Wrap lines.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 140a875ddc0bab28c5a5defeca889b9f4bcb59b7..2e0b6a5440be07db34512c113f8a42d061d035a0 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -1285,6 +1285,9 @@ context the current battles about behavior labeled <quote>piracy.</quote>
 <indexterm id="idxanimadedcartoons" class='startofrange'>
   <primary>animated cartoons</primary>
 </indexterm>
 <indexterm id="idxanimadedcartoons" class='startofrange'>
   <primary>animated cartoons</primary>
 </indexterm>

+<indexterm id='idxcartoonfilms' class='startofrange'>
+  <primary>cartoon films</primary>
+</indexterm>

 <para>
 <emphasis role="strong">In 1928</emphasis>, a cartoon character was born. An early Mickey Mouse
 made his debut in May of that year, in a silent flop called <citetitle>Plane Crazy</citetitle>.
 <para>
 <emphasis role="strong">In 1928</emphasis>, a cartoon character was born. An early Mickey Mouse
 made his debut in May of that year, in a silent flop called <citetitle>Plane Crazy</citetitle>.


@@ -1483,6 +1486,7 @@ to now be free for the next Walt Disney to build upon without
 permission. Yet today, the public domain is presumptive only for
 content from before the Great Depression.
 </para>
 permission. Yet today, the public domain is presumptive only for
 content from before the Great Depression.
 </para>

+<indexterm startref='idxcartoonfilms' class='endofrange'/>

 <para>
 <emphasis role="strong">Of course</emphasis>, Walt Disney had no monopoly on <quote>Walt Disney creativity.</quote>
 Nor does America. The norm of free culture has, until recently, and
 <para>
 <emphasis role="strong">Of course</emphasis>, Walt Disney had no monopoly on <quote>Walt Disney creativity.</quote>
 Nor does America. The norm of free culture has, until recently, and


@@ -3959,6 +3963,10 @@ available, the vast majority of it is unavailable solely because the
 publisher or the distributor has decided it no longer makes economic
 sense <emphasis>to the company</emphasis> to make it available.
 </para>
 publisher or the distributor has decided it no longer makes economic
 sense <emphasis>to the company</emphasis> to make it available.
 </para>

+<indexterm>
+  <primary>books</primary>
+  <secondary>resales of</secondary>
+</indexterm>

 <para>
 In real space&mdash;long before the Internet&mdash;the market had a simple
 <!-- PAGE BREAK 85 -->
 <para>
 In real space&mdash;long before the Internet&mdash;the market had a simple
 <!-- PAGE BREAK 85 -->


@@ -3966,15 +3974,19 @@ response to this problem: used book and record stores. There are
 thousands of used book and used record stores in America
 today.<footnote><para>
 <!-- f16 -->
 thousands of used book and used record stores in America
 today.<footnote><para>
 <!-- f16 -->

-While there are not good estimates of the number of used record stores in
-existence, in 2002, there were 7,198 used book dealers in the United States,
-an increase of 20 percent since 1993. See Book Hunter Press, <citetitle>The Quiet
-Revolution: The Expansion of the Used Book Market</citetitle> (2002), available at 
-<ulink url="http://free-culture.cc/notes/">link #19</ulink>. Used records accounted for $260 million in sales in 2002. See 
-               National
-Association of Recording Merchandisers, <quote>2002 Annual Survey 
-               Results,</quote>
-available at 
+<indexterm>
+  <primary>books</primary>
+  <secondary>resales of</secondary>
+</indexterm>
+While there are not good estimates of the number of used record stores
+in existence, in 2002, there were 7,198 used book dealers in the
+United States, an increase of 20 percent since 1993. See Book Hunter
+Press, <citetitle>The Quiet Revolution: The Expansion of the Used Book
+Market</citetitle> (2002), available at
+<ulink url="http://free-culture.cc/notes/">link #19</ulink>. Used
+records accounted for $260 million in sales in 2002. See National
+Association of Recording Merchandisers, <quote>2002 Annual Survey
+Results,</quote> available at

 <ulink url="http://free-culture.cc/notes/">link #20</ulink>.
 </para></footnote>
 These stores buy content from owners, then sell the content they
 <ulink url="http://free-culture.cc/notes/">link #20</ulink>.
 </para></footnote>
 These stores buy content from owners, then sell the content they


