<abbrev>"freeculture"</abbrev>
- <subtitle>HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN
- CULTURE AND CONTROL CREATIVITY</subtitle>
+ <subtitle>How big media uses technology and the law to lock down
+ culture and control creativity</subtitle>
<pubdate>2004-03-25</pubdate>
+ <edition>1</edition>
+
<releaseinfo>Version 2004-02-10</releaseinfo>
<authorgroup>
</para>
<para>
-This version of <citetitle>Free Culture</citetitle> is licensed under
-a Creative Commons license. This license permits non-commercial use of
-this work, so long as attribution is given. For more information
-about the license, click the icon above, or visit
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given. For more information about the license visit
<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
</para>
</legalnotice>
<abstract>
- <title>ABOUT THE AUTHOR</title>
+ <title>About the author</title>
<para>
-LAWRENCE LESSIG
+Lawrence Lessig
(<ulink url="http://www.lessig.org">http://www.lessig.org</ulink>),
-professor of law and a John A. Wilson Distinguished Faculty Scholar
-at Stanford Law School, is founder of the Stanford Center for Internet
+professor of law and a Roy L. Furman Professor of Law and Leadership
+at Harvard Law School, is founder of the Stanford Center for Internet
and Society and is chairman of the Creative Commons
(<ulink url="http://creativecommons.org">http://creativecommons.org</ulink>).
The author of The Future of Ideas (Random House, 2001) and Code: And
the boards of the Public Library of Science, the Electronic Frontier
Foundation, and Public Knowledge. He was the winner of the Free
Software Foundation's Award for the Advancement of Free Software,
-twice listed in BusinessWeek's <quote>e.biz 25,</quote> and named one of Scientific
-American's <quote>50 visionaries.</quote> A graduate of the University of
-Pennsylvania, Cambridge University, and Yale Law School, Lessig
-clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of
-Appeals.
+twice listed in BusinessWeek's <quote>e.biz 25,</quote> and named one
+of Scientific American's <quote>50 visionaries.</quote> A graduate of
+the University of Pennsylvania, Cambridge University, and Yale Law
+School, Lessig clerked for Judge Richard Posner of the U.S. Seventh
+Circuit Court of Appeals.
</para>
</abstract>
-->
</mediaobject>
- <biblioid class="isbn">978-82-92812-XX-Y</biblioid>
+ <biblioid class="isbn">978-82-8067-010-6</biblioid>
<!-- LCCN from
http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page
-->
<biblioid class="libraryofcongress">2003063276</biblioid>
+ <biblioid class="uri">http://free-culture.cc/</biblioid>
+
</bookinfo>
<!-- PAGE BREAK 3 -->
<dedication id="alsobylessig">
<title>
Also by Lawrence Lessig
</title>
-<para>
+
+<itemizedlist>
+
+<listitem><para>
<!-- 2014 -->
The USA is lesterland: The nature of congressional corruption
-</para>
-<para>
+</para></listitem>
+<listitem><para>
<!-- 2011, 2012 -->
Republic, lost: How money corrupts Congress - and a plan to stop it
-</para>
-<para>
+</para></listitem>
+<listitem><para>
<!-- 2008 -->
Remix: Making art and commerce thrive in the hybrid economy
-</para>
-<para>
+</para></listitem>
+<listitem><para>
<!-- 2006 -->
Code: Version 2.0
-</para>
-<para>
+</para></listitem>
+<listitem><para>
<!-- 2001, 2002 -->
The Future of Ideas: The Fate of the Commons in a Connected World
-</para>
-<para>
+</para></listitem>
+<listitem><para>
<!-- 1999 -->
Code: And Other Laws of Cyberspace
-</para>
+</para></listitem>
+</itemizedlist>
</dedication>
<!-- PAGE BREAK 4 -->
<!-- PAGE BREAK 5 -->
<!-- PAGE BREAK 7 -->
<dedication><title></title>
<!-- FIXME figure out how to do this better in dblatex and docbook-xsl -->
-<?latex {\Huge \centering ?>
+<?latex {\Huge \centering
+?>
<para>
To Eric Eldred — whose work first drew me to this cause, and for whom
it continues still.
