Update to current version.

[text-free-culture-lessig.git] / freeculture.nb.po

diff --git a/freeculture.nb.po b/freeculture.nb.po
index e92a2727bfa2e9ba09905df68b760a2a2ef3f0bd..20e1dcb93d33ad8c320f3af6a4747dc9e045ff3e 100644 (file)
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -3,10 +3,11 @@
 #
 # Translators:
 # Petter Reinholdtsen <pere@hungry.com>, 2012.
 #
 # Translators:
 # Petter Reinholdtsen <pere@hungry.com>, 2012.

+# Anders Hagen Jarmund <ajarmund@gmail.com>, 2012.

 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"
 msgid ""
 msgstr ""
 "Project-Id-Version: Free Culture by Lawrence Lessig\n"

-"POT-Creation-Date: 2012-07-30 17:21+0300\n"
+"POT-Creation-Date: 2012-07-31 17:52+0300\n"

 "PO-Revision-Date: 2012-07-13 21:50+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"
 "PO-Revision-Date: 2012-07-13 21:50+0200\n"
 "Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
 "Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"


@@ -882,20 +883,20 @@ msgstr ""
 #. type: Content of: <book><chapter><blockquote><para>
 msgid ""
 "A glass of water was poured before the microphone in Yonkers; it sounded "
 #. type: Content of: <book><chapter><blockquote><para>
 msgid ""
 "A glass of water was poured before the microphone in Yonkers; it sounded "

-"like a glass of water being poured. . . . A paper was crumpled and torn; it "
-"sounded like paper and not like a crackling forest fire. . . . Sousa marches "
-"were played from records and a piano solo and guitar number were "
-"performed. . . . The music was projected with a live-ness rarely if ever "
+"like a glass of water being poured. &hellip; A paper was crumpled and torn; "
+"it sounded like paper and not like a crackling forest fire. &hellip; Sousa "
+"marches were played from records and a piano solo and guitar number were "
+"performed. &hellip; The music was projected with a live-ness rarely if ever "

 "heard before from a radio \"music box.\"<placeholder type=\"footnote\" id="
 "\"0\"/>"
 msgstr ""
 "Et glass vann ble fylt opp foran mikrofonen i Yonkers, og det hørtes ut som "
 "heard before from a radio \"music box.\"<placeholder type=\"footnote\" id="
 "\"0\"/>"
 msgstr ""
 "Et glass vann ble fylt opp foran mikrofonen i Yonkers, og det hørtes ut som "

-"et plass som ble fylt opp. . . . Et papir ble krøllet og revet opp, og det "
-"hørtes ut som papir og ikke som en sprakende skogbrann. . . . Sousa-marsjer "
-"ble spilt av fra plater og en pianosolo og et gitarnummer ble utført. . . . "
-"Musikken ble presentert med en livaktighet som sjeldent om noen gang før "
-"hadde vært hørt fra en radio-\"musikk-boks\".<placeholder type=\"footnote\" "
-"id=\"0\"/>"
+"et glass som ble fylt opp. &hellip; Et papir ble krøllet og revet opp, og "
+"det hørtes ut som papir og ikke som en sprakende skogbrann. &hellip; Sousa-"
+"marsjer ble spilt av fra plater og en pianosolo og et gitarnummer ble "
+"utført. &hellip; Musikken ble presentert med en livaktighet som sjeldent om "
+"noen gang før hadde vært hørt fra en radio-\"musikk-boks\".<placeholder type="
+"\"footnote\" id=\"0\"/>"

 
 #.  PAGE BREAK 20
 #. type: Content of: <book><chapter><para>
 
 #.  PAGE BREAK 20
 #. type: Content of: <book><chapter><para>


@@ -973,15 +974,15 @@ msgid ""
 "The forces for FM, largely engineering, could not overcome the weight of "
 "strategy devised by the sales, patent, and legal offices to subdue this "
 "threat to corporate position. For FM, if allowed to develop unrestrained, "
 "The forces for FM, largely engineering, could not overcome the weight of "
 "strategy devised by the sales, patent, and legal offices to subdue this "
 "threat to corporate position. For FM, if allowed to develop unrestrained, "

-"posed . . . a complete reordering of radio power . . . and the eventual "
-"overthrow of the carefully restricted AM system on which RCA had grown to "
-"power.<placeholder type=\"footnote\" id=\"0\"/>"
+"posed &hellip; a complete reordering of radio power &hellip; and the "
+"eventual overthrow of the carefully restricted AM system on which RCA had "
+"grown to power.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 "Kreftene til fordel for FM, i hovedsak ingeniørfaglige, kunne ikke overvinne "
 "tyngden til strategien utviklet av avdelingene for salg, patenter og juss "
 "for å undertrykke denne trusselen til selskapets posisjon.  For FM utgjorde, "
 msgstr ""
 "Kreftene til fordel for FM, i hovedsak ingeniørfaglige, kunne ikke overvinne "
 "tyngden til strategien utviklet av avdelingene for salg, patenter og juss "
 "for å undertrykke denne trusselen til selskapets posisjon.  For FM utgjorde, "

-"hvis det fikk utvikle seg uten begrensninger . . . en komplett endring i "
-"maktforholdene rundt radio . . . og muligens fjerningen av det nøye "
+"hvis det fikk utvikle seg uten begrensninger &hellip; en komplett endring i "
+"maktforholdene rundt radio &hellip; og muligens fjerningen av det nøye "

 "begrensede AM-systemet som var grunnlaget for RCA stigning til makt."
 "<placeholder type=\"footnote\" id=\"0\"/>"
 
 "begrensede AM-systemet som var grunnlaget for RCA stigning til makt."
 "<placeholder type=\"footnote\" id=\"0\"/>"
 


@@ -2563,18 +2564,18 @@ msgid ""
 "Yet this illegal market exists and indeed flourishes in Japan, and in the "
 "view of many, it is precisely because it exists that Japanese manga "
 "flourish. As American graphic novelist Judd Winick said to me, \"The early "
 "Yet this illegal market exists and indeed flourishes in Japan, and in the "
 "view of many, it is precisely because it exists that Japanese manga "
 "flourish. As American graphic novelist Judd Winick said to me, \"The early "

-"days of comics in America are very much like what's going on in Japan "
-"now. . . . American comics were born out of copying each other. . . . That's "
-"how [the artists] learn to draw&mdash;by going into comic books and not "
-"tracing them, but looking at them and copying them\" and building from them."
-"<placeholder type=\"footnote\" id=\"0\"/>"
+"days of comics in America are very much like what's going on in Japan now. "
+"&hellip; American comics were born out of copying each other. &hellip; "
+"That's how [the artists] learn to draw&mdash;by going into comic books and "
+"not tracing them, but looking at them and copying them\" and building from "
+"them.<placeholder type=\"footnote\" id=\"0\"/>"

 msgstr ""
 "Likevel eksisterer dette illegale markedet og faktisk blomstrer i Japan, og "
 "etter manges syn er det nettopp fordi det eksisterer at japansk manga "
 "blomstrer.  Som USAs tegneserieskaper Judd Winick fortalte meg, \"I "
 "amerikansk tegneseriers første dager var det ganske likt det som foregår i "
 msgstr ""
 "Likevel eksisterer dette illegale markedet og faktisk blomstrer i Japan, og "
 "etter manges syn er det nettopp fordi det eksisterer at japansk manga "
 "blomstrer.  Som USAs tegneserieskaper Judd Winick fortalte meg, \"I "
 "amerikansk tegneseriers første dager var det ganske likt det som foregår i "

-"Japan i dag. . . . Amerikanske tegneserier kom til verden ved å kopiere "
-"hverandre. . . . Det er slik [kunstnerne] lærer å tegne&mdash;ved å se i "
+"Japan i dag. &hellip; Amerikanske tegneserier kom til verden ved å kopiere "
+"hverandre. &hellip; Det er slik [kunstnerne] lærer å tegne&mdash;ved å se i "

 "tegneseriebøker og ikke følge streken, men ved å se på dem og kopiere dem\" "
 "og bygge basert på dem.<placeholder type=\"footnote\" id=\"0\"/>"
 
 "tegneseriebøker og ikke følge streken, men ved å se på dem og kopiere dem\" "
 "og bygge basert på dem.<placeholder type=\"footnote\" id=\"0\"/>"
 


@@ -2716,15 +2717,14 @@ msgid ""
 "secret&mdash;but the nature of those rights is very different.  <placeholder "
 "type=\"indexterm\" id=\"0\"/>"
 msgstr ""
 "secret&mdash;but the nature of those rights is very different.  <placeholder "
 "type=\"indexterm\" id=\"0\"/>"
 msgstr ""

-"Begrepet <citetitle>immateriell eiendom</citetitle> er av "
-"relativ ny opprinnelse. Se See Siva Vaidhyanathan, "
-"<citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New "
-"York University Press, 2001). Se også Lawrence Lessig, <citetitle>The "
-"Future of Ideas</citetitle> (New York: Random House, 2001), 293 n. 26. "
-"Begrepet presist beskriver et sett med "
+"Begrepet <citetitle>immateriell eiendom</citetitle> er av relativ ny "
+"opprinnelse. Se See Siva Vaidhyanathan, <citetitle>Copyrights and "
+"Copywrongs</citetitle>, 11 (New York: New York University Press, 2001). Se "
+"også Lawrence Lessig, <citetitle>The Future of Ideas</citetitle> (New York: "
+"Random House, 2001), 293 n. 26. Begrepet presist beskriver et sett med "

 "\"eiendoms\"-rettigheter&mdash;opphavsretter, patenter, varemerker og "
 "\"eiendoms\"-rettigheter&mdash;opphavsretter, patenter, varemerker og "

-"forretningshemmeligheter&mdash;men egenskapene til disse rettighetene "
-"er svært forskjellige.<placeholder type=\"indexterm\" id=\"0\"/>"
+"forretningshemmeligheter&mdash;men egenskapene til disse rettighetene er "
+"svært forskjellige.<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><part><chapter><para>
 msgid ""
 
 #. type: Content of: <book><part><chapter><para>
 msgid ""


@@ -2737,8 +2737,8 @@ msgid ""
 msgstr ""
 "Vi lever i en verden som feirer \"eiendom\".  Jeg er en av de som feierer.  "
 "Jeg tror på verdien av eiendom generelt, og jeg tror også på verdien av den "
 msgstr ""
 "Vi lever i en verden som feirer \"eiendom\".  Jeg er en av de som feierer.  "
 "Jeg tror på verdien av eiendom generelt, og jeg tror også på verdien av den "

-"sære formen for eiendom som advokater kaller \"immateriell eiendom"
-"\".<placeholder type=\"footnote\" id=\"0\"/> Et stort og variert samfunn kan "
+"sære formen for eiendom som advokater kaller \"immateriell eiendom\"."
+"<placeholder type=\"footnote\" id=\"0\"/> Et stort og variert samfunn kan "

 "ikke overleve uten eiendom, og et moderne samfunn kan ikke blomstre uten "
 "immaterielle eierrettigheter."
 
 "ikke overleve uten eiendom, og et moderne samfunn kan ikke blomstre uten "
 "immaterielle eierrettigheter."
 


@@ -2756,6 +2756,17 @@ msgid ""
 "use would have been considered \"fair.\" There was nothing wrong with the "
 "taking from the Grimms because the Grimms' work was in the public domain."
 msgstr ""
 "use would have been considered \"fair.\" There was nothing wrong with the "
 "taking from the Grimms because the Grimms' work was in the public domain."
 msgstr ""

+"Men det tar bare noen sekunders refleksjon for å innse at det er masse av "
+"verdi der ute som \"eiendom\" ikke dekker.  Jeg mener ikke \"kjærlighet kan "
+"ikke kjøpes med penger\" men heller, at en verdi som ganske enkelt er del av "
+"produksjonsprosessen, både for kommersiell og ikke-kommersiell produksjon.  "
+"Hvis Disneys animatører hadde stjålet et sett med blyanter for å tegne "
+"Steamboat Willie, vi ville ikke nølt med å dømme det som galt&mdash;selv om "
+"det er trivielt og selv om det ikke blir oppdaget.  Men det var intet galt, "
+"i hvert fall slik loven var da, med at Disney tok fra Buster Keaton eller "
+"fra Grimm-brødrene.  Det var intet galt med å ta fra Keaton, fordi Disneys "
+"bruk ville blitt ansett som \"rimelig\".  Det var intet galt med å ta fra "
+"brødrene Grimm fordi deres verker var allemannseie."

 
 #.  PAGE BREAK 42
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 42
 #. type: Content of: <book><part><chapter><para>


@@ -2813,18 +2824,17 @@ msgid ""
 "goes through cycles with a certain kind of movie: five asteroid films in the "
 "late 1990s; two volcano disaster films in 1997."
 msgstr ""
 "goes through cycles with a certain kind of movie: five asteroid films in the "
 "late 1990s; two volcano disaster films in 1997."
 msgstr ""

-"Det er det same med tusen eksempler som dukker opp over alt med en "
-"gang en begynner å se etter dem.  Forskene bygger på arbeidet til "
-"andre forskere uten å spørre eller betale for privilegiet. (\"Unnskyld "
-"meg, professor Einstein, men kan jeg få tillatelse til å bruke din "
-"relativitetsteori til å vise at du tok feil om kvantefysikk?\") "
-"Teatertropper viser frem bearbeidelser av verkene til Shapespere uten "
-"å sikre seg noen tillatelser.  (Er det <emphasis>noen</emphasis> som "
-"tror at Shakespeare ville vært mer spredt i vår kultur om det var et "
-"sentralt rettighetsklareringskontor for Shakespeare som alle som laget "
-"Shakespear-produksjoner måtte appelere til først?)  Og Hollywood går "
-"igjennom sykluser med en bestemt type filmer: fem astroidefilmer i "
-"slutten av 1990-tallet, to vulkamkatastrofefilmer i 1997."
+"Det er det same med tusen eksempler som dukker opp over alt med en gang en "
+"begynner å se etter dem.  Forskene bygger på arbeidet til andre forskere "
+"uten å spørre eller betale for privilegiet. (\"Unnskyld meg, professor "
+"Einstein, men kan jeg få tillatelse til å bruke din relativitetsteori til å "
+"vise at du tok feil om kvantefysikk?\") Teatertropper viser frem "
+"bearbeidelser av verkene til Shapespere uten å sikre seg noen tillatelser.  "
+"(Er det <emphasis>noen</emphasis> som tror at Shakespeare ville vært mer "
+"spredt i vår kultur om det var et sentralt rettighetsklareringskontor for "
+"Shakespeare som alle som laget Shakespear-produksjoner måtte appelere til "
+"først?)  Og Hollywood går igjennom sykluser med en bestemt type filmer: fem "
+"astroidefilmer i slutten av 1990-tallet, to vulkamkatastrofefilmer i 1997."

 
 #.  PAGE BREAK 43
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 43
 #. type: Content of: <book><part><chapter><para>


@@ -2838,15 +2848,14 @@ msgid ""
 "bit of its culture free for the taking&mdash;free societies more fully than "
 "unfree, perhaps, but all societies to some degree."
 msgstr ""
 "bit of its culture free for the taking&mdash;free societies more fully than "
 "unfree, perhaps, but all societies to some degree."
 msgstr ""

-"Skapere her og overalt har alltid og til alle tider bygd på "
-"kreativiteten som eksisterte før og som omringer dem nå.  Denne "
-"byggingen er alltid og overalt i det minste delvis gjort uten "
-"tillatelse og uten å kompensere den opprinnelige skaperen.  Intet "
-"samfunn, fritt eller kontrollert, har noen gang krevd at enhver bruk "
-"skulle bli betalt for eller at tillatelse for Walt Disney-kreativitet "
-"alltid måtte skaffes.  Istedet har ethvert samfunn latt en bestemt bit "
-"av sin kultur være fritt tilgjenglig for alle å ta&mdash;frie samfunn "
-"muligens i større grad enn ufrie, men en viss grad i alle samfunn."
+"Skapere her og overalt har alltid og til alle tider bygd på kreativiteten "
+"som eksisterte før og som omringer dem nå.  Denne byggingen er alltid og "
+"overalt i det minste delvis gjort uten tillatelse og uten å kompensere den "
+"opprinnelige skaperen.  Intet samfunn, fritt eller kontrollert, har noen "
+"gang krevd at enhver bruk skulle bli betalt for eller at tillatelse for Walt "
+"Disney-kreativitet alltid måtte skaffes.  Istedet har ethvert samfunn latt "
+"en bestemt bit av sin kultur være fritt tilgjenglig for alle å ta&mdash;frie "
+"samfunn muligens i større grad enn ufrie, men en viss grad i alle samfunn."

 
 #. type: Content of: <book><part><chapter><para>
 msgid ""
 
 #. type: Content of: <book><part><chapter><para>
 msgid ""


@@ -2860,17 +2869,16 @@ msgid ""
 "musicians generally, whether white or not? To filmmakers generally, whether "
 "affiliated with a studio or not?"
 msgstr ""
 "musicians generally, whether white or not? To filmmakers generally, whether "
 "affiliated with a studio or not?"
 msgstr ""

-"Det vanskelige spørsmålet er derfor ikke <emphasis>om</emphasis> en "
-"kultur er fri.  Alle kulturer er frie til en viss grad. Det vanskelige "
-"spørsmålet er i stedet \"<emphasis>hvor</emphasis> fri er denne "
-"kulturen er?\" Hvor mye og hvor bredt, er kulturen fritt tilgjengelig "
-"for andre å ta, og bygge på?  Er den friheten begrenset til "
-"partimedlemmer?  Til medlemmer av kongefamilien?  Til de ti største "
-"selskapene på New York-børsen?  Eller er at frihet bredt tilgjengelig? "
-"Til kunstnere generelt, uansett om de er tilknyttet til nasjonalmuseet "
-"eller ikke?  Til musikere generelt, uansett om de er hvite eller ikke? "
-"Til filmskapere generelt, uansett om de er tilknyttet et studio eller "
-"ikke?"
+"Det vanskelige spørsmålet er derfor ikke <emphasis>om</emphasis> en kultur "
+"er fri.  Alle kulturer er frie til en viss grad. Det vanskelige spørsmålet "
+"er i stedet \"<emphasis>hvor</emphasis> fri er denne kulturen er?\" Hvor mye "
+"og hvor bredt, er kulturen fritt tilgjengelig for andre å ta, og bygge på?  "
+"Er den friheten begrenset til partimedlemmer?  Til medlemmer av "
+"kongefamilien?  Til de ti største selskapene på New York-børsen?  Eller er "
+"at frihet bredt tilgjengelig? Til kunstnere generelt, uansett om de er "
+"tilknyttet til nasjonalmuseet eller ikke?  Til musikere generelt, uansett om "
+"de er hvite eller ikke? Til filmskapere generelt, uansett om de er "
+"tilknyttet et studio eller ikke?"

