlemsuniversiteter skriver en artikkel, er det noe "
+"merkevarebygging for universitetet tilknyttet artikkelen. På Conversations "
+"nettside, er betalende universitetsmedlemmer oppført som \"medlemmer og "
+"finansierere .\" Tidlige deltakerne kan angis som \"grunnleggermedlemmer\", "
+"med plass i det redaksjonelle rådgivende styre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3359
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4323
msgid ""
"Academics are not paid for their contributions, but they get free editing "
-"from a professional (four to five hours per piece, on average). They also "
+"from a professional (four to five hours per piece, on average). They also "
"get access to a large audience. Every author and member university has "
"access to a special analytics dashboard where they can check the reach of an "
"article. The metrics include what people are tweeting, the comments, "
"countries the readership represents, where the article is being republished, "
"and the number of readers per article."
msgstr ""
+"Akademikere betales ikke for sine bidrag, men får fri redigeringsbistand fra "
+"en profesjonell (fire til fem timer i gjennomsnitt per stykke). De får også "
+"tilgang til et stort publikum. Hver forfatter og medlems-universitet har "
+"tilgang til en spesiell analyseoversikt der de kan se hvor langt en artikkel "
+"rekker ut. Beregningene omfatter hva folk kvitrer, kommentarene, landene "
+"lesekretsen representerer, hvor artikkelen er viderepublisert, og antall "
+"lesere per artikkel."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3365
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4333
msgid ""
"The Conversation plans to expand the dashboard to show not just reach but "
"impact. This tracks activities, behaviors, and events that occurred as a "
"a show to discuss their piece, give a talk at a conference, collaborate, "
"submit a journal paper, and consult a company on a topic."
msgstr ""
+"Conversation planlegger å utvide analyseverktøyet til å vise ikke bare "
+"spredning, men innvirkning. Dette sporer aktiviteter, atferd og hendelser "
+"som som følge av publikasjonen, inkludert ting som at en fagperson blir bedt "
+"om å være med på en forestilling for å diskutere sitt bidrag, holde en tale "
+"på en konferanse, samarbeide, sende et bidrag til en journal og konsultere "
+"et selskap om et emne."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3369
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4341
msgid ""
-"These reach and impact metrics show the benefits of membership. With the "
+"These reach and impact metrics show the benefits of membership. With the "
"Conversation, universities can engage with the public and show why they’re "
"of value."
msgstr ""
+"Disse gjennomslags- og rekkeviddeberegningene viser fordelene ved "
+"medlemskap. Med Conversation kan universiteter engasjere offentligheten, og "
+"vise at de er verdifulle."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3375
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4346
msgid ""
"With its tagline, “Academic Rigor, Journalistic Flair,” the Conversation "
"represents a new form of journalism that contributes to a more informed "
"and use of Creative Commons show how it’s possible to generate both a public "
"good and operational revenue at the same time."
msgstr ""
+"Med sitt slagord, «Akademisk standhaftighet, journalistisk finesse», "
+"representerer Conversation en ny form for journalistikk som bidrar til en "
+"bedre informert borgerstand, og forbedret demokrati rundt om i verden. Dets "
+"åpne forretningsmodell og bruk av Creative Commons viser hvordan det er "
+"mulig å bygge opp både et offentlig gode, og inndrive operasjonelle "
+"inntekter samtidig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3377
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4486
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5765
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7410
-msgid "Web link"
-msgstr ""
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3379
-msgid "theconversation.com/us/charter"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3381
-msgid "## Cory Doctorow"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4355
+msgid "Cory Doctorow"
+msgstr "Cory Doctorow"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3384
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4358
msgid ""
"Cory Doctorow is a science fiction writer, activist, blogger, and "
"journalist. Based in the U.S."
msgstr ""
+"Cory Doctorow er en science fiction-forfatter, aktivist, blogger og "
+"journalist med base i USA."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3386
-msgid "craphound.com and boingboing.net"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4361
+msgid ""
+"<ulink url=\"http://craphound.com\"/> and <ulink url=\"http://boingboing.net"
+"\"/>"
msgstr ""
+"<ulink url=\"http://craphound.com\"/> and <ulink url=\"http://boingboing.net"
+"\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3389
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4364
+#, fuzzy
+#| msgid ""
+#| "Revenue model: charging for physical copies (book sales), pay-what-you-"
+#| "want, selling translation rights to books"
msgid ""
-"Revenue model: charging for physical copies (book sales), pay-what-you-want, "
-"selling translation rights to books"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies (book sales), pay-what-you-want, selling translation rights to books"
msgstr ""
+"Inntektsmodell: Betaling for fysiske kopier (boksalg), betal-hva-du-vil, "
+"salg av rettigheter til bokoversettelser"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3391
-msgid "Interview date: January 12, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4368
+#, fuzzy
+#| msgid "Interview date: January 12, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: January 12, 2016"
+msgstr "Dato for intervju: 12. januar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3400
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4376
msgid ""
"Cory Doctorow hates the term “business model,” and he is adamant that he is "
"not a brand. “To me, branding is the idea that you can take a thing that has "
"thing that animates me to work crazy insane hours because it’s the most "
"important thing I know how to do.”"
msgstr ""
+"Cory Doctorow hater begrepet «forretningsmodell», og han er ubøyelig på at "
+"han ikke er en merkevare. «For meg er merkevarebygging idéen om at du kan ta "
+"en ting som har visse kvaliteter, fjerne kvalitetene og så gå i gang med å "
+"selge det», sa han. «Jeg er ikke der ute for å prøve å finne ut hvordan man "
+"blir en merkevare. Jeg gjør det som egger meg i det å arbeide et sinnssykt "
+"antall timer fordi det er det aller viktigste jeg vet hvordan skal gjøres»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3404
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4385
msgid ""
"Cory calls himself an entrepreneur. He likes to say his success came from "
"making stuff people happened to like and then getting out of the way of them "
"sharing it."
msgstr ""
+"Cory kaller seg entreprenør. Han liker å si at hans suksess kom fra å gjøre "
+"ting folk tilfeldigvis liker, for så å ikke være i veien når de deler det."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3413
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4390
+#, fuzzy
msgid ""
"He is a science fiction writer, activist, blogger, and journalist. "
"Beginning with his first novel, Down and Out in the Magic Kingdom, in 2003, "
"nonfiction books, including the most recent Information Doesn’t Want to Be "
"Free, about the ways in which creators can make a living in the Internet age."
msgstr ""
+"Han er science fiction-forfatter, aktivist, blogger og journalist. Han "
+"begynte med sin første roman, Down and Out in the Magic Kingdom, i 2003, med "
+"sitt arbeid publisert med en Creative Commons-lisens. Cory er medredaktør av "
+"det populære CC-lisensierte nettstedet Boing Boing, der han skriver om "
+"teknologi, politikk, opphavsrett og programvarepatenter. Han har også "
+"skrevet flere sakprosa-bøker, inkludert den nyeste \"Information Doesn’t "
+"Want to Be Free\", om måtene innholdsprodusenter kan skaffe seg et levebrød "
+"i Internett-alderen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3417
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4401
msgid ""
"Cory primarily makes money by selling physical books, but he also takes on "
"paid speaking gigs and is experimenting with pay-what-you-want models for "
"his work."
msgstr ""
+"Cory tjener primært penger ved å selge fysiske bøker, men han tar også "
+"betalt på foredragsarrangementer, og eksperimenterer med betal-hva-du-vil-"
+"modeller for sitt arbeid."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3432
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4406
msgid ""
"While Cory’s extensive body of fiction work has a large following, he is "
"just as well known for his activism. He is an outspoken opponent of "
"lock up content because he thinks both undermine creators and the public "
"interest. He is currently a special adviser at the Electronic Frontier "
"Foundation, where he is involved in a lawsuit challenging the U.S. law that "
-"protects DRM. Cory says his political work doesn’t directly make him money, "
+"protects DRM. Cory says his political work doesn’t directly make him money, "
"but if he gave it up, he thinks he would lose credibility and, more "
"importantly, lose the drive that propels him to create. “My political work "
"is a different expression of the same artistic-political urge,” he said. “I "
"the genuineness would leach out of what I do, and the quality that causes "
"people to like what I do would be gone.”"
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3443
+"Mens Corys omfattende fiksjonsforfatterskap har en stor tilhengerskare, er "
+"han like godt kjent for sin aktivisme. Han er en frittalende motstander av "
+"at restriktiv opphavsretts- og digital rettighetshåndteringsteknologi (DRM-"
+"teknologi ) brukes til å låse innhold, fordi han mener begge undergraver "
+"innholdsprodusenters- og offentlighetens interesser. Han er spesialrådgiver "
+"for Electronic Frontier Foundation, hvor han er involvert i en rettssak som "
+"utfordrer den amerikanske lovens beskyttelse av DRM. Cory sier at hans "
+"politiske arbeid ikke er direkte inntektsbringende, men hvis han ga det opp, "
+"tror han at han vil miste troverdighet, og enda viktigere, tape pågangsmotet "
+"som driver ham til å lage innhold. «Mitt politiske arbeid er et annet "
+"uttrykk for den samme kunstnerisk-politiske trangen», sa han. «Jeg har denne "
+"mistanken om at hvis jeg ga opp tingene som ikke ga meg penger, ville "
+"ektheten forsvinne fra det jeg gjør, og kvaliteten som fører folk til å like "
+"det jeg gjør, ville bli borte»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4423
msgid ""
"Cory has been financially successful, but money is not his primary "
"motivation. At the start of his book Information Doesn’t Want to Be Free, he "
"stresses how important it is not to become an artist if your goal is to get "
"rich. “Entering the arts because you want to get rich is like buying lottery "
"tickets because you want to get rich,” he wrote. “It might work, but it "
-"almost certainly won’t. Though, of course, someone always wins the lottery.” "
-"He acknowledges that he is one of the lucky few to “make it,” but he says he "
-"would be writing no matter what. “I am compelled to write,” he wrote. “Long "
-"before I wrote to keep myself fed and sheltered, I was writing to keep "
-"myself sane.”"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3451
+"almost certainly won’t. Though, of course, someone always wins the "
+"lottery.” He acknowledges that he is one of the lucky few to “make it,” but "
+"he says he would be writing no matter what. “I am compelled to write,” he "
+"wrote. “Long before I wrote to keep myself fed and sheltered, I was writing "
+"to keep myself sane.”"
+msgstr ""
+"Cory har blitt økonomisk vellykket, men penger er ikke hans viktigste "
+"motivasjon. I begynnelsen i boka «Information Doesn’t Want to Be Free» "
+"understreker han hvor viktig det er å ikke bli kunstner, hvis målet ditt er "
+"å bli rik. «Å velge kunsten fordi du ønsker å bli rik er som å kjøpe lodd, "
+"fordi du vil bli rik», skrev han. «Det kan fungere, men det vil nesten helt "
+"sikkert ikke gjøre det. Selvfølgelig vinner noen selv alltid lotteriet». Han "
+"erkjenner at han er en av de heldige få som «får det til», men han sier han "
+"vil skrive samme hva. «Jeg er nødt til å skrive», skrev han. «Lenge før jeg "
+"skrev for å få mat på bordet og tak over hodet, skrev jeg for å holde meg "
+"selv frisk»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4436
msgid ""
"Just as money is not his primary motivation to create, money is not his "
"primary motivation to share. For Cory, sharing his work with Creative "
"created to try to stop copying.” In other words, using CC licenses "
"symbolizes his worldview."
msgstr ""
+"Akkurat som penger ikke er hans primære motivasjon for å skape, er penger "
+"ikke hans primære motivasjon for å dele. For Cory er å dele sitt arbeid med "
+"Creative Commons et moralsk imperativ. «Det føltes moralsk riktig», sa han "
+"om sin beslutning om å ta i bruk (vedta) Creative Commons-lisenser. «Jeg "
+"følte at jeg ikke var bidragsyter til overvåkningskultur og sensur, som er "
+"opprettet for å prøve å stoppe kopieringen». Med andre ord symboliserer "
+"bruken av CC-lisenser hans verdensbilde."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3459
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4446
msgid ""
"He also feels like there is a solid commercial basis for licensing his work "
"with Creative Commons. While he acknowledges he hasn’t been able to do a "
"people they should pay him for his work. “I started by not calling them "
"thieves,” he said."
msgstr ""
+"Han føler også at det finnes en solid kommersiell basis for lisensiering av "
+"sitt arbeid med Creative Commons. Mens han erkjenner at han ikke har vært i "
+"stand til å gjøre et kontrollert eksperiment for å sammenligne de "
+"kommersielle fordelene ved lisensiering med CC opp mot å reservere alle "
+"rettigheter, mener han at han har solgt flere bøker ved å bruke en CC-lisens "
+"enn han ville ha gjort uten. Cory sier at hans mål er å overbevise folk om "
+"at de skal betale ham for sitt arbeid». Jeg startet med å ikke kalle dem "
+"tyver», sa han."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3470
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4456
msgid ""
-"Cory started using CC licenses soon after they were first created. At the "
+"Cory started using CC licenses soon after they were first created. At the "
"time his first novel came out, he says the science fiction genre was overrun "
-"with people scanning and downloading books without permission. When he and "
+"with people scanning and downloading books without permission. When he and "
"his publisher took a closer look at who was doing that sort of thing online, "
"they realized it looked a lot like book promotion. “I knew there was a "
"relationship between having enthusiastic readers and having a successful "
"book, which is a big effort. I decided to spare them the time and energy, "
"and give them the book for free in a format destined to spread.”"
msgstr ""
+"Cory startet bruken av CC-lisenser like etter at de var laget ferdige. Da "
+"hans første novelle kom ut, sa han at science fiction-sjangeren var misbrukt "
+"av folk som lastet ned og delte bøker uten lov. Da han i samråd med sin "
+"forlegger tok dem som gjorde dette på nett i nærmere øyesyn, skjønte de at "
+"det så mer ut som bokpromotering. «Jeg visste at det var en symbiose mellom "
+"en entusiastisk leserskare og suksess som skribent», sa han. «På den tiden "
+"tok det åtti timer å tegnlese (OCR) en bok (OCR – optical character "
+"recognition), noe som krever mye innsats. Jeg besluttet å spare dem tiden og "
+"energien, og gi ut boken min gratis i et format som var beregnet for "
+"spredning»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3476
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4469
msgid ""
"Cory admits the stakes were pretty low for him when he first adopted "
"Creative Commons licenses. He only had to sell two thousand copies of his "
"successfully at that time because he was just starting out. Now they say he "
"can only do it because he is an established author."
msgstr ""
+"Cory innrømmer at satsingen hans var ganske liten da han først tok i bruk "
+"Creative Commons-lisenser. Han måtte bare selge to tusen eksemplarer av boka "
+"si for å gå i null. Folk sa ofte at han kun var i stand til å nytte CC-"
+"lisensiering med hell på dette tidspunktet fordi han var i startfasen. Nå "
+"sier de at det er som følge av hans etablerte forfatterskap."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3483
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4477
msgid ""
"The bottom line, Cory says, is that no one has found a way to prevent people "
"from copying the stuff they like. Rather than fighting the tide, Cory makes "
-"his work intrinsically shareable. “Getting the hell out of the way for "
+"his work intrinsically shareable. “Getting the hell out of the way for "
"people who want to share their love of you with other people sounds obvious, "
"but it’s remarkable how many people don’t do it,” he said."
msgstr ""
+"I konklusjonen, sier Cory at ingen har funnet en måte å forhindre folk fra å "
+"kopiere ting de liker. Snarere enn å opptre naturstridig, gjør han sitt "
+"arbeid egentlig (iboende) delbart. «Å i god fart komme seg vekk fra å være i "
+"veien for folk som vil dele sin kjærlighet til deg med andre, høres opplagt "
+"ut, men det er oppsiktsvekkende hvor mange som ikke synes det»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3496
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4485
+#, fuzzy
msgid ""
"Making his work available under Creative Commons licenses enables him to "
"view his biggest fans as his ambassadors. “Being open to fan activity makes "
"interact with it,” he said. Cory’s own website routinely highlights cool "
"things his audience has done with his work. Unlike corporations like Disney "
"that tend to have a hands-off relationship with their fan activity, he has a "
-"symbiotic relationship with his audience. “Engaging with your audience "
-"can’t guarantee you success,” he said. “And Disney is an example of being "
-"able to remain aloof and still being the most successful company in the "
-"creative industry in history. But I figure my likelihood of being Disney is "
-"pretty slim, so I should take all the help I can get.”"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3509
+"symbiotic relationship with his audience. “Engaging with your audience can’t "
+"guarantee you success,” he said. “And Disney is an example of being able to "
+"remain aloof and still being the most successful company in the creative "
+"industry in history. But I figure my likelihood of being Disney is pretty "
+"slim, so I should take all the help I can get.”"
+msgstr ""
+"Ved å gjøre sitt arbeid tilgjengelig med CC-lisenser lar har se sine mest "
+"ihuga tilhengere som sine ambassadører. \"Å være åpen for fan-aktivitet gjør "
+"deg til en del av samtalen om hva tilhengere gjør med ditt arbeide, og "
+"hvordan de kommuniserer med det. sa han. Corys egen nettside framhever "
+"regelmessig kule ting hans publikum har gjort med hans arbeide. Ulikt "
+"selskaper som Disney, som tenderer til å ha et hendene vekk-forhold til sin "
+"fanskare, har han en nær sameksistens med sitt publikum. \"Å engasjerer ditt "
+"publikum kan ikke garantere suksess\", sa han. \"Og Disney er et eksempel å "
+"merke seg, i det at de tross alt er det mest vellykkede selskapet i den "
+"kreative industrien. Dog ser jeg min sannsynlighet for å bli Disney heller "
+"usannsynlig, så jeg bør ta all den hjelp jeg kan få."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4500
+#, fuzzy
msgid ""
"His first book was published under the most restrictive Creative Commons "
-"license, Attribution-NonCommercial-NoDerivs (CC BY-NC-ND). It allows only "
+"license, Attribution-NonCommercial-NoDerivs (CC BY-NC-ND). It allows only "
"verbatim copying for noncommercial purposes. His later work is published "
"under the Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA), which "
"gives people the right to adapt his work for noncommercial purposes but only "
"thinks it is more difficult to get people to pay for translations if there "
"are fan translations already available for free."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3521
+"Hans første bok ble publisert med den mest restriktive Creative Commons-"
+"lisensen, Attribution-NonCommercial-NoDerivs (CC BY-NC-ND). Den tillater kun "
+"helhetlig kopiering for ikke-kommersielle formål. Hans senere arbeider kom "
+"ut under Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA), som gir "
+"folk retten til å endre hans arbeider for ikke-kommersielle formål, men bare "
+"hvis de deler på like lisensvilkår. Før han utgav sitt arbeid under en CC-"
+"lisens som tillater bearbeidelser, selger han alltid retten til å oversette "
+"boka til andre språk til en forlagsmann først. Han ønsker å nå nye "
+"potensielle kjøpere i andre deler av verden, og tror det er vanskeligere å "
+"få folk til å betale for oversettelser hvis det allerede finnes "
+"uprofesjonelle oversettelser tilgjengelig gratis."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4515
+#, fuzzy
msgid ""
"In his book Information Doesn’t Want to Be Free, Cory likens his philosophy "
"to thinking like a dandelion. Dandelions produce thousands of seeds each "
"there who may want to buy creative work or compensate authors for it in some "
"other way. “The more places your work can find itself, the greater the "
"likelihood that it will find one of those would-be customers in some "
-"unsuspected crack in the metaphorical pavement,” he wrote. “The copies that "
+"unsuspected crack in the metaphorical pavement,” he wrote. “The copies that "
"others make of my work cost me nothing, and present the possibility that "
"I’ll get something.”"
msgstr ""
+"I hans bok \"Information Doesn't Want to Be Free\", holder Cory løvetannen "
+"opp mot lyset av sin filosofi. De produserer tusener av frø hver vår, og de "
+"blåses for alle vinder i alle retninger. Strategien er å maksimalisere "
+"antall tilfeldigheter som må på plass for at den skal kunne videreføre sin "
+"hærkomst. Likeledes, sier han at det finnes mange der ute som ønsker å kjøe "
+"kreative arbeider eller kompensere forfattere for dem, på en eller annen "
+"måte. \"Desto flere plasser ditt arbeide kan finne sitt publikum, desto "
+"større er sjansen for at en potensiell kunde skal springe ut av asfalten.\" "
+"skrev han. Kopiene andre gjør av arbeidet koster meg ingenting, og "
+"presenterer muligheten for at jeg får noe tilbake.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3530
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4529
msgid ""
"Applying a CC license to his work increases the chances it will be shared "
"more widely around the Web. He avoids DRM—and openly opposes the practice—"
"for similar reasons. DRM has the effect of tying a work to a particular "
"platform. This digital lock, in turn, strips the authors of control over "
-"their own work and hands that control over to the platform. He calls it "
+"their own work and hands that control over to the platform. He calls it "
"Cory’s First Law: “Anytime someone puts a lock on something that belongs to "
"you and won’t give you the key, that lock isn’t there for your benefit.”"
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3539
+"Bruk av en CC-lisens i sitt arbeid øker sjansen for at det skal deles viden "
+"rundt på nettet. Han unngår DRM (Digital rights management) – og nytter "
+"åpent høvet til å ville avskaffe slikt – av lignende grunner. DRM har "
+"effekten av å prøve å binde et verk til en spesiell plattform. Denne "
+"digitale låsen vil i tur medføre at forfatterne mister kontroll over eget "
+"arbeide, og overleverer kontrollen til plattformen. Han kaller det Corys "
+"første lov: «Hver gang noen putter en lås på noe som tilhører deg, og ikke "
+"ønsker å gi deg nøkkelen, er den ikke der i hensikt å gavne deg»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4539
+#, fuzzy
msgid ""
"Cory operates under the premise that artists benefit when there are more, "
"rather than fewer, places where people can access their work. The Internet "
-"has opened up those avenues, but DRM is designed to limit them. “On the one "
+"has opened up those avenues, but DRM is designed to limit them. “On the one "
"hand, we can credibly make our work available to a widely dispersed "
"audience,” he said. “On the other hand, the intermediaries we historically "
"sold to are making it harder to go around them.” Cory continually looks for "
"ways to reach his audience without relying upon major platforms that will "
"try to take control over his work."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3548
+"Cory opererer under premisset om at artister nyter godt av flere, snarere "
+"enn færre plasser tilgjengelig for deres arbeide. Internett har åpnet opp de "
+"krokene, men DRM er designet for å begrense dem. \"På den ene siden kan vi i "
+"god tro gjøre vårt arbeide tilgjengelig for et vidt publikum,\" sa han. \"På "
+"den andre siden, gjør forlagsholderne vi tradisjonelt har gått til det "
+"vanskeligere å komme unna dem.\" Cory ser kontinuerlig etter måter å nå sitt "
+"publikum uten å måtte ha med store plattformer som ønsker å ta kontrollen "
+"over hans arbeide å gjøre."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4550
+#, fuzzy
msgid ""
"Cory says his e-book sales have been lower than those of his competitors, "
"and he attributes some of that to the CC license making the work available "
"creator’s work. He is planning to try his own pay-what-you-want experiment "
"soon."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3557
+"Cory sier at hans nettbaserte boksalg har vært lavere enn sine konkurrenter, "
+"og han mener noe av det skriver seg til bruken av CC-lisensiering i det at "
+"det gjør arbeidene tilgjengelige gratis. Han tror dog at folk er villige til "
+"å betale for innhold de liker, selv når det er tilgjengelig gratis, så lenge "
+"det er enkelt å gjøre. Han traff helt blink i bruken av Humble Bundle, en "
+"plattform som tillater folk å betale det de vil, for DRM-frie versjoner av "
+"et knippe arbeider. Han planlegger å sette sitt eget betal-hva-du-vil -"
+"eksperiment ut i livet snart."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4561
+#, fuzzy
msgid ""
"Fans are particularly willing to pay when they feel personally connected to "
"the artist. Cory works hard to create that personal connection. One way he "
-"does this is by personally answering every single email he gets. “If you "
-"look at the history of artists, most die in penury,” he said. “That reality "
+"does this is by personally answering every single email he gets. “If you "
+"look at the history of artists, most die in penury,” he said. “That reality "
"means that for artists, we have to find ways to support ourselves when "
-"public tastes shift, when copyright stops producing. Future-proofing your "
+"public tastes shift, when copyright stops producing. Future-proofing your "
"artistic career in many ways means figuring out how to stay connected to "
"those people who have been touched by your work.”"
msgstr ""
+"Tilhengere er i særdeleshet villig til å betale når de føler seg personlig "
+"tilknyttet artisten. Cory arbeider hardt for å knytte de personlige båndene. "
+"Én måte han gjør dette på er å svare personlig på hver eneste e-post han "
+"får. \"Hvis du ser på artisters historikk, vil du se at de fleste dør i "
+"elendighet,\" \"Det betyr at for artister, må vi finne måter å støtte oss "
+"selv, trass i at den gemene hops drifter tar annen retning, når kopiretten "
+"slutter å produsere. Å sikre sin artistiske karriére for fremtiden er på "
+"mange måter noe som handler om å holde kontakten med dem som har blitt rørt "
+"av ditt arbeide.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3563
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4572
msgid ""
"Cory’s realism about the difficulty of making a living in the arts does not "
"reflect pessimism about the Internet age. Instead, he says the fact that it "
"in his book, “is how many ways there are to make things, and to get them "
"into other people’s hands and minds.”"
msgstr ""
+"Corys realisme om vanskeligheten rundt det å leve av kunsten gjør seg ikke "
+"gjeldende som pessimisme rundt internettalderen. Isteden sier han at det "
+"faktum at det er vanskelig å livnære seg som artist, ikke er noe nytt. Det "
+"som er nytt, skriver han i sin bok, «er hvor mange måter det går an å lage "
+"ting på, og hvordan man får dem inn i andre folks sinn og hender»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3565
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4580
msgid "It has never been easier to think like a dandelion."
-msgstr ""
+msgstr "Det har aldri vært lettere å rette tankene i løvetannens baner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3567
-msgid "## Figshare"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4584
+msgid "Figshare"
+msgstr "Figshare"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3572
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4587
msgid ""
"Figshare is a for-profit company offering an online repository where "
"researchers can preserve and share the output of their research, including "
-"figures, data sets, images, and videos. Founded in 2011 in the UK."
+"figures, data sets, images, and videos. Founded in 2011 in the UK."
msgstr ""
+"Figshare er et selskap som er basert på fortjeneste, og tilbyr et online "
+"oppbevaringssted der forskere kan bevare og dele resultatet av sin "
+"forskning, inkludert tall, datasett, bilder og videoer. Grunnlagt i 2011 i "
+"Storbritannia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3574
-msgid "figshare.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4593
+msgid "<ulink url=\"http://figshare.com\"/>"
+msgstr "<ulink url=\"http://figshare.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3576
-msgid "Revenue model: platform providing paid services to creators"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4595
+#, fuzzy
+#| msgid "Revenue model: platform providing paid services to creators"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: platform providing paid "
+"services to creators"
msgstr ""
+"Inntektsmodell: Plattform som tilbyr betalte tjenester til "
+"innholdsleverandører"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3578
-msgid "Interview date: January 28, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4598
+#, fuzzy
+#| msgid "Interview date: January 28, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: January 28, 2016"
+msgstr "Dato for intervju: 28. januar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3580
-msgid "Interviewee: Mark Hahnel, founder"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4601
+#, fuzzy
+#| msgid "Interviewee: Mark Hahnel, founder"
+msgid "<emphasis role=\"strong\">Interviewee</emphasis>: Mark Hahnel, founder"
+msgstr "Intervjuet: Mark Hahnel, grunnlegger"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3591
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4609
msgid ""
"Figshare’s mission is to change the face of academic publishing through "
"improved dissemination, discoverability, and reusability of scholarly "
"research. Figshare is a repository where users can make all the output of "
"their research available—from posters and presentations to data sets and code"
"—in a way that’s easy to discover, cite, and share. Users can upload any "
-"file format, which can then be previewed in a Web browser. Research output "
+"file format, which can then be previewed in a Web browser. Research output "
"is disseminated in a way that the current scholarly-publishing model does "
"not allow."
msgstr ""
+"Figshares mål er å endre den vitenskapelige publiseringens fremside gjennom "
+"forbedret formidling, gjenkjenning og gjenbruk av akademisk forskning. "
+"Figshare er et oppbevaringssted hvor brukere kan gjøre alle resultatene av "
+"sin forskning tilgjengelig – fra plakater og presentasjoner til datasett og "
+"kode – på en måte som er lett å oppdage, sitere og dele. Brukerne kan laste "
+"opp alle filformater, som deretter kan forhåndsvises i en nettleser. "
+"Forskningsresultater formidles på en måte som den gjeldende modellen for "
+"vitenskapelig disiplinpublisering ikke tillater."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3595
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4620
msgid ""
"Figshare founder Mark Hahnel often gets asked: How do you make money? How do "
"we know you’ll be here in five years? Can you, as a for-profit venture, be "
"trusted? Answers have evolved over time."
msgstr ""
+"Figshares grunnlegger, Mark Hahnel, får ofte spørsmål om hvordan han tjener "
+"penger? Hvordan vet vi at du er her om fem år? Kan du, som er for "
+"fortjeneste, være å stole på? Svarene har utviklet seg over tid."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3603
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4625
msgid ""
"Mark traces the origins of Figshare back to when he was a graduate student "
"getting his PhD in stem cell biology. His research involved working with "
"graphs, and data sets. This was frustrating. Mark believed publishing his "
"complete research would lead to more citations and be better for his career."
msgstr ""
+"Mark sporer opprinnelsen til Figshare tilbake til da han som student skulle "
+"ta sin Ph.D.-eksamen i stamcellebiologi. Hans forskning involverte å arbeide "
+"med videoer av stamceller i bevegelse. Men da han skulle publisere sin "
+"forskning, var det umulig for ham å også publisere videoer, figurer, "
+"diagrammer og datasett. Dette var frustrerende. Mark trodde at å publisere "
+"sin forskning fullstendig, ville føre til flere sitater, og være bedre for "
+"hans karriere."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3609
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4634
msgid ""
"Mark does not consider himself an advanced software programmer. "
"Fortunately, things like cloud-based computing and wikis had become "
"mainstream, and he believed it ought to be possible to put all his research "
"online and share it with anyone. So he began working on a solution."
msgstr ""
+"Mark anser seg ikke som noen avansert programmerer. Beleilig nok hadde ting "
+"som skybasert regnekraft (databehandling) og wikier blitt allemannseie, og "
+"han trodde det ville vært mulig å putte sitt forskningsarbeid på nett, og "
+"dele det med alle. Dernest begynte han å arbeide med en løsning."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3613
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4641
msgid ""
"There were two key needs: licenses to make the data citable, and persistent "
"identifiers— URL links that always point back to the original object "
"ensuring the research is citable for the long term."
msgstr ""
+"Det var to nøkkelbehov: Lisensene måtte gjøre dataene mulig å sitere, samt å "
+"gi dem varige identifikatorer – nettadresser som alltid peker tilbake til "
+"originalobjektet for å sikre at forskningen kan siteres på lang sikt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3620
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4647
msgid ""
"Mark chose Digital Object Identifiers (DOIs) to meet the need for a "
"persistent identifier. In the DOI system, an object’s metadata is stored as "
"object (the web page or URL) can often change. Mark partnered with DataCite "
"for the provision of DOIs for research data."
msgstr ""
+"Mark valgte digitale objektidentifikatorer (DOI-er) for å møte behovet for "
+"vedvarende identifikatorer. I DOI-systemet blir et objekts metadata lagret "
+"som en serie nummer i DOI-navnet. Å referere til et objekt ved sitt DOI er "
+"mer stabilt enn å bruke nettadressen, fordi plasseringen av et objekt "
+"(nettsiden eller -adressen) ofte kan endre seg. Mark gikk i partnerskap med "
+"DataCite for å tilby DOI-er for forskningsdata."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3626
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4656
msgid ""
"As for licenses, Mark chose Creative Commons. The open-access and open-"
"science communities were already using and recommending Creative Commons. "
"peers, he went with CC0 (in the public domain) for data sets and CC BY "
"(Attribution) for figures, videos, and data sets."
msgstr ""
+"Når det gjelder lisenser, valgte Mark Creative Commons. Miljøene for åpen "
+"tilgang og tilsvarende forskning brukte allerede, og anbefalte Creative "
+"Commons. Basert på hva som skjedde i de kretsene, og Marks samtaler med sine "
+"fagfeller, gikk han for CC0 (tilsvarende offentlig eie) for datasett og CC "
+"BY (Attribution) for figurer, videoer og datasett."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3631
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4664
msgid ""
-"So Mark began using DOIs and Creative Commons for his own research work. He "
+"So Mark began using DOIs and Creative Commons for his own research work. He "
"had a science blog where he wrote about it and made all his data open. "
"People started commenting on his blog that they wanted to do the same. So he "
"opened it up for them to use, too."
msgstr ""
+"Mark begynte å bruke DOI-er og Creative Commons for egen forskning. Han "
+"hadde en vitenskapsblogg der han skrev om det, og gjorde all dataen åpen. "
+"Folk startet å kommentere på bloggen hans at de ønsket å gjøre det samme. Så "
+"han åpnet det opp for dem også."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3638
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4670
msgid ""
"People liked the interface and simple upload process. People started asking "
-"if they could also share theses, grant proposals, and code. Inclusion of "
+"if they could also share theses, grant proposals, and code. Inclusion of "
"code raised new licensing issues, as Creative Commons licenses are not used "
"for software. To allow the sharing of software code, Mark chose the MIT "
"license, but GNU and Apache licenses can also be used."
msgstr ""
+"Folk likte grensesnittet og den enkle opplastingsprosessen. Spørsmålene om "
+"hvorvidt teser, legatforespørsler og kode kunne deles kom . Innlemming av "
+"kode bød på nye spørsmål vedrørende lisensiering, siden Creative Commons-"
+"lisensene ikke brukes for programvare. For å tillate deling av "
+"programvarekode, brukte Mark MIT-lisensen, men GNU og Apache-lisenser kan "
+"også brukes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3644
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4678
+#, fuzzy
msgid ""
"Mark sought investment to make this into a scalable product. After a few "
"unsuccessful funding pitches, UK-based Digital Science expressed interest "
-"but insisted on a more viable business model. They made an initial "
+"but insisted on a more viable business model. They made an initial "
"investment, and together they came up with a freemium-like business model."
msgstr ""
+"Mark trengte investeringer for å gjøre dette til et skalerbart produkt. "
+"Etter noen mislykkede finansieringinitiativ, uttrykte UK-baserte Digital "
+"Science interesse, men insisterte på en mer levedyktig forretningsmodell. De "
+"gjorde en innledende investering, og sammen de kom opp med en freemium som "
+"forretningsmodell. (Ifølge Wikipedia er Freemium en forretningsmodell hvor "
+"vanligvis en digital tjeneste eller anvendelse som programvare, media, spill "
+"eller internett-tjeneste, er tilgjengelig gratis, men at man må betale for "
+"premiumfordeler, funksjonalitet eller virituelle eiendeler.)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3654
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4685
msgid ""
"Under the freemium model, academics upload their research to Figshare for "
"storage and sharing for free. Each research object is licensed with Creative "
"its value proposition to researchers as “You retain ownership. You license "
"it. You get credit. We just make sure it persists.”"
msgstr ""
+"Under freemium-modellen laster akademikere gratis opp forskningen sin til "
+"Figshare for lagring og deling. Hvert forskningsobjekt er lisensiert med "
+"Creative Commons, og mottar en DOI-lenke (DOI: Digital object identifier). I "
+"premium-alternativet blir forskere krevet en avgift for gigabyte med privat "
+"lagringsplass, og for private nettsteder designet for et bestemt antall "
+"partnere i et forskningssamarbeid, som er ideelt for større grupper og "
+"geografisk spredte forskningsgrupper. Figshare oppsummerer sine verdimål for "
+"forskere som «Du beholder eierskap. Du lisensierer det. Du krediteres. Vi "
+"sikrer bare at det varer»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3662
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4696
msgid ""
"In January 2012, Figshare was launched. (The fig in Figshare stands for "
"figures.) Using investment funds, Mark made significant improvements to "
"static noninteractive PDFs became interested in having Figshare provide that "
"functionality for them."
msgstr ""
+"Figshare ble lansert i januar 2012. (Fig i Figshare står for tall.) Ved å "
+"bruke investeringsfond fikk Mark til betydelige forbedringer i Figshare. For "
+"eksempel kan forskere raskt forhåndsvise forskningsfilene i en nettleser "
+"uten å laste dem ned først, eller forutsette en tredjeparts programvare. "
+"Journaler (tidsskrifter) som fortsatt i stor grad publiserte artikler som "
+"statiske ikke-interaktive PDF-filer, ble interessert i å få Figshare til å "
+"gi dem denne funksjonaliteten."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3674
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4706
msgid ""
"Figshare diversified its business model to include services for journals. "
"Figshare began hosting large amounts of data for the journals’ online "
"Outsourcing this service to Figshare freed publishers from having to develop "
"this functionality as part of their own infrastructure. Figshare-hosted data "
"also provides a link back to the article, generating additional click-"
-"through and readership—a benefit to both journal publishers and researchers. "
-"Figshare now provides research-data infrastructure for a wide variety of "
-"publishers including Wiley, Springer Nature, PLOS, and Taylor and Francis, "
-"to name a few, and has convinced them to use Creative Commons licenses for "
-"the data."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3682
+"through and readership—a benefit to both journal publishers and "
+"researchers. Figshare now provides research-data infrastructure for a wide "
+"variety of publishers including Wiley, Springer Nature, PLOS, and Taylor and "
+"Francis, to name a few, and has convinced them to use Creative Commons "
+"licenses for the data."
+msgstr ""
+"Figshare utvidet sin forretningmodell til å omfatte tjenester for "
+"tidsskrifter. Figshare begynte å leie ut plass til store datamengder til "
+"tidsskriftenes artikler på nettet. Disse tilleggsdataene forbedret "
+"kvaliteten på artiklene. Utkontrakting (outsourcing) av denne tjenesten til "
+"Figshare frigjorde tidsskrifsutgiverne fra å utvikle denne oppgaven som en "
+"del av sin egen infrastruktur. Data som Figshare huser har også en link "
+"tilbake til artikkelen, noe som gir flere videreklikk og lesertall – en "
+"fordel både for tidsskriftsutgivere og forskere. Figshare gir nå "
+"infrastruktur til forskningsdata for en rekke utgivere medregnet Wiley, "
+"Springer Nature, PLOS, og Taylor og Francis, for å nevne noen, og har "
+"overbevist dem om å bruke Creative Commons-lisenser for dataene."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4720
msgid ""
"Governments allocate significant public funds to research. In parallel with "
"the launch of Figshare, governments around the world began requesting the "
-"research they fund be open and accessible. They mandated that researchers "
+"research they fund be open and accessible. They mandated that researchers "
"and academic institutions better manage and disseminate their research "
"outputs. Institutions looking to comply with this new mandate became "
"interested in Figshare. Figshare once again diversified its business model, "
"adding services for institutions."
msgstr ""
+"Regjeringer tildeler betydelige offentlige midler til forskning. Parallelt "
+"med lanseringen av Figshare begynte regjeringer over hele verden å be om at "
+"forskning de finansierer, er åpen og tilgjengelig. De påla forskere og "
+"akademiske institusjoner å administrere og spre sine forskningsresultater "
+"bedre. Institusjoner som vil overholde dette nye mandatet ble interessert i "
+"Figshare. Figshare har igjen diversifisert (spredt) sin forretningsmodell, "
+"og lagt til tjenester for institusjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3690
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4730
msgid ""
"Figshare now offers a range of fee-based services to institutions, including "
"their own minibranded Figshare space (called Figshare for Institutions) that "
"securely hosts research data of institutions in the cloud. Services include "
"not just hosting but data metrics, data dissemination, and user-group "
-"administration. Figshare’s workflow, and the services they offer for "
+"administration. Figshare’s workflow, and the services they offer for "
"institutions, take into account the needs of librarians and administrators, "
"as well as of the researchers."
msgstr ""
+"Figshare tilbyr nå en rekke avgiftsbaserte tjenester til institusjoner, "
+"inkludert sin egen miniutgave av Figshare for institusjoner (kalt Figshare "
+"for Institutions) som gir et sikkert rom for insitutsjonenes forskningsdata "
+"i skyen. Tjenestene inkluderer ikke utleie av plass, men databeregninger, "
+"dataformidling og administrasjon av brukergrupper. Figshares arbeidsflyt og "
+"tjenestene de tilbyr for institusjoner, tar hensyn til behovene til "
+"bibliotekarer og administratorer, samt av forskerne."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3701
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4740
msgid ""
"As with researchers and publishers, Fig-share encouraged institutions to "
"share their research with CC BY (Attribution) and their data with CC0 (into "
"the public domain). Funders who require researchers and institutions to use "
"open licensing believe in the social responsibilities and benefits of making "
-"research accessible to all. Publishing research in this open way has come "
-"to be called open access. But not all funders specify CC BY; some "
-"institutions want to offer their researchers a choice, including less "
-"permissive licenses like CC BY-NC (Attribution-NonCommercial), CC BY-SA "
-"(Attribution-ShareAlike), or CC BY-ND (Attribution-NoDerivs)."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3709
+"research accessible to all. Publishing research in this open way has come to "
+"be called open access. But not all funders specify CC BY; some institutions "
+"want to offer their researchers a choice, including less permissive licenses "
+"like CC BY-NC (Attribution-NonCommercial), CC BY-SA (Attribution-"
+"ShareAlike), or CC BY-ND (Attribution-NoDerivs)."
+msgstr ""
+"Som med forskere og utgivere, oppmuntret Figshare-institusjoner om å dele "
+"sin forskning med CC BY (Attribution) og data med CC0 (for offentligheten). "
+"Bidagsytere som forutsetter at forskere og institusjoner bruker åpen "
+"lisensiering, tror på sosialt ansvar og fordelene ved å gjøre forskning "
+"tilgjengelig for alle. Å publisere forskning på denne åpne måten er kommet "
+"til å bli kalt «open access», åpen adgang. Men ikke alle bidragsytere "
+"spesifiserer CC BY; noen institusjoner vil tilby forskere et valg, inkludert "
+"mindre liberale lisenser som CC BY-NC (Attribution-NonCommercial), CC BY-SA "
+"(Attribution-ShareAlike) eller CC BY-ND (Attribution-NoDerivs)."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4753
msgid ""
"For Mark this created a conflict. On the one hand, the principles and "
"benefits of open science are at the heart of Figshare, and Mark believes CC "
"an open-source CERN project offer all Creative Commons licenses without any "
"negative repercussions, he decided to follow suit."
msgstr ""
+"For Mark skapte dette en konflikt. På den ene siden er prinsippene og "
+"fordelene av åpen vitenskap i hjertet av Figshare, og Mark mener CC BY er "
+"den beste lisensen for dette. På den annen side sa institusjoner at de ikke "
+"ville bruke Figshare med mindre det tilbys et utvalg av lisenser. Han nektet "
+"i utgangspunktet å tilby noe utover CC0 og CC BY, men etter å ha sett et "
+"CERN-prosjekt med åpen kildekode tilby alle Creative Commons-lisensene uten "
+"noen negative konsekvenser, bestemte han seg å følge etter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3716
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4763
msgid ""
"Mark is thinking of doing a Figshare study that tracks research "
"dissemination according to Creative Commons license, and gathering metrics "
"believes more and more researchers and institutions will make it their "
"license of choice."
msgstr ""
+"Mark tenker på å lage en Figshare-studie, som sporer forskningsformidling "
+"med Creative Commons-lisens, og samle beregninger av visninger, referanser, "
+"og nedlastinger. Da kan du se hvilken lisens som genererer den største "
+"effekten. Hvis data viste at CC BY er mer slagkraftig, tror Mark at flere og "
+"flere forskere og institusjoner vil gjøre den til sin valgte lisens."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4776
+msgid ""
+"<ulink url=\"http://figshare.com/articles/"
+"Journal_subscription_costs_FOIs_to_UK_universities/1186832\"/>"
+msgstr ""
+"<ulink url=\"http://figshare.com/articles/"
+"Journal_subscription_costs_FOIs_to_UK_universities/1186832\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3725
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4779
+msgid ""
+"<ulink url=\"http://retr0.shinyapps.io/journal_costs/?year=2014&"
+"inst=19,22,38,42,59,64,80,95,136\"/>"
+msgstr ""
+"<ulink url=\"http://retr0.shinyapps.io/journal_costs/?year=2014&"
+"inst=19,22,38,42,59,64,80,95,136\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4771
+#, fuzzy
+#| msgid ""
+#| "Figshare has an Application Programming Interface (API) that makes it "
+#| "possible for data to be pulled from Figshare and used in other "
+#| "applications. As an example, Mark shared a Figshare data set showing the "
+#| "journal subscriptions that higher-education institutions in the United "
+#| "Kingdom paid to ten major publishers.1 Figshare’s API enables that data "
+#| "to be pulled into an app developed by a completely different researcher "
+#| "that converts the data into a visually interesting graph, which any "
+#| "viewer can alter by changing any of the variables.2"
msgid ""
"Figshare has an Application Programming Interface (API) that makes it "
"possible for data to be pulled from Figshare and used in other applications. "
"As an example, Mark shared a Figshare data set showing the journal "
"subscriptions that higher-education institutions in the United Kingdom paid "
-"to ten major publishers.1 Figshare’s API enables that data to be pulled into "
-"an app developed by a completely different researcher that converts the data "
-"into a visually interesting graph, which any viewer can alter by changing "
-"any of the variables.2"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3735
+"to ten major publishers.<placeholder type=\"footnote\" id=\"0\"/> Figshare’s "
+"API enables that data to be pulled into an app developed by a completely "
+"different researcher that converts the data into a visually interesting "
+"graph, which any viewer can alter by changing any of the variables."
