<abbrev>"freeculture"</abbrev>
- <subtitle>HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN
- CULTURE AND CONTROL CREATIVITY</subtitle>
+ <subtitle>How big media uses technology and the law to lock down
+ culture and control creativity</subtitle>
<pubdate>2004-03-25</pubdate>
+ <edition>1</edition>
+
<releaseinfo>Version 2004-02-10</releaseinfo>
<authorgroup>
<firstname>Lawrence</firstname>
<surname>Lessig</surname>
</author>
+<!--
+ Keep these out to avoid showing up as author in the PDF.
+
+ <editor>
+ <firstname>Petter</firstname>
+ <surname>Reinholdtsen</surname>
+ </editor>
+
+ <othercredit role='converter'>
+ <firstname>Petter</firstname>
+ <surname>Reinholdtsen</surname>
+ <contrib>Created this Docbook version from an earlier version</contrib>
+ </othercredit>
+-->
</authorgroup>
<!-- <subjectset> and cover <mediaobject> Based on example from
<publisher>
- <publishername>The Penguin Press</publishername>
- <address><city>New York</city></address>
+ <publishername>Petter Reinholdtsen</publishername>
+ <address><city>Oslo</city></address>
</publisher>
<copyright>
</para>
<para>
-This version of <citetitle>Free Culture</citetitle> is licensed under
-a Creative Commons license. This license permits non-commercial use of
-this work, so long as attribution is given. For more information
-about the license, click the icon above, or visit
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given. For more information about the license visit
<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
</para>
</legalnotice>
<abstract>
- <title>ABOUT THE AUTHOR</title>
+ <title>About the author</title>
<para>
-LAWRENCE LESSIG
+Lawrence Lessig
(<ulink url="http://www.lessig.org">http://www.lessig.org</ulink>),
professor of law and a John A. Wilson Distinguished Faculty Scholar
at Stanford Law School, is founder of the Stanford Center for Internet
-->
</mediaobject>
- <biblioid class="isbn">1-59420-006-8</biblioid>
+ <biblioid class="isbn">978-82-8067-010-6</biblioid>
<!-- LCCN from
http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page
-->
<biblioid class="libraryofcongress">2003063276</biblioid>
+ <biblioid class="uri">http://free-culture.cc/</biblioid>
+
</bookinfo>
-<!--PAGE BREAK 1-->
-<dedication id="salespoints">
-<title></title>
-<para>
-You can buy a copy of this book by clicking on one of the links below:
-</para>
-<itemizedlist mark="number" spacing="compact">
-<listitem><para><ulink url="http://www.amazon.com/">Amazon</ulink></para></listitem>
-<listitem><para><ulink url="http://www.barnesandnoble.com/">B&N</ulink></para></listitem>
-<listitem><para><ulink url="http://www.penguin.com/">Penguin</ulink></para></listitem>
-<!-- <ulink url="">Local Bookstore</ulink> -->
-</itemizedlist>
-</dedication>
-<!-- PAGE BREAK 2 -->
<!-- PAGE BREAK 3 -->
<dedication id="alsobylessig">
-<title></title>
-<para>
-ALSO BY LAWRENCE LESSIG
-</para>
-<para>
+<title>
+Also by Lawrence Lessig
+</title>
+
+<itemizedlist>
+
+<listitem><para>
+<!-- 2014 -->
+The USA is lesterland: The nature of congressional corruption
+</para></listitem>
+<listitem><para>
+<!-- 2011, 2012 -->
+Republic, lost: How money corrupts Congress - and a plan to stop it
+</para></listitem>
+<listitem><para>
+<!-- 2008 -->
+Remix: Making art and commerce thrive in the hybrid economy
+</para></listitem>
+<listitem><para>
+<!-- 2006 -->
+Code: Version 2.0
+</para></listitem>
+<listitem><para>
+<!-- 2001, 2002 -->
The Future of Ideas: The Fate of the Commons in a Connected World
-</para>
-<para>
+</para></listitem>
+<listitem><para>
+<!-- 1999 -->
Code: And Other Laws of Cyberspace
-</para>
+</para></listitem>
+</itemizedlist>
</dedication>
<!-- PAGE BREAK 4 -->
<!-- PAGE BREAK 5 -->
<!-- PAGE BREAK 6 -->
<!-- PAGE BREAK 7 -->
<dedication><title></title>
+<!-- FIXME figure out how to do this better in dblatex and docbook-xsl -->
+<?latex {\Huge \centering
+?>
<para>
-To Eric Eldred—whose work first drew me to this cause, and for whom
+To Eric Eldred — whose work first drew me to this cause, and for whom
it continues still.
