More index entries.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index faa4e5df08f730ba190cf9f25869c8396b3c00d8..39f62086a704f6b7f2235a342bbdf9915197e3a3 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -67,10 +67,10 @@
    <para>
      <inlinemediaobject>
        <imageobject>
    <para>
      <inlinemediaobject>
        <imageobject>

-        <imagedata fileref="images/cc.png" width="100%" align="center"/>
+        <imagedata fileref="images/cc.png" contentdepth="3em" width="100%" align="center"/>

        </imageobject>
        <imageobject>
        </imageobject>
        <imageobject>

-        <imagedata fileref="images/cc.svg" width="100%" align="center"/>
+        <imagedata fileref="images/cc.svg" contentdepth="3em" width="100%" align="center"/>

        </imageobject>
        <textobject>
         <phrase>Creative Commons, Some rights reserved</phrase>
        </imageobject>
        <textobject>
         <phrase>Creative Commons, Some rights reserved</phrase>


@@ -135,10 +135,9 @@ Appeals.
   <biblioid class="libraryofcongress">2003063276</biblioid>
 
 </bookinfo>
   <biblioid class="libraryofcongress">2003063276</biblioid>
 
 </bookinfo>

-
-<colophon>

 <!-- PAGE BREAK 1 -->
 <!-- PAGE BREAK 1 -->

-
+<dedication id="salespoints">
+<title></title>

 <para>
 You can buy a copy of this book by clicking on one of the links below:
 </para>
 <para>
 You can buy a copy of this book by clicking on one of the links below:
 </para>


@@ -148,9 +147,11 @@ You can buy a copy of this book by clicking on one of the links below:
 <listitem><para><ulink url="http://www.penguin.com/">Penguin</ulink></para></listitem>
 <!-- <ulink url="">Local Bookstore</ulink> -->
 </itemizedlist>
 <listitem><para><ulink url="http://www.penguin.com/">Penguin</ulink></para></listitem>
 <!-- <ulink url="">Local Bookstore</ulink> -->
 </itemizedlist>

+</dedication>

 <!-- PAGE BREAK 2 -->
 <!-- PAGE BREAK 2 -->

-

 <!-- PAGE BREAK 3 -->
 <!-- PAGE BREAK 3 -->

+<dedication id="alsobylessig">
+<title></title>

 <para>
 ALSO BY LAWRENCE LESSIG
 </para>
 <para>
 ALSO BY LAWRENCE LESSIG
 </para>


@@ -160,13 +161,17 @@ The Future of Ideas: The Fate of the Commons in a Connected World
 <para>
 Code: And Other Laws of Cyberspace
 </para>
 <para>
 Code: And Other Laws of Cyberspace
 </para>

-
+</dedication>

 <!-- PAGE BREAK 4 -->
 <!-- PAGE BREAK 4 -->

+<dedication id="frontpublisher">
+<title></title>

 <para>
 THE PENGUIN PRESS, NEW YORK
 </para>
 <para>
 THE PENGUIN PRESS, NEW YORK
 </para>

-
+</dedication>

 <!-- PAGE BREAK 5 -->
 <!-- PAGE BREAK 5 -->

+<dedication id="frontbookinfo">
+<title></title>

 <para>
 FREE CULTURE
 </para>
 <para>
 FREE CULTURE
 </para>


@@ -180,8 +185,9 @@ AND CONTROL CREATIVITY
 <para>
 LAWRENCE LESSIG
 </para>
 <para>
 LAWRENCE LESSIG
 </para>

-
+</dedication>

 <!-- PAGE BREAK 6 -->
 <!-- PAGE BREAK 6 -->

+<colophon>

 <para>
 THE PENGUIN PRESS, a member of Penguin Group (USA) Inc.  375 Hudson Street New
 York, New York
 <para>
 THE PENGUIN PRESS, a member of Penguin Group (USA) Inc.  375 Hudson Street New
 York, New York


@@ -255,12 +261,15 @@ this publication may be reproduced, stored in or introduced into a
 retrieval system, or transmitted, in any form or by any means
 (electronic, mechanical, photocopying, recording or otherwise),
 without the prior written permission of both the copyright owner and
 retrieval system, or transmitted, in any form or by any means
 (electronic, mechanical, photocopying, recording or otherwise),
 without the prior written permission of both the copyright owner and