 
 #. type: Content of: <book><part><chapter><para>
 msgid ""
 
 #. type: Content of: <book><part><chapter><para>
 msgid ""


@@ -2887,11 +2895,14 @@ msgid "CHAPTER TWO: \"Mere Copyists\""
 msgstr "Kapittel to: \"Kun etter-apere\""
 
 #. type: Content of: <book><part><chapter><indexterm><primary>
 msgstr "Kapittel to: \"Kun etter-apere\""
 
 #. type: Content of: <book><part><chapter><indexterm><primary>

+msgid "photography"
+msgstr "fotografering"
+
+#. type: Content of: <book><part><chapter><para><indexterm><primary>

 msgid "Daguerre, Louis"
 msgstr "Daguerre, Louis"
 
 #. type: Content of: <book><part><chapter><para>
 msgid "Daguerre, Louis"
 msgstr "Daguerre, Louis"
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "In 1839, Louis Daguerre invented the first practical technology for "
 "producing what we would call \"photographs.\" Appropriately enough, they "
 msgid ""
 "In 1839, Louis Daguerre invented the first practical technology for "
 "producing what we would call \"photographs.\" Appropriately enough, they "


@@ -2899,18 +2910,23 @@ msgid ""
 "and the field was thus limited to professionals and a few zealous and "
 "wealthy amateurs. (There was even an American Daguerre Association that "
 "helped regulate the industry, as do all such associations, by keeping "
 "and the field was thus limited to professionals and a few zealous and "
 "wealthy amateurs. (There was even an American Daguerre Association that "
 "helped regulate the industry, as do all such associations, by keeping "

-"competition down so as to keep prices up.)"
+"competition down so as to keep prices up.)  <placeholder type=\"indexterm\" "
+"id=\"0\"/>"

 msgstr ""
 msgstr ""

-"i 1839, louis daguerre oppfant den første praktiske teknologien for å "
-"produsere det vi vil kalle \"fotografier.\" riktig nok, de ble kalt "
-"\"daguerreotypes.\" prosessen var komplisert og kostbart, og feltet var "
-"dermed begrenset til profesjonelle og noen ivrige og velstående amatører. "
-"(det var enda en amerikansk daguerre tilknytning som hjalp regulere "
-"bransjen, som gjør alle slike tilknytninger, ved å holde konkurranse å holde "
-"prisene.)"
+"I 1839 fant Louis Daguerre opp den første praktiske teknologien for å "
+"produsere det vi ville kalle \"fotografier\".  Rimelig nok ble de kalt "
+"\"daguerreotyper\".  Prosessen var komplisert og kostbar, og feltet var "
+"dermed begrenset til profesjonelle og noen få ivrige og velstående "
+"amatører.  (Det var til og med en amerikansk Daguerre-forening som hjalp til "
+"med å regulere industrien, slik alle slike foreninger gjør, ved å holde "
+"konkurransen ned slikat prisene var høye.)  <placeholder type=\"indexterm\" "
+"id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><para><indexterm><primary>
+msgid "Talbot, William"
+msgstr "Talbot, William"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Yet despite high prices, the demand for daguerreotypes was strong.  This "
 "pushed inventors to find simpler and cheaper ways to make \"automatic "
 msgid ""
 "Yet despite high prices, the demand for daguerreotypes was strong.  This "
 "pushed inventors to find simpler and cheaper ways to make \"automatic "


@@ -2919,16 +2935,18 @@ msgid ""
 "still remained expensive and cumbersome. In the 1870s, dry plates were "
 "developed, making it easier to separate the taking of a picture from its "
 "developing. These were still plates of glass, and thus it was still not a "
 "still remained expensive and cumbersome. In the 1870s, dry plates were "
 "developed, making it easier to separate the taking of a picture from its "
 "developing. These were still plates of glass, and thus it was still not a "

-"process within reach of most amateurs."
+"process within reach of most amateurs.  <placeholder type=\"indexterm\" id="
+"\"0\"/>"

 msgstr ""
 msgstr ""

-"likevel til tross for høye priser var etterspørselen etter daguerreotypes "
-"sterk. Dette presset oppfinnere å finne enklere og billigere måter å gjøre "
-"\"automatisk bilder.\" william talbot snart oppdaget en prosess for å gjøre "
-"\"negativer.\", men fordi negativene var glass, og måtte holdes våt, "
-"prosessen forsatt dyre og tunge. i 1870, ble tørr platene utviklet, gjør det "
-"enklere å skille å ta på et bilde fra sin utvikling. disse var fortsatt "
-"plater av glass, og dermed det var likevel ikke en prosess innenfor "
-"rekkevidde de fleste amatører."
+"Men til tross for høye priser var etterspørselen etter daguerreotyper "
+"sterk.  Dette inspirerte oppfinnere til å finne enklere og billigere måter å "
+"lage \"automatiske bilder\".  William Talbot oppdaget snart en prosess for å "
+"lage \"negativer\".  Men da negativene var av glass, og måtte holdes "
+"fuktige, forble prosessen kostbar og tung.  På 1870-tallet ble tørrplater "
+"utviklet, noe som gjorde det enklere å skille det å ta et bilde fra å "
+"fremkalle det.  Det var fortsatt plater av glass, og dermed var det fortsatt "
+"ikke en prosess som var innenfor rekkevidden til de fleste amatører. "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><part><chapter><indexterm><primary>
 msgid "Eastman, George"
 
 #. type: Content of: <book><part><chapter><indexterm><primary>
 msgid "Eastman, George"


@@ -2936,7 +2954,6 @@ msgstr "Eastman, George"
 
 #.  PAGE BREAK 45
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 45
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "The technological change that made mass photography possible didn't happen "
 "until 1888, and was the creation of a single man. George Eastman, himself an "
 msgid ""
 "The technological change that made mass photography possible didn't happen "
 "until 1888, and was the creation of a single man. George Eastman, himself an "


@@ -2947,14 +2964,14 @@ msgid ""
 "photography down substantially. By lowering the costs, Eastman expected he "
 "could dramatically broaden the population of photographers."
 msgstr ""
 "photography down substantially. By lowering the costs, Eastman expected he "
 "could dramatically broaden the population of photographers."
 msgstr ""

-"teknologiske endringen som gjorde det mulig masse fotografering skje ikke "
-"før 1888, og var etableringen av en enkelt mann. George eastman, selv en "
-"amatør fotograf, var frustrert av fotografier som er laget med plater-"
-"teknologi. i en flash av innsikt (så å si), så eastman at hvis filmen kan "
-"gjøres for å være fleksibel, kunne det bli avholdt på en enkelt spindel. at "
-"roll kunne deretter sendes til en utvikler, senke kostnadene for "
-"fotografering vesentlig. ved å senke kostnadene, forventet eastman han kan "
-"dramatisk utvide befolkningen av fotografer."
+"Den teknologiske endringen som gjorde masse-fotografering mulig skjedde ikke "
+"før i 1888, og det var takket være en eneste mann. George Eastman, selv en "
+"amatørfotograf, var frustrert over den plate-baserte fotografi-teknologien.  "
+"I et lysglimt av innsikt (for å si det slik), forsto Eastman at hvis filmen "
+"kunne gjøres bøybar, så kunne den holdes pæ en enkel rull.  Denne rullen "
+"kunne så sendes til en fremkaller, og senke kostnadene til fotografering "
+"vesentlig.  Ved å reduseere kostnadene, forventet Eastman at han dramatisk "
+"kunne utvide andelen fotografer."

 
 #.  f1
 #. type: Content of: <book><part><chapter><para><footnote><para>
 
 #.  f1
 #. type: Content of: <book><part><chapter><para><footnote><para>


@@ -2973,6 +2990,11 @@ msgid ""
 "type=\"footnote\" id=\"0\"/> As he described in <citetitle>The Kodak Primer</"
 "citetitle>:"
 msgstr ""
 "type=\"footnote\" id=\"0\"/> As he described in <citetitle>The Kodak Primer</"
 "citetitle>:"
 msgstr ""

+"Eastman utviklet bøybart, emulsjons-belagt papirfil og plasserte ruller med "
+"dette i små, enkle kameraer: Kodaken.  Enheten ble markedsfør med grunnlag "
+"dens enkelhet. \"Du trykker på knappen og vi fikser resten.\"<placeholder "
+"type=\"footnote\" id=\"0\"/> Som han beskrev det i <citetitle>The Kodak "
+"Primer</citetitle>:"

 
 #. type: Content of: <book><part><chapter><indexterm><primary>
 msgid "Coe, Brian"
 
 #. type: Content of: <book><part><chapter><indexterm><primary>
 msgid "Coe, Brian"


@@ -2990,13 +3012,21 @@ msgstr ""
 msgid ""
 "The principle of the Kodak system is the separation of the work that any "
 "person whomsoever can do in making a photograph, from the work that only an "
 msgid ""
 "The principle of the Kodak system is the separation of the work that any "
 "person whomsoever can do in making a photograph, from the work that only an "

-"expert can do. . . . We furnish anybody, man, woman or child, who has "
+"expert can do. &hellip; We furnish anybody, man, woman or child, who has "

 "sufficient intelligence to point a box straight and press a button, with an "
 "instrument which altogether removes from the practice of photography the "
 "necessity for exceptional facilities or, in fact, any special knowledge of "
 "the art. It can be employed without preliminary study, without a darkroom "
 "and without chemicals.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 "sufficient intelligence to point a box straight and press a button, with an "
 "instrument which altogether removes from the practice of photography the "
 "necessity for exceptional facilities or, in fact, any special knowledge of "
 "the art. It can be employed without preliminary study, without a darkroom "
 "and without chemicals.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""

+"Prinsippet til Kodak-systemet er skillet mellom arbeidet som enhver kan "
+"utføre når en tar fotografier, fra arbeidet som kun en ekspert kan gjøre. "
+"&hellip; Vi utstyrte alle, menn, kvinner og barn, som hadde tilstrekkelig "
+"intelligens til å peke en boks i riktig retning og trykke på en knapp, med "
+"et instrument som helt fjernet fra praksisen med å fotografere "
+"nødvendigheten av uvanlig utstyr eller for den del, noe som helst spesiell "
+"kunskap om kunstarten.  Det kan tas i bruk uten forutgående studier, uten et "
+"mørkerom og uten kjemikalier.<placeholder type=\"footnote\" id=\"0\"/>"

 
 #.  f3
 #. type: Content of: <book><part><chapter><para><footnote><para>
 
 #.  f3
 #. type: Content of: <book><part><chapter><para><footnote><para>


@@ -3018,9 +3048,9 @@ msgid ""
 "camera first went on sale in 1888; one year later, Kodak was printing more "
 "than six thousand negatives a day.  From 1888 through 1909, while industrial "
 "production was rising by 4.7 percent, photographic equipment and material "
 "camera first went on sale in 1888; one year later, Kodak was printing more "
 "than six thousand negatives a day.  From 1888 through 1909, while industrial "
 "production was rising by 4.7 percent, photographic equipment and material "

-"sales increased by percent.<placeholder type=\"footnote\" id=\"0\"/> Eastman "
-"Kodak's sales during the same period experienced an average annual increase "
-"of over 17 percent.<placeholder type=\"footnote\" id=\"1\"/>"
+"sales increased by 11 percent.<placeholder type=\"footnote\" id=\"0\"/> "
+"Eastman Kodak's sales during the same period experienced an average annual "
+"increase of over 17 percent.<placeholder type=\"footnote\" id=\"1\"/>"

 msgstr ""
 
 #.  f5
 msgstr ""
 
 #.  f5


@@ -3035,15 +3065,23 @@ msgid ""
 "they would never otherwise see. Amateur photography gave them the ability to "
 "record their own lives in a way they had never been able to do before. As "
 "author Brian Coe notes, \"For the first time the snapshot album provided the "
 "they would never otherwise see. Amateur photography gave them the ability to "
 "record their own lives in a way they had never been able to do before. As "
 "author Brian Coe notes, \"For the first time the snapshot album provided the "

-"man on the street with a permanent record of his family and its "
-"activities. . . . For the first time in history there exists an authentic "
-"visual record of the appearance and activities of the common man made "
-"without [literary] interpretation or bias.\"<placeholder type=\"footnote\" "
-"id=\"0\"/>"
-msgstr ""
+"man on the street with a permanent record of his family and its activities. "
+"&hellip; For the first time in history there exists an authentic visual "
+"record of the appearance and activities of the common man made without "
+"[literary] interpretation or bias.\"<placeholder type=\"footnote\" id=\"0\"/>"
+msgstr ""
+"Den virkelige betydningen av oppfinnelsen til Eastman, var derimot ikke "
+"økonomisk.  Den var sosial.  Profesjonell fotografering ga individer et "
+"glimt av steder de ellers aldri ville se. Amatørfotografering ga dem "
+"mulihgeten til å arkivere deres liv på en måte som de aldri hadde vært i "
+"stand til tidligere.  Som forfatter Brian Coe skriver, \"For første gang "
+"tilbød fotoalbumet mannen i gata et permanent arkiv over hans familie og "
+"dens aktiviteter. &hellip; For første gang i historien fantes det en "
+"autentisk visuell oppføring av utseende og aktivitet til vanlige mennesker "
+"laget uten [skrivefør] tolkning eller forutinntatthet.\"<placeholder type="
+"\"footnote\" id=\"0\"/>"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "In this way, the Kodak camera and film were technologies of expression.  The "
 "pencil or paintbrush was also a technology of expression, of course. But it "
 msgid ""
 "In this way, the Kodak camera and film were technologies of expression.  The "
 "pencil or paintbrush was also a technology of expression, of course. But it "


@@ -3056,15 +3094,15 @@ msgid ""
 "ordinary people a way to express themselves more easily than any tools could "
 "have before."
 msgstr ""
 "ordinary people a way to express themselves more easily than any tools could "
 "have before."
 msgstr ""

-"på denne måten var kodak-kamera og film teknologier uttrykksmåter. blyant "
-"eller paintbrush var også en teknologi uttrykksmåter, selvfølgelig. men det "
-"tok år med trening før de kan distribueres av amatører på noen nyttige eller "
-"effektiv måte. med kodak var uttrykk mulig mye raskere og enklere. barriere "
-"til uttrykk ble senket. snobs ville hånlig flir på sin \"kvalitet\"; "
-"profesjonelle ville rabatt det som irrelevant. Men se et barn studere "
-"hvordan du best som ramme for et bilde, og du får en følelse av opplevelsen "
-"av kreativitet som kodak aktivert. demokratiske verktøy ga vanlige folk en "
-"måte å uttrykke seg lettere enn noen verktøy kan har før."
+"På denne måten var Kodak-kameraet og film uttrykksteknologier. Blyanten og "
+"malepenselen var selvfølgelig også en uttrykksteknologi. Men det tok årevis "
+"med trening før de kunne bli brukt nyttig og effektiv av amatører.  Med "
+"Kodaken var uttrykk mulig mye raskere og enklere.  Barriæren for å uttrykke "
+"seg var senket.  Snobber ville fnyse over \"kvaliteten\", profesjonelle "
+"ville avvise den som irrelevant.  Men se et barn studere hvordan best velge "
+"bildemotiv og du får følelsen av hva slags kreativitesterfaring som Kodaken "
+"muliggjorde.  Demokratiske verktøy ga vanlige folk en måte å uttrykke dem "
+"selv på enklere enn noe annet verktøy kunne ha gjort før."

 
 #.  f6
 #. type: Content of: <book><part><chapter><para><footnote><para>
 
 #.  f6
 #. type: Content of: <book><part><chapter><para><footnote><para>


@@ -3090,7 +3128,6 @@ msgstr ""
 
 #.  PAGE BREAK 47
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 47
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "The arguments in favor of requiring permission will sound surprisingly "
 "familiar. The photographer was \"taking\" something from the person or "
 msgid ""
 "The arguments in favor of requiring permission will sound surprisingly "
 "familiar. The photographer was \"taking\" something from the person or "


@@ -3099,12 +3136,12 @@ msgid ""
 "take the pencils that his animators used to draw Mickey, so, too, should "
 "these photographers not be free to take images that they thought valuable."
 msgstr ""
 "take the pencils that his animators used to draw Mickey, so, too, should "
 "these photographers not be free to take images that they thought valuable."
 msgstr ""

-"argumenter for å trenge tillatelse vil lyde overraskende kjent. fotografen "
-"ble \"tar\" noe fra personen eller bygge med fotografi han skjøt&mdash;"
-"pirating noe av verdi. noen trodde selv han tok målets sjel. akkurat som "
-"disney ikke var fritt til å ta den blyanter hans animatører brukes til å "
-"tegne mickey, så bør også, disse fotografer ikke være fritt til å ta bilder "
-"som de trodde verdifull."
+"Argumentene til fordel for å kreve tillatelser vil høres overraskende kjent "
+"ut.  Fotografen \"tok\" noe fra personen eller bygningen som ble "
+"fotografert&mdash;røvet til seg noe av verdi.  Noen trodde til og med at han "
+"tok målets sjel.  På samme måte som Disney ikke var fri til å ta blyantene "
+"som hans animatører brukte til å tegne Mikke, så skulle heller ikke disse "
+"fotografene være fri til å ta bilder som de fant verdi i."

 
 #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary>
 msgid "Warren, Samuel D."
 
 #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary>
 msgid "Warren, Samuel D."


