Correct XML.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 390167434190d53fc3f19a508b90589e5080dd4d..37b35065e78bf11fe00941556fb249e5781e757e 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -6,8 +6,8 @@
   * indexterm primary
   * quotes ?
 -->
   * indexterm primary
   * quotes ?
 -->

-<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook XML V4.3//EN"
-"http://www.oasis-open.org/docbook/xml/4.3/docbookx.dtd" 
+<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook XML V4.5//EN"
+"http://www.oasis-open.org/docbook/xml/4.5/docbookx.dtd" 

 [
    <!ENTITY copy "©">
    <!ENTITY translationblock "">
 [
    <!ENTITY copy "©">
    <!ENTITY translationblock "">


@@ -35,11 +35,34 @@
   </author>
  </authorgroup>
 
   </author>
  </authorgroup>
 

-<copyright>
-  <year>2004</year>
-  <holder>Lawrence Lessig</holder>
-</copyright>
-
+<!-- <subjectset> and cover <mediaobject> Based on example from
+     http://jfearn.fedorapeople.org/en-US/Publican/2.7/html/Users_Guide/chap-Users_Guide-Creating_a_document.html
+-->
+ <subjectset scheme="libraryofcongress">
+   <subject>
+     <subjectterm>Intellectual property&mdash;United States.</subjectterm>
+   </subject>
+   <subject>
+     <subjectterm>Mass media&mdash;United States.</subjectterm>
+   </subject>
+   <subject>
+     <subjectterm>Technological innovations&mdash;United States.</subjectterm>
+   </subject>
+   <subject>
+     <subjectterm>Art&mdash;United States.</subjectterm>
+   </subject>
+ </subjectset>
+
+
+ <publisher>
+   <publishername>The Penguin Press</publishername>
+   <address><city>New York</city></address>
+ </publisher>
+
+ <copyright>
+   <year>2004</year>
+   <holder>Lawrence Lessig</holder>
+ </copyright>

  <legalnotice>
    <para>
      <inlinemediaobject>
  <legalnotice>
    <para>
      <inlinemediaobject>


@@ -85,6 +108,32 @@ clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of
 Appeals.
   </para>
  </abstract>
 Appeals.
   </para>
  </abstract>

+
+<!-- testing different ways to tag the cover page -->
+ <mediaobject role="cover">
+   <imageobject remap="lrg" role="front-large">
+     <imagedata fileref="images/cover.png" format="PNG" width="444" />
+   </imageobject>
+<!--
+   <imageobject remap="s" role="front">
+     <imagedata fileref="images/cover_thumbnail.png" format="PNG" width="444" />
+   </imageobject>
+   <imageobject remap="xs" role="front-small">
+     <imagedata fileref="images/cover_thumbnail.png" format="PNG" width="444" />
+   </imageobject>
+   <imageobject remap="cs" role="thumbnail">
+     <imagedata fileref="images/cover_thumbnail.png" format="PNG" width="444" />
+   </imageobject>
+-->
+ </mediaobject>
+
+ <biblioid class="isbn">1-59420-006-8</biblioid>
+
+<!-- LCCN from
+     http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page
+     -->
+  <biblioid class="libraryofcongress">2003063276</biblioid>
+

 </bookinfo>
 
 <colophon>
 </bookinfo>
 
 <colophon>


@@ -170,6 +219,7 @@ Includes index.
 <para>
 ISBN 1-59420-006-8 (hardcover)
 </para>
 <para>
 ISBN 1-59420-006-8 (hardcover)
 </para>

+

 <para>
 1. Intellectual property&mdash;United States. 2. Mass media&mdash;United States.
 </para>
 <para>
 1. Intellectual property&mdash;United States. 2. Mass media&mdash;United States.
 </para>


@@ -762,6 +812,8 @@ parks or on
 street corners telling stories that kids and others consumed, that was
 noncommercial culture. When Noah Webster published his "Reader," or
 Joel Barlow his poetry, that was commercial culture.
 street corners telling stories that kids and others consumed, that was
 noncommercial culture. When Noah Webster published his "Reader," or
 Joel Barlow his poetry, that was commercial culture.

+<indexterm><primary>Barlow, Joel</primary></indexterm>
+<indexterm><primary>Webster, Noah</primary></indexterm>

 </para>
 <para>
 At the beginning of our history, and for just about the whole of our
 </para>
 <para>
 At the beginning of our history, and for just about the whole of our


@@ -2809,6 +2861,7 @@ Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and
 the Propertization of Copyright" (September 2002), University of
 Chicago Law School, James M. Olin Program in Law and Economics,
 Working Paper No. 159.  </para></footnote>
 the Propertization of Copyright" (September 2002), University of
 Chicago Law School, James M. Olin Program in Law and Economics,
 Working Paper No. 159.  </para></footnote>

+<indexterm><primary>Fox, William</primary></indexterm>

 <indexterm><primary>General Film Company</primary></indexterm>
 <indexterm><primary>Picker, Randal C.</primary></indexterm>
 </para>
 <indexterm><primary>General Film Company</primary></indexterm>
 <indexterm><primary>Picker, Randal C.</primary></indexterm>
 </para>


@@ -2846,6 +2899,9 @@ Edison's creative property.
 The record industry was born of another kind of piracy, though to see
 how requires a bit of detail about the way the law regulates music.
 </para>
 The record industry was born of another kind of piracy, though to see
 how requires a bit of detail about the way the law regulates music.
 </para>

+<indexterm id="idxfourneauxhenri" class='startofrange'>
+  <primary>Fourneaux, Henri</primary>
+</indexterm>

 <para>
 At the time that Edison and Henri Fourneaux invented machines
 for reproducing music (Edison the phonograph, Fourneaux the player
 <para>
 At the time that Edison and Henri Fourneaux invented machines
 for reproducing music (Edison the phonograph, Fourneaux the player


@@ -2875,6 +2931,7 @@ then made copies of those recordings.  Because of this gap in the law,
 then, I could effectively pirate someone else's song without paying
 its composer anything.
 </para>
 then, I could effectively pirate someone else's song without paying
 its composer anything.
 </para>

+<indexterm startref="idxfourneauxhenri" class='endofrange'/>

 <para>
 The composers (and publishers) were none too happy about
 <!-- PAGE BREAK 69 -->
 <para>
 The composers (and publishers) were none too happy about
 <!-- PAGE BREAK 69 -->


@@ -2945,6 +3002,7 @@ To Amend and Consolidate the Acts Respecting Copyright, 376 (prepared
 memorandum of Philip Mauro, general patent counsel of the American
 Graphophone Company Association).
 </para></footnote>
 memorandum of Philip Mauro, general patent counsel of the American
 Graphophone Company Association).
 </para></footnote>

+<indexterm><primary>American Graphophone Company</primary></indexterm>

 </para>
 <para>
 The law soon resolved this battle in favor of the composer
 </para>
 <para>
 The law soon resolved this battle in favor of the composer


@@ -13338,6 +13396,8 @@ Commons license after the book went out of print. He then monitored
 used book store prices for the book. As predicted, as the number of
 downloads increased, the used book price for his book increased, as
 well.
 used book store prices for the book. As predicted, as the number of
 downloads increased, the used book price for his book increased, as
 well.

+<indexterm><primary>Free for All (Wayner)</primary></indexterm>
+<indexterm><primary>Wayner, Peter</primary></indexterm>

 </para>
 <para>
 These are examples of using the Commons to better spread proprietary
 </para>
 <para>
 These are examples of using the Commons to better spread proprietary