Add fuzzy tag to all mtrans tagged translations.

diff --git a/freeculture.nb.po b/freeculture.nb.po
index f44d26034670ed2b62c79b9e35323015f7ee1812..d1f79ce29cc745109833f070c48825de58e362e7 100644 (file)
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -5,7 +5,7 @@
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+"POT-Creation-Date: 2012-07-09 09:10+0300\n"

 "PO-Revision-Date: 2012-07-07 09:02+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"
 "PO-Revision-Date: 2012-07-07 09:02+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"


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@@ -50,8 +46,9 @@ msgid ""
 "Free Culture is licensed under a Creative Commons license. This license "
 "permits non-commercial use of this work, so long as attribution is given.  "
 "For more information about the license, click the icon above, or visit "
 "Free Culture is licensed under a Creative Commons license. This license "
 "permits non-commercial use of this work, so long as attribution is given.  "
 "For more information about the license, click the icon above, or visit "

-"<ulink url=\"http://creativecommons.org/licenses/by-nc/1.0/\">http://"
-"creativecommons.org/licenses/by-nc/1.0/</ulink> </holder> </copyright>"
+"<ulink "
+"url=\"http://creativecommons.org/licenses/by-nc/1.0/\">http://creativecommons.org/licenses/by-nc/1.0/</ulink> "
+"</holder> </copyright>"

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 msgstr ""
 
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@@ -60,20 +57,21 @@ msgstr "Om forfatteren"
 
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 msgid ""
 
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-"LAWRENCE LESSIG (<ulink url=\"http://www.lessig.org/\">http://www.lessig."
-"org</ulink>), professor of law and a John A.  Wilson Distinguished Faculty "
-"Scholar at Stanford Law School, is founder of the Stanford Center for "
-"Internet and Society and is chairman of the Creative Commons (<ulink url="
-"\"http://creativecommons.org/\">http://creativecommons.org</ulink>).  The "
-"author of The Future of Ideas (Random House, 2001) and Code: And Other Laws "
-"of Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the "
-"Public Library of Science, the Electronic Frontier Foundation, and Public "
-"Knowledge. He was the winner of the Free Software Foundation's Award for the "
-"Advancement of Free Software, twice listed in BusinessWeek's \"e.biz 25,\" "
-"and named one of Scientific American's \"50 visionaries.\" A graduate of the "
-"University of Pennsylvania, Cambridge University, and Yale Law School, "
-"Lessig clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of "
-"Appeals."
+"LAWRENCE LESSIG (<ulink "
+"url=\"http://www.lessig.org/\">http://www.lessig.org</ulink>), professor of "
+"law and a John A.  Wilson Distinguished Faculty Scholar at Stanford Law "
+"School, is founder of the Stanford Center for Internet and Society and is "
+"chairman of the Creative Commons (<ulink "
+"url=\"http://creativecommons.org/\">http://creativecommons.org</ulink>).  "
+"The author of The Future of Ideas (Random House, 2001) and Code: And Other "
+"Laws of Cyberspace (Basic Books, 1999), Lessig is a member of the boards of "
+"the Public Library of Science, the Electronic Frontier Foundation, and "
+"Public Knowledge. He was the winner of the Free Software Foundation's Award "
+"for the Advancement of Free Software, twice listed in BusinessWeek's \"e.biz "
+"25,\" and named one of Scientific American's \"50 visionaries.\" A graduate "
+"of the University of Pennsylvania, Cambridge University, and Yale Law "
+"School, Lessig clerked for Judge Richard Posner of the U.S. Seventh Circuit "
+"Court of Appeals."

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@@ -132,21 +130,21 @@ msgid ""
 "Michael J. Copps.  Library of Congress Cataloging-in-Publication Data "
 "Lessig, Lawrence.  Free culture : how big media uses technology and the law "
 "to lock down culture and control creativity / Lawrence Lessig.  p. cm.  "
 "Michael J. Copps.  Library of Congress Cataloging-in-Publication Data "
 "Lessig, Lawrence.  Free culture : how big media uses technology and the law "
 "to lock down culture and control creativity / Lawrence Lessig.  p. cm.  "

-"Includes index.  ISBN 1-59420-006-8 (hardcover)  1. Intellectual property--"
-"United States. 2. Mass media--United States.  3. Technological innovations--"
-"United States. 4. Art--United States. I. Title.  KF2979.L47 343.7309'9--dc22 "
-"This book is printed on acid-free paper.  Printed in the United States of "
-"America 1 3 5 7 9 10 8 6 4 Designed by Marysarah Quinn Without limiting the "
-"rights under copyright reserved above, no part of this publication may be "
-"reproduced, stored in or introduced into a retrieval system, or transmitted, "
-"in any form or by any means (electronic, mechanical, photocopying, recording "
-"or otherwise), without the prior written permission of both the copyright "
-"owner and the above publisher of this book.  The scanning, uploading, and "
-"distribution of this book via the Internet or via any other means without "
-"the permission of the publisher is illegal and punishable by law. Please "
-"purchase only authorized electronic editions and do not participate in or "
-"encourage electronic piracy of copyrighted materials. Your support of the "
-"author's rights is appreciated."
+"Includes index.  ISBN 1-59420-006-8 (hardcover)  1. Intellectual "
+"property--United States. 2. Mass media--United States.  3. Technological "
+"innovations--United States. 4. Art--United States. I. Title.  KF2979.L47 "
+"343.7309'9--dc22 This book is printed on acid-free paper.  Printed in the "
+"United States of America 1 3 5 7 9 10 8 6 4 Designed by Marysarah Quinn "
+"Without limiting the rights under copyright reserved above, no part of this "
+"publication may be reproduced, stored in or introduced into a retrieval "
+"system, or transmitted, in any form or by any means (electronic, mechanical, "
+"photocopying, recording or otherwise), without the prior written permission "
+"of both the copyright owner and the above publisher of this book.  The "
+"scanning, uploading, and distribution of this book via the Internet or via "
+"any other means without the permission of the publisher is illegal and "
+"punishable by law. Please purchase only authorized electronic editions and "
+"do not participate in or encourage electronic piracy of copyrighted "
+"materials. Your support of the author's rights is appreciated."

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@@ -183,12 +181,11 @@ msgstr ""
 "cyberspace, david pogue, en glimrende skribent og forfatter av utallige "
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 "cyberspace, david pogue, en glimrende skribent og forfatter av utallige "
 "tekniske og -relaterte tekster, skrev dette:"
 

-#. type: Content of: <book><chapter><blockquote><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "David Pogue, \"Don't Just Chat, Do Something,\" New York Times, 30 January "
 "2000."
 msgid ""
 "David Pogue, \"Don't Just Chat, Do Something,\" New York Times, 30 January "
 "2000."

-msgstr ""
-"David pogue, \"ikke bare chat, gjøre noe,\" new york times, 30 januar 2000."
+msgstr "David pogue, \"ikke bare chat, gjøre noe,\" new york times, 30 januar 2000."

 
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@@ -198,7 +195,7 @@ msgid ""
 "flip off the modem.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 "flip off the modem.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
 "Pogue was skeptical of the core argument of the book--that software, or "
 "\"code,\" functioned as a kind of law--and his review suggested the happy "
 msgid ""
 "Pogue was skeptical of the core argument of the book--that software, or "
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@@ -210,12 +207,11 @@ msgstr ""
 "Pogue var skeptisk til argumentet kjernen av boken--denne programvaren, "
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 msgid ""
 "Pogue might have been right in 1999--I'm skeptical, but maybe.  But even if "
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 msgid ""
 "Pogue might have been right in 1999--I'm skeptical, but maybe.  But even if "
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@@ -248,8 +244,8 @@ msgid ""
 "Richard M. Stallman, Free Software, Free Societies 57 ( Joshua Gay, ed.  "
 "2002)."
 msgstr ""
 "Richard M. Stallman, Free Software, Free Societies 57 ( Joshua Gay, ed.  "
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-"Richard m stallman, fri programvare, gratis samfunn 57 (joshua homofil, ed. "
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@@ -269,7 +265,7 @@ msgid ""
 "powerful, or of creators from the past."
 msgstr ""
 
 "powerful, or of creators from the past."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
 "If we understood this change, I believe we would resist it. Not \"we\" on "
 "the Left or \"you\" on the Right, but we who have no stake in the particular "
 msgid ""
 "If we understood this change, I believe we would resist it. Not \"we\" on "
 "the Left or \"you\" on the Right, but we who have no stake in the particular "


@@ -283,9 +279,10 @@ msgstr ""
 "industri av kultur som definert av det tjuende århundre. enten du er på "
 "venstre eller høyre, hvis du er i denne forstand disinterested, vil "
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+"påvirker verdier som begge sider av vår politiske kultur anser "
+"grunnleggende."

 
 

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@@ -305,20 +302,20 @@ msgstr ""
 "stevens\", han formulerte kanskje mest bare rettferdig hva som var på spill: "
 "konsentrasjonen strøm. og så han spurte:"
 
 "stevens\", han formulerte kanskje mest bare rettferdig hva som var på spill: "
 "konsentrasjonen strøm. og så han spurte:"
 

-#. type: Content of: <book><chapter><blockquote><para><footnote><para>
+#, mtrans, fuzzy

 msgid "William Safire, \"The Great Media Gulp,\" New York Times, 22 May 2003."
 msgstr "William safire, \"stor media svelge,\" mai new york times, 22 2003."
 
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 msgid "William Safire, \"The Great Media Gulp,\" New York Times, 22 May 2003."
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-"Does that sound unconservative? Not to me. The concentration of power--"
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-#. type: Content of: <book><chapter><para>
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 msgid ""
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@@ -367,16 +364,16 @@ msgstr ""
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-"Then came airplanes, and for the first time, this principle of American law--"
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+"most important legal thinkers of our past--mattered. If my land reaches to "
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 "license with Delta Airlines? Could we set up an auction to decide how much "
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@@ -453,7 +450,7 @@ msgstr ""
 "kan jeg til å inngå en eksklusiv lisens med delta airlines? kan vi sette opp "
 "en auksjon til å bestemme hvor mye disse rettighetene er verdt?"
 
 "kan jeg til å inngå en eksklusiv lisens med delta airlines? kan vi sette opp "
 "en auksjon til å bestemme hvor mye disse rettighetene er verdt?"
 

-#. type: Content of: <book><chapter><para>
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 msgid ""
 "In 1945, these questions became a federal case. When North Carolina farmers "
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 msgid ""
 "In 1945, these questions became a federal case. When North Carolina farmers "
 "Thomas Lee and Tinie Causby started losing chickens because of low-flying "


@@ -474,16 +471,16 @@ msgstr ""
 "oppover,\" deretter regjeringen var adgang på deres eiendom, og causbys "
 "ønsket å stoppe."
 
 "oppover,\" deretter regjeringen var adgang på deres eiendom, og causbys "
 "ønsket å stoppe."
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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+"then Congress's declaration could well have been an unconstitutional "
+"\"taking\" of property without compensation. The Court acknowledged that "
+"\"it is ancient doctrine that common law ownership of the land extended to "
+"the periphery of the universe.\" But Justice Douglas had no patience for "
+"ancient doctrine. In a single paragraph, hundreds of years of property law "
+"were erased. As he wrote for the Court,"

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@@ -495,6 +492,7 @@ msgstr ""
 "opphavsrettslovgivningen slettet. som han skrev for hoffet,"
 
 #. type: Content of: <book><chapter><blockquote><para><footnote><para>
 "opphavsrettslovgivningen slettet. som han skrev for hoffet,"
 
 #. type: Content of: <book><chapter><blockquote><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "United States v. Causby, U.S. 328 (1946): 256, 261. The Court did find that "
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 msgid ""
 "United States v. Causby, U.S. 328 (1946): 256, 261. The Court did find that "
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@@ -508,9 +506,9 @@ msgstr ""
 "bli en \"tar\" Hvis regjeringens bruken av sine land ødelagt effektivt "
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-"kulturelle geografi forfatterskap,\" stanford law gå gjennom 48 (1996): året "
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+"året etter, 1333. Se også paul goldstein, fast eiendom (mineola, n.y.: "
+"foundation press (1984)), 1112­13."

 
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@@ -520,25 +518,24 @@ msgid ""
 "suits. Common sense revolts at the idea. To recognize such private claims to "
 "the airspace would clog these highways, seriously interfere with their "
 "control and development in the public interest, and transfer into private "
 "suits. Common sense revolts at the idea. To recognize such private claims to "
 "the airspace would clog these highways, seriously interfere with their "
 "control and development in the public interest, and transfer into private "

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-"\"footnote\" id=\"0\"/>"
+"ownership that to which only the public has a just claim.<placeholder "
+"type=\"footnote\" id=\"0\"/>"

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 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid "\"Common sense revolts at the idea.\""
 msgstr "sunn fornuft opprør på ideen."
 
 msgid "\"Common sense revolts at the idea.\""
 msgstr "sunn fornuft opprør på ideen."
 

-#.  PAGE BREAK 18 
-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
 "This is how the law usually works. Not often this abruptly or impatiently, "
 msgid ""
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+"but eventually, this is how it works. It was Douglas's style not to "
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 "tiden. og når den er justert, endres den. ideer som var så solid som rock i "
 "en alder crumble i et annet."
 

-#. type: Content of: <book><chapter><para>
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+"meme bassenget; ideen deretter spre seg som et virus i en kylling coop; "
+"bønder som causbys funnet seg selv omringet av \"hva syntes rimelig\" gitt "

 "teknologien som wrights hadde produsert. de kunne stå på sine gårder, dead "
 "kyllinger i hånden og riste deres fists på disse newfangled teknologiene "
 "alle de ønsket. de kunne ringe sine representanter eller selv fil en "
 "teknologien som wrights hadde produsert. de kunne stå på sine gårder, dead "
 "kyllinger i hånden og riste deres fists på disse newfangled teknologiene "
 "alle de ønsket. de kunne ringe sine representanter eller selv fil en "


@@ -611,23 +608,23 @@ msgid ""
 "his most significant invention--FM radio. Until then, consumer radio had "
 "been amplitude-modulated (AM) radio. The theorists of the day had said that "
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 "på dagen etter jul, var 1933, fire patenter utstedt til armstrong for hans "
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 "On November 5, 1935, he demonstrated the technology at a meeting of the "
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@@ -652,8 +649,8 @@ msgid ""
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 "dominerende am radiomarkedet. som 1935, var det tusen radiostasjoner over "
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 "dominerende am radiomarkedet. som 1935, var det tusen radiostasjoner over "
 "hele USA, men stasjonene i store byer var eid av en håndfull av nettverk."
 

-#. type: Content of: <book><chapter><para>
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 msgid ""
 "RCA's president, David Sarnoff, a friend of Armstrong's, was eager that "
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 "RCA's president, David Sarnoff, a friend of Armstrong's, was eager that "
 "Armstrong discover a way to remove static from AM radio. So Sarnoff was "


@@ -740,11 +738,12 @@ msgid ""
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@@ -766,8 +765,8 @@ msgstr "Lessing, 256."
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 "The series of body blows that FM radio received right after the war, in a "
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 "FM radio was thus choked, at least temporarily."
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 "stasjoner ville bety radiostasjoner må kjøpe kablet koblinger fra at&amp;t.) "


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 "broken, and now broke, in 1954 Armstrong wrote a short note to his wife and "
 "then stepped out of a thirteenth-story window to his death."
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+"blakk, i 1954 armstrong skrev en kort notat til kona og deretter gikk ut av "
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 #.  PAGE BREAK 22 
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 #.  PAGE BREAK 22 
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@@ -841,8 +840,8 @@ msgstr ""
 msgid ""
 "Amanda Lenhart, \"The Ever-Shifting Internet Population: A New Look at "
 "Internet Access and the Digital Divide,\" Pew Internet and American Life "
 msgid ""
 "Amanda Lenhart, \"The Ever-Shifting Internet Population: A New Look at "
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-"Project, 15 April 2003: 6, available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #2</ulink>."
+"Project, 15 April 2003: 6, available at <ulink "
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 msgstr ""
 "directly. They are the proper subject of a book about the Internet. But this "
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@@ -892,8 +891,7 @@ msgstr ""
 "selv. mest, hvis de gjenkjent denne endringen, vil avvise det. de fleste ser "
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-#.  PAGE BREAK 23 
-#. type: Content of: <book><chapter><para>
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 "We can glimpse a sense of this change by distinguishing between commercial "
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+#, mtrans, fuzzy

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-#. type: Content of: <book><chapter><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
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@@ -1085,7 +1086,7 @@ msgid ""
 "property or against it."
 msgstr ""
 
 "property or against it."
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
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+"kvitte vår kultur med verdier som er integrert til vår tradisjon fra "
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-#. type: Content of: <book><chapter><para><footnote><para>
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 msgid ""
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+#, mtrans, fuzzy

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@@ -1151,7 +1154,7 @@ msgstr ""
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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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@@ -1170,10 +1173,10 @@ msgid ""
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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
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 "brødrene, har Internett ikke inspirert en revolusjon på høykant."
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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@@ -1288,8 +1291,7 @@ msgstr ""
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 "kraftigere siden har sikret at det har kraftigere visningen?"
 

-#.  PAGE BREAK 28 
-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
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 msgid ""
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 "angir en kontekst som er innenfor disse tilsynelatende enkle ideer kan være "
 "mer fullt forstått."
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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 "som de fleste av oss fortsatt oblivious."
 

-#. type: Content of: <book><chapter><title>
+#, mtrans, fuzzy

 msgid "\"PIRACY\""
 msgstr "piratkopiering"
 
 msgid "\"PIRACY\""
 msgstr "piratkopiering"
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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-#.  PAGE BREAK 31 
-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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 msgid ""
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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

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-#.  f2 
-#. type: Content of: <book><chapter><para><footnote><para>
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 msgid ""
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 msgid ""
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 msgstr ""
 
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-#.  PAGE BREAK 32 
-#. type: Content of: <book><chapter><para>
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+"commercial manga market. In some ways, it obviously competes with that "
+"market, but there is no sustained effort by those who control the commercial "
+"manga market to shut the doujinshi market down. It flourishes, despite the "

 "competition and despite the law."
 msgstr ""
 "disse copycat tegneseriene er ikke en liten del av manga-markedet. de er "
 "competition and despite the law."
 msgstr ""
 "disse copycat tegneseriene er ikke en liten del av manga-markedet. de er "


@@ -2018,11 +2021,11 @@ msgstr ""
 "to ganger i året, i den største offentlig sammenkomst i landet, å bytte og "
 "selge dem. Dette markedet finnes i parallell til det mainstream kommersielle "
 "manga-markedet. det åpenbart konkurrerer med dette markedet på noen måter, "
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 "selge dem. Dette markedet finnes i parallell til det mainstream kommersielle "
 "manga-markedet. det åpenbart konkurrerer med dette markedet på noen måter, "

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-"markedet for å stenge doujinshi markedet. den blomstrer, til tross for "
+"men det er ingen vedvarende innsats av de som styrer kommersielle "
+"manga-markedet for å stenge doujinshi markedet. den blomstrer, til tross for "

 "konkurransen og til tross for loven."
 
 "konkurransen og til tross for loven."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The most puzzling feature of the doujinshi market, for those trained in the "
 "law, at least, is that it is allowed to exist at all. Under Japanese "
 msgid ""
 "The most puzzling feature of the doujinshi market, for those trained in the "
 "law, at least, is that it is allowed to exist at all. Under Japanese "


@@ -2065,28 +2068,27 @@ msgid ""
 "days of comics in America are very much like what's going on in Japan "
 "now. . . . American comics were born out of copying each other. . . . That's "
 "how [the artists] learn to draw--by going into comic books and not tracing "
 "days of comics in America are very much like what's going on in Japan "
 "now. . . . American comics were born out of copying each other. . . . That's "
 "how [the artists] learn to draw--by going into comic books and not tracing "

-"them, but looking at them and copying them\" and building from them."
-"<placeholder type=\"footnote\" id=\"0\"/>"
+"them, but looking at them and copying them\" and building from "
+"them.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "American comics now are quite different, Winick explains, in part because of "
 msgid ""
 "American comics now are quite different, Winick explains, in part because of "

-"the legal difficulty of adapting comics the way doujinshi are allowed. "
-"Speaking of Superman, Winick told me, \"there are these rules and you have "
-"to stick to them.\" There are things Superman \"cannot\" do. \"As a creator, "
-"it's frustrating having to stick to some parameters which are fifty years "
-"old.\""
+"the legal difficulty of adapting comics the way doujinshi are "
+"allowed. Speaking of Superman, Winick told me, \"there are these rules and "
+"you have to stick to them.\" There are things Superman \"cannot\" do. \"As a "
+"creator, it's frustrating having to stick to some parameters which are fifty "
+"years old.\""

 msgstr ""
 "amerikanske tegneserier nå er helt forskjellige, winick forklarer, delvis på "
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 "er tillatt. Speaking of superman, winick fortalte meg, \"det er disse "
 msgstr ""
 "amerikanske tegneserier nå er helt forskjellige, winick forklarer, delvis på "
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-"\"som en creator, det er frustrerende måtte holde oss til noen parametere "
-"som er femti år.\""
+"reglene og du har å holde oss til dem\" det er ting superman \"ikke\" "
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+"parametere som er femti år.\""

 
 

-#.  f6 
-#. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "See Salil K. Mehra, \"Copyright and Comics in Japan: Does Law Explain Why "
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 msgid ""
 "See Salil K. Mehra, \"Copyright and Comics in Japan: Does Law Explain Why "
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@@ -2094,8 +2096,8 @@ msgid ""
 "would lead manga and anime artists to forgo bringing legal actions for "
 "infringement. One hypothesis is that all manga artists may be better off "
 "collectively if they set aside their individual self-interest and decide not "
 "would lead manga and anime artists to forgo bringing legal actions for "
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-"to press their legal rights. This is essentially a prisoner's dilemma solved."
-"\""
+"to press their legal rights. This is essentially a prisoner's dilemma "
+"solved.\""

 msgstr ""
 "se salil k. mehra, \"copyright og tegneserier i japan: gjør loven forklare "
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 msgstr ""
 "se salil k. mehra, \"copyright og tegneserier i japan: gjør loven forklare "
 "hvorfor alle tegneseriene min gutt klokker er japanske import?\" rutgers lov "


@@ -2112,12 +2114,12 @@ msgid ""
 "the benefit accruing to the Japanese manga market that explains the "
 "mitigation. Temple University law professor Salil Mehra, for example, "
 "hypothesizes that the manga market accepts these technical violations "
 "the benefit accruing to the Japanese manga market that explains the "
 "mitigation. Temple University law professor Salil Mehra, for example, "
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-"ban doujinshi.<placeholder type=\"footnote\" id=\"0\"/>"
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+"productive. Everyone would be worse off if doujinshi were banned, so the law "
+"does not ban doujinshi.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The problem with this story, however, as Mehra plainly acknowledges, is that "
 "the mechanism producing this laissez faire response is not clear. It may "
 msgid ""
 "The problem with this story, however, as Mehra plainly acknowledges, is that "
 "the mechanism producing this laissez faire response is not clear. It may "


@@ -2137,13 +2139,13 @@ msgstr ""
 "artister, hvorfor er det ikke en mer generell mønster av blokkerer denne "
 "\"gratis tar\" av doujinshi kultur?"
 