@@ -3161,6 +3198,15 @@ msgid ""
 "without clearing the rights to do the capturing.<placeholder type=\"footnote"
 "\" id=\"0\"/>)"
 msgstr ""
 "without clearing the rights to do the capturing.<placeholder type=\"footnote"
 "\" id=\"0\"/>)"
 msgstr ""

+"Heldigvis for Mr. Eastman, og for fotografering generelt, gikk disse "
+"tidligere avgjørelsene i favør av piratene.  Generelt ble det ikke nødvendig "
+"å sikre seg tillatelse før et bilde kunne tas og deles med andre.  I stedet "
+"var det antatt at tillatelse var gitt.  Frihet var utgangspunktet.  (Loven "
+"ga etter en stund et unntak for berømte personer: kommersielle fotografer "
+"som tok bilder av berømte personer for kommersielle formål har flere "
+"begresninger enn resten av oss.  Men i det vanlige tilfellet, kan bildet "
+"fanges uten å klarere rettighetene for a fange det.<placeholder type="
+"\"footnote\" id=\"0\"/>)"

 
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy


@@ -3271,7 +3317,7 @@ msgstr "Yanofsky, Dave"
 #, mtrans, fuzzy
 msgid ""
 "\"Media literacy,\" as Dave Yanofsky, the executive director of Just Think!, "
 #, mtrans, fuzzy
 msgid ""
 "\"Media literacy,\" as Dave Yanofsky, the executive director of Just Think!, "

-"puts it, \"is the ability . . . to understand, analyze, and deconstruct "
+"puts it, \"is the ability &hellip; to understand, analyze, and deconstruct "

 "media images. Its aim is to make [kids] literate about the way media works, "
 "the way it's constructed, the way it's delivered, and the way people access "
 "it.\" <placeholder type=\"indexterm\" id=\"0\"/>"
 "media images. Its aim is to make [kids] literate about the way media works, "
 "the way it's constructed, the way it's delivered, and the way people access "
 "it.\" <placeholder type=\"indexterm\" id=\"0\"/>"


@@ -3394,7 +3440,7 @@ msgid ""
 "Elizabeth Daley, executive director of the University of Southern "
 "California's Annenberg Center for Communication and dean of the USC School "
 "of Cinema-Television, explained to me, the grammar was about \"the placement "
 "Elizabeth Daley, executive director of the University of Southern "
 "California's Annenberg Center for Communication and dean of the USC School "
 "of Cinema-Television, explained to me, the grammar was about \"the placement "

-"of objects, color, . . . rhythm, pacing, and texture.\"<placeholder type="
+"of objects, color, &hellip; rhythm, pacing, and texture.\"<placeholder type="

 "\"footnote\" id=\"0\"/> But as computers open up an interactive space where "
 "a story is \"played\" as well as experienced, that grammar changes. The "
 "simple control of narrative is lost, and so other techniques are necessary. "
 "\"footnote\" id=\"0\"/> But as computers open up an interactive space where "
 "a story is \"played\" as well as experienced, that grammar changes. The "
 "simple control of narrative is lost, and so other techniques are necessary. "


@@ -3410,7 +3456,6 @@ msgid "computer games"
 msgstr "dataspill"
 
 #. type: Content of: <book><part><chapter><para>
 msgstr "dataspill"
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "This skill is precisely the craft a filmmaker learns. As Daley describes, "
 "\"people are very surprised about how they are led through a film. [I]t is "
 msgid ""
 "This skill is precisely the craft a filmmaker learns. As Daley describes, "
 "\"people are very surprised about how they are led through a film. [I]t is "


@@ -3418,11 +3463,12 @@ msgid ""
 "filmmaker succeeds you do not know how you were led.\" If you know you were "
 "led through a film, the film has failed."
 msgstr ""
 "filmmaker succeeds you do not know how you were led.\" If you know you were "
 "led through a film, the film has failed."
 msgstr ""

-"denne ferdigheten er nøyaktig håndverket filmskaper lærer. som daley "
-"beskriver, er\"folk veldig overrasket om hvordan de er ledet gjennom en "
-"film. [i] t er perfekt konstruert for å hindre at du ser det, så du har "
-"ingen anelse om. Hvis en filmskaper lykkes du ikke vet hvordan du ble ledet."
-"\"Hvis du vet at du ble ledet gjennom en film, filmen mislyktes."
+"Akkurat denne ferdigheten er håndverket en lærer til de som lager filmer. "
+"Som Daley skriver, \"folk er svært overrrasket over hvordan de blir ledet "
+"gjennom en film.  Den er perfekt konstruert for å hindre deg fra å se det, "
+"så du aner det ikke.  Hvis en som lager filmer lykkes så vet du ikke at du "
+"har vært ledet.\" Hvis du vet at du ble ledet igjennom en film, så har "
+"filmen feilet."

 
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy


@@ -3589,10 +3635,10 @@ msgid ""
 "[But i]nstead, if you say, \"Well, with all these things that you can do, "
 "let's talk about this issue. Play for me music that you think reflects that, "
 "or show me images that you think reflect that, or draw for me something that "
 "[But i]nstead, if you say, \"Well, with all these things that you can do, "
 "let's talk about this issue. Play for me music that you think reflects that, "
 "or show me images that you think reflect that, or draw for me something that "

-"reflects that.\" Not by giving a kid a video camera and . . . saying, "
+"reflects that.\" Not by giving a kid a video camera and &hellip; saying, "

 "\"Let's go have fun with the video camera and make a little movie.\" But "
 "instead, really help you take these elements that you understand, that are "
 "\"Let's go have fun with the video camera and make a little movie.\" But "
 "instead, really help you take these elements that you understand, that are "

-"your language, and construct meaning about the topic. . . ."
+"your language, and construct meaning about the topic. &hellip;"

 msgstr ""
 "Hva du ønsker er å gi disse elevene måter for å bygge betydning. Hvis alt du "
 "gi dem er tekst, er de ikke til å gjøre det på. fordi de ikke kan. du vet, "
 msgstr ""
 "Hva du ønsker er å gi disse elevene måter for å bygge betydning. Hvis alt du "
 "gi dem er tekst, er de ikke til å gjøre det på. fordi de ikke kan. du vet, "


@@ -4131,15 +4177,14 @@ msgid "Brown, John Seely"
 msgstr "Brown, John Seely"
 
 #. type: Content of: <book><part><chapter><para>
 msgstr "Brown, John Seely"
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "John Seely Brown is the chief scientist of the Xerox Corporation.  His work, "
 msgid ""
 "John Seely Brown is the chief scientist of the Xerox Corporation.  His work, "

-"as his Web site describes it, is \"human learning and . . . the creation of "
-"knowledge ecologies for creating . . . innovation.\""
+"as his Web site describes it, is \"human learning and &hellip; the creation "
+"of knowledge ecologies for creating &hellip; innovation.\""

 msgstr ""
 msgstr ""

-"John seely brown er den ledende vitenskapsmannen for xerox corporation. hans "
-"arbeid, som hans webområdet beskriver det, er \"menneskelige læring og... "
-"etableringen av kunnskap dagsykluser for å opprette... innovasjon.\""
+"John Seely Brown er sjefsforsker ved Xerox Corporation.  Hans arbeid, i "
+"følge hans eget nettsted, er \"menneskelig læring og &hellip; å skape "
+"kunnskapsøkologier for å skape &hellip; innovasjon\"."

 
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy


@@ -4192,7 +4237,7 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "This opportunity creates a \"completely new kind of learning platform,\" as "
 #, mtrans, fuzzy
 msgid ""
 "This opportunity creates a \"completely new kind of learning platform,\" as "

-"Brown describes. \"As soon as you start doing that, you . . .  unleash a "
+"Brown describes. \"As soon as you start doing that, you &hellip; unleash a "

 "free collage on the community, so that other people can start looking at "
 "your code, tinkering with it, trying it out, seeing if they can improve it."
 "\" Each effort is a kind of apprenticeship. \"Open source becomes a major "
 "free collage on the community, so that other people can start looking at "
 "your code, tinkering with it, trying it out, seeing if they can improve it."
 "\" Each effort is a kind of apprenticeship. \"Open source becomes a major "


@@ -4211,7 +4256,7 @@ msgid ""
 "In this process, \"the concrete things you tinker with are abstract.  They "
 "are code.\" Kids are \"shifting to the ability to tinker in the abstract, "
 "and this tinkering is no longer an isolated activity that you're doing in "
 "In this process, \"the concrete things you tinker with are abstract.  They "
 "are code.\" Kids are \"shifting to the ability to tinker in the abstract, "
 "and this tinkering is no longer an isolated activity that you're doing in "

-"your garage. You are tinkering with a community platform. . . .  You are "
+"your garage. You are tinkering with a community platform. &hellip; You are "

 "tinkering with other people's stuff. The more you tinker the more you "
 "improve.\" The more you improve, the more you learn."
 msgstr ""
 "tinkering with other people's stuff. The more you tinker the more you "
 "improve.\" The more you improve, the more you learn."
 msgstr ""


@@ -4230,8 +4275,8 @@ msgid ""
 "\"the Web [is] the first medium that truly honors multiple forms of "
 "intelligence.\" Earlier technologies, such as the typewriter or word "
 "processors, helped amplify text. But the Web amplifies much more than text. "
 "\"the Web [is] the first medium that truly honors multiple forms of "
 "intelligence.\" Earlier technologies, such as the typewriter or word "
 "processors, helped amplify text. But the Web amplifies much more than text. "

-"\"The Web . . . says if you are musical, if you are artistic, if you are "
-"visual, if you are interested in film . . . [then] there is a lot you can "
+"\"The Web &hellip; says if you are musical, if you are artistic, if you are "
+"visual, if you are interested in film &hellip; [then] there is a lot you can "

 "start to do on this medium. [It] can now amplify and honor these multiple "
 "forms of intelligence.\""
 msgstr ""
 "start to do on this medium. [It] can now amplify and honor these multiple "
 "forms of intelligence.\""
 msgstr ""


@@ -4316,7 +4361,7 @@ msgstr ""
 msgid ""
 "\"Yet,\" as Brown continued, and as the balance of this book will evince, "
 "\"we are building a legal system that completely suppresses the natural "
 msgid ""
 "\"Yet,\" as Brown continued, and as the balance of this book will evince, "
 "\"we are building a legal system that completely suppresses the natural "

-"tendencies of today's digital kids. . . . We're building an architecture "
+"tendencies of today's digital kids. &hellip; We're building an architecture "

 "that unleashes 60 percent of the brain [and] a legal system that closes down "
 "that part of the brain.\""
 msgstr ""
 "that unleashes 60 percent of the brain [and] a legal system that closes down "
 "that part of the brain.\""
 msgstr ""


@@ -4326,26 +4371,26 @@ msgstr ""
 "hjernen [og] en juridisk system stenger ned som en del av hjernen.\""
 
 #. type: Content of: <book><part><chapter><para>
 "hjernen [og] en juridisk system stenger ned som en del av hjernen.\""
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "We're building a technology that takes the magic of Kodak, mixes moving "
 "images and sound, and adds a space for commentary and an opportunity to "
 "spread that creativity everywhere. But we're building the law to close down "
 "that technology."
 msgstr ""
 msgid ""
 "We're building a technology that takes the magic of Kodak, mixes moving "
 "images and sound, and adds a space for commentary and an opportunity to "
 "spread that creativity everywhere. But we're building the law to close down "
 "that technology."
 msgstr ""

-"bygger vi en teknologi som tar magiske kodak, mikser flytte bilder og lyd, "
-"og legger til et mellomrom for kommentarer og en mulighet til å spre at "
-"kreativiteten overalt. men bygger vi lov til å lukke den teknologien."
+"Vi bygger en teknologi som tar magien til Kodak, misker inn bevegelige "
+"bilder og lyd, og legger inn plass for kommentarer og en mulighet til å spre "
+"denne kreativiteten over alt.  Men vi bygger loven for å stenge ned denne "
+"teknologien."

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "\"No way to run a culture,\" as Brewster Kahle, whom we'll meet in chapter "
 "<xref xrefstyle=\"select: labelnumber\" linkend=\"collectors\"/>, quipped to "
 "me in a rare moment of despondence."
 msgstr ""
 msgid ""
 "\"No way to run a culture,\" as Brewster Kahle, whom we'll meet in chapter "
 "<xref xrefstyle=\"select: labelnumber\" linkend=\"collectors\"/>, quipped to "
 "me in a rare moment of despondence."
 msgstr ""

-"\"ingen måte å kjøre en kultur\" som brewster kahle, hvem vil vi møtes i "
-"kapittel 9, quipped til meg i en sjelden øyeblikk av despondence."
+"\"Ikke måten å drive en kultur på\", sa Brewster Kahle, som vi møtte i "
+"kapittel <xref xrefstyle=\"select: labelnumber\" linkend=\"collectors\"/>, "
+"kommenterte til meg i et sjeldent øyeblikk av nedstemthet."

 
 #. type: Content of: <book><part><chapter><title>
 msgid "CHAPTER THREE: Catalogs"
 
 #. type: Content of: <book><part><chapter><title>
 msgid "CHAPTER THREE: Catalogs"


@@ -4538,16 +4583,16 @@ msgstr ""
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 msgid ""

-"\"It was absurd,\" he told me. \"I don't think I did anything wrong. . . .  "
-"I don't think there's anything wrong with the search engine that I ran "
-"or . . . what I had done to it. I mean, I hadn't modified it in any way that "
-"promoted or enhanced the work of pirates. I just modified the search engine "
-"in a way that would make it easier to use\"&mdash;again, a <emphasis>search "
-"engine</emphasis>, which Jesse had not himself built, using the Windows "
-"filesharing system, which Jesse had not himself built, to enable members of "
-"the RPI community to get access to content, which Jesse had not himself "
-"created or posted, and the vast majority of which had nothing to do with "
-"music."
+"\"It was absurd,\" he told me. \"I don't think I did anything wrong. "
+"&hellip; I don't think there's anything wrong with the search engine that I "
+"ran or &hellip; what I had done to it. I mean, I hadn't modified it in any "
+"way that promoted or enhanced the work of pirates. I just modified the "
+"search engine in a way that would make it easier to use\"&mdash;again, a "
+"<emphasis>search engine</emphasis>, which Jesse had not himself built, using "
+"the Windows filesharing system, which Jesse had not himself built, to enable "
+"members of the RPI community to get access to content, which Jesse had not "
+"himself created or posted, and the vast majority of which had nothing to do "
+"with music."

 msgstr ""
 "\"det var absurd,\" sa han til meg. \"Jeg tror ikke jeg gjorde noe galt.... "
 "Jeg tror ikke det er noe galt med søkemotoren som jeg kjørte eller... hva "
 msgstr ""
 "\"det var absurd,\" sa han til meg. \"Jeg tror ikke jeg gjorde noe galt.... "
 "Jeg tror ikke det er noe galt med søkemotoren som jeg kjørte eller... hva "


@@ -4715,7 +4760,7 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "I was definitely not an activist [before]. I never really meant to be an "
 #, mtrans, fuzzy
 msgid ""
 "I was definitely not an activist [before]. I never really meant to be an "

-"activist. . . . [But] I've been pushed into this. In no way did I ever "
+"activist. &hellip; [But] I've been pushed into this. In no way did I ever "

 "foresee anything like this, but I think it's just completely absurd what the "
 "RIAA has done."
 msgstr ""
 "foresee anything like this, but I think it's just completely absurd what the "
 "RIAA has done."
 msgstr ""


@@ -4728,10 +4773,10 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "Jesse's parents betray a certain pride in their reluctant activist. As his "
 #, mtrans, fuzzy
 msgid ""
 "Jesse's parents betray a certain pride in their reluctant activist. As his "

-"father told me, Jesse \"considers himself very conservative, and so do "
-"I. . . . He's not a tree hugger. . . . I think it's bizarre that they would "
-"pick on him. But he wants to let people know that they're sending the wrong "
-"message. And he wants to correct the record.\""
+"father told me, Jesse \"considers himself very conservative, and so do I. "
+"&hellip; He's not a tree hugger. &hellip; I think it's bizarre that they "
+"would pick on him. But he wants to let people know that they're sending the "
+"wrong message. And he wants to correct the record.\""

 msgstr ""
 "Jesses foreldre viser en viss stolthet i deres motvillige aktivist. Som hans "
 "far fortalte meg, Jesse \"anser seg selv svært konservativ, og det samme "
 msgstr ""
 "Jesses foreldre viser en viss stolthet i deres motvillige aktivist. Som hans "
 "far fortalte meg, Jesse \"anser seg selv svært konservativ, og det samme "


@@ -4829,6 +4874,10 @@ msgid ""
 "in Law and Economics, Working Paper No. 159."
 msgstr ""
 
 "in Law and Economics, Working Paper No. 159."
 msgstr ""
 

+#. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary>
+msgid "Fox, William"
+msgstr "Fox, William"
+

 #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary>
 msgid "General Film Company"
 msgstr ""
 #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary>
 msgid "General Film Company"
 msgstr ""


@@ -4849,7 +4898,8 @@ msgid ""
 "exchanges, except for the one owned by the independent William Fox who "
 "defied the Trust even after his license was revoked.<placeholder type="
 "\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/> "
 "exchanges, except for the one owned by the independent William Fox who "
 "defied the Trust even after his license was revoked.<placeholder type="
 "\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/> "

-"<placeholder type=\"indexterm\" id=\"2\"/>"
+"<placeholder type=\"indexterm\" id=\"2\"/> <placeholder type=\"indexterm\" "
+"id=\"3\"/>"

 msgstr ""
 
 #.  f3
 msgstr ""
 
 #.  f3


@@ -4878,7 +4928,6 @@ msgstr ""
 
 #.  PAGE BREAK 68
 #. type: Content of: <book><part><chapter><section><para>
 
 #.  PAGE BREAK 68
 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

 msgid ""
 "Of course, California grew quickly, and the effective enforcement of federal "
 "law eventually spread west. But because patents grant the patent holder a "
 msgid ""
 "Of course, California grew quickly, and the effective enforcement of federal "
 "law eventually spread west. But because patents grant the patent holder a "


@@ -4886,11 +4935,12 @@ msgid ""
 "enough federal marshals appeared, the patents had expired. A new industry "
 "had been born, in part from the piracy of Edison's creative property."
 msgstr ""
 "enough federal marshals appeared, the patents had expired. A new industry "
 "had been born, in part from the piracy of Edison's creative property."
 msgstr ""

-"Selvfølgelig, california vokste raskt, og effektiv håndhevelse av føderale "
-"lov til slutt spre vest. men fordi patenter gi patent holder en virkelig "
-"\"begrenset\" monopol (bare sytten år på den tiden), etter tid nok føderale "
-"marshals dukket opp, patentene var utløpt. en ny industri hadde blitt født, "
-"delvis fra piratkopiering av Edisons kreative eiendom."
+"California vokste naturligvis raskt, og effektiv håndhevelse av føderale "
+"lover spredte seg til slutt vestover.  Men fordi patenter tildeler "
+"patentinnehaveren et i sannhet \"begrenset\" monopol (kun sytten år på den "
+"tiden), så patentene var utgått før nok føderale lovmenn dukket opp. En ny "
+"industri var født, delvis fra piratvirksomhet mot Edison's kreative "
+"rettigheter."