</para>
+<?latex } % \Huge \centering
+?>
</dedication>
<toc id="toc"></toc>
<!-- PAGE BREAK 11 -->
<preface id="preface">
-<title>PREFACE</title>
+<title>Preface</title>
<indexterm id='idxpoguedavid' class='startofrange'><primary>Pogue, David</primary></indexterm>
<para>
<emphasis role="bold">At the end</emphasis> of his review of my first
<!-- PAGE BREAK 15 -->
<!-- PAGE BREAK 16 -->
-<chapter label="0" id="c-introduction">
-<title>INTRODUCTION</title>
+<chapter label="" id="c-introduction">
+<title>Introduction</title>
<indexterm id='idxwrightbrothers' class='startofrange'><primary>Wright brothers</primary></indexterm>
<para>
<emphasis role="strong">On December 17</emphasis>, 1903, on a windy North Carolina beach for just
the noble class live easily; those outside it don't. But it is
nobility of any form that is alien to our tradition.
</para>
-<!-- PAGE BREAK 26. FIXME: Should "Is it" be "It is" ? -->
+<!-- PAGE BREAK 26. FIXME: Ask author if "Is it" should be "It is" ? -->
<para>
-The story that follows is about this war. Is it not about the
+The story that follows is about this war. It is not about the
<quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
digital or otherwise. Nor is it an effort to demonize any individual
or group, for neither do I believe in a devil, corporate or
</chapter>
<!-- PAGE BREAK 29 -->
<part id="c-piracy">
-<title><quote>PIRACY</quote></title>
+<title><quote>Piracy</quote></title>
<partintro>
<!-- PAGE BREAK 30 -->
<indexterm><primary>copyright law</primary><secondary>English</secondary></indexterm>
<!-- PAGE BREAK 34 -->
<chapter label="1" id="creators">
-<title>CHAPTER ONE: Creators</title>
+<title>Chapter One: Creators</title>
<indexterm id='idxanimatedcartoons' class='startofrange'><primary>animated cartoons</primary></indexterm>
<indexterm id='idxcartoonfilms' class='startofrange'><primary>cartoon films</primary></indexterm>
<indexterm id='idxfilmsanimated' class='startofrange'><primary>films</primary><secondary>animated</secondary></indexterm>
early days of comics in America are very much like what's going on
in Japan now. … American comics were born out of copying each
<!-- PAGE BREAK 40 -->
-other. … That's how [the artists] learn to draw—by going into comic
+other. … That's how [the artists] learn to draw — by going into comic
books and not tracing them, but looking at them and copying them</quote>
and building from them.<footnote><para>
<!-- f5 -->
Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York
University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of Ideas</citetitle>
(New York: Random House, 2001), 293 n. 26. The term accurately
-describes a set of <quote>property</quote> rights—copyright, patents,
-trademark, and trade-secret—but the nature of those rights is
+describes a set of <quote>property</quote> rights — copyright, patents,
+trademark, and trade-secret — but the nature of those rights is
very different.
</para></footnote>
A large, diverse society cannot survive without property; a large,
<!-- PAGE BREAK 44 -->
</chapter>
<chapter label="2" id="mere-copyists">
-<title>CHAPTER TWO: <quote>Mere Copyists</quote></title>
+<title>Chapter Two: <quote>Mere Copyists</quote></title>
<indexterm><primary>Daguerre, Louis</primary></indexterm>
<indexterm id='idxcameratechnology' class='startofrange'><primary>camera technology</primary></indexterm>
<indexterm id='idxphotography' class='startofrange'><primary>photography</primary></indexterm>
<!-- PAGE BREAK 61 -->
</chapter>
<chapter label="3" id="catalogs">
-<title>CHAPTER THREE: Catalogs</title>
+<title>Chapter Three: Catalogs</title>
<indexterm><primary>Jordan, Jesse</primary></indexterm>
<indexterm><primary>RPI</primary><see>Rensselaer Polytechnic Institute (RPI)</see></indexterm>
<indexterm id='idxrensselaer' class='startofrange'><primary>Rensselaer Polytechnic Institute (RPI)</primary></indexterm>
time, enabling employees to have access to material that people
outside the business can't get. Universities do it as well.