</para>
-<?latex } ?>
+<?latex } % \Huge \centering
+?>
</dedication>
<toc id="toc"></toc>
<!-- PAGE BREAK 11 -->
<preface id="preface">
-<title>PREFACE</title>
+<title>Preface</title>
<indexterm id='idxpoguedavid' class='startofrange'><primary>Pogue, David</primary></indexterm>
<para>
<emphasis role="bold">At the end</emphasis> of his review of my first
<!-- PAGE BREAK 15 -->
<!-- PAGE BREAK 16 -->
-<chapter label="0" id="c-introduction">
-<title>INTRODUCTION</title>
+<chapter label="" id="c-introduction">
+<title>Introduction</title>
<indexterm id='idxwrightbrothers' class='startofrange'><primary>Wright brothers</primary></indexterm>
<para>
<emphasis role="strong">On December 17</emphasis>, 1903, on a windy North Carolina beach for just
</chapter>
<!-- PAGE BREAK 29 -->
<part id="c-piracy">
-<title><quote>PIRACY</quote></title>
+<title><quote>Piracy</quote></title>
<partintro>
<!-- PAGE BREAK 30 -->
<indexterm><primary>copyright law</primary><secondary>English</secondary></indexterm>
<!-- PAGE BREAK 34 -->
<chapter label="1" id="creators">
-<title>CHAPTER ONE: Creators</title>
+<title>Chapter One: Creators</title>
<indexterm id='idxanimatedcartoons' class='startofrange'><primary>animated cartoons</primary></indexterm>
<indexterm id='idxcartoonfilms' class='startofrange'><primary>cartoon films</primary></indexterm>
<indexterm id='idxfilmsanimated' class='startofrange'><primary>films</primary><secondary>animated</secondary></indexterm>
<!-- PAGE BREAK 44 -->
</chapter>
<chapter label="2" id="mere-copyists">
-<title>CHAPTER TWO: <quote>Mere Copyists</quote></title>
+<title>Chapter Two: <quote>Mere Copyists</quote></title>
<indexterm><primary>Daguerre, Louis</primary></indexterm>
<indexterm id='idxcameratechnology' class='startofrange'><primary>camera technology</primary></indexterm>
<indexterm id='idxphotography' class='startofrange'><primary>photography</primary></indexterm>
<!-- PAGE BREAK 61 -->
</chapter>
<chapter label="3" id="catalogs">
-<title>CHAPTER THREE: Catalogs</title>
+<title>Chapter Three: Catalogs</title>
<indexterm><primary>Jordan, Jesse</primary></indexterm>
<indexterm><primary>RPI</primary><see>Rensselaer Polytechnic Institute (RPI)</see></indexterm>
<indexterm id='idxrensselaer' class='startofrange'><primary>Rensselaer Polytechnic Institute (RPI)</primary></indexterm>
<!-- PAGE BREAK 66 -->
</chapter>
<chapter label="4" id="pirates">
-<title>CHAPTER FOUR: <quote>Pirates</quote></title>
+<title>Chapter Four: <quote>Pirates</quote></title>
<indexterm id='idxpiracyindevelopmentofcontentindustry' class='startofrange'><primary>piracy</primary><secondary>in development of content industry</secondary></indexterm>
<indexterm><primary><quote>if value, then right</quote> theory</primary></indexterm>
<para>
</section>
</chapter>
<chapter label="5" id="piracy">
-<title>CHAPTER FIVE: <quote>Piracy</quote></title>
+<title>Chapter Five: <quote>Piracy</quote></title>
<para>
<emphasis role='strong'>There is piracy</emphasis> of copyrighted
material. Lots of it. This piracy comes in many forms. The most
</chapter>
</part>
<part id="c-property">
-<title><quote>PROPERTY</quote></title>
+<title><quote>Property</quote></title>
<partintro>
<para>
<!-- PAGE BREAK 96 -->
<chapter label="6" id="founders">
-<title>CHAPTER SIX: Founders</title>
+<title>Chapter Six: Founders</title>
