1 <?xml version=
"1.0" encoding=
"utf-8"?>
2 <rss version='
2.0' xmlns:lj='http://www.livejournal.org/rss/lj/
1.0/' xmlns:
atom=
"http://www.w3.org/2005/Atom">
4 <title>Petter Reinholdtsen
</title>
5 <description></description>
6 <link>http://people.skolelinux.org/pere/blog/
</link>
7 <atom:link href=
"http://people.skolelinux.org/pere/blog/index.rss" rel=
"self" type=
"application/rss+xml" />
10 <title>The life and death of a laptop battery
</title>
11 <link>http://people.skolelinux.org/pere/blog/The_life_and_death_of_a_laptop_battery.html
</link>
12 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/The_life_and_death_of_a_laptop_battery.html
</guid>
13 <pubDate>Thu,
24 Sep
2015 16:
00:
00 +
0200</pubDate>
14 <description><p
>When I get a new laptop, the battery life time at the start is OK.
15 But this do not last. The last few laptops gave me a feeling that
16 within a year, the life time is just a fraction of what it used to be,
17 and it slowly become painful to use the laptop without power connected
18 all the time. Because of this, when I got a new Thinkpad X230 laptop
19 about two years ago, I decided to monitor its battery state to have
20 more hard facts when the battery started to fail.
</p
>
22 <img src=
"http://people.skolelinux.org/pere/blog/images/
2015-
09-
24-laptop-battery-graph.png
"/
>
24 <p
>First I tried to find a sensible Debian package to record the
25 battery status, assuming that this must be a problem already handled
26 by someone else. I found
27 <a href=
"https://tracker.debian.org/pkg/battery-stats
">battery-stats
</a
>,
28 which collects statistics from the battery, but it was completely
29 broken. I sent a few suggestions to the maintainer, but decided to
30 write my own collector as a shell script while I waited for feedback
32 <a href=
"http://www.ifweassume.com/
2013/
08/the-de-evolution-of-my-laptop-battery.html
">a
33 blog post about the battery development on a MacBook Air
</a
> I also
35 <a href=
"https://github.com/jradavenport/batlog.git
">batlog
</a
>, not
36 available in Debian.
</p
>
38 <p
>I started my collector
2013-
07-
15, and it has been collecting
39 battery stats ever since. Now my
40 /var/log/hjemmenett-battery-status.log file contain around
115,
000
41 measurements, from the time the battery was working great until now,
42 when it is unable to charge above
7% of original capasity. My
43 colletor shell script is quite simple and look like this:
</p
>
48 # http://www.ifweassume.com/
2013/
08/the-de-evolution-of-my-laptop-battery.html
50 # http://blog.sleeplessbeastie.eu/
2013/
01/
02/debian-how-to-monitor-battery-capacity/
51 logfile=/var/log/hjemmenett-battery-status.log
53 files=
"manufacturer model_name technology serial_number \
54 energy_full energy_full_design energy_now cycle_count status
"
56 if [ ! -e
"$logfile
" ] ; then
58 printf
"timestamp,
"
60 printf
"%s,
" $f
63 )
> "$logfile
"
67 # Print complete message in one echo call, to avoid race condition
68 # when several log processes run in parallell.
69 msg=$(printf
"%s,
" $(date +%s); \
71 printf
"%s,
" $(cat $f); \
76 cd /sys/class/power_supply
79 (cd $bat
&& log_battery
>> "$logfile
")
83 <p
>The script is called when the power management system detect a
84 change in the power status (power plug in or out), and when going into
85 and out of hibernation and suspend. In addition, it collect a value
86 every
10 minutes. This make it possible for me know when the battery
87 is discharging, charging and how the maximum charge change over time.
88 The code for the Debian package
89 <a href=
"https://github.com/petterreinholdtsen/battery-status
">is now
90 available on github
</a
>.
</p
>
92 <p
>The collected log file look like this:
</p
>
95 timestamp,manufacturer,model_name,technology,serial_number,energy_full,energy_full_design,energy_now,cycle_count,status,
96 1376591133,LGC,
45N1025,Li-ion,
974,
62800000,
62160000,
39050000,
0,Discharging,
98 1443090528,LGC,
45N1025,Li-ion,
974,
4900000,
62160000,
4900000,
0,Full,
99 1443090601,LGC,
45N1025,Li-ion,
974,
4900000,
62160000,
4900000,
0,Full,
102 <p
>I wrote a small script to create a graph of the charge development
103 over time. This graph depicted above show the slow death of mylaptop
106 <p
>But why is this happening? Why are my laptop batteries always
107 dying in a year or two, while the batteries of space probes and
108 satellites keep working year after year. If we are to believe
109 <a href=
"http://batteryuniversity.com/learn/article/how_to_prolong_lithium_based_batteries
">Battery
110 University
</a
>, the cause is me charging the battery whenever I have a
111 chance, and the fix is to not charge the Lithium-ion batteries to
100%
112 all the time, but to stay below
90% of full charge most of the time.
