-"supports the widest range of \"semiotic democracy\" possible. But the aims "
-"of semiotic democracy would be satisfied if the other changes I described "
-"were accomplished—in particular, the limits on derivative uses. A "
-"system that simply charges for access would not greatly burden semiotic "
-"democracy if there were few limitations on what one was allowed to do with "
-"the content itself."
-msgstr ""
-
-#. type: Content of: <book><part><partintro><section><section><para>
-#: freeculture.xml:14105
-msgid ""
-"No doubt it would be difficult to calculate the proper measure of \"harm\" "
-"to an industry. But the difficulty of making that calculation would be "
-"outweighed by the benefit of facilitating innovation. This background system "
-"to compensate would also not need to interfere with innovative proposals "
-"such as Apple's MusicStore. As experts predicted when Apple launched the "
-"MusicStore, it could beat \"free\" by being easier than free is. This has "
-"proven correct: Apple has sold millions of songs at even the very high price "
-"of 99 cents a song. (At 99 cents, the cost is the equivalent of a per-song "
-"CD price, though the labels have none of the costs of a CD to pay.) Apple's "
-"move was countered by Real Networks, offering music at just 79 cents a "
-"song. And no doubt there will be a great deal of competition to offer and "
-"sell music on-line."
-msgstr ""
-
-#. type: Content of: <book><part><partintro><section><section><para>
-#: freeculture.xml:14120
-msgid ""
-"This competition has already occurred against the background of \"free\" "
-"music from p2p systems. As the sellers of cable television have known for "
-"thirty years, and the sellers of bottled water for much more than that, "
-"there is nothing impossible at all about \"competing with free.\" Indeed, if "
-"anything, the competition spurs the competitors to offer new and better "
-"products. This is precisely what the competitive market was to be "
-"about. Thus in Singapore, though piracy is rampant, movie theaters are often "
-"luxurious—with \"first class\" seats, and meals served while you watch "
-"a movie—as they struggle and succeed in finding ways to compete with "
-"\"free.\""
-msgstr ""
-
-#. type: Content of: <book><part><partintro><section><section><para>
-#: freeculture.xml:14132
+"supports the widest range of <quote>semiotic democracy</quote> possible. But "
+"the aims of semiotic democracy would be satisfied if the other changes I "
+"described were accomplished—in particular, the limits on derivative "
+"uses. A system that simply charges for access would not greatly burden "
+"semiotic democracy if there were few limitations on what one was allowed to "
+"do with the content itself."
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><indexterm><primary>
+#: freeculture.xml:15322
+msgid "MusicStore"
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><indexterm><secondary>
+#: freeculture.xml:15324
+msgid "prices of"
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><para>
+#: freeculture.xml:15326
+msgid ""
+"No doubt it would be difficult to calculate the proper measure of "
+"<quote>harm</quote> to an industry. But the difficulty of making that "
+"calculation would be outweighed by the benefit of facilitating "
+"innovation. This background system to compensate would also not need to "
+"interfere with innovative proposals such as Apple's MusicStore. As experts "
+"predicted when Apple launched the MusicStore, it could beat "
+"<quote>free</quote> by being easier than free is. This has proven correct: "
+"Apple has sold millions of songs at even the very high price of 99 cents a "
+"song. (At 99 cents, the cost is the equivalent of a per-song CD price, "
+"though the labels have none of the costs of a CD to pay.) Apple's move was "
+"countered by Real Networks, offering music at just 79 cents a song. And no "
+"doubt there will be a great deal of competition to offer and sell music "
+"on-line."
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><indexterm><secondary>
+#: freeculture.xml:15341
+msgid "cable vs. broadcast"
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><indexterm><secondary>
+#: freeculture.xml:15344
+msgid "luxury theatres vs. video piracy in"
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><para>
+#: freeculture.xml:15346
+msgid ""
+"This competition has already occurred against the background of "
+"<quote>free</quote> music from p2p systems. As the sellers of cable "
+"television have known for thirty years, and the sellers of bottled water for "
+"much more than that, there is nothing impossible at all about "
+"<quote>competing with free.</quote> Indeed, if anything, the competition "
+"spurs the competitors to offer new and better products. This is precisely "
+"what the competitive market was to be about. Thus in Singapore, though "
+"piracy is rampant, movie theaters are often luxurious—with "
+"<quote>first class</quote> seats, and meals served while you watch a "
+"movie—as they struggle and succeed in finding ways to compete with "
+"<quote>free.</quote>"
+msgstr ""
+
+#. type: Content of: <book><chapter><section><section><para>
+#: freeculture.xml:15358
projects / text-free-culture-lessig.git / blobdiff