More indexterm entries.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 774281598f4bdd4c73518cde13c897762d749c2b..12ce7ddadfbf5d1f4def1ce83205783feddfb6e4 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -2311,6 +2311,9 @@ entertainment is tragedy.
 </para>
 <indexterm><primary>ABC</primary></indexterm>
 <indexterm><primary>CBS</primary></indexterm>
+<indexterm><primary>Cyber Rights (Godwin)</primary></indexterm>
+<indexterm><primary>Godwin, Mike</primary></indexterm>
+<indexterm id='idxinternetnewseventson' class='startofrange'><primary>Internet</primary><secondary>news events on</secondary></indexterm>
 <para>
 But in addition to this produced news about the <quote>tragedy of September
 11,</quote> those of us tied to the Internet came to see a very different
@@ -2358,6 +2361,7 @@ such as in Japan, it functions very much like a diary. In those
 cultures, it records private facts in a public way&mdash;it's a kind
 of electronic <citetitle>Jerry Springer</citetitle>, available anywhere in the world.
 </para>
+<indexterm startref='idxinternetnewseventson' class='endofrange'/>
 <indexterm><primary>political discourse</primary></indexterm>
 <indexterm id='idxinternetpublicdiscourseconductedon' class='startofrange'><primary>Internet</primary><secondary>public discourse conducted on</secondary></indexterm>
 <para>
@@ -3984,6 +3988,7 @@ cassette recording is a good example. As a study by Cap Gemini Ernst
 technology, the labels fought it.</quote><footnote><para>
 <!-- f10 -->
 <indexterm><primary>cassette recording</primary></indexterm>
+<indexterm><primary>DAT (digital audio tape)</primary></indexterm>
 See Cap Gemini Ernst &amp; Young, <citetitle>Technology Evolution and the
 Music Industry's Business Model Crisis</citetitle> (2003), 3. This report
 describes the music industry's effort to stigmatize the budding
@@ -4322,6 +4327,7 @@ companies the right to the content, so long as they paid the statutory
 price.
 </para>
 <indexterm startref='idxcongressusonrecordingindustry2' class='endofrange'/>
+<indexterm><primary>copyright law</primary><secondary>two central goals of</secondary></indexterm>
 <para>
 
 <!-- PAGE BREAK 88 -->
@@ -4377,6 +4383,7 @@ for the architecture it chose.
 </para>
 <indexterm id='idxcongressusoncopyrightlaws3' class='startofrange'><primary>Congress, U.S.</primary><secondary>on copyright laws</secondary></indexterm>
 <indexterm><primary>Congress, U.S.</primary><secondary>on VCR technology</secondary></indexterm>
+<indexterm id='idxvalentijackonvcrtechnology' class='startofrange'><primary>Valenti, Jack</primary><secondary>on VCR technology</secondary></indexterm>
 <para>
 MPAA president Jack Valenti became the studios' most vocal
 champion. Valenti called VCRs <quote>tapeworms.</quote> He warned, <quote>When there are
@@ -4437,6 +4444,7 @@ technology.<footnote><para>
 </para></footnote>
 <indexterm><primary>Kozinski, Alex</primary></indexterm>
 </para>
+<indexterm startref='idxvalentijackonvcrtechnology' class='endofrange'/>
 <para>
 But the Supreme Court reversed the decision of the Ninth Circuit.
 
@@ -4512,6 +4520,7 @@ together, a pattern is clear:
 <para>
 In each case throughout our history, a new technology changed the
 way content was distributed.<footnote><para>
+<indexterm><primary>DAT (digital audio tape)</primary></indexterm>
 <!-- f24 -->
 These are the most important instances in our history, but there are other
 cases as well. The technology of digital audio tape (DAT), for example,
@@ -6271,7 +6280,7 @@ that Kahle and others would exercise.
 <title>Chapter Ten: <quote>Property</quote></title>
 <indexterm><primary>Johnson, Lyndon</primary></indexterm>
 <indexterm><primary>Kennedy, John F.</primary></indexterm>
-<indexterm><primary>Valenti, Jack</primary><secondary>background of</secondary></indexterm>
+<indexterm id='idxvalentijackbackgroundof' class='startofrange'><primary>Valenti, Jack</primary><secondary>background of</secondary></indexterm>
 <para>
 <emphasis role='strong'>Jack Valenti</emphasis> has been the president
 of the Motion Picture Association of America since 1966. He first came
@@ -6301,7 +6310,6 @@ in the United States: Walt Disney, Sony Pictures Entertainment, MGM,
 Paramount Pictures, Twentieth Century Fox, Universal Studios, and
 Warner Brothers.
 </para>
-<indexterm id='idxvalentijackbackgroundof' class='startofrange'><primary>Valenti, Jack</primary><secondary>background of</secondary></indexterm>
 <para>
 <!-- PAGE BREAK 128 -->
 Valenti is only the third president of the MPAA. No president before
@@ -7012,12 +7020,16 @@ The power to establish <quote>creative property</quote> rights is granted to
 Congress in a way that, for our Constitution, at least, is very
 odd. Article I, section 8, clause 8 of our Constitution states that:
 </para>
+<blockquote>
 <para>
 Congress has the power to promote the Progress of Science and
 useful Arts, by securing for limited Times to Authors and Inventors
 the exclusive Right to their respective Writings and Discoveries.
+</para>
+</blockquote>
 