 "artister, hvorfor er det ikke en mer generell mønster av blokkerer denne "
 "\"gratis tar\" av doujinshi kultur?"
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "I spent four wonderful months in Japan, and I asked this question as often "
 "as I could. Perhaps the best account in the end was offered by a friend from "
 "a major Japanese law firm. \"We don't have enough lawyers,\" he told me one "
 msgid ""
 "I spent four wonderful months in Japan, and I asked this question as often "
 "as I could. Perhaps the best account in the end was offered by a friend from "
 "a major Japanese law firm. \"We don't have enough lawyers,\" he told me one "

-"afternoon. There \"just aren't enough resources to prosecute cases like this."
-"\""
+"afternoon. There \"just aren't enough resources to prosecute cases like "
+"this.\""

 msgstr ""
 "Jeg tilbrakte fire fantastiske måneder i japan, og jeg spurt dette "
 "spørsmålet så ofte som jeg kunne. kanskje ble den beste kontoen til slutt "
 msgstr ""
 "Jeg tilbrakte fire fantastiske måneder i japan, og jeg spurt dette "
 "spørsmålet så ofte som jeg kunne. kanskje ble den beste kontoen til slutt "


@@ -2184,8 +2186,7 @@ msgstr ""
 "begynne å tenke disse problemene, bør så bare om nå du være rådvill om noe "
 "du ikke hadde tenkt gjennom før."
 
 "begynne å tenke disse problemene, bør så bare om nå du være rådvill om noe "
 "du ikke hadde tenkt gjennom før."
 

-#.  f7 
-#. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "The term intellectual property is of relatively recent origin. See Siva "
 "Vaidhyanathan, Copyrights and Copywrongs, 11 (New York: New York University "
 msgid ""
 "The term intellectual property is of relatively recent origin. See Siva "
 "Vaidhyanathan, Copyrights and Copywrongs, 11 (New York: New York University "


@@ -2221,10 +2222,10 @@ msgid ""
 "Disney animators had stolen a set of pencils to draw Steamboat Willie, we'd "
 "have no hesitation in condemning that taking as wrong-- even though trivial, "
 "even if unnoticed. Yet there was nothing wrong, at least under the law of "
 "Disney animators had stolen a set of pencils to draw Steamboat Willie, we'd "
 "have no hesitation in condemning that taking as wrong-- even though trivial, "
 "even if unnoticed. Yet there was nothing wrong, at least under the law of "

-"the day, with Disney's taking from Buster Keaton or from the Brothers Grimm. "
-"There was nothing wrong with the taking from Keaton because Disney's use "
-"would have been considered \"fair.\" There was nothing wrong with the taking "
-"from the Grimms because the Grimms' work was in the public domain."
+"the day, with Disney's taking from Buster Keaton or from the Brothers "
+"Grimm. There was nothing wrong with the taking from Keaton because Disney's "
+"use would have been considered \"fair.\" There was nothing wrong with the "
+"taking from the Grimms because the Grimms' work was in the public domain."

 msgstr ""
 
 #.  PAGE BREAK 42 
 msgstr ""
 
 #.  PAGE BREAK 42 


@@ -2255,7 +2256,7 @@ msgstr ""
 "galt. i tillegg til å ha begått, ville han har stjålet noe av verdi. lov "
 "forbud at stjele i enhver form, enten store eller små."
 
 "galt. i tillegg til å ha begått, ville han har stjålet noe av verdi. lov "
 "forbud at stjele i enhver form, enten store eller små."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "Yet there is an obvious reluctance, even among Japanese lawyers, to say that "
 "the copycat comic artists are \"stealing.\" This form of Walt Disney "
 msgid ""
 "Yet there is an obvious reluctance, even among Japanese lawyers, to say that "
 "the copycat comic artists are \"stealing.\" This form of Walt Disney "


@@ -2267,7 +2268,7 @@ msgstr ""
 "kreativitet er sett på som rettferdig og høyre, selv om advokater spesielt "
 "finner det vanskelig å si hvorfor."
 
 "kreativitet er sett på som rettferdig og høyre, selv om advokater spesielt "
 "finner det vanskelig å si hvorfor."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "It's the same with a thousand examples that appear everywhere once you begin "
 "to look. Scientists build upon the work of other scientists without asking "
 msgid ""
 "It's the same with a thousand examples that appear everywhere once you begin "
 "to look. Scientists build upon the work of other scientists without asking "


@@ -2281,9 +2282,9 @@ msgid ""
 "of movie: five asteroid films in the late 1990s; two volcano disaster films "
 "in 1997."
 msgstr ""
 "of movie: five asteroid films in the late 1990s; two volcano disaster films "
 "in 1997."
 msgstr ""

-"Det er det samme med tusen eksempler som vises overalt når du begynner å se. "
-"forskere bygge på arbeidet til andre forskere uten å be om eller betale for "
-"privilegiet. (\"Unnskyld meg, professor einstein, men kanskje jeg har "
+"Det er det samme med tusen eksempler som vises overalt når du begynner å "
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+"for privilegiet. (\"Unnskyld meg, professor einstein, men kanskje jeg har "

 "tillatelse til å bruke ditt Relativitetsteorien for å vise at du var galt om "
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 "alle samfunn til en viss grad."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The hard question is therefore not whether a culture is free. All cultures "
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 msgid ""
 "The hard question is therefore not whether a culture is free. All cultures "
 "are free to some degree. The hard question instead is \"How free is this "


@@ -2344,11 +2345,11 @@ msgstr ""
 "eller tillatelse, kulturer la mye mindre. våre var en fri kultur. det blir "
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 "eller tillatelse, kulturer la mye mindre. våre var en fri kultur. det blir "
 "mye mindre."
 

-#. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy

 msgid "CHAPTER TWO: \"Mere Copyists\""
 msgstr "Kapittel to: \"kun copyists\""
 
 msgid "CHAPTER TWO: \"Mere Copyists\""
 msgstr "Kapittel to: \"kun copyists\""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "In 1839, Louis Daguerre invented the first practical technology for "
 "producing what we would call \"photographs.\" Appropriately enough, they "
 msgid ""
 "In 1839, Louis Daguerre invented the first practical technology for "
 "producing what we would call \"photographs.\" Appropriately enough, they "


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 "i 1839, louis daguerre oppfant den første praktiske teknologien for å "
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+"dermed begrenset til profesjonelle og noen ivrige og velstående "
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+"regulere bransjen, som gjør alle slike tilknytninger, ved å holde "
+"konkurranse å holde prisene.)"

 
 

-#. type: Content of: <book><chapter><sect1><para>
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 "Yet despite high prices, the demand for daguerreotypes was strong.  This "
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-"process within reach of most amateurs."
+"pictures.\" William Talbot soon discovered a process for making "
+"\"negatives.\" But because the negatives were glass, and had to be kept wet, "
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+"plates were developed, making it easier to separate the taking of a picture "
+"from its developing. These were still plates of glass, and thus it was still "
+"not a process within reach of most amateurs."

 msgstr ""
 "likevel til tross for høye priser var etterspørselen etter daguerreotypes "
 "sterk. Dette presset oppfinnere å finne enklere og billigere måter å gjøre "
 msgstr ""
 "likevel til tross for høye priser var etterspørselen etter daguerreotypes "
 "sterk. Dette presset oppfinnere å finne enklere og billigere måter å gjøre "


@@ -2393,17 +2394,17 @@ msgid ""
 "until 1888, and was the creation of a single man. George Eastman, himself an "
 "amateur photographer, was frustrated by the technology of photographs made "
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-"film could be made to be flexible, it could be held on a single spindle. "
-"That roll could then be sent to a developer, driving the costs of "
+"film could be made to be flexible, it could be held on a single "
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 msgstr ""
 "teknologiske endringen som gjorde det mulig masse fotografering skje ikke "
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 "could dramatically broaden the population of photographers."
 msgstr ""
 "teknologiske endringen som gjorde det mulig masse fotografering skje ikke "
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 "fotografering vesentlig. ved å senke kostnadene, forventet eastman han kan "
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@@ -2489,7 +2490,7 @@ msgid ""
 "id=\"0\"/>"
 msgstr ""
 
 "id=\"0\"/>"
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "In this way, the Kodak camera and film were technologies of expression.  The "
 "pencil or paintbrush was also a technology of expression, of course. But it "
 msgid ""
 "In this way, the Kodak camera and film were technologies of expression.  The "
 "pencil or paintbrush was also a technology of expression, of course. But it "


@@ -2529,12 +2530,11 @@ msgid ""
 "photography, there was a series of judicial decisions that could well have "
 "changed the course of photography substantially.  Courts were asked whether "
 "the photographer, amateur or professional, required permission before he "
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-"<placeholder type=\"footnote\" id=\"0\"/>"
+"could capture and print whatever image he wanted. Their answer was "
+"no.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 msgstr ""
 

-#.  PAGE BREAK 47 
-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "The arguments in favor of requiring permission will sound surprisingly "
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 msgid ""
 "The arguments in favor of requiring permission will sound surprisingly "
 "familiar. The photographer was \"taking\" something from the person or "


@@ -2550,8 +2550,7 @@ msgstr ""
 "så bør også, disse fotografer ikke være fritt til å ta bilder som de trodde "
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 "så bør også, disse fotografer ikke være fritt til å ta bilder som de trodde "
 "verdifull."
 

-#.  f7 
-#. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "Samuel D. Warren and Louis D. Brandeis, \"The Right to Privacy,\" Harvard "
 "Law Review 4 (1890): 193."
 msgid ""
 "Samuel D. Warren and Louis D. Brandeis, \"The Right to Privacy,\" Harvard "
 "Law Review 4 (1890): 193."


@@ -2567,23 +2566,24 @@ msgid ""
 "Brandeis, who would become a Supreme Court Justice, thought the rule should "
 "be different for images from private spaces.<placeholder type=\"footnote\" "
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-"for nothing. Just as Disney could take inspiration from Steamboat Bill, Jr. "
-"or the Brothers Grimm, the photographer should be free to capture an image "
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+"for nothing. Just as Disney could take inspiration from Steamboat Bill, "
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 msgstr ""
 
 #.  f8 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 msgstr ""
 
 #.  f8 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "See Melville B. Nimmer, \"The Right of Publicity,\" Law and Contemporary "
 "Problems 19 (1954): 203; William L. Prosser, \"Privacy,\" California Law "
 msgid ""
 "See Melville B. Nimmer, \"The Right of Publicity,\" Law and Contemporary "
 "Problems 19 (1954): 203; William L. Prosser, \"Privacy,\" California Law "

-"Review 48 (1960) 398­407; White v. Samsung Electronics America, Inc., 971 F.  "
-"2d 1395 (9th Cir. 1992), cert. denied, 508 U.S. 951 (1993)."
+"Review 48 (1960) 398­407; White v. Samsung Electronics America, Inc., 971 "
+"F.  2d 1395 (9th Cir. 1992), cert. denied, 508 U.S. 951 (1993)."

 msgstr ""
 "se melville b. nimmer, \"rett publisitet,\" lov og moderne problemer 19 "
 msgstr ""
 "se melville b. nimmer, \"rett publisitet,\" lov og moderne problemer 19 "

-"(1954): 203; William l. prosser, \"personvern\", california lov gå gjennom "
-"48 (1960) 398­407; hvite v. samsung electronics america, inc., 971 f. 2D 1395 "
-"(9 cir. 1992), cert. nektet, 508 amerikansk 951 (1993)."
+"(1954): 203; William l. prosser, \"personvern\", california lov gå "
+"gjennom 48 (1960) 398­407; hvite v. samsung electronics america, inc., 971 "
+"f. 2D 1395 (9 cir. 1992), cert. nektet, 508 amerikansk 951 (1993)."

 
 #. type: Content of: <book><chapter><sect1><para>
 msgid ""
 
 #. type: Content of: <book><chapter><sect1><para>
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 "craft an exception for famous people: commercial photographers who snap "
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-"\" id=\"0\"/>)"
+"without clearing the rights to do the capturing.<placeholder "
+"type=\"footnote\" id=\"0\"/>)"

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
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@@ -2625,36 +2625,35 @@ msgstr ""
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-#.  PAGE BREAK 48 
-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
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+"VCR.  Rather the \"film\" of digital cameras. Just Think! is a project that "
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+"culture that they find all around them. Each year, these busses travel to "
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 msgstr ""
 "men selv om vi kunne tenke seg dette systemet av tillatelse, det ville være "
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@@ -2676,25 +2675,24 @@ msgstr ""
 msgid ""
 "H. Edward Goldberg, \"Essential Presentation Tools: Hardware and Software "
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 "H. Edward Goldberg, \"Essential Presentation Tools: Hardware and Software "
 "You Need to Create Digital Multimedia Presentations,\" cadalyst, February "

-"2002, available at <ulink url=\"http://free-culture.cc/notes/\">link #7</"
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-#.  f10 
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 "Judith Van Evra, Television and Child Development (Hillsdale, N.J.: Lawrence "
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 msgid ""
 "Judith Van Evra, Television and Child Development (Hillsdale, N.J.: Lawrence "
 "Erlbaum Associates, 1990); \"Findings on Family and TV Study,\" Denver Post, "


@@ -2731,12 +2728,12 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>


@@ -2744,36 +2741,36 @@ msgid ""
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+"understandable--few of us have any real sense of how difficult media is. Or "
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 "suspense."
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 #.  f11 
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 #.  f11 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>


@@ -2784,9 +2781,9 @@ msgstr "Intervju med elizabeth daley og stephanie barish, 13 desember 2002."
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 msgid ""
 "See Scott Steinberg, \"Crichton Gets Medieval on PCs,\" E!online, 4 November "
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 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>


@@ -2795,18 +2792,18 @@ msgid ""
 "Elizabeth Daley, executive director of the University of Southern "
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 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
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-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "\"Read-only.\" Passive recipients of culture produced elsewhere.  Couch "
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@@ -2869,10 +2866,10 @@ msgid ""
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 "The class was held on Friday afternoons, and it created a relatively new "
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 "enn i noen annen klasse å gjøre hva utdanning bør være omtrent--lære å "
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 msgid ""
 "Using whatever \"free web stuff they could find,\" and relatively simple "
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 "Using whatever \"free web stuff they could find,\" and relatively simple "
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-#.  PAGE BREAK 64 
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+#, mtrans, fuzzy

 msgid ""
 "Tim Goral, \"Recording Industry Goes After Campus P-2-P Networks: Suit "
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 msgid ""
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@@ -3901,13 +3892,14 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><para>
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@@ -3922,7 +3914,7 @@ msgstr ""
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 "penger jesse hatt. Jesse hadde lagret $12.000 fra sommerjobber og andre "
 "sysselsetting. de krevde $12000 for å avvise saken."
 

-#. type: Content of: <book><chapter><sect1><para>
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 #.  PAGE BREAK 65 
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 #.  PAGE BREAK 65 
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+#, mtrans, fuzzy

 msgid ""
 msgid ""

-"Occupational Employment Survey, U.S. Dept. of Labor (2001)  (27­2042--"
-"Musicians and Singers). See also National Endowment for the Arts, More Than "
-"One in a Blue Moon (2000)."
+"Occupational Employment Survey, U.S. Dept. of Labor (2001)  "
+"(27­2042--Musicians and Singers). See also National Endowment for the Arts, "
+"More Than One in a Blue Moon (2000)."

 msgstr ""
 msgstr ""

-"yrkesmessig sysselsetting undersøkelse, US dept. of labor (2001) (27­2042--"
-"musikere og vokalister). Se også nasjonale legat for arts, mer enn en i en "
-"blå månen (2000)."
+"yrkesmessig sysselsetting undersøkelse, US dept. of labor (2001) "
+"(27­2042--musikere og vokalister). Se også nasjonale legat for arts, mer enn "
+"en i en blå månen (2000)."

 
 

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 msgid ""
 "Douglas Lichtman makes a related point in \"KaZaA and Punishment,\" Wall "
 "Street Journal, 10 September 2003, A24."
 msgid ""
 "Douglas Lichtman makes a related point in \"KaZaA and Punishment,\" Wall "
 "Street Journal, 10 September 2003, A24."


@@ -4024,7 +4016,7 @@ msgstr ""
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-#. type: Content of: <book><chapter><sect1><title>
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 msgid "CHAPTER FOUR: \"Pirates\""
 msgstr "Kapittel fire: \"pirater\""
 
 msgid "CHAPTER FOUR: \"Pirates\""
 msgstr "Kapittel fire: \"pirater\""
 

-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "If \"piracy\" means using the creative property of others without their "
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 "If \"piracy\" means using the creative property of others without their "
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@@ -4053,11 +4045,11 @@ msgid ""
 msgstr ""
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 #. type: Content of: <book><chapter><sect1><sect2><title>
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 #. type: Content of: <book><chapter><sect1><sect2><title>
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 #.  f1 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "I am grateful to Peter DiMauro for pointing me to this extraordinary "
 "history.  See also Siva Vaidhyanathan, Copyrights and Copywrongs, 87­93, "
 msgid ""
 "I am grateful to Peter DiMauro for pointing me to this extraordinary "
 "history.  See also Siva Vaidhyanathan, Copyrights and Copywrongs, 87­93, "


@@ -4072,7 +4065,8 @@ msgid ""
 msgstr ""
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 #.  PAGE BREAK 67 
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 #.  PAGE BREAK 67 
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 "type=\"footnote\" id=\"0\"/> Creators and directors migrated from the East "
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@@ -4104,9 +4098,9 @@ msgstr ""
 "en tidsfrist for januar 1909 ble angitt for alle selskaper i samsvar med "
 "lisens. februar, ulisensiert outlaws, som henviste til seg selv som "
 "independents protesterte tillit og videreførte virksomhet uten å sende til "
 "en tidsfrist for januar 1909 ble angitt for alle selskaper i samsvar med "
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 "J. A. Aberdeen, Hollywood Renegades: The Society of Independent Motion "
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+"url=\"http://free-culture.cc/notes/\">link #11</ulink>. For a discussion of "
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+"Victor on phonographs, see Randal C. Picker, \"From Edison to the Broadcast "
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+"Copyright\" (September 2002), University of Chicago Law School, James "
+"M. Olin Program in Law and Economics, Working Paper No. 159."