113 I
've been told that the Tesla electric cars
114 <a href=
"http://my.teslamotors.com/de_CH/forum/forums/battery-charge-limit
">limit
115 the charge of their batteries to
80%
</a
>, with the option to charge to
116 100% when preparing for a longer trip (not that I would want a car
117 like Tesla where rights to privacy is abandoned, but that is another
118 story), which I guess is the option we should have for laptops on
121 <p
>Is there a good and generic way with Linux to tell the battery to
122 stop charging at
80%, unless requested to charge to
100% once in
123 preparation for a longer trip? I found
124 <a href=
"http://askubuntu.com/questions/
34452/how-can-i-limit-battery-charging-to-
80-capacity
">one
125 recipe on askubuntu for Ubuntu to limit charging on Thinkpad to
126 80%
</a
>, but could not get it to work (kernel module refused to
129 <p
>I wonder why the battery capacity was reported to be more than
100%
130 at the start. I also wonder why the
"full capacity
" increases some
131 times, and if it is possible to repeat the process to get the battery
132 back to design capacity. And I wonder if the discharge and charge
133 speed change over time, or if this stay the same. I did not yet try
134 to write a tool to calculate the derivative values of the battery
135 level, but suspect some interesting insights might be learned from
141 <title>Book cover for the Free Culture book finally done
</title>
142 <link>http://people.skolelinux.org/pere/blog/Book_cover_for_the_Free_Culture_book_finally_done.html
</link>
143 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/Book_cover_for_the_Free_Culture_book_finally_done.html
</guid>
144 <pubDate>Thu,
3 Sep
2015 21:
00:
00 +
0200</pubDate>
145 <description><p
>Creating a good looking book cover proved harder than I expected.
146 I wanted to create a cover looking similar to the original cover of
148 <a href=
"https://github.com/petterreinholdtsen/free-culture-lessig
">Free
149 Culture
</a
> book we are translating to Norwegian, and I wanted it in
150 vector format for high resolution printing. But my inkscape knowledge
151 were not nearly good enough to pull that off.
153 <p
>But thanks to the great inkscape community, I was able to wrap up
154 the cover yesterday evening. I asked on the
155 <a href=
"irc://irc.freenode.net/%
23inkscape
">#inkscape IRC channel
</a
>
156 on Freenode for help and clues, and Marc Jeanmougin (Mc-) volunteered
157 to try to recreate it based on the PDF of the cover from the HTML
158 version. Not only did he create a
159 <a href=
"https://marc.jeanmougin.fr/share/copy1.svg
">SVG document with
160 the original and his vector version side by side
</a
>, he even provided
161 an
<a href=
"https://marc.jeanmougin.fr/share/out-
1.ogv
">instruction
162 video
</a
> explaining how he did it
</a
>. But the instruction video is
163 not easy to follow for an untrained inkscape user. The video is a
164 recording on how he did it, and he is obviously very experienced as
165 the menu selections are very quick and he mentioned on IRC that he did
166 use some keyboard shortcuts that can
't be seen on the video, but it
167 give a good idea about the inkscape operations to use to create the
168 stripes with the embossed copyright sign in the center.
</p
>
170 <p
>I took his SVG file, copied the vector image and re-sized it to fit
171 on the cover I was drawing. I am happy with the end result, and the
172 current english version look like this:
</p
>
174 <img src=
"http://people.skolelinux.org/pere/blog/images/
2015-
09-
03-free-culture-cover.png
" width=
"70%
" align=
"center
"/
>
176 <p
>I am not quite sure about the text on the back, but guess it will
177 do. I picked three quotes from the official site for the book, and
178 hope it will work to trigger the interest of potential readers. The
179 Norwegian cover will look the same, but with the texts and bar code
180 replaced with the Norwegian version.
</p
>
182 <p
>The book is very close to being ready for publication, and I expect
183 to upload the final draft to Lulu in the next few days and order a
184 final proof reading copy to verify that everything look like it should
185 before allowing everyone to order their own copy of Free Culture, in
186 English or Norwegian Bokmål. I
'm waiting to give the the productive
187 proof readers a chance to complete their work.
</p
>
192 <title>In my hand, a pocket book edition of the Norwegian Free Culture book!
</title>
193 <link>http://people.skolelinux.org/pere/blog/In_my_hand__a_pocket_book_edition_of_the_Norwegian_Free_Culture_book_.html
</link>
194 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/In_my_hand__a_pocket_book_edition_of_the_Norwegian_Free_Culture_book_.html
</guid>
195 <pubDate>Wed,
19 Aug
2015 22:
10:
00 +
0200</pubDate>
196 <description><p
>Today, finally, my first printed draft edition of the Norwegian
197 translation of Free Culture I have been working on for the last few
198 years arrived in the mail. I had to fake a cover to get the interior
199 printed, and the exterior of the book look awful, but that is
200 irrelevant at this point. I asked for a printed pocket book version
201 to get an idea about the font sizes and paper format as well as how
202 good the figures and images look in print, but also to test what the
203 pocket book version would look like. After receiving the
500 page
204 pocket book, it became obvious to me that that pocket book size is too
205 small for this book. I believe the book is too thick, and several
206 tables and figures do not look good in the size they get with that
207 small page sizes. I believe I will go with the
5.5x8.5 inch size
208 instead. A surprise discovery from the paper version was how bad the
209 URLs look in print. They are very hard to read in the colophon page.
210 The URLs are red in the PDF, but light gray on paper. I need to
211 change the color of links somehow to look better. But there is a
212 printed book in my hand, and it feels great. :)
</p
>
214 <p
>Now I only need to fix the cover, wrap up the postscript with the
215 store behind the book, and collect the last corrections from the proof
216 readers before the book is ready for proper printing. Cover artists
217 willing to work for free and create a Creative Commons licensed vector
218 file looking similar to the original is most welcome, as my skills as
219 a graphics designer are mostly missing.