+"<placeholder type=\"footnote\" id=\"1\"/>"
+msgstr ""
+"Figshare har et programmeringsgrensesnitt (API - Application Programming "
+"Interface) som gjør det mulig å hente data fra Figshare, og bruke det i "
+"andre programmer. Som eksempel delte Mark et Figshare-datasett som viste "
+"publiseringsabonnementskostnader betalt av høyere utdanningsinstitusjoner i "
+"Storbritannia til ti store publiseringsforlag.1) Figshare sitt API "
+"muliggjør bruk av den dataen i et program av en helt annen forsker, som "
+"konverterer dataen til en visuelt interessant graf, hvilket enhver seer kan "
+"endre ved å endre variablene.2)"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4782
msgid ""
"The free version of Figshare has built a community of academics, who through "
"word of mouth and presentations have promoted and spread awareness of "
"license to use for software code and whether to offer universities an option "
"of using Creative Commons licenses."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3745
+"Gratisversjonen av Figshare har medført et fellesskap av akademikere, som "
+"ved jungeltelegrafen og presentasjoner har formidlet og spredt forståelse "
+"for Figshare. For å forsterke og belønne fellesskapet etablerte Figshare et "
+"Advisor-program (rådgiverprogram), gir dem som spredte Figshare med "
+"hettegensere og T-skjorter, tidlig tilgang til nye funksjoner, og "
+"reiseutgifter, når de innledet om programmet utenfor sitt område. Disse "
+"rådgiverne hjalp også Mark med hvilken lisens som var aktuell til "
+"programvarekoder, og om universiteter skulle tilbys muligheten til å bruke "
+"Creative Commons-lisenser."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4797
+msgid "<ulink url=\"http://figshare.com/features\"/>"
+msgstr "<ulink url=\"http://figshare.com/features\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4793
+#, fuzzy
+#| msgid ""
+#| "Mark says his success is partly about being in the right place at the "
+#| "right time. He also believes that the diversification of Figshare’s model "
+#| "over time has been key to success. Figshare now offers a comprehensive "
+#| "set of services to researchers, publishers, and institutions.3 If he had "
+#| "relied solely on revenue from premium subscriptions, he believes Figshare "
+#| "would have struggled. In Figshare’s early days, their primary users were "
+#| "early-career and late-career academics. It has only been because funders "
+#| "mandated open licensing that Figshare is now being used by the mainstream."
msgid ""
"Mark says his success is partly about being in the right place at the right "
"time. He also believes that the diversification of Figshare’s model over "
"time has been key to success. Figshare now offers a comprehensive set of "
-"services to researchers, publishers, and institutions.3 If he had relied "
-"solely on revenue from premium subscriptions, he believes Figshare would "
-"have struggled. In Figshare’s early days, their primary users were early-"
-"career and late-career academics. It has only been because funders mandated "
-"open licensing that Figshare is now being used by the mainstream."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3752
+"services to researchers, publishers, and institutions.<placeholder type="
+"\"footnote\" id=\"0\"/> If he had relied solely on revenue from premium "
+"subscriptions, he believes Figshare would have struggled. In Figshare’s "
+"early days, their primary users were early-career and late-career academics. "
+"It has only been because funders mandated open licensing that Figshare is "
+"now being used by the mainstream."
+msgstr ""
+"Mark sier at suksessen handler delvis om å være på rett sted til rett tid. "
+"Han tror også at oppdelingen av Figshare sin modell over tid har vært "
+"nøkkelen til suksess. Figshare tilbyr nå et helhetlig tjenestetilbud til "
+"forskere, forleggere, og institusjoner.3) Hvis han hadde begrenset seg til "
+"inntjening fra «premium»-abonnementer, tror han det ville blitt vanskelig "
+"for Figshare.Til å begynne med var deres hovedbrukere akademikere i starten "
+"og slutten av karrieren. Det har kun vært fordi kronerullerne krevde åpen "
+"lisensiering at Figshare nå brukes av allmenningen."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4804
msgid ""
"Today Figshare has 26 million–plus page views, 7.5 million–plus downloads, "
"800,000–plus user uploads, 2 million–plus articles, 500,000-plus "
"from Google. A sister company called Altmetric tracks the use of Figshare by "
"others, including Wikipedia and news sources."
msgstr ""
+"I dag har Figshare over 26 millioner sidevisninger, over 7.5 millioner "
+"nedlastninger, over 800 000 opplastninger fra brukere, over 2 millioner "
+"artikler, over 500 000 samlinger, og over 5000 prosjekter. 60 prosent av "
+"trafikken deres kommer fra Google. Et søsterselskap kalt Altmetric sporer "
+"bruken av Figshare av andre, inkludert Wikipedia og nyhetskilder."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3764
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4812
msgid ""
"Figshare uses the revenue it generates from the premium subscribers, journal "
"publishers, and institutions to fund and expand what it can offer to "
"Going forward, Mark sees Figshare not only as supporting open access to "
"research but also enabling people to collaborate and make new discoveries."
msgstr ""
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3770
-msgid ""
-"figshare.com/articles/Journal\\_subscription\\_costs\\_FOIs\\_to\\_UK"
-"\\_universities/1186832"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3770
+"Figshare bruker inntektene de genererer fra sine premium-abonnenter, "
+"tidsskriftsutgivere og institusjoner til å finansiere og utvide det de kan "
+"tilby til forskere gratis. Figshare har offentlig holdt seg til sine "
+"prinsipper, ved å holde den gratis tjenesten gratis, og kreve bruk av CC BY "
+"og CC0 fra begynnelsen. Fra Marks perspektiv er det derfor folk stoler på "
+"Figshare. Mark ser nye konkurrenter som vokser frem, og bare er der for "
+"pengenes skyld. Hvis Figshare bare var der for pengene, ville de ikke bry "
+"seg om å tilby en gratis versjon. Figshares prinsipper, og forsvar for "
+"åpenhet, er en viktig faktor. Ser en fremover, mener Mark at Figshare ikke "
+"bare er en støtte for åpen tilgang til forskning, men at den gjør folk i "
+"stand til å samarbeide og gjøre nye funn."
+
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4827
+msgid "Figure.NZ"
+msgstr "Figure.NZ"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4830
msgid ""
-"retr0.shinyapps.io/journal\\_costs/?"
-"year=2014&inst=19,22,38,42,59,64,80,95,136"
-msgstr ""
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3770
-msgid "figshare.com/features"
+"Figure.NZ is a nonprofit charity that makes an online data platform designed "
+"to make data reusable and easy to understand. Founded in 2012 in New "
+"Zealand."
msgstr ""
+"Figure.NZ er en veldedig bistandsorganisasjon som lager en nettbasert "
+"dataplattform myntet på å gjøre data gjenbrukbar og enkel å forstå seg på."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3772
-msgid "## Figure.NZ"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4835
+msgid "<ulink url=\"http://figure.nz\"/>"
+msgstr "<ulink url=\"http://figure.nz\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3776
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4837
+#, fuzzy
+#| msgid ""
+#| "Revenue model: platform providing paid services to creators, donations, "
+#| "sponsorships"
msgid ""
-"Figure.NZ is a nonprofit charity that makes an online data platform designed "
-"to make data reusable and easy to understand. Founded in 2012 in New Zealand."
+"<emphasis role=\"strong\">Revenue model</emphasis>: platform providing paid "
+"services to creators, donations, sponsorships"
msgstr ""
+"Inntektsmodell: Plattform som tilbyr betalte tjenester til skapere, "
+"bidragsytere, legatmidler"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3778
-msgid "figure.nz"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4840
+#, fuzzy
+#| msgid "Interview date: May 3, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: May 3, 2016"
+msgstr "Dato for intervju: 3. mai 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3781
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4842
+#, fuzzy
+#| msgid "Interviewee: Lillian Grace, founder"
msgid ""
-"Revenue model: platform providing paid services to creators, donations, "
-"sponsorships"
-msgstr ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Lillian Grace, founder"
+msgstr "Intervjuet: Lillian Grace, grunnlegger"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3783
-msgid "Interview date: May 3, 2016"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3785
-msgid "Interviewee: Lillian Grace, founder"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3804
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4850
msgid ""
"In the paper Harnessing the Economic and Social Power of Data presented at "
"the New Zealand Data Futures Forum in 2014,1 Figure.NZ founder Lillian Grace "
"said there are thousands of valuable and relevant data sets freely available "
-"to us right now, but most people don’t use them. She used to think this "
+"to us right now, but most people don’t use them. She used to think this "
"meant people didn’t care about being informed, but she’s come to see that "
"she was wrong. Almost everyone wants to be informed about issues that matter—"
"not only to them, but also to their families, their communities, their "
"visualize the information within the data set. Lillian established Figure.NZ "
"to make data truly accessible to all, with a specific focus on New Zealand."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3813
+"I forskningsartikkelen «Harnessing the Economic and Social Power of Data», "
+"presentert på New Zealand Data Futures Forum i 2014,1 sa Figure.NZ sin "
+"grunnlegger Lillian Grace at det er tusenvis av verdifulle og relevante "
+"datasett fritt tilgjengelige for oss akkurat nå, men de fleste bruker dem "
+"ikke. Hun tenkte gjerne at dette betydde at folk ikke bryr seg om å være "
+"informert, men etter hvert har hun kommet til at hun tok feil. Nesten alle "
+"ønsker å bli informert om saker som betyr noe – ikke bare for dem, men også "
+"for deres familier, deres lokalsamfunn, deres virksomheter og landet deres. "
+"Men det er stor forskjell mellom tilgangen og tilgjengeligheten på "
+"informasjon. Data er spredt over tusenvis av nettsteder, og ligger i "
+"databaser og regneark som det krever både tid og dyktighet å sette seg inn "
+"i. For å bruke data når det skal tas en beslutning, må du vite hvilket "
+"spesifikt spørsmål du skal stille, identifisere en kilde som har samlet inn "
+"dataene, og håndtere komplekse verktøy for å trekke ut og vise frem "
+"informasjonen i datasettet. Lillian etablerte Figure.NZ for å gjøre data "
+"virkelig tilgjengelig for alle, med spesielt fokus på New Zealand."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4870
msgid ""
"Lillian had the idea for Figure.NZ in February 2012 while working for the "
"New Zealand Institute, a think tank concerned with improving economic "
"basic facts.” But understanding the basic facts sometimes requires data and "
"research that you often have to pay for."
msgstr ""
+"Lillian fikk ideen til Figure.NZ i februar 2012 mens hun jobbet for New "
+"Zealand Institute, en tenketank som var opptatt av bedret økonomisk "
+"velstand, sosial velferd, miljøkvaliteten og produktivitet for New Zealand "
+"og for nyzealendere. Når hun holdt foredrag i lokalsamfunn og for "
+"næringsdrivende, innså Lillian «hvert eneste problem vi behandlet ville vært "
+"lettere å håndtere hvis flere hadde forstått de grunnleggende fakta». Men "
+"for å kunne forstå grunnleggende fakta kreves noen ganger data og forskning "
+"du ofte må betale for."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3825
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4881
msgid ""
"Lillian began to imagine a website that lifted data up to a visual form that "
-"could be easily understood and freely accessed. Initially launched as Wiki "
+"could be easily understood and freely accessed. Initially launched as Wiki "
"New Zealand, the original idea was that people could contribute their data "
-"and visuals via a wiki. However, few people had graphs that could be used "
+"and visuals via a wiki. However, few people had graphs that could be used "
"and shared, and there were no standards or consistency around the data and "
"the visuals. Realizing the wiki model wasn’t working, Lillian brought the "
"process of data aggregation, curation, and visual presentation in-house, and "
"became Figure.NZ, and efforts were reoriented toward providing services to "
"those wanting to open their data and present it visually."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3840
+"Lillian begynte å forestille seg et nettsted som løftet frem data til "
+"visuell form som kunne lett forstås, og som var fritt tilgjengelig. Det ble "
+"innledningvis lansert som Wiki New Zealand, da den opprinnelige ideen var at "
+"folk kunne bidra med sine data og bilder via en wiki. Men få personer hadde "
+"grafer som kunne brukes og deles, og det var ingen standarder eller "
+"sammenheng mellom dataene og det visuelle. Da Lillian innså at wiki-modellen "
+"ikke fungerte, tok hun prosessen med data aggregering, konservering og "
+"visuell presentasjon hjem, og investerte i teknologien for å automatisere "
+"noe av det. Wiki New Zealand ble Figure.NZ, og innsatsen ble reorientert mot "
+"å gi tjenester til dem som ønsker å åpne sine data, og presentere dem "
+"visuelt."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4895
msgid ""
"Here’s how it works. Figure.NZ sources data from other organizations, "
"including corporations, public repositories, government departments, and "
"and data types. Figure.NZ has a chart-designing tool that makes simple bar, "
"line, and area graphs from any data source. The graphs are posted to the "
"Figure.NZ website, and they can also be exported in a variety of formats for "
-"print or online use. Figure.NZ makes its data and graphs available using the "
-"Attribution (CC BY) license. This allows others to reuse, revise, remix, "
+"print or online use. Figure.NZ makes its data and graphs available using "
+"the Attribution (CC BY) license. This allows others to reuse, revise, remix, "
"and redistribute Figure.NZ data and graphs as long as they give attribution "
"to the original source and to Figure.NZ."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3854
+"Hvordan fungerer det? Figure.NZ datakilder fra andre organisasjoner, "
+"inkludert bedrifter, offentlige dataarkiv, etater og akademikere. Figure.NZ "
+"importerer og ekstraherer data, og deretter validerer og standardiserer det "
+"– med et klart øye for hva som vil være best for brukere. Deretter gjør de "
+"data tilgjengelige med en rekke standardiserte skjemaer, lesbare både for "
+"mennesker og maskiner, og med innholdsinformasjon om kildene, lisensene og "
+"typer data. Figure.NZ har et diagramdesignverktøy som lager enkel strek-, "
+"linje-, og område-grafikk fra en hvilken som helst datakilde. Grafene "
+"posteres til Figure.NZ sitt nettområde, og de kan også eksporteres i en "
+"rekke formater for utskrift eller til Internett-bruk. Figure.NZ gjør sine "
+"data og grafer tilgjengelige med Attribution (CC BY) lisenser. Dette gjør at "
+"andre kan bruke, endre, remikse og distribuere Figure.NZ-data og -grafer så "
+"lenge de henviser til den opprinnelige kilden og Figure.NZ."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4921
+msgid ""
+"<ulink url=\"http://www.ict.govt.nz/guidance-and-resources/open-government/"
+"new-zealand-government-open-access-and-licensing-nzgoal-framework/\"/>"
+msgstr ""
+"<ulink url=\"http://www.ict.govt.nz/guidance-and-resources/open-government/"
+"new-zealand-government-open-access-and-licensing-nzgoal-framework/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4912
+#, fuzzy
+#| msgid ""
+#| "Lillian characterizes the initial decision to use Creative Commons as "
+#| "naively fortunate. It was first recommended to her by a colleague. "
+#| "Lillian spent time looking at what Creative Commons offered and thought "
+#| "it looked good, was clear, and made common sense. It was easy to use and "
+#| "easy for others to understand. Over time, she’s come to realize just how "
+#| "fortunate and important that decision turned out to be. New Zealand’s "
+#| "government has an open-access and licensing framework called NZGOAL, "
+#| "which provides guidance for agencies when they release copyrighted and "
+#| "noncopyrighted work and material.2 It aims to standardize the licensing "
+#| "of works with government copyright and how they can be reused, and it "
+#| "does this with Creative Commons licenses. As a result, 98 percent of all "
+#| "government-agency data is Creative Commons licensed, fitting in nicely "
+#| "with Figure.NZ’s decision."
msgid ""
"Lillian characterizes the initial decision to use Creative Commons as "
-"naively fortunate. It was first recommended to her by a colleague. Lillian "
+"naively fortunate. It was first recommended to her by a colleague. Lillian "
"spent time looking at what Creative Commons offered and thought it looked "
"good, was clear, and made common sense. It was easy to use and easy for "
"others to understand. Over time, she’s come to realize just how fortunate "
"and important that decision turned out to be. New Zealand’s government has "
"an open-access and licensing framework called NZGOAL, which provides "
"guidance for agencies when they release copyrighted and noncopyrighted work "
-"and material.2 It aims to standardize the licensing of works with government "
-"copyright and how they can be reused, and it does this with Creative Commons "
-"licenses. As a result, 98 percent of all government-agency data is Creative "
-"Commons licensed, fitting in nicely with Figure.NZ’s decision."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3865
+"and material.<placeholder type=\"footnote\" id=\"0\"/> It aims to "
+"standardize the licensing of works with government copyright and how they "
+"can be reused, and it does this with Creative Commons licenses. As a result, "
+"98 percent of all government-agency data is Creative Commons licensed, "
+"fitting in nicely with Figure.NZ’s decision."
+msgstr ""
+"Lillian karakteriserer avgjørelsen om å bruke Creative Commons som et naivt "
+"hell. Det ble først anbefalt henne av en kollega. Lillian brukte tid til å "
+"se på hva Creative Commons tilbyr, og syntes det så bra ut, var klart, og "
+"appellerte til sunn fornuft. Det var lett å bruke, og enkelt for andre å "
+"forstå. Over tid har hun innsett hvor heldig og viktig denne beslutningen "
+"viste seg å bli. New Zealands regjeringen har en åpen tilgang og et "
+"lisensieringsrammeverk kalt NZGOAL, som gir veiledning for etater og organer "
+"når de legger ut opphavsrettsbeskyttet og ikke-opphavsrettsbeskyttet arbeid "
+"og materiale.2) Målet er å standardisere lisensiering av arbeid regjeringen "
+"har opphavsrett til, og hvordan det kan gjenbrukes igjen, og det gjør den "
+"med Creative Commons-lisenser. Som et resultat er 98 prosent av alle "
+"forvaltningsorganers data Creative Commons-lisensiert, noe som passer fint "
+"til Figure.NZs beslutning."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4928
msgid ""
"Lillian thinks current ideas of what a business is are relatively new, only "
"a hundred years old or so. She’s convinced that twenty years from now, we "
-"will see new and different models for business. Figure.NZ is set up as a "
+"will see new and different models for business. Figure.NZ is set up as a "
"nonprofit charity. It is purpose-driven but also strives to pay people well "
-"and thinks like a business. Lillian sees the charity-nonprofit status as an "
+"and thinks like a business. Lillian sees the charity-nonprofit status as an "
"essential element for the mission and purpose of Figure.NZ. She believes "
"Wikipedia would not work if it were for profit, and similarly, Figure.NZ’s "
"nonprofit status assures people who have data and people who want to use it "
"that they can rely on Figure.NZ’s motives. People see them as a trusted "
"wrangler and source."
msgstr ""
+"Lillian mener gjeldende ideer om hva som er en bedrift er relativt nye, bare "
+"hundre år eller så. Hun er overbevist om at 20 år fra nå, vil vi se nye og "
+"ulike modeller for forretningsforetak. Figure.NZ er definert som en veldedig "
+"stiftelse. Den er formålsdrevet, men bestreber seg også å betale folk godt, "
+"og tenke som en bedrift. Lillian ser veldedig status som grunnleggende "
+"forutsetning for hensikten og formålet med Figure.NZ. Hun tror Wikipedia "
+"ikke ville fungert hvis det skulle drives for fortjenesten, og tilsvarende, "
+"Figure.NZs ideelle status sikrer at folk som har data, og folk som ønsker å "
+"bruke dem, at de kan stole på motivene til Figure.NZ. Folk ser dem som "
+"vokter og pålitelig kilde."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3882
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4941
msgid ""
"Although Figure.NZ is a social enterprise that openly licenses their data "
"and graphs for everyone to use for free, they have taken care not to be "
"perceived as a free service all around the table. Lillian believes hundreds "
"of millions of dollars are spent by the government and organizations to "
"collect data. However, very little money is spent on taking that data and "
-"making it accessible, understandable, and useful for decision making. "
+"making it accessible, understandable, and useful for decision making. "
"Government uses some of the data for policy, but Lillian believes that it is "
-"underutilized and the potential value is much larger. Figure.NZ is focused "
+"underutilized and the potential value is much larger. Figure.NZ is focused "
"on solving that problem. They believe a portion of money allocated to "
"collecting data should go into making sure that data is useful and generates "
"value. If the government wants citizens to understand why certain decisions "
"even become a way for a government or any organization to differentiate, "
"market, and brand itself."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3887
+"Selv om Figure.NZ er en sosial geskjeft hvis data og diagrammer er "
+"lisensiert gratis i allmennhetens tjeneste, har de gjort seg flid i å ikke "
+"bli ansett som en gratistjeneste viden rundt. Lillian tror hundrevis av "
+"millioner dollar brukes av myndigheter og organisasjoner for å samle data. "
+"Imidlertid blir veldig lite penger brukt på å gjøre den tilgjengelig, "
+"forståelig og nyttig i beslutningsøyemed. Myndigheter bruker noe av dataen "
+"for å forme praksis, Lillian tror dog om dette at det er nyttet i for liten "
+"grad, og at den potensielle verdien er mye høyere. Figure.NZ fokuserer på å "
+"løse dette problemet. De tror at en andel av pengene avsatt til innsamling "
+"av data, bør gå til det formål å gjøre den nyttig og verdiskapende. Hvis "
+"myndighetene ønsker borgernes forståelse for hvorfor gitte beslutninger tas, "
+"og bli mer oppmerksomme på hva de driver med, hvorfor ikke forvandle "
+"innsamlet data til forståelig grafikk? Det kan sågar være en måte for "
+"myndighetene, eller enhver organisasjon, å finne sin posisjon i markedet, "
+"gjøre seg forskjellig, og knytte sin merkevare til det hele."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4960
msgid ""
"Figure.NZ spends a lot of time seeking to understand the motivations of data "
-"collectors and to identify the channels where it can provide value. Every "
+"collectors and to identify the channels where it can provide value. Every "
"part of their business model has been focused on who is going to get value "
"from the data and visuals."
msgstr ""
+"Figure.NZ bruker mye tid på å forsøke å forstå motivasjonen til de som "
+"samler inn data, og for å identifisere kanalene der de kan gi verdi. Hver "
+"eneste del av forretningsmodellen har vært fokusert på hvem som kommer til å "
+"få verdi fra dataene og de visuelle fremstillingene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3900
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4966
msgid ""
"Figure.NZ has multiple lines of business. They provide commercial services "
"to organizations that want their data publicly available and want to use "
"they can. Customers are encouraged to help their users find, use, and make "
"things from the data they make available on Figure.NZ’s website. Customers "
"control what is released and the license terms (although Figure.NZ "
-"encourages Creative Commons licensing). Figure.NZ also serves customers who "
+"encourages Creative Commons licensing). Figure.NZ also serves customers who "
"want a specific collection of charts created—for example, for their website "
"or annual report. Charging the organizations that want to make their data "
"available enables Figure.NZ to provide their site free to all users, to "
"truly democratize data."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3911
+"Økonomisk sett arbeider Figure.NZ flere veier. De gir kommersielle tjenester "
+"til organisasjoner som vil gjøre sine data tilgjengelige offentlig, ved bruk "
+"av Figure.NZ som publiseringsplattform. Folk som ønsker å publisere åpent, "
+"setter pris på Figure.NZs evne til å gjøre det raskere, enklere, og bedre "
+"enn de kan selv. Kunder oppfordres til å hjelpe sine brukere med å finne, "
+"bruke og gjøre ting med dataene some tilgjengeliggjøres på Figure.NZs "
+"nettsted. Kundene kontrollerer hva som blir lagt ut, og lisensbetingelsene "
+"(selv om Figure.NZ anbefaler Creative Commons-lisensen). Figure.NZ betjener "
+"også brukere som ønsker at en bestemt ansamling diagrammer, for eksempel til "
+"deres hjemmeside eller årsrapport. Å ta betaling av organisasjoner som vil "
+"gjøre sine data tilgjengelige, gjør det mulig for Figure.NZ å gjøre sitt "
+"nettsted gratis for alle brukere, og virkelig demokratisere data."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4982
msgid ""
"Lillian notes that the current state of most data is terrible and often not "
"well understood by the people who have it. This sometimes makes it difficult "
"transparency about the level of effort associated with doing work that has "
"never been done before."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3917
+"Lillian gjør seg den merknaden at tilstanden på det meste av data er lite å "
+"se til, og ikke godt forstått av dem som har dem. Dette gjør det noen ganger "
+"vanskelig for kunder og Figure.NZ å skjønne hva det koster å importere, "
+"standardisere og vise dataen på en formålstjenlig måte. For å hanskes med "
+"dette bruker Figure.NZ «høytillitskontrakter», der kunder avser en viss del "
+"av budsjettet sitt til oppgaven som Figure.NZ så fritt disponerer, så lenge "
+"de rapporterer flittig om hva de har produsert, slik at kunden ser "
+"nytteverdien. Strategien har hjulpet til med å bygge tillit og åpenhet om "
+"hvilke ressurser som må til for å gjennomføre arbeid som aldri har blitt "
+"gjort før."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5000
+msgid "<ulink url=\"http://figure.nz/business/\"/>"
+msgstr "<ulink url=\"http://figure.nz/business/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4995
+#, fuzzy
+#| msgid ""
+#| "A second line of business is what Figure.NZ calls partners. ASB Bank and "
+#| "Statistics New Zealand are partners who back Figure.NZ’s efforts. As one "
+#| "example, with their support Figure.NZ has been able to create Business "
+#| "Figures, a special way for businesses to find useful data without having "
+#| "to know what questions to ask.3"
msgid ""
"A second line of business is what Figure.NZ calls partners. ASB Bank and "
"Statistics New Zealand are partners who back Figure.NZ’s efforts. As one "
"example, with their support Figure.NZ has been able to create Business "
"Figures, a special way for businesses to find useful data without having to "
-"know what questions to ask.3"
+"know what questions to ask.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
+"En annen forretningsvei er det Figure.NZ kaller «partnere». ASB BANK og "
+"Statistics New Zealand er partnere som støtter Figure.NZ i sitt foretagende. "
+"Som ett eksempel kan det nevnes at deres støtte har gjort Figure.NZ i stand "
+"til å opprette Business Figures, en spesiell måte for forretninger å finne "
+"nyttig data uten å måtte vite hvilke spørsmål de skal stille.3)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3921
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5003
+msgid "<ulink url=\"http://figure.nz/patrons/\"/>"
+msgstr "<ulink url=\"http://figure.nz/patrons/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5003
+#, fuzzy
+#| msgid ""
+#| "Figure.NZ also has patrons.4 Patrons donate to topic areas they care "
+#| "about, directly enabling Figure.NZ to get data together to flesh out "
+#| "those areas. Patrons do not direct what data is included or excluded."
msgid ""
-"Figure.NZ also has patrons.4 Patrons donate to topic areas they care about, "
-"directly enabling Figure.NZ to get data together to flesh out those areas. "
-"Patrons do not direct what data is included or excluded."
+"Figure.NZ also has patrons.<placeholder type=\"footnote\" id=\"0\"/> Patrons "
+"donate to topic areas they care about, directly enabling Figure.NZ to get "
+"data together to flesh out those areas. Patrons do not direct what data is "
+"included or excluded."
msgstr ""
+"Figure.NZ har også faste bidragsytere.4) De donerer til formål de bryr seg "
+"om, noe som gjør Figure.NZ direkte i stand til å samle data på akkurat disse "
+"områdene. Givere har ikke innvirkning på hva som tas med eller ekskluderes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3926
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5009
msgid ""
"Figure.NZ also accepts philanthropic donations, which are used to provide "
"more content, extend technology, and improve services, or are targeted to "
-"fund a specific effort or provide in-kind support. As a charity, donations "
+"fund a specific effort or provide in-kind support. As a charity, donations "
"are tax deductible."
msgstr ""
+"Figure.NZ godtar også filantropiske donasjoner, som brukes til å tilby mer "
+"innhold, gjøre mer bruk av teknologi, forbedre tjenester, eller hvis mål er "
+"å byttehandle støttefunksjoner. Som en veldedig operasjon, er donasjoner "
+"skattefritatt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3936
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5015
msgid ""
"Figure.NZ has morphed and grown over time. With data aggregation, curation, "
"and visualizing services all in-house, Figure.NZ has developed a deep "
"efficient. Rather than in-house growth, they are growing and building "
"external relationships."
msgstr ""
+"Figure.NZ har fått ny form og størrelse med tiden. Med datainnsamling og "
+"utrenskning av data, i visuell tjeneste, alt innomhus, har man utviklet "
+"dyptgående ekspertise i å standardisere tilfeldige datastiler, for å gjøre "
+"dem nyttige. Lillian skjønte at Figure.NZ enkelt kunne bli et varehus for "
+"sytti mennesker som gjør data. Hun synes vekst ikke nødvendigvis er bra. "
+"Størrelse går ofte ut over effektivitet. Lillian setter kunstige "
+"begrensninger for vekst, tvinger organisasjonen til å tenke annerledes, og "
+"bli mer effektiv. Snarere enn vekst innomhus, vokser de og bygger opp "
+"eksterne tilknytninger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3945
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5027
msgid ""
"Figure.NZ’s website displays visuals and data associated with a wide range "
"of categories including crime, economy, education, employment, energy, "
"environment, health, information and communications technology, industry, "
"tourism, and many others. A search function helps users find tables and "
"graphs. Figure.NZ does not provide analysis or interpretation of the data or "
-"visuals. Their goal is to teach people how to think, not think for them. "
+"visuals. Their goal is to teach people how to think, not think for them. "
"Figure.NZ wants to create intuitive experiences, not user manuals."
msgstr ""
+"Nettsiden til Figure.NZ viser grafikk og data fra en rekke kategorier, "
+"inkludert kriminalitet, økonomi, utdanning, sysselsetting, energi, miljø, "
+"helse, informasjon og kommunikasjonsteknologi, industri, turisme og mange "
+"andre. En søkefunksjon hjelper brukere å finne tabeller og grafer. Figure.NZ "
+"utøver ikke analyse eller tolkning av data eller bilder. Deres mål er å lære "
+"folk å tenke, ikke å tenke for dem. Figure.NZ ønsker å skape intuitive "
+"opplevelser, ikke brukermanualer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3957
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5037
msgid ""
"Figure.NZ believes data and visuals should be useful. They provide their "
"customers with a data collection template and teach them why it’s important "
"NZ’s site. Overall, Figure.NZ is seeking to provide a place for people to be "
"curious about, access, and interpret data on topics they are interested in."
msgstr ""
+"Figure.NZ mener at data og bilder skal være nyttige. De gir sine kunder en "
+"mal for samling av data, og lærer dem hvorfor det er viktig, og hvordan den "
+"brukes. De har begynt å legge mer vekt på å spore hva brukerne av deres "
+"nettsted vil. De får også forespørsler fra sosiale medier og via e-post om å "
+"dele data om et bestemt emne, for eksempel «kan du dele dataene for "
+"vannkvalitet»? Hvis de har data, reagerer de raskt; hvis ikke, prøver de å "
+"identifisere organisasjonene som kan ha dem, og bygger en bro slik at "
+"dataene kan legges inn på Figure.NZ sitt nettsted. Samlet sett søker Figure."
+"NZ å være et sted for folk der de kan være nysgjerrige, og ha tilgang til å "
+"tolke data om emnene de er interessert i."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3965
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5051
msgid ""
"Lillian has a deep and profound vision for Figure.NZ that goes well beyond "
"simply providing open-data services. She says things are different now. “We "
"leaders who essentially had access to the information and made decisions on "
"behalf of others, whether it was on behalf of a country or companies."
msgstr ""
+"Lillian har en dyp og kløktig visjon for Figure.NZ som langt overgår bare "
+"det å sørge for åpne datatjenester. Hun sier ting er annerledes nå. «Vi "
+"pleide å leve i en verden hvor det var veldig vanskelig å dele informasjon "
+"vidt. I den verdenen lå de beste framtidsutsiktene i å ha store ledere som "
+"ved å ha tilgang til informasjon kunne treffe beslutninger på vegne av "
+"andre, om det så var på vegne av et land eller selskaper."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3969
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5060
msgid ""
"“But now we live in a world where it’s really easy to share information "
"widely and also to communicate widely. In the world we live in now, the best "
"future is the one where everyone can make well-informed decisions."
msgstr ""
+"«Men nå lever vi i en verden der det er enkelt å dele informasjon og "
+"kommunisere viden rundt. Fremtiden vi går i møte i den verdenen vi er i nå, "
+"er best tjent med at alle kan ta godt informerte beslutninger»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3973
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5066
msgid ""
"“The use of numbers and data as a way of making well-informed decisions is "
"one of the areas where there is the biggest gaps. We don’t really use "
"numbers as a part of our thinking and part of our understanding yet."
msgstr ""
+"«Bruk av tall og data til å fatte godt informerte beslutninger er et av "
+"områdene der manglene er størst. Vi bruker virkelig ikke tall som en del av "
+"vår tenkning og forståelse ennå»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3983
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5072
msgid ""
-"“Part of the reason is the way data is spread across hundreds of sites. In "
+"“Part of the reason is the way data is spread across hundreds of sites. In "
"addition, for the most part, deep thinking based on data is constrained to "
-"experts because most people don’t have data literacy. There once was a time "
+"experts because most people don’t have data literacy. There once was a time "
"when many citizens in society couldn’t read or write. However, as a society, "
"we’ve now come to believe that reading and writing skills should be "
"something all citizens have. We haven’t yet adopted a similar belief around "
"numbers and data literacy. We largely still believe that only a few "
"specially trained people can analyze and think with numbers."
msgstr ""
+"«En del av årsaken er at dataene er spredt på hundrevis av steder. I "
+"tillegg, for det meste, er dyp tenkning basert på data forbeholdt eksperter, "
+"fordi folk flest ikke har dataferdigheter. Det var en gang en tid da mange "
+"innbyggere i samfunnet ikke kunne lese eller skrive. Men som samfunn, er vi "
+"nå kommet dit hen at lese- og skriveferdigheter bør være allemannseie. Vi "
+"har ennå ikke adoptert en lignende forutsetning for tall og ferdigheter "
+"vedrørende data. Vi tror fortsatt at kun noen få spesialutdannede mennesker "
+"kan analysere og tenke med tall»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3989
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5083
msgid ""
"“Figure.NZ may be the first organization to assert that everyone can use "
"numbers in their thinking, and it’s built a technological platform along "
"with trust and a network of relationships to make that possible. What you "
"can see on Figure.NZ are tens of thousands of graphs, maps, and data."
msgstr ""
+"«Figure.NZ er muligens den første organisasjonen som hevder at alle kan "
+"bruke tall i sin tenkning, og har bygget en teknologisk plattform på tillit "
+"og et nettverk av relasjoner for muliggjøring av dette. Det som er å se på "
+"Figure.NZ er titusenvis av grafer, kart og data»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3997
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5090
msgid ""
"“Figure.NZ sees this as a new kind of alphabet that can help people analyze "
"what they see around them. A way to be thoughtful and informed about "
"society. A means of engaging in conversation and shaping decision making "
-"that transcends personal experience. The long-term value and impact is "
+"that transcends personal experience. The long-term value and impact is "
"almost impossible to measure, but the goal is to help citizens gain "
"understanding and work together in more informed ways to shape the future.”"
msgstr ""
+"«Figure.NZ ser dette som et slags nytt alfabet som kan hjelpe folk å "
+"analysere det de ser rundt seg. En måte å reflektere omkring "
+"samfunnsinformasjon. En innfartsåre i det å delta i samtaler som former "
+"beslutningsprosesser, der langt overskrider den personlige erfaringen. Den "
+"langsiktige verdien og effekten lar sage vanskelig tallvist måle, men målet "
+"er å hjelpe borgeres forståelse og samarbeid på mer opplyste måter for å "
+"forme fremtiden»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4004
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5099
msgid ""
"Lillian sees Figure.NZ’s model as having global potential. But for now, "
"their focus is completely on making Figure.NZ work in New Zealand and to get "
"for others through use of their service. Creative Commons is core to making "
"the network effect possible."
msgstr ""
+"Lillian ser Figure.NZs modell i lys av å ha et globalt potensiale. Uansett "
+"er deres fokus nå fullt ut utførelsen av Figure.NZs arbeid i New Zealand, og "
+"realiseringen av «nettverkseffekten» – at brukere dramatisk øker egen og "
+"andres nytteverdi ved bruk av tjenesten. Creative Commons er kjernen som "
+"gjør denne nettverkeseffekten mulig."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid ""
-"www.nzdatafutures.org.nz/sites/default/files/NZDFF\\_harness-the-power.pdf"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid ""
-"www.ict.govt.nz/guidance-and-resources/open-government/new-zealand-"
-"government-open-access-and-licensing-nzgoal-framework/"
-msgstr ""
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid "figure.nz/business/"
-msgstr ""
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid "figure.nz/patrons/"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4013
-msgid "## Knowledge Unlatched"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5108
+#, fuzzy
+msgid "Knowledge Unlatched"
+msgstr "## Knowledge Unlatched"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4017
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5111
msgid ""
"Knowledge Unlatched is a not-for-profit community interest company that "
-"brings libraries together to pool funds to publish open-access books. "
+"brings libraries together to pool funds to publish open-access books. "
"Founded in 2012 in the UK."
msgstr ""
+"Knowledge Unlatched er et veldedig samfunnsinteresse-selskap som bringer "
+"biblioteker sammen for å finansiere utgivelser av bøker med åpen tilgang. "
+"Grunnlagt 2012 i Storbritannia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4019
-msgid "knowledgeunlatched.org"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5116
+msgid "<ulink url=\"http://knowledgeunlatched.org\"/>"
+msgstr "<ulink url=\"http://knowledgeunlatched.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4021
-msgid "Revenue model: crowdfunding (specialized)"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5118
+#, fuzzy
+#| msgid "Revenue model: crowdfunding (specialized)"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: crowdfunding "
+"(specialized)"
+msgstr "Inntektsmodell: Folkefinansiering (spesialisert)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4023
-msgid "Interview date: February 26, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5121
+#, fuzzy
+#| msgid "Interview date: February 26, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 26, 2016"
+msgstr "Dato for intervju: 26. februar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4025
-msgid "Interviewee: Frances Pinter, founder"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5124
+#, fuzzy
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Frances Pinter, founder"
+msgstr "Intervjuobjekt: Frances Pinter, grunnlegger"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4041
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5132
msgid ""
"The serial entrepreneur Dr. Frances Pinter has been at the forefront of "
"innovation in the publishing industry for nearly forty years. She founded "
"humanities and social sciences. Knowledge Unlatched is committed to changing "
"this and has been working with libraries to create a sustainable alternative "
"model for publishing scholarly books, sharing the cost of making monographs "
-"(released under a Creative Commons license) and savings costs over the long "
+"(released under a Creative Commons license) and savings costs over the long "
"term. Since its launch, Knowledge Unlatched has received several awards, "
"including the IFLA/Brill Open Access award in 2014 and a Curtin University "
"Commercial Innovation Award for Innovation in Education in 2015."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4046
-msgid ""
-"Dr. Pinter has been in academic publishing most of her career. About ten "
+"Seriegrunnlegger dr. Frances Pinter har vært i forkant av innovasjon i "
+"forlagsbransjen i nesten førti år. Hun grunnla det UK-baserte Knowledge "
+"Unlatched med oppgaven å gi åpen tilgang til vitenskapelige bøker. For "
+"Frances fungerer ikke dagens systemet for vitenskapelige "
+"bokpubliseringsystem for alle, og spesielt ikke for monografier i humaniora "
+"og samfunnsvitenskap. Knowledge Unlatched er har forpliktet seg til å endre "
+"dette og har arbeidet sammen med biblioteker for å skape en bærekraftig "
+"alternativ modell for publisering vitenskapelige bøker, deling av kostnadene "
+"for monografier (utgitt under en Creative Commons-lisens) og, på lang sikt, "
+"spare kostnader. Siden lanseringen, har Knowledge Unlatched mottatt flere "
+"priser, inkludert IFLA/Brill Open Access-prisen for 2014 og en Curtin "
+"University Commersial Innovation Award-pris for innovasjon i utdanning i "
+"2015."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5148
+msgid ""
+"Dr. Pinter has been in academic publishing most of her career. About ten "
"years ago, she became acquainted with the Creative Commons founder Lawrence "
"Lessig and got interested in Creative Commons as a tool for both protecting "
"content online and distributing it free to users."
msgstr ""
+"Dr. Pinter har vært i akademiske publisering mestedelen av sin karriere. "
+"Omtrent for ti år siden, ble hun kjent med Creative Commons grunnleggeren "
+"Lawrence Lessig og ble interessert i Creative Commons som et verktøy for "
+"både beskytte innhold på nettet og fordele det gratis for brukere."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4051
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5155
msgid ""
"Not long after, she ran a project in Africa convincing publishers in Uganda "
"and South Africa to put some of their content online for free using a "
"Creative Commons license and to see what happened to print sales. Sales went "
"up, not down."
msgstr ""
+"Ikke lenge etter, drev hun et prosjekt i Afrika som overbeviste utgivere i "
+"Uganda og Sør-Afrika til å legge noe av innholdet sitt på nettet gratis med "
+"en Creative Commons-lisens, for å se hva skjedde. Salget gikk opp, ikke ned."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4065
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5161
msgid ""
"In 2008, Bloomsbury Academic, a new imprint of Bloomsbury Publishing in the "
"United Kingdom, appointed her its founding publisher in London. As part of "
"NoDerivs). This was seen as risky, as the biggest cost for publishers is "
"getting a book to the stage where it can be printed. If everyone read the "
"online book for free, there would be no print-book sales at all, and the "
-"costs associated with getting the book to print would be lost. Surprisingly, "
-"Bloomsbury found that sales of the print versions of these books were 10 to "
-"20 percent higher than normal. Frances found it intriguing that the "
-"Creative Commons–licensed free online book acts as a marketing vehicle for "
-"the print format."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4072
+"costs associated with getting the book to print would be lost. "
+"Surprisingly, Bloomsbury found that sales of the print versions of these "
+"books were 10 to 20 percent higher than normal. Frances found it intriguing "
+"that the Creative Commons–licensed free online book acts as a marketing "
+"vehicle for the print format."
+msgstr ""
+"I 2008 valgte Bloomsbury Academic, et nytt forlag under Bloomsbury "
+"Publishing i Storbritannia, henne til å tå for oppstarten av dette forlaget "
+"i London. Som en del av lanseringen, overbeviste Frances Bloomsbury om "
+"differensiere ved å legge ut monografier gratis på nettet med en Creative "
+"Commons-lisens (BY-NC eller BY-NC-ND, dvs. Attribution-NonCommercial eller "
+"Attribution-NonCommercial-NoDerivs)). Dette ble sett på som risikabelt, "
+"ettersom den største kostnaden for utgivere til trykningsstadiet. Hvis alle "
+"kunne lese den elektroniske boken gratis, ville det ikke være salg av tykte "
+"bøker i det hele, og kostnadene forbundet med å få boken skrevet går tapt. "
+"Overraskende nok, fant Bloomsbury at salg av trykte versjoner av disse "
+"bøkene var 10 til 20 prosent høyere enn normalt. Frances fant det "
+"interessant at den gratis Creative Commons-lisensierte boken på nettet "
+"fungerer som et markedsføringsredskap for det trykte formatet."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5178
msgid ""
"Frances began to look at customer interest in the three forms of the book: "
-"1) the Creative Commons–licensed free online book in PDF form, 2) the "
+"1) the Creative Commons–licensed free online book in PDF form, 2) the "
"printed book, and 3) a digital version of the book on an aggregator platform "
"with enhanced features. She thought of this as the “ice cream model”: the "
"free PDF was vanilla ice cream, the printed book was an ice cream cone, and "
"the enhanced e-book was an ice cream sundae."
msgstr ""
+"Frances begynte å se på kundens interesse i tre former for boken: 1) "
+"Creative Commons-lisensierte gratis online bok i PDF-skjemaet, 2) den trykte "
+"boken og 3) en digital versjon av boken på en aggregator plattform med "
+"forbedrede funksjoner. Hun tenkte på dette som \"iskrem model\": gratis PDF "
+"var vaniljeis, den trykte boken var en iskrem, og forbedret e-boken var en "
+"iskrem sundae."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4079
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5187
msgid ""
"After a while, Frances had an epiphany—what if there was a way to get "
"libraries to underwrite the costs of making these books up until they’re "
"book, or do a whole bunch of interesting things with the printed book and e-"
"book—the ice cream cone or sundae part of the model."
msgstr ""
+"Etter en stund, hadde Frances en åpenbaring: Hva hvis det var en måte å få "
+"biblioteker til å garantere for kostnadene ved å gjøre disse bøkene "
+"trykningsklare, altså dekke faste kostnader for å få frem den første "
+"digitale kopien? Så kan man enten få ned kostnadene for den trykte boken, "
+"eller gjøre en hel haug med interessante ting med den trykte boken og e-"
+"boken - kjeksisen eller iskuler med pynt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4086
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5196
msgid ""
"This idea is similar to the article-processing charge some open-access "
-"journals charge researchers to cover publishing costs. Frances began to "
+"journals charge researchers to cover publishing costs. Frances began to "
"imagine a coalition of libraries paying for the prepress costs—a “book-"
"processing charge”—and providing everyone in the world with an open-access "
"version of the books released under a Creative Commons license."
msgstr ""
+"Denne ideen likner betalingen for artikkelbehandlingen som tidsskifter med "
+"åpen tilgang, krever av forskere for å dekke publiseringskostnadene. Frances "
+"begynte å tenke på en koalisjon av biblioteker som betalte kostnadene frem "
+"til trykking - en \"bok-prosessavgift\" - og gi alle i verden en åpen "
+"tilgangs-versjon av bøker utgitt med en Creative Commons-lisens."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4095
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5204
msgid ""
"This idea really took hold in her mind. She didn’t really have a name for it "
"but began talking about it and making presentations to see if there was "
"launch a community interest company (a UK term for not-for-profit social "
"enterprises) in 2012."
msgstr ""
+"Denne ideen tok virkelig tak i henne. Hun hadde egentlig ikke et navn for "
+"det men begynte å snakke om det og lage presentasjoner for å se om det var "
+"interesse. Jo mer hun snakket om det, jo mer folk avtalt det hadde appell. "
+"Hun tilbød en flaske champagne for alle som kunne komme opp med et godt navn "
+"for ideen. Hennes mann kom opp med Knowledge Unlatched, og etter to år for å "
+"opparbeide interesse, besluttet hun å gå videre og starte et \"community "
+"interest company\" (et engelsk begrep for non-profit samfunnsforetak) i 2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4098
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5215
msgid ""
"She describes the business model in a paper called Knowledge Unlatched: "
"Toward an Open and Networked Future for Academic Publishing:"
"Hun beskriver forretningsmodellen i en artikkel med tittel Knowledge "
"Unlatched: Toward an Open and Networked Future for Academic Publishing:"
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5222
msgid ""
"Publishers offer titles for sale reflecting origination costs only via "
"Knowledge Unlatched."
msgstr ""
+"Utgivere tilbyr utgivelser for salg som avspeiler opprinnelige kostnader "
+"bare via Knowlegde Unlatched."
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5228
msgid ""
"Individual libraries select titles either as individual titles or as "
"collections (as they do from library suppliers now)."
"Frittstående bibliotek velger titler enten som individuelle titler eller som "
"samlinger (slik de gjør fra bibliotekleverandører i dag)."
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5234
msgid ""
"Their selections are sent to Knowledge Unlatched specifying the titles to be "
"purchased at the stated price(s)."
msgstr ""
+"Utvalgene deres blir sendt til Knowledge Unlatched der de titlene som kan "
+"kjøpes spesifiseres og prisene angis."
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5240
msgid ""
"The price, called a Title Fee (set by publishers and negotiated by Knowledge "
"Unlatched), is paid to publishers to cover the fixed costs of publishing "
"each of the titles that were selected by a minimum number of libraries to "
"cover the Title Fee."
msgstr ""
+"Prisen, kalt Title Fee (satt av utgivere og forhandlet frem av Knowlegde "
+"Unlatched), betales til utgivere for å dekke faste kostnader for å publisere "
+"hver av titlene som ble valgt av et minimumsantall biblioteker for å få "
+"dekket Title Fee-gebyret."
