msgid ""
msgstr ""
"Project-Id-Version: Free Culture by Lawrence Lessig\n"
-"POT-Creation-Date: 2012-07-29 14:45+0300\n"
+"POT-Creation-Date: 2012-07-29 15:50+0300\n"
"PO-Revision-Date: 2012-07-13 21:50+0200\n"
"Last-Translator: Petter Reinholdtsen <pere@hungry.com>\n"
"Language-Team: Norwegian Bokmål <i18n-nb@lister.ping.uio.no>\n"
#. type: Content of: <book><bookinfo><abstract><para>
msgid ""
-"LAWRENCE LESSIG (<ulink url=\"http://www.lessig.org/\">http://www.lessig."
-"org</ulink>), professor of law and a John A. Wilson Distinguished Faculty "
-"Scholar at Stanford Law School, is founder of the Stanford Center for "
-"Internet and Society and is chairman of the Creative Commons (<ulink url="
-"\"http://creativecommons.org/\">http://creativecommons.org</ulink>). The "
-"author of The Future of Ideas (Random House, 2001) and Code: And Other Laws "
-"of Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the "
+"LAWRENCE LESSIG (<ulink url=\"http://www.lessig.org\">http://www.lessig.org</"
+"ulink>), professor of law and a John A. Wilson Distinguished Faculty Scholar "
+"at Stanford Law School, is founder of the Stanford Center for Internet and "
+"Society and is chairman of the Creative Commons (<ulink url=\"http://"
+"creativecommons.org\">http://creativecommons.org</ulink>). The author of "
+"The Future of Ideas (Random House, 2001) and Code: And Other Laws of "
+"Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the "
"Public Library of Science, the Electronic Frontier Foundation, and Public "
"Knowledge. He was the winner of the Free Software Foundation's Award for the "
"Advancement of Free Software, twice listed in BusinessWeek's \"e.biz 25,\" "
"Lessig clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of "
"Appeals."
msgstr ""
-"Lawrense Lessig (<ulink url=\"http://www.lessig.org/\">http://www.lessig."
+"Lawrense Lessig (<ulink url=\"http://www.lessig.org\">http://www.lessig."
"org</ulink>), professor i juss og en John A. Wilson Distinguished Faculty "
"Scholar ved Stanford Law School, er stifteren av Stanford Center for "
"Internet and Society og styreleder i Creative Commons (<ulink url=\"http://"
-"creativecommons.org/\">http://creativecommons.org</ulink>). Forfatteren har "
+"creativecommons.org\">http://creativecommons.org</ulink>). Forfatteren har "
"gitt ut The Future of Ideas (Random House, 2001) og Code: And other Laws of "
"Cyberspace (Basic Books, 1999), og er medlem av styrene i Public Library of "
"Science, the Electronic Frontier Foundation, og Public Knowledge. Han har "
#. type: Content of: <book><part><chapter><para>
msgid ""
"These restrictions have become the focus of researchers and scholars. "
-"Professor Ed Felten of Princeton (whom we'll see more of in chapter 10) has "
-"developed a powerful argument in favor of the \"right to tinker\" as it "
-"applies to computer science and to knowledge in general.<placeholder type="
-"\"footnote\" id=\"0\"/> But Brown's concern is earlier, or younger, or more "
-"fundamental. It is about the learning that kids can do, or can't do, because "
-"of the law."
+"Professor Ed Felten of Princeton (whom we'll see more of in chapter <xref "
+"xrefstyle=\"select: labelnumber\" linkend=\"property-i\"/>) has developed a "
+"powerful argument in favor of the \"right to tinker\" as it applies to "
+"computer science and to knowledge in general.<placeholder type=\"footnote\" "
+"id=\"0\"/> But Brown's concern is earlier, or younger, or more fundamental. "
+"It is about the learning that kids can do, or can't do, because of the law."
msgstr ""
#. type: Content of: <book><part><chapter><para>
#, mtrans, fuzzy
msgid ""
"\"No way to run a culture,\" as Brewster Kahle, whom we'll meet in chapter "
-"9, quipped to me in a rare moment of despondence."
