msgid ""
msgstr ""
"Project-Id-Version: Made with Creative Commons\n"
-"POT-Creation-Date: 2017-10-13 12:28-0500\n"
-"PO-Revision-Date: 2017-10-24 17:26+0000\n"
+"POT-Creation-Date: 2018-09-07 06:21+0000\n"
+"PO-Revision-Date: 2018-09-07 00:18+0000\n"
"Last-Translator: Gunnar Wolf <gwolf@gwolf.org>\n"
"Language-Team: Spanish <https://hosted.weblate.org/projects/madewithcc/"
"translation/es/>\n"
"Content-Type: text/plain; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"
"Plural-Forms: nplurals=2; plural=n != 1;\n"
-"X-Generator: Weblate 2.17\n"
+"X-Generator: Weblate 3.2-dev\n"
"X-Poedit-Bookmarks: -1,-1,-1,-1,-1,-1,-1,-1,-1,46\n"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2
-msgid "Made with Creative Commons"
-msgstr "Hecho con Creative Commons"
+#. type: Attribute 'lang' of: <book>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3
+msgid "en"
+msgstr "es"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4
-msgid "Paul Stacey and Sarah Hinchliff Pearson"
-msgstr "Paul Stacey y Sarah Hinchliff Pearson"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6
-msgid "Made With Creative Commons"
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:41
+msgid "Made with Creative Commons"
msgstr "Hecho con Creative Commons"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:8
-msgid "by Paul Stacey & Sarah Hinchliff Pearson"
-msgstr "por Paul Stacey y Sarah Hinchliff Pearson"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:10
-msgid "© 2017, by Creative Commons."
-msgstr "© 2017, Creative Commons."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:13
-msgid ""
-"Published under a Creative Commons Attribution-ShareAlike license (CC BY-"
-"SA), version 4.0."
-msgstr ""
-"Publicado bajo una licencia Creative Commons Atribución-CompartirIgual (CC "
-"BY-SA), versión 4.0."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:15
-msgid "ISBN 978-87-998733-3-3"
-msgstr "ISBN 978-87-998733-3-3"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:17
-msgid "Cover and interior design by Klaus Nielsen, vinterstille.dk"
-msgstr "Portada y diseño de interiores por Klaus Nielsen, vinterstille.dk"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:19
-msgid "Content editing by Grace Yaginuma"
-msgstr "Edición de contenido por Grace Yaginuma"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:21
-msgid "Illustrations by Bryan Mathers, bryanmathers.com"
-msgstr "Ilustraciones por Bryan Mathers, bryanmathers.com"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:23
-msgid "Downloadable e-book available at madewith.cc"
-msgstr "Libro descargable disponible en madewith.cc"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:25
-msgid "Publisher:"
-msgstr "Editor:"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:27
-msgid "Ctrl+Alt+Delete Books"
-msgstr "Libros Ctrl+Alt+Delete"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:29
-msgid "Husumgade 10, 5."
-msgstr "Husumgade 10, 5."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:31
-msgid "2200 Copenhagen N"
-msgstr "2200 Copenhagen N"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:33
-msgid "Denmark"
-msgstr "Dinamarca"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:35
-msgid "www.cadb.dk"
-msgstr "www.cadb.dk"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:37
-msgid "hey@cadb.dk"
-msgstr "hey@cadb.dk"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:39
-msgid "Printer:"
-msgstr "Impresión:"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:41
-msgid "Drukarnia POZKAL Spółka z o.o. Spółka komandytowa"
-msgstr "Drukarnia POZKAL Spółka z o.o. Spółka komandytowa"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:43
-msgid "88-100 Inowrocław,"
-msgstr "88-100 Inowrocław,"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:45
-msgid "ul. Cegielna 10/12,"
-msgstr "ul. Cegielna 10/12,"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:47
-msgid "Poland"
-msgstr "Polonia"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:55
+#. type: Content of: <book><bookinfo><authorgroup><author><firstname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8
+msgid "Paul"
+msgstr "Paul"
+
+#. type: Content of: <book><bookinfo><authorgroup><author><surname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9
+msgid "Stacey"
+msgstr "Stacey"
+
+#. type: Content of: <book><bookinfo><authorgroup><author><firstname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:12
+msgid "Sarah Hinchliff"
+msgstr "Sarah Hinchliff"
+
+#. type: Content of: <book><bookinfo><authorgroup><author><surname>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:13
+msgid "Pearson"
+msgstr "Pearson"
+
+#. type: Content of: <book><bookinfo><copyright>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:17
+msgid "<year>2017</year> <holder>Creative Commons</holder>"
+msgstr "<year>2017</year> <holder>Creative Commons</holder>"
+
+#. type: Content of: <book><bookinfo><publisher>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:21
+msgid "<publishername>Gunnar Wolf</publishername>"
+msgstr "<publishername>Gunnar Wolf</publishername>"
+
+#. type: Content of: <book><bookinfo><publisher><address><city>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:23
+msgid "Mexico City"
+msgstr "Mexico City"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:28
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:56
msgid ""
"This book is published under a CC BY-SA license, which means that you can "
"copy, redistribute, remix, transform, and build upon the content for any "
"a link to the license, and indicate if changes were made. If you remix, "
"transform, or build upon the material, you must distribute your "
"contributions under the same license as the original. License details: "
-"creativecommons.org/licenses/by-sa/4.0/"
+"<ulink url=\"http://creativecommons.org/licenses/by-sa/4.0/\"/>"
msgstr ""
"Este libro se publica bajo una licencia CC BY-SA, lo cual significa que "
"usted puede copiarlo, redistribuirlo, remezclarlo, transformarlo, y "
"mientras dé el crédito apropiado, provea un enlace a la licencia, e indique "
"si se realizaron cambios. Si remezcla, transforma, o construye sobre el "
"material, debe distribuir sus contribuciones bajo el mismo licenciamiento "
-"que el material original. Detalles de licenciamiento: creativecommons.org/"
-"licenses/by-sa/4.0/"
+"que el material original. Detalles de licenciamiento: <ulink url=\"http://"
+"creativecommons.org/licenses/by-sa/4.0/\"/>"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:42
+msgid "by Paul Stacey & Sarah Hinchliff Pearson"
+msgstr "por Paul Stacey y Sarah Hinchliff Pearson"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:59
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:43
+msgid "© 2017 by the Creative Commons Foundation."
+msgstr "© 2017, por la Creative Commons Foundation."
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:44
+msgid ""
+"Published under a Creative Commons Attribution-ShareAlike license (CC BY-"
+"SA), version 4.0."
+msgstr ""
+"Publicado bajo una licencia Creative Commons Atribución-CompartirIgual (CC "
+"BY-SA), versión 4.0."
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:46
+msgid ""
+"ISBN: YET-TO-BE-DECIDED (PDF), YET-TO-BE-DECIDED (ePub), YET-TO-BE-DECIDED "
+"(Paperback)"
+msgstr ""
+"ISBN: POR-SER-DECIDIDO (PDF), POR-SER-DECIDIDO (ePub), POR-SER-DECIDIDO "
+"(Edición de papel)"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:48
+msgid ""
+"Illustrations by Bryan Mathers, <ulink url=\"https://bryanmmathers.com/\"/>."
+msgstr ""
+"Ilustraciones por Bryan Mathers, <ulink url=\"https://bryanmmathers.com/\"/>."
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:50
+msgid "Publisher: Gunnar Wolf."
+msgstr "Editor: Gunnar Wolf."
+
+#. space for information about translators
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:52
+msgid " "
+msgstr " Translated by Gunnar Wolf, etc, etc. "
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:54
+msgid "Downloadable e-book available at <ulink url=\"https://madewith.cc/\"/>."
+msgstr "Libro descargable disponible en <ulink url=\"https://madewith.cc/\"/>."
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:63
msgid ""
"Made With Creative Commons is published with the kind support of Creative "
"Commons and backers of our crowdfunding-campaign on the Kickstarter.com "
"Commons y los patrocinadores de nuestra campaña de financiamiento en la "
"plataforma Kickstarter.com."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:66
-msgid ""
-"“I don’t know a whole lot about nonfiction journalism. . . The way that I "
-"think about these things, and in terms of what I can do is. . . essays like "
-"this are occasions to watch somebody reasonably bright but also reasonably "
-"average pay far closer attention and think at far more length about all "
-"sorts of different stuff than most of us have a chance to in our daily "
-"lives.”"
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:66
+msgid ""
+"This edition of the book is maintained on <ulink url=\"https://gitlab.com/"
+"gunnarwolf/madewithcc-es/\"/>, and the translations are maintained on <ulink "
+"url=\"https://hosted.weblate.org/projects/madewithcc/\"/>. If you find any "
+"error in the book, please let us know via gitlab."
+msgstr ""
+"Esta edición del libro se mantiene en <ulink url=\"https://gitlab.com/"
+"gunnarwolf/madewithcc-es/\"/>, y sus traducciones se coordinan en <ulink "
+"url=\"https://hosted.weblate.org/projects/madewithcc/\"/>. Si encuentra "
+"cualquier error en el libro, por favor háganoslo saber mediante Gitlab."
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:72
+msgid "Classifications:"
+msgstr "Clasificaciones:"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:75
+msgid "(Dewey) 346.048, 347.78"
+msgstr "(Dewey) 346.048, 347.78"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:78
+msgid "(UDK) ?"
+msgstr "(UDK) ?"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:81
+msgid "(US Library of Congress) Z286 O63 S73 2017"
+msgstr "(Biblioteca del Congreso de EUA) Z286 O63 S73 2017"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:84
+msgid "(Melvil) 025.523"
+msgstr "(Melvil) 025.523"
+
+#. type: Content of: <book><colophon><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:87
+msgid "(ACM CRCS) ?"
+msgstr "(ACM CRCS) ?"
+
+#. type: Content of: <book><dedication><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:94
+#, fuzzy
+#| msgid ""
+#| "“I don’t know a whole lot about nonfiction journalism. . . The way that I "
+#| "think about these things, and in terms of what I can do is. . . essays "
+#| "like this are occasions to watch somebody reasonably bright but also "
+#| "reasonably average pay far closer attention and think at far more length "
+#| "about all sorts of different stuff than most of us have a chance to in "
+#| "our daily lives.”"
+msgid ""
+"<quote>I don’t know a whole lot about nonfiction journalism. . . The way "
+"that I think about these things, and in terms of what I can do is. . . "
+"essays like this are occasions to watch somebody reasonably bright but also "
+"reasonably average pay far closer attention and think at far more length "
+"about all sorts of different stuff than most of us have a chance to in our "
+"daily lives.</quote>"
msgstr ""
"“No se mucho de periodismo no ficticio... La forma en que pienso acerca de "
"estas cosas, en términos de lo que puedo hacer es que... Ensayos como este "
"pensar a mucha mayor profundidad acerca de todo tipo de cosas diferentes de "
"lo que tenemos la oportunidad de hacer en nuestras vidas diarias.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:70
-msgid "- David Foster Wallace"
-msgstr "- David Foster Wallace"
+#. type: Content of: <book><dedication><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:103
+msgid "— <emphasis>David Foster Wallace</emphasis>"
+msgstr "— <emphasis>David Foster Wallace</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:72
-msgid "## Foreword"
-msgstr "## Prefacio"
+#. type: Content of: <book><preface><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:108
+msgid "Foreword"
+msgstr "Prefacio"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:80
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:110
+#, fuzzy
+#| msgid ""
+#| "Three years ago, just after I was hired as CEO of Creative Commons, I met "
+#| "with Cory Doctorow in the hotel bar of Toronto’s Gladstone Hotel. As one "
+#| "of CC’s most well-known proponents—one who has also had a successful "
+#| "career as a writer who shares his work using CC—I told him I thought CC "
+#| "had a role in defining and advancing open business models. He kindly "
+#| "disagreed, and called the pursuit of viable business models through CC “a "
+#| "red herring.”"
msgid ""
"Three years ago, just after I was hired as CEO of Creative Commons, I met "
"with Cory Doctorow in the hotel bar of Toronto’s Gladstone Hotel. As one of "
"CC’s most well-known proponents—one who has also had a successful career as "
"a writer who shares his work using CC—I told him I thought CC had a role in "
"defining and advancing open business models. He kindly disagreed, and called "
-"the pursuit of viable business models through CC “a red herring.”"
+"the pursuit of viable business models through CC <quote>a red herring.</"
+"quote>"
msgstr ""
"Hace tres años, justo después de haber sido contratado como CEO de Creative "
"Commons, me encontré con Cory Doctorow en el bar del Hotel Gladstone, en "
"a la búsqueda de modelos viables de negocio mediante CC “una cortina de "
"humo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:86
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:119
+#, fuzzy
+#| msgid ""
+#| "He was, in a way, completely correct—those who make things with Creative "
+#| "Commons have ulterior motives, as Paul Stacey explains in this book: "
+#| "“Regardless of legal status, they all have a social mission. Their "
+#| "primary reason for being is to make the world a better place, not to "
+#| "profit. Money is a means to a social end, not the end itself.”"
msgid ""
"He was, in a way, completely correct—those who make things with Creative "
"Commons have ulterior motives, as Paul Stacey explains in this book: "
-"“Regardless of legal status, they all have a social mission. Their primary "
-"reason for being is to make the world a better place, not to profit. Money "
-"is a means to a social end, not the end itself.”"
+"<quote>Regardless of legal status, they all have a social mission. Their "
+"primary reason for being is to make the world a better place, not to profit. "
+"Money is a means to a social end, not the end itself.</quote>"
msgstr ""
"Tenía, de cierto modo, toda la razón —Quienes hacen cosas con Creative "
"Commons tienen motivos ulteriores, como lo explica Paul Stacey en su libro: "
"razón principal de ser es hacer del mundo un mejor lugar, no lucrar. El "
"dinero es un medio para un fin social, no el fin mismo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:92
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:127
+#, fuzzy
+#| msgid ""
+#| "In the case study about Cory Doctorow, Sarah Hinchliff Pearson cites "
+#| "Cory’s words from his book Information Doesn’t Want to Be Free: “Entering "
+#| "the arts because you want to get rich is like buying lottery tickets "
+#| "because you want to get rich. It might work, but it almost certainly "
+#| "won’t. Though, of course, someone always wins the lottery.”"
msgid ""
"In the case study about Cory Doctorow, Sarah Hinchliff Pearson cites Cory’s "
-"words from his book Information Doesn’t Want to Be Free: “Entering the arts "
-"because you want to get rich is like buying lottery tickets because you want "
-"to get rich. It might work, but it almost certainly won’t. Though, of "
-"course, someone always wins the lottery.”"
+"words from his book Information Doesn’t Want to Be Free: <quote>Entering the "
+"arts because you want to get rich is like buying lottery tickets because you "
+"want to get rich. It might work, but it almost certainly won’t. Though, of "
+"course, someone always wins the lottery.</quote>"
msgstr ""
"En el estudio de caso acerca de Cory Doctorow, Sarah Hinchliff Pearson cita "
-"las palabras de Cory de su libro La Información no Quiere ser Libre: "
+"las palabras de Cory de su libro _La Información no Quiere ser Libre_: "
"”Hacerse artista porque puedes hacerte rico es como comprar boletos de "
"lotería porque quieres hacerte rico. Podría funcionar, pero muy "
"probablemente no lo hará. Sin embargo, claro, alguien siempre se gana la "
"lotería.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:99
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:135
msgid ""
"Today, copyright is like a lottery ticket—everyone has one, and almost "
"nobody wins. What they don’t tell you is that if you choose to share your "
-"work, the returns can be significant and long-lasting. This book is filled "
+"work, the returns can be significant and long-lasting. This book is filled "
"with stories of those who take much greater risks than the two dollars we "
"pay for a lottery ticket, and instead reap the rewards that come from "
"pursuing their passions and living their values."
msgstr ""
"Hoy en día, los derechos de autor son como un boleto de lotería — todos "
-"tienen uno, y casi nadie gana. Lo que no te dicen es que si eliges compartir "
-"tu trabajo, los rendimientos pueden ser significativos y duraderos. Este "
-"libro está lleno de historias de quienes toman riesgos mucho mayores que los "
-"dos dólares que pagamos por un boleto de lotería, y sin embargo cosechan las "
-"recompensas que surgen de perseguir sus pasiones y vivir según sus valores."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:105
+"tienen uno, y casi nadie gana. Lo que no dicen es que, para quien elige "
+"compartir su trabajo, los rendimientos pueden ser significativos y "
+"duraderos. Este libro está lleno de historias de quienes toman riesgos mucho "
+"mayores que los dos dólares que pagamos por un boleto de lotería, y sin "
+"embargo cosechan las recompensas que surgen de perseguir sus pasiones y "
+"vivir según sus valores."
+
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:144
+#, fuzzy
+#| msgid ""
+#| "So it’s not about the money. Also: it is. Finding the means to continue "
+#| "to create and share often requires some amount of income. Max Temkin of "
+#| "Cards Against Humanity says it best in their case study: “We don’t make "
+#| "jokes and games to make money—we make money so we can make more jokes and "
+#| "games.”"
msgid ""
"So it’s not about the money. Also: it is. Finding the means to continue to "
-"create and share often requires some amount of income. Max Temkin of Cards "
-"Against Humanity says it best in their case study: “We don’t make jokes and "
-"games to make money—we make money so we can make more jokes and games.”"
+"create and share often requires some amount of income. Max Temkin of Cards "
+"Against Humanity says it best in their case study: <quote>We don’t make "
+"jokes and games to make money—we make money so we can make more jokes and "
+"games.</quote>"
msgstr ""
-"Así que no es acerca del dinero. Sin embargo, sí lo es. Encontrar los medios "
-"para continuar creando y compartiendo frecuentemente requiere de algunos "
-"ingresos. Max Temkin, de Cards Against Humanity, lo explica muy bien en su "
-"estudio de caso: ”No hacemos chistes y juegos para hacer dinero — Hacemos "
-"dinero para poder seguir haciendo más chistes y juegos.”"
+"Así que no es acerca del dinero. Pero, al mismo tiempo, sí lo es. Encontrar "
+"los medios para continuar creando y compartiendo frecuentemente requiere de "
+"algunos ingresos. Max Temkin, de _Cards Against Humanity_, lo explica muy "
+"bien en su estudio de caso: ”No hacemos chistes y juegos para hacer dinero — "
+"Hacemos dinero para poder seguir haciendo más chistes y juegos.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:113
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:151
msgid ""
"Creative Commons’ focus is on building a vibrant, usable commons, powered by "
"collaboration and gratitude. Enabling communities of collaboration is at the "
"the best open business models. Paul and Sarah were the ideal authors to "
"write Made with Creative Commons."
msgstr ""
-"El objetivo de Creative Commons es la construcción de un procomún vibrante, "
-"usable, impulsado por la colaboración y la gratitud. En el corazón de "
-"nuestra estrategia está el habilitar a las comunidades de colaboración. "
-"Considerando esto, Creative Commons inició este proyecto de libro. Con la "
-"guía de Paul y Sarah, el proyecto inició para definir y fomentar los mejores "
-"modelos de negocios abiertos. Paul y Sarah fueron los autores ideales para "
-"escribir Hecho con Creative Commons."
+"El objetivo de Creative Commons es la construcción de bienes comunes "
+"vibrantes, usables, impulsados por la colaboración y la gratitud. En el "
+"corazón de nuestra estrategia está el habilitar a las comunidades de "
+"colaboración. Considerando esto, Creative Commons inició este proyecto de "
+"libro. Con la guía de Paul y Sarah, el proyecto inició para definir y "
+"fomentar los mejores modelos de negocios abiertos. Paul y Sarah fueron los "
+"autores ideales para escribir _Hecho con Creative Commons_."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:121
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:160
msgid ""
"Paul dreams of a future where new models of creativity and innovation "
"overpower the inequality and scarcity that today define the worst parts of "
"innovación dominen a la inequidad y escasez que hoy en día definen a lo peor "
"del capitalismo. A él lo impulsa la fuerza que tienen las conexiones humanas "
"entre las comunidad de creadores. Es más observador que la mayoría, y esto "
-"lo ha hecho un mejor educador, un investigador perspicaz, y también un hábil "
-"jardinero. Tiene una voz fresca y calma que transmite la pasión que inspira "
-"a sus colegas y a su comunidad."
+"ha hecho de él un mejor educador, un investigador perspicaz, y también un "
+"hábil jardinero. Tiene una voz fresca y calma que transmite la pasión que "
+"inspira a sus colegas y a su comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:131
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:169
msgid ""
"Sarah is the best kind of lawyer—a true advocate who believes in the good of "
-"people, and the power of collective acts to change the world. Over the past "
+"people, and the power of collective acts to change the world. Over the past "
"year I’ve seen Sarah struggle with the heartbreak that comes from investing "
"so much into a political campaign that didn’t end as she’d hoped. Today, "
"she’s more determined than ever to live with her values right out on her "
"Ella es práctica, detallista y lista. Es la persona con quien más disfruto "
"debatir de mi equipo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:140
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:181
msgid ""
"As coauthors, Paul and Sarah complement each other perfectly. They "
"researched, analyzed, argued, and worked as a team, sometimes together and "
"passion and curiosity, and a deep respect for what goes into building the "
"commons and sharing with the world. They remained open to new ideas, "
"including the possibility that their initial theories would need refinement "
-"or might be completely wrong. That’s courageous, and it has made for a "
+"or might be completely wrong. That’s courageous, and it has made for a "
"better book that is insightful, honest, and useful."
msgstr ""
"Como coautores, Paul y Sarah se complementan perfectamente. Investigaron, "
"analizaron, discutieron, y trabajaron como un equipo, a veces juntos y a "
"veces de forma independiente. Se sumergieron en la investigación y en la "
"escritura con pasión y curiosidad, y un profundo respeto por lo que conlleva "
-"construir el procomún y compartirlo con el mundo. Se mantuvieron abiertos a "
-"nuevas ideas, incluyendo la posibilidad de que sus teorías iniciales "
-"requirieran refinamiento o estuvieran completamente equivocadas. Eso "
-"requiere coraje, y llevó a que el libro resulte mejor, al ser interesante, "
-"honesto y útil."
+"construir los bienes comunes y compartirlos con el mundo. Se mantuvieron "
+"abiertos a nuevas ideas, incluyendo la posibilidad de que sus teorías "
+"iniciales requirieran refinamiento o estuvieran completamente equivocadas. "
+"Eso requiere de valor, y llevó a que el libro resulte mejor, al ser "
+"interesante, honesto y útil."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:146
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:192
msgid ""
"From the beginning, CC wanted to develop this project with the principles "
"and values of open collaboration. The book was funded, developed, "
"remezclarlo o adaptarlo con atribución. Es, por sí mismo, un ejemplo de un "
"modelo de negocios abierto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:153
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:200
msgid ""
"For 31 days in August of 2015, Sarah took point to organize and execute a "
"Kickstarter campaign to generate the core funding for the book. The "
"El resto fue provisto por los generosos donantes y colaboradores de CC. A "
"fin de cuentas, resultó uno de los proyectos de libro más exitosos de "
"Kickstarter, rompiendo dos objetivos extendidos, e involucrando a más de "
-"1,600 donantes — la mayoría de ellos, apoyando por primera vez a Creative "
-"Commons."
+"1,600 donantes — para la mayoría de ellos, su primera contribución a "
+"Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:162
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:209
msgid ""
"Paul and Sarah worked openly throughout the project, publishing the plans, "
"drafts, case studies, and analysis, early and often, and they engaged "
"communities all over the world to help write this book. As their opinions "
"diverged and their interests came into focus, they divided their voices and "
-"decided to keep them separate in the final product. Working in this way "
+"decided to keep them separate in the final product. Working in this way "
"requires both humility and self-confidence, and without question it has made "
"Made with Creative Commons a better project."
msgstr ""
-"Paul y Sarah trabajaron abiertamente durante todo el proyecto, publicando "
-"sus planes, borradores, estudios de caso y análisis, temprano y "
+"Paul y Sarah trabajaron de forma abierta durante todo el proyecto, "
+"publicando sus planes, borradores, estudios de caso y análisis, temprano y "
"frecuentemente, e involucraron a comunidades en todo el mundo para ayudar a "
"escribir este libro. Conforme sus opiniones divergían y sus intereses se "
"fueron definiendo más claramente, dividieron sus voces y decidieron "
"mantenerlas por separado en el producto final. Trabajar de esta manera "
"requiere tanto de humildad como de confianza en sí mismo, y sin duda llevó a "
-"que Hecho con Creative Commons resultara un mejor proyecto."
+"que _Hecho con Creative Commons_ resultara un mejor proyecto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:167
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:219
msgid ""
-"Those who work and share in the commons are not typical creators. They are "
+"Those who work and share in the commons are not typical creators. They are "
"part of something greater than themselves, and what they offer us all is a "
"profound gift. What they receive in return is gratitude and a community."
msgstr ""
-"Quienes trabajan y comparten en el procomún no son los creadores típicos. "
-"Son parte de algo más grande que ellos mismos, y lo que nos ofrecen a todos "
-"es un gran regalo. Lo que reciben a cambio es gratitud, y una comunidad."
+"Quienes trabajan y comparten los bienes comunes no son los creadores "
+"típicos. Son parte de algo más grande que ellos mismos, y lo que nos ofrecen "
+"a todos es un gran regalo. Lo que reciben a cambio es gratitud, y una "
+"comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:174
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:225
msgid ""
-"Jonathan Mann, who is profiled in this book, writes a song a day. When I "
+"Jonathan Mann, who is profiled in this book, writes a song a day. When I "
"reached out to ask him to write a song for our Kickstarter (and to offer "
"himself up as a Kickstarter benefit), he agreed immediately. Why would he "
"agree to do that? Because the commons has collaboration at its core, and "
"Jonathan Mann, perfilado en este libro, escribe una canción cada día. Cuando "
"lo contacté para pedirle que escribiera una canción para nuestro Kickstarter "
"(y ofrecerse a sí mismo como un beneficio para el Kickstarter), aceptó de "
-"inmediato. ¿Por qué lo haría? Porque el procomún tiene en su núcleo a la "
-"colaboración, porque la comunidad es un valor clave, y porque las licencias "
-"CC han ayudado a tantos para compartir de la forma que les gusta y con un "
-"público global."
+"inmediato. ¿Por qué lo haría? Porque los bienes comunes tienen en su núcleo "
+"a la colaboración, porque la comunidad es un valor clave, y porque las "
+"licencias CC han ayudado a tantos para compartir de la forma que les gusta, "
+"y con un público global."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:186
-msgid ""
-"Sarah writes, “Endeavors that are Made with Creative Commons thrive when "
-"community is built around what they do. This may mean a community "
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:234
+#, fuzzy
+#| msgid ""
+#| "Sarah writes, “Endeavors that are Made with Creative Commons thrive when "
+#| "community is built around what they do. This may mean a community "
+#| "collaborating together to create something new, or it may simply be a "
+#| "collection of like-minded people who get to know each other and rally "
+#| "around common interests or beliefs. To a certain extent, simply being "
+#| "Made with Creative Commons automatically brings with it some element of "
+#| "community, by helping connect you to like-minded others who recognize and "
+#| "are drawn to the values symbolized by using CC.” Amanda Palmer, the other "
+#| "musician profiled in the book, would surely add this from her case study: "
+#| "“There is no more satisfying end goal than having someone tell you that "
+#| "what you do is genuinely of value to them.”"
+msgid ""
+"Sarah writes, <quote>Endeavors that are Made with Creative Commons thrive "
+"when community is built around what they do. This may mean a community "
"collaborating together to create something new, or it may simply be a "
"collection of like-minded people who get to know each other and rally around "
"common interests or beliefs. To a certain extent, simply being Made with "
"Creative Commons automatically brings with it some element of community, by "
"helping connect you to like-minded others who recognize and are drawn to the "
-"values symbolized by using CC.” Amanda Palmer, the other musician profiled "
-"in the book, would surely add this from her case study: “There is no more "
-"satisfying end goal than having someone tell you that what you do is "
-"genuinely of value to them.”"
+"values symbolized by using CC.</quote> Amanda Palmer, the other musician "
+"profiled in the book, would surely add this from her case study: "
+"<quote>There is no more satisfying end goal than having someone tell you "
+"that what you do is genuinely of value to them.</quote>"
msgstr ""
"Sarah escribe, ”Los esfuerzos que son Hechos con Creative Commons prosperan "
"cuando se construye una comunidad alrededor de lo que hacen. Puede ser que "
"una comunidad colabore en conjunto para crear algo nuevo, o puede ser "
"simplemente una colección de personas de ideas afines que se conocen y se "
"reúnen alrededor de intereses o creencias comunes. Hasta cierto grado, "
-"simplemente ser Hecho con Creative Commons automáticamente trae consigo un "
-"cierto elemento de comunidad, ayudando a conectarte a terceros como tú que "
-"reconocen y son atraídos por los valores simbolizados por usar CC.” Amanda "
-"Palmer, la otra música perfilada en el libro, seguramente agregaría esto de "
-"su estudio de caso: ”No hay un objetivo más satisfactorio que el que alguien "
-"te diga que lo que haces genuinamente resulta valioso para ellos.”"
+"simplemente ser _Hecho con Creative Commons_ automáticamente trae consigo un "
+"cierto elemento de comunidad, ayudando a conectar con terceros como uno "
+"mismo que reconocen y son atraídos por los valores simbolizados por usar "
+"CC.” Amanda Palmer, la otra música perfilada en el libro, seguramente "
+"agregaría esto de su estudio de caso: ”No hay un objetivo más satisfactorio "
+"que el que alguien te diga que lo que haces genuinamente les resulta "
+"valioso.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:195
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:248
msgid ""
"This is not a typical business book. For those looking for a recipe or a "
"roadmap, you might be disappointed. But for those looking to pursue a social "
"end, to build something great through collaboration, or to join a powerful "
-"and growing global community, they’re sure to be satisfied. Made with "
+"and growing global community, they’re sure to be satisfied. Made with "
"Creative Commons offers a world-changing set of clearly articulated values "
"and principles, some essential tools for exploring your own business "
"opportunities, and two dozen doses of pure inspiration."
"busque una receta o una hoja de ruta. Quienes buscan perseguir un fin "
"social, construir algo grandioso mediante la colaboración, o unirse a una "
"comunidad global poderosa y creciente, seguramente resultarán satisfechos. "
-"Hecho con Creative Commons ofrece un conjunto de valores y principios "
+"_Hecho con Creative Commons_ ofrece un conjunto de valores y principios "
"claramente articulados capaces de cambiar al mundo, algunas herramientas "
"esenciales para explorar tus propias oportunidades de negocios, y dos "
"docenas de dosis de inspiración pura."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:203
-msgid ""
-"In a 1996 Stanford Law Review article “The Zones of Cyberspace”, CC founder "
-"Lawrence Lessig wrote, “Cyberspace is a place. People live there. They "
-"experience all the sorts of things that they experience in real space, "
-"there. For some, they experience more. They experience this not as isolated "
-"individuals, playing some high tech computer game; they experience it in "
-"groups, in communities, among strangers, among people they come to know, and "
-"sometimes like.”"
-msgstr ""
-"En el artículo de revisión de Stanford Law de 1996, el fundador de CC, "
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:258
+#, fuzzy
+#| msgid ""
+#| "In a 1996 Stanford Law Review article “The Zones of Cyberspace”, CC "
+#| "founder Lawrence Lessig wrote, “Cyberspace is a place. People live there. "
+#| "They experience all the sorts of things that they experience in real "
+#| "space, there. For some, they experience more. They experience this not as "
+#| "isolated individuals, playing some high tech computer game; they "
+#| "experience it in groups, in communities, among strangers, among people "
+#| "they come to know, and sometimes like.”"
+msgid ""
+"In a 1996 Stanford Law Review article <quote>The Zones of Cyberspace</"
+"quote>, CC founder Lawrence Lessig wrote, <quote>Cyberspace is a place. "
+"People live there. They experience all the sorts of things that they "
+"experience in real space, there. For some, they experience more. They "
+"experience this not as isolated individuals, playing some high tech computer "
+"game; they experience it in groups, in communities, among strangers, among "
+"people they come to know, and sometimes like.</quote>"
+msgstr ""
+"En el artículo publicado en Stanford Law Review de 1996, el fundador de CC, "
"Lawrence Lessig, escribió: ”El ciberespacio es un lugar. Hay gente que vive "
"ahí. Experimentan ahí todas las cosas que experimentan en el espacio real. "
"Para algunos, incluso experimentan más. Y lo experimentan no como individuos "
"experimentan grupalmente, en comunidades, entre extraños, entre gente que "
"van conociendo, de quienes se van haciendo amigos.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:209
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:268
+#, fuzzy
+#| msgid ""
+#| "I’m incredibly proud that Creative Commons is able to publish this book "
+#| "for the many communities that we have come to know and like. I’m "
+#| "grateful to Paul and Sarah for their creativity and insights, and to the "
+#| "global communities that have helped us bring it to you. As CC board "
+#| "member Johnathan Nightingale often says, “It’s all made of people.”"
msgid ""
"I’m incredibly proud that Creative Commons is able to publish this book for "
-"the many communities that we have come to know and like. I’m grateful to "
+"the many communities that we have come to know and like. I’m grateful to "
"Paul and Sarah for their creativity and insights, and to the global "
-"communities that have helped us bring it to you. As CC board member "
-"Johnathan Nightingale often says, “It’s all made of people.”"
+"communities that have helped us bring it to you. As CC board member "
+"Johnathan Nightingale often says, <quote>It’s all made of people.</quote>"
msgstr ""
"Estoy increíblemente orgulloso de que Creative Commons pueda publicar este "
"libro para las muchas comunidades que hemos llegado a conocer y amar. Estoy "
-"agradecido con Paul y Sarah por su creatividad y conocimientos, y para las "
-"comunidades globales que nos han ayudado a traértelo. Como dice Jonathan "
+"agradecido con Paul y Sarah por su creatividad y conocimientos, y con las "
+"comunidades globales que nos han ayudado a difundirlo. Como dice Jonathan "
"Nightingale, miembro del consejo de CC, ”todo está hecho de gente.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:211
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:276
msgid "That’s the true value of things that are Made with Creative Commons."
msgstr ""
-"Ese es el verdadero valor de las cosas que están Hechas con Creative Commons."
+"Ese es el verdadero valor de las cosas que están _Hechas con Creative "
+"Commons_."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:213
-#, no-wrap
-msgid "*Ryan Merkley*\n"
-msgstr "*Ryan Merkley*\n"
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:279
+msgid "<emphasis>Ryan Merkley</emphasis>"
+msgstr "<emphasis>Ryan Merkley</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:215
-#, no-wrap
-msgid "*CEO, Creative Commons*\n"
-msgstr "*CEO, Creative Commons*\n"
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:282
+msgid "<emphasis>CEO, Creative Commons</emphasis>"
+msgstr "<emphasis>CEO, Creative Commons</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:217
-msgid "## Introduction"
-msgstr "## Introducción"
+#. type: Content of: <book><preface><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:286
+msgid "Introduction"
+msgstr "Introducción"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:220
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:288
msgid ""
"This book shows the world how sharing can be good for business—but with a "
"twist."
"Este libro muestra al mundo cómo el compartir puede ser bueno para los "
"negocios — Pero con un giro adicional."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:230
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:292
+#, fuzzy
+#| msgid ""
+#| "We began the project intending to explore how creators, organizations, "
+#| "and businesses make money to sustain what they do when they share their "
+#| "work using Creative Commons licenses. Our goal was not to identify a "
+#| "formula for business models that use Creative Commons but instead gather "
+#| "fresh ideas and dynamic examples that spark new, innovative models and "
+#| "help others follow suit by building on what already works. At the onset, "
+#| "we framed our investigation in familiar business terms. We created a "
+#| "blank “open business model canvas,” an interactive online tool that would "
+#| "help people design and analyze their business model."
msgid ""
"We began the project intending to explore how creators, organizations, and "
"businesses make money to sustain what they do when they share their work "
"business models that use Creative Commons but instead gather fresh ideas and "
"dynamic examples that spark new, innovative models and help others follow "
"suit by building on what already works. At the onset, we framed our "
-"investigation in familiar business terms. We created a blank “open business "
-"model canvas,” an interactive online tool that would help people design and "
-"analyze their business model."
+"investigation in familiar business terms. We created a blank <quote>open "
+"business model canvas,</quote> an interactive online tool that would help "
+"people design and analyze their business model."
msgstr ""
"Comenzamos el proyecto con la intención de explorar cómo los creadores, "
"organizaciones y negocios hacen dinero para sostener lo que tienen que hacer "
"objetivo no era identificar una fórmula para modelos de negocio que usaran "
"Creative Commons, sino que recopilar ideas frescas y ejemplos dinámicos que "
"detonaran modelos nuevos e innovadores, y ayudar a terceros a seguir su "
-"ejemplo, construyendo sobre lo que ya ha demostrado funcionar. Al inicio, "
+"ejemplo, construyendo sobre lo que ya ha demostrado funcionar. Al principio, "
"enmarcamos nuestra investigación en términos comerciales familiares. Creamos "
"un ”lienzo de modelo de negocios abiertos” en blanco, una herramienta "
"interactiva en línea que ayudara a la gente para diseñar y analizar su "
"modelo de negocios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:237
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:304
msgid ""
"Through the generous funding of Kickstarter backers, we set about this "
"project first by identifying and selecting a diverse group of creators, "
"Gracias a la generosa contribución de nuestros patrocinadores del "
"Kickstarter, iniciamos este proyecto identificando y seleccionando un grupo "
"diverso de creadores, organizaciones y negocios que utilizan Creative "
-"Commons de forma integral — Lo que llamamos ser Hecho con Creative Commons. "
-"Los entrevistamos y escribimos sus historias.Analizamos lo que escuchamos y "
-"profundizamos en la literatura."
+"Commons de forma integral — Lo que llamamos ser _Hecho con Creative "
+"Commons_. Los entrevistamos y escribimos sus historias.Analizamos lo que "
+"escuchamos y profundizamos en la literatura."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:240
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:312
msgid ""
"But as we did our research, something interesting happened. Our initial way "
"of framing the work did not match the stories we were hearing."
"manera original de enmarcar el trabajo no cuadró con las historias que "
"escuchábamos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:246
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:317
msgid ""
"Those we interviewed were not typical businesses selling to consumers and "
-"seeking to maximize profits and the bottom line. Instead, they were sharing "
+"seeking to maximize profits and the bottom line. Instead, they were sharing "
"to make the world a better place, creating relationships and community "
"around the works being shared, and generating revenue not for unlimited "
"growth but to sustain the operation."
msgstr ""
"Aquellos a quienes entrevistábamos no eran los típicos negocios vendiendo a "
-"los consumidores y buscando maximizar sus ingresos y la rentabilidad. En vez "
-"de ello, estaban compartiendo para hacer del mundo un mejor lugar, creando "
+"los consumidores y buscando maximizar sus ingresos y rentabilidad. En vez de "
+"ello, estaban compartiendo para hacer del mundo un mejor lugar, creando "
"relaciones y una comunidad alrededor de los trabajos que compartían, y "
-"generando ganancias no hacia un crecimiento ilimitado, sino que para "
+"generando ganancias, no buscando un crecimiento ilimitado, sino que para "
"sostener sus operaciones."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:252
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:325
+#, fuzzy
+#| msgid ""
+#| "They often didn’t like hearing what they do described as an open business "
+#| "model. Their endeavor was something more than that. Something different. "
+#| "Something that generates not just economic value but social and cultural "
+#| "value. Something that involves human connection. Being Made with Creative "
+#| "Commons is not “business as usual.”"
msgid ""
"They often didn’t like hearing what they do described as an open business "
-"model. Their endeavor was something more than that. Something different. "
+"model. Their endeavor was something more than that. Something different. "
"Something that generates not just economic value but social and cultural "
"value. Something that involves human connection. Being Made with Creative "
-"Commons is not “business as usual.”"
+"Commons is not <quote>business as usual.</quote>"
msgstr ""
"Frecuentemente no les gustaba escuchar que se describiera lo que hacían como "
"un modelo de negocios abierto. Su emprendimiento iba más allá que eso, era "
"algo diferente. Algo que no únicamente genera valor económico, sino que "
-"también valor social y cultural. Algo que involucra la conexión humana. Ser "
-"Hecho con Creative Commons no es ”negocios como siempre.”"
+"también valor social y cultural. Algo que involucra conexión humana. Ser "
+"_Hecho con Creative Commons_ no es ”negocios como siempre.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:260
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:333
msgid ""
"We had to rethink the way we conceived of this project. And it didn’t happen "
"overnight. From the fall of 2015 through 2016, we documented our thoughts in "
"who provided invaluable edits, feedback, and advice. Our thinking changed "
"dramatically over the course of a year and a half."
msgstr ""
-"Tuvimos que repensar la concepción de este proyecto. No ocurrió de la noche "
-"a la mañana. Entre otoño de 2015 y 2016, documentamos nuestros pensamientos "
-"en publicaciones de blog en Medium y con actualizaciones de estado "
-"periódicas a nuestros patrocinadores de Kickstarter. Intercambiamos "
+"Tuvimos que repensar la concepción de este proyecto, y no ocurrió de la "
+"noche a la mañana. Entre otoño de 2015 y 2016, documentamos nuestros "
+"pensamientos en publicaciones de blog en Medium y con actualizaciones de "
+"estado periódicas a nuestros patrocinadores de Kickstarter. Intercambiamos "
"borradores de estudios de caso y análisis con nuestros co-creadores de "
"Kickstarter, quienes nos ayudaron con invaluables ediciones, "
"retroalimentación y consejos. Nuestra forma de cambiar cambió dramáticamente "
"en el transcurso de un año y medio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:269
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:342
msgid ""
"Throughout the process, the two of us have often had very different ways of "
"understanding and describing what we were learning. Learning from each other "
"has been one of the great joys of this work, and, we hope, something that "
"has made the final product much richer than it ever could have been if "
-"either of us undertook this project alone. We have preserved our voices "
+"either of us undertook this project alone. We have preserved our voices "
"throughout, and you’ll be able to sense our different but complementary "
"approaches as you read through our different sections."
msgstr ""
"comprender y describir lo que estábamos aprendiendo. Aprender el uno del "
"otro ha sido uno de los grandes goces de este trabajo, y, esperamos, algo "
"que convirtió al producto final en algo mucho más rico de lo que podría "
-"serlo si alguno de nosotros hubiera afrontado este proyecto en solitario. "
-"Preservamos nuestras voces a lo largo del camino, y vas a poder sentir "
-"nuestros enfoques diferentes pero complementarios según leas las diferentes "
-"secciones."
+"serlo si uno de nosotros hubiera afrontado este proyecto en solitario. "
+"Preservamos nuestras voces a lo largo del camino, con lo que se proyectan "
+"nuestros enfoques diferentes pero complementarios a lo largo de las "
+"diferentes secciones."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:273
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:352
msgid ""
"While we recommend that you read the book from start to finish, each section "
"reads more or less independently. The book is structured into two main parts."
"puede leerse más o menos independientemente. El libro está estructurado en "
"dos partes principales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:280
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:357
msgid ""
"Part one, the overview, begins with a big-picture framework written by Paul. "
"He provides some historical context for the digital commons, describing the "
"commons."
msgstr ""
"La parte uno, la imagen general, inicia con un marco conceptual de la gran "
-"escala escrito por Paul. Presenta un contexto histórico para el procomún "
-"digital, describiendo las tres maneras en que la sociedad ha administrado "
-"los recursos y compartido la riqueza — El procomún, el mercado y el estado. "
-"Sugiere pensar más allá de los términos de negocios y mercado, y "
-"elocuentemente defiende la importancia de compartir y enriquecer al procomún "
-"digital."
+"escala escrito por Paul. Presenta un contexto histórico para los bienes "
+"comunes digitales, describiendo las tres maneras en que la sociedad ha "
+"administrado los recursos y compartido la riqueza — Los bienes comunes, el "
+"mercado y el estado. Sugiere pensar más allá de términos de negocios y "
+"mercado, y elocuentemente defiende la importancia de compartir y enriquecer "
+"los bienes comunes digitales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:289
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:365
msgid ""
"The overview continues with Sarah’s chapter, as she considers what it means "
"to be successfully Made with Creative Commons. While making money is one "
"values, and how they foster connections with the people with whom they share."
msgstr ""
"La imagen general continúa con el capítulo de Sarah, quien considera qué "
-"significa ser exitosamente Hecho con Creative Commons. Si bien hacer dinero "
-"es una parte del total, también está el conjunto de valores del interés "
-"público y el tipo de conexiones humanas que dan verdadero significado al "
-"compartir. Esta sección delinea las maneras en que los creadores, "
-"organizaciones y negocios que entrevistamos obtienen sus ingresos, cómo "
-"impulsan el interés público y viven según sus valores, y cómo impulsan "
-"conexiones con la gente con quienes comparten."
+"significa ser exitosamente _Hecho con Creative Commons_. Si bien hacer "
+"dinero es parte del rompecabezas, también se considera el conjunto de "
+"valores del interés público y el tipo de conexiones humanas que dan "
+"verdadero significado al compartir. Esta sección delinea las maneras en que "
+"los creadores, organizaciones y negocios que entrevistamos obtienen sus "
+"ingresos, cómo impulsan el interés público y viven según sus valores, y cómo "
+"impulsan conexiones con la gente con quienes comparten."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:295
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:375
msgid ""
"And to end part one, we have a short section that explains the different "
"Creative Commons licenses. We talk about the misconception that the more "
"al modelo de todos los derechos reservados del derecho de autor tradicional— "
"son las únicas maneras de hacer dinero."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:300
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:382
msgid ""
"Part two of the book is made up of the twenty-four stories of the creators, "
"businesses, and organizations we interviewed. While both of us participated "
"participamos en las entrevistas, nos dividimos la escritura de estos "
"perfiles."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:304
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:388
msgid ""
"Of course, we are pleased to make the book available using a Creative "
"Commons Attribution-ShareAlike license. Please copy, distribute, translate, "
"localize, and build upon this work."
msgstr ""
-"Claro, nos complace hacer el presente libro disponible bajo un "
-"licenciamiento Creative Commons Atribución-CompartirIgual. Por favor copia, "
-"distribuye, traduce, localiza y construye sobre de este trabajo."
+"Claro, nos complace publicar el presente libro bajo un licenciamiento "
+"Creative Commons Atribución-CompartirIgual. Por favor copia, distribuye, "
+"traduce, localiza y construye sobre de este trabajo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:310
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:393
msgid ""
"Writing this book has transformed and inspired us. The way we now look at "
"and think about what it means to be Made with Creative Commons has "
"economy and world for the better."
msgstr ""
"Escribir este libro nos ha transformado e inspirado. La forma en que ahora "
-"vemos y pensamos acerca de lo que significa ser Hecho con Creative Commons "
-"ha cambiado irrevocablemente. Esperamos que este libro inspire a ti y a tu "
-"empresa a utilizar Creative Commons y, al hacerlo, contribuya a transformar "
-"nuestra economía y al mundo para mejor."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:312
-#, no-wrap
-msgid "*Paul and Sarah *\n"
-msgstr "*Paul y Sarah*\n"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:315
-msgid "# The Big Picture"
-msgstr "# El panorama completo"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:317
-msgid "## The New World of Digital Commons"
-msgstr "## El nuevo mundo del procomún digital"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:319
+"vemos y pensamos acerca de lo que significa ser _Hecho con Creative Commons_ "
+"ha cambiado irrevocablemente. Esperamos que este libro inspire a los "
+"lectores y a sus empresas a utilizar Creative Commons y, al hacerlo, "
+"contribuya a transformar nuestra economía y al mundo para mejor."
+
+#. type: Content of: <book><preface><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:400
+msgid "<emphasis>Paul and Sarah </emphasis>"
+msgstr "<emphasis>Paul y Sarah </emphasis>"
+
+#. type: Content of: <book><part><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:404
+msgid "The Big Picture"
+msgstr "El panorama completo"
+
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:406
+msgid "The New World of Digital Commons"
+msgstr "El nuevo mundo de los bienes comunes digitales"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:408
msgid "Paul Stacey"
msgstr "Paul Stacey"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:327
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:418
msgid ""
-"Jonathan Rowe eloquently describes the commons as “the air and oceans, the "
-"web of species, wilderness and flowing water—all are parts of the commons. "
-"So are language and knowledge, sidewalks and public squares, the stories of "
-"childhood and the processes of democracy. Some parts of the commons are "
-"gifts of nature, others the product of human endeavor. Some are new, such "
-"as the Internet; others are as ancient as soil and calligraphy.”1"
+"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Koehler, 2013), 14."
msgstr ""
-"Jonathan Rowe de forma elocuente describe al procomún como «el aire y los "
-"océanos, la red de especies, la naturaleza salvaje y la corriente de agua—"
-"todas son partes del procomún. También lo son el idioma y el conocimiento, "
-"las aceras y las plazas públicas, las historias infantiles y los procesos "
-"democráticos. Algunas partes del procomún son regalos de la naturaleza, "
-"otras son producto del esfuerzo humano. Algunas son nuevas, como la "
-"Internet; otras son antiguas como la tierra y la caligrafía.»1"
+"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Koehler, 2013), 14."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:336
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:411
+#, fuzzy
+#| msgid ""
+#| "Jonathan Rowe eloquently describes the commons as “the air and oceans, "
+#| "the web of species, wilderness and flowing water—all are parts of the "
+#| "commons. So are language and knowledge, sidewalks and public squares, the "
+#| "stories of childhood and the processes of democracy. Some parts of the "
+#| "commons are gifts of nature, others the product of human endeavor. Some "
+#| "are new, such as the Internet; others are as ancient as soil and "
+#| "calligraphy.”<placeholder type=\"footnote\" id=\"0\"/>"
+msgid ""
+"Jonathan Rowe eloquently describes the commons as <quote>the air and oceans, "
+"the web of species, wilderness and flowing water—all are parts of the "
+"commons. So are language and knowledge, sidewalks and public squares, the "
+"stories of childhood and the processes of democracy. Some parts of the "
+"commons are gifts of nature, others the product of human endeavor. Some are "
+"new, such as the Internet; others are as ancient as soil and calligraphy.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/>"
+msgstr ""
+"Jonathan Rowe describe de forma elocuente a los bienes comunes como «el aire "
+"y los océanos, la red de especies, la naturaleza salvaje y la corriente de "
+"agua—todas son partes de lo común. También lo son el idioma y el "
+"conocimiento, las aceras y las plazas públicas, las historias infantiles y "
+"los procesos democráticos. Algunas porciones de los bienes comunes son "
+"regalos de la naturaleza, otras son producto del esfuerzo humano. Algunas "
+"son nuevas, como la Internet; otras son antiguas como la tierra y la "
+"caligrafía.»<placeholder type=\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:423
msgid ""
"In Made with Creative Commons, we focus on our current era of digital "
"commons, a commons of human-produced works. This commons cuts across a broad "
"range of areas including cultural heritage, education, research, technology, "
-"art, design, literature, entertainment, business, and data. Human-produced "
+"art, design, literature, entertainment, business, and data. Human-produced "
"works in all these areas are increasingly digital. The Internet is a kind of "
"global, digital commons. The individuals, organizations, and businesses we "
"profile in our case studies use Creative Commons to share their resources "
"online over the Internet."
msgstr ""
-"En Hecho con Creative Commons, nos enfocamos en nuestra era actual del "
-"procomún digital, un procomún de trabajos producidos por humanos. Este "
-"procomún atraviesa una amplia variedad de áreas, incluyendo patrimonio "
-"cultural, educación, investigación, tecnología, arte, diseño, literatura, "
-"entretenimiento, negocios y datos. Los trabajos producidos por humanos en "
-"todas estas áreas son cada vez más digitales. La Internet es un tipo global "
-"de procomún digital. Los individuos, organizaciones y negocios que "
-"perfilamos en nuestros casos de estudio usan Creative Commons para compartir "
-"sus recursos en línea a través de la Internet."
+"En _Hecho con Creative Commons_ nos enfocamos en nuestra era actual de los "
+"bienes comunes digitales, un cúmulo de trabajos producidos por personas. "
+"Este conjunto de bienes comunes atraviesa una amplia variedad de áreas, "
+"incluyendo patrimonio cultural, educación, investigación, tecnología, arte, "
+"diseño, literatura, entretenimiento, negocios y datos. Los trabajos "
+"producidos por personas en todas estas áreas son, cada vez más, digitales. "
+"La Internet es un tipo global de bien común digital. Los individuos, "
+"organizaciones y negocios que perfilamos en nuestros casos de estudio usan "
+"Creative Commons para compartir sus recursos en línea a través de la "
+"Internet."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:438
+msgid ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 176."
+msgstr ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 176."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:446
+msgid "Ibid., 15."
+msgstr "Ibid., 15."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:347
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:434
msgid ""
"The commons is not just about shared resources, however. It’s also about the "
"social practices and values that manage them. A resource is a noun, but to "
-"common—to put the resource into the commons—is a verb.2 The creators, "
-"organizations, and businesses we profile are all engaged with commoning. "
-"Their use of Creative Commons involves them in the social practice of "
-"commoning, managing resources in a collective manner with a community of "
-"users.3 Commoning is guided by a set of values and norms that balance the "
+"common—to put the resource into the commons—is a verb.<placeholder type="
+"\"footnote\" id=\"0\"/> The creators, organizations, and businesses we "
+"profile are all engaged with commoning. Their use of Creative Commons "
+"involves them in the social practice of commoning, managing resources in a "
+"collective manner with a community of users.<placeholder type=\"footnote\" "
+"id=\"1\"/> Commoning is guided by a set of values and norms that balance the "
"costs and benefits of the enterprise with those of the community. Special "
"regard is given to equitable access, use, and sustainability."
msgstr ""
-"Sin embargo, el procomún no es sólo acerca de recursos compartidos. También "
-"es acerca de las prácticas sociales y valores que los dirigen. Un recurso es "
-"un sustantivo, pero liberar—poner un recurso en el procomún—es un verbo.2 "
+"Sin embargo, los bienes comunes no tratan sólo acerca de recursos "
+"compartidos. También deben considerar las prácticas sociales y valores que "
+"los dirigen. Un recurso es un sustantivo, pero _comunalizar_ —contribuir un "
+"recurso al bien común— es un verbo.<placeholder type=\"footnote\" id=\"0\"/> "
"Las personas creadoras, organizaciones y negocios que perfilamos están todas "
-"comprometidas con comunalizar. Su uso de Creative Common les involucra en la "
-"práctica social de la liberación, gestionando recursos de una forma "
-"colectiva con una comunidad de usuarios.3 La liberación es guiada por un "
-"conjunto de valores y normas que balancean los costos y beneficios de la "
-"empresa con aquellos de la comunidad. Se le da especial atención al acceso "
-"equitativo, uso y sostenibilidad."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:349
-msgid "### The Commons, the Market, and the State"
-msgstr "### El procomún, el mercado y el Estado"
+"comprometidas con comunalizar. Su uso de Creative Commons les involucra en "
+"la práctica social de la comunalización, gestionando recursos de una forma "
+"colectiva con una comunidad de usuarios.<placeholder type=\"footnote\" id="
+"\"1\"/> La liberación es guiada por un conjunto de valores y normas que "
+"balancean los costos y beneficios de la empresa con aquellos de la "
+"comunidad. Se le da especial atención al acceso equitativo, uso y "
+"sostenibilidad."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:453
+msgid "The Commons, the Market, and the State"
+msgstr "Los bienes comunes, el mercado y el Estado"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:459
+msgid "Ibid., 145."
+msgstr "Ibid., 145."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:354
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:455
msgid ""
"Historically, there have been three ways to manage resources and share "
"wealth: the commons (managed collectively), the state (i.e., the "
-"government), and the market—with the last two being the dominant forms "
-"today.4"
+"government), and the market—with the last two being the dominant forms today."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Históricamente, han habido tres formas de gestionar recursos y compartir "
-"riquezas: el procomún (gestionado de forma colectiva), el Estado (i.e., el "
-"gobierno) y el mercado—con los dos últimos siendo hoy las formas dominantes.4"
+"riquezas: los bienes comunes (gestionados de forma colectiva), el Estado "
+"(esto es, el gobierno) y el mercado—con los dos últimos siendo hoy las "
+"formas dominantes.<placeholder type=\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:468
+msgid "Ibid., 175."
+msgstr "Ibid., 175."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:362
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:463
msgid ""
"The organizations and businesses in our case studies are unique in the way "
"they participate in the commons while still engaging with the market and/or "
"state. The extent of engagement with market or state varies. Some operate "
-"primarily as a commons with minimal or no reliance on the market or state.5 "
-"Others are very much a part of the market or state, depending on them for "
-"financial sustainability. All operate as hybrids, blending the norms of the "
-"commons with those of the market or state."
+"primarily as a commons with minimal or no reliance on the market or state."
+"<placeholder type=\"footnote\" id=\"0\"/> Others are very much a part of the "
+"market or state, depending on them for financial sustainability. All operate "
+"as hybrids, blending the norms of the commons with those of the market or "
+"state."
msgstr ""
"Las organizaciones y los negocios en nuestros casos de estudio son únicas en "
-"la forma en que participan en el procomún, mientras se siguen involucrando "
-"con el mercado y/o el Estado. El grado de involucramiento con el mercado o "
-"Estado varía. Algunas operan ante todo como procomún con mínima o ninguna "
-"dependencia del mercado o Estado.5 Otras son parte del mercado o Estado, y "
-"dependen de estos para su sotenibilidad financiera. Todas operan como "
-"híbridos, mezclando las normas del procomún con las del mercado o Estado."
+"la forma en que participan en los bienes comunes, al tiempo que se mantienen "
+"involucrados con el mercado y/o el Estado. El grado de involucramiento con "
+"el mercado o Estado varía. Algunas operan ante todo en los bienes comunes "
+"con mínima o ninguna dependencia del mercado o Estado.<placeholder type="
+"\"footnote\" id=\"0\"/> Otras son parte del mercado o Estado, y dependen de "
+"estos para su sotenibilidad financiera. Todas operan como híbridos, "
+"mezclando las normas de cada bien común con las del mercado o Estado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:365
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:475
msgid ""
"Fig. 1. is a depiction of how an enterprise can have varying levels of "
"engagement with commons, state, and market."
msgstr ""
-"Fig 1. es una representación de cómo una empresa puede tener niveles "
-"variables de involucramiento con el procomún, el Estado y el mercado."
+"La Fig. 1. es una representación de cómo una empresa puede tener niveles "
+"variables de involucramiento con los bienes comunes, el Estado y el mercado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:374
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:479
msgid ""
"Some of our case studies are simply commons and market enterprises with "
"little or no engagement with the state. A depiction of those case studies "
"as being primarily of one type or another affects the balance of norms by "
"which they operate."
msgstr ""
-"Algunos de nuestros casos de estudio son simplemente procomunes y empresas "
-"de mercado con poco o ningún involucramiento con el Estado. Una "
+"Algunos de nuestros casos de estudio son simplemente bienes comunes y "
+"empresas de mercado con poco o ningún involucramiento con el Estado. Una "
"representación de estos casos de estudio mostraría una esfera del Estado "
"pequeña o incluso ausente. Otros casos de estudio se basan ante todo en el "
-"mercado, con sólo un pequeño involucramiento con el procomún. Una "
+"mercado, con sólo un pequeño involucramiento con el bien común. Una "
"representación de estos casos de estudio mostraría una gran esfera del "
-"mercado y una pequeña esfera del procomún. El grado en el cuál una empresa "
-"se ve a sí misma como principalmente de un tipo o de otro afecta el balance "
-"de normas bajo las cuales operan."
+"mercado y una pequeña esfera de los bienes comunes. El grado en el cuál una "
+"empresa se ve a sí misma como principalmente de un tipo o de otro afecta el "
+"balance de normas bajo las cuales operan."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:382
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:490
msgid ""
"All our case studies generate money as a means of livelihood and "
"sustainability. Money is primarily of the market. Finding ways to generate "
"strong sense of values, and the ability to blend the best of both."
msgstr ""
"Todos nuestros casos de estudio generan dinero como medio de subsistencia o "
-"sostenibilidad. El dinero es, ante todo, del mercado. Encontrar formas de "
-"generar ingresos manteniéndose fiel a los valores fundamentales del procomún "
-"(por lo general expresados en declaraciones de la misión) es un reto. "
-"Gestionar la interacción y el involucramiento entre el procomún y el mercado "
-"requiere un toque ágil, un fuerte sentido de valores y la habilidad de "
-"mezclar lo mejor de ambos."
+"sostenibilidad. El dinero pertenece, ante todo, al mercado. Encontrar formas "
+"de generar ingresos manteniéndose fiel a los valores fundamentales del bien "
+"común (por lo general expresados en la definición de su misión) es un reto. "
+"Gestionar la interacción y el involucramiento entre los bienes comunes y el "
+"mercado requiere de un toque ágil, un fuerte sentido de valores, y la "
+"habilidad de mezclar lo mejor de ambos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:388
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:499
msgid ""
"The state has an important role to play in fostering the use and adoption of "
"the commons. State programs and funding can deliberately contribute to and "
"build the commons. Beyond money, laws and regulations regarding property, "
"copyright, business, and finance can all be designed to foster the commons."
msgstr ""
-"El Estado juega un rol importante en promover el uso y la adopción del "
-"procomún. Los programas y financiamiento del Estado pueden contribuir y "
-"construir el procomún de forma deliberada. Más allá del dinero, leyes y "
-"regulaciones con respecto a propiedad, derechos de autor, negocios y "
-"finanzas pueden ser designadas para promover el procomún."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:391
-#, fuzzy
-msgid ""
-"{width=\"6.5in\" "
-"height=\"3.5417in\"}"
-msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.5417in\"}"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:399
+"El Estado juega un papel importante en la promoción del uso y la adopción de "
+"los bienes ocmunes. Los programas y financiamiento del Estado pueden "
+"contribuir y construir bienes comunes de forma deliberada. Más allá del "
+"dinero, pueden diseñarse las leyes y regulaciones con respecto a propiedad, "
+"derechos de autor, negocios y finanzas para promoverlos."
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:506
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:513
+msgid "Enterprise engagement with commons, state and market."
+msgstr ""
+"Una empresa puede tener niveles variables de involucramiento con los bienes "
+"comunes, el Estado y el mercado."
+
+#. type: Attribute 'fileref' of: <book><part><chapter><sect1><figure><mediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:510
+msgid "Pictures/10000201000008000000045C30360249076453E6.png"
+msgstr "Pictures/10000201000008000000045C30360249076453E6.png"
+
+#. type: Content of: <book><part><chapter><sect1><figure>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:508
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:557
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:675
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:804
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:846
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:934
+msgid "<placeholder type=\"mediaobject\" id=\"0\"/>"
+msgstr "<placeholder type=\"mediaobject\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:519
msgid ""
"It’s helpful to understand how the commons, market, and state manage "
"resources differently, and not just for those who consider themselves "
"commons the same way you do the market or state is not a strategy for "
"success."
msgstr ""
-"Es útil entender cómo el procomún, el mercado y el Estado gestionan los "
-"recursos de forma diferente, y no solo prara aquellos que se consideran ante "
-"todo como un procomún. Para negocios u organizaciones gubernamentales que "
-"quiere involucrarse y usar el procomún, saber cómo el procomún opera les "
-"ayudará a entender la mejor forma para hacerlo. Participar en el uso del "
-"procomún en la misma forma en la que lo harían en el mercado o Estado no es "
-"una estrategia para el éxito."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:401
-msgid "### The Four Aspects of a Resource"
-msgstr "### Los cuatro aspectos de un recurso"
+"Es útil entender cómo los bienes comunes, el mercado y el Estado gestionan "
+"los recursos de forma diferente, y no solo para aquellos que se consideran "
+"ante todo como un bien común. Para empresas u organizaciones gubernamentales "
+"que quieran involucrarse y aprovechar los bienes comunales, saber cómo éstos "
+"operan les ayudará a encontrar la mejor forma para hacerlo. Participar en el "
+"uso de un bien común en la misma forma en la que lo harían en el mercado o "
+"Estado no resultaría una estrategia exitosa."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:530
+msgid "The Four Aspects of a Resource"
+msgstr "Los cuatro aspectos de un recurso"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:535
+#, fuzzy
+#| msgid ""
+#| "Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
+#| "Commons for the Knowledge Commons,” in Governing Knowledge Commons, eds. "
+#| "Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg (New "
+#| "York: Oxford University Press, 2014), 53."
+msgid ""
+"Daniel H. Cole, <quote>Learning from Lin: Lessons and Cautions from the "
+"Natural Commons for the Knowledge Commons,</quote> in Governing Knowledge "
+"Commons, eds. Brett M. Frischmann, Michael J. Madison, and Katherine J. "
+"Strandburg (New York: Oxford University Press, 2014), 53."
+msgstr ""
+"Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
+"Commons for the Knowledge Commons,” en Governing Knowledge Commons, eds. "
+"Brett M. Frischmann, Michael J. Madison, y Katherine J. Strandburg (New "
+"York: Oxford University Press, 2014), 53."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:409
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:532
msgid ""
"As part of her Nobel Prize–winning work, Elinor Ostrom developed a framework "
-"for analyzing how natural resources are managed in a commons.6 Her framework "
-"considered things like the biophysical characteristics of common resources, "
-"the community’s actors and the interactions that take place between them, "
-"rules-in-use, and outcomes. That framework has been simplified and "
-"generalized to apply to the commons, the market, and the state for this "
-"chapter."
+"for analyzing how natural resources are managed in a commons.<placeholder "
+"type=\"footnote\" id=\"0\"/> Her framework considered things like the "
+"biophysical characteristics of common resources, the community’s actors and "
+"the interactions that take place between them, rules-in-use, and outcomes. "
+"That framework has been simplified and generalized to apply to the commons, "
+"the market, and the state for this chapter."
msgstr ""
"Como parte de su trabajo ganador del Premio Nobel, Elinor Ostrom desarrolló "
"un marco conceptual para analizar cómo los recursos naturales se gestionan "
-"en un procomún.6 Su marco conceptual considera cosas como las "
-"características biofísicas de recursos communes, los actores de la comunidad "
-"y las interacciones que tienen lugar entre estas, reglas en uso y "
-"resultados. El marco conceptual ha sido simplificado y generalizado para "
-"aplicar al procomún, el mercado y el Estado para este capítulo."
+"en forma de un bien común.<placeholder type=\"footnote\" id=\"0\"/> Su marco "
+"conceptual considera cosas como las características biofísicas de recursos "
+"communes, los actores de la comunidad y las interacciones que tienen lugar "
+"entre ellos, reglas en uso y resultados. Dicho marco conceptual ha sido "
+"simplificado y generalizado para aplicar a los bienes comunes, al mercado y "
+"al Estado para este capítulo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:415
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:548
msgid ""
"To compare and contrast the ways in which the commons, market, and state "
"work, let’s consider four aspects of resource management: resource "
"rules they develop to govern use, and finally actual resource use along with "
"outcomes of that use (see Fig. 2)."
msgstr ""
-"Para comparar y contrastar las formas en las que el procomún, el mercado y "
-"el Estado trabaja, consideremos cuatro aspectos de la gestión de recursos: "
-"características del recruso, las personas involucradas y el proceso que "
-"usan, las normas y reglas que desarrollan para gobernar el uso, y finalmente "
-"el uso real del recurso junto con los resultados de ese uso (ver Fig. 2)."
+"Para comparar y contrastar las formas en las que los bienes comunales, el "
+"mercado y el Estado trabajan, consideremos cuatro aspectos de la gestión de "
+"recursos: características del recruso, las personas involucradas y los "
+"procesos que siguen, las normas y reglas que desarrollan para gobernar el "
+"uso, y finalmente el uso real del recurso junto con los resultados de ese "
+"uso (ver Fig. 2)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:418
-#, fuzzy
-msgid ""
-"{width=\"6.5in\" "
-"height=\"6.5in\"}"
-msgstr ""
-"{width=\"6.5in\" "
-"height=\"6.5in\"}"
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:556
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:562
+msgid "Four aspects of resource management"
+msgstr "Cuatro aspectos de administración de recursos"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:420
-msgid "#### Characteristics"
-msgstr "#### Características"
+#. type: Attribute 'fileref' of: <book><part><chapter><sect1><figure><mediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:559
+msgid "Pictures/10000201000007D0000007D0ACF13F8B71EAF0B9.png"
+msgstr "Pictures/10000201000007D0000007D0ACF13F8B71EAF0B9.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:425
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:568
+msgid "Characteristics"
+msgstr "Características"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:570
msgid ""
"Resources have particular characteristics or attributes that affect the way "
"they can be used. Some resources are natural; others are human produced. And—"
"which affects a resource’s inherent potential."
msgstr ""
"Los recursos tienen características particulares o atributos que afectan la "
-"forma en que pueden ser usados. Algunos recursos son naturales; otros son "
-"producidos por humanos. Y—de forma significativa para el procomún de hoy—los "
-"recursos pueden ser físicos o digitales, lo que afecta el potencial "
-"inherente del recuros."
+"forma en que pueden ser utilizados. Algunos recursos son naturales, otros "
+"son producidos por personas. Y —de forma significativa para los bienes "
+"comunes de hoy—los recursos pueden ser físicos o digitales, lo cual afecta "
+"el potencial inherente del recurso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:434
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:577
msgid ""
"Physical resources exist in limited supply. If I have a physical resource "
-"and give it to you, I no longer have it. When a resource is removed and "
+"and give it to you, I no longer have it. When a resource is removed and "
"used, the supply becomes scarce or depleted. Scarcity can result in "
"competing rivalry for the resource. Made with Creative Commons enterprises "
"are usually digitally based but some of our case studies also produce "
"resources in physical form. The costs of producing and distributing a "
"physical good usually require them to engage with the market."
msgstr ""
-"Los recursos físicos existen en un suministro limitado. Si yo tengo un "
-"recurso físico y se lo doy a usted, yo ya no lo tengo más. Cuando un recurso "
-"se retira y se usa, el suministro se vuelve escaso o agotado. La escasez "
+"Los recursos físicos existen en cantidades limitadas. Si yo tengo un recurso "
+"físico y se lo doy a otra persona, yo ya no lo tengo más. Cuando un recurso "
+"se retira y se usa, la disponibilidad total se reduce o agota. La escasez "
"puede resultar en una rivalidad competitiva por el recurso. Las empresas "
-"hechas con Creative Commons por lo general se basan en lo digital, pero "
-"algunos de nuestros casos de estudio también producen recursos en forma "
+"_hechas con Creative Commons_ por lo general se basan en medios digitales, "
+"pero algunos de nuestros casos de estudio también producen recursos en forma "
"física. Los costos de producir y distribuir un bien físico por lo general "
"requieren que se involucren con el mercado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:442
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:588
msgid ""
-"Physical resources are depletable, exclusive, and rivalrous. Digital "
+"Physical resources are depletable, exclusive, and rivalrous. Digital "
"resources, on the other hand, are nondepletable, nonexclusive, and "
"nonrivalrous. If I share a digital resource with you, we both have the "
"resource. Giving it to you does not mean I no longer have it. Digital "
"depleted, and at close to zero cost. Abundance rather than scarcity is an "
"inherent characteristic of digital resources."
msgstr ""
-"Los recursos físicos son agotables, exclusivos y tienden a la rivalidad. Los "
-"recursos digitales, por otra parte, no son agotables, exclusivos ni tienden "
-"a la rivalidad. Si yo comparto un recurso digital con usted, ambos tenemos "
-"el recurso. Dárselo a usted no significa que yo ya no lo tengo más. Los "
-"recursos digitales pueden ser almacenados, copiados y distribuidos de forma "
-"infinita sin agotarse, y a un costo cercano a cero. La abundancia, en lugar "
-"de la escasez, es una característica inherente de los recursos digitales."
+"Los recursos físicos son agotables, exclusivos y rivales. Los recursos "
+"digitales, por otra parte, no son agotables, exclusivos ni rivales. Si yo "
+"comparto un recurso digital con alguna persona, ambos tenemos el recurso. "
+"Dárselo a alguien no significa que yo ya no lo tenga. Los recursos digitales "
+"pueden ser almacenados, copiados y distribuidos de forma infinita sin "
+"agotarse, y a un costo cercano a cero. La abundancia, y ya no de la escasez, "
+"es una característica inherente de los recursos digitales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:449
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:598
msgid ""
"The nondepletable, nonexclusive, and nonrivalrous nature of digital "
-"resources means the rules and norms for managing them can (and ought to) be "
+"resources means the rules and norms for managing them can (and ought to) be "
"different from how physical resources are managed. However, this is not "
"always the case. Digital resources are frequently made artificially scarce. "
"Placing digital resources in the commons makes them free and abundant."
msgstr ""
-"La naturaleza no agotable, sin exclusividad y que no tiende a la rivalidad "
-"de los recursos digitales significa que las reglas y normas para "
-"gestionarlos pueden (y deben) ser diferentes de cómo los recursos físicos "
-"se gestionan. Sin embargo, este no es siempre el caso. Los recursos "
-"digitales con frecuencia se hacen escasos de forma artificial. Poner "
-"recursos digitales en el procomún los hace libres y abundantes."
+"La naturaleza no agotable, no exclusiva y no rival de los recursos digitales "
+"significa que las reglas y normas para gestionarlos pueden (y deben) ser "
+"diferentes de cómo los recursos físicos se gestionan. Sin embargo, este no "
+"es siempre el caso. Los recursos digitales con frecuencia se hacen escasear "
+"de forma artificial. Poner recursos digitales en un bien común los hace "
+"libres y abundantes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:458
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:606
msgid ""
"Our case studies frequently manage hybrid resources, which start out as "
"digital with the possibility of being made into a physical resource. The "
"digital file of a book can be printed on paper and made into a physical "
"book. A computer-rendered design for furniture can be physically "
-"manufactured in wood. This conversion from digital to physical invariably "
-"has costs. Often the digital resources are managed in a free and open way, "
+"manufactured in wood. This conversion from digital to physical invariably "
+"has costs. Often the digital resources are managed in a free and open way, "
"but money is charged to convert a digital resource into a physical one."
msgstr ""
"Nuestros casos de estudio con frecuencia gestionan recursos híbridos, que "
"gestionados de forma gratuita y abierta, pero se cobra dinero por convertir "
"un recurso digital en uno físico."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:466
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:617
msgid ""
"Beyond this idea of physical versus digital, the commons, market, and state "
-"conceive of resources differently (see Fig. 3). The market sees resources as "
-"private goods—commodities for sale—from which value is extracted. The state "
-"sees resources as public goods that provide value to state citizens. The "
-"commons sees resources as common goods, providing a common wealth extending "
-"beyond state boundaries, to be passed on in undiminished or enhanced form to "
-"future generations."
-msgstr ""
-"Mas allá de esta idea de físico contra digital, el procomún, el mercado y el "
-"Estado conciben a los recursos de forma diferente (ver Fig. 3). El mercado "
-"ve a los recursos como bienes privados—mercancías para la venta—a partir de "
-"los cuales se extrae valor. El Estado ve a los recursos como bienes públicos "
-"que brindan valor a los ciudadanos. El procomún ve a los recursos como "
-"bienes comunes, que brindan riqueza común, extendiéndose más allá de las "
-"fronteras del Estado para ser pasadas a futuras generaciones en una forma "
-"sin disminuciones o mejorada."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:468
-msgid "#### People and processes"
-msgstr "#### Personas y procesos"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:472
+"conceive of resources differently (see Fig. 3). The market sees resources "
+"as private goods—commodities for sale—from which value is extracted. The "
+"state sees resources as public goods that provide value to state citizens. "
+"The commons sees resources as common goods, providing a common wealth "
+"extending beyond state boundaries, to be passed on in undiminished or "
+"enhanced form to future generations."
+msgstr ""
+"Mas allá de esta idea de físico contra digital, los bienes comunes, el "
+"mercado y el Estado conciben a los recursos de forma diferente (ver Fig. 3). "
+"El mercado ve a los recursos como bienes privados—mercancías para la venta—a "
+"partir de los cuales se extrae valor. El Estado ve a los recursos como "
+"bienes públicos que brindan valor a los ciudadanos. En los bienes comunes se "
+"ve a los recursos como bienes comunes, que brindan riqueza común, "
+"extendiéndose más allá de las fronteras del Estado para ser pasadas a "
+"futuras generaciones de forma no disminuída y, en ocasiones, mejorada."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:628
+msgid "People and processes"
+msgstr "Personas y procesos"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:630
msgid ""
"In the commons, the market, and the state, different people and processes "
"are used to manage resources. The processes used define both who has a say "
"and how a resource is managed."
msgstr ""
-"En el procomún, el mercado y el Estado, diferentes personas y procesos se "
-"usan para gestionar recursos. Los procesos usados definen quienes tienes "
-"tienen voz, así como la forma en que un recurso se gestiona."
+"En los bienes comunes, el mercado y el Estado, se emplean diferentes "
+"personas y procesos para gestionar recursos. Los procesos utilizados definen "
+"quiéne tiene voz, así como la forma en que un recurso se gestiona."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:480
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:635
msgid ""
"In the state, a government of elected officials is responsible for managing "
"resources on behalf of the public. The citizens who produce and use those "
"resources are not directly involved; instead, that responsibility is given "
-"over to the government. State ministries and departments staffed with public "
-"servants set budgets, implement programs, and manage resources based on "
-"government priorities and procedures."
+"over to the government. State ministries and departments staffed with "
+"public servants set budgets, implement programs, and manage resources based "
+"on government priorities and procedures."
msgstr ""
"En el Estado, un gobierno de oficiales elegidos es responsable de gestionar "
"recursos en nombre del público. Los ciudadanos que producen y usan esos "
"como empleados, establecen presupuestos, implementan programas y gestionan "
"recursos con base en prioridades y procedimientos del gobierno."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:487
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:644
msgid ""
"In the market, the people involved are producers, buyers, sellers, and "
"consumers. Businesses act as intermediaries between those who produce "
"con frecuencia producidas en masa, y vendidas a consumidores sobre la base "
"de una transacción de efectivo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:501
-msgid ""
-"In contrast to the state and market, resources in a commons are managed more "
-"directly by the people involved.7 Creators of human produced resources can "
-"put them in the commons by personal choice. No permission from state or "
-"market is required. Anyone can participate in the commons and determine for "
-"themselves the extent to which they want to be involved—as a contributor, "
-"user, or manager. The people involved include not only those who create and "
-"use resources but those affected by outcome of use. Who you are affects your "
-"say, actions you can take, and extent of decision making. In the commons, "
-"the community as a whole manages the resources. Resources put into the "
-"commons using Creative Commons require users to give the original creator "
-"credit. Knowing the person behind a resource makes the commons less "
-"anonymous and more personal."
-msgstr ""
-"En contraste con el Estado y el mercado, los recursos en un procomún son "
-"gestionados de forma más directa por las personas involucradas.7 Creadores "
-"de recursos producidos por humanos pueden ponerlos en el procomún por "
-"escogencia personal. No se requiere permiso del Estado o el mercado. "
-"Cualquier persona puede participar en el procomún y determinar por sí misma "
-"el alcance al cual quiere estar involucrada—como contribuyente, usuario o "
-"administrador. Las personas involucradas no incluyen solo a aquellas que "
-"crean y usan recursos, sino también a aquellas afectadas por el resultado "
-"de su uso. Quién se es afecta su opinión, acciones que puede tomar, y el "
-"alcance de la toma de decisiones. En el procomún, la comunidad como un todo "
-"gestiona los recursos. Los recursos puestos en el procomún usando Creative "
-"Commons requieren que los usuarios den crédito al creador original. Conocer "
-"a la persona detrás del recurso vuelve al procomún menos anónimo y más "
-"personal."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:504
-#, fuzzy
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:655
msgid ""
-"{width=\"6.5in\" "
-"height=\"4.2362in\"}"
+"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
+"and the Commons (New York: Zed Books, 2014), 93."
msgstr ""
-"{width=\"6.5in\" "
-"height=\"4.2362in\"}"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:506
-msgid "#### Norms and rules"
-msgstr "#### Normas y reglas"
+"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
+"and the Commons (New York: Zed Books, 2014), 93."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:511
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:653
+msgid ""
+"In contrast to the state and market, resources in a commons are managed more "
+"directly by the people involved.<placeholder type=\"footnote\" id=\"0\"/> "
+"Creators of human produced resources can put them in the commons by personal "
+"choice. No permission from state or market is required. Anyone can "
+"participate in the commons and determine for themselves the extent to which "
+"they want to be involved—as a contributor, user, or manager. The people "
+"involved include not only those who create and use resources but those "
+"affected by outcome of use. Who you are affects your say, actions you can "
+"take, and extent of decision making. In the commons, the community as a "
+"whole manages the resources. Resources put into the commons using Creative "
+"Commons require users to give the original creator credit. Knowing the "
+"person behind a resource makes the commons less anonymous and more personal."
