Update from Transifex.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index a524a5d1550642ac60ce0be615ecc0ad03d21991..3ac242e264f71d7cd9408f2ec67e2422b61509b5 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -2311,6 +2311,9 @@ entertainment is tragedy.
 </para>
 <indexterm><primary>ABC</primary></indexterm>
 <indexterm><primary>CBS</primary></indexterm>
 </para>
 <indexterm><primary>ABC</primary></indexterm>
 <indexterm><primary>CBS</primary></indexterm>

+<indexterm><primary>Cyber Rights (Godwin)</primary></indexterm>
+<indexterm><primary>Godwin, Mike</primary></indexterm>
+<indexterm id='idxinternetnewseventson' class='startofrange'><primary>Internet</primary><secondary>news events on</secondary></indexterm>

 <para>
 But in addition to this produced news about the <quote>tragedy of September
 11,</quote> those of us tied to the Internet came to see a very different
 <para>
 But in addition to this produced news about the <quote>tragedy of September
 11,</quote> those of us tied to the Internet came to see a very different


@@ -2358,6 +2361,7 @@ such as in Japan, it functions very much like a diary. In those
 cultures, it records private facts in a public way&mdash;it's a kind
 of electronic <citetitle>Jerry Springer</citetitle>, available anywhere in the world.
 </para>
 cultures, it records private facts in a public way&mdash;it's a kind
 of electronic <citetitle>Jerry Springer</citetitle>, available anywhere in the world.
 </para>

+<indexterm startref='idxinternetnewseventson' class='endofrange'/>

 <indexterm><primary>political discourse</primary></indexterm>
 <indexterm id='idxinternetpublicdiscourseconductedon' class='startofrange'><primary>Internet</primary><secondary>public discourse conducted on</secondary></indexterm>
 <para>
 <indexterm><primary>political discourse</primary></indexterm>
 <indexterm id='idxinternetpublicdiscourseconductedon' class='startofrange'><primary>Internet</primary><secondary>public discourse conducted on</secondary></indexterm>
 <para>


@@ -3153,6 +3157,8 @@ then, I could effectively pirate someone else's song without paying
 its composer anything.
 </para>
 <indexterm startref='idxfourneauxhenri' class='endofrange'/>
 its composer anything.
 </para>
 <indexterm startref='idxfourneauxhenri' class='endofrange'/>

+<indexterm id='idxkittredgealfred' class='startofrange'><primary>Kittredge, Alfred</primary></indexterm>
+<indexterm id='idxmusicpublishing' class='startofrange'><primary>music publishing</primary></indexterm>

 <para>
 The composers (and publishers) were none too happy about
 <!-- PAGE BREAK 69 -->
 <para>
 The composers (and publishers) were none too happy about
 <!-- PAGE BREAK 69 -->


@@ -3179,6 +3185,7 @@ Hackensack, N.J.: Rothman Reprints, 1976).
 </para></footnote>
 </para>
 </blockquote>
 </para></footnote>
 </para>
 </blockquote>

+<indexterm startref='idxkittredgealfred' class='endofrange'/>

 <indexterm><primary>Sousa, John Philip</primary></indexterm>
 <para>
 The innovators who developed the technology to record other
 <indexterm><primary>Sousa, John Philip</primary></indexterm>
 <para>
 The innovators who developed the technology to record other


@@ -3202,6 +3209,7 @@ To Amend and Consolidate the Acts Respecting Copyright, 23
 (statement of John Philip Sousa, composer).
 </para></footnote>
 </para>
 (statement of John Philip Sousa, composer).
 </para></footnote>
 </para>

+<indexterm startref='idxmusicpublishing' class='endofrange'/>

 <indexterm><primary>American Graphophone Company</primary></indexterm>
 <indexterm><primary>player pianos</primary></indexterm>
 <indexterm><primary>sheet music</primary></indexterm>
 <indexterm><primary>American Graphophone Company</primary></indexterm>
 <indexterm><primary>player pianos</primary></indexterm>
 <indexterm><primary>sheet music</primary></indexterm>


@@ -3894,6 +3902,8 @@ carefully than the polarized voices around this debate usually
 do&mdash;the kinds of sharing that file sharing enables, and the kinds
 of harm it entails.
 </para>
 do&mdash;the kinds of sharing that file sharing enables, and the kinds
 of harm it entails.
 </para>

