Minor update.

diff --git a/freeculture.nb.po b/freeculture.nb.po
index 3c1e5943d3c38dd9bb21e67cf2b9cfbff5efab28..fb3ec72f6eac456367a5289da288db2756c3775a 100644 (file)
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -13,7 +13,7 @@
 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"
-"POT-Creation-Date: 2015-09-08 11:23+0300\n"
+"POT-Creation-Date: 2015-09-08 14:20+0000\n"
 "PO-Revision-Date: 2015-09-08 13:25+0000\n"
 "Last-Translator: pere <pere-transifex@hungry.com>\n"
 "Language-Team: Norwegian Bokmål (http://www.transifex.com/pere/free-culture-"
@@ -2553,8 +2553,8 @@ msgid ""
 "(1953), <citetitle>Lady and the Tramp</citetitle> (1955), <citetitle>Mulan</"
 "citetitle> (1998), <citetitle>Sleeping Beauty</citetitle> (1959), "
 "<citetitle>101 Dalmatians</citetitle> (1961), <citetitle>The Sword in the "
-"Stone</citetitle> (1963), and <citetitle>The Jungle Book</citetitle> (1967)"
-"&mdash;not to mention a recent example that we should perhaps quickly "
+"Stone</citetitle> (1963), and <citetitle>The Jungle Book</citetitle> "
+"(1967)&mdash;not to mention a recent example that we should perhaps quickly "
 "forget, <citetitle>Treasure Planet</citetitle> (2003). In all of these "
 "cases, Disney (or Disney, Inc.) ripped creativity from the culture around "
 "him, mixed that creativity with his own extraordinary talent, and then "
@@ -2930,12 +2930,12 @@ msgstr "Mehra, Salil"
 msgid ""
 "See Salil K. Mehra, <quote>Copyright and Comics in Japan: Does Law Explain "
 "Why All the Comics My Kid Watches Are Japanese Imports?</quote> "
-"<citetitle>Rutgers Law Review</citetitle> 55 (2002): 155, 182. <quote>[T]"
-"here might be a collective economic rationality that would lead manga and "
-"anime artists to forgo bringing legal actions for infringement. One "
-"hypothesis is that all manga artists may be better off collectively if they "
-"set aside their individual self-interest and decide not to press their legal "
-"rights. This is essentially a prisoner's dilemma solved.</quote>"
+"<citetitle>Rutgers Law Review</citetitle> 55 (2002): 155, 182. "
+"<quote>[T]here might be a collective economic rationality that would lead "
+"manga and anime artists to forgo bringing legal actions for infringement. "
+"One hypothesis is that all manga artists may be better off collectively if "
+"they set aside their individual self-interest and decide not to press their "
+"legal rights. This is essentially a prisoner's dilemma solved.</quote>"
 msgstr ""
 "Se Salil K. Mehra, <quote>Copyright and Comics in Japan: Does Law Explain "
 "Why All the Comics My Kid Watches Are Japanese Imports?</quote> "
@@ -8375,9 +8375,9 @@ msgid ""
 "machines. Under the Ninth Circuit's rule, this totally familiar "
 "technology&mdash;which Jack Valenti had called <quote>the Boston Strangler "
 "of the American film industry</quote> (worse yet, it was a "
-"<emphasis>Japanese</emphasis> Boston Strangler of the American film industry)"
-"&mdash;was an illegal technology.<placeholder type=\"footnote\" id=\"0\"/> "
-"<placeholder type=\"indexterm\" id=\"1\"/>"
+"<emphasis>Japanese</emphasis> Boston Strangler of the American film "
+"industry)&mdash;was an illegal technology.<placeholder type=\"footnote\" id="
+"\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
 msgstr ""
 "Det tok åtte år før denne saken ble avgjort av Høyesterett.  I mellomtiden "
 "hadde den niende ankekrets, som har Hollywood i sin jurisdiksjon &ndash; det "
@@ -29022,15 +29022,13 @@ msgstr ""
 
 #. type: Content of: <book><chapter><para>
 msgid ""
-"At the end of the book project, when the translation was done and it was "
-"time to publish the book, I asked NUUG Foundation if they would be willing "
-"to sponsor books to members of the Norwegian parliament and other decision "
-"makers.  I was very happy when they said yes."
+"At the end of the project, when the translation was done and it was time to "
+"publish, NUUG Foundation was asked and was willing to sponsor books to "
+"members of the Norwegian parliament and other decision makers."
 msgstr ""
-"På slutten av bokprosjektet, når oversettelsen var ferdig og det var på tide "
-"å publisere boken, spurte jeg NUUG Foundation om de var villig til å sponse "
-"bøker til Stortingsrepresentantene og andre beslutningstakere i Norge.  Jeg "
-"ble veldig glad da de sa ja."
+"På slutten av prosjektet, da oversettelsen var ferdig og det var på tide å "
+"publisere, ble NUUG Foundation spurt og sa seg villig til  å sponse bøker "
+"til Stortingsrepresentantene og andre beslutningstakere i Norge."
 
 #. type: Content of: <book><chapter><para>
 msgid ""
@@ -29122,13 +29120,13 @@ msgstr ""
 msgid ""
 "Portrait on the cover was created 2013 by ActuaLitté and licensed under a "
 "Creative Commons Attribution-ShareAlike 2.0 license.  It was downloaded from "
-"<ulink url=\"https://commons.wikimedia.org/wiki/File%3ALawrence_Lessig_"
-"(11014343366)_(cropped).jpg\"/>."
+"<ulink url=\"https://commons.wikimedia.org/wiki/File"
+"%3ALawrence_Lessig_(11014343366)_(cropped).jpg\"/>."
 msgstr ""
 "Portrettet på omslaget ble laget i 2013 av ActuaLitté og lisensiert med en "
 "Creative Commons Attribution-ShareAlike 2.0-lisens.  Det ble lastet ned fra "
-"<ulink url=\"https://commons.wikimedia.org/wiki/File%3ALawrence_Lessig_"
-"(11014343366)_(cropped).jpg\"/>."
+"<ulink url=\"https://commons.wikimedia.org/wiki/File"
+"%3ALawrence_Lessig_(11014343366)_(cropped).jpg\"/>."
 
 #. type: Content of: <book><colophon><para>
 msgid "Classifications:"