</p
>
224 <title>First paper version of the Norwegian Free Culture book heading my way
</title>
225 <link>http://people.skolelinux.org/pere/blog/First_paper_version_of_the_Norwegian_Free_Culture_book_heading_my_way.html
</link>
226 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/First_paper_version_of_the_Norwegian_Free_Culture_book_heading_my_way.html
</guid>
227 <pubDate>Sun,
9 Aug
2015 10:
15:
00 +
0200</pubDate>
228 <description><p
>Typesetting a book is harder than I hoped. As the translation is
229 mostly done, and a volunteer proof reader was going to check the text
230 on paper, it was time this summer to focus on formatting my translated
231 <a href=
"http://www.docbook.org/
">docbook
</a
> based version of the
232 <a href=
"http://free-culture.cc/
">Free Culture
</a
> book by Lawrence
233 Lessig. I
've been trying to get both docboox-xsl+fop and dblatex to
234 give me a good looking PDF, but in the end I went with dblatex, because
235 its Debian maintainer and upstream developer were responsive and very
236 helpful in solving my formatting challenges.
</p
>
238 <p
>Last night, I finally managed to create a PDF that no longer made
239 <a href=
"http://www.lulu.com/
">Lulu.com
</a
> complain after uploading,
240 and I ordered a text version of the book on paper. It is lacking a
241 proper book cover and is not tagged with the correct ISBN number, but
242 should give me an idea what the finished book will look like.
</p
>
244 <p
>Instead of using Lulu, I did consider printing the book using
245 <a href=
"http://www.createspace.com/
">CreateSpace
</a
>, but ended up
246 using Lulu because it had smaller book size options (CreateSpace seem
247 to lack pocket book with extended distribution). I looked for a
248 similar service in Norway, but have not seen anything so far. Please
249 let me know if I am missing out on something here.
</p
>
251 <p
>But I still struggle to decide the book size. Should I go for
252 pocket book (
4.25x6.875 inches /
10.8x17.5 cm) with
556 pages, Digest
253 (
5.5x8.5 inches /
14x21.6 cm) with
323 pages or US Trade (
6x8 inches /
254 15.3x22.9 cm) with
280 pages? Fewer pager give a cheaper book, and a
255 smaller book is easier to carry around. The test book I ordered was
256 pocket book sized, to give me an idea how well that fit in my hand,
257 but I suspect I will end up using a digest sized book in the end to
258 bring the prize down further.
</p
>
260 <p
>My biggest challenge at the moment is making nice cover art. My
261 inkscape skills are not yet up to the task of replicating the original
262 cover in SVG format. I also need to figure out what to write about
263 the book on the back (will most likely use the same text as the
264 description on web based book stores). I would love help with this,
265 if you are willing to license the art source and final version using
266 the same CC license as the book. My artistic skills are not really up
267 to the task.
</p
>
269 <p
>I plan to publish the book in both English and Norwegian and on
270 paper, in PDF form as well as EPUB and MOBI format. The current
271 status can as usual be found on
272 <a href=
"https://github.com/petterreinholdtsen/free-culture-lessig
">github
</a
>
273 in the archive/ directory. So far I have spent all time on making the
274 PDF version look good. Someone should probably do the same with the
275 dbtoepub generated e-book. Help is definitely needed here, as I
276 expect to run out of steem before I find time to improve the epub
277 formatting.
</p
>
279 <p
>Please let me know via github if you find typos in the book or
280 discover translations that should be improved. The final proof
281 reading is being done right now, and I expect to publish the finished
282 result in a few months.
</p
>
287 <title>Typesetting DocBook footnotes as endnotes with dblatex
</title>
288 <link>http://people.skolelinux.org/pere/blog/Typesetting_DocBook_footnotes_as_endnotes_with_dblatex.html
</link>
289 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/Typesetting_DocBook_footnotes_as_endnotes_with_dblatex.html
</guid>
290 <pubDate>Thu,
16 Jul
2015 18:
10:
00 +
0200</pubDate>
291 <description><p
>I
'm still working on the Norwegian version of the
292 <a href=
"http://free-culture.cc/
">Free Culture book by Lawrence
293 Lessig
</a
>, and is now working on the final typesetting and layout.
294 One of the features I want to get the structure similar to the
295 original book is to typeset the footnotes as endnotes in the notes
296 chapter. Based on the
297 <a href=
"https://bugs.debian.org/
685063">feedback from the Debian
298 maintainer and the dblatex developer
</a
>, I came up with this recipe I
299 would like to share with you. The proposal was to create a new LaTeX
300 class file and add the LaTeX code there, but this is not always
301 practical, when I want to be able to replace the class using a make
302 file variable. So my proposal misuses the latex.begindocument XSL
303 parameter value, to get a small fragment into the correct location in
304 the generated LaTeX File.