+<indexterm id='idxpeertopeerppfilesharingfourtypesof' class='startofrange'><primary>peer-to-peer (p2p) file sharing</primary><secondary>four types of</secondary></indexterm>
+<indexterm><primary>Napster</primary><secondary>range of content on</secondary></indexterm>

 <para>
 <!-- PAGE BREAK 81 -->
 File sharers share different kinds of content. We can divide these
 <para>
 <!-- PAGE BREAK 81 -->
 File sharers share different kinds of content. We can divide these


@@ -3947,6 +3957,7 @@ to content that is not copyrighted or that the copyright owner
 wants to give away.
 </para></listitem>
 </orderedlist>
 wants to give away.
 </para></listitem>
 </orderedlist>

+<indexterm startref='idxpeertopeerppfilesharingfourtypesof' class='endofrange'/>

 <para>
 How do these different types of sharing balance out?
 </para>
 <para>
 How do these different types of sharing balance out?
 </para>


@@ -3984,6 +3995,7 @@ cassette recording is a good example. As a study by Cap Gemini Ernst
 technology, the labels fought it.</quote><footnote><para>
 <!-- f10 -->
 <indexterm><primary>cassette recording</primary></indexterm>
 technology, the labels fought it.</quote><footnote><para>
 <!-- f10 -->
 <indexterm><primary>cassette recording</primary></indexterm>

+<indexterm><primary>DAT (digital audio tape)</primary></indexterm>

 See Cap Gemini Ernst &amp; Young, <citetitle>Technology Evolution and the
 Music Industry's Business Model Crisis</citetitle> (2003), 3. This report
 describes the music industry's effort to stigmatize the budding
 See Cap Gemini Ernst &amp; Young, <citetitle>Technology Evolution and the
 Music Industry's Business Model Crisis</citetitle> (2003), 3. This report
 describes the music industry's effort to stigmatize the budding


@@ -4245,6 +4257,9 @@ found only with time.
 <quote>But isn't the war just a war against illegal sharing? Isn't the target
 just what you call type A sharing?</quote>
 </para>
 <quote>But isn't the war just a war against illegal sharing? Isn't the target
 just what you call type A sharing?</quote>
 </para>

+<indexterm id='idxcopyrightinfringementlawsuitszerotolerancein' class='startofrange'><primary>copyright infringement lawsuits</primary><secondary>zero tolerance in</secondary></indexterm>
+<indexterm id='idxnapsterinfringingmaterialblockedby' class='startofrange'><primary>Napster</primary><secondary>infringing material blocked by</secondary></indexterm>
+<indexterm id='idxpeertopeerppfilesharinginfringementprotectionsin' class='startofrange'><primary>peer-to-peer (p2p) file sharing</primary><secondary>infringement protections in</secondary></indexterm>

 <para>
 You would think. And we should hope. But so far, it is not. The effect
 of the war purportedly on type A sharing alone has been felt far
 <para>
 You would think. And we should hope. But so far, it is not. The effect
 of the war purportedly on type A sharing alone has been felt far


@@ -4268,6 +4283,8 @@ account of the litigation and its toll on Napster, see Joseph Menn,
 York: Crown Business, 2003), 269&ndash;82.
 </para></footnote>
 </para>
 York: Crown Business, 2003), 269&ndash;82.
 </para></footnote>
 </para>

+<indexterm startref='idxnapsterinfringingmaterialblockedby' class='endofrange'/>
+<indexterm startref='idxpeertopeerppfilesharinginfringementprotectionsin' class='endofrange'/>

 <para>
 If 99.4 percent is not good enough, then this is a war on file-sharing
 technologies, not a war on copyright infringement. There is no way to
 <para>
 If 99.4 percent is not good enough, then this is a war on file-sharing
 technologies, not a war on copyright infringement. There is no way to


@@ -4279,6 +4296,7 @@ The court's ruling means that we as a society must lose the benefits of
 p2p, even for the totally legal and beneficial uses they serve, simply to
 assure that there are zero copyright infringements caused by p2p.
 </para>
 p2p, even for the totally legal and beneficial uses they serve, simply to
 assure that there are zero copyright infringements caused by p2p.
 </para>

+<indexterm startref='idxcopyrightinfringementlawsuitszerotolerancein' class='endofrange'/>