+"<xref xrefstyle=\"select: labelnumber\" linkend=\"collectors\"/>, quipped to "
+"me in a rare moment of despondence."
msgstr ""
"\"ingen måte å kjøre en kultur\" som brewster kahle, hvem vil vi møtes i "
"kapittel 9, quipped til meg i en sjelden øyeblikk av despondence."
msgid ""
"For unlike the piracy I described in the first section of this chapter, much "
"of the \"piracy\" that file sharing enables is plainly legal and good. And "
-"like the piracy I described in chapter 4, much of this piracy is motivated "
-"by a new way of spreading content caused by changes in the technology of "
-"distribution. Thus, consistent with the tradition that gave us Hollywood, "
-"radio, the recording industry, and cable TV, the question we should be "
-"asking about file sharing is how best to preserve its benefits while "
-"minimizing (to the extent possible) the wrongful harm it causes artists. The "
-"question is one of balance. The law should seek that balance, and that "
-"balance will be found only with time."
+"like the piracy I described in chapter <xref xrefstyle=\"select: labelnumber"
+"\" linkend=\"pirates\"/>, much of this piracy is motivated by a new way of "
+"spreading content caused by changes in the technology of distribution. Thus, "
+"consistent with the tradition that gave us Hollywood, radio, the recording "
+"industry, and cable TV, the question we should be asking about file sharing "
+"is how best to preserve its benefits while minimizing (to the extent "
+"possible) the wrongful harm it causes artists. The question is one of "
+"balance. The law should seek that balance, and that balance will be found "
+"only with time."
msgstr ""
"for i motsetning til piratkopiering jeg beskrevet i den første delen av "
"dette kapitlet, er mye av \"piratkopiering\" det arkiv deler aktiverer "
msgstr ""
#. type: Content of: <book><part><chapter><para>
-#, fuzzy
-#| msgid ""
-#| "The reason is that the English hadn't yet agreed on what a \"copyright\" "
-#| "was—indeed, no one had. At the time the English passed the Statute "
-#| "of Anne, there was no other legislation governing copyrights. The last "
-#| "law regulating publishers, the Licensing Act of 1662, had expired in "
-#| "1695. That law gave publishers a monopoly over publishing, as a way to "
-#| "make it easier for the Crown to control what was published. But after it "
-#| "expired, there was no positive law that said that the publishers, or "
-#| "\"Stationers,\" had an exclusive right to print books."
msgid ""
"The reason is that the English hadn't yet agreed on what a \"copyright\" "
"was—indeed, no one had. At the time the English passed the Statute of "
"was no positive law that said that the publishers, or \"Stationers,\" had an "
"exclusive right to print books. <placeholder type=\"indexterm\" id=\"0\"/>"
msgstr ""
-"Årsaken var ganske enkelt at engelskmennene ikke hadde bestemt hva "
+"Årsaken var ganske enkelt at engelskmennene ennå ikke hadde bestemt hva "
"opphavsrett innebar -- faktisk hadde ingen i verden det. På den tiden da "
"engelskmennene vedtok \"Statute of Anne\", var det ingen annen lovgivning om "
"opphavsrett. Den siste loven som regulerte utgivere var lisensieringsloven "
"av 1662, utløpt i 1695. At loven ga utgiverne monopol over publiseringen, "
"noe som gjorde det enklere for kronen å kontrollere hva ble publisert. Men "
"etter at det har utløpt, var det ingen positiv lov som sa at utgiverne hadde "
-"en eksklusiv rett til å trykke bøker."
+"en eksklusiv rett til å trykke bøker. <placeholder type=\"indexterm\" id=\"0\"/>"
#. type: Content of: <book><part><chapter><para>
msgid ""
#, mtrans, fuzzy
msgid ""
"The Progress Clause expressly limits the term of copyrights. As we saw in "
-"chapter 6, the English limited the term of copyright so as to assure that a "
-"few would not exercise disproportionate control over culture by exercising "
+"chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"founders\"/>, the "
+"English limited the term of copyright so as to assure that a few would not "
+"exercise disproportionate control over culture by exercising "
"disproportionate control over publishing. We can assume the framers followed "
"the English for a similar purpose. Indeed, unlike the English, the framers "
"reinforced that objective, by requiring that copyrights extend \"to Authors"
"endringer, så vel som ordrett opprinnelige arbeidet."