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 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
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 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>


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-#.  PAGE BREAK 68 
-#. type: Content of: <book><chapter><sect1><sect2><para>
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 "Of course, California grew quickly, and the effective enforcement of federal "
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-#. type: Content of: <book><chapter><sect1><sect2><para>
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 msgid ""
 "At the time that Edison and Henri Fourneaux invented machines for "
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 "But what if I wanted to record \"Happy Mose,\" using Edison's phonograph or "
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@@ -4241,8 +4234,8 @@ msgid ""
 "The composers (and publishers) were none too happy about this capacity to "
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 "The composers (and publishers) were none too happy about this capacity to "
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 #.  f4 
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 #.  f4 
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@@ -4254,20 +4247,21 @@ msgid ""
 "Brylawski and Abe Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, "
 "1976)."
 msgstr ""
 "Brylawski and Abe Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, "
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 "The innovators who developed the technology to record other people's works "
 "were \"sponging upon the toil, the work, the talent, and genius of American "
 "composers,\"<placeholder type=\"footnote\" id=\"0\"/> and the \"music "
 "The innovators who developed the technology to record other people's works "
 "were \"sponging upon the toil, the work, the talent, and genius of American "
 "composers,\"<placeholder type=\"footnote\" id=\"0\"/> and the \"music "

-"publishing industry\" was thereby \"at the complete mercy of this one pirate."
-"\"<placeholder type=\"footnote\" id=\"1\"/> As John Philip Sousa put it, in "
-"as direct a way as possible, \"When they make money out of my pieces, I want "
-"a share of it.\"<placeholder type=\"footnote\" id=\"2\"/>"
+"publishing industry\" was thereby \"at the complete mercy of this one "
+"pirate.\"<placeholder type=\"footnote\" id=\"1\"/> As John Philip Sousa put "
+"it, in as direct a way as possible, \"When they make money out of my pieces, "
+"I want a share of it.\"<placeholder type=\"footnote\" id=\"2\"/>"

 msgstr ""
 
 #.  f8 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgstr ""
 
 #.  f8 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 283­84 (statement of "
 "Albert Walker, representative of the Auto-Music Perforating Company of New "
 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 283­84 (statement of "
 "Albert Walker, representative of the Auto-Music Perforating Company of New "


@@ -4342,12 +4337,11 @@ msgid ""
 "of [the public], whom they represent, and whose servants they are.\" \"All "
 "talk about `theft,'\" the general counsel of the American Graphophone "
 "Company wrote, \"is the merest claptrap, for there exists no property in "
 "of [the public], whom they represent, and whose servants they are.\" \"All "
 "talk about `theft,'\" the general counsel of the American Graphophone "
 "Company wrote, \"is the merest claptrap, for there exists no property in "

-"ideas musical, literary or artistic, except as defined by statute."
-"\"<placeholder type=\"footnote\" id=\"1\"/>"
+"ideas musical, literary or artistic, except as defined by "
+"statute.\"<placeholder type=\"footnote\" id=\"1\"/>"

 msgstr ""
 
 msgstr ""
 

-#.  PAGE BREAK 70 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "The law soon resolved this battle in favor of the composer and the recording "
 "artist. Congress amended the law to make sure that composers would be paid "
 msgid ""
 "The law soon resolved this battle in favor of the composer and the recording "
 "artist. Congress amended the law to make sure that composers would be paid "


@@ -4355,10 +4349,10 @@ msgid ""
 "granting the composer complete control over the right to make mechanical "
 "reproductions, Congress gave recording artists a right to record the music, "
 "at a price set by Congress, once the composer allowed it to be recorded "
 "granting the composer complete control over the right to make mechanical "
 "reproductions, Congress gave recording artists a right to record the music, "
 "at a price set by Congress, once the composer allowed it to be recorded "

-"once. This is the part of copyright law that makes cover songs possible. "
-"Once a composer authorizes a recording of his song, others are free to "
-"record the same song, so long as they pay the original composer a fee set by "
-"the law."
+"once. This is the part of copyright law that makes cover songs "
+"possible. Once a composer authorizes a recording of his song, others are "
+"free to record the same song, so long as they pay the original composer a "
+"fee set by the law."

 msgstr ""
 "loven løst snart denne kampen til fordel for komponisten og opptak "
 "kunstneren. kongressen endret loven å sørge for at komponister ville bli "
 msgstr ""
 "loven løst snart denne kampen til fordel for komponisten og opptak "
 "kunstneren. kongressen endret loven å sørge for at komponister ville bli "


@@ -4371,7 +4365,7 @@ msgstr ""
 "andre gratis å registrere samme sang, så lenge de betaler den opprinnelige "
 "komponisten et gebyr som er angitt av loven."
 
 "andre gratis å registrere samme sang, så lenge de betaler den opprinnelige "
 "komponisten et gebyr som er angitt av loven."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "American law ordinarily calls this a \"compulsory license,\" but I will "
 "refer to it as a \"statutory license.\" A statutory license is a license "
 msgid ""
 "American law ordinarily calls this a \"compulsory license,\" but I will "
 "refer to it as a \"statutory license.\" A statutory license is a license "


@@ -4406,11 +4400,11 @@ msgstr ""
 #.  f10 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 #.  f10 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""

-"Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and H.R. "
-"11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., 217 "
-"(1908) (statement of Senator Reed Smoot, chairman), reprinted in Legislative "
-"History of the 1909 Copyright Act, E. Fulton Brylawski and Abe Goldman, eds. "
-"(South Hackensack, N.J.: Rothman Reprints, 1976)."
+"Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and "
+"H.R. 11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., "
+"217 (1908) (statement of Senator Reed Smoot, chairman), reprinted in "
+"Legislative History of the 1909 Copyright Act, E. Fulton Brylawski and Abe "
+"Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, 1976)."

 msgstr ""
 "Copyright lov revision: hearings på s. 2499, s. 2900, hr 243 og hr 11794 før "
 "(felles) komiteen på patenter, 60 cong., 1 sess., 217 (1908) (setning av "
 msgstr ""
 "Copyright lov revision: hearings på s. 2499, s. 2900, hr 243 og hr 11794 før "
 "(felles) komiteen på patenter, 60 cong., 1 sess., 217 (1908) (setning av "


@@ -4421,16 +4415,16 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "But the law governing recordings gives recording artists less. And thus, in "
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "But the law governing recordings gives recording artists less. And thus, in "

-"effect, the law subsidizes the recording industry through a kind of piracy--"
-"by giving recording artists a weaker right than it otherwise gives creative "
-"authors. The Beatles have less control over their creative work than Grisham "
-"does. And the beneficiaries of this less control are the recording industry "
-"and the public. The recording industry gets something of value for less than "
-"it otherwise would pay; the public gets access to a much wider range of "
-"musical creativity. Indeed, Congress was quite explicit about its reasons "
-"for granting this right. Its fear was the monopoly power of rights holders, "
-"and that that power would stifle follow-on creativity.<placeholder type="
-"\"footnote\" id=\"0\"/>"
+"effect, the law subsidizes the recording industry through a kind of "
+"piracy--by giving recording artists a weaker right than it otherwise gives "
+"creative authors. The Beatles have less control over their creative work "
+"than Grisham does. And the beneficiaries of this less control are the "
+"recording industry and the public. The recording industry gets something of "
+"value for less than it otherwise would pay; the public gets access to a much "
+"wider range of musical creativity. Indeed, Congress was quite explicit about "
+"its reasons for granting this right. Its fear was the monopoly power of "
+"rights holders, and that that power would stifle follow-on "
+"creativity.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -4447,8 +4441,8 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
 msgid ""
 "Copyright Law Revision: Report to Accompany H.R. 2512, House Committee on "
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
 msgid ""
 "Copyright Law Revision: Report to Accompany H.R. 2512, House Committee on "

-"the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March 1967). "
-"I am grateful to Glenn Brown for drawing my attention to this report."
+"the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March "
+"1967). I am grateful to Glenn Brown for drawing my attention to this report."

 msgstr ""
 "Copyright lov revision: rapporten skal følge med HR 2512, huset committee on "
 "rettsvesenet, 90th cong., 1 sess., huset dokument nr. 83, (8 mars 1967). Jeg "
 msgstr ""
 "Copyright lov revision: rapporten skal følge med HR 2512, huset committee on "
 "rettsvesenet, 90th cong., 1 sess., huset dokument nr. 83, (8 mars 1967). Jeg "


@@ -4458,17 +4452,17 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
 msgid ""
 "the record producers argued vigorously that the compulsory license system "
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
 msgid ""
 "the record producers argued vigorously that the compulsory license system "

-"must be retained. They asserted that the record industry is a half-billion-"
-"dollar business of great economic importance in the United States and "
-"throughout the world; records today are the principal means of disseminating "
-"music, and this creates special problems, since performers need unhampered "
-"access to musical material on nondiscriminatory terms. Historically, the "
-"record producers pointed out, there were no recording rights before 1909 and "
-"the 1909 statute adopted the compulsory license as a deliberate anti-"
-"monopoly condition on the grant of these rights. They argue that the result "
-"has been an outpouring of recorded music, with the public being given lower "
-"prices, improved quality, and a greater choice.<placeholder type=\"footnote"
-"\" id=\"0\"/>"
+"must be retained. They asserted that the record industry is a "
+"half-billion-dollar business of great economic importance in the United "
+"States and throughout the world; records today are the principal means of "
+"disseminating music, and this creates special problems, since performers "
+"need unhampered access to musical material on nondiscriminatory "
+"terms. Historically, the record producers pointed out, there were no "
+"recording rights before 1909 and the 1909 statute adopted the compulsory "
+"license as a deliberate anti-monopoly condition on the grant of these "
+"rights. They argue that the result has been an outpouring of recorded music, "
+"with the public being given lower prices, improved quality, and a greater "
+"choice.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -4487,40 +4481,38 @@ msgstr "Radio"
 msgid "Radio was also born of piracy."
 msgstr "Radio ble også født av piratkopiering."
 
 msgid "Radio was also born of piracy."
 msgstr "Radio ble også født av piratkopiering."
 

-#.  f12 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "See 17 United States Code, sections 106 and 110. At the beginning, record "
 "companies printed \"Not Licensed for Radio Broadcast\" and other messages "
 "purporting to restrict the ability to play a record on a radio station.  "
 "Judge Learned Hand rejected the argument that a warning attached to a record "
 msgid ""
 "See 17 United States Code, sections 106 and 110. At the beginning, record "
 "companies printed \"Not Licensed for Radio Broadcast\" and other messages "
 "purporting to restrict the ability to play a record on a radio station.  "
 "Judge Learned Hand rejected the argument that a warning attached to a record "

-"might restrict the rights of the radio station. See RCA Manufacturing Co. v. "
-"Whiteman, 114 F. 2d 86 (2nd Cir. 1940). See also Randal C.  Picker, \"From "
-"Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and the "
-"Propertization of Copyright,\" University of Chicago Law Review 70 (2003): "
-"281."
+"might restrict the rights of the radio station. See RCA Manufacturing "
+"Co. v. Whiteman, 114 F. 2d 86 (2nd Cir. 1940). See also Randal C.  Picker, "
+"\"From Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and "
+"the Propertization of Copyright,\" University of Chicago Law Review 70 "
+"(2003): 281."

 msgstr ""
 "se 17, united states code, inndelinger 106 og 110. på begynnelsen av, spille "
 "inn selskapene skrives ut \"ikke lisensiert for radiosendingen\" og andre "
 "meldinger purporting å begrense muligheten til å spille en post på en "
 "radiostasjon. dommer lært hånd avvist argumentet at en advarsel som er "
 "knyttet til en post kan begrense rettighetene til radiostasjonen. se rca "
 msgstr ""
 "se 17, united states code, inndelinger 106 og 110. på begynnelsen av, spille "
 "inn selskapene skrives ut \"ikke lisensiert for radiosendingen\" og andre "
 "meldinger purporting å begrense muligheten til å spille en post på en "
 "radiostasjon. dommer lært hånd avvist argumentet at en advarsel som er "
 "knyttet til en post kan begrense rettighetene til radiostasjonen. se rca "

-"produksjon co v. whiteman, 114 f. 2d 86 (2nd cir. 1940). Se også randal c. "
-"datovelger, \"fra edison til kringkasting flagg: mekanismer av samtykke og "
-"nektet og propertization av opphavsrett,\" university of chicago lov gå "
+"produksjon co v. whiteman, 114 f. 2d 86 (2nd cir. 1940). Se også randal "
+"c. datovelger, \"fra edison til kringkasting flagg: mekanismer av samtykke "
+"og nektet og propertization av opphavsrett,\" university of chicago lov gå "

 "gjennom 70 (2003): 281."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "When a radio station plays a record on the air, that constitutes a \"public "
 "gjennom 70 (2003): 281."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "When a radio station plays a record on the air, that constitutes a \"public "

-"performance\" of the composer's work.<placeholder type=\"footnote\" id=\"0\"/"
-"> As I described above, the law gives the composer (or copyright holder) an "
-"exclusive right to public performances of his work. The radio station thus "
-"owes the composer money for that performance."
+"performance\" of the composer's work.<placeholder type=\"footnote\" "
+"id=\"0\"/> As I described above, the law gives the composer (or copyright "
+"holder) an exclusive right to public performances of his work. The radio "
+"station thus owes the composer money for that performance."

 msgstr ""
 
 msgstr ""
 

-#.  PAGE BREAK 72 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "But when the radio station plays a record, it is not only performing a copy "
 "of the composer's work. The radio station is also performing a copy of the "
 msgid ""
 "But when the radio station plays a record, it is not only performing a copy "
 "of the composer's work. The radio station is also performing a copy of the "


@@ -4566,7 +4558,7 @@ msgstr ""
 "teateroppsetninger av at musikk. så hvis madonna ønsker å synge sangen i det "
 "offentlige, hun har å bli din tillatelse."
 
 "teateroppsetninger av at musikk. så hvis madonna ønsker å synge sangen i det "
 "offentlige, hun har å bli din tillatelse."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "Imagine she does sing your song, and imagine she likes it a lot. She then "
 "decides to make a recording of your song, and it becomes a top hit. Under "
 msgid ""
 "Imagine she does sing your song, and imagine she likes it a lot. She then "
 "decides to make a recording of your song, and it becomes a top hit. Under "


@@ -4586,11 +4578,12 @@ msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""

-"No doubt, one might argue that, on balance, the recording artists benefit. "
-"On average, the promotion they get is worth more than the performance rights "
-"they give up. Maybe. But even if so, the law ordinarily gives the creator "
-"the right to make this choice. By making the choice for him or her, the law "
-"gives the radio station the right to take something for nothing."
+"No doubt, one might argue that, on balance, the recording artists "
+"benefit. On average, the promotion they get is worth more than the "
+"performance rights they give up. Maybe. But even if so, the law ordinarily "
+"gives the creator the right to make this choice. By making the choice for "
+"him or her, the law gives the radio station the right to take something for "
+"nothing."

 msgstr ""
 "ingen tvil, kan man argumentere at, på saldo, artistene nytte. i "
 "gjennomsnitt er kampanjen de får verdt mer enn ytelse rettigheter de gir "
 msgstr ""
 "ingen tvil, kan man argumentere at, på saldo, artistene nytte. i "
 "gjennomsnitt er kampanjen de får verdt mer enn ytelse rettigheter de gir "


@@ -4621,8 +4614,9 @@ msgstr ""
 "nektet å betale broadcasters for innhold som de echoed til sine kunder. selv "
 "når kabelselskaper begynte å selge tilgang til TV-sendinger, nektet de å "
 "betale for hva de solgte. kabelselskaper var dermed napsterizing "
 "nektet å betale broadcasters for innhold som de echoed til sine kunder. selv "
 "når kabelselskaper begynte å selge tilgang til TV-sendinger, nektet de å "
 "betale for hva de solgte. kabelselskaper var dermed napsterizing "

-"broadcasters' innhold, men mer egregiously enn noe napster gjorde noensinne--"
-"napster belastet aldri for innholdet det aktivert andre til å gi bort."
+"broadcasters' innhold, men mer egregiously enn noe napster gjorde "
+"noensinne--napster belastet aldri for innholdet det aktivert andre til å gi "
+"bort."

 
 #.  f13 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
 #.  f13 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>


@@ -4650,12 +4644,13 @@ msgstr ""
 msgid ""
 "Broadcasters and copyright owners were quick to attack this theft.  Rosel "
 "Hyde, chairman of the FCC, viewed the practice as a kind of \"unfair and "
 msgid ""
 "Broadcasters and copyright owners were quick to attack this theft.  Rosel "
 "Hyde, chairman of the FCC, viewed the practice as a kind of \"unfair and "

-"potentially destructive competition.\"<placeholder type=\"footnote\" id="
-"\"0\"/> There may have been a \"public interest\" in spreading the reach of "
-"cable TV, but as Douglas Anello, general counsel to the National Association "
-"of Broadcasters, asked Senator Quentin Burdick during testimony, \"Does "
-"public interest dictate that you use somebody else's property?\"<placeholder "
-"type=\"footnote\" id=\"1\"/> As another broadcaster put it,"
+"potentially destructive competition.\"<placeholder type=\"footnote\" "
+"id=\"0\"/> There may have been a \"public interest\" in spreading the reach "
+"of cable TV, but as Douglas Anello, general counsel to the National "
+"Association of Broadcasters, asked Senator Quentin Burdick during testimony, "
+"\"Does public interest dictate that you use somebody else's "
+"property?\"<placeholder type=\"footnote\" id=\"1\"/> As another broadcaster "
+"put it,"

 msgstr ""
 
 #.  f15 
 msgstr ""
 
 #.  f15 


@@ -4670,8 +4665,8 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
 msgid ""
 "The extraordinary thing about the CATV business is that it is the only "
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
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 "The extraordinary thing about the CATV business is that it is the only "

-"business I know of where the product that is being sold is not paid for."
-"<placeholder type=\"footnote\" id=\"0\"/>"
+"business I know of where the product that is being sold is not paid "
+"for.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -4709,8 +4704,8 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "These were \"free-ride[rs],\" Screen Actor's Guild president Charlton Heston "
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "These were \"free-ride[rs],\" Screen Actor's Guild president Charlton Heston "

-"said, who were \"depriving actors of compensation.\"<placeholder type="
-"\"footnote\" id=\"0\"/>"
+"said, who were \"depriving actors of compensation.\"<placeholder "
+"type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -4736,8 +4731,8 @@ msgid ""
 "protection at all, the problem here is whether copyright holders who are "
 "already compensated, who already have a monopoly, should be permitted to "
 "extend that monopoly. . . . The question here is how much compensation they "
 "protection at all, the problem here is whether copyright holders who are "
 "already compensated, who already have a monopoly, should be permitted to "
 "extend that monopoly. . . . The question here is how much compensation they "

-"should have and how far back they should carry their right to compensation."
-"<placeholder type=\"footnote\" id=\"0\"/>"
+"should have and how far back they should carry their right to "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -4748,7 +4743,7 @@ msgstr ""
 "opphavsrett eiere tok kabelselskaper til retten. Høyesterett holdt to ganger "
 "at kabelselskaper skyldte opphavsrett eierne ingenting."
 
 "opphavsrett eiere tok kabelselskaper til retten. Høyesterett holdt to ganger "
 "at kabelselskaper skyldte opphavsrett eierne ingenting."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "It took Congress almost thirty years before it resolved the question of "
 "whether cable companies had to pay for the content they \"pirated.\" In the "
 msgid ""
 "It took Congress almost thirty years before it resolved the question of "
 "whether cable companies had to pay for the content they \"pirated.\" In the "


@@ -4766,32 +4761,32 @@ msgstr ""
 "posten spillere og spilleren pianoer. Ja, kabelselskaper 'd have to pay for "
 "innholdet som de kringkaster; men prisen de vil måtte betale ble ikke angitt "
 "av eieren av opphavsretten. Prisen ble satt ved lov, slik at broadcasters "
 "posten spillere og spilleren pianoer. Ja, kabelselskaper 'd have to pay for "
 "innholdet som de kringkaster; men prisen de vil måtte betale ble ikke angitt "
 "av eieren av opphavsretten. Prisen ble satt ved lov, slik at broadcasters "

-"ikke kunne utøve vetorett over de nye teknologiene av-kabelen. "
-"kabelselskaper dermed bygde sitt imperium delvis på en \"piratkopiering\" av "
-"verdiene som skapes av broadcasters' innhold."
+"ikke kunne utøve vetorett over de nye teknologiene "
+"av-kabelen. kabelselskaper dermed bygde sitt imperium delvis på en "
+"\"piratkopiering\" av verdiene som skapes av broadcasters' innhold."

 
 #.  f19 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See, for example, National Music Publisher's Association, The Engine of Free "
 "Expression: Copyright on the Internet--The Myth of Free Information, "
 
 #.  f19 
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 msgid ""
 "See, for example, National Music Publisher's Association, The Engine of Free "
 "Expression: Copyright on the Internet--The Myth of Free Information, "

-"available at <ulink url=\"http://free-culture.cc/notes/\">link #13</ulink>. "
-"\"The threat of piracy--the use of someone else's creative work without "
-"permission or compensation--has grown with the Internet.\""
+"available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#13</ulink>. \"The threat of piracy--the use of someone else's creative work "
+"without permission or compensation--has grown with the Internet.\""

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "These separate stories sing a common theme. If \"piracy\" means using value "
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "These separate stories sing a common theme. If \"piracy\" means using value "

-"from someone else's creative property without permission from that creator--"
-"as it is increasingly described today<placeholder type=\"footnote\" id=\"0\"/"
-"> -- then every industry affected by copyright today is the product and "
-"beneficiary of a certain kind of piracy. Film, records, radio, cable "
+"from someone else's creative property without permission from that "
+"creator--as it is increasingly described today<placeholder type=\"footnote\" "
+"id=\"0\"/> -- then every industry affected by copyright today is the product "
+"and beneficiary of a certain kind of piracy. Film, records, radio, cable "

 "TV. . . . The list is long and could well be expanded. Every generation "
 "welcomes the pirates from the last. Every generation--until now."
 msgstr ""
 
 "TV. . . . The list is long and could well be expanded. Every generation "
 "welcomes the pirates from the last. Every generation--until now."
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy

 msgid "CHAPTER FIVE: \"Piracy\""
 msgstr "Kapittel fem: \"piratkopiering\""
 
 msgid "CHAPTER FIVE: \"Piracy\""
 msgstr "Kapittel fem: \"piratkopiering\""
 


@@ -4800,8 +4795,8 @@ msgid ""
 "There is piracy of copyrighted material. Lots of it. This piracy comes in "
 "many forms. The most significant is commercial piracy, the unauthorized "
 "taking of other people's content within a commercial context. Despite the "
 "There is piracy of copyrighted material. Lots of it. This piracy comes in "
 "many forms. The most significant is commercial piracy, the unauthorized "
 "taking of other people's content within a commercial context. Despite the "

-"many justifications that are offered in its defense, this taking is wrong. "
-"No one should condone it, and the law should stop it."
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+"for intellectual property rights, a costly proposition for developing "
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+"not one less CD that can be sold.  The physics of piracy of the intangible "
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+"av piratkopiering av en konkret."