</p
>
306 <p
>First, decide where in the DocBook document to place the endnotes,
307 and add this text there:
</p
>
310 &lt;?latex \theendnotes ?
&gt;
313 <p
>Next, create a xsl stylesheet file dblatex-endnotes.xsl to add the
314 code needed to add the endnote instructions in the preamble of the
315 generated LaTeX document, with content like this:
</p
>
318 &lt;?xml version=
'1.0'?
&gt;
319 &lt;xsl:stylesheet xmlns:xsl=
"http://www.w3.org/
1999/XSL/Transform
" version=
'1.0'&gt;
320 &lt;xsl:param name=
"latex.begindocument
"&gt;
321 &lt;xsl:text
&gt;
322 \usepackage{endnotes}
323 \let\footnote=\endnote
324 \def\enoteheading{\mbox{}\par\vskip-\baselineskip }
326 &lt;/xsl:text
&gt;
327 &lt;/xsl:param
&gt;
328 &lt;/xsl:stylesheet
&gt;
331 <p
>Finally, load this xsl file when running dblatex, for example like
335 dblatex --xsl-user=dblatex-endnotes.xsl freeculture.nb.xml
338 <p
>The end result can be seen on github, where
339 <a href=
"https://github.com/petterreinholdtsen/free-culture-lessig
">my
340 book project
</a
> is located.
</p
>
345 <title>Mimes brønn, norsk utgave av Alaveteli / WhatDoTheyKnow, endelig lansert
</title>
346 <link>http://people.skolelinux.org/pere/blog/Mimes_br_nn__norsk_utgave_av_Alaveteli___WhatDoTheyKnow__endelig_lansert.html
</link>
347 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/Mimes_br_nn__norsk_utgave_av_Alaveteli___WhatDoTheyKnow__endelig_lansert.html
</guid>
348 <pubDate>Thu,
9 Jul
2015 11:
40:
00 +
0200</pubDate>
349 <description><p
>I går fikk vi endelig lansert en norsk version av mySocietys
350 <a href=
"https://www.whatdotheyknow.com/
">WhatDoTheyKnow
</a
>.
351 Tjenesten heter Mimes brønn, og ble
352 <a href=
"http://www.nuug.no/news/NUUG_lanserer_innsynstjenesten_Mimes_Br_nn.shtml
">annonsert
353 av NUUG
</a
> via blogg, epost og twitter til NUUG-assosierte personer.
354 Det har tatt noen år, men de siste dagene fikk vi endelig tid til å få
355 på plass de siste bitene. Vi er to, Gorm og meg selv, som har vært
356 primus motor for det hele, men vi har fått hjelp med oversettelser og
357 oppsett fra mange flere. Jeg vil si tusen takk til hver og en av dem,
358 og er veldig fornøyd med at vi klarte å få tjenesten opp å kjøre før
359 ferietiden slo inn for fullt.
</p
>
361 <p
>Vi er usikker på hvor mye belastning den virtuelle maskinen der
362 tjenesten kjører klarer, så vi har lansert litt i det stille og ikke
363 til for mange folk for å se hvordan maskinen klarer seg over sommeren,
364 før vi går mer aktivt ut og annonserer til høsten. Ta en titt, og se
365 om du kanskje har et spørsmål til det offentlige som er egnet å sende
366 inn via Mimes brønn.
</p
>
368 <p
>Hvis du lurer på hva i alle dager en slik tjenestes kan brukes til,
369 anbefaler jeg deg å se
370 <a href=
"http://beta.frikanalen.no/video/
625321">TED-foredraget til
371 Heather Brook
</a
> om hvordan hun brukte WhatDoTheyKnow til å lære
372 hvordan offentlige midler ble misbrukt. Det er en inspirerende
378 <title>MPEG LA on
"Internet Broadcast AVC Video
" licensing and non-private use
</title>
379 <link>http://people.skolelinux.org/pere/blog/MPEG_LA_on__Internet_Broadcast_AVC_Video__licensing_and_non_private_use.html
</link>
380 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/MPEG_LA_on__Internet_Broadcast_AVC_Video__licensing_and_non_private_use.html
</guid>
381 <pubDate>Tue,
7 Jul
2015 09:
50:
00 +
0200</pubDate>
382 <description><p
>After asking the Norwegian Broadcasting Company (NRK)
383 <a href=
"http://people.skolelinux.org/pere/blog/Hva_gj_r_at_NRK_kan_distribuere_H_264_video_uten_patentavtale_med_MPEG_LA_.html
">why
384 they can broadcast and stream H
.264 video without an agreement with
385 the MPEG LA
</a
>, I was wiser, but still confused. So I asked MPEG LA
386 if their understanding matched that of NRK. As far as I can tell, it
389 <p
>I started by asking for more information about the various
390 licensing classes and what exactly is covered by the
"Internet
391 Broadcast AVC Video
" class that NRK pointed me at to explain why NRK
392 did not need a license for streaming H
.264 video:
394 <p
><blockquote
>
396 <p
>According to
397 <a href=
"http://www.mpegla.com/Lists/MPEG%
20LA%
20News%
20List/Attachments/
226/n-
10-
02-
02.pdf
">a
398 MPEG LA press release dated
2010-
02-
02</a
>, there is no charge when
399 using MPEG AVC/H
.264 according to the terms of
"Internet Broadcast AVC
400 Video
". I am trying to understand exactly what the terms of
"Internet
401 Broadcast AVC Video
" is, and wondered if you could help me. What
402 exactly is covered by these terms, and what is not?