<indexterm id='idxbooksenglishcopyrightlawdevelopedfor' class='startofrange'><primary>books</primary><secondary>English copyright law developed for</secondary></indexterm>
<indexterm id='idxcopyrightlawdevelopmentof' class='startofrange'><primary>copyright law</primary><secondary>development of</secondary></indexterm>
<indexterm id='idxcopyrightlawenglish' class='startofrange'><primary>copyright law</primary><secondary>English</secondary></indexterm>
<!-- PAGE BREAK 106 -->
</chapter>
<chapter label="7" id="recorders">
-<title>CHAPTER SEVEN: Recorders</title>
+<title>Chapter Seven: Recorders</title>
<indexterm id='idxcopyrightlawfairuseand' class='startofrange'><primary>copyright law</primary><secondary>fair use and</secondary></indexterm>
<indexterm id='idxdocumentaryfilm' class='startofrange'><primary>documentary film</primary></indexterm>
<indexterm id='idxelsejon' class='startofrange'><primary>Else, Jon</primary></indexterm>
<!-- PAGE BREAK 111 -->
</chapter>
<chapter label="8" id="transformers">
-<title>CHAPTER EIGHT: Transformers</title>
+<title>Chapter Eight: Transformers</title>
<indexterm><primary>Allen, Paul</primary></indexterm>
<indexterm id='idxalbenalex1' class='startofrange'><primary>Alben, Alex</primary></indexterm>
<indexterm><primary>Microsoft</primary></indexterm>
<!-- PAGE BREAK 119 -->
</chapter>
<chapter label="9" id="collectors">
-<title>CHAPTER NINE: Collectors</title>
+<title>Chapter Nine: Collectors</title>
<indexterm id='idxarchivesdigital1' class='startofrange'><primary>archives, digital</primary></indexterm>
<indexterm><primary>bots</primary></indexterm>
<para>
<!-- PAGE BREAK 127 -->
</chapter>
<chapter label="10" id="property-i">
-<title>CHAPTER TEN: <quote>Property</quote></title>
+<title>Chapter Ten: <quote>Property</quote></title>
<indexterm><primary>Johnson, Lyndon</primary></indexterm>
<indexterm><primary>Kennedy, John F.</primary></indexterm>
<para>
weaken the right or regulation. I represented it with this diagram:
</para>
<figure id="fig-1331">
-<title>How four different modalities of regulation interact to support or weaken the right or regulation.</title>
+<title></title>
<graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
</figure>
<indexterm><primary>Madonna</primary></indexterm>
<indexterm startref='idxdrivingspeedconstraintson' class='endofrange'/>
<indexterm startref='idxspeedingconstraintson' class='endofrange'/>
<figure id="fig-1361">
-<title>Law has a special role in affecting the three.</title>
+<title></title>
<graphic fileref="images/1361.svg" align="center" width="50%"></graphic>
</figure>
Internet:
</para>
<figure id="fig-1371">
-<title>Copyright's regulation before the Internet.</title>
+<title></title>
<graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
</figure>
looting that results.
</para>
<figure id="fig-1381">
-<title>effective state of anarchy after the Internet.</title>
+<title></title>
<graphic fileref="images/1381.svg" align="center" width="50%"></graphic>
</figure>
started here:
</para>
<figure id="fig-1441">
-<title>Copyright's regulation before the Internet.</title>
+<title></title>
<graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
</figure>
<para>
We will end here:
</para>
<figure id="fig-1442">
-<title><quote>Copyright</quote> today.</title>
+<title></title>
<graphic fileref="images/1442.svg" align="center" width="50%"></graphic>
</figure>
<para>
empty circle.