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5249
msgid ""
"Publishers make the selected titles available Open Access (on a Creative "
"Commons or similar open license) and are then paid the Title Fee which is "
"the total collected from the libraries."
msgstr ""
+"Forlagene gjør de utvalgte titler tilgjengelige med Open Access (med en åpen "
+"lisens som Creative Commons eller lignende) og får så utbetalt Title Fee-"
+"beløpet som er den summen som er innbetalt fra bibliotekene."
+
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5259
+msgid "<ulink url=\"http://www.pinter.org.uk/pdfs/Toward_an_Open.pdf\"/>"
+msgstr "<ulink url=\"http://www.pinter.org.uk/pdfs/Toward_an_Open.pdf\"/>"
-#. type: Bullet: '6. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5256
+#, fuzzy
msgid ""
"Publishers make print copies, e-Pub, and other digital versions of selected "
"titles available to member libraries at a discount that reflects their "
-"contribution to the Title Fee and incentivizes membership.1"
+"contribution to the Title Fee and incentivizes membership.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
+"Forlag gjør trykte bøker, e-Pub og andre digitale versjoner av valgte "
+"titler tilgjengelig for medlems-biblioteker til rabattert pris, noe som "
+"avspeiler deres bidrag til Title Fee og ansporer til medlemskap.1"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4124
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5264
+#, fuzzy
+#| msgid ""
+#| "The first round of this model resulted in a collection of twenty-eight "
+#| "current titles from thirteen recognized scholarly publishers being "
+#| "unlatched. The target was to have two hundred libraries participate. The "
+#| "cost of the package per library was capped at \\$1,680, which was an "
+#| "average price of sixty dollars per book, but in the end they had nearly "
+#| "three hundred libraries sharing the costs, and the price per book came in "
+#| "at just under forty-three dollars."
msgid ""
"The first round of this model resulted in a collection of twenty-eight "
"current titles from thirteen recognized scholarly publishers being "
"unlatched. The target was to have two hundred libraries participate. The "
-"cost of the package per library was capped at \\$1,680, which was an average "
+"cost of the package per library was capped at $1,680, which was an average "
"price of sixty dollars per book, but in the end they had nearly three "
"hundred libraries sharing the costs, and the price per book came in at just "
"under forty-three dollars."
msgstr ""
+"Første runde av denne modellen bragte med seg unnfanging av en samling på 28 "
+"nåværende titler fra tretten anerkjente lærde forlag. Målet var å ha få med "
+"to hundre bibliotek i samarbeidet. Kostnaden av pakken per bibliotek hadde "
+"et øvre tak på 1680 amerikanske dollar, som er en gjennomsnittspris på 60 "
+"dollar per bok, men til slutt var det nesten tre hundre bibliotek som delte "
+"på utgiftene, og per bok kom de ned i under 43 dollar per bok."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4133
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5275
msgid ""
-"The open-access, Creative Commons versions of these twenty-eight books are "
-"still available online.4 Most books have been licensed with CC BY-NC or CC "
-"BY-NC-ND. Authors are the copyright holder, not the publisher, and negotiate "
-"choice of license as part of the publishing agreement. Frances has found "
-"that most authors want to retain control over the commercial and remix use "
-"of their work. Publishers list the book in their catalogs, and the "
-"noncommercial restriction in the Creative Commons license ensures authors "
-"continue to get royalties on sales of physical copies."
+"<ulink url=\"http://collections.knowledgeunlatched.org/collection-"
+"availability-1/\"/>"
msgstr ""
+"<ulink url=\"http://collections.knowledgeunlatched.org/collection-"
+"availability-1/\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4143
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5274
+msgid ""
+"The open-access, Creative Commons versions of these twenty-eight books are "
+"still available online.<placeholder type=\"footnote\" id=\"0\"/> Most books "
+"have been licensed with CC BY-NC or CC BY-NC-ND. Authors are the copyright "
+"holder, not the publisher, and negotiate choice of license as part of the "
+"publishing agreement. Frances has found that most authors want to retain "
+"control over the commercial and remix use of their work. Publishers list the "
+"book in their catalogs, and the noncommercial restriction in the Creative "
+"Commons license ensures authors continue to get royalties on sales of "
+"physical copies."
+msgstr ""
+"Creative Commons-versjoner, av alle 28 bøker er fremdeles fritt tilgjengelig "
+"på nett.<placeholder type=\"footnote\" id=\"0\"/> De fleste lisensiert CC BY-"
+"NC eller CC BY-NC-ND. Forfatterne har kopiretten, ikke forleggeren, og "
+"forhandler valg av lisens som del av publiseringsavtalen. Frances har merket "
+"seg at de fleste forfattere ønsker å beholde kontroll over kommersiell og "
+"videre bruk av deres arbeide. Forleggere lister opp bøkene i sine kataloger, "
+"og tillegg av ikke-kommersiell begrensning i Creative Commons-lisens betyr "
+"at forfatterne fortsetter å motta salær for salg av fysiske kopier."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5285
+#, fuzzy
msgid ""
"There are three cost variables to consider for each round: the overall cost "
"incurred by the publishers, total cost for each library to acquire all the "
"books, and the individual price per book. The fee publishers charge for each "
"title is a fixed charge, and Knowledge Unlatched calculates the total amount "
-"for all the books being unlatched at a time. The cost of an order for each "
+"for all the books being unlatched at a time. The cost of an order for each "
"library is capped at a maximum based on a minimum number of libraries "
"participating. If the number of participating libraries exceeds the minimum, "
"then the cost of the order and the price per book go down for each library."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4156
+"Det er tre kostnadsvariabler å ta høyde for i hver runde: Den sammenlagte "
+"kostnaden spist av forleggerne, total kostnad for ervervelse av alle bøkene "
+"for bibliotekene, og individuell pris per bok. Avgiften forleggerne tar for "
+"hver tittel er fast, og Knowledge Unlatched regner ut total mengde for "
+"unnfanging av alle bøkene samtidig. Kostnaden for én ordre for hvert "
+"bibliotek er satt \"i verste fall\", basert på et minimum av deltagende "
+"biblioteker. Kostnaden reduserer deretter for hvert ekstra bibliotek som "
+"deltar."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5297
+#, fuzzy
msgid ""
"The second round, recently completed, unlatched seventy-eight books from "
"twenty-six publishers. For this round, Frances was experimenting with the "
"size and shape of the offerings. Books were being bundled into eight small "
"packages separated by subject (including Anthropology, History, Literature, "
-"Media and Communications, and Politics), of around ten books per package. "
+"Media and Communications, and Politics), of around ten books per package. "
"Three hundred libraries around the world have to commit to at least six of "
"the eight packages to enable unlatching. The average cost per book was just "
"under fifty dollars. The unlatching process took roughly ten months. It "
"task force select the titles, getting authors’ permissions, getting the "
"libraries to pledge, billing the libraries, and finally, unlatching."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4161
+"Den andre runden, som også har latt seg gjennomføre, unnfanget 78 bøker fra "
+"26 forleggere. I denne runden, eksperimenterte Frances med størrelsen og "
+"formen på det som ble tilbudt. Bøker ble pakket i åtte pakker delt inn per "
+"emne (inkludert antropologi, historie, litteratur, media og kommunikasjon, "
+"og politikk), hvorav omkring 10 bøker ble forært hver pakke. Tre hundre "
+"biblioteker verden over må binde seg til unnfanging av minst seks av åtte "
+"pakker for at det skulle bli noe av. Gjennomsnittskostnaden per bok var "
+"snaut 50 dollar. Unnfangingsprosessen tok omtrent ti måneder. I første rekke "
+"telefonsamtaler til forleggerne for å ta rede på titler, dernest forming av "
+"en ansvarsgruppe fra bibliotekhold for å velge titler, innhenting av "
+"forfattersamtykke, avtaleskriving med bibliotekene, tilhørende fakturering, "
+"og til sist, unnfanging."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5312
msgid ""
"The longest part of the whole process is getting libraries to pledge and "
"commit funds. It takes about five months, as library buy-in has to fit "
"within acquisition cycles, budget cycles, and library-committee meetings."
msgstr ""
+"Mest langdrektig var prosessen med å få bibliotekene til å skrive seg opp og "
+"sende avgårde kronasje. Omkring fem måneder, for å passe kjøpssykluser, "
+"budsjettrunder, og bibliotekkomiteers forsamling."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5318
+#, fuzzy
msgid ""
"Knowledge Unlatched informs and recruits libraries through social media, "
"mailing lists, listservs, and library associations. Of the three hundred "
"individual libraries but also library consortia, which has been getting even "
"more libraries involved."
msgstr ""
+"Knowledge Unlatched informerer og rekrutterer biblioteker på sosiale media, "
+"e-postlister, listetjenere, og bibliotekforbund. Av de tre hundre "
+"bibliotekene som deltok i første runde, fant 80 prosent av dem veien i runde "
+"to, med anslagsvis 80 nye tilkomne. Knowledge Unlatched arbeider ikke bare "
+"med enkeltstående biblioteker, men også konsortier, noe som har fått enda "
+"flere biblioteker med i laget."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4173
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5328
+#, fuzzy
msgid ""
"Knowledge Unlatched is scaling up, offering 150 new titles in the second "
"half of 2016. It will also offer backlist titles, and in 2017 will start to "
"make journals open access too."
msgstr ""
+"Knowledge Unlatched utvider tilbudet, til 150 nye titler i andre halvdel av "
+"2016. Tidligere innlemmelser er også med, og i 2017 vil journaler komme til "
+"også. Fri tilgang på alt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4177
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5333
+#, fuzzy
msgid ""
"Knowledge Unlatched deliberately chose monographs as the initial type of "
"book to unlatch. Monographs are foundational and important, but also "
"problematic to keep going in the standard closed publishing model."
msgstr ""
+"De har aktivt valgt monografier som første boktype å unnfange. Monografier "
+"er grunnleggende og viktige, men også vanskelige å holde varme i den lukkede "
+"forlagsmodellens kalde grep."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4185
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5339
+#, fuzzy
msgid ""
"The cost for the publisher to get to a first digital copy of a monograph is "
-"\\$5,000 to \\$50,000. A good one costs in the \\$10,000 to \\$15,000 range. "
+"$5,000 to $50,000. A good one costs in the $10,000 to $15,000 range. "
"Monographs typically don’t sell a lot of copies. A publisher who in the past "
"sold three thousand copies now typically sells only three hundred. That "
"makes unlatching monographs a low risk for publishers. For the first round, "
"it took five months to get thirteen publishers. For the second round, it "
"took one month to get twenty-six."
msgstr ""
+"Forlagskost for ervervelse av første digitale kopi av en monografi er 5000 "
+"dollar til 50.000 dollar. En god monografi beløper seg til 10-15k. De selger "
+"typisk ikke mange eksemplarer. Hvis tallene i tidligere tider var 3000, kan "
+"man regne 300 som vår tids motsats. Det gjør unnfanging av monografier til "
+"lavrisikosport for forleggere. I første runde tok det fem måneder å få med "
+"13 av dem, i andre gikk det ikke mer enn en måned før 26 av dem gikk "
+"hverandres ærend."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5356
+#, fuzzy
+#| msgid "<ulink url=\"http://knowledgeunlatched.org\"/>"
+msgid ""
+"<ulink url=\"http://www.knowledgeunlatched.org/featured-authors-section/\"/>"
+msgstr "<ulink url=\"http://knowledgeunlatched.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4194
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5349
+#, fuzzy
+#| msgid ""
+#| "Authors don’t generally make a lot of royalties from monographs. "
+#| "Royalties range from zero dollars to 5 to 10 percent of receipts. The "
+#| "value to the author is the awareness it brings to them; when their book "
+#| "is being read, it increases their reputation. Open access through "
+#| "unlatching generates many more downloads and therefore awareness. (On the "
+#| "Knowledge Unlatched website, you can find interviews with the twenty-"
+#| "eight round-one authors describing their experience and the benefits of "
+#| "taking part.)5"
msgid ""
"Authors don’t generally make a lot of royalties from monographs. Royalties "
-"range from zero dollars to 5 to 10 percent of receipts. The value to the "
+"range from zero dollars to 5 to 10 percent of receipts. The value to the "
"author is the awareness it brings to them; when their book is being read, it "
"increases their reputation. Open access through unlatching generates many "
"more downloads and therefore awareness. (On the Knowledge Unlatched website, "
"you can find interviews with the twenty-eight round-one authors describing "
-"their experience and the benefits of taking part.)5"
+"their experience and the benefits of taking part.)<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
+"Forfatterne tjener vanligvis ikke mye i godtgjørelse for bruk fra "
+"monografier. Royalty varierer fra ingenting, til 5 til 10 prosent av det "
+"som kommer inn. Verdien for forfatteren er oppmerksomheten de får. Når boken "
+"deres blir lest, øker omtalen. Åpen tilgang gjennom frikjøpsunnfangelse "
+"genererer mange flere nedlastinger og derfor mer oppmerksomhet. (På "
+"hjemmesiden til Knowledge Unlatched, finner du intervjuer med tjueåtte "
+"forfatterne fra den første omgangen i beskrivelsen av erfaring og fordelene "
+"ved å delta.)5"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4203
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5359
msgid ""
"Library budgets are constantly being squeezed, partly due to the inflation "
"of journal subscriptions. But even without budget constraints, academic "
"into their digital repository. Only secondarily do they consider getting a "
"print book, and if they do, they buy it separately from the digital version."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4210
-msgid ""
-"Knowledge Unlatched offers libraries a compelling economic argument. Many "
-"of the participating libraries would have bought a copy of the monograph "
-"anyway, but instead of paying \\$95 for a print copy or \\$150 for a digital "
-"multiple-use copy, they pay \\$50 to unlatch. It costs them less, and it "
-"opens the book to not just the participating libraries, but to the world."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4220
+"Bibliotekenes budsjetter blir stadig presset, delvis på grunn av veksten i "
+"journalabonnementer. Selv uten budsjettbegrensninger, beveger akademiske "
+"biblioteker seg vekk fra å kjøpe fysiske kopier. Katalogoppføringen i et "
+"akademisk bibliotek vanligvis en lenke til dit boken måte ligge. Eller, hvis "
+"de har nok elektronisk lagringsplass, kan de laste ned den digitale filen "
+"til sin digitale kildebrønn. Bare som et neste alternativ vurdere de å "
+"anskaffe en trykt bok, og hvis de gjør det, kjøper de den separat fra den "
+"digitale versjonen."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5370
+#, fuzzy
+#| msgid ""
+#| "Knowledge Unlatched offers libraries a compelling economic argument. "
+#| "Many of the participating libraries would have bought a copy of the "
+#| "monograph anyway, but instead of paying \\$95 for a print copy or \\$150 "
+#| "for a digital multiple-use copy, they pay \\$50 to unlatch. It costs them "
+#| "less, and it opens the book to not just the participating libraries, but "
+#| "to the world."
+msgid ""
+"Knowledge Unlatched offers libraries a compelling economic argument. Many of "
+"the participating libraries would have bought a copy of the monograph "
+"anyway, but instead of paying $95 for a print copy or $150 for a digital "
+"multiple-use copy, they pay $50 to unlatch. It costs them less, and it opens "
+"the book to not just the participating libraries, but to the world."
+msgstr ""
+"Knowlegde Unlatched tilbyr biblioteker et overbevisende økonomisk argument. "
+"Mange av de deltakende bibliotekene ville ha kjøpt en kopi av monografien "
+"uansett, men isteden for å betale \\$95 for en trykket bok eller \\$150 for "
+"en digital flerbrukskopi, betaler de \\$50 for unnfangelsen. Det koster dem "
+"mindre, og det åpner boken ikke bare for de deltakende bibliotekene, men for "
+"hele verden."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5378
msgid ""
"Not only do the economics make sense, but there is very strong alignment "
"with library mandates. The participating libraries pay less than they would "
"the end of March 2016, the round-one books had been downloaded nearly eighty "
"thousand times in 175 countries."
msgstr ""
+"Ikke bare er økonomien fornuftig, men det er veldig helt på linje med "
+"bibliotekets oppgaver. De deltakende bibliotekene betale mindre enn de ville "
+"ha gjort i den lukkede modellen, og boken med åpen tilgang er tilgjengelig "
+"for alle biblioteker. Mens dette betyr at biblioteker som ikke deltar kan "
+"bli sett på som gratispassasjerer i bibliotekverdenen. Velstående "
+"biblioteker brukes til å betale mer enn fattigere biblioteker og aksepterer "
+"at en del av pengene deres brukes til å støtte åpen tilgang. "
+"\"Gratispassasjer\" er mer som et samfunnsansvar. Ved utgangen av mars 2016, "
+"ble bøkene i førsterunden lastet ned nesten åtti tusen ganger i 175 land."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4223
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5390
msgid ""
"For publishers, authors, and librarians, the Knowledge Unlatched model for "
"monographs is a win-win-win."
msgstr ""
+"For utgivere, forfattere og bibliotekarer er Knowledge Unlatched-modellen "
+"for monografier en vinn-vinn-vinn."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4232
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5394
msgid ""
"In the first round, Knowledge Unlatched’s overheads were covered by grants. "
"In the second round, they aim to demonstrate the model is sustainable. "
"Libraries and publishers will each pay a 7.5 percent service charge that "
-"will go toward Knowledge Unlatched’s running costs. With plans to scale up "
+"will go toward Knowledge Unlatched’s running costs. With plans to scale up "
"in future rounds, Frances figures they can fully recover costs when they are "
-"unlatching two hundred books at a time. Moving forward, Knowledge Unlatched "
+"unlatching two hundred books at a time. Moving forward, Knowledge Unlatched "
"is making investments in technology and processes. Future plans include "
"unlatching journals and older books."
msgstr ""
+"I første runde, ble Knowledge Unlatched-kostnader dekket av bevilgninger og "
+"donasjoner. I andre runde, sikter de på å vise at modellen er bærekraftig. "
+"Biblioteker og utgivere betale hver en serviceavgift på 7,5 prosent som går "
+"til Knowlegde Unlatcheds driftskostnader. Med planer å utvide i senere "
+"omganger, regner Frances med at de kan få inn igjen kostnadene fullt ut når "
+"de er frikjøper to hundre bøker om gangen. I fortsettelsen, vil Knowledge "
+"Unlatched investere i teknologi og prosesser. Fremtidige planer inkluderer "
+"frikjøp av tidsskifter og eldre bøker."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4241
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5405
msgid ""
"Frances believes that Knowledge Unlatched is tapping into new ways of "
"valuing academic content. It’s about considering how many people can find, "
"access, and use your content without pay barriers. Knowledge Unlatched taps "
"into the new possibilities and behaviors of the digital world. In the "
"Knowledge Unlatched model, the content-creation process is exactly the same "
-"as it always has been, but the economics are different. For Frances, "
+"as it always has been, but the economics are different. For Frances, "
"Knowledge Unlatched is connected to the past but moving into the future, an "
"evolution rather than a revolution."
msgstr ""
+"Frances mener at Knowlegde Unlatched finner nye måter å sette pris på faglig "
+"innhold. Det handler om å vurdere hvor mange mennesker som kan finne, nå og "
+"bruke innholdet uten at betaling kommer i veien. Knowledge Unlatched åpner "
+"nye muligheter og atferd i den digitale verden. I Knowlegde Unlatched-"
+"modellen er den innholdsskapende prosessen akkurat det samme som den alltid "
+"har vært, men økonomien er forskjellig. For Frances er Knowledge Unlatched "
+"knyttet til fortiden, men på vei inn i fremtiden, utvikling snarere enn "
+"revolusjon."
+
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5417
+#, fuzzy
+msgid "Lumen Learning"
+msgstr "## Lumen Learning"
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.pinter.org.uk/pdfs/Toward\\_an\\_Open.pdf"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.oapen.org"
-msgstr ""
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.hathitrust.org"
-msgstr ""
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "collections.knowledgeunlatched.org/collection-availability-1/"
-msgstr ""
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.knowledgeunlatched.org/featured-authors-section/"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4251
-msgid "## Lumen Learning"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4254
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5420
msgid ""
"Lumen Learning is a for-profit company helping educational institutions use "
"open educational resources (OER). Founded in 2013 in the U.S."
msgstr ""
+"Lumen Learning, et selskap til inntekts ervervelse, er myntet på opplæring "
+"av utdanningsinstitusjoner i bruk av åpne pedagogiske ressurser (OER). "
+"Grunnlagt 2013 i USA."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4256
-msgid "lumenlearning.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5425
+msgid "<ulink url=\"http://lumenlearning.com\"/>"
+msgstr "<ulink url=\"http://lumenlearning.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4258
-msgid "Revenue model: charging for custom services, grant funding"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5427
+#, fuzzy
+#| msgid "Revenue model: charging for custom services, grant funding"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services, grant funding"
+msgstr "Inntektsmodell: Betaling for tilpassede tjenester, gi finansiering"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4260
-msgid "Interview date: December 21, 2015"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5430
+#, fuzzy
+#| msgid "Interview date: December 21, 2015"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 21, 2015"
+msgstr "Dato for intervju: 21 desember 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4262
-msgid "Interviewees: David Wiley and Kim Thanos, cofounders"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5433
+#, fuzzy
+#| msgid "Interviewees: David Wiley and Kim Thanos, cofounders"
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: David Wiley and Kim "
+"Thanos, cofounders"
+msgstr "Intervjuobjekter: David Wiley og Kim Thanos, medgrunnleggere"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4284
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5447
+msgid "<ulink url=\"http://lumenlearning.com/innovative-projects/\"/>"
+msgstr "<ulink url=\"http://lumenlearning.com/innovative-projects/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5441
msgid ""
"Cofounded by open education visionary Dr. David Wiley and education-"
"technology strategist Kim Thanos, Lumen Learning is dedicated to improving "
"student success, bringing new ideas to pedagogy, and making education more "
"affordable by facilitating adoption of open educational resources. In 2012, "
"David and Kim partnered on a grant-funded project called the Kaleidoscope "
-"Open Course Initiative.1 It involved a set of fully open general-education "
-"courses across eight colleges predominantly serving at-risk students, with "
-"goals to dramatically reduce textbook costs and collaborate to improve the "
-"courses to help students succeed. David and Kim exceeded those goals: the "
-"cost of the required textbooks, replaced with OER, decreased to zero "
-"dollars, and average student-success rates improved by 5 to 10 percent when "
-"compared with previous years. After a second round of funding, a total of "
-"more than twenty-five institutions participated in and benefited from this "
-"project. It was career changing for David and Kim to see the impact this "
-"initiative had on low-income students. David and Kim sought further funding "
-"from the Bill and Melinda Gates Foundation, who asked them to define a plan "
-"to scale their work in a financially sustainable way. That is when they "
-"decided to create Lumen Learning."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4293
+"Open Course Initiative.<placeholder type=\"footnote\" id=\"0\"/> It involved "
+"a set of fully open general-education courses across eight colleges "
+"predominantly serving at-risk students, with goals to dramatically reduce "
+"textbook costs and collaborate to improve the courses to help students "
+"succeed. David and Kim exceeded those goals: the cost of the required "
+"textbooks, replaced with OER, decreased to zero dollars, and average student-"
+"success rates improved by 5 to 10 percent when compared with previous years. "
+"After a second round of funding, a total of more than twenty-five "
+"institutions participated in and benefited from this project. It was career "
+"changing for David and Kim to see the impact this initiative had on low-"
+"income students. David and Kim sought further funding from the Bill and "
+"Melinda Gates Foundation, who asked them to define a plan to scale their "
+"work in a financially sustainable way. That is when they decided to create "
+"Lumen Learning."
+msgstr ""
+"Etablert av den åpne utdanning-visjonære dr. David Wiley og utdanning-"
+"teknologi-strateg Kim Thanos, skal Lumen Learning forbedre studieresultater, "
+"bringe nye ideer til pedagogikken, samt gjøre utdanning rimeligere ved å "
+"tilrettelegge det å ta i bruk åpne pedagogiske ressurser. I 2012, slo David "
+"og Kim seg sammen om et stipend-finansiert prosjekt kalt Kaleidoscope Open "
+"Course Initiative.<placeholder type=\"footnote\" id=\"0\"/> Det involverte "
+"en rekke helt åpne generelle utdanningskurs, fordelt på åtte videregående "
+"skoler, hovedsakelig med elever i risikosonen. Målet var å redusere "
+"lærebokskostnadene, og samarbeide for å forbedre kursene for å hjelpe "
+"elevene å lykkes. David og Kim overskred disse målene: Kostnaden for "
+"nødvendige lærebøker erstattet med OER, ble redusert til null dollar, og "
+"gjennomsnittlig student-suksess økte med fra 5 til 10 prosent, sammenlignet "
+"med tidligere år. Etter en ny runde med finansiering, deltok tilsammen mer "
+"enn tjuefem institusjoner som alle nyttiggjorde seg av dette prosjektet. Det "
+"endret yrkesfremtiden for David og Kim å se den virkningen dette initiativet "
+"hadde for lavinntektelever. David og Kim søkte ytterligere finansiering fra "
+"Bill og Melinda Gates Foundation, som ba dem om å lage en plan for å utvikle "
+"sitt arbeid, slik at det ble økonomisk bærekraftig. Det ble da besluttet å "
+"opprette Lumen Learning."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5464
msgid ""
"David and Kim went back and forth on whether it should be a nonprofit or "
"for- profit. A nonprofit would make it a more comfortable fit with the "
"education sector but meant they’d be constantly fund-raising and seeking "
-"grants from philanthropies. Also, grants usually require money to be used in "
-"certain ways for specific deliverables. If you learn things along the way "
+"grants from philanthropies. Also, grants usually require money to be used "
+"in certain ways for specific deliverables. If you learn things along the way "
"that change how you think the grant money should be used, there often isn’t "
"a lot of flexibility to do so."
msgstr ""
+"David og Kim gikk vekslet mellom dette skulle organiseres basert på "
+"nonprofit eller fortjeneste. Nonprofit ville gjøre det mer tilpasset "
+"utdanningssektoren, men mente at de i tilfelle stadig måtte være på jakt "
+"etter penger og søke de stadig ville være stadig pengeinnsamlingen og søke "
+"veldedighetsdonasjoner. Slike donsasjoner krever også at pengene brukes på "
+"bestemte måter for bestemte resultater. Hvis du lærer ting underveis, endres "
+"forutsetningen for hvordan du tenker donasjonen skal brukes, er det ofte "
+"ikke mye fleksibilitet til å gjøre det."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4301
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5474
msgid ""
"But as a for-profit, they’d have to convince educational institutions to pay "
"for what Lumen had to offer. On the positive side, they’d have more control "
"and shifting opportunities. In the end, they chose the for-profit status, "
"with its different model for and approach to sustainability."
msgstr ""
+"Men bygd på fortjeneste, vil de måtte overbevise utdanningsinstitusjoner for "
+"å betale for hva Lumen hadde å tilby. På den positive siden, ville de har "
+"mer kontroll over hva de skal gjøre med inntekter og investeringspenger; De "
+"kunne ta avgjørelser å investere eller bruke dem på forskjellig måte basert "
+"på situasjonen og skiftende muligheter. Til slutt valgte de fortjeneste-"
+"modellen, en annen modell og tilnærming til en økonomisk bærekraftig "
+"utvikling."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4307
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5483
msgid ""
"Right from the start, David and Kim positioned Lumen Learning as a way to "
"help institutions engage in open educational resources, or OER. OER are "
"reside in the public domain or are released under an open license that "
"permits free use and repurposing by others."
msgstr ""
+"Helt fra starten posisjonerte David og Kim Lumen Learning som en måte å "
+"hjelpe institusjoner til å bruke åpne pedagogiske ressurser eller OER. OER "
+"er undervisning, læring og forskningsressurser, alle i forskjellige medier i "
+"det offentlige rom, eller er utgitt med en åpen lisens som tillater andres "
+"frie bruk og gjenbruk."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4319
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5491
msgid ""
"Originally, Lumen did custom contracts for each institution. This was "
"complicated and challenging to manage. However, through that process "
"offerings. Today they don’t customize as much as they used to, and instead "
"they tend to work with customers who can use their off-the-shelf options. "
"Lumen finds that institutions and faculty are generally very good at seeing "
-"the value Lumen brings and are willing to pay for it. Serving disadvantaged "
+"the value Lumen brings and are willing to pay for it. Serving disadvantaged "
"learner populations has led Lumen to be very pragmatic; they describe what "
"they offer in quantitative terms—with facts and figures—and in a way that is "
"very student-focused. Lumen Learning helps colleges and universities—"
msgstr ""
-
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+"Opprinnelig inngikk Lumen egendefinerte kontrakter med hver institusjon. "
+"Dette var komplisert og utfordrende å administrere. Men gjennom denne "
+"prosessen oppsto det mønstre som tillot dem å skalere opp en rekke "
+"tilnærminger og tilbud. I dag tilpasser ikke de så mye som de pleide, og i "
+"stedet pleier de å jobbe med kunder som kan bruke hyllevaren deres. Lumen "
+"erfarer at institusjoner og lærere generelt er veldig flinke til å se "
+"verdien i det Lumen bidrar med og er villig til å betale for den. Å hjelpe "
+"vanskeligstilte elevgrupper har gjort Lumen veldig pragmatisk; De beskriver "
+"hva de tilbyr i kvantitative termer - med tall og fakta, og på en måte som "
+"er svært elev-fokusert. Lumens Learning hjelper høyskoler og universiteter -"
+
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5507
msgid "replace expensive textbooks in high-enrollment courses with OER;"
-msgstr ""
+msgstr "å erstatte dyre lærebøker i kurs med mange påmeldinger med OER;"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5513
msgid ""
"provide enrolled students day one access to Lumen’s fully customizable OER "
"course materials through the institution’s learning-management system;"
msgstr ""
+"Og fra første dag gi lærestedets studenter tilgang til Lumens helt "
+"tilpassbare OER kursmateriell gjennom institusjonens system for "
+"læringshåndtering;"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5520
msgid ""
"measure improvements in student success with metrics like passing rates, "
"persistence, and course completion; and"
msgstr ""
+"Måle forbedringer i studentsuksess med beregninger som gjennomstrømning, "
+"utholdenhet, og kursfullførelse; Og"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5526
msgid ""
"collaborate with faculty to make ongoing improvements to OER based on "
"student success research."
msgstr ""
+"samarbeide med fakultetet o å gjøre kontinuerlige forbedringer i OER basert "
+"på kunnskap om studentens studiefremgang."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4334
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5532
msgid ""
"Lumen has developed a suite of open, Creative Commons–licensed courseware in "
"more than sixty-five subjects. All courses are freely and publicly available "
"they provide attribution to Lumen Learning following the terms of the "
"Creative Commons license."
msgstr ""
+"Lumen har utviklet en rekke åpne, Creative Commons-lisensierte kursopplegg "
+"for mer enn seksti fag. Alle kurs er fritt og offentlig tilgjengelig rett "
+"fra deres hjemmeside. De kan kopieres og brukes av andre så lenge de gir "
+"henvisning til Lumen Learning og følger betingelsene i Creative Commons-"
+"lisensen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4340
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5540
+#, fuzzy
msgid ""
-"Then there are three types of bundled services that cost money. One option, "
+"Then there are three types of bundled services that cost money. One option, "
"which Lumen calls Candela courseware, offers integration with the "
"institution’s learning-management system, technical and pedagogical support, "
-"and tracking of effectiveness. Candela courseware costs institutions ten "
+"and tracking of effectiveness. Candela courseware costs institutions ten "
"dollars per enrolled student."
msgstr ""
+"Så finnes det også tre typer medfølgende tjenester som koster penger. Ett "
+"alternativ, som Lumen kaller Candela courseware, tilbyr sammenknytting med "
+"institusjonens læringsbehandligssystem, teknisk og pedagogisk støtte, og "
+"sporing av effektivitetsgrad. Candela courseware koster institusjonene ti "
+"dollar per deltagende student."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4346
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5548
+#, fuzzy
msgid ""
"A second option is Waymaker, which offers the services of Candela but adds "
"personalized learning technologies, such as study plans, automated messages, "
"and assessments, and helps instructors find and support the students who "
"need it most. Waymaker courses cost twenty-five dollars per enrolled student."
msgstr ""
+"Et andre alternativ er Waymaker, som tilbyr tjenestene i Candela, men "
+"utvider med personaliserte læringsteknologier, som studieplaner, "
+"automatiserte meldinger, og vurderinger, og hjelper instruktører med å finne "
+"og støtte studentene som trenger det mest. Waymaker-utdanningsløp koster 25 "
+"dollar per deltagende student."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4353
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5555
+#, fuzzy
msgid ""
"The third and emerging line of business for Lumen is providing guidance and "
"support for institutions and state systems that are pursuing the development "
"of complete OER degrees. Often called Z-Degrees, these programs eliminate "
"textbook costs for students in all courses that make up the degree (both "
-"required and elective) by replacing commercial textbooks and other expensive "
-"resources with OER."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4368
+"required and elective) by replacing commercial textbooks and other "
+"expensive resources with OER."
+msgstr ""
+"Den tredje forretningsførselen, i emning, er tilbud om støtte og veiledning "
+"for institusjoner og offentlige systemer som søker å utvikle fullstendige "
+"OER-grader. Ofte kalles de Z-grader, disse programmene som eliminerer "
+"læringsmiddelskostnader for studenter i alle tilknyttede fag som utgjør "
+"graden (både påkrevde og valgfrie) ved å erstatte kommersielle skolebøker og "
+"andre dyre ressurser med OER."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5564
+#, fuzzy
msgid ""
"Lumen generates revenue by charging for their value-added tools and services "
"on top of their free courses, just as solar-power companies provide the "
"model perspective, from an open-access perspective, it has generated immense "
"goodwill in the community."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4377
+"Lumen tjener penger ved å ta betalt for deres merverdiverktøy og tjenester "
+"på toppen av deres gratisfag, akkurat som solenergiselskaper tilbyr verktøy "
+"og tjenester som hjelper folk å bruke en kilde som er gratis. Lumens "
+"forretningsmodell fokuserer på å få institusjonene til å betale, ikke "
+"studentene. Med prosjekter før Lumens tid, lærte David og kim at studenter "
+"som har tilgang til alt skolemateriell fra dag én lykkes bedre. Hvis "
+"studentene skulle ha betalt, ville Lumen måtte ha begrenset tilgangen. Helt "
+"fra starten var deres holdning at de ikke ville putte materialet bak en "
+"betalingsmur. Lumen investerer ingenting i teknologier og prosesser for "
+"begrensing av tilgang, ingen digitale rettighetsbegrensninger, ingen "
+"tidsbomber. Dog dette har vært en utfordring fra et forretningsmessig "
+"perspektiv, har det sett i forhold til fri tilgang, generert masse godvilje "
+"i samfunnet."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5581
+#, fuzzy
msgid ""
"In most cases, development of their courses is funded by the institution "
"Lumen has a contract with. When creating new courses, Lumen typically works "
"curates the best OER they can find that addresses those learning needs, "
"which the faculty reviews."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4387
-msgid ""
-"Sometimes faculty like the existing OER but not the way it is presented. "
-"The open licensing of existing OER allows Lumen to pick and choose from "
-"images, videos, and other media to adapt and customize the course. Lumen "
-"creates new content as they discover gaps in existing OER. Test-bank items "
-"and feedback for students on their progress are areas where new content is "
-"frequently needed. Once a course is created, Lumen puts it on their platform "
-"with all the attributions and links to the original sources intact, and any "
-"of Lumen’s new content is given an Attribution (CC BY) license."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4393
+"Som oftest finansieres utviklingen av fagene deres av læringsinstitusjonen "
+"Lumen har kontakt med. Ved konstruksjon av nye fag, jobber Lumen typisk med "
+"fakultetet som etterhvert vil stå for opplæringen i det. De er ofte del av "
+"institusjonen som betaler Lumen, men noen ganger må Lumen utvide staben og "
+"kontakte fakultetet fra andre institusjoner. Først identifiserer fakultetet "
+"læringsverdien av faget. Lumen søker så opp, ordner og rensker den beste OER "
+"de kan finne i så henseende, som fakultetet så etterser."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5592
+msgid ""
+"Sometimes faculty like the existing OER but not the way it is presented. The "
+"open licensing of existing OER allows Lumen to pick and choose from images, "
+"videos, and other media to adapt and customize the course. Lumen creates new "
+"content as they discover gaps in existing OER. Test-bank items and feedback "
+"for students on their progress are areas where new content is frequently "
+"needed. Once a course is created, Lumen puts it on their platform with all "
+"the attributions and links to the original sources intact, and any of "
+"Lumen’s new content is given an Attribution (CC BY) license."
+msgstr ""
+"Noen ganger liker fakultetet den OER som finnes, men ikke presentasjonen av "
+"den. Den åpne lisensieringen lar Lumen plukke og velge blant bilder, videoer "
+"og annen media for å tilpasse og skreddersy faget. Lumen lager nytt innhold "
+"for å dekke svakheter i det som finnes der allerede. Kartotekførsel av "
+"elementer og tilbakemelding for studenter om fremgangen er områder der "
+"innhold ofte må lages. Når et fag først er lager, putter Lumen det på sin "
+"plattform med alle henvisninger og lenker til opprinnelige kilder, og alt av "
+"Lumens innhold blir gitt en Henvisning (CC BY)-lisens."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5603
+#, fuzzy
msgid ""
"Using only OER made them experience firsthand how complex it could be to mix "
"differently licensed work together. A common strategy with OER is to place "
"footer, which stays the same for all pages. This doesn’t quite work, "
"however, when mixing different OER together."
msgstr ""
+"Å kun bruke OER bidro til førstehåndserfaring med hvordan forskjellige "
+"lisenser fungerer sammen. En vanlig strategi med OER er å plassere Creative "
+"Commons-lisens og henvisningsinformasjon i nettsidens bunntekst, som er den "
+"samme på alle sider. Dette fungerer dog ikke helt ved sammenblanding av "
+"forskjellig OER."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4402
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5611
+#, fuzzy
msgid ""
"Remixing OER often results in multiple attributions on every page of every "
"course—text from one place, images from another, and videos from yet "
"attribution information as metadata, and getting it to show up at the end of "
"each page."
msgstr ""
+"Å remikse OER fører ofte med seg flere henvisninger, på hver side av hvert "
+"fag—tekst fra ett sted, bilder fra et annet, og videoer fra et tredje. Noe "
+"lisensert henvisning (CC BY), andre ting Henvisng-På-Like-Vilkår (CC BY-SA). "
+"Hvis informasjonen legges i selve fagteksten, finner man det fra "
+"fakultetshold ofte vanskelig å endre og studentene ser på det som en "
+"distraksjon. Lumen har håndtert denne utfordringen ved å samle lisens og "
+"henvisninger som metadata, for å få det til å vises på slutten av hver side."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4410
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5622
msgid ""
"Lumen’s commitment to open licensing and helping low-income students has led "
"to strong relationships with institutions, open-education enthusiasts, and "
"Lumen through presentations, word of mouth, and referrals. Sometimes the "
"number of general inquiries exceed Lumen’s sales capacity."
msgstr ""
+"Lumens engasjement for åpen lisensiering og lavinntektsstudenter har ført "
+"til sterke relasjoner med institusjoner, åpen-utdanningsentusiaster og "
+"donorer. Personer i nettverket deres økte generøst Lumens synlighet ved "
+"presentasjoner, jungeltelegrafen, og anbefalinger. Noen ganger overstiger "
+"antall generelle henvendelser Lumens salgskapasitet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4421
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5630
msgid ""
"To manage demand and ensure the success of projects, their strategy is to be "
"proactive and focus on what’s going on in higher education in different "
"regions of the United States, watching out for things happening at the "
-"system level in a way that fits with what Lumen offers. A great example is "
+"system level in a way that fits with what Lumen offers. A great example is "
"the Virginia community college system, which is building out Z-Degrees. "
-"David and Kim say there are nine other U.S. states with similar system-"
-"level activity where Lumen is strategically focusing its efforts. Where "
-"there are projects that would require a lot of resources on Lumen’s part, "
-"they prioritize the ones that would impact the largest number of students."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4429
+"David and Kim say there are nine other U.S. states with similar system-level "
+"activity where Lumen is strategically focusing its efforts. Where there are "
+"projects that would require a lot of resources on Lumen’s part, they "
+"prioritize the ones that would impact the largest number of students."
+msgstr ""
+"For å styre etterspørselen og lykkes med prosjekter, er strategien deres å "
+"være proaktiv og fokusere på hva som skjer i høyere utdanning i ulike "
+"regioner i USA, og følge med på hva som skjer på systemnivå og som passer "
+"til hva Lumen kan tilby. Et godt eksempel er Virginias offentlige college-"
+"system, som bygger opp Z-grader. David og Kim sier det er ni andre "
+"amerikanske stater med lignende aktivitet på systemnivå, der Lumen "
+"strategisk fokuserer sin innsats. Der det er prosjekter som krever mange "
+"ressurser for Lumens del, prioriterer de dem som vil ha innvirkning på "
+"størst antall elever."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5643
msgid ""
"As a business, Lumen is committed to openness. There are two core "
"nonnegotiables: Lumen’s use of CC BY, the most permissive of the Creative "
"to identify new business models that achieve institution goals, while "
"keeping Lumen healthy."
msgstr ""
+"Som bedrift er Lumen forpliktet til åpenhet. Det er to hovedanliggender det "
+"ikke forhandles om: Lumens bruk av CC BY, den frieste av Creative Commons-"
+"lisensene, for alt materiale de lager; og tilgang fra første dag for elever. "
+"Å ha hendene over dyna gjør det også mulig å samarbeide med "
+"utdanningssektoren for å løse andre utfordringer, og arbeide med "
+"institusjoner for å identifisere nye forretningsmodeller som realiserer "
+"institusjonens mål, mens bærekraften i Lumen beholdes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4438
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5653
msgid ""
"Openness also means that Lumen’s OER must necessarily be nonexclusive and "
"nonrivalrous. This represents several big challenges for the business model: "
"clear about how we are benefiting from and contributing to the open "
"community."
msgstr ""
+"Åpenhet betyr også at Lumens åpne undervisningsressurser (OER) nødvendigvis "
+"må være ikke-eksklusive og ikke-rivaliserende. Dette representerer flere "
+"store utfordringer for forretningsmodellen: Hvorfor skulle en investere i "
+"noe som folk ville være forbeholdne med å betale for? Hvordan sikrer man at "
+"investeringen i den mangfoldige utdanningssektoren lager i OER, ikke blir "
+"utnyttet? Lumen mener at vi alle trenger å være klar over hvordan vi drar "
+"nytte av og bidrar til dette åpne samfunnet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4445
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5663
msgid ""
"In the OER sector, there are examples of corporations, and even "
"institutions, acting as free riders. Some simply take and use open resources "
-"without paying anything or contributing anything back. Others give back the "
-"minimum amount so they can save face. Sustainability will require those "
+"without paying anything or contributing anything back. Others give back the "
+"minimum amount so they can save face. Sustainability will require those "
"using open resources to give back an amount that seems fair or even give "
"back something that is generous."
msgstr ""
+"I OER-sektoren er det eksempler på organisasjoner og selv institusjoner, som "
+"fungerer som gratispassasjerer. Noen bare tar og bruker åpne ressurser uten "
+"å betale noe eller bidra med noe tilbake. Andre gir tilbake minimumsbeløpet "
+"så de kan redde ansikt. Bærekraft vil kreve at de som bruker åpne ressurser "
+"gir tilbake et beløp som synes rimelig eller til og med gir tilbake generøst."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4454
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5672
msgid ""
-"Lumen does track institutions accessing and using their free content. They "
+"Lumen does track institutions accessing and using their free content. They "
"proactively contact those institutions, with an estimate of how much their "
"students are saving and encouraging them to switch to a paid model. Lumen "
"explains the advantages of the paid model: a more interactive relationship "
"with funding supporting the evolution and improvement of the OER they are "
"using."
msgstr ""
+"Lumen sporer institusjoner som går inn og bruker det gratis innholdet. De "
+"kontaktet disse institusjonene i forkant med et anslag over hvor mye elevene "
+"sparer og oppmuntrer dem til å bytte til en betalt modell. Lumen forklarer "
+"fordelene med en betalt modell: Et mer interaktivt forhold til Lumen; "
+"integrasjon med institusjonens læringsplattform; garantert støtte for "
+"fakultet og studenter; og fremtidige bærekraft med finansiert støtte til "
+"utvikling og forbedring av den OER-en de bruker."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4461
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5683
msgid ""
-"Lumen works hard to be a good corporate citizen in the OER community. For "
+"Lumen works hard to be a good corporate citizen in the OER community. For "
"David and Kim, a good corporate citizen gives more than they take, adds "
"unique value, and is very transparent about what they are taking from "
-"community, what they are giving back, and what they are monetizing. Lumen "
+"community, what they are giving back, and what they are monetizing. Lumen "
"believes these are the building blocks of a sustainable model and strives "
"for a correct balance of all these factors."
msgstr ""
+"Lumen arbeider hardt for å være en god deltaker i OER-samfunnet. David og "
+"Kim, en god deltaker gir mer enn man tar, legger til ting av unik verdi, og "
+"er veldig gjennomsiktig for hva de tar fra dette samfunnet, hva de gir "
+"tilbake og hva de tar penger for. Lumen mener dette er byggesteinene i en "
+"bærekraftig modell, og tilstreber en riktig balanse av alle disse faktorene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4466
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5692
msgid ""
"Licensing all the content they produce with CC BY is a key part of giving "
"more value than they take. They’ve also worked hard at finding the right "
"structure for their value-add and how to package it in a way that is "
"understandable and repeatable."
msgstr ""
+"Lisensiering med CC BY av alt innholdet de produserer er en viktig del av å "
+"gi mer verdi enn de tar. De har også jobbet hardt for å finne den rette "
+"strukturen sin verdiøkning og hvordan å pakker den på en måte som er "
+"forståelig og som kan gjentas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4476
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5698
msgid ""
"As of the fall 2016 term, Lumen had eighty-six different open courses, "
"working relationships with ninety-two institutions, and more than seventy-"
"funded, 20 percent revenue earned, and 20 percent funded with angel capital. "
"Going forward, their strategy is to replace grant funding with revenue."
msgstr ""
+"I høstesemesteret 2016 hadde Lumen åttiseks ulike åpne kurs, samarbeid med "
+"nittito institusjoner, og hadde mer enn syttifem tusen elev og student-"
+"påmeldinger. Lumen fikk tidlig oppstartsfinansiering fra Bill og Melinda "
+"Gates Foundation, Hewlett Foundation, og Shuttleworth Foundation. Siden da "
+"har Lumen også trukket til seg investorfinansiering. De siste tre årene har "
+"Lumen vært omtrent 60 prosent donasjonsfinansiert, 20 prosent med inntekter "
+"og 20 prosent finansiert av engelinvestorer. Fremover, er strategien dere å "
+"erstatte donasjoner med inntekter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4484
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5710
msgid ""
"In creating Lumen Learning, David and Kim say they’ve landed on solutions "
"they never imagined, and there is still a lot of learning taking place. For "
"people know where you stand, and don’t back away from it. It really is about "
"trust."