</p
>
404 <p
>The only source of more information I have been able to find is a
406 <a href=
"http://www.mpegla.com/main/programs/avc/Documents/avcweb.pdf
">AVC
407 Patent Portfolio License Briefing
</a
>, which states this about the
411 <li
>Where End User pays for AVC Video
413 <li
>Subscription (not limited by title) –
100,
000 or fewer
414 subscribers/yr = no royalty;
&gt;
100,
000 to
250,
000 subscribers/yr =
415 $
25,
000;
&gt;
250,
000 to
500,
000 subscribers/yr = $
50,
000;
&gt;
500,
000 to
416 1M subscribers/yr = $
75,
000;
&gt;
1M subscribers/yr = $
100,
000</li
>
418 <li
>Title-by-Title -
12 minutes or less = no royalty;
&gt;
12 minutes in
419 length = lower of (a)
2% or (b) $
0.02 per title
</li
>
420 </ul
></li
>
422 <li
>Where remuneration is from other sources
424 <li
>Free Television - (a) one-time $
2,
500 per transmission encoder or
425 (b) annual fee starting at $
2,
500 for
&gt;
100,
000 HH rising to
426 maximum $
10,
000 for
&gt;
1,
000,
000 HH
</li
>
428 <li
>Internet Broadcast AVC Video (not title-by-title, not subscription)
429 – no royalty for life of the AVC Patent Portfolio License
</li
>
430 </ul
></li
>
433 <p
>Am I correct in assuming that the four categories listed is the
434 categories used when selecting licensing terms, and that
"Internet
435 Broadcast AVC Video
" is the category for things that do not fall into
436 one of the other three categories? Can you point me to a good source
437 explaining what is ment by
"title-by-title
" and
"Free Television
" in
438 the license terms for AVC/H
.264?
</p
>
440 <p
>Will a web service providing H
.264 encoded video content in a
441 "video on demand
" fashing similar to Youtube and Vimeo, where no
442 subscription is required and no payment is required from end users to
443 get access to the videos, fall under the terms of the
"Internet
444 Broadcast AVC Video
", ie no royalty for life of the AVC Patent
445 Portfolio license? Does it matter if some users are subscribed to get
446 access to personalized services?
</p
>
448 <p
>Note, this request and all answers will be published on the
450 </blockquote
></p
>
452 <p
>The answer came quickly from Benjamin J. Myers, Licensing Associate
453 with the MPEG LA:
</p
>
455 <p
><blockquote
>
456 <p
>Thank you for your message and for your interest in MPEG LA. We
457 appreciate hearing from you and I will be happy to assist you.
</p
>
459 <p
>As you are aware, MPEG LA offers our AVC Patent Portfolio License
460 which provides coverage under patents that are essential for use of
461 the AVC/H
.264 Standard (MPEG-
4 Part
10). Specifically, coverage is
462 provided for end products and video content that make use of AVC/H
.264
463 technology. Accordingly, the party offering such end products and
464 video to End Users concludes the AVC License and is responsible for
465 paying the applicable royalties.
</p
>
467 <p
>Regarding Internet Broadcast AVC Video, the AVC License generally
468 defines such content to be video that is distributed to End Users over
469 the Internet free-of-charge. Therefore, if a party offers a service
470 which allows users to upload AVC/H
.264 video to its website, and such
471 AVC Video is delivered to End Users for free, then such video would
472 receive coverage under the sublicense for Internet Broadcast AVC
473 Video, which is not subject to any royalties for the life of the AVC
474 License. This would also apply in the scenario where a user creates a
475 free online account in order to receive a customized offering of free
476 AVC Video content. In other words, as long as the End User is given
477 access to or views AVC Video content at no cost to the End User, then
478 no royalties would be payable under our AVC License.
</p
>
480 <p
>On the other hand, if End Users pay for access to AVC Video for a
481 specific period of time (e.g., one month, one year, etc.), then such
482 video would constitute Subscription AVC Video. In cases where AVC
483 Video is delivered to End Users on a pay-per-view basis, then such
484 content would constitute Title-by-Title AVC Video. If a party offers
485 Subscription or Title-by-Title AVC Video to End Users, then they would
486 be responsible for paying the applicable royalties you noted below.
</p
>
488 <p
>Finally, in the case where AVC Video is distributed for free
489 through an
"over-the-air, satellite and/or cable transmission
", then
490 such content would constitute Free Television AVC Video and would be
491 subject to the applicable royalties.
</p
>
493 <p
>For your reference, I have attached
494 <a href=
"http://people.skolelinux.org/pere/blog/images/
2015-
07-
07-mpegla.pdf
">a
495 .pdf copy of the AVC License
</a
>. You will find the relevant
496 sublicense information regarding AVC Video in Sections
2.2 through
497 2.5, and the corresponding royalties in Section
3.1.2 through
3.1.4.
