Denmark
-www.cadb.dk
+[](http://www.cadb.dk)
hey@cadb.dk
regarding property, copyright, business, and finance can all be designed
to foster the commons.
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+{width="100%"
}
It’s helpful to understand how the commons, market, and state manage
and rules they develop to govern use, and finally actual resource use
along with outcomes of that use (see Fig. 2).
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+{width="100%"
}
#### Characteristics
person behind a resource makes the commons less anonymous and more
personal.
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+{width="100%"
}
#### Norms and rules
met. (Fig. 4 illustrates the commons in relation to the state and the
market.)
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+{width="100%"
}
This is followed by a long history of the state (a monarchy or ruler)
education. Fig. 6 shows how today the market is the primary means by
which resources are managed.
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+{width="100%"
}
However, the world today is going through turbulent times. The benefits
state funded digital works should be that they are freely and openly
available to the public that paid for them.
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+{width="100%"
}
### The Digital Revolution
free but physical for a fee,” crowdfunding, matchmaking, value-add
services, patrons . . . the list goes on and on. (Initial description of
how to earn revenue available through reference note. For latest
-thinking see How to Bring In Money in the next section.) 36 There is no
+thinking see How to Bring In Money in the next section.)[^The-New-World-of-Digital-Commons-36] There is no
single magic bullet, and each endeavor has devised ways that work for
them. Most make use of more than one way. Diversifying revenue streams
lowers risk and provides multiple paths to sustainability.
In his book about maker culture, Anderson characterizes this model as
giving away the bits and selling the atoms (where bits refers to digital
-content and atoms refer to a physical object).35 This is particularly
+content and atoms refer to a physical object).[^How-to-Be-Made-with-Creative-Commons-35] This is particularly
successful in domains where the digital version of the content isn’t as
valuable as the analog version, like book publishing where a significant
subset of people still prefer reading something they can hold in their
> Profile written by Paul Stacey
In the paper Harnessing the Economic and Social Power of Data presented
-at the New Zealand Data Futures Forum in 2014,1 Figure.NZ founder
+at the New Zealand Data Futures Forum in 2014,[^Figure.NZ-1] Figure.NZ founder
Lillian Grace said there are thousands of valuable and relevant data
sets freely available to us right now, but most people don’t use them.
She used to think this meant people didn’t care about being informed,
unlatching generates many more downloads and therefore awareness. (On
the Knowledge Unlatched website, you can find interviews with the
twenty-eight round-one authors describing their experience and the
-benefits of taking part.)5
+benefits of taking part.)[^Knowledge-Unlatched-5]
Library budgets are constantly being squeezed, partly due to the
inflation of journal subscriptions. But even without budget constraints,
a year, and corporations and government organizations at £2,200 a year.
Commercial members have greater opportunities to connect and
collaborate, explore the benefits of open data, and unlock new business
-opportunities. (All members are listed on their website.)2
+opportunities. (All members are listed on their website.)[^Open-Data-Institute-2]
ODI provides standardized open data training courses in which anyone can
enroll. The initial idea was to offer an intensive and academically
online: 2.2 million
- Total Open Data Certificates created: 151,000
- Total number of people trained by ODI and its nodes since ODI began:
- 5,0805
+ 5,080[^Open-Data-Institute-5]
### Web links
on-site assembly (additional services are discretionary—in many
cases makers will be happy to quote for assembly on-site and
designers may offer bespoke design options)
-- local sales taxes (variable by customer and maker location)3
+- local sales taxes (variable by customer and maker location)[^OpenDesk-3]
They then go into detail how makers’ quotes are created:
Since the beginning of her career, Amanda Palmer has been on what she
calls a “journey with no roadmap,” continually experimenting to find new
-ways to sustain her creative work. 1
+ways to sustain her creative work.[^Amanda-Palmer-1]
In her best-selling book, The Art of Asking, Amanda articulates exactly
what she has been and continues to strive for—“the ideal sweet spot . .
Elliott, Patricia W., and Daryl H. Hepting, eds. (2015). Free Knowledge:
Confronting the Commodification of Human Discovery. Regina, SK:
University of Regina Press, 2015.
-uofrpress.ca/publications/Free-Knowledge (licensed under CC BY-NC-ND).
+[](http://uofrpress.ca/publications/Free-Knowledge) (licensed under CC BY-NC-ND).
Eyal, Nir. Hooked: How to Build Habit-Forming Products. With Ryan
Hoover. New York: Portfolio, 2014.
Kelly, Marjorie. Owning Our Future: The Emerging Ownership Revolution;
Journeys to a Generative Economy. San Francisco:
-
Berrett-Koehler, 2012.
Kleon, Austin. Show Your Work: 10 Ways to Share Your Creativity and Get
projects / text-madewithcc.git / blobdiff