msgstr ""
+"Ved å lage Lumen Learning, sier David og Kim at de har landet på løsninger "
+"de aldri hadde forestilt seg, og det er fortsatt mye læring. For dem er åpne "
+"forretningsmodeller et voksende felt, der vi alle lærer gjennom deling. "
+"Deres viktigste anbefalinger for andre som ønsker å basere seg på åpne "
+"modeller, er å forplikte seg til å åpne ressursene offentlig, og la folk "
+"vite hvor du står, og ikke vike tilbake. Det er et spørsmål om tillit."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4488
-msgid "lumenlearning.com/innovative-projects/"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4490
-msgid "## Jonathan Mann"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5721
+msgid "Jonathan Mann"
+msgstr "Jonathan Mann"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4493
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5724
msgid ""
"Jonathan Mann is a singer and songwriter who is most well known as the “Song "
"A Day” guy. Based in the U.S."
msgstr ""
+"Jonathan Mann er en sanger og låtskriver som er mest kjent som \"Song A Day"
+"\"-fyren. Holder til i USA."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4495
-msgid "jonathanmann.net and jonathanmann.bandcamp.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5727
+msgid ""
+"<ulink url=\"http://jonathanmann.net\"/> and <ulink url=\"http://"
+"jonathanmann.bandcamp.com\"/>"
msgstr ""
+"<ulink url=\"http://jonathanmann.net\"/> and <ulink url=\"http://"
+"jonathanmann.bandcamp.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4499
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5730
+#, fuzzy
+#| msgid ""
+#| "Revenue model: charging for custom services, pay-what-you-want, "
+#| "crowdfunding (subscription-based), charging for in-person version "
+#| "(speaking engagements and musical performances)"
msgid ""
-"Revenue model: charging for custom services, pay-what-you-want, crowdfunding "
-"(subscription-based), charging for in-person version (speaking engagements "
-"and musical performances)"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services, pay-what-you-want, crowdfunding (subscription-based), charging for "
+"in-person version (speaking engagements and musical performances)"
msgstr ""
+"Inntektsmodell: Betaling for tilpassede tjenester, Betal-hva-du-vil, "
+"folkefinansiering (abonnementsbasert), betaling for personlige versjoner "
+"(inntekter fra foredrag og musikalske opptredener)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4501
-msgid "Interview date: February 22, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5735
+#, fuzzy
+#| msgid "Interview date: February 22, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 22, 2016"
+msgstr "Dato for intervju: 22 februar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4513
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5743
msgid ""
"Jonathan Mann thinks of his business model as “hustling”—seizing nearly "
"every opportunity he sees to make money. The bulk of his income comes from "
"and motivation. He has been hired by major conferences to write songs "
"summarizing what speakers have said in the conference sessions."
msgstr ""
+"Jonathan Mann tenker på hans forretningsmodell som \"luring\" - å gripe "
+"nesten enhver anledning han ser for å tjene penger. Hoveddelen av inntekten "
+"sin kommer fra å skrive sanger på oppdrag for folk og bedrifter, men han har "
+"en rekke inntektskilder. Han har tilhengere på folkefinansieringsiden "
+"Patreon. Han får annonseinntekter fra YouTube og Bandcamp, der han legger ut "
+"all sin musikk. Han får inntekter fra å holde foredrag om kreativitet og "
+"motivasjon. Han er blitt engasjert til større konferanser for å skrive "
+"sanger som oppsummerer hva innlederne har sagt i konferansens sesjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4522
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5754
msgid ""
"His entrepreneurial spirit is coupled with a willingness to take action "
"quickly. A perfect illustration of his ability to act fast happened in 2010, "
"conference. The song then went viral, and the experience landed him in Time "
"magazine."
msgstr ""
+"Hans gründeregenskaper er kombinert med en vilje til å handle raskt. En "
+"perfekt illustrasjon på hans evne til å handle raskt kom i 2010 da han leste "
+"at Apple hadde en konferanse dagen etter for å rette opp i et rot knyttet "
+"til iPhone 4. Han besluttet å skrive og sende en sang om iPhone 4 den dagen, "
+"og dagen etter fikk han en telefon fra de pr-ansvarlige hos Apple som ville "
+"bruke og fremme hans video på Apple-konferansen. Sangen gikk viralt og "
+"erfaringen ga ham oppslag i Time magazine."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4527
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5765
msgid ""
"Jonathan’s successful “hustling” is also about old-fashioned persistence. He "
"is currently in his eighth straight year of writing one song each day. He "
"holds the Guinness World Record for consecutive daily songwriting, and he is "
"widely known as the “song-a-day guy.”"
msgstr ""
+"Jonathans vellykkede \"luring \" handler også om god gammeldags utholdenhet. "
+"Han er i sitt åttende år i rekkefølge med å skrive en sang hver dag. Han "
+"holder Guinness verdensrekord for sammenhengende daglig låtskriving, og han "
+"er viden kjent som “song-a-day guy.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4535
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5772
msgid ""
"He fell into this role by, naturally, seizing a random opportunity a friend "
"alerted him to seven years ago—an event called Fun-A-Day, where people are "
"supposed to create a piece of art every day for thirty-one days straight. He "
"was in need of a new project, so he decided to give it a try by writing and "
-"posting a song each day. He added a video component to the songs because he "
+"posting a song each day. He added a video component to the songs because he "
"knew people were more likely to watch video online than simply listening to "
"audio files."
msgstr ""
+"Han falt inn i denne rollen, helt naturlig, ved å gripe en tilfeldig "
+"mulighet en venn varslet ham for syv år siden, en hendelse kalt Fun-A-Day, "
+"der folk forventes å skape et kunstverk hver dag i trettien dager i strekk. "
+"Han hadde behov for et nytt prosjekt, så han bestemte å seg for å skrive og "
+"legge ut en sang hver dag. Han la til en videokomponent til sangene fordi "
+"han visste at det var mer sannsynlig at folk så på en video på nettet enn "
+"bare lyttet til lydfiler."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4549
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5782
msgid ""
"He had a really good time doing the thirty-one-day challenge, so he decided "
-"to see if he could continue it for one year. He never stopped. He has "
+"to see if he could continue it for one year. He never stopped. He has "
"written and posted a new song literally every day, seven days a week, since "
"he began the project in 2009. When he isn’t writing songs that he is hired "
"to write by clients, he writes songs about whatever is on his mind that day. "
"incapable of getting Internet access in time to meet the deadline, he will "
"prepare ahead and have someone else post the song for him."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4556
-msgid ""
-"Over time, the song-a-day gig became the basis of his livelihood. In the "
+"Han hadde en virkelig en god tid når tok utfordringen med tretti-en-dager. "
+"Så han bestemte seg for å se om han kunne fortsette med det i ett år. Han "
+"har aldri stoppet. Han har skrevet og lagt en ny sang bokstavelig talt hver "
+"dag, syv dager i uken, siden han startet prosjektet i 2009. Når han ikke "
+"skriver sanger som oppdrag for klienter, skriver han sanger om hva han har i "
+"tankene den dagen. Sangene hans er fengende og mest muntre, men inneholder "
+"ofte minst en undertone av et dypere tema eller mening. Noen ganger er de "
+"svært personlige, som sangen han skrev sammen med den forrige kjæresten for "
+"å kunngjøre bruddet. Regn eller solskinn, syk eller frisk, Jonathan legger "
+"ut og skriver en sang hver eneste dag. Hvis han er på et fly eller ellers "
+"uten tilgang til Internett innen tidsfristen, forbereder han seg og får noen "
+"andre til å legge ut sangen for ham."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5798
+msgid ""
+"Over time, the song-a-day gig became the basis of his livelihood. In the "
"beginning, he made money one of two ways. The first was by entering a wide "
"variety of contests and winning a handful. The second was by having the "
"occasional song and video go some varying degree of viral, which would bring "
"more eyeballs and mean that there were more people wanting him to write "
"songs for them. Today he earns most of his money this way."
msgstr ""
+"Over tid ble en-sang-omn-dagen-jobben grunnlaget for hans levebrød. I "
+"begynnelsen tjente han pengene på to måter. Først var ved å delta på et "
+"bredt spekter av konkurranser og vinne en håndfull. Den andre var om de "
+"sporadiske sangene og videoene i ulik grad gikk viralt, noe som ville gi "
+"flere seere og betydde at flere mennesker som ønsket at han skulle skrive "
+"sanger for dem. I dag tjener han mesteparten av pengene sine på den måten."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4563
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5807
+#, fuzzy
+#| msgid ""
+#| "His website explains his gig as “taking any message, from the super "
+#| "simple to the totally complicated, and conveying that message through a "
+#| "heartfelt, fun and quirky song.” He charges \\$500 to create a produced "
+#| "song and \\$300 for an acoustic song. He has been hired for product "
+#| "launches, weddings, conferences, and even Kickstarter campaigns like the "
+#| "one that funded the production of this book."
msgid ""
"His website explains his gig as “taking any message, from the super simple "
"to the totally complicated, and conveying that message through a heartfelt, "
-"fun and quirky song.” He charges \\$500 to create a produced song and \\$300 "
-"for an acoustic song. He has been hired for product launches, weddings, "
+"fun and quirky song.” He charges $500 to create a produced song and $300 for "
+"an acoustic song. He has been hired for product launches, weddings, "
"conferences, and even Kickstarter campaigns like the one that funded the "
"production of this book."
msgstr ""
+"Hans nettsted forklarer hans opptreden som «å ta ethvert budskap fra "
+"superenkelt til det helt kompliserte, og formidle budskapet til en dyptfølt, "
+"morsom og uvanlig sang.» Han tar \\$500 for å produsere en sang og \\$300 "
+"for en akustisk sang. Han har vært leid inn for produktlanseringer, bryllup, "
+"konferanser og til og med Oppstartskampanjer som den som finansierte "
+"produksjonen av denne boken."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4570
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5816
msgid ""
"Jonathan can’t recall when exactly he first learned about Creative Commons, "
"but he began applying CC licenses to his songs and videos as soon as he "
"discovered the option. “CC seems like such a no-brainer,” Jonathan said. “I "
-"don’t understand how anything else would make sense. It seems like such an "
+"don’t understand how anything else would make sense. It seems like such an "
"obvious thing that you would want your work to be able to be shared.”"
msgstr ""
+"Jonathan kan ikke huske når akkurat han først hørte om Creative Commons, men "
+"han begynte å bruke CC lisenser til sine sanger og videoer så snart han "
+"oppdaget dette alternativet. CC virker som en så lett beslutning, sier "
+"Jonathan. \"Jeg forstår ikke hvordan noe annet kunne være fornuftig. Det "
+"virker så åpenbart at du skulle ønske at ditt arbeid skulle kunne deles.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4578
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5824
msgid ""
"His songs are essentially marketing for his services, so obviously the "
"further his songs spread, the better. Using CC licenses helps grease the "
"Jonathan said. “That is how music has worked since the beginning of time. "
"Our me-me, mine-mine culture has undermined that.”"
msgstr ""
+"Sangene hans er hovedsak markedsføring av tjenestene hans, så åpenbart at jo "
+"videre sangene spres, jo bedre. Å bruke CC lisenser hjelper til med å smøre "
+"fett på hjulene, lar folk vite at Jonathan tillater og oppfordrer dem til å "
+"kopiere, samhandle med og remikse hans musikk. \"Hvis du la noen lager en "
+"coverlåt, remikser den eller bruke deler av den, det er hvordan musikk skal "
+"fungere,\" sier Jonathan. \"Det er hvordan musikk har vært fra tidenes "
+"begynnelse. Vår meg-meg, min-min kultur har undergravd det.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4584
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5834
msgid ""
"There are some people who cover his songs fairly regularly, and he would "
"never shut that down. But he acknowledges there is a lot more he could do to "
"build an audience online, and I generally think I don’t do any of that,” "
"Jonathan said."
msgstr ""
+"Det er noen mennesker som covrer hans sanger ganske regelmessig, og han "
+"ville aldri stengt. Men han erkjenner det er mye mer han kunne gjøre for å "
+"bygge et fellesskap. \"Det er alle denne konvensjonelle visdommen om hvordan "
+"å bygger opp et publikum på nettet, og jeg vanligvis ikke tror noe på,\" sa "
+"Jonathan."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4592
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5841
msgid ""
"He does have a fan community he cultivates on Bandcamp, but it isn’t his "
"major focus. “I do have a core audience that has stuck around for a really "
"sense given Jonathan’s primary income source of writing custom songs for "
"clients."
msgstr ""
+"Han har en fangruppe han dyrker på Bandcamp, men det er ikke hans "
+"hovedfokus. \"Jeg har en kjerne publikum som har holdt fast i virkelig lang "
+"tid, noen enda lenger enn jeg har laget en sang om dagen,\" sa han. \"Det er "
+"også overganger der noen er innom og får det de trenger, og deretter gå "
+"videre.\" Å fokusere mindre på å bygge et fellesskap enn andre artister er "
+"fornuftig, gitt at Jonathans primære inntektskilde å skrive egendefinerte "
+"sanger for klienter."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4602
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5851
msgid ""
"Jonathan recognizes what comes naturally to him and leverages those skills. "
"Through the practice of daily songwriting, he realized he has a gift for "
"music. In his song “How to Choose a Master Password,” Jonathan explained the "
"process of creating a secure password in a silly, simple song. He was hired "
"to write the song by a client who handed him a long technical blog post from "
-"which to draw the information. Like a good (and rare) journalist, he "
+"which to draw the information. Like a good (and rare) journalist, he "
"translated the technical concepts into something understandable."
msgstr ""
+"Jonathan kjenner gjen hva naturlig for ham og benytter disse ferdighetene. "
+"Gjennom praktisering av daglige låtskriving innså han har en gave til å "
+"omsette komplisert temaer til enkle begreper og omsette dem til musikk. I "
+"sin sang \"Hvordan velge et hovedpassord\" forklarte Jonathan å lage et "
+"sikkert passord i en dum, enkel sang. Han ble ansatt for å skrive sangen for "
+"en klient som ga ham et langt teknisk blogginnlegg som han trakk "
+"informasjonen ut av. Som en god (og sjelden) journalist oversatte han "
+"tekniske begreper til noe forståelig."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4616
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5863
msgid ""
"When he is hired by a client to write a song, he first asks them to send a "
"list of talking points and other information they want to include in the "
"song. He puts all of that into a text file and starts moving things around, "
-"cutting and pasting until the message starts to come together. The first "
+"cutting and pasting until the message starts to come together. The first "
"thing he tries to do is grok the core message and develop the chorus. Then "
"he looks for connections or parts he can make rhyme. The entire process "
"really does resemble good journalism, but of course the final product of his "
"about or doesn’t seem like it lends itself to a song,” he said. “I find that "
"creative challenge really satisfying. I enjoy getting lost in that process.”"
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4622
+"Når han har fått i oppdrag av en klient å skrive en sang, ber han dem først "
+"å sende en liste med talepunkter og annen informasjon som de ønsker å ha med "
+"i sangen. Han legger alt dette i en tekstfil og begynner å flytte ting rundt "
+"omkring, klippe og lime til budskapet begynner å samle seg. Det første han "
+"prøver å få taket på er kjernen i budskapet og utvikle refrenget. Så han ser "
+"han etter koblinger eller deler som kan gi rytme. Hele arbeidsprosessen "
+"ligner virkelig god journalistikk, men sluttproduktet er selvfølgelig en "
+"sang i stedet for nyheter. \"Det er noe som å bli utfordret og tvunget til å "
+"ta informasjon som det ikke ser ut som om den skal synges om eller virker "
+"som den passer til en sang,\" sa han. \"Jeg synes at denne kreative "
+"utfordringen veldig er tilfredsstillende. Jeg liker å gå vill i den "
+"prosessen.\""
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5878
msgid ""
"Jonathan admits that in an ideal world, he would exclusively write the music "
-"he wanted to write, rather than what clients hire him to write. But his "
+"he wanted to write, rather than what clients hire him to write. But his "
"business model is about capitalizing on his strengths as a songwriter, and "
"he has found a way to keep it interesting for himself."
msgstr ""
+"Jonathan innrømmer at i en ideell verden, han ville bare skrive musikken han "
+"ønsket å skrive, heller enn hva kunder ansette ham å skrive. Men hans "
+"forretningsmodell er om capitalizing på hans styrke som låtskriver, og han "
+"har funnet en måte å holde det interessant for seg selv."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4632
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5885
msgid ""
"Jonathan uses nearly every tool possible to make money from his art, but he "
"does have lines he won’t cross. He won’t write songs about things he "
"reasons; he is best at using his own unique style rather than mimicking "
"others."
msgstr ""
+"Jonathan bruker nesten hver eneste mulige verktøy for å tjene penger på sin "
+"kunst, men han har linjer han ikke vil krysse. Han vil ikke skrive sanger om "
+"ting han fundamentalt ikke tror på, og det prinsippet har til tider ført at "
+"han har avslått jobber. Han vil heller ikke gå for langt fra sin naturlige "
+"stil. \"Min stil er dum, så jeg kan egentlig ikke gi plass til folk som "
+"ønsker noe super alvorlig,\" sier Jonathan. «Jeg gjør det jeg gjør veldig "
+"lett, og det er en del av hvem jeg er.» Jonathan har ikke påtatt seg å "
+"skrive reklamesnutter av samme grunn. Han er best å bruke sin egen unike "
+"stil i stedet for å etterligne andres."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4639
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5897
msgid ""
"Jonathan’s song-a-day commitment exemplifies the power of habit and grit. "
"Conventional wisdom about creative productivity, including advice in books "
"like the best-seller The Creative Habit by Twyla Tharp, routinely emphasizes "
"the importance of ritual and action. No amount of planning can replace the "
-"value of simple practice and just doing. Jonathan Mann’s work is a living "
+"value of simple practice and just doing. Jonathan Mann’s work is a living "
"embodiment of these principles."
msgstr ""
+"Jonathans en song-a-day-forpliktelse eksemplifiserer vane og gnissel. "
+"Konvensjonell visdommen om kreative produktivitet, medregnet råd i bøker som "
+"bestselgeren The Creative Habit av Twyla Tharp, understreker rutinemessig "
+"viktigheten av ritual og handling. Intet planleggingsomfang kan erstatte "
+"verdien av enkel praksis og bare å gjøre. Jonathan Manns arbeid er en "
+"levende legemliggjøring av disse prinsippene."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4645
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5906
msgid ""
"When he speaks about his work, he talks about how much the song-a-day "
"process has changed him. Rather than seeing any given piece of work as "
"comfortable with just doing. If today’s song is a bust, tomorrow’s song "
"might be better."
msgstr ""
+"Når han snakker om sitt arbeid, snakker han om hvor mye en sang om dagen-"
+"prosessen har endret ham. Mer enn å se ett hvilket som helst arbeid som "
+"edelt og bli sittende fast i å gjøre det perfekt, har han blitt komfortabel "
+"med bare å gjøre det. Hvis sangen i dag er en miss, kan morgendagens sang "
+"bli bedre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4652
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5913
msgid ""
-"Jonathan seems to have this mentality about his career more generally. He "
-"is constantly experimenting with ways to make a living while sharing his "
-"work as widely as possible, seeing what sticks. While he has major "
+"Jonathan seems to have this mentality about his career more generally. He is "
+"constantly experimenting with ways to make a living while sharing his work "
+"as widely as possible, seeing what sticks. While he has major "
"accomplishments he is proud of, like being in the Guinness World Records or "
"having his song used by Steve Jobs, he says he never truly feels successful."
msgstr ""
+"Jonathan synes å ha denne mentaliteten i sin karriere mer generelt. Han "
+"eksperimenterer stadig med måter å leve på, mens han deler sitt arbeid så "
+"mye som mulig, og ser hva som holder vann. Mens han har prestasjoner han er "
+"stolt av, som å være i Guinness rekordbok eller har sin sang brukt av Steve "
+"Jobs, sier han at aldri føler seg virkelig vellykket."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4656
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5921
msgid ""
"“Success feels like it’s over,” he said. “To a certain extent, a creative "
"person is not ever going to feel completely satisfied because then so much "
"of what drives you would be gone.”"
msgstr ""
+"\"Suksess føles som det er slutt,\" sa han. \"Til en viss grad vil ikke en "
+"kreativ person noensinne føle seg helt fornøyd, fordi da vil så mye av det "
+"du driver med være borte.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4658
-msgid "## Noun Project"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5927
+#, fuzzy
+msgid "Noun Project"
+msgstr "## Noun Project"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4662
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5930
msgid ""
"The Noun Project is a for-profit company offering an online platform to "
"display visual icons from a global network of designers. Founded in 2010 in "
"the U.S."
msgstr ""
+"Noun Project er en bedrift tilbyr en nettplattform som viser visuelle ikoner "
+"fra et globalt nettverk av designere. Stiftet i 2010 i USA"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4664
-msgid "thenounproject.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5935
+msgid "<ulink url=\"http://thenounproject.com\"/>"
+msgstr "<ulink url=\"http://thenounproject.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4666
-msgid "Revenue model: charging a transaction fee, charging for custom services"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5937
+#, fuzzy
+#| msgid ""
+#| "Revenue model: charging a transaction fee, charging for custom services"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging a transaction "
+"fee, charging for custom services"
msgstr ""
+"Inntektsmodell: Betaling av et transaksjonsgebyr, betaling for tilpassede "
+"tjenester."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4668
-msgid "Interview date: October 6, 2015"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5940
+#, fuzzy
+#| msgid "Interview date: October 6, 2015"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: October 6, 2015"
+msgstr "Dato for intervju: 6 oktober 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4670
-msgid "Interviewee: Edward Boatman, cofounder"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5943
+#, fuzzy
+#| msgid "Interviewee: Edward Boatman, cofounder"
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Edward Boatman, cofounder"
+msgstr "Intervjuet: Edward Boatman, medgrunnlegger"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4676
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5951
msgid ""
"The Noun Project creates and shares visual language. There are millions who "
"use Noun Project symbols to simplify communication across borders, "
"languages, and cultures."
msgstr ""
+"Noun Project oppretter og deler visuelt språk. Det er millioner som bruker "
+"Noun Project-symboler til å forenkle kommunikasjon på tvers av grenser, "
+"språk og kulturer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4683
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5956
msgid ""
"The original idea for the Noun Project came to cofounder Edward Boatman "
"while he was a student in architecture design school. He’d always done a lot "
"of sketches and started to draw what used to fascinate him as a child, like "
-"trains, sequoias, and bulldozers. He began thinking how great it would be if "
-"he had a simple image or small icon of every single object or concept on the "
-"planet."
+"trains, sequoias, and bulldozers. He began thinking how great it would be "
+"if he had a simple image or small icon of every single object or concept on "
+"the planet."
msgstr ""
+"Den opprinnelige ideen til Noun Project fikk medgrunnlegger Edward Boatman, "
+"da som student på skolen for arkitekturdesign. Han hadde alltid laget mange "
+"skisser og begynte å trekke på det som fascinerte ham som barn; som tog, "
+"redwood-trær og bulldosere. Han begynte å tenke hvor flott det ville være om "
+"han hadde et enkelt bilde eller lite ikon for hvert enkelt objekt eller "
+"begrep i verden."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4689
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5964
msgid ""
"When Edward went on to work at an architecture firm, he had to make a lot of "
"presentation boards for clients. But finding high-quality sources for "
"provide them. Perhaps his idea for creating a library of icons could "
"actually help people in similar situations."
msgstr ""
+"Når Edward dro til jobben i et arkitektfirma, måtte han lage en mengde "
+"presentasjonsoppsett for klienter. Men å finne høykvalitets kilder for "
+"symboler og ikoner var vanskelig. Han kunne ikke finne noe nettsted som "
+"kunne skaffe dem. Kanskje kunne hans idé om å lage et ikon-bibliotek faktisk "
+"hjelpe dem soom var i lignende situasjoner."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4696
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5972
msgid ""
"With his partner, Sofya Polyakov, he began collecting symbols for a website "
"and writing a business plan. Inspiration came from the book Professor and "
"the Madman, which chronicles the use of crowdsourcing to create the Oxford "
-"English Dictionary in 1870. Edward began to imagine crowdsourcing icons and "
+"English Dictionary in 1870. Edward began to imagine crowdsourcing icons and "
"symbols from volunteer designers around the world."
msgstr ""
+"Med sin partner, Sofya Polyakov, begynte han begynte å samle symboler til et "
+"nettsted og skrive en forretningsplan. Inspirasjonen kom fra boken "
+"«Professoren og galningen», som nedtegner bruken av folkefinansiering for å "
+"lage Oxford English Dictionary i 1870. Edward begynte å forestille seg "
+"folkefinansiering av ikoner og symboler fra frivillige designere over hele "
+"verden."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5983
+msgid ""
+"<ulink url=\"http://www.kickstarter.com/projects/tnp/building-a-free-"
+"collection-of-our-worlds-visual-sy/description\"/>"
+msgstr ""
+"<ulink url=\"http://www.kickstarter.com/projects/tnp/building-a-free-"
+"collection-of-our-worlds-visual-sy/description\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4704
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5980
+#, fuzzy
+#| msgid ""
+#| "Then Edward got laid off during the recession, which turned out to be a "
+#| "huge catalyst. He decided to give his idea a go, and in 2010 Edward and "
+#| "Sofya launched the Noun Project with a Kickstarter campaign, back when "
+#| "Kickstarter was in its infancy.1 They thought it’d be a good way to "
+#| "introduce the global web community to their idea. Their goal was to raise "
+#| "\\$1,500, but in twenty days they got over \\$14,000. They realized their "
+#| "idea had the potential to be something much bigger."
msgid ""
"Then Edward got laid off during the recession, which turned out to be a huge "
"catalyst. He decided to give his idea a go, and in 2010 Edward and Sofya "
"launched the Noun Project with a Kickstarter campaign, back when Kickstarter "
-"was in its infancy.1 They thought it’d be a good way to introduce the global "
-"web community to their idea. Their goal was to raise \\$1,500, but in twenty "
-"days they got over \\$14,000. They realized their idea had the potential to "
-"be something much bigger."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4710
+"was in its infancy.<placeholder type=\"footnote\" id=\"0\"/> They thought "
+"it’d be a good way to introduce the global web community to their idea. "
+"Their goal was to raise $1,500, but in twenty days they got over $14,000. "
+"They realized their idea had the potential to be something much bigger."
+msgstr ""
+"Så ble Edward permittert i nedgangstiden, noe som viste seg å være en viktig "
+"katalysator. Han bestemte seg å gi sin idé en sjanse og i 2010 lanserte "
+"Edward og Sofya Noun Project-et med en Kickstarter kampanje, dengang "
+"Kickstarter var i sin barndom.1 De trodde det ville være en god måte å "
+"introdusere deres idé for det globale nettsamfunnet. Målet var å få inn \\"
+"$1,500, men på tjue dager de fikk over \\$14,000. Da skjønte de at ideen "
+"deres hadde potensiale til å bli noe mye større."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5989
msgid ""
"They created a platform where symbols and icons could be uploaded, and "
"Edward began recruiting talented designers to contribute their designs, a "
"drawings just gathering “digital dust” on their hard drives. It’s easy to "
"convince them to finally share them with the world."
msgstr ""
+"De laget en plattform der symboler og ikoner kan lastes opp, og Edward "
+"begynte rekruttere talentfulle designere til å bidra med sin design, en "
+"prosess som han beskriver som relativt lett å selge. Mange designere har "
+"gamle tegninger som bare samlet \"digital støv\" på harddiskene sine. Det er "
+"lette å overbevise om å endelig dele dem med verden."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4718
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5997
msgid ""
"The Noun Project currently has about seven thousand designers from around "
"the world. But not all submissions are accepted. The Noun Project’s quality-"
"reject a piece of work, which maintains and builds the relationship they "
"have with their global community of designers."
msgstr ""
+"Noun Project-et har i dag om lag syv tusen designere fra hele verden. Men "
+"ikke alle innleveringer er tillatt. Noun Project-et har en kvalitetskontroll "
+"som betyr at bare de beste arbeidene blir en del av samlingen. De sørger for "
+"å gi oppmuntrende, konstruktive tilbakemeldinger når de avviser et arbeid, "
+"som bibeholder og bygger videre på forholdet de har sitt globale "
+"fellesskapet av designere."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4723
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6006
msgid ""
"Creative Commons is an integral part of the Noun Project’s business model; "
"this decision was inspired by Chris Anderson’s book Free: The Future of "
"Radical Price, which introduced Edward to the idea that you could build a "
"business model around free content."
msgstr ""
+"Creative Commons er en integrert del i Noun Project sin forretningsmodell; "
+"Denne beslutningen ble inspirert av Chris Andersons bok Free: The Future of "
+"Radical Price, som ga Edward ideen om at du kan bygge en forretningsmodell "
+"rundt gratis innhold."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4735
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6013
msgid ""
"Edward knew he wanted to offer a free visual language while still providing "
"some protection and reward for its contributors. There is a tension between "
"want to offer an icon that people can use without having to give credit, "
"they can use CC0 to put the work into the public domain."
msgstr ""
+"Edward visste han ønsket å tilby et gratis visuelle språk samtidig som det "
+"ble gitt noe beskyttelse og belønning for bidragsytere. Det er en spenning "
+"mellom disse to målene. For Edward samlet Creative Commons lisensene elegant "
+"denne idealismen og forretningsmuligheten. Han valgte Attribution (CC BY)-"
+"lisensen, som betyr at folk kan laste ned ikoner gratis og endre dem og også "
+"bruke dem kommersielt. Kravet om å henvise til den opprinnelsespersonen "
+"sikrer at skaperen kan bygge et omdømme og få global anerkjennelse for sitt "
+"arbeid. Hvis de vil bare tilby et ikon som folk kan bruke uten å gi noen "
+"kreditt for det, kan de bruke CC0 til å legge arbeidet ut i det offentlige "
+"rom."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4744
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6027
msgid ""
"Noun Project’s business model and means of generating revenue have evolved "
"significantly over time. Their initial plan was to sell T-shirts with the "
"icons on it, which in retrospect Edward says was a horrible idea. They did "
"get a lot of email from people saying they loved the icons but asking if "
-"they could pay a fee instead of giving attribution. Ad agencies (among "
+"they could pay a fee instead of giving attribution. Ad agencies (among "
"others) wanted to keep marketing and presentation materials clean and free "
"of attribution statements. For Edward, “That’s when our lightbulb went off.”"
msgstr ""
+"Noun Projects forretningsmodell og metode for å generere inntekter har "
+"utviklet seg signifikant over tid. Deres opprinnelige plan var å selge T-"
+"skjorter med ikoner, som Edward i ettertid sier var en forferdelig idé. De "
+"fikk en masse e-post fra folk sier de elsket ikonene. Men spurte om de kunne "
+"betale et gebyr i stedet for å gi referanse. Reklamebyråer ønsket (blant "
+"andre) å holde markedsføring og presentasjonsmateriale rent og uten "
+"referanseuttalelser. For Edward: \"Det var da lyspæren vår sa poff.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4750
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6037
msgid ""
"They asked their global network of designers whether they’d be open to "
-"receiving modest remuneration instead of attribution. Designers saw it as a "
+"receiving modest remuneration instead of attribution. Designers saw it as a "
"win-win. The idea that you could offer your designs for free and have a "
"global audience and maybe even make some money was pretty exciting for most "
"designers."
msgstr ""
+"De spurte sitt globale designer-nettverk om de ville være åpne for å motta "
+"en beskjeden godtgjørelse i stedet for referanse. Designere så det som en "
+"vinn-vinn. Ideen om at du kan tilby design gratis, har et globalt publikum, "
+"og kanskje tjene litt penger, var ganske spennende for de fleste designere."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4762
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6044
+#, fuzzy
+#| msgid ""
+#| "The Noun Project first adopted a model whereby using an icon without "
+#| "giving attribution would cost \\$1.99 per icon. The model’s second "
+#| "iteration added a subscription component, where there would be a monthly "
+#| "fee to access a certain number of icons—ten, fifty, a hundred, or five "
+#| "hundred. However, users didn’t like these hard-count options. They "
+#| "preferred to try out many similar icons to see which worked best before "
+#| "eventually choosing the one they wanted to use. So the Noun Project moved "
+#| "to an unlimited model, whereby users have unlimited access to the whole "
+#| "library for a flat monthly fee. This service is called NounPro and costs "
+#| "\\$9.99 per month. Edward says this model is working well—good for "
+#| "customers, good for creators, and good for the platform."
msgid ""
"The Noun Project first adopted a model whereby using an icon without giving "
-"attribution would cost \\$1.99 per icon. The model’s second iteration added "
-"a subscription component, where there would be a monthly fee to access a "
+"attribution would cost $1.99 per icon. The model’s second iteration added a "
+"subscription component, where there would be a monthly fee to access a "
"certain number of icons—ten, fifty, a hundred, or five hundred. However, "
"users didn’t like these hard-count options. They preferred to try out many "
"similar icons to see which worked best before eventually choosing the one "
"they wanted to use. So the Noun Project moved to an unlimited model, whereby "
"users have unlimited access to the whole library for a flat monthly fee. "
-"This service is called NounPro and costs \\$9.99 per month. Edward says this "
+"This service is called NounPro and costs $9.99 per month. Edward says this "
"model is working well—good for customers, good for creators, and good for "
"the platform."
msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4773
+"Noun Projectet adopterte først en modell der å bruke et symbol uten å gi "
+"referanse ville koste \\$1.99 per ikon. Modellens andre trinn er å legge til "
+"en abonnements-komponent, der det vil være en månedlig avgift opp til et "
+"visst antall ikoner - ti, femti, hundre eller fem hundre. Imidlertid likte "
+"ikke brukere disse skarpe telle-alternativene. De forstrakk å prøve ut mange "
+"lignende ikoner å se hva som fungerte best før, du til slutt velger den de "
+"ville bruke. Så Noun Project flyttet over til en ubegrenset modell, der "
+"brukerne har ubegrenset tilgang til hele biblioteket for en fast "
+"månedsavgift. Denne tjenesten kalles NounPro og koster \\$9.99 per måned. "
+"Edward sier denne modellen fungerer bra: Bra for kunder, bra for skapere, og "
+"bra for plattformen."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6058
msgid ""
"Customers then began asking for an application-programming interface (API), "
"which would allow Noun Project icons and symbols to be directly accessed "
"from within other applications. Edward knew that the icons and symbols would "
"be valuable in a lot of different contexts and that they couldn’t possibly "
-"know all of them in advance, so they built an API with a lot of flexibility. "
-"Knowing that most API applications would want to use the icons without "
-"giving attribution, the API was built with the aim of charging for its use. "
-"You can use what’s called the “Playground API” for free to test how it "
-"integrates with your application, but full implementation will require you "
-"to purchase the API Pro version."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4777
-msgid ""
-"The Noun Project shares revenue with its international designers. For one-"
+"know all of them in advance, so they built an API with a lot of "
+"flexibility. Knowing that most API applications would want to use the icons "
+"without giving attribution, the API was built with the aim of charging for "
+"its use. You can use what’s called the “Playground API” for free to test how "
+"it integrates with your application, but full implementation will require "
+"you to purchase the API Pro version."
+msgstr ""
+"Kundene begynte så å be om en grenseflate med et programmeringsverktøy "
+"(API), som ville tillate direkte tilgang til Noun Projectets ikoner og "
+"symbolet fra andre programmer. Edward visste at ikonene og symbolene ville "
+"være verdifulle i mange ulike sammenhenger, og hvilke var umulig å vite på "
+"forhånd, så de bygde en API med mye fleksibilitet. Å vite at de fleste API-"
+"programmer ønsker å bruke ikonene uten referanse, ble API bygget uten å "
+"kunne gi referanser. Du kan gratis bruke det som kalles \"Playgound API\" "
+"for å teste hvordan den passer med hva du skal bruke den til. Men full "
+"implementering vil kreve kjøp av en API Pro-versjon."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6072
+msgid ""
+"The Noun Project shares revenue with its international designers. For one-"
"off purchases, the revenue is split 70 percent to the designer and 30 "
"percent to Noun Project."
msgstr ""
+"Noun Projectet deler inntektene med sine internasjonale designere. For "
+"engangskjøp deles inntektene 70 prosent til designer og 30 prosent til Noun "
+"Projectet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4786
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6077
+#, fuzzy
+#| msgid ""
+#| "The revenue from premium purchases (the subscription and API options) is "
+#| "split a little differently. At the end of each month, the total revenue "
+#| "from subscriptions is divided by Noun Project’s total number of "
+#| "downloads, resulting in a rate per download—for example, it could be \\"
+#| "$0.13 per download for that month. For each download, the revenue is "
+#| "split 40 percent to the designer and 60 percent to the Noun Project. "
+#| "(For API usage, it’s per use instead of per download.) Noun Project’s "
+#| "share is higher this time as it’s providing more service to the user."
msgid ""
"The revenue from premium purchases (the subscription and API options) is "
"split a little differently. At the end of each month, the total revenue from "
"subscriptions is divided by Noun Project’s total number of downloads, "
-"resulting in a rate per download—for example, it could be \\$0.13 per "
-"download for that month. For each download, the revenue is split 40 percent "
-"to the designer and 60 percent to the Noun Project. (For API usage, it’s "
-"per use instead of per download.) Noun Project’s share is higher this time "
-"as it’s providing more service to the user."
+"resulting in a rate per download—for example, it could be $0.13 per download "
+"for that month. For each download, the revenue is split 40 percent to the "
+"designer and 60 percent to the Noun Project. (For API usage, it’s per use "
+"instead of per download.) Noun Project’s share is higher this time as it’s "
+"providing more service to the user."
+msgstr ""
+"Inntektene fra premiumkjøp (abonnement og API alternativene) deles litt "
+"annerledes. På slutten av hver måned, deles den totale inntekten fra "
+"abonnementer mellom Noun Project samlede antall nedlastinger, noe som gir "
+"en pris per nedlasting; - for eksempel kan det bli \\$0.13 per nedlasting "
+"for denne måneden. For hver nedlasting deles inntektene 40 prosent til "
+"designer og 60 prosent til Noun Project-et. (For API-bruk er det per bruk, "
+"i stedet for per nedlasting.) Noun Projectets andel er høyere denne gangen, "
+"etter som det stiller opp med en større andel av tjenesten til brukeren."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6089
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6161
+msgid ""
+"<ulink url=\"http://thenounproject.com/handbook/royalties/#getting_paid\"/>"
msgstr ""
+"<ulink url=\"http://thenounproject.com/handbook/royalties/#getting_paid\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4791
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6088
msgid ""
"The Noun Project tries to be completely transparent about their royalty "
-"structure.2 They tend to over communicate with creators about it because "
-"building trust is the top priority."
+"structure.<placeholder type=\"footnote\" id=\"0\"/> They tend to over "
+"communicate with creators about it because building trust is the top "
+"priority."
msgstr ""
+"Noun Projectet prøver å være helt åpne om hvilken struktur godtgjøringen har."
+"<placeholder type=\"footnote\" id=\"0\"/> De pleier å overkommunisere dette "
+"overfor innholdsleverandørene fordi å bygge tillit har høyeste prioritet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4797
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6093
msgid ""
"For most creators, contributing to the Noun Project is not a full-time job "
"but something they do on the side. Edward categorizes monthly earnings for "
"creators into three broad categories: enough money to buy beer; enough to "
"pay the bills; and most successful of all, enough to pay the rent."
msgstr ""
+"For de fleste innholdsleverandører er bidra til Noun Projectet ikke en "
+"fulltidsjobb men noe som kommei tillegg. Edward kategoriserer månedslønnen "
+"for leverandørene i tre hovedkategorier: Nok penger til å kjøpe øl, nok til "
+"å betale regningene, og de mest vellykkede av alle, nok til å betale "
+"husleien."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4809
-msgid ""
-"Recently the Noun Project launched a new app called Lingo. Designers can use "
-"Lingo to organize not just their Noun Project icons and symbols but also "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6100
+#, fuzzy
+#| msgid ""
+#| "Recently the Noun Project launched a new app called Lingo. Designers can "
+#| "use Lingo to organize not just their Noun Project icons and symbols but "
+#| "also their photos, illustrations, UX designs, et cetera. You simply drag "
+#| "any visual item directly into Lingo to save it. Lingo also works for "
+#| "teams so people can share visuals with each other and search across their "
+#| "combined collections. Lingo is free for personal use. A pro version for \\"
+#| "$9.99 per month lets you add guests. A team version for \\$49.95 per "
+#| "month allows up to twenty-five team members to collaborate, and to view, "
+#| "use, edit, and add new assets to each other’s collections. And if you "
+#| "subscribe to NounPro, you can access Noun Project from within Lingo."
+msgid ""
+"Recently the Noun Project launched a new app called Lingo. Designers can "
+"use Lingo to organize not just their Noun Project icons and symbols but also "
"their photos, illustrations, UX designs, et cetera. You simply drag any "
"visual item directly into Lingo to save it. Lingo also works for teams so "
"people can share visuals with each other and search across their combined "
-"collections. Lingo is free for personal use. A pro version for \\$9.99 per "
-"month lets you add guests. A team version for \\$49.95 per month allows up "
-"to twenty-five team members to collaborate, and to view, use, edit, and add "
-"new assets to each other’s collections. And if you subscribe to NounPro, "
-"you can access Noun Project from within Lingo."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4815
+"collections. Lingo is free for personal use. A pro version for $9.99 per "
+"month lets you add guests. A team version for $49.95 per month allows up to "
+"twenty-five team members to collaborate, and to view, use, edit, and add new "
+"assets to each other’s collections. And if you subscribe to NounPro, you "
+"can access Noun Project from within Lingo."
+msgstr ""
+"Noun Projectet lanserte nylig en ny app kalt Lingo. Designere kan bruke "
+"Lingo til å organisere ikke bare deres Noun Project ikoner og symboler, men "
+"også sine egne bilder, illustrasjoner, UX design, og så videre. Du bare drar "
+"visuelle elementer direkte inn i Lingo og lagrer dem. Lingo fungerer også "
+"for team slik at folk kan dele bilder med hverandre og søke gjennom sine "
+"kombinerte samlinger. Lingo er gratis til personlig bruk. I pro versjon for "
+"\\$9.99 per måned kan du legge til gjester. En team versjon til \\$49.95 per "
+"måned lar opptil til tjuefem gruppemedlemmer samarbeide - og vise, bruke, "
+"redigere og legge til nye ressurser i andres samlinger. Og hvis du "
+"abonnerer på NounPro, kan du åpne Noun Projectet direkte fra Lingo."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6114
msgid ""
"The Noun Project gives a ton of value away for free. A very large percentage "
"of their roughly one million members have a free account, but there are "
"design agencies, educators, and others who need to communicate ideas "
"visually."
msgstr ""
+"Noun Project gir massevis av verdi bort gratis. En svært stor andel av deres "
+"omtrent en million medlemmer har en gratis konto, men det er fortsatt mange "
+"betalte kontoer fra digital designere, reklame- og design-byråer, lærere og "
+"andre som trenger å kommunisere ideer visuelt."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4820
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6121
msgid ""
"For Edward, “creating, sharing, and celebrating the world’s visual language” "
"is the most important aspect of what they do; it’s their stated mission. It "
"differentiates them from others who offer graphics, icons, or clip art."
msgstr ""
+"For Edward er «å lage, dele og feire verdens visuell språk» det viktigste "
+"ved hva de gjør; det er deres uttalte formål: Det som skiller dem fra andre "
+"som tilbyr grafikk, ikoner eller utklipp."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4827
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6127
msgid ""
"Noun Project creators agree. When surveyed on why they participate in the "
-"Noun Project, this is how designers rank their reasons: 1) to support the "
+"Noun Project, this is how designers rank their reasons: 1) to support the "
"Noun Project mission, 2) to promote their own personal brand, and 3) to "
"generate money. It’s striking to see that money comes third, and mission, "
"first. If you want to engage a global network of contributors, it’s "
"important to have a mission beyond making money."
msgstr ""
+"Noun Projects designere enige. Når det kartlegges hvorfor de deltar i Noun "
+"Project, rangerer desigjere sine grunn er slik: 1) for å støtte Noun "
+"Projects hovedoppgave, 2) for å fremme sin eger personlige merkevare, og 3) "
+"for å tjene penger. Det er påfallende å se at pengene kommer på tredjeplass "
+"og hovedoppgaven først. Hvis du ønsker å engasjere et globalt nettverk av "
+"bidragsytere, er det viktig å ha et oppdrag utover det å tjene penger."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4832
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6136
msgid ""
"In Edward’s view, Creative Commons is central to their mission of sharing "
"and social good. Using Creative Commons makes the Noun Project’s mission "
"CC comes with a built-in community of users and fans."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4840
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6143
msgid ""
"Edward told us, “Don’t underestimate the power of a passionate community "
"around your product or your business. They are going to go to bat for you "
"initiatives and continue to nurture it.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4845
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6153
msgid ""
"The Noun Project nurtures their creators’ second motivation—promoting a "
"personal brand—by connecting every icon and symbol to the creator’s name and "
"search the icons by the creator’s name."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4853
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6160
msgid ""
"The Noun Project also builds community through Iconathons—hackathons for "
-"icons.2 In partnership with a sponsoring organization, the Noun Project "
-"comes up with a theme (e.g., sustainable energy, food bank, guerrilla "
-"gardening, human rights) and a list of icons that are needed, which "
-"designers are invited to create at the event. The results are vectorized, "
-"and added to the Noun Project using CC0 so they can be used by anyone for "
-"free."
+"icons.<placeholder type=\"footnote\" id=\"0\"/> In partnership with a "
+"sponsoring organization, the Noun Project comes up with a theme (e.g., "
+"sustainable energy, food bank, guerrilla gardening, human rights) and a list "
+"of icons that are needed, which designers are invited to create at the "
+"event. The results are vectorized, and added to the Noun Project using CC0 "
+"so they can be used by anyone for free."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4861
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6169
msgid ""
"Providing a free version of their product that satisfies a lot of their "
"customers’ needs has actually enabled the Noun Project to build the paid "
"been key to that goal."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4867
-msgid ""
-"www.kickstarter.com/projects/tnp/building-a-free-collection-of-our-worlds-"
-"visual-sy/description"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4867
-msgid "thenounproject.com/handbook/royalties/\\#getting\\_paid"
-msgstr ""
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4867
-msgid "thenounproject.com/iconathon/"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4869
-msgid "## Open Data Institute"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6180
+#, fuzzy
+#| msgid "## Blender Institute"
+msgid "Open Data Institute"
+msgstr "## Blender Institute"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4873
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6183
msgid ""
"The Open Data Institute is an independent nonprofit that connects, equips, "
-"and inspires people around the world to innovate with data. Founded in 2012 "
+"and inspires people around the world to innovate with data. Founded in 2012 "
"in the UK."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4875
-msgid "theodi.org"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6188
+msgid "<ulink url=\"http://theodi.org\"/>"
+msgstr "<ulink url=\"http://theodi.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4878
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6190
msgid ""
-"Revenue model: grant and government funding, charging for custom services, "
-"donations"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grant and government "
+"funding, charging for custom services, donations"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4880
-msgid "Interview date: November 11, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6193
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: November 11, 2015"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4882
-msgid "Interviewee: Jeni Tennison, technical director"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6196
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Jeni Tennison, technical "
+"director"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4892
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6204
msgid ""
"Cofounded by Sir Tim Berners-Lee and Sir Nigel Shadbolt in 2012, the London-"
"based Open Data Institute (ODI) offers data-related training, events, "
"consulting services, and research. For ODI, Creative Commons licenses are "
"central to making their own business model and their customers’ open. CC BY "
"(Attribution), CC BY-SA (Attribution-ShareAlike), and CC0 (placed in the "
-"public domain) all play a critical role in ODI’s mission to help people "
+"public domain) all play a critical role in ODI’s mission to help people "
"around the world innovate with data."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4902
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6214
msgid ""
"Data underpins planning and decision making across all aspects of society. "
"Weather data helps farmers know when to plant their crops, flight time data "
"happening around them."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4908
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6226
msgid ""
"The Open Data Institute’s 2012–17 business plan starts out by describing its "
"vision to establish itself as a world-leading center and to research and be "
"initiatives.) It goes on to say that the ODI wants to—"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6236
msgid ""
"demonstrate the commercial value of open government data and how open-data "
"policies affect this;"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6242
msgid "develop the economic benefits case and business models for open data;"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6248
msgid "help UK businesses use open data; and"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
-msgid "show how open data can improve public services.1"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6253
+msgid ""
+"<ulink url=\"http://e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6."