</para>
<figure id="fig-1521">
-<title>All potential uses of a book.</title>
-<graphic fileref="images/1521.svg" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1521.svg" align="center" width="40%"></graphic>
</figure>
<indexterm id='idxbooksthreetypesofusesof' class='startofrange'><primary>books</primary><secondary>three types of uses of</secondary></indexterm>
<indexterm id='idxcopyrightlawcopiesascoreissueof2' class='startofrange'><primary>copyright law</primary><secondary>copies as core issue of</secondary></indexterm>
acts do not make a copy.
</para>
<figure id="fig-1531">
-<title>Examples of unregulated uses of a book.</title>
-<graphic fileref="images/1531.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1531.png" align="center" width="40%"></graphic>
</figure>
<para>
Obviously, however, some uses of a copyrighted book are regulated
is therefore regulated by copyright law. Indeed, this particular use stands
at the core of this circle of possible uses of a copyrighted work. It is the
paradigmatic use properly regulated by copyright regulation (see
-diagram in <xref linkend="fig-1541"/>).
+diagram in figure <xref xrefstyle="template:%n" linkend="fig-1541"/>).
</para>
<indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
<indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>
</para>
<!-- PAGE BREAK 153 -->
<figure id="fig-1541">
-<title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>
-<graphic fileref="images/1541.svg" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1541.svg" align="center" width="40%"></graphic>
</figure>
<indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
<indexterm><primary>First Amendment</primary></indexterm>
for public policy (and possibly First Amendment) reasons.
</para>
<figure id="fig-1542">
-<title>Unregulated copying considered <quote>fair uses.</quote></title>
-<graphic fileref="images/1542.png" align="center" width="50%"></graphic>
-</figure>
-<para> </para>
-<figure id="fig-1551">
-<title>Uses that before were presumptively unregulated are now presumptively regulated.</title>
-<graphic fileref="images/1551.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1542.svg" align="center" width="40%"></graphic>
</figure>
<indexterm id='idxcopyrightusagerestrictionsattachedto' class='startofrange'><primary>copyright</primary><secondary>usage restrictions attached to</secondary></indexterm>
<para>
fifth time, you are making a copy of the book contrary to the
copyright owner's wish.
</para>
+<figure id="fig-1551">
+<title></title>
+<graphic fileref="images/1551.svg" align="center" width="40%"></graphic>
+</figure>
<para>
There are some people who think this makes perfect sense. My aim
just now is not to argue about whether it makes sense or not. My aim
technology.
</para>
<para>
-In <xref linkend="fig-example-adobe-ebook-reader"/> is a picture of an old version of my
-Adobe eBook Reader.
+In figure
+<xref xrefstyle="template:%n" linkend="fig-example-adobe-ebook-reader"/>
+is a picture of an old version of my Adobe eBook Reader.
</para>
<para>
As you can see, I have a small collection of e-books within this
a button at the bottom called Permissions.
</para>
<figure id="fig-example-adobe-ebook-reader">
-<title>Picture of an old version of Adobe eBook Reader</title>
+<title></title>
<graphic fileref="images/example-adobe-ebook-reader.png" align="center" width="50%"></graphic>
</figure>
<para>
permissions that the publisher purports to grant with this book.
</para>
<figure id="fig-1612">
-<title>List of the permissions that the publisher purports to grant.</title>
+<title></title>
<graphic fileref="images/1612.png" align="center" width="50%"></graphic>
</figure>
<para>
translation): Aristotle's <citetitle>Politics</citetitle>.
</para>
<figure id="fig-1621">
-<title>E-book of Aristotle's <quote>Politics</quote></title>
-<graphic fileref="images/1621.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/aristotele-ebook.png" align="center" width="50%"></graphic>
</figure>
<para>
According to its permissions, no printing or copying is permitted
the book.