+msgstr ""
+"En contraste con el Estado y el mercado, los recursos en un bien común son "
+"gestionados de forma más directa por las personas involucradas.<placeholder "
+"type=\"footnote\" id=\"0\"/> Creadores de recursos producidos por personas "
+"pueden ponerlos en el bien común por elección personal. No se requiere "
+"permiso del Estado o el mercado. Cualquier persona puede participar en el "
+"bien común y determinar por sí misma el alcance al cual quiere estar "
+"involucrada — como contribuyente, usuario o administrador. Las personas "
+"involucradas no incluyen solo a aquellas que crean y usan recursos, sino "
+"también a aquellas afectadas por el resultado de su uso. Quién se es afecta "
+"su opinión, acciones que puede tomar, y el alcance de la toma de decisiones. "
+"En los bienes comunes, la comunidad como un todo gestiona los recursos. Los "
+"recursos puestos en el bien común usando Creative Commons requieren que los "
+"usuarios den crédito al creador original. Conocer a la persona detrás del "
+"recurso vuelve al bien común menos anónimo y más personal."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:673
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:680
+msgid "How the market, commons and state concieve of resources."
+msgstr "Cómo el mercado, los bienes comunes y el Estado conciben los recursos."
+
+#. type: Attribute 'fileref' of: <book><part><chapter><sect1><sect2><figure><mediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:677
+msgid "Pictures/10000201000009C40000065D9EC4F530BD4DFBE0.png"
+msgstr "Pictures/10000201000009C40000065D9EC4F530BD4DFBE0.png"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:687
+msgid "Norms and rules"
+msgstr "Normas y reglas"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:689
msgid ""
"The social interactions between people, and the processes used by the state, "
"market, and commons, evolve social norms and rules. These norms and rules "
"define permissions, allocate entitlements, and resolve disputes."
msgstr ""
-"Las interacciones sociales entre personas, y los procesos usados por el "
-"Estado, el mercado y el procomún, evolucionan normas sociales y reglas. "
-"Estas normas y reglas definen permisos, asignan derechos y resuelven "
+"Las interacciones sociales entre personas, y los procesos empleados por el "
+"Estado, el mercado y los bienes comunales, evolucionan en normas sociales y "
+"reglas. Estas normas y reglas definen permisos, asignan derechos y resuelven "
"disputas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:517
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:695
msgid ""
"State authority is governed by national constitutions. Norms related to "
"priorities and decision making are defined by elected officials and "
msgstr ""
"La autoridad del Estado está gobernada por las constituciones nacionales. "
"Las normas relacionadas con las prioridades y la toma de decisiones son "
-"definidas por oficiales elegidos y procesos parlamentarios. Las reglas de "
+"definidas por mandatarios electos y procesos parlamentarios. Las reglas del "
"Estado se expresan a través de políticas, regulaciones y leyes. El Estado "
-"influencia las normas y reglas del mercado y el procomún a través de las "
-"reglas que pasa."
+"influencia las normas y reglas del mercado y los bienes comunes a través de "
+"las reglas mediante las cuales se regula."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:521
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:703
msgid ""
"Market norms are influenced by economics and competition for scarce "
"resources. Market rules follow property, business, and financial laws "
"defined by the state."
msgstr ""
-"Las normas de mercado son influenciadas por economías y competición por "
-"recursos escasos. Las reglas del mercado siguen a la propiedad, negocios y "
-"leyes financieras definidas por el Estado."
+"Las normas del mercado reciben influencia de la economía y la competencia "
+"por recursos escasos. Las reglas del mercado siguen a la propiedad, negocios "
+"y leyes financieras definidas por el Estado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:528
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:715
+msgid "Bollier, Think Like a Commoner, 175."
+msgstr "Bollier, Think Like a Commoner, 175."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:708
msgid ""
"As with the market, a commons can be influenced by state policies, "
"regulations, and laws. But the norms and rules of a commons are largely "
"defined by the community. They weigh individual costs and benefits against "
"the costs and benefits to the whole community. Consideration is given not "
-"just to economic efficiency but also to equity and sustainability.9"
+"just to economic efficiency but also to equity and sustainability."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Como con el mercado, el procomún puede ser influenciado por políticas de "
-"Estado, regulaciones y leyes. Pero las normas y reglas de un procomún son en "
-"gran parte definidas por la comunidad. Ellas ponderan costos y beneficios "
-"individuales contra los costos y beneficios de la comunidad entera. No solo "
-"se le da consideración a la eficiencia económica sino que también a la "
-"equidad y sostenibilidad.9"
+"Como con el mercado, los bienes comunales pueden recibir influencia de "
+"políticas de Estado, regulaciones y leyes. Pero las normas y reglas de un "
+"bien comunal son en buena medida definidas por la comunidad. Ellas ponderan "
+"costos y beneficios individuales contra los costos y beneficios de la "
+"comunidad entera. No solo entra en juego la eficiencia económica sino que "
+"también a la equidad y sostenibilidad.<placeholder type=\"footnote\" id="
+"\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:530
-msgid "#### Goals"
-msgstr "#### Objetivos"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:720
+msgid "Goals"
+msgstr "Objetivos"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:535
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:722
msgid ""
"The combination of the aspects we’ve discussed so far—the resource’s "
"inherent characteristics, people and processes, and norms and rules—shape "
"how resources are used. Use is also influenced by the different goals the "
"state, market, and commons have."
msgstr ""
-"La combinación de los aspectos que hemos discutido hasta ahora—las "
+"La combinación de los aspectos que hemos discutido hasta ahora —las "
"características inherentes de los recursos, personas y procesos, y normas y "
-"reglas—modelan cómo los recursos son usados. El uso también está "
-"influenciado por los diferentes objetivos que tiene el Estado, el mercado y "
-"el procomún."
+"reglas— modelan cómo los recursos son empleados. El uso también está "
+"influenciado por los diferentes objetivos que tienen el Estado, el mercado y "
+"los bienes comunes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:542
-msgid ""
-"In the market, the focus is on maximizing the utility of a resource. What "
-"we pay for the goods we consume is seen as an objective measure of the "
-"utility they provide. The goal then becomes maximizing total monetary value "
-"in the economy.10 Units consumed translates to sales, revenue, profit, and "
-"growth, and these are all ways to measure goals of the market."
-msgstr ""
-"En el mercado, en enfoque es en maximizar la utilidad de un recurso. Lo que "
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:734
+#, fuzzy
+#| msgid ""
+#| "Joshua Farley and Ida Kubiszewski, “The Economics of Information in a "
+#| "Post-Carbon Economy,” in Free Knowledge: Confronting the Commodification "
+#| "of Human Discovery, eds. Patricia W. Elliott and Daryl H. Hepting "
+#| "(Regina, SK: University of Regina Press, 2015), 201–4."
+msgid ""
+"Joshua Farley and Ida Kubiszewski, <quote>The Economics of Information in a "
+"Post-Carbon Economy,</quote> in Free Knowledge: Confronting the "
+"Commodification of Human Discovery, eds. Patricia W. Elliott and Daryl H. "
+"Hepting (Regina, SK: University of Regina Press, 2015), 201–4."
+msgstr ""
+"Joshua Farley e Ida Kubiszewski, “The Economics of Information in a Post-"
+"Carbon Economy,” en Free Knowledge: Confronting the Commodification of Human "
+"Discovery, eds. Patricia W. Elliott y Daryl H. Hepting (Regina, SK: "
+"University of Regina Press, 2015), 201–4."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:729
+msgid ""
+"In the market, the focus is on maximizing the utility of a resource. What we "
+"pay for the goods we consume is seen as an objective measure of the utility "
+"they provide. The goal then becomes maximizing total monetary value in the "
+"economy.<placeholder type=\"footnote\" id=\"0\"/> Units consumed translates "
+"to sales, revenue, profit, and growth, and these are all ways to measure "
+"goals of the market."
+msgstr ""
+"En el mercado, en enfoque es maximizar la utilidad de un recurso. Lo que "
"pagamos por los bienes que consumimos se ve como un objetivo medible de la "
"utilidad que brinda. El objetivo entonces se vuelve maximizar el valor "
-"monetario total en la economía.10 Unidades consumidas se traducen en ventas, "
-"ingresos, ganancia y crecimiento, y estas todas son formas de medir los "
-"objetivos del mercado."
+"monetario total en la economía.<placeholder type=\"footnote\" id=\"0\"/> "
+"Unidades consumidas se traducen en ventas, ingresos, ganancia y crecimiento, "
+"y estas todas son formas de medir los objetivos del mercado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:549
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:744
msgid ""
"The state aims to use and manage resources in a way that balances the "
"economy with the social and cultural needs of its citizens. Health care, "
"aplica sus recursos hacia estos propósitos. Los objetivos del Estado se "
"reflejan en mediciones de calidad de vida."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:556
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:753
msgid ""
"In the commons, the goal is maximizing access, equity, distribution, "
-"participation, innovation, and sustainability. You can measure success by "
+"participation, innovation, and sustainability. You can measure success by "
"looking at how many people access and use a resource; how users are "
"distributed across gender, income, and location; if a community to extend "
"and enhance the resources is being formed; and if the resources are being "
"used in innovative ways for personal and social good."
msgstr ""
-"En el procomún, el objetivo es maximizar acceso, equidad, distribución, "
-"participación, innovación y sostenibilidad. Usted puede medir el éxito "
-"viendo cuántas personas accesan y usan un recurso; cómo es la distribución "
-"de usuarios a través de género, ingresos, y ubicación; si una comunidad se "
-"está formando para extender y mejorar los recursos; y si los recursos están "
-"siendo usados de formas innovadoras para beneficio personal y social."
+"Por lo que respecta a los bienes comunales, el objetivo es maximizar acceso, "
+"equidad, distribución, participación, innovación y sostenibilidad. Se puede "
+"medir el éxito observando cuántas personas accesan y usan un recurso; cómo "
+"es la distribución de usuarios a través de género, ingresos, y ubicación; si "
+"una comunidad se está formando para extender y mejorar los recursos; y si "
+"los recursos están siendo usados de formas innovadoras para beneficio "
+"personal y social."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:561
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:762
msgid ""
"As hybrid combinations of the commons with the market or state, the success "
"and sustainability of all our case study enterprises depends on their "
"ability to strategically utilize and balance these different aspects of "
"managing resources."
msgstr ""
-"Como combinaciones híbridas del procomún con el mercado o Estado, el éxito y "
-"sostenibilidad de todas las empresas de nuestros casos de estudio dependen "
-"de su capacidad para utilizar y balancear de forma estratégica estos "
-"diferentes aspectos de la gestión de recursos."
+"Como combinaciones híbridas de bienes comunes con el mercado o Estado, el "
+"éxito y sostenibilidad de todas las empresas de nuestros casos de estudio "
+"dependen de su capacidad para utilizar y balancear de forma estratégica "
+"estos diferentes aspectos de la gestión de recursos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:563
-msgid "### A Short History of the Commons"
-msgstr "### Una corta historia del procomún"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:770
+msgid "A Short History of the Commons"
+msgstr "Una corta historia de los bienes comunes"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:570
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:772
msgid ""
"Using the commons to manage resources is part of a long historical "
"continuum. However, in contemporary society, the market and the state "
"from consciousness and consideration. There are no news reports or speeches "
"about the commons."
msgstr ""
-"Usar al procomún para gestionar recursos es parte de una larga continuidad "
-"histórica. Sin embargo, en la sociedad contemporánea, el mercado y el Estado "
-"dominan el discurso de cómo los recursos se gestionan de la mejor forma. Es "
-"raro que el procomún tan siquiera se considere como una opción. El procomún "
-"ha desaparecido conciencia y consideración en gran parte. No hay reportes "
-"noticiosos o discursos acerca del procomún."
+"Usar los bienes comunes para gestionar recursos es parte de un largo "
+"contínuo histórico. Sin embargo, en la sociedad contemporánea, el mercado y "
+"el Estado dominan el discurso de cuál es la mejor manera de gestionar los "
+"recursos. Es raro que el bien común siquiera se considere como una opción. "
+"El bien común ha desaparecido de la conciencia y consideración en gran "
+"parte. No hay reportes noticiosos o discursos acerca de los bienes comunes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:576
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:781
msgid ""
"But the more than 1.1 billion resources licensed with Creative Commons "
"around the world are indications of a grassroots move toward the commons. "
"commons and its current renewal, it’s helpful to know something of its "
"history."
msgstr ""
-"Pero los más de 1100 millones de recursos licenciados con Creative Commons "
-"alrededor del mundo son indicaciones de un movimiento de las bases hacia el "
-"procomún. El procomún está haciendo un resurgimiento. Para entender la "
-"resiliencia de el procomún en su actual renovación, es útil saber algo de su "
+"Pero los más de 1,100 millones de recursos licenciados con Creative Commons "
+"alrededor del mundo son indicadores de un movimiento de las bases hacia los "
+"bienes comunes. Los bienes comunes están resurgiendo. Para entender su "
+"resiliencia y comprender su actual renovación, es útil saber algo de su "
"historia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:585
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:792
+msgid ""
+"Rowe, Our Common Wealth, 19; and Heather Menzies, Reclaiming the Commons for "
+"the Common Good: A Memoir and Manifesto (Gabriola Island, BC: New Society, "
+"2014), 42–43."
+msgstr ""
+"Rowe, Our Common Wealth, 19; and Heather Menzies, Reclaiming the Commons for "
+"the Common Good: A Memoir and Manifesto (Gabriola Island, BC: New Society, "
+"2014), 42–43."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:788
msgid ""
"For centuries, indigenous people and preindustrialized societies managed "
"resources, including water, food, firewood, irrigation, fish, wild game, and "
-"many other things collectively as a commons.11 There was no market, no "
-"global economy. The state in the form of rulers influenced the commons but "
-"by no means controlled it. Direct social participation in a commons was the "
-"primary way in which resources were managed and needs met. (Fig. 4 "
-"illustrates the commons in relation to the state and the market.)"
+"many other things collectively as a commons.<placeholder type=\"footnote\" "
+"id=\"0\"/> There was no market, no global economy. The state in the form of "
+"rulers influenced the commons but by no means controlled it. Direct social "
+"participation in a commons was the primary way in which resources were "
+"managed and needs met. (Fig. 4 illustrates the commons in relation to the "
+"state and the market.)"
msgstr ""
"Por siglos, las personas indígenas de las sociedades preindustrializadas "
-"gestionaron recursos de forma colectiva como un procomún, incluyendo agua, "
-"comida, leña, irrigación, pesca y caza, y muchas otras cosas.11 No había "
-"mercado, ni economía global. El estado en la forma de soberanos influenciaba "
-"el procomún pero de ninguna forma lo controlaba. La participación social "
-"directa en el procomún era la forma principal con la cuál se gestionaban los "
-"recursos y se satisfacían las necesidades. (Fig. 4 ilustra el procomún con "
-"relación a el Estado y el mercado.)"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:588
+"gestionaron recursos de forma colectiva como un bien común, incluyendo agua, "
+"comida, leña, irrigación, pesca, caza, y muchas otras cosas.<placeholder "
+"type=\"footnote\" id=\"0\"/> No había mercado, ni economía global. El Estado "
+"en la forma de soberanos influenciaba a los bienes comunes, pero de ninguna "
+"forma lo controlaba. La participación social directa en el bien común era la "
+"forma principal con la cuál se gestionaban los recursos y se satisfacían las "
+"necesidades. (La Fig. 4 ilustra a los bienes comunes en relación a el Estado "
+"y el mercado)."
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:803
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:809
+msgid "In preindustrialized society."
+msgstr "en la sociedad preindustrializada."
+
+#. type: Attribute 'fileref' of: <book><part><chapter><sect1><figure><mediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:806
+msgid "Pictures/10000201000009C4000005153EACBD62F00F6BA9.png"
+msgstr "Pictures/10000201000009C4000005153EACBD62F00F6BA9.png"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:818
+msgid "Bollier, Think Like a Commoner, 55–78."
+msgstr "Bollier, Think Like a Commoner, 55–78."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:822
+msgid ""
+"Fritjof Capra and Ugo Mattei, The Ecology of Law: Toward a Legal System in "
+"Tune with Nature and Community (Oakland, CA: Berrett-Koehler, 2015), 46–57; "
+"and Bollier, Think Like a Commoner, 88."
+msgstr ""
+"Fritjof Capra y Ugo Mattei, The Ecology of Law: Toward a Legal System in "
+"Tune with Nature and Community (Oakland, CA: Berrett-Koehler, 2015), 46–57; "
+"y Bollier, Think Like a Commoner, 88."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:815
#, fuzzy
-msgid ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
-msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:596
-msgid ""
-"This is followed by a long history of the state (a monarchy or ruler) "
-"taking over the commons for their own purposes. This is called enclosure of "
-"the commons.12 In olden days, “commoners” were evicted from the land, fences "
-"and hedges erected, laws passed, and security set up to forbid access.13 "
-"Gradually, resources became the property of the state and the state became "
-"the primary means by which resources were managed. (See Fig. 5)."
-msgstr ""
-"A esto le sigue una larga historia del estado (un monarca o soberano) "
-"tomando control sobre el procomún para sus propios propósitos. A esto se le "
-"llama cercamiento del procomún.12 En días antiguos, las masas eran "
-"desalojadas de la tierra, se levantaban vallas y cercas, se pasaban leyes y "
-"se establecía seguridad para prohibir el acceso.13 De forma gradual, los "
+#| msgid ""
+#| "This is followed by a long history of the state (a monarchy or ruler) "
+#| "taking over the commons for their own purposes. This is called enclosure "
+#| "of the commons.<placeholder type=\"footnote\" id=\"0\"/> In olden days, "
+#| "“commoners” were evicted from the land, fences and hedges erected, laws "
+#| "passed, and security set up to forbid access.<placeholder type=\"footnote"
+#| "\" id=\"1\"/> Gradually, resources became the property of the state and "
+#| "the state became the primary means by which resources were managed. (See "
+#| "Fig. 5)."
+msgid ""
+"This is followed by a long history of the state (a monarchy or ruler) taking "
+"over the commons for their own purposes. This is called enclosure of the "
+"commons.<placeholder type=\"footnote\" id=\"0\"/> In olden days, "
+"<quote>commoners</quote> were evicted from the land, fences and hedges "
+"erected, laws passed, and security set up to forbid access.<placeholder type="
+"\"footnote\" id=\"1\"/> Gradually, resources became the property of the "
+"state and the state became the primary means by which resources were "
+"managed. (See Fig. 5)."
+msgstr ""
+"A esto le sigue una larga historia del Estado (un monarca o soberano) "
+"tomando control sobre los bienes comunes para sus propios propósitos. A esto "
+"se le llama cercamiento del bien común.<placeholder type=\"footnote\" id="
+"\"0\"/> Antíguamente, las masas eran desalojadas de la tierra, se levantaban "
+"vallas y cercas, se aprobaban leyes y se vigilaba el espacio para prohibir "
+"el acceso.<placeholder type=\"footnote\" id=\"1\"/> De forma gradual, los "
"recursos se volvieron propiedad del estado y el estado se volvió la forma "
-"principal por la que los recursos se gestionaban. (Ver Fig. 5)."
+"principal mediante la cual los recursos se gestionaban. (Ver Fig. 5)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:608
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:831
msgid ""
"Holdings of land, water, and game were distributed to ruling family and "
"political appointees. Commoners displaced from the land migrated to cities. "
"With the emergence of the industrial revolution, land and resources became "
-"commodities sold to businesses to support production. Monarchies evolved "
+"commodities sold to businesses to support production. Monarchies evolved "
"into elected parliaments. Commoners became labourers earning money operating "
"the machinery of industry. Financial, business, and property laws were "
"revised by governments to support markets, growth, and productivity. Over "
"ciudades. Con el surgimiento de la revolución industrial, la tierra y los "
"recursos se volvieron bienes que se vendían a negocios para soportar la "
"producción. Las monarquías evolucionaron a parlamentos elegidos. Las masas "
-"se volvieron trabajadores ganando dinero por operar maquinaria industrial. "
-"Leyes financieras, de negocios y de propiedad fueron revisadas por los "
-"gobiernos para soportar mercados, crecimiento y productividad. La Fig. 6 "
-"muestra cómo hoy el mercado es el medio principal por el cuál los recursos "
-"son gestionados."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:611
-msgid ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
-msgstr ""
-"{width=\"6.5in\" \n"
-"height=\"3.389in\"}"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:615
+"se volvieron trabajadores ganando dinero a cambio de la operación de "
+"maquinaria industrial. Leyes financieras, de negocios y de propiedad fueron "
+"revisadas por los gobiernos para apoyar a mercados, crecimiento y "
+"productividad. La Fig. 6 muestra cómo hoy el mercado es el medio principal "
+"por el cuál los recursos son gestionados."
+
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:845
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:851
+msgid "The commons is gradually superseded by the state."
+msgstr "Los bienes comunes son gradualmente reemplazados por el estado."
+
+#. type: Attribute 'fileref' of: <book><part><chapter><sect1><figure><mediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:848
+msgid "Pictures/10000201000009C4000005150F069409C1CC12F0.png"
+msgstr "Pictures/10000201000009C4000005150F069409C1CC12F0.png"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:857
msgid ""
"However, the world today is going through turbulent times. The benefits of "
"the market have been offset by unequal distribution and overexploitation."
"beneficios del mercado se han contrarrestado por la distribución desigual y "
"la sobreexplotación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:624
-msgid ""
-"Overexploitation was the topic of Garrett Hardin’s influential essay “The "
-"Tragedy of the Commons,” published in Science in 1968. Hardin argues that "
-"everyone in a commons seeks to maximize personal gain and will continue to "
-"do so even when the limits of the commons are reached. The commons is then "
-"tragically depleted to the point where it can no longer support anyone. "
-"Hardin’s essay became widely accepted as an economic truism and a "
-"justification for private property and free markets."
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:862
+#, fuzzy
+#| msgid ""
+#| "Overexploitation was the topic of Garrett Hardin’s influential essay “The "
+#| "Tragedy of the Commons,” published in Science in 1968. Hardin argues that "
+#| "everyone in a commons seeks to maximize personal gain and will continue "
+#| "to do so even when the limits of the commons are reached. The commons is "
+#| "then tragically depleted to the point where it can no longer support "
+#| "anyone. Hardin’s essay became widely accepted as an economic truism and a "
+#| "justification for private property and free markets."
+msgid ""
+"Overexploitation was the topic of Garrett Hardin’s influential essay "
+"<quote>The Tragedy of the Commons,</quote> published in Science in 1968. "
+"Hardin argues that everyone in a commons seeks to maximize personal gain and "
+"will continue to do so even when the limits of the commons are reached. The "
+"commons is then tragically depleted to the point where it can no longer "
+"support anyone. Hardin’s essay became widely accepted as an economic truism "
+"and a justification for private property and free markets."
msgstr ""
"La sobreexplotación fue el tema de el influyente ensayo de Garret Hardin, "
-"«La tragedia de los comunes,» publicado en Science en 1968. Hardin argumenta "
-"que todos en un procomún buscan maximizar la ganancia personal y continuar "
-"haciéndolo incluso cuando los limites del procomún son alcanzados. El "
-"procomún es entonces trágicamente agotado al punto en el que ya no puede "
-"soportar a nadie. El ensayo de Hardin se volvió aceptado de forma extensa "
-"como cierto y una justificación para la propiedad privada y los libre "
-"mercados."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:641
-msgid ""
-"However, there is one serious flaw with Hardin’s “The Tragedy of the "
-"Commons”—it’s fiction. Hardin did not actually study how real commons work. "
-"Elinor Ostrom won the 2009 Nobel Prize in economics for her work studying "
-"different commons all around the world. Ostrom’s work shows that natural "
-"resource commons can be successfully managed by local communities without "
-"any regulation by central authorities or without privatization. Government "
-"and privatization are not the only two choices. There is a third way: "
-"management by the people, where those that are directly impacted are "
+"«La tragedia de los comunes,» publicado en la revista Science en 1968. "
+"Hardin argumenta que, en un bien común, todos buscan maximizar la ganancia "
+"personal y continuar haciéndolo incluso cuando se alcanzan los limites del "
+"bien comunal. Éste es entonces trágicamente agotado al punto en el que ya no "
+"puede soportar a nadie. El ensayo de Hardin se volvió aceptado de forma "
+"extensa como cierto y una justificación para la propiedad privada y los "
+"libre mercados."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:890
+#, fuzzy
+#| msgid ""
+#| "Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg, "
+#| "“Governing Knowledge Commons,” in Frischmann, Madison, and Strandburg "
+#| "Governing Knowledge Commons, 12."
+msgid ""
+"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg, "
+"<quote>Governing Knowledge Commons,</quote> in Frischmann, Madison, and "
+"Strandburg Governing Knowledge Commons, 12."
+msgstr ""
+"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg, "
+"“Governing Knowledge Commons,” en Frischmann, Madison, and Strandburg "
+"Governing Knowledge Commons, 12."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:873
+#, fuzzy
+#| msgid ""
+#| "However, there is one serious flaw with Hardin’s “The Tragedy of the "
+#| "Commons”—it’s fiction. Hardin did not actually study how real commons "
+#| "work. Elinor Ostrom won the 2009 Nobel Prize in economics for her work "
+#| "studying different commons all around the world. Ostrom’s work shows that "
+#| "natural resource commons can be successfully managed by local communities "
+#| "without any regulation by central authorities or without privatization. "
+#| "Government and privatization are not the only two choices. There is a "
+#| "third way: management by the people, where those that are directly "
+#| "impacted are directly involved. With natural resources, there is a "
+#| "regional locality. The people in the region are the most familiar with "
+#| "the natural resource, have the most direct relationship and history with "
+#| "it, and are therefore best situated to manage it. Ostrom’s approach to "
+#| "the governance of natural resources broke with convention; she recognized "
+#| "the importance of the commons as an alternative to the market or state "
+#| "for solving problems of collective action.<placeholder type=\"footnote\" "
+#| "id=\"0\"/>"
+msgid ""
+"However, there is one serious flaw with Hardin’s <quote>The Tragedy of the "
+"Commons</quote>—it’s fiction. Hardin did not actually study how real commons "
+"work. Elinor Ostrom won the 2009 Nobel Prize in economics for her work "
+"studying different commons all around the world. Ostrom’s work shows that "
+"natural resource commons can be successfully managed by local communities "
+"without any regulation by central authorities or without privatization. "
+"Government and privatization are not the only two choices. There is a third "
+"way: management by the people, where those that are directly impacted are "
"directly involved. With natural resources, there is a regional locality. The "
"people in the region are the most familiar with the natural resource, have "
"the most direct relationship and history with it, and are therefore best "
"situated to manage it. Ostrom’s approach to the governance of natural "
"resources broke with convention; she recognized the importance of the "
"commons as an alternative to the market or state for solving problems of "
-"collective action.14"
+"collective action.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Sin embargo, hay una seria falla en «La tragedia de los comunes» de Hardin—"
-"es ficticia. Hardin en realidad no estudió cómo el procomún real funciona. "
-"Elinor Ostrom ganó el Premio Nobel de economía de 2009 por estudiar "
-"diferentes procomunes alrededor del mundo. El trabajo de Ostrom mostró que "
-"los recursos naturales del procomún pueden ser gestionados de forma exitosa "
-"por comunidades locales sin ninguna regulación por autoridades centrales o "
-"sin privatización. El gobierno y la privatización no son las únicas dos "
-"opciones. Hay una tercera forma: gestión por las personas, donde aquellas "
-"que son impactadas de forma directa están involucradas de forma directa. Con "
-"recursos naturales, hay una localidad regional. Las personas en la región "
-"son las más familiares con el recurso natural, tienen la dirección más "
-"directa e historia compartida, y por lo tanto son las mejor situadas para "
-"gestionarlos. El enfoque de Ostrom hacia la gobernancia de los recursos "
-"naturales rompió con la convención; ella reconoció la importancia del "
-"procomún como una alternativa al mercado o Estado para solucionar problemas "
-"de acción colectiva.14"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:651
+"es ficticia. Hardin en realidad no estudió cómo funcionan los bienes "
+"comunales reales. Elinor Ostrom ganó el Premio Nobel de economía de 2009 por "
+"estudiar diferentes bienes comunes alrededor del mundo. El trabajo de Ostrom "
+"mostró que los recursos naturales del bien común pueden ser gestionados de "
+"forma exitosa por comunidades locales sin ninguna regulación por parte de "
+"autoridades centrales y sin privatización. El gobierno y la privatización no "
+"son las únicas dos opciones. Hay una tercera forma: gestión por las "
+"personas, donde aquellas que son impactadas de forma directa están "
+"involucradas de forma directa. Con recursos naturales, hay una localidad "
+"regional. Las personas en la región están más familiarizadas con el recurso "
+"natural, tienen la relación más directa e historia compartida, y por lo "
+"tanto son las mejor situadas para gestionarlos. El enfoque de Ostrom hacia "
+"la gobernanza de los recursos naturales rompió con la convención; ella "
+"reconoció la importancia de los bienes comunes como una alternativa al "
+"mercado o Estado para solucionar problemas de acción colectiva.<placeholder "
+"type=\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:897
msgid ""
"Hardin failed to consider the actual social dynamic of the commons. His "
"model assumed that people in the commons act autonomously, out of pure self-"
"while Hardin’s essay is called The Tragedy of the Commons it might more "
"accurately be titled The Tragedy of the Market."
msgstr ""
-"Hardin falló en no considerar la dinámica social actual del procomún. Su "
-"modeló asumió que la gente en el procomún actúa de forma autónoma, por puro "
-"egoísmo, sin interacción o consideración de otros. Pero como Ostrom "
-"encontró, en realidad, gestionar recursos del procomún en conjunto forma una "
-"comunidad y fomenta el discurso. Esto naturalmente genera normas y reglas "
-"que ayudan a las personas a trabajar de forma colectiva y asegurar un "
-"procomún sostenible. De forma paradójica, mientras el ensayo de Hardi se "
-"llamó La tragedia de los comunes, este pudo haberse titulado de forma más "
-"precisa La tragedia del mercado."
+"Hardin omitió considerar la dinámica social actual de los bienes comunes. Su "
+"modeló asumió que la gente en un bien común actúa de forma autónoma, por "
+"puro egoísmo, sin interacción o consideración de otros. Pero como Ostrom "
+"encontró, en realidad, gestionar recursos de los bienes comunes en conjunto "
+"_forma_ una comunidad y fomenta la discusión. Esto naturalmente genera "
+"normas y reglas que ayudan a las personas a trabajar de forma colectiva y "
+"asegurar un bien común sostenible. De forma paradójica, mientras el ensayo "
+"de Hardi se llamó La tragedia de los comunes, este pudo haberse titulado de "
+"forma más precisa La tragedia del mercado."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:913
+#, fuzzy
+#| msgid ""
+#| "Farley and Kubiszewski, “Economics of Information,” in Elliott and "
+#| "Hepting, Free Knowledge, 203."
+msgid ""
+"Farley and Kubiszewski, <quote>Economics of Information,</quote> in Elliott "
+"and Hepting, Free Knowledge, 203."
+msgstr ""
+"Farley and Kubiszewski, “Economics of Information,” en Elliott and Hepting, "
+"Free Knowledge, 203."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:661
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:909
msgid ""
"Hardin’s story is based on the premise of depletable resources. Economists "
-"have focused almost exclusively on scarcity-based markets. Very little is "
-"known about how abundance works.15 The emergence of information technology "
-"and the Internet has led to an explosion in digital resources and new means "
-"of sharing and distribution. Digital resources can never be depleted. An "
-"absence of a theory or model for how abundance works, however, has led the "
-"market to make digital resources artificially scarce and makes it possible "
-"for the usual market norms and rules to be applied."
+"have focused almost exclusively on scarcity-based markets. Very little is "
+"known about how abundance works.<placeholder type=\"footnote\" id=\"0\"/> "
+"The emergence of information technology and the Internet has led to an "
+"explosion in digital resources and new means of sharing and distribution. "
+"Digital resources can never be depleted. An absence of a theory or model for "
+"how abundance works, however, has led the market to make digital resources "
+"artificially scarce and makes it possible for the usual market norms and "
+"rules to be applied."
msgstr ""
"La historia de Hardin se basa en la premisa de recursos agotables. Los "
"economistas se han enfocado casi exclusivamente en la mercados basados en la "
-"escasez. Muy poco se sabe acerca de cómo funciona la abundancia.15 El "
-"surgimiento de información tecnológica y la Internet ha llevado a una "
-"explosión en recursos digitales un nuevos medios para compartir y "
-"distribuir. Los recursos digitales nunca se pueden agotar. Sin embargo, la "
-"ausencia de un modelo teórico de cómo funciona la abundancia ha llevado al "
-"mercado a hacer que los recursos digitales sean artificialmente escasos y "
-"que sea posible aplicar las normas y reglas usuales del mercado."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:666
+"escasez. Muy poco se sabe acerca de cómo funciona la abundancia.<placeholder "
+"type=\"footnote\" id=\"0\"/> El surgimiento de información tecnológica y la "
+"Internet ha llevado a una explosión en recursos digitales y a nuevos medios "
+"para compartir y distribuir. Los recursos digitales no se pueden agotar "
+"jamás. Sin embargo, la ausencia de un modelo teórico de cómo funciona la "
+"abundancia ha llevado al mercado a hacer que los recursos digitales sean "
+"artificialmente escasos y que sea posible aplicar las normas y reglas "
+"usuales del mercado."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:925
msgid ""
"When it comes to use of state funds to create digital goods, however, there "
"is really no justification for artificial scarcity. The norm for state "
"digitales, en realidad no hay justificación para la escasez artificial. La "
"norma de los trabajos digitales financiados por el Estado debería ser que "
"estén disponibles de forma libre y abierta para el público que pagó por "
-"estos."
+"ellos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:669
-#, fuzzy
-msgid ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
-msgstr ""
-"{width=\"6.5in\" "
-"height=\"3.389in\"}"
+#. type: Content of: <book><part><chapter><sect1><figure><mediaobject><textobject><phrase>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:932
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:939
+msgid "How the market, the state and the commons look today."
+msgstr "Cómo el mercado, el estado y los bienes comunes se ven al día de hoy."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:671
-msgid "### The Digital Revolution"
-msgstr "### La revolución digital"
+#. type: Attribute 'fileref' of: <book><part><chapter><sect1><figure><mediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:936
+msgid "Pictures/10000201000009C400000515F1CAA15B223F6BAF.png"
+msgstr "Pictures/10000201000009C400000515F1CAA15B223F6BAF.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:675
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:946
+msgid "The Digital Revolution"
+msgstr "La revolución digital"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:948
msgid ""
"In the early days of computing, programmers and developers learned from each "
"other by sharing software. In the 1980s, the free-software movement codified "
"this practice of sharing into a set of principles and freedoms:"
msgstr ""
-"En los primeros días de la computación, las personas programadoras y "
-"desarrolladoras aprendieron de cada una compartiendo programas. En los años "
-"1980, el movimiento de software libre codificó esta práctica de compartir en "
-"un conjunto de principios y libertades:"
+"En los primeros días de la computación, programadores y desarrolladores "
+"aprendieron unos de otros compartiendo programas. En los años 1980, el "
+"movimiento de software libre codificó esta práctica de compartir en un "
+"conjunto de principios y libertades:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:956
msgid "The freedom to run a software program as you wish, for any purpose."
msgstr ""
"La libertad de ejecutar un programa de software de la forma en que desee, "
"para cualquier propósito."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:962
msgid ""
"The freedom to study how a software program works (because access to the "
"source code has been freely given), and change it so it does your computing "
"as you wish."
msgstr ""
"La libertad de estudiar cómo funciona un programa de software (porque el "
-"acceso al código fuente ha sido dado de forma libre), y cambiarlo para que "
-"haga la computación cómo usted lo desee."
+"acceso al código fuente ha sido dado de forma libre), y modificarlo para que "
+"realice el cómputo como lo requiera cada quién."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:969
msgid "The freedom to redistribute copies."
msgstr "La libertad de redistribuir copias."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:683
-msgid "The freedom to distribute copies of your modified versions to others.16"
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:975
+#, fuzzy
+#| msgid ""
+#| "“What Is Free Software?” GNU Operating System, the Free Software "
+#| "Foundation’s Licensing and Compliance Lab, accessed December 30, 2016, "
+#| "<ulink url=\"http://www.gnu.org/philosophy/free-sw\"/>."
+msgid ""
+"<quote>What Is Free Software?</quote> GNU Operating System, the Free "
+"Software Foundation’s Licensing and Compliance Lab, accessed December 30, "
+"2016, <ulink url=\"http://www.gnu.org/philosophy/free-sw\"/>."
+msgstr ""
+"“What Is Free Software?” GNU Operating System, el Free Software Foundation’s "
+"Licensing and Compliance Lab, accesado el 30 de diciembre de 2016, <ulink "
+"url=\"http://www.gnu.org/philosophy/free-sw\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:974
+msgid ""
+"The freedom to distribute copies of your modified versions to others."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"La libertad de distribuir a otras personas copias de versiones modificadas.16"
+"La libertad de distribuir a otras personas copias de versiones modificadas."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:686
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:984
msgid ""
"These principles and freedoms constitute a set of norms and rules that "
"typify a digital commons."
msgstr ""
"Estos principios y libertades constituyen un conjunto de normas y reglas que "
-"tipifican un procomún digital."
+"tipifican un bien común digital."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:999
+#, fuzzy
+#| msgid ""
+#| "Wikipedia, s.v. “Open-source software,” last modified November 22, 2016."
+msgid ""
+"Wikipedia, s.v. <quote>Open-source software,</quote> last modified November "
+"22, 2016."
+msgstr ""
+"Wikipedia, s.v. “Open-source software,” última modificación 22 de noviembre "
+"de 2016."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:699
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:988
msgid ""
"In the late 1990s, to make the sharing of source code and collaboration more "
"appealing to companies, the open-source-software initiative converted these "
"recognized and accepted. Customers liked the way open source gave them "
"control without being locked into a closed, proprietary technology. Free and "
"open-source software also generated a network effect where the value of a "
-"product or service increases with the number of people using it.17 The "
-"dramatic growth of the Internet itself owes much to the fact that nobody has "
-"a proprietary lock on core Internet protocols."
-msgstr ""
-"A finales de los años 1990, para hacer el acto de compartir código fuente y "
-"la colaboración más atractiva a las compañías, la iniciativa de programas de "
-"código abierto convirtió estos principios en licencias y estándares para "
-"gestionar el acceso y la distribución de programas. Los beneficios del "
-"código abierto—tales como confiabilidad, escalabilidad y calidad verificada "
-"por revisión de pares independientes—se volvió ampliamente reconocida y "
-"aceptada. A los clientes les gustaba la forma en que el código abierto les "
-"daba el control sin quedarse encerrados en tecnología privativa y cerrada. "
-"Los programas de código abierto y libre también generaron un efecto de red "
-"en donde el valor de un producto o servicio incrementa con el número de "
-"personas usándolo.17 El crecimiento dramático de la misma Internet le debe "
-"mucho al hecho de que nadie tenía un candado propietario sobre los "
-"protocolos centrales de Internet."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:708
+"product or service increases with the number of people using it.<placeholder "
+"type=\"footnote\" id=\"0\"/> The dramatic growth of the Internet itself owes "
+"much to the fact that nobody has a proprietary lock on core Internet "
+"protocols."
+msgstr ""
+"A finales de los años 1990, para hacer del acto de compartir código fuente y "
+"de la colaboración más algo atractivo para las compañías, la iniciativa de "
+"programas de código abierto (_Open Source Initiative_) convirtió estos "
+"principios en licencias y estándares para gestionar el acceso y la "
+"distribución de programas. Los beneficios del código abierto —tales como "
+"confiabilidad, escalabilidad y calidad verificada por revisión de pares "
+"independientes— se volvieron ampliamente reconocidos y aceptados. A los "
+"clientes les gustaba la forma en que el código abierto les daba el control "
+"sin quedarse encerrados en tecnología privativa y cerrada. Los programas de "
+"código abierto y libre también generaron un efecto de red en donde el valor "
+"de un producto o servicio incrementa con el número de personas usándolo."
+"<placeholder type=\"footnote\" id=\"0\"/> El crecimiento dramático de la "
+"misma Internet le debe mucho al hecho de que nadie tenía un candado "
+"propietario sobre los protocolos centrales de Internet."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1014
+#, fuzzy
+#| msgid ""
+#| "Eric S. Raymond, “The Magic Cauldron,” in The Cathedral and the Bazaar: "
+#| "Musings on Linux and Open Source by an Accidental Revolutionary, rev. ed. "
+#| "(Sebastopol, CA: O’Reilly Media, 2001), <ulink url=\"http://www.catb.org/"
+#| "esr/writings/cathedral-bazaar/\"/>."
+msgid ""
+"Eric S. Raymond, <quote>The Magic Cauldron,</quote> in The Cathedral and the "
+"Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary, "
+"rev. ed. (Sebastopol, CA: O’Reilly Media, 2001), <ulink url=\"http://www."
+"catb.org/esr/writings/cathedral-bazaar/\"/>."
+msgstr ""
+"Eric S. Raymond, “The Magic Cauldron,” en The Cathedral and the Bazaar: "
+"Musings on Linux and Open Source by an Accidental Revolutionary, rev. ed. "
+"(Sebastopol, CA: O’Reilly Media, 2001), <ulink url=\"http://www.catb.org/esr/"
+"writings/cathedral-bazaar/\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1006
+#, fuzzy
+#| msgid ""
+#| "While open-source software functions as a commons, many businesses and "
+#| "markets did build up around it. Business models based on the licenses and "
+#| "standards of open-source software evolved alongside organizations that "
+#| "managed software code on principles of abundance rather than scarcity. "
+#| "Eric Raymond’s essay “The Magic Cauldron” does a great job of analyzing "
+#| "the economics and business models associated with open-source software."
+#| "<placeholder type=\"footnote\" id=\"0\"/> These models can provide "
+#| "examples of sustainable approaches for those Made with Creative Commons."
msgid ""
"While open-source software functions as a commons, many businesses and "
"markets did build up around it. Business models based on the licenses and "
"standards of open-source software evolved alongside organizations that "
"managed software code on principles of abundance rather than scarcity. Eric "
-"Raymond’s essay “The Magic Cauldron” does a great job of analyzing the "
-"economics and business models associated with open-source software.18 These "
-"models can provide examples of sustainable approaches for those Made with "
-"Creative Commons."
-msgstr ""
-"Mientras los programas de código abierto funcionan como un procomún, muchos "
-"negocios y mercados se construyeron a su alrededor. Los modelos de negocio "
-"basados en licencias y estándares de programas de código abierto "
+"Raymond’s essay <quote>The Magic Cauldron</quote> does a great job of "
+"analyzing the economics and business models associated with open-source "
+"software.<placeholder type=\"footnote\" id=\"0\"/> These models can provide "
+"examples of sustainable approaches for those Made with Creative Commons."
+msgstr ""
+"Al tiempo que los programas de código abierto funcionan como un bien común, "
+"muchos negocios y mercados se construyeron a su alrededor. Los modelos de "
+"negocio basados en licencias y estándares de programas de código abierto "
"evolucionaron junto con organizaciones que gestionaron el código de "
"programas bajo principios de abundancia en lugar de escasez. El ensayo de "
"Eric Raymond «El caldero mágico» hace un gran trabajo al analizar la "
"economía y los modelos de negocio asociados a los programas de código "
-"abierto.18 Estos modelos pueden brindar ejemplos de enfoques sostenibles "
-"para aquellos Hechos con Creative Commons."
+"abierto.<placeholder type=\"footnote\" id=\"0\"/> Estos modelos pueden "
+"brindar ejemplos de enfoques sostenibles para aquellos _Hechos con Creative "
+"Commons_."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:719
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1023
msgid ""
"It isn’t just about an abundant availability of digital assets but also "
"about abundance of participation. The growth of personal computing, "
"others are excluded from accessing and using it without the creator’s "
"permission."
msgstr ""
-"No es sólo acerca de la abundancia de la disponibilidad de activos "
+"No se trata únicamente de la abundancia de la disponibilidad de activos "
"digitales, sino también acerca de la abundancia de la participación. El "
"crecimiento del personal de computación, información tecnológica, y de la "
"Internet ha hecho posible la participación masiva en la producción de "
"muchas otras formas de contenidos digitales pueden ahora ser fácilmente "
"creados y distribuidos por casi cualquiera. A pesar de este potencial de "
"abundancia, estos trabajos digitales por defecto están gobernados por leyes "
-"de derechos de autor. Bajo el derecho de autor, un trabajo digital es la "
+"de derechos de autor. Bajo dicho marco normativo, un trabajo digital es la "
"propiedad del creador, y, por ley, otras personas están excluidas para "
"accesarlo y usarlo sin el permiso del creador."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:725
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1042
+msgid ""
+"New York Times Customer Insight Group, The Psychology of Sharing: Why Do "
+"People Share Online? (New York: New York Times Customer Insight Group, "
+"2011), <ulink url=\"http://www.iab.net/media/file/POSWhitePaper.pdf\"/>."
+msgstr ""
+"New York Times Customer Insight Group, The Psychology of Sharing: Why Do "
+"People Share Online? (New York: New York Times Customer Insight Group, "
+"2011), <ulink url=\"http://www.iab.net/media/file/POSWhitePaper.pdf\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1036
msgid ""
"But people like to share. One of the ways we define ourselves is by sharing "
"valuable and entertaining content. Doing so grows and nourishes "
"relationships, seeks to change opinions, encourages action, and informs "
"others about who we are and what we care about. Sharing lets us feel more "
-"involved with the world.19"
+"involved with the world.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Pero a las personas les gusta compartir. Una de las formas en las que nos "
"definimos a nosotros mismos es compartiendo contenido valioso y entretenido. "
"Hacer esto aumenta y nutre las relaciones, busca cambiar opiniones, impulsa "
"a la acción e informa a otras personas acerca de quiénes somos y qué nos "
-"importa. Compartir nos hace sentir más involucrados con el mundo.19"
+"importa. Compartir nos hace sentir más involucrados con el mundo."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:727
-msgid "### The Birth of Creative Commons"
-msgstr "### El nacimiento de Creative Commons"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1050
+msgid "The Birth of Creative Commons"
+msgstr "El nacimiento de Creative Commons"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:734
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1052
msgid ""
"In 2001, Creative Commons was created as a nonprofit to support all those "
"who wanted to share digital content. A suite of Creative Commons licenses "
"una forma sencilla y estándar de conceder permisos de derechos de autor a su "
"trabajo creativo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:748
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1072
+#, fuzzy
+#| msgid ""
+#| "“Licensing Considerations,” Creative Commons, accessed December 30, 2016, "
+#| "<ulink url=\"http://creativecommons.org/share-your-work/licensing-"
+#| "considerations/\"/>."
+msgid ""
+"<quote>Licensing Considerations,</quote> Creative Commons, accessed December "
+"30, 2016, <ulink url=\"http://creativecommons.org/share-your-work/licensing-"
+"considerations/\"/>."
+msgstr ""
+"“Licensing Considerations,” Creative Commons, último acceso el 30 de "
+"diciembre de 2016, <ulink url=\"http://creativecommons.org/share-your-work/"
+"licensing-considerations/\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1061
msgid ""
"Creative Commons licenses have a three-layer design. The norms and rules of "
"each license are first expressed in full legal language as used by lawyers. "
"beneath. The third layer is the machine-readable one, making it easy for the "
"Web to know a work is Creative Commons–licensed by expressing permissions in "
"a way that software systems, search engines, and other kinds of technology "
-"can understand.20 Taken together, these three layers ensure creators, users, "
-"and even the Web itself understand the norms and rules associated with "
-"digital content in a commons."
+"can understand.<placeholder type=\"footnote\" id=\"0\"/> Taken together, "
+"these three layers ensure creators, users, and even the Web itself "
+"understand the norms and rules associated with digital content in a commons."
msgstr ""
"Las licencias Creative Commons tienen un diseño de tres capas. Las normas y "
-"reglas de cada licencia primero son expresadas en un texto completamente "
-"legal como el que utilizan los abogados. Esta capa se llama el código legal. "
-"Pero como la mayoría de personas creadoras y usuarias no son abogados, esta "
-"licencia también tiene una escritura del procomún, que expresa los permisos "
-"en lenguaje simple que personas regulares pueden leer y entender "
-"rápidamente. Este actúa como una interfaz amistosa para el usuario de la "
-"capa del código legal que tiene por debajo. La tercera capa es una legible "
-"por máquinas, que vuelve sencillo que la Web sepa que un trabajo está "
-"licenciado bajo Creative Commons al expresar permisos en una forma que "
-"sistemas de software, motores de búsqueda y otros tipos de tecnología puedan "
-"entender.20 Tomadas en conjunto, estas tres capas asegura que creadores, "
-"usuarios e incluso la Web misma entiendan las normas y reglas asociadas con "
-"contenidos digitales en el procomún."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:755
+"reglas de cada licencia primero son expresadas en un lenguaje legal pleno "
+"como el que utilizan los abogados. Esta capa se llama el código legal. Pero "
+"como la mayoría de quienes creadon y usan las licencias no son abogados, "
+"esta licencia también tiene un título común, que expresa los permisos en "
+"lenguaje simple que personas regulares pueden leer y entender rápidamente. "
+"Este actúa como una interfaz amistosa para el usuario de la capa del código "
+"legal subyacente. La tercera capa es una intelegible por computadoras, que "
+"facilita que la Web sepa que un trabajo está licenciado bajo Creative "
+"Commons al expresar permisos en una forma que sistemas de software, motores "
+"de búsqueda y otros tipos de tecnología puedan entender.<placeholder type="
+"\"footnote\" id=\"0\"/> Tomadas en conjunto, estas tres capas aseguran que "
+"creadores, usuarios e incluso la Web misma entiendan las normas y reglas "
+"asociadas con contenidos digitales que forman parte del bien común."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1080
msgid ""
"In 2015, there were over one billion Creative Commons licensed works in a "
-"global commons. These works were viewed online 136 billion times. People "
-"are using Creative Commons licenses all around the world, in thirty-four "
+"global commons. These works were viewed online 136 billion times. People are "
+"using Creative Commons licenses all around the world, in thirty-four "
"languages. These resources include photos, artwork, research articles in "
"journals, educational resources, music and other audio tracks, and videos."
msgstr ""
-"En 2015, habían más de mil millones de trabajos licenciados bajo Creative "
-"Commons en un procomún global. Estos trabajos fueron vistos en lína 136 mil "
-"millones de veces. Las personas están usando licencias Creative Commons "
-"alrededor de todo el mundo, en treinta y cuatro idiomas. Estos recursos "
-"incluyen fotos, trabajos artísticos, artículos de investigación en revistas, "
-"recursos educativos, música y otras pistas de audio y vídeos."
+"En 2015, había más de mil millones de trabajos licenciados bajo Creative "
+"Commons en un bien común global. Estos trabajos fueron vistos en lína 136 "
+"mil millones de veces. Las personas están usando licencias Creative Commons "
+"alrededor del mundo, en treinta y cuatro idiomas. Estos recursos incluyen "
+"fotos, trabajos artísticos, artículos de investigación en revistas, recursos "
+"educativos, música y otros tipos de audio y vídeos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:763
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1093
+msgid ""
+"Creative Commons, 2015 State of the Commons (Mountain View, CA: Creative "
+"Commons, 2015), <ulink url=\"http://stateof.creativecommons.org/2015/\"/>."
+msgstr ""
+"Creative Commons. 2015 State of the Commons. Mountain View, CA: Creative "
+"Commons, 2015. <ulink url=\"http://stateof.creativecommons.org/2015/\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1088
msgid ""
"Individual artists, photographers, musicians, and filmmakers use Creative "
"Commons, but so do museums, governments, creative industries, manufacturers, "
"and publishers. Millions of websites use CC licenses, including major "
-"platforms like Wikipedia and Flickr and smaller ones like blogs.21 Users of "
-"Creative Commons are diverse and cut across many different sectors. (Our "
-"case studies were chosen to reflect that diversity.)"
+"platforms like Wikipedia and Flickr and smaller ones like blogs.<placeholder "
+"type=\"footnote\" id=\"0\"/> Users of Creative Commons are diverse and cut "
+"across many different sectors. (Our case studies were chosen to reflect that "
+"diversity.)"
msgstr ""
"Artistas, fotógrafos, músicos y cineastas usan Creative Commons, pero "
"también lo hacen museos, gobiernos, industrias creativas, fabricantes y "
"editores. Millones de sitios web usan licencias CC, incluyendo importantes "
-"plataformas como Wikipedia y Flickr, y otras más pequeñas como blogs.21 Las "
-"personas usuarias de Creative Commons son diversas y abarcan muchos sectores "
-"diferentes. (Nuestros casos de estudio fueron escogidos para reflejar esa "
-"diversidad.)"
+"plataformas como Wikipedia y Flickr, y otras más pequeñas como blogs."
+"<placeholder type=\"footnote\" id=\"0\"/> Las personas usuarias de Creative "
+"Commons son diversas y abarcan muchos sectores diferentes. (Nuestros casos "
+"de estudio fueron escogidos buscando reflejar esa diversidad.)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:773
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1101
msgid ""
"Some see Creative Commons as a way to share a gift with others, a way of "
-"getting known, or a way to provide social benefit. Others are simply "
+"getting known, or a way to provide social benefit. Others are simply "
"committed to the norms associated with a commons. And for some, "
"participation has been spurred by the free-culture movement, a social "
"movement that promotes the freedom to distribute and modify creative works. "
"Algunas personas ven a Creative Commons como una forma de compartir un "
"regalo con otras, una forma de hacerse conocidas, o una forma de brindar "
"beneficio social. Otras simplemente están comprometidas a las normas "
-"asociadas con un procomún. Y para algunas, la participación ha sido "
+"asociadas con un bien común. Y para algunas, la participación ha sido "
"estimulada por el movimiento de cultura libre, un movimiento social que "
"promueve la libertad de distribuir y modificar trabajos creativos. El "
-"movimiento de cultura libre ve un procomún como algo que brinda beneficios "
-"significativos comparado con las leyes de derechos de autor. Este ethos del "
-"intercambio libre en un procomún alinea el movimiento de cultura libre con "
+"movimiento de cultura libre ve un bien común como algo que brinda beneficios "
+"significativos comparado con las leyes de derechos de autor. Esta ética del "
+"intercambio libre en un bien común alínea al movimiento de cultura libre con "
"el movimiento del software libre y de código abierto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:779
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1113
msgid ""
"Over time, Creative Commons has spawned a range of open movements, including "
"open educational resources, open access, open science, and open data. The "
"permisos legales para que cualquier persona pueda accesar, usar y modificar "
"de forma libre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:789
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1126
+#, fuzzy
+#| msgid ""
+#| "Wikipedia, s.v. “Open Government Partnership,” last modified September "
+#| "24, 2016, <ulink url=\"http://en.wikipedia.org/wiki/"
+#| "Open_Government_Partnership\"/>."
msgid ""
-"The state is increasingly involved in supporting open movements. The Open "
+"Wikipedia, s.v. <quote>Open Government Partnership,</quote> last modified "
+"September 24, 2016, <ulink url=\"http://en.wikipedia.org/wiki/"
+"Open_Government_Partnership\"/>."
+msgstr ""
+"Wikipedia, s.v. “Open Government Partnership,” última modificación el 24 de "
+"setiembre de 2016, <ulink url=\"http://en.wikipedia.org/wiki/"
+"Open_Government_Partnership\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1121
+msgid ""
+"The state is increasingly involved in supporting open movements. The Open "
"Government Partnership was launched in 2011 to provide an international "
"platform for governments to become more open, accountable, and responsive to "
"citizens. Since then, it has grown from eight participating countries to "
-"seventy.22 In all these countries, government and civil society are working "
-"together to develop and implement ambitious open-government reforms. "
-"Governments are increasingly adopting Creative Commons to ensure works "
-"funded with taxpayer dollars are open and free to the public that paid for "
-"them."
+"seventy.<placeholder type=\"footnote\" id=\"0\"/> In all these countries, "
+"government and civil society are working together to develop and implement "
+"ambitious open-government reforms. Governments are increasingly adopting "
+"Creative Commons to ensure works funded with taxpayer dollars are open and "
+"free to the public that paid for them."
msgstr ""
"El Estado está involucrándose cada vez más en apoyar los movimientos "
-"abiertos. El Open Government Partnership fue lanzado en 2011 para brindar "
-"una plataforma internacional para que los gobiernos se vuelvan más abiertos, "
-"que puedan rendir mejor sus cuentas y dar una respuesta más oportuna a sus "
-"ciudadanos. Desde entonces ha crecido de ocho países participantes a "
-"setenta. 22 En todos estos países, el gobierno y la sociedad civil están "
-"trabajando juntos para desarrollar e implementar reformas ambiciosas de "
-"gobierno abierto. Los gobiernos están adoptando Creative Commons cada vez "
-"más para asegurar que los trabajos financiados con dólares de los "
-"contribuyentes sean abiertos y libres para el público que pagó por estos."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:791
-msgid "### The Changing Market"
-msgstr "### El mercado cambiante"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:803
+"abiertos. La Asociación de Gobierno Abierto («Open Government Partnership») "
+"fue lanzada en 2011 para brindar una plataforma internacional para que los "
+"gobiernos se vuelvan más abiertos, que rindan mejor cuentas y den una "
+"respuesta más oportuna a sus ciudadanos. Desde entonces ha crecido de ocho "
+"países participantes a setenta.<placeholder type=\"footnote\" id=\"0\"/> En "
+"todos estos países, el gobierno y la sociedad civil están trabajando juntos "
+"para desarrollar e implementar reformas ambiciosas de gobierno abierto. Los "
+"gobiernos están adoptando Creative Commons cada vez más para asegurar que "
+"los trabajos financiados con dinero de los contribuyentes sean abiertos y "
+"libres para el público que pagó por ellos."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1137
+msgid "The Changing Market"
+msgstr "El mercado cambiante"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1145
+msgid "Capra and Mattei, Ecology of Law, 114."
+msgstr "Capra y Mattei, Ecology of Law, 114."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1153
+msgid "Ibid., 116."
+msgstr "Ibid., 116."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1139
msgid ""
"Today’s market is largely driven by global capitalism. Law and financial "
"systems are structured to support extraction, privatization, and corporate "
"growth. A perception that the market is more efficient than the state has "
"led to continual privatization of many public natural resources, utilities, "
-"services, and infrastructures.23 While this system has been highly efficient "
-"at generating consumerism and the growth of gross domestic product, the "
-"impact on human well-being has been mixed. Offsetting rising living "
-"standards and improvements to health and education are ever-increasing "
-"wealth inequality, social inequality, poverty, deterioration of our natural "
-"environment, and breakdowns of democracy.24"
+"services, and infrastructures.<placeholder type=\"footnote\" id=\"0\"/> "
+"While this system has been highly efficient at generating consumerism and "
+"the growth of gross domestic product, the impact on human well-being has "
+"been mixed. Offsetting rising living standards and improvements to health "
+"and education are ever-increasing wealth inequality, social inequality, "
+"poverty, deterioration of our natural environment, and breakdowns of "
+"democracy.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"El mercado de hoy está dirigido en gran parte por un capitalismo global. Los "
-"sistemas legales y financieros están estructurados para soportar la "
+"sistemas legales y financieros están estructurados para dar soporte a la "
"extracción, privatización y el crecimiento corporativo. Una percepción de "
"que el mercado es más eficiente que el Estado ha llevado a la continua "
"privatización de muchos recursos naturales, utilidades, servicios e "
-"infraestructuras públicas.23 Mientras este sistema ha sido altamente "
-"eficiente en generar consumismo y un crecimiento en el producto interno "
-"bruto, el impacto en el bienestar humano ha sido mixto. Contrarrestando los "
-"crecientes estándares de vida y las mejoras en salud y educación, están las "
-"siempre crecientes desigualdad social, pobreza, deterioro de nuestro "
-"ambiente natural y los rompimientos de la democracia.24"
+"infraestructura pública.<placeholder type=\"footnote\" id=\"0\"/> Mientras "
+"este sistema ha sido altamente eficiente para generar consumismo y un "
+"crecimiento en el producto interno bruto, el impacto en el bienestar humano "
+"ha sido mixto. Contrarrestando los crecientes estándares de vida y las "
+"mejoras en salud y educación, están las siempre crecientes desigualdad "
+"social, pobreza, deterioro de nuestro ambiente natural, y los rompimientos "
+"de la democracia.<placeholder type=\"footnote\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1163
+#, fuzzy
+#| msgid ""
+#| "The Swedish International Development Cooperation Agency, “Stockholm "
+#| "Statement” accessed February 15, 2017, <ulink url=\"http://sida.se/"
+#| "globalassets/sida/eng/press/stockholm-statement.pdf\"/>"
+msgid ""
+"The Swedish International Development Cooperation Agency, <quote>Stockholm "
+"Statement</quote> accessed February 15, 2017, <ulink url=\"http://sida.se/"
+"globalassets/sida/eng/press/stockholm-statement.pdf\"/>"
+msgstr ""
+"La Swedish International Development Cooperation Agency, “Stockholm "
+"Statement” último acceso el 15 de febrero de 2017, <ulink url=\"http://sida."
+"se/globalassets/sida/eng/press/stockholm-statement.pdf\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:809
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1157
msgid ""
"In light of these challenges there is a growing recognition that GDP growth "
"should not be an end in itself, that development needs to be socially and "
"economically inclusive, that environmental sustainability is a requirement "
"not an option, and that we need to better balance the market, state and "
-"community.25"
+"community.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"A la luz de estos retos hay un creciente reconocimiento de que el "
"crecimiento del PIB no debe ser un fin en si mismo, que el desarrollo "
"necesita ser inclusivo social y económicamente, que la sostenibilidad "
"ambiental es un requisito y no una opción, y que necesitamos balancear mejor "
-"el mercado, el Estado y la comunidad.25"
+"el mercado, el Estado y la comunidad.<placeholder type=\"footnote\" id=\"0\"/"
+">"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1175
+msgid ""
+"City of Bologna, Regulation on Collaboration between Citizens and the City "
+"for the Care and Regeneration of Urban Commons, trans. LabGov (LABoratory "
+"for the GOVernance of Commons) (Bologna, Italy: City of Bologna, 2014), "
+"<ulink url=\"http://www.labgov.it/wp-content/uploads/sites/9/Bologna-"
+"Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-"
+"regeneration-of-urban-commons1.pdf\"/>."
+msgstr ""
+"City of Bologna. Regulation on Collaboration between Citizens and the City "
+"for the Care and Regeneration of Urban Commons. Translated por LabGov "
+"(LABoratory for the GOVernance of Commons). Bologna, Italia: Ciudad de "
+"Boloña, 2014), <ulink url=\"http://www.labgov.it/wp-content/uploads/sites/9/"
+"Bologna-Regulation-on-collaboration-between-citizens-and-the-city-for-the-"
+"cure-and-regeneration-of-urban-commons1.pdf\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1185
+msgid ""
+"The Seoul Sharing City website is <ulink url=\"http://english.sharehub.kr\"/"
+">; for Amsterdam Sharing City, go to <ulink url=\"http://www.sharenl.nl/"
+"amsterdam-sharing-city/\"/>."
+msgstr ""
+"El sitio web de Seoul Sharing City es <ulink url=\"http://english.sharehub.kr"
+"\"/>; para Amsterdam Sharing City, vaya a <ulink url=\"http://www.sharenl.nl/"
+"amsterdam-sharing-city/\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:817
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1170
+#, fuzzy
+#| msgid ""
+#| "These realizations have led to a resurgence of interest in the commons as "
+#| "a means of enabling that balance. City governments like Bologna, Italy, "
+#| "are collaborating with their citizens to put in place regulations for the "
+#| "care and regeneration of urban commons.<placeholder type=\"footnote\" id="
+#| "\"0\"/> Seoul and Amsterdam call themselves “sharing cities,” looking to "
+#| "make sustainable and more efficient use of scarce resources. They see "
+#| "sharing as a way to improve the use of public spaces, mobility, social "
+#| "cohesion, and safety.<placeholder type=\"footnote\" id=\"1\"/>"
msgid ""
"These realizations have led to a resurgence of interest in the commons as a "
"means of enabling that balance. City governments like Bologna, Italy, are "
"collaborating with their citizens to put in place regulations for the care "
-"and regeneration of urban commons.26 Seoul and Amsterdam call themselves "
-"“sharing cities,” looking to make sustainable and more efficient use of "
-"scarce resources. They see sharing as a way to improve the use of public "
-"spaces, mobility, social cohesion, and safety.27"
-msgstr ""
-"Estas revelaciones ha llevado a un resurgimiento de interés en el procomún "
-"como una forma de hacer posible ese balance. Gobiernos de ciudades como "
-"Bolonia, Italia, están colaborando con sus ciudadanos para establecer "
-"regulaciones para el cuidado y regeneración del procomún urbano.26 Seúl y "
-"Amsterdam se llaman a si mismas «ciudades compartidas», buscando hacerse "
-"sostenibles y más eficientes en el uso de recursos escasos. Ellas ven el "
-"compartir como una forma de mejorar el uso de los espacios públicos, la "
-"movilidad, la cohesión social y la seguridada.27"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:834
+"and regeneration of urban commons.<placeholder type=\"footnote\" id=\"0\"/> "
+"Seoul and Amsterdam call themselves <quote>sharing cities,</quote> looking "
+"to make sustainable and more efficient use of scarce resources. They see "
+"sharing as a way to improve the use of public spaces, mobility, social "
+"cohesion, and safety.<placeholder type=\"footnote\" id=\"1\"/>"
+msgstr ""
+"Estas revelaciones ha llevado a un resurgimiento de interés en el los bienes "
+"comunes como una forma de hacer posible ese balance. Gobiernos de ciudades "
+"como Bolonia, Italia, están colaborando con sus ciudadanos para establecer "
+"regulaciones para el cuidado y regeneración de los bienes comunes urbano."
+"<placeholder type=\"footnote\" id=\"0\"/> Seúl y Amsterdam se llaman a si "
+"mismas «ciudades compartidas», buscando hacerse sostenibles y más eficientes "
+"en el uso de recursos escasos. Ellas ven el compartir como una forma de "
+"mejorar el uso de los espacios públicos, la movilidad, la cohesión social y "
+"la seguridad.<placeholder type=\"footnote\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1202
+msgid ""
+"Tom Slee, What’s Yours Is Mine: Against the Sharing Economy (New York: OR "
+"Books, 2015), 42."
+msgstr ""
+"Slee, Tom. What’s Yours Is Mine: Against the Sharing Economy (Nueva York: OR "
+"Books, 2015), 42."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1192
msgid ""
"The market itself has taken an interest in the sharing economy, with "
"businesses like Airbnb providing a peer-to-peer marketplace for short-term "
-"lodging and Uber providing a platform for ride sharing. However, Airbnb and "
+"lodging and Uber providing a platform for ride sharing. However, Airbnb and "
"Uber are still largely operating under the usual norms and rules of the "
"market, making them less like a commons and more like a traditional business "
"seeking financial gain. Much of the sharing economy is not about the commons "
"or building an alternative to a corporate-driven market economy; it’s about "
-"extending the deregulated free market into new areas of our lives.28 While "
-"none of the people we interviewed for our case studies would describe "
-"themselves as part of the sharing economy, there are in fact some "
-"significant parallels. Both the sharing economy and the commons make better "
-"use of asset capacity. The sharing economy sees personal residents and cars "
-"as having latent spare capacity with rental value. The equitable access of "
-"the commons broadens and diversifies the number of people who can use and "
-"derive value from an asset."
+"extending the deregulated free market into new areas of our lives."
+"<placeholder type=\"footnote\" id=\"0\"/> While none of the people we "
+"interviewed for our case studies would describe themselves as part of the "
+"sharing economy, there are in fact some significant parallels. Both the "
+"sharing economy and the commons make better use of asset capacity. The "
+"sharing economy sees personal residents and cars as having latent spare "
+"capacity with rental value. The equitable access of the commons broadens and "
+"diversifies the number of people who can use and derive value from an asset."
msgstr ""
"El mercado por sí mismo ha tomado un interés en la economía compartida, con "
"negocios como Airbnb brindando un mercado de pares para alojamiento a corto "
"plazo, y Uber brindando una plataforma para viajes compartidos. Sin embargo, "
"Airbnb y Uber aún operan mayoritariamente bajo las normas y reglas usuales "
-"del mercado, haciéndolas menos como un procomún y más como un negocio "
-"tradicional que busca ganancias financieras. Mucho de la economía compartida "
-"no es sobre el procomún o sobre construir una alternativa a la economía de "
-"mercado dirigida por corporaciones; es sobre extender el libre mercado "
-"desregulado hacia nuevas áreas de nuestras vidas.28 Aunque ninguna de las "
-"personas que entrevistamos en nuestros casos de estudio se describirían a "
-"ellas mismas como parte de una economía compartida, de hecho hay algunos "
-"paralelismos importantes. Tanto la economía compartida como en el procomún "
-"hacen un mejor uso de la capacidad de activos. La economía compartida ve a "
-"personas residentes y carros como algo que tiene una capacidad latente "
-"sobrante con valor para alquiler. El acceso equitativo del procomún amplía y "
-"diversifica el número de personas que pueden usar y derivar valor de un "
+"del mercado, lo cual las coloca menos como un bien común, y más como un "
+"negocio tradicional que busca ganancias financieras. En buena medida, la "
+"economía compartida no se trata de bienes comunes o de cómo construir una "
+"alternativa a la economía de mercado dirigida por corporaciones, sino que de "
+"extender el libre mercado desregulado hacia nuevas áreas de nuestras vidas."
+"<placeholder type=\"footnote\" id=\"0\"/> Aunque ninguna de las personas que "
+"entrevistamos en nuestros casos de estudio se describirían a ellas mismas "
+"como parte de una economía compartida, de hecho hay algunos paralelismos "
+"importantes. Tanto la economía compartida como los bienes comunes hacen un "
+"mejor uso de la capacidad de activos. La economía compartida ve a las "
+"residencias peronales y autos como algo que tiene una capacidad latente "
+"sobrante con valor para alquiler. El acceso equitativo del bien común amplía "
+"y diversifica el número de personas que pueden usar y derivar valor de un "
"activo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:844
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1224
+msgid ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, Reprint with new preface. (New York: Hyperion, "
+"2010), 78."
+msgstr ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing. Nueva impresión con un nuevo prefacio. (New York: "
+"Hyperion, 2010), 78."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1214
msgid ""
"One way Made with Creative Commons case studies differ from those of the "
"sharing economy is their focus on digital resources. Digital resources "
"function under different economic rules than physical ones. In a world where "
-"prices always seem to go up, information technology is an anomaly. Computer-"
+"prices always seem to go up, information technology is an anomaly. Computer-"
"processing power, storage, and bandwidth are all rapidly increasing, but "
-"rather than costs going up, costs are coming down. Digital technologies are "
+"rather than costs going up, costs are coming down. Digital technologies are "
"getting faster, better, and cheaper. The cost of anything built on these "
-"technologies will always go down until it is close to zero.29"
+"technologies will always go down until it is close to zero.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
-"Una forma en la que los casos de estudio de Hecho con Creative Commons se "
+"Una forma en la que los casos de estudio de _Hecho con Creative Commons_ se "
"diferencian de aquellos de la economía compartida es en su enfoque en los "
"recursos digitales. Los recursos digitales funcionan bajo reglas económicas "
"diferentes a las físicas. En un mundo en el que los precios siempre parecen "
"subir, la tecnología de la información es una anomalía. El poder de "
"procesamiento computacional, almacenamiento y ancho de banda están "
"incrementando de forma acelerada, pero en lugar de que los costos suban, "
-"estos están bajando. Las tecnologías digitales se están volviendo más "
-"rápidas, mejores y más baratas. El costo de cualquier cosa que se construya "
-"sobre estas tecnologías siempre va a ir hacia abajo hasta que se acerque a "
-"cero.29"
+"éstos están bajando. Las tecnologías digitales se están volviendo más "
+"rápidas, mejores y más baratas. Los costos de cualquier cosa que se "
+"construya sobre estas tecnologías siempre van a bajar hasta que se acerquen "
+"a cero.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:855
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1230
msgid ""
"Those that are Made with Creative Commons are looking to leverage the unique "
"inherent characteristics of digital resources, including lowering costs. The "
"Creative Commons licenses are used to put digital content out in the "
"commons, taking advantage of the unique economics associated with being "
"digital. The aim is to see digital resources used as widely and by as many "
-"people as possible. Maximizing access and participation is a common goal. "
+"people as possible. Maximizing access and participation is a common goal. "
"They aim for abundance over scarcity."
msgstr ""
-"Los que están Hechos con Creative Commons están buscando apalancarse con las "
-"características inherentes únicas de los recursos digitales, incluyendo la "
-"reducción de costos. El uso de tecnologías de gestión de derechos digitales "
-"en forma de bloqueos, contraseñas y controles que previenen que los bienes "
-"digitales sean accesados, cambiados, replicados y distribuidos es mínimo o "
-"inexistente. En su lugar, las licencias de Creative Commons son usadas para "
-"sacar contenidos digitales al procomún, tomando ventaja de las "
-"características económicas únicas asociadas con ser digital. El propósito es "
-"ver que los recursos digitales sean usados tan ampliamente y por tantas "
-"personas como sea posible. Maximizar el acceso y la participación es un "
-"objetivo común. El propósito es la abundancia sobre la escasez."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:862
+"Los que están _Hechos con Creative Commons_ están buscando impulsarse "
+"utilizando las características inherentes únicas de los recursos digitales, "
+"incluyendo la reducción de costos. El uso de tecnologías de gestión de "
+"derechos digitales en forma de bloqueos, contraseñas y controles que "
+"previenen que los bienes digitales sean accesados, modificados, replicados y "
+"distribuidos es mínimo o inexistente. En su lugar, las licencias de Creative "
+"Commons son usadas para llevar contenidos digitales al bien común, tomando "
+"ventaja de las características económicas únicas derivadas del ser digital. "
+"El propósito es ver que los recursos digitales sean usados tan ampliamente y "
+"por tantas personas como sea posible. Maximizar el acceso y la participación "
+"son objetivos comunes. El propósito es la abundancia sobre la escasez."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1249
+msgid ""
+"Jeremy Rifkin, The Zero Marginal Cost Society: The Internet of Things, the "
+"Collaborative Commons, and the Eclipse of Capitalism (New York: Palgrave "
+"Macmillan, 2014), 273."
+msgstr ""
+"Jeremy Rifkin. The Zero Marginal Cost Society: The Internet of Things, the "
+"Collaborative Commons, and the Eclipse of Capitalism (Nueva York: Palgrave "
+"Macmillan, 2014) , 273."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1244
msgid ""
"The incremental cost of storing, copying, and distributing digital goods is "
"next to zero, making abundance possible. But imagining a market based on "
"abundance rather than scarcity is so alien to the way we conceive of "
-"economic theory and practice that we struggle to do so.30 Those that are "
-"Made with Creative Commons are each pioneering in this new landscape, "
-"devising their own economic models and practice."
+"economic theory and practice that we struggle to do so.<placeholder type="
+"\"footnote\" id=\"0\"/> Those that are Made with Creative Commons are each "
+"pioneering in this new landscape, devising their own economic models and "
+"practice."
msgstr ""
"El costo incremental de almacenar, copiar y distribuir bienes digitales es "
"cercano a cero, lo que hace la abundancia posible. Pero imaginar un mercado "
"basado en la abundancia en lugar de en la escasez es tan extraño para la "
-"forma en que concebimos la teoría y la práctica económica que cuesta "
-"hacerlo.30 Los que están Hechos con Creative Commons son cada uno pioneros "
-"en este nuevo paisaje, ideando sus propios modelos y prácticas económicas."
+"forma en que concebimos la teoría y la práctica económica que cuesta hacerlo."
+"<placeholder type=\"footnote\" id=\"0\"/> Los que están _Hechos con Creative "
+"Commons_ son cada uno pioneros en este nuevo paisaje, ideando sus propios "
+"modelos y prácticas económicas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:868
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1257
msgid ""
"Some are looking to minimize their interactions with the market and operate "
"as autonomously as possible. Others are operating largely as a business "
"E incluso otras están buscando cambiar las normas y reglas bajo las cuales "
"opera el mercado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:879
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1271
+msgid ""
+"Gar Alperovitz, What Then Must We Do? Straight Talk about the Next American "
+"Revolution: Democratizing Wealth and Building a Community-Sustaining Economy "
+"from the Ground Up (White River Junction, VT: Chelsea Green, 2013), 39."
+msgstr ""
+"Gar Alperovitz. What Then Must We Do? Straight Talk about the Next American "
+"Revolution: Democratizing Wealth and Building a Community-Sustaining Economy "
+"from the Ground Up (White River Junction, VT: Chelsea Green, 2013), 39."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1280
+msgid ""
+"Marjorie Kelly, Owning Our Future: The Emerging Ownership Revolution; "
+"Journeys to a Generative Economy (San Francisco: Berrett-Koehler, 2012), 8–9."
+msgstr ""
+"Marjorie Kelly, Owning Our Future: The Emerging Ownership Revolution; "
+"Journeys to a Generative Economy (San Francisco: Berrett-Koehler, 2012), 8–9."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1264
msgid ""
"For an ordinary corporation, making social benefit a part of its operations "
"is difficult, as it’s legally required to make decisions that financially "
"benefit stockholders. But new forms of business are emerging. There are "
"benefit corporations and social enterprises, which broaden their business "
"goals from making a profit to making a positive impact on society, workers, "
-"the community, and the environment.31 Community-owned businesses, worker-"
-"owned businesses, cooperatives, guilds, and other organizational forms offer "
-"alternatives to the traditional corporation. Collectively, these alternative "
-"market entities are changing the rules and norms of the market.32"
+"the community, and the environment.<placeholder type=\"footnote\" id=\"0\"/> "
+"Community-owned businesses, worker-owned businesses, cooperatives, guilds, "
+"and other organizational forms offer alternatives to the traditional "
+"corporation. Collectively, these alternative market entities are changing "
+"the rules and norms of the market.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Para una corporación ordinaria, crear beneficio social como parte de sus "
-"operaciones es difícil, y es un requisito legal tomar decisiones que "
-"beneficien financieramente a sus accionistas. Pero nuevas formas de negocios "
-"están emergiendo. Estas son corporaciones de beneficios y empresas sociales, "
-"que amplían sus objetivos de negocios de generar ingresos a hacer un impacto "
-"positivo en la sociedad, trabajadores, la comunidad y el ambiente.31 Los "
-"negocios que son propiedad de la comunidad, propiedad de trabajadores, "
-"cooperativas, gremios, y otras formas organizacionales ofrecen alternativas "
-"a la corporación tradicional. De forma colectiva, estas entidades "
-"alternativas de mercado están cambiando las reglas y normas del mercado.32"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:886
-msgid ""
-"“A book on open business models” is how we described it in this book’s "
-"Kickstarter campaign. We used a handbook called Business Model Generation as "
-"our reference for defining just what a business model is. Developed over "
-"nine years using an “open process” involving 470 coauthors from forty-five "
-"countries, it is useful as a framework for talking about business models.33"
-msgstr ""
-"«Un libro acerca de modelos de negocios abiertos es como lo describimos en "
-"la campaña de Kickstarter para este libro. Usamos un manual llamado "
-"Generación de Modelos de Negocio como nuestra referencia para definir justo "
-"lo que es un modelo de negocios. Desarrollado a lo largo de nueve años "
-"usando un «proceso abierto» que invlucró 470 coautores de cuarenta y cinco "
-"países, este es marco de referencia útil acerca de modelos de negocios.33"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:895
-msgid ""
-"It contains a “business model canvas,” which conceives of a business model "
-"as having nine building blocks.34 This blank canvas can serve as a tool for "
-"anyone to design their own business model. We remixed this business model "
-"canvas into an open business model canvas, adding three more building blocks "
-"relevant to hybrid market, commons enterprises: social good, Creative "
-"Commons license, and “type of open environment that the business fits in.”35 "
-"This enhanced canvas proved useful when we analyzed businesses and helped "
-"start-ups plan their economic model."
-msgstr ""
-"Este contiene un «lienzo de modelo de negocios,» que concibe un modelo de "
-"negocios como algo que tiene nueve bloques de construcción.34 Este lienzo en "
-"blanco puede servir como una herramienta para que cualquier persona diseñe "
-"su propio modelo de negocios. Nosotros remezclamos este lienzo de modelo de "
-"negocios en un lienzo de modelo de negocios abierto, agregando tres bloques "
-"de construcción más, relevantes para empresas del procomún en el mercado "
-"híbrido: bien social, licencia Creative Commons, y «tipo de ambiente abierto "
-"en el que el negocio encaja.»35 Este lienzo mejorado probó ser útil cuando "
-"analizamos los negocios y ayudamos a las empresas de nueva creación a "
-"planear su modelo económico."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:906
+"operaciones es difícil, al tiempo que es un requisito legal tomar decisiones "
+"que beneficien financieramente a sus accionistas. Pero están emergiendo "
+"nuevas formas de negocios. Existen las corporaciones de beneficencia y las "
+"empresas sociales, que amplían sus objetivos de negocios de generar ingresos "
+"a hacer un impacto positivo en la sociedad, trabajadores, la comunidad y el "
+"ambiente.<placeholder type=\"footnote\" id=\"0\"/> Los negocios que son "
+"propiedad de la comunidad, propiedad de trabajadores, cooperativas, gremios, "
+"y otras formas organizacionales ofrecen alternativas a la corporación "
+"tradicional. De forma colectiva, estas entidades alternativas de mercado "
+"están cambiando las reglas y normas del mercado.<placeholder type=\"footnote"
+"\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1292
+msgid ""
+"Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010). A preview of the book is available at <ulink url="
+"\"http://strategyzer.com/books/business-model-generation\"/>."