 
 

-#.  PAGE BREAK 78 
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
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 msgid ""
 "See Clayton M. Christensen, The Innovator's Dilemma: The Revolutionary "
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-#.  f6 
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 "See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" San "
 "Francisco Chronicle, 24 September 2002, A1; \"Rock 'n' Roll Suicide,\" New "
 "Scientist, 6 July 2002, 42; Benny Evangelista, \"Napster Names CEO, Secures "
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+"New Financing,\" San Francisco Chronicle, 23 May 2003, C1; \"Napster's "
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+"noen av denne nyter innebærer brudd på opphavsrettigheter. noen av det "
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+"beregne faktiske skade til opphavsrett eiere er mer komplisert enn man "
+"skulle tro. så vurdere--litt mer forsiktig enn polarisert stemmene rundt "
+"denne debatten vanligvis gjør--hvilke deler som gir mulighet for fildeling, "
+"og hva slags skade det innebærer."

 
 #.  PAGE BREAK 81 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 
 #.  PAGE BREAK 81 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -5305,12 +5302,12 @@ msgid ""
 "would.  The latter are the target of category A: users who download instead "
 "of purchasing."
 msgstr ""
 "would.  The latter are the target of category A: users who download instead "
 "of purchasing."
 msgstr ""

-"Det er noen som bruker deling nettverk som erstatninger for å kjøpe innhold. "
-"Derfor, når en ny madonna cd frigis, i stedet for å kjøpe cd, disse brukerne "
-"bare ta det. Vi kan liten uenighet om om alle som tar det ville faktisk ha "
-"kjøpt den hvis deling ikke gjøre den tilgjengelig gratis. mest trolig ikke "
-"ville ha, men klart det er noen som ville. sistnevnte er målet for kategori "
-"a: brukere som laster ned i stedet for å kjøpe."
+"Det er noen som bruker deling nettverk som erstatninger for å kjøpe "
+"innhold. Derfor, når en ny madonna cd frigis, i stedet for å kjøpe cd, disse "
+"brukerne bare ta det. Vi kan liten uenighet om om alle som tar det ville "
+"faktisk ha kjøpt den hvis deling ikke gjøre den tilgjengelig gratis. mest "
+"trolig ikke ville ha, men klart det er noen som ville. sistnevnte er målet "
+"for kategori a: brukere som laster ned i stedet for å kjøpe."

 
 #.  B. 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
 
 #.  B. 
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@@ -5331,8 +5328,7 @@ msgstr ""
 "vil faktisk være ganske god. netto effekt av en slik deling kan øke antallet "
 "av musikk som er kjøpt."
 
 "vil faktisk være ganske god. netto effekt av en slik deling kan øke antallet "
 "av musikk som er kjøpt."
 

-#.  C. 
-#. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy

 msgid ""
 "There are many who use sharing networks to get access to copyrighted content "
 "that is no longer sold or that they would not have purchased because the "
 msgid ""
 "There are many who use sharing networks to get access to copyrighted content "
 "that is no longer sold or that they would not have purchased because the "


@@ -5377,6 +5373,7 @@ msgstr "hvordan disse ulike typer deling balanse?"
 
 #.  f9 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
 #.  f9 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid "See Liebowitz, Rethinking the Network Economy,148­49."
 msgstr "se liebowitz, rethinking nettverk økonomien, 148­49."
 
 msgid "See Liebowitz, Rethinking the Network Economy,148­49."
 msgstr "se liebowitz, rethinking nettverk økonomien, 148­49."
 


@@ -5384,16 +5381,16 @@ msgstr "se liebowitz, rethinking nettverk økonomien, 148­49."
 msgid ""
 "Let's start with some simple but important points. From the perspective of "
 "the law, only type D sharing is clearly legal. From the perspective of "
 msgid ""
 "Let's start with some simple but important points. From the perspective of "
 "the law, only type D sharing is clearly legal. From the perspective of "

-"economics, only type A sharing is clearly harmful.<placeholder type="
-"\"footnote\" id=\"0\"/> Type B sharing is illegal but plainly beneficial. "
-"Type C sharing is illegal, yet good for society (since more exposure to "
-"music is good) and harmless to the artist (since the work is not otherwise "
-"available). So how sharing matters on balance is a hard question to answer--"
-"and certainly much more difficult than the current rhetoric around the issue "
-"suggests."
+"economics, only type A sharing is clearly harmful.<placeholder "
+"type=\"footnote\" id=\"0\"/> Type B sharing is illegal but plainly "
+"beneficial. Type C sharing is illegal, yet good for society (since more "
+"exposure to music is good) and harmless to the artist (since the work is not "
+"otherwise available). So how sharing matters on balance is a hard question "
+"to answer--and certainly much more difficult than the current rhetoric "
+"around the issue suggests."

 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "Whether on balance sharing is harmful depends importantly on how harmful "
 "type A sharing is. Just as Edison complained about Hollywood, composers "
 msgid ""
 "Whether on balance sharing is harmful depends importantly on how harmful "
 "type A sharing is. Just as Edison complained about Hollywood, composers "


@@ -5409,6 +5406,7 @@ msgstr ""
 
 #.  f10 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
 #.  f10 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "See Cap Gemini Ernst &amp; Young, Technology Evolution and the Music "
 "Industry's Business Model Crisis (2003), 3. This report describes the music "
 msgid ""
 "See Cap Gemini Ernst &amp; Young, Technology Evolution and the Music "
 "Industry's Business Model Crisis (2003), 3. This report describes the music "


@@ -5418,21 +5416,21 @@ msgid ""
 "audio tape became a threat, the Office of Technical Assessment conducted a "
 "survey of consumer behavior. In 1988, 40 percent of consumers older than ten "
 "had taped music to a cassette format. U.S.  Congress, Office of Technology "
 "audio tape became a threat, the Office of Technical Assessment conducted a "
 "survey of consumer behavior. In 1988, 40 percent of consumers older than ten "
 "had taped music to a cassette format. U.S.  Congress, Office of Technology "

-"Assessment, Copyright and Home Copying: Technology Challenges the Law, OTA-"
-"CIT-422 (Washington, D.C.: U.S.  Government Printing Office, October 1989), "
-"145­56."
+"Assessment, Copyright and Home Copying: Technology Challenges the Law, "
+"OTA-CIT-422 (Washington, D.C.: U.S.  Government Printing Office, October "
+"1989), 145­56."

 msgstr ""
 "se cap gemini ernst og unge, teknologiutviklingen og music industriens "
 "business modell krisen (2003), 3. Denne rapporten beskriver musikkbransjens "
 msgstr ""
 "se cap gemini ernst og unge, teknologiutviklingen og music industriens "
 "business modell krisen (2003), 3. Denne rapporten beskriver musikkbransjens "

-"innsats for å stigmatiserer spirende praksisen med kassett taping på 1970-"
-"tallet, inkludert en reklamekampanje med en kassett-figur skull og "
-"bildeteksten \"hjem taping er å drepe musikk.\" på tiden digital audio tape "
-"ble en trussel, office of tekniske vurdering gjennomført en undersøkelse av "
-"forbrukernes adferd. i 1988 hadde 40 prosent av forbrukere som er eldre enn "
-"ti tapet musikk til en kassett-format. USA Kongressen, office of technology "
-"vurdering, copyright og hjem kopiering: teknologi utfordringer loven, ota-"
-"cit-422 (washington, DC: USA Government printing office, oktober 1989), 145­"
-"56."
+"innsats for å stigmatiserer spirende praksisen med kassett taping på "
+"1970-tallet, inkludert en reklamekampanje med en kassett-figur skull og "
+"bildeteksten \"hjem taping er å drepe musikk.\" på tiden digital audio "
+"tape ble en trussel, office of tekniske vurdering gjennomført en "
+"undersøkelse av forbrukernes adferd. i 1988 hadde 40 prosent av forbrukere "
+"som er eldre enn ti tapet musikk til en kassett-format. USA Kongressen, "
+"office of technology vurdering, copyright og hjem kopiering: teknologi "
+"utfordringer loven, ota-cit-422 (washington, DC: USA Government printing "
+"office, oktober 1989), 145­56."

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""


@@ -5440,8 +5438,8 @@ msgid ""
 "to reckon. It has long been the recording industry's practice to blame "
 "technology for any drop in sales. The history of cassette recording is a "
 "good example. As a study by Cap Gemini Ernst &amp; Young put it, \"Rather "
 "to reckon. It has long been the recording industry's practice to blame "
 "technology for any drop in sales. The history of cassette recording is a "
 "good example. As a study by Cap Gemini Ernst &amp; Young put it, \"Rather "

-"than exploiting this new, popular technology, the labels fought it."
-"\"<placeholder type=\"footnote\" id=\"0\"/> The labels claimed that every "
+"than exploiting this new, popular technology, the labels fought "
+"it.\"<placeholder type=\"footnote\" id=\"0\"/> The labels claimed that every "

 "album taped was an album unsold, and when record sales fell by 11.4 percent "
 "in 1981, the industry claimed that its point was proved. Technology was the "
 "problem, and banning or regulating technology was the answer."
 "album taped was an album unsold, and when record sales fell by 11.4 percent "
 "in 1981, the industry claimed that its point was proved. Technology was the "
 "problem, and banning or regulating technology was the answer."


@@ -5458,8 +5456,8 @@ msgid ""
 "regulation, MTV was launched, and the industry had a record turnaround. \"In "
 "the end,\" Cap Gemini concludes, \"the `crisis' . . . was not the fault of "
 "the tapers--who did not [stop after MTV came into being]--but had to a large "
 "regulation, MTV was launched, and the industry had a record turnaround. \"In "
 "the end,\" Cap Gemini concludes, \"the `crisis' . . . was not the fault of "
 "the tapers--who did not [stop after MTV came into being]--but had to a large "

-"extent resulted from stagnation in musical innovation at the major labels."
-"\"<placeholder type=\"footnote\" id=\"0\"/>"
+"extent resulted from stagnation in musical innovation at the major "
+"labels.\"<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -5480,7 +5478,7 @@ msgstr ""
 "skadelig. spørsmålet er hvordan skadelige type er også en deling, og hvor "
 "nyttig de andre typene deling er."
 
 "skadelig. spørsmålet er hvordan skadelige type er også en deling, og hvor "
 "nyttig de andre typene deling er."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "We start to answer this question by focusing on the net harm, from the "
 "standpoint of the industry as a whole, that sharing networks cause.  The "
 msgid ""
 "We start to answer this question by focusing on the net harm, from the "
 "standpoint of the industry as a whole, that sharing networks cause.  The "


@@ -5491,8 +5489,8 @@ msgid ""
 "little static reason to resist them."
 msgstr ""
 "Vi begynner å svare på dette spørsmålet ved å fokusere på netto skade, fra "
 "little static reason to resist them."
 msgstr ""
 "Vi begynner å svare på dette spørsmålet ved å fokusere på netto skade, fra "

-"standpunktet av industrien som helhet, at deling nettverk. den \"net skaden"
-"\" til industrien som helhet er beløpet etter hvilken type en deling "
+"standpunktet av industrien som helhet, at deling nettverk. den \"net "
+"skaden\" til industrien som helhet er beløpet etter hvilken type en deling "

 "overskrider type b. Hvis plateselskapene solgte flere poster gjennom "
 "prøvetaking enn de mistet gjennom substitusjonsbehandling, og deretter dele "
 "nettverk ville faktisk fordel musikk bedriftene på balanse. de ville derfor "
 "overskrider type b. Hvis plateselskapene solgte flere poster gjennom "
 "prøvetaking enn de mistet gjennom substitusjonsbehandling, og deretter dele "
 "nettverk ville faktisk fordel musikk bedriftene på balanse. de ville derfor "


@@ -5512,43 +5510,43 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Recording Industry Association of America, 2002 Yearend Statistics, "
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Recording Industry Association of America, 2002 Yearend Statistics, "

-"available at <ulink url=\"http://free-culture.cc/notes/\">link #15</ulink>. "
-"A later report indicates even greater losses. See Recording Industry "
-"Association of America, Some Facts About Music Piracy, 25 June 2003, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #16</ulink>: "
-"\"In the past four years, unit shipments of recorded music have fallen by 26 "
-"percent from 1.16 billion units in to 860 million units in 2002 in the "
-"United States (based on units shipped).  In terms of sales, revenues are "
-"down 14 percent, from $14.6 billion in to $12.6 billion last year (based on "
-"U.S. dollar value of shipments). The music industry worldwide has gone from "
-"a $39 billion industry in 2000 down to a $32 billion industry in 2002 (based "
-"on U.S. dollar value of shipments).\""
+"available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#15</ulink>. A later report indicates even greater losses. See Recording "
+"Industry Association of America, Some Facts About Music Piracy, 25 June "
+"2003, available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#16</ulink>: \"In the past four years, unit shipments of recorded music have "
+"fallen by 26 percent from 1.16 billion units in to 860 million units in 2002 "
+"in the United States (based on units shipped).  In terms of sales, revenues "
+"are down 14 percent, from $14.6 billion in to $12.6 billion last year (based "
+"on U.S. dollar value of shipments). The music industry worldwide has gone "
+"from a $39 billion industry in 2000 down to a $32 billion industry in 2002 "
+"(based on U.S. dollar value of shipments).\""

 msgstr ""
 
 #.  f13 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "Jane Black, \"Big Music's Broken Record,\" BusinessWeek online, 13 February "
 msgstr ""
 
 #.  f13 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "Jane Black, \"Big Music's Broken Record,\" BusinessWeek online, 13 February "

-"2003, available at <ulink url=\"http://free-culture.cc/notes/\">link #17</"
-"ulink>."
+"2003, available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#17</ulink>."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 "
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 "

-"million to 803 million units; revenues fell 6.7 percent.<placeholder type="
-"\"footnote\" id=\"0\"/> This confirms a trend over the past few years. The "
-"RIAA blames Internet piracy for the trend, though there are many other "
-"causes that could account for this drop. SoundScan, for example, reports a "
-"more than 20 percent drop in the number of CDs released since 1999. That no "
-"doubt accounts for some of the decrease in sales. Rising prices could "
-"account for at least some of the loss. \"From 1999 to 2001, the average "
-"price of a CD rose 7.2 percent, from $13.04 to $14.19.\"<placeholder type="
-"\"footnote\" id=\"1\"/> Competition from other forms of media could also "
-"account for some of the decline.  As Jane Black of BusinessWeek notes, \"The "
-"soundtrack to the film High Fidelity has a list price of $18.98. You could "
-"get the whole movie [on DVD] for $19.99.\"<placeholder type=\"footnote\" id="
-"\"2\"/>"
+"million to 803 million units; revenues fell 6.7 percent.<placeholder "
+"type=\"footnote\" id=\"0\"/> This confirms a trend over the past few "
+"years. The RIAA blames Internet piracy for the trend, though there are many "
+"other causes that could account for this drop. SoundScan, for example, "
+"reports a more than 20 percent drop in the number of CDs released since "
+"1999. That no doubt accounts for some of the decrease in sales. Rising "
+"prices could account for at least some of the loss. \"From 1999 to 2001, the "
+"average price of a CD rose 7.2 percent, from $13.04 to $14.19.\"<placeholder "
+"type=\"footnote\" id=\"1\"/> Competition from other forms of media could "
+"also account for some of the decline.  As Jane Black of BusinessWeek notes, "
+"\"The soundtrack to the film High Fidelity has a list price of $18.98. You "
+"could get the whole movie [on DVD] for $19.99.\"<placeholder "
+"type=\"footnote\" id=\"2\"/>"

 msgstr ""
 
 #.  PAGE BREAK 84 
 msgstr ""
 
 #.  PAGE BREAK 84 


@@ -5567,20 +5565,20 @@ msgstr ""
 "gratis. Således, selv om 2,6 ganger det totale antallet CDer som selges ble "
 "lastet ned gratis, salgsinntekter falt med bare 6.7 prosent."
 
 "gratis. Således, selv om 2,6 ganger det totale antallet CDer som selges ble "
 "lastet ned gratis, salgsinntekter falt med bare 6.7 prosent."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "There are too many different things happening at the same time to explain "
 "these numbers definitively, but one conclusion is unavoidable: The recording "
 "industry constantly asks, \"What's the difference between downloading a song "
 "and stealing a CD?\"--but their own numbers reveal the difference. If I "
 msgid ""
 "There are too many different things happening at the same time to explain "
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 "industry constantly asks, \"What's the difference between downloading a song "
 "and stealing a CD?\"--but their own numbers reveal the difference. If I "

-"steal a CD, then there is one less CD to sell. Every taking is a lost sale. "
-"But on the basis of the numbers the RIAA provides, it is absolutely clear "
-"that the same is not true of downloads. If every download were a lost sale--"
-"if every use of Kazaa \"rob[bed] the author of [his] profit\"--then the "
-"industry would have suffered a 100 percent drop in sales last year, not a 7 "
-"percent drop. If 2.6 times the number of CDs sold were downloaded for free, "
-"and yet sales revenue dropped by just 6.7 percent, then there is a huge "
-"difference between \"downloading a song and stealing a CD.\""
+"steal a CD, then there is one less CD to sell. Every taking is a lost "
+"sale. But on the basis of the numbers the RIAA provides, it is absolutely "
+"clear that the same is not true of downloads. If every download were a lost "
+"sale--if every use of Kazaa \"rob[bed] the author of [his] profit\"--then "
+"the industry would have suffered a 100 percent drop in sales last year, not "
+"a 7 percent drop. If 2.6 times the number of CDs sold were downloaded for "
+"free, and yet sales revenue dropped by just 6.7 percent, then there is a "
+"huge difference between \"downloading a song and stealing a CD.\""

 msgstr ""
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 msgstr ""
 "Det er for mange forskjellige ting skjer samtidig å forklare disse tallene "
 "definitively, men en konklusjon er uunngåelig: recording industry stadig "


@@ -5612,8 +5610,8 @@ msgid ""
 "longer in print. See Online Entertainment and Copyright Law--Coming Soon to "
 "a Digital Device Near You: Hearing Before the Senate Committee on the "
 "Judiciary, 107th Cong., 1st sess. (3 April 2001) (prepared statement of the "
 "longer in print. See Online Entertainment and Copyright Law--Coming Soon to "
 "a Digital Device Near You: Hearing Before the Senate Committee on the "
 "Judiciary, 107th Cong., 1st sess. (3 April 2001) (prepared statement of the "

-"Future of Music Coalition), available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #18</ulink>."
+"Future of Music Coalition), available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #18</ulink>."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -5646,8 +5644,8 @@ msgstr ""
 msgid ""
 "In real space--long before the Internet--the market had a simple response to "
 "this problem: used book and record stores. There are thousands of used book "
 msgid ""
 "In real space--long before the Internet--the market had a simple response to "
 "this problem: used book and record stores. There are thousands of used book "

-"and used record stores in America today.<placeholder type=\"footnote\" id="
-"\"0\"/> These stores buy content from owners, then sell the content they "
+"and used record stores in America today.<placeholder type=\"footnote\" "
+"id=\"0\"/> These stores buy content from owners, then sell the content they "

 "buy. And under American copyright law, when they buy and sell this content, "
 "even if the content is still under copyright, the copyright owner doesn't "
 "get a dime. Used book and record stores are commercial entities; their "
 "buy. And under American copyright law, when they buy and sell this content, "
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 "get a dime. Used book and record stores are commercial entities; their "


@@ -5656,7 +5654,7 @@ msgid ""
 "the content they sell."
 msgstr ""
 
 "the content they sell."
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "Type C sharing, then, is very much like used book stores or used record "
 "stores. It is different, of course, because the person making the content "
 msgid ""
 "Type C sharing, then, is very much like used book stores or used record "
 "stores. It is different, of course, because the person making the content "


@@ -5684,9 +5682,10 @@ msgstr ""
 msgid ""
 "It may well be, all things considered, that it would be better if the "
 "copyright owner got something from this trade. But just because it may well "
 msgid ""
 "It may well be, all things considered, that it would be better if the "
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-"be better, it doesn't follow that it would be good to ban used book stores. "
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+"be better, it doesn't follow that it would be good to ban used book "
+"stores. Or put differently, if you think that type C sharing should be "
+"stopped, do you think that libraries and used book stores should be shut as "
+"well?"

 msgstr ""
 "Det kan godt være, alle ting betraktes, at det ville være bedre hvis eieren "
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 msgstr ""
 "Det kan godt være, alle ting betraktes, at det ville være bedre hvis eieren "
 "av opphavsretten fikk noe fra denne handelen. men bare fordi det kan godt "


@@ -5694,8 +5693,7 @@ msgstr ""
 "bokhandlere. eller sagt på en annen måte, hvis du tror at typen c deling bør "
 "stoppes, tror du at biblioteker og brukte bokhandlere bør være stengt også?"
 
 "bokhandlere. eller sagt på en annen måte, hvis du tror at typen c deling bør "
 "stoppes, tror du at biblioteker og brukte bokhandlere bør være stengt også?"
 