</para>
<figure id="fig-1622">
-<title>List of the permissions for Aristotle's <quote>Politics</quote>.</title>
+<title></title>
<graphic fileref="images/1622.png" align="center" width="50%"></graphic>
</figure>
<indexterm><primary>Future of Ideas, The (Lessig)</primary></indexterm>
</para>
<!-- PAGE BREAK 162 -->
<figure id="fig-1631">
-<title>List of the permissions for <quote>The Future of Ideas</quote>.</title>
+<title></title>
<graphic fileref="images/1631.png" align="center" width="50%"></graphic>
</figure>
<para>
following report:
</para>
<figure id="fig-1641">
-<title>List of the permissions for <quote>Alice's Adventures in
-Wonderland</quote>.</title>
+<title></title>
<graphic fileref="images/1641.png" align="center" width="50%"></graphic>
</figure>
<!-- PAGE BREAK 164-->
the VCR responsible.
</para>
<para>
-This led Conrad to draw the cartoon below, which we can adopt to
-the DMCA.
+This led Conrad to draw the cartoon in figure
+<xref xrefstyle="template:%n"
+linkend="fig-1711-vcr-handgun-cartoonfig"/>, which we can adopt to the
+DMCA.
<indexterm><primary>Conrad, Paul</primary></indexterm>
</para>
<para>
such a use would be good. It, too, is a technology that has both good
and bad uses.
</para>
-<figure id="fig-1711-vcr-handgun-cartoonfig">
-<title>VCR/handgun cartoon.</title>
-<graphic fileref="images/1711.png" align="center" width="70%"></graphic>
+<figure id="fig-1711-vcr-handgun-cartoonfig" float="1">
+<title>— On which item have the courts ruled that manufacturers and
+retailers be held responsible for having supplied the
+equipment?</title>
+<graphic fileref="images/vcr-comic.png" align="center" width="100%"></graphic>
</figure>
<indexterm><primary>Conrad, Paul</primary></indexterm>
<para>
pattern better than a thousand words could do:
</para>
<figure id="fig-1761-pattern-modern-media-ownership">
-<title>Pattern of modern media ownership.</title>
+<title></title>
<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="90%"></graphic>
</figure>
<para>
</chapter>
</part>
<part id="c-puzzles">
-<title>PUZZLES</title>
+<title>Puzzles</title>
<!-- PAGE BREAK 186 -->
<chapter label="11" id="chimera">
-<title>CHAPTER ELEVEN: Chimera</title>
+<title>Chapter Eleven: Chimera</title>
<indexterm id='idxchimera' class='startofrange'><primary>chimeras</primary></indexterm>
<indexterm id='idxwells' class='startofrange'><primary>Wells, H. G.</primary></indexterm>
<indexterm id='idxtcotb' class='startofrange'><primary><quote>Country of the Blind, The</quote> (Wells)</primary></indexterm>
<!-- PAGE BREAK 192 -->
</chapter>
<chapter label="12" id="harms">
-<title>CHAPTER TWELVE: Harms</title>
+<title>Chapter Twelve: Harms</title>
<para>
<emphasis role='strong'>To fight</emphasis> <quote>piracy,</quote> to
protect <quote>property,</quote> the content industry has launched a
</chapter>
</part>
<part id="c-balances">
-<title>BALANCES</title>
+<title>Balances</title>
<partintro>
<!-- PAGE BREAK 218 -->
<!-- PAGE BREAK 220 -->
<chapter label="13" id="eldred">
-<title>CHAPTER THIRTEEN: Eldred</title>
+<title>Chapter Thirteen: Eldred</title>
<indexterm id='idxeldrederic' class='startofrange'><primary>Eldred, Eric</primary></indexterm>
<indexterm id='idxhawthornenathaniel' class='startofrange'><primary>Hawthorne, Nathaniel</primary></indexterm>
<para>
<para>
The best responses were in the cartoons. There was a gaggle of
hilarious images—of Mickey in jail and the like. The best, from
-my view of the case, was Ruben Bolling's, reproduced in
-<xref linkend="fig-18"/>. The <quote>powerful and wealthy</quote> line is a bit
-unfair. But the punch in the face felt exactly like that.