+"cf3.rackcdn.com/odi-business-plan-may-release.pdf\"/>"
+msgstr ""
+"<ulink url=\"http://e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6."
+"cf3.rackcdn.com/odi-business-plan-may-release.pdf\"/>"
+
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6253
+msgid ""
+"show how open data can improve public services.<placeholder type=\"footnote"
+"\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4923
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6258
msgid ""
"ODI is very explicit about how it wants to make open business models, and "
"defining what this means. Jeni Tennison, ODI’s technical director, puts it "
"ODI’s particular focus is to show open data’s potential for revenue."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4929
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6268
msgid ""
"As an independent nonprofit, ODI secured £10 million over five years from "
"the UK government via Innovate UK, an agency that promotes innovation in "
"science and technology. For this funding, ODI has to secure matching funds "
-"from other sources, some of which were met through a \\$4.75-million "
+"from other sources, some of which were met through a $4.75-million "
"investment from the Omidyar Network."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4935
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6276
msgid ""
"Jeni started out as a developer and technical architect for data.gov.uk, the "
-"UK government’s pioneering open-data initiative. She helped make data sets "
+"UK government’s pioneering open-data initiative. She helped make data sets "
"from government departments available as open data. She joined ODI in 2012 "
"when it was just starting up, as one of six people. It now has a staff of "
"about sixty."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4942
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6283
msgid ""
"ODI strives to have half its annual budget come from the core UK government "
"and Omidyar grants, and the other half from project-based research and "
"generate these matching funds in response to market needs."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4945
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6291
msgid ""
"On the commercial side, ODI generates funding through memberships, training, "
"and advisory services."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4956
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6306
+#, fuzzy
+#| msgid "<ulink url=\"http://theodi.org\"/>"
+msgid "<ulink url=\"http://directory.theodi.org/members\"/>"
+msgstr "<ulink url=\"http://theodi.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6295
msgid ""
-"You can join the ODI as an individual or commercial member. Individual "
-"membership is pay-what-you-can, with options ranging from £1 to £100. "
+"You can join the ODI as an individual or commercial member. Individual "
+"membership is pay-what-you-can, with options ranging from £1 to £100. "
"Members receive a newsletter and related communications and a discount on "
"ODI training courses and the annual summit, and they can display an ODI-"
"supporter badge on their website. Commercial membership is divided into two "
"corporations and government organizations at £2,200 a year. Commercial "
"members have greater opportunities to connect and collaborate, explore the "
"benefits of open data, and unlock new business opportunities. (All members "
-"are listed on their website.)2"
+"are listed on their website.)<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4968
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6309
msgid ""
"ODI provides standardized open data training courses in which anyone can "
"enroll. The initial idea was to offer an intensive and academically oriented "
"attend as a form of professional development."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4976
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6323
msgid ""
"ODI customizes training for clients as well, for which there is more demand. "
"Custom training usually emerges through an established relationship with an "
"tends to generate high interest and commitment."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4983
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6332
msgid ""
"Education about open data is also a part of ODI’s annual summit event, where "
"curated presentations and speakers showcase the work of ODI and its members "
"2014, there were four thematic tracks and over 750 attendees."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4990
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6340
msgid ""
"In addition to memberships and training, ODI provides advisory services to "
"help with technical-data support, technology development, change management, "
"organizations."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4993
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6349
msgid ""
"On the commercial side, the following value propositions seem to resonate:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5008
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6355
msgid ""
"Data-driven insights. Businesses need data from outside their business to "
"get more insight. Businesses can generate value and more effectively pursue "
"their own goals if they open up their own data too. Big data is a hot topic."
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5008
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6363
msgid ""
"Open innovation. Many large-scale enterprises are aware they don’t innovate "
"very well. One way they can innovate is to open up their data. ODI "
"autonomy."
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5008
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6372
msgid ""
"Corporate social responsibility. While this resonates with businesses, ODI "
"cautions against having it be the sole reason for making data open. If a "
"accountable, they can miss out on efficiencies and opportunities."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5016
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6381
msgid ""
"During their early years, ODI wanted to focus solely on the United Kingdom. "
"But in their first year, large delegations of government visitors from over "
"prompted a need to set up international ODI “nodes.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5026
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6390
msgid ""
-"Nodes are franchises of the ODI at a regional or city level. Hosted by "
+"Nodes are franchises of the ODI at a regional or city level. Hosted by "
"existing (for-profit or not-for-profit) organizations, they operate locally "
"but are part of the global network. Each ODI node adopts the charter, a set "
-"of guiding principles and rules under which ODI operates. They develop and "
+"of guiding principles and rules under which ODI operates. They develop and "
"deliver training, connect people and businesses through membership and "
"events, and communicate open-data stories from their part of the world. "
"There are twenty-seven different nodes across nineteen countries. ODI nodes "
"are charged a small fee to be part of the network and to use the brand."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5030
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6404
+msgid ""
+"<ulink url=\"http://theodi.org/odi-startup-programme\"/>; <ulink url="
+"\"http://theodi.org/open-data-incubator-for-europe\"/>"
+msgstr ""
+"<ulink url=\"http://theodi.org/odi-startup-programme\"/>; <ulink url="
+"\"http://theodi.org/open-data-incubator-for-europe\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6402
msgid ""
"ODI also runs programs to help start-ups in the UK and across Europe develop "
"a sustainable business around open data, offering mentoring, advice, "
-"training, and even office space.3"
+"training, and even office space.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5038
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6408
msgid ""
-"A big part of ODI’s business model revolves around community building. "
+"A big part of ODI’s business model revolves around community building. "
"Memberships, training, summits, consulting services, nodes, and start-up "
-"programs create an ever-growing network of open-data users and leaders. (In "
+"programs create an ever-growing network of open-data users and leaders. (In "
"fact, ODI even operates something called an Open Data Leaders Network.) For "
"ODI, community is key to success. They devote significant time and effort to "
"build it, not just online but through face-to-face events."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5044
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6422
+msgid "<ulink url=\"http://certificates.theodi.org\"/>"
+msgstr "<ulink url=\"http://certificates.theodi.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6417
msgid ""
"ODI has created an online tool that organizations can use to assess the "
"legal, practical, technical, and social aspects of their open data. If it is "
"of high quality, the organization can earn ODI’s Open Data Certificate, a "
"globally recognized mark that signals that their open data is useful, "
-"reliable, accessible, discoverable, and supported.4"
+"reliable, accessible, discoverable, and supported.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5049
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6425
msgid ""
"Separate from commercial activities, the ODI generates funding through "
"research grants. Research includes looking at evidence on the impact of open "
"data at scale."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5054
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6431
msgid ""
"Creative Commons 4.0 licenses cover database rights and ODI recommends CC "
"BY, CC BY-SA, and CC0 for data releases. ODI encourages publishers of data "
"their own."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5070
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6437
msgid ""
"For ODI, open is at the heart of what they do. They also release any "
"software code they produce under open-source-software licenses, and "
"Disseminating stories, research, guidance, and code under an open license is "
"essential for achieving that mission. It also demonstrates that it is "
"perfectly possible to generate sustainable revenue streams that do not rely "
-"on restrictive licensing of content, data, or code. People pay to have ODI "
+"on restrictive licensing of content, data, or code. People pay to have ODI "
"experts provide training to them, not for the content of the training; "
"people pay for the advice ODI gives them, not for the methodologies they "
"use. Producing open content, data, and source code helps establish "
"completely possible to be open, get customers, and make money.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5074
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6455
msgid ""
"To serve as evidence of a successful open business model and return on "
-"investment, ODI has a public dashboard of key performance indicators. Here "
+"investment, ODI has a public dashboard of key performance indicators. Here "
"are a few metrics as of April 27, 2016:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6463
msgid ""
"Total amount of cash investments unlocked in direct investments in ODI, "
"competition funding, direct contracts, and partnerships, and income that ODI "
"million"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6471
msgid "Total number of active members and nodes across the globe: 1,350"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6477
msgid "Total sales since ODI began: £7.44 million"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6482
msgid ""
"Total number of unique people reached since ODI began, in person and online: "
"2.2 million"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6488
msgid "Total Open Data Certificates created: 151,000"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6493
msgid ""
"Total number of people trained by ODI and its nodes since ODI began: 5,0805"
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid ""
-"e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6.cf3.rackcdn.com/odi-"
-"business-plan-may-release.pdf"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid "directory.theodi.org/members"
-msgstr ""
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid ""
-"theodi.org/odi-startup-programme; theodi.org/open-data-incubator-for-europe"
-msgstr ""
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid "certificates.theodi.org"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6500
+msgid "OpenDesk"
msgstr ""
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid "dashboards.theodi.org/company/all"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5097
-msgid "## OpenDesk"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5101
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6503
+#, fuzzy
+#| msgid ""
+#| "The Noun Project is a for-profit company offering an online platform to "
+#| "display visual icons from a global network of designers. Founded in 2010 "
+#| "in the U.S."
msgid ""
"Opendesk is a for-profit company offering an online platform that connects "
"furniture designers around the world with customers and local makers who "
-"bring the designs to life. Founded in 2014 in the UK."
+"bring the designs to life. Founded in 2014 in the UK."
msgstr ""
+"Noun Project er en bedrift tilbyr en nettplattform som viser visuelle ikoner "
+"fra et globalt nettverk av designere. Stiftet i 2010 i USA"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5103
-msgid "www.opendesk.cc"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6509
+msgid "<ulink url=\"http://www.opendesk.cc\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5105
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7055
-msgid "Revenue model: charging a transaction fee"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6511
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8926
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging a transaction "
+"fee"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5107
-msgid "Interview date: November 4, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6514
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: November 4, 2015"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5109
-msgid "Interviewees: Nick Ierodiaconou and Joni Steiner, cofounders"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6517
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: Nick Ierodiaconou and "
+"Joni Steiner, cofounders"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5116
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6525
msgid ""
"Opendesk is an online platform that connects furniture designers around the "
"world not just with customers but also with local registered makers who "
"every sale that is made by a maker."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5131
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6531
msgid ""
"Cofounders Nick Ierodiaconou and Joni Steiner studied and worked as "
"architects together. They also made goods. Their first client was Mint "
"nonprofit foundation and Opendesk a for-profit company."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5137
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6548
msgid ""
"When Nick and Joni set out to create Opendesk, there were a lot of questions "
"about the viability of distributed manufacturing. No one was doing it in a "
"had the intent, but fulfilling this vision was still a long way away."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5147
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6555
msgid ""
"And now this sector is emerging, and Nick and Joni are highly interested in "
"the commercialization aspects of it. As part of coming up with a business "
"and settled on using Creative Commons."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5153
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6566
msgid ""
"When designing the Opendesk system, they had two goals. They wanted anyone, "
"anywhere in the world, to be able to download designs so that they could be "
"complex."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5157
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6573
msgid ""
"They gave a lot of thought to three angles—the potential for social sharing, "
"allowing designers to choose their license, and the impact these choices "
"would have on the business model."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5163
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6578
msgid ""
"In support of social sharing, Opendesk actively advocates for (but doesn’t "
"demand) open licensing. And Nick and Joni are agnostic about which Creative "
"themselves how open or closed they want to be."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5168
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6589
+msgid "<ulink url=\"http://www.opendesk.cc/designers\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc/designers\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6586
msgid ""
-"For the most part, designers love the idea of sharing content. They "
+"For the most part, designers love the idea of sharing content. They "
"understand that you get positive feedback when you’re attributed, what Nick "
"and Joni called “reputational glow.” And Opendesk does an awesome job "
-"profiling the designers.1"
+"profiling the designers.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5173
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6592
msgid ""
"While designers are largely OK with personal sharing, there is a concern "
"that someone will take the design and manufacture the furniture in bulk, "
"choose the Attribution-NonCommercial license (CC BY-NC)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5182
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6599
msgid ""
"Anyone can download a design and make it themselves, provided it’s for "
-"noncommercial use — and there have been many, many downloads. Or users can "
+"noncommercial use — and there have been many, many downloads. Or users can "
"buy the product from Opendesk, or from a registered maker in Opendesk’s "
-"network, for on-demand personal fabrication. The network of Opendesk makers "
+"network, for on-demand personal fabrication. The network of Opendesk makers "
"currently is made up of those who do digital fabrication using a computer-"
"controlled CNC (Computer Numeric Control) machining device that cuts shapes "
"out of wooden sheets according to the specifications in the design file."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5190
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6616
+msgid "<ulink url=\"http://www.opendesk.cc/open-making/makers/\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc/open-making/makers/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6609
msgid ""
"Makers benefit from being part of Opendesk’s network. Making furniture for "
"local customers is paid work, and Opendesk generates business for them. Joni "
"because we built a site where people could write in about their "
"capabilities. Building the community by learning from the maker community is "
"how we have moved forward.” Opendesk now has relationships with hundreds of "
-"makers in countries all around the world.2"
+"makers in countries all around the world.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5194
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6619
msgid ""
-"The makers are a critical part of the Opendesk business model. Their model "
+"The makers are a critical part of the Opendesk business model. Their model "
"builds off the makers’ quotes. Here’s how it’s expressed on Opendesk’s "
"website:"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5197
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6624
msgid ""
"When customers buy an Opendesk product directly from a registered maker, "
"they pay:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6630
msgid ""
"the manufacturing cost as set by the maker (this covers material and labour "
"costs for the product to be manufactured and any extra assembly costs "
"charged by the maker)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6637
msgid ""
"a design fee for the designer (a design fee that is paid to the designer "
"every time their design is used)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6643
msgid ""
"a percentage fee to the Opendesk platform (this supports the infrastructure "
"and ongoing development of the platform that helps us build out our "
"marketplace)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6650
msgid ""
"a percentage fee to the channel through which the sale is made (at the "
"moment this is Opendesk, but in the future we aim to open this up to third-"
"covers sales and marketing fees for the relevant channel)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6659
msgid ""
"a local delivery service charge (the delivery is typically charged by the "
"maker, but in some cases may be paid to a third-party delivery partner)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6666
msgid ""
"charges for any additional services the customer chooses, such as on-site "
"assembly (additional services are discretionary—in many cases makers will be "
"options)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
-msgid "local sales taxes (variable by customer and maker location)3"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6675
+#, fuzzy
+#| msgid "<ulink url=\"http://www.opendesk.cc/open-making/makers/\"/>"
+msgid "<ulink url=\"http://www.opendesk.cc/open-making/join\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc/open-making/makers/\"/>"
+
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6674
+msgid ""
+"local sales taxes (variable by customer and maker location)<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5221
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6680
msgid "They then go into detail how makers’ quotes are created:"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5230
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6683
msgid ""
"When a customer wants to buy an Opendesk . . . they are provided with a "
"transparent breakdown of fees including the manufacturing cost, design fee, "
"Opendesk platform fee and channel fees. If a customer opts to buy by getting "
"in touch directly with a registered local maker using a downloaded Opendesk "
"file, the maker is responsible for ensuring the design fee, Opendesk "
-"platform fee and channel fees are included in any quote at the time of sale. "
-"Percentage fees are always based on the underlying manufacturing cost and "
-"are typically apportioned as follows:"
+"platform fee and channel fees are included in any quote at the time of "
+"sale. Percentage fees are always based on the underlying manufacturing cost "
+"and are typically apportioned as follows:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6696
msgid ""
"manufacturing cost: fabrication, finishing and any other costs as set by the "
"maker (excluding any services like delivery or on-site assembly)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6703
msgid "design fee: 8 percent of the manufacturing cost"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6708
msgid "platform fee: 12 percent of the manufacturing cost"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6713
msgid "channel fee: 18 percent of the manufacturing cost"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6718
msgid "sales tax: as applicable (depends on product and location)"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5243
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6723
msgid ""
-"Opendesk shares revenue with their community of designers. According to Nick "
-"and Joni, a typical designer fee is around 2.5 percent, so Opendesk’s 8 "
+"Opendesk shares revenue with their community of designers. According to "
+"Nick and Joni, a typical designer fee is around 2.5 percent, so Opendesk’s 8 "
"percent is more generous, and providing a higher value to the designer."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5250
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6729
msgid ""
-"The Opendesk website features stories of designers and makers. Denis Fuzii "
+"The Opendesk website features stories of designers and makers. Denis Fuzii "
"published the design for the Valovi Chair from his studio in São Paulo. His "
"designs have been downloaded over five thousand times in ninety-five "
"countries. I.J. CNC Services is Ian Jinks, a professional maker based in the "
"United Kingdom. Opendesk now makes up a large proportion of his business."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5258
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6737
msgid ""
"To manage resources and remain effective, Opendesk has so far focused on a "
"very narrow niche—primarily office furniture of a certain simple aesthetic, "
"which uses only one type of material and one manufacturing technique. This "
"allows them to be more strategic and more disruptive in the market, by "
-"getting things to market quickly with competitive prices. It also reflects "
+"getting things to market quickly with competitive prices. It also reflects "
"their vision of creating reproducible and functional pieces."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5264
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6746
msgid ""
"On their website, Opendesk describes what they do as “open making”: "
"“Designers get a global distribution channel. Makers get profitable jobs and "
"way to buy custom-made products.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5270
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6754
msgid ""
"Nick and Joni say that customers like the fact that the furniture has a "
"known provenance. People really like that their furniture was designed by a "
"furniture from the usual mass-produced items from a store."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5278
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6767
+msgid "<ulink url=\"http://openmaking.is\"/>"
+msgstr "<ulink url=\"http://openmaking.is\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6762
msgid ""
"Nick and Joni are taking a community-based approach to define and evolve "
"Opendesk and the “open making” business model. They’re engaging thought "
"leaders and practitioners to define this new movement. They have a separate "
"Open Making site, which includes a manifesto, a field guide, and an "
-"invitation to get involved in the Open Making community.4 People can submit "
-"ideas and discuss the principles and business practices they’d like to see "
-"used."
+"invitation to get involved in the Open Making community.<placeholder type="
+"\"footnote\" id=\"0\"/> People can submit ideas and discuss the principles "
+"and business practices they’d like to see used."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5284
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6771
msgid ""
"Nick and Joni talked a lot with us about intellectual property (IP) and "
"commercialization. Many of their designers fear the idea that someone could "
"Attribution-NonCommercial license (CC BY-NC)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5287
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6779
msgid ""
"Opendesk established a set of principles for what their community considers "
"commercial and noncommercial use. Their website states:"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5289
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6783
msgid "It is unambiguously commercial use when anyone:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5292
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6788
msgid "charges a fee or makes a profit when making an Opendesk"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5292
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6793
msgid "sells (or bases a commercial service on) an Opendesk"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5296
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6798
msgid ""
"It follows from this that noncommercial use is when you make an Opendesk "
"yourself, with no intention to gain commercial advantage or monetary "
"compensation. For example, these qualify as noncommercial:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5305
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6806
msgid ""
"you are an individual with your own CNC machine, or access to a shared CNC "
"machine, and will personally cut and make a few pieces of furniture yourself"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5305
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6813
msgid ""
"you are a student (or teacher) and you use the design files for educational "
"purposes or training (and do not intend to sell the resulting pieces)"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5305
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6820
msgid ""
"you work for a charity and get furniture cut by volunteers, or by employees "
"at a fab lab or maker space"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5314
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6826
msgid ""
"Whether or not people technically are doing things that implicate IP, Nick "
"and Joni have found that people tend to comply with the wishes of creators "
"customers. For them, the value Opendesk generates hangs off “open,” not IP."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5320
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6837
msgid ""
"The mission of Opendesk is about relocalizing manufacturing, which changes "
-"the way we think about how goods are made. Commercialization is integral to "
+"the way we think about how goods are made. Commercialization is integral to "
"their mission, and they’ve begun to focus on success metrics that track how "
"many makers and designers are engaged through Opendesk in revenue-making "
"work."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5325
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6844
msgid ""
"As a global platform for local making, Opendesk’s business model has been "
"built on honesty, transparency, and inclusivity. As Nick and Joni describe "
"it, they put ideas out there that get traction and then have faith in people."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "www.opendesk.cc/designers"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "www.opendesk.cc/open-making/makers/"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6851
+msgid "OpenStax"
msgstr ""
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "www.opendesk.cc/open-making/join"
-msgstr ""
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "openmaking.is"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5334
-msgid "## OpenStax"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5338
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6854
msgid ""
"OpenStax is a nonprofit that provides free, openly licensed textbooks for "
"high-enrollment introductory college courses and Advanced Placement courses. "
"Founded in 2012 in the U.S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5340
-msgid "www.openstaxcollege.org"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6859
+msgid "<ulink url=\"http://www.openstaxcollege.org\"/>"
+msgstr "<ulink url=\"http://www.openstaxcollege.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5343
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6861
msgid ""
-"Revenue model: grant funding, charging for custom services, charging for "
-"physical copies (textbook sales)"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grant funding, charging "
+"for custom services, charging for physical copies (textbook sales)"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5345
-msgid "Interview date: December 16, 2015"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6865
+#, fuzzy
+#| msgid "Interview date: December 21, 2015"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 16, 2015"
+msgstr "Dato for intervju: 21 desember 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5347
-msgid "Interviewee: David Harris, editor-in-chief"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6868
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: David Harris, editor-in-"
+"chief"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5360
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6876
msgid ""
"OpenStax is an extension of a program called Connexions, which was started "
"in 1999 by Dr. Richard Baraniuk, the Victor E. Cameron Professor of "
"available to anyone, anywhere, anytime—for free."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5369
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6888
msgid ""
"In 2008, while in a senior leadership role at WebAssign and looking at ways "
"to reduce the risk that came with relying on publishers, David Harris began "
"investigating open educational resources (OER) and discovered Connexions. A "
"year and a half later, Connexions received a grant to help grow the use of "
"OER so that it could meet the needs of students who couldn’t afford "
-"textbooks. David came on board to spearhead this effort. Connexions became "
+"textbooks. David came on board to spearhead this effort. Connexions became "
"OpenStax CNX; the program to create open textbooks became OpenStax College, "
"now simply called OpenStax."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5379
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6899
msgid ""
"David brought with him a deep understanding of the best practices of "
"publishing along with where publishers have inefficiencies. In David’s view, "
"adoptions by faculty and students."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5388
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6917
+msgid ""
+"<ulink url=\"http://news.rice.edu/files/2016/01/0119-"
+"OPENSTAX-2016Infographic-lg-1tahxiu.jpg\"/>"
+msgstr ""
+"<ulink url=\"http://news.rice.edu/files/2016/01/0119-"
+"OPENSTAX-2016Infographic-lg-1tahxiu.jpg\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6911
msgid ""
"In 2012, OpenStax College launched as a nonprofit with the aim of producing "
"high-quality, peer-reviewed full-color textbooks that would be available for "
"free for the twenty-five most heavily attended college courses in the "
-"nation. Today they are fast approaching that number. There is data that "
+"nation. Today they are fast approaching that number. There is data that "
"proves the success of their original hypothesis on how many students they "
-"could help and how much money they could help save.1 Professionally produced "
-"content scales rapidly. All with no sales force!"
+"could help and how much money they could help save.<placeholder type="
+"\"footnote\" id=\"0\"/> Professionally produced content scales rapidly. All "
+"with no sales force!"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5396
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6921
msgid ""
"OpenStax textbooks are all Attribution (CC BY) licensed, and each textbook "
"is available as a PDF, an e-book, or web pages. Those who want a physical "
"librarians about these textbooks and to advocate for their use."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5403
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6930
msgid ""
"Teachers are invited to try out a single chapter from one of the textbooks "
"with students. If that goes well, they’re encouraged to adopt the entire "
"chapters, make changes, and customize any book to fit their needs."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5408
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6938
msgid ""
"Any teacher can post corrections, suggest examples for difficult concepts, "
"or volunteer as an editor or author. As many teachers also want supplemental "
"presentations, test banks, answer keys, and so on."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5413
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6949
+msgid "<ulink url=\"http://openstax.org/adopters\"/>"
+msgstr "<ulink url=\"http://openstax.org/adopters\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6945
msgid ""
"Institutions can stand out by offering students a lower-cost education "
"through the use of OpenStax textbooks; there’s even a textbook-savings "
"calculator they can use to see how much students would save. OpenStax keeps "
-"a running list of institutions that have adopted their textbooks.2"
+"a running list of institutions that have adopted their textbooks."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5418
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6952
msgid ""
"Unlike traditional publishers’ monolithic approach of controlling "
"intellectual property, distribution, and so many other aspects, OpenStax has "
"network of partners."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5427
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6958
msgid ""
"Up-front funding of a professionally produced all-color turnkey textbook is "
"expensive. For this part of their model, OpenStax relies on philanthropy. "
"investment."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5436
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6969
msgid ""
"However, ongoing operations will not rely on foundation grants but instead "
"on funds received through an ecosystem of over forty partners, whereby a "
"tutorial support. WebAssign resources are available to students for a fee."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5444
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6979
msgid ""
"Another example is Odigia, who has turned OpenStax books into interactive "
"learning experiences and created additional tools to measure and promote "
"student engagement. Odigia licenses its learning platform to institutions. "
"Partners like Odigia and WebAssign give a percentage of the revenue they "
-"earn back to OpenStax, as mission-support fees. OpenStax has already "
+"earn back to OpenStax, as mission-support fees. OpenStax has already "
"published revisions of their titles, such as Introduction to Sociology 2e, "
"using these funds."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5454
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6989
msgid ""
"In David’s view, this approach lets the market operate at peak efficiency. "
"OpenStax’s partners don’t have to worry about developing textbook content, "
"freeing them up from those development costs and letting them focus on what "
-"they do best. With OpenStax textbooks available at no cost, they can provide "
-"their services at a lower cost—not free, but still saving students money. "
-"OpenStax benefits not only by receiving mission-support fees but through "
-"free publicity and marketing. OpenStax doesn’t have a sales force; partners "
-"are out there showcasing their materials."
+"they do best. With OpenStax textbooks available at no cost, they can "
+"provide their services at a lower cost—not free, but still saving students "
+"money. OpenStax benefits not only by receiving mission-support fees but "
+"through free publicity and marketing. OpenStax doesn’t have a sales force; "
+"partners are out there showcasing their materials."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5460
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7001
msgid ""
"OpenStax’s cost of sales to acquire a single student is very, very low and "
"is a fraction of what traditional players in the market face. This year, "
"these findings with the community."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5469
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7009
msgid ""
"While OpenStax books are available online for free, many students still want "
"a print copy. Through a partnership with a print and courier company, "
-"OpenStax offers a complete solution that scales. OpenStax sells tens of "
+"OpenStax offers a complete solution that scales. OpenStax sells tens of "
"thousands of print books. The price of an OpenStax sociology textbook is "
"about twenty-eight dollars, a fraction of what sociology textbooks usually "
"cost. OpenStax keeps the prices low but does aim to earn a small margin on "
"each book sold, which also contributes to ongoing operations."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5480
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7019
msgid ""
-"Campus-based bookstores are part of the OpenStax solution. OpenStax "
+"Campus-based bookstores are part of the OpenStax solution. OpenStax "
"collaborates with NACSCORP (the National Association of College Stores "
-"Corporation) to provide print versions of their textbooks in the stores. "
+"Corporation) to provide print versions of their textbooks in the stores. "
"While the overall cost of the textbook is significantly less than a "
-"traditional textbook, bookstores can still make a profit on sales. "
-"Sometimes students take the savings they have from the lower-priced book and "
-"use it to buy other things in the bookstore. And OpenStax is trying to break "
-"the expensive behavior of excessive returns by having a no-returns policy. "
-"This is working well, since the sell-through of their print titles is "
-"virtually a hundred percent."
+"traditional textbook, bookstores can still make a profit on sales. Sometimes "
+"students take the savings they have from the lower-priced book and use it to "
+"buy other things in the bookstore. And OpenStax is trying to break the "
+"expensive behavior of excessive returns by having a no-returns policy. This "
+"is working well, since the sell-through of their print titles is virtually a "
+"hundred percent."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5487
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7032
msgid ""
"David thinks of the OpenStax model as “OER 2.0.” So what is OER 1.0? "
"Historically in the OER field, many OER initiatives have been locally funded "
"reasonable."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5498
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7040
msgid ""
"OER 2.0 is about OER intended to be used and adopted on a national level "
"right from the start. This requires a bigger investment up front but pays "
"to develop a book from scratch, a good example being their biology book."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5513
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7053
msgid ""
"The process is similar for both models. First they look at the scope and "
"sequence of existing textbooks. They ask questions like what does the "
"customer need? Where are students having challenges? Then they identify "
"potential authors and put them through a rigorous evaluation—only one in ten "
-"authors make it through. OpenStax selects a team of authors who come "
+"authors make it through. OpenStax selects a team of authors who come "
"together to develop a template for a chapter and collectively write the "
"first draft (or revise it, in the acquisitions model). (OpenStax doesn’t do "
"books with just a single author as David says it risks the project going "
"longer than scheduled.) The draft is peer-reviewed with no less than three "
"reviewers per chapter. A second draft is generated, with artists producing "
-"illustrations and visuals to go along with the text. The book is then "
+"illustrations and visuals to go along with the text. The book is then "
"copyedited to ensure grammatical correctness and a singular voice. Finally, "
"it goes into production and through a final proofread. The whole process is "
"very time-consuming."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5522
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7071
msgid ""
"All the people involved in this process are paid. OpenStax does not rely on "
"volunteers. Writers, reviewers, illustrators, and editors are all paid an up-"
"they earn all the money up front."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5530
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7081
msgid ""
"David thinks of the Attribution license (CC BY) as the “innovation license.” "
"It’s core to the mission of OpenStax, letting people use their textbooks in "
"frictionless remixing, CC BY gives teachers control and academic freedom."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5539
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7090
msgid ""
"Using CC BY is also a good example of using strategies that traditional "
"publishers can’t. Traditional publishers rely on copyright to prevent others "
"from making copies and heavily invest in digital rights management to ensure "
-"their books aren’t shared. By using CC BY, OpenStax avoids having to deal "
-"with digital rights management and its costs. OpenStax books can be copied "
+"their books aren’t shared. By using CC BY, OpenStax avoids having to deal "
+"with digital rights management and its costs. OpenStax books can be copied "
"and shared over and over again. CC BY changes the rules of engagement and "
"takes advantage of traditional market inefficiencies."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5542
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7100
msgid ""
-"As of September 16, 2016, OpenStax has achieved some impressive results. "
+"As of September 16, 2016, OpenStax has achieved some impressive results. "
"From the OpenStax at a Glance fact sheet from their recent press kit:"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7107
msgid "Books published: 23"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7112
msgid "Students who have used OpenStax: 1.6 million"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
-msgid "Money saved for students: \\$155 million"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7117
+msgid "Money saved for students: $155 million"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
-msgid "Money saved for students in the 2016/17 academic year: \\$77 million"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7122
+msgid "Money saved for students in the 2016/17 academic year: $77 million"
msgstr ""
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7128
msgid ""
"Schools that have used OpenStax: 2,668 (This number reflects all "
"institutions using at least one OpenStax textbook. Out of 2,668 schools, 517 "
"colleges and universities outside the U.S.)"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5556
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7137
msgid ""
"While OpenStax has to date been focused on the United States, there is "
"overseas adoption especially in the science, technology, engineering, and "
"necessary precursor to international interest."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5562
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7144
msgid ""
"OpenStax has primarily focused on introductory-level college courses where "
"there is high enrollment, but they are starting to think about verticals—a "
"entire curriculum of a nursing degree, for example."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5572
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7152
msgid ""
"Finally, for OpenStax success is not just about the adoption of their "
"textbooks and student savings. There is a human aspect to the work that is "
"possible for every student who wants access to education to get it."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5577
-msgid ""
-"news.rice.edu/files/2016/01/0119-OPENSTAX-2016Infographic-lg-1tahxiu.jpg"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5577
-msgid "openstax.org/adopters"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5579
-msgid "## Amanda Palmer"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7165
+msgid "Amanda Palmer"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5581
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7168
msgid "Amanda Palmer is a musician, artist, and writer. Based in the U.S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5583
-msgid "amandapalmer.net"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7172
+msgid "<ulink url=\"http://amandapalmer.net\"/>"
+msgstr "<ulink url=\"http://amandapalmer.net\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5587
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7174
+#, fuzzy
+#| msgid ""
+#| "Revenue model: crowdfunding (subscription-based), charging for physical "
+#| "copies, selling merchandise"
msgid ""
-"Revenue model: crowdfunding (subscription-based), pay-what-you-want, "
-"charging for physical copies (book and album sales), charg-ing for in-person "
-"version (performances), selling merchandise"
+"<emphasis role=\"strong\">Revenue model</emphasis>: crowdfunding "
+"(subscription-based), pay-what-you-want, charging for physical copies (book "
+"and album sales), charg-ing for in-person version (performances), selling "
+"merchandise"
msgstr ""
+"Inntektsmodell: Folkefinansiering (abonnementsbasert), betaling for fysiske "
+"kopier, varesalg"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5589
-msgid "Interview date: December 15, 2015"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7179
+#, fuzzy
+#| msgid "Interview date: December 21, 2015"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 15, 2015"
+msgstr "Dato for intervju: 21 desember 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5595
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7187
msgid ""
"Since the beginning of her career, Amanda Palmer has been on what she calls "
"a “journey with no roadmap,” continually experimenting to find new ways to "
"sustain her creative work. 1"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5601
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7192
msgid ""
"In her best-selling book, The Art of Asking, Amanda articulates exactly what "
-"she has been and continues to strive for—“the ideal sweet spot . . . in "
+"she has been and continues to strive for—“the ideal sweet spot . . . in "
"which the artist can share freely and directly feel the reverberations of "
"their artistic gifts to the community, and make a living doing that.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5608
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7199
msgid ""
"While she seems to have successfully found that sweet spot for herself, "
"Amanda is the first to acknowledge there is no silver bullet. She thinks the "
-"digital age is both an exciting and frustrating time for creators. “On the "
+"digital age is both an exciting and frustrating time for creators. “On the "
"one hand, we have this beautiful shareability,” Amanda said. “On the other, "
"you’ve got a bunch of confused artists wondering how to make money to buy "
"food so we can make more art.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5620
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7208
msgid ""
"Amanda began her artistic career as a street performer. She would dress up "
"in an antique wedding gown, paint her face white, stand on a stack of milk "
"rent and put food on the table. Enough so I could keep making art.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5629
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7222
msgid ""
"Amanda has come a long way from her street-performing days, but her career "
"remains dominated by that same sentiment—finding ways to reach “her crowd” "
"for the masses was never what Amanda and the Dresden Dolls set out to do."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5639
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7233
msgid ""
"After leaving the record label in 2008, she began experimenting with "
"different ways to make a living. She released music directly to the public "
"without involving a middle man, releasing digital files on a “pay what you "
-"want” basis and selling CDs and vinyl. She also made money from live "
-"performances and merchandise sales. Eventually, in 2012 she decided to try "
+"want” basis and selling CDs and vinyl. She also made money from live "
+"performances and merchandise sales. Eventually, in 2012 she decided to try "
"her hand at the sort of crowdfunding we know so well today. Her Kickstarter "
-"project started with a goal of \\$100,000, and she made \\$1.2 million. It "
+"project started with a goal of $100,000, and she made $1.2 million. It "
"remains one of the most successful Kickstarter projects of all time."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5649
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7245
msgid ""
"Today, Amanda has switched gears away from crowdfunding for specific "
"projects to instead getting consistent financial support from her fan base "
"Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5664
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7256
msgid ""
"Making her music and art available under Creative Commons licensing "
"undoubtedly limits her options for how she makes a living. But sharing her "
"later going on and putting our music in a Camel cigarette ad,” Amanda said. "
"Once she discovered Creative Commons, adopting the licenses was an easy "
"decision because it gave them a more formal, standardized way of doing what "
-"they had been doing all along. The NonCommercial licenses were a natural "
-"fit."
+"they had been doing all along. The NonCommercial licenses were a natural fit."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5671
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7274
msgid ""
-"Amanda embraces the way her fans share and build upon her music. In The Art "
+"Amanda embraces the way her fans share and build upon her music. In The Art "
"of Asking, she wrote that some of her fans’ unofficial videos using her "
-"music surpass the official videos in number of views on YouTube. Rather "
-"than seeing this sort of thing as competition, Amanda celebrates it. “We got "
-"into this because we wanted to share the joy of music,” she said."
+"music surpass the official videos in number of views on YouTube. Rather than "
+"seeing this sort of thing as competition, Amanda celebrates it. “We got into "
+"this because we wanted to share the joy of music,” she said."
msgstr ""
+"Amanda omfavner måten tilhengerne hennes deler og bygger videre på musikken "
+"hennes. I \"The Art of Asking\" skrev hun at noen av tilhengerne har laget "
+"uoffisielle videoer med hennes musikk. De overgår faktisk de offisielle "
+"videoene i antall visninger på YouTube. I stedet for å se på dette som en "
+"slags konkurranse, synes Amanda det er flott. «Jeg startet med dette fordi "
+"jeg ønsket å dele musikkgleden,» sier hun."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5679
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7282
msgid ""
"This is symbolic of how nearly everything she does in her career is "
"motivated by a desire to connect with her fans. At the start of her career, "
"of them had also been in my kitchen,” Amanda wrote in The Art of Asking."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5689
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7291
msgid ""
"Even though her fan base is now huge and global, she continues to seek this "
"sort of human connection with her fans. She seeks out face-to-face contact "
"“Listening fast and caring immediately is a skill unto itself,” Amanda wrote."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5698
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7303
msgid ""
"Another part of the connection fans feel with Amanda is how much they know "
"about her life. Rather than trying to craft a public persona or image, she "
-"essentially lives her life as an open book. She has written openly about "
+"essentially lives her life as an open book. She has written openly about "
"incredibly personal events in her life, and she isn’t afraid to be "
"vulnerable. Having that kind of trust in her fans—the trust it takes to be "
"truly honest—begets trust from her fans in return. When she meets fans for "
"the first time after a show, they can legitimately feel like they know her."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5705
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7313
msgid ""
"“With social media, we’re so concerned with the picture looking palatable "
"and consumable that we forget that being human and showing the flaws and "
"exposing the vulnerability actually create a deeper connection than just "
-"looking fantastic,” Amanda said. “Everything in our culture is telling us "
+"looking fantastic,” Amanda said. “Everything in our culture is telling us "
"otherwise. But my experience has shown me that the risk of making yourself "
"vulnerable is almost always worth it.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5713
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7322
msgid ""
"Not only does she disclose intimate details of her life to them, she sleeps "
"on their couches, listens to their stories, cries with them. In short, she "
"friends—you share."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5721
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7332
msgid ""
"After years of investing time and energy into building trust with her fans, "
"she has a strong enough relationship with them to ask for support—through "
"your success."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5728
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7342
msgid ""
"“When you openly, radically trust people, they not only take care of you, "
"they become your allies, your family,” she wrote. There really is a feeling "
"cultivated a feeling of belonging to their “weird little family.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5736
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7350
msgid ""
"This sort of intimacy with fans is not possible or even desirable for every "
"creator. “I don’t take for granted that I happen to be the type of person "
"you.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5747
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7359
msgid ""
"Yet while Amanda joyfully interacts with her fans and involves them in her "
"work as much as possible, she does keep one job primarily to herself—writing "
"strengthens with human connection."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5755
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7372
msgid ""
"For Amanda, the entire point of being an artist is to establish and maintain "
"this connection. “It sounds so corny,” she said, “but my experience in forty "
"someone tell you that what you do is genuinely of value to them.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5763
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7381
msgid ""
"As she explains it, when a fan gives her a ten-dollar bill, usually what "
"they are saying is that the money symbolizes some deeper value the music "
"provided them. For Amanda, art is not just a product; it’s a relationship. "
"Viewed from this lens, what Amanda does today is not that different from "
"what she did as a young street performer. She shares her music and other "
-"artistic gifts. She shares herself. And then rather than forcing people to "
+"artistic gifts. She shares herself. And then rather than forcing people to "
"help her, she lets them."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5767
-msgid ""
-"http://www.forbes.com/sites/zackomalleygreenburg/2015/04/16/amanda-palmer-"
-"uncut-the-kickstarter-queen-on-spotify-patreon-and-taylor-swift/"
-"\\#44e20ce46d67"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5769
-msgid "## PLOS (Public Library of Science)"
-msgstr ""
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7392
+msgid "PLOS (Public Library of Science)"
+msgstr "PLOS (Public Library of Science)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5773
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7395
msgid ""
"PLOS (Public Library of Science) is a nonprofit that publishes a library of "
-"academic journals and other scientific literature. Founded in 2000 in the U."
+"academic journals and other scientific literature. Founded in 2000 in the U."
"S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5775
-msgid "plos.org"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7400
+msgid "<ulink url=\"http://plos.org\"/>"
+msgstr "<ulink url=\"http://plos.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5778
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7402
msgid ""
-"Revenue model: charging content creators an author processing charge to be "
-"featured in the journal"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging content "
+"creators an author processing charge to be featured in the journal"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5780
-msgid "Interview date: March 7, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7406
+#, fuzzy
+#| msgid "Interview date: March 9, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 7, 2016"
+msgstr "Dato for intervju: 9. mars 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5782
-msgid "Interviewee: Louise Page, publisher"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7408
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Louise Page, publisher"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5796
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7416
msgid ""
"The Public Library of Science (PLOS) began in 2000 when three leading "
"scientists—Harold E. Varmus, Patrick O. Brown, and Michael Eisen—started an "
"Attribution (CC BY) licenses."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5806
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7430
msgid ""
"Traditionally, academic publishing begins with an author submitting a "
"manuscript to a publisher. After in-house technical and ethical "
"considerations, the article is then peer-reviewed to determine if the "
-"quality of the work is acceptable for publishing. Once accepted, the "
+"quality of the work is acceptable for publishing. Once accepted, the "
"publisher takes the article through the process of copyediting, typesetting, "
-"and eventual publishing in a print or online publication. Traditional "
+"and eventual publishing in a print or online publication. Traditional "
"journal publishers recover costs and earn profit by charging a subscription "
"fee to libraries or an access fee to users wanting to read the journal or "
"article."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5816
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7441
msgid ""
"For Louise Page, the current publisher of PLOS, this traditional model "
"results in inequity. Access is restricted to those who can pay. Most "
"field. It was time for a new model."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5826
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7453
msgid ""
"That new model became known as open access. That is, free and open "
"availability on the Internet. Open-access research articles are not behind a "
"paywall and do not require a login. A key benefit of open access is that it "
"allows people to freely use, copy, and distribute the articles, as they are "
-"primarily published under an Attribution (CC BY) license (which only "
+"primarily published under an Attribution (CC BY) license (which only "
"requires the user to provide appropriate attribution). And more importantly, "
"policy makers, clinicians, entrepreneurs, educators, and students around the "
"world have free and timely access to the latest research immediately on "
"publication."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5837
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7465
msgid ""
"However, open access requires rethinking the business model of research "
"publication. Rather than charge a subscription fee to access the journal, "
"PLOS decided to turn the model on its head and charge a publication fee, "
-"known as an article-processing charge. This up-front fee, generally paid by "
+"known as an article-processing charge. This up-front fee, generally paid by "
"the funder of the research or the author’s institution, covers the expenses "
"such as editorial oversight, peer-review management, journal production, "
"online hosting, and support for discovery. Fees are per article and are "
"on word length, figures, or other elements."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5845
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7477
msgid ""
"Calculating the article-processing charge involves taking all the costs "
"associated with publishing the journal and determining a cost per article "
"that collectively recovers costs. For PLOS’s journals in biology, medicine, "
"genetics, computational biology, neglected tropical diseases, and pathogens, "
-"the article-processing charge ranges from \\$2,250 to \\$2,900. Article-"
+"the article-processing charge ranges from $2,250 to $2,900. Article-"
"publication charges for PLOS ONE, a journal started in 2006, are just under "
-"\\$1,500."