+msgstr ""
+"Alex Osterwalder e Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010). Puede consultarse una previsualización del libro "
+"en <ulink url=\"http://strategyzer.com/books/business-model-generation\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1285
+#, fuzzy
+#| msgid ""
+#| "“A book on open business models” is how we described it in this book’s "
+#| "Kickstarter campaign. We used a handbook called Business Model Generation "
+#| "as our reference for defining just what a business model is. Developed "
+#| "over nine years using an “open process” involving 470 coauthors from "
+#| "forty-five countries, it is useful as a framework for talking about "
+#| "business models.<placeholder type=\"footnote\" id=\"0\"/>"
+msgid ""
+"<quote>A book on open business models</quote> is how we described it in this "
+"book’s Kickstarter campaign. We used a handbook called Business Model "
+"Generation as our reference for defining just what a business model is. "
+"Developed over nine years using an <quote>open process</quote> involving 470 "
+"coauthors from forty-five countries, it is useful as a framework for talking "
+"about business models.<placeholder type=\"footnote\" id=\"0\"/>"
+msgstr ""
+"«Un libro acerca de modelos abiertos de negocio» es lo que describimos en la "
+"campaña de Kickstarter para este libro. Utilizamos un manual llamado "
+"_Generación de Modelos de Negocio_ como nuestra referencia para definir "
+"precisamente qué es un modelo de negocios. Desarrollado a lo largo de nueve "
+"años usando un «proceso abierto» que invlucró 470 coautores de cuarenta y "
+"cinco países, es un marco de referencia útil acerca de los modelos de "
+"negocios.<placeholder type=\"footnote\" id=\"0\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1302
+msgid ""
+"This business model canvas is available to download at <ulink url=\"http://"
+"strategyzer.com/canvas/business-model-canvas\"/>."
+msgstr ""
+"El lienzo de modelo de negocio está disponible para descarga en <ulink url="
+"\"http://strategyzer.com/canvas/business-model-canvas\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1310
+#, fuzzy
+#| msgid ""
+#| "We’ve made the “Open Business Model Canvas,” designed by the coauthor "
+#| "Paul Stacey, available online at <ulink url=\"http://docs.google.com/"
+#| "drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit\"/>. You "
+#| "can also find the accompanying Open Business Model Canvas Questions at "
+#| "<ulink url=\"http://docs.google.com/drawings/"
+#| "d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit\"/>."
+msgid ""
+"We’ve made the <quote>Open Business Model Canvas,</quote> designed by the "
+"coauthor Paul Stacey, available online at <ulink url=\"http://docs.google."
+"com/drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit\"/>. You "
+"can also find the accompanying Open Business Model Canvas Questions at "
+"<ulink url=\"http://docs.google.com/drawings/"
+"d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit\"/>."
+msgstr ""
+"Hemos puesto el “Lienzo de modelo de negocio abierto,” diseñado por el "
+"coautor Paul Stacey, disponible en línea en <ulink url=\"http://docs.google."
+"com/drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit\"/>. Puede "
+"encontrar las Preguntas del lienzo de modelo de negocio abierto que lo "
+"acompañan en <ulink url=\"http://docs.google.com/drawings/"
+"d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1299
+#, fuzzy
+#| msgid ""
+#| "It contains a “business model canvas,” which conceives of a business "
+#| "model as having nine building blocks.<placeholder type=\"footnote\" id="
+#| "\"0\"/> This blank canvas can serve as a tool for anyone to design their "
+#| "own business model. We remixed this business model canvas into an open "
+#| "business model canvas, adding three more building blocks relevant to "
+#| "hybrid market, commons enterprises: social good, Creative Commons "
+#| "license, and “type of open environment that the business fits "
+#| "in.”<placeholder type=\"footnote\" id=\"1\"/> This enhanced canvas proved "
+#| "useful when we analyzed businesses and helped start-ups plan their "
+#| "economic model."
+msgid ""
+"It contains a <quote>business model canvas,</quote> which conceives of a "
+"business model as having nine building blocks.<placeholder type=\"footnote\" "
+"id=\"0\"/> This blank canvas can serve as a tool for anyone to design their "
+"own business model. We remixed this business model canvas into an open "
+"business model canvas, adding three more building blocks relevant to hybrid "
+"market, commons enterprises: social good, Creative Commons license, and "
+"<quote>type of open environment that the business fits in.</"
+"quote><placeholder type=\"footnote\" id=\"1\"/> This enhanced canvas proved "
+"useful when we analyzed businesses and helped start-ups plan their economic "
+"model."
+msgstr ""
+"Contiene un «lienzo de modelo de negocios,» que concibe un modelo de "
+"negocios como algo que tiene nueve bloques de construcción.<placeholder type="
+"\"footnote\" id=\"0\"/> Este lienzo en blanco puede servir como una "
+"herramienta para que cualquier persona diseñe su propio modelo de negocios. "
+"Nosotros lo remezclamos, convirtiéndolo en un lienzo de modelo de negocios "
+"abierto, agregando tres bloques de construcción más, relevantes para "
+"empresas de los bienes comunes en el mercado híbrido: Bien social, licencia "
+"Creative Commons, y «tipo de ambiente abierto en el que el negocio "
+"encaja.»<placeholder type=\"footnote\" id=\"1\"/> Este lienzo mejorado "
+"demostró ser útil cuando analizamos los negocios y ayudamos a las empresas "
+"de nueva creación a planear su modelo económico."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1320
msgid ""
"In our case study interviews, many expressed discomfort over describing "
"themselves as an open business model—the term business model suggested "
-"primarily being situated in the market. Where you sit on the commons-to-"
+"primarily being situated in the market. Where you sit on the commons-to-"
"market spectrum affects the extent to which you see yourself as a business "
-"in the market. The more central to the mission shared resources and commons "
+"in the market. The more central to the mission shared resources and commons "
"values are, the less comfort there is in describing yourself, or depicting "
"what you do, as a business. Not all who have endeavors Made with Creative "
"Commons use business speak; for some the process has been experimental, "
"emergent, and organic rather than carefully planned using a predefined model."
msgstr ""
-"En nuestras entrevistas de estudio de caso, muchas personas expresaron "
-"incomodidad al describirse a sí mismas como un modelo de negocios abierto—el "
-"término modelo de negocios sugería estar principalmente situadas en el "
-"mercado. En dónde usted se sienta en el espectro de procomún-al-mercado "
-"afecta la extensión en la cuál usted se ve a sí mismo en el mercado. Entre "
-"más central para la misión sean los valores de recursos compartidos y el "
-"procomún, menos comodidad habrá al describirse a usted mismo, o describir lo "
-"que hace, como un negocio. No todas las personas que tienen esfuerzos Hechos "
-"con Creative Commons usan palabras de negocios; para algunas el proceso ha "
-"sido experimental, emergente y orgánico, en lugar de ser planeado "
-"cuidadosamente usando un modelo predefinido."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:917
+"En nuestras entrevistas a los casos de estudio, muchas personas expresaron "
+"incomodidad al describirse a sí mismas como un modelo de negocios abierto —"
+"el término _modelo de negocios_ sugería estar principalmente situadas en el "
+"mercado. En dónde cada quién se siente en el espectro que va entre los "
+"bienes comunes y el mercado afecta hasta dónde se ve a sí mismo en el "
+"mercado. Entre más central para la misión sean los valores de recursos "
+"compartidos y el bien común, menos comodidad habrá al autodescribirse, o "
+"describir lo que hace, como un negocio. No todas las personas que tienen "
+"esfuerzos _Hechos con Creative Commons_ usan un lenguaje de negocios; para "
+"algunas el proceso ha sido experimental, emergente y orgánico, en lugar de "
+"ser planeado cuidadosamente usando un modelo predefinido."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1342
+#, fuzzy
+#| msgid ""
+#| "A more comprehensive list of revenue streams is available in this post I "
+#| "wrote on Medium on March 6, 2016. “What Is an Open Business Model and How "
+#| "Can You Generate Revenue?”, available at <ulink url=\"http://medium.com/"
+#| "made-with-creative-commons/what-is-an-open-business-model-and-how-can-you-"
+#| "generate-revenue-5854d2659b15\"/>."
+msgid ""
+"A more comprehensive list of revenue streams is available in this post I "
+"wrote on Medium on March 6, 2016. <quote>What Is an Open Business Model and "
+"How Can You Generate Revenue?</quote>, available at <ulink url=\"http://"
+"medium.com/made-with-creative-commons/what-is-an-open-business-model-and-how-"
+"can-you-generate-revenue-5854d2659b15\"/>."
+msgstr ""
+"En la columna que publiqué en Medium el 6 de marzo de 2016, ”¿Qué es un "
+"modelo de negocios abierto y cómo puedes generar ganancias?”, se presenta "
+"una lista más comprehensiva de diferentes maneras de obtener ganancias. Está "
+"disponible en <ulink url=\"http://medium.com/made-with-creative-commons/what-"
+"is-an-open-business-model-and-how-can-you-generate-revenue-5854d2659b15\"/>."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1333
+#, fuzzy
+#| msgid ""
+#| "The creators, businesses, and organizations we profile all engage with "
+#| "the market to generate revenue in some way. The ways in which this is "
+#| "done vary widely. Donations, pay what you can, memberships, “digital for "
+#| "free but physical for a fee,” crowdfunding, matchmaking, value-add "
+#| "services, patrons . . . the list goes on and on. (Initial description of "
+#| "how to earn revenue available through reference note. For latest thinking "
+#| "see How to Bring In Money in the next section.)<placeholder type="
+#| "\"footnote\" id=\"0\"/> There is no single magic bullet, and each "
+#| "endeavor has devised ways that work for them. Most make use of more than "
+#| "one way. Diversifying revenue streams lowers risk and provides multiple "
+#| "paths to sustainability."
msgid ""
"The creators, businesses, and organizations we profile all engage with the "
"market to generate revenue in some way. The ways in which this is done vary "
-"widely. Donations, pay what you can, memberships, “digital for free but "
-"physical for a fee,” crowdfunding, matchmaking, value-add services, "
-"patrons . . . the list goes on and on. (Initial description of how to earn "
-"revenue available through reference note. For latest thinking see How to "
-"Bring In Money in the next section.) 36 There is no single magic bullet, and "
-"each endeavor has devised ways that work for them. Most make use of more "
-"than one way. Diversifying revenue streams lowers risk and provides multiple "
-"paths to sustainability."
-msgstr ""
-"Las personas creadoras, los negocios y las organizaciones que perfilamos, "
-"todas participan en el mercado para generar ingresos de alguna forma. Las "
-"formas en als que esto se hace varían enormemente. Donaciones, pague lo que "
-"guste, membresías, «digital gratuito pero físico por un precio,» "
-"financiamiento colectivo, emparejamiento, servicios de valor agregado, "
-"mecenas… la lista sigue y sigue. (Una descripción inicial de cómo ganar "
-"ingresos está disponible a través de una nota de referencia. Para las ideas "
-"más recientes vea Cómo traer dinero en la siguiente sección.) 36 No hay una "
-"única fórmula mágica, y cada esfuerzo ha ideado formas que les funcionan. "
-"Muchos hacen uso de más de una forma. Diversificar los flujos de ingresos "
-"reduce el riesgo y brinda múltiples rutas hacia la sostenibilidad."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:919
-msgid "### Benefits of the Digital Commons"
-msgstr "### Beneficios del procomún digital"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:924
+"widely. Donations, pay what you can, memberships, <quote>digital for free "
+"but physical for a fee,</quote> crowdfunding, matchmaking, value-add "
+"services, patrons . . . the list goes on and on. (Initial description of how "
+"to earn revenue available through reference note. For latest thinking see "
+"How to Bring In Money in the next section.)<placeholder type=\"footnote\" id="
+"\"0\"/> There is no single magic bullet, and each endeavor has devised ways "
+"that work for them. Most make use of more than one way. Diversifying revenue "
+"streams lowers risk and provides multiple paths to sustainability."
+msgstr ""
+"Los creadores, negocios y organizaciones que perfilamos, participan en el "
+"mercado para generar ingresos de alguna forma. Las formas en las que esto se "
+"hace varían enormemente. Donaciones, pague lo que guste, membresías, "
+"«digital gratuito pero físico por un precio,» financiamiento colectivo, "
+"emparejamiento, servicios de valor agregado, mecenas… la lista sigue y "
+"sigue. (Una descripción inicial de cómo ganar ingresos está disponible a "
+"través de una nota de referencia. Para las ideas más recientes, sugerimos "
+"referirse a _Cómo atraer dinero_ en la siguiente sección).<placeholder type="
+"\"footnote\" id=\"0\"/> No hay una única fórmula mágica, y cada esfuerzo ha "
+"ideado mecanismos que les funcionan. Muchos utilizan más de uno de dichos "
+"mecanismos. Diversificar los flujos de ingresos reduce el riesgo y ofrece "
+"múltiples caminos hacia la sostenibilidad."
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1354
+msgid "Benefits of the Digital Commons"
+msgstr "Beneficios del bien común digital"
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1356
msgid ""
"While it may be clear why commons-based organizations want to interact and "
"engage with the market (they need money to survive), it may be less obvious "
"why the market would engage with the commons. The digital commons offers "
"many benefits."
msgstr ""
-"Mientras puede parecer claro por qué las organizaciones basadas en el "
-"procomún quieren interactuar e involucrarse con el mercado (necesitan dinero "
-"para sobrevivir), puede ser menos obvio por qué el mercado podría "
-"involucrarse con el procomún. El procomún digital ofrece muchos beneficios."
+"Mientras puede parecer claro por qué las organizaciones basadas en los "
+"bienes comunes quieren interactuar e involucrarse con el mercado (necesitan "
+"dinero para sobrevivir), puede ser menos obvio por qué el mercado podría "
+"involucrarse con los bienes comunes. Los bienes comunes digitales ofrecen "
+"muchos beneficios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:931
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1362
msgid ""
"The commons speeds dissemination. The free flow of resources in the commons "
"offers tremendous economies of scale. Distribution is decentralized, with "
"to. Those that are Made with Creative Commons have a reduced need for sales "
"or marketing. Decentralized distribution amplifies supply and know-how."
msgstr ""
-"El procomún acelera la diseminación. El flujo libre de los recursos en el "
-"procomún ofrece tremendas economías de escala. La distribución es "
-"descentralizado, con todas aquellas personas en el procomún empoderadas para "
-"compartir los recursos a los que tienen acceso. Aquellos que están Hechos "
-"con Creative Commons tienen una necesidad reducida de ventas o mercadeo. La "
-"distribución descentralizada amplifica el suministro y la experiencia."
+"Los bienes comunes aceleran la diseminación. El flujo libre de los recursos "
+"en un bien común ofrece tremendas economías de escala. La distribución es "
+"descentralizado, con todas aquellas personas en el bien común empoderadas "
+"para compartir los recursos a los que tienen acceso. Aquellos que están "
+"Hechos con Creative Commons tienen una necesidad reducida de ventas o "
+"mercadeo. La distribución descentralizada amplifica el suministro y la "
+"experiencia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:942
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1371
msgid ""
"The commons ensures access to all. The market has traditionally operated by "
"putting resources behind a paywall requiring payment first before access. "
"The commons puts resources in the open, providing access up front without "
"payment. Those that are Made with Creative Commons make little or no use of "
-"digital rights management (DRM) to manage resources. Not using DRM frees "
+"digital rights management (DRM) to manage resources. Not using DRM frees "
"them of the costs of acquiring DRM technology and staff resources to engage "
"in the punitive practices associated with restricting access. The way the "
"commons provides access to everyone levels the playing field and promotes "
"inclusiveness, equity, and fairness."
msgstr ""
-"El procomún asegura el acceso para todas las personas. El mercado ha operado "
+"Los bienes comunes aseguran el acceso para todos. El mercado ha operado "
"tradicionalmente poniendo recursos detrás de un muro de pagos, que requiere "
-"pagar primero antes del acceso. El procomún pone los recursos al "
+"pagar primero antes del acceso. Los bienes comunes ponen los recursos al "
"descubierto, brindando acceso por adelantado sin pago. Los que están Hechos "
"con Creative Commons hacen poco o ningún uso de la gestión de derechos "
"digitales (DRM, por sus siglas en Inglés) para gestionar recursos. No usar "
"DRM los libera de los costos de adquirir tecnología de DRM y recursos de "
"personal para involucrarse en las prácticas punitivas asociadas con la "
-"restricción del acceso. La forma en la que el procomún brinda acceso a todas "
-"las personas nivela el campo de juego y promueve la inclusividad, equidad y "
-"justicia."
+"restricción del acceso. La forma en la que el los bienes comunes brindan "
+"acceso a todas las personas nivela el campo de juego y promueve la "
+"inclusividad, equidad y justicia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:953
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1384
msgid ""
"The commons maximizes participation. Resources in the commons can be used "
"and contributed to by everyone. Using the resources of others, contributing "
"your own, and mixing yours with others to create new works are all dynamic "
-"forms of participation made possible by the commons. Being Made with "
+"forms of participation made possible by the commons. Being Made with "
"Creative Commons means you’re engaging as many users with your resources as "
-"possible. Users are also authoring, editing, remixing, curating, localizing, "
-"translating, and distributing. The commons makes it possible for people to "
-"directly participate in culture, knowledge building, and even democracy, and "
-"many other socially beneficial practices."
-msgstr ""
-"El procomún maximiza la participación. Los recursos en el procomún pueden "
-"ser usados por todas las personas, y estas pueden contribuir. Usar los "
-"recursos de otros, contribuir los suyos propios, y mezclar los suyos con "
+"possible. Users are also authoring, editing, remixing, curating, "
+"localizing, translating, and distributing. The commons makes it possible for "
+"people to directly participate in culture, knowledge building, and even "
+"democracy, and many other socially beneficial practices."
+msgstr ""
+"Los bienes comunes maximizan la participación. Los recursos en un bien común "
+"pueden ser usados por todas las personas, y estas pueden contribuir. Usar "
+"los recursos de otros, contribuir los suyos propios, y mezclar los suyos con "
"otros para crear nuevos trabajos son todas formas dinámicas de participación "
-"posibles gracias al procomún. Ser Hechos con Creative Commons significa que "
-"usted está involucrando tantos usuarios de sus recursos como es posible. Los "
-"usuarios también están creando, editando, remezclando, curando, haciendo "
-"localizaciones, traduciendo y distribuyendo. El procomún hace posible que "
+"posibles gracias al bien común. Ser Hechos con Creative Commons significa "
+"que usted está involucrando tantos usuarios de sus recursos como es posible. "
+"Los usuarios también están creando, editando, remezclando, curando, haciendo "
+"localizaciones, traduciendo y distribuyendo. El bien común hace posible que "
"las personas puedan participar de forma directa en la construcción de "
"cultura y conocimiento, e incluso en la democracia y muchas otras practicas "
"que benefician a la sociedad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:965
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1406
+msgid ""
+"Henry Chesbrough, Open Innovation: The New Imperative for Creating and "
+"Profiting from Technology (Boston: Harvard Business Review Press, 2006), 31–"
+"44."
+msgstr ""
+"Henry Chesbrough, Open Innovation: The New Imperative for Creating and "
+"Profiting from Technology (Boston: Harvard Business Review Press, 2006), 31–"
+"44."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1397
msgid ""
"The commons spurs innovation. Resources in the hands of more people who can "
"use them leads to new ideas. The way commons resources can be modified, "
"customized, and improved results in derivative works never imagined by the "
"original creator. Some endeavors that are Made with Creative Commons "
"deliberately encourage users to take the resources being shared and innovate "
-"them. Doing so moves research and development (R&D) from being solely inside "
-"the organization to being in the community.37 Community-based innovation "
-"will keep an organization or business on its toes. It must continue to "
-"contribute new ideas, absorb and build on top of the innovations of others, "
-"and steward the resources and the relationship with the community."
-msgstr ""
-"El procomún estimula la innovación. Los recursos en manos de más personas "
-"que los pueden usar llevan a nuevas ideas. La forma en que los recursos del "
-"procomún pueden ser modificados, personalizados y mejorados resulta en "
-"trabajos derivados nunca imaginados por el creador original. Algunos "
-"esfuerzos que están Hechos con Creative Commons, de forma deliberada "
+"them. Doing so moves research and development (R&D) from being solely "
+"inside the organization to being in the community.<placeholder type="
+"\"footnote\" id=\"0\"/> Community-based innovation will keep an organization "
+"or business on its toes. It must continue to contribute new ideas, absorb "
+"and build on top of the innovations of others, and steward the resources and "
+"the relationship with the community."
+msgstr ""
+"Los bienes comunes estimulan la innovación. Los recursos en manos de más "
+"personas que los pueden usar llevan a nuevas ideas. La forma en que los "
+"recursos del bien común pueden ser modificados, personalizados y mejorados "
+"resulta en trabajos derivados nunca imaginados por el creador original. "
+"Algunos esfuerzos que están Hechos con Creative Commons, de forma deliberada "
"promueven que las personas usuarias tomen los recursos que están siendo "
"compartidos, e innovar con estos. Hacer esto mueve la investigación y "
-"desarrollo (I&D) de estar únicamente dentro de la organización a estar en la "
-"acomunidad.37 La innovación basada en la comunidad mantendrá una "
-"organización o negocio alerta. Esta debe continuar contribuyendo nuevas "
-"ideas, absorbiendo y construyendo sobre las innovaciones de otras personas, "
-"y supervisar los recursos y la relación con la comunidad."
+"desarrollo (I&D) de estar únicamente dentro de la organización a estar "
+"en la comunidad.<placeholder type=\"footnote\" id=\"0\"/> La innovación "
+"basada en la comunidad mantendrá una organización o negocio alerta. Esta "
+"debe continuar contribuyendo nuevas ideas, absorbiendo y construyendo sobre "
+"las innovaciones de otras personas, y supervisar los recursos y la relación "
+"con la comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:975
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1415
msgid ""
-"The commons boosts reach and impact. The digital commons is global. "
+"The commons boosts reach and impact. The digital commons is global. "
"Resources may be created for a local or regional need, but they go far and "
"wide generating a global impact. In the digital world, there are no borders "
"between countries. When you are Made with Creative Commons, you are often "
"digital commons magnifies impact by connecting creators to those who use and "
"build on their work both locally and globally."
msgstr ""
-"El procomún impulsa el alcance e impacto. El procomún digital es global. Los "
-"recursos pueden ser creados por una necesidad local o regional, pero van por "
-"todas partes generando un impacto global. En el mundo digital, no hay "
-"fronteras entre países. Cuando algo es Hecho con Creative Commons, por lo "
-"general es local y global al mismo tiempo: Diseños digitales siendo "
-"distribuidos globalmente pero manufacturados localmente. Libros o música "
-"digital siendo distribuida globalmente, pero lecturas y conciertos "
-"realizados localmente. El procomún digital magnifica el impacto al conectar "
-"personas creadoras con quienes usan y construyen sobre su trabajo tanto "
-"local como globalmente."
+"Los bienes comunes impulsan el alcance y el impacto. Los bienes digitales "
+"son globales. Los recursos pueden ser creados por una necesidad local o "
+"regional, pero van por todas partes generando un impacto global. En el mundo "
+"digital, no hay fronteras entre países. Cuando algo es _Hecho con Creative "
+"Commons_, por lo general es local y global al mismo tiempo: Diseños "
+"digitales siendo distribuidos globalmente pero manufacturados localmente. "
+"Libros o música digital siendo distribuida globalmente, pero lecturas y "
+"conciertos realizados localmente. El bien común digital magnifica el impacto "
+"al conectar personas creadoras con quienes usan y construyen sobre su "
+"trabajo tanto local como globalmente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:987
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1428
msgid ""
"The commons is generative. Instead of extracting value, the commons adds "
"value. Digitized resources persist without becoming depleted, and through "
"commons generates value for a broader range of beneficiaries including the "
"business, the customer, the creator, the public, and the commons itself. The "
"generative nature of the commons means that it is more cost-effective and "
-"produces a greater return on investment. Value is not just measured in "
+"produces a greater return on investment. Value is not just measured in "
"financial terms. Each new resource added to the commons provides value to "
"the public and contributes to the overall value of the commons."
msgstr ""
-"El procomún es generativo. En lugar de extraer valor, el procomún agrega "
-"valor. Los recursos digitalizados persisten sin agotarse, y a través del uso "
-"son mejorados, personalizados y localizados. Cada uso agrega valor. El "
-"mercado se enfoca en generar valor para el negocio y el cliente. El procomún "
-"genera valor para un rango más amplio de beneficiarios, incluyendo negocios, "
-"el cliente, la persona creadora, el público y el mismo procomún. La "
-"naturaleza generativa del procomún significa que es más económico y que "
+"Los bienes comunes son generativos. En lugar de extraer valor, el bien común "
+"agrega valor. Los recursos digitalizados persisten sin agotarse, y a través "
+"del uso son mejorados, personalizados y localizados. Cada uso agrega valor. "
+"El mercado se enfoca en generar valor para el negocio y el cliente. El bien "
+"común genera valor para un rango más amplio de beneficiarios, incluyendo "
+"negocios, el cliente, la persona creadora, el público y el mismo bien común. "
+"La naturaleza generativa del bien común significa que es más económico y que "
"produce un mayor retorno de la inversión. El valor no se mide solo en "
-"términos financieros. Cada nuevo recurso agregado al procomún brinda valor "
-"al público y contribuye al valor del procomún en su totalidad."
+"términos financieros. Cada nuevo recurso agregado al bien común brinda valor "
+"al público y contribuye al valor del bien común en su totalidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1000
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1442
msgid ""
"The commons brings people together for a common cause. The commons vests "
"people directly with the responsibility to manage the resources for the "
"common good. The costs and benefits for the individual are balanced with the "
-"costs and benefits for the community and for future generations. Resources "
+"costs and benefits for the community and for future generations. Resources "
"are not anonymous or mass produced. Their provenance is known and "
"acknowledged through attribution and other means. Those that are Made with "
"Creative Commons generate awareness and reputation based on their "
"contributions to the commons. The reach, impact, and sustainability of those "
"contributions rest largely on their ability to forge relationships and "
-"connections with those who use and improve them. By functioning on the "
-"basis of social engagement, not monetary exchange, the commons unifies "
-"people."
-msgstr ""
-"El procomún reúne a las personas en una causa común. El procomún confiere a "
-"las personas directamente la responsabilidad de gestionar los recursos por "
-"el bien común. Los costos y beneficios para el individuo están balanceados "
-"con los costos y beneficios de la comunidad y para futuras generaciones. Los "
+"connections with those who use and improve them. By functioning on the basis "
+"of social engagement, not monetary exchange, the commons unifies people."
+msgstr ""
+"Los bienes comunes reúnen a las personas en una causa común. Confieren a las "
+"personas directamente la responsabilidad de gestionar los recursos por el "
+"bien común. Los costos y beneficios para el individuo están balanceados con "
+"los costos y beneficios de la comunidad y para futuras generaciones. Los "
"recursos no son anónimos ni producidos en masa. Su procedencia es conocida y "
"reconocida a través de la atribución y otros medios. Aquellos Hechos con "
"Creative Commons generan conciencia y reputación con base en sus "
-"contribuciones al procomún. El alcance, impacto y sostenibilidad de esas "
+"contribuciones al bien común. El alcance, impacto y sostenibilidad de esas "
"contribuciones descansa en gran medida en su habilidad para forjar "
"relaciones y conexiones con quienes las usan y mejoran. Al funcionar en la "
-"base de un compromiso social, no en un intercambio monetario, el procomún "
+"base de un compromiso social, no en un intercambio monetario, el bien común "
"unifica a las personas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1005
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1457
msgid ""
"The benefits of the commons are many. When these benefits align with the "
"goals of individuals, communities, businesses in the market, or state "
"enterprises, choosing to manage resources as a commons ought to be the "
"option of choice."
msgstr ""
-"Los beneficios del procomún son muchos. cuando estos beneficios se alinean "
-"con objetivos de individuos, comunidades, negocios en el mercado, o empresas "
-"del Estado, escoger la gestión de recursos como un procomún debe ser la "
-"opción favorecida."
+"Los beneficios de los bienes comunes son muchos. cuando estos beneficios se "
+"alinean con objetivos de individuos, comunidades, negocios en el mercado, o "
+"empresas del Estado, escoger la gestión de recursos como un bien común debe "
+"ser la opción favorecida."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1007
-msgid "### Our Case Studies"
-msgstr "### Nuestros casos de estudio"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1464
+msgid "Our Case Studies"
+msgstr "Nuestros casos de estudio"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1016
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1466
msgid ""
"The creators, organizations, and businesses in our case studies operate as "
-"nonprofits, for-profits, and social enterprises. Regardless of legal status, "
-"they all have a social mission. Their primary reason for being is to make "
-"the world a better place, not to profit. Money is a means to a social end, "
-"not the end itself. They factor public interest into decisions, behavior, "
-"and practices. Transparency and trust are really important. Impact and "
-"success are measured against social aims expressed in mission statements, "
-"and are not just about the financial bottom line."
+"nonprofits, for-profits, and social enterprises. Regardless of legal "
+"status, they all have a social mission. Their primary reason for being is "
+"to make the world a better place, not to profit. Money is a means to a "
+"social end, not the end itself. They factor public interest into decisions, "
+"behavior, and practices. Transparency and trust are really important. Impact "
+"and success are measured against social aims expressed in mission "
+"statements, and are not just about the financial bottom line."
msgstr ""
"Las personas creadoras, organizaciones y negocios de nuestros casos de "
"estudio operan sin fines de lucro, con fines de lucro y como empresas "
"la declaraciones de misión, y no son sólo acerca del resultado financiero "
"final."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1022
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1478
msgid ""
"The case studies are based on the narratives told to us by founders and key "
"staff. Instead of solely using financials as the measure of success and "
"sustainability, they emphasized their mission, practices, and means by which "
-"they measure success. Metrics of success are a blend of how social goals are "
-"being met and how sustainable the enterprise is."
+"they measure success. Metrics of success are a blend of how social goals "
+"are being met and how sustainable the enterprise is."
msgstr ""
"Los casos de estudios están basados en las narrativas que nos contaron las y "
"los fundadores y el personal clave. En lugar de únicamente usar las finanzas "
"una mezcla de cómo los objetivos sociales se están cumpliendo y qué tan "
"sostenible es la empresa."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1030
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1486
msgid ""
"Our case studies are diverse, ranging from publishing to education and "
"manufacturing. All of the organizations, businesses, and creators in the "
"gráficos y vídeo. Algunos son representaciones digitales de recursos "
"físicos. Otros nacen digitales pero pueden convertirse en recursos físicos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1037
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1496
msgid ""
"They are creating new resources, or using the resources of others, or mixing "
"existing resources together to make something new. They, and their audience, "
"participación es abierta a todas las personas sin importar los medios "
"monetarios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1042
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1504
msgid ""
"And as users of Creative Commons licenses, they are automatically part of a "
"global community. The new digital commons is global. Those we profiled come "
"global community is conducive to success."
msgstr ""
"Y como personas usuarias de licencias Creative Commons, estas forman parte "
-"de forma automática de un procomún global. El nuevo procomún digital es "
+"de forma automática de un bien común global. El nuevo bien común digital es "
"global. Quienes perfilamos provienen de casi cada continente del mundo. "
"Construir e interactuar en esta comunidad global conduce al éxito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1053
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1511
msgid ""
"Creative Commons licenses may express legal rules around the use of "
"resources in a commons, but success in the commons requires more than "
"of beliefs, values, and principles that underlie their actions: Give more "
"than you take. Be open and inclusive. Add value. Make visible what you are "
"using from the commons, what you are adding, and what you are monetizing. "
-"Maximize abundance. Give attribution. Express gratitude. Develop trust; "
+"Maximize abundance. Give attribution. Express gratitude. Develop trust; "
"don’t exploit. Build relationship and community. Be transparent. Defend the "
"commons."
msgstr ""
"Las licencias Creative Commons pueden expresar reglas legales alrededor del "
-"uso de recursos en un procomún, pero el éxito en el procomún requiere más "
-"que seguir las palabras de la ley y adquirir medios financieros. Cada vez "
-"más oímos en nuestras entrevistas cómo el éxito y la sostenibilidad están "
-"ligados a un conjunto de creencias, valores y principios que están debajo de "
-"sus acciones: Dar más de lo que se recibe. Ser abiertos e inclusivos. "
-"Agregar valor. Visibilizar las cosas que se están usando del procomún, las "
-"que se están agregando, y lo que se está monetizando. Maximizar la "
-"abundancia. Dar atribución. Expresar gratitud. Desarrollar confianza; no "
-"explotar. Construir relación y comunidad. Ser transparente. Defender el "
-"procomún."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1060
+"uso de recursos en los bienes comunes, pero el éxito en el bien común "
+"requiere más que seguir las palabras de la ley y adquirir medios "
+"financieros. Una y otra vez oímos en nuestras entrevistas cómo el éxito y la "
+"sostenibilidad están ligados a un conjunto de creencias, valores y "
+"principios que están por debajo de sus acciones: Dar más de lo que se "
+"recibe. Ser abiertos e inclusivos. Agregar valor. Visibilizar las cosas que "
+"se están usando del bien común, las que se están agregando, y lo que se está "
+"monetizando. Maximizar la abundancia. Dar atribución. Expresar gratitud. "
+"Desarrollar confianza; no explotar. Construir relación y comunidad. Ser "
+"transparente. Defender el bien común."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1524
msgid ""
"The new digital commons is here to stay. Made With Creative Commons case "
"studies show how it’s possible to be part of this commons while still "
-"functioning within market and state systems. The commons generates benefits "
+"functioning within market and state systems. The commons generates benefits "
"neither the market nor state can achieve on their own. Rather than the "
"market or state dominating as primary means of resource management, a more "
"balanced alternative is possible."
msgstr ""
-"El nuevo procomún digital está aquí para quedarse. Los casos de estudio de "
-"Hecho con Creative Commons muestran cómo es posible ser parte de este "
-"procomún, mientras aún se funciona dentro de los sistemas del mercado y el "
-"Estado. El procomún genera beneficios que ni el mercado ni el Estado pueden "
-"alcanzar por sí mismos. En lugar de que el mercado o el Estado dominen como "
-"principales medios de gestión de recursos, una alternativa más balanceada es "
-"posible."
+"Los nuevos bienes comunes digitales están aquí para quedarse. Los casos de "
+"estudio de _Hecho con Creative Commons_ muestran cómo es posible ser parte "
+"de estos bienes comunes, sin por ello dejar de funcionar dentro de los "
+"sistemas del mercado y el Estado. Los bienes comunes generan beneficios que "
+"ni el mercado ni el Estado pueden alcanzar por sí mismos. En lugar de que el "
+"mercado o el Estado dominen como principales medios de gestión de recursos, "
+"una alternativa más balanceada es posible."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1067
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1533
msgid ""
"Enterprise use of Creative Commons has only just begun. The case studies in "
"this book are merely starting points. Each is changing and evolving over "
"estudio en este libro son simplemente puntos de inicio. Cada uno está "
"cambiando y evolucionando con el tiempo. Muchos más se están uniendo e "
"inventando nuevos modelos. Esta visión general intenta brindar un marco "
-"conceptual y un lenguaje para pensar y hablar acerca del nuevo procomún "
-"digital. Las secciones que quedan van más profundo para brindar una guía e "
-"ideas de cómo trabaja."
+"conceptual y un lenguaje para pensar y hablar acerca de los nuevos bienes "
+"comunes digitales. Las secciones que quedan van más profundo para brindar "
+"una guía e ideas de cómo trabaja."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1069
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2269
-msgid "### Notes"
-msgstr "### Notas"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Koehler, 2013), 14."
-msgstr ""
-"Jonathan Rowe, Our Common Wealth (San Francisco: Berrett-Koehler, 2013), 14."
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 176."
-msgstr ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 176."
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid "Ibid., 15."
-msgstr "Ibid., 15."
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid "Ibid., 145."
-msgstr "Ibid., 145."
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid "Ibid., 175."
-msgstr "Ibid., 175."
-
-#. type: Bullet: '6. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
-"Commons for the Knowledge Commons,” in Governing Knowledge Commons, eds. "
-"Brett M. Frischmann, Michael J. Madison, and Katherine J. Strandburg (New "
-"York: Oxford University Press, 2014), 53."
-msgstr ""
-"Daniel H. Cole, “Learning from Lin: Lessons and Cautions from the Natural "
-"Commons for the Knowledge Commons,” en Governing Knowledge Commons, eds. "
-"Brett M. Frischmann, Michael J. Madison, y Katherine J. Strandburg (New "
-"York: Oxford University Press, 2014), 53."
-
-#. type: Bullet: '7. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
-"and the Commons (New York: Zed Books, 2014), 93."
-msgstr ""
-"Max Haiven, Crises of Imagination, Crises of Power: Capitalism, Creativity "
-"and the Commons (New York: Zed Books, 2014), 93."
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1544
+msgid "How to Be Made with Creative Commons"
+msgstr "Hecho con Creative Commons"
-#. type: Bullet: '8. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-msgid ""
-"Cole, “Learning from Lin,” in Frischmann, Madison, and Strandburg, Governing "
-"Knowledge Commons, 59."
-msgstr ""
-"Cole, “Learning from Lin,” en Frischmann, Madison, y Strandburg, Governing "
-"Knowledge Commons, 59."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1169
-#, no-wrap
-msgid ""
-"9. Bollier, Think Like a Commoner, 175.\n"
-"10. Joshua Farley and Ida Kubiszewski, “The Economics of Information in\n"
-" a Post-Carbon Economy,” in Free Knowledge: Confronting the\n"
-" Commodification of Human Discovery, eds. Patricia W. Elliott and\n"
-" Daryl H. Hepting (Regina, SK: University of Regina Press, 2015),\n"
-" 201–4.\n"
-"11. Rowe, Our Common Wealth, 19; and Heather Menzies, Reclaiming the\n"
-" Commons for the Common Good: A Memoir and Manifesto (Gabriola\n"
-" Island, BC: New Society, 2014), 42–43.\n"
-"12. Bollier, Think Like a Commoner, 55–78.\n"
-"13. Fritjof Capra and Ugo Mattei, The Ecology of Law: Toward a Legal\n"
-" System in Tune with Nature and Community (Oakland, CA:\n"
-" Berrett-Koehler, 2015), 46–57; and Bollier, Think Like a\n"
-" Commoner, 88.\n"
-"14. Brett M. Frischmann, Michael J. Madison, and Katherine J.\n"
-" Strandburg, “Governing Knowledge Commons,” in Frischmann, Madison,\n"
-" and Strandburg Governing Knowledge Commons, 12.\n"
-"15. Farley and Kubiszewski, “Economics of Information,” in Elliott and\n"
-" Hepting, Free Knowledge, 203.\n"
-"16. “What Is Free Software?” GNU Operating System, the Free Software\n"
-" Foundation’s Licensing and Compliance Lab, accessed December 30,\n"
-" 2016, www.gnu.org/philosophy/free-sw.\n"
-"17. Wikipedia, s.v. “Open-source software,” last modified November\n"
-" 22, 2016.\n"
-"18. Eric S. Raymond, “The Magic Cauldron,” in The Cathedral and the\n"
-" Bazaar: Musings on Linux and Open Source by an Accidental\n"
-" Revolutionary, rev. ed. (Sebastopol, CA: O’Reilly Media, 2001),\n"
-" www.catb.org/esr/writings/cathedral-bazaar/.\n"
-"19. New York Times Customer Insight Group, The Psychology of Sharing:\n"
-" Why Do People Share Online? (New York: New York Times Customer\n"
-" Insight Group, 2011), www.iab.net/media/file/POSWhitePaper.pdf.\n"
-"20. “Licensing Considerations,” Creative Commons, accessed December 30,\n"
-" 2016, creativecommons.org/share-your-work/licensing-considerations/.\n"
-"21. Creative Commons, 2015 State of the Commons (Mountain View, CA:\n"
-" Creative Commons, 2015), stateof.creativecommons.org/2015/.\n"
-"22. Wikipedia, s.v. “Open Government Partnership,” last modified\n"
-" September 24, 2016,\n"
-" en.wikipedia.org/wiki/Open\\_Government\\_Partnership.\n"
-"23. Capra and Mattei, Ecology of Law, 114.\n"
-"24. Ibid., 116.\n"
-"25. The Swedish International Development Cooperation Agency, “Stockholm\n"
-" Statement” accessed February 15, 2017,\n"
-" sida.se/globalassets/sida/eng/press/stockholm-statement.pdf\n"
-"26. City of Bologna, Regulation on Collaboration between Citizens and\n"
-" the City for the Care and Regeneration of Urban Commons, trans.\n"
-" LabGov (LABoratory for the GOVernance of Commons) (Bologna, Italy:\n"
-" City of Bologna, 2014),\n"
-" www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-of-urban-commons1.pdf.\n"
-"27. The Seoul Sharing City website is english.sharehub.kr; for Amsterdam\n"
-" Sharing City, go to www.sharenl.nl/amsterdam-sharing-city/.\n"
-"28. Tom Slee, What’s Yours Is Mine: Against the Sharing Economy (New\n"
-" York: OR Books, 2015), 42.\n"
-"29. Chris Anderson, Free: How Today’s Smartest Businesses Profit by\n"
-" Giving Something for Nothing, Reprint with new preface. (New York:\n"
-" Hyperion, 2010), 78.\n"
-"30. Jeremy Rifkin, The Zero Marginal Cost Society: The Internet of\n"
-" Things, the Collaborative Commons, and the Eclipse of Capitalism\n"
-" (New York: Palgrave Macmillan, 2014), 273.\n"
-"31. Gar Alperovitz, What Then Must We Do? Straight Talk about the Next\n"
-" American Revolution: Democratizing Wealth and Building a\n"
-" Community-Sustaining Economy from the Ground Up (White River\n"
-" Junction, VT: Chelsea Green, 2013), 39.\n"
-"32. Marjorie Kelly, Owning Our Future: The Emerging Ownership\n"
-" Revolution; Journeys to a Generative Economy (San Francisco:\n"
-" Berrett-Koehler, 2012), 8–9.\n"
-"33. Alex Osterwalder and Yves Pigneur, Business Model Generation\n"
-" (Hoboken, NJ: John Wiley and Sons, 2010). A preview of the book is\n"
-" available at strategyzer.com/books/business-model-generation.\n"
-"34. This business model canvas is available to download at\n"
-" strategyzer.com/canvas/business-model-canvas.\n"
-"35. We’ve made the “Open Business Model Canvas,” designed by the\n"
-" coauthor Paul Stacey, available online at\n"
-" docs.google.com/drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit.\n"
-" You can also find the accompanying Open Business Model Canvas\n"
-" Questions at\n"
-" docs.google.com/drawings/d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit.\n"
-"36. A more comprehensive list of revenue streams is available in this\n"
-" post I wrote on Medium on March 6, 2016. “What Is an Open Business\n"
-" Model and How Can You Generate Revenue?”, available at\n"
-" medium.com/made-with-creative-commons/what-is-an-open-business-model-and-how-can-you-generate-revenue-5854d2659b15.\n"
-"37. Henry Chesbrough, Open Innovation: The New Imperative for Creating\n"
-" and Profiting from Technology (Boston: Harvard Business Review\n"
-" Press, 2006), 31–44.\n"
-msgstr ""
-"9. Bollier, Think Like a Commoner, 175.\n"
-"10. Joshua Farley and Ida Kubiszewski, “The Economics of Information in\n"
-" a Post-Carbon Economy,” in Free Knowledge: Confronting the\n"
-" Commodification of Human Discovery, eds. Patricia W. Elliott y\n"
-" Daryl H. Hepting (Regina, SK: University of Regina Press,\n"
-" 2015), 201–4.\n"
-"11. Rowe, Our Common Wealth, 19; and Heather Menzies, Reclaiming the\n"
-" Commons for the Common Good: A Memoir and Manifesto (Gabriola\n"
-" Island, BC: New Society, 2014), 42–43.\n"
-"12. Bollier, Think Like a Commoner, 55–78.\n"
-"13. Fritjof Capra y Ugo Mattei, The Ecology of Law: Toward a Legal\n"
-" System en Tune with Nature and Community (Oakland, CA:\n"
-" Berrett-Koehler, 2015), 46–57; y Bollier, Think Like a\n"
-" Commoner, 88.\n"
-"14. Brett M. Frischmann, Michael J. Madison, and Katherine J.\n"
-" Strandburg, “Governing Knowledge Commons,” en Frischmann, Madison,\n"
-" y Strandburg Governing Knowledge Commons, 12.\n"
-"15. Farley y Kubiszewski, “Economics of Information,” en Elliott y\n"
-" Hepting, Free Knowledge, 203.\n"
-"16. “What Is Free Software?” GNU Operating System, the Free Software\n"
-" Foundation’s Licensing and Compliance Lab, accesado Diciembre 30,\n"
-" 2016, www.gnu.org/philosophy/free-sw.\n"
-"17. Wikipedia, s.v. “Open-source software,” última modificación Noviembre\n"
-" 22, 2016.\n"
-"18. Eric S. Raymond, “The Magic Cauldron,” en The Cathedral and the\n"
-" Bazaar: Musings on Linux and Open Source by an Accidental\n"
-" Revolutionary, rev. ed. (Sebastopol, CA: O’Reilly Media,\n"
-" 2001), www.catb.org/esr/writings/cathedral-bazaar/.\n"
-"19. New York Times Customer Insight Group, The Psychology of Sharing:\n"
-" Why Do People Share Online? (New York: New York Times Customer\n"
-" Insight Group, 2011), www.iab.net/media/file/POSWhitePaper.pdf.\n"
-"20. “Licensing Considerations,” Creative Commons, accesado Diciembre 30,\n"
-" 2016, creativecommons.org/share-your-work/licensing-considerations/.\n"
-"21. Creative Commons, 2015 State of the Commons (Mountain View, CA:\n"
-" Creative Commons, 2015), stateof.creativecommons.org/2015/.\n"
-"22. Wikipedia, s.v. “Open Government Partnership,” última modificación\n"
-" Setiembre 24,\n"
-" 2016, en.wikipedia.org/wiki/Open\\_Government\\_Partnership.\n"
-"23. Capra y Mattei, Ecology of Law, 114.\n"
-"24. Ibid., 116.\n"
-"25. The Swedish International Development Cooperation Agency, “Stockholm\n"
-" Statement” accesado Febrero 15, 2017,\n"
-" sida.se/globalassets/sida/eng/press/stockholm-statement.pdf\n"
-"26. City of Bologna, Regulation on Collaboration between Citizens and\n"
-" the City for the Care and Regeneration of Urban Commons, trans.\n"
-" LabGov (LABoratory for the GOVernance of Commons) (Bologna, Italy:\n"
-" City of Bologna,\n"
-" 2014), www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-of-urban-commons1.pdf.\n"
-"27. The Seoul Sharing City website is english.sharehub.kr; for Amsterdam\n"
-" Sharing City, ir a www.sharenl.nl/amsterdam-sharing-city/.\n"
-"28. Tom Slee, What’s Yours Is Mine: Against the Sharing Economy (New\n"
-" York: OR Books, 2015), 42.\n"
-"29. Chris Anderson, Free: How Today’s Smartest Businesses Profit by\n"
-" Giving Something for Nothing, Reprint with new preface. (New York:\n"
-" Hyperion, 2010), 78.\n"
-"30. Jeremy Rifkin, The Zero Marginal Cost Society: The Internet of\n"
-" Things, the Collaborative Commons, and the Eclipse of Capitalism\n"
-" (New York: Palgrave Macmillan, 2014), 273.\n"
-"31. Gar Alperovitz, What Then Must We Do? Straight Talk about the Next\n"
-" American Revolution: Democratizing Wealth and Building a\n"
-" Community-Sustaining Economy from the Ground Up (White River\n"
-" Junction, VT: Chelsea Green, 2013), 39.\n"
-"32. Marjorie Kelly, Owning Our Future: The Emerging Ownership\n"
-" Revolution; Journeys to a Generative Economy (San Francisco:\n"
-" Berrett-Koehler, 2012), 8–9.\n"
-"33. Alex Osterwalder y Yves Pigneur, Business Model Generation\n"
-" (Hoboken, NJ: John Wiley and Sons, 2010). Una vista previa del libro está\n"
-" disponible en strategyzer.com/books/business-model-generation.\n"
-"34. Este lienzo de modelo de negocios está disponible para descarga\n"
-" en strategyzer.com/canvas/business-model-canvas.\n"
-"35. Nosotros hicimos el “Open Business Model Canvas,” diseñado por el\n"
-" coautor Paul Stacey, disponible en línea\n"
-" en docs.google.com/drawings/d/1QOIDa2qak7wZSSOa4Wv6qVMO77IwkKHN7CYyq0wHivs/edit.\n"
-" También puede encontrar las Open Business Model Canvas\n"
-" Questions que lo acompañan.\n"
-" en docs.google.com/drawings/d/1kACK7TkoJgsM18HUWCbX9xuQ0Byna4plSVZXZGTtays/edit.\n"
-"36. Una lista más completa de flujos de ingreso están disponibles en este\n"
-" post que escribí en Medium en Marzo 6, 2016. “What Is an Open Business\n"
-" Model and How Can You Generate Revenue?”, disponible\n"
-" en medium.com/made-with-creative-commons/what-is-an-open-business-model-and-how-can-you-generate-revenue-5854d2659b15.\n"
-"37. Henry Chesbrough, Open Innovation: The New Imperative for Creating\n"
-" and Profiting from Technology (Boston: Harvard Business Review\n"
-" Press, 2006), 31–44.\n"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1171
-msgid "## How to Be Made with Creative Commons"
-msgstr "## Hecho con Creative Commons"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1173
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1546
msgid "Sarah Hinchliff Pearson"
msgstr "Sarah Hinchliff Pearson"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1187
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1549
msgid ""
"When we began this project in August 2015, we set out to write a book about "
"business models that involve Creative Commons licenses in some significant "
"Kickstarter backers, we chose twenty-four endeavors from all around the "
"world that are Made with Creative Commons. The mix is diverse, from an "
"individual musician to a university-textbook publisher to an electronics "
-"manufacturer. Some make their own content and share under Creative Commons "
+"manufacturer. Some make their own content and share under Creative Commons "
"licensing. Others are platforms for CC-licensed creative work made by "
"others. Many sit somewhere in between, both using and contributing creative "
"work that’s shared with the public. Like all who use the licenses, these "
msgstr ""
"Cuando empezamos este proyecto en agosto de 2015, nos dispusimos a escribir "
"sobre modelos de negocios que involucren licencias Creative Common en alguna "
-"forma importante—lo que llamamos ser Hecho con Creative Commons. Con la "
+"forma importante—lo que llamamos ser _Hecho con Creative Commons_. Con la "
"ayuda de nuestros patrocinadores en Kickstarter escogimos veinticuatro "
"esfuerzos de todo el mundo que estaban Hechos con Creative Commons. La "
"mezcla es diversa, desde un músico individual, a un editor de textos "
"sea datos abiertos o diseños de muebles—en una forma que le permite al "
"público no solo accessarlo, sino también hacer uso de este."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1196
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1565
msgid ""
"We analyzed the revenue models, customer segments, and value propositions of "
"each endeavor. We searched for ways that putting their content under "
"excavamos en las motivaciones, el rol de las licencias CC, modos de "
"generación de ingresos, definiciones de éxito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1200
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1575
msgid ""
"In fairly short order, we realized the book we set out to write was quite "
"different from the one that was revealing itself in our interviews and "
"era bastante diferente del que se nos estaba revelando en nuestras "
"entrevistas e investigaciones."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1208
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1580
msgid ""
"It isn’t that we were wrong to think you can make money while using Creative "
"Commons licenses. In many instances, CC can help make you more money. Nor "
"nada más lo equivocado que sería escribir un libro acerca de ser Hecho con "
"Creative Commons usando solo una perspectiva de negocio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1216
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1593
+msgid ""
+"Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. A preview of the book is available at <ulink "
+"url=\"http://strategyzer.com/books/business-model-generation\"/>."
+msgstr ""
+"Alex Osterwalder e Yves Pigneur, Business Model Generation (Hoboken, NJ: "
+"John Wiley and Sons, 2010), 14. Una previsualización del libro está "
+"disponible en <ulink url=\"http://strategyzer.com/books/business-model-"
+"generation\"/>."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1589
+#, fuzzy
+#| msgid ""
+#| "According to the seminal handbook Business Model Generation, a business "
+#| "model “describes the rationale of how an organization creates, delivers, "
+#| "and captures value.”<placeholder type=\"footnote\" id=\"0\"/> Thinking "
+#| "about sharing in terms of creating and capturing value always felt "
+#| "inappropriately transactional and out of place, something we heard time "
+#| "and time again in our interviews. And as Cory Doctorow told us in our "
+#| "interview with him, “Business model can mean anything you want it to "
+#| "mean.”"
msgid ""
"According to the seminal handbook Business Model Generation, a business "
-"model “describes the rationale of how an organization creates, delivers, and "
-"captures value.”1 Thinking about sharing in terms of creating and capturing "
-"value always felt inappropriately transactional and out of place, something "
-"we heard time and time again in our interviews. And as Cory Doctorow told us "
-"in our interview with him, “Business model can mean anything you want it to "
-"mean.”"
+"model <quote>describes the rationale of how an organization creates, "
+"delivers, and captures value.</quote><placeholder type=\"footnote\" id=\"0\"/"
+"> Thinking about sharing in terms of creating and capturing value always "
+"felt inappropriately transactional and out of place, something we heard time "
+"and time again in our interviews. And as Cory Doctorow told us in our "
+"interview with him, <quote>Business model can mean anything you want it to "
+"mean.</quote>"
msgstr ""
"De acuerdo con el manual seminal «Business Model Generation», un modelo de "
"negocios «describe la justificación de cómo una organización crea, entrega y "
-"captura valor.1 Pensar sobre compartir en términos de crear y capturar valor "
-"siempre se sintió inapropiadamente transaccional y fuera de lugar, algo que "
-"oímos una y otra vez en nuestras entrevistas. Y como Cory Doctorow nos contó "
-"en nuestra entrevista con él, «Un modelo de negocios puede significar "
-"cualquier cosa que uno quiera que signifique.»"
+"captura valor.<placeholder type=\"footnote\" id=\"0\"/> Pensar sobre "
+"compartir en términos de crear y capturar valor siempre se sintió "
+"inapropiadamente transaccional y fuera de lugar, algo que oímos una y otra "
+"vez en nuestras entrevistas. Y como Cory Doctorow nos contó en nuestra "
+"entrevista con él, «Un modelo de negocios puede significar cualquier cosa "
+"que uno quiera que signifique.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1221
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1605
msgid ""
"Eventually, we got it. Being Made with Creative Commons is more than a "
"business model. While we will talk about specific revenue models as one "
"piece of our analysis (and in more detail in the case studies), we scrapped "
"that as our guiding rubric for the book."
msgstr ""
-"Eventualmente, lo entendimos. Ser Hecho con Creative Commons es más que un "
+"Eventualmente, lo entendimos. Ser _Hecho con Creative Commons_ es más que un "
"modelo de negocios. Aunque hablaremos sobre modelos de ingresos específicos "
"como una pieza de nuestro análisis (y en más detalle en los casos de "
"estudio), lo descartamos como nuestro rubro guía para el libro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1229
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1612
msgid ""
"Admittedly, it took me a long time to get there. When Paul and I divided up "
"our writing after finishing the research, my charge was to distill "
"no hay fórmula. Es probable que haya que descartar esa forma de pensar antes "
"de seguir leyendo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1239
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1622
msgid ""
-"In every interview, we started from the same simple questions. Amid all the "
+"In every interview, we started from the same simple questions. Amid all the "
"diversity among the creators, organizations, and businesses we profiled, "
"there was one constant. Being Made with Creative Commons may be good for "
"business, but that is not why they do it. Sharing work with Creative Commons "
msgstr ""
"En cada entrevista, empezamos con las mismas preguntas simples. En medio de "
"toda la diversidad entre todas las personas creadoras, organizaciones y "
-"negocios que perfilamos, había una constante. Ser Hecho con Creative Commons "
-"puede ser bueno para el negocio, pero esa no es la razón por la que lo "
-"hacen. Compartir trabajo con Creative Commons es, en esencia, una decisión "
-"moral. Los beneficios comerciales y otros beneficios individuales son "
-"secundarios. La mayoría decidieron usar licencias CC primero, y encontraron "
-"un modelo de ingresos luego. Esta fue nuestra primer pista de que escribir "
-"un libro únicamente sobre el impacto de compartir en los negocios podría "
-"estar un poco desviado."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1245
+"negocios que perfilamos, había una constante. Ser _Hecho con Creative "
+"Commons_ puede ser bueno para el negocio, pero esa no es la razón por la que "
+"lo hacen. Compartir trabajo con Creative Commons es, en esencia, una "
+"decisión moral. Los beneficios comerciales y otros beneficios individuales "
+"son secundarios. La mayoría decidieron usar licencias CC primero, y "
+"encontraron un modelo de ingresos luego. Esta fue nuestra primer pista de "
+"que escribir un libro únicamente sobre el impacto de compartir en los "
+"negocios podría estar un poco desviado."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1634
msgid ""
"But we also started to realize something about what it means to be Made with "
"Creative Commons. When people talked to us about how and why they used CC, "
"it was clear that it meant something more than using a copyright license. It "
-"also represented a set of values. There is symbolism behind using CC, and "
+"also represented a set of values. There is symbolism behind using CC, and "
"that symbolism has many layers."
msgstr ""
"Pero también empezamos a darnos cuenta de algo de lo que significa ser Hecho "
"derechos de autor. También representaba un conjunto de valores. Hay un "
"simbolismo detrás de usar CC, y ese simbolismo tiene muchas capas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1256
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1642
msgid ""
"At one level, being Made with Creative Commons expresses an affinity for the "
"value of Creative Commons. While there are many different flavors of CC "
"something to contribute, and that no one can own our shared culture. They "
"reflect a belief in the promise of sharing."
msgstr ""
-"En un nivel, ser Hecho con Creative Commons expresa una afinidad por los "
+"En un nivel, ser _Hecho con Creative Commons_ expresa una afinidad por los "
"valores de Creative Commons. Aunque hay muchos diferentes sabores de "
"licencias CC y casi una infinidad de formas de ser Hecho con Creative "
"Commons, el sistema de valores básico está enraizado en una creencia "
"de nuestra cultura compartida. Estos reflejan la creencia en promesa de "
"compartir."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1266
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1656
+#, fuzzy
+#| msgid ""
+#| "Whether the public makes use of the opportunity to copy and adapt your "
+#| "work, sharing with a Creative Commons license is a symbol of how you want "
+#| "to interact with the people who consume your work. Whenever you create "
+#| "something, “all rights reserved” under copyright is automatic, so the "
+#| "copyright symbol (©) on the work does not necessarily come across as a "
+#| "marker of distrust or excessive protectionism. But using a CC license can "
+#| "be a symbol of the opposite—of wanting a real human relationship, rather "
+#| "than an impersonal market transaction. It leaves open the possibility of "
+#| "connection."
msgid ""
"Whether the public makes use of the opportunity to copy and adapt your work, "
"sharing with a Creative Commons license is a symbol of how you want to "
-"interact with the people who consume your work. Whenever you create "
-"something, “all rights reserved” under copyright is automatic, so the "
-"copyright symbol (©) on the work does not necessarily come across as a "
-"marker of distrust or excessive protectionism. But using a CC license can be "
-"a symbol of the opposite—of wanting a real human relationship, rather than "
-"an impersonal market transaction. It leaves open the possibility of "
+"interact with the people who consume your work. Whenever you create "
+"something, <quote>all rights reserved</quote> under copyright is automatic, "
+"so the copyright symbol (©) on the work does not necessarily come across as "
+"a marker of distrust or excessive protectionism. But using a CC license can "
+"be a symbol of the opposite—of wanting a real human relationship, rather "
+"than an impersonal market transaction. It leaves open the possibility of "
"connection."
msgstr ""
"Ya sea que el público haga uso de la oportunidad de copiar y adaptar su "
"una transacción de mercado impersonal. Deja abierta la posibilidad de "
"conexión."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1272
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1668
msgid ""
"Being Made with Creative Commons not only demonstrates values connected to "
"CC and sharing. It also demonstrates that something other than profit drives "
"what you do. In our interviews, we always asked what success looked like for "
-"them. It was stunning how rarely money was mentioned. Most have a deeper "
+"them. It was stunning how rarely money was mentioned. Most have a deeper "
"purpose and a different vision of success."
msgstr ""
-"Ser Hecho con Creative Commons no solo demuestra valores conectados a CC y "
+"Ser _Hecho con Creative Commons_ no solo demuestra valores conectados a CC y "
"el compartir. También demuestra que algo más que las ganancias dirigen lo "
"que usted hace. En nuestras entrevistas, siempre preguntamos cómo se veía el "
"éxito para ellos y ellas. Fue maravilloso como pocas veces mencionaron el "
"dinero. La mayoría tienen un propósito más profundo y una visión diferente "
"del éxito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1283
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1681
msgid ""
-"The driving motivation varies depending on the type of endeavor. For "
+"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
+"Age (San Francisco, CA: McSweeney’s, 2014) 68."
+msgstr ""
+"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
+"Age (San Francisco, CA: McSweeney’s, 2014) 68."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1676
+#, fuzzy
+#| msgid ""
+#| "The driving motivation varies depending on the type of endeavor. For "
+#| "individual creators, it is most often about personal inspiration. In some "
+#| "ways, this is nothing new. As Doctorow has written, “Creators usually "
+#| "start doing what they do for love.”<placeholder type=\"footnote\" id="
+#| "\"0\"/> But when you share your creative work under a CC license, that "
+#| "dynamic is even more pronounced. Similarly, for technological innovators, "
+#| "it is often less about creating a specific new thing that will make you "
+#| "rich and more about solving a specific problem you have. The creators of "
+#| "Arduino told us that the key question when creating something is “Do you "
+#| "as the creator want to use it? It has to have personal use and meaning.”"
+msgid ""
+"The driving motivation varies depending on the type of endeavor. For "
"individual creators, it is most often about personal inspiration. In some "
-"ways, this is nothing new. As Doctorow has written, “Creators usually start "
-"doing what they do for love.”2 But when you share your creative work under a "
-"CC license, that dynamic is even more pronounced. Similarly, for "
-"technological innovators, it is often less about creating a specific new "
-"thing that will make you rich and more about solving a specific problem you "
-"have. The creators of Arduino told us that the key question when creating "
-"something is “Do you as the creator want to use it? It has to have personal "
-"use and meaning.”"
+"ways, this is nothing new. As Doctorow has written, <quote>Creators usually "
+"start doing what they do for love.</quote><placeholder type=\"footnote\" id="
+"\"0\"/> But when you share your creative work under a CC license, that "
+"dynamic is even more pronounced. Similarly, for technological innovators, it "
+"is often less about creating a specific new thing that will make you rich "
+"and more about solving a specific problem you have. The creators of Arduino "
+"told us that the key question when creating something is <quote>Do you as "
+"the creator want to use it? It has to have personal use and meaning.</quote>"
msgstr ""
"La motivación impulsora varía dependiendo del tipo de esfuerzo. Para "
"personas creadoras, es por lo general acerca de inspiración personal. En "
"cierta forma, nada es nuevo. Como Doctorow escribió, «Las personas creadoras "
-"por lo general empiezan haciendo lo que hacen por amor.»2 Pero, cuando se "
-"comparte trabajo creativo bajo una licencia CC, esa dinámica es aún más "
-"pronunciada. De forja similar, para las personas que innovan con tecnología, "
-"por lo general es menos acerca de crear una nueva cosa específica que las "
-"hará ricas, y más acerca de resolver un problema específico que tienen. Los "
-"creadores de Arduino nos contaron que la pregunta clave al crear algo es "
-"«¿Usted, como el creador, querría usarlo? Tiene que tener un uso y "
-"significado personal.»"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1292
+"por lo general empiezan haciendo lo que hacen por amor.»<placeholder type="
+"\"footnote\" id=\"0\"/> Pero, cuando se comparte trabajo creativo bajo una "
+"licencia CC, esa dinámica es aún más pronunciada. De forja similar, para las "
+"personas que innovan con tecnología, por lo general es menos acerca de crear "
+"una nueva cosa específica que las hará ricas, y más acerca de resolver un "
+"problema específico que tienen. Los creadores de Arduino nos contaron que la "
+"pregunta clave al crear algo es «¿Usted, como el creador, querría usarlo? "
+"Tiene que tener un uso y significado personal.»"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1693
msgid ""
"Many that are Made with Creative Commons have an express social mission that "
"underpins everything they do. In many cases, sharing with Creative Commons "
"mostrarle al mundo que está bien compartir sus contenidos usando una "
"licencia Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1300
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1703
msgid ""
"This dynamic is probably one reason why there are so many nonprofit examples "
"of being Made with Creative Commons. The content is the result of a labor of "
"connection are integral to success."
msgstr ""
"Esta dinámica es probablemente una razón por la cual hay tantos ejemplos de "
-"ser Hecho con Creative Commons en organizaciones sin fines de lucro. El "
+"ser _Hecho con Creative Commons_ en organizaciones sin fines de lucro. El "
"contenido es el resultado de una labor de amor o una herramienta para "
"impulsar el cambio social, y el dinero es como la gasolina para el carro, "
"algo que se necesita para seguir andando, pero no un fin en sí mismo. Ser "
-"Hecho con Creative Commons es una visión diferente de un negocio o sustento, "
-"donde la ganancia no es suprema, y producir bien social y conexiones humanas "
-"es integral para el éxito."
+"_Hecho con Creative Commons_ es una visión diferente de un negocio o "
+"sustento, donde la ganancia no es suprema, y producir bien social y "
+"conexiones humanas es integral para el éxito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1304
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1713
msgid ""
"Even if profit isn’t the end goal, you have to bring in money to be "
"successfully Made with Creative Commons. At a bare minimum, you have to make "
"enough money to keep the lights on."
msgstr ""
"Incluso si la ganancia no es el objetivo final, hay que producir dinero para "
-"ser Hecho con Creative Commons con éxito. Como mínimo, hay que hacer "
+"ser _Hecho con Creative Commons_ con éxito. Como mínimo, hay que hacer "
"suficiente dinero para mantener las luces encendidas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1314
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1718
+#, fuzzy
+#| msgid ""
+#| "The costs of doing business vary widely for those made with CC, but there "
+#| "is generally a much lower threshold for sustainability than there used to "
+#| "be for any creative endeavor. Digital technology has made it easier than "
+#| "ever to create, and easier than ever to distribute. As Doctorow put it in "
+#| "his book Information Doesn’t Want to Be Free, “If analog dollars have "
+#| "turned into digital dimes (as the critics of ad-supported media have it), "
+#| "there is the fact that it’s possible to run a business that gets the same "
+#| "amount of advertising as its forebears at a fraction of the price.”"
msgid ""
"The costs of doing business vary widely for those made with CC, but there is "
"generally a much lower threshold for sustainability than there used to be "
"for any creative endeavor. Digital technology has made it easier than ever "
"to create, and easier than ever to distribute. As Doctorow put it in his "
-"book Information Doesn’t Want to Be Free, “If analog dollars have turned "
-"into digital dimes (as the critics of ad-supported media have it), there is "
-"the fact that it’s possible to run a business that gets the same amount of "
-"advertising as its forebears at a fraction of the price.”"
+"book Information Doesn’t Want to Be Free, <quote>If analog dollars have "
+"turned into digital dimes (as the critics of ad-supported media have it), "
+"there is the fact that it’s possible to run a business that gets the same "
+"amount of advertising as its forebears at a fraction of the price.</quote>"
msgstr ""
"Los costos de hacer negocios varían mucho para aquellos hechos con CC, pero "
"por lo general hay un límite mucho menor para la sostenibilidad que el que "
"posible manejar un negocio que obtiene la misma cantidad de anuncios que sus "
"antepasados por una fracción del precio.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1325
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1735
+msgid "Ibid., 55."
+msgstr "Ibid., 55."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1730
msgid ""
"Some creation costs are the same as they always were. It takes the same "
"amount of time and money to write a peer-reviewed journal article or paint a "
"painting. Technology can’t change that. But other costs are dramatically "
"reduced by technology, particularly in production-heavy domains like "
-"filmmaking.3 CC-licensed content and content in the public domain, as well "
-"as the work of volunteer collaborators, can also dramatically reduce costs "
-"if they’re being used as resources to create something new. And, of course, "
-"there is the reality that some content would be created whether or not the "
-"creator is paid because it is a labor of love."
+"filmmaking.<placeholder type=\"footnote\" id=\"0\"/> CC-licensed content and "
+"content in the public domain, as well as the work of volunteer "
+"collaborators, can also dramatically reduce costs if they’re being used as "
+"resources to create something new. And, of course, there is the reality that "
+"some content would be created whether or not the creator is paid because it "
+"is a labor of love."
msgstr ""
"Algunos costos de creación son los mismos que siempre han sido. Toma la "
"misma cantidad de tiempo y dinero escribir un artículo para una revista con "
"revisión de pares, o pintar una pintura. La tecnología no puede cambiar eso. "
"Pero otros costos se reducen dramáticamente con la tecnología, en particular "
-"en dominios con elevada producción como el cine.3 El contenido licenciado "
-"con CC y el contenido en el dominio público, así como el trabajo de personas "
-"que colaboran de forma voluntaria, también puede reducir los costos "
-"dramáticamente, si son usados como recursos para crear algo nuevo. Y, por "
-"supuesto, está la realidad de que algún contenido sería creado ya sea que a "
-"la persona creadora se le pague o no, porque es un trabajo por amor."
+"en dominios con elevada producción como el cine.<placeholder type=\"footnote"
+"\" id=\"0\"/> El contenido licenciado con CC y el contenido en el dominio "
+"público, así como el trabajo de personas que colaboran de forma voluntaria, "
+"también puede reducir los costos dramáticamente, si son usados como recursos "
+"para crear algo nuevo. Y, por supuesto, está la realidad de que algún "
+"contenido sería creado ya sea que a la persona creadora se le pague o no, "
+"porque es un trabajo por amor."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1335
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1747
+msgid ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
+"224."
+msgstr ""
+"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
+"Something for Nothing, nueva impresión con un nuevo prefacio (New York: "
+"Hyperion, 2010), 224."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1744
msgid ""
"Distributing content is almost universally cheaper than ever. Once content "
-"is created, the costs to distribute copies digitally are essentially zero.4 "
-"The costs to distribute physical copies are still significant, but lower "
-"than they have been historically. And it is now much easier to print and "
-"distribute physical copies on-demand, which also reduces costs. Depending on "
-"the endeavor, there can be a whole host of other possible expenses like "
-"marketing and promotion, and even expenses associated with the various ways "
-"money is being made, like touring or custom training."
+"is created, the costs to distribute copies digitally are essentially zero."
+"<placeholder type=\"footnote\" id=\"0\"/> The costs to distribute physical "
+"copies are still significant, but lower than they have been historically. "
+"And it is now much easier to print and distribute physical copies on-demand, "
+"which also reduces costs. Depending on the endeavor, there can be a whole "
+"host of other possible expenses like marketing and promotion, and even "
+"expenses associated with the various ways money is being made, like touring "
+"or custom training."
msgstr ""
"Distribuir contenido es casi universalmente más barato que nunca. Una vez "
"que el contenido es creado, los costos de distribuir copias digitales son "
-"esencialmente cero.4 Los costos de distribuir copias físicas aún son "
-"significativos, pero más bajos de lo que han sido históricamente. Y ahora es "
-"mucho más sencillo imprimir y distribuir copias físicas bajo demanda, lo que "
-"también reduce costos. Dependiendo del tipo de esfuerzo, puede haber una "
-"gran cantidad de otros gastos posibles, como mercadeo y promoción, e "
-"inclusos gastos asociados con las distintas formas en que se genera dinero, "
-"como realizar giras y entrenamiento personalizado."
+"esencialmente cero.<placeholder type=\"footnote\" id=\"0\"/> Los costos de "
+"distribuir copias físicas aún son significativos, pero más bajos de lo que "
+"han sido históricamente. Y ahora es mucho más sencillo imprimir y distribuir "
+"copias físicas bajo demanda, lo que también reduce costos. Dependiendo del "
+"tipo de esfuerzo, puede haber una gran cantidad de otros gastos posibles, "
+"como mercadeo y promoción, e inclusos gastos asociados con las distintas "
+"formas en que se genera dinero, como realizar giras y entrenamiento "
+"personalizado."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1769
+msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1348
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1759
+#, fuzzy
+#| msgid ""
+#| "It’s important to recognize that the biggest impact of technology on "
+#| "creative endeavors is that creators can now foot the costs of creation "
+#| "and distribution themselves. People now often have a direct route to "
+#| "their potential public without necessarily needing intermediaries like "
+#| "record labels and book publishers. Doctorow wrote, “If you’re a creator "
+#| "who never got the time of day from one of the great imperial powers, this "
+#| "is your time. Where once you had no means of reaching an audience without "
+#| "the assistance of the industry-dominating megacompanies, now you have "
+#| "hundreds of ways to do it without them.”<placeholder type=\"footnote\" id="
+#| "\"0\"/> Previously, distribution of creative work involved the costs "
+#| "associated with sustaining a monolithic entity, now creators can do the "
+#| "work themselves. That means the financial needs of creative endeavors can "
+#| "be a lot more modest."
msgid ""
"It’s important to recognize that the biggest impact of technology on "
"creative endeavors is that creators can now foot the costs of creation and "
"distribution themselves. People now often have a direct route to their "
"potential public without necessarily needing intermediaries like record "
-"labels and book publishers. Doctorow wrote, “If you’re a creator who never "
-"got the time of day from one of the great imperial powers, this is your "
-"time. Where once you had no means of reaching an audience without the "
+"labels and book publishers. Doctorow wrote, <quote>If you’re a creator who "
+"never got the time of day from one of the great imperial powers, this is "
+"your time. Where once you had no means of reaching an audience without the "
"assistance of the industry-dominating megacompanies, now you have hundreds "
-"of ways to do it without them.”5 Previously, distribution of creative work "
-"involved the costs associated with sustaining a monolithic entity, now "
-"creators can do the work themselves. That means the financial needs of "
-"creative endeavors can be a lot more modest."
+"of ways to do it without them.</quote><placeholder type=\"footnote\" id="
+"\"0\"/> Previously, distribution of creative work involved the costs "
+"associated with sustaining a monolithic entity, now creators can do the work "
+"themselves. That means the financial needs of creative endeavors can be a "
+"lot more modest."
msgstr ""
"Es importante reconocer que el mayor impacto de la tecnología en esfuerzos "
"creativos es que las personas creadoras ahora pueden pagar los costos de "
"poderes del imperio, este es su momento. Donde alguna vez no tenía medios "
"para alcanzar una audiencia sin la asistencia de las megacompañías que "
"dominan la industria, ahora tiene cientos de formas para hacerlo sin "
-"ellas.”5 Antes, la distribución de trabajos creativos involucraba costos "
-"asociados con mantener una entidad monolítica, ahora las personas creadoras "
-"pueden hacer el trabajo ellas mismas. Esto significa que las necesidades "
-"financieras de los esfuerzos creativos pueden ser mucho más modestas."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1359
+"ellas.”<placeholder type=\"footnote\" id=\"0\"/> Antes, la distribución de "
+"trabajos creativos involucraba costos asociados con mantener una entidad "
+"monolítica, ahora las personas creadoras pueden hacer el trabajo ellas "
+"mismas. Esto significa que las necesidades financieras de los esfuerzos "
+"creativos pueden ser mucho más modestas."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1776
+#, fuzzy
+#| msgid ""
+#| "Whether for an individual creator or a larger endeavor, it usually isn’t "
+#| "enough to break even if you want to make what you’re doing a livelihood. "
+#| "You need to build in some support for the general operation. This extra "
+#| "bit looks different for everyone, but importantly, in nearly all cases "
+#| "for those Made with Creative Commons, the definition of “enough money” "
+#| "looks a lot different than it does in the world of venture capital and "
+#| "stock options. It is more about sustainability and less about unlimited "
+#| "growth and profit. SparkFun founder Nathan Seidle told us, “Business "
+#| "model is a really grandiose word for it. It is really just about keeping "
+#| "the operation going day to day.”"
msgid ""
"Whether for an individual creator or a larger endeavor, it usually isn’t "
-"enough to break even if you want to make what you’re doing a livelihood. "
-"You need to build in some support for the general operation. This extra bit "
+"enough to break even if you want to make what you’re doing a livelihood. You "
+"need to build in some support for the general operation. This extra bit "
"looks different for everyone, but importantly, in nearly all cases for those "
-"Made with Creative Commons, the definition of “enough money” looks a lot "
-"different than it does in the world of venture capital and stock options. It "
-"is more about sustainability and less about unlimited growth and profit. "
-"SparkFun founder Nathan Seidle told us, “Business model is a really "
-"grandiose word for it. It is really just about keeping the operation going "
-"day to day.”"
+"Made with Creative Commons, the definition of <quote>enough money</quote> "
+"looks a lot different than it does in the world of venture capital and stock "
+"options. It is more about sustainability and less about unlimited growth and "
+"profit. SparkFun founder Nathan Seidle told us, <quote>Business model is a "
+"really grandiose word for it. It is really just about keeping the operation "
+"going day to day.</quote>"
msgstr ""
"Ya sea para una persona creadora o para un esfuerzo más grande, usualmente "
"no es suficiente apenas cubrir los gastos si se quiere hacer lo que se hace "
"realidad un nombre exagerado para esto. En realidad, es solo acerca de "
"mantener la operación funcionando día a día.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1365
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1789
msgid ""
"This book is a testament to the notion that it is possible to make money "
"while using CC licenses and CC-licensed content, but we are still very much "
"camino y adaptándose en tiempo real conforme persiguen esta nueva forma de "
"operar."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1369
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1797
+#, fuzzy
+#| msgid ""
+#| "There are, however, plenty of ways in which CC licensing can be good for "
+#| "business in fairly predictable ways. The first is how it helps solve "
+#| "“problem zero.”"
msgid ""
"There are, however, plenty of ways in which CC licensing can be good for "
"business in fairly predictable ways. The first is how it helps solve "
-"“problem zero.”"
+"<quote>problem zero.</quote>"
msgstr ""
"Sin embargo, hay muchas formas en las que el licenciamiento CC puede ser "
"bueno para negocios de formas bastantes predecibles. La primera es cómo "
"ayuda a resolver el «problema cero.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1371
-msgid "### Problem Zero: Getting Discovered"
-msgstr "### Problema Cero: ser descubierto"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1802
+msgid "Problem Zero: Getting Discovered"
+msgstr "Problema Cero: ser descubierto"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1809
+msgid ""
+"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
+"People Help (New York: Grand Central, 2014), 121."
+msgstr ""
+"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
+"People Help (New York: Grand Central, 2014), 121."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1386
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1824
+msgid ""
+"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
+"2012), 64."
+msgstr ""
+"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
+"2012), 64."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1804
+#, fuzzy
+#| msgid ""
+#| "Once you create or collect your content, the next step is finding users, "
+#| "customers, fans—in other words, your people. As Amanda Palmer wrote, “It "
+#| "has to start with the art. The songs had to touch people initially, and "
+#| "mean something, for anything to work at all.”<placeholder type=\"footnote"
+#| "\" id=\"0\"/> There isn’t any magic to finding your people, and there is "
+#| "certainly no formula. Your work has to connect with people and offer them "
+#| "some artistic and/or utilitarian value. In some ways, this is easier than "
+#| "ever. Online we are not limited by shelf space, so there is room for "
+#| "every obscure interest, taste, and need imaginable. This is what Chris "
+#| "Anderson dubbed the Long Tail, where consumption becomes less about "
+#| "mainstream mass “hits” and more about micromarkets for every particular "
+#| "niche. As Anderson wrote, “We are all different, with different wants and "
+#| "needs, and the Internet now has a place for all of them in the way that "
+#| "physical markets did not.”<placeholder type=\"footnote\" id=\"1\"/> We "
+#| "are no longer limited to what appeals to the masses."
msgid ""
"Once you create or collect your content, the next step is finding users, "
-"customers, fans—in other words, your people. As Amanda Palmer wrote, “It has "
-"to start with the art. The songs had to touch people initially, and mean "
-"something, for anything to work at all.”6 There isn’t any magic to finding "
-"your people, and there is certainly no formula. Your work has to connect "
-"with people and offer them some artistic and/or utilitarian value. In some "
-"ways, this is easier than ever. Online we are not limited by shelf space, so "
-"there is room for every obscure interest, taste, and need imaginable. This "
-"is what Chris Anderson dubbed the Long Tail, where consumption becomes less "
-"about mainstream mass “hits” and more about micromarkets for every "
-"particular niche. As Anderson wrote, “We are all different, with different "
-"wants and needs, and the Internet now has a place for all of them in the way "
-"that physical markets did not.”7 We are no longer limited to what appeals to "
-"the masses."
