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<!-- Converted to DocBook by Hans Schou 2004-03-29. Updated and improved
- by Petter Reinholdtsen 2012 with input from Martin Borg. -->
+ by Petter Reinholdtsen 2012-2015 with input from Martin Borg. -->
<!--
TODO
- * indexterm primary
+ * Add missing indexterm entries by comparing with the 2004 edition.
-->
<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook XML V4.5//EN"
"http://www.oasis-open.org/docbook/xml/4.5/docbookx.dtd"
<subtitle>How big media uses technology and the law to lock down
culture and control creativity</subtitle>
- <pubdate>2004-03-25</pubdate>
+ <pubdate>2015-09-04</pubdate>
<edition>1</edition>
<itemizedlist>
<listitem><para>
-<!-- 2014 -->
-The USA is lesterland: The nature of congressional corruption
+The USA is lesterland: The nature of congressional corruption (2014)
</para></listitem>
<listitem><para>
-<!-- 2011, 2012 -->
-Republic, lost: How money corrupts Congress - and a plan to stop it
+Republic, lost: How money corrupts Congress - and a plan to stop it (2011)
</para></listitem>
<listitem><para>
-<!-- 2008 -->
-Remix: Making art and commerce thrive in the hybrid economy
+Remix: Making art and commerce thrive in the hybrid economy (2008)
</para></listitem>
<listitem><para>
-<!-- 2006 -->
-Code: Version 2.0
+Code: Version 2.0 (2006)
</para></listitem>
<listitem><para>
-<!-- 2001, 2002 -->
-The Future of Ideas: The Fate of the Commons in a Connected World
+The Future of Ideas: The Fate of the Commons in a Connected World (2001)
</para></listitem>
<listitem><para>
-<!-- 1999 -->
-Code: And Other Laws of Cyberspace
+Code: And Other Laws of Cyberspace (1999)
</para></listitem>
</itemizedlist>
</dedication>
the noble class live easily; those outside it don't. But it is
nobility of any form that is alien to our tradition.
</para>
-<!-- PAGE BREAK 26. FIXME: Ask author if "Is it" should be "It is" ? -->
+<!-- PAGE BREAK 26. -->
<para>
The story that follows is about this war. It is not about the
<quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
didn't speak very well. But they had come to understand that they
had a lot of power with this language.
</para>
-<!-- FIXME removed a " from the end of the previous paragraph that did
- not match with any start quote. -->
</blockquote>
<indexterm startref='idxeducationinmedialiteracy' class='endofrange'/>
<indexterm startref='idxmedialiteracy' class='endofrange'/>
</chapter>
-<chapter>
-<!-- Quotes from http://free-culture.cc/jacket/, trimmed to fit on one
- page, for use on the back page of the cover. -->
- <title></title>
- <para>
-<quote><citetitle>Free Culture</citetitle> is an entertaining and
-important look at the past and future of the cold war between the
-media industry and new technologies.</quote>
- </para>
-
- <para>
-— Marc Andreessen, cofounder of Netscape
- </para>
-
- <para>
-<quote>America needs a national conversation about the way in which
-so-called <quote>intellectual property rights</quote> have come to
-dominate the rights of scholars, researchers, and everyday citizens. A
-copyright cartel, bidding for absolute control over digital worlds,
-music, and movies, now has a veto over technological innovation and
-has halted most contributions to the public domain from which so many
-have benefited. The patent system has spun out of control, giving
-enormous power to entrenched interests, and even trademarks are being
-misused. Lawrence Lessig's latest book is essential reading for anyone
-who want to join this conversation. He explains how technology and the
-law are robbing us of the public domain; but for all his educated
-pessimism, Professor Lessig offers some solutions, too, because he
-recognizes that technology can be the catalyst for freedom. If you
-care about the future of innovation, read this book.</quote>
- </para>
-
- <para>
-— Dan Gillmor, author of <citetitle>Making the News</citetitle>,
-an upcoming book on the collision of media and technology
- </para>
-
- <para>
-<quote><citetitle>Free Culture</citetitle> goes beyond illuminating
-the catastrophe to our culture of increasing regulation to show
-examples of how we can make a different future. These new-style heroes
-and examples are rooted in the traditions of the founding fathers in
-ways that seem obvious after reading this book. Recommended reading to
-those trying to unravel the shrill hype around <quote>intellectual
-property.</quote></quote>
- </para>
-
- <para>
-— Brewster Kahle, founder of the Internet Archive
- </para>
-
-<!-- trick to avoid chapter whitespace at the top of this page, to
- have space for more text on one page. -->
- <?latex \pagebreak
-?>
-
+<chapter label="" id="c-about-this-edition">
+ <title>About this edition</title>
<para>
This edition of <citetitle>Free Culture</citetitle> is the result of
three years of volunteer work. The idea came from a discussion I had
transform it to PDF and EPUB. This was the start of the translation
project. The Docbook file improved over time, and build rules were
added to create both English and Bokmål versions. Finally, a call for
-volunteers went out to get help me with the translation.