#. type: Content of: <book><part><chapter><section><para><footnote><para>
-#, fuzzy
-#| msgid ""
-#| "Jonathan Zittrain, \"The Copyright Cage,\" Legal Affairs, July/August "
-#| "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link #26</"
-#| "ulink>. <placeholder type=\"indexterm\" id=\"0\"/>"
msgid ""
"Jonathan Zittrain, \"The Copyright Cage,\" <citetitle>Legal Affairs</"
"citetitle>, July/August 2003, available at <ulink url=\"http://free-culture."
"cc/notes/\">link #26</ulink>. <placeholder type=\"indexterm\" id=\"0\"/>"
msgstr ""
-"Jonathan Zittrain, \"The Copyright Cage,\" Legal Affairs, juli/august 2003, "
-"tilgjengelig fra <ulink url=\"http://free-culture.cc/notes/\">link #26</"
-"ulink>. <placeholder type=\"indexterm\" id=\"0\"/>"
+"Jonathan Zittrain, \"The Copyright Cage,\" <citetitle>Legal Affairs</"
+"citetitle>, julu/august 2003,tilgjengelig fra <ulink url=\"http://free-culture."
+"
cc/notes/\">link #26</ulink>. <placeholder type=\"indexterm\" id=\"0\"/>"
#. type: Content of: <book><part><chapter><section><para>
msgid ""
"also have no doubt that it does more harm than good when regulating (as it "
"regulates just now) noncommercial copying and, especially, noncommercial "
"transformation. And increasingly, for the reasons sketched especially in "
-"chapters 7 and 8, one might well wonder whether it does more harm than good "
-"for commercial transformation. More commercial transformative work would be "
-"created if derivative rights were more sharply restricted."
+"chapters <xref xrefstyle=\"select: labelnumber\" linkend=\"recorders\"/> and "
+"<xref xrefstyle=\"select: labelnumber\" linkend=\"transformers\"/>, one "
+"might well wonder whether it does more harm than good for commercial "
+"transformation. More commercial transformative work would be created if "
+"derivative rights were more sharply restricted."
msgstr ""
"Jeg har ingen tvil om at den gjør bra i regulerer kommersielle kopiering. "
"men jeg har ingen tvil om at det gjør mer skade enn bra når regulerer (som "
#. f3.
#. type: Content of: <book><part><chapter><section><para><footnote><para>
-#, fuzzy
-#| msgid ""
-#| "See Scott Steinberg, \"Crichton Gets Medieval on PCs,\" E!online, 4 "
-#| "November 2000, available at <ulink url=\"http://free-culture.cc/notes/"
-#| "\">link #8</ulink>; \"Timeline,\" 22 November 2000, available at <ulink "
-#| "url=\"http://free-culture.cc/notes/\">link #9</ulink>."
msgid ""
"See Danit Lidor, \"Artists Just Wanna Be Free,\" <citetitle>Wired</"
"citetitle>, 7 July 2003, available at <ulink url=\"http://free-culture.cc/"
"notes/\">link #40</ulink>. For an overview of the exhibition, see <ulink url="
"\"http://free-culture.cc/notes/\">link #41</ulink>."
msgstr ""
-"Se Scott Steinberg, \"Crichton Gets Medieval on PCs,\" E!online, 4. november "
-"2000, tilgjengelig fra <ulink url=\"http://free-culture.cc/notes/\">link #8</"
-"
ulink>; \"Timeline,\" 22. november 2000, tilgjengelig fra <ulink url="
-"\"http://free-culture.cc/notes/\">link #9</ulink>."
+"Se Danit Lidor, \"Artists Just Wanna Be Free,\" <citetitle>Wired</"
+"citetitle>, 7. juli 2003, tilgjengelig fra <ulink url=\"http://free-culture.cc/"
+"
notes/\">link #40</ulink>. For en oversikt over utstillingen, se <ulink url="
+"\"http://free-culture.cc/notes/\">link #41</ulink>."
#. type: Content of: <book><part><chapter><section><para>
msgid ""
#, mtrans, fuzzy
msgid ""
"Part of the reason for this fear of illegality has to do with the changing "
-"law. I described that change in detail in chapter 10. But an even bigger "
-"part has to do with the increasing ease with which infractions can be "
-"tracked. As users of file-sharing systems discovered in 2002, it is a "
-"trivial matter for copyright owners to get courts to order Internet service "
-"providers to reveal who has what content. It is as if your cassette tape "
-"player transmitted a list of the songs that you played in the privacy of "
-"your own home that anyone could tune into for whatever reason they chose."