-the above publisher of this book.  The scanning, uploading, and
-distribution of this book via the Internet or via any other means
-without the permission of the publisher is illegal and punishable by
-law.  Please purchase only authorized electronic editions and do not
-participate in or encourage electronic piracy of copyrighted
-materials. Your support of the author's rights is appreciated.
+the above publisher of this book.
+</para>
+<para>
+The scanning, uploading, and distribution of this book via the
+Internet or via any other means without the permission of the
+publisher is illegal and punishable by law.  Please purchase only
+authorized electronic editions and do not participate in or encourage
+electronic piracy of copyrighted materials. Your support of the
+author's rights is appreciated.

 </para>
 </colophon>
 
 </para>
 </colophon>
 


@@ -486,7 +495,7 @@ book is written.
 <!-- PAGE BREAK 15 -->
 
 <!-- PAGE BREAK 16 -->
 <!-- PAGE BREAK 15 -->
 
 <!-- PAGE BREAK 16 -->

-<chapter id="c-introduction">
+<chapter label="0" id="c-introduction">

 <title>INTRODUCTION</title>
 <para>
 On December 17, 1903, on a windy North Carolina beach for just
 <title>INTRODUCTION</title>
 <para>
 On December 17, 1903, on a windy North Carolina beach for just


@@ -1258,7 +1267,7 @@ context the current battles about behavior labeled "piracy."
 </partintro>
 
 <!-- PAGE BREAK 34 -->
 </partintro>
 
 <!-- PAGE BREAK 34 -->

-<chapter id="creators">
+<chapter label="1" id="creators">

 <title>CHAPTER ONE: Creators</title>
 <para>
 In 1928, a cartoon character was born. An early Mickey Mouse
 <title>CHAPTER ONE: Creators</title>
 <para>
 In 1928, a cartoon character was born. An early Mickey Mouse


@@ -1712,7 +1721,7 @@ free culture. It is becoming much less so.
 
 <!-- PAGE BREAK 44 -->
 </chapter>
 
 <!-- PAGE BREAK 44 -->
 </chapter>

-<chapter id="mere-copyists">
+<chapter label="2" id="mere-copyists">

 <title>CHAPTER TWO: "Mere Copyists"</title>
 <indexterm id="idxphotography" class='startofrange'>
   <primary>photography</primary>
 <title>CHAPTER TWO: "Mere Copyists"</title>
 <indexterm id="idxphotography" class='startofrange'>
   <primary>photography</primary>


@@ -2155,7 +2164,7 @@ for me something that reflects that." Not by giving a kid a video
 camera and &hellip; saying, "Let's go have fun with the video camera and
 make a little movie." But instead, really help you take these elements
 that you understand, that are your language, and construct meaning
 camera and &hellip; saying, "Let's go have fun with the video camera and
 make a little movie." But instead, really help you take these elements
 that you understand, that are your language, and construct meaning

-about the topic. &hellip;
+about the topic.&hellip;

 </para>
 <para>
 That empowers enormously. And then what happens, of
 </para>
 <para>
 That empowers enormously. And then what happens, of


@@ -2581,7 +2590,7 @@ quipped to me in a rare moment of despondence.
 </para>
 <!-- PAGE BREAK 61 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 61 -->
 </chapter>

-<chapter id="catalogs">
+<chapter label="3" id="catalogs">

 <title>CHAPTER THREE: Catalogs</title>
 <para>
 In the fall of 2002, Jesse Jordan of Oceanside, New York, enrolled as
 <title>CHAPTER THREE: Catalogs</title>
 <para>
 In the fall of 2002, Jesse Jordan of Oceanside, New York, enrolled as


@@ -2796,7 +2805,7 @@ wrong message. And he wants to correct the record."
 </para>
 <!-- PAGE BREAK 66 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 66 -->
 </chapter>

-<chapter id="pirates">
+<chapter label="4" id="pirates">

 <title>CHAPTER FOUR: "Pirates"</title>
 <para>
 If "piracy" means using the creative property of others without
 <title>CHAPTER FOUR: "Pirates"</title>
 <para>
 If "piracy" means using the creative property of others without


@@ -3241,6 +3250,7 @@ United Artists Television, Inc.).
 </para></footnote>
 </para>
 </blockquote>
 </para></footnote>
 </para>
 </blockquote>

