Update with new indexes and wrap lines.

[text-free-culture-lessig.git] / freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index ce3acae65b59047cd7e77b5f863f3d2aa19f5ec1..f98688910e2baa815528b21d7b23f08a76dfeedc 100644 (file)
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -274,7 +274,7 @@ author's rights is appreciated.
 </colophon>
 
 <!-- PAGE BREAK 7 -->
-<dedication>
+<dedication><title></title>
 <para>
 To Eric Eldred&mdash;whose work first drew me to this cause, and for whom
 it continues still.
@@ -2596,7 +2596,7 @@ quipped to me in a rare moment of despondence.
 </chapter>
 <chapter label="3" id="catalogs">
 <title>CHAPTER THREE: Catalogs</title>
-<indexterm><primary>RPI</primary><see>Rensselaer Polytechnic Institute</see></indexterm>
+<indexterm><primary>RPI</primary><see>Rensselaer Polytechnic Institute (RPI)</see></indexterm>
 <indexterm id="idxrensselaer" class='startofrange'>
   <primary>Rensselaer Polytechnic Institute (RPI)</primary>
 </indexterm>
@@ -2921,6 +2921,7 @@ how requires a bit of detail about the way the law regulates music.
 <indexterm id="idxfourneauxhenri" class='startofrange'>
   <primary>Fourneaux, Henri</primary>
 </indexterm>
+<indexterm><primary>Russel, Phil</primary></indexterm>
 <para>
 At the time that Edison and Henri Fourneaux invented machines
 for reproducing music (Edison the phonograph, Fourneaux the player
@@ -4706,6 +4707,7 @@ under the Statute of Anne.<footnote><para>
 <!-- f8 -->
 Mark Rose, <citetitle>Authors and Owners</citetitle> (Cambridge: Harvard University Press,
 1993), 92.
+<indexterm><primary>Rose, Mark</primary></indexterm>
 </para></footnote>
 Donaldson's publishing house prospered
 <!-- PAGE BREAK 102 -->
@@ -6870,6 +6872,7 @@ derivative works. See Jed Rubenfeld, "The Freedom of Imagination:
 Copyright's Constitutionality," <citetitle>Yale Law
 Journal</citetitle> 112 (2002): 1&ndash;60 (see especially
 pp. 53&ndash;59).
+<indexterm><primary>Rubenfeld, Jeb</primary></indexterm>
 </para></footnote>
 These two different uses of my creative work are treated the same.
 </para>
@@ -7678,6 +7681,7 @@ suggested, Felten himself was distributing a circumvention technology.
 Thus, even though he was not himself infringing anyone's copyright,
 his academic paper was enabling others to infringe others' copyright.
 </para>
+<indexterm><primary>Rogers, Fred</primary></indexterm>
 <para>
 The bizarreness of these arguments is captured in a cartoon drawn in
 1981 by Paul Conrad. At that time, a court in California had held that
@@ -7710,6 +7714,7 @@ important.<footnote><para>
 455 fn. 27 (1984). Rogers never changed his view about the VCR. See
 James Lardner, <citetitle>Fast Forward: Hollywood, the Japanese, and the Onslaught of
 the VCR</citetitle> (New York: W. W. Norton, 1987), 270&ndash;71.
+<indexterm><primary>Rogers, Fred</primary></indexterm>
 </para></footnote>
 </para>
 </blockquote>
@@ -14506,6 +14511,7 @@ began when I read of Eric Eldred's war to keep books free. Eldred's
 work helped launch a movement, the free culture movement, and it is
 to him that this book is dedicated.
 </para>
+<indexterm><primary>Rose, Mark</primary></indexterm>
 <para>
 I received guidance in various places from friends and academics,
 including Glenn Brown, Peter DiCola, Jennifer Mnookin, Richard Posner,