+"customers, fans—in other words, your people. As Amanda Palmer wrote, "
+"<quote>It has to start with the art. The songs had to touch people "
+"initially, and mean something, for anything to work at all.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/> There isn’t any magic to "
+"finding your people, and there is certainly no formula. Your work has to "
+"connect with people and offer them some artistic and/or utilitarian value. "
+"In some ways, this is easier than ever. Online we are not limited by shelf "
+"space, so there is room for every obscure interest, taste, and need "
+"imaginable. This is what Chris Anderson dubbed the Long Tail, where "
+"consumption becomes less about mainstream mass <quote>hits</quote> and more "
+"about micromarkets for every particular niche. As Anderson wrote, <quote>We "
+"are all different, with different wants and needs, and the Internet now has "
+"a place for all of them in the way that physical markets did not.</"
+"quote><placeholder type=\"footnote\" id=\"1\"/> We are no longer limited to "
+"what appeals to the masses."
msgstr ""
"Una vez que se crea o colecciona el contenido, el siguiente paso es "
"encontrar usuarios, clientes y fanáticos—en otras palabras, su gente. Como "
"Amanda Palmer escribió, «Tiene que empezar con el arte. Las canciones "
"tuvieron que tocar a la gente al inicio, y significar algo, para que "
-"cualquier cosa funcione.»6 No hay ninguna magia para encontrar su gente, y "
-"ciertamente no hay ninguna fórmula. El trabajo tiene que conectar con las "
-"personas y ofrecerles algún valor artístico y/o utilitario. De cierta forma, "
-"esto nunca antes ha sido tan fácil. En línea no estamos limitados por el "
-"espacio en los estantes, así que hay espacio para cualquier oscuro interés, "
-"gusto y necesidad imaginables. Esto es lo que Chris Anderson llamo la Larga "
-"Cola, donde el consumo se vuelve menos acerca de éxitos masivos populares, y "
-"más acerca de micromercados para cada nicho particular. Como escrribió "
-"Anderson, «Todos somos diferentes, con diferentes gustos y necesidades, y la "
-"Internet ahora tiene un lugar para todos estos en una forma que el mercado "
-"físico no tuvo.»7 Ya no estamos limitados a lo que apela a las masas."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1399
-msgid ""
-"While finding “your people” online is theoretically easier than in the "
-"analog world, as a practical matter it can still be difficult to actually "
-"get noticed. The Internet is a firehose of content, one that only grows "
-"larger by the minute. As a content creator, not only are you competing for "
-"attention against more content creators than ever before, you are competing "
-"against creativity generated outside the market as well.8 Anderson wrote, "
-"“The greatest change of the past decade has been the shift in time people "
-"spend consuming amateur content instead of professional content.”9 To top it "
-"all off, you have to compete against the rest of their lives, too—“friends, "
-"family, music playlists, soccer games, and nights on the town.”10 Somehow, "
-"some way, you have to get noticed by the right people."
+"cualquier cosa funcione.»<placeholder type=\"footnote\" id=\"0\"/> No hay "
+"ninguna magia para encontrar su gente, y ciertamente no hay ninguna fórmula. "
+"El trabajo tiene que conectar con las personas y ofrecerles algún valor "
+"artístico y/o utilitario. De cierta forma, esto nunca antes ha sido tan "
+"fácil. En línea no estamos limitados por el espacio en los estantes, así que "
+"hay espacio para cualquier oscuro interés, gusto y necesidad imaginables. "
+"Esto es lo que Chris Anderson llamo la Larga Cola, donde el consumo se "
+"vuelve menos acerca de éxitos masivos populares, y más acerca de "
+"micromercados para cada nicho particular. Como escrribió Anderson, «Todos "
+"somos diferentes, con diferentes gustos y necesidades, y la Internet ahora "
+"tiene un lugar para todos estos en una forma que el mercado físico no "
+"tuvo.»<placeholder type=\"footnote\" id=\"1\"/> Ya no estamos limitados a lo "
+"que apela a las masas."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1838
+msgid ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 70."
+msgstr ""
+"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons (Gabriola Island, BC: New Society, 2014), 70."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1845
+msgid "Anderson, Makers, 66."
+msgstr "Anderson, Makers, 66."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1850
+msgid ""
+"Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy (New "
+"York: Morgan James, 2016), 10."
+msgstr ""
+"Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy (New "
+"York: Morgan James, 2016), 10."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1830
+#, fuzzy
+#| msgid ""
+#| "While finding “your people” online is theoretically easier than in the "
+#| "analog world, as a practical matter it can still be difficult to actually "
+#| "get noticed. The Internet is a firehose of content, one that only grows "
+#| "larger by the minute. As a content creator, not only are you competing "
+#| "for attention against more content creators than ever before, you are "
+#| "competing against creativity generated outside the market as well."
+#| "<placeholder type=\"footnote\" id=\"0\"/> Anderson wrote, “The greatest "
+#| "change of the past decade has been the shift in time people spend "
+#| "consuming amateur content instead of professional content.”<placeholder "
+#| "type=\"footnote\" id=\"1\"/> To top it all off, you have to compete "
+#| "against the rest of their lives, too—“friends, family, music playlists, "
+#| "soccer games, and nights on the town.”<placeholder type=\"footnote\" id="
+#| "\"2\"/> Somehow, some way, you have to get noticed by the right people."
+msgid ""
+"While finding <quote>your people</quote> online is theoretically easier than "
+"in the analog world, as a practical matter it can still be difficult to "
+"actually get noticed. The Internet is a firehose of content, one that only "
+"grows larger by the minute. As a content creator, not only are you "
+"competing for attention against more content creators than ever before, you "
+"are competing against creativity generated outside the market as well."
+"<placeholder type=\"footnote\" id=\"0\"/> Anderson wrote, <quote>The "
+"greatest change of the past decade has been the shift in time people spend "
+"consuming amateur content instead of professional content.</"
+"quote><placeholder type=\"footnote\" id=\"1\"/> To top it all off, you have "
+"to compete against the rest of their lives, too—<quote>friends, family, "
+"music playlists, soccer games, and nights on the town.</quote><placeholder "
+"type=\"footnote\" id=\"2\"/> Somehow, some way, you have to get noticed by "
+"the right people."
msgstr ""
"Aunque encontrar a «su gente» en línea es en teoría más sencillo que en el "
"mundo analógico, como un asunto práctico puede aún ser difícil ser realmente "
"notado. La internet es una manguera de contenidos, una que crece cada "
"minuto. Como una persona creadora de contenidos, no solo se compite por "
"atención contra más creadoras de contenidos que nunca antes, también se "
-"compite contra la creatividad generada fuera del mercado.8 Anderson "
-"escribió, «El cambio más grande en la década pasada ha sido el cambio en el "
-"tiempo que las personas pasan consumiendo contenidos aficionados en lugar de "
-"contenidos profesionales.»9 Para colmo, se debe competir contra el resto de "
-"sus vidas también—«amistades, familia, listas de reproducción de música, "
-"juegos de fútbol y noches en la ciudad.»10 De algún modo, de alguna forma, "
-"tiene que llamar la atención de las personas correctas."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1412
+"compite contra la creatividad generada fuera del mercado.<placeholder type="
+"\"footnote\" id=\"0\"/> Anderson escribió, «El cambio más grande en la "
+"década pasada ha sido el cambio en el tiempo que las personas pasan "
+"consumiendo contenidos aficionados en lugar de contenidos "
+"profesionales.»<placeholder type=\"footnote\" id=\"1\"/> Para colmo, se debe "
+"competir contra el resto de sus vidas también—«amistades, familia, listas de "
+"reproducción de música, juegos de fútbol y noches en la ciudad.»<placeholder "
+"type=\"footnote\" id=\"2\"/> De algún modo, de alguna forma, tiene que "
+"llamar la atención de las personas correctas."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1864
+msgid "Anderson, Free, 62."
+msgstr "Anderson, Free, 62."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1856
+#, fuzzy
+#| msgid ""
+#| "When you come to the Internet armed with an all-rights-reserved mentality "
+#| "from the start, you are often restricting access to your work before "
+#| "there is even any demand for it. In many cases, requiring payment for "
+#| "your work is part of the traditional copyright system. Even a tiny cost "
+#| "has a big effect on demand. It’s called the penny gap—the large "
+#| "difference in demand between something that is available at the price of "
+#| "one cent versus the price of zero.<placeholder type=\"footnote\" id=\"0\"/"
+#| "> That doesn’t mean it is wrong to charge money for your content. It "
+#| "simply means you need to recognize the effect that doing so will have on "
+#| "demand. The same principle applies to restricting access to copy the "
+#| "work. If your problem is how to get discovered and find “your people,” "
+#| "prohibiting people from copying your work and sharing it with others is "
+#| "counterproductive."
msgid ""
"When you come to the Internet armed with an all-rights-reserved mentality "
"from the start, you are often restricting access to your work before there "
"is even any demand for it. In many cases, requiring payment for your work is "
"part of the traditional copyright system. Even a tiny cost has a big effect "
-"on demand. It’s called the penny gap—the large difference in demand between "
+"on demand. It’s called the penny gap—the large difference in demand between "
"something that is available at the price of one cent versus the price of "
-"zero.11 That doesn’t mean it is wrong to charge money for your content. It "
-"simply means you need to recognize the effect that doing so will have on "
-"demand. The same principle applies to restricting access to copy the work. "
-"If your problem is how to get discovered and find “your people,” prohibiting "
-"people from copying your work and sharing it with others is "
-"counterproductive."
+"zero.<placeholder type=\"footnote\" id=\"0\"/> That doesn’t mean it is wrong "
+"to charge money for your content. It simply means you need to recognize the "
+"effect that doing so will have on demand. The same principle applies to "
+"restricting access to copy the work. If your problem is how to get "
+"discovered and find <quote>your people,</quote> prohibiting people from "
+"copying your work and sharing it with others is counterproductive."
msgstr ""
"Al entrar a la Internet armaos con una mentalidad de todos los derechos "
"reservados desde el inicio, con frecuencia está restringiendo el acceso a su "
"tradicional de derechos de autor. Incluso un costo diminuto tiene un gran "
"efecto en la demanda. A esto se le llama la brecha del penique—la gran "
"diferencia en la demanda entre algo que está disponible por un precio de un "
-"centavo comparado con un precio de cero.11 Esto no significa que está "
-"equivocado cobrar dinero por su contenido. Simplemente significa que debe "
-"reconocer el efecto sobre la demanda que tiene el hacerlo. El mismo "
-"principio aplica a restringir al acceso a copiar el trabajo. Si su problema "
-"es cómo ser descubierto y encontrar a «su gente,» prohibirle a las personas "
-"que copien su trabajo y que lo compartan con otros es contraproducente."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1416
+"centavo comparado con un precio de cero.<placeholder type=\"footnote\" id="
+"\"0\"/> Esto no significa que está equivocado cobrar dinero por su "
+"contenido. Simplemente significa que debe reconocer el efecto sobre la "
+"demanda que tiene el hacerlo. El mismo principio aplica a restringir al "
+"acceso a copiar el trabajo. Si su problema es cómo ser descubierto y "
+"encontrar a «su gente,» prohibirle a las personas que copien su trabajo y "
+"que lo compartan con otros es contraproducente."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1878
+msgid "Doctorow, Information Doesn’t Want to Be Free, 38."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 38."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1874
+#, fuzzy
+#| msgid ""
+#| "Of course, it’s not that being discovered by people who like your work "
+#| "will make you rich—far from it. But as Cory Doctorow says, “Recognition "
+#| "is one of many necessary preconditions for artistic success.”<placeholder "
+#| "type=\"footnote\" id=\"0\"/>"
msgid ""
"Of course, it’s not that being discovered by people who like your work will "
-"make you rich—far from it. But as Cory Doctorow says, “Recognition is one of "
-"many necessary preconditions for artistic success.”12"
+"make you rich—far from it. But as Cory Doctorow says, <quote>Recognition is "
+"one of many necessary preconditions for artistic success.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Por supuesto, no es que ser descubierto por personas a las que les gusta su "
"trabajo le hará rico—lejos de eso. Pero como Cory Doctorow dice, «El "
"reconocimiento es una de las muchas precondiciones necesarias para el éxito "
-"artístico.»12"
+"artístico.»<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1425
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1882
msgid ""
"Choosing not to spend time and energy restricting access to your work and "
"policing infringement also builds goodwill. Lumen Learning, a for-profit "
"misión detrás de lo que ellos hacen. Ellos creen que esta decisión ha "
"generado una inmensa cantidad de buena voluntad dentro de la comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1432
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1900
+msgid "Bollier, Think Like a Commoner, 68."
+msgstr "Bollier, Think Like a Commoner, 68."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1893
+#, fuzzy
+#| msgid ""
+#| "It is not just that restricting access to your work may undermine your "
+#| "social mission. It also may alienate the people who most value your "
+#| "creative work. If people like your work, their natural instinct will be "
+#| "to share it with others. But as David Bollier wrote, “Our natural human "
+#| "impulses to imitate and share—the essence of culture—have been "
+#| "criminalized.”<placeholder type=\"footnote\" id=\"0\"/>"
msgid ""
"It is not just that restricting access to your work may undermine your "
"social mission. It also may alienate the people who most value your creative "
"work. If people like your work, their natural instinct will be to share it "
-"with others. But as David Bollier wrote, “Our natural human impulses to "
-"imitate and share—the essence of culture—have been criminalized.”13"
+"with others. But as David Bollier wrote, <quote>Our natural human impulses "
+"to imitate and share—the essence of culture—have been criminalized.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"No es solo que restringir el acceso a su trabajo puede socavar su misión "
"social. También puede alienar a las personas que más valoran su trabajo "
"creativo. Si a las personas les gusta el trabajo, su instinto natural será "
"compartirlo con otras. Pero como David Bollier escribió, «Nuestros impulsos "
"de naturaleza humana a imitar y compartir—la esencia de la cultura—han sido "
-"criminalizados.»13"
+"criminalizados.»<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1440
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1904
msgid ""
"The fact that copying can carry criminal penalties undoubtedly deters "
"copying it, but copying with the click of a button is too easy and "
"convenient to ever fully stop it. Try as the copyright industry might to "
"persuade us otherwise, copying a copyrighted work just doesn’t feel like "
-"stealing a loaf of bread. And, of course, that’s because it isn’t. Sharing "
-"a creative work has no impact on anyone else’s ability to make use of it."
+"stealing a loaf of bread. And, of course, that’s because it isn’t. Sharing a "
+"creative work has no impact on anyone else’s ability to make use of it."
msgstr ""
"El hecho de que copiar puede traer penas criminales sin duda desalienta a "
"copiarlo, pero copiar con el clic de un botón es demasiado fácil y "
"de pan. Y, por supuesto, esto es porque no es así. Compartir un trabajo "
"creativo no tiene impacto en la capacidad de nadie más para usarlo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1454
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1913
+#, fuzzy
+#| msgid ""
+#| "If you take some amount of copying and sharing your work as a given, you "
+#| "can invest your time and resources elsewhere, rather than wasting them on "
+#| "playing a cat and mouse game with people who want to copy and share your "
+#| "work. Lizzy Jongma from the Rijksmuseum said, “We could spend a lot of "
+#| "money trying to protect works, but people are going to do it anyway. And "
+#| "they will use bad-quality versions.” Instead, they started releasing high-"
+#| "resolution digital copies of their collection into the public domain and "
+#| "making them available for free on their website. For them, sharing was a "
+#| "form of quality control over the copies that were inevitably being shared "
+#| "online. Doing this meant forgoing the revenue they previously got from "
+#| "selling digital images. But Lizzy says that was a small price to pay for "
+#| "all of the opportunities that sharing unlocked for them."
msgid ""
"If you take some amount of copying and sharing your work as a given, you can "
"invest your time and resources elsewhere, rather than wasting them on "
"playing a cat and mouse game with people who want to copy and share your "
-"work. Lizzy Jongma from the Rijksmuseum said, “We could spend a lot of money "
-"trying to protect works, but people are going to do it anyway. And they "
-"will use bad-quality versions.” Instead, they started releasing high-"
-"resolution digital copies of their collection into the public domain and "
-"making them available for free on their website. For them, sharing was a "
+"work. Lizzy Jongma from the Rijksmuseum said, <quote>We could spend a lot of "
+"money trying to protect works, but people are going to do it anyway. And "
+"they will use bad-quality versions.</quote> Instead, they started releasing "
+"high-resolution digital copies of their collection into the public domain "
+"and making them available for free on their website. For them, sharing was a "
"form of quality control over the copies that were inevitably being shared "
"online. Doing this meant forgoing the revenue they previously got from "
"selling digital images. But Lizzy says that was a small price to pay for all "
"imágenes digitales. Pero Lizzy dice que fue un pequeño precio que pagar por "
"todas las oportunidades que el compartir desbloqueó para ellos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1462
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1933
+msgid "Anderson, Free, 86."
+msgstr "Anderson, Free, 86."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1929
+#, fuzzy
+#| msgid ""
+#| "Being Made with Creative Commons means you stop thinking about ways to "
+#| "artificially make your content scarce, and instead leverage it as the "
+#| "potentially abundant resource it is.<placeholder type=\"footnote\" id="
+#| "\"0\"/> When you see information abundance as a feature, not a bug, you "
+#| "start thinking about the ways to use the idling capacity of your content "
+#| "to your advantage. As my friend and colleague Eric Steuer once said, "
+#| "“Using CC licenses shows you get the Internet.”"
msgid ""
"Being Made with Creative Commons means you stop thinking about ways to "
"artificially make your content scarce, and instead leverage it as the "
-"potentially abundant resource it is.14 When you see information abundance as "
-"a feature, not a bug, you start thinking about the ways to use the idling "
-"capacity of your content to your advantage. As my friend and colleague Eric "
-"Steuer once said, “Using CC licenses shows you get the Internet.”"
+"potentially abundant resource it is.<placeholder type=\"footnote\" id=\"0\"/"
+"> When you see information abundance as a feature, not a bug, you start "
+"thinking about the ways to use the idling capacity of your content to your "
+"advantage. As my friend and colleague Eric Steuer once said, <quote>Using CC "
+"licenses shows you get the Internet.</quote>"
msgstr ""
-"Ser Hecho con Creative Commons significa dejar de pensar sobre formas de "
+"Ser _Hecho con Creative Commons_ significa dejar de pensar sobre formas de "
"hacer su contenido artificialmente escaso, y en lugar de eso aprovecharlo "
-"como el recurso potencialmente abundante que es.14 Cuando se ve la "
-"abundancia de la información como una funcionalidad y no un error, se "
-"empieza a pensar sobre formas de usar la capacidad ociosa de su contenido "
-"para su ventaja. Como mi amigo y colega Eric Steuer dijo una vez, «Usar "
-"licencias CC demuestra que usted entiende la Internet.»"
+"como el recurso potencialmente abundante que es.<placeholder type=\"footnote"
+"\" id=\"0\"/> Cuando se ve la abundancia de la información como una "
+"funcionalidad y no un error, se empieza a pensar sobre formas de usar la "
+"capacidad ociosa de su contenido para su ventaja. Como mi amigo y colega "
+"Eric Steuer dijo una vez, «Usar licencias CC demuestra que usted entiende la "
+"Internet.»"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1944
+msgid "Doctorow, Information Doesn’t Want to Be Free, 144."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 144."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1471
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1941
msgid ""
"Cory Doctorow says it costs him nothing when other people make copies of his "
-"work, and it opens the possibility that he might get something in return.15 "
-"Similarly, the makers of the Arduino boards knew it was impossible to stop "
-"people from copying their hardware, so they decided not to even try and "
-"instead look for the benefits of being open. For them, the result is one of "
-"the most ubiquitous pieces of hardware in the world, with a thriving online "
-"community of tinkerers and innovators that have done things with their work "
-"they never could have done otherwise."
+"work, and it opens the possibility that he might get something in return."
+"<placeholder type=\"footnote\" id=\"0\"/> Similarly, the makers of the "
+"Arduino boards knew it was impossible to stop people from copying their "
+"hardware, so they decided not to even try and instead look for the benefits "
+"of being open. For them, the result is one of the most ubiquitous pieces of "
+"hardware in the world, with a thriving online community of tinkerers and "
+"innovators that have done things with their work they never could have done "
+"otherwise."
msgstr ""
"Cory Doctorow dice que no le cuesta nada cuando otras personas hacen copias "
"de su trabajo, y esto abre la posibilidad de que el pueda obtener algo a "
-"cambio.15 De forma similar, quienes hacen las placas Arduino supieron que "
-"era imposible para a las personas para que no copiaran su hardware, así que "
-"decidieron ni siquiera intentarlo y en lugar de eso buscar los beneficios de "
-"ser abiertos. Para ellos, el resultado es una de las piezas de hardware más "
-"ubicuas del mundo, con una floreciente comunidad en línea de personas "
-"pensadoras e innovadoras que han hecho cosas con su trabajo que nunca "
-"hubieran podido hacer de otra manera."
+"cambio.<placeholder type=\"footnote\" id=\"0\"/> De forma similar, quienes "
+"hacen las placas Arduino supieron que era imposible para a las personas para "
+"que no copiaran su hardware, así que decidieron ni siquiera intentarlo y en "
+"lugar de eso buscar los beneficios de ser abiertos. Para ellos, el resultado "
+"es una de las piezas de hardware más ubicuas del mundo, con una floreciente "
+"comunidad en línea de personas pensadoras e innovadoras que han hecho cosas "
+"con su trabajo que nunca hubieran podido hacer de otra manera."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1474
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1954
msgid ""
"There are all kinds of way to leverage the power of sharing and remix to "
"your benefit. Here are a few."
"Hay muchas formas de aprovechar el poder de compartir y remezclar para su "
"beneficio. Aquí hay unas cuantas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1476
-msgid "#### Use CC to grow a larger audience"
-msgstr "#### Usar CC para generar una audiencia más grande"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1958
+msgid "Use CC to grow a larger audience"
+msgstr "Usar CC para generar una audiencia más grande"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1486
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1960
+#, fuzzy
+#| msgid ""
+#| "Putting a Creative Commons license on your content won’t make it "
+#| "automatically go viral, but eliminating legal barriers to copying the "
+#| "work certainly can’t hurt the chances that your work will be shared. The "
+#| "CC license symbolizes that sharing is welcome. It can act as a little tap "
+#| "on the shoulder to those who come across the work—a nudge to copy the "
+#| "work if they have any inkling of doing so. All things being equal, if one "
+#| "piece of content has a sign that says Share and the other says Don’t "
+#| "Share (which is what “©” means), which do you think people are more "
+#| "likely to share?"
msgid ""
"Putting a Creative Commons license on your content won’t make it "
"automatically go viral, but eliminating legal barriers to copying the work "
"the shoulder to those who come across the work—a nudge to copy the work if "
"they have any inkling of doing so. All things being equal, if one piece of "
"content has a sign that says Share and the other says Don’t Share (which is "
-"what “©” means), which do you think people are more likely to share?"
+"what <quote>©</quote> means), which do you think people are more likely to "
+"share?"
msgstr ""
"El poner una licencia Creative Commons en su contenido no lo hará viral de "
"forma automática, pero eliminar barreras legales para copiar su trabajo "
"tiene una seña que dice Compartir y la otra dice No Compartir (que es lo que "
"«©» significa), ¿cuál cree que sea más probable que las personas compartan?"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1493
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1972
msgid ""
"The Conversation is an online news site with in-depth articles written by "
"academics who are experts on particular topics. All of the articles are CC-"
"una parte central del valor para autores y autoras académicas que quieren "
"alcanzar tantas personas lectoras como sea posible."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1505
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1989
+msgid "Anderson, Free, 123."
+msgstr "Anderson, Free, 123."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1981
+#, fuzzy
+#| msgid ""
+#| "The idea that more eyeballs equates with more success is a form of the "
+#| "max strategy, adopted by Google and other technology companies. According "
+#| "to Google’s Eric Schmidt, the idea is simple: “Take whatever it is you "
+#| "are doing and do it at the max in terms of distribution. The other way of "
+#| "saying this is that since marginal cost of distribution is free, you "
+#| "might as well put things everywhere.”<placeholder type=\"footnote\" id="
+#| "\"0\"/> This strategy is what often motivates companies to make their "
+#| "products and services free (i.e., no cost), but the same logic applies to "
+#| "making content freely shareable. Because CC-licensed content is free (as "
+#| "in cost) and can be freely copied, CC licensing makes it even more "
+#| "accessible and likely to spread."
msgid ""
"The idea that more eyeballs equates with more success is a form of the max "
-"strategy, adopted by Google and other technology companies. According to "
-"Google’s Eric Schmidt, the idea is simple: “Take whatever it is you are "
-"doing and do it at the max in terms of distribution. The other way of saying "
-"this is that since marginal cost of distribution is free, you might as well "
-"put things everywhere.”16 This strategy is what often motivates companies to "
-"make their products and services free (i.e., no cost), but the same logic "
-"applies to making content freely shareable. Because CC-licensed content is "
-"free (as in cost) and can be freely copied, CC licensing makes it even more "
-"accessible and likely to spread."
+"strategy, adopted by Google and other technology companies. According to "
+"Google’s Eric Schmidt, the idea is simple: <quote>Take whatever it is you "
+"are doing and do it at the max in terms of distribution. The other way of "
+"saying this is that since marginal cost of distribution is free, you might "
+"as well put things everywhere.</quote><placeholder type=\"footnote\" id="
+"\"0\"/> This strategy is what often motivates companies to make their "
+"products and services free (i.e., no cost), but the same logic applies to "
+"making content freely shareable. Because CC-licensed content is free (as in "
+"cost) and can be freely copied, CC licensing makes it even more accessible "
+"and likely to spread."
msgstr ""
"La idea de que más ojos es igual a más éxito es una forma de la estrategia "
"de máximo, adoptada por Google y otras compañías de tecnología. De acuerdo "
"con Eric Schmidt de Google, la idea es simple: ”Tomar lo que sea que esté "
"haciendo y hacerlo al máximo en términos de distribución. La otra forma de "
"decir esto es que dado que los costos marginales de distribución son "
-"gratuitos, también es posible poner las cosas en todo lado.”16 Esta "
-"estrategia es lo que con frecuencia motiva a las compañías a hacer productos "
-"y servicios gratuitos (esto es, sin costo), pero la misma lógica aplica a "
-"hacer contenido que se pueda compartir libremente. Como el contenido "
-"licenciado con CC es gratis (sin costo) y puede ser copiado de forma libre, "
-"el licenciamiento CC lo hace aun más accesible y que sea más probable que "
-"prolifere."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1513
+"gratuitos, también es posible poner las cosas en todo lado.”<placeholder "
+"type=\"footnote\" id=\"0\"/> Esta estrategia es lo que con frecuencia motiva "
+"a las compañías a hacer productos y servicios gratuitos (esto es, sin "
+"costo), pero la misma lógica aplica a hacer contenido que se pueda compartir "
+"libremente. Como el contenido licenciado con CC es gratis (sin costo) y "
+"puede ser copiado de forma libre, el licenciamiento CC lo hace aun más "
+"accesible y que sea más probable que prolifere."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2003
+msgid "Ibid., 132."
+msgstr "Ibid., 132."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2008
+msgid "Ibid., 70."
+msgstr "Ibid., 70."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:1998
msgid ""
"If you are successful in reaching more users, readers, listeners, or other "
"consumers of your work, you can start to benefit from the bandwagon effect. "
"The simple fact that there are other people consuming or following your work "
-"spurs others to want to do the same.17 This is, in part, because we simply "
-"have a tendency to engage in herd behavior, but it is also because a large "
-"following is at least a partial indicator of quality or usefulness.18"
+"spurs others to want to do the same.<placeholder type=\"footnote\" id=\"0\"/"
+"> This is, in part, because we simply have a tendency to engage in herd "
+"behavior, but it is also because a large following is at least a partial "
+"indicator of quality or usefulness.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Si tiene éxito alcanzando más personas usuarias, lectoras, oyentes u otros "
"clientes para su trabajo, puede empezar a beneficiarse del efecto de "
"arrastre. El simple hecho de que hay otras personas consumiendo o siguiendo "
-"su trabajo estimula a otras a querer hacer lo mismo.17 Esto es, en parte, "
-"porque simplemente tenemos una tendencia a engancharnos en un comportamiento "
-"de manada, pero también es porque un gran número de personas seguidoras es "
-"por lo menos un indicador parcial de calidad o utilidad.18"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1515
-msgid "#### Use CC to get attribution and name recognition"
-msgstr "#### Usar CC para obtener atribución y reconocimiento de nombre"
+"su trabajo estimula a otras a querer hacer lo mismo.<placeholder type="
+"\"footnote\" id=\"0\"/> Esto es, en parte, porque simplemente tenemos una "
+"tendencia a engancharnos en un comportamiento de manada, pero también es "
+"porque un gran número de personas seguidoras es por lo menos un indicador "
+"parcial de calidad o utilidad.<placeholder type=\"footnote\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2013
+msgid "Use CC to get attribution and name recognition"
+msgstr "Usar CC para obtener atribución y reconocimiento de nombre"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2027
+#, fuzzy
+#| msgid ""
+#| "James Surowiecki, The Wisdom of Crowds (New York: Anchor Books, 2005), "
+#| "124. Surowiecki says, “The measure of success of laws and contracts is "
+#| "how rarely they are invoked.”"
+msgid ""
+"James Surowiecki, The Wisdom of Crowds (New York: Anchor Books, 2005), 124. "
+"Surowiecki says, <quote>The measure of success of laws and contracts is how "
+"rarely they are invoked.</quote>"
+msgstr ""
+"James Surowiecki, The Wisdom of Crowds (New York: Anchor Books, 2005), 124. "
+"Surowiecki dice, «La medida del éxito de leyes y contratos es qué tan poco "
+"frecuentemente son invocados.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1530
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2015
msgid ""
"Every Creative Commons license requires that credit be given to the author, "
"and that reusers supply a link back to the original source of the material. "
"norms, rather than the threat of legal enforcement, that most often motivate "
"people to provide attribution and otherwise comply with the CC license terms "
"anyway. This is the mark of any well-functioning community, within both the "
-"marketplace and the society at large.19 CC licenses reflect a set of wishes "
-"on the part of creators, and in the vast majority of circumstances, people "
-"are naturally inclined to follow those wishes. This is particularly the case "
-"for something as straightforward and consistent with basic notions of "
-"fairness as providing credit."
+"marketplace and the society at large.<placeholder type=\"footnote\" id=\"0\"/"
+"> CC licenses reflect a set of wishes on the part of creators, and in the "
+"vast majority of circumstances, people are naturally inclined to follow "
+"those wishes. This is particularly the case for something as straightforward "
+"and consistent with basic notions of fairness as providing credit."
msgstr ""
"Cada licencia Creative Commons requiere que se de crédito a la persona "
"autora, y que quienes lo reutilicen brinden un enlace de vuelta a la fuente "
"sociales, más que la amenaza de aplicar la ley, lo que por lo general motiva "
"a la gente a dar atribución y cumplir con los términos de las licencias CC "
"de cualquier forma. Esta es la marca de cualquier comunidad que funciona "
-"bien, tanto dentro del mercado como de la sociedad en general.19 Las "
-"licencias CC reflejan un conjunto de deseos de parte de las personas "
-"creadoras, y en una gran mayoría de circunstancias, las personas están "
-"inclinadas de forma natural a seguir esos deseos. Esto se da en particular "
-"en el caso de algo tan directo y consistente con nociones básicas de "
-"justicia, como dar crédito."
+"bien, tanto dentro del mercado como de la sociedad en general.<placeholder "
+"type=\"footnote\" id=\"0\"/> Las licencias CC reflejan un conjunto de deseos "
+"de parte de las personas creadoras, y en una gran mayoría de circunstancias, "
+"las personas están inclinadas de forma natural a seguir esos deseos. Esto se "
+"da en particular en el caso de algo tan directo y consistente con nociones "
+"básicas de justicia, como dar crédito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1541
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2038
msgid ""
"The fact that the name of the creator follows a CC-licensed work makes the "
"licenses an important means to develop a reputation or, in corporate speak, "
"con CC es una forma de tener a la mayor cantidad posible de gente viendo y "
"citando su trabajo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1553
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2052
msgid ""
"Attribution can be about more than just receiving credit. It can also be "
"about establishing provenance. People naturally want to know where content "
"came from—the source of a work is sometimes just as interesting as the work "
"itself. Opendesk is a platform for furniture designers to share their "
-"designs. Consumers who like those designs can then get matched with local "
+"designs. Consumers who like those designs can then get matched with local "
"makers who turn the designs into real-life furniture. The fact that I, "
"sitting in the middle of the United States, can pick out a design created by "
"a designer in Tokyo and then use a maker within my own community to "
"tangible es parte del poder de su plataforma. La procedencia del diseño es "
"una parte especial del producto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1561
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2067
msgid ""
"Knowing the source of a work is also critical to ensuring its credibility. "
"Just as a trademark is designed to give consumers a way to identify the "
"discursos en línea están plagados de desinformación, ser una fuente "
"confiable de información es más valioso que nunca."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1563
-msgid "#### Use CC-licensed content as a marketing tool"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2077
+msgid "Use CC-licensed content as a marketing tool"
msgstr ""
-"#### Utilizar el contenido licenciado con CC como una herramienta "
-"publicitaria"
+"Utilizar el contenido licenciado con CC como una herramienta publicitaria"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1570
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2079
msgid ""
"As we will cover in more detail later, many endeavors that are Made with "
"Creative Commons make money by providing a product or service other than the "
"con CC. En todos los casos, el contenido licenciado con CC puede atraer y "
"llevar a la gente al otro producto o servicio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1583
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2101
+msgid "Anderson, Free, 44."
+msgstr "Anderson, Free, 44."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2088
msgid ""
"Knowledge Unlatched’s Pinter told us she has seen time and again how "
"offering CC-licensed content—that is, digitally for free—actually increases "
"most recognizable painting on the planet. Its ubiquity has the effect of "
"catalyzing interest in seeing the painting in person, and in owning physical "
"goods with the image. Abundant copies of the content often entice more "
-"demand, not blunt it. Another example came with the advent of the radio. "
+"demand, not blunt it. Another example came with the advent of the radio. "
"Although the music industry did not see it coming (and fought it!), free "
"music on the radio functioned as advertising for the paid version people "
-"bought in music stores.20 Free can be a form of promotion."
+"bought in music stores.<placeholder type=\"footnote\" id=\"0\"/> Free can be "
+"a form of promotion."
msgstr ""
"Frances Pinter, de Knowledge Unlatched, nos contó que ella ha visto una y "
"otra vez cómo ofrecer contenido licenciado con una licencia CC —esto es, "
"Otro ejemplo proviene del advenimiento de la radio. Aunque la industria "
"musical no la vio venir (¡e incluso luchó contra ella!), la música gratis en "
"la radio funcionó como una forma de publicidad para la versión paga que la "
-"gente compraba en las tiendas de música.20 Lo gratuito puede ser una forma "
-"de promoción."
+"gente compraba en las tiendas de música.<placeholder type=\"footnote\" id="
+"\"0\"/> Lo gratuito puede ser una forma de promoción."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1597
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2105
msgid ""
"In some cases, endeavors that are Made with Creative Commons do not even "
"need dedicated marketing teams or marketing budgets. Cards Against Humanity "
"marketing. The textbook publisher OpenStax has also avoided hiring a "
"marketing team. Their products are free, or cheaper to buy in the case of "
"physical copies, which makes them much more attractive to students who then "
-"demand them from their universities. They also partner with service "
+"demand them from their universities. They also partner with service "
"providers who build atop the CC-licensed content and, in turn, spend money "
"and resources marketing those services (and by extension, the OpenStax "
"textbooks)."
"gastan dinero yrecursos publicitando esos servicios (y, por extensión, los "
"libros de texto de OpenStax)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1599
-msgid "#### Use CC to enable hands-on engagement with your work"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2122
+msgid "Use CC to enable hands-on engagement with your work"
msgstr ""
-"#### Utilizar CC para que otros se comprometan con tu trabajo y participen "
+"Utilizar CC para que otros se comprometan con tu trabajo y participen "
"activamente"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1604
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2125
msgid ""
"The great promise of Creative Commons licensing is that it signifies an "
"embrace of remix culture. Indeed, this is the great promise of digital "
"tecnología digital. La Internet abrió todo un mundo nuevo de posibilidades "
"para la participación pública en el trabajo creativo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1614
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2139
+msgid "Osterwalder and Pigneur, Business Model Generation, 23."
+msgstr "Osterwalder y Pigneur, Business Model Generation, 23."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2132
msgid ""
"Four of the six CC licenses enable reusers to take apart, build upon, or "
"otherwise adapt the work. Depending on the context, adaptation can mean "
"wildly different things—translating, updating, localizing, improving, "
"transforming. It enables a work to be customized for particular needs, uses, "
-"people, and communities, which is another distinct value to offer the "
-"public.21 Adaptation is more game changing in some contexts than others. "
-"With educational materials, the ability to customize and update the content "
-"is critically important for its usefulness. For photography, the ability to "
-"adapt a photo is less important."
+"people, and communities, which is another distinct value to offer the public."
+"<placeholder type=\"footnote\" id=\"0\"/> Adaptation is more game changing "
+"in some contexts than others. With educational materials, the ability to "
+"customize and update the content is critically important for its usefulness. "
+"For photography, the ability to adapt a photo is less important."
msgstr ""
"Cuatro de las seis licencias de Creative Commons habilitan a los remixadores "
"tomar algo, construir sobre o de otra manera adaptar el trabajo. Dependiendo "
"diferentes —traducir, actualizar, contextualizar, mejorar, transformar. "
"Permite que una obra sea customizada para necesidades particulares, usos, "
"personas y comunidades, que es otro valor distintivo para ofrecerle al "
-"público.21 La adaptación cambia más el juego en algunos contextos que en "
-"otros. Con los materiales educativos, la posibilidad de adaptarlos y "
-"actualizar el contenido es de una importancia crítica para su utilidad. Para "
-"la fotografía, la posibilidad de adaptar una foto es menos importante."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1626
+"público.<placeholder type=\"footnote\" id=\"0\"/> La adaptación cambia más "
+"el juego en algunos contextos que en otros. Con los materiales educativos, "
+"la posibilidad de adaptarlos y actualizar el contenido es de una importancia "
+"crítica para su utilidad. Para la fotografía, la posibilidad de adaptar una "
+"foto es menos importante."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2152
+msgid "Anderson, Free, 67."
+msgstr "Anderson, Free, 67."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2157
+msgid "Ibid., 58."
+msgstr "Ibid., 58."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2160
+msgid "Anderson, Makers, 71."
+msgstr "Anderson, Makers, 71."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2165
+msgid ""
+"Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into "
+"Collaborators (London: Penguin Books, 2010), 78."
+msgstr ""
+"Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into "
+"Collaborators (Londres: Penguin Books, 2010), 78."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2147
+#, fuzzy
+#| msgid ""
+#| "This is a way to counteract a potential downside of the abundance of free "
+#| "and open content described above. As Anderson wrote in Free, “People "
+#| "often don’t care as much about things they don’t pay for, and as a result "
+#| "they don’t think as much about how they consume them.”<placeholder type="
+#| "\"footnote\" id=\"0\"/> If even the tiny act of volition of paying one "
+#| "penny for something changes our perception of that thing, then surely the "
+#| "act of remixing it enhances our perception exponentially.<placeholder "
+#| "type=\"footnote\" id=\"1\"/> We know that people will pay more for "
+#| "products they had a part in creating.<placeholder type=\"footnote\" id="
+#| "\"2\"/> And we know that creating something, no matter what quality, "
+#| "brings with it a type of creative satisfaction that can never be replaced "
+#| "by consuming something created by someone else.<placeholder type="
+#| "\"footnote\" id=\"3\"/>"
msgid ""
"This is a way to counteract a potential downside of the abundance of free "
-"and open content described above. As Anderson wrote in Free, “People often "
-"don’t care as much about things they don’t pay for, and as a result they "
-"don’t think as much about how they consume them.”22 If even the tiny act of "
-"volition of paying one penny for something changes our perception of that "
-"thing, then surely the act of remixing it enhances our perception "
-"exponentially.23 We know that people will pay more for products they had a "
-"part in creating.24 And we know that creating something, no matter what "
-"quality, brings with it a type of creative satisfaction that can never be "
-"replaced by consuming something created by someone else.25"
+"and open content described above. As Anderson wrote in Free, <quote>People "
+"often don’t care as much about things they don’t pay for, and as a result "
+"they don’t think as much about how they consume them.</quote><placeholder "
+"type=\"footnote\" id=\"0\"/> If even the tiny act of volition of paying one "
+"penny for something changes our perception of that thing, then surely the "
+"act of remixing it enhances our perception exponentially.<placeholder type="
+"\"footnote\" id=\"1\"/> We know that people will pay more for products they "
+"had a part in creating.<placeholder type=\"footnote\" id=\"2\"/> And we know "
+"that creating something, no matter what quality, brings with it a type of "
+"creative satisfaction that can never be replaced by consuming something "
+"created by someone else.<placeholder type=\"footnote\" id=\"3\"/>"
msgstr ""
"Esta es una forma de contrarrestar un potencial aspecto negativo de la "
"abundancia del contenido libre y abierto descripto más arriba. Como Anderson "
"escribió en Free, “las personas a menudo no se preocupan tanto de las cosas "
"por las que no pagaron, y como resultado no piensan tanto sobre cómo las "
-"consumen.”22 Si el pequeño acto de voluntad de pagar incluso un centavo por "
-"algo cambia nuestra percepción de ese objeto, entonces definitivamente el "
-"acto de remixarlo aumenta exponencialmente nuestra percepción de él.23 "
-"Sabemos que la gente pagará más por productos en los que tomó parte en "
-"crearlos.24 Y sabemos que crear algo, no importa de qué calidad, trae "
-"consigo un tipo de satisfacción creativa que nunca puede ser reemplazada "
-"consumiendo algo creado por otro.25"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1634
+"consumen.”<placeholder type=\"footnote\" id=\"0\" /> Si el pequeño acto "
+"volitivo de pagar incluso un centavo por algo cambia nuestra percepción de "
+"ese objeto, entonces definitivamente el acto de remezclarlo aumenta "
+"exponencialmente nuestra percepción de él.<placeholder type=\"footnote\" id="
+"\"1\"/> Sabemos que la gente pagará más por productos en cuya creación "
+"estuvo involucrada.<placeholder type=\"footnote\" id=\"2\"/> Y sabemos que "
+"crear algo, no importa de qué calidad, conlleva un tipo de satisfacción "
+"creativa que nunca puede ser reemplazada consumiendo algo creado por otro."
+"<placeholder type=\"footnote\" id=\"3\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2178
+msgid "Ibid., 21."
+msgstr "Ibid., 21."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2171
+#, fuzzy
+#| msgid ""
+#| "Actively engaging with the content helps us avoid the type of aimless "
+#| "consumption that anyone who has absentmindedly scrolled through their "
+#| "social-media feeds for an hour knows all too well. In his book, Cognitive "
+#| "Surplus, Clay Shirky says, “To participate is to act as if your presence "
+#| "matters, as if, when you see something or hear something, your response "
+#| "is part of the event.”<placeholder type=\"footnote\" id=\"0\"/> Opening "
+#| "the door to your content can get people more deeply tied to your work."
msgid ""
"Actively engaging with the content helps us avoid the type of aimless "
"consumption that anyone who has absentmindedly scrolled through their social-"
"media feeds for an hour knows all too well. In his book, Cognitive Surplus, "
-"Clay Shirky says, “To participate is to act as if your presence matters, as "
-"if, when you see something or hear something, your response is part of the "
-"event.”26 Opening the door to your content can get people more deeply tied "
-"to your work."
+"Clay Shirky says, <quote>To participate is to act as if your presence "
+"matters, as if, when you see something or hear something, your response is "
+"part of the event.</quote><placeholder type=\"footnote\" id=\"0\"/> Opening "
+"the door to your content can get people more deeply tied to your work."
msgstr ""
"Comprometerse activamente con el contenido nos ayuda a evitar el tipo de "
"consumo sin sentido que conoce muy bien cualquiera que haya revisado durante "
"una hora sus redes sociales sin prestar atención. En su libro \"Cognitive "
"Surplus\" Clay Shirky dice: “Participar es actuar como si tu presencia "
"importara, como si, cuando ves algo o escuchás algo, tu respuesta fuera "
-"parte del evento”.26 Abrir la puerta a tu contenido puede hacer que la gente "
-"se conecte más profundamente con tu trabajo."
+"parte del evento”.<placeholder type=\"footnote\" id=\"0\" /> Abrir la puerta "
+"a tu contenido puede hacer que la gente se conecte más profundamente con tu "
+"trabajo."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2184
+msgid "Use CC to differentiate yourself"
+msgstr "Usar CC para diferenciarse"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1636
-msgid "#### Use CC to differentiate yourself"
-msgstr "#### Usar CC para diferenciarse"
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2193
+msgid "Doctorow, Information Doesn’t Want to Be Free, 43."
+msgstr "Doctorow, Information Doesn’t Want to Be Free, 43."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1648
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2186
+#, fuzzy
+#| msgid ""
+#| "Operating under a traditional copyright regime usually means operating "
+#| "under the rules of establishment players in the media. Business "
+#| "strategies that are embedded in the traditional copyright system, like "
+#| "using digital rights management (DRM) and signing exclusivity contracts, "
+#| "can tie the hands of creators, often at the expense of the creator’s best "
+#| "interest.<placeholder type=\"footnote\" id=\"0\"/> Being Made with "
+#| "Creative Commons means you can function without those barriers and, in "
+#| "many cases, use the increased openness as a competitive advantage. David "
+#| "Harris from OpenStax said they specifically pursue strategies they know "
+#| "that traditional publishers cannot. “Don’t go into a market and play by "
+#| "the incumbent rules,” David said. “Change the rules of engagement.”"
msgid ""
"Operating under a traditional copyright regime usually means operating under "
"the rules of establishment players in the media. Business strategies that "
"are embedded in the traditional copyright system, like using digital rights "
"management (DRM) and signing exclusivity contracts, can tie the hands of "
-"creators, often at the expense of the creator’s best interest.27 Being Made "
-"with Creative Commons means you can function without those barriers and, in "
-"many cases, use the increased openness as a competitive advantage. David "
-"Harris from OpenStax said they specifically pursue strategies they know that "
-"traditional publishers cannot. “Don’t go into a market and play by the "
-"incumbent rules,” David said. “Change the rules of engagement.”"
+"creators, often at the expense of the creator’s best interest.<placeholder "
+"type=\"footnote\" id=\"0\"/> Being Made with Creative Commons means you can "
+"function without those barriers and, in many cases, use the increased "
+"openness as a competitive advantage. David Harris from OpenStax said they "
+"specifically pursue strategies they know that traditional publishers cannot. "
+"<quote>Don’t go into a market and play by the incumbent rules,</quote> David "
+"said. <quote>Change the rules of engagement.</quote>"
msgstr ""
"Operar bajo un régimen tradicional de derecho de autor a menudo significa "
"operar bajo las reglas de los jugadores establecidos en los medios. Las "
"derecho de autor, como utilizar sistemas de gestión digital de derechos "
"(DRM, por sus siglas en inglés) y firmar contratos de exclusividad, puede "
"atar las manos de los creadores, a menudo a costa de los propios intereses "
-"del creador.27 Estar Hecho con Creative Commons significa que se puede "
-"funcionar sin esas barreras y, en muchos casos, utilizar la apertura "
-"incrementada como una ventaja competitiva. David Harris de OpenStax dijo que "
-"ellos específicamente persiguen estrategias que saben que los editores "
-"tradicionales no pueden buscar. “No vayas al mercado y juegues según las "
-"reglas impuestas”, dijo David. “Cambia las reglas del juego.”"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1650
-msgid "### Making Money"
-msgstr "### Hacer dinero"
+"del creador.<placeholder type=\"footnote\" id=\"0\"/> Estar _Hecho con "
+"Creative Commons_ significa que se puede funcionar sin esas barreras y, en "
+"muchos casos, utilizar la apertura incrementada como una ventaja "
+"competitiva. David Harris de OpenStax dijo que ellos específicamente "
+"persiguen estrategias que saben que los editores tradicionales no pueden "
+"buscar. “No vayas al mercado y juegues según las reglas impuestas”, dijo "
+"David. “Cambia las reglas del juego.”"
+
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2205
+msgid "Making Money"
+msgstr "Hacer dinero"
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2215
+#, fuzzy
+#| msgid ""
+#| "William Landes Foster, Peter Kim, and Barbara Christiansen, “Ten "
+#| "Nonprofit Funding Models,” Stanford Social Innovation Review, Spring "
+#| "2009, <ulink url=\"http://ssir.org/articles/entry/"
+#| "ten_nonprofit_funding_models\"/>."
+msgid ""
+"William Landes Foster, Peter Kim, and Barbara Christiansen, <quote>Ten "
+"Nonprofit Funding Models,</quote> Stanford Social Innovation Review, Spring "
+"2009, <ulink url=\"http://ssir.org/articles/entry/"
+"ten_nonprofit_funding_models\"/>."
+msgstr ""
+"William Landes Foster, Peter Kim, y Barbara Christiansen, “Ten Nonprofit "
+"Funding Models,” Stanford Social Innovation Review, Primavera 2009, <ulink "
+"url=\"http://ssir.org/articles/entry/ten_nonprofit_funding_models\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1665
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2207
msgid ""
"Like any moneymaking endeavor, those that are Made with Creative Commons "
-"have to generate some type of value for their audience or customers. "
+"have to generate some type of value for their audience or customers. "
"Sometimes that value is subsidized by funders who are not actually "
"beneficiaries of that value. Funders, whether philanthropic institutions, "
"governments, or concerned individuals, provide money to the organization out "
"of a sense of pure altruism. This is the way traditional nonprofit funding "
-"operates.28 But in many cases, the revenue streams used by endeavors that "
-"are Made with Creative Commons are directly tied to the value they generate, "
-"where the recipient is paying for the value they receive like any standard "
-"market transaction. In still other cases, rather than the quid pro quo "
-"exchange of money for value that typically drives market transactions, the "
-"recipient gives money out of a sense of reciprocity."
+"operates.<placeholder type=\"footnote\" id=\"0\"/> But in many cases, the "
+"revenue streams used by endeavors that are Made with Creative Commons are "
+"directly tied to the value they generate, where the recipient is paying for "
+"the value they receive like any standard market transaction. In still other "
+"cases, rather than the quid pro quo exchange of money for value that "
+"typically drives market transactions, the recipient gives money out of a "
+"sense of reciprocity."
msgstr ""
"Como cualquier emprendimiento que busca hacer dinero, aquellos que están "
"Hechos con Creative Commons tienen que generar algún tipo de valor para su "
"no son en realidad los beneficiarios de ese valor. Los donantes, ya sean "
"instituciones filantrópicas, gobiernos o individuos interesados, proveen "
"dinero a la organización a partir de un sentido de puro altruismo. Esta es "
-"la forma en la que opera la donación tradicional sin ánimo de lucro.28 Pero "
-"en muchos casos, los flujos de ganancia utilizados por los emprendimientos "
-"Hechos con Creative Commons están directamente atados al valor que generan, "
-"donde el receptor está pagando por el valor que reciben, como cualquier "
-"transacción estándar en el mercado. Aún así, en muchos otros casos,en vez "
-"del típico intercambio quid pro quo de dinero por valor que típicamente "
-"conduce a las transacciones en el mercado, el receptor entrega dinero a "
-"partir de un sentido de reciprocidad."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1673
+"la forma en la que opera la donación tradicional sin ánimo de lucro."
+"<placeholder type=\"footnote\" id=\"0\"/> Pero en muchos casos, los flujos "
+"de ganancia utilizados por los emprendimientos Hechos con Creative Commons "
+"están directamente atados al valor que generan, donde el receptor está "
+"pagando por el valor que reciben, como cualquier transacción estándar en el "
+"mercado. Aún así, en muchos otros casos,en vez del típico intercambio quid "
+"pro quo de dinero por valor que típicamente conduce a las transacciones en "
+"el mercado, el receptor entrega dinero a partir de un sentido de "
+"reciprocidad."
+
+#. type: Content of: <book><part><chapter><sect1><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2236
+msgid "Shirky, Cognitive Surplus, 111."
+msgstr "Shirky, Cognitive Surplus, 111."
+
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2228
+#, fuzzy
+#| msgid ""
+#| "Most who are Made with Creative Commons use a variety of methods to bring "
+#| "in revenue, some market-based and some not. One common strategy is using "
+#| "grant funding for content creation when research-and-development costs "
+#| "are particularly high, and then finding a different revenue stream (or "
+#| "streams) for ongoing expenses. As Shirky wrote, “The trick is in knowing "
+#| "when markets are an optimal way of organizing interactions and when they "
+#| "are not.”<placeholder type=\"footnote\" id=\"0\"/>"
msgid ""
"Most who are Made with Creative Commons use a variety of methods to bring in "
"revenue, some market-based and some not. One common strategy is using grant "
"funding for content creation when research-and-development costs are "
"particularly high, and then finding a different revenue stream (or streams) "
-"for ongoing expenses. As Shirky wrote, “The trick is in knowing when markets "
-"are an optimal way of organizing interactions and when they are not.”29"
+"for ongoing expenses. As Shirky wrote, <quote>The trick is in knowing when "
+"markets are an optimal way of organizing interactions and when they are not."
+"</quote><placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"La mayoría de los que están Hechos con Creative Commons utilizan una "
"variedad de métodos para traer ganancias, algunos de ellos basados en el "
"desarrollo son particularmente altos, y luego buscar un flujo (o flujos) "
"diferentes de ganancias para los gastos corrientes. Como escribió Shirky, "
"“El truco está en saber cuándo los mercados son una forma óptima de "
-"organizar las interacciones y cuándo no.”29"
+"organizar las interacciones y cuándo no.”<placeholder type=\"footnote\" id="
+"\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1680
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2240
msgid ""
"Our case studies explore in more detail the various revenue-generating "
"mechanisms used by the creators, organizations, and businesses we "
"interviewed. There is nuance hidden within the specific ways each of them "
"makes money, so it is a bit dangerous to generalize too much about what we "
-"learned. Nonetheless, zooming out and viewing things from a higher level of "
+"learned. Nonetheless, zooming out and viewing things from a higher level of "
"abstraction can be instructive."
msgstr ""
"Nuestros estudios de caso exploran en más detalle los varios mecanismos "
"instructivo tomar distancia para observar y ver las cosas desde un nivel más "
"alto de abstracción."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1682
-msgid "#### Market-based revenue streams"
-msgstr "#### Flujos de ganancia basados en el mercado"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2249
+msgid "Market-based revenue streams"
+msgstr "Flujos de ingresos basados en el mercado"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1689
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2254
+msgid "Osterwalder and Pigneur, Business Model Generation, 30."
+msgstr "Osterwalder y Pigneur, Business Model Generation, 30."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2261
+msgid ""
+"Jim Whitehurst, The Open Organization: Igniting Passion and Performance "
+"(Boston: Harvard Business Review Press, 2015), 202."
+msgstr ""
+"Jim Whitehurst, The Open Organization: Igniting Passion and Performance "
+"(Boston: Harvard Business Review Press, 2015), 202."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2251
msgid ""
"In the market, the central question when determining how to bring in revenue "
-"is what value people are willing to pay for.30 By definition, if you are "
-"Made with Creative Commons, the content you provide is available for free "
-"and not a market commodity. Like the ubiquitous freemium business model, any "
-"possible market transaction with a consumer of your content has to be based "
-"on some added value you provide.31"
+"is what value people are willing to pay for.<placeholder type=\"footnote\" "
+"id=\"0\"/> By definition, if you are Made with Creative Commons, the content "
+"you provide is available for free and not a market commodity. Like the "
+"ubiquitous freemium business model, any possible market transaction with a "
+"consumer of your content has to be based on some added value you provide."
+"<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"En el mercado, la pregunta central al determinar cómo traer ingresos es qué "
-"valora la gente y por qué están dispuestos a pagar.30 Por definición, si "
-"estás Hecho con Creative Commons, el contenido que proveés está disponible "
-"de manera gratuita y no es una bien en el mercado. Al igual que el extendido "
-"modelo de negocios \"freemium\", cualquier posible transacción en el mercado "
-"con un consumidor de tu contenido tiene que estar basada en un tipo de valor "
-"añadido que uno le provee al producto.31"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1703
+"es lo que valora la gente y por qué están dispuestos a pagar.<placeholder "
+"type=\"footnote\" id=\"0\"/> Por definición, si estás Hecho con Creative "
+"Commons, el contenido que proveés está disponible de manera gratuita y no es "
+"un bien en el mercado. Al igual que el extendido modelo de negocios "
+"\"freemium\", cualquier transacción posible en el mercado con un consumidor "
+"de tu contenido tiene que estar basada en un tipo de valor añadido que uno "
+"le provee al producto.<placeholder type=\"footnote\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2277
+msgid "Anderson, Free, 71."
+msgstr "Anderson, Free, 71."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2267
+#, fuzzy
+#| msgid ""
+#| "In many ways, this is the way of the future for all content-driven "
+#| "endeavors. In the market, value lives in things that are scarce. Because "
+#| "the Internet makes a universe of content available to all of us for free, "
+#| "it is difficult to get people to pay for content online. The struggling "
+#| "newspaper industry is a testament to this fact. This is compounded by the "
+#| "fact that at least some amount of copying is probably inevitable. That "
+#| "means you may end up competing with free versions of your own content, "
+#| "whether you condone it or not.<placeholder type=\"footnote\" id=\"0\"/> "
+#| "If people can easily find your content for free, getting people to buy it "
+#| "will be difficult, particularly in a context where access to content is "
+#| "more important than owning it. In Free, Anderson wrote, “Copyright "
+#| "protection schemes, whether coded into either law or software, are simply "
+#| "holding up a price against the force of gravity.”"
msgid ""
"In many ways, this is the way of the future for all content-driven "
"endeavors. In the market, value lives in things that are scarce. Because the "
"industry is a testament to this fact. This is compounded by the fact that at "
"least some amount of copying is probably inevitable. That means you may end "
"up competing with free versions of your own content, whether you condone it "
-"or not.32 If people can easily find your content for free, getting people to "
-"buy it will be difficult, particularly in a context where access to content "
-"is more important than owning it. In Free, Anderson wrote, “Copyright "
-"protection schemes, whether coded into either law or software, are simply "
-"holding up a price against the force of gravity.”"
+"or not.<placeholder type=\"footnote\" id=\"0\"/> If people can easily find "
+"your content for free, getting people to buy it will be difficult, "
+"particularly in a context where access to content is more important than "
+"owning it. In Free, Anderson wrote, <quote>Copyright protection schemes, "
+"whether coded into either law or software, are simply holding up a price "
+"against the force of gravity.</quote>"
msgstr ""
"De muchas maneras, este es el camino al futuro para todas las empresas de "
"contenido. En el mercado, el valor vive en las cosas que son escasas. La "
-"Internet crea un universo de contenido disponible para todos gratuitamentes, "
-"es difícil hacer que la getnte pague por el contenido en línea. La "
-"luchadora industria periodística es un testamento de este hecho. Esto junto "
-"al hecho de que al menos un poco de plagio sea probablemente inevitable. "
-"Eso significa que terminaras compitiendo con versiones libres de tu propio "
-"contenido, ya sea que lo aceptes o no. 32 Si la gente puede hallar tú "
-"contenido sin costo, hacer que lo compren será difícil, particularmente en "
-"un contexto donde el acceso al contenido es más importante que poseerlo. En "
-"Free, Anderson escribió, \" Los esquemas de protección de copyright, este "
-"inscrito en software o en la ley, está simplemente manteniendo un precio en "
-"contra de la fuerza de la gravedad.\""
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1712
+"Internet crea un universo de contenido disponible para todos gratuitamente, "
+"es difícil hacer que la gente pague por el contenido en línea. La luchadora "
+"industria periodística es un testamento de este hecho. Esto junto al hecho "
+"de que al menos un poco de plagio sea probablemente inevitable. Eso "
+"significa que terminaras compitiendo con versiones libres de tu propio "
+"contenido, ya sea que lo aceptes o no.<placeholder type=\"footnote\" id="
+"\"0\" /> Si la gente puede hallar tu contenido sin costo, hacer que lo "
+"compren será difícil, particularmente en un contexto donde el acceso al "
+"contenido es más importante que poseerlo. En Free, Anderson escribió, \" Los "
+"esquemas de protección de derechos de autor, este inscrito en software o en "
+"la ley, está simplemente manteniendo un precio en contra de la fuerza de la "
+"gravedad.\""
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2296
+msgid "Ibid., 231."
+msgstr "Ibid., 231."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2286
+#, fuzzy
+#| msgid ""
+#| "Of course, this doesn’t mean that content-driven endeavors have no future "
+#| "in the traditional marketplace. In Free, Anderson explains how when one "
+#| "product or service becomes free, as information and content largely have "
+#| "in the digital age, other things become more valuable. “Every abundance "
+#| "creates a new scarcity,” he wrote. You just have to find some way other "
+#| "than the content to provide value to your audience or customers. As "
+#| "Anderson says, “It’s easy to compete with Free: simply offer something "
+#| "better or at least different from the free version.”<placeholder type="
+#| "\"footnote\" id=\"0\"/>"
msgid ""
"Of course, this doesn’t mean that content-driven endeavors have no future in "
"the traditional marketplace. In Free, Anderson explains how when one product "
"or service becomes free, as information and content largely have in the "
-"digital age, other things become more valuable. “Every abundance creates a "
-"new scarcity,” he wrote. You just have to find some way other than the "
-"content to provide value to your audience or customers. As Anderson says, "
-"“It’s easy to compete with Free: simply offer something better or at least "
-"different from the free version.”33"
+"digital age, other things become more valuable. <quote>Every abundance "
+"creates a new scarcity,</quote> he wrote. You just have to find some way "
+"other than the content to provide value to your audience or customers. As "
+"Anderson says, <quote>It’s easy to compete with Free: simply offer something "
+"better or at least different from the free version.</quote><placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Por supuesto, esto no significa que las empresas de contenido no tengan "
"futuro en el mercado tradicional. En Free, Anderson explica como cuando un "
"largamente han sido en la era digital, otras cosas se vuelven mas valiosas. "
"\" Toda abundancia crea una nueva escasez,\" escribió. Sólo tienes que "
"encontrar otra via para que el contenido provea valor a tu audiencia o "
-"clientela. Como dice Anderson, \"Es sencillo competir con la gratuidad: "
-"simplemente ofrcece algo mejor o al menos diferente de la versión gratuita."
-"\"33"
+"clientela. Como dice Anderson, ”Es sencillo competir con la gratuidad: "
+"simplemente ofrcece algo mejor o al menos diferente de la versión "
+"gratuita.”<placeholder type=\"footnote\" id=\"0\"/> 1"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1719
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2300
msgid ""
"In light of this reality, in some ways endeavors that are Made with Creative "
"Commons are at a level playing field with all content-based endeavors in the "
"era digital. De hecho, es posible que tengan una ventaja porque ellos puden "
"usar la abundancia de contenido para obtener ganancia de algo escaso. "
"Tambien se pueden beneficiar de la buena voluntad sostenida por los valores "
-"detras de Hecho con Creative Commons."
+"detras de _Hecho con Creative Commons_."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1725
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2309
msgid ""
"For content creators and distributors, there are nearly infinite ways to "
"provide value to the consumers of your work, above and beyond the value that "
"licenciado bajo CC funciona como una herramienta de mercadeo del producto o "
"servicio asociado con un costo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1727
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2316
msgid "Here are the most common high-level categories."
msgstr "Aquí hay algunas de la categorias superiores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1729
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2320
msgid ""
-"#### Providing a custom service to consumers of your work * \\[MARKET-BASED"
-"\\]*"
+"Providing a custom service to consumers of your work <emphasis>[MARKET-"
+"BASED]</emphasis>"
msgstr ""
-"#### Proveer servicio personalizado a los consumidores de tu trabajo *"
-"\\[BASADO EN EL MERCADO\\]*"
+"Proveer servicio personalizado a los consumidores de tu trabajo "
+"<emphasis>[BASADO EN EL MERCADO]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2330
+msgid "Ibid., 97."
+msgstr "Ibid., 97."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1738
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2323
+#, fuzzy
+#| msgid ""
+#| "In this age of information abundance, we don’t lack for content. The "
+#| "trick is finding content that matches our needs and wants, so customized "
+#| "services are particularly valuable. As Anderson wrote, “Commodity "
+#| "information (everybody gets the same version) wants to be free. "
+#| "Customized information (you get something unique and meaningful to you) "
+#| "wants to be expensive.”<placeholder type=\"footnote\" id=\"0\"/> This can "
+#| "be anything from the artistic and cultural consulting services provided "
+#| "by Ártica to the custom-song business of Jonathan “Song-A-Day” Mann."
msgid ""
"In this age of information abundance, we don’t lack for content. The trick "
"is finding content that matches our needs and wants, so customized services "
-"are particularly valuable. As Anderson wrote, “Commodity information "
-"(everybody gets the same version) wants to be free. Customized information "
-"(you get something unique and meaningful to you) wants to be expensive.”34 "
-"This can be anything from the artistic and cultural consulting services "
-"provided by Ártica to the custom-song business of Jonathan “Song-A-Day” Mann."
+"are particularly valuable. As Anderson wrote, <quote>Commodity information "
+"(everybody gets the same version) wants to be free. Customized information "
+"(you get something unique and meaningful to you) wants to be expensive.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/> This can be anything from "
+"the artistic and cultural consulting services provided by Ártica to the "
+"custom-song business of Jonathan <quote>Song-A-Day</quote> Mann."
msgstr ""
"En esta era de la abundancia de la información, no sufriremos por falta de "
"contenido. El truco es encontrar contenido que se ajuste a nuestras "
"necesidades y preferencias, por lo que los servicios personalizados son "
"particularmente valiosos. Como escribió Anderson, \"Los bienes de contenido "
"(todos obtienen la misma versión) requieren ser libres. Los contenidos "
-"personalizados ( obtienes algo único y significativo para ti) requieren un "
-"costo.\"34 Esto pude ser cualquier cosa desde los servicios de consultoria "
-"artistica y cultural provista por Ártica hasta el negocio de canciones "
-"personalizadas de Jonathan \"Una-canción-al-dia\" Mann."
+"personalizados (obtienes algo único y significativo para ti) requieren un "
+"costo.\"<placeholder type=\"footnote\" id=\"0\" /> Esto pude ser cualquier "
+"cosa desde los servicios de consultoria artistica y cultural provista por "
+"Ártica hasta el negocio de canciones personalizadas de Jonathan \"Una-"
+"canción-al-dia\" Mann."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1740
-msgid "#### Charging for the physical copy * \\[MARKET-BASED\\]*"
-msgstr "#### Cobrando por la copia física *\\[BASADO EN EL MERCADO\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2338
+msgid "Charging for the physical copy <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Cobrando por la copia física <emphasis>[BASADO EN EL MERCADO]</emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2345
+msgid "Anderson, Makers, 107."
+msgstr "Anderson, Makers, 107."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1761
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2341
msgid ""
"In his book about maker culture, Anderson characterizes this model as giving "
"away the bits and selling the atoms (where bits refers to digital content "
-"and atoms refer to a physical object).35 This is particularly successful in "
-"domains where the digital version of the content isn’t as valuable as the "
-"analog version, like book publishing where a significant subset of people "
-"still prefer reading something they can hold in their hands. Or in domains "
-"where the content isn’t useful until it is in physical form, like furniture "
-"designs. In those situations, a significant portion of consumers will pay "
-"for the convenience of having someone else put the physical version together "
-"for them. Some endeavors squeeze even more out of this revenue stream by "
-"using a Creative Commons license that only allows noncommercial uses, which "
-"means no one else can sell physical copies of their work in competition with "
-"them. This strategy of reserving commercial rights can be particularly "
-"important for items like books, where every printed copy of the same work is "
-"likely to be the same quality, so it is harder to differentiate one "
-"publishing service from another. On the other hand, for items like furniture "
-"or electronics, the provider of the physical goods can compete with other "
-"providers of the same works based on quality, service, or other traditional "
-"business principles."
+"and atoms refer to a physical object).<placeholder type=\"footnote\" id="
+"\"0\"/> This is particularly successful in domains where the digital version "
+"of the content isn’t as valuable as the analog version, like book publishing "
+"where a significant subset of people still prefer reading something they can "
+"hold in their hands. Or in domains where the content isn’t useful until it "
+"is in physical form, like furniture designs. In those situations, a "
+"significant portion of consumers will pay for the convenience of having "
+"someone else put the physical version together for them. Some endeavors "
+"squeeze even more out of this revenue stream by using a Creative Commons "
+"license that only allows noncommercial uses, which means no one else can "
+"sell physical copies of their work in competition with them. This strategy "
+"of reserving commercial rights can be particularly important for items like "
+"books, where every printed copy of the same work is likely to be the same "
+"quality, so it is harder to differentiate one publishing service from "
+"another. On the other hand, for items like furniture or electronics, the "
+"provider of the physical goods can compete with other providers of the same "
+"works based on quality, service, or other traditional business principles."
msgstr ""
"En su libro acerca de los creadores culturales, Anderson caracterizó el "
"modelo como dar los bits y vender los átomos (donde bits se refiere al "
-"contenido digital y átomos se refiere a los objetos físicos).35 Esto es "
-"particularmente exitoso en ámbitos donde la versión digital del contenido no "
-"es tan valiosa como la versión analógica, como las editoriales donde una "
-"significativa parte de la gente todavía prefiere leér algo que puedan "
-"sostener con las manos. O en áreas donde el contenido no es útil hasta que "
-"esta en su forma física, como el diseño de muebles. En esas situaciones, una "
-"parte significativa de los consumidores pagará por la conveniencia de tener "
-"alguien que ponga la versión física junto a ellos. Algunas empresas aun más "
-"ventaja de este flujo de ganancias al usar una licencia Creative Commons que "
-"solo permite usos no comerciales, lo que significa que nadie más puede "
-"vender copias físicas de su trabajo en competencia con ellos. Esta "
-"estrategia de reservar derechos comerciales pueden ser particularmente "
-"importantes para artículos como libros, donde cada copia impresa del mismo "
-"libro debería tener la misma calidad, por lo que es difícil de diferenciar "
-"un servicio de publicación de otro. De otra parte, para artículos como "
-"mobilario o electrónica, el proveedor de bienes físicos puede competir con "
-"otros proveedores del mismo trabajo basado en la calidad, servicio, o algún "
-"otro principio de trabajo tradicional."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1763
-msgid "#### Charging for the in-person version * \\[MARKET-BASED\\]*"
-msgstr "#### Cobrando por la versión en persona *\\[BASADA EN EL MERCADO\\]*"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1771
+"contenido digital y átomos se refiere a los objetos físicos).<placeholder "
+"type=\"footnote\" id=\"0\"/> Esto es particularmente exitoso en ámbitos "
+"donde la versión digital del contenido no es tan valiosa como la versión "
+"analógica, como las editoriales donde una significativa parte de la gente "
+"todavía prefiere leer algo que puedan sostener con las manos. O en áreas "
+"donde el contenido no es útil hasta que esta en su forma física, como el "
+"diseño de muebles. En esas situaciones, una parte significativa de los "
+"consumidores pagará por la conveniencia de tener alguien que ponga la "
+"versión física junto a ellos. Algunas empresas aun más ventaja de este flujo "
+"de ganancias al usar una licencia Creative Commons que solo permite usos no "
+"comerciales, lo que significa que nadie más puede vender copias físicas de "
+"su trabajo en competencia con ellos. Esta estrategia de reservar derechos "
+"comerciales pueden ser particularmente importantes para artículos como "
+"libros, donde cada copia impresa del mismo libro debería tener la misma "
+"calidad, por lo que es difícil de diferenciar un servicio de publicación de "
+"otro. De otra parte, para artículos como mobiliario o electrónica, el "
+"proveedor de bienes físicos puede competir con otros proveedores del mismo "
+"trabajo basado en la calidad, servicio, o algún otro principio de trabajo "
+"tradicional."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2369
+msgid "Charging for the in-person version <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Cobrando por la versión en persona <emphasis>[BASADA EN EL MERCADO]</"
+"emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2372
msgid ""
"As anyone who has ever gone to a concert will tell you, experiencing "
"creativity in person is a completely different experience from consuming a "
"originales en persona o paga por asistir a una plática o a un curso de "
"capacitación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1773
-msgid "#### Selling merchandise * \\[MARKET-BASED\\]*"
-msgstr "#### Vendiendo mercancia *\\[BASADO EN EL MERCADO\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2383
+msgid "Selling merchandise <emphasis>[MARKET-BASED]</emphasis>"
+msgstr "Vendiendo mercancia <emphasis>[BASADO EN EL MERCADO]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1778
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2386
msgid ""
"In many cases, people who like your work will pay for products demonstrating "
"a connection to your work. As a child of the 1980s, I can personally attest "
"puedo atestiguar personalmente el poder de una playera de un buen concierto. "
"Esto puede ser un flujo de ganancias importante para galerias y museos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1789
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2403
+msgid "Osterwalder and Pigneur, Business Model Generation, 89."
+msgstr "Osterwalder y Pigneur, Business Model Generation, 89."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2393
msgid ""
"Sometimes the way to find a market-based revenue stream is by providing "
-"value to people other than those who consume your CC-licensed content. In "
+"value to people other than those who consume your CC-licensed content. In "
"these revenue streams, the free content is being subsidized by an entirely "
"different category of people or businesses. Often, those people or "
"businesses are paying to access your main audience. The fact that the "
"content is free increases the size of the audience, which in turn makes the "
"offer more valuable to the paying customers. This is a variation of a "
-"traditional business model built on free called multi-sided platforms.36 "
-"Access to your audience isn’t the only thing people are willing to pay for—"
-"there are other services you can provide as well."
+"traditional business model built on free called multi-sided platforms."
+"<placeholder type=\"footnote\" id=\"0\"/> Access to your audience isn’t the "
+"only thing people are willing to pay for—there are other services you can "
+"provide as well."
msgstr ""
"Algunas veces una via para encontrar un flujo de ganancias basadas en el "
"mercado es proveer valor a otras personas distintas a las que consumen tu "
-"contenido licenciado bajo CC. En estos flujps de ganancias, el contenido "
-"gratuito es subsidiado por una categoria totalmente diferente de personas o "
-"negocios. Comunmente, esas personas o negocios estan pagando para acceder a "
+"contenido licenciado bajo CC. En estos flujos de ganancias, el contenido "
+"gratuito es subsidiado por una categoría totalmente diferente de personas o "
+"negocios. Comúnmente, esas personas o negocios están pagando para acceder a "
"tu principal audiencia. El hecho de que el contenido sea gratuito incrementa "
"el tamaño de la audiencia, la cual vuelve la oferta más valiosa para los "
"clientes pagadores. Esta es una variación del modelo de negocios tradicional "
-"creado en la llamada plataforma múlticaras. 36 El acceso a tu audiencia no "
-"es la única cosa por la que la gente está dispuesta a pagar -- existen otros "
-"servicios que tambien se pueden proveer."
+"creado en la llamada plataforma multicaras.<placeholder type=\"footnote\" id="
+"\"0\"/> El acceso a tu audiencia no es la única cosa por la que la gente "
+"está dispuesta a pagar -- existen otros servicios que también se pueden "
+"proveer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1791
-msgid "#### Charging advertisers or sponsors * \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2410
+msgid "Charging advertisers or sponsors <emphasis>[MARKET-BASED]</emphasis>"
msgstr ""
-"#### Cobrando a los anunciantes o promotores *\\[BASADO EN EL MERCADO\\]*"
+"Cobrando a los anunciantes o promotores <emphasis>[BASADO EN EL MERCADO]</"
+"emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2418
+msgid "Ibid., 92."
+msgstr "Ibid., 92."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1802
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2422
+msgid "Anderson, Free, 142."
+msgstr "Anderson, Free, 142."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2413
msgid ""
"The traditional model of subsidizing free content is advertising. In this "
"version of multi-sided platforms, advertisers pay for the opportunity to "
"reach the set of eyeballs the content creators provide in the form of their "
-"audience.37 The Internet has made this model more difficult because the "
-"number of potential channels available to reach those eyeballs has become "
-"essentially infinite.38 Nonetheless, it remains a viable revenue stream for "
+"audience.<placeholder type=\"footnote\" id=\"0\"/> The Internet has made "
+"this model more difficult because the number of potential channels available "
+"to reach those eyeballs has become essentially infinite.<placeholder type="
+"\"footnote\" id=\"1\"/> Nonetheless, it remains a viable revenue stream for "
"many content creators, including those who are Made with Creative Commons. "
"Often, instead of paying to display advertising, the advertiser pays to be "
"an official sponsor of particular content or projects, or of the overall "
"El modelo tradicional de subsidiar el contenido gratuito son los "
"anunciantes. En esta versión de la plataforma multi-caras, los anunciantes "
"pagan por la oportunidad de alcanzar el conjunto de visualizadores que "
-"provee el contenido del creador en la forma de su audiencia. 37 El Internet "
-"ha hecho este modelo más difícil porque el número de canales poteniales "
-"disponibles para alcanzar esos visualizadores se ha vuelto esencialmente "
-"infinito. 38 No obstante, se mantiene como un flujo de ganancias para muchos "
-"creadores de contenido, incluyendo aquellos que son Hechos con Creative "
-"Commons. Frecuentemente, en vez de pagar para desplegar anuncias, el "
-"anunciante paga por ser un promotor oficial de un contenido o proyecto "
+"provee el contenido del creador en la forma de su audiencia.<placeholder "
+"type=\"footnote\" id=\"0\"/> El Internet ha hecho este modelo más difícil "
+"porque el número de canales poteniales disponibles para alcanzar esos "
+"visualizadores se ha vuelto esencialmente infinit0.<placeholder type="
+"\"footnote\" id=\"1\"/> No obstante, se mantiene como un flujo de ganancias "
+"para muchos creadores de contenido, incluyendo aquellos que son Hechos con "
+"Creative Commons. Frecuentemente, en vez de pagar para desplegar anuncias, "
+"el anunciante paga por ser un promotor oficial de un contenido o proyecto "
"particular, o de toda la empresa."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1804
-msgid "#### Charging your content creators * \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2431
+msgid "Charging your content creators <emphasis>[MARKET-BASED]</emphasis>"
msgstr ""
-"#### Cobrando a los creadores de contenido *\\[BASADO EN EL MERCADO]\\*"
+"Cobrando a los creadores de contenido <emphasis>[BASADO EN EL MERCADO]</"
+"emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1814
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2434
+#, fuzzy
+#| msgid ""
+#| "Another type of multisided platform is where the content creators "
+#| "themselves pay to be featured on the platform. Obviously, this revenue "
+#| "stream is only available to those who rely on work created, at least in "
+#| "part, by others. The most well-known version of this model is the “author-"
+#| "processing charge” of open-access journals like those published by the "
+#| "Public Library of Science, but there are other variations. The "
+#| "Conversation is primarily funded by a university-membership model, where "
+#| "universities pay to have their faculties participate as writers of the "
+#| "content on the Conversation website."
msgid ""
"Another type of multisided platform is where the content creators themselves "
-"pay to be featured on the platform. Obviously, this revenue stream is only "
+"pay to be featured on the platform. Obviously, this revenue stream is only "
"available to those who rely on work created, at least in part, by others. "
-"The most well-known version of this model is the “author-processing charge” "
-"of open-access journals like those published by the Public Library of "
-"Science, but there are other variations. The Conversation is primarily "
-"funded by a university-membership model, where universities pay to have "
-"their faculties participate as writers of the content on the Conversation "
-"website."
+"The most well-known version of this model is the <quote>author-processing "
+"charge</quote> of open-access journals like those published by the Public "
+"Library of Science, but there are other variations. The Conversation is "
+"primarily funded by a university-membership model, where universities pay to "
+"have their faculties participate as writers of the content on the "
+"Conversation website."
msgstr ""
"Otro tipo de plataforma multi-cara es donde los creadores de contenido "
"mismos pagan para ser exhibidos en la plataforma. Obviamente, este flujo de "
"universidades pagan para que sus facultades participen como escritores del "
"contenido del website de The Conversation."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1816
-msgid "#### Charging a transaction fee * \\[MARKET-BASED\\]*"
-msgstr "#### Cobrando una cuota por transacción *\\[BASADO EN EL MERCADO]\\*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2448
+msgid "Charging a transaction fee <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Cobrando una cuota por transacción <emphasis>[BASADO EN EL MERCADO]</"
+"emphasis>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2453
+msgid "Osterwalder and Pigneur, Business Model Generation, 32."
