Bedre oversettelse av district court.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index a3134938a532e72f8615fc4c357b34fa56bc9dfd..0bc4d5957dc8e253d581a204fc4ea78c751fa6f2 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -30,6 +30,20 @@
    <firstname>Lawrence</firstname>
    <surname>Lessig</surname>
   </author>
    <firstname>Lawrence</firstname>
    <surname>Lessig</surname>
   </author>

+<!--
+  Keep these out to avoid showing up as author in the PDF.
+
+  <editor>
+   <firstname>Petter</firstname>
+   <surname>Reinholdtsen</surname>
+  </editor>
+
+  <othercredit role='converter'>
+    <firstname>Petter</firstname>
+    <surname>Reinholdtsen</surname>
+    <contrib>Created this Docbook version from an earlier version</contrib>
+  </othercredit>
+-->

  </authorgroup>
 
 <!-- <subjectset> and cover <mediaobject> Based on example from
  </authorgroup>
 
 <!-- <subjectset> and cover <mediaobject> Based on example from


@@ -52,8 +66,8 @@
 
 
  <publisher>
 
 
  <publisher>

-   <publishername>The Penguin Press</publishername>
-   <address><city>New York</city></address>
+   <publishername>Petter Reinholdtsen</publishername>
+   <address><city>Oslo</city></address>

  </publisher>
 
  <copyright>
  </publisher>
 
  <copyright>


@@ -134,14 +148,31 @@ Appeals.
 </bookinfo>
 <!-- PAGE BREAK 3 -->
 <dedication id="alsobylessig">
 </bookinfo>
 <!-- PAGE BREAK 3 -->
 <dedication id="alsobylessig">

-<title></title>
+<title>
+Also by Lawrence Lessig
+</title>
+<para>
+<!-- 2014 -->
+The USA is lesterland: The nature of congressional corruption
+</para>
+<para>
+<!-- 2011, 2012 -->
+Republic, lost: How money corrupts Congress - and a plan to stop it 
+</para>
+<para>
+<!-- 2008 -->
+Remix: Making art and commerce thrive in the hybrid economy
+</para>

 <para>
 <para>

-ALSO BY LAWRENCE LESSIG
+<!-- 2006 -->
+Code: Version 2.0

 </para>
 <para>
 </para>
 <para>

+<!-- 2001, 2002 -->

 The Future of Ideas: The Fate of the Commons in a Connected World
 </para>
 <para>
 The Future of Ideas: The Fate of the Commons in a Connected World
 </para>
 <para>

+<!-- 1999 -->

 Code: And Other Laws of Cyberspace
 </para>
 </dedication>
 Code: And Other Laws of Cyberspace
 </para>
 </dedication>


@@ -900,9 +931,9 @@ independent. We have built a kind of cultural nobility; those within
 the noble class live easily; those outside it don't. But it is
 nobility of any form that is alien to our tradition.
 </para>
 the noble class live easily; those outside it don't. But it is
 nobility of any form that is alien to our tradition.
 </para>

-<!-- PAGE BREAK 26. FIXME: Should "Is it" be "It is" ? -->
+<!-- PAGE BREAK 26. FIXME: Ask author if "Is it" should be "It is" ? -->

 <para>
 <para>

-The story that follows is about this war. Is it not about the
+The story that follows is about this war. It is not about the

 <quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
 digital or otherwise. Nor is it an effort to demonize any individual
 or group, for neither do I believe in a devil, corporate or
 <quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
 digital or otherwise. Nor is it an effort to demonize any individual
 or group, for neither do I believe in a devil, corporate or


@@ -2751,7 +2782,6 @@ access to material from that institution.  Businesses do this all the
 time, enabling employees to have access to material that people
 outside the business can't get. Universities do it as well.
 </para>
 time, enabling employees to have access to material that people
 outside the business can't get. Universities do it as well.
 </para>

-<indexterm startref='idxuniversitycomputernetworksppsharingon' class='endofrange'/>

 <indexterm id='idxjordanjesse' class='startofrange'><primary>Jordan, Jesse</primary></indexterm>
 <indexterm id='idxmicrosoftnetworkfilesystemof' class='startofrange'><primary>Microsoft</primary><secondary>network file system of</secondary></indexterm>
 <para>
 <indexterm id='idxjordanjesse' class='startofrange'><primary>Jordan, Jesse</primary></indexterm>
 <indexterm id='idxmicrosoftnetworkfilesystemof' class='startofrange'><primary>Microsoft</primary><secondary>network file system of</secondary></indexterm>
 <para>