 
 #. type: Content of: <book><part><chapter><section><title>
 msgid "Recorded Music"
 
 #. type: Content of: <book><part><chapter><section><title>
 msgid "Recorded Music"


@@ -4905,6 +4955,10 @@ msgstr ""
 "hvordan krever at en setter seg inn i detaljer om hvordan loven regulerer "
 "musikk."
 
 "hvordan krever at en setter seg inn i detaljer om hvordan loven regulerer "
 "musikk."
 

+#. type: Content of: <book><part><chapter><section><indexterm><primary>
+msgid "Fourneaux, Henri"
+msgstr "Fourneaux, Henri"
+

 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""


@@ -5064,6 +5118,10 @@ msgstr ""
 "memorandum of philip mauro, patent sjefsjurist for amerikansk graphophone "
 "selskapet association)."
 
 "memorandum of philip mauro, patent sjefsjurist for amerikansk graphophone "
 "selskapet association)."
 

+#. type: Content of: <book><part><chapter><section><para><indexterm><primary>
+msgid "American Graphophone Company"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "These arguments have familiar echoes in the wars of our day. So, too, do the "
 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "These arguments have familiar echoes in the wars of our day. So, too, do the "


@@ -5077,7 +5135,8 @@ msgid ""
 "talk about `theft,'\" the general counsel of the American Graphophone "
 "Company wrote, \"is the merest claptrap, for there exists no property in "
 "ideas musical, literary or artistic, except as defined by statute."
 "talk about `theft,'\" the general counsel of the American Graphophone "
 "Company wrote, \"is the merest claptrap, for there exists no property in "
 "ideas musical, literary or artistic, except as defined by statute."

-"\"<placeholder type=\"footnote\" id=\"1\"/>"
+"\"<placeholder type=\"footnote\" id=\"1\"/> <placeholder type=\"indexterm\" "
+"id=\"2\"/>"

 msgstr ""
 
 #.  PAGE BREAK 70
 msgstr ""
 
 #.  PAGE BREAK 70


@@ -5459,9 +5518,8 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>

-#, mtrans, fuzzy

 msgid "Again, the demand of the copyright holders seemed reasonable enough:"
 msgid "Again, the demand of the copyright holders seemed reasonable enough:"

-msgstr "igjen, etterspørselen av rettighetshavere virket fornuftig nok:"
+msgstr "Igjen, kravene til opphavsrettsinnehaverne virket rimelige nok:"

 
 #.  f16
 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para>
 
 #.  f16
 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para>


@@ -5482,6 +5540,10 @@ msgid ""
 "think there is any lesser word to describe it. I think there are harsher "
 "words which would fit it.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 "think there is any lesser word to describe it. I think there are harsher "
 "words which would fit it.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""

+"Alt vi ber om er en veldig enkel ting, at folk som tar vår eiendom gratis "
+"betaler for den.  Vi forsøker å stoppe piratvirksomhet og jeg kan ikke tenke "
+"på et svakere ord for å beskrive det.  Jeg tror det er sterkere ord som "
+"ville passe.<placeholder type=\"footnote\" id=\"0\"/>"

 
 #.  f17
 #. type: Content of: <book><part><chapter><section><para><footnote><para>
 
 #.  f17
 #. type: Content of: <book><part><chapter><section><para><footnote><para>


@@ -5529,10 +5591,10 @@ msgid ""
 "Our point here is that unlike the problem of whether you have any copyright "
 "protection at all, the problem here is whether copyright holders who are "
 "already compensated, who already have a monopoly, should be permitted to "
 "Our point here is that unlike the problem of whether you have any copyright "
 "protection at all, the problem here is whether copyright holders who are "
 "already compensated, who already have a monopoly, should be permitted to "

-"extend that monopoly. . . . The question here is how much compensation they "
-"should have and how far back they should carry their right to compensation."
-"<placeholder type=\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id="
-"\"1\"/>"
+"extend that monopoly. &hellip; The question here is how much compensation "
+"they should have and how far back they should carry their right to "
+"compensation.<placeholder type=\"footnote\" id=\"0\"/> <placeholder type="
+"\"indexterm\" id=\"1\"/>"

 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>


@@ -5584,9 +5646,9 @@ msgid ""
 "creator&mdash;as it is increasingly described today<placeholder type="
 "\"footnote\" id=\"0\"/> &mdash; then <emphasis>every</emphasis> industry "
 "affected by copyright today is the product and beneficiary of a certain kind "
 "creator&mdash;as it is increasingly described today<placeholder type="
 "\"footnote\" id=\"0\"/> &mdash; then <emphasis>every</emphasis> industry "
 "affected by copyright today is the product and beneficiary of a certain kind "

-"of piracy. Film, records, radio, cable TV. . . . The list is long and could "
-"well be expanded. Every generation welcomes the pirates from the last. Every "
-"generation&mdash;until now."
+"of piracy. Film, records, radio, cable TV. &hellip; The list is long and "
+"could well be expanded. Every generation welcomes the pirates from the last. "
+"Every generation&mdash;until now."

 msgstr ""
 
 #. type: Content of: <book><part><chapter><title>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><title>


@@ -5773,11 +5835,12 @@ msgstr "Liebowitz, Stan"
 msgid ""
 "For an analysis of the economic impact of copying technology, see Stan "
 "Liebowitz, <citetitle>Rethinking the Network Economy</citetitle> (New York: "
 msgid ""
 "For an analysis of the economic impact of copying technology, see Stan "
 "Liebowitz, <citetitle>Rethinking the Network Economy</citetitle> (New York: "

-"Amacom, 2002), 144&ndash;90. \"In some instances . . . the impact of piracy "
-"on the copyright holder's ability to appropriate the value of the work will "
-"be negligible. One obvious instance is the case where the individual "
-"engaging in pirating would not have purchased an original even if pirating "
-"were not an option.\" Ibid., 149.  <placeholder type=\"indexterm\" id=\"0\"/>"
+"Amacom, 2002), 144&ndash;90. \"In some instances &hellip; the impact of "
+"piracy on the copyright holder's ability to appropriate the value of the "
+"work will be negligible. One obvious instance is the case where the "
+"individual engaging in pirating would not have purchased an original even if "
+"pirating were not an option.\" Ibid., 149.  <placeholder type=\"indexterm\" "
+"id=\"0\"/>"

 msgstr ""
 "for en analyse av økonomiske virkningen av kopiering teknologi, kan du se "
 "stan liebowitz, rethinking nettverk økonomien (new york: amacom, 2002), 144­"
 msgstr ""
 "for en analyse av økonomiske virkningen av kopiering teknologi, kan du se "
 "stan liebowitz, rethinking nettverk økonomien (new york: amacom, 2002), 144­"


@@ -5852,9 +5915,13 @@ msgstr ""
 "for en tid-teknologien, er det galt å ta eiendom uten tillatelse fra eieren "
 "av en egenskap. Det er akkurat hva \"property\" betyr."
 
 "for en tid-teknologien, er det galt å ta eiendom uten tillatelse fra eieren "
 "av en egenskap. Det er akkurat hva \"property\" betyr."
 

+#. type: Content of: <book><chapter><section><section><para><indexterm><primary>
+msgid "GNU/Linux operating system"
+msgstr "GNU/Linux-operativsystemet"
+

 #. type: Content of: <book><chapter><section><section><para><indexterm><primary>
 msgid "Linux operating system"
 #. type: Content of: <book><chapter><section><section><para><indexterm><primary>
 msgid "Linux operating system"

-msgstr ""
+msgstr "Linux-operativsystemet"

 
 #. type: Content of: <book><part><chapter><section><para><indexterm><primary>
 msgid "Microsoft"
 
 #. type: Content of: <book><part><chapter><section><para><indexterm><primary>
 msgid "Microsoft"


@@ -5881,7 +5948,8 @@ msgid ""
 "free GNU/Linux operating system, then these Chinese users would not "
 "eventually be buying Microsoft.  Without piracy, then, Microsoft would "
 "lose.  <placeholder type=\"indexterm\" id=\"0\"/> <placeholder type="
 "free GNU/Linux operating system, then these Chinese users would not "
 "eventually be buying Microsoft.  Without piracy, then, Microsoft would "
 "lose.  <placeholder type=\"indexterm\" id=\"0\"/> <placeholder type="

-"\"indexterm\" id=\"1\"/> <placeholder type=\"indexterm\" id=\"2\"/>"
+"\"indexterm\" id=\"1\"/> <placeholder type=\"indexterm\" id=\"2\"/> "
+"<placeholder type=\"indexterm\" id=\"3\"/>"

 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>


@@ -5913,7 +5981,7 @@ msgid ""
 "to say who gets access to what&mdash;at least ordinarily. And if the law "
 "properly balances the rights of the copyright owner with the rights of "
 "access, then violating the law is still wrong.  <placeholder type=\"indexterm"
 "to say who gets access to what&mdash;at least ordinarily. And if the law "
 "properly balances the rights of the copyright owner with the rights of "
 "access, then violating the law is still wrong.  <placeholder type=\"indexterm"

-"\" id=\"0\"/>"
+"\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 
 #.  PAGE BREAK 79
 msgstr ""
 
 #.  PAGE BREAK 79


@@ -6328,9 +6396,9 @@ msgstr "amerikanske Kongressen, copyright og hjem kopiering, 4."
 msgid ""
 "Yet soon thereafter, and before Congress was given an opportunity to enact "
 "regulation, MTV was launched, and the industry had a record turnaround. \"In "
 msgid ""
 "Yet soon thereafter, and before Congress was given an opportunity to enact "
 "regulation, MTV was launched, and the industry had a record turnaround. \"In "

-"the end,\" Cap Gemini concludes, \"the `crisis' . . . was not the fault of "
-"the tapers&mdash;who did not [stop after MTV came into being]&mdash;but had "
-"to a large extent resulted from stagnation in musical innovation at the "
+"the end,\" Cap Gemini concludes, \"the `crisis' &hellip; was not the fault "
+"of the tapers&mdash;who did not [stop after MTV came into being]&mdash;but "
+"had to a large extent resulted from stagnation in musical innovation at the "

 "major labels.\"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 "major labels.\"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 


@@ -6998,8 +7066,8 @@ msgstr ""
 "tross for. Hvis vi setter disse tilfellene sammen, et mønster er klart:"
 
 #. type: Content of: <book><part><chapter><section><table><title>
 "tross for. Hvis vi setter disse tilfellene sammen, et mønster er klart:"
 
 #. type: Content of: <book><part><chapter><section><table><title>

-msgid "Table"
-msgstr "Tabell"
+msgid "Pattern of Court and Congress response"
+msgstr "Mønster for respons fra rett og kongress"

 
 #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry>
 #, mtrans, fuzzy


@@ -7846,18 +7914,19 @@ msgstr ""
 msgid ""
 "This was a clever argument, and one that had the support of some of the "
 "leading jurists of the day. It also displayed extraordinary chutzpah.  Until "
 msgid ""
 "This was a clever argument, and one that had the support of some of the "
 "leading jurists of the day. It also displayed extraordinary chutzpah.  Until "

-"then, as law professor Raymond Patterson has put it, \"The publishers . . . "
-"had as much concern for authors as a cattle rancher has for cattle."
+"then, as law professor Raymond Patterson has put it, \"The publishers "
+"&hellip; had as much concern for authors as a cattle rancher has for cattle."

 "\"<placeholder type=\"footnote\" id=\"0\"/> The bookseller didn't care squat "
 "for the rights of the author.  His concern was the monopoly profit that the "
 "author's work gave."
 msgstr ""
 "Dette var et godt argument, og hadde støtte fra flere av den tidens ledende "
 "jurister. Det viste også en ekstraordinær chutzpah. Inntail da, som "
 "\"<placeholder type=\"footnote\" id=\"0\"/> The bookseller didn't care squat "
 "for the rights of the author.  His concern was the monopoly profit that the "
 "author's work gave."
 msgstr ""
 "Dette var et godt argument, og hadde støtte fra flere av den tidens ledende "
 "jurister. Det viste også en ekstraordinær chutzpah. Inntail da, som "

-"jusprofessor Raymond Pattetson har sagt, \"var utgiverne ... like bekymret "
-"for forfatterne som en gjeter for sine lam.\"<placeholder type=\"footnote\" "
-"id=\"0\"/> Bokselgerne brydde seg ikke det spor om forfatternes rettigheter. "
-"Deres bekymring var den monopolske inntekten forfatterens verk ga."
+"jusprofessor Raymond Pattetson har sagt, \"var utgiverne &hellip; like "
+"bekymret for forfatterne som en gjeter for sine lam.\"<placeholder type="
+"\"footnote\" id=\"0\"/> Bokselgerne brydde seg ikke det spor om forfatternes "
+"rettigheter. Deres bekymring var den monopolske inntekten forfatterens verk "
+"ga."

 
 #.  f7
 #. type: Content of: <book><part><chapter><para><footnote><para>
 
 #.  f7
 #. type: Content of: <book><part><chapter><para><footnote><para>


@@ -8196,16 +8265,17 @@ msgstr ""
 
 #. type: Content of: <book><part><chapter><blockquote><para>
 msgid ""
 
 #. type: Content of: <book><part><chapter><blockquote><para>
 msgid ""

-"By the above decision . . . near 200,000 pounds worth of what was honestly "
-"purchased at public sale, and which was yesterday thought property is now "
-"reduced to nothing. The Booksellers of London and Westminster, many of whom "
-"sold estates and houses to purchase Copy-right, are in a manner ruined, and "
-"those who after many years industry thought they had acquired a competency "
-"to provide for their families now find themselves without a shilling to "
-"devise to their successors.<placeholder type=\"footnote\" id=\"0\"/>"
+"By the above decision &hellip; near 200,000 pounds worth of what was "
+"honestly purchased at public sale, and which was yesterday thought property "
+"is now reduced to nothing. The Booksellers of London and Westminster, many "
+"of whom sold estates and houses to purchase Copy-right, are in a manner "
+"ruined, and those who after many years industry thought they had acquired a "
+"competency to provide for their families now find themselves without a "
+"shilling to devise to their successors.<placeholder type=\"footnote\" id="
+"\"0\"/>"

 msgstr ""
 msgstr ""

-"Gjennom denne avgjørelsen ... er verdier til nesten 200 000 pund, som er "
-"blitt ærlig kjøpt gjennom allment salg, og som i går var eiendom, er nå "
+"Gjennom denne avgjørelsen &hellip; er verdier til nesten 200 000 pund, som "
+"er blitt ærlig kjøpt gjennom allment salg, og som i går var eiendom, er nå "

 "redusert til ingenting. Bokselgerne i London og Westminster, mange av dem "
 "har solgt hus og eiendom for å kjøpe kopirettigheter, er med ett ruinerte, "
 "og mange som gjennom mange år har opparbeidet kompetanse for å brødfø "
 "redusert til ingenting. Bokselgerne i London og Westminster, mange av dem "
 "har solgt hus og eiendom for å kjøpe kopirettigheter, er med ett ruinerte, "
 "og mange som gjennom mange år har opparbeidet kompetanse for å brødfø "


@@ -8265,34 +8335,31 @@ msgid "CHAPTER SEVEN: Recorders"
 msgstr "Kapittel sju: Innspillerne"
 
 #. type: Content of: <book><part><chapter><para>
 msgstr "Kapittel sju: Innspillerne"
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Jon Else is a filmmaker. He is best known for his documentaries and has been "
 "very successful in spreading his art. He is also a teacher, and as a teacher "
 "myself, I envy the loyalty and admiration that his students feel for him. (I "
 "met, by accident, two of his students at a dinner party.  He was their god.)"
 msgstr ""
 msgid ""
 "Jon Else is a filmmaker. He is best known for his documentaries and has been "
 "very successful in spreading his art. He is also a teacher, and as a teacher "
 "myself, I envy the loyalty and admiration that his students feel for him. (I "
 "met, by accident, two of his students at a dinner party.  He was their god.)"
 msgstr ""

-"Jon annet er en filmskaper. Han er best kjent for sin dokumentarer og har "
-"vært svært vellykket i å spre sin kunst. Han er også en lærer, og som lærer "
-"meg selv, jeg misunner lojalitet og beundring at hans elever føler seg for "
-"ham. (jeg møtte, ved et uhell, to av hans studenter ved et middagsselskap. "
-"Han var deres Gud)."
+"Jon Else er en filmskaper. Han er mest kjent for sine dokumentarer og har på "
+"ypperlig vis klart å spre sin kunst. Han er også en lærer, som meg selv, og "
+"jeg misunner den lojaliteten og beundringen hans studenter har for ham. (Ved "
+"et uhell møtte jeg to av hans studenter i et middagsselskap og han var deres "
+"Gud.)"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Else worked on a documentary that I was involved in. At a break, he told me "
 "a story about the freedom to create with film in America today."
 msgstr ""
 msgid ""
 "Else worked on a documentary that I was involved in. At a break, he told me "
 "a story about the freedom to create with film in America today."
 msgstr ""

-"Ellers arbeidet på en dokumentar som jeg var involvert i. på en pause, han "
-"fortalte meg en historie om frihet å opprette med film i Amerika i dag."
+"Else arbeidet med en dokumentarfilm hvor også jeg var involvert. I en pause "
+"så fortalte han meg om hvordan det kunne være å skape film i dagens Amerika."