+"$1,500."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5850
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7486
msgid ""
-"PLOS believes that lack of funds should not be a barrier to publication. "
+"PLOS believes that lack of funds should not be a barrier to publication. "
"Since its inception, PLOS has provided fee support for individuals and "
"institutions to help authors who can’t afford the article-processing charges."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5865
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7492
msgid ""
"Louise identifies marketing as one area of big difference between PLOS and "
"traditional journal publishers. Traditional journals have to invest heavily "
"in staff, buildings, and infrastructure to market their journal and convince "
-"customers to subscribe. Restricting access to subscribers means that tools "
+"customers to subscribe. Restricting access to subscribers means that tools "
"for managing access control are necessary. They spend millions of dollars on "
-"access-control systems, staff to manage them, and sales staff. With PLOS’s "
+"access-control systems, staff to manage them, and sales staff. With PLOS’s "
"open-access publishing, there’s no need for these massive expenses; the "
"articles are free, open, and accessible to all upon publication. "
"Additionally, traditional publishers tend to spend more on marketing to "
"to submit their work for publication."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5872
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7509
msgid ""
"For Louise, PLOS would not exist without the Attribution license (CC BY). "
"This makes it very clear what rights are associated with the content and "
"provides a safe way for researchers to make their work available while "
-"ensuring they get recognition (appropriate attribution). For PLOS, all of "
+"ensuring they get recognition (appropriate attribution). For PLOS, all of "
"this aligns with how they think research content should be published and "
"disseminated."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5876
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7517
msgid ""
"PLOS also has a broad open-data policy. To get their research paper "
"published, PLOS authors must also make their data available in a public "
"repository and provide a data-availability statement."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5884
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7522
msgid ""
"Business-operation costs associated with the open-access model still largely "
"follow the existing publishing model. PLOS journals are online only, but the "
"journals, as researchers have a choice about where to publish."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5889
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7531
msgid ""
"Researchers are influenced by journal rankings, which reflect the place of a "
"journal within its field, the relative difficulty of being published in that "
"though they are relatively new."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5897
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7537
msgid ""
"The promotion and tenure of researchers are partially based how many times "
"other researchers cite their articles. Louise says when researchers want to "
"and generates more discovery and citations for authors."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5904
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7546
msgid ""
"Louise believes that open access has been a huge success, progressing from a "
"movement led by a small cadre of researchers to something that is now "
"BioMed Central, the original open-access publisher, or anyone else."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5925
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7554
msgid ""
"PLOS further disrupted the traditional journal-publishing model by "
"pioneering the concept of a megajournal. The PLOS ONE megajournal, launched "
"larger than a traditional journal, publishing thousands of articles per year "
"and benefiting from economies of scale. PLOS ONE has a broad scope, covering "
"science and medicine as well as social sciences and the humanities. The "
-"review and editorial process is less subjective. Articles are accepted for "
+"review and editorial process is less subjective. Articles are accepted for "
"publication based on whether they are technically sound rather than "
"perceived importance or relevance. This is very important in the current "
"debate about the integrity and reproducibility of research because negative "
"or null results can then be published as well, which are generally rejected "
-"by traditional journals. PLOS ONE, like all the PLOS journals, is online "
+"by traditional journals. PLOS ONE, like all the PLOS journals, is online "
"only with no print version. PLOS passes on the financial savings accrued "
"through economies of scale to researchers and the public by lowering the "
"article-processing charges, which are below that of other journals. PLOS ONE "
"multidisciplinary forums for publishing all sound science."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5929
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7578
msgid ""
"Louise outlined some other aspects of the research-journal business model "
"PLOS is experimenting with, describing each as a kind of slider that could "
"be adjusted to change current practice."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5934
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7583
msgid ""
"One slider is time to publication. Time to publication may shorten as "
-"journals get better at providing quicker decisions to authors. However, "
+"journals get better at providing quicker decisions to authors. However, "
"there is always a trade-off with scale, as the bigger the volume of "
"articles, the more time the approval process inevitably takes."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5944
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7590
msgid ""
"Peer review is another part of the process that could change. It’s possible "
"to redefine what peer review actually is, when to review, and what "
"now, credit is limited to the publisher and author."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5949
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7602
msgid ""
"Louise says research with negative outcomes is almost as important as "
"positive results. If journals published more research with negative "
"the research wheel gets reinvented around the world."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5964
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7609
msgid ""
"Another adjustable practice is the sharing of articles at early preprint "
"stages. Publication of research in a peer-reviewed journal can take a long "
"practice of distributing pre-print documents that have not yet undergone "
"peer review. Preprints broaden the peer-review process, allowing authors to "
"receive early feedback from a wide group of peers, which can help revise and "
-"prepare the article for submission. Offsetting the advantages of preprints "
+"prepare the article for submission. Offsetting the advantages of preprints "
"are author concerns over ensuring their primacy of being first to come up "
-"with findings based on their research. Other researches may see findings "
-"the preprint author has not yet thought of. However, preprints help "
-"researchers get their discoveries out early and establish precedence. A big "
-"challenge is that researchers don’t have a lot of time to comment on "
-"preprints."
+"with findings based on their research. Other researches may see findings the "
+"preprint author has not yet thought of. However, preprints help researchers "
+"get their discoveries out early and establish precedence. A big challenge is "
+"that researchers don’t have a lot of time to comment on preprints."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5972
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7627
msgid ""
"What constitutes a journal article could also change. The idea of a research "
-"article as printed, bound, and in a library stack is outdated. Digital and "
+"article as printed, bound, and in a library stack is outdated. Digital and "
"online open up new possibilities, such as a living document evolving over "
"time, inclusion of audio and video, and interactivity, like discussion and "
"recommendations. Even the size of what gets published could change. With "
"article would undergo transformation."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5984
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7641
+msgid "<ulink url=\"http://collections.plos.org\"/>"
+msgstr "<ulink url=\"http://collections.plos.org\"/>"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7645
+msgid "<ulink url=\"http://plos.org/article-level-metrics\"/>"
+msgstr "<ulink url=\"http://plos.org/article-level-metrics\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7637
msgid ""
"As journals scale up, and new journals are introduced, more and more "
"information is being pushed out to readers, making the experience feel like "
"drinking from a fire hose. To help mitigate this, PLOS aggregates and "
-"curates content from PLOS journals and their network of blogs.1 It also "
-"offers something called Article-Level Metrics, which helps users assess "
-"research most relevant to the field itself, based on indicators like usage, "
-"citations, social bookmarking and dissemination activity, media and blog "
-"coverage, discussions, and ratings.2 Louise believes that the journal model "
-"could evolve to provide a more friendly and interactive user experience, "
-"including a way for readers to communicate with authors."
+"curates content from PLOS journals and their network of blogs.<placeholder "
+"type=\"footnote\" id=\"0\"/> It also offers something called Article-Level "
+"Metrics, which helps users assess research most relevant to the field "
+"itself, based on indicators like usage, citations, social bookmarking and "
+"dissemination activity, media and blog coverage, discussions, and ratings."
+"<placeholder type=\"footnote\" id=\"1\"/> Louise believes that the journal "
+"model could evolve to provide a more friendly and interactive user "
+"experience, including a way for readers to communicate with authors."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5993
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7650
msgid ""
"The big picture for PLOS going forward is to combine and adjust these "
"experimental practices in ways that continue to improve accessibility and "
"dissemination of research, while ensuring its integrity and reliability. The "
-"ways they interlink are complex. The process of change and adjustment is not "
-"linear. PLOS sees itself as a very flexible publisher interested in "
+"ways they interlink are complex. The process of change and adjustment is "
+"not linear. PLOS sees itself as a very flexible publisher interested in "
"exploring all the permutations research-publishing can take, with authors "
"and readers who are open to experimentation."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6001
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7660
msgid ""
"For PLOS, success is not about revenue. Success is about proving that "
"scientific research can be communicated rapidly and economically at scale, "
-"for the benefit of researchers and society. The CC BY license makes it "
+"for the benefit of researchers and society. The CC BY license makes it "
"possible for PLOS to publish in a way that is unfettered, open, and fast, "
-"while ensuring that the authors get credit for their work. More than two "
+"while ensuring that the authors get credit for their work. More than two "
"million scientists, scholars, and clinicians visit PLOS every month, with "
"more than 135,000 quality articles to peruse for free."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6005
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7670
msgid ""
"Ultimately, for PLOS, its authors, and its readers, success is about making "
"research discoverable, available, and reproducible for the advancement of "
"science."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6010
-msgid "collections.plos.org"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6010
-msgid "plos.org/article-level-metrics"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6012
-msgid "## Rijksmuseum"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7676
+msgid "Rijksmuseum"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6015
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7679
+#, fuzzy
+#| msgid ""
+#| "The Blender Institute is an animation studio that creates 3-D films using "
+#| "Blender software. Founded in 2006 in the Netherlands."
msgid ""
-"The Rijksmuseum is a Dutch national museum dedicated to art and history. "
+"The Rijksmuseum is a Dutch national museum dedicated to art and history. "
"Founded in 1800 in the Netherlands"
msgstr ""
+"Blender Institute er et animasjonsstudio som lager 3D-filmer med Blender "
+"programvare. Grunnlagt i 2006 i Nederland."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6017
-msgid "www.rijksmuseum.nl"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7683
+msgid "<ulink url=\"http://www.rijksmuseum.nl\"/>"
+msgstr "<ulink url=\"http://www.rijksmuseum.nl\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6021
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7685
msgid ""
-"Revenue model: grants and government funding, charging for in-person version "
-"(museum admission), selling merchandise"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grants and government "
+"funding, charging for in-person version (museum admission), selling "
+"merchandise"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6023
-msgid "Interview date: December 11, 2015"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7689
+#, fuzzy
+#| msgid "Interview date: December 21, 2015"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 11, 2015"
+msgstr "Dato for intervju: 21 desember 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6026
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7692
msgid ""
-"Interviewee: Lizzy Jongma, the data manager of the collections information "
-"department"
+"<emphasis role=\"strong\">Interviewee</emphasis>: Lizzy Jongma, the data "
+"manager of the collections information department"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6042
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7700
msgid ""
"The Rijksmuseum, a national museum in the Netherlands dedicated to art and "
"history, has been housed in its current building since 1885. The monumental "
"of these circumstances emerged a new and more open model for the museum."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6054
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7716
msgid ""
"By the time Lizzy Jongma joined the Rijksmuseum in 2011 as a data manager, "
-"staff were fed up with the situation the museum was in. They also realized "
+"staff were fed up with the situation the museum was in. They also realized "
"that even with the new and larger space, it still wouldn’t be able to show "
"very much of the whole collection—eight thousand of over one million works "
"representing just 1 percent. Staff began exploring ways to express "
"themselves, to have something to show for all of the work they had been "
-"doing. The Rijksmuseum is primarily funded by Dutch taxpayers, so was there "
+"doing. The Rijksmuseum is primarily funded by Dutch taxpayers, so was there "
"a way for the museum provide benefit to the public while it was closed? They "
"began thinking about sharing Rijksmuseum’s collection using information "
"technology. And they put up a card-catalog like database of the entire "
"collection online."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6062
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7730
msgid ""
"It was effective but a bit boring. It was just data. A hackathon they were "
"invited to got them to start talking about events like that as having "
"eventually led to why not put the whole collection online?"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6074
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7741
+msgid "<ulink url=\"http://www.europeana.eu/portal/en\"/>"
+msgstr "<ulink url=\"http://www.europeana.eu/portal/en\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7739
msgid ""
"Then, Lizzy says, Europeana came along. Europeana is Europe’s digital "
-"library, museum, and archive for cultural heritage.1 As an online portal to "
-"museum collections all across Europe, Europeana had become an important "
-"online platform. In October 2010 Creative Commons released CC0 and its "
-"public-domain mark as tools people could use to identify works as free of "
-"known copyright. Europeana was the first major adopter, using CC0 to release "
-"metadata about their collection and the public domain mark for millions of "
-"digital works in their collection. Lizzy says the Rijksmuseum initially "
-"found this change in business practice a bit scary, but at the same time it "
-"stimulated even more discussion on whether the Rijksmuseum should follow "
-"suit."
+"library, museum, and archive for cultural heritage.<placeholder type="
+"\"footnote\" id=\"0\"/> As an online portal to museum collections all across "
+"Europe, Europeana had become an important online platform. In October 2010 "
+"Creative Commons released CC0 and its public-domain mark as tools people "
+"could use to identify works as free of known copyright. Europeana was the "
+"first major adopter, using CC0 to release metadata about their collection "
+"and the public domain mark for millions of digital works in their "
+"collection. Lizzy says the Rijksmuseum initially found this change in "
+"business practice a bit scary, but at the same time it stimulated even more "
+"discussion on whether the Rijksmuseum should follow suit."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6085
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7753
msgid ""
"They realized that they don’t “own” the collection and couldn’t "
"realistically monitor and enforce compliance with the restrictive licensing "
"access meant the people they were frustrating the most were schoolkids."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6097
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7766
msgid ""
"In 2011 the Rijksmuseum began making their digital photos of works known to "
"be free of copyright available online, using Creative Commons CC0 to place "
"overseas customers. The administrative costs often offset revenue, and "
"income above costs was relatively low. In addition, having to pay for an "
"image of a work in the public domain from a collection owned by the Dutch "
-"government (i.e., paid for by the public) was contentious and frustrating "
+"government (i.e., paid for by the public) was contentious and frustrating "
"for some. Lizzy says they had lots of fierce debates about what to do."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6107
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7780
msgid ""
"In 2013 the Rijksmuseum changed its business model. They Creative Commons "
"licensed their highest-quality images and released them online for free. "
"the goal to eventually have the entire collection online."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6120
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7791
msgid ""
"Releasing these high-quality images for free reduced the number of poor-"
"quality images that were proliferating. The high-quality image of Vermeer’s "
"life by visiting the actual museum."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6127
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7806
msgid ""
"Every museum tends to be driven by the number of physical visitors. The "
"Rijksmuseum is primarily publicly funded, receiving roughly 70 percent of "
-"its operating budget from the government. But like many museums, it must "
+"its operating budget from the government. But like many museums, it must "
"generate the rest of the funding through other means. The admission fee has "
"long been a way to generate revenue generation, including for the "
"Rijksmuseum."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6139
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7814
msgid ""
"As museums create a digital presence for themselves and put up digital "
"representations of their collection online, there’s frequently a worry that "
"from and this increases the museum’s visibility."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6146
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7834
+msgid "<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio\"/>"
+msgstr "<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7828
msgid ""
"In 2011 the Rijksmuseum received €1 million from the Dutch lottery to create "
"a new web presence that would be different from any other museum’s. In "
"addition to redesigning their main website to be mobile friendly and "
"responsive to devices like the iPad, the Rijksmuseum also created the "
"Rijksstudio, where users and artists could use and do various things with "
-"the Rijksmuseum collection.2"
+"the Rijksmuseum collection.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6155
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7837
msgid ""
"The Rijksstudio gives users access to over two hundred thousand high-quality "
-"digital representations of masterworks from the collection. Users can zoom "
+"digital representations of masterworks from the collection. Users can zoom "
"in to any work and even clip small parts of images they like. Rijksstudio is "
-"a bit like Pinterest. You can “like” works and compile your personal "
+"a bit like Pinterest. You can “like” works and compile your personal "
"favorites, and you can share them with friends or download them free of "
"charge. All the images in the Rijksstudio are copyright and royalty free, "
"and users are encouraged to use them as they like, for private or even "
"commercial purposes."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6160
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7848
msgid ""
"Users have created over 276,000 Rijksstudios, generating their own themed "
"virtual exhibitions on a wide variety of topics ranging from tapestries to "
"purposes including use for school exams."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6170
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7855
msgid ""
"Some contemporary artists who have works in the Rijksmuseum collection "
"contacted them to ask why their works were not included in the Rijksstudio. "
"to the public, but within limits the artists have specified."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6180
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7875
+msgid ""
+"<ulink url=\"http://www.etsy.com/ca/listing/175696771/fringe-kimono-silk-"
+"kimono-kimono-robe\"/>"
+msgstr ""
+"<ulink url=\"http://www.etsy.com/ca/listing/175696771/fringe-kimono-silk-"
+"kimono-kimono-robe\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7866
msgid ""
-"The Rijksmuseum believes that art stimulates entrepreneurial activity. The "
-"line between creative and commercial can be blurry. As Lizzy says, even "
+"The Rijksmuseum believes that art stimulates entrepreneurial activity. The "
+"line between creative and commercial can be blurry. As Lizzy says, even "
"Rembrandt was commercial, making his livelihood from selling his paintings. "
"The Rijksmuseum encourages entrepreneurial commercial use of the images in "
-"Rijksstudio. They’ve even partnered with the DIY marketplace Etsy to inspire "
-"people to sell their creations. One great example you can find on Etsy is a "
-"kimono designed by Angie Johnson, who used an image of an elaborate cabinet "
-"along with an oil painting by Jan Asselijn called The Threatened Swan.3"
+"Rijksstudio. They’ve even partnered with the DIY marketplace Etsy to "
+"inspire people to sell their creations. One great example you can find on "
+"Etsy is a kimono designed by Angie Johnson, who used an image of an "
+"elaborate cabinet along with an oil painting by Jan Asselijn called The "
+"Threatened Swan.<placeholder type=\"footnote\" id=\"0\"/>"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7879
+msgid ""
+"<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award\"/>; the 2014 "
+"award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award-2014\"/>; "
+"the 2015 award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-"
+"award-2015\"/>"
+msgstr ""
+"<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award\"/>; the 2014 "
+"award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award-2014\"/>; "
+"the 2015 award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-"
+"award-2015\"/>"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7891
+msgid ""
+"<ulink url=\"http://www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-"
+"rijksstudio-award/creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4\"/>"
msgstr ""
+"<ulink url=\"http://www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-"
+"rijksstudio-award/creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6193
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7878
msgid ""
"In 2013 the Rijksmuseum organized their first high-profile design "
-"competition, known as the Rijksstudio Award.4 With the call to action Make "
-"Your Own Masterpiece, the competition invites the public to use Rijksstudio "
-"images to make new creative designs. A jury of renowned designers and "
-"curators selects ten finalists and three winners. The final award comes with "
-"a prize of €10,000. The second edition in 2015 attracted a staggering 892 "
-"top-class entries. Some award winners end up with their work sold through "
-"the Rijksmuseum store, such as the 2014 entry featuring makeup based on a "
-"specific color scheme of a work of art.5 The Rijksmuseum has been thrilled "
-"with the results. Entries range from the fun to the weird to the "
-"inspirational. The third international edition of the Rijksstudio Award "
-"started in September 2016."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6197
+"competition, known as the Rijksstudio Award.<placeholder type=\"footnote\" "
+"id=\"0\"/> With the call to action Make Your Own Masterpiece, the "
+"competition invites the public to use Rijksstudio images to make new "
+"creative designs. A jury of renowned designers and curators selects ten "
+"finalists and three winners. The final award comes with a prize of €10,000. "
+"The second edition in 2015 attracted a staggering 892 top-class entries. "
+"Some award winners end up with their work sold through the Rijksmuseum "
+"store, such as the 2014 entry featuring makeup based on a specific color "
+"scheme of a work of art.<placeholder type=\"footnote\" id=\"1\"/> The "
+"Rijksmuseum has been thrilled with the results. Entries range from the fun "
+"to the weird to the inspirational. The third international edition of the "
+"Rijksstudio Award started in September 2016."
+msgstr ""
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7897
msgid ""
"For the next iteration of the Rijksstudio, the Rijksmuseum is considering an "
"upload tool, for people to upload their own works of art, and enhanced "
"social elements so users can interact with each other more."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6204
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7903
msgid ""
"Going with a more open business model generated lots of publicity for the "
"Rijksmuseum. They were one of the first museums to open up their collection "
"to three hundred thousand."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6215
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7912
msgid ""
"The Rijksmuseum has been experimenting with other ways to invite the public "
"to look at and interact with their collection. On an international day "
"celebrating animals, they ran a successful bird-themed event. The museum put "
"together a showing of two thousand works that featured birds and invited "
-"bird-watchers to identify the birds depicted. Lizzy notes that while museum "
+"bird-watchers to identify the birds depicted. Lizzy notes that while museum "
"curators know a lot about the works in their collections, they may not know "
"about certain details in the paintings such as bird species. Over eight "
"hundred different birds were identified, including a specific species of "
"painting."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6232
-msgid ""
-"For the Rijksmuseum, adopting an open business model was scary. They came up "
-"with many worst-case scenarios, imagining all kinds of awful things people "
-"might do with the museum’s works. But Lizzy says those fears did not come "
-"true because “ninety-nine percent of people have respect for great art.” "
-"Many museums think they can make a lot of money by selling things related to "
-"their collection. But in Lizzy’s experience, museums are usually bad at "
-"selling things, and sometimes efforts to generate a small amount of money "
-"block something much bigger—the real value that the collection has. For "
-"Lizzy, clinging to small amounts of revenue is being penny-wise but pound-"
-"foolish. For the Rijksmuseum, a key lesson has been to never lose sight of "
-"its vision for the collection. Allowing access to and use of their "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7925
+msgid ""
+"For the Rijksmuseum, adopting an open business model was scary. They came "
+"up with many worst-case scenarios, imagining all kinds of awful things "
+"people might do with the museum’s works. But Lizzy says those fears did not "
+"come true because “ninety-nine percent of people have respect for great "
+"art.” Many museums think they can make a lot of money by selling things "
+"related to their collection. But in Lizzy’s experience, museums are usually "
+"bad at selling things, and sometimes efforts to generate a small amount of "
+"money block something much bigger—the real value that the collection has. "
+"For Lizzy, clinging to small amounts of revenue is being penny-wise but "
+"pound-foolish. For the Rijksmuseum, a key lesson has been to never lose "
+"sight of its vision for the collection. Allowing access to and use of their "
"collection has generated great promotional value—far more than the previous "
"practice of charging fees for access and use. Lizzy sums up their "
"experience: “Give away; get something in return. Generosity makes people "
"happy to join you and help out.”"
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid "www.europeana.eu/portal/en"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7945
+msgid "Shareable"
msgstr ""
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid "www.rijksmuseum.nl/en/rijksstudio"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7948
+msgid ""
+"Shareable is an online magazine about sharing. Founded in 2009 in the U.S."
msgstr ""
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid "www.etsy.com/ca/listing/175696771/fringe-kimono-silk-kimono-kimono-robe"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7952
+msgid "<ulink url=\"http://www.shareable.net\"/>"
+msgstr "<ulink url=\"http://www.shareable.net\"/>"
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7954
msgid ""
-"www.rijksmuseum.nl/en/rijksstudio-award; the 2014 award: www.rijksmuseum.nl/"
-"en/rijksstudio-award-2014; the 2015 award: www.rijksmuseum.nl/en/rijksstudio-"
-"award-2015"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grant funding, "
+"crowdfunding (project-based), donations, sponsorships"
msgstr ""
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid ""
-"www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-rijksstudio-award/"
-"creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7957
+#, fuzzy
+#| msgid "Interview date: February 4, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 24, 2016"
+msgstr "Dato for intervju: 4. februar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6244
-msgid "## Shareable"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7960
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Neal Gorenflo, cofounder "
+"and executive editor"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6247
-msgid ""
-"Shareable is an online magazine about sharing. Founded in 2009 in the U.S."
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6249
-msgid "www.shareable.net"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6252
-msgid ""
-"Revenue model: grant funding, crowdfunding (project-based), donations, "
-"sponsorships"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6254
-msgid "Interview date: February 24, 2016"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6256
-msgid "Interviewee: Neal Gorenflo, cofounder and executive editor"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6267
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7968
msgid ""
"In 2013, Shareable faced an impasse. The nonprofit online publication had "
"helped start a sharing movement four years prior, but over time, they "
"principle."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6277
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7979
msgid ""
-"As an organization, Shareable decided to draw a line in the sand. In 2013, "
+"As an organization, Shareable decided to draw a line in the sand. In 2013, "
"the cofounder and executive editor Neal Gorenflo wrote an opinion piece in "
"the PandoDaily that charted Shareable’s new critical stance on the Silicon "
"Valley version of the sharing economy, while contrasting it with aspects of "
"it’s more that it risks dying as it gets absorbed by the ‘Borg.’”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6284
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7991
msgid ""
"Neal said their public critique of the corporate sharing economy defined "
"what Shareable was and is. He does not think the magazine would still be "
"the criticism that Airbnb and Uber are getting now.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6293
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8000
msgid ""
"Interestingly, impassioned supporters are only a small sliver of Shareable’s "
"total audience. Most are casual readers who come across a Shareable story "
"grow their audience."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6303
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8011
msgid ""
"Shareable is a magazine, but the content they publish is a means to "
-"furthering their role as a leader and catalyst of a movement. Shareable "
+"furthering their role as a leader and catalyst of a movement. Shareable "
"became a leader in the movement in 2009. “At that time, there was a sharing "
"movement bubbling beneath the surface, but no one was connecting the dots,” "
"Neal said. “We decided to step into that space and take on that role.” The "
"inequality, social isolation, and global warming."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6312
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8022
msgid ""
"They have worked hard to find ways to tell stories that show different "
"metrics for success. “We wanted to change the notion of what constitutes the "
"changes in their own lives and communities."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6324
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8033
msgid ""
"More than half of Shareable’s stories are written by paid journalists that "
"are contracted by the magazine. “Particularly in content areas that are a "
"priority for us, we really want to go deep and control the quality,” Neal "
"said. The rest of the content is either contributed by guest writers, often "
"for free, or written by other publications from their network of content "
-"publishers. Shareable is a member of the Post Growth Alliance, which "
+"publishers. Shareable is a member of the Post Growth Alliance, which "
"facilitates the sharing of content and audiences among a large and growing "
"group of mostly nonprofits. Each organization gets a chance to present "
"stories to the group, and the organizations can use and promote each other’s "
"Creative Commons."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6336
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8047
msgid ""
"All of Shareable’s original content is published under the Attribution "
"license (CC BY), meaning it can be used for any purpose as long as credit is "
"the outlets who republish our work have much bigger audiences than we do.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6344
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8061
msgid ""
"In addition to their regular news and commentary online, Shareable has also "
"experimented with book publishing. In 2012, they worked with a traditional "
"on their website."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6349
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8071
msgid ""
"In 2016, Shareable self-published a book of curated Shareable stories called "
"How to: Share, Save Money and Have Fun. The book was available for sale, but "
-"a PDF version of the book was available for free. Shareable plans to offer "
+"a PDF version of the book was available for free. Shareable plans to offer "
"the book in upcoming fund-raising campaigns."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6357
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8078
msgid ""
"This recent book is one of many fund-raising experiments Shareable has "
"conducted in recent years. Currently, Shareable is primarily funded by "
"grants from foundations, but they are actively moving toward a more "
"diversified model. They have organizational sponsors and are working to "
-"expand their base of individual donors. Ideally, they will eventually be a "
+"expand their base of individual donors. Ideally, they will eventually be a "
"hundred percent funded by their audience. Neal believes being fully "
"community-supported will better represent their vision of the world."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6367
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8088
msgid ""
-"For Shareable, success is very much about their impact on the world. This "
-"is true for Neal, but also for everyone who works for Shareable. “We "
-"attract passionate people,” Neal said. At times, that means employees work "
-"so hard they burn out. Neal tries to stress to the Shareable team that "
-"another part of success is having fun and taking care of yourself while you "
-"do something you love. “A central part of human beings is that we long to be "
-"on a great adventure with people we love,” he said. “We are a species who "
-"look over the horizon and imagine and create new worlds, but we also seek "
-"the comfort of hearth and home.”"
+"For Shareable, success is very much about their impact on the world. This is "
+"true for Neal, but also for everyone who works for Shareable. “We attract "
+"passionate people,” Neal said. At times, that means employees work so hard "
+"they burn out. Neal tries to stress to the Shareable team that another part "
+"of success is having fun and taking care of yourself while you do something "
+"you love. “A central part of human beings is that we long to be on a great "
+"adventure with people we love,” he said. “We are a species who look over the "
+"horizon and imagine and create new worlds, but we also seek the comfort of "
+"hearth and home.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6376
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8100
msgid ""
"In 2013, Shareable ran its first crowdfunding campaign to launch their "
"Sharing Cities Network. Neal said at first they were on pace to fail "
"spectacularly. They called in their advisers in a panic and asked for help. "
"The advice they received was simple—“Sit your ass in a chair and start "
"making calls.” That’s exactly what they did, and they ended up reaching "
-"their \\$50,000 goal. Neal said the campaign helped them reach new people, "
-"but the vast majority of backers were people in their existing base."
+"their $50,000 goal. Neal said the campaign helped them reach new people, but "
+"the vast majority of backers were people in their existing base."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6382
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8110
msgid ""
"For Neal, this symbolized how so much of success comes down to "
"relationships. Over time, Shareable has invested time and energy into the "
-"relationships they have forged with their readers and supporters. They have "
+"relationships they have forged with their readers and supporters. They have "
"also invested resources into building relationships between their readers "
"and supporters."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6396
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8117
msgid ""
"Shareable began hosting events in 2010. These events were designed to bring "
"the sharing community together. But over time they realized they could reach "
"network to implement."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6401
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8134
msgid ""
"Neal says Shareable stumbled upon this strategy, but it seems to perfectly "
-"encapsulate just how the commons is supposed to work. Rather than a one-size-"
-"fits-all approach, Shareable puts the tools out there for people take the "
-"ideas and adapt them to their own communities."
+"encapsulate just how the commons is supposed to work. Rather than a one-"
+"size-fits-all approach, Shareable puts the tools out there for people take "
+"the ideas and adapt them to their own communities."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6403
-msgid "## Siyavula"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8142
+msgid "Siyavula"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6407
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8145
msgid ""
"Siyavula is a for-profit educational-technology company that creates "
"textbooks and integrated learning experiences. Founded in 2012 in South "
"Africa."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6409
-msgid "www.siyavula.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8150
+msgid "<ulink url=\"http://www.siyavula.com\"/>"
+msgstr "<ulink url=\"http://www.siyavula.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6411
-msgid "Revenue model: charging for custom services, sponsorships"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8152
+#, fuzzy
+#| msgid "Revenue model: charging for custom services"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services, sponsorships"
+msgstr "Inntektsmodell: Betaling for tilpassede tjenester"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6413
-msgid "Interview date: April 5, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8155
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: April 5, 2016"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6415
-msgid "Interviewee: Mark Horner, CEO"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8157
+msgid "<emphasis role=\"strong\">Interviewee</emphasis>: Mark Horner, CEO"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6423
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8164
msgid ""
"Openness is a key principle for Siyavula. They believe that every learner "
"and teacher should have access to high-quality educational resources, as "
-"this forms the basis for long-term growth and development. Siyavula has "
-"been a pioneer in creating high-quality open textbooks on mathematics and "
-"science subjects for grades 4 to 12 in South Africa."
+"this forms the basis for long-term growth and development. Siyavula has been "
+"a pioneer in creating high-quality open textbooks on mathematics and science "
+"subjects for grades 4 to 12 in South Africa."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6428
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8172
msgid ""
"In terms of creating an open business model that involves Creative Commons, "
"Siyavula—and its founder, Mark Horner—have been around the block a few "
"survive and prosper. Mark says it’s been very organic."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6435
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8179
msgid ""
"It all started in 2002, when Mark and several other colleagues at the "
"University of Cape Town in South Africa founded the Free High School Science "
"colleagues set out to write them and make them freely available."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6443
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8190
+msgid "<ulink url=\"http://www.gnu.org/licenses/fdl\"/>"
+msgstr "<ulink url=\"http://www.gnu.org/licenses/fdl\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8187
msgid ""
"As physicists, Mark and his colleagues were advocates of open-source "
"software. To make the books open and free, they adopted the Free Software "
-"Foundation’s GNU Free Documentation License.1 They chose LaTeX, a "
-"typesetting program used to publish scientific documents, to author the "
-"books. Over a period of five years, the Free High School Science Texts "
-"project produced math and physical-science textbooks for grades 10 to 12."
+"Foundation’s GNU Free Documentation License.<placeholder type=\"footnote\" "
+"id=\"0\"/> They chose LaTeX, a typesetting program used to publish "
+"scientific documents, to author the books. Over a period of five years, the "
+"Free High School Science Texts project produced math and physical-science "
+"textbooks for grades 10 to 12."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6450
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8196
msgid ""
"In 2007, the Shuttleworth Foundation offered funding support to make the "
-"textbooks available for trial use at more schools. Surveys before and after "
+"textbooks available for trial use at more schools. Surveys before and after "
"the textbooks were adopted showed there were no substantial criticisms of "
"the textbooks’ pedagogical content. This pleased both the authors and "
"Shuttleworth; Mark remains incredibly proud of this accomplishment."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6455
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8204
msgid ""
"But the development of new textbooks froze at this stage. Mark shifted his "
"focus to rural schools, which didn’t have textbooks at all, and looked into "
"enough to meet the need."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6463
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8214
+msgid "<ulink url=\"http://www.capetowndeclaration.org\"/>"
+msgstr "<ulink url=\"http://www.capetowndeclaration.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8210
msgid ""
"In 2007, Shuttleworth and the Open Society Institute convened a group of "
-"open-education activists for a small but lively meeting in Cape Town. One "
+"open-education activists for a small but lively meeting in Cape Town. One "
"result was the Cape Town Open Education Declaration, a statement of "
"principles, strategies, and commitment to help the open-education movement "
-"grow.2 Shuttleworth also invited Mark to run a project writing open content "
-"for all subjects for K–12 in English. That project became Siyavula."
+"grow.<placeholder type=\"footnote\" id=\"0\"/> Shuttleworth also invited "
+"Mark to run a project writing open content for all subjects for K–12 in "
+"English. That project became Siyavula."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6470
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8219
msgid ""
"They wrote six original textbooks. A small publishing company offered "
"Shuttleworth the option to buy out the publisher’s existing K–9 content for "
"significantly expanding the collection beyond the six original books."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6483
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8227
msgid ""
"Mark wanted to build out the remaining curricula collaboratively through "
-"communities of practice—that is, with fellow educators and writers. "
-"Although sharing is fundamental to teaching, there can be a few challenges "
-"when you create educational resources collectively. One concern is legal. It "
-"is standard practice in education to copy diagrams and snippets of text, but "
-"of course this doesn’t always comply with copyright law. Another concern is "
+"communities of practice—that is, with fellow educators and writers. Although "
+"sharing is fundamental to teaching, there can be a few challenges when you "
+"create educational resources collectively. One concern is legal. It is "
+"standard practice in education to copy diagrams and snippets of text, but of "
+"course this doesn’t always comply with copyright law. Another concern is "
"transparency. Sharing what you’ve authored means everyone can see it and "
"opens you up to criticism. To alleviate these concerns, Mark adopted a team-"
"based approach to authoring and insisted the curricula be based entirely on "
"share and free from legal repercussions."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6491
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8246
+msgid "<ulink url=\"http://cnx.org\"/>"
+msgstr "<ulink url=\"http://cnx.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8242
msgid ""
"Not only did Mark want the resources to be shareable, he wanted all teachers "
"to be able to remix and edit the content. Mark and his team had to come up "
-"with an open editable format and provide tools for editing. They ended up "
+"with an open editable format and provide tools for editing. They ended up "
"putting all the books they’d acquired and authored on a platform called "
-"Connexions.3 Siyavula trained many teachers to use Connexions, but it proved "
-"to be too complex and the textbooks were rarely edited."
+"Connexions.<placeholder type=\"footnote\" id=\"0\"/> Siyavula trained many "
+"teachers to use Connexions, but it proved to be too complex and the "
+"textbooks were rarely edited."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6497
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8250
msgid ""
"Then the Shuttleworth Foundation decided to completely restructure its work "
"as a foundation into a fellowship model (for reasons completely unrelated to "
"an independent entity and took ownership over it as a Shuttleworth fellow."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6504
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8257
msgid ""
-"Mark and his team experimented with several different strategies. They tried "
-"creating an authoring and hosting platform called Full Marks so that "
+"Mark and his team experimented with several different strategies. They "
+"tried creating an authoring and hosting platform called Full Marks so that "
"teachers could share assessment items. They tried creating a service called "
"Open Press, where teachers could ask for open educational resources to be "
"aggregated into a package and printed for them. These services never really "
"panned out."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6511
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8265
msgid ""
"Then the South African government approached Siyavula with an interest in "
"printing out the original six Free High School Science Texts (math and "
-"physical-science textbooks for grades 10 to 12) for all high school students "
-"in South Africa. Although at this point Siyavula was a bit discouraged by "
-"open educational resources, they saw this as a big opportunity."
+"physical-science textbooks for grades 10 to 12) for all high school "
+"students in South Africa. Although at this point Siyavula was a bit "
+"discouraged by open educational resources, they saw this as a big "
+"opportunity."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6519
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8273
msgid ""
"They began to conceive of the six books as having massive marketing "
"potential for Siyavula. Printing Siyavula books for every kid in South "
"to access them using any device—computer, tablet, or mobile phone."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6530
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8282
msgid ""
"Mark and his team began imagining what they could develop beyond what was in "
"the textbooks as a service they charge for. One key thing you can’t do well "
"in a printed textbook is demonstrate solutions. Typically, a one-line answer "
"is given at the end of the book but nothing on the process for arriving at "
-"that solution. Mark and his team developed practice items and detailed "
+"that solution. Mark and his team developed practice items and detailed "
"solutions, giving learners plenty of opportunity to test out what they’ve "
"learned. Furthermore, an algorithm could adapt these practice items to the "
"individual needs of each learner. They called this service Intelligent "
"Practice and embedded links to it in the open textbooks."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6535
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8295
msgid ""
"The costs for using Intelligent Practice were set very low, making it "
"accessible even to those with limited financial means. Siyavula was going "
"targeting only the high end of the market."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6543
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8301
msgid ""
"The government distributed the books to 1.5 million students, but there was "
-"an unexpected wrinkle: the books were delivered late. Rather than wait, "
+"an unexpected wrinkle: the books were delivered late. Rather than wait, "
"schools who could afford it provided students with a different textbook. The "
"Siyavula books were eventually distributed, but with well-off schools mainly "
"using a different book, the primary market for Siyavula’s Intelligent "
"Practice service inadvertently became low-income learners."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6551
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8310
msgid ""
"Siyavula’s site did see a dramatic increase in traffic. They got five "
"hundred thousand visitors per month to their math site and the same number "
"to their science site. Two-fifths of the traffic was reading on a “feature "
-"phone” (a nonsmartphone with no apps). People on basic phones were reading "
+"phone” (a nonsmartphone with no apps). People on basic phones were reading "
"math and science on a two-inch screen at all hours of the day. To Mark, it "
"was quite amazing and spoke to a need they were servicing."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6558
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8319
msgid ""
"At first, the Intelligent Practice services could only be paid using a "
"credit card. This proved problematic, especially for those in the low-income "
-"demographic, as credit cards were not prevalent. Mark says Siyavula got a "
+"demographic, as credit cards were not prevalent. Mark says Siyavula got a "
"harsh business-model lesson early on. As he describes it, it’s not just "
"about product, but how you sell it, who the market is, what the price is, "
"and what the barriers to entry are."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6563
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8328
msgid ""
"Mark describes this as the first version of Siyavula’s business model: open "
"textbooks serving as marketing material and driving traffic to your site, "
"customer."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6570
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8334
msgid ""
"For Mark a key decision for Siyavula’s business was to focus on how they can "
"add value on top of their basic service. They’ll charge only if they are "
"for the same content without adding value."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6580
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8343
msgid ""
"Version two of Siyavula’s business model was a big, ambitious idea—scale up. "
"They also decided to sell the Intelligent Practice service to schools "
"directly. Schools can subscribe on a per-student, per-subject basis. A "
"single subscription gives a learner access to a single subject, including "
-"practice content from every grade available for that subject. Lower "
+"practice content from every grade available for that subject. Lower "
"subscription rates are provided when there are over two hundred students, "
"and big schools have a price cap. A 40 percent discount is offered to "
"schools where both the science and math departments subscribe."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6588
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8354
msgid ""
"Teachers get a dashboard that allows them to monitor the progress of an "
"entire class or view an individual learner’s results. They can see the "
"points they’ve earned, and how their performance is improving."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6594
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8363
msgid ""
"Based on the success of this effort, Siyavula decided to substantially "
"increase the production of open educational resources so they could provide "
-"the Intelligent Practice service for a wider range of books. Grades 10 to "
-"12 math and science books were reworked each year, and new books created for "
+"the Intelligent Practice service for a wider range of books. Grades 10 to 12 "
+"math and science books were reworked each year, and new books created for "
"grades 4 to 6 and later grades 7 to 9."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6600
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8374
+msgid "<ulink url=\"http://www.siyavula.com/products-primary-school.html\"/>"
+msgstr "<ulink url=\"http://www.siyavula.com/products-primary-school.html\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8371
msgid ""
"In partnership with, and sponsored by, the Sasol Inzalo Foundation, Siyavula "
"produced a series of natural sciences and technology workbooks for grades 4 "
-"to 6 called Thunderbolt Kids that uses a fun comic-book style.4 It’s a "
-"complete curriculum that also comes with teacher’s guides and other "
-"resources."
+"to 6 called Thunderbolt Kids that uses a fun comic-book style.<placeholder "
+"type=\"footnote\" id=\"0\"/> It’s a complete curriculum that also comes with "
+"teacher’s guides and other resources."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6608
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8378
msgid ""
"Through this experience, Siyavula learned they could get sponsors to help "
"fund openly licensed textbooks. It helped that Siyavula had by this time "
-"nailed the production model. It cost roughly \\$150,000 to produce a book in "
+"nailed the production model. It cost roughly $150,000 to produce a book in "
"two languages. Sponsors liked the social-benefit aspect of textbooks "
"unlocked via a Creative Commons license. They also liked the exposure their "
-"brand got. For roughly \\$150,000, their logo would be visible on books "
+"brand got. For roughly $150,000, their logo would be visible on books "
"distributed to over one million students."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6615
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8388
msgid ""
"The Siyavula books that are reviewed, approved, and branded by the "
"government are freely and openly available on Siyavula’s website under an "
"books."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6624
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8396
msgid ""
"Although the South African government paid to print and distribute hard "
"copies of the books to schoolkids, Siyavula itself received no funding from "
"government said no."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6632
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8407
msgid ""
"Using Siyavula books generated huge savings for the government. Providing "
"students with a traditionally published grade 12 science or math textbook "
-"costs around 250 rand per book (about US\\$18). Providing the Siyavula "
-"version cost around 36 rand (about \\$2.60), a savings of over 200 rand per "
+"costs around 250 rand per book (about US$18). Providing the Siyavula "
+"version cost around 36 rand (about $2.60), a savings of over 200 rand per "
"book. But none of those savings were passed on to Siyavula. In retrospect, "
"Mark thinks this may have turned out in their favor as it allowed them to "
"remain independent from the government."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6639
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8417
msgid ""
"Just as Siyavula was planning to scale up the production of open textbooks "
"even more, the South African government changed its textbook policy. To save "
"costs, the government declared there would be only one authorized textbook "
"for each grade and each subject. There was no guarantee that Siyavula’s "
-"would be chosen. This scared away potential sponsors."
+"would be chosen. This scared away potential sponsors."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6648
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8425
msgid ""
"Rather than producing more textbooks, Siyavula focused on improving its "
"Intelligent Practice technology for its existing books. Mark calls this "
"today."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6653
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8436
msgid ""
"Mark says sales are way up, and they are really nailing Intelligent "
"Practice. Schools continue to use their open textbooks. The government-"
"out to be highly contentious and is in limbo."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6660
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8443
msgid ""
-"Siyavula is exploring a range of enhancements to their business model. "
-"These include charging a small amount for assessment services provided over "
-"the phone, diversifying their market to all English-speaking countries in "
+"Siyavula is exploring a range of enhancements to their business model. These "
+"include charging a small amount for assessment services provided over the "
+"phone, diversifying their market to all English-speaking countries in "
"Africa, and setting up a consortium that makes Intelligent Practice free to "
"all kids by selling the nonpersonal data Intelligent Practice collects."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6673
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8451
msgid ""
-"Siyavula is a for-profit business but one with a social mission. Their "
+"Siyavula is a for-profit business but one with a social mission. Their "
"shareholders’ agreement lists lots of requirements around openness for "
"Siyavula, including stipulations that content always be put under an open "
"license and that they can’t charge for something that people volunteered to "
"block a few times, but both he and the company are stronger for it."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "www.gnu.org/licenses/fdl"
-msgstr ""
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "www.capetowndeclaration.org"
-msgstr ""
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "cnx.org"
-msgstr ""
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "www.siyavula.com/products-primary-school.html"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8467
+msgid "SparkFun"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6682
-msgid "## Sparkfun"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6685
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8470
msgid ""
"SparkFun is an online electronics retailer specializing in open hardware. "
"Founded in 2003 in the U.S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6687
-msgid "www.sparkfun.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8474
+msgid "<ulink url=\"http://www.sparkfun.com\"/>"
+msgstr "<ulink url=\"http://www.sparkfun.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6689
-msgid "Revenue model: charging for physical copies (electronics sales)"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8476
+#, fuzzy
+#| msgid "Revenue model: charging for physical copies"
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies (electronics sales)"
+msgstr "Inntektsmodell: Betaling for fysiske kopier"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6691
-msgid "Interview date: February 29, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8479
+#, fuzzy
+#| msgid "Interview date: February 26, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 29, 2016"
+msgstr "Dato for intervju: 26. februar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6693
-msgid "Interviewee: Nathan Seidle, founder"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8482
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Nathan Seidle, founder"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6701
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8490
msgid ""
"SparkFun founder and former CEO Nathan Seidle has a picture of himself "
"holding up a clone of a SparkFun product in an electronics market in China, "
"was glee."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6706
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8497
msgid ""
"“Being copied is the greatest earmark of flattery and success,” Nathan said. "
"“I thought it was so cool that they were selling to a market we were never "
"world.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6714
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8503
msgid ""
"This worldview runs through everything SparkFun does. SparkFun is an "
"electronics manufacturer. The company sells its products directly to the "
"their products on their own. Being copied is part of the design."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6722
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8512
msgid ""
"Nathan believes open licensing is good for the world. “It touches on our "
"natural human instinct to share,” he said. But he also strongly believes it "
"design, or what most commonly consider their intellectual property."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6726
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8521
msgid ""
"“We compete on business principles,” Nathan said. “Claiming your territory "
"with intellectual property allows you to get comfy and rest on your laurels. "
"It gives you a safety net. We took away that safety net.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6734
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8527
msgid ""
"The result is an intense company-wide focus on product development and "
"improvement. “Our products are so much better than they were five years "
"better for the customers.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6742
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8537
msgid ""
"SparkFun parts are available on eBay for lower prices. But people come "
"directly to SparkFun because SparkFun makes their lives easier. The example "
"code works; there is a service number to call; they ship replacement parts "
"the day they get a service call. They invest heavily in service and support. "
-"“I don’t believe businesses should be competing with IP \\[intellectual "
-"property\\] barriers,” Nathan said. “This is the stuff they should be "
+"“I don’t believe businesses should be competing with IP [intellectual "
+"property] barriers,” Nathan said. “This is the stuff they should be "
"competing on.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6751
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8546
msgid ""
"SparkFun’s company history began in Nathan’s college dorm room. He spent a "
"lot of time experimenting with and building electronics, and he realized "
"there was a void in the market. “If you wanted to place an order for "
"something,” he said, “you first had to search far and wide to find it, and "
"then you had to call or fax someone.” In 2003, during his third year of "
-"college, he registered sparkfun.com and started reselling products out of "
-"his bedroom. After he graduated, he started making and selling his own "
-"products."
+"college, he registered <ulink url=\"http://sparkfun.com\"/> and started "
+"reselling products out of his bedroom. After he graduated, he started making "
+"and selling his own products."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6758
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8557
msgid ""
"Once he started designing his own products, he began putting the software "
-"and schematics online to help with technical support. After doing some "
+"and schematics online to help with technical support. After doing some "
"research on licensing options, he chose Creative Commons licenses because he "
"was drawn to the “human-readable deeds” that explain the licensing terms in "
"simple terms. SparkFun still uses CC licenses for all of the schematics and "
"firmware for the products they create."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6765
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8566
msgid ""
"The company has grown from a solo project to a corporation with 140 "
-"employees. In 2015, SparkFun earned \\$33 million in revenue. Selling "
+"employees. In 2015, SparkFun earned $33 million in revenue. Selling "
"components and widgets to hobbyists, professionals, and artists remains a "
"major part of SparkFun’s business. They sell their own products, but they "
"also partner with Arduino (also profiled in this book) by manufacturing "
"boards for resale using Arduino’s brand."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6772
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8575
msgid ""
"SparkFun also has an educational department dedicated to creating a hands-on "
"curriculum to teach students about electronics using prototyping parts. "
"young people to technology is a natural extension of their core business."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6776
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8583
msgid ""
"“We have the burden and opportunity to educate the next generation of "
"technical citizens,” Nathan said. “Our goal is to affect the lives of three "
"hundred and fifty thousand high school students by 2020.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6785
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8589
msgid ""
"The Creative Commons license underlying all of SparkFun’s products is "
"central to this mission. The license not only signals a willingness to "
"share, but it also expresses a desire for others to get in and tinker with "
-"their products, both to learn and to make their products better. SparkFun "
+"their products, both to learn and to make their products better. SparkFun "
"uses the Attribution-ShareAlike license (CC BY-SA), which is a “copyleft” "
"license that allows people to do anything with the content as long as they "
"provide credit and make any adaptations available under the same licensing "
"terms."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6794
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8600
msgid ""
"From the beginning, Nathan has tried to create a work environment at "
"SparkFun that he himself would want to work in. The result is what appears "
"they open their doors to the public for a competition once a year."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6805
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8611
msgid ""
"The public event, called the Autonomous Vehicle Competition, brings in a "
"thousand to two thousand customers and other technology enthusiasts from "
"human element, which makes it more meaningful."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6813
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8625
msgid ""
"Nathan has worked hard to imbue a deeper meaning into the work SparkFun "
"does. The company is, of course, focused on being fiscally responsible, but "
"they are ultimately driven by something other than money. “Profit is not the "
-"goal; it is the outcome of a well-executed plan,” Nathan said. “We focus on "
+"goal; it is the outcome of a well-executed plan,” Nathan said. “We focus on "
"having a bigger impact on the world.” Nathan believes they get some of the "
"brightest and most amazing employees because they aren’t singularly focused "
"on the bottom line."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6819
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8635
msgid ""
"The company is committed to transparency and shares all of its financials "
"with its employees. They also generally strive to avoid being another "
"unchanging content."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6829
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8642
msgid ""
"SparkFun’s customer base is largely made up of industrious electronics "
"enthusiasts. They have customers who are regularly involved in the company’s "
"customer support, independently responding to questions in forums and "
-"product-comment sections. Customers also bring product ideas to the company. "
-"SparkFun regularly sifts through suggestions from customers and tries to "
-"build on them where they can. “From the beginning, we have been listening to "
-"the community,” Nathan said. “Customers would identify a pain point, and we "
-"would design something to address it.”"