</para>
-<indexterm startref='idxuniversitycomputernetworksppsharingon' class='endofrange'/>
<indexterm id='idxjordanjesse' class='startofrange'><primary>Jordan, Jesse</primary></indexterm>
<indexterm id='idxmicrosoftnetworkfilesystemof' class='startofrange'><primary>Microsoft</primary><secondary>network file system of</secondary></indexterm>
<para>
<!-- PAGE BREAK 66 -->
</chapter>
<chapter label="4" id="pirates">
-<title>CHAPTER FOUR: <quote>Pirates</quote></title>
+<title>Chapter Four: <quote>Pirates</quote></title>
<indexterm id='idxpiracyindevelopmentofcontentindustry' class='startofrange'><primary>piracy</primary><secondary>in development of content industry</secondary></indexterm>
<indexterm><primary><quote>if value, then right</quote> theory</primary></indexterm>
<para>
</section>
</chapter>
<chapter label="5" id="piracy">
-<title>CHAPTER FIVE: <quote>Piracy</quote></title>
+<title>Chapter Five: <quote>Piracy</quote></title>
<para>
<emphasis role='strong'>There is piracy</emphasis> of copyrighted
material. Lots of it. This piracy comes in many forms. The most
law should seek to either prevent it or find an alternative to assure the
author of his profit.
</para>
-<indexterm><primary>innovation</primary></indexterm>
-<indexterm><primary>Fanning, Shawn</primary></indexterm>
<para>
+<indexterm><primary>Fanning, Shawn</primary></indexterm>
+<indexterm><primary>innovation</primary></indexterm>
+<indexterm id='idxnapster' class='startofrange'><primary>Napster</primary></indexterm>
Peer-to-peer sharing was made famous by Napster. But the inventors of
the Napster technology had not made any major technological
innovations. Like every great advance in innovation on the Internet
put together components that had been developed independently.
</para>
<para>
+<indexterm><primary>Kazaa</primary></indexterm>
+<indexterm><primary>Napster</primary><secondary>number of registrations on</secondary></indexterm>
+<indexterm><primary>Napster</primary><secondary>replacement of</secondary></indexterm>
The result was spontaneous combustion. Launched in July 1999,
Napster amassed over 10 million users within nine months. After
eighteen months, there were close to 80 million registered users of the
p2p system, you can share your favorite songs with your best friend—
or your 20,000 best friends.
</para>
+<indexterm startref='idxnapster' class='endofrange'/>
<para>
According to a number of estimates, a huge proportion of Americans
have tasted file-sharing technology. A study by Ipsos-Insight in
just what you call type A sharing?</quote>
</para>
<para>
-You would think. And we should hope. But so far, it is not. The
- effect
+You would think. And we should hope. But so far, it is not. The effect
of the war purportedly on type A sharing alone has been felt far
-beyond that one class of sharing. That much is obvious from the
- Napster
-case itself. When Napster told the district court that it had
- developed
-a technology to block the transfer of 99.4 percent of identified
+beyond that one class of sharing. That much is obvious from the
+Napster case itself. When Napster told the district court that it had
+developed a technology to block the transfer of 99.4 percent of
+identified
+
<!-- PAGE BREAK 87 -->
infringing material, the district court told counsel for Napster 99.4
percent was not good enough. Napster had to push the infringements
</chapter>
</part>
<part id="c-property">
-<title><quote>PROPERTY</quote></title>
+<title><quote>Property</quote></title>
<partintro>
<para>
<!-- PAGE BREAK 96 -->
<chapter label="6" id="founders">
-<title>CHAPTER SIX: Founders</title>
+<title>Chapter Six: Founders</title>
<indexterm id='idxbooksenglishcopyrightlawdevelopedfor' class='startofrange'><primary>books</primary><secondary>English copyright law developed for</secondary></indexterm>
<indexterm id='idxcopyrightlawdevelopmentof' class='startofrange'><primary>copyright law</primary><secondary>development of</secondary></indexterm>
<indexterm id='idxcopyrightlawenglish' class='startofrange'><primary>copyright law</primary><secondary>English</secondary></indexterm>
<!-- PAGE BREAK 106 -->
</chapter>
<chapter label="7" id="recorders">
-<title>CHAPTER SEVEN: Recorders</title>