 
 #. type: Content of: <book><part><chapter><para><indexterm><primary>
 msgid "San Francisco Opera"
 
 #. type: Content of: <book><part><chapter><para><indexterm><primary>
 msgid "San Francisco Opera"

-msgstr ""
+msgstr "San Francisco Opera"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "In 1990, Else was working on a documentary about Wagner's Ring Cycle. The "
 "focus was stagehands at the San Francisco Opera.  Stagehands are a "
 msgid ""
 "In 1990, Else was working on a documentary about Wagner's Ring Cycle. The "
 "focus was stagehands at the San Francisco Opera.  Stagehands are a "


@@ -8301,15 +8368,14 @@ msgid ""
 "make a perfect contrast to the art on the stage.  <placeholder type="
 "\"indexterm\" id=\"0\"/>"
 msgstr ""
 "make a perfect contrast to the art on the stage.  <placeholder type="
 "\"indexterm\" id=\"0\"/>"
 msgstr ""

-"i 1990, ellers arbeidet på en dokumentar om wagner's ring syklus. fokus var "
-"stagehands ved san francisco opera. stagehands er et spesielt morsom og "
-"fargerike element i en opera. under fremvisningen henger de nedenfor scenen "
-"i fatt lounge og i loft belysning. de gjør en perfekt kontrast til kunst på "
-"scenen."
+"I 1990 arbeidet Else med en dokumentar om Wagners Ring Cycle. Fokuset var på "
+"*stagehands* på San Francisco Opera. Stagehands er spesielt morsomt og "
+"fargerikt innslag i en opera. I løpet av forestillingen oppholder de seg "
+"blant publikum og på lysloftet. De er en perfekt kontrast til kunsten på "
+"scenen.<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #.  PAGE BREAK 107
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 107
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "During one of the performances, Else was shooting some stagehands playing "
 "checkers. In one corner of the room was a television set.  Playing on the "
 msgid ""
 "During one of the performances, Else was shooting some stagehands playing "
 "checkers. In one corner of the room was a television set.  Playing on the "


@@ -8318,14 +8384,13 @@ msgid ""
 "this touch of cartoon helped capture the flavor of what was special about "
 "the scene."
 msgstr ""
 "this touch of cartoon helped capture the flavor of what was special about "
 "the scene."
 msgstr ""

-"under en av forestillinger, var ellers skyting noen stagehands spille "
-"brikker. i et hjørne av rommet var en TV-apparatet. spille på TV-apparatet, "
-"mens stagehands spilte brikker og opera selskapet spilte wagner, var "
-"simpsons. som andre dømt det denne touch tegneserie hjalp fangst smaken av "
-"det som var spesielt med scenen."
+"Under en forestilling, filmet Else noen stagehands som spilte *checkers*. I "
+"et hjørne av rommet stod det et fjernsynsapparat. På fjernsynet, mens "
+"forestillingen pågikk og operakompaniet spilte Wagner, gikk <citetitle>The "
+"Simpsons</citetitle>. Slik Else så det, så hjalp dette tegnefilm-innslaget "
+"med å fange det spesielle med scenen."

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Years later, when he finally got funding to complete the film, Else "
 "attempted to clear the rights for those few seconds of <citetitle>The "
 msgid ""
 "Years later, when he finally got funding to complete the film, Else "
 "attempted to clear the rights for those few seconds of <citetitle>The "


@@ -8333,19 +8398,18 @@ msgid ""
 "of course, to use copyrighted material you need the permission of the "
 "copyright owner, unless \"fair use\" or some other privilege applies."
 msgstr ""
 "of course, to use copyrighted material you need the permission of the "
 "copyright owner, unless \"fair use\" or some other privilege applies."
 msgstr ""

-"år senere, når han til slutt fikk finansiering for å fullføre filmen, ellers "
-"forsøkte å tømme rettighetene for de noen sekunder av simpsons. for "
-"selvfølgelig, er de få sekunder opphavsrettsbeskyttet; og selvfølgelig, hvis "
-"du vil bruke opphavsrettsbeskyttet materiale du trenger tillatelse fra "
-"eieren av opphavsretten, med mindre \"fair use\" eller noen andre "
-"privilegium gjelder."
+"Så noen år senere, da han endelig hadde fått ordnet den siste "
+"finansieringen, ville Else skaffe rettigheter til å bruke disse få sekundene "
+"med <citetitle>The Simpson</citetitle>. For disse få sekundene var selvsagt "
+"beskyttet av opphavsretten, og for å bruke beskyttet materiale må man ha "
+"tillatelse fra eieren, dersom det ikke er \"rimelig bruk\" eller det "
+"foreligger spesielle avtaler."

 
 #. type: Content of: <book><part><chapter><para><indexterm><primary>
 msgid "Gracie Films"
 
 #. type: Content of: <book><part><chapter><para><indexterm><primary>
 msgid "Gracie Films"

-msgstr ""
+msgstr "Gracie Films"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Else called <citetitle>Simpsons</citetitle> creator Matt Groening's office "
 "to get permission.  Groening approved the shot. The shot was a four-and-a-"
 msgid ""
 "Else called <citetitle>Simpsons</citetitle> creator Matt Groening's office "
 "to get permission.  Groening approved the shot. The shot was a four-and-a-"


@@ -8354,14 +8418,14 @@ msgid ""
 "to contact Gracie Films, the company that produces the program.  "
 "<placeholder type=\"indexterm\" id=\"0\"/>"
 msgstr ""
 "to contact Gracie Films, the company that produces the program.  "
 "<placeholder type=\"indexterm\" id=\"0\"/>"
 msgstr ""

-"annet kalt simpsons skaperen matt groening's kontor for å få tillatelse. "
-"Groening godkjent skutt. skjøt var en fire og en halfsecond-bilde på en "
-"liten TV satt i hjørnet av rommet. Hvordan kan det vondt? Groening var glade "
-"for å ha det i filmen, men han fortalt annet for å kontakte gracie films, "
-"firmaet som lager programmet."
+"Else kontaktet <citetitle>Simpson</citetitle>-skaper Matt Groenings kontor "
+"for å få tillatelse. Og Groening gav ham det. Det var tross alt kun snakk om "
+"fire og et halvt sekund på et lite fjernsyn, bakerst i et hjørne av rommet. "
+"Hvordan kunne det skade? Groening var glad for å få ha det med i filmen, men "
+"han ba Else om å kontakte Gracie Films, firmaet som produserer programmet."
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Gracie Films was okay with it, too, but they, like Groening, wanted to be "
 "careful. So they told Else to contact Fox, Gracie's parent company.  Else "
 msgid ""
 "Gracie Films was okay with it, too, but they, like Groening, wanted to be "
 "careful. So they told Else to contact Fox, Gracie's parent company.  Else "


@@ -8370,47 +8434,45 @@ msgid ""
 "just confirming the permission with Fox.  <placeholder type=\"indexterm\" id="
 "\"0\"/>"
 msgstr ""
 "just confirming the permission with Fox.  <placeholder type=\"indexterm\" id="
 "\"0\"/>"
 msgstr ""

-"Gracie films var bra med den, også, men de, som groening, ønsket å være "
-"forsiktig. så de fortalte andre for å kontakte fox, gracie's morselskapet. "
-"annet kalt fox og fortalte dem om klippet i hjørnet av ett rom skutt av "
-"filmen. Matt groening hadde allerede gitt tillatelse, andre sier. Han var "
-"bare bekrefte tillatelsen med fox."
+"Gracie Films sa også at det var greit, men de, slik som Groening, ønsket å "
+"være forsiktige, og ba Else om å kontakte Fox, konsernet som eide Gracie. Og "
+"Else kontaktet Fox og forklarte situasjonen; at det var snakk om et klipp i "
+"hjørnet i bakgrunnen i ett rom i filmen. Matt Groening hadde allerede gitt "
+"sin tillatelse, sa Else. Han ville bare få det avklart med Fox.<placeholder "
+"type=\"indexterm\" id=\"0\"/>"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 msgid ""

-"Then, as Else told me, \"two things happened. First we discovered . . . that "
-"Matt Groening doesn't own his own creation&mdash;or at least that someone "
-"[at Fox] believes he doesn't own his own creation.\" And second, Fox "
+"Then, as Else told me, \"two things happened. First we discovered &hellip; "
+"that Matt Groening doesn't own his own creation&mdash;or at least that "
+"someone [at Fox] believes he doesn't own his own creation.\" And second, Fox "

 "\"wanted ten thousand dollars as a licensing fee for us to use this four-"
 "\"wanted ten thousand dollars as a licensing fee for us to use this four-"

-"point-five seconds of . . . entirely unsolicited <citetitle>Simpsons</"
+"point-five seconds of &hellip; entirely unsolicited <citetitle>Simpsons</"

 "citetitle> which was in the corner of the shot.\""
 msgstr ""
 "citetitle> which was in the corner of the shot.\""
 msgstr ""

-"deretter, som ellers fortalte meg, \"to ting har skjedd. første vi "
-"oppdaget... at matt groening ikke eier sin egen etablering&mdash; eller i "
-"det minste at noen [på fox] mener han ikke eier sin egen etableringen. \"og "
-"andre fox\"ville ti tusen dollar som en lisenskostnader avgift for oss å "
-"bruke denne fire-punkt-fem sekunder... helt uønsket simpsons som var i "
-"hjørnet av skutt.\""
+"Deretter, fortalte Else: \"skjedde to ting. Først oppdaget vi &hellip; at "
+"Matt Groening ikke eide sitt eget verk &mdash; ihvertfall at noen [hos Fox] "
+"trodde at han ikke eide sitt eget verk.\" Som det andre krevde Fox \"ti "
+"tusen dollar i lisensavgift for disse fire og et halvt sekundene med "
+"&hellip; fullstendig tilfeldig <citetitle>Simpson</citetitle> som var i et "
+"hjørne i ett opptak.\""

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Else was certain there was a mistake. He worked his way up to someone he "
 "thought was a vice president for licensing, Rebecca Herrera.  He explained "
 msgid ""
 "Else was certain there was a mistake. He worked his way up to someone he "
 "thought was a vice president for licensing, Rebecca Herrera.  He explained "

-"to her, \"There must be some mistake here. . . .  We're asking for your "
+"to her, \"There must be some mistake here. &hellip; We're asking for your "

 "educational rate on this.\" That was the educational rate, Herrera told "
 "Else. A day or so later, Else called again to confirm what he had been told."
 msgstr ""
 "educational rate on this.\" That was the educational rate, Herrera told "
 "Else. A day or so later, Else called again to confirm what he had been told."
 msgstr ""

-"Ellers var sikker på at det var en feil. Han jobbet seg opp noen trodde han "
-"var vice president for lisensiering, rebecca herrera. Han forklarte henne, "
-"\"det må være noen feil her.... Vi ber om din pedagogisk rate på dette.\"det "
-"var pedagogisk ofte, herrera fortalte ellers. en dag eller så senere, ellers "
-"kalles på nytt for å bekrefte hva han hadde blitt fortalt."
+"Ellers var sikker på at det var en feil. Han fikk tak i noen som han trodde "
+"var nestleder for lisensiering, Rebecca Herrera. Han forklarte for henne at "
+"\"det må være en feil her &hellip; Vi ber deg om en utdanningssats på dette."
+"\" Og de hadde fått utdanningssats, fortalte Herrera. Kort tid etter ringte "
+"Else igjen for å få dette bekreftet."

 
 #.  PAGE BREAK 108
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 108
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "\"I wanted to make sure I had my facts straight,\" he told me. \"Yes, you "
 "have your facts straight,\" she said. It would cost $10,000 to use the clip "
 msgid ""
 "\"I wanted to make sure I had my facts straight,\" he told me. \"Yes, you "
 "have your facts straight,\" she said. It would cost $10,000 to use the clip "


@@ -8420,19 +8482,19 @@ msgid ""
 "an assistant to Herrera told Else later on, \"They don't give a shit. They "
 "just want the money.\""
 msgstr ""
 "an assistant to Herrera told Else later on, \"They don't give a shit. They "
 "just want the money.\""
 msgstr ""

-"\"jeg ønsket å sikre at jeg hadde min fakta rett,\" sa han til meg. \"Ja, du "
-"har din fakta rett,\" sa hun. det ville koste $ 10 000 for å bruke klippet "
-"av simpsons i hjørnet av et skudd i en dokumentarfilm om wagner's ring "
-"syklus. og deretter astonishingly, herrera fortalte annet \"og hvis du "
-"siterer meg, vil jeg slå deg til våre advokater.\" som assistent for herrera "
-"fortalte andre senere, \"de ikke gir faen. de vil bare penger.\""
+"\"Jeg måtte være sikker på at jeg hadde riktige opplysninger foran meg,\" sa "
+"han. \"Ja, du har riktige opplysninger,\" sa hun. Det ville koste $10 000 å "
+"bruke dette lille klippet av <citetitle>The Simpson</citetitle>, plassert "
+"bakerst i et hjørne i en scene i en dokumentar om Wagners Ring Cycle. Som om "
+"det ikke var nok, forbløffet Herrera Else med å si \"Og om du siterer meg, "
+"vil du høre fra våre advokater.\" En av Herreras assistenter fortalte Else "
+"at \"De bryr seg ikke i det heletatt. Alt de vil ha er pengene.\""

 
 #. type: Content of: <book><part><chapter><para><indexterm><primary>
 msgid "Day After Trinity, The"
 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para><indexterm><primary>
 msgid "Day After Trinity, The"
 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "Else didn't have the money to buy the right to replay what was playing on "
 "the television backstage at the San Francisco Opera. To reproduce this "
 msgid ""
 "Else didn't have the money to buy the right to replay what was playing on "
 "the television backstage at the San Francisco Opera. To reproduce this "


@@ -8442,14 +8504,14 @@ msgid ""
 "After Trinity</citetitle>, from ten years before.  <placeholder type="
 "\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
 msgstr ""
 "After Trinity</citetitle>, from ten years before.  <placeholder type="
 "\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
 msgstr ""

-"ellers har ikke penger til å kjøpe retten til å spille hva spilte på TV "
-"backstage ved san francisco opera. Hvis du vil gjenskape denne virkeligheten "
-"var utenfor den dokumentar filmskaper budsjett. i svært siste øyeblikk før "
-"filmen var å bli befridd, erstattet ellers digitalt skutt med et utklipp fra "
-"en annen film som han hadde jobbet på, dagen etter trinity, fra ti år før."
+"Men Else hadde ikke penger til å kjøpe lisens for klippet. Så å gjenskape "
+"denne delen av virkeligheten, lå langt utenfor hans budsjett. Like før "
+"dokumentaren skulle slippes, redigerte Else inn et annet klipp på "
+"fjernsynet, et klipp fra en av hans andre filmer <citetitle>The Day After "
+"Trinity</citetitle> fra ti år tidligere. <placeholder type=\"indexterm\" id="
+"\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "There's no doubt that someone, whether Matt Groening or Fox, owns the "
 "copyright to <citetitle>The Simpsons</citetitle>. That copyright is their "
 msgid ""
 "There's no doubt that someone, whether Matt Groening or Fox, owns the "
 "copyright to <citetitle>The Simpsons</citetitle>. That copyright is their "


@@ -8461,17 +8523,16 @@ msgid ""
 "market, it is the owner of the copyright who gets to set the price for any "
 "use that the law says the owner gets to control."
 msgstr ""
 "market, it is the owner of the copyright who gets to set the price for any "
 "use that the law says the owner gets to control."
 msgstr ""

-"Det er ingen tvil om at noen om matt groening eller fox, eier opphavsretten "
-"til simpsons. at opphavsretten er deres eiendom. for å bruke at "
-"opphavsrettsbeskyttet materiale således noen ganger krever tillatelse fra "
-"eieren av opphavsretten. Hvis Bruk som ellers ville være av simpsons "
-"opphavsrett var en av de bruker begrenset av loven, ville han trenger å få "
-"tillatelse fra eieren av opphavsretten før han kunne bruke arbeidet på den "
-"måten. og i et fritt marked, det er eieren av opphavsretten hvem som kan "
-"angi pris for bruk som loven sier eieren får kontroll."
+"Det er ingen tvil om at noen, enten det er er Matt Groening eller Fox, eier "
+"rettighetene til <citetitle>The Simpsons</citetitle>. Rettighetene er deres "
+"eiendom. For å bruke beskyttet mteriale, kreves det ofte at men får "
+"tillatelse fra eieren eller eierne. Dersom Else ønsket å bruke "
+"<citetitle>The Simpsons</citetitle> til noe hvor loven gir verket "
+"beskyttelse, så må han innhente tillatelse fra eieren før han kan bruke det. "
+"Og i et fritt markes er det eieren som bestemmer hvor mye han/hun vil ta for "
+"hvilken som helst bruk (hvor loven krever tillatelse fra eier)."

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "For example, \"public performance\" is a use of <citetitle>The Simpsons</"
 "citetitle> that the copyright owner gets to control. If you take a selection "
 msgid ""
 "For example, \"public performance\" is a use of <citetitle>The Simpsons</"
 "citetitle> that the copyright owner gets to control. If you take a selection "


@@ -8481,17 +8542,16 @@ msgid ""
 "view) can charge whatever she wants&mdash;$10 or $1,000,000. That's her "
 "right, as set by the law."
 msgstr ""
 "view) can charge whatever she wants&mdash;$10 or $1,000,000. That's her "
 "right, as set by the law."
 msgstr ""

-"\"offentlig fremføring\" er for eksempel en bruk av simpsons blir eieren av "
-"opphavsretten til kontrollen. Hvis du tar et utvalg av favoritt episoder, "
-"leie en kino, og betalt for billetter til å komme se \"min favoritt simpsons"
-"\", må du få tillatelse fra eieren av opphavsretten. og "
-"rettighetsinnehaveren (med rette, i min mening) kan lade hva hun "
-"ønsker&mdash;$ 10 eller $1,000,000. Det er hennes høyre, som er angitt av "
+"For eksempel \"offentlig fremvisning\"* av <citetitle>The Simpson</"
+"citetitle> er en form for bruk hvor loven gir eieren kontroll. Dersom du "
+"velger ut dine favorittepisoder, leier en kinosal og selger billetter til "
+"\"Mine <citetitle>Simpson</citetitle>-favoritter\", så må du ha tillatelse "
+"fra rettighetsinnhaveren (eieren). Og eieren kan (med rette, slik jeg ser "
+"det) kreve hvor mye han vil; $10ellr $1 000 000. Det er hans rett ifølge "

 "loven."
 
 #.  f1
 #. type: Content of: <book><part><chapter><para><footnote><para>
 "loven."
 