498 You will also find the definitions of Title-by-Title AVC Video,
499 Subscription AVC Video, Free Television AVC Video, and Internet
500 Broadcast AVC Video in Section
1 of the License. Please note that the
501 electronic copy is provided for informational purposes only and cannot
502 be used for execution.
</p
>
504 <p
>I hope the above information is helpful. If you have additional
505 questions or need further assistance with the AVC License, please feel
506 free to contact me directly.
</p
>
507 </blockquote
></p
>
509 <p
>Having a fresh copy of the license text was useful, and knowing
510 that the definition of Title-by-Title required payment per title made
511 me aware that my earlier understanding of that phrase had been wrong.
512 But I still had a few questions:
</p
>
514 <p
><blockquote
>
515 <p
>I have a small followup question. Would it be possible for me to get
516 a license with MPEG LA even if there are no royalties to be paid? The
517 reason I ask, is that some video related products have a copyright
518 clause limiting their use without a license with MPEG LA. The clauses
519 typically look similar to this:
521 <p
><blockquote
>
522 This product is licensed under the AVC patent portfolio license for
523 the personal and non-commercial use of a consumer to (a) encode
524 video in compliance with the AVC standard (
"AVC video
") and/or (b)
525 decode AVC video that was encoded by a consumer engaged in a
526 personal and non-commercial activity and/or AVC video that was
527 obtained from a video provider licensed to provide AVC video. No
528 license is granted or shall be implied for any other use. additional
529 information may be obtained from MPEG LA L.L.C.
530 </blockquote
></p
>
532 <p
>It is unclear to me if this clause mean that I need to enter into
533 an agreement with MPEG LA to use the product in question, even if
534 there are no royalties to be paid to MPEG LA. I suspect it will
535 differ depending on the jurisdiction, and mine is Norway. What is
536 MPEG LAs view on this?
</p
>
537 </blockquote
></p
>
539 <p
>According to the answer, MPEG LA believe those using such tools for
540 non-personal or commercial use need a license with them:
</p
>
542 <p
><blockquote
>
544 <p
>With regard to the Notice to Customers, I would like to begin by
545 clarifying that the Notice from Section
7.1 of the AVC License
548 <p
>THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR
549 THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT
550 RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC
551 STANDARD (
"AVC VIDEO
") AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED
552 BY A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM
553 A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED
554 OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE
555 OBTAINED FROM MPEG LA, L.L.C. SEE HTTP://WWW.MPEGLA.COM
</p
>
557 <p
>The Notice to Customers is intended to inform End Users of the
558 personal usage rights (for example, to watch video content) included
559 with the product they purchased, and to encourage any party using the
560 product for commercial purposes to contact MPEG LA in order to become
561 licensed for such use (for example, when they use an AVC Product to
562 deliver Title-by-Title, Subscription, Free Television or Internet
563 Broadcast AVC Video to End Users, or to re-Sell a third party
's AVC
564 Product as their own branded AVC Product).
</p
>
566 <p
>Therefore, if a party is to be licensed for its use of an AVC
567 Product to Sell AVC Video on a Title-by-Title, Subscription, Free
568 Television or Internet Broadcast basis, that party would need to
569 conclude the AVC License, even in the case where no royalties were
570 payable under the License. On the other hand, if that party (either a
571 Consumer or business customer) simply uses an AVC Product for their
572 own internal purposes and not for the commercial purposes referenced
573 above, then such use would be included in the royalty paid for the AVC
574 Products by the licensed supplier.
</p
>
576 <p
>Finally, I note that our AVC License provides worldwide coverage in
577 countries that have AVC Patent Portfolio Patents, including
580 <p
>I hope this clarification is helpful. If I may be of any further
581 assistance, just let me know.
</p
>
582 </blockquote
></p
>
584 <p
>The mentioning of Norwegian patents made me a bit confused, so I
585 asked for more information:
</p
>
587 <p
><blockquote
>
589 <p
>But one minor question at the end. If I understand you correctly,
590 you state in the quote above that there are patents in the AVC Patent
591 Portfolio that are valid in Norway. This make me believe I read the
592 list available from
&lt;URL:
593 <a href=
"http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx
">http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx
</a
>
594 &gt; incorrectly, as I believed the
"NO
" prefix in front of patents
595 were Norwegian patents, and the only one I could find under Mitsubishi
596 Electric Corporation expired in
2012. Which patents are you referring
597 to that are relevant for Norway?
</p
>
599 </blockquote
></p
>
601 <p
>Again, the quick answer explained how to read the list of patents
602 in that list:
</p
>
604 <p
><blockquote
>
606 <p
>Your understanding is correct that the last AVC Patent Portfolio
607 Patent in Norway expired on
21 October
2012. Therefore, where AVC
608 Video is both made and Sold in Norway after that date, then no
609 royalties would be payable for such AVC Video under the AVC License.
610 With that said, our AVC License provides historic coverage for AVC
611 Products and AVC Video that may have been manufactured or Sold before
612 the last Norwegian AVC patent expired. I would also like to clarify
613 that coverage is provided for the country of manufacture and the
614 country of Sale that has active AVC Patent Portfolio Patents.