+<title>Chapter Seven: Recorders</title>
<indexterm id='idxcopyrightlawfairuseand' class='startofrange'><primary>copyright law</primary><secondary>fair use and</secondary></indexterm>
<indexterm id='idxdocumentaryfilm' class='startofrange'><primary>documentary film</primary></indexterm>
<indexterm id='idxelsejon' class='startofrange'><primary>Else, Jon</primary></indexterm>
<!-- PAGE BREAK 111 -->
</chapter>
<chapter label="8" id="transformers">
-<title>CHAPTER EIGHT: Transformers</title>
+<title>Chapter Eight: Transformers</title>
<indexterm><primary>Allen, Paul</primary></indexterm>
<indexterm id='idxalbenalex1' class='startofrange'><primary>Alben, Alex</primary></indexterm>
<indexterm><primary>Microsoft</primary></indexterm>
began his talk with a question: <quote>Do you know how many federal laws
were just violated in this room?</quote>
</para>
-<indexterm><primary>Boies, David</primary></indexterm>
-<indexterm><primary>Alben, Alex</primary></indexterm>
<para>
+<indexterm><primary>Alben, Alex</primary></indexterm>
+<indexterm><primary>Boies, David</primary></indexterm>
+<indexterm><primary>Court of Appeals</primary><secondary>Ninth Circuit</secondary></indexterm>
+<indexterm><primary>Ninth Circuit Court of Appeals</primary></indexterm>
+<indexterm><primary>Napster</primary></indexterm>
For of course, the two brilliantly talented creators who made this
film hadn't done what Alben did. They hadn't spent a year clearing the
rights to these clips; technically, what they had done violated the
<!-- PAGE BREAK 119 -->
</chapter>
<chapter label="9" id="collectors">
-<title>CHAPTER NINE: Collectors</title>
+<title>Chapter Nine: Collectors</title>
<indexterm id='idxarchivesdigital1' class='startofrange'><primary>archives, digital</primary></indexterm>
<indexterm><primary>bots</primary></indexterm>
<para>
<!-- PAGE BREAK 127 -->
</chapter>
<chapter label="10" id="property-i">
-<title>CHAPTER TEN: <quote>Property</quote></title>
+<title>Chapter Ten: <quote>Property</quote></title>
<indexterm><primary>Johnson, Lyndon</primary></indexterm>
<indexterm><primary>Kennedy, John F.</primary></indexterm>
<para>
weaken the right or regulation. I represented it with this diagram:
</para>
<figure id="fig-1331">
-<title>How four different modalities of regulation interact to support or weaken the right or regulation.</title>
+<title></title>
<graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
</figure>
<indexterm><primary>Madonna</primary></indexterm>
<indexterm startref='idxdrivingspeedconstraintson' class='endofrange'/>
<indexterm startref='idxspeedingconstraintson' class='endofrange'/>
<figure id="fig-1361">
-<title>Law has a special role in affecting the three.</title>
+<title></title>
<graphic fileref="images/1361.svg" align="center" width="50%"></graphic>
</figure>
Internet:
</para>
<figure id="fig-1371">
-<title>Copyright's regulation before the Internet.</title>
+<title></title>
<graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
</figure>
looting that results.
</para>
<figure id="fig-1381">
-<title>effective state of anarchy after the Internet.</title>
+<title></title>
<graphic fileref="images/1381.svg" align="center" width="50%"></graphic>
</figure>
started here:
</para>
<figure id="fig-1441">
-<title>Copyright's regulation before the Internet.</title>
+<title></title>
<graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
</figure>
<para>
We will end here:
</para>
<figure id="fig-1442">
-<title><quote>Copyright</quote> today.</title>
+<title></title>
<graphic fileref="images/1442.svg" align="center" width="50%"></graphic>
</figure>
<para>
empty circle.
</para>
<figure id="fig-1521">
-<title>All potential uses of a book.</title>
-<graphic fileref="images/1521.svg" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1521.svg" align="center" width="40%"></graphic>
</figure>
<indexterm id='idxbooksthreetypesofusesof' class='startofrange'><primary>books</primary><secondary>three types of uses of</secondary></indexterm>
<indexterm id='idxcopyrightlawcopiesascoreissueof2' class='startofrange'><primary>copyright law</primary><secondary>copies as core issue of</secondary></indexterm>
acts do not make a copy.