@@ -4549,6 +4561,9 @@ one else could publish copies of a book to which they held the
 copyright.  Prices of the classics were thus kept high; competition to
 produce better or cheaper editions was eliminated.
 </para>
 copyright.  Prices of the classics were thus kept high; competition to
 produce better or cheaper editions was eliminated.
 </para>

+<indexterm id='idxbritishparliament' class='startofrange'>
+  <primary>British Parliament</primary>
+</indexterm>

 <para>
 Now, there's something puzzling about the year 1774 to anyone who
 knows a little about copyright law. The better-known year in the
 <para>
 Now, there's something puzzling about the year 1774 to anyone who
 knows a little about copyright law. The better-known year in the


@@ -4684,6 +4699,9 @@ have it forever.</quote>) The state would protect the exclusive right, but
 only so long as it benefited society. The British saw the harms from
 specialinterest favors; they passed a law to stop them.
 </para>
 only so long as it benefited society. The British saw the harms from
 specialinterest favors; they passed a law to stop them.
 </para>

+<indexterm id='idxbooksellers' class='startofrange'>
+  <primary>booksellers, English</primary>
+</indexterm>

 <para>
 Second, about booksellers. It wasn't just that the copyright was a
 monopoly. It was also that it was a monopoly held by the booksellers.
 <para>
 Second, about booksellers. It wasn't just that the copyright was a
 monopoly. It was also that it was a monopoly held by the booksellers.


@@ -4999,12 +5017,14 @@ context</emphasis>, not a context in which the choices about what
 culture is available to people and how they get access to it are made
 by the few despite the wishes of the many.
 </para>
 culture is available to people and how they get access to it are made
 by the few despite the wishes of the many.
 </para>

+<indexterm startref='idxbooksellers' class='endofrange'/>

 <para>
 At least, this was the rule in a world where the Parliament is
 antimonopoly, resistant to the protectionist pleas of publishers. In a
 world where the Parliament is more pliant, free culture would be less
 protected.
 </para>
 <para>
 At least, this was the rule in a world where the Parliament is
 antimonopoly, resistant to the protectionist pleas of publishers. In a
 world where the Parliament is more pliant, free culture would be less
 protected.
 </para>

+<indexterm startref='idxbritishparliament' class='endofrange'/>

 <indexterm startref='idxbooksenglishlaw' class='endofrange'/>
 <!-- PAGE BREAK 106 -->
 </chapter>
 <indexterm startref='idxbooksenglishlaw' class='endofrange'/>
 <!-- PAGE BREAK 106 -->
 </chapter>


@@ -5577,6 +5597,7 @@ curse, reserved for the few.
 <indexterm id='idxarchivesdigital1' class='startofrange'>
   <primary>archives, digital</primary>
 </indexterm>
 <indexterm id='idxarchivesdigital1' class='startofrange'>
   <primary>archives, digital</primary>
 </indexterm>

+<indexterm><primary>bots</primary></indexterm>

 <para>
 <emphasis role='strong'>In April 1996</emphasis>, millions of
 <quote>bots</quote>&mdash;computer codes designed to
 <para>
 <emphasis role='strong'>In April 1996</emphasis>, millions of
 <quote>bots</quote>&mdash;computer codes designed to


@@ -6773,6 +6794,10 @@ accompanying figures.  </para></footnote>
   <primary>books</primary>
   <secondary>out of print</secondary>
 </indexterm>
   <primary>books</primary>
   <secondary>out of print</secondary>
 </indexterm>

+<indexterm>
+  <primary>books</primary>
+  <secondary>resales of</secondary>
+</indexterm>

 <para>
 Even today, this structure would make sense. Most creative work
 has an actual commercial life of just a couple of years. Most books fall
 <para>
 Even today, this structure would make sense. Most creative work
 has an actual commercial life of just a couple of years. Most books fall


@@ -7112,6 +7137,10 @@ empty circle.
 <title>All potential uses of a book.</title>
 <graphic fileref="images/1521.png"></graphic>
 </figure>
 <title>All potential uses of a book.</title>
 <graphic fileref="images/1521.png"></graphic>
 </figure>

+<indexterm id='idxbooksusetypes' class='startofrange'>
+  <primary>books</primary>
+  <secondary>three types of uses of</secondary>
+</indexterm>

 <para>
 <!-- PAGE BREAK 152 -->
 Think about a book in real space, and imagine this circle to represent
 <para>
 <!-- PAGE BREAK 152 -->
 Think about a book in real space, and imagine this circle to represent