@@ -3765,9 +3795,10 @@ and how much p2p sharing harms before we know how strongly the
 law should seek to either prevent it or find an alternative to assure the
 author of his profit.
 </para>
 law should seek to either prevent it or find an alternative to assure the
 author of his profit.
 </para>

-<indexterm><primary>innovation</primary></indexterm>
-<indexterm><primary>Fanning, Shawn</primary></indexterm>

 <para>
 <para>

+<indexterm><primary>Fanning, Shawn</primary></indexterm>
+<indexterm><primary>innovation</primary></indexterm>
+<indexterm id='idxnapster' class='startofrange'><primary>Napster</primary></indexterm>

 Peer-to-peer sharing was made famous by Napster. But the inventors of
 the Napster technology had not made any major technological
 innovations.  Like every great advance in innovation on the Internet
 Peer-to-peer sharing was made famous by Napster. But the inventors of
 the Napster technology had not made any major technological
 innovations.  Like every great advance in innovation on the Internet


@@ -3788,6 +3819,9 @@ Christensen's ideas, see Lawrence Lessig, <citetitle>Future</citetitle>, 89&ndas
 put together components that had been developed independently.
 </para>
 <para>
 put together components that had been developed independently.
 </para>
 <para>

+<indexterm><primary>Kazaa</primary></indexterm>
+<indexterm><primary>Napster</primary><secondary>number of registrations on</secondary></indexterm>
+<indexterm><primary>Napster</primary><secondary>replacement of</secondary></indexterm>

 The result was spontaneous combustion. Launched in July 1999,
 Napster amassed over 10 million users within nine months. After
 eighteen months, there were close to 80 million registered users of the
 The result was spontaneous combustion. Launched in July 1999,
 Napster amassed over 10 million users within nine months. After
 eighteen months, there were close to 80 million registered users of the


@@ -3808,6 +3842,7 @@ users to make content available to any number of other users. With a
 p2p system, you can share your favorite songs with your best friend&mdash;
 or your 20,000 best friends.
 </para>
 p2p system, you can share your favorite songs with your best friend&mdash;
 or your 20,000 best friends.
 </para>

+<indexterm startref='idxnapster' class='endofrange'/>

 <para>
 According to a number of estimates, a huge proportion of Americans
 have tasted file-sharing technology. A study by Ipsos-Insight in
 <para>
 According to a number of estimates, a huge proportion of Americans
 have tasted file-sharing technology. A study by Ipsos-Insight in


@@ -4192,14 +4227,13 @@ found only with time.
 just what you call type A sharing?</quote>
 </para>
 <para>
 just what you call type A sharing?</quote>
 </para>
 <para>

-You would think. And we should hope. But so far, it is not. The 
-               effect
+You would think. And we should hope. But so far, it is not. The effect

 of the war purportedly on type A sharing alone has been felt far
 of the war purportedly on type A sharing alone has been felt far

-beyond that one class of sharing. That much is obvious from the 
-               Napster
-case itself. When Napster told the district court that it had 
-               developed
-a technology to block the transfer of 99.4 percent of identified
+beyond that one class of sharing. That much is obvious from the
+Napster case itself. When Napster told the district court that it had
+developed a technology to block the transfer of 99.4 percent of
+identified
+

 <!-- PAGE BREAK 87 -->
 infringing material, the district court told counsel for Napster 99.4
 percent was not good enough. Napster had to push the infringements
 <!-- PAGE BREAK 87 -->
 infringing material, the district court told counsel for Napster 99.4
 percent was not good enough. Napster had to push the infringements


@@ -5731,9 +5765,12 @@ room of over 250 well-entertained judges. Taking an ominous tone, he
 began his talk with a question: <quote>Do you know how many federal laws
 were just violated in this room?</quote>
 </para>
 began his talk with a question: <quote>Do you know how many federal laws
 were just violated in this room?</quote>
 </para>

-<indexterm><primary>Boies, David</primary></indexterm>
-<indexterm><primary>Alben, Alex</primary></indexterm>

