Update to current version.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 2e0b6a5440be07db34512c113f8a42d061d035a0..10bec1117c815b41e41311d53921cbb6a50d4418 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -1747,6 +1747,9 @@ free culture. It is becoming much less so.
 </chapter>
 <chapter label="2" id="mere-copyists">
 <title>CHAPTER TWO: <quote>Mere Copyists</quote></title>
+<indexterm id='idxcameratech' class='startofrange'>
+  <primary>camera technology</primary>
+</indexterm>
 <indexterm id="idxphotography" class='startofrange'>
   <primary>photography</primary>
 </indexterm>
@@ -1836,6 +1839,7 @@ an average annual increase of over 17 percent.<footnote><para>
 Based on a chart in Jenkins, p. 178.
 </para></footnote>
 </para>
+<indexterm startref='idxcameratech' class='endofrange'/>
 <indexterm><primary>Coe, Brian</primary></indexterm>
 <para>
 
@@ -1962,6 +1966,7 @@ that growth would have been realized. And certainly, nothing like that
 growth in a democratic technology of expression would have been
 realized.
 </para>
+<indexterm><primary>camera technology</primary></indexterm>
 <para>
 <emphasis role='strong'>If you drive</emphasis> through San
 Francisco's Presidio, you might see two gaudy yellow school buses
@@ -3263,8 +3268,10 @@ to take something for nothing.
 </section>
 <section id="cabletv">
 <title>Cable TV</title>
+<indexterm id='idxcabletv1' class='startofrange'>
+  <primary>cable television</primary>
+</indexterm>
 <para>
-
 Cable TV was also born of a kind of piracy.
 </para>
 <para>
@@ -3380,6 +3387,7 @@ exercise veto power over the emerging technologies of cable. Cable
 companies thus built their empire in part upon a <quote>piracy</quote> of the value
 created by broadcasters' content.
 </para>
+<indexterm startref='idxcabletv1' class='endofrange'/>
 <para>
 <emphasis role='strong'>These separate stories</emphasis> sing a
 common theme. If <quote>piracy</quote> means using value from someone
@@ -4137,6 +4145,9 @@ respected (since the radio station did not have to pay them for the
 creativity it broadcast), Congress rejected their claim. An indirect
 benefit was enough.
 </para>
+<indexterm id='idxcabletv2' class='startofrange'>
+  <primary>cable television</primary>
+</indexterm>
 <para>
 Cable TV followed the pattern of record albums. When the courts
 rejected the claim that cable broadcasters had to pay for the content
@@ -4163,6 +4174,7 @@ Congress chose a path that would assure
 <emphasis>compensation</emphasis> without giving the past
 (broadcasters) control over the future (cable).
 </para>
+<indexterm startref='idxcabletv2' class='endofrange'/>
 <indexterm><primary>Betamax</primary></indexterm>
 <para>
 In the same year that Congress struck this balance, two major
@@ -4283,7 +4295,7 @@ together, a pattern is clear:
 </para>
 
 <informaltable id="t1">
-<tgroup cols="4" align="char">
+<tgroup cols="4" align="left">
 <thead>
  <row>
  <entry>CASE</entry>
@@ -6456,6 +6468,7 @@ Brown describes it, its <quote>architecture of revenue.</quote>
 </para>
 <indexterm><primary>railroad industry</primary></indexterm>
 <indexterm><primary>advertising</primary></indexterm>
+<indexterm><primary>camera technology</primary></indexterm>
 <para>
 But just because a particular interest asks for government support, it
 doesn't follow that support should be granted. And just because
@@ -8131,6 +8144,7 @@ of the media.
 These changes are of two sorts: the scope of concentration, and its
 nature.
 </para>
+<indexterm><primary>cable television</primary></indexterm>
 <para>
 Changes in scope are the easier ones to describe. As Senator John
 McCain summarized the data produced in the FCC's review of media
@@ -8169,6 +8183,7 @@ markets, the two largest broadcasters control 74 percent of that
 market's revenues. Overall, just four companies control 90 percent of
 the nation's radio advertising revenues.
 </para>
+<indexterm><primary>cable television</primary></indexterm>
 <para>
 Newspaper ownership is becoming more concentrated as well.  Today,
 there are six hundred fewer daily newspapers in the United States than
@@ -8590,7 +8605,7 @@ that copyright law has undergone.  In 1790, the law looked like this:
 </para>
 
 <informaltable id="t2">
-<tgroup cols="3" align="char">
+<tgroup cols="3" align="left">
 <thead>
  <row>
  <entry></entry>
@@ -8627,7 +8642,7 @@ By the end of the nineteenth century, the law had changed to this:
 </para>
 
 <informaltable id="t3">
-<tgroup cols="3" align="char">
+<tgroup cols="3" align="left">
 <thead>
  <row>
  <entry></entry>
@@ -8665,7 +8680,7 @@ we could say the law began to look like this:
 </para>
 
 <informaltable id="t4">
-<tgroup cols="3" align="char">
+<tgroup cols="3" align="left">
 <thead>
  <row>
  <entry></entry>
@@ -8697,7 +8712,7 @@ that the law now looks like this:
 </para>
 
 <informaltable id="t5">
-<tgroup cols="3" align="char">
+<tgroup cols="3" align="left">
 <thead>
  <row>
  <entry></entry>
@@ -9515,6 +9530,7 @@ discussion with BMW:
 </para>
 <blockquote>
 <indexterm><primary>BMW</primary></indexterm>
+<indexterm><primary>cars, MP3 sound system in</primary></indexterm>
 <para>
 I asked why, with all the storage capacity and computer power in
 the car, there was no way to play MP3 files. I was told that BMW
@@ -14696,6 +14712,7 @@ there will be a great deal of competition to offer and sell music
 on-line.
 </para>
 <indexterm><primary>Asia, commercial piracy in</primary></indexterm>
+<indexterm><primary>cable television</primary></indexterm>
 <para>
 This competition has already occurred against the background of <quote>free</quote>
 music from p2p systems. As the sellers of cable television have known
@@ -14920,6 +14937,9 @@ alive, you will be redirected to that link. If the original link has
 disappeared, you will be redirected to an appropriate reference for
 the material.
 </para>
+
+<!-- insert endnotes here -->
+
 <!--PAGE BREAK 336-->
 
 </chapter>