</p
>
616 <p
>Therefore, if a party offers AVC Products or AVC Video for Sale in
617 a country with active AVC Patent Portfolio Patents (for example,
618 Sweden, Denmark, Finland, etc.), then that party would still need
619 coverage under the AVC License even if such products or video are
620 initially made in a country without active AVC Patent Portfolio
621 Patents (for example, Norway). Similarly, a party would need to
622 conclude the AVC License if they make AVC Products or AVC Video in a
623 country with active AVC Patent Portfolio Patents, but eventually Sell
624 such AVC Products or AVC Video in a country without active AVC Patent
625 Portfolio Patents.
</p
>
626 </blockquote
></p
>
628 <p
>As far as I understand it, MPEG LA believe anyone using Adobe
629 Premiere and other video related software with a H
.264 distribution
630 license need a license agreement with MPEG LA to use such tools for
631 anything non-private or commercial, while it is OK to set up a
632 Youtube-like service as long as no-one pays to get access to the
633 content. I still have no clear idea how this applies to Norway, where
634 none of the patents MPEG LA is licensing are valid. Will the
635 copyright terms take precedence or can those terms be ignored because
636 the patents are not valid in Norway?
</p
>
641 <title>New laptop - some more clues and ideas based on feedback
</title>
642 <link>http://people.skolelinux.org/pere/blog/New_laptop___some_more_clues_and_ideas_based_on_feedback.html
</link>
643 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/New_laptop___some_more_clues_and_ideas_based_on_feedback.html
</guid>
644 <pubDate>Sun,
5 Jul
2015 21:
40:
00 +
0200</pubDate>
645 <description><p
>Several people contacted me after my previous blog post about my
646 need for a new laptop, and provided very useful feedback. I wish to
647 thank every one of these. Several pointed me to the possibility of
648 fixing my X230, and I am already in the process of getting Lenovo to
649 do so thanks to the on site, next day support contract covering the
650 machine. But the battery is almost useless (I expect to replace it
651 with a non-official battery) and I do not expect the machine to live
652 for many more years, so it is time to plan its replacement. If I did
653 not have a support contract, it was suggested to find replacement parts
654 using
<a href=
"http://www.francecrans.com/
">FrancEcrans
</a
>, but it
655 might present a language barrier as I do not understand French.
</p
>
657 <p
>One tip I got was to use the
658 <a href=
"https://skinflint.co.uk/?cat=nb
">Skinflint
</a
> web service to
659 compare laptop models. It seem to have more models available than
660 prisjakt.no. Another tip I got from someone I know have similar
661 keyboard preferences was that the HP EliteBook
840 keyboard is not
662 very good, and this matches my experience with earlier EliteBook
663 keyboards I tested. Because of this, I will not consider it any further.
665 <p
>When I wrote my blog post, I was not aware of Thinkpad X250, the
666 newest Thinkpad X model. The keyboard reintroduces mouse buttons
667 (which is missing from the X240), and is working fairly well with
668 Debian Sid/Unstable according to
669 <a href=
"http://www.corsac.net/X250/
">Corsac.net
</a
>. The reports I
670 got on the keyboard quality are not consistent. Some say the keyboard
671 is good, others say it is ok, while others say it is not very good.
672 Those with experience from X41 and and X60 agree that the X250
673 keyboard is not as good as those trusty old laptops, and suggest I
674 keep and fix my X230 instead of upgrading, or get a used X230 to
675 replace it. I
'm also told that the X250 lack leds for caps lock, disk
676 activity and battery status, which is very convenient on my X230. I
'm
677 also told that the CPU fan is running very often, making it a bit
678 noisy. In any case, the X250 do not work out of the box with Debian
679 Stable/Jessie, one of my requirements.
</p
>
681 <p
>I have also gotten a few vendor proposals, one was
682 <a href=
"http://pro-star.com
">Pro-Star
</a
>, another was
683 <a href=
"http://shop.gluglug.org.uk/product/libreboot-x200/
">Libreboot
</a
>.
684 The latter look very attractive to me.
</p
>
686 <p
>Again, thank you all for the very useful feedback. It help a lot
687 as I keep looking for a replacement.
</p
>
689 <p
>Update
2015-
07-
06: I was recommended to check out the
690 <a href=
"">lapstore.de
</a
> web shop for used laptops. They got several
692 <a href=
"http://www.lapstore.de/f.php/shop/lapstore/f/
411/lang/x/kw/Lenovo_ThinkPad_X_Serie/
">old
693 thinkpad X models
</a
>, and provide one year warranty.
</p
>
698 <title>Time to find a new laptop, as the old one is broken after only two years
</title>
699 <link>http://people.skolelinux.org/pere/blog/Time_to_find_a_new_laptop__as_the_old_one_is_broken_after_only_two_years.html
</link>
700 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/Time_to_find_a_new_laptop__as_the_old_one_is_broken_after_only_two_years.html
</guid>
701 <pubDate>Fri,
3 Jul
2015 07:
10:
00 +
0200</pubDate>
702 <description><p
>My primary work horse laptop is failing, and will need a
703 replacement soon. The left
5 cm of the screen on my Thinkpad X230
704 started flickering yesterday, and I suspect the cause is a broken
705 cable, as changing the angle of the screen some times get rid of the
706 flickering.