+msgstr "Osterwalder y Pigneur, Business Model Generation, 32."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1826
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2451
msgid ""
"This is a version of a traditional business model based on brokering "
-"transactions between parties.39 Curation is an important element of this "
-"model. Platforms like the Noun Project add value by wading through CC-"
-"licensed content to curate a high-quality set and then derive revenue when "
-"creators of that content make transactions with customers. Other platforms "
-"make money when service providers transact with their customers; for "
-"example, Opendesk makes money every time someone on their site pays a maker "
-"to make furniture based on one of the designs on the platform."
+"transactions between parties.<placeholder type=\"footnote\" id=\"0\"/> "
+"Curation is an important element of this model. Platforms like the Noun "
+"Project add value by wading through CC-licensed content to curate a high-"
+"quality set and then derive revenue when creators of that content make "
+"transactions with customers. Other platforms make money when service "
+"providers transact with their customers; for example, Opendesk makes money "
+"every time someone on their site pays a maker to make furniture based on one "
+"of the designs on the platform."
msgstr ""
"Esta es una versión del modelo tradicionale de negocios basado en gestionar "
-"transacciones entre participantes. 39 La curaduría es un elemento importante "
-"de este modelo. Plataformas como Noun Proyect agregan valor al introducirse "
-"a través de contenido licenciado bajo CC al realizar la curaduría a un "
-"conjunto de calidad superior y entonces obtener una ganacia cuando los "
-"creadores del contenido realizan transacciones con los clientes. Otras "
-"plataformas hacen dinero cuando los proveedores de servicios realizan "
-"transacciones con sus clientes; por ejemplo, Opendesk hace dinero cada vez "
-"que alguien en su sitio le paga a un creador para hacer mobilario basado en "
-"uno de los diseños en su plataforma."
+"transacciones entre participantes.<placeholder type=\"footnote\" id=\"0\"/> "
+"La curaduría es un elemento importante de este modelo. Plataformas como Noun "
+"Proyect agregan valor al introducirse a través de contenido licenciado bajo "
+"CC al realizar la curaduría a un conjunto de calidad superior y entonces "
+"obtener una ganacia cuando los creadores del contenido realizan "
+"transacciones con los clientes. Otras plataformas hacen dinero cuando los "
+"proveedores de servicios realizan transacciones con sus clientes; por "
+"ejemplo, Opendesk hace dinero cada vez que alguien en su sitio le paga a un "
+"creador para hacer mobilario basado en uno de los diseños en su plataforma."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1828
-msgid "#### Providing a service to your creators* \\[MARKET-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2465
+msgid ""
+"Providing a service to your creators <emphasis>[MARKET-BASED]</emphasis>"
msgstr ""
-"#### Proporcionando un servicio a sus creadores *\\[BASADO EN EL MERCADO\\]*"
+"Proporcionando un servicio a sus creadores <emphasis>[BASADO EN EL MERCADO]</"
+"emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1835
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2468
msgid ""
"As mentioned above, endeavors can make money by providing customized "
"services to their users. Platforms can undertake a variation of this service "
"hacer a la información con la que ellos contribuyen a la plataforma más "
"reusable y localizable."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1837
-msgid "#### Licensing a trademark* \\[MARKET-BASED\\]*"
-msgstr "#### Licenciando una marca registrada *\\[BASADO EN EL MERCADO\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2478
+msgid "Licensing a trademark <emphasis>[MARKET-BASED]</emphasis>"
+msgstr ""
+"Licenciando una marca registrada <emphasis>[BASADO EN EL MERCADO]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1846
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2481
msgid ""
"Finally, some that are Made with Creative Commons make money by selling use "
"of their trademarks. Well known brands that consumers associate with "
"la marca registrada es una manera de obtener ganancias de algo escaso "
"mientras se toma ventaja de la abundancia del contenido bajo CC."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1848
-msgid "#### Reciprocity-based revenue streams"
-msgstr "#### Flujos de ganancia basados en el mercado"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2493
+msgid "Reciprocity-based revenue streams"
+msgstr "Flujos de ingresos basados en la reciprocidad"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1853
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2495
msgid ""
"Even if we set aside grant funding, we found that the traditional economic "
"framework of understanding the market failed to fully capture the ways the "
"capturar completamente las vias por las que las empresas que analizamos han "
"hecho dinero. No era simplemente acerca de monetizar la escasez."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1863
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2502
+#, fuzzy
+#| msgid ""
+#| "Rather than devising a scheme to get people to pay money in exchange for "
+#| "some direct value provided to them, many of the revenue streams were more "
+#| "about providing value, building a relationship, and then eventually "
+#| "finding some money that flows back out of a sense of reciprocity. While "
+#| "some look like traditional nonprofit funding models, they aren’t charity. "
+#| "The endeavor exchange value with people, just not necessarily "
+#| "synchronously or in a way that requires that those values be equal. As "
+#| "David Bollier wrote in Think Like a Commoner, “There is no self-serving "
+#| "calculation of whether the value given and received is strictly equal.”"
msgid ""
"Rather than devising a scheme to get people to pay money in exchange for "
"some direct value provided to them, many of the revenue streams were more "
"like traditional nonprofit funding models, they aren’t charity. The endeavor "
"exchange value with people, just not necessarily synchronously or in a way "
"that requires that those values be equal. As David Bollier wrote in Think "
-"Like a Commoner, “There is no self-serving calculation of whether the value "
-"given and received is strictly equal.”"
+"Like a Commoner, <quote>There is no self-serving calculation of whether the "
+"value given and received is strictly equal.</quote>"
msgstr ""
"En vez de divisar un esquema para hacer que la gente pague dinero en "
"intercambio por algun valor directo provisto, muchos de los flujos de "
"Bollier en Think Like a Commoner, \"No hay cálculo egoísta acerca de que el "
"valor dado y recibido sean estrictamente iguales.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1869
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2515
+#, fuzzy
+#| msgid ""
+#| "This should be a familiar dynamic—it is the way you deal with your "
+#| "friends and family. We give without regard for what and when we will get "
+#| "back. David Bollier wrote, “Reciprocal social exchange lies at the heart "
+#| "of human identity, community and culture. It is a vital brain function "
+#| "that helps the human species survive and evolve.”"
msgid ""
"This should be a familiar dynamic—it is the way you deal with your friends "
"and family. We give without regard for what and when we will get back. David "
-"Bollier wrote, “Reciprocal social exchange lies at the heart of human "
+"Bollier wrote, <quote>Reciprocal social exchange lies at the heart of human "
"identity, community and culture. It is a vital brain function that helps the "
-"human species survive and evolve.”"
+"human species survive and evolve.</quote>"
msgstr ""
"Esta debería ser una dinámica familiar -- ese es el camino con el que lidias "
"con tús amigos y tú familia. Damos sin importarnos el que y cuando "
"Es una función mental vital que ayuda a la especie humana a sobrevivir y "
"evolucionar.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1874
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2525
+msgid "Bollier, Think Like a Commoner, 150."
+msgstr "Bollier, Think Like a Commoner, 150."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2529
+msgid "Ibid., 134."
+msgstr "Ibid., 134."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2523
msgid ""
"What is rare is to incorporate this sort of relationship into an endeavor "
-"that also engages with the market.40 We almost can’t help but think of "
-"relationships in the market as being centered on an even-steven exchange of "
-"value.41"
+"that also engages with the market.<placeholder type=\"footnote\" id=\"0\"/> "
+"We almost can’t help but think of relationships in the market as being "
+"centered on an even-steven exchange of value.<placeholder type=\"footnote\" "
+"id=\"1\"/>"
msgstr ""
"Lo que es raro es incorporar este tipo de relaciones en una empresa que "
-"también se involucra en el mercado.40 No podemos sino pensar que las "
-"relaciones del mercado como centradas en un intercambio equitativo del "
-"valor.41"
+"también se involucra en el mercado.<placeholder type=\"footnote\" id=\"0\"/> "
+"No podemos sino pensar que las relaciones del mercado como centradas en un "
+"intercambio equitativo del valor.<placeholder type=\"footnote\" id=\"1\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1876
-msgid "#### Memberships and individual donations *\\[RECIPROCITY-BASED\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2534
+msgid ""
+"Memberships and individual donations <emphasis>[RECIPROCITY-BASED]</emphasis>"
msgstr ""
-"#### Membresías y donaciones individuales *\\[BASADAS EN LA RECIPROCIDAD\\]*"
+"Membresías y donaciones individuales <emphasis>[BASADAS EN LA RECIPROCIDAD]</"
+"emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1888
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2537
msgid ""
"While memberships and donations are traditional nonprofit funding models, in "
"the Made with Creative Commons context, they are directly tied to the "
"a social mission, the more likely this strategy is to succeed."
msgstr ""
"Minetras las membresías y las donaciones son modelos de financiamiento no "
-"lucrativo, en el contexto de Hecho con Creative Commons, estan atadas "
+"lucrativo, en el contexto de _Hecho con Creative Commons_, estan atadas "
"directamente a la relación reciproca que es cultivada con los benificiarios "
"de su trabajo. Entre más grande sea la cantidad de aquellos que reciben el "
"valor del contenido, es más probable que esta estrategia trabaje, dado que "
"empresa entera está persiguiendo una misión social, es más probable que esta "
"estratega triunfe."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1890
-msgid "#### The pay-what-you-want model *\\[RECIPROCITY-BASED\\]*"
-msgstr "#### El modelo paga lo que quieres *\\[BASADO EN LA RECIPROCIDAD\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2553
+msgid "The pay-what-you-want model <emphasis>[RECIPROCITY-BASED]</emphasis>"
+msgstr ""
+"El modelo paga lo que quieres <emphasis>[BASADO EN LA RECIPROCIDAD</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1900
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2556
+#, fuzzy
+#| msgid ""
+#| "In the pay-what-you-want model, the beneficiary of Creative Commons "
+#| "content is invited to give—at any amount they can and feel is "
+#| "appropriate, based on the public and personal value they feel is "
+#| "generated by the open content. Critically, these models are not touted as "
+#| "“buying” something free. They are similar to a tip jar. People make "
+#| "financial contributions as an act of gratitude. These models capitalize "
+#| "on the fact that we are naturally inclined to give money for things we "
+#| "value in the marketplace, even in situations where we could find a way to "
+#| "get it for free."
msgid ""
"In the pay-what-you-want model, the beneficiary of Creative Commons content "
"is invited to give—at any amount they can and feel is appropriate, based on "
"the public and personal value they feel is generated by the open content. "
-"Critically, these models are not touted as “buying” something free. They are "
-"similar to a tip jar. People make financial contributions as an act of "
-"gratitude. These models capitalize on the fact that we are naturally "
-"inclined to give money for things we value in the marketplace, even in "
-"situations where we could find a way to get it for free."
+"Critically, these models are not touted as <quote>buying</quote> something "
+"free. They are similar to a tip jar. People make financial contributions as "
+"an act of gratitude. These models capitalize on the fact that we are "
+"naturally inclined to give money for things we value in the marketplace, "
+"even in situations where we could find a way to get it for free."
msgstr ""
"En el modelo paga-lo-que-quieras, el beneficiario del contenido bajo "
"Creative Commons es invitado a dar —cualquier cantidad que puedan y gusten "
"dar dinero por cosas que valoramos en el mercado, incluso en situaciones en "
"donde podríamos encontrar la manera de obtenerlas gratuitamente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1902
-msgid "#### Crowdfunding *\\[RECIPROCITY-BASED\\]*"
-msgstr "#### Financiamiento Comunitario *\\[BASADO EN LA RECIPROCIDAD\\]*"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2569
+msgid "Crowdfunding <emphasis>[RECIPROCITY-BASED]</emphasis>"
+msgstr ""
+"Financiamiento Comunitario <emphasis>[BASADO EN LA RECIPROCIDAD]</emphasis>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1917
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2572
+#, fuzzy
+#| msgid ""
+#| "Crowdfunding models are based on recouping the costs of creating and "
+#| "distributing content before the content is created. If the endeavor is "
+#| "Made with Creative Commons, anyone who wants the work in question could "
+#| "simply wait until it’s created and then access it for free. That means, "
+#| "for this model to work, people have to care about more than just "
+#| "receiving the work. They have to want you to succeed. Amanda Palmer "
+#| "credits the success of her crowdfunding on Kickstarter and Patreon to the "
+#| "years she spent building her community and creating a connection with her "
+#| "fans. She wrote in The Art of Asking, “Good art is made, good art is "
+#| "shared, help is offered, ears are bent, emotions are exchanged, the "
+#| "compost of real, deep connection is sprayed all over the fields. Then one "
+#| "day, the artist steps up and asks for something. And if the ground has "
+#| "been fertilized enough, the audience says, without hesitation: of course.”"
msgid ""
"Crowdfunding models are based on recouping the costs of creating and "
"distributing content before the content is created. If the endeavor is Made "
"They have to want you to succeed. Amanda Palmer credits the success of her "
"crowdfunding on Kickstarter and Patreon to the years she spent building her "
"community and creating a connection with her fans. She wrote in The Art of "
-"Asking, “Good art is made, good art is shared, help is offered, ears are "
-"bent, emotions are exchanged, the compost of real, deep connection is "
-"sprayed all over the fields. Then one day, the artist steps up and asks for "
+"Asking, <quote>Good art is made, good art is shared, help is offered, ears "
+"are bent, emotions are exchanged, the compost of real, deep connection is "
+"sprayed all over the fields. Then one day, the artist steps up and asks for "
"something. And if the ground has been fertilized enough, the audience says, "
-"without hesitation: of course.”"
+"without hesitation: of course.</quote>"
msgstr ""
"Los modelos de financiamiento comunitario estan basados en recolectar el "
"costo de crear y distribuir el contenido antes de que el contenido sea "
-"creado. Si la empresa es Hecha con Creative Commons, cualquiera que quiera "
+"creado. Si la empresa es _Hecha con Creative Commons_, cualquiera que quiera "
"el trabajo en cuestión puede simplemente esperar hasta que este creado y "
"entonces acceder a el gratuitamente. Eso significa, que para que el modelo "
"funcione, la gente tiene que preocuparse más que sólo recibir el trabajo. "
"el suelo ha sido fertilizado suficientemente, la audiencia pronuncia, sin "
"duda alguna: por supuesto.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1924
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2590
msgid ""
"Other types of crowdfunding rely on a sense of responsibility that a "
"particular community may feel. Knowledge Unlatched pools funds from major U."
"presupuesto tienden a dar más por un sentido de correspondencia con la "
"comunidad bibliotecaria y con la idea de acceso abierto general."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1926
-msgid "### Making Human Connections"
-msgstr "#### Creando Conexiones Humanas"
+#. type: Content of: <book><part><chapter><sect1><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2601
+msgid "Making Human Connections"
+msgstr "Creando Conexiones Humanas"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1939
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2603
+#, fuzzy
+#| msgid ""
+#| "Regardless of how they made money, in our interviews, we repeatedly heard "
+#| "language like “persuading people to buy” and “inviting people to pay.” We "
+#| "heard it even in connection with revenue streams that sit squarely within "
+#| "the market. Cory Doctorow told us, “I have to convince my readers that "
+#| "the right thing to do is to pay me.” The founders of the for-profit "
+#| "company Lumen Learning showed us the letter they send to those who opt "
+#| "not to pay for the services they provide in connection with their CC-"
+#| "licensed educational content. It isn’t a cease-and-desist letter; it’s an "
+#| "invitation to pay because it’s the right thing to do. This sort of "
+#| "behavior toward what could be considered nonpaying customers is largely "
+#| "unheard of in the traditional marketplace. But it seems to be part of the "
+#| "fabric of being Made with Creative Commons."
msgid ""
"Regardless of how they made money, in our interviews, we repeatedly heard "
-"language like “persuading people to buy” and “inviting people to pay.” We "
-"heard it even in connection with revenue streams that sit squarely within "
-"the market. Cory Doctorow told us, “I have to convince my readers that the "
-"right thing to do is to pay me.” The founders of the for-profit company "
-"Lumen Learning showed us the letter they send to those who opt not to pay "
-"for the services they provide in connection with their CC-licensed "
-"educational content. It isn’t a cease-and-desist letter; it’s an invitation "
-"to pay because it’s the right thing to do. This sort of behavior toward "
-"what could be considered nonpaying customers is largely unheard of in the "
-"traditional marketplace. But it seems to be part of the fabric of being Made "
-"with Creative Commons."
+"language like <quote>persuading people to buy</quote> and <quote>inviting "
+"people to pay.</quote> We heard it even in connection with revenue streams "
+"that sit squarely within the market. Cory Doctorow told us, <quote>I have to "
+"convince my readers that the right thing to do is to pay me.</quote> The "
+"founders of the for-profit company Lumen Learning showed us the letter they "
+"send to those who opt not to pay for the services they provide in connection "
+"with their CC-licensed educational content. It isn’t a cease-and-desist "
+"letter; it’s an invitation to pay because it’s the right thing to do. This "
+"sort of behavior toward what could be considered nonpaying customers is "
+"largely unheard of in the traditional marketplace. But it seems to be part "
+"of the fabric of being Made with Creative Commons."
msgstr ""
"Independientemente de como hagan dinero, en nuestras entrevistas, "
"repetidamente escuchamos lenguaje como \"persuadirlos a comprar\" y "
"pare-y-desista; es una invitación a pagar porque es lo correcto. Este tipo "
"de comportamiento alrededor de lo que podríamos considerar los clientes no "
"pagadores es algo de lo que no se escucha desde hace mucho en el mercado "
-"tradicional. Pero parece ser parte de tejido de Hecho con Creative Commons."
+"tradicional. Pero parece ser parte de tejido de _Hecho con Creative Commons_."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1946
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2620
+#, fuzzy
+#| msgid ""
+#| "Nearly every endeavor we profiled relied, at least in part, on people "
+#| "being invested in what they do. The closer the Creative Commons content "
+#| "is to being “the product,” the more pronounced this dynamic has to be. "
+#| "Rather than simply selling a product or service, they are making "
+#| "ideological, personal, and creative connections with the people who value "
+#| "what they do."
msgid ""
"Nearly every endeavor we profiled relied, at least in part, on people being "
"invested in what they do. The closer the Creative Commons content is to "
-"being “the product,” the more pronounced this dynamic has to be. Rather "
-"than simply selling a product or service, they are making ideological, "
-"personal, and creative connections with the people who value what they do."
+"being <quote>the product,</quote> the more pronounced this dynamic has to "
+"be. Rather than simply selling a product or service, they are making "
+"ideological, personal, and creative connections with the people who value "
+"what they do."
msgstr ""
"Casi todas las empresas que describimos se apoyan, al menos en parte, en "
"gente enla que se invierte en lo que ellos hacen. Entre más cercano sea que "
"servicio, ellos estan haciendo conexiones ideologicas, personales y "
"creativas con las personas que valoran lo que ellos hacen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1950
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2628
msgid ""
"It took me a very long time to see how this avoidance of thinking about what "
"they do in pure market terms was deeply tied to being Made with Creative "
"en puros terminos de mercado estaba ligado profundamente a Hacer con "
"Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1954
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2633
msgid ""
"I came to the research with preconceived notions about what Creative Commons "
"is and what it means to be Made with Creative Commons. It turned out I was "
"wrong on so many counts."
msgstr ""
"Vine a la investigación con las nociones preconcebidas acerca de lo que es "
-"Creative Commons y que significa ser Hecho con Creative Commons. Resulto que "
-"yo estaba mal en muchos aspectos."
+"Creative Commons y que significa ser _Hecho con Creative Commons_. Resulto "
+"que yo estaba mal en muchos aspectos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1963
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2638
msgid ""
"Obviously, being Made with Creative Commons means using Creative Commons "
"licenses. That much I knew. But in our interviews, people spoke of so much "
"the equation, it is important not to disaggregate the rest of what comes "
"with sharing. You have to widen the lens."
msgstr ""
-"Obviamente, ser Hecho con Creative Commons significa usar licencias Creative "
-"Commons. Eso era lo que yo sabía. Pero en nuestras entrevistas, las personas "
-"hablaron de mucho más que sólo permisos de copyright cuando explicaban como "
-"cmopartir encajaba en lo que ellos hacen. Yo estaba pensando acerca de "
-"compartir muy estrechamente, y como resultado, estaba perdiendo una gran "
-"parte del significado contenido dentro de las Creative Commons. En vez de "
-"analizar críticamente el rol estrecho y específico de la licencia de "
+"Obviamente, ser _Hecho con Creative Commons_ significa usar licencias "
+"Creative Commons. Eso era lo que yo sabía. Pero en nuestras entrevistas, las "
+"personas hablaron de mucho más que sólo permisos de copyright cuando "
+"explicaban como cmopartir encajaba en lo que ellos hacen. Yo estaba pensando "
+"acerca de compartir muy estrechamente, y como resultado, estaba perdiendo "
+"una gran parte del significado contenido dentro de las Creative Commons. En "
+"vez de analizar críticamente el rol estrecho y específico de la licencia de "
"copyright en la ecuación, es importante no separar el resto de lo que "
"acompaña a compartir. Tienes que ampliar la óptica."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1975
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2649
msgid ""
"Being Made with Creative Commons is not just about the simple act of "
"licensing a copyrighted work under a set of standardized terms, but also "
"with whom you share—connections with you, with your work, with your values, "
"with each other."
msgstr ""
-"Ser Hecho con Creative Commons no es únicamente acerca del simple acto de "
+"Ser _Hecho con Creative Commons_ no es únicamente acerca del simple acto de "
"licenciar un material con derechos de autor o copyright bajo un conjunto de "
"terminos estandarizados, sino también de comunidad, bienestar social, "
"contribuir ideas, expresar un sistema de valores, trabajar juntos. Estos "
"impersonal de marcado, sino en conexiones con la gente con la que compartes— "
"conexiones contigo, con tú trabajoj, con tús valores, con todos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1980
+#. type: Content of: <book><part><chapter><sect1><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2663
msgid ""
"The rest of this section will explore some of the common strategies that "
"creators, companies, and organizations use to remind us that there are "
-"humans behind every creative endeavor. To remind us we have obligations to "
+"humans behind every creative endeavor. To remind us we have obligations to "
"each other. To remind us what sharing really looks like."
msgstr ""
"El resto de la sección explorará algunas de las estrategias comunes que usan "
"detras de cada empresa creativa. Para recordarnos que tenemos obligaciones "
"con todos. Para recordarnos como es realmente el compartir."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1982
-msgid "#### Be human"
-msgstr "#### Ser humano"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2670
+msgid "Be human"
+msgstr "Ser humano"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:1989
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2674
+msgid ""
+"Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our "
+"Decisions, rev. ed. (New York: Harper Perennial, 2010), 109."
+msgstr ""
+"Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our "
+"Decisions, rev. ed. (New York: Harper Perennial, 2010), 109."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2672
msgid ""
"Humans are social animals, which means we are naturally inclined to treat "
-"each other well.42 But the further removed we are from the person with whom "
-"we are interacting, the less caring our behavior will be. While the "
-"Internet has democratized cultural production, increased access to "
-"knowledge, and connected us in extraordinary ways, it can also make it easy "
-"forget we are dealing with another human."
+"each other well.<placeholder type=\"footnote\" id=\"0\"/> But the further "
+"removed we are from the person with whom we are interacting, the less caring "
+"our behavior will be. While the Internet has democratized cultural "
+"production, increased access to knowledge, and connected us in extraordinary "
+"ways, it can also make it easy forget we are dealing with another human."
msgstr ""
"Los seres humanos son animales sociales, lo que significa que estamos "
-"naturalmente inclinados a tratarnos mutuamente bien.42 Pero mientras más "
-"lejano seamos de la persona con la que interactuamos, nuestro comportamiento "
-"será menos atento. Mientras el Internet ha democratizado la producción "
-"cultural, incrementado el acceso al conocimiento y nos ha conectado de "
-"maneras extraordinarias, tambien puede hacer fácil que nos olvidemos que "
-"estamos tratando con otro ser humano."
+"naturalmente inclinados a tratarnos mutuamente bien.<placeholder type="
+"\"footnote\" id=\"0\"/> Pero mientras más lejano seamos de la persona con la "
+"que interactuamos, nuestro comportamiento será menos atento. Mientras el "
+"Internet ha democratizado la producción cultural, incrementado el acceso "
+"al conocimiento y nos ha conectado de maneras extraordinarias, tambien puede "
+"hacer fácil que nos olvidemos que estamos tratando con otro ser humano."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2001
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2698
+msgid ""
+"Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and Get "
+"Discovered (New York: Workman, 2014), 93."
+msgstr ""
+"Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and Get "
+"Discovered (New York: Workman, 2014), 93."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2685
+#, fuzzy
+#| msgid ""
+#| "To counteract the anonymous and impersonal tendencies of how we operate "
+#| "online, individual creators and corporations who use Creative Commons "
+#| "licenses work to demonstrate their humanity. For some, this means pouring "
+#| "their lives out on the page. For others, it means showing their creative "
+#| "process, giving a glimpse into how they do what they do. As writer Austin "
+#| "Kleon wrote, “Our work doesn’t speak for itself. Human beings want to "
+#| "know where things came from, how they were made, and who made them. The "
+#| "stories you tell about the work you do have a huge effect on how people "
+#| "feel and what they understand about your work, and how people feel and "
+#| "what they understand about your work affects how they value "
+#| "it.”<placeholder type=\"footnote\" id=\"0\"/>"
msgid ""
"To counteract the anonymous and impersonal tendencies of how we operate "
"online, individual creators and corporations who use Creative Commons "
"licenses work to demonstrate their humanity. For some, this means pouring "
"their lives out on the page. For others, it means showing their creative "
"process, giving a glimpse into how they do what they do. As writer Austin "
-"Kleon wrote, “Our work doesn’t speak for itself. Human beings want to know "
-"where things came from, how they were made, and who made them. The stories "
-"you tell about the work you do have a huge effect on how people feel and "
-"what they understand about your work, and how people feel and what they "
-"understand about your work affects how they value it.”43"
+"Kleon wrote, <quote>Our work doesn’t speak for itself. Human beings want to "
+"know where things came from, how they were made, and who made them. The "
+"stories you tell about the work you do have a huge effect on how people feel "
+"and what they understand about your work, and how people feel and what they "
+"understand about your work affects how they value it.</quote><placeholder "
+"type=\"footnote\" id=\"0\"/>"
msgstr ""
"Para contrarrestar las tendencias anónimas e impersonales de cómo operamos "
"en línea, las corporaciones y los creadores individuales quienes usan las "
"acerca del trabajo que haces tienen un gran efecto en como se siente la "
"gente y lo que entienden acerca de tu trabajo, y como se sienten las "
"personas y lo que ellos entienden acerca de tú trabajo afecta la manera en "
-"que te valoran a tí.\"43"
+"que te valoran a tí.\"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2011
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2704
+#, fuzzy
+#| msgid ""
+#| "A critical component to doing this effectively is not worrying about "
+#| "being a “brand.” That means not being afraid to be vulnerable. Amanda "
+#| "Palmer says, “When you’re afraid of someone’s judgment, you can’t connect "
+#| "with them. You’re too preoccupied with the task of impressing them.” Not "
+#| "everyone is suited to live life as an open book like Palmer, and that’s "
+#| "OK. There are a lot of ways to be human. The trick is just avoiding "
+#| "pretense and the temptation to artificially craft an image. People don’t "
+#| "just want the glossy version of you. They can’t relate to it, at least "
+#| "not in a meaningful way."
msgid ""
"A critical component to doing this effectively is not worrying about being a "
-"“brand.” That means not being afraid to be vulnerable. Amanda Palmer says, "
-"“When you’re afraid of someone’s judgment, you can’t connect with them. "
-"You’re too preoccupied with the task of impressing them.” Not everyone is "
-"suited to live life as an open book like Palmer, and that’s OK. There are a "
-"lot of ways to be human. The trick is just avoiding pretense and the "
-"temptation to artificially craft an image. People don’t just want the "
-"glossy version of you. They can’t relate to it, at least not in a meaningful "
-"way."
+"<quote>brand.</quote> That means not being afraid to be vulnerable. Amanda "
+"Palmer says, <quote>When you’re afraid of someone’s judgment, you can’t "
+"connect with them. You’re too preoccupied with the task of impressing them.</"
+"quote> Not everyone is suited to live life as an open book like Palmer, and "
+"that’s OK. There are a lot of ways to be human. The trick is just avoiding "
+"pretense and the temptation to artificially craft an image. People don’t "
+"just want the glossy version of you. They can’t relate to it, at least not "
+"in a meaningful way."
msgstr ""
"Un componente crítico para hacer esto efectivamente es no preocuparse acerca "
"de ser una \"marca\". Eso significa no preocuparse de ser vulnerable. Amanda "
"no solo quiere tu versión primorosa. No se pueden relacionar con ella, al "
"menos no de una manera significativa."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2020
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2725
+msgid "Kramer, Shareology, 76."
+msgstr "Kramer, Shareology, 76."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2717
+#, fuzzy
+#| msgid ""
+#| "This advice is probably even more important for businesses and "
+#| "organizations because we instinctively conceive of them as nonhuman "
+#| "(though in the United States, corporations are people!). When "
+#| "corporations and organizations make the people behind them more apparent, "
+#| "it reminds people that they are dealing with something other than an "
+#| "anonymous corporate entity. In business-speak, this is about “humanizing "
+#| "your interactions” with the public.<placeholder type=\"footnote\" id="
+#| "\"0\"/> But it can’t be a gimmick. You can’t fake being human."
msgid ""
"This advice is probably even more important for businesses and organizations "
"because we instinctively conceive of them as nonhuman (though in the United "
"States, corporations are people!). When corporations and organizations make "
"the people behind them more apparent, it reminds people that they are "
"dealing with something other than an anonymous corporate entity. In business-"
-"speak, this is about “humanizing your interactions” with the public.44 But "
-"it can’t be a gimmick. You can’t fake being human."
+"speak, this is about <quote>humanizing your interactions</quote> with the "
+"public.<placeholder type=\"footnote\" id=\"0\"/> But it can’t be a gimmick. "
+"You can’t fake being human."
msgstr ""
"Este consejo es probablemente más importante para los negocios y las "
"organizaciones porque instintivamente los concebimos como no humanos "
"corporaciones y las organizaciones hacen a la gente detras de ellas más "
"perceptible, le recuerda a la gente que están tratando con algo más que una "
"entidad corporativa anónima. En el lenguaje de los negocios, esto es acerca "
-"de \"humanizar sus interacciones\" con el público.44 Pero no puede ser una "
-"representación. No puedes simular ser humano."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2022
-msgid "#### Be open and accountable"
-msgstr "#### Sé abierto y responsable"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2032
+"de \"humanizar sus interacciones\" con el público.<placeholder type="
+"\"footnote\" id=\"0\"/> Pero no puede ser una representación. No puedes "
+"simular ser humano."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2731
+msgid "Be open and accountable"
+msgstr "Sé abierto y responsable"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2740
+msgid "Palmer, Art of Asking, 252."
+msgstr "Palmer, Art of Asking, 252."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2745
+msgid "Whitehurst, Open Organization, 145."
+msgstr "Whitehurst, Open Organization, 145."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2733
+#, fuzzy
+#| msgid ""
+#| "Transparency helps people understand who you are and why you do what you "
+#| "do, but it also inspires trust. Max Temkin of Cards Against Humanity told "
+#| "us, “One of the most surprising things you can do in capitalism is just "
+#| "be honest with people.” That means sharing the good and the bad. As "
+#| "Amanda Palmer wrote, “You can fix almost anything by authentically "
+#| "communicating.”<placeholder type=\"footnote\" id=\"0\"/> It isn’t about "
+#| "trying to satisfy everyone or trying to sugarcoat mistakes or bad news, "
+#| "but instead about explaining your rationale and then being prepared to "
+#| "defend it when people are critical.<placeholder type=\"footnote\" id="
+#| "\"1\"/>"
msgid ""
"Transparency helps people understand who you are and why you do what you do, "
"but it also inspires trust. Max Temkin of Cards Against Humanity told us, "
-"“One of the most surprising things you can do in capitalism is just be "
-"honest with people.” That means sharing the good and the bad. As Amanda "
-"Palmer wrote, “You can fix almost anything by authentically "
-"communicating.”45 It isn’t about trying to satisfy everyone or trying to "
-"sugarcoat mistakes or bad news, but instead about explaining your rationale "
-"and then being prepared to defend it when people are critical.46"
+"<quote>One of the most surprising things you can do in capitalism is just be "
+"honest with people.</quote> That means sharing the good and the bad. As "
+"Amanda Palmer wrote, <quote>You can fix almost anything by authentically "
+"communicating.</quote><placeholder type=\"footnote\" id=\"0\"/> It isn’t "
+"about trying to satisfy everyone or trying to sugarcoat mistakes or bad "
+"news, but instead about explaining your rationale and then being prepared to "
+"defend it when people are critical.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"La Transpariencia ayuda a las personas a entender quien eres y porque haces "
"lo que haces, pero también inspira confianza. Max Temkin de Cards Against "
"Humanity nos comenta, \"Una de las cosas más sorprendentes que puedes hacer "
"en el capitalismo es ser honesto con la gente.\" Eso significa compartir lo "
"bueno y lo malo. Como escribió Amanda Palmer, \"Puedes arreglar casi todo "
-"con genuina comunicación.\"45 No es tratar de satisfacer a todos o tratar de "
-"endulzar los errores o las malas noticias, sino explicar tu razonamiento y "
-"de estar preparado para defenderlo cuando la gente es crítica.46"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2045
-msgid ""
-"Being accountable does not mean operating on consensus. According to James "
+"con genuina comunicación.\"<placeholder type=\"footnote\" id=\"0\"/> No es "
+"tratar de satisfacer a todos o tratar de endulzar los errores o las malas "
+"noticias, sino explicar tu razonamiento y de estar preparado para "
+"defenderlo cuando la gente es crítica.<placeholder type=\"footnote\" id="
+"\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2754
+msgid "Surowiecki, Wisdom of Crowds, 203."
+msgstr "Surowiecki, Wisdom of Crowds, 203."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2761
+msgid "Whitehurst, Open Organization, 80."
+msgstr "Whitehurst, Open Organization, 80."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2749
+msgid ""
+"Being accountable does not mean operating on consensus. According to James "
"Surowiecki, consensus-driven groups tend to resort to lowest-common-"
"denominator solutions and avoid the sort of candid exchange of ideas that "
-"cultivates healthy collaboration.47 Instead, it can be as simple as asking "
-"for input and then giving context and explanation about decisions you make, "
-"even if soliciting feedback and inviting discourse is time-consuming. If you "
-"don’t go through the effort to actually respond to the input you receive, it "
-"can be worse than not inviting input in the first place.48 But when you get "
-"it right, it can guarantee the type of diversity of thought that helps "
-"endeavors excel. And it is another way to get people involved and invested "
-"in what you do."
+"cultivates healthy collaboration.<placeholder type=\"footnote\" id=\"0\"/> "
+"Instead, it can be as simple as asking for input and then giving context and "
+"explanation about decisions you make, even if soliciting feedback and "
+"inviting discourse is time-consuming. If you don’t go through the effort to "
+"actually respond to the input you receive, it can be worse than not inviting "
+"input in the first place.<placeholder type=\"footnote\" id=\"1\"/> But when "
+"you get it right, it can guarantee the type of diversity of thought that "
+"helps endeavors excel. And it is another way to get people involved and "
+"invested in what you do."
msgstr ""
"Ser responsable no significa operar en concenso. De acuerdo a James "
"Surowiecki, los grupos guiados por el concenso tienden a recurrir a las "
"soluciones del menor común denominador y evitan el tipo de intercambio de "
-"ideas honesto y desprejuiciado que se cultiva en las colaboraciones sanas. "
-"47 En cambio, puede ser tan simple como solicitar un comentario y dar "
-"contexto y explicación acerca de la decisiones que se han tomado, incluso si "
-"solicitar realimentación e invitar al intercambio de ideas lleva su tiempo. "
-"Si no realizas el esfuerzo de responder a los comentarios que recibes, puede "
-"ser peor que no solicitar esos comentarios en primer lugar. 48 Pero cuando "
-"lo haces bien, puede garantizar el tipo de diversidad de pensamientos que "
-"ayuda a las empresas a distinguirse. Y es otro camino para hacer que la "
-"gente se involucre y se interese en lo que hace."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2047
-msgid "#### Design for the good actors"
-msgstr "#### Diseñar para los buenos actores"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2060
+"ideas honesto y desprejuiciado que se cultiva en las colaboraciones sanas."
+"<placeholder type=\"footnote\" id=\"0\"/> En cambio, puede ser tan simple "
+"como solicitar un comentario y dar contexto y explicación acerca de la "
+"decisiones que se han tomado, incluso si solicitar realimentación e invitar "
+"al intercambio de ideas lleva su tiempo. Si no realizas el esfuerzo de "
+"responder a los comentarios que recibes, puede ser peor que no solicitar "
+"esos comentarios en primer lugar.<placeholder type=\"footnote\" id=\"1\"/> "
+"Pero cuando lo haces bien, puede garantizar el tipo de diversidad de "
+"pensamientos que ayuda a las empresas a distinguirse. Y es otro camino para "
+"hacer que la gente se involucre y se interese en lo que hace."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2769
+msgid "Design for the good actors"
+msgstr "Diseñar para los buenos actores"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2773
+msgid "Bollier, Think Like a Commoner, 25."
+msgstr "Bollier, Think Like a Commoner, 25."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2778
+msgid "Ibid., 31."
+msgstr "Ibid., 31."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2771
+#, fuzzy
+#| msgid ""
+#| "Traditional economics assumes people make decisions based solely on their "
+#| "own economic self-interest.<placeholder type=\"footnote\" id=\"0\"/> Any "
+#| "relatively introspective human knows this is a fiction—we are much more "
+#| "complicated beings with a whole range of needs, emotions, and "
+#| "motivations. In fact, we are hardwired to work together and ensure "
+#| "fairness.<placeholder type=\"footnote\" id=\"1\"/> Being Made with "
+#| "Creative Commons requires an assumption that people will largely act on "
+#| "those social motivations, motivations that would be considered "
+#| "“irrational” in an economic sense. As Knowledge Unlatched’s Pinter told "
+#| "us, “It is best to ignore people who try to scare you about free riding. "
+#| "That fear is based on a very shallow view of what motivates human "
+#| "behavior.” There will always be people who will act in purely selfish "
+#| "ways, but endeavors that are Made with Creative Commons design for the "
+#| "good actors."
msgid ""
"Traditional economics assumes people make decisions based solely on their "
-"own economic self-interest.49 Any relatively introspective human knows this "
-"is a fiction—we are much more complicated beings with a whole range of "
-"needs, emotions, and motivations. In fact, we are hardwired to work together "
-"and ensure fairness.50 Being Made with Creative Commons requires an "
+"own economic self-interest.<placeholder type=\"footnote\" id=\"0\"/> Any "
+"relatively introspective human knows this is a fiction—we are much more "
+"complicated beings with a whole range of needs, emotions, and motivations. "
+"In fact, we are hardwired to work together and ensure fairness.<placeholder "
+"type=\"footnote\" id=\"1\"/> Being Made with Creative Commons requires an "
"assumption that people will largely act on those social motivations, "
-"motivations that would be considered “irrational” in an economic sense. As "
-"Knowledge Unlatched’s Pinter told us, “It is best to ignore people who try "
-"to scare you about free riding. That fear is based on a very shallow view of "
-"what motivates human behavior.” There will always be people who will act in "
-"purely selfish ways, but endeavors that are Made with Creative Commons "
-"design for the good actors."
+"motivations that would be considered <quote>irrational</quote> in an "
+"economic sense. As Knowledge Unlatched’s Pinter told us, <quote>It is best "
+"to ignore people who try to scare you about free riding. That fear is based "
+"on a very shallow view of what motivates human behavior.</quote> There will "
+"always be people who will act in purely selfish ways, but endeavors that are "
+"Made with Creative Commons design for the good actors."
msgstr ""
"La economía tradicional asume que la gente toma decisiones basadas "
-"únicamente en sus propios intereses económicos.49 Cualquier ser humano "
-"relativamente introspectivo sabe que eso es una ficción—somos seres mucho "
-"más complicados con un amplio rango de necesidades, emociones, y "
-"motivaciones. De hecho, estamos hechos para trabajar juntos y grantizar la "
-"equidad.50 Ser Hecho con Creative Commons requiere creer que la gente "
+"únicamente en sus propios intereses económicos.<placeholder type=\"footnote"
+"\" id=\"0\"/> Cualquier ser humano relativamente introspectivo sabe que eso "
+"es una ficción—somos seres mucho más complicados con un amplio rango de "
+"necesidades, emociones, y motivaciones. De hecho, estamos hechos para "
+"trabajar juntos y grantizar la equidad.<placeholder type=\"footnote\" id="
+"\"1\"/> Ser _Hecho con Creative Commons_ requiere creer que la gente "
"actuará mayormente sobre esas motivaciones sociales, motivaciones que puden "
"ser consideradas \"irracionales\" en un sentido económico. Como dijo Pinter "
"de Knowledge Unlatched, \"Es mejor ignorar a la gente que trata de "
"que actuarán de forma totalmente egoísta, pero las empresas que son Hechas "
"con Creative Commons están diseñados para los buenos actores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2069
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2797
+msgid "Shirky, Cognitive Surplus, 112."
+msgstr "Shirky, Cognitive Surplus, 112."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2791
+#, fuzzy
+#| msgid ""
+#| "The assumption that people will largely do the right thing can be a self-"
+#| "fulfilling prophecy. Shirky wrote in Cognitive Surplus, “Systems that "
+#| "assume people will act in ways that create public goods, and that give "
+#| "them opportunities and rewards for doing so, often let them work together "
+#| "better than neoclassical economics would predict.”<placeholder type="
+#| "\"footnote\" id=\"0\"/> When we acknowledge that people are often "
+#| "motivated by something other than financial self-interest, we design our "
+#| "endeavors in ways that encourage and accentuate our social instincts."
msgid ""
"The assumption that people will largely do the right thing can be a self-"
-"fulfilling prophecy. Shirky wrote in Cognitive Surplus, “Systems that assume "
-"people will act in ways that create public goods, and that give them "
+"fulfilling prophecy. Shirky wrote in Cognitive Surplus, <quote>Systems that "
+"assume people will act in ways that create public goods, and that give them "
"opportunities and rewards for doing so, often let them work together better "
-"than neoclassical economics would predict.”51 When we acknowledge that "
-"people are often motivated by something other than financial self-interest, "
-"we design our endeavors in ways that encourage and accentuate our social "
-"instincts."
+"than neoclassical economics would predict.</quote><placeholder type="
+"\"footnote\" id=\"0\"/> When we acknowledge that people are often motivated "
+"by something other than financial self-interest, we design our endeavors in "
+"ways that encourage and accentuate our social instincts."
msgstr ""
"La presunción de que las personas harán lo correcto una profecía "
"autocumplida. Shirky escribió en Cognitive Surplus, \"Los sistemas que "
"presuponen que la gente actuará de manera que creen bienes públicos, y que "
"darles la oportunidades y recompensas por hacerlo, comunmente les permite "
"trabajan juntos mejor que lo que hubieran predicho la economía neoclásica."
-"\"51 Cuando aceptamos que la gente es comunmente motivada por algo más que "
-"interés personal financiero, diseñamos nuestras empresas de maneras que "
-"inspiren y acentuen nuestros instintos sociales."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2079
+"\"<placeholder type=\"footnote\" id=\"0\"/> Cuando aceptamos que la gente es "
+"comunmente motivada por algo más que interés personal financiero, diseñamos "
+"nuestras empresas de maneras que inspiren y acentuen nuestros instintos "
+"sociales."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2815
+msgid "Surowiecki, Wisdom of Crowds, 124."
+msgstr "Surowiecki, Wisdom of Crowds, 124."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2804
+#, fuzzy
+#| msgid ""
+#| "Rather than trying to exert control over people’s behavior, this mode of "
+#| "operating requires a certain level of trust. We might not realize it, but "
+#| "our daily lives are already built on trust. As Surowiecki wrote in The "
+#| "Wisdom of Crowds, “It’s impossible for a society to rely on law alone to "
+#| "make sure citizens act honestly and responsibly. And it’s impossible for "
+#| "any organization to rely on contracts alone to make sure that its "
+#| "managers and workers live up to their obligation.” Instead, we largely "
+#| "trust that people—mostly strangers—will do what they are supposed to do."
+#| "<placeholder type=\"footnote\" id=\"0\"/> And most often, they do."
msgid ""
"Rather than trying to exert control over people’s behavior, this mode of "
"operating requires a certain level of trust. We might not realize it, but "
"our daily lives are already built on trust. As Surowiecki wrote in The "
-"Wisdom of Crowds, “It’s impossible for a society to rely on law alone to "
-"make sure citizens act honestly and responsibly. And it’s impossible for any "
-"organization to rely on contracts alone to make sure that its managers and "
-"workers live up to their obligation.” Instead, we largely trust that people—"
-"mostly strangers—will do what they are supposed to do.52 And most often, "
-"they do."
+"Wisdom of Crowds, <quote>It’s impossible for a society to rely on law alone "
+"to make sure citizens act honestly and responsibly. And it’s impossible for "
+"any organization to rely on contracts alone to make sure that its managers "
+"and workers live up to their obligation.</quote> Instead, we largely trust "
+"that people—mostly strangers—will do what they are supposed to do."
+"<placeholder type=\"footnote\" id=\"0\"/> And most often, they do."
msgstr ""
"En vez de tratar de ejercer control sobre el comportamiento de la gente, "
"este modo de operar requiere un cierto nivel de confianza. Puede que no nos "
"actuen responsable y honestamente. Y es imposible para una organización "
"descansar únicamente en los contratos para garantizar que sus trabajadores y "
"directivos vivan su obligación.\" Confiamos que la gente —la mayoría "
-"desconocidos— hará lo que se supone que debn hacer.52 Y muy comunmente, lo "
-"hacen."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2081
-msgid "#### Treat humans like, well, humans"
-msgstr "#### Trata a los seres humanos como, bueno, humanos"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2090
+"desconocidos— hará lo que se supone que debn hacer.<placeholder type="
+"\"footnote\" id=\"0\"/> Y muy comunmente, lo hacen."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2820
+msgid "Treat humans like, well, humans"
+msgstr "Trata a los seres humanos como, bueno, humanos"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2825
+msgid "Kleon, Show Your Work, 127."
+msgstr "Kleon, Show Your Work, 127."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2833
+msgid "Palmer, Art of Asking, 121."
+msgstr "Palmer, Art of Asking, 121."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2822
+#, fuzzy
+#| msgid ""
+#| "For creators, treating people as humans means not treating them like "
+#| "fans. As Kleon says, “If you want fans, you have to be a fan "
+#| "first.”<placeholder type=\"footnote\" id=\"0\"/> Even if you happen to be "
+#| "one of the few to reach celebrity levels of fame, you are better off "
+#| "remembering that the people who follow your work are human, too. Cory "
+#| "Doctorow makes a point to answer every single email someone sends him. "
+#| "Amanda Palmer spends vast quantities of time going online to communicate "
+#| "with her public, making a point to listen just as much as she talks."
+#| "<placeholder type=\"footnote\" id=\"1\"/>"
msgid ""
"For creators, treating people as humans means not treating them like fans. "
-"As Kleon says, “If you want fans, you have to be a fan first.”53 Even if you "
-"happen to be one of the few to reach celebrity levels of fame, you are "
-"better off remembering that the people who follow your work are human, too. "
-"Cory Doctorow makes a point to answer every single email someone sends him. "
-"Amanda Palmer spends vast quantities of time going online to communicate "
-"with her public, making a point to listen just as much as she talks.54"
+"As Kleon says, <quote>If you want fans, you have to be a fan first.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/> Even if you happen to be one "
+"of the few to reach celebrity levels of fame, you are better off remembering "
+"that the people who follow your work are human, too. Cory Doctorow makes a "
+"point to answer every single email someone sends him. Amanda Palmer spends "
+"vast quantities of time going online to communicate with her public, making "
+"a point to listen just as much as she talks.<placeholder type=\"footnote\" "
+"id=\"1\"/>"
msgstr ""
"Para los creadores, tratar a la gente como humanos significa no tratarlos "
"como fans. Como dice Kleon, \"Si tu quieres fans, tienes que ser un fan "
-"primero.\"53 Incluso si ocurre que tu eres uno de los pocos que alcanzan "
-"niveles de fama de celebridad, estaras mejor recordando que las personas que "
-"siguen tu trabajo son seres humanos también. Cory Doctorow hace un punto "
-"contestando cada correo electrónico que alguien le envie. Amanda Palmer "
-"emplea amplias cantidades de tiempo estando en línea para comunicarse con su "
-"público, haciendo un punto al escuchar tanto como habla. 54"
+"primero.\"<placeholder type=\"footnote\" id=\"0\"/> Incluso si ocurre que tu "
+"eres uno de los pocos que alcanzan niveles de fama de celebridad, estaras "
+"mejor recordando que las personas que siguen tu trabajo son seres humanos "
+"también. Cory Doctorow hace un punto contestando cada correo electrónico que "
+"alguien le envie. Amanda Palmer emplea amplias cantidades de tiempo estando "
+"en línea para comunicarse con su público, haciendo un punto al escuchar "
+"tanto como habla.<placeholder type=\"footnote\" id=\"1\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2095
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2837
msgid ""
"The same idea goes for businesses and organizations. Rather than automating "
"its customer service, the music platform Tribe of Noise makes a point to "
"al asegurarse que sus empleados tienen una interacción personal, uno-a-uno "
"con los usuarios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2107
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2848
+msgid "Ariely, Predictably Irrational, 87."
+msgstr "Ariely, Predictably Irrational, 87."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2858
+msgid "Ibid., 105."
+msgstr "Ibid., 105."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2843
msgid ""
"When we treat people like humans, they typically return the gift in kind. "
"It’s called karma. But social relationships are fragile. It is all too easy "
"to destroy them if you make the mistake of treating people as anonymous "
-"customers or free labor.55 Platforms that rely on content from contributors "
-"are especially at risk of creating an exploitative dynamic. It is important "
-"to find ways to acknowledge and pay back the value that contributors "
-"generate. That does not mean you can solve this problem by simply paying "
-"contributors for their time or contributions. As soon as we introduce money "
-"into a relationship—at least when it takes a form of paying monetary value "
-"in exchange for other value—it can dramatically change the dynamic.56"
+"customers or free labor.<placeholder type=\"footnote\" id=\"0\"/> Platforms "
+"that rely on content from contributors are especially at risk of creating an "
+"exploitative dynamic. It is important to find ways to acknowledge and pay "
+"back the value that contributors generate. That does not mean you can solve "
+"this problem by simply paying contributors for their time or contributions. "
+"As soon as we introduce money into a relationship—at least when it takes a "
+"form of paying monetary value in exchange for other value—it can "
+"dramatically change the dynamic.<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Cuando tratamos a las personas como seres humanos, típicamente ellos "
"regresan ese tipo de trato. Se llama karma. Pero las relaciones sociales son "
"frágiles. Es muy sencillo destruirlas si comentes el error de tratar a la "
-"gente como clientes anónimos o trabajadores gratuitos. 55 Las plataformas "
-"que se apoyan en el contenido de contribuyentes estan especialmente en "
-"riesgo de crear una dinámica explotadora. Es importante encontrar medios de "
-"reconocer y retribuir el valor que los contribuyentes generan. Esto no "
-"significa que se puede resolver este problema simplemente pagando a los "
-"contribuyentes por su tiempo o por sus contribuciones. Tan pronto como "
-"introducimos dinero dentro de una relación—al menos cuando esto toma una "
-"forma de un pago monetario en intercambio por otro valor—puede cambiar la "
-"dinámica dramáticamente.56"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2109
-msgid "#### State your principles and stick to them"
-msgstr "#### Establece tus principios y apégate a ellos"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2119
+"gente como clientes anónimos o trabajadores gratuitos.<placeholder type="
+"\"footnote\" id=\"0\"/> Las plataformas que se apoyan en el contenido de "
+"contribuyentes estan especialmente en riesgo de crear una dinámica "
+"explotadora. Es importante encontrar medios de reconocer y retribuir el "
+"valor que los contribuyentes generan. Esto no significa que se puede "
+"resolver este problema simplemente pagando a los contribuyentes por su "
+"tiempo o por sus contribuciones. Tan pronto como introducimos dinero dentro "
+"de una relación—al menos cuando esto toma una forma de un pago monetario en "
+"intercambio por otro valor—puede cambiar la dinámica dramáticamente."
+"<placeholder type=\"footnote\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2863
+msgid "State your principles and stick to them"
+msgstr "Establece tus principios y apégate a ellos"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2865
msgid ""
"Being Made with Creative Commons makes a statement about who you are and "
"what you do. The symbolism is powerful. Using Creative Commons licenses "
"akin to a political statement. Other times people will identify and feel "
"connected with an endeavor’s separate social mission. Often both."
msgstr ""
-"Ser Hecho con Creative Commons hace una declaración acerca de quién eres y "
+"Ser _Hecho con Creative Commons_ hace una declaración acerca de quién eres y "
"qué haces. El simbolismo es poderoso. Usar licencias Creative Commons "
"demuestra adherencia a un particular tipo de creencias, las cuales generan "
"bienestar y conectan a tu trabajo con gente de pensamiento similar. Algunas "
"las personas identificarán y se sentirán conectadas con la misión social "
"parte de alguna empresa . Regularmente ambas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2128
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2877
msgid ""
"The expression of your values doesn’t have to be implicit. In fact, many of "
"the people we interviewed talked about how important it is to state your "
-"guiding principles up front. Lumen Learning attributes a lot of their "
+"guiding principles up front. Lumen Learning attributes a lot of their "
"success to having been outspoken about the fundamental values that guide "
"what they do. As a for-profit company, they think their expressed commitment "
"to low-income students and open licensing has been critical to their "
"licencias abiertas ha sido un hecho crítico para su credibilidad en al "
"comunidad OER (recursos abiertos educativos) en la que ellos operan."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2134
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2892
+msgid "Ibid., 36."
+msgstr "Ibid., 36."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2888
msgid ""
"When your end goal is not about making a profit, people trust that you "
"aren’t just trying to extract value for your own gain. People notice when "
-"you have a sense of purpose that transcends your own self-interest.57 It "
-"attracts committed employees, motivates contributors, and builds trust."
+"you have a sense of purpose that transcends your own self-interest."
+"<placeholder type=\"footnote\" id=\"0\"/> It attracts committed employees, "
+"motivates contributors, and builds trust."
msgstr ""
"Cuando tu meta final no es generar ganancias, la gente confia en que no solo "
"estas tratando de extraer valor para tu propia ganancia. Las personas notan "
-"cuando tienes un sentido del propósito que trasciendo tu interes personal.57 "
-"Atrae empleados comprometidos, contribuyentes motivados, y construye "
-"confianza."
+"cuando tienes un sentido del propósito que trasciendo tu interes personal."
+"<placeholder type=\"footnote\" id=\"0\"/> Atrae empleados comprometidos, "
+"contribuyentes motivados, y construye confianza."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2136
-msgid "#### Build a community"
-msgstr "#### Construye una comunidad"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2898
+msgid "Build a community"
+msgstr "Construye una comunidad"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2906
+msgid ""
+"Jono Bacon, The Art of Community, 2nd ed. (Sebastopol, CA: O’Reilly Media, "
+"2012), 36."
+msgstr ""
+"Jono Bacon, The Art of Community, 2ª ed. (Sebastopol, CA: O’Reilly Media, "
+"2012), 36."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2146
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2900
msgid ""
"Endeavors that are Made with Creative Commons thrive when community is built "
"around what they do. This may mean a community collaborating together to "
"create something new, or it may simply be a collection of like-minded people "
-"who get to know each other and rally around common interests or beliefs.58 "
-"To a certain extent, simply being Made with Creative Commons automatically "
-"brings with it some element of community, by helping connect you to like-"
-"minded others who recognize and are drawn to the values symbolized by using "
-"CC."
+"who get to know each other and rally around common interests or beliefs."
+"<placeholder type=\"footnote\" id=\"0\"/> To a certain extent, simply being "
+"Made with Creative Commons automatically brings with it some element of "
+"community, by helping connect you to like-minded others who recognize and "
+"are drawn to the values symbolized by using CC."
msgstr ""
"Los esfuerzos realizados con Creative Commons prosperan cuando se construye "
"una comunidad alrededor de lo que hacen. Esto puede ser una comunidad "
"colaborando en conjunto para crear algo nuevo, o simplemente ser una grupo "
"de gente de intereses similares que se conocen y reúnen alrededor de "
-"intereses o creencias similares.58 Hasta cierto grado, simplemente ser Hecho "
-"con Creative Commons automáticamente trae consigo un cierto elemento de "
-"comunidad, ayudando a conectarlo con otras personas similares que reconocen "
-"y son atraídos para los valores que se simbolizan en el uso de CC."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2158
+"intereses o creencias similares.<placeholder type=\"footnote\" id=\"0\"/> "
+"Hasta cierto grado, simplemente ser Hecho con Creative Commons "
+"automáticamente trae consigo un cierto elemento de comunidad, ayudando a "
+"conectarlo con otras personas similares que reconocen y son atraídos para "
+"los valores que se simbolizan en el uso de CC."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2922
+msgid "Palmer, Art of Asking, 98."
+msgstr "Palmer, Art of Asking, 98."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2929
+msgid "Whitehurst, Open Organization, 34."
+msgstr "Whitehurst, Open Organization, 34."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2914
+#, fuzzy
+#| msgid ""
+#| "To be sustainable, though, you have to work to nurture community. People "
+#| "have to care—about you and each other. One critical piece to this is "
+#| "fostering a sense of belonging. As Jono Bacon writes in The Art of "
+#| "Community, “If there is no belonging, there is no community.” For Amanda "
+#| "Palmer and her band, that meant creating an accepting and inclusive "
+#| "environment where people felt a part of their “weird little "
+#| "family.”<placeholder type=\"footnote\" id=\"0\"/> For organizations like "
+#| "Red Hat, that means connecting around common beliefs or goals. As the CEO "
+#| "Jim Whitehurst wrote in The Open Organization, “Tapping into passion is "
+#| "especially important in building the kinds of participative communities "
+#| "that drive open organizations.”<placeholder type=\"footnote\" id=\"1\"/>"
msgid ""
"To be sustainable, though, you have to work to nurture community. People "
"have to care—about you and each other. One critical piece to this is "
"fostering a sense of belonging. As Jono Bacon writes in The Art of "
-"Community, “If there is no belonging, there is no community.” For Amanda "
-"Palmer and her band, that meant creating an accepting and inclusive "
-"environment where people felt a part of their “weird little family.”59 For "
-"organizations like Red Hat, that means connecting around common beliefs or "
-"goals. As the CEO Jim Whitehurst wrote in The Open Organization, “Tapping "
-"into passion is especially important in building the kinds of participative "
-"communities that drive open organizations.”60"
+"Community, <quote>If there is no belonging, there is no community.</quote> "
+"For Amanda Palmer and her band, that meant creating an accepting and "
+"inclusive environment where people felt a part of their <quote>weird little "
+"family.</quote><placeholder type=\"footnote\" id=\"0\"/> For organizations "
+"like Red Hat, that means connecting around common beliefs or goals. As the "
+"CEO Jim Whitehurst wrote in The Open Organization, <quote>Tapping into "
+"passion is especially important in building the kinds of participative "
+"communities that drive open organizations.</quote><placeholder type="
+"\"footnote\" id=\"1\"/>"
msgstr ""
"Sin embargo, para ser sostenible, tiene que trabajar para alimentar a la "
"comunidad. La gente tiene que cuidarse—mutuamente y a ti. Una pieza crítica "
"de esto es desarrollar un sentido de pertenencia. Como escribió Jono Bacon "
"en The Art of Communnity, \"Si no hay pertenencia, no hay comunidad.\" Para "
"Amanda Palmer y su banda, eso significa crear y aceptar un entorno inclusivo "
-"donde la gente se siente una parte de su \"pequeña familia rara.\"59 Para "
-"las organizaciones como Red Hat, eso significa conectarse alrededor de "
-"creencias y metas comunes. Como escribió el CEO Jim Whitehurst en The Open "
-"Organization, \"Aprovechar la pasión es especialmente importante para "
-"construir el tipo de comunidades participativas que dirigen las "
-"organizaciones abiertas.\"60"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2170
-msgid ""
-"Communities that collaborate together take deliberate planning. Surowiecki "
-"wrote, “It takes a lot of work to put the group together. It’s difficult to "
-"ensure that people are working in the group’s interest and not in their own. "
-"And when there’s a lack of trust between the members of the group (which "
-"isn’t surprising given that they don’t really know each other), considerable "
-"energy is wasted trying to determine each other’s bona fides.”61 Building "
-"true community requires giving people within the community the power to "
-"create or influence the rules that govern the community.62 If the rules are "
-"created and imposed in a top-down manner, people feel like they don’t have a "
-"voice, which in turn leads to disengagement."
+"donde la gente se siente una parte de su \"pequeña y rara familia."
+"\"<placeholder type=\"footnote\" id=\"0\"/> Para las organizaciones como Red "
+"Hat, eso significa conectarse alrededor de creencias y metas comunes. Como "
+"escribió el CEO Jim Whitehurst en The Open Organization, \"Aprovechar la "
+"pasión es especialmente importante para construir el tipo de comunidades "
+"participativas que dirigen las organizaciones abiertas.\"<placeholder type="
+"\"footnote\" id=\"1\"/>"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2941
+msgid "Surowiecki, Wisdom of Crowds, 200."
+msgstr "Surowiecki, Wisdom of Crowds, 200."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2945
+msgid "Bollier, Think Like a Commoner, 29."
+msgstr "Bollier, Think Like a Commoner, 29."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2933
+#, fuzzy
+#| msgid ""
+#| "Communities that collaborate together take deliberate planning. "
+#| "Surowiecki wrote, “It takes a lot of work to put the group together. It’s "
+#| "difficult to ensure that people are working in the group’s interest and "
+#| "not in their own. And when there’s a lack of trust between the members of "
+#| "the group (which isn’t surprising given that they don’t really know each "
+#| "other), considerable energy is wasted trying to determine each other’s "
+#| "bona fides.”<placeholder type=\"footnote\" id=\"0\"/> Building true "
+#| "community requires giving people within the community the power to create "
+#| "or influence the rules that govern the community.<placeholder type="
+#| "\"footnote\" id=\"1\"/> If the rules are created and imposed in a top-"
+#| "down manner, people feel like they don’t have a voice, which in turn "
+#| "leads to disengagement."
+msgid ""
+"Communities that collaborate together take deliberate planning. Surowiecki "
+"wrote, <quote>It takes a lot of work to put the group together. It’s "
+"difficult to ensure that people are working in the group’s interest and not "
+"in their own. And when there’s a lack of trust between the members of the "
+"group (which isn’t surprising given that they don’t really know each other), "
+"considerable energy is wasted trying to determine each other’s bona fides.</"
+"quote><placeholder type=\"footnote\" id=\"0\"/> Building true community "
+"requires giving people within the community the power to create or influence "
+"the rules that govern the community.<placeholder type=\"footnote\" id=\"1\"/"
+"> If the rules are created and imposed in a top-down manner, people feel "
+"like they don’t have a voice, which in turn leads to disengagement."
msgstr ""
"Las comunidades que colaboran juntas toman planeación anticipadamente. "
"Surowiecki escribió, \"Toma mucho trabajo poner al grupo junto. Es difícil "
"el suyo. Y cuando existe una falta de confianza entre los miembros del grupo "
"(lo cual no es sorprendente dado que no se conocen realmente), una "
"considerable energía es desperdiciada tratando de determinar las buenas "
-"intenciones mutuas.\"61 Construir una verdadera comunidad requiere darle a "
-"las personas de la comunidad el poder de crear o influir las relgas que "
-"rigen a la comunidad.62 Si las reglas son creadas e impuestas de manera "
-"descendiente, la gente siente que no tiene una voz, lo que conlleva a la "
-"desunión."
+"intenciones mutuas.\"<placeholder type=\"footnote\" id=\"0\"/> Construir "
+"una verdadera comunidad requiere darle a las personas de la comunidad el "
+"poder de crear o influir las reglas que rigen a dicha comunidad.<placeholder "
+"type=\"footnote\" id=\"1\"/> Si las reglas son creadas e impuestas de "
+"manera vertical, la gente siente que no tiene una voz, lo que conlleva a la "
+"desvinculación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2174
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2951
msgid ""
"Community takes work, but working together, or even simply being connected "
"around common interests or values, is in many ways what sharing is about."
"conectados alrededor de intereses o valores comunes, es de muchas formas de "
"lo que se trata compartir."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2176
-msgid "#### Give more to the commons than you take"
-msgstr "#### Da más a los comunes de lo que te llevas"
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2957
+msgid "Give more to the commons than you take"
+msgstr "Da más a los comunes de lo que te llevas"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2187
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2968
+#, fuzzy
+#| msgid ""
+#| "Giana Eckhardt and Fleura Bardhi, “The Sharing Economy Isn’t about "
+#| "Sharing at All,” Harvard Business Review (website), January 28, 2015, "
+#| "<ulink url=\"http://hbr.org/2015/01/the-sharing-economy-isnt-about-"
+#| "sharing-at-all\"/>."
+msgid ""
+"Giana Eckhardt and Fleura Bardhi, <quote>The Sharing Economy Isn’t about "
+"Sharing at All,</quote> Harvard Business Review (website), January 28, 2015, "
+"<ulink url=\"http://hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-"
+"at-all\"/>."
+msgstr ""
+"Giana Eckhardt and Fleura Bardhi, “The Sharing Economy Isn’t about Sharing "
+"at All,” Harvard Business Review (sitio Web), 28 de Enero de 2015, <ulink "
+"url=\"http://hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all\"/"
+">."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2976
+msgid ""
+"Lisa Gansky, The Mesh: Why the Future of Business Is Sharing, reprint with "
+"new epilogue (New York: Portfolio, 2012)."
+msgstr ""
+"Lisa Gansky, The Mesh: Why the Future of Business Is Sharing, reimpresión "
+"con un nuevo epílogo (New York: Portfolio, 2012)."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2959
+#, fuzzy
+#| msgid ""
+#| "Conventional wisdom in the marketplace dictates that people should try to "
+#| "extract as much money as possible from resources. This is essentially "
+#| "what defines so much of the so-called sharing economy. In an article on "
+#| "the Harvard Business Review website called “The Sharing Economy Isn’t "
+#| "about Sharing at All,” authors Giana Eckhardt and Fleura Bardhi explained "
+#| "how the anonymous market-driven trans-actions in most sharing-economy "
+#| "businesses are purely about monetizing access.<placeholder type=\"footnote"
+#| "\" id=\"0\"/> As Lisa Gansky put it in her book The Mesh, the primary "
+#| "strategy of the sharing economy is to sell the same product multiple "
+#| "times, by selling access rather than ownership.<placeholder type="
+#| "\"footnote\" id=\"1\"/> That is not sharing."
msgid ""
"Conventional wisdom in the marketplace dictates that people should try to "
"extract as much money as possible from resources. This is essentially what "
"defines so much of the so-called sharing economy. In an article on the "
-"Harvard Business Review website called “The Sharing Economy Isn’t about "
-"Sharing at All,” authors Giana Eckhardt and Fleura Bardhi explained how the "
-"anonymous market-driven trans-actions in most sharing-economy businesses are "
-"purely about monetizing access.63 As Lisa Gansky put it in her book The "
-"Mesh, the primary strategy of the sharing economy is to sell the same "
-"product multiple times, by selling access rather than ownership.64 That is "
-"not sharing."
+"Harvard Business Review website called <quote>The Sharing Economy Isn’t "
+"about Sharing at All,</quote> authors Giana Eckhardt and Fleura Bardhi "
+"explained how the anonymous market-driven trans-actions in most sharing-"
+"economy businesses are purely about monetizing access.<placeholder type="
+"\"footnote\" id=\"0\"/> As Lisa Gansky put it in her book The Mesh, the "
+"primary strategy of the sharing economy is to sell the same product multiple "
+"times, by selling access rather than ownership.<placeholder type=\"footnote"
+"\" id=\"1\"/> That is not sharing."
msgstr ""
"La sabiduría común en el mercado dicta que la gente debería extraer la mayor "
"cantidad de dinero posible de los recursos. Esto es lo que esencialmente "
"sobre compartir\"), los autores Giana Eckhardt y Fleura Bardhi explicaron "
"cómo las transacciones anónimas, orientadas por el mercado, en la mayoría de "
"las empresas de la economía del intercambio son puramente para monetizar el "
-"acceso.63 Como Lisa Gansky lo puso en su libro The Mesh (La red), la "
-"estrategia primaria de la economía del intercambio es vender el mismo "
-"producto muchas veces, vendiendo el acceso antes que la propiedad.64 Eso no "
-"es compartir."
+"acceso.<placeholder type=\"footnote\" id=\"0\"/> Como Lisa Gansky lo dice "
+"en su libro The Mesh (La red), la estrategia primaria de la economía del "
+"intercambio es vender el mismo producto muchas veces, vendiendo el acceso y "
+"no la propiedad.<placeholder type=\"footnote\" id=\"1\"/> Eso no es "
+"compartir."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2992
+#, fuzzy
+#| msgid ""
+#| "David Lee, “Inside Medium: An Attempt to Bring Civility to the Internet,” "
+#| "BBC News, March 3, 2016, <ulink url=\"http://www.bbc.com/news/"
+#| "technology-35709680\"/>."
+msgid ""
+"David Lee, <quote>Inside Medium: An Attempt to Bring Civility to the "
+"Internet,</quote> BBC News, March 3, 2016, <ulink url=\"http://www.bbc.com/"
+"news/technology-35709680\"/>."
+msgstr ""
+"David Lee, “Inside Medium: An Attempt to Bring Civility to the Internet,” "
+"BBC News, 3 de marzo de 2016, <ulink url=\"http://www.bbc.com/news/"
+"technology-35709680\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2199
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:2982
msgid ""
"Sharing requires adding as much or more value to the ecosystem than you "
"take. You can’t simply treat open content as a free pool of resources from "
"which to extract value. Part of giving back to the ecosystem is contributing "
"content back to the public under CC licenses. But it doesn’t have to just be "
-"about creating content; it can be about adding value in other ways. The "
+"about creating content; it can be about adding value in other ways. The "
"social blogging platform Medium provides value to its community by "
"incentivizing good behavior, and the result is an online space with "
-"remarkably high-quality user-generated content and limited trolling.65 "
-"Opendesk contributes to its community by committing to help its designers "
-"make money, in part by actively curating and displaying their work on its "
-"platform effectively."
+"remarkably high-quality user-generated content and limited trolling."
+"<placeholder type=\"footnote\" id=\"0\"/> Opendesk contributes to its "
+"community by committing to help its designers make money, in part by "
+"actively curating and displaying their work on its platform effectively."
msgstr ""
"El intercambio requiere añadir tanto o más valor en el ecosistema que el "
"valor que uno toma de él. No se puede tratar al contenido abierto "
"plataforma social de blogging Medium provee valor a su comunidad al "
"incentivar un buen comportamiento, y el resultado es un espacio online con "
"contenido de remarcada buena calidad generado por los usuarios y con pocos "
-"trolls.65 Opendesk contribuye a su comunidad al comprometerse a ayudar a sus "
-"diseñadores a hacer dinero, en parte al curar y exhibir activamente su "
-"trabajo en la plataforma de una manera efectiva."
+"trolls.<placeholder type=\"footnote\" id=\"0\"/> Opendesk contribuye a su "
+"comunidad al comprometerse a ayudar a sus diseñadores a hacer dinero, en "
+"parte al curar y exhibir activamente su trabajo en la plataforma de una "
+"manera efectiva."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2207
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3001
msgid ""
"In all cases, it is important to openly acknowledge the amount of value you "
"add versus that which you draw on that was created by others. Being "
"En todo caso, es importante reconocer abiertamente la cantidad de valor que "
"uno agrega contra la cantidad de valor que uno extrae de lo que fue creado "
"por otros. Ser transparente sobre esto construye credibilidad y muestra que "
-"eres un jugador que contribuye al procomún. Cuando tu empeño está generando "
-"dinero, eso también significa aportar una compensación financiera de forma "
-"que refleje el valor contribuido por otros, dando más a quienes contribuyen "
-"cuando el valor que ellos añaden sobrepasa el valor que tú añadiste."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2209
-msgid "#### Involve people in what you do"
-msgstr "#### Involucra a la gente en lo que haces"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2221
+"eres un jugador que contribuye al bien común. Cuando tu empeño está "
+"generando dinero, eso también significa aportar una compensación financiera "
+"de forma que refleje el valor contribuido por otros, dando más a quienes "
+"contribuyen cuando el valor que ellos añaden sobrepasa el valor que tú "
+"añadiste."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3012
+msgid "Involve people in what you do"
+msgstr "Involucra a la gente en lo que haces"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3017
+msgid "Anderson, Makers, 148."
+msgstr "Anderson, Makers, 148."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3021
+msgid "Shirky, Cognitive Surplus, 164."
+msgstr "Shirky, Cognitive Surplus, 164."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3028
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3092
+msgid "Whitehurst, foreword to Open Organization."
+msgstr "Whitehurst, prefacio de Open Organization."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3014
msgid ""
"Thanks to the Internet, we can tap into the talents and expertise of people "
-"around the globe. Chris Anderson calls it the Long Tail of talent.66 But to "
-"make collaboration work, the group has to be effective at what it is doing, "
-"and the people within the group have to find satisfaction from being "
-"involved.67 This is easier to facilitate for some types of creative work "
-"than it is for others. Groups tied together online collaborate best when "
-"people can work independently and asynchronously, and particularly for "
-"larger groups with loose ties, when contributors can make simple "
-"improvements without a particularly heavy time commitment.68"
+"around the globe. Chris Anderson calls it the Long Tail of talent."
+"<placeholder type=\"footnote\" id=\"0\"/> But to make collaboration work, "
+"the group has to be effective at what it is doing, and the people within the "
+"group have to find satisfaction from being involved.<placeholder type="
+"\"footnote\" id=\"1\"/> This is easier to facilitate for some types of "
+"creative work than it is for others. Groups tied together online collaborate "
+"best when people can work independently and asynchronously, and particularly "
+"for larger groups with loose ties, when contributors can make simple "
+"improvements without a particularly heavy time commitment.<placeholder type="
+"\"footnote\" id=\"2\"/>"
msgstr ""
"Gracias a Internet, podemos utilizar los talentos y la experiencia de "
"personas alrededor del mundo. Chris Anderson lo llama la Larga Cola del "
-"talento.66 Pero para hacer que la colaboración funcione, el grupo tiene que "
-"ser efectivo en lo que está haciendo, y la gente en el grupo tiene que "
-"encontrar satisfacción al involucrarse.67 Esto es más sencillo de realizar "
-"para algunos tipos de trabajos creativos que para otros. Los grupos que se "
-"juntan enlinea colaboran mejor cuando la gente puede trabajar de manera "
-"independiente y asíncrona, y particularmente para los grupos grandes con "
-"vínculos más lejanos, donde los contribuyentes pueden hacer simples mejoras "
-"sin un compromiso de tiempo demasiado pesado.68"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2230
+"talento.<placeholder type=\"footnote\" id=\"0\" /> Pero para hacer que la "
+"colaboración funcione, el grupo tiene que ser efectivo en lo que está "
+"haciendo, y la gente en el grupo tiene que encontrar satisfacción al "
+"involucrarse.<placeholder type=\"footnote\" id=\"1\" /> Esto es más sencillo "
+"de realizar para algunos tipos de trabajos creativos que para otros. Los "
+"grupos que se encuentran en línea colaboran mejor cuando la gente puede "
+"trabajar de manera independiente y asíncrona, y particularmente para los "
+"grupos grandes con vínculos menos estrechos, donde los contribuyentes pueden "
+"hacer simples mejoras sin un compromiso de tiempo demasiado pesado."
+"<placeholder type=\"footnote\" id=\"2\" />"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3041
+msgid "Shirky, Cognitive Surplus, 144."
+msgstr "Shirky, Cognitive Surplus, 144."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3032
msgid ""
"As the success of Wikipedia demonstrates, editing an online encyclopedia is "
"exactly the sort of activity that is perfect for massive co-creation because "
"own are immensely valuable in the aggregate. Those same sorts of small "
"contributions would be less useful for many other types of creative work, "
"and people are inherently less motivated to contribute when it doesn’t "
-"appear that their efforts will make much of a difference.69"
+"appear that their efforts will make much of a difference.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Como el éxito de Wikipedia demuestra, editar una enciclopedia en línea es "
"exactamente el tipo de actividad perfecta para la co-creación masiva porque "
"actuando por su cuenta, son inmensamente valiosas cuando se suman. Este "
"mismo tipo de contribuciones pequeñas serían menos útiles para muchos otros "
"tipos de trabajo creativo, y la gente está inherentemente menos motivada a "
-"contribuir cuando no parece que sus esfuerzos vayan a hacer mucha "
-"diferencia.69"
+"contribuir cuando no parece que sus esfuerzos vayan a hacer mucha diferencia."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2247
+#. type: Content of: <book><part><chapter><sect1><sect2><para><quote><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3053
+msgid "Ibid., 154."
+msgstr "Ibid., 154."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3065
+msgid "Palmer, Art of Asking, 163."
+msgstr "Palmer, Art of Asking, 163."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3045
+#, fuzzy
+#| msgid ""
+#| "It is easy to romanticize the opportunities for global cocreation made "
+#| "possible by the Internet, and, indeed, the successful examples of it are "
+#| "truly incredible and inspiring. But in a wide range of circumstances—"
+#| "perhaps more often than not—community cocreation is not part of the "
+#| "equation, even within endeavors built on CC content. Shirky wrote, "
+#| "“Sometimes the value of professional work trumps the value of amateur "
+#| "sharing or a feeling of belonging.<placeholder type=\"footnote\" id=\"0\"/"
+#| "> The textbook publisher OpenStax, which distributes all of its material "
+#| "for free under CC licensing, is an example of this dynamic. Rather than "
+#| "tapping the community to help cocreate their college textbooks, they "
+#| "invest a significant amount of time and money to develop professional "
+#| "content. For individual creators, where the creative work is the basis "
+#| "for what they do, community cocreation is only rarely a part of the "
+#| "picture. Even musician Amanda Palmer, who is famous for her openness and "
+#| "involvement with her fans, said, “The only department where I wasn’t open "
+#| "to input was the writing, the music itself.”<placeholder type=\"footnote"
+#| "\" id=\"1\"/>"
msgid ""
"It is easy to romanticize the opportunities for global cocreation made "
"possible by the Internet, and, indeed, the successful examples of it are "
-"truly incredible and inspiring. But in a wide range of circumstances—perhaps "
-"more often than not—community cocreation is not part of the equation, even "
-"within endeavors built on CC content. Shirky wrote, “Sometimes the value of "
-"professional work trumps the value of amateur sharing or a feeling of "
-"belonging.70 The textbook publisher OpenStax, which distributes all of its "
-"material for free under CC licensing, is an example of this dynamic. Rather "
-"than tapping the community to help cocreate their college textbooks, they "
-"invest a significant amount of time and money to develop professional "
-"content. For individual creators, where the creative work is the basis for "
-"what they do, community cocreation is only rarely a part of the picture. "
-"Even musician Amanda Palmer, who is famous for her openness and involvement "
-"with her fans, said, “The only department where I wasn’t open to input was "
-"the writing, the music itself.”71"
+"truly incredible and inspiring. But in a wide range of circumstances—"
+"perhaps more often than not—community cocreation is not part of the "
+"equation, even within endeavors built on CC content. Shirky wrote, "
+"<quote>Sometimes the value of professional work trumps the value of amateur "
+"sharing or a feeling of belonging.<placeholder type=\"footnote\" id=\"0\"/> "
+"The textbook publisher OpenStax, which distributes all of its material for "
+"free under CC licensing, is an example of this dynamic. Rather than tapping "
+"the community to help cocreate their college textbooks, they invest a "
+"significant amount of time and money to develop professional content. For "
+"individual creators, where the creative work is the basis for what they do, "
+"community cocreation is only rarely a part of the picture. Even musician "
+"Amanda Palmer, who is famous for her openness and involvement with her fans, "
+"said, “The only department where I wasn’t open to input was the writing, the "
+"music itself.</quote><placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Es fácil idealizar las oportunidades de la co-creación global que se dan "
"gracias a Internet. De hecho, los ejemples exitosos son verdaderamente "
"de la ecuación, incluso en los emprendimientos construidos sobre contenido "
"liberado con una licencia CC. Shirky escribió: \"A veces el valor del "
"trabajo profesional triunfa sobre el valor del compartir de la gente común, "
-"o sobre la sensación de pertenencia.70 El editor de libros de textos "
-"OpenStax, que distribuye todo su material de manera gratuita con una "
-"licencia CC, es un ejemplo de está dinámica. En lugar de ayudarse en la "
-"comunidad para co-crear sus libros escolares, invierten una cantidad "
-"significativa de tiempo y dinero en desarrollar contenido profesional. Para "
-"los creadores individuales, para quienes el trabajo creativo es la base de "
-"lo que hacen, la co-creación comunitaria es raramente algo a considerar. "
-"Incluso para la música Amanda Palmer, famosa por su nivel de apertura e "
-"interacción con sus fans, dijo: \"El único área donde no estuve dispuesta a "
-"recibir aportes era en la escritura, en la música misma\".71"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2258
+"o sobre la sensación de pertenencia.<placeholder type=\"footnote\" id=\"0\" /"
+"> La editorial de libros de texto OpenStax, que distribuye todo su material "
+"de manera gratuita con una licencia CC, es un ejemplo de está dinámica. En "
+"lugar de auxiliarse de la comunidad para co-crear sus libros escolares, "
+"invierte una cantidad significativa de tiempo y dinero en desarrollar "
+"contenido profesional. Para los creadores individuales, para quienes el "
+"trabajo creativo es la base de lo que hacen, la co-creación comunitaria es "
+"raramente algo a considerar. Incluso para la música Amanda Palmer, famosa "
+"por su nivel de apertura e interacción con sus fans, dijo: \"La única área "
+"donde no estuve dispuesta a recibir aportes era en la escritura, en la "
+"música misma\".<placeholder type=\"footnote\" id=\"1\" />"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3076
+msgid "Anderson, Makers, 173."