@@ -7172,6 +7201,7 @@ In real space, then, the possible uses of a book are divided into three
 sorts: (1) unregulated uses, (2) regulated uses, and (3) regulated uses that
 are nonetheless deemed <quote>fair</quote> regardless of the copyright owner's views.
 </para>
 sorts: (1) unregulated uses, (2) regulated uses, and (3) regulated uses that
 are nonetheless deemed <quote>fair</quote> regardless of the copyright owner's views.
 </para>

+<indexterm startref='idxbooksusetypes' class='endofrange'/>

 <indexterm>
   <primary>books</primary>
   <secondary>on Internet</secondary>
 <indexterm>
   <primary>books</primary>
   <secondary>on Internet</secondary>


@@ -7285,6 +7315,7 @@ to video stores. The video stores displayed the trailers as a way to sell
 videos. Video Pipeline got the trailers from the film distributors, put
 the trailers on tape, and sold the tapes to the retail stores.
 </para>
 videos. Video Pipeline got the trailers from the film distributors, put
 the trailers on tape, and sold the tapes to the retail stores.
 </para>

+<indexterm><primary>browsing</primary></indexterm>

 <para>
 The company did this for about fifteen years. Then, in 1997, it began
 to think about the Internet as another way to distribute these
 <para>
 The company did this for about fifteen years. Then, in 1997, it began
 to think about the Internet as another way to distribute these


@@ -7344,6 +7375,7 @@ control. The technology expands the scope of effective control,
 because the technology builds a copy into every transaction.
 </para>
 <indexterm><primary>Barnes &amp; Noble</primary></indexterm>
 because the technology builds a copy into every transaction.
 </para>
 <indexterm><primary>Barnes &amp; Noble</primary></indexterm>

+<indexterm><primary>browsing</primary></indexterm>

 <para>
 <!-- PAGE BREAK 158 -->
 No doubt, a potential is not yet an abuse, and so the potential for
 <para>
 <!-- PAGE BREAK 158 -->
 No doubt, a potential is not yet an abuse, and so the potential for


@@ -8037,6 +8069,7 @@ never be interfered with by the copyright police. You were free in
 that space to do as you wished with this part of our culture. You were
 allowed to build on it as you wished without fear of legal control.
 </para>
 that space to do as you wished with this part of our culture. You were
 allowed to build on it as you wished without fear of legal control.
 </para>

+<indexterm><primary>bots</primary></indexterm>

 <para>
 But if you moved your club onto the Internet, and made it generally
 available for others to join, the story would be very different. Bots
 <para>
 But if you moved your club onto the Internet, and made it generally
 available for others to join, the story would be very different. Bots


@@ -13422,6 +13455,9 @@ before.
 
 <section id="examples">
 <title>Rebuilding Freedoms Previously Presumed: Examples</title>
 
 <section id="examples">
 <title>Rebuilding Freedoms Previously Presumed: Examples</title>

+<indexterm id='browsing' class='startofrange'>
+  <primary>browsing</primary>
+</indexterm>

 <para>
 If you step back from the battle I've been describing here, you will
 recognize this problem from other contexts. Think about
 <para>
 If you step back from the battle I've been describing here, you will
 recognize this problem from other contexts. Think about


@@ -13474,6 +13510,7 @@ you. If it becomes simple to gather and sort who does what in
 electronic spaces, then the friction-induced privacy of yesterday
 disappears.
 </para>
 electronic spaces, then the friction-induced privacy of yesterday
 disappears.
 </para>

+<indexterm startref='browsing' class='endofrange'/>

 <para>
 It is this reality that explains the push of many to define <quote>privacy</quote>
 on the Internet. It is the recognition that technology can remove what
 <para>
 It is this reality that explains the push of many to define <quote>privacy</quote>
 on the Internet. It is the recognition that technology can remove what


@@ -14476,6 +14513,10 @@ way that returns something to the artist.
   <primary>books</primary>
   <secondary>out of print</secondary>
 </indexterm>
   <primary>books</primary>
   <secondary>out of print</secondary>
 </indexterm>

+<indexterm>
+  <primary>books</primary>
+  <secondary>resales of</secondary>
+</indexterm>

 <para>
 Again, the model here is the used book store. Once a book goes out of
 print, it may still be available in libraries and used book
 <para>
 Again, the model here is the used book store. Once a book goes out of
 print, it may still be available in libraries and used book