Use more SVGs in English version.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 1b160b0765e045de3ef8e7cc30b58dcc48ee721a..3f3493d543e2b800a2fde7406783d611e4a71bc0 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -52,8 +52,8 @@
 
 
  <publisher>
 
 
  <publisher>

-   <publishername>The Penguin Press</publishername>
-   <address><city>New York</city></address>
+   <publishername>Petter Reinholdtsen</publishername>
+   <address><city>Oslo</city></address>

  </publisher>
 
  <copyright>
  </publisher>
 
  <copyright>


@@ -124,7 +124,7 @@ Appeals.
 -->
  </mediaobject>
 
 -->
  </mediaobject>
 

- <biblioid class="isbn">1-59420-006-8</biblioid>
+ <biblioid class="isbn">978-82-92812-XX-Y</biblioid>

 
 <!-- LCCN from
      http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page
 
 <!-- LCCN from
      http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page


@@ -132,20 +132,6 @@ Appeals.
   <biblioid class="libraryofcongress">2003063276</biblioid>
 
 </bookinfo>
   <biblioid class="libraryofcongress">2003063276</biblioid>
 
 </bookinfo>

-<!--PAGE BREAK 1-->
-<dedication id="salespoints">
-<title></title>
-<para>
-You can buy a copy of this book by clicking on one of the links below:
-</para>
-<itemizedlist mark="number" spacing="compact">
-<listitem><para><ulink url="http://www.amazon.com/">Amazon</ulink></para></listitem>
-<listitem><para><ulink url="http://www.barnesandnoble.com/">B&amp;N</ulink></para></listitem>
-<listitem><para><ulink url="http://www.penguin.com/">Penguin</ulink></para></listitem>
-<!-- <ulink url="">Local Bookstore</ulink> -->
-</itemizedlist>
-</dedication>
-<!-- PAGE BREAK 2 -->

 <!-- PAGE BREAK 3 -->
 <dedication id="alsobylessig">
 <title></title>
 <!-- PAGE BREAK 3 -->
 <dedication id="alsobylessig">
 <title></title>


@@ -3779,9 +3765,10 @@ and how much p2p sharing harms before we know how strongly the
 law should seek to either prevent it or find an alternative to assure the
 author of his profit.
 </para>
 law should seek to either prevent it or find an alternative to assure the
 author of his profit.
 </para>

-<indexterm><primary>innovation</primary></indexterm>
-<indexterm><primary>Fanning, Shawn</primary></indexterm>

 <para>
 <para>

+<indexterm><primary>Fanning, Shawn</primary></indexterm>
+<indexterm><primary>innovation</primary></indexterm>
+<indexterm id='idxnapster' class='startofrange'><primary>Napster</primary></indexterm>

 Peer-to-peer sharing was made famous by Napster. But the inventors of
 the Napster technology had not made any major technological
 innovations.  Like every great advance in innovation on the Internet
 Peer-to-peer sharing was made famous by Napster. But the inventors of
 the Napster technology had not made any major technological
 innovations.  Like every great advance in innovation on the Internet


@@ -3802,6 +3789,9 @@ Christensen's ideas, see Lawrence Lessig, <citetitle>Future</citetitle>, 89&ndas
 put together components that had been developed independently.
 </para>
 <para>
 put together components that had been developed independently.
 </para>
 <para>

+<indexterm><primary>Kazaa</primary></indexterm>
+<indexterm><primary>Napster</primary><secondary>number of registrations on</secondary></indexterm>
+<indexterm><primary>Napster</primary><secondary>replacement of</secondary></indexterm>

 The result was spontaneous combustion. Launched in July 1999,
 Napster amassed over 10 million users within nine months. After
 eighteen months, there were close to 80 million registered users of the
 The result was spontaneous combustion. Launched in July 1999,
 Napster amassed over 10 million users within nine months. After
 eighteen months, there were close to 80 million registered users of the


@@ -3822,6 +3812,7 @@ users to make content available to any number of other users. With a
 p2p system, you can share your favorite songs with your best friend&mdash;
 or your 20,000 best friends.
 </para>
 p2p system, you can share your favorite songs with your best friend&mdash;
 or your 20,000 best friends.
 </para>

+<indexterm startref='idxnapster' class='endofrange'/>

 <para>
 According to a number of estimates, a huge proportion of Americans
 have tasted file-sharing technology. A study by Ipsos-Insight in
 <para>
 According to a number of estimates, a huge proportion of Americans
 have tasted file-sharing technology. A study by Ipsos-Insight in


@@ -4206,14 +4197,13 @@ found only with time.
 just what you call type A sharing?</quote>
 </para>
 <para>
 just what you call type A sharing?</quote>
 </para>
 <para>