+msgstr "Anderson, Makers, 173."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3083
+msgid ""
+"Tom Kelley and David Kelley, Creative Confidence: Unleashing the Potential "
+"within Us All (New York: Crown, 2013), 82."
+msgstr ""
+"Tom Kelley y David Kelley, Creative Confidence: Unleashing the Potential "
+"within Us All (New York: Crown, 2013), 82."
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3069
+#, fuzzy
+#| msgid ""
+#| "While we tend to immediately think of cocreation and remixing when we "
+#| "hear the word collaboration, you can also involve others in your creative "
+#| "process in more informal ways, by sharing half-baked ideas and early "
+#| "drafts, and interacting with the public to incubate ideas and get "
+#| "feedback. So-called “making in public” opens the door to letting people "
+#| "feel more invested in your creative work.<placeholder type=\"footnote\" "
+#| "id=\"0\"/> And it shows a nonterritorial approach to ideas and "
+#| "information. Stephen Covey (of The 7 Habits of Highly Effective People "
+#| "fame) calls this the abundance mentality—treating ideas like something "
+#| "plentiful—and it can create an environment where collaboration flourishes."
+#| "<placeholder type=\"footnote\" id=\"1\"/>"
msgid ""
"While we tend to immediately think of cocreation and remixing when we hear "
"the word collaboration, you can also involve others in your creative process "
"in more informal ways, by sharing half-baked ideas and early drafts, and "
"interacting with the public to incubate ideas and get feedback. So-called "
-"“making in public” opens the door to letting people feel more invested in "
-"your creative work.72 And it shows a nonterritorial approach to ideas and "
-"information. Stephen Covey (of The 7 Habits of Highly Effective People fame) "
-"calls this the abundance mentality—treating ideas like something plentiful—"
-"and it can create an environment where collaboration flourishes.73"
-msgstr ""
-"Si bien tendemos a pensar inmediatamente en la co-creación y en el remix "
+"<quote>making in public</quote> opens the door to letting people feel more "
+"invested in your creative work.<placeholder type=\"footnote\" id=\"0\"/> And "
+"it shows a nonterritorial approach to ideas and information. Stephen Covey "
+"(of The 7 Habits of Highly Effective People fame) calls this the abundance "
+"mentality—treating ideas like something plentiful—and it can create an "
+"environment where collaboration flourishes.<placeholder type=\"footnote\" id="
+"\"1\"/>"
+msgstr ""
+"Si bien tendemos a pensar inmediatamente en la co-creación y en la remezcla "
"cuando escuchamos la palabra colaboración, también se puede involucrar a "
"otros en tu proceso creativo de maneras más informales, intercambiando ideas "
"a medio desarrollar y borradores tempranos, e interactuando con el público "
"para incubar ideas y obtener retroalimentación. El así llamado proceso de "
"hacer cosas \"en público\" hace que la gente se sienta más involucrada con "
-"tu trabajo creativo.72 y muestra un enfoque no territorial hacia las ideas y "
-"la información. Stephen Covey (autor de \"Los siete habítos de la gente "
-"altamente efectiva\") llama a esto la mentalidad de la abundancia: tratar a "
-"las ideas como algo pleno. Esto puede crear un ambiente donde la "
-"colaboración florece.73"
+"tu trabajo creativo.<placeholder type=\"footnote\" id=\"0\" /> Esto muestra "
+"un enfoque no territorial hacia las ideas y la información. Stephen Covey "
+"(autor de \"Los siete habítos de la gente altamente efectiva\") llama a esto "
+"la mentalidad de la abundancia: tratar a las ideas como algo pleno. Esto "
+"puede crear un ambiente donde la colaboración florezca.<placeholder type="
+"\"footnote\" id=\"1\" />"
+
+#. type: Content of: <book><part><chapter><sect1><sect2><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3100
+msgid ""
+"Rachel Botsman and Roo Rogers, What’s Mine Is Yours: The Rise of "
+"Collaborative Consumption (New York: Harper Business, 2010), 188."
+msgstr ""
+"Rachel Botsman y Roo Rogers, What’s Mine Is Yours: The Rise of Collaborative "
+"Consumption (New York: Harper Business, 2010), 188."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2267
+#. type: Content of: <book><part><chapter><sect1><sect2><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3089
msgid ""
"There is no one way to involve people in what you do. They key is finding a "
"way for people to contribute on their terms, compelled by their own "
-"motivations.74 What that looks like varies wildly depending on the project. "
-"Not every endeavor that is Made with Creative Commons can be Wikipedia, but "
-"every endeavor can find ways to invite the public into what they do. The "
-"goal for any form of collaboration is to move away from thinking of "
-"consumers as passive recipients of your content and transition them into "
-"active participants.75"
+"motivations.<placeholder type=\"footnote\" id=\"0\"/> What that looks like "
+"varies wildly depending on the project. Not every endeavor that is Made with "
+"Creative Commons can be Wikipedia, but every endeavor can find ways to "
+"invite the public into what they do. The goal for any form of collaboration "
+"is to move away from thinking of consumers as passive recipients of your "
+"content and transition them into active participants.<placeholder type="
+"\"footnote\" id=\"1\"/>"
msgstr ""
"No hay una forma de involucrar a la gente en lo que haces. La clave es "
"encontrar una forma para que la gente pueda contribuir en sus propios "
-"términos, impulsada por sus propias motivaciones.74 Cómo se ve eso varía "
-"muchísimo dependiendo del proyecto. No todos los emprendimientos que están "
-"Hechos con Creative Commons pueden ser como Wikipedia, pero cada "
-"emprendimiento necesita encontrar formas de invitar al público a ser parte. "
-"La meta de cualquier forma de colaboración es dejar de pensar en los "
-"consumidores como receptores pasivos de tu contenido y convertirlos en "
-"participantes activos.75"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Alex Osterwalder and Yves Pigneur, Business Model Generation (Hoboken, NJ: "
-"John Wiley and Sons, 2010), 14. A preview of the book is available at "
-"strategyzer.com/books/business-model-generation."
-msgstr ""
-"Alex Osterwalder & Yves Pigneur, Business Model Generation (Hoboken, NJ: "
-"John Wiley and Sons, 2010), 14. Una previsualización del libro está "
-"disponible en: strategyzer.com/books/business-model-generation."
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
-"Age (San Francisco, CA: McSweeney’s, 2014) 68."
-msgstr ""
-"Cory Doctorow, Information Doesn’t Want to Be Free: Laws for the Internet "
-"Age (San Francisco, CA: McSweeney’s, 2014) 68."
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid "Ibid., 55."
-msgstr "Ibid., 55."
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
-"Something for Nothing, reprint with new preface (New York: Hyperion, 2010), "
-"224."
-msgstr ""
-"Chris Anderson, Free: How Today’s Smartest Businesses Profit by Giving "
-"Something for Nothing, nueva impresión con un nuevo prefacio (New York: "
-"Hyperion, 2010), 224."
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid "Doctorow, Information Doesn’t Want to Be Free, 44."
-msgstr "Doctorow, Information Doesn’t Want to Be Free, 44."
-
-#. type: Bullet: '6. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
-"People Help (New York: Grand Central, 2014), 121."
-msgstr ""
-"Amanda Palmer, The Art of Asking: Or How I Learned to Stop Worrying and Let "
-"People Help (New York: Grand Central, 2014), 121."
-
-#. type: Bullet: '7. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
-"2012), 64."
-msgstr ""
-"Chris Anderson, Makers: The New Industrial Revolution (New York: Signal, "
-"2012), 64."
-
-#. type: Bullet: '8. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-msgid ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 70."
-msgstr ""
-"David Bollier, Think Like a Commoner: A Short Introduction to the Life of "
-"the Commons (Gabriola Island, BC: New Society, 2014), 70."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2370
-#, no-wrap
-msgid ""
-"9. Anderson, Makers, 66.\n"
-"10. Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy\n"
-" (New York: Morgan James, 2016), 10.\n"
-"11. Anderson, Free, 62.\n"
-"12. Doctorow, Information Doesn’t Want to Be Free, 38.\n"
-"13. Bollier, Think Like a Commoner, 68.\n"
-"14. Anderson, Free, 86.\n"
-"15. Doctorow, Information Doesn’t Want to Be Free, 144.\n"
-"16. Anderson, Free, 123.\n"
-"17. Ibid., 132.\n"
-"18. Ibid., 70.\n"
-"19. James Surowiecki, The Wisdom of Crowds (New York: Anchor Books,\n"
-" 2005), 124. Surowiecki says, “The measure of success of laws and\n"
-" contracts is how rarely they are invoked.”\n"
-"20. Anderson, Free, 44.\n"
-"21. Osterwalder and Pigneur, Business Model Generation, 23.\n"
-"22. Anderson, Free, 67.\n"
-"23. Ibid., 58.\n"
-"24. Anderson, Makers, 71.\n"
-"25. Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into\n"
-" Collaborators (London: Penguin Books, 2010), 78.\n"
-"26. Ibid., 21.\n"
-"27. Doctorow, Information Doesn’t Want to Be Free, 43.\n"
-"28. William Landes Foster, Peter Kim, and Barbara Christiansen, “Ten\n"
-" Nonprofit Funding Models,” Stanford Social Innovation Review, Spring\n"
-" 2009, ssir.org/articles/entry/ten\\_nonprofit\\_funding\\_models.\n"
-"29. Shirky, Cognitive Surplus, 111.\n"
-"30. Osterwalder and Pigneur, Business Model Generation, 30.\n"
-"31. Jim Whitehurst, The Open Organization: Igniting Passion and\n"
-" Performance (Boston: Harvard Business Review Press, 2015), 202.\n"
-"32. Anderson, Free, 71.\n"
-"33. Ibid., 231.\n"
-"34. Ibid., 97.\n"
-"35. Anderson, Makers, 107.\n"
-"36. Osterwalder and Pigneur, Business Model Generation, 89.\n"
-"37. Ibid., 92.\n"
-"38. Anderson, Free, 142.\n"
-"39. Osterwalder and Pigneur, Business Model Generation, 32.\n"
-"40. Bollier, Think Like a Commoner, 150.\n"
-"41. Ibid., 134.\n"
-"42. Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our\n"
-" Decisions, rev. ed. (New York: Harper Perennial, 2010), 109.\n"
-"43. Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and\n"
-" Get Discovered (New York: Workman, 2014), 93.\n"
-"44. Kramer, Shareology, 76.\n"
-"45. Palmer, Art of Asking, 252.\n"
-"46. Whitehurst, Open Organization, 145.\n"
-"47. Surowiecki, Wisdom of Crowds, 203.\n"
-"48. Whitehurst, Open Organization, 80.\n"
-"49. Bollier, Think Like a Commoner, 25.\n"
-"50. Ibid., 31.\n"
-"51. Shirky, Cognitive Surplus, 112.\n"
-"52. Surowiecki, Wisdom of Crowds, 124.\n"
-"53. Kleon, Show Your Work, 127.\n"
-"54. Palmer, Art of Asking, 121.\n"
-"55. Ariely, Predictably Irrational, 87.\n"
-"56. Ibid., 105.\n"
-"57. Ibid., 36.\n"
-"58. Jono Bacon, The Art of Community, 2nd ed. (Sebastopol, CA: O’Reilly\n"
-" Media, 2012), 36.\n"
-"59. Palmer, Art of Asking, 98.\n"
-"60. Whitehurst, Open Organization, 34.\n"
-"61. Surowiecki, Wisdom of Crowds, 200.\n"
-"62. Bollier, Think Like a Commoner, 29.\n"
-"63. Giana Eckhardt and Fleura Bardhi, “The Sharing Economy Isn’t about\n"
-" Sharing at All,” Harvard Business Review (website), January 28,\n"
-" 2015, hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all.\n"
-"64. Lisa Gansky, The Mesh: Why the Future of Business Is Sharing,\n"
-" reprint with new epilogue (New York: Portfolio, 2012).\n"
-"65. David Lee, “Inside Medium: An Attempt to Bring Civility to the\n"
-" Internet,” BBC News, March 3, 2016,\n"
-" www.bbc.com/news/technology-35709680.\n"
-"66. Anderson, Makers, 148.\n"
-"67. Shirky, Cognitive Surplus, 164.\n"
-"68. Whitehurst, foreword to Open Organization.\n"
-"69. Shirky, Cognitive Surplus, 144.\n"
-"70. Ibid., 154.\n"
-"71. Palmer, Art of Asking, 163.\n"
-"72. Anderson, Makers, 173.\n"
-"73. Tom Kelley and David Kelley, Creative Confidence: Unleashing the\n"
-" Potential within Us All (New York: Crown, 2013), 82.\n"
-"74. Whitehurst, foreword to Open Organization.\n"
-"75. Rachel Botsman and Roo Rogers, What’s Mine Is Yours: The Rise of\n"
-" Collaborative Consumption (New York: Harper Business, 2010), 188.\n"
-msgstr ""
-"9. Anderson, Makers, 66.\n"
-"10. Bryan Kramer, Shareology: How Sharing Is Powering the Human Economy\n"
-" (Nueva York: Morgan James, 2016), 10.\n"
-"11. Anderson, Free, 62.\n"
-"12. Doctorow, Information Doesn’t Want to Be Free, 38.\n"
-"13. Bollier, Think Like a Commoner, 68.\n"
-"14. Anderson, Free, 86.\n"
-"15. Doctorow, Information Doesn’t Want to Be Free, 144.\n"
-"16. Anderson, Free, 123.\n"
-"17. Ibid., 132.\n"
-"18. Ibid., 70.\n"
-"19. James Surowiecki, The Wisdom of Crowds (Nueva York: Anchor Books,\n"
-" 2005), 124. Surowiecki comentó, “La medida del éxito de las leyes y los\n"
-" contratos es cuan raro son invocados.”\n"
-"20. Anderson, Free, 44.\n"
-"21. Osterwalder and Pigneur, Business Model Generation, 23.\n"
-"22. Anderson, Free, 67.\n"
-"23. Ibid., 58.\n"
-"24. Anderson, Makers, 71.\n"
-"25. Clay Shirky, Cognitive Surplus: How Technology Makes Consumers into\n"
-" Collaborators (Londres: Penguin Books, 2010), 78.\n"
-"26. Ibid., 21.\n"
-"27. Doctorow, Information Doesn’t Want to Be Free, 43.\n"
-"28. William Landes Foster, Peter Kim, and Barbara Christiansen, “Ten\n"
-" Nonprofit Funding Models,” Stanford Social Innovation Review, Spring\n"
-" 2009, ssir.org/articles/entry/ten\\_nonprofit\\_funding\\_models.\n"
-"29. Shirky, Cognitive Surplus, 111.\n"
-"30. Osterwalder y Pigneur, Business Model Generation, 30.\n"
-"31. Jim Whitehurst, The Open Organization: Igniting Passion and\n"
-" Performance (Boston: Harvard Business Review Press, 2015), 202.\n"
-"32. Anderson, Free, 71.\n"
-"33. Ibid., 231.\n"
-"34. Ibid., 97.\n"
-"35. Anderson, Makers, 107.\n"
-"36. Osterwalder and Pigneur, Business Model Generation, 89.\n"
-"37. Ibid., 92.\n"
-"38. Anderson, Free, 142.\n"
-"39. Osterwalder y Pigneur, Business Model Generation, 32.\n"
-"40. Bollier, Think Like a Commoner, 150.\n"
-"41. Ibid., 134.\n"
-"42. Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our\n"
-" Decisions, ed. rev. (Nueva York: Harper Perennial, 2010), 109.\n"
-"43. Austin Kleon, Show Your Work: 10 Ways to Share Your Creativity and\n"
-" Get Discovered (Nueva York: Workman, 2014), 93.\n"
-"44. Kramer, Shareology, 76.\n"
-"45. Palmer, Art of Asking, 252.\n"
-"46. Whitehurst, Open Organization, 145.\n"
-"47. Surowiecki, Wisdom of Crowds, 203.\n"
-"48. Whitehurst, Open Organization, 80.\n"
-"49. Bollier, Think Like a Commoner, 25.\n"
-"50. Ibid., 31.\n"
-"51. Shirky, Cognitive Surplus, 112.\n"
-"52. Surowiecki, Wisdom of Crowds, 124.\n"
-"53. Kleon, Show Your Work, 127.\n"
-"54. Palmer, Art of Asking, 121.\n"
-"55. Ariely, Predictably Irrational, 87.\n"
-"56. Ibid., 105.\n"
-"57. Ibid., 36.\n"
-"58. Jono Bacon, The Art of Community, 2a ed. (Sebastopol, CA: O’Reilly\n"
-" Media, 2012), 36.\n"
-"59. Palmer, Art of Asking, 98.\n"
-"60. Whitehurst, Open Organization, 34.\n"
-"61. Surowiecki, Wisdom of Crowds, 200.\n"
-"62. Bollier, Think Like a Commoner, 29.\n"
-"63. Giana Eckhardt y Fleura Bardhi, “The Sharing Economy Isn’t about\n"
-" Sharing at All,” Harvard Business Review (website), Enero 28,\n"
-" 2015, hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all.\n"
-"64. Lisa Gansky, The Mesh: Why the Future of Business Is Sharing,\n"
-" reimpresión con nuevo epílogo (Nueva York: Portfolio, 2012).\n"
-"65. David Lee, “Inside Medium: An Attempt to Bring Civility to the\n"
-" Internet,” BBC News, Marzo 3, 2016,\n"
-" www.bbc.com/news/technology-35709680.\n"
-"66. Anderson, Makers, 148.\n"
-"67. Shirky, Cognitive Surplus, 164.\n"
-"68. Whitehurst, foreword to Open Organization.\n"
-"69. Shirky, Cognitive Surplus, 144.\n"
-"70. Ibid., 154.\n"
-"71. Palmer, Art of Asking, 163.\n"
-"72. Anderson, Makers, 173.\n"
-"73. Tom Kelley y David Kelley, Creative Confidence: Unleashing the\n"
-" Potential within Us All (Nueva York: Crown, 2013), 82.\n"
-"74. Whitehurst, foreword to Open Organization.\n"
-"75. Rachel Botsman y Roo Rogers, What’s Mine Is Yours: The Rise of\n"
-" Collaborative Consumption (Nueva York: Harper Business, 2010), 188.\n"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2372
-msgid "## The Creative Commons Licenses"
-msgstr "## Las Licencias Creative Commons"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2385
-msgid ""
-"All of the Creative Commons licenses grant a basic set of permissions. At a "
+"términos, impulsada por sus propias motivaciones.<placeholder type=\"footnote"
+"\" id=\"0\" /> Cómo se ve eso varía muchísimo dependiendo del proyecto. No "
+"todos los emprendimientos que están Hechos con Creative Commons pueden ser "
+"como Wikipedia, pero cada emprendimiento necesita encontrar formas de "
+"invitar al público a ser parte. La meta de cualquier forma de colaboración "
+"es dejar de pensar en los consumidores como receptores pasivos de tu "
+"contenido y convertirlos en participantes activos.<placeholder type="
+"\"footnote\" id=\"1\" />"
+
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3109
+msgid "The Creative Commons Licenses"
+msgstr "Las Licencias Creative Commons"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3111
+msgid ""
+"All of the Creative Commons licenses grant a basic set of permissions. At a "
"minimum, a CC- licensed work can be copied and shared in its original form "
-"for noncommercial purposes so long as attribution is given to the creator. "
+"for noncommercial purposes so long as attribution is given to the creator. "
"There are six licenses in the CC license suite that build on that basic set "
"of permissions, ranging from the most restrictive (allowing only those basic "
-"permissions to share unmodified copies for noncommercial purposes) to the "
+"permissions to share unmodified copies for noncommercial purposes) to the "
"most permissive (reusers can do anything they want with the work, even for "
"commercial purposes, as long as they give the creator credit). The licenses "
"are built on copyright and do not cover other types of rights that creators "
"de derechos que los creadores puedan emplear en sus trabajos, tales como "
"patentes o marcas registradas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2387
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3125
msgid "Here are the six licenses:"
msgstr "A continuación se presentan las seis licencias:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2390
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3130
+msgid "Pictures/10000201000001930000008D83BF99FC0821C489.png"
+msgstr "Pictures/10000201000001930000008D83BF99FC0821C489.png"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3128
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3142
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3158
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3170
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3183
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3196
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3216
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3228
#, fuzzy
-msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+#| msgid "<placeholder type=\"mediaobject\" id=\"0\"/>"
+msgid "<placeholder type=\"inlinemediaobject\" id=\"0\"/>"
+msgstr "<placeholder type=\"mediaobject\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2396
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3135
msgid ""
"The Attribution license (CC BY) lets others distribute, remix, tweak, and "
"build upon your work, even commercially, as long as they credit you for the "
"las licencias ofrecidas. Se recomienda para máxima diseminación y para uso "
"de materiales licenciados."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2399
-msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3144
+msgid "Pictures/10000201000001930000008DFD3592CB17C4EC38.png"
+msgstr "Pictures/10000201000001930000008DFD3592CB17C4EC38.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2406
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3149
+#, fuzzy
+#| msgid ""
+#| "The Attribution-Share-Alike license (CC BY-SA) lets others remix, tweak, "
+#| "and build upon your work, even for commercial purposes, as long as they "
+#| "credit you and license their new creations under identical terms. This "
+#| "license is often compared to “copyleft” free and open source software "
+#| "licenses. All new works based on yours will carry the same license, so "
+#| "any derivatives will also allow commercial use."
msgid ""
"The Attribution-Share-Alike license (CC BY-SA) lets others remix, tweak, and "
"build upon your work, even for commercial purposes, as long as they credit "
"you and license their new creations under identical terms. This license is "
-"often compared to “copyleft” free and open source software licenses. All new "
-"works based on yours will carry the same license, so any derivatives will "
-"also allow commercial use."
+"often compared to <quote>copyleft</quote> free and open source software "
+"licenses. All new works based on yours will carry the same license, so any "
+"derivatives will also allow commercial use."
msgstr ""
"La licencia Atribución-CompartirIgual (CC BY-SA) permite a terceros "
"remezclar, modificar y construir sobre de tu obra, siempre y cuando te den "
"derivados del tuyo llevarán la misma licencia, por lo cual toda obra "
"derivada también permitirá el uso con fines comerciales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2409
-msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3160
+msgid "Pictures/10000201000001930000008D254882DE24793FEA.png"
+msgstr "Pictures/10000201000001930000008D254882DE24793FEA.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2413
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3165
msgid ""
"The Attribution-NoDerivs license (CC BY-ND) allows for redistribution, "
"commercial and noncommercial, as long as it is passed along unchanged with "
"fines comerciales y no comerciales por igual, siempre y cuando se haga sin "
"modificaciones y te den crédito como autor."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2416
-msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3172
+msgid "Pictures/10000201000001930000008DCAF78FB61D1CBDA6.png"
+msgstr "Pictures/10000201000001930000008DCAF78FB61D1CBDA6.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2421
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3177
msgid ""
"The Attribution-NonCommercial license (CC BY-NC) lets others remix, tweak, "
"and build upon your work noncommercially. Although their new works must also "
"Si bien en los trabajos derivados se debe mantener el crédito hacia ti como "
"creador, no tienen la obligación de licenciarlos bajo estos mismos términos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2424
-msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3185
+msgid "Pictures/10000201000001930000008D16DA603376395620.png"
+msgstr "Pictures/10000201000001930000008D16DA603376395620.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2428
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3190
msgid ""
-"The Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA) lets others "
+"The Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA) lets others "
"remix, tweak, and build upon your work noncommercially, as long as they "
"credit you and license their new creations under the same terms."
msgstr ""
"comerciales, siempre y cuando le den crédito y licencien sus nuevas "
"creaciones bajo los mismos términos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2431
-msgid ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.198in\" "
-"height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3198
+msgid "Pictures/10000201000001930000008DC3FEF92B21310965.png"
+msgstr "Pictures/10000201000001930000008DC3FEF92B21310965.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2436
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3203
msgid ""
"The Attribution-NonCommercial-NoDerivs license (CC BY-NC-ND) is the most "
"restrictive of our six main licenses, only allowing others to download your "
"compartir su obra con otros siempre y cuando le den crédito, sin dar la "
"posibilidad de modificarla de ninguna manera o utilizarla comercialmente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2441
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3210
msgid ""
"In addition to these six licenses, Creative Commons has two public-domain "
"tools—one for creators and the other for those who manage collections of "
"administradores de colecciones de trabajos preexistentes creados por autores "
"cuyos plazos de derechos de autor han expirado:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2444
-msgid ""
-"{width=\"4.1665in"
-"\" height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.1665in"
-"\" height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3218
+msgid "Pictures/10000201000001900000008DBE3414994CD27786.png"
+msgstr "Pictures/10000201000001900000008DBE3414994CD27786.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2447
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3223
+#, fuzzy
+#| msgid ""
+#| "CC0 enables authors and copyright owners to dedicate their works to the "
+#| "worldwide public domain (“no rights reserved”)."
msgid ""
"CC0 enables authors and copyright owners to dedicate their works to the "
-"worldwide public domain (“no rights reserved”)."
+"worldwide public domain (<quote>no rights reserved</quote>)."
msgstr ""
"CC0 permite a autores y titulares de derechos de autor dedicar sus trabajos "
"al dominio público en todo el mundo (”ningún derecho reservado”)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2450
-msgid ""
-"{width=\"4.1665in"
-"\" height=\"1.4689in\"}"
-msgstr ""
-"{width=\"4.1665in"
-"\" height=\"1.4689in\"}"
+#. type: Attribute 'fileref' of: <book><part><chapter><para><inlinemediaobject><imageobject><imagedata>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3230
+msgid "Pictures/10000201000001900000008D36DCD649C5B1411F.png"
+msgstr "Pictures/10000201000001900000008D36DCD649C5B1411F.png"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2454
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3235
msgid ""
"The Creative Commons Public Domain Mark facilitates the labeling and "
"discovery of works that are already free of known copyright restrictions."
"descubrimiento de trabajos que están ya libres de restricciones conocidas de "
"derecho autoral."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2463
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3240
msgid ""
"In our case studies, some use just one Creative Commons license, others use "
-"several. Attribution (found in thirteen case studies) and Attribution-"
+"several. Attribution (found in thirteen case studies) and Attribution-"
"ShareAlike (found in eight studies) were the most common, with the other "
"licenses coming up in four or so case studies, including the public-domain "
"tool CC0. Some of the organizations we profiled offer both digital content "
"abierta para el código y licencias Creative Commons para el contenido "
"digital, amplifican su involucramiento y compromiso de compartir."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2475
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3251
msgid ""
"There is a popular misconception that the three NonCommercial licenses "
"offered by CC are the only options for those who want to make money off "
"their work. As we hope this book makes clear, there are many ways to make "
-"endeavors that are Made with Creative Commons sustainable. Reserving "
+"endeavors that are Made with Creative Commons sustainable. Reserving "
"commercial rights is only one of those ways. It is certainly true that a "
"license that allows others to make commercial use of your work (CC BY, CC BY-"
"SA, and CC BY-ND) forecloses some traditional revenue streams. If you apply "
"dedicada a hacer películas a pagarle regalías si lo convierten en un "
"largometraje, o evitar que otra compañía venda copias físicas del mismo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2487
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3265
msgid ""
"The decision to choose a NonCommercial and/or NoDerivs license comes down to "
"how much you need to retain control over the creative work. The "
"portion of the exclusive bundle of rights that copyright grants to creators. "
"In some cases, reserving those rights is important to how you bring in "
"revenue. In other cases, creators use a NonCommercial or NoDerivs license "
-"because they can’t give up on the dream of hitting the creative jackpot. The "
-"music platform Tribe of Noise told us the NonCommercial licenses were "
+"because they can’t give up on the dream of hitting the creative jackpot. "
+"The music platform Tribe of Noise told us the NonCommercial licenses were "
"popular among their users because people still held out the dream of having "
"a major record label discover their work."
msgstr ""
"usuarios porque muchos de ellos siguen soñando con que una etiqueta "
"distribuidora descubra su trabajo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2492
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3278
msgid ""
"Other times the decision to use a more restrictive license is due to a "
"concern about the integrity of the work. For example, the nonprofit "
"sus materiales educativos por la importancia de enseñar correctamente temas "
"médicos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2502
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3285
msgid ""
"There is no one right way. The NonCommercial and NoDerivs restrictions "
"reflect the values and preferences of creators about how their creative work "
"como las licencias CompartirIgual reflejan un conjunto distinto de valores, "
"uno menos orientado a controlar el acceso a su obra, y más a asegurar que "
"cualquier trabajo creado derivando de éste se mantenga disponible a todos "
-"bajo los mismos términos. Desde el principio del procomn, la gente ha creado "
-"estructuras que ayudan a regular la forma en que se utilizan los recursos "
-"compartidos. Las licencias CC son un intento de estandarizar las normas "
-"entre distintos dominios."
+"bajo los mismos términos. Desde el principio de los bienes comunes, la gente "
+"ha creado estructuras que ayudan a regular la forma en que se utilizan los "
+"recursos compartidos. Las licencias CC son un intento de estandarizar las "
+"normas entre distintos dominios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2504
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3297
msgid "Note"
msgstr "Notas"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2508
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3300
+#, fuzzy
+#| msgid ""
+#| "For more about the licenses including examples and tips on sharing your "
+#| "work in the digital commons, start with the Creative Commons page called "
+#| "“Share Your Work” at <ulink url=\"http://creativecommons.org/share-your-"
+#| "work/\"/>."
msgid ""
"For more about the licenses including examples and tips on sharing your work "
-"in the digital commons, start with the Creative Commons page called “Share "
-"Your Work” at"
+"in the digital commons, start with the Creative Commons page called "
+"<quote>Share Your Work</quote> at <ulink url=\"http://creativecommons.org/"
+"share-your-work/\"/>."
msgstr ""
"Para mayor información acerca de las licencias, incluyendo ejemplos y "
-"recomendaciones acerca de cómo compartir sus obras en el procomún digital, "
-"diríjase a la página de Creative Commons llamada ”Compartir Su Obra” (”Share "
-"Your Work” en"
+"recomendaciones acerca de cómo compartir sus obras en el bienes comunes "
+"digitales, diríjase a la página de Creative Commons llamada ”Compartir Su "
+"Obra” (”Share Your Work”, en <ulink url=\"http://creativecommons.org/share-"
+"your-work/\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2510
-msgid "creativecommons.org/share-your-work/."
-msgstr "creativecommons.org/share-your-work/."
+#. type: Content of: <book><part><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3308
+msgid "The Case Studies"
+msgstr "Los estudios de caso"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2513
-msgid "# The Case Studies"
-msgstr "# Los estudios de caso"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2521
+#. type: Content of: <book><part><partintro><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3311
msgid ""
"The twenty-four case studies in this section were chosen from hundreds of "
"nominations received from Kickstarter backers, Creative Commons staff, and "
"the global Creative Commons community. We selected eighty potential "
"candidates that represented a mix of industries, content types, revenue "
-"streams, and parts of the world. Twelve of the case studies were selected "
+"streams, and parts of the world. Twelve of the case studies were selected "
"from that group based on votes cast by Kickstarter backers, and the other "
"twelve were selected by us."
msgstr ""
"de los patrocinadores del Kickstarter, y los otros doce fueron seleccionados "
"por nosotros."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2527
+#. type: Content of: <book><part><partintro><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3321
msgid ""
"We did background research and conducted interviews for each case study, "
-"based on the same set of basic questions about the endeavor. The idea for "
+"based on the same set of basic questions about the endeavor. The idea for "
"each case study is to tell the story about the endeavor and the role sharing "
"plays within it, largely the way in which it was told to us by those we "
"interviewed."
"del emprendimiento y el papel que compartir juega dentro de éste, lo cual es "
"en buena medida la manera en que nos fue contado por quienes entrevistamos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2529
-msgid "## Arduino"
-msgstr "## Arduino"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3329
+msgid "Arduino"
+msgstr "Arduino"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2532
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3332
msgid ""
"Arduino is a for-profit open-source electronics platform and computer "
"hardware and software company. Founded in 2005 in Italy."
"Arduino es una plataforma electrónica de fuentes abiertas y una compañía de "
"hardware y software con fines de lucro. Fundada en Italia en 2005."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2534
-msgid "www.arduino.cc"
-msgstr "www.arduino.cc"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2538
-msgid ""
-"Revenue model: charging for physical copies (sales of boards, modules, "
-"shields, and kits), licensing a trademark (fees paid by those who want to "
-"sell Arduino products using their name)"
-msgstr ""
-"Modelo de ingresos: Cobrar por copias físicas (venta de tarjetas, módulos, "
-"escudos y kits), licenciamiento de la marca registrada (el importe pagado "
-"por aquellos que quieren vender productos Arduino utilizando su nombre)"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2540
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3223
-msgid "Interview date: February 4, 2016"
-msgstr "Fecha de la entrevista: 4 de febrero, 2016"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2542
-msgid "Interviewees: David Cuartielles and Tom Igoe, cofounders"
-msgstr "Entrevistados: David Cuartielles y Tom Igoe, cofundadores"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2544
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3227
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3582
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3787
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4027
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4264
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4672
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4884
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5111
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5349
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5784
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6028
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6417
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7061
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3337
+msgid "<ulink url=\"http://www.arduino.cc\"/>"
+msgstr "<ulink url=\"http://www.arduino.cc\"/>"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3339
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies (sales of boards, modules, shields, and kits), licensing a trademark "
+"(fees paid by those who want to sell Arduino products using their name)"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: Cobrar por copias "
+"físicas (venta de tarjetas, módulos, escudos y kits), licenciamiento de la "
+"marca registrada (el importe pagado por aquellos que quieren vender "
+"productos Arduino utilizando su nombre)"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3344
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4195
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 4, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 4 de febrero, "
+"2016"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3347
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: David Cuartielles and Tom "
+"Igoe, cofounders"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistados</emphasis>: David Cuartielles y Tom "
+"Igoe, cofundadores"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3351
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4202
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4638
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4880
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5162
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5472
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5985
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6239
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6561
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6913
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7457
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7741
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8211
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8992
msgid "Profile written by Paul Stacey"
msgstr "Perfil escrito por Paul Stacey"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2556
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3355
msgid ""
"In 2005, at the Interaction Design Institute Ivrea in northern Italy, "
"teachers and students needed an easy way to use electronics and programming "
"documentación, con la licencia Atribución-CompartirIgual (CC BY-SA), y el "
"software bajo la Licencia Pública General (GPL) de GNU."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2564
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3369
msgid ""
"Arduino boards are able to read inputs—light on a sensor, a finger on a "
"button, or a Twitter message—and turn it into outputs—activating a motor, "
"abiertas llamado Processing, una herramienta de programación empleada para "
"hacer artes visuales)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2571
-msgid ""
-"“The reasons for making Arduino open source are complicated,” Tom says. "
-"Partly it was about supporting flexibility. The open-source nature of "
-"Arduino empowers users to modify it and create a lot of different "
-"variations, adding on top of what the founders build. David says this “ended "
-"up strengthening the platform far beyond what we had even thought of "
-"building.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3378
+#, fuzzy
+#| msgid ""
+#| "“The reasons for making Arduino open source are complicated,” Tom says. "
+#| "Partly it was about supporting flexibility. The open-source nature of "
+#| "Arduino empowers users to modify it and create a lot of different "
+#| "variations, adding on top of what the founders build. David says this "
+#| "“ended up strengthening the platform far beyond what we had even thought "
+#| "of building.”"
+msgid ""
+"<quote>The reasons for making Arduino open source are complicated,</quote> "
+"Tom says. Partly it was about supporting flexibility. The open-source nature "
+"of Arduino empowers users to modify it and create a lot of different "
+"variations, adding on top of what the founders build. David says this "
+"<quote>ended up strengthening the platform far beyond what we had even "
+"thought of building.</quote>"
msgstr ""
"”Las razones para hacer a Arduino de fuente abierta son complicadas,” dice "
"Tom. En parte es para permitir la flexibilidad. La naturaleza de fuente "
"David dice que esto ”termina fortaleciendo la plataforma mucho más allá de "
"lo que pensamos siquiera en construir.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2580
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3387
+#, fuzzy
+#| msgid ""
+#| "For Tom another factor was the impending closure of the Ivrea design "
+#| "school. He’d seen other organizations close their doors and all their "
+#| "work and research just disappear. Open-sourcing ensured that Arduino "
+#| "would outlive the Ivrea closure. Persistence is one thing Tom really "
+#| "likes about open source. If key people leave, or a company shuts down, an "
+#| "open-source product lives on. In Tom’s view, “Open sourcing makes it "
+#| "easier to trust a product.”"
msgid ""
"For Tom another factor was the impending closure of the Ivrea design school. "
"He’d seen other organizations close their doors and all their work and "
"research just disappear. Open-sourcing ensured that Arduino would outlive "
"the Ivrea closure. Persistence is one thing Tom really likes about open "
"source. If key people leave, or a company shuts down, an open-source product "
-"lives on. In Tom’s view, “Open sourcing makes it easier to trust a product.”"
+"lives on. In Tom’s view, <quote>Open sourcing makes it easier to trust a "
+"product.</quote>"
msgstr ""
"Para Tom, otro factor fue la inminente clausura de la escuela de diseño "
"Ivrea. Había visto a otras organizaciones cerrar sus puertas, tras lo cual "
"compañía, un producto de fuentes abiertas sobrevive. Desde el punto de vista "
"de Tom, ”abrir las fuentes facilita confiar en un producto.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2587
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3397
msgid ""
"With the school closing, David and some of the other Arduino founders "
"started a consulting firm and multidisciplinary design studio they called "
"Tinker, in London. Tinker designed products and services that bridged the "
"digital and the physical, and they taught people how to use new technologies "
-"in creative ways. Revenue from Tinker was invested in sustaining and "
+"in creative ways. Revenue from Tinker was invested in sustaining and "
"enhancing Arduino."
msgstr ""
"Al cerrar la escuela, David y algunos de los otros fundadores de Arduino "
"emplear las nuevas tecnologías de formas creativas. Los ingresos de Tinker "
"se invirtieron en sostener y mejorar a Arduino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2594
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3406
+#, fuzzy
+#| msgid ""
+#| "For Tom, part of Arduino’s success is because the founders made "
+#| "themselves the first customer of their product. They made products they "
+#| "themselves personally wanted. It was a matter of “I need this thing,” not "
+#| "“If we make this, we’ll make a lot of money.” Tom notes that being your "
+#| "own first customer makes you more confident and convincing at selling "
+#| "your product."
msgid ""
"For Tom, part of Arduino’s success is because the founders made themselves "
"the first customer of their product. They made products they themselves "
-"personally wanted. It was a matter of “I need this thing,” not “If we make "
-"this, we’ll make a lot of money.” Tom notes that being your own first "
-"customer makes you more confident and convincing at selling your product."
+"personally wanted. It was a matter of <quote>I need this thing,</quote> not "
+"<quote>If we make this, we’ll make a lot of money.</quote> Tom notes that "
+"being your own first customer makes you more confident and convincing at "
+"selling your product."
msgstr ""
"Para Tom, parte del éxito de Arduino se debe a que los fundadores se "
"convirtieron en los primeros clientes de su producto. Hicieron productos que "
"”si hacemos esto, haremos mucho dinero.” Tom dice que ser el propio primer "
"cliente lo hace a uno más confiado y convincente al vender el producto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2606
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3414
msgid ""
"Arduino’s business model has evolved over time—and Tom says model is a "
"grandiose term for it. Originally, they just wanted to make a few boards and "
"get them out into the world. They started out with two hundred boards, sold "
"them, and made a little profit. They used that to make another thousand, "
-"which generated enough revenue to make five thousand. In the early days, "
+"which generated enough revenue to make five thousand. In the early days, "
"they simply tried to generate enough funding to keep the venture going day "
"to day. When they hit the ten thousand mark, they started to think about "
"Arduino as a company. By then it was clear you can open-source the design "
-"but still manufacture the physical product. As long as it’s a quality "
+"but still manufacture the physical product. As long as it’s a quality "
"product and sold at a reasonable price, people will buy it."
msgstr ""
"El modelo de negocios de Arduino ha evolucionado con el paso del tiempo —y "
"pero manufacturar el producto físico. Mientras sea un producto de calidad "
"vendido a un precio razonable, la gente lo comprará."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2619
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3428
msgid ""
"Arduino now has a worldwide community of makers—students, hobbyists, "
"artists, programmers, and professionals. Arduino provides a wiki called "
"creadores ha contribuido con una increíble cantidad de conocimiento "
"accesible, útil tanto para novatos como para expertos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2626
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3442
msgid ""
-"Transitioning Arduino from a project to a company was a big step. Other "
-"businesses who made boards were charging a lot of money for them. Arduino "
+"Transitioning Arduino from a project to a company was a big step. Other "
+"businesses who made boards were charging a lot of money for them. Arduino "
"wanted to make theirs available at a low price to people across a wide range "
"of industries. As with any business, pricing was key. They wanted prices "
"that would get lots of customers but were also high enough to sustain the "
"Querían precios que les trajeran muchos clientes, aunque suficientemente "
"altos para sostener el negocio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2632
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3450
+#, fuzzy
+#| msgid ""
+#| "For a business, getting to the end of the year and not being in the red "
+#| "is a success. Arduino may have an open-licensing strategy, but they are "
+#| "still a business, and all the things needed to successfully run one still "
+#| "apply. David says, “If you do those other things well, sharing things in "
+#| "an open-source way can only help you.”"
msgid ""
"For a business, getting to the end of the year and not being in the red is a "
"success. Arduino may have an open-licensing strategy, but they are still a "
"business, and all the things needed to successfully run one still apply. "
-"David says, “If you do those other things well, sharing things in an open-"
-"source way can only help you.”"
+"David says, <quote>If you do those other things well, sharing things in an "
+"open-source way can only help you.</quote>"
msgstr ""
"Para un negocio, llegar al final del año sin estar en números rojos es un "
"éxito. Arduino puede tener una estrategia de licenciamiento abierto, pero a "
"uno exitosamente se aplican. Dice David, ”si hace esas otras cosas bien, "
"compartir las cosas bajo un modelo abierto únicamente le ayudará.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2642
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3458
msgid ""
"While openly licensing the designs, documentation, and software ensures "
"longevity, it does have risks. There’s a possibility that others will create "
"liberar el nuevo diseño empleando la misma licencia Creative Commons para "
"asegurar que la mueva versión es igualmente libre y abierta."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2652
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3470
msgid ""
"Tom and David say that a lot of people have built companies off of Arduino, "
"with dozens of Arduino derivatives out there. But in contrast to closed "
"al ecosistema Arduino, ideas y diseños que la comunidad Arduino emplea e "
"incorpora en sus nuevos productos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2661
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3490
+msgid "<ulink url=\"http://www.arduino.cc/en/Main/Products\"/>"
+msgstr "<ulink url=\"http://www.arduino.cc/en/Main/Products\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3481
msgid ""
"Over time, the range of Arduino products has diversified, changing and "
"adapting to new needs and challenges. In addition to simple entry level "
"boards, new products have been added ranging from enhanced boards that "
"provide advanced functionality and faster performance, to boards for "
-"creating Internet of Things applications, wearables, and 3-D printing. The "
+"creating Internet of Things applications, wearables, and 3-D printing. The "
"full range of official Arduino products includes boards, modules (a smaller "
"form-factor of classic boards), shields (elements that can be plugged onto a "
-"board to give it extra features), and kits.1"
+"board to give it extra features), and kits.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
"Sobre el transcurso del tiempo, el rango de productos Arduino se ha "
"diversificado, cambiando y adaptándose a las nuevas necesidades y retos. "
"Cosas, vestibles, e impresión 3-D. El rango completo de los productos "
"Arduino incluye tarjetas, módulos (un formato físico más reducido de las "
"tarjetas clásicas), escudos (elementos que pueden enchufarse sobre una "
-"tarjeta para darle mayor funcionalidad), y kits.1"
+"tarjeta para darle mayor funcionalidad), y kits.<placeholder type=\"footnote"
+"\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2672
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3493
+#, fuzzy
+#| msgid ""
+#| "Arduino’s focus is on high-quality boards, well-designed support "
+#| "materials, and the building of community; this focus is one of the keys "
+#| "to their success. And being open lets you build a real community. David "
+#| "says Arduino’s community is a big strength and something that really does "
+#| "matter—in his words, “It’s good business.” When they started, the Arduino "
+#| "team had almost entirely no idea how to build a community. They started "
+#| "by conducting numerous workshops, working directly with people using the "
+#| "platform to make sure the hardware and software worked the way it was "
+#| "meant to work and solved people’s problems. The community grew "
+#| "organically from there."
msgid ""
"Arduino’s focus is on high-quality boards, well-designed support materials, "
"and the building of community; this focus is one of the keys to their "
"success. And being open lets you build a real community. David says "
"Arduino’s community is a big strength and something that really does matter—"
-"in his words, “It’s good business.” When they started, the Arduino team had "
-"almost entirely no idea how to build a community. They started by conducting "
-"numerous workshops, working directly with people using the platform to make "
-"sure the hardware and software worked the way it was meant to work and "
-"solved people’s problems. The community grew organically from there."
+"in his words, <quote>It’s good business.</quote> When they started, the "
+"Arduino team had almost entirely no idea how to build a community. They "
+"started by conducting numerous workshops, working directly with people using "
+"the platform to make sure the hardware and software worked the way it was "
+"meant to work and solved people’s problems. The community grew organically "
+"from there."
msgstr ""
"El foco de Arduino son tarjetas de alta calidad, con materiales de apoyo "
"bien diseñados, y la construcción de una comunidad; este enfoque es una de "
"hardware y software funiconaran como debían hacerlo, y resolver los "
"problemas de la gente. La comunidad creció orgánicamente desde ese punto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2682
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3506
msgid ""
"A key decision for Arduino was trademarking the name. The founders needed a "
"way to guarantee to people that they were buying a quality product from a "
"manufactura y distribución, asegurando al mismo tiempo que la marca Arduino "
"no sufre por copias de mala calidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2690
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3518
msgid ""
"Current official manufacturers are Smart Projects in Italy, SparkFun in the "
-"United States, and Dog Hunter in Taiwan/China. These are the only "
-"manufacturers that are allowed to use the Arduino logo on their boards. "
+"United States, and Dog Hunter in Taiwan/China. These are the only "
+"manufacturers that are allowed to use the Arduino logo on their boards. "
"Trademarking their brand provided the founders with a way to protect "
"Arduino, build it out further, and fund software and tutorial development. "
"The trademark-licensing fee for the brand became Arduino’s revenue-"
"monto por el licenciamiento de la marca se convirtió en el modelo de "
"generación de ganancias para Arduino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2697
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3528
msgid ""
"How far to open things up wasn’t always something the founders perfectly "
"agreed on. David, who was always one to advocate for opening things up more, "
"pero en la gran escala, el registro de marca y logotipo ha sido una "
"herramienta crítica para Arduino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2710
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3549
+msgid "<ulink url=\"http://blog.arduino.cc/2013/07/10/send-in-the-clones/\"/>"
+msgstr "<ulink url=\"http://blog.arduino.cc/2013/07/10/send-in-the-clones/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3537
+#, fuzzy
+#| msgid ""
+#| "David encourages people and businesses to start by sharing everything as "
+#| "a default strategy, and then think about whether there is anything that "
+#| "really needs to be protected and why. There are lots of good reasons to "
+#| "not open up certain elements. This strategy of sharing everything is "
+#| "certainly the complete opposite of how today’s world operates, where "
+#| "nothing is shared. Tom suggests a business formalize which elements are "
+#| "based on open sharing and which are closed. An Arduino blog post from "
+#| "2013 entitled “Send In the Clones,” by one of the founders Massimo Banzi, "
+#| "does a great job of explaining the full complexities of how trademarking "
+#| "their brand has played out, distinguishing between official boards and "
+#| "those that are clones, derivatives, compatibles, and counterfeits."
+#| "<placeholder type=\"footnote\" id=\"0\"/>"
msgid ""
"David encourages people and businesses to start by sharing everything as a "
"default strategy, and then think about whether there is anything that really "
"certain elements. This strategy of sharing everything is certainly the "
"complete opposite of how today’s world operates, where nothing is shared. "
"Tom suggests a business formalize which elements are based on open sharing "
-"and which are closed. An Arduino blog post from 2013 entitled “Send In the "
-"Clones,” by one of the founders Massimo Banzi, does a great job of "
-"explaining the full complexities of how trademarking their brand has played "
-"out, distinguishing between official boards and those that are clones, "
-"derivatives, compatibles, and counterfeits.2"
+"and which are closed. An Arduino blog post from 2013 entitled <quote>Send In "
+"the Clones,</quote> by one of the founders Massimo Banzi, does a great job "
+"of explaining the full complexities of how trademarking their brand has "
+"played out, distinguishing between official boards and those that are "
+"clones, derivatives, compatibles, and counterfeits.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"David invita a individuos y negocios comenzar siguiendo la estrategia de "
"compartir todo, y sólo entonces pensar acerca de si hay algo que "
"blog de Arduino en 2013, titulado ”Envía a los clones”, escrito por uno de "
"los fundadores, Massimo Banzi, explica a profundidad las complejidades de "
"cómo les ha resultado el registro de su marca, distinguiendo entre tarjetas "
-"oficiales y aquellas que son clones, derivados, compatibles, y falsificados.2"
+"oficiales y aquellas que son clones, derivados, compatibles, y falsificados."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2716
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3552
+#, fuzzy
+#| msgid ""
+#| "For David, an exciting aspect of Arduino is the way lots of people can "
+#| "use it to adapt technology in many different ways. Technology is always "
+#| "making more things possible but doesn’t always focus on making it easy to "
+#| "use and adapt. This is where Arduino steps in. Arduino’s goal is “making "
+#| "things that help other people make things.”"
msgid ""
"For David, an exciting aspect of Arduino is the way lots of people can use "
"it to adapt technology in many different ways. Technology is always making "
"more things possible but doesn’t always focus on making it easy to use and "
-"adapt. This is where Arduino steps in. Arduino’s goal is “making things that "
-"help other people make things.”"
+"adapt. This is where Arduino steps in. Arduino’s goal is <quote>making "
+"things that help other people make things.</quote>"
msgstr ""
"Para David, un aspecto excitante de Arduino es la forma en que mucha gente "
"puede utilizarlo para adaptar a la tecnología de tantas formas distintas. La "
"objetivo de Arduino es ”hacer cosas que ayuden a otras personas a hacer "
"cosas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2722
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3560
+#, fuzzy
+#| msgid ""
+#| "Arduino has been hugely successful in making technology and electronics "
+#| "reach a larger audience. For Tom, Arduino has been about “the "
+#| "democratization of technology.” Tom sees Arduino’s open-source strategy "
+#| "as helping the world get over the idea that technology has to be "
+#| "protected. Tom says, “Technology is a literacy everyone should learn.”"
msgid ""
"Arduino has been hugely successful in making technology and electronics "
-"reach a larger audience. For Tom, Arduino has been about “the "
-"democratization of technology.” Tom sees Arduino’s open-source strategy as "
-"helping the world get over the idea that technology has to be protected. Tom "
-"says, “Technology is a literacy everyone should learn.”"
+"reach a larger audience. For Tom, Arduino has been about <quote>the "
+"democratization of technology.</quote> Tom sees Arduino’s open-source "
+"strategy as helping the world get over the idea that technology has to be "
+"protected. Tom says, <quote>Technology is a literacy everyone should learn.</"
+"quote>"
msgstr ""
"Arduino ha sido enormemente exitoso en hacer que la tecnología y la "
"electrónica alcancen a una mayor audiencia. Para Tom, Arduino siempre ha "
"la tecnología debe estar protegida. Tom dice, ”la tecnología es un tipo de "
"alfabetización que todos debieran aprender.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2726
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3568
msgid ""
"Ultimately, for Arduino, going open has been good business—good for product "
"development, good for distribution, good for pricing, and good for "
"para el desarrollo del producto, bueno para su distribución, bueno para los "
"precios, y bueno para la manufactura."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2728
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3766
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4006
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4243
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4863
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5088
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5327
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5574
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6007
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6234
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6675
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7242
-msgid "Web links"
-msgstr "Vínculos Web"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2731
-msgid "www.arduino.cc/en/Main/Products"
-msgstr "www.arduino.cc/en/Main/Products"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2731
-msgid "blog.arduino.cc/2013/07/10/send-in-the-clones/"
-msgstr "blog.arduino.cc/2013/07/10/send-in-the-clones/"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2733
-msgid "## Ártica"
-msgstr "## Ártica"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2737
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3574
+msgid "Ártica"
+msgstr "Ártica"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3577
msgid ""
"Ártica provides online courses and consulting services focused on how to use "
"digital technology to share knowledge and enable collaboration in arts and "
"usar la tecnología digital para compartir conocimiento y hacer posible la "
"colaboración en las artes y la cultura. Fundada en 2011 en Uruguay."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2739
-msgid "www.articaonline.com"
-msgstr "www.articaonline.com"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2741
-msgid "Revenue model: charging for custom services"
-msgstr "Modelo de ingresos: cobrar por servicios personalizados"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2743
-msgid "Interview date: March 9, 2016"
-msgstr "Fecha de la entrevista: 9 de marzo, 2016"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2745
-msgid "Interviewees: Mariana Fossatti and Jorge Gemetto, cofounders"
-msgstr "Entrevistados: Mariana Fossatti y Jorge Gemetto, cofundadores"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2747
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2897
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3052
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3393
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4503
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5591
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6258
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6695
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6873
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7261
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3582
+msgid "<ulink url=\"http://www.articaonline.com\"/>"
+msgstr "<ulink url=\"http://www.articaonline.com\"/>"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3584
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cobrar por "
+"servicios personalizados"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3587
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 9, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 9 de marzo, 2016"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3589
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: Mariana Fossatti and "
+"Jorge Gemetto, cofounders"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistados</emphasis>: Mariana Fossatti y Jorge "
+"Gemetto, cofundadores"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3593
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3784
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3980
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4401
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5774
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7225
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8009
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8537
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8759
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9230
msgid "Profile written by Sarah Hinchliff Pearson"
msgstr "Perfil escrito por Sarah Hinchliff Pearson"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2752
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3597
msgid ""
"The story of Mariana Fossatti and Jorge Gemetto’s business, Ártica, is the "
"ultimate example of DIY. Not only are they successful entrepreneurs, the "
"exitosos, el nicho en el que opera su pequeño negocio es esencialmente uno "
"que ellos construyeron por sí mismos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2754
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3603
msgid "Their dream jobs didn’t exist, so they created them."
msgstr "El trabajo de sus sueños no existía, así que lo crearon."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2764
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3606
msgid ""
"In 2011, Mariana was a sociologist working for an international organization "
"to develop research and online education about rural-development issues. "
"línea que brinda educación y consultoría para personas e instituciones que "
"crean proyectos artísticos y culturales en la Internet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2775
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3618
msgid ""
"Ártica feels like a uniquely twenty-first century business. The small "
"company has a global online presence with no physical offices. Jorge and "
"by creating a MOOC (massive open online course) about remix culture and "
"collaboration in the arts, which gave them a direct way to reach an "
"international audience, attracting students from across Latin America and "
-"Spain. In other words, it is the classic Internet story of being able to "
+"Spain. In other words, it is the classic Internet story of being able to "
"directly tap into an audience without relying upon gatekeepers or "
"intermediaries."
msgstr ""
"aprovechar de forma directa a una audiencia sin depender de barreras ni "
"intermediarios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2784
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3631
+#, fuzzy
+#| msgid ""
+#| "Ártica offers personalized education and consulting services, and helps "
+#| "clients implement projects. All of these services are customized. They "
+#| "call it an “artisan” process because of the time and effort it takes to "
+#| "adapt their work for the particular needs of students and clients. “Each "
+#| "student or client is paying for a specific solution to his or her "
+#| "problems and questions,” Mariana said. Rather than sell access to their "
+#| "content, they provide it for free and charge for the personalized "
+#| "services."
msgid ""
"Ártica offers personalized education and consulting services, and helps "
"clients implement projects. All of these services are customized. They call "
-"it an “artisan” process because of the time and effort it takes to adapt "
-"their work for the particular needs of students and clients. “Each student "
-"or client is paying for a specific solution to his or her problems and "
-"questions,” Mariana said. Rather than sell access to their content, they "
-"provide it for free and charge for the personalized services."
+"it an <quote>artisan</quote> process because of the time and effort it takes "
+"to adapt their work for the particular needs of students and clients. "
+"<quote>Each student or client is paying for a specific solution to his or "
+"her problems and questions,</quote> Mariana said. Rather than sell access to "
+"their content, they provide it for free and charge for the personalized "
+"services."
msgstr ""
"Ártica ofrece educación personalizada y servicios de consultoría, y ayuda a "
"sus clientes a implementar proyectos. Todos estos servicios son hechos a la "
"acceso a su contenido, ellos lo brindan gratis y cobran por los servicios "
"personalizados."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2791
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3642
+#, fuzzy
+#| msgid ""
+#| "When they started, they offered a smaller number of courses designed to "
+#| "attract large audiences. “Over the years, we realized that online "
+#| "communities are more specific than we thought,” Mariana said. Ártica now "
+#| "provides more options for classes and has lower enrollment in each "
+#| "course. This means they can provide more attention to individual students "
+#| "and offer classes on more specialized topics."
msgid ""
"When they started, they offered a smaller number of courses designed to "
-"attract large audiences. “Over the years, we realized that online "
-"communities are more specific than we thought,” Mariana said. Ártica now "
-"provides more options for classes and has lower enrollment in each course. "
-"This means they can provide more attention to individual students and offer "
-"classes on more specialized topics."
+"attract large audiences. <quote>Over the years, we realized that online "
+"communities are more specific than we thought,</quote> Mariana said. Ártica "
+"now provides more options for classes and has lower enrollment in each "
+"course. This means they can provide more attention to individual students "
+"and offer classes on more specialized topics."
msgstr ""
"Cuando empezaron, ofrecían un número más pequeño de cursos para atraer "
"grandes audiencias. «A lo largo de los años, nos dimos cuenta que las "
"atención a los estudiantes individuales y ofrecer clases sobre temas más "
"especializados."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2797
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3651
msgid ""
"Online courses are their biggest revenue stream, but they also do more than "
"a dozen consulting projects each year, ranging from digitization to event "
"culturales, y otros son proyectos más pequeños comisionados por artistas "
"individuales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2803
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3659
msgid ""
-"Ártica also seeks out public and private funding for specific projects. "
+"Ártica also seeks out public and private funding for specific projects. "
"Sometimes, even if they are unsuccessful in subsidizing a project like a new "
-"course or e-book, they will go ahead because they believe in it. They take "
+"course or e-book, they will go ahead because they believe in it. They take "
"the stance that every new project leads them to something new, every new "
"resource they create opens new doors."
msgstr ""
"este porque creen en él. Ellos toman la postura de que cada nuevo proyecto "
"les lleva a algo nuevo, cada nuevo recurso que crean abre nuevas puertas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2817
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3667
+#, fuzzy
+#| msgid ""
+#| "Ártica relies heavily on their free Creative Commons–licensed content to "
+#| "attract new students and clients. Everything they create—online "
+#| "education, blog posts, videos—is published under an Attribution-"
+#| "ShareAlike license (CC BY-SA). “We use a ShareAlike license because we "
+#| "want to give the greatest freedom to our students and readers, and we "
+#| "also want that freedom to be viral,” Jorge said. For them, giving others "
+#| "the right to reuse and remix their content is a fundamental value. “How "
+#| "can you offer an online educational service without giving permission to "
+#| "download, make and keep copies, or print the educational resources?” "
+#| "Jorge said. “If we want to do the best for our students—those who trust "
+#| "in us to the point that they are willing to pay online without face-to-"
+#| "face contact—we have to offer them a fair and ethical agreement.”"
msgid ""
"Ártica relies heavily on their free Creative Commons–licensed content to "
"attract new students and clients. Everything they create—online education, "
"blog posts, videos—is published under an Attribution-ShareAlike license (CC "
-"BY-SA). “We use a ShareAlike license because we want to give the greatest "
-"freedom to our students and readers, and we also want that freedom to be "
-"viral,” Jorge said. For them, giving others the right to reuse and remix "
-"their content is a fundamental value. “How can you offer an online "
-"educational service without giving permission to download, make and keep "
-"copies, or print the educational resources?” Jorge said. “If we want to do "
-"the best for our students—those who trust in us to the point that they are "
-"willing to pay online without face-to-face contact—we have to offer them a "
-"fair and ethical agreement.”"
+"BY-SA). <quote>We use a ShareAlike license because we want to give the "
+"greatest freedom to our students and readers, and we also want that freedom "
+"to be viral,</quote> Jorge said. For them, giving others the right to reuse "
+"and remix their content is a fundamental value. <quote>How can you offer an "
+"online educational service without giving permission to download, make and "
+"keep copies, or print the educational resources?</quote> Jorge said. "
+"<quote>If we want to do the best for our students—those who trust in us to "
+"the point that they are willing to pay online without face-to-face contact—"
+"we have to offer them a fair and ethical agreement.</quote>"
msgstr ""
"Ártica depende fuertemente en su contenido licenciado de forma libre con "
"Creative Commons para atraer nuevos estudiantes y clientes. Todo lo que crean"
"dispuestos a pagar en línea sin contacto cara a cara—tenemos que ofrecerles "
"un acuerdo justo y ético.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2823
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3683
msgid ""
"They also believe sharing their ideas and expertise openly helps them build "
"their reputation and visibility. People often share and cite their work. A "
"Ártica ve la reutilización de su trabajo como una forma de abrirse a nuevas "
"oportunidades para su negocio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2832
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3691
+#, fuzzy
+#| msgid ""
+#| "This belief that openness creates new opportunities reflects another "
+#| "belief—in serendipity. When describing their process for creating "
+#| "content, they spoke of all of the spontaneous and organic ways they find "
+#| "inspiration. “Sometimes, the collaborative process starts with a "
+#| "conversation between us, or with friends from other projects,” Jorge "
+#| "said. “That can be the first step for a new blog post or another simple "
+#| "piece of content, which can evolve to a more complex product in the "
+#| "future, like a course or a book.”"
msgid ""
"This belief that openness creates new opportunities reflects another belief—"
"in serendipity. When describing their process for creating content, they "
"spoke of all of the spontaneous and organic ways they find inspiration. "
-"“Sometimes, the collaborative process starts with a conversation between us, "
-"or with friends from other projects,” Jorge said. “That can be the first "
-"step for a new blog post or another simple piece of content, which can "
-"evolve to a more complex product in the future, like a course or a book.”"
+"<quote>Sometimes, the collaborative process starts with a conversation "
+"between us, or with friends from other projects,</quote> Jorge said. "
+"<quote>That can be the first step for a new blog post or another simple "
+"piece of content, which can evolve to a more complex product in the future, "
+"like a course or a book.</quote>"
msgstr ""
"Esta convicción de que la apertura crea nuevas oportunidades refleja otra "
"convicción––en la serendipia. Cuando describen su proceso para crear "
"otra pieza simple de contenido, la cual puede evolucionar en un producto más "
"complejo en el futuro, como un curso o un libro.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2840
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3702
+#, fuzzy
+#| msgid ""
+#| "Rather than planning their work in advance, they let their creative "
+#| "process be dynamic. “This doesn’t mean that we don’t need to work hard in "
+#| "order to get good professional results, but the design process is more "
+#| "flexible,” Jorge said. They share early and often, and they adjust based "
+#| "on what they learn, always exploring and testing new ideas and ways of "
+#| "operating. In many ways, for them, the process is just as important as "
+#| "the final product."
msgid ""
"Rather than planning their work in advance, they let their creative process "
-"be dynamic. “This doesn’t mean that we don’t need to work hard in order to "
-"get good professional results, but the design process is more flexible,” "
-"Jorge said. They share early and often, and they adjust based on what they "
-"learn, always exploring and testing new ideas and ways of operating. In many "
-"ways, for them, the process is just as important as the final product."
+"be dynamic. <quote>This doesn’t mean that we don’t need to work hard in "
+"order to get good professional results, but the design process is more "
+"flexible,</quote> Jorge said. They share early and often, and they adjust "
+"based on what they learn, always exploring and testing new ideas and ways of "
+"operating. In many ways, for them, the process is just as important as the "
+"final product."
msgstr ""
"En lugar de planear su trabajo por adelantado, ellos dejan que su proceso "
"creativo sea dinámico. «Esto no significa que no necesitamos trabajar duro "
"ideas y formas de operar. En muchas formas, para ellos, el proceso es tan "
"importante como el producto final."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2846
-msgid ""
-"People and relationships are also just as important, sometimes more. “In the "
-"educational and cultural business, it is more important to pay attention to "
-"people and process, rather than content or specific formats or materials,” "
-"Mariana said. “Materials and content are fluid. The important thing is the "
-"relationships.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3712
+#, fuzzy
+#| msgid ""
+#| "People and relationships are also just as important, sometimes more. “In "
+#| "the educational and cultural business, it is more important to pay "
+#| "attention to people and process, rather than content or specific formats "
+#| "or materials,” Mariana said. “Materials and content are fluid. The "
+#| "important thing is the relationships.”"
+msgid ""
+"People and relationships are also just as important, sometimes more. "
+"<quote>In the educational and cultural business, it is more important to pay "
+"attention to people and process, rather than content or specific formats or "
+"materials,</quote> Mariana said. <quote>Materials and content are fluid. "
+"The important thing is the relationships.</quote>"
msgstr ""
"Las personas y las relaciones también son así de importantes, a veces más. "
"«En el negocio educacional y cultural, es más importante poner atención a "
"materiales,» dijo Mariana. «Los materiales y contenidos son fluidos. Lo "
"importante son las relaciones.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2850
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3720
msgid ""
"Ártica believes in the power of the network. They seek to make connections "
"with people and institutions across the globe so they can learn from them "
"personas e instituciones a través del mundo para poder aprender de estas y "
"compartir sus conocimientos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2861
-msgid ""
-"At the core of everything Ártica does is a set of values. “Good content is "
-"not enough,” Jorge said. “We also think that it is very important to take a "
-"stand for some things in the cultural sector.” Mariana and Jorge are "
-"activists. They defend free culture (the movement promoting the freedom to "
-"modify and distribute creative work) and work to demonstrate the "
-"intersection between free culture and other social-justice movements. Their "
-"efforts to involve people in their work and enable artists and cultural "
-"institutions to better use technology are all tied closely to their belief "
-"system. Ultimately, what drives their work is a mission to democratize art "
-"and culture."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3725
+#, fuzzy
+#| msgid ""
+#| "At the core of everything Ártica does is a set of values. “Good content "
+#| "is not enough,” Jorge said. “We also think that it is very important to "
+#| "take a stand for some things in the cultural sector.” Mariana and Jorge "
+#| "are activists. They defend free culture (the movement promoting the "
+#| "freedom to modify and distribute creative work) and work to demonstrate "
+#| "the intersection between free culture and other social-justice movements. "
+#| "Their efforts to involve people in their work and enable artists and "
+#| "cultural institutions to better use technology are all tied closely to "
+#| "their belief system. Ultimately, what drives their work is a mission to "
+#| "democratize art and culture."
+msgid ""
+"At the core of everything Ártica does is a set of values. <quote>Good "
+"content is not enough,</quote> Jorge said. <quote>We also think that it is "
+"very important to take a stand for some things in the cultural sector.</"
+"quote> Mariana and Jorge are activists. They defend free culture (the "
+"movement promoting the freedom to modify and distribute creative work) and "
+"work to demonstrate the intersection between free culture and other social-"
+"justice movements. Their efforts to involve people in their work and enable "
+"artists and cultural institutions to better use technology are all tied "
+"closely to their belief system. Ultimately, what drives their work is a "
+"mission to democratize art and culture."
msgstr ""
"En el centro de todo lo que Ártica hace están un conjunto de valores. «Un "
"contenido bueno no es suficiente,» dijo Jorge. «Nosotros también pensamos "
"final, lo que guía su trabajo es la misión de democratizar el arte y la "
"cultura."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2869
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3739
msgid ""
-"Of course, Ártica also has to make enough money to cover its expenses. "
-"Human resources are, by far, their biggest expense. They tap a network of "
+"Of course, Ártica also has to make enough money to cover its expenses. Human "
+"resources are, by far, their biggest expense. They tap a network of "
"collaborators on a case-by-case basis and hire contractors for specific "
"projects. Whenever possible, they draw from artistic and cultural resources "
"in the commons, and they rely on free software. Their operation is small, "
"gastos. Los recursos humanos son, por mucho, su gasto más grande. Ellos "
"aprovechan una red de colaboradores dependiendo de cada caso, y contratan "
"para proyectos específicos. Cuando es posible, toman recursos artísticos y "
-"culturales del procomún, y utilizan software libre. Su operación es pequeña, "
-"eficiente y sostenible, y por esto, es un éxito."
+"culturales del bien común, y utilizan software libre. Su operación es "
+"pequeña, eficiente y sostenible, y por esto, es un éxito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2875
-msgid ""
-"“There are lots of people offering online courses,” Jorge said. “But it is "
-"easy to differentiate us. We have an approach that is very specific and "
-"personal.” Ártica’s model is rooted in the personal at every level. For "
-"Mariana and Jorge, success means doing what brings them personal meaning and "
-"purpose, and doing it sustainably and collaboratively."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3747
+#, fuzzy
+#| msgid ""
+#| "“There are lots of people offering online courses,” Jorge said. “But it "
+#| "is easy to differentiate us. We have an approach that is very specific "
+#| "and personal.” Ártica’s model is rooted in the personal at every level. "
+#| "For Mariana and Jorge, success means doing what brings them personal "
+#| "meaning and purpose, and doing it sustainably and collaboratively."
+msgid ""
+"<quote>There are lots of people offering online courses,</quote> Jorge said. "
+"<quote>But it is easy to differentiate us. We have an approach that is very "
+"specific and personal.</quote> Ártica’s model is rooted in the personal at "
+"every level. For Mariana and Jorge, success means doing what brings them "
+"personal meaning and purpose, and doing it sustainably and collaboratively."
msgstr ""
"«Hay muchas personas ofreciendo cursos en línea,» dijo Jorge. «Pero es fácil "
"diferenciarnos. Tenemos un enfoque que es muy específico y persona.» El "
"Jorge, el éxito significa hacer lo que les trae sentido y propósito, y "
"hacerlo de forma sostenible y colaborativa."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2881
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3755
+#, fuzzy
+#| msgid ""
+#| "In their work with younger artists, Mariana and Jorge try to emphasize "
+#| "that this model of success is just as valuable as the picture of success "
+#| "we get from the media. “If they seek only the traditional type of "
+#| "success, they will get frustrated,” Mariana said. “We try to show them "
+#| "another image of what it looks like.”"
msgid ""
"In their work with younger artists, Mariana and Jorge try to emphasize that "
"this model of success is just as valuable as the picture of success we get "
-"from the media. “If they seek only the traditional type of success, they "
-"will get frustrated,” Mariana said. “We try to show them another image of "
-"what it looks like.”"
+"from the media. <quote>If they seek only the traditional type of success, "
+"they will get frustrated,</quote> Mariana said. <quote>We try to show them "
+"another image of what it looks like.</quote>"
msgstr ""
"En su trabajo con artistas más jóvenes, Mariana y Jorge tratan de hacer "
"énfasis en que este modelo de éxito es tan valioso como la imagen de éxito "
"se van a frustrar,» dijo Mariana. «Tratamos de mostrarles otra imagen de "
"cómo se ve.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2883
-msgid "## Blender Institute"
-msgstr "## Blender Institute"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3764
+msgid "Blender Institute"
+msgstr "Blender Institute"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2886
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3767
msgid ""
"The Blender Institute is an animation studio that creates 3-D films using "
"Blender software. Founded in 2006 in the Netherlands."
"El Blender Institute es un estudio de animación que crea películas 3-D "
"utilizando el software Blender. Fundado en 2006 en los Países Bajos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2888
-msgid "www.blender.org"
-msgstr "www.blender.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3772
+msgid "<ulink url=\"http://www.blender.org\"/>"
+msgstr "<ulink url=\"http://www.blender.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2891
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3774
msgid ""
-"Revenue model: crowdfunding (subscription-based), charging for physical "
-"copies, selling merchandise"
+"<emphasis role=\"strong\">Revenue model</emphasis>: crowdfunding "
+"(subscription-based), charging for physical copies, selling merchandise"
msgstr ""
-"Modelo de ingresos: crowdfunding (basado en subscripción), cobrando por "
-"copias físicas, venta de mercancía"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: crowdfunding "
+"(basado en subscripción), cobrando por copias físicas, venta de mercancía"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2893
-msgid "Interview date: March 8, 2016"
-msgstr "Fecha de la entrevista: 8 de marzo, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3778
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 8, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 8 de marzo, 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2895
-msgid "Interviewee: Francesco Siddi, production coordinator"
-msgstr "Entrevistado: Francesco Siddi, coordinador de producción"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3780
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Francesco Siddi, "
+"production coordinator"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Francesco Siddi, "
+"coordinador de producción"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2906
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3788
msgid ""
"For Ton Roosendaal, the creator of Blender software and its related "
"entities, sharing is practical. Making their 3-D content creation software "
"construir la tecnología y contenido que crean de una forma que beneficia a "
"Blender y a su comunidad de maneras concretas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2915
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3799
msgid ""
"Each open-movie project Blender runs produces a host of openly licensed "
"outputs, not just the final film itself but all of the source material as "
"largo y gratificatnte para las comunidades creativas y técnicas, trabajando "
"en conjunto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2921
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3809
+#, fuzzy
+#| msgid ""
+#| "Rather than just talking about the theoretical benefits of sharing and "
+#| "free culture, Ton is very much about doing and making free culture. "
+#| "Blender’s production coordinator Francesco Siddi told us, “Ton believes "
+#| "if you don’t make content using your tools, then you’re not doing "
+#| "anything.”"
msgid ""
"Rather than just talking about the theoretical benefits of sharing and free "
-"culture, Ton is very much about doing and making free culture. Blender’s "
-"production coordinator Francesco Siddi told us, “Ton believes if you don’t "
-"make content using your tools, then you’re not doing anything.”"
+"culture, Ton is very much about doing and making free culture. Blender’s "
+"production coordinator Francesco Siddi told us, <quote>Ton believes if you "
+"don’t make content using your tools, then you’re not doing anything.</quote>"
msgstr ""
"En vez de únicamente hablar de los beneficios teóricos de compartir y de la "
"cultura libre, a Ton le gusta más hacer cultura libre. El coordinador de "
"producción de Blender, Francesco Siddi, nos dijo, ”Ton cree que si no haces "
"contenido empleando tus propias herramientas, no estás haciendo nada.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2931
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3816
msgid ""
"Blender’s history begins in the late 1990s, when Ton created the Blender "
"software. Originally, the software was an in-house resource for his "
-"animation studio based in the Netherlands. Investors became interested in "
+"animation studio based in the Netherlands. Investors became interested in "
"the software, so he began marketing the software to the public, offering a "
"free version in addition to a paid version. Sales were disappointing, and "
"his investors gave up on the endeavor in the early 2000s. He made a deal "
"inversionistas — Si podía juntar suficiente dinero, podría liberar a Blender "
"bajo la Licencia Pública General GNU."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2941
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3827
+#, fuzzy
+#| msgid ""
+#| "This was long before Kickstarter and other online crowdfunding sites "
+#| "existed, but Ton ran his own version of a crowdfunding campaign and "
+#| "quickly raised the money he needed. The Blender software became freely "
+#| "available for anyone to use. Simply applying the General Public License "
+#| "to the software, however, was not enough to create a thriving community "
+#| "around it. Francesco told us, “Software of this complexity relies on "
+#| "people and their vision of how people work together. Ton is a fantastic "
+#| "community builder and manager, and he put a lot of work into fostering a "
+#| "community of developers so that the project could live.”"
msgid ""
"This was long before Kickstarter and other online crowdfunding sites "
"existed, but Ton ran his own version of a crowdfunding campaign and quickly "
"raised the money he needed. The Blender software became freely available for "
"anyone to use. Simply applying the General Public License to the software, "
"however, was not enough to create a thriving community around it. Francesco "
-"told us, “Software of this complexity relies on people and their vision of "
-"how people work together. Ton is a fantastic community builder and manager, "
-"and he put a lot of work into fostering a community of developers so that "
-"the project could live.”"
+"told us, <quote>Software of this complexity relies on people and their "
+"vision of how people work together. Ton is a fantastic community builder and "
+"manager, and he put a lot of work into fostering a community of developers "
+"so that the project could live.</quote>"
msgstr ""
"Esto fue mucho antes de que Kickstarter y otros sitios en línea de "
"crowdfunding existieran, pero Ton hizo su propia versión de una campaña de "
"constructor y gestor de comunidades, y puso muchísimo trabajo en crear una "
"comunidad de desarrolladores para que el proyecto pudiera vivir.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2948
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3840
+#, fuzzy
+#| msgid ""
+#| "Like any successful free and open-source software project, Blender "
+#| "developed quickly because the community could make fixes and "
+#| "improvements. “Software should be free and open to hack,” Francesco said. "
+#| "“Otherwise, everyone is doing the same thing in the dark for ten years.” "
+#| "Ton set up the Blender Foundation to oversee and steward the software "
+#| "development and maintenance."
msgid ""
"Like any successful free and open-source software project, Blender developed "
-"quickly because the community could make fixes and improvements. “Software "
-"should be free and open to hack,” Francesco said. “Otherwise, everyone is "
-"doing the same thing in the dark for ten years.” Ton set up the Blender "
-"Foundation to oversee and steward the software development and maintenance."
+"quickly because the community could make fixes and improvements. "
+"<quote>Software should be free and open to hack,</quote> Francesco said. "
+"<quote>Otherwise, everyone is doing the same thing in the dark for ten years."
+"</quote> Ton set up the Blender Foundation to oversee and steward the "
+"software development and maintenance."
msgstr ""
"Como cualquier proyecto exitoso de software libre y de fuentes abiertas, "
"Blender se desarrolló rápidamente pues la comunidad podía hacer correcciones "
"obscuridad por diez años.” Ton creó a la Fundación Blender para supervisar y "
"administrar al desarrollo y mantenimiento de software."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2957
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3849
msgid ""
"After a few years, Ton began looking for new ways to push development of the "
"software. He came up with the idea of creating CC-licensed films using the "
"Blender software. Ton put a call online for all interested and skilled "
"artists. Francesco said the idea was to get the best artists available, put "
"them in a building together with the best developers, and have them work "
-"together. They would not only produce high-quality openly licensed content, "
+"together. They would not only produce high-quality openly licensed content, "
"they would improve the Blender software in the process."
msgstr ""
"Después de algunos años, Ton comenzó a buscar nuevas maneras de impulsar el "
"licenciamiento abierto, sino que al mismo tiempo también mejorarían al "
"programa Blender."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2964
-msgid ""
-"They turned to crowdfunding to subsidize the costs of the project. They had "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3859
+#, fuzzy
+#| msgid ""
+#| "They turned to crowdfunding to subsidize the costs of the project. They "
+#| "had about twenty people working full-time for six to ten months, so the "
+#| "costs were significant. Francesco said that when their crowdfunding "
+#| "campaign succeeded, people were astounded. “The idea that making money "
+#| "was possible by producing CC-licensed material was mind-blowing to "
+#| "people,” he said. “They were like, ‘I have to see it to believe it.’”"
+msgid ""
+"They turned to crowdfunding to subsidize the costs of the project. They had "
"about twenty people working full-time for six to ten months, so the costs "
"were significant. Francesco said that when their crowdfunding campaign "
-"succeeded, people were astounded. “The idea that making money was possible "
-"by producing CC-licensed material was mind-blowing to people,” he said. "
-"“They were like, ‘I have to see it to believe it.’”"