 <para>
 Zero tolerance has not been our history. It has not produced the
 content industry that we know today. The history of American law has
 <para>
 Zero tolerance has not been our history. It has not produced the
 content industry that we know today. The history of American law has


@@ -4322,6 +4340,7 @@ companies the right to the content, so long as they paid the statutory
 price.
 </para>
 <indexterm startref='idxcongressusonrecordingindustry2' class='endofrange'/>
 price.
 </para>
 <indexterm startref='idxcongressusonrecordingindustry2' class='endofrange'/>

+<indexterm><primary>copyright law</primary><secondary>two central goals of</secondary></indexterm>

 <para>
 
 <!-- PAGE BREAK 88 -->
 <para>
 
 <!-- PAGE BREAK 88 -->


@@ -4377,6 +4396,7 @@ for the architecture it chose.
 </para>
 <indexterm id='idxcongressusoncopyrightlaws3' class='startofrange'><primary>Congress, U.S.</primary><secondary>on copyright laws</secondary></indexterm>
 <indexterm><primary>Congress, U.S.</primary><secondary>on VCR technology</secondary></indexterm>
 </para>
 <indexterm id='idxcongressusoncopyrightlaws3' class='startofrange'><primary>Congress, U.S.</primary><secondary>on copyright laws</secondary></indexterm>
 <indexterm><primary>Congress, U.S.</primary><secondary>on VCR technology</secondary></indexterm>

+<indexterm id='idxvalentijackonvcrtechnology' class='startofrange'><primary>Valenti, Jack</primary><secondary>on VCR technology</secondary></indexterm>

 <para>
 MPAA president Jack Valenti became the studios' most vocal
 champion. Valenti called VCRs <quote>tapeworms.</quote> He warned, <quote>When there are
 <para>
 MPAA president Jack Valenti became the studios' most vocal
 champion. Valenti called VCRs <quote>tapeworms.</quote> He warned, <quote>When there are


@@ -4437,6 +4457,7 @@ technology.<footnote><para>
 </para></footnote>
 <indexterm><primary>Kozinski, Alex</primary></indexterm>
 </para>
 </para></footnote>
 <indexterm><primary>Kozinski, Alex</primary></indexterm>
 </para>

+<indexterm startref='idxvalentijackonvcrtechnology' class='endofrange'/>

 <para>
 But the Supreme Court reversed the decision of the Ninth Circuit.
 
 <para>
 But the Supreme Court reversed the decision of the Ninth Circuit.
 


@@ -4512,6 +4533,7 @@ together, a pattern is clear:
 <para>
 In each case throughout our history, a new technology changed the
 way content was distributed.<footnote><para>
 <para>
 In each case throughout our history, a new technology changed the
 way content was distributed.<footnote><para>

+<indexterm><primary>DAT (digital audio tape)</primary></indexterm>

 <!-- f24 -->
 These are the most important instances in our history, but there are other
 cases as well. The technology of digital audio tape (DAT), for example,
 <!-- f24 -->
 These are the most important instances in our history, but there are other
 cases as well. The technology of digital audio tape (DAT), for example,


@@ -6225,6 +6247,10 @@ Kahle describes,
 </para>
 <blockquote>
 <indexterm><primary>books</primary><secondary>total number of</secondary></indexterm>
 </para>
 <blockquote>
 <indexterm><primary>books</primary><secondary>total number of</secondary></indexterm>

+<indexterm><primary>films</primary><secondary>total number of</secondary></indexterm>
+<indexterm><primary>music recordings</primary><see>peer-to-peer (p2p) file sharing</see></indexterm>
+<indexterm><primary>music recordings</primary><see>recording industry</see></indexterm>
+<indexterm><primary>music recordings</primary><secondary>total number of</secondary></indexterm>

 <para>
 It looks like there's about two to three million recordings of music.
 Ever. There are about a hundred thousand theatrical releases of
 <para>
 It looks like there's about two to three million recordings of music.
 Ever. There are about a hundred thousand theatrical releases of


@@ -6271,7 +6297,7 @@ that Kahle and others would exercise.
 <title>Chapter Ten: <quote>Property</quote></title>
 <indexterm><primary>Johnson, Lyndon</primary></indexterm>
 <indexterm><primary>Kennedy, John F.</primary></indexterm>
 <title>Chapter Ten: <quote>Property</quote></title>
 <indexterm><primary>Johnson, Lyndon</primary></indexterm>
 <indexterm><primary>Kennedy, John F.</primary></indexterm>

