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<!-- Converted to DocBook by Hans Schou 2004-03-29. Updated and improved
- by Petter Reinholdtsen 2012 with input from Martin Borg. -->
+ by Petter Reinholdtsen 2012-2015 with input from Martin Borg. -->
<!--
TODO
- * indexterm primary
+ * Add missing indexterm entries by comparing with the 2004 edition.
-->
<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook XML V4.5//EN"
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[
<!ENTITY copy "©">
- <!ENTITY translationblock "">
]>
+
<book id="index" lang="en">
<bookinfo>
<title>Free Culture</title>
<subtitle>How big media uses technology and the law to lock down
culture and control creativity</subtitle>
- <pubdate>2004-03-25</pubdate>
+ <pubdate>2015-09-04</pubdate>
+
+ <edition>1</edition>
<releaseinfo>Version 2004-02-10</releaseinfo>
</para>
<para>
-This version of <citetitle>Free Culture</citetitle> is licensed under
-a Creative Commons license. This license permits non-commercial use of
-this work, so long as attribution is given. For more information
-about the license, click the icon above, or visit
-<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given. For more information about the license visit
+<ulink url="http://creativecommons.org/licenses/by-nc/1.0/"/>.
</para>
</legalnotice>
<abstract>
- <title>ABOUT THE AUTHOR</title>
+ <title>About the author</title>
<para>
-LAWRENCE LESSIG
+Lawrence Lessig
(<ulink url="http://www.lessig.org">http://www.lessig.org</ulink>),
-professor of law and a John A. Wilson Distinguished Faculty Scholar
-at Stanford Law School, is founder of the Stanford Center for Internet
+professor of law and a Roy L. Furman Professor of Law and Leadership
+at Harvard Law School, is founder of the Stanford Center for Internet
and Society and is chairman of the Creative Commons
(<ulink url="http://creativecommons.org">http://creativecommons.org</ulink>).
The author of The Future of Ideas (Random House, 2001) and Code: And
the boards of the Public Library of Science, the Electronic Frontier
Foundation, and Public Knowledge. He was the winner of the Free
Software Foundation's Award for the Advancement of Free Software,
-twice listed in BusinessWeek's <quote>e.biz 25,</quote> and named one of Scientific
-American's <quote>50 visionaries.</quote> A graduate of the University of
-Pennsylvania, Cambridge University, and Yale Law School, Lessig
-clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of
-Appeals.
+twice listed in BusinessWeek's <quote>e.biz 25,</quote> and named one
+of Scientific American's <quote>50 visionaries.</quote> A graduate of
+the University of Pennsylvania, Cambridge University, and Yale Law
+School, Lessig clerked for Judge Richard Posner of the U.S. Seventh
+Circuit Court of Appeals.
</para>
</abstract>
-->
<biblioid class="libraryofcongress">2003063276</biblioid>
+ <biblioid class="uri">http://free-culture.cc/</biblioid>
+
</bookinfo>
<!-- PAGE BREAK 3 -->
<dedication id="alsobylessig">
<itemizedlist>
<listitem><para>
-<!-- 2014 -->
-The USA is lesterland: The nature of congressional corruption
+The USA is lesterland: The nature of congressional corruption (2014)
</para></listitem>
<listitem><para>
-<!-- 2011, 2012 -->
-Republic, lost: How money corrupts Congress - and a plan to stop it
+Republic, lost: How money corrupts Congress - and a plan to stop it (2011)
</para></listitem>
<listitem><para>
-<!-- 2008 -->
-Remix: Making art and commerce thrive in the hybrid economy
+Remix: Making art and commerce thrive in the hybrid economy (2008)
</para></listitem>
<listitem><para>
-<!-- 2006 -->
-Code: Version 2.0
+Code: Version 2.0 (2006)
</para></listitem>
<listitem><para>
-<!-- 2001, 2002 -->
-The Future of Ideas: The Fate of the Commons in a Connected World
+The Future of Ideas: The Fate of the Commons in a Connected World (2001)
</para></listitem>
<listitem><para>
-<!-- 1999 -->
-Code: And Other Laws of Cyberspace
+Code: And Other Laws of Cyberspace (1999)
</para></listitem>
</itemizedlist>
</dedication>
<!-- PAGE BREAK 7 -->
<dedication><title></title>
<!-- FIXME figure out how to do this better in dblatex and docbook-xsl -->
-<?latex {\Huge \centering ?>
+<?latex {\Huge \centering
+?>
<para>
To Eric Eldred — whose work first drew me to this cause, and for whom
it continues still.