+"product-comment sections. Customers also bring product ideas to the "
+"company. SparkFun regularly sifts through suggestions from customers and "
+"tries to build on them where they can. “From the beginning, we have been "
+"listening to the community,” Nathan said. “Customers would identify a pain "
+"point, and we would design something to address it.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6837
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8654
msgid ""
"However, this sort of customer engagement does not always translate to "
-"people actively contributing to SparkFun’s projects. The company has a "
+"people actively contributing to SparkFun’s projects. The company has a "
"public repository of software code for each of its devices online. On a "
"particularly active project, there will only be about two dozen people "
"contributing significant improvements. The vast majority of projects are "
"source it, they will come,” Nathan said. “That’s not really true.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6845
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8665
msgid ""
"Rather than focusing on cocreation with their customers, SparkFun instead "
"focuses on enabling people to copy, tinker, and improve products on their "
"and then build their own circuit boards from our designs,” Nathan said."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6857
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8674
msgid ""
"Obviously, opening up the design of their products is a necessary step if "
"their goal is to empower the public. Nathan also firmly believes it makes "
"kind of company they set out to be."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6859
-msgid "## TeachAIDS"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8688
+msgid "TeachAIDS"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6863
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8691
msgid ""
"TeachAIDS is a nonprofit that creates educational materials designed to "
-"teach people around the world about HIV and AIDS. Founded in 2005 in the U.S."
+"teach people around the world about HIV and AIDS. Founded in 2005 in the U."
+"S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6865
-msgid "teachaids.org"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8696
+msgid "<ulink url=\"http://teachaids.org\"/>"
+msgstr "<ulink url=\"http://teachaids.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6867
-msgid "Revenue model: sponsorships"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8698
+msgid "<emphasis role=\"strong\">Revenue model</emphasis>: sponsorships"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6869
-msgid "Interview date: March 24, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8700
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 24, 2016"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6871
-msgid "Interviewees: Piya Sorcar, the CEO, and Shuman Ghosemajumder, the chair"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8703
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: Piya Sorcar, the CEO, and "
+"Shuman Ghosemajumder, the chair"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6878
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8711
msgid ""
"TeachAIDS is an unconventional media company with a conventional revenue "
-"model. Like most media companies, they are subsidized by advertising. "
+"model. Like most media companies, they are subsidized by advertising. "
"Corporations pay to have their logos appear on the educational materials "
"TeachAIDS distributes."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6889
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8717
msgid ""
"But unlike most media companies, Teach-AIDS is a nonprofit organization with "
"a purely social mission. TeachAIDS is dedicated to educating the global "
"license."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6907
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8730
msgid ""
"TeachAIDS is a labor of love for founder and CEO Piya Sorcar, who earns a "
"salary of one dollar per year from the nonprofit. The project grew out of "
"pieces of information."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6917
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8750
msgid ""
"In late 2005, Piya and her team used research-based design to create new "
"educational materials and worked with local partners in India to help "
"Piya said."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6921
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8762
msgid ""
"Very shortly after the initial release, Piya’s team decided to spin the "
"endeavor into an independent nonprofit out of Stanford University. They also "
"decided to use Creative Commons licenses on the materials."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6934
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8768
msgid ""
"Given their educational mission, TeachAIDS had an obvious interest in seeing "
"the materials as widely shared as possible. But they also needed to preserve "
-"the integrity of the medical information in the content. They chose the "
+"the integrity of the medical information in the content. They chose the "
"Attribution-NonCommercial-NoDerivs license (CC BY-NC-ND), which essentially "
"gives the public the right to distribute only verbatim copies of the "
"content, and for noncommercial purposes. “We wanted attribution for "
"worldwide while preserving our content and protecting us at the same time.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6941
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8783
msgid ""
"Choosing a license that does not allow adaptation of the content was an "
"outgrowth of the careful precision with which TeachAIDS crafts their "
"everything we do.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6948
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8791
msgid ""
"One important finding was that people accept the message best when it comes "
"from familiar voices they trust and admire. To achieve this, TeachAIDS "
"version of the materials."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6961
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8800
msgid ""
"Localization is probably the single-most important aspect of the way "
"TeachAIDS creates its content. While each regional version builds from the "
"are more likely to accept information from someone of the same gender."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6975
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8815
msgid ""
"The localization process relies heavily on volunteers. Their volunteer base "
"is deeply committed to the cause, and the organization has had better luck "
"eleven times."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6992
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8831
msgid ""
"TeachAIDS employs full-time employees, contractors, and volunteers, all in "
"different capacities and organizational configurations. They are careful to "
"use people from diverse backgrounds to create the materials, including "
"teachers, students, and doctors, as well as individuals experienced in "
"working in the NGO space. This diversity and breadth of knowledge help "
-"ensure their materials resonate with people from all walks of life. "
+"ensure their materials resonate with people from all walks of life. "
"Additionally, TeachAIDS works closely with film writers and directors to "
"help keep the concepts entertaining and easy to understand. The inclusive, "
"but highly controlled, creative process is undertaken entirely by people who "
"push play and they will work.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7003
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8850
msgid ""
"Piya’s team was able to produce all of these versions over several years "
"with a head count that never exceeded eight full-time employees. The "
"organization is able to reduce costs by relying heavily on volunteers and in-"
"kind donations. Nevertheless, the nonprofit needed a sustainable revenue "
"model to subsidize content creation and physical distribution of the "
-"materials. Charging even a low price was simply not an option. “Educators "
+"materials. Charging even a low price was simply not an option. “Educators "
"from various nonprofits around the world were just creating their own "
"materials using whatever they could find for free online,” Shuman said. “The "
"only way to persuade them to use our highly effective model was to make it "
"completely free.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7012
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8863
msgid ""
"Like many content creators offering their work for free, they settled on "
"advertising as a funding model. But they were extremely careful not to let "
"remains branded as TeachAIDS."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7020
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8874
msgid ""
"TeachAIDS is careful not to seek funding to cover the costs of a specific "
"project. Instead, sponsorships are structured as unrestricted donations to "
"the nonprofit. This gives the nonprofit more stability, but even more "
"importantly, it enables them to subsidize projects being localized for an "
-"area with no sponsors. “If we just created versions based on where we could "
+"area with no sponsors. “If we just created versions based on where we could "
"get sponsorships, we would only have materials for wealthier countries,” "
"Shuman said."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7031
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8884
msgid ""
"As of 2016, TeachAIDS has dozens of sponsors. “When we go into a new "
"country, various companies hear about us and reach out to us,” Piya said. "
"a brand for many years to come."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7038
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8897
msgid ""
"Importantly, the value to corporate sponsors goes beyond commercial "
"considerations. As a nonprofit with a clearly articulated social mission, "
"initiatives."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7045
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8906
msgid ""
"The core mission of TeachAIDS—ensuring global access to life-saving education"
"—is at the root of everything the organization does. It underpins the work; "
"for TeachAIDS,” Piya said."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7047
-msgid "## Tribe of Noise"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8916
+msgid "Tribe of Noise"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7051
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8919
msgid ""
"Tribe of Noise is a for-profit online music platform serving the film, TV, "
"video, gaming, and in-store-media industries. Founded in 2008 in the "
"Netherlands."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7053
-msgid "www.tribeofnoise.com"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8924
+msgid "<ulink url=\"http://www.tribeofnoise.com\"/>"
+msgstr "<ulink url=\"http://www.tribeofnoise.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7057
-msgid "Interview date: January 26, 2016"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8929
+#, fuzzy
+#| msgid "Interview date: January 28, 2016"
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: January 26, 2016"
+msgstr "Dato for intervju: 28. januar 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7059
-msgid "Interviewee: Hessel van Oorschot, cofounder"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8932
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Hessel van Oorschot, "
+"cofounder"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7069
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8940
msgid ""
"In the early 2000s, Hessel van Oorschot was an entrepreneur running a "
"business where he coached other midsize entrepreneurs how to create an "
"online business. He also coauthored a number of workbooks for small- to "
-"medium-size enterprises to use to optimize their business for the Web. "
+"medium-size enterprises to use to optimize their business for the Web. "
"Through this early work, Hessel became familiar with the principles of open "
"licensing, including the use of open-source software and Creative Commons."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7077
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8949
msgid ""
"In 2005, Hessel and Sandra Brandenburg launched a niche video-production "
"initiative. Almost immediately, they ran into issues around finding and "
"readily available."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7085
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8959
msgid ""
"They hired two lawyers to investigate further, and while they uncovered five "
"or six examples, Hessel found the business models lacking. The lawyers "
"a platform."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7091
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8969
msgid ""
"Building a platform posed a real chicken-and-egg problem. The platform had "
"to build an online community of music-rights holders and, at the same time, "
"trust relationship."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7098
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8976
msgid ""
"In July 2008, Tribe of Noise opened its virtual doors with a couple hundred "
"musicians willing to use the CC BY-SA license (Attribution-ShareAlike) for a "
-"limited part of their repertoire. The two entrepreneurs wanted to take the "
+"limited part of their repertoire. The two entrepreneurs wanted to take the "
"pain away for media makers who wanted to license music and solve the "
"problems the two had personally experienced finding this music."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7106
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8991
+msgid "<ulink url=\"http://www.instoremusicservice.com\"/>"
+msgstr "<ulink url=\"http://www.instoremusicservice.com\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8984
msgid ""
"As they were growing the community, Hessel got a phone call from a company "
"that made in-store music playlists asking if they had enough music licensed "
-"with Creative Commons that they could use. Stores need quality, good-"
+"with Creative Commons that they could use. Stores need quality, good-"
"listening music but not necessarily hits, a bit like a radio show without "
"the DJ. This opened a new opportunity for Tribe of Noise. They started their "
"In-store Music Service, using music (licensed with CC BY-SA) uploaded by the "
-"Tribe of Noise community of musicians.1"
+"Tribe of Noise community of musicians.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7124
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8994
msgid ""
"In most countries, artists, authors, and musicians join a collecting society "
-"that manages the licensing and helps collect the royalties. Copyright "
+"that manages the licensing and helps collect the royalties. Copyright "
"collecting societies in the European Union usually hold monopolies in their "
"respective national markets. In addition, they require their members to "
-"transfer exclusive administration rights to them of all of their works. This "
-"complicates the picture for Tribe of Noise, who wants to represent artists, "
-"or at least a portion of their repertoire. Hessel and his legal team reached "
-"out to collecting societies, starting with those in the Netherlands. What "
-"would be the best legal way forward that would respect the wishes of "
-"composers and musicians who’d be interested in trying out new models like "
-"the In-store Music Service? Collecting societies at first were hesitant and "
-"said no, but Tribe of Noise persisted arguing that they primarily work with "
-"unknown artists and provide them exposure in parts of the world where they "
-"don’t get airtime normally and a source of revenue—and this convinced them "
-"that it was OK. However, Hessel says, “We are still fighting for a good "
-"cause every single day.”"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7135
+"transfer exclusive administration rights to them of all of their works. "
+"This complicates the picture for Tribe of Noise, who wants to represent "
+"artists, or at least a portion of their repertoire. Hessel and his legal "
+"team reached out to collecting societies, starting with those in the "
+"Netherlands. What would be the best legal way forward that would respect the "
+"wishes of composers and musicians who’d be interested in trying out new "
+"models like the In-store Music Service? Collecting societies at first were "
+"hesitant and said no, but Tribe of Noise persisted arguing that they "
+"primarily work with unknown artists and provide them exposure in parts of "
+"the world where they don’t get airtime normally and a source of revenue—and "
+"this convinced them that it was OK. However, Hessel says, “We are still "
+"fighting for a good cause every single day.”"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9015
msgid ""
"Instead of building a large sales force, Tribe of Noise partnered with big "
"organizations who have lots of clients and can act as a kind of Tribe of "
"Noise reseller. The largest telecom network in the Netherlands, for example, "
"sells Tribe’s In-store Music Service subscriptions to their business "
-"clients, which include fashion retailers and fitness centers. They have a "
+"clients, which include fashion retailers and fitness centers. They have a "
"similar deal with the leading trade association representing hotels and "
"restaurants in the country. Hessel hopes to “copy and paste” this service "
"into other countries where collecting societies understand what you can do "
"happened in Scandinavia, Belgium, and the U.S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7142
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9028
msgid ""
"Tribe of Noise doesn’t pay the musicians up front; they get paid when their "
"music ends up in Tribe of Noise’s in-store music channels. The musicians’ "
"share is 42.5 percent. It’s not uncommon in a traditional model for the "
"artist to get only 5 to 10 percent, so a share of over 40 percent is a "
-"significantly better deal. Here’s how they give an example on their website:"
+"significantly better deal. Here’s how they give an example on their website:"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7151
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9044
+msgid "<ulink url=\"http://www.tribeofnoise.com/info_instoremusic.php\"/>"
+msgstr "<ulink url=\"http://www.tribeofnoise.com/info_instoremusic.php\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9036
msgid ""
-"A few of your songs \\[licensed with CC BY-SA\\], for example five in total, "
-"are selected for a bespoke in-store music channel broadcasting at a large "
+"A few of your songs [licensed with CC BY-SA], for example five in total, are "
+"selected for a bespoke in-store music channel broadcasting at a large "
"retailer with 1,000 stores nationwide. In this case the overall playlist "
-"contains 350 songs so the musician’s share is 5/350 = 1.43%. The license "
-"fee agreed with this retailer is US\\$12 per month per play-out. So if 42.5% "
-"is shared with the Tribe musicians in this playlist and your share is 1.43%, "
-"you end up with US\\$12 \\* 1000 stores \\* 0.425 \\* 0.0143 = US\\$73 per "
-"month.2"
+"contains 350 songs so the musician’s share is 5/350 = 1.43%. The license fee "
+"agreed with this retailer is US$12 per month per play-out. So if 42.5% is "
+"shared with the Tribe musicians in this playlist and your share is 1.43%, "
+"you end up with US$12 * 1000 stores * 0.425 * 0.0143 = US$73 per month."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7160
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9047
msgid ""
-"Tribe of Noise has another model that does not involve Creative Commons. In "
+"Tribe of Noise has another model that does not involve Creative Commons. In "
"a survey with members, most said they liked the exposure using Creative "
"Commons gets them and the way it lets them reach out to others to share and "
"remix. However, they had a bit of a mental struggle with Creative Commons "
-"licenses being perpetual. A lot of musicians have the mind-set that one day "
+"licenses being perpetual. A lot of musicians have the mind-set that one day "
"one of their songs may become an overnight hit. If that happened the CC BY-"
"SA license would preclude them getting rich off the sale of that song."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9058
msgid ""
"Hessel’s legal team took this feedback and created a second model and "
"separate area of the platform called Tribe of Noise Pro. Songs uploaded to "
"reuse their song for a better deal."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7176
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9069
msgid ""
"Tribe of Noise Pro is primarily geared toward media makers who are looking "
"for music. If they buy a license from this catalog, they don’t have to state "
"the name of the creator; they just license the song for a specific amount. "
-"This is a big plus for media makers. And musicians can pull their repertoire "
-"at any time. Hessel sees this as a more direct and clean deal."
+"This is a big plus for media makers. And musicians can pull their "
+"repertoire at any time. Hessel sees this as a more direct and clean deal."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7181
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9077
msgid ""
"Lots of Tribe of Noise musicians upload songs to both Tribe of Noise Pro and "
"the community area of Tribe of Noises. There aren’t that many artists who "
"than the community area."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7188
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9083
msgid ""
"Hessel sees the two as complementary. Both are needed for the model to work. "
"With a whole generation of musicians interested in the sharing economy, the "
"interested in exploring other models like Tribe of Noise Pro."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7197
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9091
msgid ""
"Every musician who joins Tribe of Noise gets their own home page and free "
"unlimited Web space to upload as much of their own music as they like. Tribe "
"them."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7205
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9102
msgid ""
"Another way Tribe of Noise creates community and interest is with contests, "
"which are organized in partnership with Tribe of Noise clients. The client "
"to them, understanding what they want, and creating a song to meet that need."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7216
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9112
msgid ""
"Tribe of Noise now has twenty-seven thousand members from 192 countries, and "
-"many are exploring do-it-yourself models for generating revenue. Some came "
+"many are exploring do-it-yourself models for generating revenue. Some came "
"from music labels and publishers, having gone through the traditional way of "
"music licensing and now seeing if this new model makes sense for them. "
"Others are young musicians, who grew up with a DIY mentality and see little "
"collecting societies like ASCAP or BMI."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7231
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9124
msgid ""
"It’s not uncommon for performance-rights organizations, record labels, or "
"music publishers to sign contracts with musicians based on exclusivity. Such "
"without litigation."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7240
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9141
msgid ""
"For Hessel the key to Tribe of Noise’s success is trust. The fact that "
"Creative Commons licenses work the same way all over the world and have been "
"a model that’s based on trust."
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7245
-msgid "www.instoremusicservice.com"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9153
+msgid "Wikimedia Foundation"
msgstr ""
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7245
-msgid "www.tribeofnoise.com/info\\_instoremusic.php"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7247
-msgid "## Wikimedia Foundation"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7250
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9156
msgid ""
"The Wikimedia Foundation is the nonprofit organization that hosts Wikipedia "
"and its sister projects. Founded in 2003 in the U.S."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7252
-msgid "wikimediafoundation.org"
-msgstr ""
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9161
+msgid "<ulink url=\"http://wikimediafoundation.org\"/>"
+msgstr "<ulink url=\"http://wikimediafoundation.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7254
-msgid "Revenue model: donations"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9163
+msgid "<emphasis role=\"strong\">Revenue model</emphasis>: donations"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7256
-msgid "Interview date: December 18, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9165
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 18, 2015"
msgstr ""
+"<emphasis role=\"strong\">Dato for intervju</emphasis>: 18 desember 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7259
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9168
msgid ""
-"Interviewees: Luis Villa, former Chief Officer of Community Engagement, and "
-"Stephen LaPorte, legal counsel"
+"<emphasis role=\"strong\">Interviewees</emphasis>: Luis Villa, former Chief "
+"Officer of Community Engagement, and Stephen LaPorte, legal counsel"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7263
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9177
msgid "Nearly every person with an online presence knows Wikipedia."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7269
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9180
msgid ""
"In many ways, it is the preeminent open project: The online encyclopedia is "
"created entirely by volunteers. Anyone in the world can edit the articles. "
"reuse and adapt it for any purpose."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7273
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9188
msgid ""
"As of December 2016, there were more than forty-two million articles in the "
"295 language editions of the online encyclopedia, according to—what else?—"
"the Wikipedia article about Wikipedia."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7285
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9193
msgid ""
"The Wikimedia Foundation is a U.S.-based nonprofit organization that owns "
"the Wikipedia domain name and hosts the site, along with many other related "
"organization."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7290
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9207
msgid ""
"As Wikimedia legal counsel Stephen LaPorte told us, “There is a common "
"saying that Wikipedia works in practice but not in theory.” While it "
"are a striking testament to the power of human collaboration."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7297
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9214
msgid ""
"Because of its extraordinary breadth and scope, it does feel a bit like a "
-"unicorn. Indeed, there is nothing else like Wikipedia. Still, much of what "
+"unicorn. Indeed, there is nothing else like Wikipedia. Still, much of what "
"makes the projects successful—community, transparency, a strong mission, "
"trust—are consistent with what it takes to be successfully Made with "
"Creative Commons more generally. With Wikipedia, everything just happens at "
"an unprecedented scale."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7307
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9223
msgid ""
"The story of Wikipedia has been told many times. For our purposes, it is "
"enough to know the experiment started in 2001 at a small scale, inspired by "
"edits are made every hour."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7327
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9235
msgid ""
"The nature of the content the community creates is ideal for asynchronous "
"cocreation. “An encyclopedia is something where incremental community "
"improvement really works,” Luis Villa, former Chief Officer of Community "
"Engagement, told us. The rules and processes that govern cocreation on "
"Wikipedia and its sister projects are all community-driven and vary by "
-"language edition. There are entire books written on the intricacies of their "
-"systems, but generally speaking, there are very few exceptions to the rule "
-"that anyone can edit any article, even without an account on their system. "
-"The extensive peer-review process includes elaborate systems to resolve "
-"disputes, methods for managing particularly controversial subject areas, "
-"talk pages explaining decisions, and much, much more. The Wikimedia "
+"language edition. There are entire books written on the intricacies of "
+"their systems, but generally speaking, there are very few exceptions to the "
+"rule that anyone can edit any article, even without an account on their "
+"system. The extensive peer-review process includes elaborate systems to "
+"resolve disputes, methods for managing particularly controversial subject "
+"areas, talk pages explaining decisions, and much, much more. The Wikimedia "
"Foundation’s decision to leave governance of the projects to the community "
"is very deliberate. “We look at the things that the community can do well, "
-"and we want to let them do those things,” Stephen told us. Instead, the "
+"and we want to let them do those things,” Stephen told us. Instead, the "
"foundation focuses its time and resources on what the community cannot do as "
"effectively, like the software engineering that supports the technical "
"infrastructure of the sites. In 2015-16, about half of the foundation’s "
"budget went to direct support for the Wikimedia sites."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7340
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9258
msgid ""
"Some of that is directed at servers and general IT support, but the "
"foundation also invests a significant amount on architecture designed to "
-"help the site function as effectively as possible. “There is a constantly "
+"help the site function as effectively as possible. “There is a constantly "
"evolving system to keep the balance in place to avoid Wikipedia becoming the "
-"world’s biggest graffiti wall,” Luis said. Depending on how you measure it, "
+"world’s biggest graffiti wall,” Luis said. Depending on how you measure it, "
"somewhere between 90 to 98 percent of edits to Wikipedia are positive. Some "
"portion of that success is attributable to the tools Wikimedia has in place "
"to try to incentivize good actors. “The secret to having any healthy "
"just human nature.” Most of the time, people want to do the right thing."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7351
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9273
msgid ""
"Wikipedia not only relies on good behavior within its community and on its "
-"sites, but also by everyone else once the content leaves Wikipedia. All of "
+"sites, but also by everyone else once the content leaves Wikipedia. All of "
"the text of Wikipedia is available under an Attribution-ShareAlike license "
"(CC BY-SA), which means it can be used for any purpose and modified so long "
"as credit is given and anything new is shared back with the public under the "
"everyone.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7367
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9297
+msgid ""
+"<ulink url=\"http://gimletmedia.com/episode/14-the-art-of-making-and-fixing-"
+"mistakes/\"/>"
+msgstr ""
+"<ulink url=\"http://gimletmedia.com/episode/14-the-art-of-making-and-fixing-"
+"mistakes/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9285
msgid ""
"Of course, the primary reason no one has successfully co-opted Wikipedia is "
"that copycat efforts do not have the Wikipedia community to sustain what "
"“In a movement as large as ours, there is an incredible diversity of "
"motivations,” Stephen said. For example, there is one editor of the English "
"Wikipedia edition who has corrected a single grammatical error in articles "
-"more than forty-eight thousand times.1 Only a fraction of Wikipedia users "
-"are also editors. But editing is not the only way to contribute to "
-"Wikipedia. “Some donate text, some donate images, some donate financially,” "
-"Stephen told us. “They are all contributors.”"
+"more than forty-eight thousand times.<placeholder type=\"footnote\" id=\"0\"/"
+"> Only a fraction of Wikipedia users are also editors. But editing is not "
+"the only way to contribute to Wikipedia. “Some donate text, some donate "
+"images, some donate financially,” Stephen told us. “They are all "
+"contributors.”"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7375
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9303
msgid ""
"But the vast majority of us who use Wikipedia are not contributors; we are "
"passive readers. The Wikimedia Foundation survives primarily on individual "
-"donations, with about \\$15 as the average. Because Wikipedia is one of the "
+"donations, with about $15 as the average. Because Wikipedia is one of the "
"ten most popular websites in terms of total page views, donations from a "
"small portion of that audience can translate into a lot of money. In the "
-"2015-16 fiscal year, they received more than \\$77 million from more than "
-"five million donors."
+"2015-16 fiscal year, they received more than $77 million from more than five "
+"million donors."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7384
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9313
msgid ""
"The foundation has a fund-raising team that works year-round to raise money, "
"but the bulk of their revenue comes in during the December campaign in "
"Every little bit helps. With enough eyeballs, they are right."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7392
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9324
msgid ""
"The vision of the Wikimedia Foundation is a world in which every single "
-"human being can freely share in the sum of all knowledge. They work to "
+"human being can freely share in the sum of all knowledge. They work to "
"realize this vision by empowering people around the globe to create "
"educational content made freely available under an open license or in the "
"public domain. Stephen and Luis said the mission, which is rooted in the "
"does."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7397
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9333
msgid ""
"The philosophy behind the endeavor also enables the foundation to be "
"financially sustainable. It instills trust in their readership, which is "
"instills trust in their community."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7402
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9339
msgid ""
"Any given edit on Wikipedia could be motivated by nearly an infinite number "
"of reasons. But the social mission of the project is what binds the global "
"an entire movement,” Stephen told us."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7408
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9346
msgid ""
"Of course, what results from that movement is one of the Internet’s great "
"public resources. “The Internet has a lot of businesses and stores, but it "
"said. “Wikipedia has found a way to be that open public space.”"
msgstr ""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7412
-msgid "gimletmedia.com/episode/14-the-art-of-making-and-fixing-mistakes/"
-msgstr ""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7414
-msgid "## Bibliography"
+#. type: Content of: <book><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9355
+msgid "Bibliography"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7419
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9357
msgid ""
"Alperovitz, Gar. What Then Must We Do? Straight Talk about the Next American "
"Revolution; Democratizing Wealth and Building a Community-Sustaining Economy "
"from the Ground Up. White River Junction, VT: Chelsea Green, 2013."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7423
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9363
msgid ""
"Anderson, Chris. Free: How Today’s Smartest Businesses Profit by Giving "
"Something for Nothing, reprint with new preface. New York: Hyperion, 2010."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7425
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9368
msgid "———. Makers: The New Industrial Revolution. New York: Signal, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7428
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9371
msgid ""
"Ariely, Dan. Predictably Irrational: The Hidden Forces That Shape Our "
"Decisions. Rev. ed. New York: Harper Perennial, 2010."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7431
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9375
msgid ""
"Bacon, Jono. The Art of Community. 2nd ed. Sebastopol, CA: O’Reilly Media, "
"2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7436
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9379
msgid ""
"Benkler, Yochai. The Wealth of Networks: How Social Production Transforms "
-"Markets and Freedom. New Haven: Yale University Press, 2006. www.benkler."
-"org/Benkler\\_Wealth\\_Of\\_Networks.pdf (licensed under CC BY-NC-SA)."
+"Markets and Freedom. New Haven: Yale University Press, 2006. <ulink url="
+"\"http://www.benkler.org/Benkler_Wealth_Of_Networks.pdf\"/> (licensed under "
+"CC BY-NC-SA)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7441
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9386
msgid ""
"Benyayer, Louis-David, ed. Open Models: Business Models of the Open Economy. "
-"Cachan, France: Without Model, 2016. www.slideshare.net/WithoutModel/open-"
-"models-book-64463892 (licensed under CC BY-SA)."
+"Cachan, France: Without Model, 2016. <ulink url=\"http://www.slideshare.net/"
+"WithoutModel/open-models-book-64463892\"/> (licensed under CC BY-SA)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7446
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9392
msgid ""
"Bollier, David. Commoning as a Transformative Social Paradigm. Paper "
"commissioned by the Next Systems Project. Washington, DC: Democracy "
-"Collaborative, 2016. thenextsystem.org/commoning-as-a-transformative-social-"
-"paradigm/."
+"Collaborative, 2016. <ulink url=\"http://thenextsystem.org/commoning-as-a-"
+"transformative-social-paradigm/\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7449
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9398
msgid ""
"———. Think Like a Commoner: A Short Introduction to the Life of the Commons. "
"Gabriola Island, BC: New Society, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7457
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9402
msgid ""
"Bollier, David, and Pat Conaty. Democratic Money and Capital for the "
"Commons: Strategies for Transforming Neoliberal Finance through Commons-"
"Based Alternatives. A report on a Commons Strategies Group Workshop in "
"cooperation with the Heinrich Böll Foundation, Berlin, Germany, 2015. "
-"bollier.org/democratic-money-and-capital-commons-report-pdf. For more "
-"information, see bollier.org/blog/democratic-money-and-capital-commons."
+"<ulink url=\"http://bollier.org/democratic-money-and-capital-commons-report-"
+"pdf\"/>. For more information, see <ulink url=\"http://bollier.org/blog/"
+"democratic-money-and-capital-commons\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7460
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9412
msgid ""
"Bollier, David, and Silke Helfrich, eds. The Wealth of the Commons: A World "
"Beyond Market and State. Amherst, MA: Levellers Press, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7463
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9416
msgid ""
"Botsman, Rachel, and Roo Rogers. What’s Mine Is Yours: The Rise of "
"Collaborative Consumption. New York: Harper Business, 2010."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7466
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9420
msgid ""
-"Boyle, James. The Public Domain: Enclosing the Commons of the Mind. New "
+"Boyle, James. The Public Domain: Enclosing the Commons of the Mind. New "
"Haven: Yale University Press, 2008."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7468
-msgid "www.thepublicdomain.org/download/ (licensed under CC BY-NC-SA)."
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9423
+msgid ""
+"<ulink url=\"http://www.thepublicdomain.org/download/\"/> (licensed under CC "
+"BY-NC-SA)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7472
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9427
msgid ""
"Capra, Fritjof, and Ugo Mattei. The Ecology of Law: Toward a Legal System in "
"Tune with Nature and Community. Oakland, CA: Berrett-Koehler, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7475
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9432
msgid ""
"Chesbrough, Henry. Open Business Models: How to Thrive in the New Innovation "
"Landscape. Boston: Harvard Business School Press, 2006."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7478
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9436
msgid ""
"———. Open Innovation: The New Imperative for Creating and Profiting from "
"Technology. Boston: Harvard Business Review Press, 2006."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7484
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9440
msgid ""
"City of Bologna. Regulation on Collaboration between Citizens and the City "
"for the Care and Regeneration of Urban Commons. Translated by LabGov "
"(LABoratory for the GOVernance of Commons). Bologna, Italy: City of Bologna, "
-"2014). www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-on-"
-"collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-of-"
-"urban-commons1.pdf."
+"2014). <ulink url=\"http://www.labgov.it/wp-content/uploads/sites/9/Bologna-"
+"Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-"
+"regeneration-of-urban-commons1.pdf\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7488
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9447
msgid ""
"Cole, Daniel H. “Learning from Lin: Lessons and Cautions from the Natural "
"Commons for the Knowledge Commons.” Chap. 2 in Frischmann, Madison, and "
"Strandburg, Governing Knowledge Commons."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7491
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9452
msgid ""
"Creative Commons. 2015 State of the Commons. Mountain View, CA: Creative "
-"Commons, 2015. stateof.creativecommons.org/2015/."
+"Commons, 2015. <ulink url=\"http://stateof.creativecommons.org/2015/\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7494
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9457
msgid ""
"Doctorow, Cory. Information Doesn’t Want to Be Free: Laws for the Internet "
"Age. San Francisco: McSweeney’s, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7498
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9461
msgid ""
"Eckhardt, Giana, and Fleura Bardhi. “The Sharing Economy Isn’t about Sharing "
-"at All.” Harvard Business Review, January 28, 2015. hbr.org/2015/01/the-"
-"sharing-economy-isnt-about-sharing-at-all."
+"at All.” Harvard Business Review, January 28, 2015. <ulink url=\"http://hbr."
+"org/2015/01/the-sharing-economy-isnt-about-sharing-at-all\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7503
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9466
msgid ""
"Elliott, Patricia W., and Daryl H. Hepting, eds. (2015). Free Knowledge: "
-"Confronting the Commodification of Human Discovery. Regina, SK: University "
+"Confronting the Commodification of Human Discovery. Regina, SK: University "
"of Regina Press, 2015. uofrpress.ca/publications/Free-Knowledge (licensed "
"under CC BY-NC-ND)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7506
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9473
msgid ""
"Eyal, Nir. Hooked: How to Build Habit-Forming Products. With Ryan Hoover. "
"New York: Portfolio, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7509
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9477
msgid ""
"Farley, Joshua, and Ida Kubiszewski. “The Economics of Information in a Post-"
"Carbon Economy.” Chap. 11 in Elliott and Hepting, Free Knowledge."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7513
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9482
msgid ""
"Foster, William Landes, Peter Kim, and Barbara Christiansen. “Ten Nonprofit "
-"Funding Models.” Stanford Social Innovation Review, Spring 2009. ssir.org/"
-"articles/entry/ten\\_nonprofit\\_funding\\_models."
+"Funding Models.” Stanford Social Innovation Review, Spring 2009. <ulink url="
+"\"http://ssir.org/articles/entry/ten_nonprofit_funding_models\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7516
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9488
msgid ""
"Frischmann, Brett M. Infrastructure: The Social Value of Shared Resources. "
"New York: Oxford University Press, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7520
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9492
msgid ""
-"Frischmann, Brett M., Michael J. Madison, and Katherine J. Strandburg, eds. "
+"Frischmann, Brett M., Michael J. Madison, and Katherine J. Strandburg, eds. "
"Governing Knowledge Commons. New York: Oxford University Press, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7524
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9497
+#, fuzzy
+#| msgid ""
+#| "Cole, “Learning from Lin,” in Frischmann, Madison, and Strandburg, "
+#| "Governing Knowledge Commons, 59."
msgid ""
-"Frischmann, Brett M., Michael J. Madison, and Katherine J. Strandburg. "
+"Frischmann, Brett M., Michael J. Madison, and Katherine J. Strandburg. "
"“Governing Knowledge Commons.” Chap. 1 in Frischmann, Madison, and "
"Strandburg, Governing Knowledge Commons."
msgstr ""
+"Cole, «Learning from Lin», i Frischmann, Madison, og Strandburg, Governing "
+"Knowledge Commons, 59."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7527
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9502
msgid ""
-"Gansky, Lisa. The Mesh: Why the Future of Business Is Sharing. Reprint with "
+"Gansky, Lisa. The Mesh: Why the Future of Business Is Sharing. Reprint with "
"new epilogue. New York: Portfolio, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7530
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9506
msgid ""
-"Grant, Adam. Give and Take: Why Helping Others Drives Our Success. New York: "
-"Viking, 2013."
+"Grant, Adam. Give and Take: Why Helping Others Drives Our Success. New "
+"York: Viking, 2013."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7533
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9510
msgid ""
"Haiven, Max. Crises of Imagination, Crises of Power: Capitalism, Creativity "
"and the Commons. New York: Zed Books, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7537
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9514
msgid ""
"Harris, Malcom, ed. Share or Die: Voices of the Get Lost Generation in the "
"Age of Crisis. With Neal Gorenflo. Gabriola Island, BC: New Society, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7540
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9519
msgid ""
"Hermida, Alfred. Tell Everyone: Why We Share and Why It Matters. Toronto: "
"Doubleday Canada, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7543
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9523
msgid ""
"Hyde, Lewis. Common as Air: Revolution, Art, and Ownership. New York: "
"Farrar, Straus and Giroux, 2010."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7546
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9527
msgid ""
"———. The Gift: Creativity and the Artist in the Modern World. 2nd Vintage "
"Books edition. New York: Vintage Books, 2007."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7549
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9531
msgid ""
"Kelley, Tom, and David Kelley. Creative Confidence: Unleashing the Potential "
"within Us All. New York: Crown, 2013."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7552
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9535
msgid ""
"Kelly, Marjorie. Owning Our Future: The Emerging Ownership Revolution; "
"Journeys to a Generative Economy. San Francisco:"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7554
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9539
msgid "Berrett-Koehler, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7557
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9542
msgid ""
"Kleon, Austin. Show Your Work: 10 Ways to Share Your Creativity and Get "
"Discovered. New York: Workman, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7560
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9546
msgid ""
"———. Steal Like an Artist: 10 Things Nobody Told You about Being Creative. "
"New York: Workman, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7563
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9550
msgid ""
-"Kramer, Bryan. Shareology: How Sharing Is Powering the Human Economy. New "
+"Kramer, Bryan. Shareology: How Sharing Is Powering the Human Economy. New "
"York: Morgan James, 2016."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7566
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9554
msgid ""
"Lee, David. “Inside Medium: An Attempt to Bring Civility to the Internet.” "
-"BBC News, March 3, 2016. www.bbc.com/news/technology-35709680"
+"BBC News, March 3, 2016. <ulink url=\"http://www.bbc.com/news/"
+"technology-35709680\"/>"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7569
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9559
msgid ""
"Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid "
"Economy. New York: Penguin Press, 2008."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7572
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9563
msgid ""
"Menzies, Heather. Reclaiming the Commons for the Common Good: A Memoir and "
"Manifesto. Gabriola Island, BC: New Society, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7575
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9567
msgid ""
"Mason, Paul. Postcapitalism: A Guide to Our Future. New York: Farrar, Straus "
"and Giroux, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7579
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9571
msgid ""
"New York Times Customer Insight Group. The Psychology of Sharing: Why Do "
-"People Share Online? New York: New York Times Customer Insight Group, 2011. "
-"www.iab.net/media/file/POSWhitePaper.pdf."
+"People Share Online? New York: New York Times Customer Insight Group, 2011. "
+"<ulink url=\"http://www.iab.net/media/file/POSWhitePaper.pdf\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7583
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9577
+#, fuzzy
+#| msgid ""
+#| "Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, "
+#| "NJ: John Wiley and Sons, 2010), 14. A preview of the book is available at "
+#| "strategyzer.com/books/business-model-generation."
msgid ""
-"Osterwalder, Alex, and Yves Pigneur. Business Model Generation. Hoboken, NJ: "
-"John Wiley and Sons, 2010. A preview of the book is available at strategyzer."
-"com/books/business-model-generation."
+"Osterwalder, Alex, and Yves Pigneur. Business Model Generation. Hoboken, "
+"NJ: John Wiley and Sons, 2010. A preview of the book is available at <ulink "
+"url=\"http://strategyzer.com/books/business-model-generation\"/>."
msgstr ""
+"Alex Osterwalder og Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. En forhåndsvisning av boken er tilgjengelig "
+"på strategyzer.com/books/business-model-generation."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7587
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9583
+#, fuzzy
+#| msgid ""
+#| "Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, "
+#| "NJ: John Wiley and Sons, 2010), 14. A preview of the book is available at "
+#| "strategyzer.com/books/business-model-generation."
msgid ""
-"Osterwalder, Alex, Yves Pigneur, Greg Bernarda, and Adam Smith. Value "
+"Osterwalder, Alex, Yves Pigneur, Greg Bernarda, and Adam Smith. Value "
"Proposition Design. Hoboken, NJ: John Wiley and Sons, 2014. A preview of the "
-"book is available at strategyzer.com/books/value-proposition-design."
+"book is available at <ulink url=\"http://strategyzer.com/books/value-"
+"proposition-design\"/>."
msgstr ""
+"Alex Osterwalder og Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. En forhåndsvisning av boken er tilgjengelig "
+"på strategyzer.com/books/business-model-generation."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7590
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9589
msgid ""
"Palmer, Amanda. The Art of Asking: Or How I Learned to Stop Worrying and Let "
"People Help. New York: Grand Central, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7596
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9593
msgid ""
"Pekel, Joris. Democratising the Rijksmuseum: Why Did the Rijksmuseum Make "
"Available Their Highest Quality Material without Restrictions, and What Are "
-"the Results? The Hague, Netherlands: Europeana Foundation, 2014. pro."
-"europeana.eu/publication/democratising-the-rijksmuseum (licensed under CC BY-"
-"SA)."
+"the Results? The Hague, Netherlands: Europeana Foundation, 2014. <ulink url="
+"\"http://pro.europeana.eu/publication/democratising-the-rijksmuseum\"/> "
+"(licensed under CC BY-SA)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7601
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9601
msgid ""
-"Ramos, José Maria, ed. The City as Commons: A Policy Reader. Melbourne, "
-"Australia: Commons Transition Coalition, 2016. www.academia.edu/27143172/The"
-"\\_City\\_as\\_Commons\\_a\\_Policy\\_Reader (licensed under CC BY-NC-ND)."
+"Ramos, José Maria, ed. The City as Commons: A Policy Reader. Melbourne, "
+"Australia: Commons Transition Coalition, 2016. <ulink url=\"http://www."
+"academia.edu/27143172/The_City_as_Commons_a_Policy_Reader\"/> (licensed "
+"under CC BY-NC-ND)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7606
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9607
msgid ""
"Raymond, Eric S. The Cathedral and the Bazaar: Musings on Linux and Open "
"Source by an Accidental Revolutionary. Rev. ed. Sebastopol, CA: O’Reilly "
-"Media, 2001. See esp. “The Magic Cauldron.” www.catb.org/esr/writings/"
-"cathedral-bazaar/."
+"Media, 2001. See esp. “The Magic Cauldron.” <ulink url=\"http://www.catb.org/"
+"esr/writings/cathedral-bazaar/\"/>."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7610
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9613
msgid ""
"Ries, Eric. The Lean Startup: How Today’s Entrepreneurs Use Continuous "
"Innovation to Create Radically Successful Businesses. New York: Crown "
"Business, 2011."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7614
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9618
msgid ""
"Rifkin, Jeremy. The Zero Marginal Cost Society: The Internet of Things, the "
-"Collaborative Commons, and the Eclipse of Capitalism. New York: Palgrave "
+"Collaborative Commons, and the Eclipse of Capitalism. New York: Palgrave "
"Macmillan, 2014."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7616
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9623
msgid ""
"Rowe, Jonathan. Our Common Wealth. San Francisco: Berrett-Koehler, 2013."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7619
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9627
msgid ""
"Rushkoff, Douglas. Throwing Rocks at the Google Bus: How Growth Became the "
"Enemy of Prosperity. New York: Portfolio, 2016."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7622
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9631
msgid ""
-"Sandel, Michael J. What Money Can’t Buy: The Moral Limits of Markets. New "
+"Sandel, Michael J. What Money Can’t Buy: The Moral Limits of Markets. New "
"York: Farrar, Straus and Giroux, 2012."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7625
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9635
msgid ""
"Shirky, Clay. Cognitive Surplus: How Technology Makes Consumers into "
"Collaborators. London, England: Penguin Books, 2010."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7628
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9639
msgid ""
"Slee, Tom. What’s Yours Is Mine: Against the Sharing Economy. New York: OR "
"Books, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7631
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9643
msgid ""
"Stephany, Alex. The Business of Sharing: Making in the New Sharing Economy. "
"New York: Palgrave Macmillan, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7634
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9647
msgid ""
"Stepper, John. Working Out Loud: For a Better Career and Life. New York: "
"Ikigai Press, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7637
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9651
msgid ""
"Sull, Donald, and Kathleen M. Eisenhardt. Simple Rules: How to Thrive in a "
"Complex World. Boston: Houghton Mifflin Harcourt, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7640
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9655
msgid ""
"Sundararajan, Arun. The Sharing Economy: The End of Employment and the Rise "
"of Crowd-Based Capitalism. Cambridge, MA: MIT Press, 2016."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7642
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9659
msgid "Surowiecki, James. The Wisdom of Crowds. New York: Anchor Books, 2005."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7646
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9663
msgid ""
"Tapscott, Don, and Alex Tapscott. Blockchain Revolution: How the Technology "
-"Behind Bitcoin Is Changing Money, Business, and the World. Toronto: "
+"Behind Bitcoin Is Changing Money, Business, and the World. Toronto: "
"Portfolio, 2016."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7649
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9668
msgid ""
"Tharp, Twyla. The Creative Habit: Learn It and Use It for Life. With Mark "
"Reiter. New York: Simon and Schuster, 2006."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7652
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9672
msgid ""
"Tkacz, Nathaniel. Wikipedia and the Politics of Openness. Chicago: "
"University of Chicago Press, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7658
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9676
msgid ""
-"Van Abel, Bass, Lucas Evers, Roel Klaassen, and Peter Troxler, eds. Open "
+"Van Abel, Bass, Lucas Evers, Roel Klaassen, and Peter Troxler, eds. Open "
"Design Now: Why Design Cannot Remain Exclusive. Amsterdam: BIS Publishers, "
"with Creative Commons Netherlands; Premsela, the Netherlands Institute for "
-"Design and Fashion; and the Waag Society, 2011. opendesignnow.org (licensed "
-"under CC BY-NC-SA)."
+"Design and Fashion; and the Waag Society, 2011. <ulink url=\"http://"
+"opendesignnow.org\"/> (licensed under CC BY-NC-SA)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7662
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9684
msgid ""
"Van den Hoff, Ronald. Mastering the Global Transition on Our Way to Society "
-"3.0. Utrecht, the Netherlands: Society 3.0 Foundation, 2014. society30.com/"
-"get-the-book/ (licensed under CC BY-NC-ND)."
+"3.0. Utrecht, the Netherlands: Society 3.0 Foundation, 2014. <ulink url="
+"\"http://society30.com/get-the-book/\"/> (licensed under CC BY-NC-ND)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7665
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9690
msgid ""
-"Von Hippel, Eric. Democratizing Innovation. London: MIT Press, 2005. web."
-"mit.edu/evhippel/www/democ1.htm (licensed under CC BY-NC-ND)."