+"law. I described that change in detail in chapter <xref xrefstyle=\"select: "
+"labelnumber\" linkend=\"property-i\"/>. But an even bigger part has to do "
+"with the increasing ease with which infractions can be tracked. As users of "
+"file-sharing systems discovered in 2002, it is a trivial matter for "
+"copyright owners to get courts to order Internet service providers to reveal "
+"who has what content. It is as if your cassette tape player transmitted a "
+"list of the songs that you played in the privacy of your own home that "
+"anyone could tune into for whatever reason they chose."
msgstr ""
"en del av årsaken til denne frykten for illegality har å gjøre med endring "
"loven. jeg beskrevet den endringen i detalj i kapittel 10. men en enda "
#, mtrans, fuzzy
msgid ""
"Lawyers rarely see this because lawyers are rarely empirical. As I described "
-"in chapter 7, in response to the story about documentary filmmaker Jon Else, "
-"I have been lectured again and again by lawyers who insist Else's use was "
-"fair use, and hence I am wrong to say that the law regulates such a use."
+"in chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"recorders\"/>, "
+"in response to the story about documentary filmmaker Jon Else, I have been "
+"lectured again and again by lawyers who insist Else's use was fair use, and "
+"hence I am wrong to say that the law regulates such a use."
msgstr ""
"advokater se sjelden dette fordi advokater er sjelden empirisk. som jeg "
"beskrevet i kapittel 7, som svar på historien om dokumentar filmskaper jon "
#, mtrans, fuzzy
msgid ""
"This is the single most dramatic effect of the shift in regulatory strategy "
-"that I described in chapter 10. The consequence of this massive threat of "
-"liability tied to the murky boundaries of copyright law is that innovators "
-"who want to innovate in this space can safely innovate only if they have the "
-"sign-off from last generation's dominant industries. That lesson has been "
-"taught through a series of cases that were designed and executed to teach "
-"venture capitalists a lesson. That lesson—what former Napster CEO Hank "
-"Barry calls a \"nuclear pall\" that has fallen over the Valley—has "
-"been learned."
+"that I described in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
+"\"property-i\"/>. The consequence of this massive threat of liability tied "
+"to the murky boundaries of copyright law is that innovators who want to "
+"innovate in this space can safely innovate only if they have the sign-off "
+"from last generation's dominant industries. That lesson has been taught "
+"through a series of cases that were designed and executed to teach venture "
+"capitalists a lesson. That lesson—what former Napster CEO Hank Barry "
+"calls a \"nuclear pall\" that has fallen over the Valley—has been "
+"learned."
msgstr ""
"Dette er single mest dramatiske effekten av skiftet i regulatoriske strategi "
"som jeg beskrevet i kapittel 10. konsekvens av denne massiv trussel av "
#. type: Content of: <book><part><chapter><section><para>
msgid ""
-"As I described in chapter 10, despite this feature of copyright as "
-"regulation, and subject to important qualifications outlined by Jessica "
-"Litman in her book <citetitle>Digital Copyright</citetitle>,<placeholder "
-"type=\"footnote\" id=\"0\"/> overall this history of copyright is not bad. "
-"As chapter 10 details, when new technologies have come along, Congress has "
-"struck a balance to assure that the new is protected from the old. "
-"Compulsory, or statutory, licenses have been one part of that strategy. Free "
-"use (as in the case of the VCR) has been another."
+"As I described in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
+"\"property-i\"/>, despite this feature of copyright as regulation, and "
+"subject to important qualifications outlined by Jessica Litman in her book "
+"<citetitle>Digital Copyright</citetitle>,<placeholder type=\"footnote\" id="
+"\"0\"/> overall this history of copyright is not bad. As chapter 10 details, "
+"when new technologies have come along, Congress has struck a balance to "
+"assure that the new is protected from the old. Compulsory, or statutory, "
+"licenses have been one part of that strategy. Free use (as in the case of "
+"the VCR) has been another."