+volunteers went out to help me with the translation.
</para>
<para>
-Several people joined, and Anders Hagen Jarmund, Kirill Miazine and
-Odd Kleiva assisted with the initial translation. Ralph Amissah and
-his SiSu versoin provide index entries. Morten Sickel and Alexander
-Alemayhu helped with the figures, redrawing some of the bitmaps as
-vector images. Wivi Reinholdtsen, Ingrid Yrvin and Anna Kennedy did
+Several people joined, and Anders Hagen Jarmund, Kirill Miazine, Odd
+Kleiva, Kjetil Kilhavn og Kjetil T. Homme assisted with the initial
+translation. Ralph Amissah and his SiSu version provided index
+entries. Morten Sickel and Alexander Alemayhu helped with the
+figures, redrawing some of the bitmaps as vector images. Wivi
+Reinholdtsen, Ingrid Yrvin, Johannes Larsen and Gisle Hannemyr did
very valuable proofreading. Håkon Wium Lie helped me track down a
good replacement font without usage restrictions instead of the one in
-original PDF. The PDF typesetting is done using dblatex. dblatex was
+the original PDF. The PDF typesetting is done using dblatex, which we
selected over the alternatives thanks to the invaluable and quick help
from Benoît Guillon and Andreas Hoenen. Thomas Gramstad donated ISBN
-numbers needed for distribution to book stores. The support of
-Lawrence Lessig helped me to complete the project - I am very thankful
-he had the original screen shots still available after 11 years.
+numbers needed for distribution to book stores. Marc Jeanmougin from
+the inkscape community helped me replicate the original front cover.
+The support of Lawrence Lessig helped me to complete the
+project—I am very thankful he had the original screen shots
+still available after 11 years.
</para>
<para>
-I am also very grateful for my family for their patience with me in
-this project.
+At the end of the book project, when the translation was done and it
+was time to publish the book, I asked NUUG Foundation if they would be
+willing to sponsor books to members of the Norwegian parliament and
+other decision makers. I was very happy when they said yes.
</para>
<para>
-— Petter Reinholdtsen, Oslo 2015-08-27
+In addition to these great contributors, I am very grateful to Mari
+and my family for their patience with me in this project.
+ </para>
+
+ <para>
+— Petter Reinholdtsen, Oslo 2015-09-07
</para>
</chapter>
<index></index>
<colophon>
-<!--
-Hack to get rid of chapter heading on colophon page and provide a more
-conventional Colophon page. The disadvantage is a useless blank page
-where the empty chapter title is printed.
--->
<title></title>
<?latex {\centering
?>
</para>
<para>
-Includes index.
+Cover created by Petter Reinholdtsen using inkscape.
+</para>
+
+<para>
+The quotes on the cover came from
+<ulink url="http://free-culture.cc/jacket/"/>.
+</para>
+
+<para>
+Portrait on the cover was created 2013 by ActuaLitté and licensed
+under a Creative Commons Attribution-ShareAlike 2.0 license. It was
+downloaded from
+<ulink url="https://commons.wikimedia.org/wiki/File%3ALawrence_Lessig_(11014343366)_(cropped).jpg"/>.
</para>
<para>
Thomas Gramstad Forlag donated the ISBN numbers.
</para>
+<para>
+Printing was sponsed by NUUG Foundation,
+<ulink url="http://www.nuugfoundation.no/"/>.
+</para>
+
+<para>
+Includes index.
+</para>
+
<?latex } %\centering
?>
Please report any issues with the book there.
</para>
+<para>
+ <informalfigure id="cc-logo">
+ <graphic fileref="images/cc.svg" align="center" width="11%"></graphic>
+ </informalfigure>
+</para>
+
<para>
This book is licensed under a Creative Commons license. This license
permits non-commercial use of this work, so long as attribution is
<tgroup cols="2" align="left">
<thead>
<row>
- <entry>ISBN</entry>
<entry>Format / MIME-type</entry>
+ <entry>ISBN</entry>
</row>
</thead>
<tbody>
<row>
+ <entry>US Trade edition from lulu.com</entry>
<entry>978-82-8067-010-6</entry>
- <entry>Digest size from lulu.com</entry>
</row>
<row>
- <entry>978-82-8067-011-3</entry>
<entry>application/pdf</entry>
+ <entry>978-82-8067-011-3</entry>
</row>
<row>
- <entry>978-82-8067-012-0</entry>
<entry>application/epub+zip</entry>
+ <entry>978-82-8067-012-0</entry>
</row>
<row>
- <entry>978-82-8067-013-7</entry>
<entry>application/x-mobipocket-ebook</entry>
+ <entry>978-82-8067-013-7</entry>
</row>
</tbody>
</tgroup>
</informaltable>
</para>
+
</colophon>
</book>