-#.  PAGE BREAK 86 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "Finally, and perhaps most importantly, file-sharing networks enable type D "
 "sharing to occur--the sharing of content that copyright owners want to have "
 msgid ""
 "Finally, and perhaps most importantly, file-sharing networks enable type D "
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@@ -5707,8 +5705,8 @@ msgid ""
 "for the \"real\" book. People would read part on-line, and then decide "
 "whether they liked the book or not. If they liked it, they would be more "
 "likely to buy it. Doctorow's content is type D content. If sharing networks "
 "for the \"real\" book. People would read part on-line, and then decide "
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 "likely to buy it. Doctorow's content is type D content. If sharing networks "

-"enable his work to be spread, then both he and society are better off. "
-"(Actually, much better off: It is a great book!)"
+"enable his work to be spread, then both he and society are better "
+"off. (Actually, much better off: It is a great book!)"

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 "til slutt, og kanskje viktigst, tillater fildelings-nettverk typen d deling "
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@@ -5717,11 +5715,11 @@ msgstr ""
 "eksempel utgitt sin første roman, ned og ut i magiske riket, begge to ledig "
 "online og i bokhandlere på samme dag. hans (og hans publisher) tenker var at "
 "on-line distribusjonen vil være en stor annonse for \"ekte\" boken. folk vil "
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+"lese delen on-line, og deretter bestemmer deg om de likte boken eller "
+"ikke. Hvis de likte det, ville de være mer sannsynlig å kjøpe den. Doctorow "
+"er innholdet er typen d innhold. Hvis deling nettverk aktiverer sitt arbeid "
+"til å bli spredt, er både han og samfunnet bedre. (faktisk, mye bedre av: "
+"det er en stor bok!)"

 
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 "served two important goals--indeed, the two central goals of any copyright "
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-"technology, cable. But if Congress had permitted cable to use broadcasters' "
-"content for free, then it would have unfairly subsidized cable. Thus "
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-"(broadcasters)  control over the future (cable)."
+"that copyright holders would be paid for the content that was "
+"distributed. One fear was that if Congress simply required cable TV to pay "
+"copyright holders whatever they demanded for their content, then copyright "
+"holders associated with broadcasters would use their power to stifle this "
+"new technology, cable. But if Congress had permitted cable to use "
+"broadcasters' content for free, then it would have unfairly subsidized "
+"cable. Thus Congress chose a path that would assure compensation without "
+"giving the past (broadcasters)  control over the future (cable)."

 msgstr ""
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 "denne sårbarheten, som kompromiss som påvirker poster og spilleren pianoer, "
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@@ -5901,11 +5900,11 @@ msgstr ""
 "opphavsrett hva de krevde for innholdet, og deretter rettighetshavere som er "
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-"siste (broadcasters) kontroll over fremtiden (kabel)."
+"broadcasters' innhold gratis, ville det ha urettferdig subsidierte "
+"kabel. Dermed Kongressen valgte en bane som ville forsikre kompensasjon uten "
+"å gi siste (broadcasters) kontroll over fremtiden (kabel)."

 
 

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@@ -5929,8 +5928,7 @@ msgstr ""
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 #.  f18 
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 #.  f18 


@@ -5977,11 +5975,11 @@ msgstr "opphavsrett infringements (lyd og video-opptakere), 475."
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-"Universal City Studios, Inc. v. Sony Corp. of America, 480 F. Supp. 429, (C."
-"D. Cal., 1979)."
+"Universal City Studios, Inc. v. Sony Corp. of America, 480 F. Supp. 429, "
+"(C.D. Cal., 1979)."

 msgstr ""
 msgstr ""

-"Universal city studios, inc. v. sony Corporation of america, 480 f. supp. "
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+"Universal city studios, inc. v. sony Corporation of america, 480 "
+"f. supp. 429, (klientadgangslisens CAL (CD), 1979)."

 
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@@ -5998,14 +5996,14 @@ msgid ""
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 "these VCRs in the land, we will be invaded by millions of `tapeworms,' "
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-"copyright owner has, his copyright.\"<placeholder type=\"footnote\" id=\"0\"/"
-"> \"One does not have to be trained in sophisticated marketing and creative "
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-"\"<placeholder type=\"footnote\" id=\"1\"/> Indeed, as surveys would later "
-"show, percent of VCR owners had movie libraries of ten videos or "
+"copyright owner has, his copyright.\"<placeholder type=\"footnote\" "
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+"creative judgment,\" he told Congress, \"to understand the devastation on "
+"the after-theater marketplace caused by the hundreds of millions of tapings "
+"that will adversely impact on the future of the creative community in this "
+"country. It is simply a question of basic economics and plain common "
+"sense.\"<placeholder type=\"footnote\" id=\"1\"/> Indeed, as surveys would "
+"later show, percent of VCR owners had movie libraries of ten videos or "

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-"<placeholder type=\"footnote\" id=\"0\"/>"
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-#. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -6087,7 +6087,7 @@ msgstr "tabell"
 msgid "CASE"
 msgstr "tilfelle"
 
 msgid "CASE"
 msgstr "tilfelle"
 

-#. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
+#, mtrans, fuzzy

 msgid "WHOSE VALUE WAS \"PIRATED\""
 msgstr "verdien var \"piratkopiert\""
 
 msgid "WHOSE VALUE WAS \"PIRATED\""
 msgstr "verdien var \"piratkopiert\""
 


@@ -6141,28 +6141,29 @@ msgstr "filmen skaperne"
 
 #.  f24 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
 #.  f24 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "These are the most important instances in our history, but there are other "
 "cases as well. The technology of digital audio tape (DAT), for example, was "
 "regulated by Congress to minimize the risk of piracy. The remedy Congress "
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 msgid ""
 "These are the most important instances in our history, but there are other "
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-"S.C. §1001. Again, however, this regulation did not eliminate the "
+"United States Code), Pub. L. No. 102-563, 106 Stat.  4237, codified at 17 "
+"U.S.C. §1001. Again, however, this regulation did not eliminate the "

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 msgstr ""
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+"stat. 4237, kodifisert på 17 USC §1001. igjen, men denne forskriften ikke "
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+"kringkasting,\" university of chicago lov gjennomgå 70 (2003): 293­96."

 
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 "ride\" on someone else's work."
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 "ride\" on someone else's work."
 msgstr ""
 

-#.  PAGE BREAK 91 
-#. type: Content of: <book><chapter><sect1><sect2><para>
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-msgid ""
-"Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, (1984)."
+msgid "Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, (1984)."

 msgstr ""
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@@ -6235,23 +6234,23 @@ msgid ""
 "facilitate the distribution of content."
 msgstr ""
 
 "facilitate the distribution of content."
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "We should be doing the same thing today. The technology of the Internet is "
 msgid ""
 "We should be doing the same thing today. The technology of the Internet is "

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-"wireless) is changing very quickly. No doubt the network should not become a "
-"tool for \"stealing\" from artists. But neither should the law become a tool "
-"to entrench one particular way in which artists (or more accurately, "
-"distributors) get paid. As I describe in some detail in the last chapter of "
-"this book, we should be securing income to artists while we allow the market "
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-"will require changes in the law, at least in the interim. These changes "
-"should be designed to balance the protection of the law against the strong "
-"public interest that innovation continue."
+"changing quickly. The way people connect to the Internet (wires "
+"vs. wireless) is changing very quickly. No doubt the network should not "
+"become a tool for \"stealing\" from artists. But neither should the law "
+"become a tool to entrench one particular way in which artists (or more "
+"accurately, distributors) get paid. As I describe in some detail in the last "
+"chapter of this book, we should be securing income to artists while we allow "
+"the market to secure the most efficient way to promote and distribute "
+"content. This will require changes in the law, at least in the "
+"interim. These changes should be designed to balance the protection of the "
+"law against the strong public interest that innovation continue."

 msgstr ""
 "Vi bør gjøre samme i dag. teknologien for Internett endrer seg raskt. endrer "
 msgstr ""
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+"måten brukere koble seg til Internett (ledninger vs. trådløs) svært "
+"raskt. ingen tvil om bør nettverket ikke bli et verktøy for \"stjele\" fra "

 "artister. men heller ikke bør loven bli et verktøy for å innarbeide en "
 "bestemte måten hvilke artister (eller mer nøyaktig, distributører) får "
 "betalt. som jeg beskriver i noen detalj i det siste kapitlet i denne boken, "
 "artister. men heller ikke bør loven bli et verktøy for å innarbeide en "
 "bestemte måten hvilke artister (eller mer nøyaktig, distributører) får "
 "betalt. som jeg beskriver i noen detalj i det siste kapitlet i denne boken, "


@@ -6261,8 +6260,7 @@ msgstr ""
 "utformet for å balansere beskyttelsen av loven mot sterk offentlig interesse "
 "at innovasjon fortsette."
 
 "utformet for å balansere beskyttelsen av loven mot sterk offentlig interesse "
 "at innovasjon fortsette."
 

-#.  f26 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes "
 "Past Efforts,\" New York Times, 22 September 2003, C3."
 msgid ""
 "John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes "
 "Past Efforts,\" New York Times, 22 September 2003, C3."


@@ -6288,7 +6286,7 @@ msgid ""
 "good use for the car before we arrest him?\""
 msgstr ""
 
 "good use for the car before we arrest him?\""
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "\"It is our property,\" the warriors insist. \"And it should be protected "
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 msgid ""
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@@ -6296,7 +6294,7 @@ msgstr ""
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-#. type: Content of: <book><chapter><title>
+#, mtrans, fuzzy

 msgid "\"PROPERTY\""
 msgstr "egenskapen"
 
 msgid "\"PROPERTY\""
 msgstr "egenskapen"
 


@@ -6313,16 +6311,16 @@ msgstr ""
 "opphavsretten til å holde for noen pris som han ønsker. markeder regner "
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 "tilbud og etterspørsel som delvis bestemmer prisen hun kan få."
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
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 msgid ""
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-"I understand what I am taking when I take the picnic table you put in your "
-"backyard. I am taking a thing, the picnic table, and after I take it, you "
-"don't have it. But what am I taking when I take the good idea you had to put "
-"a picnic table in the backyard--by, for example, going to Sears, buying a "
-"table, and putting it in my backyard? What is the thing I am taking then?"
+"Indeed, the very idea of property in any idea or any expression is very "
+"odd. I understand what I am taking when I take the picnic table you put in "
+"your backyard. I am taking a thing, the picnic table, and after I take it, "
+"you don't have it. But what am I taking when I take the good idea you had to "
+"put a picnic table in the backyard--by, for example, going to Sears, buying "
+"a table, and putting it in my backyard? What is the thing I am taking then?"

 msgstr ""
 "men i vanlig språk, å ringe en copyright \"property\" høyre er litt "
 "misvisende, for copyright-egenskapen er en odde type bolig. selve ideen om "
 msgstr ""
 "men i vanlig språk, å ringe en copyright \"property\" høyre er litt "
 "misvisende, for copyright-egenskapen er en odde type bolig. selve ideen om "


@@ -6335,6 +6333,7 @@ msgstr ""
 
 #.  f1 
 #. type: Content of: <book><chapter><para><footnote><para>
 
 #.  f1 
 #. type: Content of: <book><chapter><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in The "
 "Writings of Thomas Jefferson, vol. 6 (Andrew A. Lipscomb and Albert Ellery "
 msgid ""
 "Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in The "
 "Writings of Thomas Jefferson, vol. 6 (Andrew A. Lipscomb and Albert Ellery "


@@ -6370,8 +6369,7 @@ msgstr ""
 "loven sier du ikke kan ta min ide eller uttrykk uten min tillatelse: loven "
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 "blir immaterielle eiendom."
 

-#.  f2 
-#. type: Content of: <book><chapter><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "As the legal realists taught American law, all property rights are "
 "intangible.  A property right is simply a right that an individual has "
 msgid ""
 "As the legal realists taught American law, all property rights are "
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@@ -6385,19 +6383,19 @@ msgstr ""
 "eiendomsrettigheter immaterielle. egenskapen rett er ganske enkelt en "
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+"sammen,\"-arizona lov, se 45 (2003): 373, 429 n. 241."

 
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 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy

 msgid ""
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 msgid ""
 "My strategy in doing this will be the same as my strategy in the preceding "
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@@ -6421,6 +6419,7 @@ msgid "CHAPTER SIX: Founders"
 msgstr "kapittel seks: grunnleggerne"
 
 #. type: Content of: <book><chapter><sect1><para>
 msgstr "kapittel seks: grunnleggerne"
 
 #. type: Content of: <book><chapter><sect1><para>

+#, mtrans, fuzzy

 msgid ""
 "William Shakespeare wrote Romeo and Juliet in 1595. The play was first "
 "published in 1597. It was the eleventh major play that Shakespeare had "
 msgid ""
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@@ -6441,6 +6440,7 @@ msgstr ""
 
 #.  f1 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 
 #.  f1 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "Jacob Tonson is typically remembered for his associations with prominent "
 "eighteenth-century literary figures, especially John Dryden, and for his "
 msgid ""
 "Jacob Tonson is typically remembered for his associations with prominent "
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@@ -6452,14 +6452,15 @@ msgid ""
 msgstr ""
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 #.  f2 
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+#, mtrans, fuzzy

 msgid ""
 "Lyman Ray Patterson, Copyright in Historical Perspective (Nashville: "
 "Vanderbilt University Press, 1968), 151­52."
 msgid ""
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+"editions was eliminated."

 msgstr ""
 
 msgstr ""
 

-#.  f3 
-#. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a "
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 msgid ""
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 "\"copyright law.\" See Vaidhyanathan, Copyrights and Copywrongs, 40."


@@ -6499,13 +6500,13 @@ msgid ""
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+"been free in 1731. So why was there any issue about it still being under "
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 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
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 msgid ""
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@@ -6525,7 +6526,7 @@ msgstr ""
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-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "There was no positive law, but that didn't mean that there was no law. The "
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 msgid ""
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@@ -6547,16 +6548,15 @@ msgstr ""
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-#.  PAGE BREAK 98 
-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
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 msgid ""
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-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The Statute of Anne granted the author or \"proprietor\" of a book an "
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@@ -6591,7 +6591,7 @@ msgstr ""
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@@ -6613,18 +6613,17 @@ msgstr ""
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-#.  PAGE BREAK 99 
-#. type: Content of: <book><chapter><sect1><para>
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-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

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 "Lyman Ray Patterson, \"Free Speech, Copyright, and Fair Use,\" Vanderbilt "
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 "rested his right to compete upon the ground that, under the Statute of Anne, "
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-#.  f11 
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 msgid ""
 "Howard B. Abrams, \"The Historic Foundation of American Copyright Law: "
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 "Howard B. Abrams, \"The Historic Foundation of American Copyright Law: "
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-#.  PAGE BREAK 105 
-#. type: Content of: <book><chapter><sect1><para>
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-#.  PAGE BREAK 109 
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-"So I asked Else why he didn't just rely upon \"fair use.\" Here's his reply:"
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 "hans resourcefulness som skjult åpenbare bizarreness av hans tale, recounted "
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 "But I pressed Alben about how weird it seems that it would have to take a "
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 "hesitation appealing to the government to bail them out when a virus "
 "(architecture) devastates their crop. Unions have no hesitation appealing to "

-"the government to bail them out when imports (market) wipe out the U.S. "
-"steel industry."
+"the government to bail them out when imports (market) wipe out the "
+"U.S. steel industry."

 msgstr ""
 "Dette blandet strategi er bare hva copyright needed--Hvis det var å bevare "
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@@ -9464,7 +9454,7 @@ msgstr ""
 "regjeringen å kausjon dem. Når import (markedet) tørke ut amerikanske stål "
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 "regjeringen å kausjon dem. Når import (markedet) tørke ut amerikanske stål "
 "industrien."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "Thus, there's nothing wrong or surprising in the content industry's campaign "
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 msgid ""
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@@ -9484,11 +9474,11 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Geoffrey Smith, \"Film vs. Digital: Can Kodak Build a Bridge?\" "
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Geoffrey Smith, \"Film vs. Digital: Can Kodak Build a Bridge?\" "

-"BusinessWeek online, 2 August 1999, available at <ulink url=\"http://free-"
-"culture.cc/notes/\">link #23</ulink>. For a more recent analysis of Kodak's "
-"place in the market, see Chana R. Schoenberger, \"Can Kodak Make Up for Lost "
-"Moments?\" Forbes.com, 6 October 2003, available at <ulink url=\"http://free-"
-"culture.cc/notes/\">link #24</ulink>."
+"BusinessWeek online, 2 August 1999, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #23</ulink>. For a more recent "
+"analysis of Kodak's place in the market, see Chana R. Schoenberger, \"Can "
+"Kodak Make Up for Lost Moments?\" Forbes.com, 6 October 2003, available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #24</ulink>."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -9496,24 +9486,25 @@ msgid ""
 "But just because a particular interest asks for government support, it "
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-"government should intervene to support that old way of doing business. "
-"Kodak, for example, has lost perhaps as much as 20 percent of their "
-"traditional film market to the emerging technologies of digital cameras."
-"<placeholder type=\"footnote\" id=\"0\"/> Does anyone believe the government "
-"should ban digital cameras just to support Kodak? Highways have weakened the "
-"freight business for railroads. Does anyone think we should ban trucks from "
-"roads for the purpose of protecting the railroads? Closer to the subject of "
-"this book, remote channel changers have weakened the \"stickiness\" of "
-"television advertising (if a boring commercial comes on the TV, the remote "
-"makes it easy to surf ), and it may well be that this change has weakened "
-"the television advertising market. But does anyone believe we should "
-"regulate remotes to reinforce commercial television? (Maybe by limiting them "
-"to function only once a second, or to switch to only ten channels within an "
-"hour?)"
+"government should intervene to support that old way of doing "
+"business. Kodak, for example, has lost perhaps as much as 20 percent of "
+"their traditional film market to the emerging technologies of digital "
+"cameras.<placeholder type=\"footnote\" id=\"0\"/> Does anyone believe the "
+"government should ban digital cameras just to support Kodak? Highways have "
+"weakened the freight business for railroads. Does anyone think we should ban "
+"trucks from roads for the purpose of protecting the railroads? Closer to the "
+"subject of this book, remote channel changers have weakened the "
+"\"stickiness\" of television advertising (if a boring commercial comes on "
+"the TV, the remote makes it easy to surf ), and it may well be that this "
+"change has weakened the television advertising market. But does anyone "
+"believe we should regulate remotes to reinforce commercial television? "
+"(Maybe by limiting them to function only once a second, or to switch to only "
+"ten channels within an hour?)"

 msgstr ""
 
 #.  f6 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgstr ""
 
 #.  f6 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid "Fred Warshofsky, The Patent Wars (New York: Wiley, 1994), 170­71."
 msgstr "fred warshofsky, patent krigene (new york: wiley, 1994), 170­71."
 
 msgid "Fred Warshofsky, The Patent Wars (New York: Wiley, 1994), 170­71."
 msgstr "fred warshofsky, patent krigene (new york: wiley, 1994), 170­71."
 


@@ -9552,7 +9543,7 @@ msgstr ""
 "på forespørsel fra de vondt ved å endre teknologi, er endringer som bevare "
 "insentiver og muligheter for innovasjon og endre."
 
 "på forespørsel fra de vondt ved å endre teknologi, er endringer som bevare "
 "insentiver og muligheter for innovasjon og endre."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "In the context of laws regulating speech--which include, obviously, "
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 msgid ""
 "In the context of laws regulating speech--which include, obviously, "
 "copyright law--that duty is even stronger. When the industry complaining "


@@ -9562,9 +9553,9 @@ msgid ""
 "business of regulating speech markets. The risks and dangers of that game "
 "are precisely why our framers created the First Amendment to our "
 "Constitution: \"Congress shall make no law . . .  abridging the freedom of "
 "business of regulating speech markets. The risks and dangers of that game "
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 "Constitution: \"Congress shall make no law . . .  abridging the freedom of "

-"speech.\" So when Congress is being asked to pass laws that would \"abridge"
-"\" the freedom of speech, it should ask-- carefully--whether such regulation "
-"is justified."
+"speech.\" So when Congress is being asked to pass laws that would "
+"\"abridge\" the freedom of speech, it should ask-- carefully--whether such "
+"regulation is justified."

 msgstr ""
 "i sammenheng med lover som regulerer tale--, og som omfatter, tydeligvis, "
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 msgstr ""
 "i sammenheng med lover som regulerer tale--, og som omfatter, tydeligvis, "
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@@ -9573,12 +9564,12 @@ msgstr ""
 "forespørselen. Det er alltid en dårlig deal for regjeringen å komme inn i "
 "virksomheten av regulerer tale markeder. risikoer og farer av spillet er "
 "nøyaktig hvorfor våre underskrev opprettet den første endringen til vår "
 "forespørselen. Det er alltid en dårlig deal for regjeringen å komme inn i "
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-"\" så når Kongressen blir bedt om å passere lovgivning som ville \"abridge\" "
-"ytringsfriheten, det bør spørre--nøye--om slike regulering er begrunnet."
+"grunnlov: \"Kongressen skal gjøre ingen lov... abridging friheten til "
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+"begrunnet."