 #.  f1
 #. type: Content of: <book><part><chapter><para><footnote><para>

-#, mtrans, fuzzy

 msgid ""
 "For an excellent argument that such use is \"fair use,\" but that lawyers "
 "don't permit recognition that it is \"fair use,\" see Richard A. Posner with "
 msgid ""
 "For an excellent argument that such use is \"fair use,\" but that lawyers "
 "don't permit recognition that it is \"fair use,\" see Richard A. Posner with "


@@ -8499,11 +8559,11 @@ msgid ""
 "<citetitle>Eldred</citetitle>\" (draft on file with author), University of "
 "Chicago Law School, 5 August 2003."
 msgstr ""
 "<citetitle>Eldred</citetitle>\" (draft on file with author), University of "
 "Chicago Law School, 5 August 2003."
 msgstr ""

-"Hvis et utmerket argument at slik bruk er \"rettferdig bruk\", men at "
-"jurister ikke tillater anerkjennelse som det er \"rettferdig bruk,\" se "
-"richard a. posner med william f. patry, \"rettferdig bruk og lovbestemte "
-"reform i kjølvannet av eldred\" (utkast på filen med forfatteren), "
-"university of chicago law school, 5 august 2003."
+"Ønsker du å lese en flott redegjørelse om hvordan dette er \"fair use\", og "
+"hvordan advokatene ikke anerkjenner det, så les Richard A. Posner og William "
+"F. Patry, \"Fair Use and Statutory Reform in the Wake of <citetitle>Eldred</"
+"citetitle> \" (utkast arkivert hos forfatteren), University of Chicago Law "
+"School, 5. august 2003."

 
 #. type: Content of: <book><part><chapter><para>
 msgid ""
 
 #. type: Content of: <book><part><chapter><para>
 msgid ""


@@ -8513,18 +8573,22 @@ msgid ""
 "is clearly a fair use of <citetitle>The Simpsons</citetitle>&mdash;and fair "
 "use does not require the permission of anyone."
 msgstr ""
 "is clearly a fair use of <citetitle>The Simpsons</citetitle>&mdash;and fair "
 "use does not require the permission of anyone."
 msgstr ""

+"Men når jurister hører denne historien om Jon Else og Fox, så er deres "
+"første tanke \"rimelig bruk\".<placeholder type=\"footnote\" id=\"0\"/> "
+"Elses bruk av 4,5 sekunder med et indirekte klipp av en <citetitle>Simpsons</"
+"citetitle>-episode er et klart eksempel på \"rimelig bruk\" av "
+"<citetitle>The Simpsons</citetitle>&mdash; og \"rimelig bruk\" krever ingen "
+"tillatelse fra noen."

 
 #.  PAGE BREAK 109
 #. type: Content of: <book><part><chapter><para>
 
 #.  PAGE BREAK 109
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "So I asked Else why he didn't just rely upon \"fair use.\" Here's his reply:"
 msgstr ""
 msgid ""
 "So I asked Else why he didn't just rely upon \"fair use.\" Here's his reply:"
 msgstr ""

-"så jeg spurte er hvorfor han ikke bare stole på \"rettferdig bruk.\" her "
-"annet hans svar:"
+"Så jeg spurte Else om hvorfor han ikke bare stolte på \"fair use\". Og her "
+"er hans svar:"

 
 #. type: Content of: <book><part><chapter><blockquote><para>
 
 #. type: Content of: <book><part><chapter><blockquote><para>

-#, mtrans, fuzzy

 msgid ""
 "The <citetitle>Simpsons</citetitle> fiasco was for me a great lesson in the "
 "gulf between what lawyers find irrelevant in some abstract sense, and what "
 msgid ""
 "The <citetitle>Simpsons</citetitle> fiasco was for me a great lesson in the "
 "gulf between what lawyers find irrelevant in some abstract sense, and what "


@@ -8533,16 +8597,15 @@ msgid ""
 "fair use\" in an absolute legal sense. But I couldn't rely on the concept in "
 "any concrete way. Here's why:"
 msgstr ""
 "fair use\" in an absolute legal sense. But I couldn't rely on the concept in "
 "any concrete way. Here's why:"
 msgstr ""

-"simpsons fiasco var for meg en fin leksjon i avgrunnen mellom hvilket "
-"advokater finne irrelevant i noen abstrakt forstand, og hva er crushingly "
-"relevant i praksis for de av oss faktisk prøver å gjøre og kringkaste "
-"dokumentarer. Jeg har aldri hatt noen tvil om at det var \"klart fair use\" "
-"i en absolutt juridisk forstand. men jeg kunne ikke stole på konseptet på "
-"noen konkret måte. Her er hvorfor:"
+"<citetitle>Simpsons</citetitle>-fiaskoen lærte meg om hvor stor avstand det "
+"var mellom det jurister finner urelevant på en abstrakt måte, og hva som er "
+"knusende relevant på en konkret måte for oss som prøver å lage og kringkaste "
+"dokumentarer. Jeg tvilte aldri på at dette helt klart var \"rimelig bruk\", "
+"men jeg kunne ikke stole på konseptet på noen konkret måte. Og dette er "
+"grunnen:"

 
 #.  1.
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>
 
 #.  1.
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>

-#, mtrans, fuzzy

 msgid ""
 "Before our films can be broadcast, the network requires that we buy Errors "
 "and Omissions insurance. The carriers require a detailed \"visual cue sheet"
 msgid ""
 "Before our films can be broadcast, the network requires that we buy Errors "
 "and Omissions insurance. The carriers require a detailed \"visual cue sheet"


@@ -8550,18 +8613,17 @@ msgid ""
 "take a dim view of \"fair use,\" and a claim of \"fair use\" can grind the "
 "application process to a halt."
 msgstr ""
 "take a dim view of \"fair use,\" and a claim of \"fair use\" can grind the "
 "application process to a halt."
 msgstr ""

-"før vår filmer som kan sendes, krever nettverket at vi kjøper feil og "
-"utelatelser forsikring. operatører krever en detaljert \"visual cue ark\" "
-"liste over kilden og lisensiering status for hver skudd i filmen. de tar en "
-"dim visning av \"fair use\", og et krav om \"fair use\" kan slipe "
-"søknadsprosessen til å stoppe."
+"Før våre filmer kan kringkastes, krever nettverket at vi kjøper en \"Errors "
+"and Omissions\"-forsikring. Den krever en detailjert \"visual cue sheet\" "
+"med alle kilder og lisens-status på alle scener i filmen. De har et smalt "
+"syn på \"fair use\", og å påstå at noe er nettopp det kan forsinke, og i "
+"verste fall stoppe, prosessen."

 
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para><indexterm><primary>
 msgid "Lucas, George"
 msgstr "Lucas, George"
 
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>
 
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para><indexterm><primary>
 msgid "Lucas, George"
 msgstr "Lucas, George"
 
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>

-#, mtrans, fuzzy

 msgid ""
 "I probably never should have asked Matt Groening in the first place. But I "
 "knew (at least from folklore) that Fox had a history of tracking down and "
 msgid ""
 "I probably never should have asked Matt Groening in the first place. But I "
 "knew (at least from folklore) that Fox had a history of tracking down and "


@@ -8573,46 +8635,42 @@ msgid ""
 "I wanted was to risk legal trouble, even nuisance legal trouble, and even to "
 "defend a principle.  <placeholder type=\"indexterm\" id=\"0\"/>"
 msgstr ""
 "I wanted was to risk legal trouble, even nuisance legal trouble, and even to "
 "defend a principle.  <placeholder type=\"indexterm\" id=\"0\"/>"
 msgstr ""

-"Jeg skulle trolig aldri ha spurt matt groening i utgangspunktet. men jeg "
-"visste (minst fra folklore) at fox hadde en historie for å spore ned og "
-"stopper ulisensiert simpsons-bruk, akkurat som george lucas hadde en meget "
-"høy profil prosedere star wars-bruk. så jeg besluttet å spille av boken, "
-"tenker at vi ville bli gitt gratis eller Billige lisens til fire sekunder av "
-"simpsons. som en dokumentar produsent arbeider til utmattelse på en "
-"shoestring, var den siste tingen jeg ønsket å risikere juridiske problemer, "
-"selv ordensforstyrrelser juridiske problemer, og selv for å forsvare et "
-"prinsipp."
+"Jeg skulle nok aldri ha bedt om Matt Groenings tillatelse. Men jeg visste "
+"(ihvertfall fra rykter) at Fox tidligere hadde brukt å jakte på og stoppe "
+"ulisensiert bruk av <citetitle>The Simpsons</citetitle>, på samme måte som "
+"George Lucas var veldig ivrig på å forfølge bruken av <citetitle>Star Wars</"
+"citetitle>. Så jeg bestemte meg for å følge boka, og trodde at vi kulle få "
+"til en gratis, i alle fall rimelig, avtale for fire sekunders bruk av "
+"<citetitle>The Simpsons</citetitle>. Som en dokumentarskaper, arbeidende på "
+"randen av utryddelse, var det siste jeg ønsket en juridisk strid, selv for å "
+"forsvare et prinsipp."

 
 #.  3.
 #.  PAGE BREAK 110
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>
 
 #.  3.
 #.  PAGE BREAK 110
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>

-#, mtrans, fuzzy

 msgid ""
 msgid ""

-"I did, in fact, speak with one of your colleagues at Stanford Law "
-"School . . . who confirmed that it was fair use. He also confirmed that Fox "
+"I did, in fact, speak with one of your colleagues at Stanford Law School "
+"&hellip; who confirmed that it was fair use. He also confirmed that Fox "

 "would \"depose and litigate you to within an inch of your life,\" regardless "
 "of the merits of my claim. He made clear that it would boil down to who had "
 "the bigger legal department and the deeper pockets, me or them."
 msgstr ""
 "would \"depose and litigate you to within an inch of your life,\" regardless "
 "of the merits of my claim. He made clear that it would boil down to who had "
 "the bigger legal department and the deeper pockets, me or them."
 msgstr ""

-"Jeg gjorde, faktisk snakke med en av dine kolleger ved stanford law "
-"school... som bekreftet at det var rimelig bruk. han bekreftet også at fox "
-"ville \"avsette og litigate du innenfor en tomme av livet,\" uavhengig av "
-"fordelene ved mitt krav. Han gjorde det klart at det ville koker ned til "
-"hvem som hadde større juridiske avdelingen og dypere lommebøker, meg eller "
-"dem."
+"Jeg snakket faktisk med en av dine kolleger på Stanford Law School &hellip; "
+"som bekreftet at dette var rimelig bruk. Han bekreftet også at Fox ville "
+"\"depose and litigate you to within an inch of your life\", uavhengig av "
+"sannheten i mine krav. Han gjorde det klart at alt ville koke ned til hvem "
+"som hadde flest jurister og dypest lommer, jeg eller dem."

 
 #.  4.
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>
 
 #.  4.
 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para>

-#, mtrans, fuzzy

 msgid ""
 "The question of fair use usually comes up at the end of the project, when we "
 "are up against a release deadline and out of money."
 msgstr ""
 msgid ""
 "The question of fair use usually comes up at the end of the project, when we "
 "are up against a release deadline and out of money."
 msgstr ""

-"spørsmålet om rettferdig bruk kommer vanligvis på slutten av prosjektet, når "
-"vi er opp mot en release frist og tom for penger."
+"Spørsmålet om \"fair use\" dukker om regel opp helt mot slutten av "
+"prosjektet, når vi nærmer oss siste frist og er tomme for penger."

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "In theory, fair use means you need no permission. The theory therefore "
 "supports free culture and insulates against a permission culture.  But in "
 msgid ""
 "In theory, fair use means you need no permission. The theory therefore "
 "supports free culture and insulates against a permission culture.  But in "


@@ -8621,25 +8679,24 @@ msgid ""
 "effective fair use for many types of creators is slight. The law has the "
 "right aim; practice has defeated the aim."
 msgstr ""
 "effective fair use for many types of creators is slight. The law has the "
 "right aim; practice has defeated the aim."
 msgstr ""

-"i teorien betyr fair use du trenger ingen tillatelse. teorien derfor støtter "
-"fri kultur og isolerer mot en tillatelse kultur. men i praksis, rettferdig "
-"bruk funksjonene veldig annerledes. krusete linjene av loven, knyttet til "
-"det ekstraordinære ansvaret Hvis linjer er krysset, betyr at effektiv "
-"rettferdig bruk for mange typer skaperne er liten. loven har høyre mål; "
-"praksis har beseiret målet."
+"I teorien betyr \"fair use\" at du ikke trenger tillatelse. Teorien støtter "
+"derfor den frie kultur og arbeider mot tillatelseskulturen. Men i praksis "
+"fungerer \"fair use\" helt annerledes. Men de uklare linjene i lovverket, "
+"samt de fryktelige konsekvensene dersom man tar feil, gjør at mange "
+"kunstnere ikke stoler på \"fair use\". Loven har en svært god hensikt, men "
+"praksisen har ikke fulgt opp."

 
 #. type: Content of: <book><part><chapter><para>
 
 #. type: Content of: <book><part><chapter><para>

-#, mtrans, fuzzy

 msgid ""
 "This practice shows just how far the law has come from its eighteenth-"
 "century roots. The law was born as a shield to protect publishers' profits "
 "against the unfair competition of a pirate. It has matured into a sword that "
 "interferes with any use, transformative or not."
 msgstr ""
 msgid ""
 "This practice shows just how far the law has come from its eighteenth-"
 "century roots. The law was born as a shield to protect publishers' profits "
 "against the unfair competition of a pirate. It has matured into a sword that "
 "interferes with any use, transformative or not."
 msgstr ""

-"denne øvelsen viser bare hvor langt loven har kommet fra sine 1700-tallet "
-"røtter. loven ble født som et skjold for å beskytte utgivere fortjeneste mot "
-"urettferdig konkurranse av en pirat. Det har modnet til et sverd som "
-"forstyrrer bruke transformative eller ikke."
+"Dette eksempelet viser hvor langt denne loven har kommet fra sine "
+"syttenhundretalls røtter. Loven som skulle beskytte utgiverne mot "
+"urettferdig piratkonkurranse, hadde utviklet seg til et sverd som slo ned på "
+"_all_ bruk, transformativ* eller ikke."

 
 #. type: Content of: <book><part><chapter><title>
 msgid "CHAPTER EIGHT: Transformers"
 
 #. type: Content of: <book><part><chapter><title>
 msgid "CHAPTER EIGHT: Transformers"


@@ -8883,7 +8940,7 @@ msgid ""
 "and said, \"Oh, my gosh, a film, it's so many copyrights, there's the music, "
 "there's the screenplay, there's the director, there's the actors.\" But we "
 "just broke it down. We just put it into its constituent parts and said, "
 "and said, \"Oh, my gosh, a film, it's so many copyrights, there's the music, "
 "there's the screenplay, there's the director, there's the actors.\" But we "
 "just broke it down. We just put it into its constituent parts and said, "

-"\"Okay, there's this many actors, this many directors, . . . this many "
+"\"Okay, there's this many actors, this many directors, &hellip; this many "

 "musicians,\" and we just went at it very systematically and cleared the "
 "rights."
 msgstr ""
 "musicians,\" and we just went at it very systematically and cleared the "
 "rights."
 msgstr ""


@@ -8930,8 +8987,8 @@ msgstr ""
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 msgid ""

-"For, as he acknowledged, \"very few . . . have the time and resources, and "
-"the will to do this,\" and thus, very few such works would ever be made. "
+"For, as he acknowledged, \"very few &hellip; have the time and resources, "
+"and the will to do this,\" and thus, very few such works would ever be made. "

 "Does it make sense, I asked him, from the standpoint of what anybody really "
 "thought they were ever giving rights for originally, that you would have to "
 "go clear rights for these kinds of clips?"
 "Does it make sense, I asked him, from the standpoint of what anybody really "
 "thought they were ever giving rights for originally, that you would have to "
 "go clear rights for these kinds of clips?"


@@ -8946,9 +9003,9 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "I don't think so. When an actor renders a performance in a movie, he or she "
 #, mtrans, fuzzy
 msgid ""
 "I don't think so. When an actor renders a performance in a movie, he or she "

-"gets paid very well. . . . And then when 30 seconds of that performance is "
-"used in a new product that is a retrospective of somebody's career, I don't "
-"think that that person . . . should be compensated for that."
+"gets paid very well. &hellip; And then when 30 seconds of that performance "
+"is used in a new product that is a retrospective of somebody's career, I "
+"don't think that that person &hellip; should be compensated for that."

 msgstr ""
 "jeg tror ikke det. Når en aktør gjengir en forestilling i en film, han eller "
 "hun får svært godt betalt.... og deretter når 30 sekunder av denne "
 msgstr ""
 "jeg tror ikke det. Når en aktør gjengir en forestilling i en film, han eller "
 "hun får svært godt betalt.... og deretter når 30 sekunder av denne "


@@ -9532,8 +9589,8 @@ msgid ""
 "fictional television character? If you were a graduate student wanting to "
 "study that, and you wanted to get those original back and forth exchanges "
 "between the two, the <citetitle>60 Minutes</citetitle> episode that came out "
 "fictional television character? If you were a graduate student wanting to "
 "study that, and you wanted to get those original back and forth exchanges "
 "between the two, the <citetitle>60 Minutes</citetitle> episode that came out "

-"after it . . . it would be almost impossible. . . . Those materials are "
-"almost unfindable. . . ."
+"after it &hellip; it would be almost impossible. &hellip; Those materials "
+"are almost unfindable. &hellip;"

 msgstr ""
 "husker du når dan quayle samhandlet med murphy brown? Husk at frem og "
 "tilbake surrealistisk opplevelse av en politiker samarbeidsstil et fiktive "
 msgstr ""
 "husker du når dan quayle samhandlet med murphy brown? Husk at frem og "
 "tilbake surrealistisk opplevelse av en politiker samarbeidsstil et fiktive "


@@ -9851,13 +9908,13 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "It looks like there's about two to three million recordings of music.  Ever. "
 #, mtrans, fuzzy
 msgid ""
 "It looks like there's about two to three million recordings of music.  Ever. "

-"There are about a hundred thousand theatrical releases of movies, . . . and "
-"about one to two million movies [distributed] during the twentieth century. "
-"There are about twenty-six million different titles of books. All of these "
-"would fit on computers that would fit in this room and be able to be "
-"afforded by a small company.  So we're at a turning point in our history. "
+"There are about a hundred thousand theatrical releases of movies, &hellip; "
+"and about one to two million movies [distributed] during the twentieth "
+"century. There are about twenty-six million different titles of books. All "
+"of these would fit on computers that would fit in this room and be able to "
+"be afforded by a small company.  So we're at a turning point in our history. "

 "Universal access is the goal. And the opportunity of leading a different "
 "Universal access is the goal. And the opportunity of leading a different "

-"life, based on this, is . . . thrilling. It could be one of the things "
+"life, based on this, is &hellip; thrilling. It could be one of the things "

 "humankind would be most proud of. Up there with the Library of Alexandria, "
 "putting a man on the moon, and the invention of the printing press."
 msgstr ""
 "humankind would be most proud of. Up there with the Library of Alexandria, "
 "putting a man on the moon, and the invention of the printing press."
 msgstr ""


@@ -10897,7 +10954,7 @@ msgid ""
 "wary of the request. It is always a bad deal for the government to get into "
 "the business of regulating speech markets. The risks and dangers of that "
 "game are precisely why our framers created the First Amendment to our "
 "wary of the request. It is always a bad deal for the government to get into "
 "the business of regulating speech markets. The risks and dangers of that "
 "game are precisely why our framers created the First Amendment to our "

-"Constitution: \"Congress shall make no law . . .  abridging the freedom of "
+"Constitution: \"Congress shall make no law &hellip; abridging the freedom of "

 "speech.\" So when Congress is being asked to pass laws that would \"abridge"
 "\" the freedom of speech, it should ask&mdash; carefully&mdash;whether such "
 "regulation is justified."
 "speech.\" So when Congress is being asked to pass laws that would \"abridge"
 "\" the freedom of speech, it should ask&mdash; carefully&mdash;whether such "
 "regulation is justified."