</para>
<figure id="fig-1531">
-<title>Examples of unregulated uses of a book.</title>
-<graphic fileref="images/1531.svg" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1531.png" align="center" width="40%"></graphic>
</figure>
<para>
Obviously, however, some uses of a copyrighted book are regulated
by copyright law. Republishing the book, for example, makes a copy. It
is therefore regulated by copyright law. Indeed, this particular use stands
at the core of this circle of possible uses of a copyrighted work. It is the
-paradigmatic use properly regulated by copyright regulation (see first
-diagram on next page).
+paradigmatic use properly regulated by copyright regulation (see
+diagram in figure <xref xrefstyle="template:%n" linkend="fig-1541"/>).
</para>
<indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
<indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>
</para>
<!-- PAGE BREAK 153 -->
<figure id="fig-1541">
-<title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>
-<graphic fileref="images/1541.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1541.svg" align="center" width="40%"></graphic>
</figure>
<indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
<indexterm><primary>First Amendment</primary></indexterm>
for public policy (and possibly First Amendment) reasons.
</para>
<figure id="fig-1542">
-<title>Unregulated copying considered <quote>fair uses.</quote></title>
-<graphic fileref="images/1542.png" align="center" width="50%"></graphic>
-</figure>
-<para> </para>
-<figure id="fig-1551">
-<title>Uses that before were presumptively unregulated are now presumptively regulated.</title>
-<graphic fileref="images/1551.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1542.svg" align="center" width="40%"></graphic>
</figure>
<indexterm id='idxcopyrightusagerestrictionsattachedto' class='startofrange'><primary>copyright</primary><secondary>usage restrictions attached to</secondary></indexterm>
<para>
fifth time, you are making a copy of the book contrary to the
copyright owner's wish.
</para>
+<figure id="fig-1551">
+<title></title>
+<graphic fileref="images/1551.svg" align="center" width="40%"></graphic>
+</figure>
<para>
There are some people who think this makes perfect sense. My aim
just now is not to argue about whether it makes sense or not. My aim
technology.
</para>
<para>
-On the next page is a picture of an old version of my Adobe eBook
-Reader.
+In figure
+<xref xrefstyle="template:%n" linkend="fig-example-adobe-ebook-reader"/>
+is a picture of an old version of my Adobe eBook Reader.
</para>
<para>
As you can see, I have a small collection of e-books within this
<citetitle>Middlemarch</citetitle>, you'll see a fancy cover, and then
a button at the bottom called Permissions.
</para>
-<figure id="fig-1611">
-<title>Picture of an old version of Adobe eBook Reader</title>
-<graphic fileref="images/1611.png" align="center" width="50%"></graphic>
+<figure id="fig-example-adobe-ebook-reader">
+<title></title>
+<graphic fileref="images/example-adobe-ebook-reader.png" align="center" width="50%"></graphic>
</figure>
<para>
If you click on the Permissions button, you'll see a list of the
permissions that the publisher purports to grant with this book.
</para>
<figure id="fig-1612">
-<title>List of the permissions that the publisher purports to grant.</title>
+<title></title>
<graphic fileref="images/1612.png" align="center" width="50%"></graphic>
</figure>
<para>
translation): Aristotle's <citetitle>Politics</citetitle>.
</para>
<figure id="fig-1621">
-<title>E-book of Aristotle;s <quote>Politics</quote></title>
+<title></title>
<graphic fileref="images/1621.png" align="center" width="50%"></graphic>
</figure>
<para>
the book.
</para>
<figure id="fig-1622">
-<title>List of the permissions for Aristotle;s <quote>Politics</quote>.</title>
+<title></title>
<graphic fileref="images/1622.png" align="center" width="50%"></graphic>
</figure>
<indexterm><primary>Future of Ideas, The (Lessig)</primary></indexterm>
</para>
<!-- PAGE BREAK 162 -->
<figure id="fig-1631">
-<title>List of the permissions for <quote>The Future of Ideas</quote>.</title>
+<title></title>
<graphic fileref="images/1631.png" align="center" width="50%"></graphic>
</figure>
<para>
following report:
</para>
<figure id="fig-1641">
-<title>List of the permissions for <quote>Alice's Adventures in
-Wonderland</quote>.</title>
+<title></title>
<graphic fileref="images/1641.png" align="center" width="50%"></graphic>
</figure>
<!-- PAGE BREAK 164-->
the VCR responsible.
</para>
<para>
-This led Conrad to draw the cartoon below, which we can adopt to
-the DMCA.