+<indexterm><primary>Heston, Charlton</primary></indexterm>

 <para>
 These were "free-ride[rs]," Screen Actor's Guild president Charlton
 Heston said, who were "depriving actors of
 <para>
 These were "free-ride[rs]," Screen Actor's Guild president Charlton
 Heston said, who were "depriving actors of


@@ -3248,7 +3258,9 @@ compensation."<footnote><para>
 <!-- f17 -->
 Copyright Law Revision&mdash;CATV, 209 (statement of Charlton Heston,
 president of the Screen Actors Guild).
 <!-- f17 -->
 Copyright Law Revision&mdash;CATV, 209 (statement of Charlton Heston,
 president of the Screen Actors Guild).

-</para></footnote>
+<indexterm><primary>Heston, Charlton</primary></indexterm>
+</para>
+</footnote>

 </para>
 <para>
 But again, there was another side to the debate. As Assistant Attorney
 </para>
 <para>
 But again, there was another side to the debate. As Assistant Attorney


@@ -3310,7 +3322,7 @@ last. Every generation&mdash;until now.
 <!-- PAGE BREAK 75 -->
 </section>
 </chapter>
 <!-- PAGE BREAK 75 -->
 </section>
 </chapter>

-<chapter id="piracy">
+<chapter label="5" id="piracy">

 <title>CHAPTER FIVE: "Piracy"</title>
 <para>
 There is piracy of copyrighted material. Lots of it. This piracy comes
 <title>CHAPTER FIVE: "Piracy"</title>
 <para>
 There is piracy of copyrighted material. Lots of it. This piracy comes


@@ -4162,8 +4174,7 @@ enough, this "taking" notwithstanding.  If we put these cases
 together, a pattern is clear:
 </para>
 
 together, a pattern is clear:
 </para>
 

-<table id="t1">
-<title>Pattern of Court and Congress response</title>
+<informaltable id="t1">

 <tgroup cols="4" align="char">
 <thead>
  <row>
 <tgroup cols="4" align="char">
 <thead>
  <row>


@@ -4200,7 +4211,7 @@ together, a pattern is clear:
  </row>
 </tbody>
 </tgroup>
  </row>
 </tbody>
 </tgroup>

-</table>
+</informaltable>

 
 <para>
 In each case throughout our history, a new technology changed the
 
 <para>
 In each case throughout our history, a new technology changed the


@@ -4387,7 +4398,7 @@ from the implications that the copyright warriors would have us draw.
 </partintro>
 
 <!-- PAGE BREAK 96 -->
 </partintro>
 
 <!-- PAGE BREAK 96 -->

-<chapter id="founders">
+<chapter label="6" id="founders">

 <title>CHAPTER SIX: Founders</title>
 <para>
 William Shakespeare wrote <citetitle>Romeo and Juliet</citetitle> in 1595. The play
 <title>CHAPTER SIX: Founders</title>
 <para>
 William Shakespeare wrote <citetitle>Romeo and Juliet</citetitle> in 1595. The play


@@ -4400,6 +4411,7 @@ even recognize their source.  I once overheard someone commenting on
 Kenneth Branagh's adaptation of Henry V: "I liked it, but Shakespeare
 is so full of clichés."
 </para>
 Kenneth Branagh's adaptation of Henry V: "I liked it, but Shakespeare
 is so full of clichés."
 </para>

+<indexterm><primary>Henry V</primary></indexterm>

 <para>
 In 1774, almost 180 years after <citetitle>Romeo and Juliet</citetitle> was written, the
 "copy-right" for the work was still thought by many to be the exclusive
 <para>
 In 1774, almost 180 years after <citetitle>Romeo and Juliet</citetitle> was written, the
 "copy-right" for the work was still thought by many to be the exclusive


@@ -4531,41 +4543,35 @@ distribute, the exclusive right to perform, and so on.
 <para>
 So, for example, even if the copyright to Shakespeare's works were
 perpetual, all that would have meant under the original meaning of the
 <para>
 So, for example, even if the copyright to Shakespeare's works were
 perpetual, all that would have meant under the original meaning of the

-term was that no one could reprint Shakespeare's work without the 
-               permission
-of the Shakespeare estate. It would not have controlled 
-               anything,
-for example, about how the work could be performed, whether
+term was that no one could reprint Shakespeare's work without the
+permission of the Shakespeare estate. It would not have controlled
+anything, for example, about how the work could be performed, whether

 the work could be translated, or whether Kenneth Branagh would be
 the work could be translated, or whether Kenneth Branagh would be

-allowed to make his films. The "copy-right" was only an exclusive right
-to print&mdash;no less, of course, but also no more.
+allowed to make his films. The "copy-right" was only an exclusive
+right to print&mdash;no less, of course, but also no more.

