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[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index f7fb5d0c961d6480b0c75a2919c01a5cf07e11c3..ee891aa78728efea0abfb0f6126e7f1129676639 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -3140,7 +3140,7 @@ composer and publisher without any regard for [their]
 rights.<footnote><para>
 <!-- f4 -->
 To Amend and Consolidate the Acts Respecting Copyright: Hearings on
 rights.<footnote><para>
 <!-- f4 -->
 To Amend and Consolidate the Acts Respecting Copyright: Hearings on

-S. 6330 and H.R. 19853 Before the ( Joint) Committees on Patents, 59th
+S. 6330 and H.R. 19853 Before the (Joint) Committees on Patents, 59th

 Cong. 59, 1st sess. (1906) (statement of Senator Alfred B. Kittredge,
 of South Dakota, chairman), reprinted in <citetitle>Legislative History of the
 Copyright Act</citetitle>, E. Fulton Brylawski and Abe Goldman, eds. (South
 Cong. 59, 1st sess. (1906) (statement of Senator Alfred B. Kittredge,
 of South Dakota, chairman), reprinted in <citetitle>Legislative History of the
 Copyright Act</citetitle>, E. Fulton Brylawski and Abe Goldman, eds. (South


@@ -3258,7 +3258,7 @@ creativity.<footnote><para>
 
 <!-- f10 -->
 Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and
 
 <!-- f10 -->
 Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and

-H.R. 11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st
+H.R. 11794 Before the (Joint) Committee on Patents, 60th Cong., 1st

 sess., 217 (1908) (statement of Senator Reed Smoot, chairman), reprinted
 in <citetitle>Legislative History of the 1909 Copyright Act</citetitle>, E. Fulton Brylawski and
 Abe Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, 1976).
 sess., 217 (1908) (statement of Senator Reed Smoot, chairman), reprinted
 in <citetitle>Legislative History of the 1909 Copyright Act</citetitle>, E. Fulton Brylawski and
 Abe Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, 1976).


@@ -6026,7 +6026,7 @@ all&mdash;in the library archive of the film company.<footnote><para>
 Doug Herrick, <quote>Toward a National Film Collection: Motion Pictures at
 the Library of Congress,</quote> <citetitle>Film Library Quarterly</citetitle> 13 nos. 2&ndash;3
 (1980): 5; Anthony Slide, <citetitle>Nitrate Won't Wait: A History of Film
 Doug Herrick, <quote>Toward a National Film Collection: Motion Pictures at
 the Library of Congress,</quote> <citetitle>Film Library Quarterly</citetitle> 13 nos. 2&ndash;3
 (1980): 5; Anthony Slide, <citetitle>Nitrate Won't Wait: A History of Film

-Preservation in the United States</citetitle> ( Jefferson, N.C.: McFarland &amp;
+Preservation in the United States</citetitle> (Jefferson, N.C.: McFarland &amp;

 Co., 1992), 36.
 </para></footnote>
 </para>
 Co., 1992), 36.
 </para></footnote>
 </para>


@@ -9184,19 +9184,23 @@ We achieved that free culture because our law respected important
 limits on the scope of the interests protected by <quote>property.</quote> The very
 birth of <quote>copyright</quote> as a statutory right recognized those limits, by
 granting copyright owners protection for a limited time only (the
 limits on the scope of the interests protected by <quote>property.</quote> The very
 birth of <quote>copyright</quote> as a statutory right recognized those limits, by
 granting copyright owners protection for a limited time only (the

-story of chapter 6). The tradition of <quote>fair use</quote> is animated by a
-similar concern that is increasingly under strain as the costs of
-exercising any fair use right become unavoidably high (the story of
-chapter 7). Adding
+story of chapter <xref xrefstyle="select: labelnumber"
+linkend="founders"/>). The tradition of <quote>fair use</quote> is
+animated by a similar concern that is increasingly under strain as the
+costs of exercising any fair use right become unavoidably high (the
+story of chapter <xref xrefstyle="select: labelnumber"
+linkend="recorders"/>). Adding

 <!-- PAGE BREAK 184 -->
 statutory rights where markets might stifle innovation is another
 <!-- PAGE BREAK 184 -->
 statutory rights where markets might stifle innovation is another

-familiar limit on the property right that copyright is (chapter
-8). And granting archives and libraries a broad freedom to collect,
-claims of property notwithstanding, is a crucial part of guaranteeing
-the soul of a culture (chapter 9). Free cultures, like free markets,
-are built with property. But the nature of the property that builds a
-free culture is very different from the extremist vision that
-dominates the debate today.
+familiar limit on the property right that copyright is (chapter <xref
+xrefstyle="select: labelnumber" linkend="transformers"/>). And
+granting archives and libraries a broad freedom to collect, claims of
+property notwithstanding, is a crucial part of guaranteeing the soul
+of a culture (chapter <xref xrefstyle="select: labelnumber"
+linkend="collectors"/>). Free cultures, like free markets, are built
+with property. But the nature of the property that builds a free
+culture is very different from the extremist vision that dominates the
+debate today.

 </para>
 <para>
 Free culture is increasingly the casualty in this war on piracy. In
 </para>
 <para>
 Free culture is increasingly the casualty in this war on piracy. In


@@ -9597,11 +9601,12 @@ examples of extreme penalties for vague infringements continue to
 proliferate. It is impossible to get a clear sense of what's allowed
 and what's not, and at the same time, the penalties for crossing the
 line are astonishingly harsh.  The four students who were threatened
 proliferate. It is impossible to get a clear sense of what's allowed
 and what's not, and at the same time, the penalties for crossing the
 line are astonishingly harsh.  The four students who were threatened

-by the RIAA ( Jesse Jordan of chapter 3 was just one) were threatened
-with a $98 billion lawsuit for building search engines that permitted
-songs to be copied. Yet World-Com&mdash;which defrauded investors of
-$11 billion, resulting in a loss to investors in market capitalization
-of over $200 billion&mdash;received a fine of a mere $750
+by the RIAA (Jesse Jordan of chapter <xref xrefstyle="select:
+labelnumber" linkend="catalogs"/> was just one) were threatened with a
+$98 billion lawsuit for building search engines that permitted songs
+to be copied. Yet World-Com&mdash;which defrauded investors of $11
+billion, resulting in a loss to investors in market capitalization of
+over $200 billion&mdash;received a fine of a mere $750

 million.<footnote><para>
 <!-- f1. -->
 See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at WorldCom</citetitle>
 million.<footnote><para>
 <!-- f1. -->
 See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at WorldCom</citetitle>