+This led Conrad to draw the cartoon in figure
+<xref xrefstyle="template:%n"
+linkend="fig-1711-vcr-handgun-cartoonfig"/>, which we can adopt to the
+DMCA.
<indexterm><primary>Conrad, Paul</primary></indexterm>
</para>
<para>
such a use would be good. It, too, is a technology that has both good
and bad uses.
</para>
-<figure id="fig-1711-vcr-handgun-cartoonfig">
-<title>VCR/handgun cartoon.</title>
-<graphic fileref="images/1711.png" align="center" width="70%"></graphic>
+<figure id="fig-1711-vcr-handgun-cartoonfig" float="1">
+<title>— On which item have the courts ruled that manufacturers and
+retailers be held responsible for having supplied the
+equipment?</title>
+<graphic fileref="images/1711.png" align="center" width="100%"></graphic>
</figure>
<indexterm><primary>Conrad, Paul</primary></indexterm>
<para>
pattern better than a thousand words could do:
</para>
<figure id="fig-1761-pattern-modern-media-ownership">
-<title>Pattern of modern media ownership.</title>
-<graphic fileref="images/1761.png" align="center" width="90%"></graphic>
+<title></title>
+<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="90%"></graphic>
</figure>
<para>
<!-- PAGE BREAK 175 -->
</row>
<row>
<entry>Noncommercial</entry>
- <entry>©/Free</entry>
+ <entry>© / Free</entry>
<entry>Free</entry>
</row>
</tbody>
</chapter>
</part>
<part id="c-puzzles">
-<title>PUZZLES</title>
+<title>Puzzles</title>
<!-- PAGE BREAK 186 -->
<chapter label="11" id="chimera">
-<title>CHAPTER ELEVEN: Chimera</title>
+<title>Chapter Eleven: Chimera</title>
<indexterm id='idxchimera' class='startofrange'><primary>chimeras</primary></indexterm>
<indexterm id='idxwells' class='startofrange'><primary>Wells, H. G.</primary></indexterm>
<indexterm id='idxtcotb' class='startofrange'><primary><quote>Country of the Blind, The</quote> (Wells)</primary></indexterm>
<!-- PAGE BREAK 192 -->
</chapter>
<chapter label="12" id="harms">
-<title>CHAPTER TWELVE: Harms</title>
+<title>Chapter Twelve: Harms</title>
<para>
<emphasis role='strong'>To fight</emphasis> <quote>piracy,</quote> to
protect <quote>property,</quote> the content industry has launched a
work spread across the Internet. But as the law is currently crafted, this
work is presumptively illegal.
</para>
-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>
<indexterm><primary>copyright infringement lawsuits</primary><secondary>exaggerated claims of</secondary></indexterm>
<indexterm><primary>copyright infringement lawsuits</primary><secondary>in recording industry</secondary></indexterm>
<indexterm><primary>doctors malpractice claims against</primary></indexterm>
the settlement, see MCI press release, <quote>MCI Wins U.S. District Court
Approval for SEC Settlement</quote> (7 July 2003), available at
<ulink url="http://free-culture.cc/notes/">link #37</ulink>.
-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>
</para></footnote>
And under legislation being pushed in Congress right now, a doctor who
negligently removes the wrong leg in an operation would be liable for
</chapter>
</part>
<part id="c-balances">
-<title>BALANCES</title>
+<title>Balances</title>
<partintro>
<!-- PAGE BREAK 218 -->
<!-- PAGE BREAK 220 -->
<chapter label="13" id="eldred">
-<title>CHAPTER THIRTEEN: Eldred</title>
+<title>Chapter Thirteen: Eldred</title>
<indexterm id='idxeldrederic' class='startofrange'><primary>Eldred, Eric</primary></indexterm>
<indexterm id='idxhawthornenathaniel' class='startofrange'><primary>Hawthorne, Nathaniel</primary></indexterm>
<para>
<para>
The best responses were in the cartoons. There was a gaggle of
hilarious images—of Mickey in jail and the like. The best, from
-my view of the case, was Ruben Bolling's, reproduced on the next page
-(<xref linkend="fig-18"/>). The <quote>powerful and wealthy</quote> line is a bit
-unfair. But the punch in the face felt exactly like that.
+my view of the case, was Ruben Bolling's, reproduced in figure
+<xref xrefstyle="template:%n" linkend="fig-18"/>. The <quote>powerful
+and wealthy</quote> line is a bit unfair. But the punch in the face
+felt exactly like that.