 </para>
 <para>
 Even that limited right was viewed with skepticism by the British.
 </para>
 <para>
 Even that limited right was viewed with skepticism by the British.

-They had had a long and ugly experience with "exclusive rights," 
-               especially
-"exclusive rights" granted by the Crown. The English had fought
-a civil war in part about the Crown's practice of handing out 
-               monopolies&mdash;especially
-monopolies for works that already existed. King Henry
-VIII granted a patent to print the Bible and a monopoly to Darcy to
-print playing cards. The English Parliament began to fight back
-against this power of the Crown. In 1656, it passed the Statute of 
-               Monopolies,
-limiting monopolies to patents for new inventions. And by
-1710, Parliament was eager to deal with the growing monopoly in
-publishing.
-</para>
-<para>
-Thus the "copy-right," when viewed as a monopoly right, was 
-               naturally
-viewed as a right that should be limited. (However convincing
-the claim that "it's my property, and I should have it forever," try
+They had had a long and ugly experience with "exclusive rights,"
+especially "exclusive rights" granted by the Crown. The English had
+fought a civil war in part about the Crown's practice of handing out
+monopolies&mdash;especially monopolies for works that already
+existed. King Henry VIII granted a patent to print the Bible and a
+monopoly to Darcy to print playing cards. The English Parliament began
+to fight back against this power of the Crown. In 1656, it passed the
+Statute of Monopolies, limiting monopolies to patents for new
+inventions. And by 1710, Parliament was eager to deal with the growing
+monopoly in publishing.
+</para>
+<indexterm><primary>Henry VIII, King of England</primary></indexterm>
+<para>
+Thus the "copy-right," when viewed as a monopoly right, was naturally
+viewed as a right that should be limited. (However convincing the
+claim that "it's my property, and I should have it forever," try

 sounding convincing when uttering, "It's my monopoly, and I should
 sounding convincing when uttering, "It's my monopoly, and I should

-have it forever.") The state would protect the exclusive right, but only
-so long as it benefited society. The British saw the harms from 
-               specialinterest
-favors; they passed a law to stop them.
+have it forever.") The state would protect the exclusive right, but
+only so long as it benefited society. The British saw the harms from
+specialinterest favors; they passed a law to stop them.

 </para>
 <para>
 Second, about booksellers. It wasn't just that the copyright was a
 </para>
 <para>
 Second, about booksellers. It wasn't just that the copyright was a


@@ -4888,7 +4894,7 @@ protected.
 </para>
 <!-- PAGE BREAK 106 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 106 -->
 </chapter>

-<chapter id="recorders">
+<chapter label="7" id="recorders">

 <title>CHAPTER SEVEN: Recorders</title>
 <para>
 Jon Else is a filmmaker. He is best known for his documentaries and
 <title>CHAPTER SEVEN: Recorders</title>
 <para>
 Jon Else is a filmmaker. He is best known for his documentaries and


@@ -5085,7 +5091,7 @@ not.
 </para>
 <!-- PAGE BREAK 111 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 111 -->
 </chapter>

-<chapter id="transformers">
+<chapter label="8" id="transformers">

 <title>CHAPTER EIGHT: Transformers</title>
 <indexterm><primary>Allen, Paul</primary></indexterm>
 <indexterm><primary>Alben, Alex</primary></indexterm>
 <title>CHAPTER EIGHT: Transformers</title>
 <indexterm><primary>Allen, Paul</primary></indexterm>
 <indexterm><primary>Alben, Alex</primary></indexterm>


@@ -5442,7 +5448,7 @@ curse, reserved for the few.
 </para>
 <!-- PAGE BREAK 119 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 119 -->
 </chapter>

-<chapter id="collectors">
+<chapter label="9" id="collectors">

 <title>CHAPTER NINE: Collectors</title>
 <para>
 In April 1996, millions of "bots"&mdash;computer codes designed to
 <title>CHAPTER NINE: Collectors</title>
 <para>
 In April 1996, millions of "bots"&mdash;computer codes designed to