-<indexterm><primary>Valenti, Jack</primary><secondary>background of</secondary></indexterm>
+<indexterm id='idxvalentijackbackgroundof' class='startofrange'><primary>Valenti, Jack</primary><secondary>background of</secondary></indexterm>

 <para>
 <emphasis role='strong'>Jack Valenti</emphasis> has been the president
 of the Motion Picture Association of America since 1966. He first came
 <para>
 <emphasis role='strong'>Jack Valenti</emphasis> has been the president
 of the Motion Picture Association of America since 1966. He first came


@@ -6283,10 +6309,10 @@ running the MPAA, Valenti has established himself as perhaps the most
 prominent and effective lobbyist in Washington.
 </para>
 <indexterm><primary>Disney, Inc.</primary></indexterm>
 prominent and effective lobbyist in Washington.
 </para>
 <indexterm><primary>Disney, Inc.</primary></indexterm>

-<indexterm><primary>Sony Pictures Entertainment</primary></indexterm>

 <indexterm><primary>MGM</primary></indexterm>
 <indexterm><primary>Paramount Pictures</primary></indexterm>
 <indexterm><primary>Twentieth Century Fox</primary></indexterm>
 <indexterm><primary>MGM</primary></indexterm>
 <indexterm><primary>Paramount Pictures</primary></indexterm>
 <indexterm><primary>Twentieth Century Fox</primary></indexterm>

+<indexterm><primary>Sony Pictures Entertainment</primary></indexterm>

 <indexterm><primary>Universal Pictures</primary></indexterm>
 <indexterm><primary>Warner Brothers</primary></indexterm>
 <para>
 <indexterm><primary>Universal Pictures</primary></indexterm>
 <indexterm><primary>Warner Brothers</primary></indexterm>
 <para>


@@ -6301,7 +6327,6 @@ in the United States: Walt Disney, Sony Pictures Entertainment, MGM,
 Paramount Pictures, Twentieth Century Fox, Universal Studios, and
 Warner Brothers.
 </para>
 Paramount Pictures, Twentieth Century Fox, Universal Studios, and
 Warner Brothers.
 </para>

-<indexterm id='idxvalentijackbackgroundof' class='startofrange'><primary>Valenti, Jack</primary><secondary>background of</secondary></indexterm>

 <para>
 <!-- PAGE BREAK 128 -->
 Valenti is only the third president of the MPAA. No president before
 <para>
 <!-- PAGE BREAK 128 -->
 Valenti is only the third president of the MPAA. No president before


@@ -8646,6 +8671,7 @@ market's revenues. Overall, just four companies control 90 percent of
 the nation's radio advertising revenues.
 </para>
 <indexterm><primary>cable television</primary></indexterm>
 the nation's radio advertising revenues.
 </para>
 <indexterm><primary>cable television</primary></indexterm>

+<indexterm id='idxnewspapersownershipconsolidationof' class='startofrange'><primary>newspapers</primary><secondary>ownership consolidation of</secondary></indexterm>

 <para>
 Newspaper ownership is becoming more concentrated as well.  Today,
 there are six hundred fewer daily newspapers in the United States than
 <para>
 Newspaper ownership is becoming more concentrated as well.  Today,
 there are six hundred fewer daily newspapers in the United States than


@@ -8682,6 +8708,7 @@ James Fallows, <quote>The Age of Murdoch,</quote> <citetitle>Atlantic Monthly</c
 </para></footnote>
 </para>
 </blockquote>
 </para></footnote>
 </para>
 </blockquote>

+<indexterm startref='idxnewspapersownershipconsolidationof' class='endofrange'/>

 <indexterm startref='idxradioownershipconsolidationin' class='endofrange'/>
 <para>
 The pattern with Murdoch is the pattern of modern media. Not
 <indexterm startref='idxradioownershipconsolidationin' class='endofrange'/>
 <para>
 The pattern with Murdoch is the pattern of modern media. Not


@@ -8805,6 +8832,7 @@ Moyers, 25 April 2003, edited transcript available at
 </para></footnote>
 </para>
 </blockquote>
 </para></footnote>
 </para>
 </blockquote>

+<indexterm><primary>democracy</primary><secondary>media concentration and</secondary></indexterm>

 <para>
 This narrowing has an effect on what is produced. The product of such
 large and concentrated networks is increasingly homogenous.
 <para>
 This narrowing has an effect on what is produced. The product of such
 large and concentrated networks is increasingly homogenous.