 <para>
 <para>

+<indexterm><primary>Alben, Alex</primary></indexterm>
+<indexterm><primary>Boies, David</primary></indexterm>
+<indexterm><primary>Court of Appeals</primary><secondary>Ninth Circuit</secondary></indexterm>
+<indexterm><primary>Ninth Circuit Court of Appeals</primary></indexterm>
+<indexterm><primary>Napster</primary></indexterm>

 For of course, the two brilliantly talented creators who made this
 film hadn't done what Alben did. They hadn't spent a year clearing the
 rights to these clips; technically, what they had done violated the
 For of course, the two brilliantly talented creators who made this
 film hadn't done what Alben did. They hadn't spent a year clearing the
 rights to these clips; technically, what they had done violated the


@@ -7540,15 +7577,15 @@ acts do not make a copy.
 </para>
 <figure id="fig-1531">
 <title>Examples of unregulated uses of a book.</title>
 </para>
 <figure id="fig-1531">
 <title>Examples of unregulated uses of a book.</title>

-<graphic fileref="images/1531.svg" align="center" width="50%"></graphic>
+<graphic fileref="images/1531.png" align="center" width="50%"></graphic>

 </figure>
 <para>
 Obviously, however, some uses of a copyrighted book are regulated
 by copyright law. Republishing the book, for example, makes a copy. It
 is therefore regulated by copyright law. Indeed, this particular use stands
 at the core of this circle of possible uses of a copyrighted work. It is the
 </figure>
 <para>
 Obviously, however, some uses of a copyrighted book are regulated
 by copyright law. Republishing the book, for example, makes a copy. It
 is therefore regulated by copyright law. Indeed, this particular use stands
 at the core of this circle of possible uses of a copyrighted work. It is the

-paradigmatic use properly regulated by copyright regulation (see first
-diagram on next page).
+paradigmatic use properly regulated by copyright regulation (see  
+diagram in <xref linkend="fig-1541"/>).

 </para>
 <indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
 <indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>
 </para>
 <indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
 <indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>


@@ -7561,7 +7598,7 @@ that remain unregulated because the law considers these <quote>fair uses.</quote
 <!-- PAGE BREAK 153 -->
 <figure id="fig-1541">
 <title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>
 <!-- PAGE BREAK 153 -->
 <figure id="fig-1541">
 <title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>

-<graphic fileref="images/1541.png" align="center" width="50%"></graphic>
+<graphic fileref="images/1541.svg" align="center" width="50%"></graphic>

 </figure>
 <indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
 <indexterm><primary>First Amendment</primary></indexterm>
 </figure>
 <indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
 <indexterm><primary>First Amendment</primary></indexterm>


@@ -7902,8 +7939,8 @@ technology, and the publisher delivers the content by using the
 technology.
 </para>
 <para>
 technology.
 </para>
 <para>

-On the next page is a picture of an old version of my Adobe eBook
-Reader.
+In <xref linkend="fig-1611"/> is a picture of an old version of my
+Adobe eBook Reader.

 </para>
 <para>
 As you can see, I have a small collection of e-books within this
 </para>
 <para>
 As you can see, I have a small collection of e-books within this


@@ -7946,7 +7983,7 @@ Here's the e-book for another work in the public domain (including the
 translation): Aristotle's <citetitle>Politics</citetitle>.
 </para>
 <figure id="fig-1621">
 translation): Aristotle's <citetitle>Politics</citetitle>.
 </para>
 <figure id="fig-1621">

-<title>E-book of Aristotle;s <quote>Politics</quote></title>
+<title>E-book of Aristotle's <quote>Politics</quote></title>

 <graphic fileref="images/1621.png" align="center" width="50%"></graphic>
 </figure>
 <para>
 <graphic fileref="images/1621.png" align="center" width="50%"></graphic>
 </figure>
 <para>


@@ -7955,7 +7992,7 @@ at all. But fortunately, you can use the Read Aloud button to hear
 the book.
 </para>
 <figure id="fig-1622">
 the book.
 </para>
 <figure id="fig-1622">

-<title>List of the permissions for Aristotle;s <quote>Politics</quote>.</title>
+<title>List of the permissions for Aristotle's <quote>Politics</quote>.</title>