msgstr ""
#. type: Content of: <book><part><chapter><section><para>
#. type: Content of: <book><part><chapter><section><para>
#, mtrans, fuzzy
msgid ""
-"As I described in chapter 4, when a radio station plays a song, the "
-"recording artist doesn't get paid for that \"radio performance\" unless he "
-"or she is also the composer. So, for example if Marilyn Monroe had recorded "
-"a version of \"Happy Birthday\"—to memorialize her famous performance "
-"before President Kennedy at Madison Square Garden— then whenever that "
+"As I described in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
+"\"pirates\"/>, when a radio station plays a song, the recording artist "
+"doesn't get paid for that \"radio performance\" unless he or she is also the "
+"composer. So, for example if Marilyn Monroe had recorded a version of "
+"\"Happy Birthday\"—to memorialize her famous performance before "
+"President Kennedy at Madison Square Garden— then whenever that "
"recording was played on the radio, the current copyright owners of \"Happy "
"Birthday\" would get some money, whereas Marilyn Monroe would not."
msgstr ""
"As I said, Eldred lives in New Hampshire. In 1998, Robert Frost's collection "
"of poems <citetitle>New Hampshire</citetitle> was slated to pass into the "
"public domain. Eldred wanted to post that collection in his free public "
-"library. But Congress got in the way. As I described in chapter 10, in "
-"1998, for the eleventh time in forty years, Congress extended the terms of "
-"existing copyrights—this time by twenty years. Eldred would not be "
-"free to add any works more recent than 1923 to his collection until 2019. "
-"Indeed, no copyrighted work would pass into the public domain until that "
-"year (and not even then, if Congress extends the term again). By contrast, "
-"in the same period, more than 1 million patents will pass into the public "
-"domain."
+"library. But Congress got in the way. As I described in chapter <xref "
+"xrefstyle=\"select: labelnumber\" linkend=\"property-i\"/>, in 1998, for the "
+"eleventh time in forty years, Congress extended the terms of existing "
+"copyrights—this time by twenty years. Eldred would not be free to add "
+"any works more recent than 1923 to his collection until 2019. Indeed, no "
+"copyrighted work would pass into the public domain until that year (and not "
+"even then, if Congress extends the term again). By contrast, in the same "
+"period, more than 1 million patents will pass into the public domain."
msgstr ""
"som jeg sa, bor eldred i new hampshire. i 1998, var robert frost samling av "
"dikt i new hampshire slated skjedde i public domain. Eldred ønsket å legge "
#. type: Content of: <book><part><chapter><para>
msgid ""
-"As I described in chapter 10, formalities in copyright law were removed in "
-"1976, when Congress followed the Europeans by abandoning any formal "
-"requirement before a copyright is granted.<placeholder type=\"footnote\" id="
-"\"0\"/> The Europeans are said to view copyright as a \"natural right.\" "
-"Natural rights don't need forms to exist. Traditions, like the Anglo-"
-"American tradition that required copyright owners to follow form if their "
-"rights were to be protected, did not, the Europeans thought, properly "
-"respect the dignity of the author. My right as a creator turns on my "
-"creativity, not upon the special favor of the government."
+"As I described in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
+"\"property-i\"/>, formalities in copyright law were removed in 1976, when "
+"Congress followed the Europeans by abandoning any formal requirement before "
+"a copyright is granted.<placeholder type=\"footnote\" id=\"0\"/> The "
+"Europeans are said to view copyright as a \"natural right.\" Natural rights "
+"don't need forms to exist. Traditions, like the Anglo-American tradition "
+"that required copyright owners to follow form if their rights were to be "
+"protected, did not, the Europeans thought, properly respect the dignity of "
+"the author. My right as a creator turns on my creativity, not upon the "
+"special favor of the government."
msgstr ""
#. type: Content of: <book><part><chapter><para>
#. f8.