@@ -12818,6 +12875,10 @@ msgstr ""
 "Vi har bare riper i overflaten av denne historien. gå tilbake til adobe eBok-"
 "leser."
 
 "Vi har bare riper i overflaten av denne historien. gå tilbake til adobe eBok-"
 "leser."
 

+#. type: Content of: <book><part><chapter><section><para><indexterm><primary>
+msgid "Alice's Adventures in Wonderland (Carroll)"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""


@@ -12825,7 +12886,8 @@ msgid ""
 "relations nightmare. Among the books that you could download for free on the "
 "Adobe site was a copy of <citetitle>Alice's Adventures in Wonderland</"
 "citetitle>.  This wonderful book is in the public domain. Yet when you "
 "relations nightmare. Among the books that you could download for free on the "
 "Adobe site was a copy of <citetitle>Alice's Adventures in Wonderland</"
 "citetitle>.  This wonderful book is in the public domain. Yet when you "

-"clicked on Permissions for that book, you got the following report:"
+"clicked on Permissions for that book, you got the following report: "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "tidlig i livet av adobe eBok reader LED adobe et PR mareritt. Blant bøkene "
 "som du kan laste ned gratis på adobe siden var en kopi av alice's adventures "
 msgstr ""
 "tidlig i livet av adobe eBok reader LED adobe et PR mareritt. Blant bøkene "
 "som du kan laste ned gratis på adobe siden var en kopi av alice's adventures "


@@ -13326,6 +13388,10 @@ msgstr ""
 "selv krenker andres opphavsrett, hans akademiske papir var aktivere andre "
 "til å krenke andres opphavsrett."
 
 "selv krenker andres opphavsrett, hans akademiske papir var aktivere andre "
 "til å krenke andres opphavsrett."
 

+#. type: Content of: <book><part><chapter><section><para><indexterm><primary>
+msgid "Conrad, Paul"
+msgstr "Conrad, Paul"
+

 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""


@@ -13335,7 +13401,8 @@ msgid ""
 "consumers to copy films without the permission of the copyright owner. No "
 "doubt there were uses of the technology that were legal: Fred Rogers, aka "
 "\"<citetitle>Mr. Rogers</citetitle>,\" for example, had testified in that "
 "consumers to copy films without the permission of the copyright owner. No "
 "doubt there were uses of the technology that were legal: Fred Rogers, aka "
 "\"<citetitle>Mr. Rogers</citetitle>,\" for example, had testified in that "

-"case that he wanted people to feel free to tape Mr. Rogers' Neighborhood."
+"case that he wanted people to feel free to tape Mr. Rogers' Neighborhood.  "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "bizarreness av disse argumentene er fanget i en tegneserie tegnet i 1981 av "
 "paul conrad. på den tiden, en domstol i california hadde holdt at "
 msgstr ""
 "bizarreness av disse argumentene er fanget i en tegneserie tegnet i 1981 av "
 "paul conrad. på den tiden, en domstol i california hadde holdt at "


@@ -13391,7 +13458,8 @@ msgstr ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""

-"This led Conrad to draw the cartoon below, which we can adopt to the DMCA."
+"This led Conrad to draw the cartoon below, which we can adopt to the DMCA.  "
+"<placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "Dette førte conrad å trekke tegneserie nedenfor, som vi kan vedta å dmca."
 
 msgstr ""
 "Dette førte conrad å trekke tegneserie nedenfor, som vi kan vedta å dmca."
 


@@ -13449,7 +13517,8 @@ msgid ""
 "technologies) are illegal. Flash: <emphasis>No one ever died from copyright "
 "circumvention</emphasis>. Yet the law bans circumvention technologies "
 "absolutely, despite the potential that they might do some good, but permits "
 "technologies) are illegal. Flash: <emphasis>No one ever died from copyright "
 "circumvention</emphasis>. Yet the law bans circumvention technologies "
 "absolutely, despite the potential that they might do some good, but permits "

-"guns, despite the obvious and tragic harm they do."
+"guns, despite the obvious and tragic harm they do.  <placeholder type="
+"\"indexterm\" id=\"0\"/>"

 msgstr ""
 "den åpenbare punkt conrad's tegneserie er weirdness av en verden der guns er "
 "juridisk, til tross for skade som de kan gjøre, mens videospillere (og "
 msgstr ""
 "den åpenbare punkt conrad's tegneserie er weirdness av en verden der guns er "
 "juridisk, til tross for skade som de kan gjøre, mens videospillere (og "


@@ -13787,10 +13856,10 @@ msgstr ""
 #. type: Content of: <book><part><chapter><section><blockquote><para>
 msgid ""
 "Murdoch's companies now constitute a production system unmatched in its "
 #. type: Content of: <book><part><chapter><section><blockquote><para>
 msgid ""
 "Murdoch's companies now constitute a production system unmatched in its "

-"integration. They supply content&mdash;Fox movies . . .  Fox TV shows . . . "
-"Fox-controlled sports broadcasts, plus newspapers and books. They sell the "
-"content to the public and to advertisers&mdash;in newspapers, on the "
-"broadcast network, on the cable channels. And they operate the physical "
+"integration. They supply content&mdash;Fox movies &hellip; Fox TV shows "
+"&hellip; Fox-controlled sports broadcasts, plus newspapers and books. They "
+"sell the content to the public and to advertisers&mdash;in newspapers, on "
+"the broadcast network, on the cable channels. And they operate the physical "

 "distribution system through which the content reaches the customers. "
 "Murdoch's satellite systems now distribute News Corp. content in Europe and "
 "Asia; if Murdoch becomes DirecTV's largest single owner, that system will "
 "distribution system through which the content reaches the customers. "
 "Murdoch's satellite systems now distribute News Corp. content in Europe and "
 "Asia; if Murdoch becomes DirecTV's largest single owner, that system will "


@@ -14436,6 +14505,10 @@ msgstr ""
 "Fjern tilordning av endringene som har gjennomgått en lov om opphavsrett. i "
 "1790, loven så ut som dette:"
 
 "Fjern tilordning av endringene som har gjennomgått en lov om opphavsrett. i "
 "1790, loven så ut som dette:"
 

+#. type: Content of: <book><part><chapter><section><table><title>
+msgid "Law status in 1790"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry>
 msgid "PUBLISH"
 msgstr "Publiser"
 #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry>
 msgid "PUBLISH"
 msgstr "Publiser"


@@ -14481,6 +14554,10 @@ msgstr ""
 msgid "By the end of the nineteenth century, the law had changed to this:"
 msgstr "ved slutten av det nittende århundre, hadde loven endres til dette:"
 
 msgid "By the end of the nineteenth century, the law had changed to this:"
 msgstr "ved slutten av det nittende århundre, hadde loven endres til dette:"
 

+#. type: Content of: <book><part><chapter><section><table><title>
+msgid "Law status at the end of ninetheenth centory"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 msgid ""


@@ -14509,6 +14586,10 @@ msgstr ""
 "kunne som fotokopiering maskiner ble mer vanlig, vi si loven begynte å se "
 "slik ut:"
 
 "kunne som fotokopiering maskiner ble mer vanlig, vi si loven begynte å se "
 "slik ut:"
 

+#. type: Content of: <book><part><chapter><section><table><title>
+msgid "Law status in 1975"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry>
 msgid "COPY"
 msgstr "Kopier"
 #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry>
 msgid "COPY"
 msgstr "Kopier"


@@ -14531,6 +14612,10 @@ msgstr ""
 "gratis. men konsekvensen av fremveksten av digitale teknologier, spesielt i "
 "sammenheng med en digital network, betyr at loven nå ser slik ut:"
 
 "gratis. men konsekvensen av fremveksten av digitale teknologier, spesielt i "
 "sammenheng med en digital network, betyr at loven nå ser slik ut:"
 

+#. type: Content of: <book><part><chapter><section><table><title>
+msgid "Law status now"
+msgstr ""
+

 #.  PAGE BREAK 183
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy
 #.  PAGE BREAK 183
 #. type: Content of: <book><part><chapter><section><para>
 #, mtrans, fuzzy


@@ -14783,7 +14868,8 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "\"What affects it?\" the father asks.  \"Those queer things that are called "
 #, mtrans, fuzzy
 msgid ""
 "\"What affects it?\" the father asks.  \"Those queer things that are called "

-"the eyes . . . are diseased . . . in such a way as to affect his brain.\""
+"the eyes &hellip; are diseased &hellip; in such a way as to affect his brain."
+"\""

 msgstr ""
 "\"hva påvirker det?\" spør Faderen. \"de skeiv ting som kalles øynene... er "
 "sykelig... på en måte som påvirker hans hjernen.\""
 msgstr ""
 "\"hva påvirker det?\" spør Faderen. \"de skeiv ting som kalles øynene... er "
 "sykelig... på en måte som påvirker hans hjernen.\""


@@ -14813,7 +14899,7 @@ msgid ""
 "The DNA in the blood, for example, might be different from the DNA of the "
 "skin. This possibility is an underused plot for murder mysteries. \"But the "
 "DNA shows with 100 percent certainty that she was not the person whose blood "
 "The DNA in the blood, for example, might be different from the DNA of the "
 "skin. This possibility is an underused plot for murder mysteries. \"But the "
 "DNA shows with 100 percent certainty that she was not the person whose blood "

-"was at the scene. . . .\""
+"was at the scene. &hellip;\""

 msgstr ""
 "\"thank heaven for science!\", sier faren til legen. de informere nunez av "
 "denne tilstanden som er nødvendig for ham å være tillatt hans brud. (du må "
 msgstr ""
 "\"thank heaven for science!\", sier faren til legen. de informere nunez av "
 "denne tilstanden som er nødvendig for ham å være tillatt hans brud. (du må "


@@ -14940,6 +15026,10 @@ msgstr ""
 "for å begynne å tenke på hvordan vi skal reagere på denne chimera. hvilke "
 "regler bør styre det?"
 
 "for å begynne å tenke på hvordan vi skal reagere på denne chimera. hvilke "
 "regler bør styre det?"
 

+#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary>
+msgid "Conyers, John, Jr."
+msgstr "Conyers, John, Jr."
+

 #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
 msgid "Berman, Howard L."
 msgstr "Berman, Howard L."
 #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary>
 msgid "Berman, Howard L."
 msgstr "Berman, Howard L."


@@ -14973,7 +15063,8 @@ msgid ""
 "sharer identities, see James Collins, \"RIAA Steps Up Bid to Force BC, MIT "
 "to Name Students,\" <citetitle>Boston Globe</citetitle>, 8 August 2003, D3, "
 "available at <ulink url=\"http://free-culture.cc/notes/\">link #36</ulink>.  "
 "sharer identities, see James Collins, \"RIAA Steps Up Bid to Force BC, MIT "
 "to Name Students,\" <citetitle>Boston Globe</citetitle>, 8 August 2003, D3, "
 "available at <ulink url=\"http://free-culture.cc/notes/\">link #36</ulink>.  "

-"<placeholder type=\"indexterm\" id=\"0\"/>"
+"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" "
+"id=\"1\"/>"

 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>


@@ -15527,7 +15618,7 @@ msgid ""
 "We're losing [creative] opportunities right and left. Creative people are "
 "being forced not to express themselves. Thoughts are not being expressed. "
 "And while a lot of stuff may [still] be created, it still won't get "
 "We're losing [creative] opportunities right and left. Creative people are "
 "being forced not to express themselves. Thoughts are not being expressed. "
 "And while a lot of stuff may [still] be created, it still won't get "

-"distributed. Even if the stuff gets made . . . you're not going to get it "
+"distributed. Even if the stuff gets made &hellip; you're not going to get it "

 "distributed in the mainstream media unless you've got a little note from a "
 "lawyer saying, \"This has been cleared.\" You're not even going to get it on "
 "PBS without that kind of permission. That's the point at which they control "
 "distributed in the mainstream media unless you've got a little note from a "
 "lawyer saying, \"This has been cleared.\" You're not even going to get it on "
 "PBS without that kind of permission. That's the point at which they control "


@@ -15851,7 +15942,7 @@ msgid ""
 "had rigged a new vehicle to play MP3s via the car's built-in sound system, "
 "but that the company's marketing and legal departments weren't comfortable "
 "with pushing this forward for release stateside. Even today, no new cars are "
 "had rigged a new vehicle to play MP3s via the car's built-in sound system, "
 "but that the company's marketing and legal departments weren't comfortable "
 "with pushing this forward for release stateside. Even today, no new cars are "

-"sold in the United States with bona fide MP3 players. . . . <placeholder "
+"sold in the United States with bona fide MP3 players. &hellip; <placeholder "

 "type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 "type=\"footnote\" id=\"0\"/>"
 msgstr ""
 


@@ -16278,7 +16369,7 @@ msgid ""
 "thus ending the unnatural restrictions imposed on radio in the crowded "
 "longwaves. If FM were freely developed, the number of stations would be "
 "limited only by economics and competition rather than by technical "
 "thus ending the unnatural restrictions imposed on radio in the crowded "
 "longwaves. If FM were freely developed, the number of stations would be "
 "limited only by economics and competition rather than by technical "

-"restrictions. . . . Armstrong likened the situation that had grown up in "
+"restrictions. &hellip; Armstrong likened the situation that had grown up in "

 "radio to that following the invention of the printing press, when "
 "governments and ruling interests attempted to control this new instrument of "
 "mass communications by imposing restrictive licenses on it. This tyranny was "
 "radio to that following the invention of the printing press, when "
 "governments and ruling interests attempted to control this new instrument of "
 "mass communications by imposing restrictive licenses on it. This tyranny was "


@@ -16564,11 +16655,11 @@ msgid ""
 "about what they thought a willing buyer would pay to a willing seller, and "
 "it was much higher. It was ten times higher than what radio stations pay to "
 "perform the same songs for the same period of time. And so the attorneys "
 "about what they thought a willing buyer would pay to a willing seller, and "
 "it was much higher. It was ten times higher than what radio stations pay to "
 "perform the same songs for the same period of time. And so the attorneys "

-"representing the webcasters asked the RIAA, . . . \"How do you come up with "
-"a rate that's so much higher? Why is it worth more than radio? Because here "
-"we have hundreds of thousands of webcasters who want to pay, and that should "
-"establish the market rate, and if you set the rate so high, you're going to "
-"drive the small webcasters out of business. . . .\""
+"representing the webcasters asked the RIAA, &hellip; \"How do you come up "
+"with a rate that's so much higher? Why is it worth more than radio? Because "
+"here we have hundreds of thousands of webcasters who want to pay, and that "
+"should establish the market rate, and if you set the rate so high, you're "
+"going to drive the small webcasters out of business. &hellip;\""

 msgstr ""
 "riaa, som var som representerer plateselskapene, presentert noen vitnesbyrd "
 "om hva de tenkte en villig kjøper betaler til en villig selger, og det var "
 msgstr ""
 "riaa, som var som representerer plateselskapene, presentert noen vitnesbyrd "
 "om hva de tenkte en villig kjøper betaler til en villig selger, og det var "


@@ -16731,6 +16822,10 @@ msgstr ""
 "journal av økonomiske litteratur 36 (1998): 818 (undersøkelse av samsvar "
 "litteratur)."
 
 "journal av økonomiske litteratur 36 (1998): 818 (undersøkelse av samsvar "
 "litteratur)."
 