 <graphic fileref="images/1622.png" align="center" width="50%"></graphic>
 </figure>
 <indexterm><primary>Future of Ideas, The (Lessig)</primary></indexterm>
 <graphic fileref="images/1622.png" align="center" width="50%"></graphic>
 </figure>
 <indexterm><primary>Future of Ideas, The (Lessig)</primary></indexterm>


@@ -8617,7 +8654,7 @@ pattern better than a thousand words could do:
 </para>
 <figure id="fig-1761-pattern-modern-media-ownership">
 <title>Pattern of modern media ownership.</title>
 </para>
 <figure id="fig-1761-pattern-modern-media-ownership">
 <title>Pattern of modern media ownership.</title>

-<graphic fileref="images/1761.png" align="center" width="90%"></graphic>
+<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="90%"></graphic>

 </figure>
 <para>
 <!-- PAGE BREAK 175 -->
 </figure>
 <para>
 <!-- PAGE BREAK 175 -->


@@ -9095,7 +9132,7 @@ we could say the law began to look like this:
  </row>
  <row>
  <entry>Noncommercial</entry>
  </row>
  <row>
  <entry>Noncommercial</entry>

- <entry>&copy;/Free</entry>
+ <entry>&copy; / Free</entry>

  <entry>Free</entry>
  </row>
 </tbody>
  <entry>Free</entry>
  </row>
 </tbody>


@@ -9596,7 +9633,7 @@ on remote topics of science or culture. There is a vast amount of creative
 work spread across the Internet. But as the law is currently crafted, this
 work is presumptively illegal.
 </para>
 work spread across the Internet. But as the law is currently crafted, this
 work is presumptively illegal.
 </para>

-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>

 <indexterm><primary>copyright infringement lawsuits</primary><secondary>exaggerated claims of</secondary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>in recording industry</secondary></indexterm>
 <indexterm><primary>doctors malpractice claims against</primary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>exaggerated claims of</secondary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>in recording industry</secondary></indexterm>
 <indexterm><primary>doctors malpractice claims against</primary></indexterm>


@@ -9620,7 +9657,7 @@ See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at WorldCom</ci
 the settlement, see MCI press release, <quote>MCI Wins U.S. District Court
 Approval for SEC Settlement</quote> (7 July 2003), available at
 <ulink url="http://free-culture.cc/notes/">link #37</ulink>.
 the settlement, see MCI press release, <quote>MCI Wins U.S. District Court
 Approval for SEC Settlement</quote> (7 July 2003), available at
 <ulink url="http://free-culture.cc/notes/">link #37</ulink>.

-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>

 </para></footnote>
 And under legislation being pushed in Congress right now, a doctor who
 negligently removes the wrong leg in an operation would be liable for
 </para></footnote>
 And under legislation being pushed in Congress right now, a doctor who
 negligently removes the wrong leg in an operation would be liable for


@@ -12700,14 +12737,14 @@ in a time of such fruitful creative ferment.
 <para>
 The best responses were in the cartoons. There was a gaggle of
 hilarious images&mdash;of Mickey in jail and the like. The best, from
 <para>
 The best responses were in the cartoons. There was a gaggle of
 hilarious images&mdash;of Mickey in jail and the like. The best, from

-my view of the case, was Ruben Bolling's, reproduced on the next page
-(<xref linkend="fig-18"/>). The <quote>powerful and wealthy</quote> line is a bit
+my view of the case, was Ruben Bolling's, reproduced in
+<xref linkend="fig-18"/>. The <quote>powerful and wealthy</quote> line is a bit

 unfair. But the punch in the face felt exactly like that.
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </para>
 <figure id="fig-18">
 <title>Tom the Dancing Bug cartoon</title>
 unfair. But the punch in the face felt exactly like that.
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </para>
 <figure id="fig-18">
 <title>Tom the Dancing Bug cartoon</title>

-<graphic fileref="images/18.png" align="center" width="95%"></graphic>
+<graphic fileref="images/tom-the-dancing-bug.png" align="center" width="95%"></graphic>

 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </figure>
 <para>
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </figure>
 <para>


@@ -15575,12 +15612,8 @@ grateful for her perpetual patience and love.
 <index></index>
 <colophon>
 <para>
 <index></index>
 <colophon>
 <para>

-This digital book was published by Petter Reinholdtsen in 2014.
-</para>
-<para>
-The original hardcover paper book was published in 2004 by The Penguin
-Press, a member of Penguin Group (USA) Inc. 375 Hudson Street New
-York, New York.
+Free culture: How big media uses technology and the law to lock down
+culture and control creativity / Lawrence Lessig.