@@ -8857,6 +8885,7 @@ In addition to the copyright wars, we're in the middle of the drug
 wars. Government policy is strongly directed against the drug cartels;
 criminal and civil courts are filled with the consequences of this battle.
 </para>
 wars. Government policy is strongly directed against the drug cartels;
 criminal and civil courts are filled with the consequences of this battle.
 </para>

+<indexterm><primary>criminal justice system</primary></indexterm>

 <para>
 Let me hereby disqualify myself from any possible appointment to
 any position in government by saying I believe this war is a profound
 <para>
 Let me hereby disqualify myself from any possible appointment to
 any position in government by saying I believe this war is a profound


@@ -9638,6 +9667,8 @@ statement. You could write a poem to express your love, or you could
 weave together a string&mdash;a mash-up&mdash; of songs from your
 favorite artists in a collage and make it available on the Net.
 </para>
 weave together a string&mdash;a mash-up&mdash; of songs from your
 favorite artists in a collage and make it available on the Net.
 </para>

+<indexterm><primary>democracy</primary><secondary>digital sharing within</secondary></indexterm>
+<indexterm><primary>Kodak cameras</primary></indexterm>

 <para>
 This digital <quote>capturing and sharing</quote> is in part an extension of the
 capturing and sharing that has always been integral to our culture,
 <para>
 This digital <quote>capturing and sharing</quote> is in part an extension of the
 capturing and sharing that has always been integral to our culture,


@@ -9701,7 +9732,8 @@ negligently removes the wrong leg in an operation would be liable for
 no more than $250,000 in damages for pain and
 suffering.<footnote>
 <para>
 no more than $250,000 in damages for pain and
 suffering.<footnote>
 <para>

-<!-- f2. --> The bill, modeled after California's tort reform model, was passed in the
+<!-- f2. -->
+The bill, modeled after California's tort reform model, was passed in the

 House of Representatives but defeated in a Senate vote in July 2003. For
 an overview, see Tanya Albert, <quote>Measure Stalls in Senate: `We'll Be Back,'
 Say Tort Reformers,</quote> amednews.com, 28 July 2003, available at 
 House of Representatives but defeated in a Senate vote in July 2003. For
 an overview, see Tanya Albert, <quote>Measure Stalls in Senate: `We'll Be Back,'
 Say Tort Reformers,</quote> amednews.com, 28 July 2003, available at 


@@ -9710,6 +9742,7 @@ and <quote>Senate Turns Back Malpractice Caps,</quote> CBSNews.com, 9 July 2003,
 available at 
 <ulink url="http://free-culture.cc/notes/">link #39</ulink>. President Bush has continued to urge tort reform in
 recent months.
 available at 
 <ulink url="http://free-culture.cc/notes/">link #39</ulink>. President Bush has continued to urge tort reform in
 recent months.

+<indexterm><primary>tort reform</primary></indexterm>

 <indexterm><primary>Bush, George W.</primary></indexterm>
 </para></footnote>
 Can common sense recognize the absurdity in a world where
 <indexterm><primary>Bush, George W.</primary></indexterm>
 </para></footnote>
 Can common sense recognize the absurdity in a world where


@@ -10909,6 +10942,7 @@ Brianna a Criminal?</quote> <citetitle>Toronto Star</citetitle>, 18 September 20
 </para></footnote>
 
 </para>
 </para></footnote>
 
 </para>

+<indexterm id='idxnapsterrecordingindustrytrackingusersof' class='startofrange'><primary>Napster</primary><secondary>recording industry tracking users of</secondary></indexterm>

 <para>
 Even this understates the espionage that is being waged by the
 RIAA. A report from CNN late last summer described a strategy the
 <para>
 Even this understates the espionage that is being waged by the
 RIAA. A report from CNN late last summer described a strategy the


@@ -10969,6 +11003,7 @@ have already learned, our presumptions about innocence disappear in
 the middle of wars of prohibition. This war is no different.
 Says von Lohmann,
 </para>
 the middle of wars of prohibition. This war is no different.
 Says von Lohmann,
 </para>