@@ -5771,7 +5777,7 @@ that Kahle and others would exercise.
 </para>
 <!-- PAGE BREAK 127 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 127 -->
 </chapter>

-<chapter id="property-i">
+<chapter label="10" id="property-i">

 <title>CHAPTER TEN: "Property"</title>
 <para>
 Jack Valenti has been the president of the Motion Picture Association
 <title>CHAPTER TEN: "Property"</title>
 <para>
 Jack Valenti has been the president of the Motion Picture Association


@@ -8303,8 +8309,7 @@ combine these two distinctions and draw a clear map of the changes
 that copyright law has undergone.  In 1790, the law looked like this:
 </para>
 
 that copyright law has undergone.  In 1790, the law looked like this:
 </para>
 

-<table id="t2">
-<title>Law status in 1790</title>
+<informaltable id="t2">

 <tgroup cols="3" align="char">
 <thead>
  <row>
 <tgroup cols="3" align="char">
 <thead>
  <row>


@@ -8326,7 +8331,7 @@ that copyright law has undergone.  In 1790, the law looked like this:
  </row>
 </tbody>
 </tgroup>
  </row>
 </tbody>
 </tgroup>

-</table>
+</informaltable>

 
 <para>
 The act of publishing a map, chart, and book was regulated by
 
 <para>
 The act of publishing a map, chart, and book was regulated by


@@ -8341,8 +8346,7 @@ noncommercial work was also free.
 By the end of the nineteenth century, the law had changed to this:
 </para>
 
 By the end of the nineteenth century, the law had changed to this:
 </para>
 

-<table id="t3">
-<title>Law status at the end of ninetheenth centory</title>
+<informaltable id="t3">

 <tgroup cols="3" align="char">
 <thead>
  <row>
 <tgroup cols="3" align="char">
 <thead>
  <row>


@@ -8364,7 +8368,7 @@ By the end of the nineteenth century, the law had changed to this:
  </row>
 </tbody>
 </tgroup>
  </row>
 </tbody>
 </tgroup>

-</table>
+</informaltable>

 
 <para>
 Derivative works were now regulated by copyright law&mdash;if
 
 <para>
 Derivative works were now regulated by copyright law&mdash;if


@@ -8380,8 +8384,7 @@ expanded.  Thus by 1975, as photocopying machines became more common,
 we could say the law began to look like this:
 </para>
 
 we could say the law began to look like this:
 </para>
 

-<table id="t4">
-<title>Law status in 1975</title>
+<informaltable id="t4">

 <tgroup cols="3" align="char">
 <thead>
  <row>
 <tgroup cols="3" align="char">
 <thead>
  <row>


@@ -8403,7 +8406,7 @@ we could say the law began to look like this:
  </row>
 </tbody>
 </tgroup>
  </row>
 </tbody>
 </tgroup>

-</table>
+</informaltable>

 
 <para>
 The law was interpreted to reach noncommercial copying through, say,
 
 <para>
 The law was interpreted to reach noncommercial copying through, say,


@@ -8413,8 +8416,7 @@ technologies, especially in the context of a digital network, means
 that the law now looks like this:
 </para>
 
 that the law now looks like this:
 </para>
 

-<table id="t5">
-<title>Law status now</title>
+<informaltable id="t5">

 <tgroup cols="3" align="char">
 <thead>
  <row>
 <tgroup cols="3" align="char">
 <thead>
  <row>


@@ -8436,7 +8438,7 @@ that the law now looks like this:
  </row>
 </tbody>
 </tgroup>
  </row>
 </tbody>
 </tgroup>

-</table>
+</informaltable>

 
 <para>
 Every realm is governed by copyright law, whereas before most
 
 <para>
 Every realm is governed by copyright law, whereas before most


@@ -8528,7 +8530,7 @@ lawyer.
 <title>PUZZLES</title>
 
 <!-- PAGE BREAK 186 -->
 <title>PUZZLES</title>
 
 <!-- PAGE BREAK 186 -->

-<chapter id="chimera">
+<chapter label="11" id="chimera">

 <title>CHAPTER ELEVEN: Chimera</title>
 <indexterm id="idxchimera" class='startofrange'>
   <primary>chimeras</primary>
 <title>CHAPTER ELEVEN: Chimera</title>
 <indexterm id="idxchimera" class='startofrange'>
   <primary>chimeras</primary>


@@ -8808,7 +8810,7 @@ and will kill opportunities that could be extraordinarily valuable.
 