</para>
-<?latex } ?>
+<?latex } % \Huge \centering
+?>
</dedication>
<toc id="toc"></toc>
the noble class live easily; those outside it don't. But it is
nobility of any form that is alien to our tradition.
</para>
-<!-- PAGE BREAK 26. FIXME: Ask author if "Is it" should be "It is" ? -->
+<!-- PAGE BREAK 26. -->
<para>
The story that follows is about this war. It is not about the
<quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
didn't speak very well. But they had come to understand that they
had a lot of power with this language.
</para>
-<!-- FIXME removed a " from the end of the previous paragraph that did
- not match with any start quote. -->
</blockquote>
<indexterm startref='idxeducationinmedialiteracy' class='endofrange'/>
<indexterm startref='idxmedialiteracy' class='endofrange'/>
</para>
<indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
<indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>
+<figure id="fig-1541">
+<title></title>
+<graphic fileref="images/1541.svg" align="center" width="40%"></graphic>
+</figure>
<indexterm id='idxfairuse' class='startofrange'><primary>fair use</primary></indexterm>
<indexterm id='idxcopyrightlawfairuseand2' class='startofrange'><primary>copyright law</primary><secondary>fair use and</secondary></indexterm>
<para>
that remain unregulated because the law considers these <quote>fair uses.</quote>
</para>
<!-- PAGE BREAK 153 -->
-<figure id="fig-1541">
-<title></title>
-<graphic fileref="images/1541.svg" align="center" width="40%"></graphic>
-</figure>
<indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
<indexterm><primary>First Amendment</primary></indexterm>
<para>
technology, and the publisher delivers the content by using the
technology.
</para>
+<figure id="fig-example-adobe-ebook-reader" float="1">
+<title></title>
+<graphic fileref="images/example-adobe-ebook-reader.png" align="center" width="50%"></graphic>
+</figure>
<para>
In figure
<xref xrefstyle="template:%n" linkend="fig-example-adobe-ebook-reader"/>
<citetitle>Middlemarch</citetitle>, you'll see a fancy cover, and then
a button at the bottom called Permissions.
</para>
-<figure id="fig-example-adobe-ebook-reader">
-<title></title>
-<graphic fileref="images/example-adobe-ebook-reader.png" align="center" width="50%"></graphic>
-</figure>
<para>
If you click on the Permissions button, you'll see a list of the
permissions that the publisher purports to grant with this book.
</para>
<figure id="fig-1621">
<title></title>
-<graphic fileref="images/1621.png" align="center" width="50%"></graphic>
+<graphic fileref="images/aristotele-ebook.png" align="center" width="50%"></graphic>
</figure>
<para>
According to its permissions, no printing or copying is permitted
<para>
No argument I have can top this picture, but let me try to get close.
</para>
+<figure id="fig-1711-vcr-handgun-cartoonfig" float="1">
+<title>— On which item have the courts ruled that manufacturers and
+retailers be held responsible for having supplied the
+equipment?</title>
+<graphic fileref="images/vcr-comic.png" align="center" width="65%"></graphic>
+</figure>
<para>
The anticircumvention provisions of the DMCA target copyright
circumvention technologies. Circumvention technologies can be used for
such a use would be good. It, too, is a technology that has both good
and bad uses.