 
 

-#.  PAGE BREAK 140 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
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 msgid ""
 "My argument just now, however, has nothing to do with whether the changes "
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@@ -9598,6 +9589,7 @@ msgid "Here's the metaphor that will capture the argument to follow."
 msgstr "Her er til metaforen vil fange opp argumentet å følge."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgstr "Her er til metaforen vil fange opp argumentet å følge."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>

+#, mtrans, fuzzy

 msgid ""
 "In 1873, the chemical DDT was first synthesized. In 1948, Swiss chemist Paul "
 "Hermann Müller won the Nobel Prize for his work demonstrating the "
 msgid ""
 "In 1873, the chemical DDT was first synthesized. In 1948, Swiss chemist Paul "
 "Hermann Müller won the Nobel Prize for his work demonstrating the "


@@ -9612,6 +9604,7 @@ msgstr ""
 "produksjonen av gården."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 "produksjonen av gården."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>

+#, mtrans, fuzzy

 msgid ""
 "No one doubts that killing disease-carrying pests or increasing crop "
 "production is a good thing. No one doubts that the work of Müller was "
 msgid ""
 "No one doubts that killing disease-carrying pests or increasing crop "
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@@ -9629,11 +9622,12 @@ msgid ""
 "the ecology were being destroyed."
 msgstr ""
 "men i 1962, rachel carson publisert stille våren, som hevdet at ddt, uansett "
 "the ecology were being destroyed."
 msgstr ""
 "men i 1962, rachel carson publisert stille våren, som hevdet at ddt, uansett "

-"dens primære fordeler, hadde også utilsiktede miljømessige konsekvenser. "
-"fugler var å miste muligheten til å reprodusere. hele kjeder av økologi ble "
-"blir ødelagt."
+"dens primære fordeler, hadde også utilsiktede miljømessige "
+"konsekvenser. fugler var å miste muligheten til å reprodusere. hele kjeder "
+"av økologi ble blir ødelagt."

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 
 #. type: Content of: <book><chapter><sect1><sect2><para>

+#, mtrans, fuzzy

 msgid ""
 "No one set out to destroy the environment. Paul Müller certainly did not aim "
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 msgid ""
 "No one set out to destroy the environment. Paul Müller certainly did not aim "
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@@ -9650,8 +9644,7 @@ msgstr ""
 "verre enn problemer det løst, minst når de vurderer den andre, mer "
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-#.  f7 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "See, for example, James Boyle, \"A Politics of Intellectual Property: "
 "Environmentalism for the Net?\" Duke Law Journal 47 (1997): 87."
 msgid ""
 "See, for example, James Boyle, \"A Politics of Intellectual Property: "
 "Environmentalism for the Net?\" Duke Law Journal 47 (1997): 87."


@@ -9663,13 +9656,13 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "It is to this image precisely that Duke University law professor James Boyle "
 #. type: Content of: <book><chapter><sect1><sect2><para>
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-"appeals when he argues that we need an \"environmentalism\" for culture."
-"<placeholder type=\"footnote\" id=\"0\"/> His point, and the point I want to "
-"develop in the balance of this chapter, is not that the aims of copyright "
-"are flawed. Or that authors should not be paid for their work. Or that music "
-"should be given away \"for free.\" The point is that some of the ways in "
-"which we might protect authors will have unintended consequences for the "
-"cultural environment, much like DDT had for the natural environment. And "
+"appeals when he argues that we need an \"environmentalism\" for "
+"culture.<placeholder type=\"footnote\" id=\"0\"/> His point, and the point I "
+"want to develop in the balance of this chapter, is not that the aims of "
+"copyright are flawed. Or that authors should not be paid for their work. Or "
+"that music should be given away \"for free.\" The point is that some of the "
+"ways in which we might protect authors will have unintended consequences for "
+"the cultural environment, much like DDT had for the natural environment. And "

 "just as criticism of DDT is not an endorsement of malaria or an attack on "
 "farmers, so, too, is criticism of one particular set of regulations "
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 "just as criticism of DDT is not an endorsement of malaria or an attack on "
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 "protecting copyright not an endorsement of anarchy or an attack on authors.  "


@@ -9711,7 +9704,7 @@ msgstr ""
 msgid "Beginnings"
 msgstr "begynnelse"
 
 msgid "Beginnings"
 msgstr "begynnelse"
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "America copied English copyright law. Actually, we copied and improved "
 "English copyright law. Our Constitution makes the purpose of \"creative "
 msgid ""
 "America copied English copyright law. Actually, we copied and improved "
 "English copyright law. Our Constitution makes the purpose of \"creative "


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 "property\" fjerner du rettigheter; uttrykkelig begrensninger forsterke den "
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 "engelske mål å unngå altfor kraftig utgivere."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
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+"8-setningsdelen i vår grunnlov sier at:"

 
 

-#.  PAGE BREAK 142 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "Congress has the power to promote the Progress of Science and useful Arts, "
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 msgid ""
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@@ -9754,15 +9746,15 @@ msgstr ""
 "og formålet er en offentlig, ikke hensikten med berikende utgivere, eller "
 "med hovedsakelig formålet med givende forfatternes."
 
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 "med hovedsakelig formålet med givende forfatternes."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "The Progress Clause expressly limits the term of copyrights. As we saw in "
 "chapter 6, the English limited the term of copyright so as to assure that a "
 "few would not exercise disproportionate control over culture by exercising "
 "disproportionate control over publishing. We can assume the framers followed "
 "the English for a similar purpose. Indeed, unlike the English, the framers "
 msgid ""
 "The Progress Clause expressly limits the term of copyrights. As we saw in "
 "chapter 6, the English limited the term of copyright so as to assure that a "
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 msgstr ""
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 "struktur som ble bygd kontrollerer og saldoer i konstitusjonelle rammen, "
 "strukturert for å hindre at ellers uunngåelig konsentrasjoner av makt."
 
 "struktur som ble bygd kontrollerer og saldoer i konstitusjonelle rammen, "
 "strukturert for å hindre at ellers uunngåelig konsentrasjoner av makt."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "I doubt the framers would recognize the regulation we call \"copyright\" "
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@@ -9847,6 +9839,7 @@ msgstr "loven: varighet"
 
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
 #.  f8 
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+#, mtrans, fuzzy

 msgid ""
 "William W. Crosskey, Politics and the Constitution in the History of the "
 "United States (London: Cambridge University Press, 1953), vol. 1, 485­86: "
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 "William W. Crosskey, Politics and the Constitution in the History of the "
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@@ -9855,10 +9848,10 @@ msgid ""
 "under the Common Law\" (emphasis added)."
 msgstr ""
 "William w. crosskey, politikk og Grunnloven i historien av USA (london: "
 "under the Common Law\" (emphasis added)."
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 "William w. crosskey, politikk og Grunnloven i historien av USA (london: "

-"cambridge university press, 1953), vol. 1, 485­86: \"slukke [ing], ved vanlig "
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-"som forfattere hadde eller skulle etter noen å ha, under felles lov\" (vekt "
-"legges til)."
+"cambridge university press, 1953), vol. 1, 485­86: \"slukke [ing], ved "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "the same uncertainty about the status of creative property that the English "
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-"\"footnote\" id=\"0\"/> This meant that there was no guaranteed public "
+"rights that already protected creative authorship.<placeholder "
+"type=\"footnote\" id=\"0\"/> This meant that there was no guaranteed public "

 "domain in the United States in 1790. If copyrights were protected by the "
 "common law, then there was no simple way to know whether a work published in "
 "the United States was controlled or free. Just as in England, this lingering "
 "domain in the United States in 1790. If copyrights were protected by the "
 "common law, then there was no simple way to know whether a work published in "
 "the United States was controlled or free. Just as in England, this lingering "


@@ -9912,15 +9905,15 @@ msgid ""
 "1799, only 556 copyright registrations were filed; John Tebbel, A History of "
 "Book Publishing in the United States, vol. 1, The Creation of an Industry, "
 "1630­1865 (New York: Bowker, 1972), 141. Of the 21,000 imprints recorded "
 "1799, only 556 copyright registrations were filed; John Tebbel, A History of "
 "Book Publishing in the United States, vol. 1, The Creation of an Industry, "
 "1630­1865 (New York: Bowker, 1972), 141. Of the 21,000 imprints recorded "

-"before 1790, only twelve were copyrighted under the 1790 act; William J. "
-"Maher, Copyright Term, Retrospective Extension and the Copyright Law of 1790 "
-"in Historical Context, 7­10 (2002), available at <ulink url=\"http://free-"
-"culture.cc/notes/\">link #25</ulink>.  Thus, the overwhelming majority of "
-"works fell immediately into the public domain. Even those works that were "
-"copyrighted fell into the public domain quickly, because the term of "
-"copyright was short. The initial term of copyright was fourteen years, with "
-"the option of renewal for an additional fourteen years. Copyright Act of May "
-"31, 1790, §1, 1 stat. 124."
+"before 1790, only twelve were copyrighted under the 1790 act; William "
+"J. Maher, Copyright Term, Retrospective Extension and the Copyright Law of "
+"1790 in Historical Context, 7­10 (2002), available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #25</ulink>.  Thus, the "
+"overwhelming majority of works fell immediately into the public domain. Even "
+"those works that were copyrighted fell into the public domain quickly, "
+"because the term of copyright was short. The initial term of copyright was "
+"fourteen years, with the option of renewal for an additional fourteen "
+"years. Copyright Act of May 31, 1790, §1, 1 stat. 124."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>


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 "under the federal copyright regime. Of all the work created in the United "
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 #.  f10 
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 #.  f10 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
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 msgid ""
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 "noen rettighetshavere valgte noensinne å fornye sine opphavsrettigheter. for "
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+"barbara a. ringer, \"studere nr. 31: fornyelse av opphavsrett,\" studier "
+"på opphavsrett, vol. 1 (new york: praktisere loven institute, 1963), "
+"618. Hvis en nyere og omfattende analyse, se william m landes og richard "
+"en. Posner, \"på ubestemt tid fornybar copyright,\" university of "
+"chicago lov gå gjennom 70 (2003): 471, 498­501 og tilhørende tallene."

 
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@@ -10025,9 +10020,10 @@ msgstr ""
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-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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@@ -10083,7 +10080,7 @@ msgstr ""
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-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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@@ -10096,11 +10093,10 @@ msgstr ""
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-"\", har vi ingen bevis for at noe vil begrense dem."
+"i lov om opphavsrett. til tross for kravet om at vilkårene være "
+"\"begrenset\", har vi ingen bevis for at noe vil begrense dem."

 
 

-#.  f12 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

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@@ -10119,38 +10115,38 @@ msgid ""
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 msgstr "loven: Virkeområde"
 
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 msgid "Law: Scope"
 msgstr "loven: Virkeområde"
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "The \"scope\" of a copyright is the range of rights granted by the law.  The "
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-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "In 1790, that scope was very narrow. Copyright covered only \"maps, charts, "
 msgid ""
 "In 1790, that scope was very narrow. Copyright covered only \"maps, charts, "

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+"architecture. More significantly, the right granted by a copyright gave the "
+"author the exclusive right to \"publish\" copyrighted works. That means "
+"someone else violated the copyright only if he republished the work without "
+"the copyright owner's permission. Finally, the right granted by a copyright "
+"was an exclusive right to that particular book. The right did not extend to "
+"what lawyers call \"derivative works.\" It would not, therefore, interfere "
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 "i 1790 var at omfanget svært smale. Copyright dekket bare \"kart, diagrammer "
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 msgstr ""
 "i 1790 var at omfanget svært smale. Copyright dekket bare \"kart, diagrammer "


@@ -10159,13 +10155,13 @@ msgstr ""
 "forfatteren eneretten til \"Publiser\" opphavsrettslig beskyttet verk. Det "
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 "(for eksempel et drama basert på en publiserte bok)."
 
 "(for eksempel et drama basert på en publiserte bok)."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "This, too, has changed dramatically. While the contours of copyright today "
 "are extremely hard to describe simply, in general terms, the right covers "
 msgid ""
 "This, too, has changed dramatically. While the contours of copyright today "
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@@ -10195,6 +10191,7 @@ msgstr ""
 
 #.  PAGE BREAK 148 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 
 #.  PAGE BREAK 148 
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+#, mtrans, fuzzy

 msgid ""
 "At the same time that the scope of copyright has expanded, procedural "
 "limitations on the right have been relaxed. I've already described the "
 msgid ""
 "At the same time that the scope of copyright has expanded, procedural "
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@@ -10202,9 +10199,9 @@ msgid ""
 "renewal requirement, for most of the history of American copyright law, "
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+"copyright. And for most of the history of American copyright law, there was "
+"a requirement that works be deposited with the government before a copyright "

 "could be secured."
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 "på samme tid som har utvidet omfanget av copyright, er fremgangsmåter for "
 "could be secured."
 msgstr ""
 "på samme tid som har utvidet omfanget av copyright, er fremgangsmåter for "


@@ -10243,6 +10240,7 @@ msgstr ""
 "opprinnelige forfatteren."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 "opprinnelige forfatteren."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>

+#, mtrans, fuzzy

 msgid ""
 "All of these \"formalities\" were abolished in the American system when we "
 "decided to follow European copyright law. There is no requirement that you "
 msgid ""
 "All of these \"formalities\" were abolished in the American system when we "
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@@ -10251,19 +10249,19 @@ msgid ""
 "copyright exists whether or not you actually make a copy available for "
 "others to copy."
 msgstr ""
 "copyright exists whether or not you actually make a copy available for "
 "others to copy."
 msgstr ""

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 #. type: Content of: <book><chapter><sect1><sect2><para>

-msgid ""
-"Consider a practical example to understand the scope of these differences."
+msgid "Consider a practical example to understand the scope of these differences."

 msgstr "vurdere et praktisk eksempel å forstå omfanget av disse forskjellene."
 
 #.  f13 
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 msgstr "vurdere et praktisk eksempel å forstå omfanget av disse forskjellene."
 
 #.  f13 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

 msgid ""
 "See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of "
 "American Literature,\" 29 New York University Journal of International Law "
 msgid ""
 "See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of "
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@@ -10271,20 +10269,20 @@ msgid ""
 "1790­1800 (U.S. G.P.O., 1987)."
 msgstr ""
 "se thomas bender og david sampliner, \"poeter, pirater og etableringen av "
 "1790­1800 (U.S. G.P.O., 1987)."
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 "se thomas bender og david sampliner, \"poeter, pirater og etableringen av "

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+"lov og politikk 255 (1997), og james gilraeth, ed., føderale opphavsrett "

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+"creative market in the United States--publishers."

 msgstr ""
 
 #.  PAGE BREAK 149 
 msgstr ""
 
 #.  PAGE BREAK 149 


@@ -10301,9 +10299,9 @@ msgstr ""
 "for hånd, igjen og igjen, som en måte å lære det ved hjertet, var min "
 "gjerning helt unregulated av 1790 act. Hvis jeg tok romanen og gjorde en "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "unntak) til å kontrollere hvordan andre kopierer arbeidet, om de kopiere den "
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-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "That much is the obvious part. Any system of copyright would control "
 "competing publishing. But there's a second part to the copyright of today "
 msgid ""
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 msgstr ""
 
 #.  f15 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>

+#, mtrans, fuzzy

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 "Professor Rubenfeld has presented a powerful constitutional argument about "
 "the difference that copyright law should draw (from the perspective of the "
 msgid ""
 "Professor Rubenfeld has presented a powerful constitutional argument about "
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@@ -10405,20 +10404,21 @@ msgid ""
 msgstr ""
 "professor rubenfeld har presentert en kraftig konstitusjonelle argument om "
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 msgstr ""
 
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "This again may seem right to you. If I wrote a book, then why should you be "
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 msgid ""
 "This again may seem right to you. If I wrote a book, then why should you be "
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@@ -10447,8 +10447,7 @@ msgstr ""
 msgid "Law and Architecture: Reach"
 msgstr "lov og arkitektur: nå"
 
 msgid "Law and Architecture: Reach"
 msgstr "lov og arkitektur: nå"
 

-#.  f16 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "This is a simplification of the law, but not much of one. The law certainly "
 "regulates more than \"copies\"--a public performance of a copyrighted song, "
 msgid ""
 "This is a simplification of the law, but not much of one. The law certainly "
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@@ -10471,12 +10470,11 @@ msgid ""
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+"type=\"footnote\" id=\"0\"/>"

 msgstr ""
 
 msgstr ""
 

-#.  PAGE BREAK 151 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "\"Copies.\" That certainly sounds like the obvious thing for copyright law "
 "to regulate. But as with Jack Valenti's argument at the start of this "
 msgid ""
 "\"Copies.\" That certainly sounds like the obvious thing for copyright law "
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@@ -10576,7 +10577,7 @@ msgstr ""
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 "paradigmatic bruk riktig regulert av opphavsrett regulering (se første "
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-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
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 msgid "<graphic fileref=\"1541.jpg\"></graphic>"
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-#. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -10628,8 +10628,7 @@ msgstr ""
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 msgid ""
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 msgid ""
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@@ -10638,8 +10637,8 @@ msgid ""
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@@ -10689,14 +10688,15 @@ msgid ""
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@@ -10786,21 +10786,21 @@ msgstr ""
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-#.  PAGE BREAK 157 
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 
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+#, mtrans, fuzzy

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 msgid ""
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 msgid "Ibid. See also Vaidhyanathan, Copyrights and Copywrongs, 1­3."
 msgstr "ibid. se også vaidhyanathan, opphavsrett og copywrongs, 1­3."
 
 msgid "Ibid. See also Vaidhyanathan, Copyrights and Copywrongs, 1­3."
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-"On the next page is a picture of an old version of my Adobe eBook Reader."
-msgstr ""
-"på neste er siden et bilde av en gammel versjon av min adobe eBok-leser."
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-#. type: Content of: <book><chapter><sect1><sect2><para>
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-#.  PAGE BREAK 163 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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 msgid "<graphic fileref=\"1641.jpg\"></graphic>"
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-#.  PAGE BREAK 164 
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-#. type: Content of: <book><chapter><sect1><sect2><para>
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 msgid ""
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 "(derfor aibohack.com)."
 
 "(derfor aibohack.com)."
 

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 "weakness in an encryption system being developed by the Secure Digital Music "
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-#.  PAGE BREAK 168 
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-msgstr ""
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-msgstr ""
-"ingen argument jeg har kan topp dette bildet, men la meg prøve å komme nær."
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 #.  PAGE BREAK 171 
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 "The Marijuana Policy Project, in February 2003, sought to place ads that "
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+"accepted payment to do so, but later decided not to run the ads and returned "
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-"\"Ad Hoc Access: The Regulation of Editorial Advertising on Television and "
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-"criticized its Muni diesel buses. Phillip Matier and Andrew Ross, "
-"\"Antidiesel Group Fuming After Muni Rejects Ad,\" SFGate.com, 16 June 2003, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #32</ulink>. "
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+"from TV Networks,\" New York Times, 13 March 2003, C4.  Outside of "
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+"are willing to do to even the playing field. For a general overview, see "
+"Rhonda Brown, \"Ad Hoc Access: The Regulation of Editorial Advertising on "
+"Television and Radio,\" Yale Law and Policy Review 6 (1988): 449­79, and for "
+"a more recent summary of the stance of the FCC and the courts, see "
+"Radio-Television News Directors Association v. FCC, 184 F. 3d 872 "
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+"authority rejected an ad that criticized its Muni diesel buses. Phillip "
+"Matier and Andrew Ross, \"Antidiesel Group Fuming After Muni Rejects Ad,\" "
+"SFGate.com, 16 June 2003, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #32</ulink>. The ground was that "
+"the criticism was \"too controversial.\""

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 msgid "Together"
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@@ -12940,8 +12947,7 @@ msgstr "puslespill"
 msgid "CHAPTER ELEVEN: Chimera"
 msgstr "Kapittel 11: chimera"
 
 msgid "CHAPTER ELEVEN: Chimera"
 msgstr "Kapittel 11: chimera"
 

-#.  f1. 
-#. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "H. G. Wells, \"The Country of the Blind\" (1904, 1911). See H. G. Wells, The "
 "Country of the Blind and Other Stories, Michael Sherborne, ed. (New York: "
 msgid ""
 "H. G. Wells, \"The Country of the Blind\" (1904, 1911). See H. G. Wells, The "
 "Country of the Blind and Other Stories, Michael Sherborne, ed. (New York: "


@@ -12959,12 +12965,12 @@ msgid ""
 "extraordinarily beautiful, with \"sweet water, pasture, an even climate, "
 "slopes of rich brown soil with tangles of a shrub that bore an excellent "
 "fruit.\" But the villagers are all blind. Nunez takes this as an "
 "extraordinarily beautiful, with \"sweet water, pasture, an even climate, "
 "slopes of rich brown soil with tangles of a shrub that bore an excellent "
 "fruit.\" But the villagers are all blind. Nunez takes this as an "

-"opportunity. \"In the Country of the Blind,\" he tells himself, \"the One-"
-"Eyed Man is King.\" So he resolves to live with the villagers to explore "
+"opportunity. \"In the Country of the Blind,\" he tells himself, \"the "
+"One-Eyed Man is King.\" So he resolves to live with the villagers to explore "

 "life as a king."
 msgstr ""
 
 "life as a king."
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "Things don't go quite as he planned. He tries to explain the idea of sight "
 "to the villagers. They don't understand. He tells them they are \"blind.\" "
 msgid ""
 "Things don't go quite as he planned. He tries to explain the idea of sight "
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@@ -12976,16 +12982,15 @@ msgid ""
 "blind and I can see. Leave me alone!'\""
 msgstr ""
 "ting går ikke helt som han har planlagt. han prøver å forklare ideen om "
 "blind and I can see. Leave me alone!'\""
 msgstr ""
 "ting går ikke helt som han har planlagt. han prøver å forklare ideen om "

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+"stadig mer merke tingene han ikke kan gjøre (høre lyden av gress å bli "
+"trappet på, for eksempel), de stadig prøver å kontrollere ham. han, i sin "
+"tur blir stadig mer frustrert. \"du ikke forstår, han gråt, i en stemme som "
+"var ment å være stor og resolutt, og som brøt. ' du er blind, og jeg kan "
+"se. La meg være! \"\""

 
 

-#.  PAGE BREAK 187 
-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The villagers don't leave him alone. Nor do they see (so to speak)  the "
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 msgid ""
 "The villagers don't leave him alone. Nor do they see (so to speak)  the "
 "virtue of his special power. Not even the ultimate target of his affection, "


@@ -13006,7 +13011,7 @@ msgstr ""
 "overbærenhet.\" \"hun ikke tro,\" brønner forteller oss, og \"hun kunne bare "
 "halvparten forstår, men hun var mysteriously glad.\""
 
 "overbærenhet.\" \"hun ikke tro,\" brønner forteller oss, og \"hun kunne bare "
 "halvparten forstår, men hun var mysteriously glad.\""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "When Nunez announces his desire to marry his \"mysteriously delighted\" "
 "love, the father and the village object. \"You see, my dear,\" her father "
 msgid ""
 "When Nunez announces his desire to marry his \"mysteriously delighted\" "
 "love, the father and the village object. \"You see, my dear,\" her father "


@@ -13018,7 +13023,7 @@ msgstr ""
 "instruerer, \"han er en idiot. Han har delusions. han kan ikke gjøre noe "
 "høyre. \"de tar nunez til landsbyen legen."
 