+"Von Hippel, Eric. Democratizing Innovation. London: MIT Press, 2005. <ulink "
+"url=\"http://web.mit.edu/evhippel/www/democ1.htm\"/> (licensed under CC BY-"
+"NC-ND)."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7668
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9695
msgid ""
"Whitehurst, Jim. The Open Organization: Igniting Passion and Performance. "
"Boston: Harvard Business Review Press, 2015."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7670
-msgid "## Acknowledgments"
+#. type: Content of: <book><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9700
+msgid "Acknowledgments"
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7676
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9702
msgid ""
"We extend special thanks to Creative Commons CEO Ryan Merkley, the Creative "
"Commons Board, and all of our Creative Commons colleagues for "
"this project."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7680
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9709
msgid ""
"Huge appreciation to all the Made with Creative Commons interviewees for "
-"sharing their stories with us. You make the commons come alive. Thanks for "
+"sharing their stories with us. You make the commons come alive. Thanks for "
"the inspiration."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7686
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9714
msgid ""
"We interviewed more than the twenty-four organizations profiled in this "
"book. We extend special thanks to Gooru, OERu, Sage Bionetworks, and Medium "
"visit your sites and explore your work."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7691
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9722
msgid ""
"This book was made possible by the generous support of 1,687 Kickstarter "
"backers listed below. We especially acknowledge our many Kickstarter co-"
"Heartfelt thanks to all of you."
msgstr ""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7738
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9728
msgid ""
"Co-editor Kickstarter backers (alphabetically by first name): Abraham "
"Taherivand, Alan Graham, Alfredo Louro, Anatoly Volynets, Aurora Thornton, "
"William Peter Nash, Winie Evers, Wolfgang Renninger, Xavier Antoviaque, "
"Yancey Strickler"
msgstr ""
+"Medredaktør-støttespillere fra Kickstarter (alfabetisk på fornavn): Abraham "
+"Taherivand, Alan Graham, Alfredo Louro, Anatoly Volynets, Aurora Thornton, "
+"Austin Tolentino, Ben Sheridan, Benedikt Foit, Benjamin Costantini, Bernd "
+"Nurnberger, Bernhard Seefeld, Bethanye Blount, Bradford Benn, Bryan Mock, "
+"Carmen Garcia Wiedenhoeft, Carolyn Hinchliff, Casey Milford, Cat Cooper, "
+"Chip McIntosh, Chris Thorne, Chris Weber, Chutika Udomsinn, Claire Wardle, "
+"Claudia Cristiani, Cody Allard, Colleen Cressman, Craig Thomler, Creative "
+"Commons Uruguay, Curt McNamara, Dan Parson, Daniel Dominguez, Daniel Morado, "
+"Darius Irvin, Dave Taillefer, David Lewis, David Mikula, David Varnes, David "
+"Wiley, Deborah Nas, Diderik van Wingerden, Dirk Kiefer, Dom Lane, Domi "
+"Enders, Douglas Van Houweling, Dylan Field, Einar Joergensen, Elad Wieder, "
+"Elie Calhoun, Erika Reid, Evtim Papushev, Fauxton Software, Felix "
+"Maximiliano Obes, Ferdies Food Lab, Gatien de Broucker, Gaurav Kapil, Gavin "
+"Romig-Koch, George Baier IV, George De Bruin, Gianpaolo Rando, Glenn Otis "
+"Brown, Govindarajan Umakanthan, Graham Bird, Graham Freeman, Hamish MacEwan, "
+"Harry Kaczka, Humble Daisy, Ian Capstick, Iris Brest, James Cloos, Jamie "
+"Stevens, Jamil Khatib, Jane Finette, Jason Blasso, Jason E. Barkeloo, Jay M "
+"Williams, Jean-Philippe Turcotte, Jeanette Frey, Jeff De Cagna, Jérôme "
+"Mizeret, Jessica Dickinson Goodman, Jessy Kate Schingler, Jim O’Flaherty, "
+"Jim Pellegrini, Jiří Marek, Jo Allum, Joachim von Goetz, Johan Adda, John "
+"Benfield, John Bevan, Jonas Öberg, Jonathan Lin, JP Rangaswami, Juan Carlos "
+"Belair, Justin Christian, Justin Szlasa, Kate Chapman, Kate Stewart, Kellie "
+"Higginbottom, Kendra Byrne, Kevin Coates, Kristina Popova, Kristoffer Steen, "
+"Kyle Simpson, Laurie Racine, Leonardo Bueno Postacchini, Leticia Britos "
+"Cavagnaro, Livia Leskovec, Louis-David Benyayer, Maik Schmalstich, Mairi "
+"Thomson, Marcia Hofmann, Maria Liberman, Marino Hernandez, Mario R. Hemsley, "
+"MD, Mark Cohen, Mark Mullen, Mary Ellen Davis, Mathias Bavay, Matt Black, "
+"Matt Hall, Max van Balgooy, Médéric Droz-dit-Busset, Melissa Aho, Menachem "
+"Goldstein, Michael Harries, Michael Lewis, Michael Weiss, Miha Batic, Mike "
+"Stop Continues, Mike Stringer, Mustafa K Calik, MD, Neal Stimler, Niall "
+"McDonagh, Niall Twohig, Nicholas Norfolk, Nick Coghlan, Nicole Hickman, "
+"Nikki Thompson, Norrie Mailer, Omar Kaminski, OpenBuilds, Papp István Péter, "
+"Pat Sticks, Patricia Brennan, Paul and Iris Brest, Paul Elosegui, Penny "
+"Pearson, Peter Mengelers, Playground Inc., Pomax, Rafaela Kunz, Rajiv "
+"Jhangiani, Rayna Stamboliyska, Rob Berkley, Rob Bertholf, Robert Jones, "
+"Robert Thompson, Ronald van den Hoff, Rusi Popov, Ryan Merkley, S Searle, "
+"Salomon Riedo, Samuel A. Rebelsky, Samuel Tait, Sarah McGovern, Scott "
+"Gillespie, Seb Schmoller, Sharon Clapp, Sheona Thomson, Siena Oristaglio, "
+"Simon Law, Solomon Simon, Stefano Guidotti, Subhendu Ghosh, Susan Chun, "
+"Suzie Wiley, Sylvain Carle, Theresa Bernardo, Thomas Hartman, Thomas Kent, "
+"Timothée Planté, Timothy Hinchliff, Traci Long DeForge, Trevor Hogue, "
+"Tumuult, Vickie Goode, Vikas Shah, Virginia Kopelman, Wayne Mackintosh, "
+"William Peter Nash, Winie Evers, Wolfgang Renninger, Xavier Antoviaque, "
+"Yancey Strickler."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:8091
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9779
msgid ""
-"All other Kickstarter backers (alphabetically by first name): A. Lee, Aaron "
+"All other Kickstarter backers (alphabetically by first name): A. Lee, Aaron "
"C. Rathbun, Aaron Stubbs, Aaron Suggs, Abdul Razak Manaf, Abraham "
"Taherivand, Adam Croom, Adam Finer, Adam Hansen, Adam Morris, Adam Procter, "
"Adam Quirk, Adam Rory Porter, Adam Simmons, Adam Tinworth, Adam Zimmerman, "
"Alexander Brunner, Alexander Eliesen, Alexander Hawson, Alexander Klar, "
"Alexander Neumann, Alexander Plaum, Alexander Wendland, Alexandre "
"Rafalovitch, Alexey Volkow, Alexi Wheeler, Alexis Sevault, Alfredo Louro, "
-"Ali Sternburg, Alicia Gibb & Lunchbox Electronics, Alison Link, Alison "
+"Ali Sternburg, Alicia Gibb & Lunchbox Electronics, Alison Link, Alison "
+"Pentecost, Alistair Boettiger, Alistair Walder, Alix Bernier, Allan "
+"Callaghan, Allen Riddell, Allison Breland Crotwell, Allison Jane Smith, "
+"Álvaro Justen, Amanda Palmer, Amanda Wetherhold, Amit Bagree, Amit Tikare, "
+"Amos Blanton, Amy Sept, Anatoly Volynets, Anders Ericsson, Andi Popp, André "
+"Bose Do Amaral, Andre Dickson, André Koot, André Ricardo, Andre van Rooyen, "
+"Andre Wallace, Andrea Bagnacani, Andrea Pepe, Andrea Pigato, Andreas "
+"Jagelund, Andres Gomez Casanova, Andrew A. Farke, Andrew Berhow, Andrew "
+"Hearse, Andrew Matangi, Andrew R McHugh, Andrew Tam, Andrew Turvey, Andrew "
+"Walsh, Andrew Wilson, Andrey Novoseltsev, Andy McGhee, Andy Reeve, Andy "
+"Woods, Angela Brett, Angeliki Kapoglou, Angus Keenan, Anne-Marie Scott, "
+"Antero Garcia, Antoine Authier, Antoine Michard, Anton Kurkin, Anton "
+"Porsche, Antònia Folguera, António Ornelas, Antonis Triantafyllakis, aois21 "
+"publishing, April Johnson, Aria F. Chernik, Ariane Allan, Ariel Katz, "
+"Arithmomaniac, Arnaud Tessier, Arnim Sommer, Ashima Bawa, Ashley Elsdon, "
+"Athanassios Diacakis, Aurora Thornton, Aurore Chavet Henry, Austin "
+"Hartzheim, Austin Tolentino, Avner Shanan, Axel Pettersson, Axel "
+"Stieglbauer, Ay Okpokam, Barb Bartkowiak, Barbara Lindsey, Barry Dayton, "
+"Bastian Hougaard, Ben Chad, Ben Doherty, Ben Hansen, Ben Nuttall, Ben "
+"Rosenthal, Ben Sheridan, Benedikt Foit, Benita Tsao, Benjamin Costantini, "
+"Benjamin Daemon, Benjamin Keele, Benjamin Pflanz, Berglind Ósk Bergsdóttir, "
+"Bernardo Miguel Antunes, Bernd Nurnberger, Bernhard Seefeld, Beth Gis, Beth "
+"Tillinghast, Bethanye Blount, Bill Bonwitt, Bill Browne, Bill Keaggy, Bill "
+"Maiden, Bill Rafferty, Bill Scanlon, Bill Shields, Bill Slankard, BJ Becker, "
+"Bjorn Freeman-Benson, Bjørn Otto Wallevik, BK Bitner, Bo Ilsøe Hansen, Bo "
+"Sprotte Kofod, Bob Doran, Bob Recny, Bob Stuart, Bonnie Chiu, Boris Mindzak, "
+"Boriss Lariushin, Borjan Tchakaloff, Brad Kik, Braden Hassett, Bradford "
+"Benn, Bradley Keyes, Bradley L’Herrou, Brady Forrest, Brandon McGaha, Branka "
+"Tokic, Brant Anderson, Brenda Sullivan, Brendan O’Brien, Brendan Schlagel, "
+"Brett Abbott, Brett Gaylor, Brian Dysart, Brian Lampl, Brian Lipscomb, Brian "
+"S. Weis, Brian Schrader, Brian Walsh, Brian Walsh, Brooke Dukes, Brooke "
+"Schreier Ganz, Bruce Lerner, Bruce Wilson, Bruno Boutot, Bruno Girin, Bryan "
+"Mock, Bryant Durrell, Bryce Barbato, Buzz Technology Limited, Byung-Geun "
+"Jeon, C. Glen Williams, C. L. Couch, Cable Green, Callum Gare, Cameron "
+"Callahan, Cameron Colby Thomson, Cameron Mulder, Camille Bissuel / Nylnook, "
+"Candace Robertson, Carl Morris, Carl Perry, Carl Rigney, Carles Mateu, "
+"Carlos Correa Loyola, Carlos Solis, Carmen Garcia Wiedenhoeft, Carol Long, "
+"Carol marquardsen, Caroline Calomme, Caroline Mailloux, Carolyn Hinchliff, "
+"Carolyn Rude, Carrie Cousins, Carrie Watkins, Casey Hunt, Casey Milford, "
+"Casey Powell Shorthouse, Cat Cooper, Cecilie Maria, Cedric Howe, Cefn Hoile, "
+"@ShrimpingIt, Celia Muller, Ces Keller, Chad Anderson, Charles Butler, "
+"Charles Carstensen, Charles Chi Thoi Le, Charles Kobbe, Charles S. Tritt, "
+"Charles Stanhope, Charlotte Ong-Wisener, Chealsye Bowley, Chelle Destefano, "
+"Chenpang Chou, Cheryl Corte, Cheryl Todd, Chip Dickerson, Chip McIntosh, "
+"Chris Bannister, Chris Betcher, Chris Coleman, Chris Conway, Chris Foote "
+"(Spike), Chris Hurst, Chris Mitchell, Chris Muscat Azzopardi, Chris "
+"Niewiarowski, Chris Opperwall, Chris Stieha, Chris Thorne, Chris Weber, "
+"Chris Woolfrey, Chris Zabriskie, Christi Reid, Christian Holzberger, "
+"Christian Schubert, Christian Sheehy, Christian Thibault, Christian Villum, "
+"Christian Wachter, Christina Bennett, Christine Henry, Christine Rico, "
+"Christopher Burrows, Christopher Chan, Christopher Clay, Christopher Harris, "
+"Christopher Opiah, Christopher Swenson, Christos Keramitsis, Chuck Roslof, "
+"Chutika Udomsinn, Claire Wardle, Clare Forrest, Claudia Cristiani, Claudio "
+"Gallo, Claudio Ruiz, Clayton Dewey, Clement Delort, Cliff Church, Clint "
+"Lalonde, Clint O’Connor, Cody Allard, Cody Taylor, Colin Ayer, Colin "
+"Campbell, Colin Dean, Colin Mutchler, Colleen Cressman, Comfy Nomad, Connie "
+"Roberts, Connor Bär, Connor Merkley, Constantin Graf, Corbett Messa, Cory "
+"Chapman, Cosmic Wombat Games, Craig Engler, Craig Heath, Craig Maloney, "
+"Craig Thomler, Creative Commons Uruguay, Crina Kienle, Cristiano Gozzini, "
+"Curt McNamara, D C Petty, D. Moonfire, D. Rohhyn, D. Schulz, Dacian Herbei, "
+"Dagmar M. Meyer, Dan Mcalister, Dan Mohr, Dan Parson, Dana Freeman, Dana "
+"Ospina, Dani Leviss, Daniel Bustamante, Daniel Demmel, Daniel Dominguez, "
+"Daniel Dultz, Daniel Gallant, Daniel Kossmann, Daniel Kruse, Daniel Morado, "
+"Daniel Morgan, Daniel Pimley, Daniel Sabo, Daniel Sobey, Daniel Stein, "
+"Daniel Wildt, Daniele Prati, Danielle Moss, Danny Mendoza, Dario "
+"Taraborelli, Darius Irvin, Darius Whelan, Darla Anderson, Dasha Brezinova, "
+"Dave Ainscough, Dave Bull, Dave Crosby, Dave Eagle, Dave Moskovitz, Dave "
+"Neeteson, Dave Taillefer, Dave Witzel, David Bailey, David Cheung, David "
+"Eriksson, David Gallagher, David H. Bronke, David Hartley, David Hellam, "
+"David Hood, David Hunter, David jlaietta, David Lewis, David Mason, David "
+"Mcconville, David Mikula, David Nelson, David Orban, David Parry, David "
+"Spira, David T. Kindler, David Varnes, David Wiley, David Wormley, Deborah "
+"Nas, Denis Jean, dennis straub, Dennis Whittle, Denver Gingerich, Derek "
+"Slater, Devon Cooke, Diana Pasek-Atkinson, Diane Johnston Graves, Diane K. "
+"Kovacs, Diane Trout, Diderik van Wingerden, Diego Cuevas, Diego De La Cruz, "
+"Dimitrie Grigorescu, Dina Marie Rodriguez, Dinah Fabela, Dirk Haun, Dirk "
+"Kiefer, Dirk Loop, DJ Fusion - FuseBox Radio Broadcast, Dom jurkewitz, Dom "
+"Lane, Domi Enders, Domingo Gallardo, Dominic de Haas, Dominique Karadjian, "
+"Dongpo Deng, Donnovan Knight, Door de Flines, Doug Fitzpatrick, Doug Hoover, "
+"Douglas Craver, Douglas Van Camp, Douglas Van Houweling, Dr. Braddlee, Drew "
+"Spencer, Duncan Sample, Durand D’souza, Dylan Field, E C Humphries, Eamon "
+"Caddigan, Earleen Smith, Eden Sarid, Eden Spodek, Eduardo Belinchon, Eduardo "
+"Castro, Edwin Vandam, Einar Joergensen, Ejnar Brendsdal, Elad Wieder, Elar "
+"Haljas, Elena Valhalla, Eli Doran, Elias Bouchi, Elie Calhoun, Elizabeth "
+"Holloway, Ellen Buecher, Ellen Kaye- Cheveldayoff, Elli Verhulst, Elroy "
+"Fernandes, Emery Hurst Mikel, Emily Catedral, Enrique Mandujano R., Eric "
+"Astor, Eric Axelrod, Eric Celeste, Eric Finkenbiner, Eric Hellman, Eric "
+"Steuer, Erica Fletcher, Erik Hedman, Erik Lindholm Bundgaard, Erika Reid, "
+"Erin Hawley, Erin McKean of Wordnik, Ernest Risner, Erwan Bousse, Erwin "
+"Bell, Ethan Celery, Étienne Gilli, Eugeen Sablin, Evan Tangman, Evonne "
+"Okafor, Evtim Papushev, Fabien Cambi, Fabio Natali, Fauxton Software, Felix "
+"Deierlein, Felix Gebauer, Felix Maximiliano Obes, Felix Schmidt, Felix "
+"Zephyr Hsiao, Ferdies Food Lab, Fernand Deschambault, Filipe Rodrigues, "
+"Filippo Toso, Fiona MacAlister, fiona.mac.uk, Floor Scheffer, Florent "
+"Darrault, Florian Hähnel, Florian Schneider, Floyd Wilde, Foxtrot Games, "
+"Francis Clarke, Francisco Rivas-Portillo, Francois Dechery, Francois Grey, "
+"François Gros, François Pelletier, Fred Benenson, Frédéric Abella, Frédéric "
+"Schütz, Fredrik Ekelund, Fumi Yamazaki, Gabor Sooki-Toth, Gabriel Staples, "
+"Gabriel Véjar Valenzuela, Gal Buki, Gareth Jordan, Garrett Heath, Gary "
+"Anson, Gary Forster, Gatien de Broucker, Gaurav Kapil, Gauthier de "
+"Valensart, Gavin Gray, Gavin Romig-Koch, Geoff Wood, Geoffrey Lehr, George "
+"Baier IV, George De Bruin, George Lawie, George Strakhov, Gerard Gorman, "
+"Geronimo de la Lama, Gianpaolo Rando, Gil Stendig, Gino Cingolani Trucco, "
+"Giovanna Sala, Glen Moffat, Glenn D. Jones, Glenn Otis Brown, Global Lives "
+"Project, Gorm Lai, Govindarajan Umakanthan, Graham Bird, Graham Freeman, "
+"Graham Heath, Graham Jones, Graham Smith-Gordon, Graham Vowles, Greg "
+"Brodsky, Greg Malone, Grégoire Detrez, Gregory Chevalley, Gregory Flynn, "
+"Grit Matthias, Gui Louback, Guillaume Rischard, Gustavo Vaz de Carvalho "
+"Gonçalves, Gustin Johnson, Gwen Franck, Gwilym Lucas, Haggen So, Håkon T "
+"Sønderland, Hamid Larbi, Hamish MacEwan, Hannes Leo, Hans Bickhofe, Hans de "
+"Raad, Hans Vd Horst, Harold van Ingen, Harold Watson, Harry Chapman, Harry "
+"Kaczka, Harry Torque, Hayden Glass, Hayley Rosenblum, Heather Leson, Helen "
+"Crisp, Helen Michaud, Helen Qubain, Helle Rekdal Schønemann, Henrique Flach "
+"Latorre Moreno, Henry Finn, Henry Kaiser, Henry Lahore, Henry Steingieser, "
+"Hermann Paar, Hillary Miller, Hironori Kuriaki, Holly Dykes, Holly Lyne, "
+"Hubert Gertis, Hugh Geenen, Humble Daisy, Hüppe Keith, Iain Davidson, Ian "
+"Capstick, Ian Johnson, Ian Upton, Icaro Ferracini, Igor Lesko, Imran Haider, "
+"Inma de la Torre, Iris Brest, Irwin Madriaga, Isaac Sandaljian, Isaiah "
+"Tanenbaum, Ivan F. Villanueva B., J P Cleverdon, Jaakko Tammela Jr, Jacek "
+"Darken Gołębiowski, Jack Hart, Jacky Hood, Jacob Dante Leffler, Jaime Perla, "
+"Jaime Woo, Jake Campbell, Jake Loeterman, Jakes Rawlinson, James Allenspach, "
+"James Chesky, James Cloos, James Docherty, James Ellars, James K Wood, James "
+"Tyler, Jamie Finlay, Jamie Stevens, Jamil Khatib, Jan E Ellison, Jan Gondol, "
+"Jan Sepp, Jan Zuppinger, Jane Finette, jane Lofton, Jane Mason, Jane Park, "
+"Janos Kovacs, Jasmina Bricic, Jason Blasso, Jason Chu, Jason Cole, Jason E. "
+"Barkeloo, Jason Hibbets, Jason Owen, Jason Sigal, Jay M Williams, Jazzy Bear "
+"Brown, JC Lara, Jean-Baptiste Carré, Jean-Philippe Dufraigne, Jean-Philippe "
+"Turcotte, Jean-Yves Hemlin, Jeanette Frey, Jeff Atwood, Jeff De Cagna, Jeff "
+"Donoghue, Jeff Edwards, Jeff Hilnbrand, Jeff Lowe, Jeff Rasalla, Jeff Ski "
+"Kinsey, Jeff Smith, Jeffrey L Tucker, Jeffrey Meyer, Jen Garcia, Jens Erat, "
+"Jeppe Bager Skjerning, Jeremy Dudet, Jeremy Russell, Jeremy Sabo, Jeremy "
+"Zauder, Jerko Grubisic, Jerome Glacken, Jérôme Mizeret, Jessica Dickinson "
+"Goodman, Jessica Litman, Jessica Mackay, Jessy Kate Schingler, Jesús Longás "
+"Gamarra, Jesus Marin, Jim Matt, Jim Meloy, Jim O’Flaherty, Jim Pellegrini, "
+"Jim Tittsler, Jimmy Alenius, Jiří Marek, Jo Allum, Joachim Brandon LeBlanc, "
+"Joachim Pileborg, Joachim von Goetz, Joakim Bang Larsen, Joan Rieu, Joanna "
+"Penn, João Almeida, Jochen Muetsch, Jodi Sandfort, Joe Cardillo, Joe "
+"Carpita, Joe Moross, Joerg Fricke, Johan Adda, Johan Meeusen, Johannes "
+"Förstner, Johannes Visintini, John Benfield, John Bevan, John C Patterson, "
+"John Crumrine, John Dimatos, John Feyler, John Huntsman, John Manoogian III, "
+"John Muller, John Ober, John Paul Blodgett, John Pearce, John Shale, John "
+"Sharp, John Simpson, John Sumser, John Weeks, John Wilbanks, John Worland, "
+"Johnny Mayall, Jollean Matsen, Jon Alberdi, Jon Andersen, Jon Cohrs, Jon "
+"Gotlin, Jon Schull, Jon Selmer Friborg, Jon Smith, Jonas Öberg, Jonas "
+"Weitzmann, Jonathan Campbell, Jonathan Deamer, Jonathan Holst, Jonathan Lin, "
+"Jonathan Schmid, Jonathan Yao, Jordon Kalilich, Jörg Schwarz, Jose Antonio "
+"Gallego Vázquez, Joseph Mcarthur, Joseph Noll, Joseph Sullivan, Joseph "
+"Tucker, Josh Bernhard, Josh Tong, Joshua Tobkin, JP Rangaswami, Juan Carlos "
+"Belair, Juan Irming, Juan Pablo Carbajal, Juan Pablo Marin Diaz, Judith "
+"Newman, Judy Tuan, Jukka Hellén, Julia Benson-Slaughter, Julia Devonshire, "
+"Julian Fietkau, Julie Harboe, Julien Brossoit, Julien Leroy, Juliet Chen, "
+"Julio Terra, Julius Mikkelä, Justin Christian, Justin Grimes, Justin Jones, "
+"Justin Szlasa, Justin Walsh, JustinChung.com, K. J. Przybylski, Kaloyan "
+"Raev, Kamil Śliwowski, Kaniska Padhi, Kara Malenfant, Kara Monroe, Karen Pe, "
+"Karl Jahn, Karl Jonsson, Karl Nelson, Kasia Zygmuntowicz, Kat Lim, Kate "
+"Chapman, Kate Stewart, Kathleen Beck, Kathleen Hanrahan, Kathryn Abuzzahab, "
+"Kathryn Deiss, Kathryn Rose, Kathy Payne, Katie Lynn Daniels, Katie Meek, "
+"Katie Teague, Katrina Hennessy, Katriona Main, Kavan Antani, Keith Adams, "
+"Keith Berndtson, MD, Keith Luebke, Kellie Higginbottom, Ken Friis Larsen, "
+"Ken Haase, Ken Torbeck, Kendel Ratley, Kendra Byrne, Kerry Hicks, Kevin "
+"Brown, Kevin Coates, Kevin Flynn, Kevin Rumon, Kevin Shannon, Kevin Taylor, "
+"Kevin Tostado, Kewhyun Kelly-Yuoh, Kiane l’Azin, Kianosh Pourian, Kiran "
+"Kadekoppa, Kit Walsh, Klaus Mickus, Konrad Rennert, Kris Kasianovitz, "
+"Kristian Lundquist, Kristin Buxton, Kristina Popova, Kristofer Bratt, "
+"Kristoffer Steen, Kumar McMillan, Kurt Whittemore, Kyle Pinches, Kyle "
+"Simpson, L Eaton, Lalo Martins, Lane Rasberry, Larry Garfield, Larry Singer, "
+"Lars Josephsen, Lars Klaeboe, Laura Anne Brown, Laura Billings, Laura "
+"Ferejohn, Lauren Pedersen, Laurence Gonsalves, Laurent Muchacho, Laurie "
+"Racine, Laurie Reynolds, Lawrence M. Schoen, Leandro Pangilinan, Leigh "
+"Verlandson, Lenka Gondolova, Leonardo Bueno Postacchini, leonardo menegola, "
+"Lesley Mitchell, Leslie Krumholz, Leticia Britos Cavagnaro, Levi Bostian, "
+"Leyla Acaroglu, Liisa Ummelas, Lilly Kashmir Marques, Lior Mazliah, Lisa "
+"Bjerke, Lisa Brewster, Lisa Canning, Lisa Cronin, Lisa Di Valentino, "
+"Lisandro Gaertner, Livia Leskovec, Liynn Worldlaw, Liz Berg, Liz White, "
+"Logan Cox, Loki Carbis, Lora Lynn, Lorna Prescott, Lou Yufan, Louie "
+"Amphlett, Louis-David Benyayer, Louise Denman, Luca Corsato, Luca Lesinigo, "
+"Luca Palli, Luca Pianigiani, Luca S.G. de Marinis, Lucas Lopez, Lukas "
+"Mathis, Luke Chamberlin, Luke Chesser, Luke Woodbury, Lulu Tang, Lydia "
+"Pintscher, M Alexander Jurkat, Maarten Sander, Macie J Klosowski, Magnus "
+"Adamsson, Magnus Killingberg, Mahmoud Abu-Wardeh, Maik Schmalstich, Maiken "
+"Håvarstein, Maira Sutton, Mairi Thomson, Mandy Wultsch, Manickkavasakam "
+"Rajasekar, Marc Bogonovich, Marc Harpster, Marc Martí, Marc Olivier Bastien, "
+"Marc Stober, Marc-André Martin, Marcel de Leeuwe, Marcel Hill, Marcia "
+"Hofmann, Marcin Olender, Marco Massarotto, Marco Montanari, Marco Morales, "
+"Marcos Medionegro, Marcus Bitzl, Marcus Norrgren, Margaret Gary, Mari "
+"Moreshead, Maria Liberman, Marielle Hsu, Marino Hernandez, Mario Lurig, "
+"Mario R. Hemsley, MD, Marissa Demers, Mark Chandler, Mark Cohen, Mark De "
+"Solla Price, Mark Gabby, Mark Gray, Mark Koudritsky, Mark Kupfer, Mark "
+"Lednor, Mark McGuire, Mark Moleda, Mark Mullen, Mark Murphy, Mark Perot, "
+"Mark Reeder, Mark Spickett, Mark Vincent Adams, Mark Waks, Mark Zuccarell "
+"II, Markus Deimann, Markus Jaritz, Markus Luethi, Marshal Miller, Marshall "
+"Warner, Martijn Arets, Martin Beaudoin, Martin Decky, Martin DeMello, Martin "
+"Humpolec, Martin Mayr, Martin Peck, Martin Sanchez, Martino Loco, Martti "
+"Remmelgas, Martyn Eggleton, Martyn Lewis, Mary Ellen Davis, Mary Heacock, "
+"Mary Hess, Mary Mi, Masahiro Takagi, Mason Du, Massimo V.A. Manzari, Mathias "
+"Bavay, Mathias Nicolajsen Kjærgaard, Matias Kruk, Matija Nalis, Matt Alcock, "
+"Matt Black, Matt Broach, Matt Hall, Matt Haughey, Matt Lee, Matt Plec, Matt "
+"Skoss, Matt Thompson, Matt Vance, Matt Wagstaff, Matteo Cocco, Matthew "
+"Bendert, Matthew Bergholt, Matthew Darlison, Matthew Epler, Matthew Hawken, "
+"Matthew Heimbecker, Matthew Orstad, Matthew Peterworth, Matthew Sheehy, "
+"Matthew Tucker, Adaptive Handy Apps, LLC, Mattias Axell, Max Green, Max "
+"Kossatz, Max lupo, Max Temkin, Max van Balgooy, Médéric Droz-dit-Busset, "
+"Megan Ingle, Megan Wacha, Meghan Finlayson, Melissa Aho, Melissa Sterry, "
+"Melle Funambuline, Menachem Goldstein, Micah Bridges, Michael Ailberto, "
+"Michael Anderson, Michael Andersson Skane, Michael C. Stewart, Michael "
+"Carroll, Michael Cavette, Michael Crees, Michael David Johas Teener, Michael "
+"Dennis Moore, Michael Freundt Karlsen, Michael Harries, Michael Hawel, "
+"Michael Lewis, Michael May, Michael Murphy, Michael Murvine, Michael "
+"Perkins, Michael Sauers, Michael St.Onge, Michael Stanford, Michael Stanley, "
+"Michael Underwood, Michael Weiss, Michael Wright, Michael-Andreas Kuttner, "
+"Michaela Voigt, Michal Rosenn, Michał Szymański, Michel Gallez, Michell "
+"Zappa, Michelle Heeyeon You, Miha Batic, Mik Ishmael, Mikael Andersson, Mike "
+"Chelen, Mike Habicher, Mike Maloney, Mike Masnick, Mike McDaniel, Mike "
+"Pouraryan, Mike Sheldon, Mike Stop Continues, Mike Stringer, Mike "
+"Wittenstein, Mikkel Ovesen, Mikołaj Podlaszewski, Millie Gonzalez, Mindi "
+"Lovell, Mindy Lin, Mirko “Macro” Fichtner, Mitch Featherston, Mitchell "
+"Adams, Molika Oum, Molly Shaffer Van Houweling, Monica Mora, Morgan Loomis, "
+"Moritz Schubert, Mrs. Paganini, Mushin Schilling, Mustafa K Calik, MD, Myk "
+"Pilgrim, Myra Harmer, Nadine Forget-Dubois, Nagle Industries, LLC, Nah Wee "
+"Yang, Natalie Brown, Natalie Freed, Nathan D Howell, Nathan Massey, Nathan "
+"Miller, Neal Gorenflo, Neal McBurnett, Neal Stimler, Neil Wilson, Nele "
+"Wollert, Neuchee Chang, Niall McDonagh, Niall Twohig, Nic McPhee, Nicholas "
+"Bentley, Nicholas Koran, Nicholas Norfolk, Nicholas Potter, Nick Bell, Nick "
+"Coghlan, Nick Isaacs, Nick M. Daly, Nick Vance, Nickolay Vedernikov, Nicky "
+"Weaver-Weinberg, Nico Prin, Nicolas Weidinger, Nicole Hickman, Niek "
+"Theunissen, Nigel Robertson, Nikki Thompson, Nikko Marie, Nikola Chernev, "
+"Nils Lavesson, Noah Blumenson-Cook, Noah Fang, Noah Kardos-Fein, Noah "
+"Meyerhans, Noel Hanigan, Noel Hart, Norrie Mailer, O.P. Gobée, Ohad Mayblum, "
+"Olivia Wilson, Olivier De Doncker, Olivier Schulbaum, Olle Ahnve, Omar "
+"Kaminski, Omar Willey, OpenBuilds, Ove Ødegård, Øystein Kjærnet, Pablo López "
+"Soriano, Pablo Vasquez, Pacific Design, Paige Mackay, Papp István Péter, "
+"Paris Marx, Parker Higgins, Pasquale Borriello, Pat Allan, Pat Hawks, Pat "
+"Ludwig, Pat Sticks, Patricia Brennan, Patricia Rosnel, Patricia Wolf, "
+"Patrick Berry, Patrick Beseda, Patrick Hurley, Patrick M. Lozeau, Patrick "
+"McCabe, Patrick Nafarrete, Patrick Tanguay, Patrick von Hauff, Patrik "
+"Kernstock, Patti J Ryan, Paul A Golder, Paul and Iris Brest, Paul Bailey, "
+"Paul Bryan, Paul Bunkham, Paul Elosegui, Paul Hibbitts, Paul Jacobson, Paul "
+"Keller, Paul Rowe, Paul Timpson, Paul Walker, Pavel Dostál, Peeter Sällström "
+"Randsalu, Peggy Frith, Pen-Yuan Hsing, Penny Pearson, Per Åström, Perry "
+"Jetter, Péter Fankhauser, Peter Hirtle, Peter Humphries, Peter Jenkins, "
+"Peter Langmar, Peter le Roux, Peter Marinari, Peter Mengelers, Peter "
+"O’Brien, Peter Pinch, Peter S. Crosby, Peter Wells, Petr Fristedt, Petr "
+"Viktorin, Petronella Jeurissen, Phil Flickinger, Philip Chung, Philip "
+"Pangrac, Philip R. Skaggs Jr., Philip Young, Philippa Lorne Channer, "
+"Philippe Vandenbroeck, Pierluigi Luisi, Pierre Suter, Pieter-Jan Pauwels, "
+"Playground Inc., Pomax, Popenoe, Pouhiou Noenaute, Prilutskiy Kirill, "
+"Print3Dreams Ltd., Quentin Coispeau, R. Smith, Race DiLoreto, Rachel Mercer, "
+"Rafael Scapin, Rafaela Kunz, Rain Doggerel, Raine Lourie, Rajiv Jhangiani, "
+"Ralph Chapoteau, Randall Kirby, Randy Brians, Raphaël Alexandre, Raphaël "
+"Schröder, Rasmus Jensen, Rayn Drahps, Rayna Stamboliyska, Rebecca Godar, "
+"Rebecca Lendl, Rebecca Weir, Regina Tschud, Remi Dino, Ric Herrero, Rich "
+"McCue, Richard “TalkToMeGuy” Olson, Richard Best, Richard Blumberg, Richard "
+"Fannon, Richard Heying, Richard Karnesky, Richard Kelly, Richard Littauer, "
+"Richard Sobey, Richard White, Richard Winchell, Rik ToeWater, Rita Lewis, "
+"Rita Wood, Riyadh Al Balushi, Rob Balder, Rob Berkley, Rob Bertholf, Rob "
+"Emanuele, Rob McAuliffe, Rob McKaughan, Rob Tillie, Rob Utter, Rob Vincent, "
+"Robert Gaffney, Robert Jones, Robert Kelly, Robert Lawlis, Robert McDonald, "
+"Robert Orzanna, Robert Paterson Hunter, Robert R. Daniel Jr., Robert Ryan-"
+"Silva, Robert Thompson, Robert Wagoner, Roberto Selvaggio, Robin DeRosa, "
+"Robin Rist Kildal, Rodrigo Castilhos, Roger Bacon, Roger Saner, Roger So, "
+"Roger Solé, Roger Tregear, Roland Tanglao, Rolf and Mari von Walthausen, "
+"Rolf Egstad, Rolf Schaller, Ron Zuijlen, Ronald Bissell, Ronald van den "
+"Hoff, Ronda Snow, Rory Landon Aronson, Ross Findlay, Ross Pruden, Ross "
+"Williams, Rowan Skewes, Roy Ivy III, Ruben Flores, Rupert Hitzenberger, Rusi "
+"Popov, Russ Antonucci, Russ Spollin, Russell Brand, Rute Correia, Ruth Ann "
+"Carpenter, Ruth White, Ryan Mentock, Ryan Merkley, Ryan Price, Ryan Sasaki, "
+"Ryan Singer, Ryan Voisin, Ryan Weir, S Searle, Salem Bin Kenaid, Salomon "
+"Riedo, Sam Hokin, Sam Twidale, Samantha Levin, Samantha-Jayne Chapman, "
+"Samarth Agarwal, Sami Al-AbdRabbuh, Samuel A. Rebelsky, Samuel Goëta, Samuel "
+"Hauser, Samuel Landete, Samuel Oliveira Cersosimo, Samuel Tait, Sandra "
+"Fauconnier, Sandra Markus, Sandy Bjar, Sandy ONeil, Sang-Phil Ju, Sanjay "
+"Basu, Santiago Garcia, Sara Armstrong, Sara Lucca, Sara Rodriguez Marin, "
+"Sarah Brand, Sarah Cove, Sarah Curran, Sarah Gold, Sarah McGovern, Sarah "
+"Smith, Sarinee Achavanuntakul, Sasha Moss, Sasha VanHoven, Saul Gasca, Scott "
+"Abbott, Scott Akerman, Scott Beattie, Scott Bruinooge, Scott Conroy, Scott "
+"Gillespie, Scott Williams, Sean Anderson, Sean Johnson, Sean Lim, Sean "
+"Wickett, Seb Schmoller, Sebastiaan Bekker, Sebastiaan ter Burg, Sebastian "
+"Makowiecki, Sebastian Meyer, Sebastian Schweizer, Sebastian Sigloch, "
+"Sebastien Huchet, Seokwon Yang, Sergey Chernyshev, Sergey Storchay, Sergio "
+"Cardoso, Seth Drebitko, Seth Gover, Seth Lepore, Shannon Turner, Sharon "
+"Clapp, Shauna Redmond, Shawn Gaston, Shawn Martin, Shay Knohl, Shelby "
+"Hatfield, Sheldon (Vila) Widuch, Sheona Thomson, Si Jie, Sicco van Sas, "
+"Siena Oristaglio, Simon Glover, Simon John King, Simon Klose, Simon Law, "
+"Simon Linder, Simon Moffitt, Solomon Kahn, Solomon Simon, Soujanna Sarkar, "
+"Stanislav Trifonov, Stefan Dumont, Stefan Jansson, Stefan Langer, Stefan "
+"Lindblad, Stefano Guidotti, Stefano Luzardi, Stephan Meißl, Stéphane "
+"Wojewoda, Stephanie Pereira, Stephen Gates, Stephen Murphey, Stephen Pearce, "
+"Stephen Rose, Stephen Suen, Stephen Walli, Stevan Matheson, Steve Battle, "
+"Steve Fisches, Steve Fitzhugh, Steve Guen-gerich, Steve Ingram, Steve Kroy, "
+"Steve Midgley, Steve Rhine, Steven Kasprzyk, Steven Knudsen, Steven Melvin, "
+"Stig-Jørund B. Ö. Arnesen, Stuart Drewer, Stuart Maxwell, Stuart Reich, "
+"Subhendu Ghosh, Sujal Shah, Sune Bøegh, Susan Chun, Susan R Grossman, Suzie "
+"Wiley, Sven Fielitz, Swan/Starts, Sylvain Carle, Sylvain Chery, Sylvia "
+"Green, Sylvia van Bruggen, Szabolcs Berecz, T. L. Mason, Tanbir Baeg, Tanya "
+"Hart, Tara Tiger Brown, Tara Westover, Tarmo Toikkanen, Tasha Turner "
+"Lennhoff, Tathagat Varma, Ted Timmons, Tej Dhawan, Teresa Gonczy, Terry "
+"Hook, Theis Madsen, Theo M. Scholl, Theresa Bernardo, Thibault Badenas, "
+"Thomas Bacig, Thomas Boehnlein, Thomas Bøvith, Thomas Chang, Thomas Hartman, "
+"Thomas Kent, Thomas Morgan, Thomas Philipp-Edmonds, Thomas Thrush, Thomas "
+"Werkmeister, Tieg Zaharia, Tieu Thuy Nguyen, Tim Chambers, Tim Cook, Tim "
+"Evers, Tim Nichols, Tim Stahmer, Timothée Planté, Timothy Arfsten, Timothy "
+"Hinchliff, Timothy Vollmer, Tina Coffman, Tisza Gergő, Tobias Schonwetter, "
+"Todd Brown, Todd Pousley, Todd Sattersten, Tom Bamford, Tom Caswell, Tom "
+"Goren, Tom Kent, Tom MacWright, Tom Maillioux, Tom Merkli, Tom Merritt, Tom "
+"Myers, Tom Olijhoek, Tom Rubin, Tommaso De Benetti, Tommy Dahlen, Tony Ciak, "
+"Tony Nwachukwu, Torsten Skomp, Tracey Depellegrin, Tracey Henton, Tracey "
+"James, Traci Long DeForge, Trent Yarwood, Trevor Hogue, Trey Blalock, Trey "
+"Hunner, Tryggvi Björgvinsson, Tumuult, Tushar Roy, Tyler Occhiogrosso, Udo "
+"Blenkhorn, Uri Sivan, Vanja Bobas, Vantharith Oum, Vaughan jenkins, Veethika "
+"Mishra, Vic King, Vickie Goode, Victor DePina, Victor Grigas, Victoria "
+"Klassen, Victorien Elvinger, VIGA Manufacture, Vikas Shah, Vinayak S."
+"Kaujalgi, Vincent O’Leary, Violette Paquet, Virginia Gentilini, Virginia "
+"Kopelman, Vitor Menezes, Vivian Marthell, Wayne Mackintosh, Wendy Keenan, "
+"Werner Wiethege, Wesley Derbyshire, Widar Hellwig, Willa Köerner, William "
+"Bettridge-Radford, William Jefferson, William Marshall, William Peter Nash, "
+"William Ray, William Robins, Willow Rosenberg, Winie Evers, Wolfgang "
+"Renninger, Xavier Antoviaque, Xavier Hugonet, Xavier Moisant, Xueqi Li, "
+"Yancey Strickler, Yann Heurtaux, Yasmine Hajjar, Yu-Hsian Sun, Yves "
+"Deruisseau, Zach Chandler, Zak Zebrowski, Zane Amiralis and Joshua de Haan, "
+"ZeMarmot Open Movie"
+msgstr ""
+"Alle de som støttet via Kickstarter (alfabetisk etter fornavn): A. Lee, "
+"Aaron C. Rathbun, Aaron Stubbs, Aaron Suggs, Abdul Razak Manaf, Abraham "
+"Taherivand, Adam Croom, Adam Finer, Adam Hansen, Adam Morris, Adam Procter, "
+"Adam Quirk, Adam Rory Porter, Adam Simmons, Adam Tinworth, Adam Zimmerman, "
+"Adrian Ho, Adrian Smith, Adriane Ruzak, Adriano Loconte, Al Sweigart, Alain "
+"Imbaud, Alan Graham, Alan M. Ford, Alan Swithenbank, Alan Vonlanthen, Albert "
+"O’Connor, Alec Foster, Alejandro Suarez Cebrian, Aleks Degtyarev, Alex "
+"Blood, Alex C. Ion, Alex Ross Shaw, Alexander Bartl, Alexander Brown, "
+"Alexander Brunner, Alexander Eliesen, Alexander Hawson, Alexander Klar, "
+"Alexander Neumann, Alexander Plaum, Alexander Wendland, Alexandre "
+"Rafalovitch, Alexey Volkow, Alexi Wheeler, Alexis Sevault, Alfredo Louro, "
+"Ali Sternburg, Alicia Gibb & Lunchbox Electronics, Alison Link, Alison "
"Pentecost, Alistair Boettiger, Alistair Walder, Alix Bernier, Allan "
"Callaghan, Allen Riddell, Allison Breland Crotwell, Allison Jane Smith, "
"Álvaro Justen, Amanda Palmer, Amanda Wetherhold, Amit Bagree, Amit Tikare, "
"Keller, Paul Rowe, Paul Timpson, Paul Walker, Pavel Dostál, Peeter Sällström "
"Randsalu, Peggy Frith, Pen-Yuan Hsing, Penny Pearson, Per Åström, Perry "
"Jetter, Péter Fankhauser, Peter Hirtle, Peter Humphries, Peter Jenkins, "
-"Peter Langmar, Peter le Roux, Peter Marinari, Peter Mengelers, Peter "
-"O’Brien, Peter Pinch, Peter S. Crosby, Peter Wells, Petr Fristedt, Petr "
+"Peter Langmar, Peter le Roux, Peter Marinari, Peter Mengelers, Peter O’"
+"Brien, Peter Pinch, Peter S. Crosby, Peter Wells, Petr Fristedt, Petr "
"Viktorin, Petronella Jeurissen, Phil Flickinger, Philip Chung, Philip "
"Pangrac, Philip R. Skaggs Jr., Philip Young, Philippa Lorne Channer, "
"Philippe Vandenbroeck, Pierluigi Luisi, Pierre Suter, Pieter-Jan Pauwels, "
"Hunner, Tryggvi Björgvinsson, Tumuult, Tushar Roy, Tyler Occhiogrosso, Udo "
"Blenkhorn, Uri Sivan, Vanja Bobas, Vantharith Oum, Vaughan jenkins, Veethika "
"Mishra, Vic King, Vickie Goode, Victor DePina, Victor Grigas, Victoria "
-"Klassen, Victorien Elvinger, VIGA Manufacture, Vikas Shah, Vinayak S."
-"Kaujalgi, Vincent O’Leary, Violette Paquet, Virginia Gentilini, Virginia "
+"Klassen, Victorien Elvinger, VIGA Manufacture, Vikas Shah, Vinayak "
+"S.Kaujalgi, Vincent O’Leary, Violette Paquet, Virginia Gentilini, Virginia "
"Kopelman, Vitor Menezes, Vivian Marthell, Wayne Mackintosh, Wendy Keenan, "
"Werner Wiethege, Wesley Derbyshire, Widar Hellwig, Willa Köerner, William "
"Bettridge-Radford, William Jefferson, William Marshall, William Peter Nash, "
"William Ray, William Robins, Willow Rosenberg, Winie Evers, Wolfgang "
"Renninger, Xavier Antoviaque, Xavier Hugonet, Xavier Moisant, Xueqi Li, "
"Yancey Strickler, Yann Heurtaux, Yasmine Hajjar, Yu-Hsian Sun, Yves "
-"Deruisseau, Zach Chandler, Zak Zebrowski, Zane Amiralis and Joshua de Haan, "
-"ZeMarmot Open Movie"
-msgstr ""
+"Deruisseau, Zach Chandler, Zak Zebrowski, Zane Amiralis og Joshua de Haan, "
+"ZeMarmot Open Movie."
projects / text-madewithcc.git / blobdiff