X-Git-Url: https://pere.pagekite.me/gitweb/text-madewithcc.git/blobdiff_plain/6183e7e6f3b7fa1dcfc7b921b74c4e7a1074c6d4..6986dc4288528ae6948d61d32519309a3b7ce462:/public/MadewithCreativeCommonsmostup-to-dateversion.sv.html?ds=sidebyside diff --git a/public/MadewithCreativeCommonsmostup-to-dateversion.sv.html b/public/MadewithCreativeCommonsmostup-to-dateversion.sv.html index 7cf9688..014b90f 100644 --- a/public/MadewithCreativeCommonsmostup-to-dateversion.sv.html +++ b/public/MadewithCreativeCommonsmostup-to-dateversion.sv.html @@ -1,19 +1,18 @@ Gjord med Creative Commons

Gjord med Creative Commons

Paul Stacey

Sarah Hinchliff Pearson

Copyright © 2017 Creative Commons

- This book is published under a CC BY-SA license, which means that you can -copy, redistribute, remix, transform, and build upon the content for any -purpose, even commercially, as long as you give appropriate credit, provide -a link to the license, and indicate if changes were made. If you remix, -transform, or build upon the material, you must distribute your -contributions under the same license as the original. License details: -http://creativecommons.org/licenses/by-sa/4.0/ -

 

I don’t know a whole lot about nonfiction journalism. . . The way that I -think about these things, and in terms of what I can do is. . . essays like -this are occasions to watch somebody reasonably bright but also reasonably -average pay far closer attention and think at far more length about all -sorts of different stuff than most of us have a chance to in our daily -lives.

 
 --\begin{flushright} + Den här boken publiceras under en CC BY-SA-licens, vilket innebär att du kan +kopiera, distribuera, remixa, omvandla och bygga vidare på innehållet för +alla syften, även kommersiellt, så länge du ger lämplig beröm, +tillhandahåller en länk till licensen och anger om ändringar gjordes. Om du +remixar, omvandlar eller bygger på materialet måste du distribuera dina +bidrag under samma licens som originalet. Licensinformation: http://creativecommons.org/licenses/by-sa/4.0/ +

 

Jag vet inte mycket om facklitteraturjournalistik. . . Sättet jag tänker på +dessa saker och vad jag kan göra är. . . essäer som dessa är tillfällen att +titta på några som är ganska begåvade men också rimligt genomsnittliga ägnar +mycket närmare uppmärksamhet och tänker långt mer långsiktigt om alla +möjliga olika saker än de flesta av oss har en chans att göra i våra dagliga +liv.

 
 --\begin{flushright} \textit{ David Foster Wallace } - \end{flushright}

Innehållsförteckning

Foreword
Introduction
I. The Big Picture
1. The New World of Digital Commons
2. How to Be Made with Creative Commons
3. The Creative Commons Licenses
II. The Case Studies
4. Arduino
5. Ártica
6. Blender Institute
7. Cards Against Humanity
8. The Conversation
9. Cory Doctorow
10. Figshare
11. Figure.NZ
12. Knowledge Unlatched
13. Lumen Learning
14. Jonathan Mann
15. Noun Project
16. Open Data Institute
17. OpenDesk
18. OpenStax
19. Amanda Palmer
20. PLOS (Public Library of Science)
21. Rijksmuseum
22. Shareable
23. Siyavula
24. SparkFun
25. TeachAIDS
26. Tribe of Noise
27. Wikimedia Foundation
A. Bibliography
B. Acknowledgments

Figurförteckning

1.1. Enterprise engagement with commons, state and market.
1.2. Four aspects of resource management
1.3. How the market, commons and state concieve of resources.
1.4. In preindustrialized society.
1.5. The commons is gradually superseded by the state.
1.6. How the market, the state and the commons look today.

Foreword

+ \end{flushright}

Innehållsförteckning

Förord
Introduktion
I. The Big Picture
1. The New World of Digital Commons
2. How to Be Made with Creative Commons
3. The Creative Commons Licenses
II. The Case Studies
4. Arduino
5. Ártica
6. Blender Institute
7. Cards Against Humanity
8. The Conversation
9. Cory Doctorow
10. Figshare
11. Figure.NZ
12. Knowledge Unlatched
13. Lumen Learning
14. Jonathan Mann
15. Noun Project
16. Open Data Institute
17. OpenDesk
18. OpenStax
19. Amanda Palmer
20. PLOS (Public Library of Science)
21. Rijksmuseum
22. Shareable
23. Siyavula
24. SparkFun
25. TeachAIDS
26. Tribe of Noise
27. Wikimedia Foundation
A. Bibliography
B. Acknowledgments

Figurförteckning

1.1. Enterprise engagement with commons, state and market.
1.2. Four aspects of resource management
1.3. How the market, commons and state concieve of resources.
1.4. In preindustrialized society.
1.5. The commons is gradually superseded by the state.
1.6. How the market, the state and the commons look today.

Förord

Three years ago, just after I was hired as CEO of Creative Commons, I met with Cory Doctorow in the hotel bar of Toronto’s Gladstone Hotel. As one of CC’s most well-known proponents—one who has also had a successful career as @@ -149,10 +148,10 @@ Johnathan Nightingale often says, ”It

That’s the true value of things that are Made with Creative Commons.

 

 
 --\begin{flushright} - \textit{ Ryan Merkley, CEO, Creative Commons} - \end{flushright}

Introduction

- This book shows the world how sharing can be good for business—but with a -twist. + \textit{ Ryan Merkley, VD, Creative Commons} + \end{flushright}

Introduktion

+ Den här boken visar världen hur delande kan vara bra för affärerna—men med +en twist.

We began the project intending to explore how creators, organizations, and businesses make money to sustain what they do when they share their work