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 "høyre. \"de tar nunez til landsbyen legen."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "After a careful examination, the doctor gives his opinion. \"His brain is "
 "affected,\" he reports."
 msgid ""
 "After a careful examination, the doctor gives his opinion. \"His brain is "
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@@ -13026,7 +13031,7 @@ msgstr ""
 "etter en forsiktig eksamen gir legen sin mening. \"hans hjernen er berørt,\" "
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 "etter en forsiktig eksamen gir legen sin mening. \"hans hjernen er berørt,\" "
 "rapporterer han."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "\"What affects it?\" the father asks.  \"Those queer things that are called "
 "the eyes . . . are diseased . . . in such a way as to affect his brain.\""
 msgid ""
 "\"What affects it?\" the father asks.  \"Those queer things that are called "
 "the eyes . . . are diseased . . . in such a way as to affect his brain.\""


@@ -13034,7 +13039,7 @@ msgstr ""
 "\"hva påvirker det?\" spør Faderen. \"de skeiv ting som kalles øynene... er "
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 "\"hva påvirker det?\" spør Faderen. \"de skeiv ting som kalles øynene... er "
 "sykelig... på en måte som påvirker hans hjernen.\""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The doctor continues: \"I think I may say with reasonable certainty that in "
 "order to cure him completely, all that we need to do is a simple and easy "
 msgid ""
 "The doctor continues: \"I think I may say with reasonable certainty that in "
 "order to cure him completely, all that we need to do is a simple and easy "


@@ -13044,19 +13049,18 @@ msgstr ""
 "helbrede ham helt, alt vi trenger å gjøre er en enkel og lett kirurgisk "
 "operasjon – nemlig å fjerne disse irriterende organer [øynene].\""
 
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 "operasjon – nemlig å fjerne disse irriterende organer [øynene].\""
 

-#.  PAGE BREAK 188 
-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "\"Thank Heaven for science!\" says the father to the doctor. They inform "
 "Nunez of this condition necessary for him to be allowed his bride.  (You'll "
 "have to read the original to learn what happens in the end. I believe in "
 "free culture, but never in giving away the end of a story.)  It sometimes "
 "happens that the eggs of twins fuse in the mother's womb. That fusion "
 msgid ""
 "\"Thank Heaven for science!\" says the father to the doctor. They inform "
 "Nunez of this condition necessary for him to be allowed his bride.  (You'll "
 "have to read the original to learn what happens in the end. I believe in "
 "free culture, but never in giving away the end of a story.)  It sometimes "
 "happens that the eggs of twins fuse in the mother's womb. That fusion "

-"produces a \"chimera.\" A chimera is a single creature with two sets of DNA. "
-"The DNA in the blood, for example, might be different from the DNA of the "
-"skin. This possibility is an underused plot for murder mysteries. \"But the "
-"DNA shows with 100 percent certainty that she was not the person whose blood "
-"was at the scene. . . .\""
+"produces a \"chimera.\" A chimera is a single creature with two sets of "
+"DNA. The DNA in the blood, for example, might be different from the DNA of "
+"the skin. This possibility is an underused plot for murder mysteries. \"But "
+"the DNA shows with 100 percent certainty that she was not the person whose "
+"blood was at the scene. . . .\""

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 "\"thank heaven for science!\", sier faren til legen. de informere nunez av "
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 msgstr ""
 "\"thank heaven for science!\", sier faren til legen. de informere nunez av "
 "denne tilstanden som er nødvendig for ham å være tillatt hans brud. (du må "


@@ -13068,7 +13072,7 @@ msgstr ""
 "muligheten er en underused tomten for mordet mysteriene. \"men dna viser med "
 "100 prosent sikkerhet at hun ikke var personen med blod ble på scenen....\""
 
 "muligheten er en underused tomten for mordet mysteriene. \"men dna viser med "
 "100 prosent sikkerhet at hun ikke var personen med blod ble på scenen....\""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "Before I had read about chimeras, I would have said they were impossible.  A "
 "single person can't have two sets of DNA. The very idea of DNA is that it is "
 msgid ""
 "Before I had read about chimeras, I would have said they were impossible.  A "
 "single person can't have two sets of DNA. The very idea of DNA is that it is "


@@ -13084,7 +13088,7 @@ msgstr ""
 "chimera). vår forståelse av en \"person\" skal gjenspeile denne "
 "virkeligheten."
 
 "chimera). vår forståelse av en \"person\" skal gjenspeile denne "
 "virkeligheten."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "The more I work to understand the current struggle over copyright and "
 "culture, which I've sometimes called unfairly, and sometimes not unfairly "
 msgid ""
 "The more I work to understand the current struggle over copyright and "
 "culture, which I've sometimes called unfairly, and sometimes not unfairly "


@@ -13111,7 +13115,7 @@ msgstr ""
 "relevante henseender, akkurat som hva hver executive i hver innspilling "
 "selskapet uten tvil gjorde som en unge: deling av musikk."
 
 "relevante henseender, akkurat som hva hver executive i hver innspilling "
 "selskapet uten tvil gjorde som en unge: deling av musikk."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "But the description is also false in part. For when my p2p server is on a "
 "p2p network through which anyone can get access to my music, then sure, my "
 msgid ""
 "But the description is also false in part. For when my p2p server is on a "
 "p2p network through which anyone can get access to my music, then sure, my "


@@ -13129,7 +13133,7 @@ msgstr ""
 "vi har ikke alltid vært tillatt å dele musikk med \"våre ti tusen beste "
 "venner.\""
 
 "vi har ikke alltid vært tillatt å dele musikk med \"våre ti tusen beste "
 "venner.\""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "Likewise, when the other side says, \"File sharing is just like walking into "
 "a Tower Records and taking a CD off the shelf and walking out with it,\" "
 msgid ""
 "Likewise, when the other side says, \"File sharing is just like walking into "
 "a Tower Records and taking a CD off the shelf and walking out with it,\" "


@@ -13187,24 +13191,25 @@ msgid ""
 "that would treat unauthorized on-line copying as a felony offense with "
 "punishments ranging as high as five years imprisonment; see Jon Healey, "
 "\"House Bill Aims to Up Stakes on Piracy,\" Los Angeles Times, 17 July 2003, "
 "that would treat unauthorized on-line copying as a felony offense with "
 "punishments ranging as high as five years imprisonment; see Jon Healey, "
 "\"House Bill Aims to Up Stakes on Piracy,\" Los Angeles Times, 17 July 2003, "

-"available at <ulink url=\"http://free-culture.cc/notes/\">link #34</ulink>. "
-"Civil penalties are currently set at $150,000 per copied song. For a recent "
-"(and unsuccessful)  legal challenge to the RIAA's demand that an ISP reveal "
-"the identity of a user accused of sharing more than 600 songs through a "
-"family computer, see RIAA v. Verizon Internet Services (In re. Verizon "
-"Internet Services), 240 F.  Supp. 2d 24 (D.D.C. 2003). Such a user could "
-"face liability ranging as high as $90 million. Such astronomical figures "
-"furnish the RIAA with a powerful arsenal in its prosecution of file sharers. "
-"Settlements ranging from $12,000 to $17,500 for four students accused of "
-"heavy file sharing on university networks must have seemed a mere pittance "
-"next to the $98 billion the RIAA could seek should the matter proceed to "
-"court. See Elizabeth Young, \"Downloading Could Lead to Fines,\" redandblack."
-"com, August 2003, available at <ulink url=\"http://free-culture.cc/notes/"
-"\">link #35</ulink>. For an example of the RIAA's targeting of student file "
-"sharing, and of the subpoenas issued to universities to reveal student file-"
-"sharer identities, see James Collins, \"RIAA Steps Up Bid to Force BC, MIT "
-"to Name Students,\" Boston Globe, 8 August 2003, D3, available at <ulink url="
-"\"http://free-culture.cc/notes/\">link #36</ulink>."
+"available at <ulink url=\"http://free-culture.cc/notes/\">link "
+"#34</ulink>. Civil penalties are currently set at $150,000 per copied "
+"song. For a recent (and unsuccessful)  legal challenge to the RIAA's demand "
+"that an ISP reveal the identity of a user accused of sharing more than 600 "
+"songs through a family computer, see RIAA v. Verizon Internet Services (In "
+"re. Verizon Internet Services), 240 F.  Supp. 2d 24 (D.D.C. 2003). Such a "
+"user could face liability ranging as high as $90 million. Such astronomical "
+"figures furnish the RIAA with a powerful arsenal in its prosecution of file "
+"sharers. Settlements ranging from $12,000 to $17,500 for four students "
+"accused of heavy file sharing on university networks must have seemed a mere "
+"pittance next to the $98 billion the RIAA could seek should the matter "
+"proceed to court. See Elizabeth Young, \"Downloading Could Lead to Fines,\" "
+"redandblack.com, August 2003, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #35</ulink>. For an example of "
+"the RIAA's targeting of student file sharing, and of the subpoenas issued to "
+"universities to reveal student file-sharer identities, see James Collins, "
+"\"RIAA Steps Up Bid to Force BC, MIT to Name Students,\" Boston Globe, 8 "
+"August 2003, D3, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #36</ulink>."

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 #. type: Content of: <book><chapter><sect1><para>


@@ -13215,8 +13220,8 @@ msgid ""
 "file sharing occurred on a family computer. And we can get universities to "
 "monitor all computer traffic to make sure that no computer is used to commit "
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 #. type: Content of: <book><chapter><sect1><para>
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 #. type: Content of: <book><chapter><sect1><para>


@@ -13267,7 +13272,7 @@ msgstr ""
 "aldri har hatt før. og i denne ekstremisme, mange en mulighet for ny "
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 "innovasjon og nye kreativitet går tapt."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "I'm not talking about the opportunities for kids to \"steal\" music. My "
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 msgid ""
 "I'm not talking about the opportunities for kids to \"steal\" music. My "
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@@ -13340,7 +13345,7 @@ msgid ""
 "everyone's interests.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 "everyone's interests.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "In April 2001, eMusic.com was purchased by Vivendi Universal, one of \"the "
 "major labels.\" Its position on these matters has now changed."
 msgid ""
 "In April 2001, eMusic.com was purchased by Vivendi Universal, one of \"the "
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@@ -13362,7 +13367,7 @@ msgstr ""
 msgid "CHAPTER TWELVE: Harms"
 msgstr "Kapittel 12: skader"
 
 msgid "CHAPTER TWELVE: Harms"
 msgstr "Kapittel 12: skader"
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "To fight \"piracy,\" to protect \"property,\" the content industry has "
 "launched a war. Lobbying and lots of campaign contributions have now brought "
 msgid ""
 "To fight \"piracy,\" to protect \"property,\" the content industry has "
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@@ -13376,7 +13381,7 @@ msgstr ""
 "direkte og sikkerhetsstillelse skade. som med noen krig av forbudet, vil "
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 "disse skader bli rammet mest av våre egne folk."
 

-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "My aim so far has been to describe the consequences of this war, in "
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 "My aim so far has been to describe the consequences of this war, in "
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@@ -13388,7 +13393,7 @@ msgstr ""
 "denne beskrivelsen av konsekvenser til et argument. er denne krigen "
 "rettferdiggjøres?"
 
 "denne beskrivelsen av konsekvenser til et argument. er denne krigen "
 "rettferdiggjøres?"
 

-#. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "In my view, it is not. There is no good reason why this time, for the first "
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 msgid ""
 "In my view, it is not. There is no good reason why this time, for the first "
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@@ -13399,12 +13404,12 @@ msgstr ""
 "første gang, loven skal forsvare gamle mot den nye, bare når strømmen av "
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 "første gang, loven skal forsvare gamle mot den nye, bare når strømmen av "
 "egenskap kalt \"intellectual property\" er på sitt største i vår historie."
 

-#. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy

 msgid ""
 "Yet \"common sense\" does not see it this way. Common sense is still on the "
 "side of the Causbys and the content industry. The extreme claims of control "
 msgid ""
 "Yet \"common sense\" does not see it this way. Common sense is still on the "
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+"in the name of property still resonate; the uncritical rejection of "
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 "ennå se \"sunn fornuft\" ikke det på denne måten. sunn fornuft er fortsatt "
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 "ennå se \"sunn fornuft\" ikke det på denne måten. sunn fornuft er fortsatt "
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@@ -13433,17 +13438,17 @@ msgstr "Begrensende skaperne"
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "In the next ten years we will see an explosion of digital technologies.  "
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "In the next ten years we will see an explosion of digital technologies.  "

-"These technologies will enable almost anyone to capture and share content. "
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 "different. You could send an e-mail telling someone about a joke you saw on "
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-"string--a mash-up-- of songs from your favorite artists in a collage and "
-"make it available on the Net."
+"hate, or you could make a short film that puts statement against "
+"statement. You could write a poem to express your love, or you could weave "
+"together a string--a mash-up-- of songs from your favorite artists in a "
+"collage and make it available on the Net."

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@@ -13458,7 +13463,7 @@ msgstr ""
 "sanger fra dine favoritt artister i en collage og gjøre den tilgjengelig på "
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 "sanger fra dine favoritt artister i en collage og gjøre den tilgjengelig på "
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 "This digital \"capturing and sharing\" is in part an extension of the "
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@@ -13467,16 +13472,17 @@ msgid ""
 "\"capturing and sharing\" promises a world of extraordinarily diverse "
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 #.  PAGE BREAK 194 
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+"bare har vært mulig for enkeltpersoner i små grupper, isolert fra "
+"andre. Tenk på en gammel mann forteller en historie til en samling med "
+"naboer i en liten by. Nå forestille det samme fortellinger utvidet over hele "
+"verden."

 
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -13520,8 +13527,8 @@ msgid ""
 "See Lynne W. Jeter, Disconnected: Deceit and Betrayal at WorldCom (Hoboken, "
 "N.J.: John Wiley &amp; Sons, 2003), 176, 204; for details of the settlement, "
 "see MCI press release, \"MCI Wins U.S. District Court Approval for SEC "
 "See Lynne W. Jeter, Disconnected: Deceit and Betrayal at WorldCom (Hoboken, "
 "N.J.: John Wiley &amp; Sons, 2003), 176, 204; for details of the settlement, "
 "see MCI press release, \"MCI Wins U.S. District Court Approval for SEC "

-"Settlement\" (7 July 2003), available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #37</ulink>."
+"Settlement\" (7 July 2003), available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #37</ulink>."

 msgstr ""
 
 #.  f2. 
 msgstr ""
 
 #.  f2. 


@@ -13530,10 +13537,10 @@ msgid ""
 "The bill, modeled after California's tort reform model, was passed in the "
 "House of Representatives but defeated in a Senate vote in July 2003. For an "
 "overview, see Tanya Albert, \"Measure Stalls in Senate: `We'll Be Back,' Say "
 "The bill, modeled after California's tort reform model, was passed in the "
 "House of Representatives but defeated in a Senate vote in July 2003. For an "
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-"Tort Reformers,\" amednews.com, 28 July 2003, available at <ulink url="
-"\"http://free-culture.cc/notes/\">link #38</ulink>, and \"Senate Turns Back "
-"Malpractice Caps,\" CBSNews.com, 9 July 2003, available at <ulink url="
-"\"http://free-culture.cc/notes/\">link #39</ulink>. President Bush has "
+"Tort Reformers,\" amednews.com, 28 July 2003, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #38</ulink>, and \"Senate Turns "
+"Back Malpractice Caps,\" CBSNews.com, 9 July 2003, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #39</ulink>. President Bush has "

 "continued to urge tort reform in recent months."
 msgstr ""
 
 "continued to urge tort reform in recent months."
 msgstr ""
 


@@ -13547,23 +13554,23 @@ msgid ""
 "was just one) were threatened with a $98 billion lawsuit for building search "
 "engines that permitted songs to be copied. Yet World-Com--which defrauded "
 "investors of $11 billion, resulting in a loss to investors in market "
 "was just one) were threatened with a $98 billion lawsuit for building search "
 "engines that permitted songs to be copied. Yet World-Com--which defrauded "
 "investors of $11 billion, resulting in a loss to investors in market "

-"capitalization of over $200 billion--received a fine of a mere $750 million."
-"<placeholder type=\"footnote\" id=\"0\"/> And under legislation being pushed "
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-"butchering a patient?"
+"capitalization of over $200 billion--received a fine of a mere $750 "
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+"wrong leg in an operation would be liable for no more than $250,000 in "
+"damages for pain and suffering.<placeholder type=\"footnote\" id=\"1\"/> Can "
+"common sense recognize the absurdity in a world where the maximum fine for "
+"downloading two songs off the Internet is more than the fine for a doctor's "
+"negligently butchering a patient?"

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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "See Danit Lidor, \"Artists Just Wanna Be Free,\" Wired, 7 July 2003, "
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 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "See Danit Lidor, \"Artists Just Wanna Be Free,\" Wired, 7 July 2003, "

-"available at <ulink url=\"http://free-culture.cc/notes/\">link #40</ulink>. "
-"For an overview of the exhibition, see <ulink url=\"http://free-culture.cc/"
-"notes/\">link #41</ulink>."
+"available at <ulink url=\"http://free-culture.cc/notes/\">link "
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 msgstr ""
 
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 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -13579,10 +13586,10 @@ msgid ""
 "very different reasons, we will begin to see a world of underground art--not "
 "because the message is necessarily political, or because the subject is "
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-"<placeholder type=\"footnote\" id=\"0\"/> In what does their \"illegality\" "
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+"States.<placeholder type=\"footnote\" id=\"0\"/> In what does their "
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+"expression that is critical or reflective."

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@@ -13609,8 +13616,8 @@ msgstr ""
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@@ -13661,7 +13668,7 @@ msgstr ""
 "juridisk system utholdelig for de svært rike. for alle andre er det en "
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@@ -13669,18 +13676,19 @@ msgid ""
 "become that anyone actually believes this. The rules that publishers impose "
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+"disse reglene har lite i forhold til \"loven\" med hvilken dommere trøste "
+"seg."

 
 

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@@ -13695,25 +13703,25 @@ msgstr ""
 "opphavsretten, og som krever titusenvis av dollar til selv forsvar mot "
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 msgstr "som jed horovitz, forretningsmann bak video rørledning, sa til meg,"
 

-#.  PAGE BREAK 197 
-#. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
+#, mtrans, fuzzy

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@@ -13730,10 +13738,11 @@ msgstr "Begrensende innovators"
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+"artists who can't speak, yada yada yada. Maybe that doesn't get you "
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+"you."

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 "historien om den siste delen var en crunchy lefty historie--kreativitet "
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@@ -13741,7 +13750,7 @@ msgstr ""
 "kritisk til hva synes å være omtrent alt. og hvis du tror at du kanskje tror "
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 "det er lite i denne historien å bekymre deg over."
 

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@@ -13781,8 +13790,7 @@ msgstr ""
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-#.  PAGE BREAK 198 
-#. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -13840,21 +13848,21 @@ msgid ""
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 #.  PAGE BREAK 199 
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 #.  PAGE BREAK 199 


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 "See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" Los Angeles Times, "
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-"Not Be Digitized,\" Salon.com, 1 June 2001, available at <ulink url=\"http://"
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-"gir ved å snu vår tradisjon av juridisk deference, og ved å omfavne de "
-"astonishingly høyt straffene som pålegger lov om opphavsrett, det "
-"usikkerheten nå en realitet som er langt mer konservative enn det som er "
+"Poenget er ikke at virksomheter bør ha rett til å starte ulovlig "
+"bedrifter. Poenget er definisjonen av \"ulovlig.\" loven er et rot av "
+"usikkerhet. Vi har ingen god måte å vite hvordan den skal brukes på nye "
+"teknologier. ennå gir ved å snu vår tradisjon av juridisk deference, og ved "
+"å omfavne de astonishingly høyt straffene som pålegger lov om opphavsrett, "
+"det usikkerheten nå en realitet som er langt mer konservative enn det som er "

 "rett. Hvis loven pålagt dødsstraff for parkering billetter, vi ville ikke "
 "bare ha færre parkering billetter, ville vi også ha mye mindre kjøring. det "
 "samme prinsippet gjelder for innovasjon. Hvis innovasjon er stadig "
 "kontrolleres av denne usikker og ubegrenset ansvar, har vi mye mindre "
 "levende innovasjon og mye mindre kreativitet."
 