+<indexterm startref='idxnapsterrecordingindustrytrackingusersof' class='endofrange'/>

 <blockquote>
 <para>
 So when we're talking about numbers like forty to sixty million
 <blockquote>
 <para>
 So when we're talking about numbers like forty to sixty million


@@ -11178,6 +11213,7 @@ Sonny Bono, who, his widow, Mary Bono, says, believed that
 <!-- f2. -->
 <indexterm><primary>Bono, Mary</primary></indexterm>
 <indexterm><primary>Bono, Sonny</primary></indexterm>
 <!-- f2. -->
 <indexterm><primary>Bono, Mary</primary></indexterm>
 <indexterm><primary>Bono, Sonny</primary></indexterm>

+<indexterm><primary>Valenti, Jack</primary><secondary>perpetual copyright term proposed by</secondary></indexterm>

 The full text is: <quote>Sonny [Bono] wanted the term of copyright
 protection to last forever. I am informed by staff that such a change
 would violate the Constitution. I invite all of you to work with me to
 The full text is: <quote>Sonny [Bono] wanted the term of copyright
 protection to last forever. I am informed by staff that such a change
 would violate the Constitution. I invite all of you to work with me to


@@ -12853,6 +12889,8 @@ Congress allows for those works where its worth is at least $1. But for
 everything else, let the content go.
 </para>
 <indexterm><primary>Forbes, Steve</primary></indexterm>
 everything else, let the content go.
 </para>
 <indexterm><primary>Forbes, Steve</primary></indexterm>

+<indexterm><primary>Democratic Party</primary></indexterm>
+<indexterm><primary>Republican Party</primary></indexterm>

 <para>
 The reaction to this idea was amazingly strong. Steve Forbes endorsed
 it in an editorial. I received an avalanche of e-mail and letters
 <para>
 The reaction to this idea was amazingly strong. Steve Forbes endorsed
 it in an editorial. I received an avalanche of e-mail and letters


@@ -13071,6 +13109,7 @@ introduced. On May 16, I posted on the Eldred Act blog, <quote>we are
 close.</quote> There was a general reaction in the blog community that
 something good might happen here.
 </para>
 close.</quote> There was a general reaction in the blog community that
 something good might happen here.
 </para>

+<indexterm><primary>Valenti, Jack</primary><secondary>Eldred Act opposed by</secondary></indexterm>

 <para>
 But at this stage, the lobbyists began to intervene. Jack Valenti and
 the MPAA general counsel came to the congresswoman's office to give
 <para>
 But at this stage, the lobbyists began to intervene. Jack Valenti and
 the MPAA general counsel came to the congresswoman's office to give


@@ -14668,6 +14707,9 @@ doesn't follow that the government must actually administer the
 role. Instead, we should be creating incentives for private parties to
 serve the public, subject to standards that the government sets.
 </para>
 role. Instead, we should be creating incentives for private parties to
 serve the public, subject to standards that the government sets.
 </para>

+<indexterm><primary>domain names</primary></indexterm>
+<indexterm><primary>Internet</primary><secondary>domain name registration on</secondary></indexterm>
+<indexterm><primary>Web sites, domain name registration of</primary></indexterm>

 <para>
 In the context of registration, one obvious model is the Internet.
 There are at least 32 million Web sites registered around the world.
 <para>
 In the context of registration, one obvious model is the Internet.
 There are at least 32 million Web sites registered around the world.


@@ -15323,6 +15365,8 @@ controlling access.
 </para>
 <indexterm startref='idxpromisestokeepfisher' class='endofrange'/>
 <indexterm><primary>artists</primary><secondary>recording industry payments to</secondary></indexterm>
 </para>
 <indexterm startref='idxpromisestokeepfisher' class='endofrange'/>
 <indexterm><primary>artists</primary><secondary>recording industry payments to</secondary></indexterm>

+<indexterm><primary>semiotic democracy</primary></indexterm>
+<indexterm><primary>democracy</primary><secondary>semiotic</secondary></indexterm>

 <para>
 Fisher would balk at the idea of allowing the system to lapse. His aim
 is not just to ensure that artists are paid, but also to ensure that
 <para>
 Fisher would balk at the idea of allowing the system to lapse. His aim
 is not just to ensure that artists are paid, but also to ensure that