New day.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index fe850d291379df7d9bd2b55cfb222484895f00ed..fe7c168152b80442d6a91ff7179cb8f0e96e709b 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -35,11 +35,34 @@
   </author>
  </authorgroup>
 
-<copyright>
-  <year>2004</year>
-  <holder>Lawrence Lessig</holder>
-</copyright>
-
+<!-- <subjectset> and cover <mediaobject> Based on example from
+     http://jfearn.fedorapeople.org/en-US/Publican/2.7/html/Users_Guide/chap-Users_Guide-Creating_a_document.html
+-->
+ <subjectset scheme="libraryofcongress">
+   <subject>
+     <subjectterm>Intellectual property&mdash;United States.</subjectterm>
+   </subject>
+   <subject>
+     <subjectterm>Mass media&mdash;United States.</subjectterm>
+   </subject>
+   <subject>
+     <subjectterm>Technological innovations&mdash;United States.</subjectterm>
+   </subject>
+   <subject>
+     <subjectterm>Art&mdash;United States.</subjectterm>
+   </subject>
+ </subjectset>
+
+
+ <publisher>
+   <publishername>The Penguin Press</publishername>
+   <address><city>New York</city></address>
+ </publisher>
+
+ <copyright>
+   <year>2004</year>
+   <holder>Lawrence Lessig</holder>
+ </copyright>
  <legalnotice>
    <para>
      <inlinemediaobject>
@@ -85,6 +108,32 @@ clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of
 Appeals.
   </para>
  </abstract>
+
+<!-- testing different ways to tag the cover page -->
+ <mediaobject role="cover">
+   <imageobject remap="lrg" role="front-large">
+     <imagedata fileref="images/cover.png" format="PNG" width="444" />
+   </imageobject>
+<!--
+   <imageobject remap="s" role="front">
+     <imagedata fileref="images/cover_thumbnail.png" format="PNG" width="444" />
+   </imageobject>
+   <imageobject remap="xs" role="front-small">
+     <imagedata fileref="images/cover_thumbnail.png" format="PNG" width="444" />
+   </imageobject>
+   <imageobject remap="cs" role="thumbnail">
+     <imagedata fileref="images/cover_thumbnail.png" format="PNG" width="444" />
+   </imageobject>
+-->
+ </mediaobject>
+
+ <biblioid class="isbn">1-59420-006-8</biblioid>
+
+<!-- LCCN from
+     http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page
+     -->
+  <biblioid class="libraryofcongress">2003063276</biblioid>
+
 </bookinfo>
 
 <colophon>
@@ -170,6 +219,7 @@ Includes index.
 <para>
 ISBN 1-59420-006-8 (hardcover)
 </para>
+
 <para>
 1. Intellectual property&mdash;United States. 2. Mass media&mdash;United States.
 </para>
@@ -762,6 +812,8 @@ parks or on
 street corners telling stories that kids and others consumed, that was
 noncommercial culture. When Noah Webster published his "Reader," or
 Joel Barlow his poetry, that was commercial culture.
+<indexterm><primary>Barlow, Joel</primary></indexterm>
+<indexterm><primary>Webster, Noah</primary></indexterm>
 </para>
 <para>
 At the beginning of our history, and for just about the whole of our
@@ -2885,6 +2937,7 @@ The composers (and publishers) were none too happy about
 <!-- PAGE BREAK 69 -->
 this capacity to pirate. As South Dakota senator Alfred Kittredge
 put it,
+<indexterm><primary>Kittredge, Alfred</primary></indexterm>
 </para>
 <blockquote>
 <para>
@@ -2901,6 +2954,7 @@ Cong. 59, 1st sess. (1906) (statement of Senator Alfred B. Kittredge,
 of South Dakota, chairman), reprinted in <citetitle>Legislative History of the
 Copyright Act</citetitle>, E. Fulton Brylawski and Abe Goldman, eds. (South
 Hackensack, N.J.: Rothman Reprints, 1976).
+<indexterm><primary>Kittredge, Alfred</primary></indexterm>
 </para></footnote>
 </para>
 </blockquote>
@@ -5723,6 +5777,7 @@ President Kennedy has Valenti in the background. In his almost forty
 years of running the MPAA, Valenti has established himself as perhaps
 the most prominent and effective lobbyist in Washington.
 <indexterm><primary>Johnson, Lyndon</primary></indexterm>
+<indexterm><primary>Kennedy, John F.</primary></indexterm>
 </para>
 <para>
 The MPAA is the American branch of the international Motion Picture
@@ -9394,6 +9449,7 @@ performance before President Kennedy at Madison Square Garden&mdash;
 then whenever that recording was played on the radio, the current
 copyright owners of "Happy Birthday" would get some money, whereas
 Marilyn Monroe would not.
+<indexterm><primary>Kennedy, John F.</primary></indexterm>
 </para>
 <para>
 The reasoning behind this balance struck by Congress makes some
@@ -12128,6 +12184,7 @@ any copyright owner's desire to exercise continued control over his
 content. It would simply liberate what Kevin Kelly calls the "Dark
 Content" that fills archives around the world. So when the warriors
 oppose a change like this, we should ask one simple question:
+<indexterm><primary>Kelly, Kevin</primary></indexterm>
 </para>
 <para>
 What does this industry really want?
@@ -13344,6 +13401,8 @@ Commons license after the book went out of print. He then monitored
 used book store prices for the book. As predicted, as the number of
 downloads increased, the used book price for his book increased, as
 well.
+<indexterm><primary>Free for All (Wayner)</primary></indexterm>
+<indexterm><primary>Wayner, Peter</primary></indexterm>
 </para>
 <para>
 These are examples of using the Commons to better spread proprietary
@@ -13771,6 +13830,7 @@ University Press, 1967), 32.
 The courts have expanded it slowly through judicial interpretation
 ever since. This expansion has been commented upon by one of the law's
 greatest judges, Judge Benjamin Kaplan.
+<indexterm><primary>Kaplan, Benjamin</primary></indexterm>
 </para>
 <blockquote>
 <para>