+#. type: Content of: <book><part><chapter><section><para><indexterm><primary>
+msgid "alcohol prohibition"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "Wars of prohibition are nothing new in America. This one is just something "
 #. type: Content of: <book><part><chapter><section><para>
 msgid ""
 "Wars of prohibition are nothing new in America. This one is just something "


@@ -16749,7 +16844,8 @@ msgid ""
 "that a majority of cash businesses regularly cheat.<placeholder type="
 "\"footnote\" id=\"2\"/> We pride ourselves on our \"free society,\" but an "
 "endless array of ordinary behavior is regulated within our society. And as a "
 "that a majority of cash businesses regularly cheat.<placeholder type="
 "\"footnote\" id=\"2\"/> We pride ourselves on our \"free society,\" but an "
 "endless array of ordinary behavior is regulated within our society. And as a "

-"result, a huge proportion of Americans regularly violate at least some law."
+"result, a huge proportion of Americans regularly violate at least some law.  "
+"<placeholder type=\"indexterm\" id=\"3\"/>"

 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><section><para>


@@ -17092,12 +17188,12 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "then all of a sudden a lot of basic civil liberty protections evaporate to "
 #, mtrans, fuzzy
 msgid ""
 "then all of a sudden a lot of basic civil liberty protections evaporate to "

-"one degree or another. . . . If you're a copyright infringer, how can you "
+"one degree or another. &hellip; If you're a copyright infringer, how can you "

 "hope to have any privacy rights? If you're a copyright infringer, how can "
 "you hope to be secure against seizures of your computer? How can you hope to "
 "hope to have any privacy rights? If you're a copyright infringer, how can "
 "you hope to be secure against seizures of your computer? How can you hope to "

-"continue to receive Internet access? . . . Our sensibilities change as soon "
-"as we think, \"Oh, well, but that person's a criminal, a lawbreaker.\" Well, "
-"what this campaign against file sharing has done is turn a remarkable "
+"continue to receive Internet access? &hellip; Our sensibilities change as "
+"soon as we think, \"Oh, well, but that person's a criminal, a lawbreaker.\" "
+"Well, what this campaign against file sharing has done is turn a remarkable "

 "percentage of the American Internet-using population into \"lawbreakers.\""
 msgstr ""
 "så plutselig en rekke grunnleggende frihet for sivil beskyttelse fordampe "
 "percentage of the American Internet-using population into \"lawbreakers.\""
 msgstr ""
 "så plutselig en rekke grunnleggende frihet for sivil beskyttelse fordampe "


@@ -17268,7 +17364,7 @@ msgid ""
 "[but] many have noted that the war against drugs has eroded all of our civil "
 "liberties because it's treated so many Americans as criminals. Well, I think "
 "it's fair to say that file sharing is an order of magnitude larger number of "
 "[but] many have noted that the war against drugs has eroded all of our civil "
 "liberties because it's treated so many Americans as criminals. Well, I think "
 "it's fair to say that file sharing is an order of magnitude larger number of "

-"Americans than drug use. . . . If forty to sixty million Americans have "
+"Americans than drug use. &hellip; If forty to sixty million Americans have "

 "become lawbreakers, then we're really on a slippery slope to lose a lot of "
 "civil liberties for all forty to sixty million of them."
 msgstr ""
 "become lawbreakers, then we're really on a slippery slope to lose a lot of "
 "civil liberties for all forty to sixty million of them."
 msgstr ""


@@ -17616,9 +17712,9 @@ msgstr ""
 #. type: Content of: <book><part><chapter><blockquote><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><blockquote><para>
 #, mtrans, fuzzy
 msgid ""

-"Congress has the power to promote the Progress of Science . . .  by securing "
-"for limited Times to Authors . . . exclusive Right to their . . . "
-"Writings. . . ."
+"Congress has the power to promote the Progress of Science &hellip; by "
+"securing for limited Times to Authors &hellip; exclusive Right to their "
+"&hellip; Writings. &hellip;"

 msgstr ""
 "Kongressen har makt til å fremme utviklingen av vitenskap... ved å sikre for "
 "begrenset ganger til forfattere... eksklusive rett til deres... skrifter...."
 msgstr ""
 "Kongressen har makt til å fremme utviklingen av vitenskap... ved å sikre for "
 "begrenset ganger til forfattere... eksklusive rett til deres... skrifter...."


@@ -17631,9 +17727,9 @@ msgid ""
 "to Congress simply says Congress has the power to do something&mdash;for "
 "example, to regulate \"commerce among the several states\" or \"declare War."
 "\" But here, the \"something\" is something quite specific&mdash;to "
 "to Congress simply says Congress has the power to do something&mdash;for "
 "example, to regulate \"commerce among the several states\" or \"declare War."
 "\" But here, the \"something\" is something quite specific&mdash;to "

-"\"promote . . . Progress\"&mdash;through means that are also specific&mdash; "
-"by \"securing\" \"exclusive Rights\" (i.e., copyrights) \"for limited Times."
-"\""
+"\"promote &hellip; Progress\"&mdash;through means that are also "
+"specific&mdash; by \"securing\" \"exclusive Rights\" (i.e., copyrights) "
+"\"for limited Times.\""

 msgstr ""
 "som jeg har beskrevet, denne bestemmelsen er unikt innenfor strøm-granting-"
 "setningsdel i artikkelen i, Seksjon 8 av vår grunnlov. hver andre "
 msgstr ""
 "som jeg har beskrevet, denne bestemmelsen er unikt innenfor strøm-granting-"
 "setningsdel i artikkelen i, Seksjon 8 av vår grunnlov. hver andre "


@@ -18141,6 +18237,10 @@ msgid ""
 "\">link #51</ulink>."
 msgstr ""
 
 "\">link #51</ulink>."
 msgstr ""
 

+#. type: Content of: <book><part><chapter><para><indexterm><primary>
+msgid "Nashville Songwriters Association"
+msgstr ""
+

 #. type: Content of: <book><part><chapter><para>
 msgid ""
 "Some people view the public domain with contempt. In their brief before the "
 #. type: Content of: <book><part><chapter><para>
 msgid ""
 "Some people view the public domain with contempt. In their brief before the "


@@ -18149,7 +18249,7 @@ msgid ""
 "id=\"0\"/> But it is not piracy when the law allows it; and in our "
 "constitutional system, our law requires it. Some may not like the "
 "Constitution's requirements, but that doesn't make the Constitution a "
 "id=\"0\"/> But it is not piracy when the law allows it; and in our "
 "constitutional system, our law requires it. Some may not like the "
 "Constitution's requirements, but that doesn't make the Constitution a "

-"pirate's charter."
+"pirate's charter.  <placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>


@@ -19121,7 +19221,15 @@ msgid ""
 "world's experts in the history of the Progress Clause. And of course, there "
 "was a new brief by Eagle Forum, repeating and strengthening its arguments.  "
 "<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" "
 "world's experts in the history of the Progress Clause. And of course, there "
 "was a new brief by Eagle Forum, repeating and strengthening its arguments.  "
 "<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" "

-"id=\"1\"/>"
+"id=\"1\"/> <placeholder type=\"indexterm\" id=\"2\"/>"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><para><indexterm><primary>
+msgid "American Association of Law Libraries"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><para><indexterm><primary>
+msgid "National Writers Union"

 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>
 msgstr ""
 
 #. type: Content of: <book><part><chapter><para>


@@ -19130,7 +19238,8 @@ msgid ""
 "Those briefs framed a legal argument. Then to support the legal argument, "
 "there were a number of powerful briefs by libraries and archives, including "
 "the Internet Archive, the American Association of Law Libraries, and the "
 "Those briefs framed a legal argument. Then to support the legal argument, "
 "there were a number of powerful briefs by libraries and archives, including "
 "the Internet Archive, the American Association of Law Libraries, and the "

-"National Writers Union."
+"National Writers Union.  <placeholder type=\"indexterm\" id=\"0\"/> "
+"<placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 "disse truser innrammet et juridisk argument. deretter for å støtte "
 "argumentet juridiske, var det en rekke kraftige truser av biblioteker og "
 msgstr ""
 "disse truser innrammet et juridisk argument. deretter for å støtte "
 "argumentet juridiske, var det en rekke kraftige truser av biblioteker og "


@@ -20333,15 +20442,24 @@ msgstr "Bolling, Ruben"
 msgid ""
 "The best responses were in the cartoons. There was a gaggle of hilarious "
 "images&mdash;of Mickey in jail and the like. The best, from my view of the "
 msgid ""
 "The best responses were in the cartoons. There was a gaggle of hilarious "
 "images&mdash;of Mickey in jail and the like. The best, from my view of the "

-"case, was Ruben Bolling's, reproduced on the next page. The \"powerful and "
-"wealthy\" line is a bit unfair. But the punch in the face felt exactly like "
-"that.  <placeholder type=\"indexterm\" id=\"0\"/>"
+"case, was Ruben Bolling's, reproduced on the next page (<xref linkend="
+"\"fig-18\"/>). The \"powerful and wealthy\" line is a bit unfair. But the "
+"punch in the face felt exactly like that.  <placeholder type=\"indexterm\" "
+"id=\"0\"/>"

 msgstr ""
 "de beste svarene var i tegneserier. Det var en gaggle av morsom bilder&mdash;"
 "av mickey i fengsel og lignende. best, fra min mening i saken, var ruben "
 "bolling, gjengis på neste side. linjen \"kraftige og velstående\" er en "
 "smule urettferdig. Men slag i ansiktet følte akkurat sånn."
 
 msgstr ""
 "de beste svarene var i tegneserier. Det var en gaggle av morsom bilder&mdash;"
 "av mickey i fengsel og lignende. best, fra min mening i saken, var ruben "
 "bolling, gjengis på neste side. linjen \"kraftige og velstående\" er en "
 "smule urettferdig. Men slag i ansiktet følte akkurat sånn."
 

+#. type: Content of: <book><part><chapter><figure><title>
+msgid "Tom the Dancing Bug cartoon"
+msgstr ""
+
+#. type: Content of: <book><part><chapter><figure>
+msgid "<graphic fileref=\"images/18.png\"></graphic>"
+msgstr "<graphic fileref=\"images/18.png\"></graphic>"
+

 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><part><chapter><para>
 #, mtrans, fuzzy
 msgid ""


@@ -21282,8 +21400,8 @@ msgstr ""
 msgid ""
 "However, the United States government opposed the bill. Indeed, more than "
 "opposed. As the International Intellectual Property Association "
 msgid ""
 "However, the United States government opposed the bill. Indeed, more than "
 "opposed. As the International Intellectual Property Association "

-"characterized it, \"The U.S. government pressured South Africa . . .  not to "
-"permit compulsory licensing or parallel imports.\"<placeholder type="
+"characterized it, \"The U.S. government pressured South Africa &hellip; not "
+"to permit compulsory licensing or parallel imports.\"<placeholder type="

 "\"footnote\" id=\"0\"/> Through the Office of the United States Trade "
 "Representative, the government asked South Africa to change the law&mdash;"
 "and to add pressure to that request, in 1998, the USTR listed South Africa "
 "\"footnote\" id=\"0\"/> Through the Office of the United States Trade "
 "Representative, the government asked South Africa to change the law&mdash;"
 "and to add pressure to that request, in 1998, the USTR listed South Africa "


@@ -21301,7 +21419,7 @@ msgid ""
 msgstr ""
 "Men USA var imot lovendringen.  Og de nøyde seg ikke med å være imot. Som "
 "International Intellectual Property Association karakteriserte det, "
 msgstr ""
 "Men USA var imot lovendringen.  Og de nøyde seg ikke med å være imot. Som "
 "International Intellectual Property Association karakteriserte det, "

-"\"Myndighetene i USA presset Sør-Afrika . . . til å ikke tillate tvungen "
+"\"Myndighetene i USA presset Sør-Afrika &hellip; til å ikke tillate tvungen "

 "lisensiering eller parallellimport\"<placeholder type=\"footnote\" id=\"0\"/"
 "> Gjennom kontoret til USAs handelsrepresentant (USTR), ba myndighetene Sør-"
 "Afrika om å endre loven&mdash;og for å legge press bak den forespørselen, "
 "lisensiering eller parallellimport\"<placeholder type=\"footnote\" id=\"0\"/"
 "> Gjennom kontoret til USAs handelsrepresentant (USTR), ba myndighetene Sør-"
 "Afrika om å endre loven&mdash;og for å legge press bak den forespørselen, "


@@ -21802,6 +21920,10 @@ msgstr ""
 "University Stern School of Business (3. mai 2001), tilgjengelig fra <ulink "
 "url=\"http://free-culture.cc/notes/\">link #63</ulink>."
 
 "University Stern School of Business (3. mai 2001), tilgjengelig fra <ulink "
 "url=\"http://free-culture.cc/notes/\">link #63</ulink>."
 

+#. type: Content of: <book><chapter><para><indexterm><primary>
+msgid "\"copyleft\" licenses"
+msgstr ""
+

 #. type: Content of: <book><chapter><para>
 msgid ""
 "I don't mean to enter that debate here. It is important only to make clear "
 #. type: Content of: <book><chapter><para>
 msgid ""
 "I don't mean to enter that debate here. It is important only to make clear "


@@ -21813,7 +21935,8 @@ msgid ""
 "to support \"open source and free software\" is not to oppose commercial "
 "entities. It is, instead, to support a mode of software development that is "
 "different from Microsoft's.<placeholder type=\"footnote\" id=\"0\"/> "
 "to support \"open source and free software\" is not to oppose commercial "
 "entities. It is, instead, to support a mode of software development that is "
 "different from Microsoft's.<placeholder type=\"footnote\" id=\"0\"/> "

-"<placeholder type=\"indexterm\" id=\"1\"/>"
+"<placeholder type=\"indexterm\" id=\"1\"/> <placeholder type=\"indexterm\" "
+"id=\"2\"/> <placeholder type=\"indexterm\" id=\"3\"/>"

 msgstr ""
 "Jeg mener ikke å gå inn i den debatten her.  Det er viktig kun for å gjøre "
 "det klart at skillet ikke er mellom kommersiell og ikke-kommersiell "
 msgstr ""
 "Jeg mener ikke å gå inn i den debatten her.  Det er viktig kun for å gjøre "
 "det klart at skillet ikke er mellom kommersiell og ikke-kommersiell "


@@ -21824,7 +21947,9 @@ msgstr ""
 "aktør. Dermed er det å støtte \"fri programvare\" ikke å motsette seg "
 "kommersielle aktører.  Det er i stedet å støtte en måte å drive "
 "programvareutvikling som er forskjellig fra Microsofts.<placeholder type="
 "aktør. Dermed er det å støtte \"fri programvare\" ikke å motsette seg "
 "kommersielle aktører.  Det er i stedet å støtte en måte å drive "
 "programvareutvikling som er forskjellig fra Microsofts.<placeholder type="

-"\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
+"\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/> "
+"<placeholder type=\"indexterm\" id=\"2\"/> <placeholder type=\"indexterm\" "
+"id=\"3\"/>"

 
 #.  PAGE BREAK 272
 #. type: Content of: <book><chapter><para>
 
 #.  PAGE BREAK 272
 #. type: Content of: <book><chapter><para>


@@ -22319,11 +22444,11 @@ msgstr ""
 #.  f12.
 #. type: Content of: <book><chapter><para><footnote><para>
 msgid ""
 #.  f12.
 #. type: Content of: <book><chapter><para><footnote><para>
 msgid ""

-"Jon Wiederhorn, \"Eminem Gets Sued . . . by a Little Old Lady,\" mtv.com, 17 "
-"September 2003, available at <ulink url=\"http://free-culture.cc/notes/"
+"Jon Wiederhorn, \"Eminem Gets Sued &hellip; by a Little Old Lady,\" mtv.com, "
+"17 September 2003, available at <ulink url=\"http://free-culture.cc/notes/"

 "\">link #68</ulink>."
 msgstr ""
 "\">link #68</ulink>."
 msgstr ""

-"Jon Wiederhorn, \"Eminem Gets Sued . . . by a Little Old Lady,\" mtv.com, "
+"Jon Wiederhorn, \"Eminem Gets Sued &hellip; by a Little Old Lady,\" mtv.com, "

 "17. september 2003, tilgjengelig fra <ulink url=\"http://free-culture.cc/"
 "notes/\">link #68</ulink>."
 
 "17. september 2003, tilgjengelig fra <ulink url=\"http://free-culture.cc/"
 "notes/\">link #68</ulink>."
 


@@ -22650,6 +22775,10 @@ msgstr ""
 msgid "Amazon"
 msgstr "Amazon"
 
 msgid "Amazon"
 msgstr "Amazon"
 

+#. type: Content of: <book><chapter><section><section><para><indexterm><primary>
+msgid "cookies, Internet"
+msgstr ""
+

 #. type: Content of: <book><chapter><section><section><para>
 #, mtrans, fuzzy
 msgid ""
 #. type: Content of: <book><chapter><section><section><para>
 #, mtrans, fuzzy
 msgid ""


@@ -22660,7 +22789,7 @@ msgid ""
 "pages. Now, because of the architecture of the Net and the function of "
 "cookies on the Net, it is easier to collect the data than not. The friction "
 "has disappeared, and hence any \"privacy\" protected by the friction "
 "pages. Now, because of the architecture of the Net and the function of "
 "cookies on the Net, it is easier to collect the data than not. The friction "
 "has disappeared, and hence any \"privacy\" protected by the friction "

-"disappears, too."
+"disappears, too.  <placeholder type=\"indexterm\" id=\"0\"/>"

 msgstr ""
 "Angi Internett, der kostnaden for sporing av surfing spesielt har blitt "
 "ganske liten. Hvis du er en kunde på amazon, deretter samler som du blar "
 msgstr ""
 "Angi Internett, der kostnaden for sporing av surfing spesielt har blitt "
 "ganske liten. Hvis du er en kunde på amazon, deretter samler som du blar "


@@ -22812,13 +22941,14 @@ msgid ""
 "system, so that at least a strain of free software would survive. That was "
 "the birth of the GNU project, into which Linus Torvalds's \"Linux\" kernel "
 "was added to produce the GNU/Linux operating system.  <placeholder type="
 "system, so that at least a strain of free software would survive. That was "
 "the birth of the GNU project, into which Linus Torvalds's \"Linux\" kernel "
 "was added to produce the GNU/Linux operating system.  <placeholder type="

-"\"indexterm\" id=\"0\"/>"
+"\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"

 msgstr ""
 "Derfor, i 1984, startet Stallmann på et prosjekt for å bygge et fritt "
 "operativsystem, slik i hvert fall en flik av fri programvare skulle "
 "overleve.  Dette var starten på GNU-prosjektet, som \"Linux\"-kjernen til "
 "Linus Torvalds senere ble lagt til i for å produsere GNU/Linux-"
 msgstr ""
 "Derfor, i 1984, startet Stallmann på et prosjekt for å bygge et fritt "
 "operativsystem, slik i hvert fall en flik av fri programvare skulle "
 "overleve.  Dette var starten på GNU-prosjektet, som \"Linux\"-kjernen til "
 "Linus Torvalds senere ble lagt til i for å produsere GNU/Linux-"

-"operativsystemet. <placeholder type=\"indexterm\" id=\"0\"/>"
+"operativsystemet. <placeholder type=\"indexterm\" id=\"0\"/> <placeholder "
+"type=\"indexterm\" id=\"1\"/>"

 
 #. type: Content of: <book><chapter><section><section><para>
 #, mtrans, fuzzy
 
 #. type: Content of: <book><chapter><section><section><para>
 #, mtrans, fuzzy