+"succeeded, people were astounded. <quote>The idea that making money was "
+"possible by producing CC-licensed material was mind-blowing to people,</"
+"quote> he said. <quote>They were like, <quote>I have to see it to believe "
+"it.</quote></quote>"
msgstr ""
"Utilizaron al crowdfunding para financiar los costos del proyecto. Tenían "
"unas veinte personas trabajando a tiempo completo por entre seis y diez "
"posible era alucinante para la gente”, dijo. ”Decían, 'Tengo que verlo para "
"creerlo.'”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2970
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3869
msgid ""
"The first film, which was released in 2006, was an experiment. It was so "
"successful that Ton decided to set up the Blender Institute, an entity "
"resultó un éxito todavía mayor. La película, Big Buck Bunny, se viralizó, y "
"sus caracteres animados fueron recogidos por vendedores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2981
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3877
+#, fuzzy
+#| msgid ""
+#| "Francesco said that, over time, the Blender Institute projects have "
+#| "gotten bigger and more prominent. That means the filmmaking process has "
+#| "become more complex, combining technical experts and artists who focus on "
+#| "storytelling. Francesco says the process is almost on an industrial scale "
+#| "because of the number of moving parts. This requires a lot of specialized "
+#| "assistance, but the Blender Institute has no problem finding the talent "
+#| "it needs to help on projects. “Blender hardly does any recruiting for "
+#| "film projects because the talent emerges naturally,” Francesco said. “So "
+#| "many people want to work with us, and we can’t always hire them because "
+#| "of budget constraints.”"
msgid ""
"Francesco said that, over time, the Blender Institute projects have gotten "
"bigger and more prominent. That means the filmmaking process has become more "
"Francesco says the process is almost on an industrial scale because of the "
"number of moving parts. This requires a lot of specialized assistance, but "
"the Blender Institute has no problem finding the talent it needs to help on "
-"projects. “Blender hardly does any recruiting for film projects because the "
-"talent emerges naturally,” Francesco said. “So many people want to work with "
-"us, and we can’t always hire them because of budget constraints.”"
+"projects. <quote>Blender hardly does any recruiting for film projects "
+"because the talent emerges naturally,</quote> Francesco said. <quote>So many "
+"people want to work with us, and we can’t always hire them because of budget "
+"constraints.</quote>"
msgstr ""
"Francesco dice que, al paso del tiempo, los proyectos del Blender Institute "
"se han hecho más grandes y prominentes. Eso significa que el proceso de "
"gente quiere trabajar con nosotros, y no siempre podemos contratarlos por "
"limitantes presupuestales.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2989
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3890
+#, fuzzy
+#| msgid ""
+#| "Blender has had a lot of success raising money from its community over "
+#| "the years. In many ways, the pitch has gotten easier to make. Not only "
+#| "is crowdfunding simply more familiar to the public, but people know and "
+#| "trust Blender to deliver, and Ton has developed a reputation as an "
+#| "effective community leader and visionary for their work. “There is a "
+#| "whole community who sees and understands the benefit of these projects,” "
+#| "Francesco said."
msgid ""
"Blender has had a lot of success raising money from its community over the "
-"years. In many ways, the pitch has gotten easier to make. Not only is "
+"years. In many ways, the pitch has gotten easier to make. Not only is "
"crowdfunding simply more familiar to the public, but people know and trust "
"Blender to deliver, and Ton has developed a reputation as an effective "
-"community leader and visionary for their work. “There is a whole community "
-"who sees and understands the benefit of these projects,” Francesco said."
+"community leader and visionary for their work. <quote>There is a whole "
+"community who sees and understands the benefit of these projects,</quote> "
+"Francesco said."
msgstr ""
"Blender ha tenido mucho éxito consiguiendo dinero de su comunidad a lo largo "
"de los años. De muchas maneras, se ha vuelto más fácil hacer el discurso de "
"comunidad y de visionario para su trabajo. ”Hay toda una comunidad que ve y "
"comprende el beneficio de estos proyectos,” dice Francesco."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:2996
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3899
+#, fuzzy
+#| msgid ""
+#| "While these benefits of each open-movie project make a compelling pitch "
+#| "for crowdfunding campaigns, Francesco told us the Blender Institute has "
+#| "found some limitations in the standard crowdfunding model where you "
+#| "propose a specific project and ask for funding. “Once a project is over, "
+#| "everyone goes home,” he said. “It is great fun, but then it ends. That is "
+#| "a problem.”"
msgid ""
"While these benefits of each open-movie project make a compelling pitch for "
"crowdfunding campaigns, Francesco told us the Blender Institute has found "
"some limitations in the standard crowdfunding model where you propose a "
-"specific project and ask for funding. “Once a project is over, everyone goes "
-"home,” he said. “It is great fun, but then it ends. That is a problem.”"
+"specific project and ask for funding. <quote>Once a project is over, "
+"everyone goes home,</quote> he said. <quote>It is great fun, but then it "
+"ends. That is a problem.</quote>"
msgstr ""
"Si bien los beneficios derivados de cada proyecto de película abierta son "
"por sí solos un discurso de ventas efectivo para las campañas de "
"proyecto termina, todos se van a casa,” dijo. ”Es muy divertido, pero "
"entonces termina. Eso es un problema.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3010
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3908
msgid ""
"To make their work more sustainable, they needed a way to receive ongoing "
"support rather than on a project-by-project basis. Their solution is Blender "
"Cloud, a subscription-style crowdfunding model akin to the online "
"crowdfunding platform, Patreon. For about ten euros each month, subscribers "
"get access to download everything the Blender Institute produces—software, "
-"art, training, and more. All of the assets are available under an "
+"art, training, and more. All of the assets are available under an "
"Attribution license (CC BY) or placed in the public domain (CC0), but they "
"are initially made available only to subscribers. Blender Cloud enables "
"subscribers to follow Blender’s movie projects as they develop, sharing "
"también tiene amplios materiales didácticos y bibliotecas de caracteres y "
"otros materiales utilizados en varios proyectos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3015
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3923
+#, fuzzy
+#| msgid ""
+#| "The continuous financial support provided by Blender Cloud subsidizes "
+#| "five to six full-time employees at the Blender Institute. Francesco says "
+#| "their goal is to grow their subscriber base. “This is our freedom,” he "
+#| "told us, “and for artists, freedom is everything.”"
msgid ""
"The continuous financial support provided by Blender Cloud subsidizes five "
"to six full-time employees at the Blender Institute. Francesco says their "
-"goal is to grow their subscriber base. “This is our freedom,” he told us, "
-"“and for artists, freedom is everything.”"
+"goal is to grow their subscriber base. <quote>This is our freedom,</quote> "
+"he told us, <quote>and for artists, freedom is everything.</quote>"
msgstr ""
"El apoyo financiero continuo que provee Blender Cloud cubre el costo de "
"entre cinco y seis empleados de tiempo completo en Blender Institute. "
"Francesco dice que su objetivo es ampliar su base de subscriptores. ”Esta es "
"nuesra libertad,” nos dice, ”y para los artistas, la libertad lo es todo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3022
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3930
msgid ""
-"Blender Cloud is the primary revenue stream of the Blender Institute. The "
+"Blender Cloud is the primary revenue stream of the Blender Institute. The "
"Blender Foundation is funded primarily by donations, and that money goes "
"toward software development and maintenance. The revenue streams of the "
"Institute and Foundation are deliberately kept separate. Blender also has "
"Tienda Blender, donde la gente puede comprar DVDs, camisas, y otros "
"productos Blender."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3027
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3939
msgid ""
"Ton has worked on projects relating to his Blender software for nearly "
"twenty years. Throughout most of that time, he has been committed to making "
"comprometido a hacer del software y contenido producido por éste libre y "
"abierto. Vender una licencia nunca fue parte de su modelo de negocios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3035
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3946
+#, fuzzy
+#| msgid ""
+#| "Since 2006, he has been making films available along with all of their "
+#| "source material. He says he has hardly ever seen people stepping into "
+#| "Blender’s shoes and trying to make money off of their content. Ton "
+#| "believes this is because the true value of what they do is in the "
+#| "creative and production process. “Even when you share everything, all "
+#| "your original sources, it still takes a lot of talent, skills, time, and "
+#| "budget to reproduce what you did,” Ton said."
msgid ""
"Since 2006, he has been making films available along with all of their "
"source material. He says he has hardly ever seen people stepping into "
"Blender’s shoes and trying to make money off of their content. Ton believes "
"this is because the true value of what they do is in the creative and "
-"production process. “Even when you share everything, all your original "
+"production process. <quote>Even when you share everything, all your original "
"sources, it still takes a lot of talent, skills, time, and budget to "
-"reproduce what you did,” Ton said."
+"reproduce what you did,</quote> Ton said."
msgstr ""
"Desde 2006, ha liberado tanto las peliculas como todo su material fuente. "
"Dice que prácticamente nunca ha visto que terceras personas se pongan los "
"fuentes originale,s aún así requiere mucho talento, capacidades, tiempo y "
"presupuesto reproducir lo que hiciste”, dijo Ton."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3037
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3956
msgid "For Ton and Blender, it all comes back to doing."
msgstr "Para Ton y Blender, a fin de cuentas todo se trata de hacer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3039
-msgid "## Cards Against Humanity"
-msgstr "## Cards Against Humanity"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3960
+msgid "Cards Against Humanity"
+msgstr "Cards Against Humanity"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3042
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3963
msgid ""
"Cards Against Humanity is a private, for-profit company that makes a popular "
"party game by the same name. Founded in 2011 in the U.S."
"produce un popular juego homónimo para fiestas. Fue fundada en 2011 en los "
"Estados Unidos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3044
-msgid "www.cardsagainsthumanity.com"
-msgstr "www.cardsagainsthumanity.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3968
+msgid "<ulink url=\"http://www.cardsagainsthumanity.com\"/>"
+msgstr "<ulink url=\"http://www.cardsagainsthumanity.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3046
-msgid "Revenue model: charging for physical copies"
-msgstr "Modelo de ingresos: Cobrar por copias físicas"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3970
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: Cobrar por copias "
+"físicas"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3048
-msgid "Interview date: February 3, 2016"
-msgstr "Fecha de la entrevista: 3 de febrero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3973
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 3, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 3 de febrero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3050
-msgid "Interviewee: Max Temkin, cofounder"
-msgstr "Entrevistado: Max Temkin, cofundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3976
+msgid "<emphasis role=\"strong\">Interviewee</emphasis>: Max Temkin, cofounder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Max Temkin, cofundador"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3057
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3984
+#, fuzzy
+#| msgid ""
+#| "If you ask cofounder Max Temkin, there is nothing particularly "
+#| "interesting about the Cards Against Humanity business model. “We make a "
+#| "product. We sell it for money. Then we spend less money than we make,” "
+#| "Max said."
msgid ""
"If you ask cofounder Max Temkin, there is nothing particularly interesting "
-"about the Cards Against Humanity business model. “We make a product. We sell "
-"it for money. Then we spend less money than we make,” Max said."
+"about the Cards Against Humanity business model. <quote>We make a product. "
+"We sell it for money. Then we spend less money than we make,</quote> Max "
+"said."
msgstr ""
"Si se le pregunta al cofundador Max Temkin, no hay nada particularmente "
"interesante en el modelo de negocios de Cards Against Humanity. Dice Max, "
"”hacemos un produto. Lo vendemos por dinero. Después, gastamos menos dinero "
"del que ganamos”."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3065
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:3990
+#, fuzzy
+#| msgid ""
+#| "He is right. Cards Against Humanity is a simple party game, modeled after "
+#| "the game Apples to Apples. To play, one player asks a question or fill-in-"
+#| "the-blank statement from a black card, and the other players submit their "
+#| "funniest white card in response. The catch is that all of the cards are "
+#| "filled with crude, gruesome, and otherwise awful things. For the right "
+#| "kind of people (“horrible people,” according to Cards Against Humanity "
+#| "advertising), this makes for a hilarious and fun game."
msgid ""
"He is right. Cards Against Humanity is a simple party game, modeled after "
"the game Apples to Apples. To play, one player asks a question or fill-in-"
"the-blank statement from a black card, and the other players submit their "
-"funniest white card in response. The catch is that all of the cards are "
-"filled with crude, gruesome, and otherwise awful things. For the right kind "
-"of people (“horrible people,” according to Cards Against Humanity "
-"advertising), this makes for a hilarious and fun game."
+"funniest white card in response. The catch is that all of the cards are "
+"filled with crude, gruesome, and otherwise awful things. For the right kind "
+"of people (<quote>horrible people,</quote> according to Cards Against "
+"Humanity advertising), this makes for a hilarious and fun game."
msgstr ""
"Tiene razón. Cards Against Humanity es un simple juego de fiestas, inspirado "
"en el juego Manzanas a Manzanas. Para jugar, un jugador hace una pregunta o "
"según la publicidad de Cards Against Humanity), esto es suficiente para "
"lograr un juego hilarante y divertido."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3071
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4000
msgid ""
"The revenue model is simple. Physical copies of the game are sold for a "
"profit. And it works. At the time of this writing, Cards Against Humanity is "
"Amazon. Hay paquetes de expansión disponibles, y varios paquetes temáticos "
"oficiales, así como ediciones internacionales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3076
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4008
msgid ""
"But Cards Against Humanity is also available for free. Anyone can download a "
"digital version of the game on the Cards Against Humanity website. More than "
"un millón de personas han bajado el juego desde que la compañía comenzó a "
"contar las descargas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3082
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4014
msgid ""
"The game is available under an Attribution-NonCommercial-ShareAlike license "
"(CC BY-NC-SA). That means, in addition to copying the game, anyone can "
"bajo los mismos términos de uso no comercial. La posibilidad de adaptar este "
"juego es todo un nuevo juego por sí solo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3087
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4022
msgid ""
"All together, these factors—the crass tone of the game and company, the free "
"download, the openness to fans remixing the game—give the game a massive "
"descarga gratuita, la apertura a que la gente remezcle el juego— le han dado "
"una base de seguidores masiva."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3098
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4027
msgid ""
"Their success is not the result of a grand plan. Instead, Cards Against "
"Humanity was the last in a long line of games and comedy projects that Max "
"Eve because they were too nerdy to be invited to other parties. The game was "
"a hit, so they decided to put it up online as a free PDF. People started "
"asking if they could pay to have the game printed for them, and eventually "
-"they decided to run a Kickstarter to fund the printing. They set their "
-"Kickstarter goal at \\$4,000—and raised \\$15,000. The game was officially "
+"they decided to run a Kickstarter to fund the printing. They set their "
+"Kickstarter goal at $4,000—and raised $15,000. The game was officially "
"released in May 2011."
msgstr ""
"Su éxito no ha sido resultado de un gran plan. Más bien, Cards Against "
"juego fue un éxito, así que lo pusieron en línea como un PDF gratuito. La "
"gente comenzó a preguntarles si podrían pagarles para obtener una copia "
"impresa del juego, y eventualmente decidieron lanzar un Kickstarter para "
-"fondear la impresión. Fijaron su meta de Kickstarter en \\$4,000 —y "
-"obtuvieron \\$15,000. El juego salió oficialmente a mercado en mayo de 2011."
+"fondear la impresión. Fijaron su meta de Kickstarter en $4,000 —y obtuvieron "
+"$15,000. El juego salió oficialmente a mercado en mayo de 2011."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3102
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4040
+#, fuzzy
+#| msgid ""
+#| "The game caught on quickly, and it has only grown more popular over time. "
+#| "Max says the eight founders never had a meeting where they decided to "
+#| "make it an ongoing business. “It kind of just happened,” he said."
msgid ""
"The game caught on quickly, and it has only grown more popular over time. "
"Max says the eight founders never had a meeting where they decided to make "
-"it an ongoing business. “It kind of just happened,” he said."
+"it an ongoing business. <quote>It kind of just happened,</quote> he said."
msgstr ""
"El juego tuvo éxito rápidamente, y con el tiempo su popularidad ha seguido "
"creciendo. Max dice que los ocho fundadores nuna tuvieron una reunión donde "
"decidieran hacer de éste un negocio continuado. ”Simplemente ocurrió,” dice."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3107
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4046
+#, fuzzy
+#| msgid ""
+#| "But this tale of a “happy accident” belies marketing genius. Just like "
+#| "the game, the Cards Against Humanity brand is irreverent and memorable. "
+#| "It is hard to forget a company that calls the FAQ on their website “Your "
+#| "dumb questions.”"
msgid ""
-"But this tale of a “happy accident” belies marketing genius. Just like the "
-"game, the Cards Against Humanity brand is irreverent and memorable. It is "
-"hard to forget a company that calls the FAQ on their website “Your dumb "
-"questions.”"
+"But this tale of a <quote>happy accident</quote> belies marketing genius. "
+"Just like the game, the Cards Against Humanity brand is irreverent and "
+"memorable. It is hard to forget a company that calls the FAQ on their "
+"website <quote>Your dumb questions.</quote>"
msgstr ""
"Pero este relato de un ”feliz accidente” desmiente a los genios de la "
"mercadotecnia. Tal como lo es el juego, la marca Cards Against Humanity es "
"irreverente y memorable. Es dificil olvidar a una compañía que llama a las "
"preguntas frecuentes de su sitio Web ”Tus tontas preguntas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3119
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4052
+#, fuzzy
+#| msgid ""
+#| "Like most quality satire, however, there is more to the joke than "
+#| "vulgarity and shock value. The company’s marketing efforts around Black "
+#| "Friday illustrate this particularly well. For those outside the United "
+#| "States, Black Friday is the term for the day after the Thanksgiving "
+#| "holiday, the biggest shopping day of the year. It is an incredibly "
+#| "important day for Cards Against Humanity, like it is for all U.S. "
+#| "retailers. Max said they struggled with what to do on Black Friday "
+#| "because they didn’t want to support what he called the “orgy of "
+#| "consumerism” the day has become, particularly since it follows a day that "
+#| "is about being grateful for what you have. In 2013, after deliberating, "
+#| "they decided to have an Everything Costs $5 More sale."
msgid ""
"Like most quality satire, however, there is more to the joke than vulgarity "
"and shock value. The company’s marketing efforts around Black Friday "
"illustrate this particularly well. For those outside the United States, "
"Black Friday is the term for the day after the Thanksgiving holiday, the "
"biggest shopping day of the year. It is an incredibly important day for "
-"Cards Against Humanity, like it is for all U.S. retailers. Max said they "
+"Cards Against Humanity, like it is for all U.S. retailers. Max said they "
"struggled with what to do on Black Friday because they didn’t want to "
-"support what he called the “orgy of consumerism” the day has become, "
-"particularly since it follows a day that is about being grateful for what "
-"you have. In 2013, after deliberating, they decided to have an Everything "
-"Costs \\$5 More sale."
+"support what he called the <quote>orgy of consumerism</quote> the day has "
+"become, particularly since it follows a day that is about being grateful for "
+"what you have. In 2013, after deliberating, they decided to have an "
+"Everything Costs $5 More sale."
msgstr ""
"Como buena parte de la sátira de calidad, sin embargo, el chiste va más allá "
"de la vulgaridad y el valor de impacto. Los esfuerzos de la compañía para "
"llama la ”orgía de consumismo” en que se ha convertido este día, "
"particularmente porque lo antecede un día que se trata de ser agradecido por "
"lo que uno tiene. En 2013, después de deliberarlo mucho, decidieron iniciar "
-"su Venta de Todo Cuesta \\$5 Más."
+"su Venta de Todo Cuesta $5 Más."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3123
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4065
+#, fuzzy
+#| msgid ""
+#| "“We sweated it out the night before Black Friday, wondering if our fans "
+#| "were going to hate us for it,” he said. “But it made us laugh so we went "
+#| "with it. People totally caught the joke.”"
msgid ""
-"“We sweated it out the night before Black Friday, wondering if our fans were "
-"going to hate us for it,” he said. “But it made us laugh so we went with it. "
-"People totally caught the joke.”"
+"<quote>We sweated it out the night before Black Friday, wondering if our "
+"fans were going to hate us for it,</quote> he said. <quote>But it made us "
+"laugh so we went with it. People totally caught the joke.</quote>"
msgstr ""
"”Estábamos muy nerviosos la noche antes del Viernes Negro, preguntándonos si "
"nuestros _fans_ nos odiarían por eso,” dijo. ”Pero nos hizo reir, así que lo "
"hicimos. La gente aceptó perfectamente el chiste.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3128
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4071
+#, fuzzy
+#| msgid ""
+#| "This sort of bold transparency delights the media, but more importantly, "
+#| "it engages their fans. “One of the most surprising things you can do in "
+#| "capitalism is just be honest with people,” Max said. “It shocks people "
+#| "that there is transparency about what you are doing.”"
msgid ""
"This sort of bold transparency delights the media, but more importantly, it "
-"engages their fans. “One of the most surprising things you can do in "
-"capitalism is just be honest with people,” Max said. “It shocks people that "
-"there is transparency about what you are doing.”"
+"engages their fans. <quote>One of the most surprising things you can do in "
+"capitalism is just be honest with people,</quote> Max said. <quote>It shocks "
+"people that there is transparency about what you are doing.</quote>"
msgstr ""
"Este tipo de transparencia valiente le encanta a los medios, pero más "
"importante, involucra a sus seguidores. ”Una de las cosas más sorprendentes "
"gente,” dice Max. ”La gente se sorprende en que haya transparencia en lo que "
"hacemos.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3135
-msgid ""
-"Max also likened it to a grand improv scene. “If we do something a little "
-"subversive and unexpected, the public wants to be a part of the joke.” One "
-"year they did a Give Cards Against Humanity \\$5 event, where people "
-"literally paid them five dollars for no reason. Their fans wanted to make "
-"the joke funnier by making it successful. They made \\$70,000 in a single "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4078
+#, fuzzy
+#| msgid ""
+#| "Max also likened it to a grand improv scene. “If we do something a little "
+#| "subversive and unexpected, the public wants to be a part of the joke.” "
+#| "One year they did a Give Cards Against Humanity $5 event, where people "
+#| "literally paid them five dollars for no reason. Their fans wanted to make "
+#| "the joke funnier by making it successful. They made $70,000 in a single "
+#| "day."
+msgid ""
+"Max also likened it to a grand improv scene. <quote>If we do something a "
+"little subversive and unexpected, the public wants to be a part of the joke."
+"</quote> One year they did a Give Cards Against Humanity $5 event, where "
+"people literally paid them five dollars for no reason. Their fans wanted to "
+"make the joke funnier by making it successful. They made $70,000 in a single "
"day."
msgstr ""
"Max también le encuentra paralelos con la práctica de la improvisación. ”Si "
"hacemos algo un poco subversivo e inesperado, el público quiere ser parte "
-"del chiste.” Un año hicieron un evento llamado ”Dale \\$5 a Cards Against "
+"del chiste.” Un año hicieron un evento llamado ”Dale $5 a Cards Against "
"Humanity”, donde la gente literalmente les pagaba cinco dólares sin ninguna "
"razón para hacerlo. Sus seguidores hicieron el chiste más gracioso "
-"haciéndolo exitoso. Obtuvieron \\$70,000 en un sólo día."
+"haciéndolo exitoso. Obtuvieron $70,000 en un sólo día."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3146
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4086
+#, fuzzy
+#| msgid ""
+#| "This remarkable trust they have in their customers is what inspired their "
+#| "decision to apply a Creative Commons license to the game. Trusting your "
+#| "customers to reuse and remix your work requires a leap of faith. Cards "
+#| "Against Humanity obviously isn’t afraid of doing the unexpected, but "
+#| "there are lines even they do not want to cross. Before applying the "
+#| "license, Max said they worried that some fans would adapt the game to "
+#| "include all of the jokes they intentionally never made because they "
+#| "crossed that line. “It happened, and the world didn’t end,” Max said. “If "
+#| "that is the worst cost of using CC, I’d pay that a hundred times over "
+#| "because there are so many benefits.”"
msgid ""
"This remarkable trust they have in their customers is what inspired their "
"decision to apply a Creative Commons license to the game. Trusting your "
-"customers to reuse and remix your work requires a leap of faith. Cards "
+"customers to reuse and remix your work requires a leap of faith. Cards "
"Against Humanity obviously isn’t afraid of doing the unexpected, but there "
"are lines even they do not want to cross. Before applying the license, Max "
"said they worried that some fans would adapt the game to include all of the "
-"jokes they intentionally never made because they crossed that line. “It "
-"happened, and the world didn’t end,” Max said. “If that is the worst cost "
-"of using CC, I’d pay that a hundred times over because there are so many "
-"benefits.”"
+"jokes they intentionally never made because they crossed that line. "
+"<quote>It happened, and the world didn’t end,</quote> Max said. <quote>If "
+"that is the worst cost of using CC, I’d pay that a hundred times over "
+"because there are so many benefits.</quote>"
msgstr ""
"Esta notable confianza que tienen en sus clientes es lo que los inspiró a "
"aplicar una licencia Creative Commons a su juego. Confiar en que sus "
"no se acabó,” dice Max. ”Si ese es el peor costo de usar CC, lo pagaría cien "
"veces, porque los beneficios son muchísimos.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3153
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4099
msgid ""
"Any successful product inspires its biggest fans to create remixes of it, "
-"but unsanctioned adaptations are more likely to fly under the radar. The "
+"but unsanctioned adaptations are more likely to fly under the radar. The "
"Creative Commons license gives fans of Cards Against Humanity the freedom to "
"run with the game and copy, adapt, and promote their creations openly. Today "
"there are thousands of fan expansions of the game."
"promover sus creaciones abiertamente. Hoy en día hay cientos de expansiones "
"del juego creadas por los seguidores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3158
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4107
+#, fuzzy
+#| msgid ""
+#| "Max said, “CC was a no-brainer for us because it gets the most people "
+#| "involved. Making the game free and available under a CC license led to "
+#| "the unbelievable situation where we are one of the best-marketed games in "
+#| "the world, and we have never spent a dime on marketing.”"
msgid ""
-"Max said, “CC was a no-brainer for us because it gets the most people "
+"Max said, <quote>CC was a no-brainer for us because it gets the most people "
"involved. Making the game free and available under a CC license led to the "
"unbelievable situation where we are one of the best-marketed games in the "
-"world, and we have never spent a dime on marketing.”"
+"world, and we have never spent a dime on marketing.</quote>"
msgstr ""
"Max dijo, ”CC resultó una decisión natural para nosotros porque atrae a una "
"muy gran cantidad de gente. Hacer que el juego fuera gratuito y disponible "
"los juegos con mayor mercadeo en el mundo, y nunca hemos gastado un décimo "
"en la comercialización.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4114
+#, fuzzy
+#| msgid ""
+#| "Of course, there are limits to what the company allows its customers to "
+#| "do with the game. They chose the Attribution-NonCommercial-ShareAlike "
+#| "license because it restricts people from using the game to make money. It "
+#| "also requires that adaptations of the game be made available under the "
+#| "same licensing terms if they are shared publicly. Cards Against Humanity "
+#| "also polices its brand. “We feel like we’re the only ones who can use our "
+#| "brand and our game and make money off of it,” Max said. About 99.9 "
+#| "percent of the time, they just send an email to those making commercial "
+#| "use of the game, and that is the end of it. There have only been a "
+#| "handful of instances where they had to get a lawyer involved."
msgid ""
"Of course, there are limits to what the company allows its customers to do "
"with the game. They chose the Attribution-NonCommercial-ShareAlike license "
-"because it restricts people from using the game to make money. It also "
+"because it restricts people from using the game to make money. It also "
"requires that adaptations of the game be made available under the same "
"licensing terms if they are shared publicly. Cards Against Humanity also "
-"polices its brand. “We feel like we’re the only ones who can use our brand "
-"and our game and make money off of it,” Max said. About 99.9 percent of the "
-"time, they just send an email to those making commercial use of the game, "
-"and that is the end of it. There have only been a handful of instances where "
-"they had to get a lawyer involved."
+"polices its brand. <quote>We feel like we’re the only ones who can use our "
+"brand and our game and make money off of it,</quote> Max said. About 99.9 "
+"percent of the time, they just send an email to those making commercial use "
+"of the game, and that is the end of it. There have only been a handful of "
+"instances where they had to get a lawyer involved."
msgstr ""
"Claro, hay límites a lo que la compañía permite a sus clientes hacer con el "
"juego. Eligieron el licenciamiento Atribución-NoComercial-CompartirIgual "
"a quienes están haciendo un uso comercial del juego, y eso es todo. Sólo ha "
"habido un puñado de casos en los que involucraron a un abogado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3177
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4128
+#, fuzzy
+#| msgid ""
+#| "Just as there is more than meets the eye to the Cards Against Humanity "
+#| "business model, the same can be said of the game itself. To be playable, "
+#| "every white card has to work syntactically with enough black cards. The "
+#| "eight creators invest an incredible amount of work into creating new "
+#| "cards for the game. “We have daylong arguments about commas,” Max said. "
+#| "“The slacker tone of the cards gives people the impression that it is "
+#| "easy to write them, but it is actually a lot of work and quibbling.”"
msgid ""
"Just as there is more than meets the eye to the Cards Against Humanity "
-"business model, the same can be said of the game itself. To be playable, "
+"business model, the same can be said of the game itself. To be playable, "
"every white card has to work syntactically with enough black cards. The "
"eight creators invest an incredible amount of work into creating new cards "
-"for the game. “We have daylong arguments about commas,” Max said. “The "
-"slacker tone of the cards gives people the impression that it is easy to "
-"write them, but it is actually a lot of work and quibbling.”"
+"for the game. <quote>We have daylong arguments about commas,</quote> Max "
+"said. <quote>The slacker tone of the cards gives people the impression that "
+"it is easy to write them, but it is actually a lot of work and quibbling.</"
+"quote>"
msgstr ""
"Tal como el modelo de negocios de Cards Against Humanity va más allá de lo "
"obvio, lo mismo puede decirse del juego mismo. Para ser jugada, toda tarjeta "
"gente que es fácil escribirlas, pero en realidad representan una gran "
"cantidad de trabajo y de atención a las sutilezas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3186
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4139
msgid ""
"That means cocreation with their fans really doesn’t work. The company has a "
"submission mechanism on their website, and they get thousands of "
-"suggestions, but it is very rare that a submitted card is adopted. Instead, "
+"suggestions, but it is very rare that a submitted card is adopted. Instead, "
"the eight initial creators remain the primary authors of expansion decks and "
-"other new products released by the company. Interestingly, the creativity "
-"of their customer base is really only an asset to the company once their "
+"other new products released by the company. Interestingly, the creativity of "
+"their customer base is really only an asset to the company once their "
"original work is created and published when people make their own "
"adaptations of the game."
msgstr ""
"un activo para la compañía una vez que su trabajo original es creado y "
"publicado, una vez que la gente crea sus propias adaptaciones del juego."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3192
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4150
+#, fuzzy
+#| msgid ""
+#| "For all of their success, the creators of Cards Against Humanity are only "
+#| "partially motivated by money. Max says they have always been interested "
+#| "in the Walt Disney philosophy of financial success. “We don’t make jokes "
+#| "and games to make money—we make money so we can make more jokes and "
+#| "games,” he said."
msgid ""
"For all of their success, the creators of Cards Against Humanity are only "
"partially motivated by money. Max says they have always been interested in "
-"the Walt Disney philosophy of financial success. “We don’t make jokes and "
-"games to make money—we make money so we can make more jokes and games,” he "
-"said."
+"the Walt Disney philosophy of financial success. <quote>We don’t make jokes "
+"and games to make money—we make money so we can make more jokes and games,</"
+"quote> he said."
msgstr ""
"Y a pesar de todo su éxito, los creadores de Cards Against Humanity sólo "
"están parcialmente motivados por el dinero. Max dice que siempre han estado "
"interesados en la filosofía de Walt Disney acerca del éxito financiero. ”No "
-"hcemos chistes y juegos para ganar dinero —ganamos dinero para poder hacer "
-"más chistes y juegos,” dice."
+"hcemos chistes y juegos para ganar dinero: ganamos dinero para poder hacer "
+"más chistes y juegos\", dice."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3199
-msgid ""
-"In fact, the company has given more than \\$4 million to various charities "
-"and causes. “Cards is not our life plan,” Max said. “We all have other "
-"interests and hobbies. We are passionate about other things going on in our "
-"lives. A lot of the activism we have done comes out of us taking things from "
-"the rest of our lives and channeling some of the excitement from the game "
-"into it.”"
-msgstr ""
-"De hecho, la compañía ha dado más de 4 millones de dólares a diversas "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4157
+#, fuzzy
+#| msgid ""
+#| "In fact, the company has given more than $4 million to various charities "
+#| "and causes. “Cards is not our life plan,” Max said. “We all have other "
+#| "interests and hobbies. We are passionate about other things going on in "
+#| "our lives. A lot of the activism we have done comes out of us taking "
+#| "things from the rest of our lives and channeling some of the excitement "
+#| "from the game into it.”"
+msgid ""
+"In fact, the company has given more than $4 million to various charities and "
+"causes. <quote>Cards is not our life plan,</quote> Max said. <quote>We all "
+"have other interests and hobbies. We are passionate about other things going "
+"on in our lives. A lot of the activism we have done comes out of us taking "
+"things from the rest of our lives and channeling some of the excitement from "
+"the game into it.</quote>"
+msgstr ""
+"De hecho, la compañía ha dado más de 4 millones de dólares a diversas "
"caridades y otras causas. ”Las cartas no son nuestro plan de vida,” dice "
"Max. ”Todos tenemos otros intereses y pasatiempos. Nos apasionan otras cosas "
"en nuestras vidas. Mucho del activismo que hemos hecho proviene de cosas que "
"hacemos en el resto de nuestras vidas, y canalizamos algo de la emoción del "
"juego hacia ellas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3205
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4166
msgid ""
"Seeing money as fuel rather than the ultimate goal is what has enabled them "
"to embrace Creative Commons licensing without reservation. CC licensing "
"trabajo necesariamente significa renunciar a algunas oportunidades para "
"obtener más dinero de los clientes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3210
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4173
+#, fuzzy
+#| msgid ""
+#| "“It’s not right for everyone to release everything under CC licensing,” "
+#| "Max said. “If your only goal is to make a lot of money, then CC is not "
+#| "best strategy. This kind of business model, though, speaks to your "
+#| "values, and who you are and why you’re making things.”"
msgid ""
-"“It’s not right for everyone to release everything under CC licensing,” Max "
-"said. “If your only goal is to make a lot of money, then CC is not best "
-"strategy. This kind of business model, though, speaks to your values, and "
-"who you are and why you’re making things.”"
+"<quote>It’s not right for everyone to release everything under CC licensing,"
+"</quote> Max said. <quote>If your only goal is to make a lot of money, then "
+"CC is not best strategy. This kind of business model, though, speaks to your "
+"values, and who you are and why you’re making things.</quote>"
msgstr ""
"”No es para todos liberar todo bajo un licenciamiento CC,” dice Max. ”Si su "
"único objetivo es hacer mucho dinero, CC puede no ser la mejor estrategia. "
"Este tipo de modelo de negocio, sin embargo, le habla a sus valores, hacia "
"quién es usted, y por qué está haciendo las cosas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3212
-msgid "## The Conversation"
-msgstr "## The Conversation (La conversación)"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4181
+msgid "The Conversation"
+msgstr "The Conversation (La conversación)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3216
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4184
msgid ""
"The Conversation is an independent source of news, sourced from the academic "
"and research community and delivered direct to the public over the Internet. "
"comunidad académica y de investigación y entregado directamente al público a "
"través de Internet. Fundado en el 2011 en Australia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3218
-msgid "theconversation.com"
-msgstr "theconversation.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4189
+msgid "<ulink url=\"http://theconversation.com\"/>"
+msgstr "<ulink url=\"http://theconversation.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3221
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4191
msgid ""
-"Revenue model: charging content creators (universities pay membership fees "
-"to have their faculties serve as writers), grant funding"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging content "
+"creators (universities pay membership fees to have their faculties serve as "
+"writers), grant funding"
msgstr ""
-"Modelo de ingresos: cobrarle a los creadores de contenidos (las "
-"universidades pagan una cuota de membresía para tener a sus profesores como "
-"escritores), donaciones"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cobrarle a los "
+"creadores de contenidos (las universidades pagan una cuota de membresía para "
+"tener a sus profesores como escritores), donaciones"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3225
-msgid "Interviewee: Andrew Jaspan, founder"
-msgstr "Entrevistado: Andrew Jaspan, fundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4198
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Andrew Jaspan, founder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Andrew Jaspan, fundador"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3235
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4206
msgid ""
"Andrew Jaspan spent years as an editor of major newspapers including the "
"Observer in London, the Sunday Herald in Glasgow, and the Age in Melbourne, "
"2005, su preocupación por el futuro del periodismo no desapareció. Andrew "
"realizó un compromiso de regresar con un modelo alternativo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3241
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4216
msgid ""
"Around the time he left his job as editor of the Melbourne Age, Andrew "
"wondered where citizens would get news grounded in fact and evidence rather "
"estaba preocupado acerca de la creciente fijación en el sensacionalismo y lo "
"sexy."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3259
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4223
msgid ""
"While at the Age, he’d become friends with a vice-chancellor of a university "
"in Melbourne who encouraged him to talk to smart people across campus—an "
"parte de la sociedad pero desconectada de ella. Existe un inmenso recurso "
"público pero no tan bueno al exhibir su experiencia ante amplias audiencias."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3270
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4244
msgid ""
"Andrew believed he could to help connect academics back into the public "
"arena, and maybe help society find solutions to big problems. He thought "
"about pairing professional editors with university and research experts, "
"working one-on-one to refine everything from story structure to headline, "
-"captions, and quotes. The editors could help turn something that is academic "
-"into something understandable and readable. And this would be a key "
+"captions, and quotes. The editors could help turn something that is "
+"academic into something understandable and readable. And this would be a key "
"difference from traditional journalism—the subject matter expert would get a "
"chance to check the article and give final approval before it is published. "
"Compare this with reporters just picking and choosing the quotes and writing "
"Comparen esto con los reporteros tomando y escogiendo las sentencias y "
"escribiendo lo que ellos quieran."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3281
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4257
msgid ""
"The people he spoke to liked this idea, and Andrew embarked on raising money "
"and support with the help of the Commonwealth Scientific and Industrial "
"lanzado en Australia. Todo lo publicado en the Conversation es abiertamente "
"licenciado con Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3290
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4270
msgid ""
"The Conversation is founded on the belief that underpinning a functioning "
"democracy is access to independent, high-quality, informative journalism. "
"común. Su misión central es simple: proveer a los lectores una fuente "
"fidedigna de información basada en evidencia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3303
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4283
+msgid "<ulink url=\"http://theconversation.com/us/charter\"/>"
+msgstr "<ulink url=\"http://theconversation.com/us/charter\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4281
msgid ""
"Andrew worked hard to reinvent a methodology for creating reliable, credible "
"content. He introduced strict new working practices, a charter, and codes of "
-"conduct.1 These include fully disclosing who every author is (with their "
-"relevant expertise); who is funding their research; and if there are any "
-"potential or real conflicts of interest. Also important is where the content "
-"originates, and even though it comes from the university and research "
-"community, it still needs to be fully disclosed. The Conversation does not "
-"sit behind a paywall. Andrew believes access to information is an issue of "
-"equality—everyone should have access, like access to clean water. The "
-"Conversation is committed to an open and free Internet. Everyone should have "
-"free access to their content, and be able to share it or republish it."
+"conduct.<placeholder type=\"footnote\" id=\"0\"/> These include fully "
+"disclosing who every author is (with their relevant expertise); who is "
+"funding their research; and if there are any potential or real conflicts of "
+"interest. Also important is where the content originates, and even though it "
+"comes from the university and research community, it still needs to be fully "
+"disclosed. The Conversation does not sit behind a paywall. Andrew believes "
+"access to information is an issue of equality—everyone should have access, "
+"like access to clean water. The Conversation is committed to an open and "
+"free Internet. Everyone should have free access to their content, and be "
+"able to share it or republish it."
msgstr ""
"Andrew trabajó mucho para reinventar una metodología para crear contenido "
"confiable y creíble. Introdujo nuevas prácticas de trabajo, un estatuto y "
-"códigos de conducta.1 Estas guías incluyen divulgar quién es cada autor (con "
-"su experiencia relevante); quién está financiando su investigación; y si hay "
-"algún conflicto de intereses potencial o real. También es importante dónde "
-"se genera el contenido, e incluso si viene de la universidad y de una "
-"comunidad de investigación, este contenido necesita divulgarse "
-"completamente. The Conversation no se sienta detrás de los paywalls. Andrew "
-"cree que el acceso a la infromación es una cuestión de equidad —todos "
-"deberían tener acceso, tal como tener acceso al agua potable es un derecho. "
-"The Conversation está comprometida con una Internet abierta y libre. "
-"Cualquiera debería tener libre acceso a su contenido y poder compartirlo o "
-"republicarlo."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3314
+"códigos de conducta.<placeholder type=\"footnote\" id=\"0\"/> Estas guías "
+"incluyen divulgar quién es cada autor (con su experiencia relevante); quién "
+"está financiando su investigación; y si hay algún conflicto de intereses "
+"potencial o real. También es importante dónde se genera el contenido, e "
+"incluso si viene de la universidad y de una comunidad de investigación, este "
+"contenido necesita divulgarse completamente. The Conversation no se sienta "
+"detrás de los paywalls. Andrew cree que el acceso a la infromación es una "
+"cuestión de equidad —todos deberían tener acceso, tal como tener acceso al "
+"agua potable es un derecho. The Conversation está comprometida con una "
+"Internet abierta y libre. Cualquiera debería tener libre acceso a su "
+"contenido y poder compartirlo o republicarlo."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4296
msgid ""
"Creative Commons help with these goals; articles are published with the "
"Attribution- NoDerivs license (CC BY-ND). They’re freely available for "
"Commons, y en la visión de Andrew, Creative Commons es central para todo lo "
"que hace The Conversation."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3321
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4308
msgid ""
"When readers come across the Conversation, they seem to like what they find "
-"and recommend it to their friends, peers, and networks. Readership has grown "
-"primarily through word of mouth. While they don’t have sales and marketing, "
-"they do promote their work through social media (including Twitter and "
-"Facebook), and by being an accredited supplier to Google News."
+"and recommend it to their friends, peers, and networks. Readership has "
+"grown primarily through word of mouth. While they don’t have sales and "
+"marketing, they do promote their work through social media (including "
+"Twitter and Facebook), and by being an accredited supplier to Google News."
msgstr ""
"Cuando los lectores se encuentran con The Conversation, parece gustarles lo "
"que encuentran y se lo recomiendan a sus amigos, pares y redes de contactos. "
"trabajo a través de las redes sociales (incluyendo Twitter y Facebook) y a "
"través de ser un proveedor acreditado para el feed de Noticias de Google."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3329
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4316
msgid ""
"It’s usual for the founders of any company to ask themselves what kind of "
"company it should be. It quickly became clear to the founders of the "
"Los fundadores de The Conversation no querían este modelo. The Conversation "
"no recibe ningún anuncio y es una empresa sin ánimo de lucro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3338
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4325
msgid ""
"There are now different editions of the Conversation for Africa, the United "
"Kingdom, France, and the United States, in addition to the one for "
"Conversation le gustaría estar trabajando con más académicos de otras partes "
"del mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3345
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4335
msgid ""
"Additionally, each edition has its own set of founding partners, strategic "
"partners, and funders. They’ve received funding from foundations, "
"permitiría salvaguardar el servicio actual y ayudaría a mejorar la cobertura "
"y las características distintivas del servicio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3351
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4344
+#, fuzzy
+#| msgid ""
+#| "When professors from member universities write an article, there is some "
+#| "branding of the university associated with the article. On the "
+#| "Conversation website, paying university members are listed as “members "
+#| "and funders.” Early participants may be designated as “founding members,” "
+#| "with seats on the editorial advisory board."
msgid ""
"When professors from member universities write an article, there is some "
"branding of the university associated with the article. On the Conversation "
-"website, paying university members are listed as “members and funders.” "
-"Early participants may be designated as “founding members,” with seats on "
-"the editorial advisory board."
+"website, paying university members are listed as <quote>members and funders."
+"</quote> Early participants may be designated as <quote>founding members,</"
+"quote> with seats on the editorial advisory board."
msgstr ""
"Cuando los profesores de las universidades miembro escriben un artículo, hay "
"cierta publicidad de la universidad asociada con el artículo. En el sitio "
"designados como \"miembros fundadores\", con asientos en el consejo "
"editorial asesor."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3359
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4352
msgid ""
"Academics are not paid for their contributions, but they get free editing "
-"from a professional (four to five hours per piece, on average). They also "
+"from a professional (four to five hours per piece, on average). They also "
"get access to a large audience. Every author and member university has "
"access to a special analytics dashboard where they can check the reach of an "
"article. The metrics include what people are tweeting, the comments, "
"twitteando, los comentarios, los países de donde provenien los lectores, "
"dónde se está republicando el artículo y el número de lecturas por artículo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3365
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4362
msgid ""
"The Conversation plans to expand the dashboard to show not just reach but "
"impact. This tracks activities, behaviors, and events that occurred as a "
"conferencia, colaborar, enviar un artículo a una revista y recibir una "
"consulta de una empresa sobre un tema."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3369
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4370
msgid ""
-"These reach and impact metrics show the benefits of membership. With the "
+"These reach and impact metrics show the benefits of membership. With the "
"Conversation, universities can engage with the public and show why they’re "
"of value."
msgstr ""
"Con The Conversation, las universidades pueden comprometerse con el público "
"y moestrar por qué son de valor."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3375
-msgid ""
-"With its tagline, “Academic Rigor, Journalistic Flair,” the Conversation "
-"represents a new form of journalism that contributes to a more informed "
-"citizenry and improved democracy around the world. Its open business model "
-"and use of Creative Commons show how it’s possible to generate both a public "
-"good and operational revenue at the same time."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4375
+#, fuzzy
+#| msgid ""
+#| "With its tagline, “Academic Rigor, Journalistic Flair,” the Conversation "
+#| "represents a new form of journalism that contributes to a more informed "
+#| "citizenry and improved democracy around the world. Its open business "
+#| "model and use of Creative Commons show how it’s possible to generate both "
+#| "a public good and operational revenue at the same time."
+msgid ""
+"With its tagline, <quote>Academic Rigor, Journalistic Flair,</quote> the "
+"Conversation represents a new form of journalism that contributes to a more "
+"informed citizenry and improved democracy around the world. Its open "
+"business model and use of Creative Commons show how it’s possible to "
+"generate both a public good and operational revenue at the same time."
msgstr ""
"Con su eslógan \"Rigor académico, talento periodístico\", The Conversation "
"representa un nuevo tipo de periodismo que contribuye a una ciudadanía más "
"generar tanto un bien público como ganancias que permitan operar al mismo "
"tiempo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3377
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4486
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5765
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7410
-msgid "Web link"
-msgstr "Sitio web"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3379
-msgid "theconversation.com/us/charter"
-msgstr "theconversation.com/us/charter"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3381
-msgid "## Cory Doctorow"
-msgstr "## Cory Doctorow"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4384
+msgid "Cory Doctorow"
+msgstr "Cory Doctorow"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3384
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4387
msgid ""
"Cory Doctorow is a science fiction writer, activist, blogger, and "
"journalist. Based in the U.S."
msgstr ""
-"Cory Doctorow es una escritor de ciencia ficción, activista, bloguero y "
+"Cory Doctorow es un escritor de ciencia ficción, activista, bloguero y "
"periodista. Vive en los Estados Unidos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3386
-msgid "craphound.com and boingboing.net"
-msgstr "craphound.com y boingboing.net"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4390
+msgid ""
+"<ulink url=\"http://craphound.com\"/> and <ulink url=\"http://boingboing.net"
+"\"/>"
+msgstr ""
+"<ulink url=\"http://craphound.com\"/> and <ulink url=\"http://boingboing.net"
+"\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3389
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4393
msgid ""
-"Revenue model: charging for physical copies (book sales), pay-what-you-want, "
-"selling translation rights to books"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies (book sales), pay-what-you-want, selling translation rights to books"
msgstr ""
-"Modelo de negocios: cobrar por las copias físicas (venta de libros), pague-"
-"lo-que-quiera, vender derechos de traducción de los libros"
+"<emphasis role=\"strong\">Modelo de negocios</emphasis>: cobrar por las "
+"copias físicas (venta de libros), pague-lo-que-quiera, vender derechos de "
+"traducción de los libros"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3391
-msgid "Interview date: January 12, 2016"
-msgstr "Fecha de la entrevista: 12 de enero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4397
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: January 12, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 12 de enero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3400
-msgid ""
-"Cory Doctorow hates the term “business model,” and he is adamant that he is "
-"not a brand. “To me, branding is the idea that you can take a thing that has "
-"certain qualities, remove the qualities, and go on selling it,” he said. "
-"“I’m not out there trying to figure out how to be a brand. I’m doing this "
-"thing that animates me to work crazy insane hours because it’s the most "
-"important thing I know how to do.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4405
+#, fuzzy
+#| msgid ""
+#| "Cory Doctorow hates the term “business model,” and he is adamant that he "
+#| "is not a brand. “To me, branding is the idea that you can take a thing "
+#| "that has certain qualities, remove the qualities, and go on selling it,” "
+#| "he said. “I’m not out there trying to figure out how to be a brand. I’m "
+#| "doing this thing that animates me to work crazy insane hours because it’s "
+#| "the most important thing I know how to do.”"
+msgid ""
+"Cory Doctorow hates the term <quote>business model,</quote> and he is "
+"adamant that he is not a brand. <quote>To me, branding is the idea that you "
+"can take a thing that has certain qualities, remove the qualities, and go on "
+"selling it,</quote> he said. <quote>I’m not out there trying to figure out "
+"how to be a brand. I’m doing this thing that animates me to work crazy "
+"insane hours because it’s the most important thing I know how to do.</quote>"
msgstr ""
"Cory Doctorow odia el término ”modelo de negocios”, y es firme en sostener "
"que él no es una marca. ”Para mí, armar una marca es esta idea de que se "
"una cantidad alocada de horas porque es la cosa más importante que sé cómo "
"hacer.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3404
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4414
msgid ""
"Cory calls himself an entrepreneur. He likes to say his success came from "
"making stuff people happened to like and then getting out of the way of them "
"de hacer cosas que resultó gustarle a la gente y dejar de interponerse en el "
"camino para que ellos lo compartieran."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3413
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4419
msgid ""
"He is a science fiction writer, activist, blogger, and journalist. "
"Beginning with his first novel, Down and Out in the Magic Kingdom, in 2003, "
"Want to Be Free (\"La información no quiere ser libre\"), acerca del modo en "
"que los creadores pueden ganarse la vida en la era de Internet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3417
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4430
msgid ""
"Cory primarily makes money by selling physical books, but he also takes on "
"paid speaking gigs and is experimenting with pay-what-you-want models for "
"pero también le pagan por hablar en conferencias y está experimentando con "
"modelos de pague-lo-que-quiera para su trabajo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3432
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4435
+#, fuzzy
+#| msgid ""
+#| "While Cory’s extensive body of fiction work has a large following, he is "
+#| "just as well known for his activism. He is an outspoken opponent of "
+#| "restrictive copyright and digital-rights-management (DRM) technology used "
+#| "to lock up content because he thinks both undermine creators and the "
+#| "public interest. He is currently a special adviser at the Electronic "
+#| "Frontier Foundation, where he is involved in a lawsuit challenging the U."
+#| "S. law that protects DRM. Cory says his political work doesn’t directly "
+#| "make him money, but if he gave it up, he thinks he would lose credibility "
+#| "and, more importantly, lose the drive that propels him to create. “My "
+#| "political work is a different expression of the same artistic-political "
+#| "urge,” he said. “I have this suspicion that if I gave up the things that "
+#| "didn’t make me money, the genuineness would leach out of what I do, and "
+#| "the quality that causes people to like what I do would be gone.”"
msgid ""
"While Cory’s extensive body of fiction work has a large following, he is "
"just as well known for his activism. He is an outspoken opponent of "
"lock up content because he thinks both undermine creators and the public "
"interest. He is currently a special adviser at the Electronic Frontier "
"Foundation, where he is involved in a lawsuit challenging the U.S. law that "
-"protects DRM. Cory says his political work doesn’t directly make him money, "
+"protects DRM. Cory says his political work doesn’t directly make him money, "
"but if he gave it up, he thinks he would lose credibility and, more "
-"importantly, lose the drive that propels him to create. “My political work "
-"is a different expression of the same artistic-political urge,” he said. “I "
-"have this suspicion that if I gave up the things that didn’t make me money, "
-"the genuineness would leach out of what I do, and the quality that causes "
-"people to like what I do would be gone.”"
+"importantly, lose the drive that propels him to create. <quote>My political "
+"work is a different expression of the same artistic-political urge,</quote> "
+"he said. <quote>I have this suspicion that if I gave up the things that "
+"didn’t make me money, the genuineness would leach out of what I do, and the "
+"quality that causes people to like what I do would be gone.</quote>"
msgstr ""
"Mientras que el trabajo de ficción de Cory tiene muchos seguidores, es "
"igualmente reconocido por su activismo. Es un destacado oponente del derecho "
"hacen ganar dinero, se perdería la autenticidad de lo que hago y la cualidad "
"que hace que lo que hago le guste a la gente.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3443
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4452
+#, fuzzy
+#| msgid ""
+#| "Cory has been financially successful, but money is not his primary "
+#| "motivation. At the start of his book Information Doesn’t Want to Be Free, "
+#| "he stresses how important it is not to become an artist if your goal is "
+#| "to get rich. “Entering the arts because you want to get rich is like "
+#| "buying lottery tickets because you want to get rich,” he wrote. “It might "
+#| "work, but it almost certainly won’t. Though, of course, someone always "
+#| "wins the lottery.” He acknowledges that he is one of the lucky few to "
+#| "“make it,” but he says he would be writing no matter what. “I am "
+#| "compelled to write,” he wrote. “Long before I wrote to keep myself fed "
+#| "and sheltered, I was writing to keep myself sane.”"
msgid ""
"Cory has been financially successful, but money is not his primary "
"motivation. At the start of his book Information Doesn’t Want to Be Free, he "
"stresses how important it is not to become an artist if your goal is to get "
-"rich. “Entering the arts because you want to get rich is like buying lottery "
-"tickets because you want to get rich,” he wrote. “It might work, but it "
-"almost certainly won’t. Though, of course, someone always wins the lottery.” "
-"He acknowledges that he is one of the lucky few to “make it,” but he says he "
-"would be writing no matter what. “I am compelled to write,” he wrote. “Long "
-"before I wrote to keep myself fed and sheltered, I was writing to keep "
-"myself sane.”"
+"rich. <quote>Entering the arts because you want to get rich is like buying "
+"lottery tickets because you want to get rich,</quote> he wrote. <quote>It "
+"might work, but it almost certainly won’t. Though, of course, someone always "
+"wins the lottery.</quote> He acknowledges that he is one of the lucky few to "
+"<quote>make it,</quote> but he says he would be writing no matter what. "
+"<quote>I am compelled to write,</quote> he wrote. <quote>Long before I "
+"wrote to keep myself fed and sheltered, I was writing to keep myself sane.</"
+"quote>"
msgstr ""
"Cory ha sido financieramente exitoso, pero el dinero no es su motivación "
"primaria. Al comienzo de su libro Information Doesn't Want to Be Free, "
"escribió. ”Mucho antes de escribir para mantener alimentado y cobijado, "
"estaba escribiendo para mantenerme cuerdo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3451
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4466
+#, fuzzy
+#| msgid ""
+#| "Just as money is not his primary motivation to create, money is not his "
+#| "primary motivation to share. For Cory, sharing his work with Creative "
+#| "Commons is a moral imperative. “It felt morally right,” he said of his "
+#| "decision to adopt Creative Commons licenses. “I felt like I wasn’t "
+#| "contributing to the culture of surveillance and censorship that has been "
+#| "created to try to stop copying.” In other words, using CC licenses "
+#| "symbolizes his worldview."
msgid ""
"Just as money is not his primary motivation to create, money is not his "
"primary motivation to share. For Cory, sharing his work with Creative "
-"Commons is a moral imperative. “It felt morally right,” he said of his "
-"decision to adopt Creative Commons licenses. “I felt like I wasn’t "
-"contributing to the culture of surveillance and censorship that has been "
-"created to try to stop copying.” In other words, using CC licenses "
-"symbolizes his worldview."
+"Commons is a moral imperative. <quote>It felt morally right,</quote> he said "
+"of his decision to adopt Creative Commons licenses. <quote>I felt like I "
+"wasn’t contributing to the culture of surveillance and censorship that has "
+"been created to try to stop copying.</quote> In other words, using CC "
+"licenses symbolizes his worldview."
msgstr ""
"Del mismo modo que el dinero no es su principal motivación para crear, el "
"dinero no es su motivación principal para compartir. Para Cory, compartir su "
"que se hagan copias\". En otras palabras, utilizar las licencias CC "
"simboliza su visión de mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3459
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4476
+#, fuzzy
+#| msgid ""
+#| "He also feels like there is a solid commercial basis for licensing his "
+#| "work with Creative Commons. While he acknowledges he hasn’t been able to "
+#| "do a controlled experiment to compare the commercial benefits of "
+#| "licensing with CC against reserving all rights, he thinks he has sold "
+#| "more books using a CC license than he would have without it. Cory says "
+#| "his goal is to convince people they should pay him for his work. “I "
+#| "started by not calling them thieves,” he said."
msgid ""
"He also feels like there is a solid commercial basis for licensing his work "
"with Creative Commons. While he acknowledges he hasn’t been able to do a "
"controlled experiment to compare the commercial benefits of licensing with "
"CC against reserving all rights, he thinks he has sold more books using a CC "
"license than he would have without it. Cory says his goal is to convince "
-"people they should pay him for his work. “I started by not calling them "
-"thieves,” he said."
+"people they should pay him for his work. <quote>I started by not calling "
+"them thieves,</quote> he said."
msgstr ""
"También siente que hay una base comercial sólida para licenciar su trabajo "
"con Creative Commons. Mientras que reconoce que no ha sido capaz de hacer un "
"Cory dice que su objetivo es convencer a la gente de que deben pagarle por "
"su trabajo. \"Empecé por no llamarlos ladrones\", dice."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3470
-msgid ""
-"Cory started using CC licenses soon after they were first created. At the "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4486
+#, fuzzy
+#| msgid ""
+#| "Cory started using CC licenses soon after they were first created. At "
+#| "the time his first novel came out, he says the science fiction genre was "
+#| "overrun with people scanning and downloading books without permission. "
+#| "When he and his publisher took a closer look at who was doing that sort "
+#| "of thing online, they realized it looked a lot like book promotion. “I "
+#| "knew there was a relationship between having enthusiastic readers and "
+#| "having a successful career as a writer,” he said. “At the time, it took "
+#| "eighty hours to OCR a book, which is a big effort. I decided to spare "
+#| "them the time and energy, and give them the book for free in a format "
+#| "destined to spread.”"
+msgid ""
+"Cory started using CC licenses soon after they were first created. At the "
"time his first novel came out, he says the science fiction genre was overrun "
-"with people scanning and downloading books without permission. When he and "
+"with people scanning and downloading books without permission. When he and "
"his publisher took a closer look at who was doing that sort of thing online, "
-"they realized it looked a lot like book promotion. “I knew there was a "
+"they realized it looked a lot like book promotion. <quote>I knew there was a "
"relationship between having enthusiastic readers and having a successful "
-"career as a writer,” he said. “At the time, it took eighty hours to OCR a "
-"book, which is a big effort. I decided to spare them the time and energy, "
-"and give them the book for free in a format destined to spread.”"
+"career as a writer,</quote> he said. <quote>At the time, it took eighty "
+"hours to OCR a book, which is a big effort. I decided to spare them the time "
+"and energy, and give them the book for free in a format destined to spread.</"
+"quote>"
msgstr ""
"Cory comenzó a utilizar las licencias CC al poco tiempo de que fueran "
"creadas. En el momento en que su primera novela salió, el género de la "
"libro, lo que es un gran esfuerzo. Decidí liberarles el tiempo y la energía, "
"y darles el libro de manera gratuita en un formato destinado a difundirlo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3476
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4499
msgid ""
"Cory admits the stakes were pretty low for him when he first adopted "
"Creative Commons licenses. He only had to sell two thousand copies of his "
"empezando. Ahora dicen que solo puede hacerlo porque es un autor ya "
"establecido."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3483
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4507
+#, fuzzy
+#| msgid ""
+#| "The bottom line, Cory says, is that no one has found a way to prevent "
+#| "people from copying the stuff they like. Rather than fighting the tide, "
+#| "Cory makes his work intrinsically shareable. “Getting the hell out of "
+#| "the way for people who want to share their love of you with other people "
+#| "sounds obvious, but it’s remarkable how many people don’t do it,” he said."
msgid ""
"The bottom line, Cory says, is that no one has found a way to prevent people "
"from copying the stuff they like. Rather than fighting the tide, Cory makes "
-"his work intrinsically shareable. “Getting the hell out of the way for "
-"people who want to share their love of you with other people sounds obvious, "
-"but it’s remarkable how many people don’t do it,” he said."
+"his work intrinsically shareable. <quote>Getting the hell out of the way "
+"for people who want to share their love of you with other people sounds "
+"obvious, but it’s remarkable how many people don’t do it,</quote> he said."
msgstr ""
"El resultado final, dice Cory, es que nadie ha encontrado una forma de "
"detener a la gente para que copie las cosas que le gustan. En vez de luchar "
"por uno con otra gente suena obvio, pero es destacable cómo mucha gente no "
"lo hace\", dice."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3496
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4515
+#, fuzzy
+#| msgid ""
+#| "Making his work available under Creative Commons licenses enables him to "
+#| "view his biggest fans as his ambassadors. “Being open to fan activity "
+#| "makes you part of the conversation about what fans do with your work and "
+#| "how they interact with it,” he said. Cory’s own website routinely "
+#| "highlights cool things his audience has done with his work. Unlike "
+#| "corporations like Disney that tend to have a hands-off relationship with "
+#| "their fan activity, he has a symbiotic relationship with his audience. "
+#| "“Engaging with your audience can’t guarantee you success,” he said. “And "
+#| "Disney is an example of being able to remain aloof and still being the "
+#| "most successful company in the creative industry in history. But I figure "
+#| "my likelihood of being Disney is pretty slim, so I should take all the "
+#| "help I can get.”"
msgid ""
"Making his work available under Creative Commons licenses enables him to "
-"view his biggest fans as his ambassadors. “Being open to fan activity makes "
-"you part of the conversation about what fans do with your work and how they "
-"interact with it,” he said. Cory’s own website routinely highlights cool "
-"things his audience has done with his work. Unlike corporations like Disney "
-"that tend to have a hands-off relationship with their fan activity, he has a "
-"symbiotic relationship with his audience. “Engaging with your audience "
-"can’t guarantee you success,” he said. “And Disney is an example of being "
-"able to remain aloof and still being the most successful company in the "
-"creative industry in history. But I figure my likelihood of being Disney is "
-"pretty slim, so I should take all the help I can get.”"
+"view his biggest fans as his ambassadors. <quote>Being open to fan activity "
+"makes you part of the conversation about what fans do with your work and how "
+"they interact with it,</quote> he said. Cory’s own website routinely "
+"highlights cool things his audience has done with his work. Unlike "
+"corporations like Disney that tend to have a hands-off relationship with "
+"their fan activity, he has a symbiotic relationship with his audience. "
+"<quote>Engaging with your audience can’t guarantee you success,</quote> he "
+"said. <quote>And Disney is an example of being able to remain aloof and "
+"still being the most successful company in the creative industry in history. "
+"But I figure my likelihood of being Disney is pretty slim, so I should take "
+"all the help I can get.</quote>"
msgstr ""
"Hacer su trabajo disponible bajo una licencia Creative Commons le permite "
"ver a sus fans más grandes como sus embajadores. ”Estar abierto a la "
"ser Disney son bastante estrechas, de modo que tengo que tomar toda la ayuda "
"que pueda obtener.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3509
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4530
msgid ""
"His first book was published under the most restrictive Creative Commons "
-"license, Attribution-NonCommercial-NoDerivs (CC BY-NC-ND). It allows only "
+"license, Attribution-NonCommercial-NoDerivs (CC BY-NC-ND). It allows only "
"verbatim copying for noncommercial purposes. His later work is published "
"under the Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA), which "
"gives people the right to adapt his work for noncommercial purposes but only "
"la gente pague por las traducciones si ya hay traducciones de los fans "
"disponibles de manera gratuita."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3521
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4545
+#, fuzzy
+#| msgid ""
+#| "In his book Information Doesn’t Want to Be Free, Cory likens his "
+#| "philosophy to thinking like a dandelion. Dandelions produce thousands of "
+#| "seeds each spring, and they are blown into the air going in every "
+#| "direction. The strategy is to maximize the number of blind chances the "
+#| "dandelion has for continuing its genetic line. Similarly, he says there "
+#| "are lots of people out there who may want to buy creative work or "
+#| "compensate authors for it in some other way. “The more places your work "
+#| "can find itself, the greater the likelihood that it will find one of "
+#| "those would-be customers in some unsuspected crack in the metaphorical "
+#| "pavement,” he wrote. “The copies that others make of my work cost me "
+#| "nothing, and present the possibility that I’ll get something.”"
msgid ""
"In his book Information Doesn’t Want to Be Free, Cory likens his philosophy "
"to thinking like a dandelion. Dandelions produce thousands of seeds each "
"strategy is to maximize the number of blind chances the dandelion has for "
"continuing its genetic line. Similarly, he says there are lots of people out "
"there who may want to buy creative work or compensate authors for it in some "
-"other way. “The more places your work can find itself, the greater the "
+"other way. <quote>The more places your work can find itself, the greater the "
"likelihood that it will find one of those would-be customers in some "
-"unsuspected crack in the metaphorical pavement,” he wrote. “The copies that "
-"others make of my work cost me nothing, and present the possibility that "
-"I’ll get something.”"
+"unsuspected crack in the metaphorical pavement,</quote> he wrote. <quote>The "
+"copies that others make of my work cost me nothing, and present the "
+"possibility that I’ll get something.</quote>"
msgstr ""
"En su libro Information Doesn't Want to Be Free, Cory compara su filosofía "
"con las flores de los dientes de león o panaderos. Estas flores producen "
"personas hacen de mi trabajo no me cuestan nada y me presentan la "
"posibilidad de obtener algo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3530
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4560
+#, fuzzy
+#| msgid ""
+#| "Applying a CC license to his work increases the chances it will be shared "
+#| "more widely around the Web. He avoids DRM—and openly opposes the practice—"
+#| "for similar reasons. DRM has the effect of tying a work to a particular "
+#| "platform. This digital lock, in turn, strips the authors of control over "
+#| "their own work and hands that control over to the platform. He calls it "
+#| "Cory’s First Law: “Anytime someone puts a lock on something that belongs "
+#| "to you and won’t give you the key, that lock isn’t there for your "
+#| "benefit.”"
msgid ""
"Applying a CC license to his work increases the chances it will be shared "
"more widely around the Web. He avoids DRM—and openly opposes the practice—"
"for similar reasons. DRM has the effect of tying a work to a particular "
"platform. This digital lock, in turn, strips the authors of control over "
-"their own work and hands that control over to the platform. He calls it "
-"Cory’s First Law: “Anytime someone puts a lock on something that belongs to "
-"you and won’t give you the key, that lock isn’t there for your benefit.”"
+"their own work and hands that control over to the platform. He calls it "
+"Cory’s First Law: <quote>Anytime someone puts a lock on something that "
+"belongs to you and won’t give you the key, that lock isn’t there for your "
+"benefit.</quote>"
msgstr ""
"Aplicar una licencia CC a su trabajo aumenta la probabilidad de que su "
"trabajo sea compartido más ampliamente en la web. Él no utiliza DRM —y se "
"Cory: ”Cada vez que alguien pone un candado sobre algo que te pertenece y no "
"te entrega la llave, ese candado no está puesto ahí para tu beneficio.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3539
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4571
+#, fuzzy
+#| msgid ""
+#| "Cory operates under the premise that artists benefit when there are more, "
+#| "rather than fewer, places where people can access their work. The "
+#| "Internet has opened up those avenues, but DRM is designed to limit them. "
+#| "“On the one hand, we can credibly make our work available to a widely "
+#| "dispersed audience,” he said. “On the other hand, the intermediaries we "
+#| "historically sold to are making it harder to go around them.” Cory "
+#| "continually looks for ways to reach his audience without relying upon "
+#| "major platforms that will try to take control over his work."
msgid ""
"Cory operates under the premise that artists benefit when there are more, "
"rather than fewer, places where people can access their work. The Internet "
-"has opened up those avenues, but DRM is designed to limit them. “On the one "
-"hand, we can credibly make our work available to a widely dispersed "
-"audience,” he said. “On the other hand, the intermediaries we historically "
-"sold to are making it harder to go around them.” Cory continually looks for "
-"ways to reach his audience without relying upon major platforms that will "
-"try to take control over his work."
+"has opened up those avenues, but DRM is designed to limit them. <quote>On "
+"the one hand, we can credibly make our work available to a widely dispersed "
+"audience,</quote> he said. <quote>On the other hand, the intermediaries we "
+"historically sold to are making it harder to go around them.</quote> Cory "
+"continually looks for ways to reach his audience without relying upon major "
+"platforms that will try to take control over his work."
msgstr ""
"Cory trabajo bajo la premisa de que los artistas se benefician cuando hay "
"más lugares, en vez de menos, donde las personas pueden acceder a su "
"alcanzar a su audiencia sin depender de las grandes plataformas que tratarán "
"de tomar control sobre su trabajo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3548
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4582
msgid ""
"Cory says his e-book sales have been lower than those of his competitors, "
"and he attributes some of that to the CC license making the work available "
"un autor en particular. Cory está planificando hacer pronto su propio "
"experimento de pague-lo-que-quiera."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3557
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4593
+#, fuzzy
+#| msgid ""
+#| "Fans are particularly willing to pay when they feel personally connected "
+#| "to the artist. Cory works hard to create that personal connection. One "
+#| "way he does this is by personally answering every single email he gets. "
+#| "“If you look at the history of artists, most die in penury,” he said. "
+#| "“That reality means that for artists, we have to find ways to support "
+#| "ourselves when public tastes shift, when copyright stops producing. "
+#| "Future-proofing your artistic career in many ways means figuring out how "
+#| "to stay connected to those people who have been touched by your work.”"
msgid ""
"Fans are particularly willing to pay when they feel personally connected to "
"the artist. Cory works hard to create that personal connection. One way he "
-"does this is by personally answering every single email he gets. “If you "
-"look at the history of artists, most die in penury,” he said. “That reality "
-"means that for artists, we have to find ways to support ourselves when "
-"public tastes shift, when copyright stops producing. Future-proofing your "
-"artistic career in many ways means figuring out how to stay connected to "
-"those people who have been touched by your work.”"
+"does this is by personally answering every single email he gets. <quote>If "
+"you look at the history of artists, most die in penury,</quote> he said. "
+"<quote>That reality means that for artists, we have to find ways to support "
+"ourselves when public tastes shift, when copyright stops producing. Future-"
+"proofing your artistic career in many ways means figuring out how to stay "
+"connected to those people who have been touched by your work.</quote>"
msgstr ""
"Los fans están particularmente dispuestos a pagar cuando se sienten "
"conectados personalmente al artista. Cory se esfuerza para crear esa "
"descubrir cómo permanecer conectado con esa gente que ha sido tocada por tu "
"trabajo.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3563
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4605
+#, fuzzy
+#| msgid ""
+#| "Cory’s realism about the difficulty of making a living in the arts does "
+#| "not reflect pessimism about the Internet age. Instead, he says the fact "
+#| "that it is hard to make a living as an artist is nothing new. What is "
+#| "new, he writes in his book, “is how many ways there are to make things, "
+#| "and to get them into other people’s hands and minds.”"
msgid ""
"Cory’s realism about the difficulty of making a living in the arts does not "
"reflect pessimism about the Internet age. Instead, he says the fact that it "
"is hard to make a living as an artist is nothing new. What is new, he writes "
-"in his book, “is how many ways there are to make things, and to get them "
-"into other people’s hands and minds.”"
+"in his book, <quote>is how many ways there are to make things, and to get "
+"them into other people’s hands and minds.</quote>"
msgstr ""
"El realismo de Cory sobre la dificultad de ganarse la vida en el mundo del "
"arte no refleja un pesimismo sobre la era de Internet. En cambio, él dice "
"nuevo. Lo que es nuevo, escribe en su libro, ”es cuántas formas hay de hacer "
"las cosas y cómo llevarlas a la mente y a las manos de otras personas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3565
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4613
msgid "It has never been easier to think like a dandelion."
msgstr "Nunca ha sido más fácil pensar como un diente de león."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3567
-msgid "## Figshare"
-msgstr "## Figshare"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4617
+msgid "Figshare"
+msgstr "Figshare"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3572
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4620
msgid ""
"Figshare is a for-profit company offering an online repository where "
"researchers can preserve and share the output of their research, including "
-"figures, data sets, images, and videos. Founded in 2011 in the UK."
+"figures, data sets, images, and videos. Founded in 2011 in the UK."
msgstr ""
"Figshare es una empresa con ánimo de lucro que ofrece un repositorio en "
"línea donde los investigadores pueden preservar y compartir los resultados "
"de sus investigaciones, incluyendo figuras, conjuntos de datos, imágenes y "
"videos. Fundado en el año 2011 en Gran Bretaña."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3574
-msgid "figshare.com"
-msgstr "figshare.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4626
+msgid "<ulink url=\"http://figshare.com\"/>"
+msgstr "<ulink url=\"http://figshare.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3576
-msgid "Revenue model: platform providing paid services to creators"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4628
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: platform providing paid "
+"services to creators"
msgstr ""
-"Model de negocios: la plataforma le provee servicios pagos a los creadores"
+"<emphasis role=\"strong\">Modelo de negocios</emphasis>: la plataforma le "
+"provee servicios pagos a los creadores"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3578
-msgid "Interview date: January 28, 2016"
-msgstr "Fecha de la entrevista: 28 de enero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4631
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: January 28, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 28 de enero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3580
-msgid "Interviewee: Mark Hahnel, founder"
-msgstr "Entrevistado: Mark Hahnel, fundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4634
+msgid "<emphasis role=\"strong\">Interviewee</emphasis>: Mark Hahnel, founder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Mark Hahnel, fundador"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3591
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4642
msgid ""
"Figshare’s mission is to change the face of academic publishing through "
"improved dissemination, discoverability, and reusability of scholarly "
"research. Figshare is a repository where users can make all the output of "
"their research available—from posters and presentations to data sets and code"
"—in a way that’s easy to discover, cite, and share. Users can upload any "
-"file format, which can then be previewed in a Web browser. Research output "
+"file format, which can then be previewed in a Web browser. Research output "
"is disseminated in a way that the current scholarly-publishing model does "
"not allow."
msgstr ""
"un navegador web. Los resultados de la investigación se difunden de una "
"forma tal que el modelo actual de publicación académica no permite."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3595
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4653
msgid ""
"Figshare founder Mark Hahnel often gets asked: How do you make money? How do "
"we know you’ll be here in five years? Can you, as a for-profit venture, be "
"con ánimo de lucro ser de confianza? Las respuestas han evolucionado con el "
"tiempo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3603
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4658
msgid ""
"Mark traces the origins of Figshare back to when he was a graduate student "
"getting his PhD in stem cell biology. His research involved working with "
"creía que publicar su investigación completa lo llevaría a tener más citas y "
"sería mejor para su carrera."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3609
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4667
msgid ""
"Mark does not consider himself an advanced software programmer. "
"Fortunately, things like cloud-based computing and wikis had become "
"que ser posible poner toda su investigación online y compartirla con "
"cualquiera. Así que empezó a trabajar en una solución."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3613
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4674
msgid ""
"There were two key needs: licenses to make the data citable, and persistent "
"identifiers— URL links that always point back to the original object "
"apuntan al objeto original, asegurando que la investigación es citable por "
"un período largo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3620
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4680
msgid ""
"Mark chose Digital Object Identifiers (DOIs) to meet the need for a "
"persistent identifier. In the DOI system, an object’s metadata is stored as "
"URL) pueden a menudo cambiar. Mark se asoció con DataCite para la provisión "
"de DOIs para datos de investigación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3626
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4689
msgid ""
"As for licenses, Mark chose Creative Commons. The open-access and open-"
"science communities were already using and recommending Creative Commons. "
"pares, eligió la CC0 (en el dominio público) para los conjuntos de datos y "
"CC BY (Atribución) para figuras, videos y conjuntos de datos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3631
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4697
msgid ""
-"So Mark began using DOIs and Creative Commons for his own research work. He "
+"So Mark began using DOIs and Creative Commons for his own research work. He "
"had a science blog where he wrote about it and made all his data open. "
"People started commenting on his blog that they wanted to do the same. So he "
"opened it up for them to use, too."
"blog, diciendo que ellos querían hacer lo mismo. Así que lo abrió para que "
"ellos también lo utilizaran."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3638
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4703
msgid ""
"People liked the interface and simple upload process. People started asking "
-"if they could also share theses, grant proposals, and code. Inclusion of "
+"if they could also share theses, grant proposals, and code. Inclusion of "
"code raised new licensing issues, as Creative Commons licenses are not used "
"for software. To allow the sharing of software code, Mark chose the MIT "
"license, but GNU and Apache licenses can also be used."
"la licencia MIT, pero las licencias GNU y Apache también pueden ser "
"utilizadas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3644
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4711
msgid ""
"Mark sought investment to make this into a scalable product. After a few "
"unsuccessful funding pitches, UK-based Digital Science expressed interest "
-"but insisted on a more viable business model. They made an initial "
+"but insisted on a more viable business model. They made an initial "
"investment, and together they came up with a freemium-like business model."
msgstr ""
"Mark buscó fondos para convertir esto en un producto escalable. Luego de "
"negocios más viable. Hicieron una inversión inicial y juntos pensaron en un "
"modelo de negocios del tipo freemium."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3654
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4718
+#, fuzzy
+#| msgid ""
+#| "Under the freemium model, academics upload their research to Figshare for "
+#| "storage and sharing for free. Each research object is licensed with "
+#| "Creative Commons and receives a DOI link. The premium option charges "
+#| "researchers a fee for gigabytes of private storage space, and for private "
+#| "online space designed for a set number of research collaborators, which "
+#| "is ideal for larger teams and geographically dispersed research groups. "
+#| "Figshare sums up its value proposition to researchers as “You retain "
+#| "ownership. You license it. You get credit. We just make sure it persists.”"
msgid ""
"Under the freemium model, academics upload their research to Figshare for "
"storage and sharing for free. Each research object is licensed with Creative "
"fee for gigabytes of private storage space, and for private online space "
"designed for a set number of research collaborators, which is ideal for "
"larger teams and geographically dispersed research groups. Figshare sums up "
-"its value proposition to researchers as “You retain ownership. You license "
-"it. You get credit. We just make sure it persists.”"
+"its value proposition to researchers as <quote>You retain ownership. You "
+"license it. You get credit. We just make sure it persists.</quote>"
msgstr ""
"Bajo el modelo freemium, los académicos suben sus investigaciones a Figshare "
"para almacenar y compartir de manera gratuita. Cada objeto de investigación "
"mantiene el control. Lo licencia. Recibe la atribución y el crédito. "
"Nosotros simplemente nos aseguramos de que persista.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3662
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4730
msgid ""
"In January 2012, Figshare was launched. (The fig in Figshare stands for "
"figures.) Using investment funds, Mark made significant improvements to "
"como PDFs no interactivos y estáticos se interesaron en que Figshare les "
"proveyera esa funcionalidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3674
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4740
msgid ""
"Figshare diversified its business model to include services for journals. "
"Figshare began hosting large amounts of data for the journals’ online "
"Outsourcing this service to Figshare freed publishers from having to develop "
"this functionality as part of their own infrastructure. Figshare-hosted data "
"also provides a link back to the article, generating additional click-"
-"through and readership—a benefit to both journal publishers and researchers. "
-"Figshare now provides research-data infrastructure for a wide variety of "
-"publishers including Wiley, Springer Nature, PLOS, and Taylor and Francis, "
-"to name a few, and has convinced them to use Creative Commons licenses for "
-"the data."