 <!-- PAGE BREAK 192 -->
 </chapter>
 
 <!-- PAGE BREAK 192 -->
 </chapter>

-<chapter id="harms">
+<chapter label="12" id="harms">

 <title>CHAPTER TWELVE: Harms</title>
 <para>
 To fight "piracy," to protect "property," the content industry has
 <title>CHAPTER TWELVE: Harms</title>
 <para>
 To fight "piracy," to protect "property," the content industry has


@@ -10186,8 +10188,11 @@ success will require.
 </partintro>
 
 <!-- PAGE BREAK 220 -->
 </partintro>
 
 <!-- PAGE BREAK 220 -->

-<chapter id="eldred">
+<chapter label="13" id="eldred">

 <title>CHAPTER THIRTEEN: Eldred</title>
 <title>CHAPTER THIRTEEN: Eldred</title>

+<indexterm id="idxhawthornenathaniel" class='startofrange'>
+  <primary>Hawthorne, Nathaniel</primary>
+</indexterm>

 <para>
 In 1995, a father was frustrated that his daughters didn't seem to
 like Hawthorne. No doubt there was more than one such father, but at
 <para>
 In 1995, a father was frustrated that his daughters didn't seem to
 like Hawthorne. No doubt there was more than one such father, but at


@@ -10227,6 +10232,7 @@ animated cartoons, sometimes successfully (<citetitle>Cinderella</citetitle>), s
 (<citetitle>The Hunchback of Notre Dame</citetitle>, <citetitle>Treasure Planet</citetitle>). These are all
 commercial publications of public domain works.
 </para>
 (<citetitle>The Hunchback of Notre Dame</citetitle>, <citetitle>Treasure Planet</citetitle>). These are all
 commercial publications of public domain works.
 </para>

+<indexterm startref="idxhawthornenathaniel" class='endofrange'/>

 <para>
 The Internet created the possibility of noncommercial publications of
 public domain works. Eldred's is just one example. There are literally
 <para>
 The Internet created the possibility of noncommercial publications of
 public domain works. Eldred's is just one example. There are literally


@@ -10738,6 +10744,7 @@ digitized, and hence will simply rot away on shelves. But the
 for other creative works is much more dire.
 </para>
 <indexterm><primary>Agee, Michael</primary></indexterm>
 for other creative works is much more dire.
 </para>
 <indexterm><primary>Agee, Michael</primary></indexterm>

+<indexterm><primary>Hal Roach Studios</primary></indexterm>

 <indexterm><primary>Laurel and Hardy Films</primary></indexterm>
 <para>
 Consider the story of Michael Agee, chairman of Hal Roach Studios,
 <indexterm><primary>Laurel and Hardy Films</primary></indexterm>
 <para>
 Consider the story of Michael Agee, chairman of Hal Roach Studios,


@@ -11168,6 +11175,7 @@ Law Libraries, and the National Writers Union.
 <indexterm><primary>American Association of Law Libraries</primary></indexterm>
 <indexterm><primary>National Writers Union</primary></indexterm>
 </para>
 <indexterm><primary>American Association of Law Libraries</primary></indexterm>
 <indexterm><primary>National Writers Union</primary></indexterm>
 </para>

+<indexterm><primary>Hal Roach Studios</primary></indexterm>

 <para>
 But two briefs captured the policy argument best. One made the
 argument I've already described: A brief by Hal Roach Studios argued
 <para>
 But two briefs captured the policy argument best. One made the
 argument I've already described: A brief by Hal Roach Studios argued


@@ -11205,6 +11213,8 @@ Kathleen Sullivan, who had argued many cases in the Court, and
 who had advised us early on about a First Amendment strategy; and
 finally, former solicitor general Charles Fried.
 <indexterm><primary>Fried, Charles</primary></indexterm>
 who had advised us early on about a First Amendment strategy; and
 finally, former solicitor general Charles Fried.
 <indexterm><primary>Fried, Charles</primary></indexterm>

+<indexterm><primary>Morrison, Alan</primary></indexterm>
+<indexterm><primary>Public Citizen</primary></indexterm>