 <!-- PAGE BREAK 142 -->
+<para>
 We can call this the <quote>Progress Clause,</quote> for notice what this clause
 does not say. It does not say Congress has the power to grant
 <quote>creative property rights.</quote> It says that Congress has the power
@@ -8801,6 +8813,7 @@ Moyers, 25 April 2003, edited transcript available at
 </para></footnote>
 </para>
 </blockquote>
+<indexterm><primary>democracy</primary><secondary>media concentration and</secondary></indexterm>
 <para>
 This narrowing has an effect on what is produced. The product of such
 large and concentrated networks is increasingly homogenous.
@@ -8853,6 +8866,7 @@ In addition to the copyright wars, we're in the middle of the drug
 wars. Government policy is strongly directed against the drug cartels;
 criminal and civil courts are filled with the consequences of this battle.
 </para>
+<indexterm><primary>criminal justice system</primary></indexterm>
 <para>
 Let me hereby disqualify myself from any possible appointment to
 any position in government by saying I believe this war is a profound
@@ -9634,6 +9648,8 @@ statement. You could write a poem to express your love, or you could
 weave together a string&mdash;a mash-up&mdash; of songs from your
 favorite artists in a collage and make it available on the Net.
 </para>
+<indexterm><primary>democracy</primary><secondary>digital sharing within</secondary></indexterm>
+<indexterm><primary>Kodak cameras</primary></indexterm>
 <para>
 This digital <quote>capturing and sharing</quote> is in part an extension of the
 capturing and sharing that has always been integral to our culture,
@@ -9697,7 +9713,9 @@ negligently removes the wrong leg in an operation would be liable for
 no more than $250,000 in damages for pain and
 suffering.<footnote>
 <para>
-<!-- f2. --> The bill, modeled after California's tort reform model, was passed in the
+<indexterm><primary>tort reform</primary></indexterm>
+<!-- f2. -->
+The bill, modeled after California's tort reform model, was passed in the
 House of Representatives but defeated in a Senate vote in July 2003. For
 an overview, see Tanya Albert, <quote>Measure Stalls in Senate: `We'll Be Back,'
 Say Tort Reformers,</quote> amednews.com, 28 July 2003, available at 
@@ -11174,6 +11192,7 @@ Sonny Bono, who, his widow, Mary Bono, says, believed that
 <!-- f2. -->
 <indexterm><primary>Bono, Mary</primary></indexterm>
 <indexterm><primary>Bono, Sonny</primary></indexterm>
+<indexterm><primary>Valenti, Jack</primary><secondary>perpetual copyright term proposed by</secondary></indexterm>
 The full text is: <quote>Sonny [Bono] wanted the term of copyright
 protection to last forever. I am informed by staff that such a change
 would violate the Constitution. I invite all of you to work with me to
@@ -12849,6 +12868,8 @@ Congress allows for those works where its worth is at least $1. But for
 everything else, let the content go.
 </para>
 <indexterm><primary>Forbes, Steve</primary></indexterm>
+<indexterm><primary>Democratic Party</primary></indexterm>
+<indexterm><primary>Republican Party</primary></indexterm>
 <para>
 The reaction to this idea was amazingly strong. Steve Forbes endorsed
 it in an editorial. I received an avalanche of e-mail and letters
@@ -13067,6 +13088,7 @@ introduced. On May 16, I posted on the Eldred Act blog, <quote>we are
 close.</quote> There was a general reaction in the blog community that
 something good might happen here.
 </para>
+<indexterm><primary>Valenti, Jack</primary><secondary>Eldred Act opposed by</secondary></indexterm>
 <para>
 But at this stage, the lobbyists began to intervene. Jack Valenti and
 the MPAA general counsel came to the congresswoman's office to give
@@ -15319,6 +15341,8 @@ controlling access.
 </para>
 <indexterm startref='idxpromisestokeepfisher' class='endofrange'/>
 <indexterm><primary>artists</primary><secondary>recording industry payments to</secondary></indexterm>
+<indexterm><primary>semiotic democracy</primary></indexterm>
+<indexterm><primary>democracy</primary><secondary>semiotic</secondary></indexterm>
 <para>
 Fisher would balk at the idea of allowing the system to lapse. His aim
 is not just to ensure that artists are paid, but also to ensure that