<indexterm><primary>Bolling, Ruben</primary></indexterm>
</para>
-<figure id="fig-18">
-<title>Tom the Dancing Bug cartoon</title>
-<graphic fileref="images/18.png" align="center" width="95%"></graphic>
+<figure id="fig-18" float="1">
+<title></title>
+<graphic fileref="images/tom-the-dancing-bug.png" align="center" width="100%"></graphic>
<indexterm><primary>Bolling, Ruben</primary></indexterm>
</figure>
<para>
<!-- PAGE BREAK 254 -->
</chapter>
<chapter label="14" id="eldred-ii">
-<title>CHAPTER FOURTEEN: Eldred II</title>
+<title>Chapter Fourteen: Eldred II</title>
<para>
<emphasis role='strong'>The day</emphasis>
<citetitle>Eldred</citetitle> was decided, fate would have it that I
<!-- PAGE BREAK 264 -->
</chapter>
</part>
-<chapter label="15" id="c-conclusion">
-<title>CONCLUSION</title>
+<chapter label="" id="c-conclusion">
+<title>Conclusion</title>
<indexterm id='idxafricamedicationsforhivpatientsin' class='startofrange'><primary>Africa, medications for HIV patients in</primary></indexterm>
<indexterm id='idxaidsmedications' class='startofrange'><primary>AIDS medications</primary></indexterm>
<indexterm id='idxantiretroviraldrugs' class='startofrange'><primary>antiretroviral drugs</primary></indexterm>
</para>
</chapter>
-<chapter label="16" id="c-afterword">
-<title>AFTERWORD</title>
+<chapter label="" id="c-afterword">
+<title>Afterword</title>
<para>
<!-- PAGE BREAK 280 -->
<!-- PAGE BREAK 281 -->
<section id="usnow">
-<title>US, NOW</title>
+<title>Us, now</title>
<para>
<emphasis role='strong'>Common sense</emphasis> is with the copyright
warriors because the debate so far has been framed at the
</section>
</section>
<section id="themsoon">
-<title>THEM, SOON</title>
+<title>Them, soon</title>
<para>
<emphasis role='strong'>We will</emphasis> not reclaim a free culture
by individual action alone. It will also take important reforms of
<!-- PAGE BREAK 294 -->
<section id="registration">
-<title>REGISTRATION AND RENEWAL</title>
+<title>Registration and renewal</title>
<para>
Under the old system, a copyright owner had to file a registration
with the Copyright Office to register or renew a copyright. When
</section>
<section id="marking">
-<title>MARKING</title>
+<title>Marking</title>
<para>
It used to be that the failure to include a copyright notice on a
creative work meant that the copyright was forfeited. That was a harsh
</section>
</section>
</chapter>
-<chapter label="17" id="c-notes">
-<title>NOTES</title>
+<chapter label="" id="c-notes">
+<title>Notes</title>
<para>
Throughout this text, there are references to links on the World Wide
Web. As anyone who has tried to use the Web knows, these links can be
</para>
<!-- insert endnotes here -->
-<?latex \theendnotes ?>
+<?latex \theendnotes
+?>
<!--PAGE BREAK 336-->
</chapter>
-<chapter label="18" id="c-acknowledgments">
-<title>ACKNOWLEDGMENTS</title>
+<chapter label="" id="c-acknowledgments">
+<title>Acknowledgments</title>
<para>
This book is the product of a long and as yet unsuccessful struggle that
began when I read of Eric Eldred's war to keep books free. Eldred's
</chapter>
<index></index>
<colophon>
+<!--
+Hack to get rid of chapter heading on colophon page and provide a more
+conventional Colophon page. The disadvantage is a useless blank page
+where the empty chapter title is printed.
+-->
+<title></title>
+<?latex {\centering
+?>
<para>
-THE PENGUIN PRESS, a member of Penguin Group (USA) Inc. 375 Hudson Street New
-York, New York
-</para>
-<para>
-Copyright © Lawrence Lessig. All rights reserved.
-</para>
-<para>
-Excerpt from an editorial titled <quote>The Coming of Copyright Perpetuity,</quote>
-<citetitle>The New York Times</citetitle>, January 16, 2003. Copyright
-© 2003 by The New York Times Co. Reprinted with permission.