-You would think. And we should hope. But so far, it is not. The 
-               effect
+You would think. And we should hope. But so far, it is not. The effect

 of the war purportedly on type A sharing alone has been felt far
 of the war purportedly on type A sharing alone has been felt far

-beyond that one class of sharing. That much is obvious from the 
-               Napster
-case itself. When Napster told the district court that it had 
-               developed
-a technology to block the transfer of 99.4 percent of identified
+beyond that one class of sharing. That much is obvious from the
+Napster case itself. When Napster told the district court that it had
+developed a technology to block the transfer of 99.4 percent of
+identified
+

 <!-- PAGE BREAK 87 -->
 infringing material, the district court told counsel for Napster 99.4
 percent was not good enough. Napster had to push the infringements
 <!-- PAGE BREAK 87 -->
 infringing material, the district court told counsel for Napster 99.4
 percent was not good enough. Napster had to push the infringements


@@ -5745,9 +5735,12 @@ room of over 250 well-entertained judges. Taking an ominous tone, he
 began his talk with a question: <quote>Do you know how many federal laws
 were just violated in this room?</quote>
 </para>
 began his talk with a question: <quote>Do you know how many federal laws
 were just violated in this room?</quote>
 </para>

-<indexterm><primary>Boies, David</primary></indexterm>
-<indexterm><primary>Alben, Alex</primary></indexterm>

 <para>
 <para>

+<indexterm><primary>Alben, Alex</primary></indexterm>
+<indexterm><primary>Boies, David</primary></indexterm>
+<indexterm><primary>Court of Appeals</primary><secondary>Ninth Circuit</secondary></indexterm>
+<indexterm><primary>Ninth Circuit Court of Appeals</primary></indexterm>
+<indexterm><primary>Napster</primary></indexterm>

 For of course, the two brilliantly talented creators who made this
 film hadn't done what Alben did. They hadn't spent a year clearing the
 rights to these clips; technically, what they had done violated the
 For of course, the two brilliantly talented creators who made this
 film hadn't done what Alben did. They hadn't spent a year clearing the
 rights to these clips; technically, what they had done violated the


@@ -7554,7 +7547,7 @@ acts do not make a copy.
 </para>
 <figure id="fig-1531">
 <title>Examples of unregulated uses of a book.</title>
 </para>
 <figure id="fig-1531">
 <title>Examples of unregulated uses of a book.</title>

-<graphic fileref="images/1531.svg" align="center" width="50%"></graphic>
+<graphic fileref="images/1531.png" align="center" width="50%"></graphic>

 </figure>
 <para>
 Obviously, however, some uses of a copyrighted book are regulated
 </figure>
 <para>
 Obviously, however, some uses of a copyrighted book are regulated


@@ -7575,7 +7568,7 @@ that remain unregulated because the law considers these <quote>fair uses.</quote
 <!-- PAGE BREAK 153 -->
 <figure id="fig-1541">
 <title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>
 <!-- PAGE BREAK 153 -->
 <figure id="fig-1541">
 <title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>

-<graphic fileref="images/1541.png" align="center" width="50%"></graphic>
+<graphic fileref="images/1541.svg" align="center" width="50%"></graphic>

 </figure>
 <indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
 <indexterm><primary>First Amendment</primary></indexterm>
 </figure>
 <indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
 <indexterm><primary>First Amendment</primary></indexterm>


@@ -7934,7 +7927,7 @@ a button at the bottom called Permissions.
 </para>
 <figure id="fig-1611">
 <title>Picture of an old version of Adobe eBook Reader</title>
 </para>
 <figure id="fig-1611">
 <title>Picture of an old version of Adobe eBook Reader</title>

-<graphic fileref="images/1611.png" align="center" width="50%"></graphic>
+<graphic fileref="images/1611.svg" align="center" width="50%"></graphic>

 </figure>
 <para>
 If you click on the Permissions button, you'll see a list of the
 </figure>
 <para>
 If you click on the Permissions button, you'll see a list of the


@@ -15589,24 +15582,37 @@ grateful for her perpetual patience and love.
 <index></index>
 <colophon>
 <para>
 <index></index>
 <colophon>
 <para>

-THE PENGUIN PRESS, a member of Penguin Group (USA) Inc.  375 Hudson Street New
-York, New York
+This digital book was published by Petter Reinholdtsen in 2014.

 </para>
 <para>
 </para>
 <para>

-Copyright &copy; Lawrence Lessig.  All rights reserved.
+The original hardcover paper book was published in 2004 by The Penguin
+Press, a member of Penguin Group (USA) Inc. 375 Hudson Street New
+York, New York.

 </para>
 <para>
 </para>
 <para>

-Excerpt from an editorial titled <quote>The Coming of Copyright Perpetuity,</quote>
-<citetitle>The New York Times</citetitle>, January 16, 2003. Copyright
-&copy; 2003 by The New York Times Co.  Reprinted with permission.
+Copyright &copy; Lawrence Lessig.  Some rights reserved.