 "rett. Hvis loven pålagt dødsstraff for parkering billetter, vi ville ikke "
 "bare ha færre parkering billetter, ville vi også ha mye mindre kjøring. det "
 "samme prinsippet gjelder for innovasjon. Hvis innovasjon er stadig "
 "kontrolleres av denne usikker og ubegrenset ansvar, har vi mye mindre "
 "levende innovasjon og mye mindre kreativitet."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
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-"The point is directly parallel to the crunchy-lefty point about fair use. "
-"Whatever the \"real\" law is, realism about the effect of law in both "
+"The point is directly parallel to the crunchy-lefty point about fair "
+"use. Whatever the \"real\" law is, realism about the effect of law in both "

 "contexts is the same. This wildly punitive system of regulation will "
 "systematically stifle creativity and innovation. It will protect some "
 "industries and some creators, but it will harm industry and creativity "
 "contexts is the same. This wildly punitive system of regulation will "
 "systematically stifle creativity and innovation. It will protect some "
 "industries and some creators, but it will harm industry and creativity "


@@ -14105,7 +14113,7 @@ msgstr ""
 "innhold for å bruke loven til å regulere direkte teknologi på Internett slik "
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 "innhold for å bruke loven til å regulere direkte teknologi på Internett slik "
 "at det bedre beskytter innholdet."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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@@ -14135,6 +14143,7 @@ msgstr ""
 
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+#, mtrans, fuzzy

 msgid "GartnerG2, 26­27."
 msgstr "gartnerg2, 26­27."
 
 msgid "GartnerG2, 26­27."
 msgstr "gartnerg2, 26­27."
 


@@ -14143,14 +14152,15 @@ msgid ""
 "The examples of this form of legislation are many. At the urging of the "
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-"disable their machines.<placeholder type=\"footnote\" id=\"1\"/>"
+"or not, and to disable the spread of protected content.<placeholder "
+"type=\"footnote\" id=\"0\"/> Congress has already launched proceedings to "
+"explore a mandatory \"broadcast flag\" that would be required on any device "
+"capable of transmitting digital video (i.e., a computer), and that would "
+"disable the copying of any content that is marked with a broadcast "
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+"type=\"footnote\" id=\"1\"/>"

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 #.  PAGE BREAK 203 
 msgstr ""
 
 #.  PAGE BREAK 203 


@@ -14158,9 +14168,9 @@ msgstr ""
 msgid ""
 "In one sense, these solutions seem sensible. If the problem is the code, why "
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 "In one sense, these solutions seem sensible. If the problem is the code, why "
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-"It will impose significant burdens and costs on the technology, but will "
-"likely be eclipsed by advances around exactly those requirements."
+"infrastructure will always be tuned to the particular technology of the "
+"day. It will impose significant burdens and costs on the technology, but "
+"will likely be eclipsed by advances around exactly those requirements."

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 "i en forstand synes disse løsningene fornuftig. Hvis problemet er koden, "
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 msgstr ""
 "i en forstand synes disse løsningene fornuftig. Hvis problemet er koden, "
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@@ -14168,8 +14178,7 @@ msgstr ""
 "dagen. det vil innføre betydelig byrder og kostnader på teknologi, men vil "
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 "trolig være eclipsed av fremskritt rundt akkurat disse kravene."
 

-#.  f8. 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "See David McGuire, \"Tech Execs Square Off Over Piracy,\" Newsbytes, "
 "February 2002 (Entertainment)."
 msgid ""
 "See David McGuire, \"Tech Execs Square Off Over Piracy,\" Newsbytes, "
 "February 2002 (Entertainment)."


@@ -14180,16 +14189,17 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "In March 2002, a broad coalition of technology companies, led by Intel, "
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "In March 2002, a broad coalition of technology companies, led by Intel, "

-"tried to get Congress to see the harm that such legislation would impose."
-"<placeholder type=\"footnote\" id=\"0\"/> Their argument was obviously not "
-"that copyright should not be protected. Instead, they argued, any protection "
-"should not do more harm than good."
+"tried to get Congress to see the harm that such legislation would "
+"impose.<placeholder type=\"footnote\" id=\"0\"/> Their argument was "
+"obviously not that copyright should not be protected. Instead, they argued, "
+"any protection should not do more harm than good."

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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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-"There is one more obvious way in which this war has harmed innovation--"
-"again, a story that will be quite familiar to the free market crowd."
+"There is one more obvious way in which this war has harmed "
+"innovation--again, a story that will be quite familiar to the free market "
+"crowd."

 msgstr ""
 "Det er en tydeligere måte der denne krigen har skadet innovasjon - igjen, en "
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@@ -14208,21 +14218,19 @@ msgstr ""
 
 #.  f9. 
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-msgid ""
-"Jessica Litman, Digital Copyright (Amherst, N.Y.: Prometheus Books, 2001)."
-msgstr ""
-"Jessica litman, digitale copyright (amherst, n.y.: prometheus bøker, 2001)."
+msgid "Jessica Litman, Digital Copyright (Amherst, N.Y.: Prometheus Books, 2001)."
+msgstr "Jessica litman, digitale copyright (amherst, n.y.: prometheus bøker, 2001)."

 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "As I described in chapter 10, despite this feature of copyright as "
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 "As I described in chapter 10, despite this feature of copyright as "
 "regulation, and subject to important qualifications outlined by Jessica "

-"Litman in her book Digital Copyright,<placeholder type=\"footnote\" id=\"0\"/"
-"> overall this history of copyright is not bad. As chapter 10 details, when "
-"new technologies have come along, Congress has struck a balance to assure "
-"that the new is protected from the old. Compulsory, or statutory, licenses "
-"have been one part of that strategy. Free use (as in the case of the VCR) "
-"has been another."
+"Litman in her book Digital Copyright,<placeholder type=\"footnote\" "
+"id=\"0\"/> overall this history of copyright is not bad. As chapter 10 "
+"details, when new technologies have come along, Congress has struck a "
+"balance to assure that the new is protected from the old. Compulsory, or "
+"statutory, licenses have been one part of that strategy. Free use (as in the "
+"case of the VCR) has been another."

 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -14243,9 +14251,9 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "The only circuit court exception is found in Recording Industry Association "
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "The only circuit court exception is found in Recording Industry Association "

-"of America (RIAA) v. Diamond Multimedia Systems, 180 F. 3d 1072 (9th Cir. "
-"1999). There the court of appeals for the Ninth Circuit reasoned that makers "
-"of a portable MP3 player were not liable for contributory copyright "
+"of America (RIAA) v. Diamond Multimedia Systems, 180 F. 3d 1072 (9th "
+"Cir. 1999). There the court of appeals for the Ninth Circuit reasoned that "
+"makers of a portable MP3 player were not liable for contributory copyright "

 "infringement for a device that is unable to record or redistribute music (a "
 "device whose only copying function is to render portable a music file "
 "already stored on a user's hard drive).  At the district court level, the "
 "infringement for a device that is unable to record or redistribute music (a "
 "device whose only copying function is to render portable a music file "
 "already stored on a user's hard drive).  At the district court level, the "


@@ -14271,32 +14279,32 @@ msgstr ""
 #.  f11. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 #.  f11. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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-"For example, in July 2002, Representative Howard Berman introduced the Peer-"
-"to-Peer Piracy Prevention Act (H.R. 5211), which would immunize copyright "
-"holders from liability for damage done to computers when the copyright "
-"holders use technology to stop copyright infringement. In August 2002, "
-"Representative Billy Tauzin introduced a bill to mandate that technologies "
-"capable of rebroadcasting digital copies of films broadcast on TV (i.e., "
-"computers) respect a \"broadcast flag\" that would disable copying of that "
-"content. And in March of the same year, Senator Fritz Hollings introduced "
-"the Consumer Broadband and Digital Television Promotion Act, which mandated "
-"copyright protection technology in all digital media devices. See GartnerG2, "
-"\"Copyright and Digital Media in a Post-Napster World,\" 27 June 2003, 33­34, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link #44</ulink>."
+"For example, in July 2002, Representative Howard Berman introduced the "
+"Peer-to-Peer Piracy Prevention Act (H.R. 5211), which would immunize "
+"copyright holders from liability for damage done to computers when the "
+"copyright holders use technology to stop copyright infringement. In August "
+"2002, Representative Billy Tauzin introduced a bill to mandate that "
+"technologies capable of rebroadcasting digital copies of films broadcast on "
+"TV (i.e., computers) respect a \"broadcast flag\" that would disable copying "
+"of that content. And in March of the same year, Senator Fritz Hollings "
+"introduced the Consumer Broadband and Digital Television Promotion Act, "
+"which mandated copyright protection technology in all digital media "
+"devices. See GartnerG2, \"Copyright and Digital Media in a Post-Napster "
+"World,\" 27 June 2003, 33­34, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #44</ulink>."

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-"The response by the courts has been fairly universal.<placeholder type="
-"\"footnote\" id=\"0\"/> It has been mirrored in the responses threatened and "
-"actually implemented by Congress. I won't catalog all of those responses "
-"here.<placeholder type=\"footnote\" id=\"1\"/> But there is one example that "
-"captures the flavor of them all. This is the story of the demise of Internet "
-"radio."
+"The response by the courts has been fairly universal.<placeholder "
+"type=\"footnote\" id=\"0\"/> It has been mirrored in the responses "
+"threatened and actually implemented by Congress. I won't catalog all of "
+"those responses here.<placeholder type=\"footnote\" id=\"1\"/> But there is "
+"one example that captures the flavor of them all. This is the story of the "
+"demise of Internet radio."

 msgstr ""
 
 msgstr ""
 

-#.  PAGE BREAK 204 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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 "As I described in chapter 4, when a radio station plays a song, the "
 "recording artist doesn't get paid for that \"radio performance\" unless he "
 msgid ""
 "As I described in chapter 4, when a radio station plays a song, the "
 "recording artist doesn't get paid for that \"radio performance\" unless he "


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 "were quite good at stopping any efforts to get Congress to require "
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 msgstr ""

-"begrunnelsen bak denne balansen truffet av Kongressen gjør noe fornuftig. "
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+"begrunnelsen bak denne balansen truffet av Kongressen gjør noe "
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+"for å få Kongressen til å kreve kompensasjon for artistene."

 
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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 "Enter Internet radio. Like regular radio, Internet radio is a technology to "
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 msgid ""
 "Enter Internet radio. Like regular radio, Internet radio is a technology to "
 "stream content from a broadcaster to a listener. The broadcast travels "


@@ -14421,8 +14429,9 @@ msgstr "ibid., 229."
 msgid ""
 "This potential for FM radio was never realized--not because Armstrong was "
 "wrong about the technology, but because he underestimated the power of "
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 "This potential for FM radio was never realized--not because Armstrong was "
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-"\"vested interests, habits, customs and legislation\"<placeholder type="
-"\"footnote\" id=\"0\"/> to retard the growth of this competing technology."
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>


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 "opphavsrett er en slik lov. så det første spørsmålet som vi bør spørre er, "
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 "hvilke opphavsrett regler ville styre Internett-radio?"
 

-#.  PAGE BREAK 206 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

 msgid ""
 "But here the power of the lobbyists is reversed. Internet radio is a new "
 "industry. The recording artists, on the other hand, have a very powerful "
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 "But here the power of the lobbyists is reversed. Internet radio is a new "
 "industry. The recording artists, on the other hand, have a very powerful "


@@ -14449,9 +14457,9 @@ msgid ""
 "for Internet radio than the rule that applies to terrestrial radio. While "
 "terrestrial radio does not have to pay our hypothetical Marilyn Monroe when "
 "it plays her hypothetical recording of \"Happy Birthday\" on the air, "
 "for Internet radio than the rule that applies to terrestrial radio. While "
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-"Internet radio does. Not only is the law not neutral toward Internet radio--"
-"the law actually burdens Internet radio more than it burdens terrestrial "
-"radio."
+"Internet radio does. Not only is the law not neutral toward Internet "
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@@ -14472,8 +14480,8 @@ msgid ""
 "2003, on file with author. Professors Fisher and Zittrain submitted "
 "testimony in the CARP proceeding that was ultimately rejected.  See Jonathan "
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 "analysis making a similar point, see Randal C. Picker, \"Copyright as Entry "
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 "broadcasting the same content would pay no equivalent fee."
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 "broadcasting the same content would pay no equivalent fee."
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@@ -14528,8 +14536,7 @@ msgid "time zone of origination of transmission;"
 msgstr "tidssonen til opprinnelse av overføring;"
 
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-msgid ""
-"numeric designation of the place of the sound recording within the program;"
+msgid "numeric designation of the place of the sound recording within the program;"

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-#.  PAGE BREAK 208 
-#. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
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@@ -14666,7 +14672,7 @@ msgstr ""
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 "drive små webcasters ut av business.... \""
 

-#. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
+#, mtrans, fuzzy

 msgid ""
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@@ -14723,10 +14729,10 @@ msgstr ""
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 "Mike Graziano and Lee Rainie, \"The Music Downloading Deluge,\" Pew Internet "
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 "Mike Graziano and Lee Rainie, \"The Music Downloading Deluge,\" Pew Internet "

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 #.  PAGE BREAK 209 


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-#.  f16. 
-#. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy

 msgid ""
 "Alex Pham, \"The Labels Strike Back: N.Y. Girl Settles RIAA Case,\" Los "
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 "Alex Pham, \"The Labels Strike Back: N.Y. Girl Settles RIAA Case,\" Los "
 "Angeles Times, 10 September 2003, Business."


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 "discovered, it will always cost more to defend against these suits than it "
 "would cost to simply settle. (The twelve year old, for example, like Jesse "
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-#.  f17. 
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 msgid ""
 "Jeffrey A. Miron and Jeffrey Zwiebel, \"Alcohol Consumption During "
 "Prohibition,\" American Economic Review 81, no. 2 (1991): 242."
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@@ -14789,15 +14793,14 @@ msgstr ""
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 "National Drug Control Policy: Hearing Before the House Government Reform "
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "National Drug Control Policy: Hearing Before the House Government Reform "

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 msgstr ""
 "nasjonale narkotikapolitikken kontroll: høre før house government reform "
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 msgstr ""
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-#.  f19. 
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@@ -14901,10 +14906,10 @@ msgid ""
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@@ -14946,14 +14951,14 @@ msgstr ""
 msgid "This abstract point can be made more clear with a particular example."
 msgstr "Denne abstrakte punkt kan gjøres mer tydelig med en bestemt eksempel."
 
 msgid "This abstract point can be made more clear with a particular example."
 msgstr "Denne abstrakte punkt kan gjøres mer tydelig med en bestemt eksempel."
 

-#.  PAGE BREAK 212 
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 "godkjent \"rip, mikse, brenne\" kapasiteter digitale teknologier."
 

-#. type: Content of: <book><chapter><sect1><sect2><para>
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+"creativity with play lists that is itself independently "
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 "identifisere rippede innhold på folks maskiner."
 

-#.  PAGE BREAK 213 
-#. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy

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 msgid ""
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@@ -15106,8 +15111,7 @@ msgstr ""
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-#.  PAGE BREAK 214 
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-"\"If you can treat someone as a putative lawbreaker,\" von Lohmann explains,"
-msgstr ""
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 msgid ""
 "then all of a sudden a lot of basic civil liberty protections evaporate to "
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 "then all of a sudden a lot of basic civil liberty protections evaporate to "
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@@ -15171,10 +15173,10 @@ msgstr ""
 msgid ""
 "Users of the Internet began to see this generally in 2003 as the RIAA "
 "launched its campaign to force Internet service providers to turn over the "
 msgid ""
 "Users of the Internet began to see this generally in 2003 as the RIAA "
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-#.  f20. 
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+"september 2003, e1; Chris cobbs, \"bekymret foreldre trekke pluggen på "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 #. type: Content of: <book><chapter><sect1><sect2><para>


@@ -15248,11 +15249,12 @@ msgid ""
 "Becker and Angela Rozas, \"Music Pirate Hunt Turns to Loyola; Two Students "
 "Names Are Handed Over; Lawsuit Possible,\" Chicago Tribune, 16 July 2003, "
 "1C; Beth Cox, \"RIAA Trains Antipiracy Guns on Universities,\" Internet "
 "Becker and Angela Rozas, \"Music Pirate Hunt Turns to Loyola; Two Students "
 "Names Are Handed Over; Lawsuit Possible,\" Chicago Tribune, 16 July 2003, "
 "1C; Beth Cox, \"RIAA Trains Antipiracy Guns on Universities,\" Internet "

-"News, 30 January 2003, available at <ulink url=\"http://free-culture.cc/"
-"notes/\">link #48</ulink>; Benny Evangelista, \"Download Warning 101: "
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-"File Sharing,\" San Francisco Chronicle, 11 August 2003, E11; \"Raid, "
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+"\"Download Warning 101: Freshman Orientation This Fall to Include Record "
+"Industry Warnings Against File Sharing,\" San Francisco Chronicle, 11 August "
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-#.  PAGE BREAK 216 
-#. type: Content of: <book><chapter><sect1><sect2><para>
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 "tid. de vil være borte, og metall canisters der de er nå lagret bli fylt med "
 "noe mer enn støv."
 

-#. type: Content of: <book><chapter><sect1><para>
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+"film. Commercial culture is sharklike. It must keep moving.  And when a "
+"creative work falls out of favor with the commercial distributors, the "
+"commercial life ends."

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+"copyright-related use that would be inhibited by an exclusive right.  When a "
+"book went out of print, you could not buy it from a publisher.  But you "
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+"it, in America, at least, there is no need to pay the copyright owner "
+"anything. Thus, the ordinary use of a book after its commercial life ended "
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 "ikke random house gjøre samt brewster kahle i å spre kultur allment?\""
 

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 "Jason Schultz, \"The Myth of the 1976 Copyright `Chaos' Theory,\" 20 "
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-"\">link #54</ulink>."
+"December 2002, available at <ulink "
+"url=\"http://free-culture.cc/notes/\">link #54</ulink>."

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 "gaps. As one researcher calculated for American culture, 94 percent of the "
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+"type=\"footnote\" id=\"0\"/>"

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 "In January 1999, we filed a lawsuit on Eric Eldred's behalf in federal "
 "district court in Washington, D.C., asking the court to declare the Sonny "


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-#. type: Content of: <book><chapter><sect1><para>
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 "ble truffet, en hel generasjon av american film ville forsvinne. den andre "
 "gjort argumentet økonomiske helt klart."
 

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 #.  PAGE BREAK 240 
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 #.  f14. 


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 "amerikanske (2003) (nr 01-618), 19."
 

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 "Until the 1908 Berlin Act of the Berne Convention, national copyright "
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 "formalities such as registration, deposit, and affixation of notice of the "
 "author's claim of copyright. However, starting with the 1908 act, every text "
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 "den virkelige problemet av regjeringer stående i kjernen av et system av "
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+"femti år etter et arbeid ble offentliggjort. basert på historiske data, at "
+"systemet ville flytte opptil 98 prosent av kommersielle arbeid, kommersielle "
+"fungerer som ikke lenger hadde en kommersiell levetid, i public domain innen "
+"femti år. hva tror du?"

 
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@@ -19032,11 +19041,12 @@ msgid ""
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-#.  PAGE BREAK 268 
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 "Spurs Stir,\" National Journal's Technology Daily, 19 August 2003, available "
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@@ -19280,16 +19290,15 @@ msgstr "Jeg skal formidle at jeg var en av folk som ba wipo for møtet."
 
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-#.  PAGE BREAK 271 
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@@ -19299,8 +19308,8 @@ msgid ""
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-#. type: Content of: <book><chapter><para>
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@@ -19343,7 +19352,7 @@ msgstr ""
 "prosjekter til å opprette offentlige varer\" virket perfekt passende innen "
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-#. type: Content of: <book><chapter><para>
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@@ -19377,32 +19386,32 @@ msgid ""
 "the Marketplace to Decide,\" Government Policy Toward Open Source Software "
 "(Washington, D.C.: AEI-Brookings Joint Center for Regulatory Studies, "
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+"url=\"http://free-culture.cc/notes/\">link #63</ulink>."

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-#.  PAGE BREAK 272 
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@@ -19420,31 +19429,32 @@ msgstr ""
 "programvare, opphavsrett eierne av gratis og åpen kildekode programvare "
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 msgid "These statements are astonishing on a number of levels."
 msgstr "disse utsagnene er forbløffende på flere nivåer."
 

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-#.  PAGE BREAK 274 
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-#. type: Content of: <book><chapter><para>
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 msgid ""
 "Paul Goldstein, Copyright's Highway: From Gutenberg to the Celestial Jukebox "
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+"url=\"http://free-culture.cc/notes/\">link #77</ulink>; William Fisher, "
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+"url=\"http://free-culture.cc/notes/\">link #83</ulink>; Declan McCullagh, "
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-"This is what any regime that requires permission produces. Again, this is "
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 "virkeligheten av brezhnev's Russland."
 

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