</para>
-<figure id="fig-1711-vcr-handgun-cartoonfig" float="1">
-<title>— On which item have the courts ruled that manufacturers and
-retailers be held responsible for having supplied the
-equipment?</title>
-<graphic fileref="images/1711.png" align="center" width="100%"></graphic>
-</figure>
<indexterm><primary>Conrad, Paul</primary></indexterm>
<para>
The obvious point of Conrad's cartoon is the weirdness of a world
</para>
<figure id="fig-1761-pattern-modern-media-ownership">
<title></title>
-<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="90%"></graphic>
+<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="100%"></graphic>
</figure>
<para>
<!-- PAGE BREAK 175 -->
highly unstable. I have tried to remedy the instability by redirecting
readers to the original source through the Web site associated with
this book. For each link below, you can go to
-http://free-culture.cc/notes and locate the original source by
-clicking on the number after the # sign. If the original link remains
-alive, you will be redirected to that link. If the original link has
-disappeared, you will be redirected to an appropriate reference for
-the material.
+<ulink url="http://free-culture.cc/notes"/>
+and locate the original source by clicking on the number after the #
+sign. If the original link remains alive, you will be redirected to
+that link. If the original link has disappeared, you will be
+redirected to an appropriate reference for the material.
</para>
<!-- insert endnotes here -->
-<?latex \theendnotes ?>
+
+<index type="endnotes"/>
<!--PAGE BREAK 336-->
</para>
<!--PAGE BREAK 338-->
+</chapter>
+
+<chapter label="" id="c-about-this-edition">
+ <title>About this edition</title>
+ <para>
+This edition of <citetitle>Free Culture</citetitle> is the result of
+three years of volunteer work. The idea came from a discussion I had
+around ten years ago with a friend about the copyright debate in
+Norway, and how rarely the difficulties of long copyright made it into
+the public debate. A bit more than three years ago I finally had a
+look again at the idea and decided to publish a printed Norwegian
+Bokmål version of <citetitle>Free Culture</citetitle>, translated and
+formatted by volunteers. The new English edition is a by-product of
+the translation process.
+ </para>
+
+ <para>
+Thanks to the Debian Edu / Skolelinux project, I already had
+experience translating Docbook documents, and it seemed like a good
+format for this book too. I found a Docbook formatted version of the
+book created by Hans Schou. Initial testing showed lots of Docbook
+validation errors in this version, but after some work I was able to
+transform it to PDF and EPUB. This was the start of the translation
+project. The Docbook file improved over time, and build rules were
+added to create both English and Bokmål versions. Finally, a call for
+volunteers went out to help me with the translation.
+ </para>
+
+ <para>
+Several people joined, and Anders Hagen Jarmund, Kirill Miazine and
+Odd Kleiva assisted with the initial translation. Ralph Amissah and
+his SiSu version provided index entries. Morten Sickel and Alexander
+Alemayhu helped with the figures, redrawing some of the bitmaps as
+vector images. Wivi Reinholdtsen, Ingrid Yrvin and Johannes Larsen
+did very valuable proofreading. Håkon Wium Lie helped me track down a
+good replacement font without usage restrictions instead of the one in
+the original PDF. The PDF typesetting is done using dblatex, which we
+selected over the alternatives thanks to the invaluable and quick help
+from Benoît Guillon and Andreas Hoenen. Thomas Gramstad donated ISBN
+numbers needed for distribution to book stores. Marc Jeanmougin from
+the inkscape community helped me replicate the original front cover.
+The support of Lawrence Lessig helped me to complete the
+project—I am very thankful he had the original screen shots
+still available after 11 years.
+ </para>
+
+ <para>
+In addition to these great contributors, I am very grateful to Mari
+and my family for their patience with me in this project.