 </para>
 <para>
 Fried was a special victory for our side. Every other former solicitor
 </para>
 <para>
 Fried was a special victory for our side. Every other former solicitor


@@ -11838,7 +11848,7 @@ better lawyer would have made them see differently.
 </para>
 <!-- PAGE BREAK 254 -->
 </chapter>
 </para>
 <!-- PAGE BREAK 254 -->
 </chapter>

-<chapter id="eldred-ii">
+<chapter label="14" id="eldred-ii">

 <title>CHAPTER FOURTEEN: Eldred II</title>
 <para>
 The day <citetitle>Eldred</citetitle> was decided, fate would have it that I was to travel to
 <title>CHAPTER FOURTEEN: Eldred II</title>
 <para>
 The day <citetitle>Eldred</citetitle> was decided, fate would have it that I was to travel to


@@ -12230,7 +12240,7 @@ controlled by this dead (and often unfindable) hand of the past.
 <!-- PAGE BREAK 264 -->
 </chapter>
 </part>
 <!-- PAGE BREAK 264 -->
 </chapter>
 </part>

-<chapter id="c-conclusion">
+<chapter label="15" id="c-conclusion">

 <title>CONCLUSION</title>
 <para>
 There are more than 35 million people with the AIDS virus
 <title>CONCLUSION</title>
 <para>
 There are more than 35 million people with the AIDS virus


@@ -12955,7 +12965,7 @@ potential is ever to be realized.
 
 </para>
 </chapter>
 
 </para>
 </chapter>

-<chapter id="c-afterword">
+<chapter label="16" id="c-afterword">

 <title>AFTERWORD</title>
 <para>
 
 <title>AFTERWORD</title>
 <para>
 


@@ -14187,7 +14197,7 @@ debate by about a decade. See
 <ulink url="http://free-culture.cc/notes/">link #85</ulink>.
 <indexterm><primary>Fisher, William</primary></indexterm>
 <indexterm><primary>Netanel, Neil Weinstock</primary></indexterm>
 <ulink url="http://free-culture.cc/notes/">link #85</ulink>.
 <indexterm><primary>Fisher, William</primary></indexterm>
 <indexterm><primary>Netanel, Neil Weinstock</primary></indexterm>

-<indexterm><primary>Promises to Keep</primary></indexterm>
+<indexterm><primary>Promises to Keep (Fisher)</primary></indexterm>

 </para></footnote>
 Fisher suggests a very clever way around the current impasse of the
 Internet. Under his plan, all content capable of digital transmission
 </para></footnote>
 Fisher suggests a very clever way around the current impasse of the
 Internet. Under his plan, all content capable of digital transmission


@@ -14213,7 +14223,7 @@ facilitate free exchange of content, supported through a taxation
 system, then it can be continued. If this form of protection is no
 longer necessary, then the system could lapse into the old system of
 controlling access.
 system, then it can be continued. If this form of protection is no
 longer necessary, then the system could lapse into the old system of
 controlling access.

-<indexterm><primary>Promises to Keep</primary></indexterm>
+<indexterm><primary>Promises to Keep (Fisher)</primary></indexterm>

 </para>
 <para>
 Fisher would balk at the idea of allowing the system to lapse. His aim
 </para>
 <para>
 Fisher would balk at the idea of allowing the system to lapse. His aim


@@ -14452,7 +14462,7 @@ keep your lawyers away.
 </section>
 </section>
 </chapter>
 </section>
 </section>
 </chapter>

-<chapter id="c-notes">
+<chapter label="17" id="c-notes">

 <title>NOTES</title>
 <para>
 Throughout this text, there are references to links on the World Wide
 <title>NOTES</title>
 <para>
 Throughout this text, there are references to links on the World Wide


@@ -14469,7 +14479,7 @@ the material.
 <!-- PAGE BREAK 336 -->
 
 </chapter>
 <!-- PAGE BREAK 336 -->
 
 </chapter>

-<chapter id="c-acknowledgments">
+<chapter label="18" id="c-acknowledgments">

 <title>ACKNOWLEDGMENTS</title>
 <para>
 This book is the product of a long and as yet unsuccessful struggle that
 <title>ACKNOWLEDGMENTS</title>
 <para>
 This book is the product of a long and as yet unsuccessful struggle that