#. type: Content of: <book><chapter><para><footnote><para>
-#, fuzzy
-#| msgid ""
-#| "Microsoft's position about free and open source software is more "
-#| "sophisticated. As it has repeatedly asserted, it has no problem with "
-#| "\"open source\" software or software in the public domain. Microsoft's "
-#| "principal opposition is to \"free software\" licensed under a \"copyleft"
-#| "\" license, meaning a license that requires the licensee to adopt the "
-#| "same terms on any derivative work. See Bradford L. Smith, \"The Future of "
-#| "Software: Enabling the Marketplace to Decide,\" Government Policy Toward "
-#| "Open Source Software (Washington, D.C.: AEI-Brookings Joint Center for "
-#| "Regulatory Studies, American Enterprise Institute for Public Policy "
-#| "Research, 2002), 69, available at <ulink url=\"http://free-culture.cc/"
-#| "notes/\">link #62</ulink>. See also Craig Mundie, Microsoft senior vice "
-#| "president, The Commercial Software Model, discussion at New York "
-#| "University Stern School of Business (3 May 2001), available at <ulink url="
-#| "\"http://free-culture.cc/notes/\">link #63</ulink>."
msgid ""
"Microsoft's position about free and open source software is more "
"sophisticated. As it has repeatedly asserted, it has no problem with \"open "
"lisensiert med en \"copyleft\"-lisens, som betyr at lisensen krever at de "
"som lisensierer skal adoptere same vilkår for ethvert avledet verk. Se "
"Bradford L. Smith, \"The Future of Software: Enabling the Marketplace to "
-"Decide,\" Government Policy Toward Open Source Software (Washington, D.C.: "
+"Decide,\" <citetitle>Government Policy Toward Open Source Software</citetitle> (Washington, D.C.: "
"AEI-Brookings Joint Center for Regulatory Studies, American Enterprise "
"Institute for Public Policy Research, 2002), 69, tilgjengelig fra <ulink url="
"\"http://free-culture.cc/notes/\">link #62</ulink>. Se også Craig Mundie, "
-"Microsoft senior vice president, The Commercial Software Model, diskusjon "
+"Microsoft senior vice president, <citetitle>The Commercial Software Model</citetitle>, diskusjon "
"ved New York University Stern School of Business (3. mai 2001), tilgjengelig "
"fra <ulink url=\"http://free-culture.cc/notes/\">link #63</ulink>."
#. type: Content of: <book><chapter><para>
-#, fuzzy
-#| msgid ""
-#| "I don't mean to enter that debate here. It is important only to make "
-#| "clear that the distinction is not between commercial and noncommercial "
-#| "software. There are many important companies that depend fundamentally "
-#| "upon open source and free software, IBM being the most prominent. IBM is "
-#| "increasingly shifting its focus to the GNU/Linux operating system, the "
-#| "most famous bit of \"free software\"—and IBM is emphatically a "
-#| "commercial entity. Thus, to support \"open source and free software\" is "
-#| "not to oppose commercial entities. It is, instead, to support a mode of "
-#| "software development that is different from Microsoft's.<placeholder type="
-#| "\"footnote\" id=\"0\"/>"
msgid ""
"I don't mean to enter that debate here. It is important only to make clear "
"that the distinction is not between commercial and noncommercial software. "
"aktør. Dermed er det å støtte \"fri programvare\" ikke å motsette seg "
"kommersielle aktører. Det er i stedet å støtte en måte å drive "
"programvareutvikling som er forskjellig fra Microsofts.<placeholder type="
-"\"footnote\" id=\"0\"/>"
+"\"footnote\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>"
#. PAGE BREAK 272
#. type: Content of: <book><chapter><para>
"som kunne forstyrre denne kontrollen."
#. type: Content of: <book><chapter><para><footnote><para>
-#, fuzzy
-#| msgid ""
-#| "See Drahos with Braithwaite, Information Feudalism, 210–20. "
-#| "<placeholder type=\"indexterm\" id=\"0\"/>"
msgid ""
"See Drahos with Braithwaite, <citetitle>Information Feudalism</citetitle>, "
"210–20. <placeholder type=\"indexterm\" id=\"0\"/>"
msgstr ""
-"Se Drahos og Braithwaite, Information Feudalism, 210–20. <placeholder "
-"type=\"indexterm\" id=\"0\"/>"
+"Se Drahos with Braithwaite, <citetitle>Information Feudalism</citetitle>, "
+"210–20. <placeholder type=\"indexterm\" id=\"0\"/>"
#. type: Content of: <book><chapter><para>
msgid ""
#. type: Content of: <book><chapter><section><section><para>
#, mtrans, fuzzy
msgid ""
-"Well, if we think in terms of the modalities I described in chapter 10, your "
-"privacy was assured because of an inefficient architecture for gathering "
-"data and hence a market constraint (cost) on anyone who wanted to gather "
-"that data. If you were a suspected spy for North Korea, working for the CIA, "
-"no doubt your privacy would not be assured. But that's because the CIA "
-"would (we hope) find it valuable enough to spend the thousands required to "
-"track you. But for most of us (again, we can hope), spying doesn't pay. The "
-"highly inefficient architecture of real space means we all enjoy a fairly "
-"robust amount of privacy. That privacy is guaranteed to us by friction. Not "
-"by law (there is no law protecting \"privacy\" in public places), and in "
-"many places, not by norms (snooping and gossip are just fun), but instead, "
-"by the costs that friction imposes on anyone who would want to spy."