+ </para>
+
+ <para>
+— Petter Reinholdtsen, Oslo 2015-09-07
+ </para>
+
</chapter>
<index></index>
<colophon>
-<?latex {\footnotesize ?>
-<?latex {\centering ?>
+<title></title>
+<?latex {\centering
+?>
<para>
Free culture: How big media uses technology and the law to lock down
culture and control creativity / Lawrence Lessig.
</para>
<para>
-Copyright © Lawrence Lessig. Some rights reserved.
+Copyright © 2004 Lawrence Lessig. Some rights reserved.
+</para>
+
+<para>
+<ulink url="http://free-culture.cc/"/>
</para>
+
<para>
-This version of <citetitle>Free Culture</citetitle> is licensed under
-a Creative Commons license. This license permits non-commercial use of
-this work, so long as attribution is given. For more information
-about the license visit
-<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
+Published in English and Norwegian Bokmål 2015 by Petter Reinholdtsen
+with help from many volunteers. Typeset with dblatex using the font
+Crimson Text.
</para>
+
<para>
-This digital book was published by Petter Reinholdtsen in 2015 in his
-spare time, because he believe it should be available in Norwegian.
-The original hardcover paper book was published in 2004 by The Penguin
-Press.
+First published 2004 by The Penguin Press.
</para>
+
<para>
Excerpt from an editorial titled <quote>The Coming of Copyright
Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
courtesy of the office of FCC Commissioner, Michael J. Copps.
</para>
+<para>
+Cover created by Petter Reinholdtsen using inkscape.
+</para>
+
+<para>
+The quotes on the cover came from
+<ulink url="http://free-culture.cc/jacket/"/>.
+</para>
+
+<para>
+Portrait on the cover was created 2013 by ActuaLitté and licensed
+under a Creative Commons Attribution-ShareAlike 2.0 license. It was
+downloaded from
+<ulink url="https://commons.wikimedia.org/wiki/File%3ALawrence_Lessig_(11014343366)_(cropped).jpg"/>.
+</para>
+
<para>
Includes index.
</para>
<para>
-Classifications: (Dewey)
-306.4
-306.40973
-306.46
-341.7582
-343.7309/9,
+Classifications:
+</para>
+
+<para>
+(Dewey)
+306.4,
+306.40973,
+306.46,
+341.7582,
+343.7309/9
+</para>
+
+<para>
(UDK) 347.78
-(US Lib. of Congress) KF2979.L47 2004
-(ACM CRCS) K.4.1
</para>
-<?latex } %\centering ?>
+<para>
+(US Library of Congress) KF2979.L47 2004
+</para>
<para>
-Typeset using the Crimson Text font and dblatex. The dblatex author
-provided valuable help in formatting the print version of this book.
-Thomas Gramstad Forlag provided the ISBN numbers.
+(ACM CRCS) K.4.1
</para>
<para>
-The source of this version of the book is written using DocBook
-notation and the other formats are derived from the DocBook source.
-The DocBook source is based on a DocBook XML version created by Hans
-Schou, and extended by Petter Reinholdtsen with formatting and index
-references. The source files for this book are available from
+Thomas Gramstad Forlag donated the ISBN numbers.
+</para>
+
+<?latex } %\centering
+?>
+
+<para>
+The Docbook source is available from
<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig"/>.
+Please report any issues with the book there.
+</para>
+
+<para>
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given. For more information about the license visit
+<ulink url="http://creativecommons.org/licenses/by-nc/1.0/"/>.
</para>
<para>
-&translationblock;
+This book is a proof reading draft. Please visit the github URL above
+to get the latest version.
</para>
<para>
<tbody>
<row>
<entry>978-82-8067-010-6</entry>
- <entry>Paper copy from XXX</entry>
+ <entry>US Trade edition from lulu.com</entry>
</row>
<row>
<entry>978-82-8067-011-3</entry>
</tgroup>
</informaltable>
</para>
-<?latex } %\tiny ?>
</colophon>
</book>
projects / text-free-culture-lessig.git / blobdiff