</p
>
708 <p
>My requirements have not really changed since I bought it, and is
710 <a href=
"http://people.skolelinux.org/pere/blog/Thank_you_Thinkpad_X41__for_your_long_and_trustworthy_service.html
">I
711 described them in
2013</a
>. The last time I bought a laptop, I had
713 <a href=
"http://www.prisjakt.no/category.php?k=
353">prisjakt.no
</a
>
714 where I could select at least a few of the requirements (mouse pin,
715 wifi, weight) and go through the rest manually. Three button mouse
716 and a good keyboard is not available as an option, and all the three
717 laptop models proposed today (Thinkpad X240, HP EliteBook
820 G1 and
718 G2) lack three mouse buttons). It is also unclear to me how good the
719 keyboard on the HP EliteBooks are. I hope Lenovo have not messed up
720 the keyboard, even if the quality and robustness in the X series have
721 deteriorated since X41.
</p
>
723 <p
>I wonder how I can find a sensible laptop when none of the options
724 seem sensible to me? Are there better services around to search the
725 set of available laptops for features? Please send me an email if you
726 have suggestions.
</p
>
728 <p
>Update
2015-
07-
23: I got a suggestion to check out the FSF
729 <a href=
"http://www.fsf.org/resources/hw/endorsement/respects-your-freedom
">list
730 of endorsed hardware
</a
>, which is useful background information.
</p
>
735 <title>MakerCon Nordic videos now available on Frikanalen
</title>
736 <link>http://people.skolelinux.org/pere/blog/MakerCon_Nordic_videos_now_available_on_Frikanalen.html
</link>
737 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/MakerCon_Nordic_videos_now_available_on_Frikanalen.html
</guid>
738 <pubDate>Thu,
2 Jul
2015 14:
10:
00 +
0200</pubDate>
739 <description><p
>Last oktober I was involved on behalf of
740 <a href=
"http://www.nuug.no/
">NUUG
</a
> with recording the talks at
741 <a href=
"http://www.makercon.no/
">MakerCon Nordic
</a
>, a conference for
742 the Maker movement. Since then it has been the plan to publish the
743 recordings on
<a href=
"http://www.frikanalen.no/
">Frikanalen
</a
>, which
744 finally happened the last few days. A few talks are missing because
745 the speakers asked the organizers to not publish them, but most of the
746 talks are available. The talks are being broadcasted on RiksTV
747 channel
50 and using multicast on Uninett, as well as being available
748 from the Frikanalen web site. The unedited recordings are
749 <a href=
"https://www.youtube.com/user/MakerConNordic/
">available on
750 Youtube too
</a
>.
</p
>
752 <p
>This is the list of talks available at the moment. Visit the
753 <a href=
"http://beta.frikanalen.no/video/?q=makercon
">Frikanalen video
754 pages
</a
> to view them.
</p
>
758 <li
>Evolutionary algorithms as a design tool - from art
759 to robotics (Kyrre Glette)
</li
>
761 <li
>Make and break (Hans Gerhard Meier)
</li
>
763 <li
>Making a one year school course for young makers
764 (Olav Helland)
</li
>
766 <li
>Innovation Inspiration - IPR Databases as a Source of
767 Inspiration (Hege Langlo)
</li
>
769 <li
>Making a toy for makers (Erik Torstensson)
</li
>
771 <li
>How to make
3D printer electronics (Elias Bakken)
</li
>
773 <li
>Hovering Clouds: Looking at online tool offerings for Product
774 Design and
3D Printing (William Kempton)
</li
>
776 <li
>Travelling maker stories (Øyvind Nydal Dahl)
</li
>
778 <li
>Making the first Maker Faire in Sweden (Nils Olander)
</li
>
780 <li
>Breaking the mold: Printing
1000’s of parts (Espen Sivertsen)
</li
>
782 <li
>Ultimaker — and open source
3D printing (Erik de Bruijn)
</li
>
784 <li
>Autodesk’s
3D Printing Platform: Sparking innovation (Hilde
787 <li
>How Making is Changing the World – and How You Can Too!
788 (Jennifer Turliuk)
</li
>
790 <li
>Open-Source Adventuring: OpenROV, OpenExplorer and the Future of
791 Connected Exploration (David Lang)
</li
>
793 <li
>Making in Norway (Haakon Karlsen Jr., Graham Hayward and Jens
796 <li
>The Impact of the Maker Movement (Mike Senese)
</li
>
800 <p
>Part of the reason this took so long was that the scripts NUUG had
801 to prepare a recording for publication were five years old and no
802 longer worked with the current video processing tools (command line
803 argument changes). In addition, we needed better audio normalization,
804 which sent me on a detour to
805 <a href=
"http://people.skolelinux.org/pere/blog/Measuring_and_adjusting_the_loudness_of_a_TV_channel_using_bs1770gain.html
">package
806 bs1770gain for Debian
</a
>. Now this is in place and it became a lot
807 easier to publish NUUG videos on Frikanalen.
</p
>