 </para>
 <para>
 Copyright &copy; Lawrence Lessig.  Some rights reserved.
 </para>
 <para>
 Copyright &copy; Lawrence Lessig.  Some rights reserved.


@@ -15589,10 +15622,15 @@ Copyright &copy; Lawrence Lessig.  Some rights reserved.
 This version of <citetitle>Free Culture</citetitle> is licensed under
 a Creative Commons license. This license permits non-commercial use of
 this work, so long as attribution is given.  For more information
 This version of <citetitle>Free Culture</citetitle> is licensed under
 a Creative Commons license. This license permits non-commercial use of
 this work, so long as attribution is given.  For more information

-about the license, click the icon above, or visit
+about the license visit

 <ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
 </para>
 <para>
 <ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
 </para>
 <para>

+This digital book was published by Petter Reinholdtsen in 2015.  The
+original hardcover paper book was published in 2004 by The Penguin
+Press.
+</para>
+<para>

 Excerpt from an editorial titled <quote>The Coming of Copyright
 Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
 16, 2003. Copyright &copy; 2003 by The New York Times Co.  Reprinted
 Excerpt from an editorial titled <quote>The Coming of Copyright
 Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
 16, 2003. Copyright &copy; 2003 by The New York Times Co.  Reprinted


@@ -15607,19 +15645,34 @@ reserved. Reprinted with permission.
 Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/>
 courtesy of the office of FCC Commissioner, Michael J. Copps.
 </para>
 Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/>
 courtesy of the office of FCC Commissioner, Michael J. Copps.
 </para>

+

 <para>
 <para>

-Library of Congress Cataloging-in-Publication Data
+The source of this version of the text is written using DocBook
+notation and the other formats are derived from the DocBook source.
+The DocBook source is based on a DocBook XML version created by Hans
+Schou, and extended with formatting and index references by Petter
+Reinholdtsen.  The source files of this book is available as
+<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig">a
+github project</ulink>.

 </para>
 </para>

+

 <para>
 <para>

-Lessig, Lawrence.
-Free culture : how big media uses technology and the law to lock down 
-culture and control creativity / Lawrence Lessig.
+&translationblock;

 </para>
 </para>

+

 <para>
 <para>

-p. cm.
+Includes index.

 </para>
 </para>

+

 <para>
 <para>

-Includes index.
+Classifications: (Dewey)
+306.4
+306.40973
+306.46
+341.7582
+343.7309/9,
+(UDK) 347.78
+(US Lib. of Congress) KF2979.L47 2004

 </para>
 
 <para>
 </para>
 
 <para>


@@ -15636,7 +15689,6 @@ Includes index.
  <entry>978-82-92812-XX-Y</entry>
  <entry>text/plain</entry>
  </row>
  <entry>978-82-92812-XX-Y</entry>
  <entry>text/plain</entry>
  </row>

-

  <row>
  <entry>978-82-92812-XX-Y</entry>
  <entry>application/pdf</entry>
  <row>
  <entry>978-82-92812-XX-Y</entry>
  <entry>application/pdf</entry>


@@ -15662,40 +15714,5 @@ Includes index.
 </informaltable>
 </para>
 
 </informaltable>
 </para>
 

-<para>
-1. Intellectual property&mdash;United States.
-</para>
-<para>
-2. Mass media&mdash;United States.
-</para>
-<para>
-3. Technological innovations&mdash;United States.
-</para>
-<para>
-4. Art&mdash;United States. I. Title.
-</para>
-<para>
-KF2979.L47 2004
-</para>
-<para>
-343.7309'9&mdash;dc22 2003063276
-</para>
-
-<para>
-The source of this version of the text is written using DocBook
-notation and the other formats are derived from the DocBook source.
-The DocBook source is based on a
-<ulink url="http://www.sslug.dk/~chlor/lessig/">DocBook XML version
-created by Hans Schou</ulink>, and extended with formatting and index
-references by Petter Reinholdtsen.  The source files of this book is
-available as
-<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig">a
-github project</ulink>.
-</para>
-
-<para>
-&translationblock;
-</para>
-

 </colophon>
 </book>
 </colophon>
 </book>