+my view of the case, was Ruben Bolling's, reproduced in figure
+<xref xrefstyle="template:%n" linkend="fig-18"/>. The <quote>powerful
+and wealthy</quote> line is a bit unfair. But the punch in the face
+felt exactly like that.
<indexterm><primary>Bolling, Ruben</primary></indexterm>
</para>
-<figure id="fig-18">
-<title>Tom the Dancing Bug cartoon</title>
-<graphic fileref="images/tom-the-dancing-bug.png" align="center" width="95%"></graphic>
+<figure id="fig-18" float="1">
+<title></title>
+<graphic fileref="images/tom-the-dancing-bug.png" align="center" width="100%"></graphic>
<indexterm><primary>Bolling, Ruben</primary></indexterm>
</figure>
<para>
<!-- PAGE BREAK 254 -->
</chapter>
<chapter label="14" id="eldred-ii">
-<title>CHAPTER FOURTEEN: Eldred II</title>
+<title>Chapter Fourteen: Eldred II</title>
<para>
<emphasis role='strong'>The day</emphasis>
<citetitle>Eldred</citetitle> was decided, fate would have it that I
<!-- PAGE BREAK 264 -->
</chapter>
</part>
-<chapter label="15" id="c-conclusion">
-<title>CONCLUSION</title>
+<chapter label="" id="c-conclusion">
+<title>Conclusion</title>
<indexterm id='idxafricamedicationsforhivpatientsin' class='startofrange'><primary>Africa, medications for HIV patients in</primary></indexterm>
<indexterm id='idxaidsmedications' class='startofrange'><primary>AIDS medications</primary></indexterm>
<indexterm id='idxantiretroviraldrugs' class='startofrange'><primary>antiretroviral drugs</primary></indexterm>
</para>
</chapter>
-<chapter label="16" id="c-afterword">
-<title>AFTERWORD</title>
+<chapter label="" id="c-afterword">
+<title>Afterword</title>
<para>
<!-- PAGE BREAK 280 -->
<!-- PAGE BREAK 281 -->
<section id="usnow">
-<title>US, NOW</title>
+<title>Us, now</title>
<para>
<emphasis role='strong'>Common sense</emphasis> is with the copyright
warriors because the debate so far has been framed at the
</section>
</section>
<section id="themsoon">
-<title>THEM, SOON</title>
+<title>Them, soon</title>
<para>
<emphasis role='strong'>We will</emphasis> not reclaim a free culture
by individual action alone. It will also take important reforms of
<!-- PAGE BREAK 294 -->
<section id="registration">
-<title>REGISTRATION AND RENEWAL</title>
+<title>Registration and renewal</title>
<para>
Under the old system, a copyright owner had to file a registration
with the Copyright Office to register or renew a copyright. When
</section>
<section id="marking">
-<title>MARKING</title>
+<title>Marking</title>
<para>
It used to be that the failure to include a copyright notice on a
creative work meant that the copyright was forfeited. That was a harsh
</section>
</section>
</chapter>
-<chapter label="17" id="c-notes">
-<title>NOTES</title>
+<chapter label="" id="c-notes">
+<title>Notes</title>
<para>
Throughout this text, there are references to links on the World Wide
Web. As anyone who has tried to use the Web knows, these links can be
</para>
<!-- insert endnotes here -->
-<?latex \theendnotes ?>
+
+<index type="endnotes"/>
<!--PAGE BREAK 336-->
</chapter>
-<chapter label="18" id="c-acknowledgments">
-<title>ACKNOWLEDGMENTS</title>
+<chapter label="" id="c-acknowledgments">
+<title>Acknowledgments</title>
<para>
This book is the product of a long and as yet unsuccessful struggle that
began when I read of Eric Eldred's war to keep books free. Eldred's
</chapter>
<index></index>
<colophon>
+<!--
+Hack to get rid of chapter heading on colophon page and provide a more
+conventional Colophon page. The disadvantage is a useless blank page
+where the empty chapter title is printed.