-</para>
-<para>
-Cartoon in <xref linkend="fig-1711-vcr-handgun-cartoonfig"/> by Paul Conrad, copyright Tribune
-Media Services, Inc. All rights reserved. Reprinted with permission.
-</para>
-<para>
-Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/> courtesy of the office of FCC
-Commissioner, Michael J. Copps.
-</para>
-<para>
-Library of Congress Cataloging-in-Publication Data
-</para>
-<para>
-Lessig, Lawrence.
-Free culture : how big media uses technology and the law to lock down
+Free culture: How big media uses technology and the law to lock down
culture and control creativity / Lawrence Lessig.
</para>
<para>
-p. cm.
-</para>
-<para>
-Includes index.
+Copyright © 2004 Lawrence Lessig. Some rights reserved.
</para>
+
<para>
-ISBN 1-59420-006-8 (hardcover)
+<ulink url="http://free-culture.cc/"/>
</para>
<para>
-1. Intellectual property—United States. 2. Mass media—United States.
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given. For more information about the license visit
+<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
</para>
+
<para>
-3. Technological innovations—United States. 4. Art—United States. I. Title.
+Published 2015 by Petter Reinholdtsen in his spare time. First
+published 2004 by The Penguin Press. Thomas Gramstad Forlag donated
+the ISBN numbers.
</para>
+
<para>
-KF2979.L47
+Excerpt from an editorial titled <quote>The Coming of Copyright
+Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
+16, 2003. Copyright © 2003 by The New York Times Co. Reprinted
+with permission.
</para>
<para>
-343.7309'9—dc22
+Cartoon in figure
+<xref xrefstyle="template:%n" linkend="fig-1711-vcr-handgun-cartoonfig"/> by
+Paul Conrad, copyright Tribune Media Services, Inc. All rights
+reserved. Reprinted with permission.
</para>
<para>
-This book is printed on acid-free paper.
+Diagram in figure
+<xref xrefstyle="template:%n" linkend="fig-1761-pattern-modern-media-ownership"/>
+courtesy of the office of FCC Commissioner, Michael J. Copps.
</para>
+
<para>
-Printed in the United States of America
+Includes index.
</para>
+
<para>
-1 3 5 7 9 10 8 6 4
+Classifications: (Dewey)
+306.4
+306.40973
+306.46
+341.7582
+343.7309/9,
+(UDK) 347.78
+(US Lib. of Congress) KF2979.L47 2004
+(ACM CRCS) K.4.1
</para>
+
+<?latex } %\centering
+?>
+
<para>
-Designed by Marysarah Quinn
+The book source is in DocBook notation and the other formats are
+derived from this. The source is based on a version from Hans Schou.
+Typeset using Crimson Text and formatted using dblatex. Many thanks
+to the dblatex developer Benoît Guillon for his help. The source is
+available from
+<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig"/>.
+Please report any problems using the GitHub issue tracker.
</para>
<para>
</para>
<para>
-Without limiting the rights under copyright reserved above, no part of
-this publication may be reproduced, stored in or introduced into a
-retrieval system, or transmitted, in any form or by any means
-(electronic, mechanical, photocopying, recording or otherwise),
-without the prior written permission of both the copyright owner and
-the above publisher of this book.
-</para>
-<para>
-The scanning, uploading, and distribution of this book via the
-Internet or via any other means without the permission of the
-publisher is illegal and punishable by law. Please purchase only
-authorized electronic editions and do not participate in or encourage
-electronic piracy of copyrighted materials. Your support of the
-author's rights is appreciated.
+<informaltable id="isbn">
+<tgroup cols="2" align="left">
+<thead>
+ <row>
+ <entry>ISBN</entry>
+ <entry>Format / MIME-type</entry>
+ </row>
+</thead>
+<tbody>
+ <row>
+ <entry>978-82-8067-010-6</entry>
+ <entry>Paper copy from XXX</entry>
+ </row>
+ <row>
+ <entry>978-82-8067-011-3</entry>
+ <entry>application/pdf</entry>
+ </row>
+ <row>
+ <entry>978-82-8067-012-0</entry>
+ <entry>application/epub+zip</entry>
+ </row>
+ <row>
+ <entry>978-82-8067-013-7</entry>
+ <entry>application/x-mobipocket-ebook</entry>
+ </row>
+</tbody>
+</tgroup>
+</informaltable>
</para>
</colophon>
</book>
projects / text-free-culture-lessig.git / blobdiff