 </para>
 <para>
 </para>
 <para>

-Cartoon in <xref linkend="fig-1711-vcr-handgun-cartoonfig"/> by Paul Conrad, copyright Tribune
-Media Services, Inc.  All rights reserved. Reprinted with permission.
+This version of <citetitle>Free Culture</citetitle> is licensed under
+a Creative Commons license. This license permits non-commercial use of
+this work, so long as attribution is given.  For more information
+about the license, click the icon above, or visit
+<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
+</para>
+<para>
+Excerpt from an editorial titled <quote>The Coming of Copyright
+Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
+16, 2003. Copyright &copy; 2003 by The New York Times Co.  Reprinted
+with permission.

 </para>
 <para>
 </para>
 <para>

-Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/> courtesy of the office of FCC
-Commissioner, Michael J. Copps.
+Cartoon in <xref linkend="fig-1711-vcr-handgun-cartoonfig"/> by Paul
+Conrad, copyright Tribune Media Services, Inc.  All rights
+reserved. Reprinted with permission.
+</para>
+<para>
+Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/>
+courtesy of the office of FCC Commissioner, Michael J. Copps.

 </para>
 <para>
 Library of Congress Cataloging-in-Publication Data
 </para>
 <para>
 Library of Congress Cataloging-in-Publication Data


@@ -15617,44 +15623,84 @@ Free culture : how big media uses technology and the law to lock down
 culture and control creativity / Lawrence Lessig.
 </para>
 <para>
 culture and control creativity / Lawrence Lessig.
 </para>
 <para>

+p. cm.
+</para>
+<para>

 Includes index.
 </para>
 Includes index.
 </para>

+

 <para>
 <para>

-ISBN 1-59420-006-8 (hardcover)
+<informaltable id="isbn">
+<tgroup cols="2" align="left">
+<thead>
+ <row>
+ <entry>ISBN</entry>
+ <entry>Format / MIME-type</entry>
+ </row>
+</thead>
+<tbody>
+ <row>
+ <entry>978-82-92812-XX-Y</entry>
+ <entry>text/plain</entry>
+ </row>
+
+ <row>
+ <entry>978-82-92812-XX-Y</entry>
+ <entry>application/pdf</entry>
+ </row>
+ <row>
+ <entry>978-82-92812-XX-Y</entry>
+ <entry>text/html</entry>
+ </row>
+ <row>
+ <entry>978-82-92812-XX-Y</entry>
+ <entry>application/epub+zip</entry>
+ </row>
+ <row>
+ <entry>978-82-92812-XX-Y</entry>
+ <entry>application/docbook+xml</entry>
+ </row>
+ <row>
+ <entry>978-82-92812-XX-Y</entry>
+ <entry>application/x-mobipocket-ebook</entry>
+ </row>
+</tbody>
+</tgroup>
+</informaltable>

 </para>
 
 <para>
 </para>
 
 <para>

-1. Intellectual property&mdash;United States. 2. Mass media&mdash;United States.
+1. Intellectual property&mdash;United States.

 </para>
 <para>
 </para>
 <para>

-3. Technological innovations&mdash;United States. 4. Art&mdash;United States. I. Title.
+2. Mass media&mdash;United States.

 </para>
 <para>
 </para>
 <para>

-KF2979.L47
+3. Technological innovations&mdash;United States.

 </para>
 <para>
 </para>
 <para>

-343.7309'9&mdash;dc22
+4. Art&mdash;United States. I. Title.

 </para>
 </para>

-

 <para>
 <para>

-&translationblock;
+KF2979.L47 2004
+</para>
+<para>
+343.7309'9&mdash;dc22 2003063276

 </para>
 
 <para>
 </para>
 
 <para>

-Without limiting the rights under copyright reserved above, no part of
-this publication may be reproduced, stored in or introduced into a
-retrieval system, or transmitted, in any form or by any means
-(electronic, mechanical, photocopying, recording or otherwise),
-without the prior written permission of both the copyright owner and
-the above publisher of this book.
+The source of this version of the text is written using DocBook
+notation and the other formats are derived from the DocBook source.
+The DocBook source is based on a DocBook XML version created by Hans
+Schou, and extended with formatting and index references by Petter
+Reinholdtsen.  The source files of this book is available as
+<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig">a
+github project</ulink>.

 </para>
 </para>

+

 <para>
 <para>

-The scanning, uploading, and distribution of this book via the
-Internet or via any other means without the permission of the
-publisher is illegal and punishable by law.  Please purchase only
-authorized electronic editions and do not participate in or encourage
-electronic piracy of copyrighted materials. Your support of the
-author's rights is appreciated.
+&translationblock;

 </para>
 </para>

+

 </colophon>
 </book>
 </colophon>
 </book>