+-->
+<title></title>
+<?latex {\centering
+?>
<para>
Free culture: How big media uses technology and the law to lock down
culture and control creativity / Lawrence Lessig.
</para>
<para>
-Copyright © Lawrence Lessig. Some rights reserved.
+Copyright © 2004 Lawrence Lessig. Some rights reserved.
</para>
+
<para>
-This version of <citetitle>Free Culture</citetitle> is licensed under
-a Creative Commons license. This license permits non-commercial use of
-this work, so long as attribution is given. For more information
-about the license visit
-<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
+<ulink url="http://free-culture.cc/"/>
</para>
+
<para>
-This digital book was published by Petter Reinholdtsen in 2015. The
-original hardcover paper book was published in 2004 by The Penguin
-Press.
+Published 2015 by Petter Reinholdtsen in his spare time. First
+published 2004 by The Penguin Press. Thomas Gramstad Forlag donated
+the ISBN numbers.
</para>
+
<para>
Excerpt from an editorial titled <quote>The Coming of Copyright
Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
with permission.
</para>
<para>
-Cartoon in <xref linkend="fig-1711-vcr-handgun-cartoonfig"/> by Paul
-Conrad, copyright Tribune Media Services, Inc. All rights
+Cartoon in figure
+<xref xrefstyle="template:%n" linkend="fig-1711-vcr-handgun-cartoonfig"/> by
+Paul Conrad, copyright Tribune Media Services, Inc. All rights
reserved. Reprinted with permission.
</para>
<para>
-Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/>
+Diagram in figure
+<xref xrefstyle="template:%n" linkend="fig-1761-pattern-modern-media-ownership"/>
courtesy of the office of FCC Commissioner, Michael J. Copps.
</para>
-<para>
-The source of this version of the text is written using DocBook
-notation and the other formats are derived from the DocBook source.
-The DocBook source is based on a DocBook XML version created by Hans
-Schou, and extended with formatting and index references by Petter
-Reinholdtsen. The source files of this book is available as
-<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig">a
-github project</ulink>.
-</para>
-
-<para>
-&translationblock;
-</para>
-
<para>
Includes index.
</para>
(ACM CRCS) K.4.1
</para>
+<?latex } %\centering
+?>
+
+<para>
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given. For more information about the license visit
+<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
+</para>
+
+<para>
+The book source is in DocBook notation and the other formats are
+derived from this. The source is based on a version from Hans Schou.
+Typeset using Crimson Text and formatted using dblatex. Many thanks
+to the dblatex developer Benoît Guillon for his help. The source is
+available from
+<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig"/>.
+Please report any problems using the GitHub issue tracker.
+</para>
+
+<para>
+&translationblock;
+</para>
+
<para>
<informaltable id="isbn">
<tgroup cols="2" align="left">
</thead>
<tbody>
<row>
- <entry>978-82-92812-XX-Y</entry>
- <entry>text/plain</entry>
+ <entry>978-82-8067-010-6</entry>
+ <entry>Printed copy from Lulu</entry>
</row>
<row>
- <entry>978-82-92812-XX-Y</entry>
+ <entry>978-82-8067-011-3</entry>
<entry>application/pdf</entry>
</row>
<row>
- <entry>978-82-92812-XX-Y</entry>
- <entry>text/html</entry>
- </row>
- <row>
- <entry>978-82-92812-XX-Y</entry>
+ <entry>978-82-8067-012-0</entry>
<entry>application/epub+zip</entry>
</row>
<row>
- <entry>978-82-92812-XX-Y</entry>
- <entry>application/docbook+xml</entry>
- </row>
- <row>
- <entry>978-82-92812-XX-Y</entry>
+ <entry>978-82-8067-013-7</entry>
<entry>application/x-mobipocket-ebook</entry>
</row>
</tbody>
</tgroup>
</informaltable>
</para>
-
</colophon>
</book>
projects / text-free-culture-lessig.git / blobdiff