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"Project-Id-Version: PACKAGE VERSION\n"
-"POT-Creation-Date: 2012-09-10 23:02+0300\n"
+"POT-Creation-Date: 2012-10-25 08:15+0300\n"
"PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n"
"Last-Translator: FULL NAME <EMAIL@ADDRESS>\n"
"Language-Team: LANGUAGE <LL@li.org>\n"
"This strategy is not just limited to the lawyers. In April 2003, Universal "
"and EMI brought a lawsuit against Hummer Winblad, the venture capital firm "
"(VC) that had funded Napster at a certain stage of its development, its "
-"cofounder (
John Hummer), and general partner (Hank Barry).<placeholder "
+"cofounder (John Hummer), and general partner (Hank Barry).<placeholder "
"type=\"footnote\" id=\"0\"/> The claim here, as well, was that the VC should "
"have recognized the right of the content industry to control how the "
"industry should develop. They should be held personally liable for funding a "
"of the history of film, the costs of restoring film were very high; digital "
"technology has lowered these costs substantially. While it cost more than "
"$10,000 to restore a ninety-minute black-and-white film in 1993, it can now "
-"cost as little as $100 to digitize one hour of mm film.<placeholder "
+"cost as little as $100 to digitize one hour of
8 mm film.<placeholder "
"type=\"footnote\" id=\"0\"/>"
msgstr ""
"message is absolutely not antimarket. But where we see the market is not "
"doing the job, then we should allow nonmarket forces the freedom to fill the "
"gaps. As one researcher calculated for American culture, 94 percent of the "
-"films, books, and music produced between and 1946 is not commercially "
+"films, books, and music produced between 1923 and 1946 is not commercially "
"available. However much you love the commercial market, if access is a "
"value, then 6 percent is a failure to provide that value.<placeholder "
"type=\"footnote\" id=\"0\"/>"
projects / text-free-culture-lessig.git / blobdiff