+"Well, if we think in terms of the modalities I described in chapter <xref "
+"xrefstyle=\"select: labelnumber\" linkend=\"property-i\"/>, your privacy was "
+"assured because of an inefficient architecture for gathering data and hence "
+"a market constraint (cost) on anyone who wanted to gather that data. If you "
+"were a suspected spy for North Korea, working for the CIA, no doubt your "
+"privacy would not be assured. But that's because the CIA would (we hope) "
+"find it valuable enough to spend the thousands required to track you. But "
+"for most of us (again, we can hope), spying doesn't pay. The highly "
+"inefficient architecture of real space means we all enjoy a fairly robust "
+"amount of privacy. That privacy is guaranteed to us by friction. Not by law "
+"(there is no law protecting \"privacy\" in public places), and in many "
+"places, not by norms (snooping and gossip are just fun), but instead, by the "
+"costs that friction imposes on anyone who would want to spy."
msgstr ""
"Vel, hvis vi tror når det gjelder metoder jeg beskrevet i kapittel 10, "
"personvernet var forsikret på grunn av en ineffektiv arkitektur for å samle "
#. type: Content of: <book><chapter><section><section><para>
#, mtrans, fuzzy
msgid ""
-"As I suggested in chapter 10, the motivation to abolish formalities was a "
-"good one. In the world before digital technologies, formalities imposed a "
-"burden on copyright holders without much benefit. Thus, it was progress when "
-"the law relaxed the formal requirements that a copyright owner must bear to "
-"protect and secure his work. Those formalities were getting in the way."
+"As I suggested in chapter <xref xrefstyle=\"select: labelnumber\" linkend="
+"\"property-i\"/>, the motivation to abolish formalities was a good one. In "
+"the world before digital technologies, formalities imposed a burden on "
+"copyright holders without much benefit. Thus, it was progress when the law "
+"relaxed the formal requirements that a copyright owner must bear to protect "
+"and secure his work. Those formalities were getting in the way."
msgstr ""
"som jeg antydet i kapittel 10, var motivasjon til å avskaffe formaliteter en "
"god en. i verden før digital teknologi pålagt formaliteter en byrde på "
msgid ""
"File-sharing networks complicate this model by enabling the spread of "
"content for which the performer has not been paid. But of course, that's not "
-"all the file-sharing networks do. As I described in chapter 5, they enable "
-"four different kinds of sharing:"
+"all the file-sharing networks do. As I described in chapter <xref xrefstyle="
+"\"select: labelnumber\" linkend=\"piracy\"/>, they enable four different "
+"kinds of sharing:"
msgstr ""
"fildeling nettverk komplisere denne modellen ved å aktivere spredning av "
"innhold som utøveren ikke er blitt betalt. men selvfølgelig, det er ikke "
#. type: Content of: <book><chapter><section><section><para>
#, mtrans, fuzzy
msgid ""
-"As I said in chapter 5, the actual harm caused by sharing is controversial. "
-"For the purposes of this chapter, however, I assume the harm is real. I "
-"assume, in other words, that type A sharing is significantly greater than "
-"type B, and is the dominant use of sharing networks."
+"As I said in chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"piracy"
+"\"/>, the actual harm caused by sharing is controversial. For the purposes "
+"of this chapter, however, I assume the harm is real. I assume, in other "
+"words, that type A sharing is significantly greater than type B, and is the "
+"dominant use of sharing networks."
msgstr ""
"som jeg sa i kapittel 5, er den faktiske skaden forårsaket av deling "
"kontroversielt. i hensikt av dette kapitlet, men antar jeg skaden er reell. "
projects / text-free-culture-lessig.git / blobdiff