+"through and readership—a benefit to both journal publishers and "
+"researchers. Figshare now provides research-data infrastructure for a wide "
+"variety of publishers including Wiley, Springer Nature, PLOS, and Taylor and "
+"Francis, to name a few, and has convinced them to use Creative Commons "
+"licenses for the data."
msgstr ""
"Figshare diversificó su modelo de negocios para incluir servicios para "
"revistas. Figshare empezó a hospedar grandes cantidades de datos para los "
"para nombrar algunas, y las ha convencido de usar licencias Creative Commons "
"para los datos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3682
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4754
msgid ""
"Governments allocate significant public funds to research. In parallel with "
"the launch of Figshare, governments around the world began requesting the "
-"research they fund be open and accessible. They mandated that researchers "
+"research they fund be open and accessible. They mandated that researchers "
"and academic institutions better manage and disseminate their research "
"outputs. Institutions looking to comply with this new mandate became "
"interested in Figshare. Figshare once again diversified its business model, "
"se interesaron en Figshare. Figshare de nuevo diversificó su modelo de "
"negocios, agregando servicios para instituciones."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3690
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4764
msgid ""
"Figshare now offers a range of fee-based services to institutions, including "
"their own minibranded Figshare space (called Figshare for Institutions) that "
"securely hosts research data of institutions in the cloud. Services include "
"not just hosting but data metrics, data dissemination, and user-group "
-"administration. Figshare’s workflow, and the services they offer for "
+"administration. Figshare’s workflow, and the services they offer for "
"institutions, take into account the needs of librarians and administrators, "
"as well as of the researchers."
msgstr ""
"ofrecen para instituciones, toman en cuenta las necesidades de personas "
"bibliotecarias y administradoras, tanto como investigadoras."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3701
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4774
msgid ""
"As with researchers and publishers, Fig-share encouraged institutions to "
"share their research with CC BY (Attribution) and their data with CC0 (into "
"the public domain). Funders who require researchers and institutions to use "
"open licensing believe in the social responsibilities and benefits of making "
-"research accessible to all. Publishing research in this open way has come "
-"to be called open access. But not all funders specify CC BY; some "
-"institutions want to offer their researchers a choice, including less "
-"permissive licenses like CC BY-NC (Attribution-NonCommercial), CC BY-SA "
-"(Attribution-ShareAlike), or CC BY-ND (Attribution-NoDerivs)."
+"research accessible to all. Publishing research in this open way has come to "
+"be called open access. But not all funders specify CC BY; some institutions "
+"want to offer their researchers a choice, including less permissive licenses "
+"like CC BY-NC (Attribution-NonCommercial), CC BY-SA (Attribution-"
+"ShareAlike), or CC BY-ND (Attribution-NoDerivs)."
msgstr ""
"Como con personas investigadoras y editoriales, Figshare incitó a que las "
"instituciones compartieran sus investigacines con CC BY (Atribución), y sus "
"(Atribución-NoComercial), CC BY-SA (Atribución-CompartirIgual), o CC BY-ND "
"(Atribución-SinDerivados)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3709
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4787
msgid ""
"For Mark this created a conflict. On the one hand, the principles and "
"benefits of open science are at the heart of Figshare, and Mark believes CC "
"las licencias Creative Commons sin repercusiones negativas, decidió seguir "
"el ejemplo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3716
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4797
msgid ""
"Mark is thinking of doing a Figshare study that tracks research "
"dissemination according to Creative Commons license, and gathering metrics "
"más impactante, Mark cree que más y más personas investigadoras e "
"instituciones la harán su licencia de elección."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3725
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4810
+msgid ""
+"<ulink url=\"http://figshare.com/articles/"
+"Journal_subscription_costs_FOIs_to_UK_universities/1186832\"/>"
+msgstr ""
+"<ulink url=\"http://figshare.com/articles/"
+"Journal_subscription_costs_FOIs_to_UK_universities/1186832\"/>"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4813
+msgid ""
+"<ulink url=\"http://retr0.shinyapps.io/journal_costs/?year=2014&"
+"inst=19,22,38,42,59,64,80,95,136\"/>"
+msgstr ""
+"<ulink url=\"http://retr0.shinyapps.io/journal_costs/?year=2014&"
+"inst=19,22,38,42,59,64,80,95,136\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4805
msgid ""
"Figshare has an Application Programming Interface (API) that makes it "
"possible for data to be pulled from Figshare and used in other applications. "
"As an example, Mark shared a Figshare data set showing the journal "
"subscriptions that higher-education institutions in the United Kingdom paid "
-"to ten major publishers.1 Figshare’s API enables that data to be pulled into "
-"an app developed by a completely different researcher that converts the data "
-"into a visually interesting graph, which any viewer can alter by changing "
-"any of the variables.2"
+"to ten major publishers.<placeholder type=\"footnote\" id=\"0\"/> Figshare’s "
+"API enables that data to be pulled into an app developed by a completely "
+"different researcher that converts the data into a visually interesting "
+"graph, which any viewer can alter by changing any of the variables."
+"<placeholder type=\"footnote\" id=\"1\"/>"
msgstr ""
"Figshare tiene una interfaz de programación de aplicaciones (API por sus "
"siglas en Inglés) que hace posible que los datos sean tomados de Figshare y "
"usados en otras aplicaciones. Por ejemplo, Mark compartió un conjunto de "
"datos de Figshare mostrando subscripciones a revistas que instituciones de "
-"educación superior en el Reino Unido pagaron a 10 grandes editoriales.1 La "
-"API de Figshare permite que los datos sean puestos en una aplicación "
-"desarrollada por personas investigadoras completamente diferentes que "
-"convierte los datos en un gráfico visualmente interesante, el cual cualquier "
-"persona espectadora puede alterar cambiando cualquiera de las variables.2"
+"educación superior en el Reino Unido pagaron a 10 grandes editoriales."
+"<placeholder type=\"footnote\" id=\"0\"/> La API de Figshare permite que los "
+"datos sean puestos en una aplicación desarrollada por personas "
+"investigadoras completamente diferentes que convierte los datos en un "
+"gráfico visualmente interesante, el cual cualquier persona espectadora puede "
+"alterar cambiando cualquiera de las variables.<placeholder type=\"footnote\" "
+"id=\"1\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3735
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4816
msgid ""
"The free version of Figshare has built a community of academics, who through "
"word of mouth and presentations have promoted and spread awareness of "
"software, y si debían ofrecer a universidades una opción de usar licencias "
"Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3745
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4831
+msgid "<ulink url=\"http://figshare.com/features\"/>"
+msgstr "<ulink url=\"http://figshare.com/features\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4827
msgid ""
"Mark says his success is partly about being in the right place at the right "
"time. He also believes that the diversification of Figshare’s model over "
"time has been key to success. Figshare now offers a comprehensive set of "
-"services to researchers, publishers, and institutions.3 If he had relied "
-"solely on revenue from premium subscriptions, he believes Figshare would "
-"have struggled. In Figshare’s early days, their primary users were early-"
-"career and late-career academics. It has only been because funders mandated "
-"open licensing that Figshare is now being used by the mainstream."
+"services to researchers, publishers, and institutions.<placeholder type="
+"\"footnote\" id=\"0\"/> If he had relied solely on revenue from premium "
+"subscriptions, he believes Figshare would have struggled. In Figshare’s "
+"early days, their primary users were early-career and late-career academics. "
+"It has only been because funders mandated open licensing that Figshare is "
+"now being used by the mainstream."
msgstr ""
"Mark dice que su éxito es parcialmente sobre estar en el lugar correcto en "
"el momento correcto. Él también cree que la diversificación del modelo de "
"Figshare a través del tiempo ha sido clave para el éxito. Figshare ahora "
"ofrece un exhaustivo conjunto de servicios para personas investigadoras, "
-"editoriales e instituciones.3 Si él hubiera confiado solamente en los "
-"ingresos por subscripciones premium, él cree que Figshare hubiera sufrido. "
-"En los primeros días de Figshare, sus personas usuarias principales eran "
-"personas académicas empezando o terminando sus carreras. Fue solo porque "
-"patrocinadoras mandaron licenciamiento abierto que Figshare ahora está "
-"siendo usado por las principales instituciones."
+"editoriales e instituciones.<placeholder type=\"footnote\" id=\"0\"/> Si él "
+"hubiera confiado solamente en los ingresos por subscripciones premium, él "
+"cree que Figshare hubiera sufrido. En los primeros días de Figshare, sus "
+"personas usuarias principales eran personas académicas empezando o "
+"terminando sus carreras. Fue solo porque patrocinadoras mandaron "
+"licenciamiento abierto que Figshare ahora está siendo usado por las "
+"principales instituciones."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3752
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4838
msgid ""
"Today Figshare has 26 million–plus page views, 7.5 million–plus downloads, "
"800,000–plus user uploads, 2 million–plus articles, 500,000-plus "
"llamada Altmetric rastrea el uso de Figshare por otras, incluyendo Wikipedia "
"y fuentes de noticias."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3764
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4846
msgid ""
"Figshare uses the revenue it generates from the premium subscribers, journal "
"publishers, and institutions to fund and expand what it can offer to "
"Figshare no solo apoyando el acceso abierto en investigación, sino también "
"permitiendo que las personas colaboren y hagan nuevos descubrimientos."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3770
-#, fuzzy
-msgid ""
-"figshare.com/articles/Journal\\_subscription\\_costs\\_FOIs\\_to\\_UK"
-"\\_universities/1186832"
-msgstr ""
-"figshare.com/articles/Journal\\_subscription\\_costs\\_FOIs\\_to\\_UK"
-"\\_universities/1186832"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3770
-msgid ""
-"retr0.shinyapps.io/journal\\_costs/?"
-"year=2014&inst=19,22,38,42,59,64,80,95,136"
-msgstr ""
-"retr0.shinyapps.io/journal\\_costs/?"
-"year=2014&inst=19,22,38,42,59,64,80,95,136"
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3770
-msgid "figshare.com/features"
-msgstr "figshare.com/features"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4861
+msgid "Figure.NZ"
+msgstr "Figure.NZ"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3772
-msgid "## Figure.NZ"
-msgstr "## Figure.NZ"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3776
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4864
msgid ""
"Figure.NZ is a nonprofit charity that makes an online data platform designed "
-"to make data reusable and easy to understand. Founded in 2012 in New Zealand."
+"to make data reusable and easy to understand. Founded in 2012 in New "
+"Zealand."
msgstr ""
"Figure.NZ es una organización de caridad sin fines de lucro que hace una "
"plataforma de datos en línea designada para hacer que los datos sean "
"reusables y fáciles de entender. Fundada en 2012 en Nueva Zelanda."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3778
-msgid "figure.nz"
-msgstr "figure.nz"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4869
+msgid "<ulink url=\"http://figure.nz\"/>"
+msgstr "<ulink url=\"http://figure.nz\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3781
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4871
msgid ""
-"Revenue model: platform providing paid services to creators, donations, "
-"sponsorships"
+"<emphasis role=\"strong\">Revenue model</emphasis>: platform providing paid "
+"services to creators, donations, sponsorships"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: plataforma que "
+"proporciona servicios con costo a los creadores, donaciones, patrocinios"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4874
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: May 3, 2016"
msgstr ""
-"Modelo de ingresos: plataforma que proporciona servicios con costo a los "
-"creadores, donaciones, patrocinios"
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 3 de mayo, 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3783
-msgid "Interview date: May 3, 2016"
-msgstr "Fecha de la entrevista: 3 de mayo, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4876
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Lillian Grace, founder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistada</emphasis> : Lillian Grace, fundadora"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3785
-msgid "Interviewee: Lillian Grace, founder"
-msgstr "Entrevistada: Lillian Grace, fundadora"
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4885
+msgid ""
+"<ulink url=\"http://www.nzdatafutures.org.nz/sites/default/files/"
+"NZDFF_harness-the-power.pdf\"/>"
+msgstr ""
+"<ulink url=\"http://www.nzdatafutures.org.nz/sites/default/files/"
+"NZDFF_harness-the-power.pdf\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3804
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4884
msgid ""
"In the paper Harnessing the Economic and Social Power of Data presented at "
-"the New Zealand Data Futures Forum in 2014,1 Figure.NZ founder Lillian Grace "
-"said there are thousands of valuable and relevant data sets freely available "
-"to us right now, but most people don’t use them. She used to think this "
-"meant people didn’t care about being informed, but she’s come to see that "
-"she was wrong. Almost everyone wants to be informed about issues that matter—"
-"not only to them, but also to their families, their communities, their "
-"businesses, and their country. But there’s a big difference between "
-"availability and accessibility of information. Data is spread across "
-"thousands of sites and is held within databases and spreadsheets that "
-"require both time and skill to engage with. To use data when making a "
-"decision, you have to know what specific question to ask, identify a source "
-"that has collected the data, and manipulate complex tools to extract and "
-"visualize the information within the data set. Lillian established Figure.NZ "
-"to make data truly accessible to all, with a specific focus on New Zealand."
+"the New Zealand Data Futures Forum in 2014,<placeholder type=\"footnote\" id="
+"\"0\"/> Figure.NZ founder Lillian Grace said there are thousands of valuable "
+"and relevant data sets freely available to us right now, but most people "
+"don’t use them. She used to think this meant people didn’t care about being "
+"informed, but she’s come to see that she was wrong. Almost everyone wants to "
+"be informed about issues that matter—not only to them, but also to their "
+"families, their communities, their businesses, and their country. But "
+"there’s a big difference between availability and accessibility of "
+"information. Data is spread across thousands of sites and is held within "
+"databases and spreadsheets that require both time and skill to engage with. "
+"To use data when making a decision, you have to know what specific question "
+"to ask, identify a source that has collected the data, and manipulate "
+"complex tools to extract and visualize the information within the data set. "
+"Lillian established Figure.NZ to make data truly accessible to all, with a "
+"specific focus on New Zealand."
msgstr ""
"En el estudio titulado Harnessing the Economic and Social Power of Data "
-"presentado en forum Data Futures de Nueva Zelanda en 2014,1 la fundadora de "
-"Figure.NZ Lillian Grace comentó que hay miles de conjuntos de datos "
-"valiosos y relevantes disponibles en estos momentos, pero la mayoría de las "
-"personas no los usan. Ella solía pensar que eso significaba que la gente no "
-"se preocupa de estar infomada, pero ha visto que estaba equivocada. Casi "
-"todos quieren estar informados acerca de temas que les importan—no solo a "
-"ellos, sino también a sus familias, a sus comunidades, a sus negocios, y a "
-"su país. Pero hay una gran diferencia entre disponibilidad y accesibilidad "
-"de la información. La información esta desperdigada a través de miles de "
-"sitios y es almacenada dentro de bases de datos y hojas de cálculo que "
-"requieren tiempo y habilidades para usarlas. Para usar información cuando se "
-"tomá una decisión, tiene que saber que pregunta específica realizar, "
-"identificar una fuenta que haya recolectado la información, y manipular "
-"herramientas complejas para extraer y visualizar la información dentro del "
-"conjunto de datos. Lillian estableció Figure.NZ para hacer a la información "
-"verdaderamente accesible para todos, con un enfoque específico en Nueva "
-"Zelanda."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3813
+"presentado en forum Data Futures de Nueva Zelanda en 2014,<placeholder type="
+"\"footnote\" id=\"0\"/> la fundadora de Figure.NZ Lillian Grace comentó que "
+"hay miles de conjuntos de datos valiosos y relevantes disponibles en estos "
+"momentos, pero la mayoría de las personas no los usan. Ella solía pensar que "
+"eso significaba que la gente no se preocupa de estar informada, pero ha "
+"visto que estaba equivocada. Casi todos quieren estar informados acerca de "
+"temas que les importan—no solo a ellos, sino también a sus familias, a sus "
+"comunidades, a sus negocios, y a su país. Pero hay una gran diferencia "
+"entre disponibilidad y accesibilidad de la información. La información esta "
+"desperdigada a través de miles de sitios y es almacenada dentro de bases de "
+"datos y hojas de cálculo que requieren tiempo y habilidades para usarlas. "
+"Para usar información cuando se toma una decisión, tiene que saber que "
+"pregunta específica realizar, identificar una fuente que haya recolectado la "
+"información, y manipular herramientas complejas para extraer y visualizar la "
+"información dentro del conjunto de datos. Lillian estableció Figure.NZ para "
+"hacer a la información verdaderamente accesible para todos, con un enfoque "
+"específico en Nueva Zelanda."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4903
+#, fuzzy
+#| msgid ""
+#| "Lillian had the idea for Figure.NZ in February 2012 while working for the "
+#| "New Zealand Institute, a think tank concerned with improving economic "
+#| "prosperity, social well-being, environmental quality, and environmental "
+#| "productivity for New Zealand and New Zealanders. While giving talks to "
+#| "community and business groups, Lillian realized “every single issue we "
+#| "addressed would have been easier to deal with if more people understood "
+#| "the basic facts.” But understanding the basic facts sometimes requires "
+#| "data and research that you often have to pay for."
msgid ""
"Lillian had the idea for Figure.NZ in February 2012 while working for the "
"New Zealand Institute, a think tank concerned with improving economic "
"prosperity, social well-being, environmental quality, and environmental "
"productivity for New Zealand and New Zealanders. While giving talks to "
-"community and business groups, Lillian realized “every single issue we "
+"community and business groups, Lillian realized <quote>every single issue we "
"addressed would have been easier to deal with if more people understood the "
-"basic facts.” But understanding the basic facts sometimes requires data and "
-"research that you often have to pay for."
+"basic facts.</quote> But understanding the basic facts sometimes requires "
+"data and research that you often have to pay for."
msgstr ""
"Lillian tuvo la idea para Figure.NZ en febrero del 2012 mientras trabajaba "
"para el New Zealand Institute, un laboratorio de ideas preocupado con "
"hechos básicos.» Pero entender los hechos básicos algunas veces requiere "
"información e investigación por los cuales usualmente tiene que pagar."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3825
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4914
msgid ""
"Lillian began to imagine a website that lifted data up to a visual form that "
-"could be easily understood and freely accessed. Initially launched as Wiki "
+"could be easily understood and freely accessed. Initially launched as Wiki "
"New Zealand, the original idea was that people could contribute their data "
-"and visuals via a wiki. However, few people had graphs that could be used "
+"and visuals via a wiki. However, few people had graphs that could be used "
"and shared, and there were no standards or consistency around the data and "
"the visuals. Realizing the wiki model wasn’t working, Lillian brought the "
"process of data aggregation, curation, and visual presentation in-house, and "
"NZ, y los esfuerzos se reorientaron hacia proporcionar servicios para "
"aquellos que quisieran abrir su información y presentarla visualmente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3840
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4928
msgid ""
"Here’s how it works. Figure.NZ sources data from other organizations, "
"including corporations, public repositories, government departments, and "
"and data types. Figure.NZ has a chart-designing tool that makes simple bar, "
"line, and area graphs from any data source. The graphs are posted to the "
"Figure.NZ website, and they can also be exported in a variety of formats for "
-"print or online use. Figure.NZ makes its data and graphs available using the "
-"Attribution (CC BY) license. This allows others to reuse, revise, remix, "
+"print or online use. Figure.NZ makes its data and graphs available using "
+"the Attribution (CC BY) license. This allows others to reuse, revise, remix, "
"and redistribute Figure.NZ data and graphs as long as they give attribution "
"to the original source and to Figure.NZ."
msgstr ""
"enlinea. Figure.NZ hace su información y sus gráficos disponibles usando la "
"licencia Attribution (CC BY). Esto permite a otros reusar, revisar, "
"remezclar, y redistribuir la información de Figure.NZ y los gráficos en "
-"tanto den créditos a la fuente original y a Figure.NZ"
+"tanto den créditos a la fuente original y a Figure.NZ."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3854
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4954
+msgid ""
+"<ulink url=\"http://www.ict.govt.nz/guidance-and-resources/open-government/"
+"new-zealand-government-open-access-and-licensing-nzgoal-framework/\"/>"
+msgstr ""
+"<ulink url=\"http://www.ict.govt.nz/guidance-and-resources/open-government/"
+"new-zealand-government-open-access-and-licensing-nzgoal-framework/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4945
msgid ""
"Lillian characterizes the initial decision to use Creative Commons as "
-"naively fortunate. It was first recommended to her by a colleague. Lillian "
+"naively fortunate. It was first recommended to her by a colleague. Lillian "
"spent time looking at what Creative Commons offered and thought it looked "
"good, was clear, and made common sense. It was easy to use and easy for "
"others to understand. Over time, she’s come to realize just how fortunate "
"and important that decision turned out to be. New Zealand’s government has "
"an open-access and licensing framework called NZGOAL, which provides "
"guidance for agencies when they release copyrighted and noncopyrighted work "
-"and material.2 It aims to standardize the licensing of works with government "
-"copyright and how they can be reused, and it does this with Creative Commons "
-"licenses. As a result, 98 percent of all government-agency data is Creative "
-"Commons licensed, fitting in nicely with Figure.NZ’s decision."
+"and material.<placeholder type=\"footnote\" id=\"0\"/> It aims to "
+"standardize the licensing of works with government copyright and how they "
+"can be reused, and it does this with Creative Commons licenses. As a result, "
+"98 percent of all government-agency data is Creative Commons licensed, "
+"fitting in nicely with Figure.NZ’s decision."
msgstr ""
"Lillian caracteriza la decisión inicial de usar Creative Commons como "
"ingenuamente afortunada. Fue recomendada primero a ella por un colega. "
"importante se mostró esa decisión. El gobierno de Nueva Zelanda tenía un "
"framework de acceso y licenciamiento abierto llamado NZGOAL, el cual "
"proporcionaba orientación para las agencias cuando liberaban trabajo y "
-"material con y sin copyright.2 Su objetivo es estandarizar el licenciamiento "
-"de obras con derechos de autor del gobierno y cómo se pueden reutilizar, y "
-"lo realiza con licencias Creative Commons. Como resultdo, 98 porciento de "
-"toda la información de las agencias gubernamentales es licenciada con "
-"Creative Commons, lo cual queda muy bien con la decisión de Figure.NZ"
+"material con y sin copyright.<placeholder type=\"footnote\" id=\"0\"/> Su "
+"objetivo es estandarizar el licenciamiento de obras con derechos de autor "
+"del gobierno y cómo se pueden reutilizar, y lo realiza con licencias "
+"Creative Commons. Como resultdo, 98 porciento de toda la información de las "
+"agencias gubernamentales es licenciada con Creative Commons, lo cual queda "
+"muy bien con la decisión de Figure.NZ."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3865
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4961
msgid ""
"Lillian thinks current ideas of what a business is are relatively new, only "
"a hundred years old or so. She’s convinced that twenty years from now, we "
-"will see new and different models for business. Figure.NZ is set up as a "
+"will see new and different models for business. Figure.NZ is set up as a "
"nonprofit charity. It is purpose-driven but also strives to pay people well "
-"and thinks like a business. Lillian sees the charity-nonprofit status as an "
+"and thinks like a business. Lillian sees the charity-nonprofit status as an "
"essential element for the mission and purpose of Figure.NZ. She believes "
"Wikipedia would not work if it were for profit, and similarly, Figure.NZ’s "
"nonprofit status assures people who have data and people who want to use it "
"a la gente que quiere usarla que ellos pueden confiar en los motivos de "
"Figure.NZ. Las personas los ven como un luchador y fuente confiable."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3882
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4974
msgid ""
"Although Figure.NZ is a social enterprise that openly licenses their data "
"and graphs for everyone to use for free, they have taken care not to be "
"perceived as a free service all around the table. Lillian believes hundreds "
"of millions of dollars are spent by the government and organizations to "
"collect data. However, very little money is spent on taking that data and "
-"making it accessible, understandable, and useful for decision making. "
+"making it accessible, understandable, and useful for decision making. "
"Government uses some of the data for policy, but Lillian believes that it is "
-"underutilized and the potential value is much larger. Figure.NZ is focused "
+"underutilized and the potential value is much larger. Figure.NZ is focused "
"on solving that problem. They believe a portion of money allocated to "
"collecting data should go into making sure that data is useful and generates "
"value. If the government wants citizens to understand why certain decisions "
"entendibles ? Incluso podría convertirse en un medio para que el gobierno o "
"cualquier organización se diferencien, se comercialicen y se creen una marca."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3887
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4993
msgid ""
"Figure.NZ spends a lot of time seeking to understand the motivations of data "
-"collectors and to identify the channels where it can provide value. Every "
+"collectors and to identify the channels where it can provide value. Every "
"part of their business model has been focused on who is going to get value "
"from the data and visuals."
msgstr ""
"valor. Cada parte del modelo de negocios ha sido enfocado en quien va a "
"obtener valor de la información y los visuales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3900
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:4999
msgid ""
"Figure.NZ has multiple lines of business. They provide commercial services "
"to organizations that want their data publicly available and want to use "
"they can. Customers are encouraged to help their users find, use, and make "
"things from the data they make available on Figure.NZ’s website. Customers "
"control what is released and the license terms (although Figure.NZ "
-"encourages Creative Commons licensing). Figure.NZ also serves customers who "
+"encourages Creative Commons licensing). Figure.NZ also serves customers who "
"want a specific collection of charts created—for example, for their website "
"or annual report. Charging the organizations that want to make their data "
"available enables Figure.NZ to provide their site free to all users, to "
"disponibles permite a Figure.NZ proporcionar su sitio sin costo para todos "
"los usuarios, para verdaderamente democratizar la información."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3911
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5015
+#, fuzzy
+#| msgid ""
+#| "Lillian notes that the current state of most data is terrible and often "
+#| "not well understood by the people who have it. This sometimes makes it "
+#| "difficult for customers and Figure.NZ to figure out what it would cost to "
+#| "import, standardize, and display that data in a useful way. To deal with "
+#| "this, Figure.NZ uses “high-trust contracts,” where customers allocate a "
+#| "certain budget to the task that Figure.NZ is then free to draw from, as "
+#| "long as Figure.NZ frequently reports on what they’ve produced so the "
+#| "customer can determine the value for money. This strategy has helped "
+#| "build trust and transparency about the level of effort associated with "
+#| "doing work that has never been done before."
msgid ""
"Lillian notes that the current state of most data is terrible and often not "
"well understood by the people who have it. This sometimes makes it difficult "
"for customers and Figure.NZ to figure out what it would cost to import, "
"standardize, and display that data in a useful way. To deal with this, "
-"Figure.NZ uses “high-trust contracts,” where customers allocate a certain "
-"budget to the task that Figure.NZ is then free to draw from, as long as "
-"Figure.NZ frequently reports on what they’ve produced so the customer can "
-"determine the value for money. This strategy has helped build trust and "
-"transparency about the level of effort associated with doing work that has "
-"never been done before."
+"Figure.NZ uses <quote>high-trust contracts,</quote> where customers allocate "
+"a certain budget to the task that Figure.NZ is then free to draw from, as "
+"long as Figure.NZ frequently reports on what they’ve produced so the "
+"customer can determine the value for money. This strategy has helped build "
+"trust and transparency about the level of effort associated with doing work "
+"that has never been done before."
msgstr ""
"Lillian percibe que el actual estado de la mayoría de los datos es terrible "
"y frecuentemente no es bien entendido por las personas que los tienen. "
"transpariencia acerca del nivel de esfuerzo asociado con hacer trabajo que "
"nunca se había hecho antes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3917
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5034
+msgid "<ulink url=\"http://figure.nz/business/\"/>"
+msgstr "<ulink url=\"http://figure.nz/business/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5029
msgid ""
"A second line of business is what Figure.NZ calls partners. ASB Bank and "
"Statistics New Zealand are partners who back Figure.NZ’s efforts. As one "
"example, with their support Figure.NZ has been able to create Business "
"Figures, a special way for businesses to find useful data without having to "
-"know what questions to ask.3"
+"know what questions to ask.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Una segunda línea de negocios es lo que Figure.NZ llama socios. El banco "
"ASB y Statistics New Zealand son socios que soportan los esfuerzos de "
"Figure.NZ. Como un ejemplo, con su apoyo Figure.NZ ha sido capaz de crear "
"Business Figures, un medio especial para negocios para hallar datos útiles "
-"sin tener que saber que preguntas realizar.3"
+"sin tener que saber que preguntas realizar.<placeholder type=\"footnote\" id="
+"\"0\"/>"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5037
+msgid "<ulink url=\"http://figure.nz/patrons/\"/>"
+msgstr "<ulink url=\"http://figure.nz/patrons/\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3921
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5037
msgid ""
-"Figure.NZ also has patrons.4 Patrons donate to topic areas they care about, "
-"directly enabling Figure.NZ to get data together to flesh out those areas. "
-"Patrons do not direct what data is included or excluded."
+"Figure.NZ also has patrons.<placeholder type=\"footnote\" id=\"0\"/> Patrons "
+"donate to topic areas they care about, directly enabling Figure.NZ to get "
+"data together to flesh out those areas. Patrons do not direct what data is "
+"included or excluded."
msgstr ""
-"Figure.NZ también tiene patrocinadores.4 Los patrocinadores donan a las "
-"áreas temáticas de las que se preocupan, lo que permite directamente a "
-"Figure.NZ para obtener datos juntos para desarrollar esas áreas. Los "
-"patrocinadores no dirigen qué datos están incluidos o excluidos."
+"Figure.NZ también tiene patrocinadores.<placeholder type=\"footnote\" id="
+"\"0\"/> Los patrocinadores donan a las áreas temáticas de las que se "
+"preocupan, lo que permite directamente a Figure.NZ para obtener datos juntos "
+"para desarrollar esas áreas. Los patrocinadores no dirigen qué datos están "
+"incluidos o excluidos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3926
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5043
msgid ""
"Figure.NZ also accepts philanthropic donations, which are used to provide "
"more content, extend technology, and improve services, or are targeted to "
-"fund a specific effort or provide in-kind support. As a charity, donations "
+"fund a specific effort or provide in-kind support. As a charity, donations "
"are tax deductible."
msgstr ""
"Figure.NZ también acepta donaciones filantrópicas, los cuales son usados "
"apoyo en especie. Como una entidad caritativa, las donaciones son deducibles "
"de impuestos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3936
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5049
msgid ""
"Figure.NZ has morphed and grown over time. With data aggregation, curation, "
"and visualizing services all in-house, Figure.NZ has developed a deep "
"ser más eficientes. En vez de crecer internamente, estan creciendo y "
"construyendo relaciones externas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3945
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5061
msgid ""
"Figure.NZ’s website displays visuals and data associated with a wide range "
"of categories including crime, economy, education, employment, energy, "
"environment, health, information and communications technology, industry, "
"tourism, and many others. A search function helps users find tables and "
"graphs. Figure.NZ does not provide analysis or interpretation of the data or "
-"visuals. Their goal is to teach people how to think, not think for them. "
+"visuals. Their goal is to teach people how to think, not think for them. "
"Figure.NZ wants to create intuitive experiences, not user manuals."
msgstr ""
"El sitio web de Figure.NZ exhibe visuales y datos asociados con un amplio "
"personas la manera de pensar, no a pensar por ellas. Figure.NZ quiere crear "
"experiencias intuitivas, no manuales de usuarios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3957
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5071
msgid ""
"Figure.NZ believes data and visuals should be useful. They provide their "
"customers with a data collection template and teach them why it’s important "
"esta buscando proporcionar un lugar para la gente que se interesa en , "
"accede, e interpreta los datos de los tópicos en los que están interesados."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3965
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5085
msgid ""
"Lillian has a deep and profound vision for Figure.NZ that goes well beyond "
"simply providing open-data services. She says things are different now. “We "
msgstr ""
"Lillian tiene un intensa y profunda visión para Figure.NZ que se proyecta "
"más allá de simplemente proporcionar servicios de datos abiertos. Comenta "
-"que las cosas son diferentes ahora.«Solíamos vivir en un mundo dónde era muy "
-"difícil compartir información ampliamente. Y en ese mundo, el mejor futuro "
-"fue creado al tener unos cuantos grandes líderes quienes esencialmente "
-"tenían acceso a la información y quienes tomaron decisiones en nombre de "
-"otros, ya fuera en nombre de un país o de empresas. »"
+"que las cosas son diferentes ahora. «Solíamos vivir en un mundo dónde era "
+"muy difícil compartir información ampliamente. Y en ese mundo, el mejor "
+"futuro fue creado al tener unos cuantos grandes líderes, quienes "
+"esencialmente tenían acceso a la información, y quienes tomaron decisiones "
+"en nombre de otros, ya fuera en nombre de un país o de empresas»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3969
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5094
msgid ""
"“But now we live in a world where it’s really easy to share information "
"widely and also to communicate widely. In the world we live in now, the best "
"future is the one where everyone can make well-informed decisions."
msgstr ""
-"«Pero ahora vivimoc en un mundo donde es muy fácil compartir información "
+"«Pero ahora vivimos en un mundo donde es muy fácil compartir información "
"ampliamente y también comunicarse extensamente. En el mundo que vivimos "
"ahora, el mejor futuro es aquel donde cualquiera puede tomar decisiones bien "
-"informadas.»"
+"informadas»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3973
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5100
msgid ""
"“The use of numbers and data as a way of making well-informed decisions is "
"one of the areas where there is the biggest gaps. We don’t really use "
"numbers as a part of our thinking and part of our understanding yet."
msgstr ""
-"«El uso de npúmeros y datos como un medio de tomar decisiones bien "
-"informadas es una de las áreas donde existen las mayores brechas. Realmente "
-"no usamos números como parte de nuestro pensamiento y nuestro entendiemiento "
-"aún.»"
+"«El uso de números y datos como un medio de tomar decisiones bien informadas "
+"es una de las áreas donde existen las mayores brechas. Realmente no usamos a "
+"los números como parte de nuestro pensamiento y nuestro entendiemiento aún»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3983
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5106
msgid ""
-"“Part of the reason is the way data is spread across hundreds of sites. In "
+"“Part of the reason is the way data is spread across hundreds of sites. In "
"addition, for the most part, deep thinking based on data is constrained to "
-"experts because most people don’t have data literacy. There once was a time "
+"experts because most people don’t have data literacy. There once was a time "
"when many citizens in society couldn’t read or write. However, as a society, "
"we’ve now come to believe that reading and writing skills should be "
"something all citizens have. We haven’t yet adopted a similar belief around "
"specially trained people can analyze and think with numbers."
msgstr ""
"«Parte de la razón es que la información esta desperdigada a través de "
-"cientos de sitios. Adicionalmente, la mayor parte, el pensamiento profundo "
-"basado en datos está constreñido a los expertos porque la mayoría de las "
-"personas no tiene conocimientos en datos. Hubo un tiempo cuando muchos "
-"ciudadanos en la sociedad no podían leer o escribir. Sin embargo, como "
-"sociedad, hemos llegado a pensar que las habilidades para leer y escribir "
-"deberían ser algo que todos los ciudadanos tengan. No hemos adoptado todavía "
-"un pensamiento similar acerca de los números y el conocimiento de los datos. "
-"Todavía creemos que solo unos pocos con entrenamiento especializado puede "
-"analizar y pensar con números. »"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3989
+"cientos de sitios. Adicionalmente, en su mayor parte, el pensamiento "
+"profundo basado en datos está limitado a los expertos porque la mayoría de "
+"las personas no tiene conocimiento del manejo de datos. Hubo un tiempo en "
+"que la mayor parte de los ciudadanos en la sociedad no sabían leer o "
+"escribir. Sin embargo, como sociedad, hemos llegado a pensar que las "
+"habilidades de leer y escribir deberían ser algo que todos los ciudadanos "
+"tengan. No hemos adoptado todavía un pensamiento similar acerca de los "
+"números y el conocimiento de los datos. Todavía creemos que solo unos pocos "
+"con entrenamiento especializado puede analizar y pensar con números»."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5117
msgid ""
"“Figure.NZ may be the first organization to assert that everyone can use "
"numbers in their thinking, and it’s built a technological platform along "
"with trust and a network of relationships to make that possible. What you "
"can see on Figure.NZ are tens of thousands of graphs, maps, and data."
msgstr ""
-"«Figure.Nz podría ser la primer organización en asegurar que cualquiera "
+"«Figure.NZ podría ser la primer organización en asegurar que cualquiera "
"puede usar números en su pensamiento, y ha construido una plataforma "
"tecnológica junto con confianza y una red de relaciones para hacerlo "
-"posible. Lo que puedes observar en Figure.NZ son decenas de miles de "
-"gráficos, mapas y datos.»"
+"posible. Lo que se observa en Figure.NZ son decenas de miles de gráficos, "
+"mapas y datos»."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:3997
-msgid ""
-"“Figure.NZ sees this as a new kind of alphabet that can help people analyze "
-"what they see around them. A way to be thoughtful and informed about "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5124
+#, fuzzy
+#| msgid ""
+#| "“Figure.NZ sees this as a new kind of alphabet that can help people "
+#| "analyze what they see around them. A way to be thoughtful and informed "
+#| "about society. A means of engaging in conversation and shaping decision "
+#| "making that transcends personal experience. The long-term value and "
+#| "impact is almost impossible to measure, but the goal is to help citizens "
+#| "gain understanding and work together in more informed ways to shape the "
+#| "future.”"
+msgid ""
+"<quote>Figure.NZ sees this as a new kind of alphabet that can help people "
+"analyze what they see around them. A way to be thoughtful and informed about "
"society. A means of engaging in conversation and shaping decision making "
-"that transcends personal experience. The long-term value and impact is "
+"that transcends personal experience. The long-term value and impact is "
"almost impossible to measure, but the goal is to help citizens gain "
-"understanding and work together in more informed ways to shape the future.”"
+"understanding and work together in more informed ways to shape the future.</"
+"quote>"
msgstr ""
"«Figure.NZ percibe esto como un nuevo tipo de alfabeto que puede ayudar a "
"las personas para analizar lo que observan alrededor de ellas. Un medio para "
"experiencia personal. El impacto y el valor a largo plazon son casi "
"imposibles de medir, pero el objetivo es ayudar a los ciudadanos a ganar "
"entendimiento y trabajar juntos en formas más informadas para modelar el "
-"futuro. »"
+"futuro.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4004
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5133
+#, fuzzy
+#| msgid ""
+#| "Lillian sees Figure.NZ’s model as having global potential. But for now, "
+#| "their focus is completely on making Figure.NZ work in New Zealand and to "
+#| "get the “network effect”— users dramatically increasing value for "
+#| "themselves and for others through use of their service. Creative Commons "
+#| "is core to making the network effect possible."
msgid ""
"Lillian sees Figure.NZ’s model as having global potential. But for now, "
"their focus is completely on making Figure.NZ work in New Zealand and to get "
-"the “network effect”— users dramatically increasing value for themselves and "
-"for others through use of their service. Creative Commons is core to making "
-"the network effect possible."
+"the <quote>network effect</quote>— users dramatically increasing value for "
+"themselves and for others through use of their service. Creative Commons is "
+"core to making the network effect possible."
msgstr ""
"Lillian piensa que el modelo de Figure.NZ tiene potencial global. Pero por "
"ahora, su enfoque esta completamente abocado en lograr que Figure.NZ "
"través del uso de sus servicios. Creative Commons es fundamental para hacer "
"que el efecto red sea posible."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid ""
-"www.nzdatafutures.org.nz/sites/default/files/NZDFF\\_harness-the-power.pdf"
-msgstr ""
-"www.nzdatafutures.org.nz/sites/default/files/NZDFF\\_harness-the-power.pdf"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid ""
-"www.ict.govt.nz/guidance-and-resources/open-government/new-zealand-"
-"government-open-access-and-licensing-nzgoal-framework/"
-msgstr ""
-"www.ict.govt.nz/guidance-and-resources/open-government/new-zealand-"
-"government-open-access-and-licensing-nzgoal-framework/"
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid "figure.nz/business/"
-msgstr "figure.nz/business/"
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4011
-msgid "figure.nz/patrons/"
-msgstr "figure.nz/patrons/"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5142
+msgid "Knowledge Unlatched"
+msgstr "Knowledge Unlatched"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4013
-msgid "## Knowledge Unlatched"
-msgstr "## Knowledge Unlatched"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4017
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5145
msgid ""
"Knowledge Unlatched is a not-for-profit community interest company that "
-"brings libraries together to pool funds to publish open-access books. "
+"brings libraries together to pool funds to publish open-access books. "
"Founded in 2012 in the UK."
msgstr ""
"Knowledge Unlatched es una empresa de interés comunitario sin ánimo de lucro "
"que reune a las bibliotecas para reunir fondos para publicar libros de "
"acceso abierto. Fundada en 2012 en el Reino Unido."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4019
-msgid "knowledgeunlatched.org"
-msgstr "knowledgeunlatched.org"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4021
-msgid "Revenue model: crowdfunding (specialized)"
-msgstr "Modelo de ingresos: financiamiento comunitario (especializado)"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5150
+msgid "<ulink url=\"http://knowledgeunlatched.org\"/>"
+msgstr "<ulink url=\"http://knowledgeunlatched.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4023
-msgid "Interview date: February 26, 2016"
-msgstr "Fecha de la entrevista: 26 de febrero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5152
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: crowdfunding "
+"(specialized)"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: financiamiento "
+"comunitario (especializado)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4025
-msgid "Interviewee: Frances Pinter, founder"
-msgstr "Entrevistado: Frances Pinter, fundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5155
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 26, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 26 de febrero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4041
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5158
msgid ""
-"The serial entrepreneur Dr. Frances Pinter has been at the forefront of "
+"<emphasis role=\"strong\">Interviewee</emphasis>: Frances Pinter, founder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Frances Pinter, fundador"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5166
+#, fuzzy
+#| msgid ""
+#| "The serial entrepreneur Dr. Frances Pinter has been at the forefront of "
+#| "innovation in the publishing industry for nearly forty years. She founded "
+#| "the UK-based Knowledge Unlatched with a mission to enable open access to "
+#| "scholarly books. For Frances, the current scholarly- book-publishing "
+#| "system is not working for anyone, and especially not for monographs in "
+#| "the humanities and social sciences. Knowledge Unlatched is committed to "
+#| "changing this and has been working with libraries to create a sustainable "
+#| "alternative model for publishing scholarly books, sharing the cost of "
+#| "making monographs (released under a Creative Commons license) and "
+#| "savings costs over the long term. Since its launch, Knowledge Unlatched "
+#| "has received several awards, including the IFLA/Brill Open Access award "
+#| "in 2014 and a Curtin University Commercial Innovation Award for "
+#| "Innovation in Education in 2015."
+msgid ""
+"The serial entrepreneur Dr. Frances Pinter has been at the forefront of "
"innovation in the publishing industry for nearly forty years. She founded "
"the UK-based Knowledge Unlatched with a mission to enable open access to "
"scholarly books. For Frances, the current scholarly- book-publishing system "
"humanities and social sciences. Knowledge Unlatched is committed to changing "
"this and has been working with libraries to create a sustainable alternative "
"model for publishing scholarly books, sharing the cost of making monographs "
-"(released under a Creative Commons license) and savings costs over the long "
+"(released under a Creative Commons license) and savings costs over the long "
"term. Since its launch, Knowledge Unlatched has received several awards, "
"including the IFLA/Brill Open Access award in 2014 and a Curtin University "
"Commercial Innovation Award for Innovation in Education in 2015."
"Innovation Award de la Universidad de Curtin por inovación en educación en "
"2015."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4046
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5182
+#, fuzzy
+#| msgid ""
+#| "Dr. Pinter has been in academic publishing most of her career. About ten "
+#| "years ago, she became acquainted with the Creative Commons founder "
+#| "Lawrence Lessig and got interested in Creative Commons as a tool for both "
+#| "protecting content online and distributing it free to users."
msgid ""
-"Dr. Pinter has been in academic publishing most of her career. About ten "
+"Dr. Pinter has been in academic publishing most of her career. About ten "
"years ago, she became acquainted with the Creative Commons founder Lawrence "
"Lessig and got interested in Creative Commons as a tool for both protecting "
"content online and distributing it free to users."
"herramienta para proteger el contenido enlinea y distribuirlo libremente "
"entre los usuarios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4051
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5189
msgid ""
"Not long after, she ran a project in Africa convincing publishers in Uganda "
"and South Africa to put some of their content online for free using a "
"usando licencias Creative Commons y ver qué ocurría con las ventas de "
"impresos. La ventas subieron, no bajaron."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4065
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5195
msgid ""
"In 2008, Bloomsbury Academic, a new imprint of Bloomsbury Publishing in the "
"United Kingdom, appointed her its founding publisher in London. As part of "
"NoDerivs). This was seen as risky, as the biggest cost for publishers is "
"getting a book to the stage where it can be printed. If everyone read the "
"online book for free, there would be no print-book sales at all, and the "
-"costs associated with getting the book to print would be lost. Surprisingly, "
-"Bloomsbury found that sales of the print versions of these books were 10 to "
-"20 percent higher than normal. Frances found it intriguing that the "
-"Creative Commons–licensed free online book acts as a marketing vehicle for "
-"the print format."
+"costs associated with getting the book to print would be lost. "
+"Surprisingly, Bloomsbury found that sales of the print versions of these "
+"books were 10 to 20 percent higher than normal. Frances found it intriguing "
+"that the Creative Commons–licensed free online book acts as a marketing "
+"vehicle for the print format."
msgstr ""
"En 2008, Bloomsbury Academic, una nueva línea editorial de Bloomsbury "
"Publishing en el Reino Unido, la nombró su editor fundador en Londres. Como "
"licenciados bajo Creative Commons actuaran como un vehículo de mercadotecnia "
"para el formato impreso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4072
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5212
+#, fuzzy
+#| msgid ""
+#| "Frances began to look at customer interest in the three forms of the "
+#| "book: 1) the Creative Commons–licensed free online book in PDF form, 2) "
+#| "the printed book, and 3) a digital version of the book on an aggregator "
+#| "platform with enhanced features. She thought of this as the “ice cream "
+#| "model”: the free PDF was vanilla ice cream, the printed book was an ice "
+#| "cream cone, and the enhanced e-book was an ice cream sundae."
msgid ""
"Frances began to look at customer interest in the three forms of the book: "
-"1) the Creative Commons–licensed free online book in PDF form, 2) the "
+"1) the Creative Commons–licensed free online book in PDF form, 2) the "
"printed book, and 3) a digital version of the book on an aggregator platform "
-"with enhanced features. She thought of this as the “ice cream model”: the "
-"free PDF was vanilla ice cream, the printed book was an ice cream cone, and "
-"the enhanced e-book was an ice cream sundae."
+"with enhanced features. She thought of this as the <quote>ice cream model</"
+"quote>: the free PDF was vanilla ice cream, the printed book was an ice "
+"cream cone, and the enhanced e-book was an ice cream sundae."
msgstr ""
"Frances comenzó a observa el interes de los clientes en los tres formatos de "
"los libros: 1) El libro gratuito enlinea con licencia Creative Commons en "
"libro impreso era el cono de helado, y el e-book mejorado era la cobertura "
"del helado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4079
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5221
msgid ""
"After a while, Frances had an epiphany—what if there was a way to get "
"libraries to underwrite the costs of making these books up until they’re "
"y el libro electrónico—el cono de helado o la parte de la cobertura del "
"modelo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4086
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5230
+#, fuzzy
+#| msgid ""
+#| "This idea is similar to the article-processing charge some open-access "
+#| "journals charge researchers to cover publishing costs. Frances began to "
+#| "imagine a coalition of libraries paying for the prepress costs—a “book-"
+#| "processing charge”—and providing everyone in the world with an open-"
+#| "access version of the books released under a Creative Commons license."
msgid ""
"This idea is similar to the article-processing charge some open-access "
-"journals charge researchers to cover publishing costs. Frances began to "
-"imagine a coalition of libraries paying for the prepress costs—a “book-"
-"processing charge”—and providing everyone in the world with an open-access "
-"version of the books released under a Creative Commons license."
+"journals charge researchers to cover publishing costs. Frances began to "
+"imagine a coalition of libraries paying for the prepress costs—a <quote>book-"
+"processing charge</quote>—and providing everyone in the world with an open-"
+"access version of the books released under a Creative Commons license."
msgstr ""
"Esta idea es similar al cobro de procesamiento de artículo que algunas "
"revistas especializadas de acceso abierto cobran a los investigadores para "
"versión de acceso abierto del libro liberado bajo una licencia Creative "
"Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4095
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5238
msgid ""
"This idea really took hold in her mind. She didn’t really have a name for it "
"but began talking about it and making presentations to see if there was "
"seguir adelante y lanzar una compañía de interés comunitario (un termino del "
"RU para las empresas sociales sin ánimo de lucro) en 2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4098
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5249
msgid ""
"She describes the business model in a paper called Knowledge Unlatched: "
"Toward an Open and Networked Future for Academic Publishing:"
"Ella describe el modelo de negocios en un paper llamado Knowledge Unlatched: "
"Toward an Open and Networked Future for Acedemic Publishing:"
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5256
msgid ""
"Publishers offer titles for sale reflecting origination costs only via "
"Knowledge Unlatched."
"Las editoriales ofrecen títulos para su venta que reflejan los costos de "
"generación sólo a través de Knowledge Unlatched."
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5262
msgid ""
"Individual libraries select titles either as individual titles or as "
"collections (as they do from library suppliers now)."
"Cada biblioteca selecciona títulos tanto títulos individuales como "
"colecciones (como lo hacen con los proveedores de bibliotecas ahora)."
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5268
msgid ""
"Their selections are sent to Knowledge Unlatched specifying the titles to be "
"purchased at the stated price(s)."
"Sus selecciones son enviadas a Knowledge Unlatched especificando los títulos "
"que serán comprados y los precios establecidos."
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5274
msgid ""
"The price, called a Title Fee (set by publishers and negotiated by Knowledge "
"Unlatched), is paid to publishers to cover the fixed costs of publishing "
"establecidos de publicar cada título que fue seleccionado por un número \n"
"mínimo de bibliotecas para cubrir la Cuota por Título."
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5283
msgid ""
"Publishers make the selected titles available Open Access (on a Creative "
"Commons or similar open license) and are then paid the Title Fee which is "
"entonces se les paga la Cuota por Título que es el total recolectado de las "
"bibliotecas."
-#. type: Bullet: '6. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4116
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5293
+msgid "<ulink url=\"http://www.pinter.org.uk/pdfs/Toward_an_Open.pdf\"/>"
+msgstr "<ulink url=\"http://www.pinter.org.uk/pdfs/Toward_an_Open.pdf\"/>"
+
+#. type: Content of: <book><part><chapter><orderedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5290
msgid ""
"Publishers make print copies, e-Pub, and other digital versions of selected "
"titles available to member libraries at a discount that reflects their "
-"contribution to the Title Fee and incentivizes membership.1"
+"contribution to the Title Fee and incentivizes membership.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Las editoriales hacen copias impresas, libros electrónicos, y otras "
"versiones digitales de títulos seleccionados disponibles para las "
"bibliotecas miembros con un descuento que refleje su contribución a la Cuota "
-"por Título e incentivan las membresías.1"
+"por Título e incentivan las membresías.<placeholder type=\"footnote\" id="
+"\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4124
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5298
msgid ""
"The first round of this model resulted in a collection of twenty-eight "
"current titles from thirteen recognized scholarly publishers being "
"unlatched. The target was to have two hundred libraries participate. The "
-"cost of the package per library was capped at \\$1,680, which was an average "
+"cost of the package per library was capped at $1,680, which was an average "
"price of sixty dollars per book, but in the end they had nearly three "
"hundred libraries sharing the costs, and the price per book came in at just "
"under forty-three dollars."
msgstr ""
"La primera ronda de este modelo resultó en una colección de veintiocho "
"títulos actuales de trece editoriales especializadas reconocidas siendo "
-"debloqueadas. El objetivo era tener doscientas bibliotecas participando. El "
-"costo del paquete por biblioteca estaba limitado a \\$1,680, el cuál era un "
+"desbloqueadas. El objetivo era tener doscientas bibliotecas participando. El "
+"costo del paquete por biblioteca estaba limitado a $1,680, el cuál era un "
"precio promedio de sesenta dolares por libro, pero al final tuvieron cerca "
"de trescientas bibliotecas compartiendo los costos, y el precio por libro "
"bajo hasta cuarenta y tres dolares."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4133
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5309
+msgid ""
+"<ulink url=\"http://collections.knowledgeunlatched.org/collection-"
+"availability-1/\"/>"
+msgstr ""
+"<ulink url=\"http://collections.knowledgeunlatched.org/collection-"
+"availability-1/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5308
msgid ""
"The open-access, Creative Commons versions of these twenty-eight books are "
-"still available online.4 Most books have been licensed with CC BY-NC or CC "
-"BY-NC-ND. Authors are the copyright holder, not the publisher, and negotiate "
-"choice of license as part of the publishing agreement. Frances has found "
-"that most authors want to retain control over the commercial and remix use "
-"of their work. Publishers list the book in their catalogs, and the "
-"noncommercial restriction in the Creative Commons license ensures authors "
-"continue to get royalties on sales of physical copies."
+"still available online.<placeholder type=\"footnote\" id=\"0\"/> Most books "
+"have been licensed with CC BY-NC or CC BY-NC-ND. Authors are the copyright "
+"holder, not the publisher, and negotiate choice of license as part of the "
+"publishing agreement. Frances has found that most authors want to retain "
+"control over the commercial and remix use of their work. Publishers list the "
+"book in their catalogs, and the noncommercial restriction in the Creative "
+"Commons license ensures authors continue to get royalties on sales of "
+"physical copies."
msgstr ""
"Las versiones Creative Commons con acceso abierto de estos veintiocho libros "
-"todavía estan disponibles enlinea.4 La mayoría de los libros has sido "
-"licenciados con CC BY-NC o CC BY-NC.ND. Los autores son los poseedores de "
-"los derechos de autor, no la editorial, y negocian la opción de licencia "
-"como parte del acuerdo editorial. Frances encontró que la mayoría de los "
-"autores quieren retener el control sobre el uso comercial y de reuso de su "
-"trabajo. Las editoriales incluyen los libros en sus catálogos, y la "
-"restricción no-comercial en las licencias Creative Commons asegura a los "
-"autores el continuar obteniendo regalías en la ventas de las copias físicas."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4143
+"todavía estan disponibles enlinea.<placeholder type=\"footnote\" id=\"0\"/> "
+"La mayoría de los libros has sido licenciados con CC BY-NC o CC BY-NC.ND. "
+"Los autores son los poseedores de los derechos de autor, no la editorial, y "
+"negocian la opción de licencia como parte del acuerdo editorial. Frances "
+"encontró que la mayoría de los autores quieren retener el control sobre el "
+"uso comercial y de reuso de su trabajo. Las editoriales incluyen los libros "
+"en sus catálogos, y la restricción no-comercial en las licencias Creative "
+"Commons asegura a los autores el continuar obteniendo regalías en la ventas "
+"de las copias físicas."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5319
msgid ""
"There are three cost variables to consider for each round: the overall cost "
"incurred by the publishers, total cost for each library to acquire all the "
"books, and the individual price per book. The fee publishers charge for each "
"title is a fixed charge, and Knowledge Unlatched calculates the total amount "
-"for all the books being unlatched at a time. The cost of an order for each "
+"for all the books being unlatched at a time. The cost of an order for each "
"library is capped at a maximum based on a minimum number of libraries "
"participating. If the number of participating libraries exceeds the minimum, "
"then the cost of the order and the price per book go down for each library."
"número de bibliotecas participantes excede el mínimo, entonces el costo de "
"la orden y el precio por libro baja para cada biblioteca."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4156
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5331
msgid ""
"The second round, recently completed, unlatched seventy-eight books from "
"twenty-six publishers. For this round, Frances was experimenting with the "
"size and shape of the offerings. Books were being bundled into eight small "
"packages separated by subject (including Anthropology, History, Literature, "
-"Media and Communications, and Politics), of around ten books per package. "
+"Media and Communications, and Politics), of around ten books per package. "
"Three hundred libraries around the world have to commit to at least six of "
"the eight packages to enable unlatching. The average cost per book was just "
"under fifty dollars. The unlatching process took roughly ten months. It "
"obtener el compromiso de las bibliotecas, cobrar a las bibliotecas, y "
"finalmente, desbloquearlos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4161
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5346
msgid ""
"The longest part of the whole process is getting libraries to pledge and "
"commit funds. It takes about five months, as library buy-in has to fit "
"de las bibliotecas tienen que emparejarse con los ciclos de adquisición, "
"ciclos de presupuestos, y las juntas del directorio de las bibliotecas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5352
msgid ""
"Knowledge Unlatched informs and recruits libraries through social media, "
"mailing lists, listservs, and library associations. Of the three hundred "
"también no solo con bibliotecas individuales sino también con consorcios "
"bibliotecarios, que ha involucrado a más bibliotecas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4173
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5362
msgid ""
"Knowledge Unlatched is scaling up, offering 150 new titles in the second "
"half of 2016. It will also offer backlist titles, and in 2017 will start to "
"segunda mitad del 2016. También ofrecera títulos rezagados, y en 2017 "
"comenzará a hacer revistas especializadas de acceso libre también."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4177
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5367
msgid ""
"Knowledge Unlatched deliberately chose monographs as the initial type of "
"book to unlatch. Monographs are foundational and important, but also "
"fundamentales, pero también problemáticas de mantener en el modelo editorial "
"estandar cerrado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4185
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5373
msgid ""
"The cost for the publisher to get to a first digital copy of a monograph is "
-"\\$5,000 to \\$50,000. A good one costs in the \\$10,000 to \\$15,000 range. "
+"$5,000 to $50,000. A good one costs in the $10,000 to $15,000 range. "
"Monographs typically don’t sell a lot of copies. A publisher who in the past "
"sold three thousand copies now typically sells only three hundred. That "
"makes unlatching monographs a low risk for publishers. For the first round, "
"it took five months to get thirteen publishers. For the second round, it "
"took one month to get twenty-six."
msgstr ""
-"El costo para la editorial de tener una primera copia digita de una "
-"monografía es de \\$5,000 a \\$50,000. Una buena tiene un costo en el rango "
-"de los \\$10,000 a los \\$15,000. Las monografías típicamente no venden "
-"muchas copias. Una editorial que en el pasado vendió tres mil copias ahora "
+"El costo para la editorial de tener una primera copia digital de una "
+"monografía es de $5,000 a $50,000. Una buena tiene un costo en el rango de "
+"los $10,000 a los $15,000. Las monografías típicamente no venden muchas "
+"copias. Una editorial que en el pasado vendió tres mil copias ahora "
"típicamente vende solo trescientas. Eso hace que el desbloqueo de "
"monografías tenga un bajo riesgo para las editoriales. Para la primera "
"ronda, tomó cinco meses reunir trece editoriales. Para la segunda ronda, "
-"tomó únicamente un mes reunir veintiseis."
+"tomó únicamente un mes reunir veintiséis."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5390
+msgid ""
+"<ulink url=\"http://www.knowledgeunlatched.org/featured-authors-section/\"/>"
+msgstr ""
+"<ulink url=\"http://www.knowledgeunlatched.org/featured-authors-section/\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4194
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5383
msgid ""
"Authors don’t generally make a lot of royalties from monographs. Royalties "
-"range from zero dollars to 5 to 10 percent of receipts. The value to the "
+"range from zero dollars to 5 to 10 percent of receipts. The value to the "
"author is the awareness it brings to them; when their book is being read, it "
"increases their reputation. Open access through unlatching generates many "
"more downloads and therefore awareness. (On the Knowledge Unlatched website, "
"you can find interviews with the twenty-eight round-one authors describing "
-"their experience and the benefits of taking part.)5"
+"their experience and the benefits of taking part.)<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Los autores generalmente no obtienen mucho en regalías de las monografías. "
-"Las regalías van de cero dolares a 5 y hasta 10 porciento de lo recibido. El "
-"valor para el autor es la exposición que les trae; cuando su libro es leido, "
-"incrementa su reputación. El acceso abierto a través del desbloqueo genera "
-"muchas más descargas y por lo tanto su percepción. (En el sitio web de "
-"Knowledge Unlatched, puede encontrar entrevistas con los veintiocho autores "
-"de la primera ronda describiendo su experiencia y los beneficios de tomar "
-"parte de ello.)5"
+"Las regalías van de cero dolares a 5 y hasta 10 por ciento de lo recibido. "
+"El valor para el autor es la exposición que les trae; cuando su libro es "
+"leído, incrementa su reputación. El acceso abierto a través del desbloqueo "
+"genera muchas más descargas y por lo tanto su percepción. (En el sitio web "
+"de Knowledge Unlatched, puede encontrar entrevistas con los veintiocho "
+"autores de la primera ronda describiendo su experiencia y los beneficios de "
+"tomar parte de ello.)<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4203
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5393
msgid ""
"Library budgets are constantly being squeezed, partly due to the inflation "
"of journal subscriptions. But even without budget constraints, academic "
"Únicamente de manera secundaria consideran obtener un libro impreso, y si lo "
"hacen, lo compran de manera separada de la versión digital."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4210
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5404
msgid ""
-"Knowledge Unlatched offers libraries a compelling economic argument. Many "
-"of the participating libraries would have bought a copy of the monograph "
-"anyway, but instead of paying \\$95 for a print copy or \\$150 for a digital "
-"multiple-use copy, they pay \\$50 to unlatch. It costs them less, and it "
-"opens the book to not just the participating libraries, but to the world."
+"Knowledge Unlatched offers libraries a compelling economic argument. Many of "
+"the participating libraries would have bought a copy of the monograph "
+"anyway, but instead of paying $95 for a print copy or $150 for a digital "
+"multiple-use copy, they pay $50 to unlatch. It costs them less, and it opens "
+"the book to not just the participating libraries, but to the world."
msgstr ""
"Knowledge Unlatched da un argumento económico convincente a las bibliotecas. "
"Muchas de las bibliotecas participantes habrían comprado una copia de la "
-"monografía de todas maneras, pero en vez de pagar \\$95 por una copia "
-"impresa o \\$150 por una copia digital multi-uso, pagan \\$50 por "
+"monografía de todas maneras, pero en vez de pagar $95 por una copia impresa "
+"o $150 por una copia digital que permita múltiples usos, pagan $50 por "
"desbloquearla. Les cuesta menos, y abre el libro no únicamente a las "
"bibliotecas participantes, sino al mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4220
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5412
+#, fuzzy
+#| msgid ""
+#| "Not only do the economics make sense, but there is very strong alignment "
+#| "with library mandates. The participating libraries pay less than they "
+#| "would have in the closed model, and the open-access book is available to "
+#| "all libraries. While this means nonparticipating libraries could be seen "
+#| "as free riders, in the library world, wealthy libraries are used to "
+#| "paying more than poor libraries and accept that part of their money "
+#| "should be spent to support open access. “Free ride” is more like "
+#| "community responsibility. By the end of March 2016, the round-one books "
+#| "had been downloaded nearly eighty thousand times in 175 countries."
msgid ""
"Not only do the economics make sense, but there is very strong alignment "
"with library mandates. The participating libraries pay less than they would "
"libraries. While this means nonparticipating libraries could be seen as free "
"riders, in the library world, wealthy libraries are used to paying more than "
"poor libraries and accept that part of their money should be spent to "
-"support open access. “Free ride” is more like community responsibility. By "
-"the end of March 2016, the round-one books had been downloaded nearly eighty "
-"thousand times in 175 countries."
+"support open access. <quote>Free ride</quote> is more like community "
+"responsibility. By the end of March 2016, the round-one books had been "
+"downloaded nearly eighty thousand times in 175 countries."
msgstr ""
"No solamente tiene sentido en lo económico, pero hay un fuerte alineamiento "
"con los mandatos de las biblilotecas. Las bibliotecas participantes pagan "
"Para finales de Marzo de 2016, los libros de la primera ronda han sido "
"descargados cerca de ochenta mil veces en 175 países."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4223
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5425
msgid ""
"For publishers, authors, and librarians, the Knowledge Unlatched model for "
"monographs is a win-win-win."
"Para las editoriales, autores, y bibliotecarios, el modelo de Knowledge "
"Unlatched para monografías es un ganar-ganar-ganar."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4232
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5429
msgid ""
"In the first round, Knowledge Unlatched’s overheads were covered by grants. "
"In the second round, they aim to demonstrate the model is sustainable. "
"Libraries and publishers will each pay a 7.5 percent service charge that "
-"will go toward Knowledge Unlatched’s running costs. With plans to scale up "
+"will go toward Knowledge Unlatched’s running costs. With plans to scale up "
"in future rounds, Frances figures they can fully recover costs when they are "
-"unlatching two hundred books at a time. Moving forward, Knowledge Unlatched "
+"unlatching two hundred books at a time. Moving forward, Knowledge Unlatched "
"is making investments in technology and processes. Future plans include "
"unlatching journals and older books."
msgstr ""
"procesos. Los planes a futuro incluyen desbloquear revistas especializadas "
"y libros antiguos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4241
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5440
msgid ""
"Frances believes that Knowledge Unlatched is tapping into new ways of "
"valuing academic content. It’s about considering how many people can find, "
"access, and use your content without pay barriers. Knowledge Unlatched taps "
"into the new possibilities and behaviors of the digital world. In the "
"Knowledge Unlatched model, the content-creation process is exactly the same "
-"as it always has been, but the economics are different. For Frances, "
+"as it always has been, but the economics are different. For Frances, "
"Knowledge Unlatched is connected to the past but moving into the future, an "
"evolution rather than a revolution."
msgstr ""
"lo económico es diferente. Para Frances, Knowledge Unlatched está conectado "
"al pasado pero moviendose al futuro, una evolución en vez de una revolución."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.pinter.org.uk/pdfs/Toward\\_an\\_Open.pdf"
-msgstr "www.pinter.org.uk/pdfs/Toward\\_an\\_Open.pdf"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.oapen.org"
-msgstr "www.oapen.org"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5452
+msgid "Lumen Learning"
+msgstr "Lumen Learning"
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.hathitrust.org"
-msgstr "www.hathitrust.org"
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "collections.knowledgeunlatched.org/collection-availability-1/"
-msgstr "collections.knowledgeunlatched.org/collection-availability-1/"
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4249
-msgid "www.knowledgeunlatched.org/featured-authors-section/"
-msgstr "www.knowledgeunlatched.org/featured-authors-section/"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4251
-msgid "## Lumen Learning"
-msgstr "## Lumen Learning"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4254
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5455
msgid ""
"Lumen Learning is a for-profit company helping educational institutions use "
"open educational resources (OER). Founded in 2013 in the U.S."
"educativas a usar recursos educacionales abiertos (OER). Fundada en 2013 en "
"los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4256
-msgid "lumenlearning.com"
-msgstr "lumenlearning.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5460
+msgid "<ulink url=\"http://lumenlearning.com\"/>"
+msgstr "<ulink url=\"http://lumenlearning.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4258
-msgid "Revenue model: charging for custom services, grant funding"
-msgstr "Modelo de ingresos: cargos por servicios personalizados, subsidios"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4260
-msgid "Interview date: December 21, 2015"
-msgstr "Fecha de la entrevista: 21 de diciembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5462
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services, grant funding"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cargos por "
+"servicios personalizados, subsidios"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4262
-msgid "Interviewees: David Wiley and Kim Thanos, cofounders"
-msgstr "Entrevistado: David Wiley y Kim Thanos, cofundadores"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5465
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 21, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 21 de "
+"diciembre, 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4284
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5468
msgid ""
-"Cofounded by open education visionary Dr. David Wiley and education-"
+"<emphasis role=\"strong\">Interviewees</emphasis>: David Wiley and Kim "
+"Thanos, cofounders"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistados</emphasis>: David Wiley y Kim "
+"Thanos, cofundadores"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5482
+msgid "<ulink url=\"http://lumenlearning.com/innovative-projects/\"/>"
+msgstr "<ulink url=\"http://lumenlearning.com/innovative-projects/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5476
+#, fuzzy
+#| msgid ""
+#| "Cofounded by open education visionary Dr. David Wiley and education-"
+#| "technology strategist Kim Thanos, Lumen Learning is dedicated to "
+#| "improving student success, bringing new ideas to pedagogy, and making "
+#| "education more affordable by facilitating adoption of open educational "
+#| "resources. In 2012, David and Kim partnered on a grant-funded project "
+#| "called the Kaleidoscope Open Course Initiative.<placeholder type="
+#| "\"footnote\" id=\"0\"/> It involved a set of fully open general-education "
+#| "courses across eight colleges predominantly serving at-risk students, "
+#| "with goals to dramatically reduce textbook costs and collaborate to "
+#| "improve the courses to help students succeed. David and Kim exceeded "
+#| "those goals: the cost of the required textbooks, replaced with OER, "
+#| "decreased to zero dollars, and average student-success rates improved by "
+#| "5 to 10 percent when compared with previous years. After a second round "
+#| "of funding, a total of more than twenty-five institutions participated in "
+#| "and benefited from this project. It was career changing for David and Kim "
+#| "to see the impact this initiative had on low-income students. David and "
+#| "Kim sought further funding from the Bill and Melinda Gates Foundation, "
+#| "who asked them to define a plan to scale their work in a financially "
+#| "sustainable way. That is when they decided to create Lumen Learning."
+msgid ""
+"Cofounded by open education visionary Dr. David Wiley and education-"
"technology strategist Kim Thanos, Lumen Learning is dedicated to improving "
"student success, bringing new ideas to pedagogy, and making education more "
"affordable by facilitating adoption of open educational resources. In 2012, "
"David and Kim partnered on a grant-funded project called the Kaleidoscope "
-"Open Course Initiative.1 It involved a set of fully open general-education "
-"courses across eight colleges predominantly serving at-risk students, with "
-"goals to dramatically reduce textbook costs and collaborate to improve the "
-"courses to help students succeed. David and Kim exceeded those goals: the "
-"cost of the required textbooks, replaced with OER, decreased to zero "
-"dollars, and average student-success rates improved by 5 to 10 percent when "
-"compared with previous years. After a second round of funding, a total of "
-"more than twenty-five institutions participated in and benefited from this "
-"project. It was career changing for David and Kim to see the impact this "
-"initiative had on low-income students. David and Kim sought further funding "
-"from the Bill and Melinda Gates Foundation, who asked them to define a plan "
-"to scale their work in a financially sustainable way. That is when they "
-"decided to create Lumen Learning."
+"Open Course Initiative.<placeholder type=\"footnote\" id=\"0\"/> It involved "
+"a set of fully open general-education courses across eight colleges "
+"predominantly serving at-risk students, with goals to dramatically reduce "
+"textbook costs and collaborate to improve the courses to help students "
+"succeed. David and Kim exceeded those goals: the cost of the required "
+"textbooks, replaced with OER, decreased to zero dollars, and average student-"
+"success rates improved by 5 to 10 percent when compared with previous years. "
+"After a second round of funding, a total of more than twenty-five "
+"institutions participated in and benefited from this project. It was career "
+"changing for David and Kim to see the impact this initiative had on low-"
+"income students. David and Kim sought further funding from the Bill and "
+"Melinda Gates Foundation, who asked them to define a plan to scale their "
+"work in a financially sustainable way. That is when they decided to create "
+"Lumen Learning."
msgstr ""
"Cofundada por el visionario de la educación abierta Dr. David Wiley y el "
"estratega de educación-tecnología Kim Thanos, Lumen Learning está dedicada a "
"mejorar el exito de los estudiantes, aportando nuevas ideas a la pedagogía, "
"y haciendo a la educación más asequible al facilitar la adopción de recursos "
"educativos abiertos. En 2012, David y Kim se asociaron en un proyecto "
-"subsidiado llamado la Kaleidoscope Open Course Initiative.1 Involucraba un "
-"conjunto de cursos de educación general totalmente abiertos por medio de "
-"ocho colegios que predominanatemente daban servicio a estudiantes en riesgo, "
-"con objetivos para reducir dramáticamente el costo de los libros de texto y "
-"colaborar para mejorar los cursos para ayudar a los estudiantes triunfar. "
-"David y Kim superaron esas metas: el costo de los libros de texto "
-"requeridos, remplazados con OER, decrementados hasta cero dolares, y el "
-"promedio de la tasa estudiante-exito mejoró por 5 a 10 porciento cuando se "
-"le comparaba por los años anteriores. Después de una segunda ronda de "
-"financiamiento, un total de más de veinticinco instituciones participaron y "
-"se beneficiaron de este proyecto. Para David y Kim esto cambió sus carreras "
-"al ver el impacto que esta iniciativa tuvo en los estudiantes de bajos "
-"ingresos. David y Kim más adelante buscaron financiamiento de la fundación "
-"Bill and Melinda Gates, quienes les pidieron que definieran un plan para "
-"expandir su trabajo en una manera financieramente sostenible. Es entonces "
-"cuando deciden crear Lumen Learning."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4293
+"subsidiado llamado la Kaleidoscope Open Course Initiative.<placeholder type="
+"\"footnote\" id=\"0\"/> Involucraba un conjunto de cursos de educación "
+"general totalmente abiertos por medio de ocho colegios que "
+"predominanatemente daban servicio a estudiantes en riesgo, con objetivos "
+"para reducir dramáticamente el costo de los libros de texto y colaborar para "
+"mejorar los cursos para ayudar a los estudiantes triunfar. David y Kim "
+"superaron esas metas: el costo de los libros de texto requeridos, "
+"remplazados con OER, decrementados hasta cero dolares, y el promedio de la "
+"tasa estudiante-exito mejoró por 5 a 10 porciento cuando se le comparaba por "
+"los años anteriores. Después de una segunda ronda de financiamiento, un "
+"total de más de veinticinco instituciones participaron y se beneficiaron de "
+"este proyecto. Para David y Kim esto cambió sus carreras al ver el impacto "
+"que esta iniciativa tuvo en los estudiantes de bajos ingresos. David y Kim "
+"más adelante buscaron financiamiento de la fundación Bill and Melinda Gates, "
+"quienes les pidieron que definieran un plan para expandir su trabajo en una "
+"manera financieramente sostenible. Es entonces cuando deciden crear Lumen "
+"Learning."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5499
msgid ""
"David and Kim went back and forth on whether it should be a nonprofit or "
"for- profit. A nonprofit would make it a more comfortable fit with the "
"education sector but meant they’d be constantly fund-raising and seeking "
-"grants from philanthropies. Also, grants usually require money to be used in "
-"certain ways for specific deliverables. If you learn things along the way "
+"grants from philanthropies. Also, grants usually require money to be used "
+"in certain ways for specific deliverables. If you learn things along the way "
"that change how you think the grant money should be used, there often isn’t "
"a lot of flexibility to do so."
msgstr ""
"que cambien la manera de concebir como el subsidio debería ser usado, "
"usualmente no hay mucha flexibilidad para hacerlo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4301
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5509
msgid ""
"But as a for-profit, they’d have to convince educational institutions to pay "
"for what Lumen had to offer. On the positive side, they’d have more control "
"el estaus de con-lucro, con su modelo diferente para y cercano de la "
"sustentabilidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4307
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5518
msgid ""
"Right from the start, David and Kim positioned Lumen Learning as a way to "
"help institutions engage in open educational resources, or OER. OER are "
"o son liberados bajo alguna licencia abierta que permita el libre uso y "
"reorientación por otros."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4319
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5526
msgid ""
"Originally, Lumen did custom contracts for each institution. This was "
"complicated and challenging to manage. However, through that process "
"offerings. Today they don’t customize as much as they used to, and instead "
"they tend to work with customers who can use their off-the-shelf options. "
"Lumen finds that institutions and faculty are generally very good at seeing "
-"the value Lumen brings and are willing to pay for it. Serving disadvantaged "
+"the value Lumen brings and are willing to pay for it. Serving disadvantaged "
"learner populations has led Lumen to be very pragmatic; they describe what "
"they offer in quantitative terms—with facts and figures—and in a way that is "
"very student-focused. Lumen Learning helps colleges and universities—"
"enfocada al estudiante. Lumen Learning ayuda a los colegios y universidades a"
"—"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5542
msgid "replace expensive textbooks in high-enrollment courses with OER;"
msgstr ""
"remplazar libros de texto costosos en cursos de gran matrícula con OER;"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5548
msgid ""
"provide enrolled students day one access to Lumen’s fully customizable OER "
"course materials through the institution’s learning-management system;"
"materiales del curso OER de Lumen totalmente personalizables a través del "
"sistema de gestión de aprendizaje de la institución;"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5555
msgid ""
"measure improvements in student success with metrics like passing rates, "
"persistence, and course completion; and"
"medición de las mejoras en el éxito del estudiante con métricas como tasas "
"de aprobación, persistencia, y finalización de curso; y"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4328
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5561
msgid ""
"collaborate with faculty to make ongoing improvements to OER based on "
"student success research."
"colabora con la facultad para realizar mejoras continuas a los OER basado en "
"la investigación del éxito de los estudiantes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4334
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5567
msgid ""
"Lumen has developed a suite of open, Creative Commons–licensed courseware in "
"more than sixty-five subjects. All courses are freely and publicly available "
"y usados por otros en tanto proporcionen los créditos a Lumen Learning "
"siguiendo los terminos de las licencias Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4340
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5575
msgid ""
-"Then there are three types of bundled services that cost money. One option, "
+"Then there are three types of bundled services that cost money. One option, "
"which Lumen calls Candela courseware, offers integration with the "
"institution’s learning-management system, technical and pedagogical support, "
-"and tracking of effectiveness. Candela courseware costs institutions ten "
+"and tracking of effectiveness. Candela courseware costs institutions ten "
"dollars per enrolled student."
msgstr ""
"Hay tres tipos de servicios agrupados que cuestan dinero. La primera opción, "
"rastreo de la efectividad. El Candela courseware tiene un costo de diez "
"dolares por estudiante suscrito para la institución."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4346
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5583
msgid ""
"A second option is Waymaker, which offers the services of Candela but adds "
"personalized learning technologies, such as study plans, automated messages, "
"Los cursos Waymaker tienen un costo de veinticinco dolares por estudiante "
"matriculado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4353
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5590
msgid ""
"The third and emerging line of business for Lumen is providing guidance and "
"support for institutions and state systems that are pursuing the development "
"of complete OER degrees. Often called Z-Degrees, these programs eliminate "
"textbook costs for students in all courses that make up the degree (both "
-"required and elective) by replacing commercial textbooks and other expensive "
-"resources with OER."
+"required and elective) by replacing commercial textbooks and other "
+"expensive resources with OER."
msgstr ""
"La tercera opción y línea emergente de negocios para Lumen es proporcionar "
"orientación y apoyo para intituciones y sistemas estatales que esten "
"y requeridos) al remplazar los libros de texto comerciales y otros recursos "
"costosos con OER."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4368
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5599
msgid ""
"Lumen generates revenue by charging for their value-added tools and services "
"on top of their free courses, just as solar-power companies provide the "
"desde la perspectiva del modelo de negocios, desde la perspectiva del acceso "
"abierto, ha generado un inmenso bienestar en la comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4377
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5616
msgid ""
"In most cases, development of their courses is funded by the institution "
"Lumen has a contract with. When creating new courses, Lumen typically works "
"agregados y curan, en aquellos que se ajusten mejor a esas necesidades de "
"aprendizaje, que las facultades revisan."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4387
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5627
msgid ""
-"Sometimes faculty like the existing OER but not the way it is presented. "
-"The open licensing of existing OER allows Lumen to pick and choose from "
-"images, videos, and other media to adapt and customize the course. Lumen "
-"creates new content as they discover gaps in existing OER. Test-bank items "
-"and feedback for students on their progress are areas where new content is "
-"frequently needed. Once a course is created, Lumen puts it on their platform "
-"with all the attributions and links to the original sources intact, and any "
-"of Lumen’s new content is given an Attribution (CC BY) license."
+"Sometimes faculty like the existing OER but not the way it is presented. The "
+"open licensing of existing OER allows Lumen to pick and choose from images, "
+"videos, and other media to adapt and customize the course. Lumen creates new "
+"content as they discover gaps in existing OER. Test-bank items and feedback "
+"for students on their progress are areas where new content is frequently "
+"needed. Once a course is created, Lumen puts it on their platform with all "
+"the attributions and links to the original sources intact, and any of "
+"Lumen’s new content is given an Attribution (CC BY) license."
msgstr ""
"Algunas veces a las facultades les gustan los OER existentes, pero no de la "
"manera en que se presentan. La licencia abierta de los OER existentes "
"las fuentes originales intactas, y a todo el nuevo contenido de Lumen se le "
"da una licencia Attribution (CC BY)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4393
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5638
msgid ""
"Using only OER made them experience firsthand how complex it could be to mix "
"differently licensed work together. A common strategy with OER is to place "
"para todas las páginas. Esto no funciona bien, sin embargo, cuando se "
"mezclan diferentes OER juntos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4402
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5646
msgid ""
"Remixing OER often results in multiple attributions on every page of every "
"course—text from one place, images from another, and videos from yet "
"licencia y la información de las atribuciones como metadatos, y haciendo que "
"se muestren al final de cada página."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4410
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5657
msgid ""
"Lumen’s commitment to open licensing and helping low-income students has led "
"to strong relationships with institutions, open-education enthusiasts, and "
"referencias. Algunas veces el número de solicitudes excede la capacidad del "
"equipo de ventas de Lumen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4421
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5665
msgid ""
"To manage demand and ensure the success of projects, their strategy is to be "
"proactive and focus on what’s going on in higher education in different "
"regions of the United States, watching out for things happening at the "
-"system level in a way that fits with what Lumen offers. A great example is "
+"system level in a way that fits with what Lumen offers. A great example is "
"the Virginia community college system, which is building out Z-Degrees. "
-"David and Kim say there are nine other U.S. states with similar system-"
-"level activity where Lumen is strategically focusing its efforts. Where "
-"there are projects that would require a lot of resources on Lumen’s part, "
-"they prioritize the ones that would impact the largest number of students."
+"David and Kim say there are nine other U.S. states with similar system-level "
+"activity where Lumen is strategically focusing its efforts. Where there are "
+"projects that would require a lot of resources on Lumen’s part, they "
+"prioritize the ones that would impact the largest number of students."
msgstr ""
"Para gestionar la demanda y asegurarse el exito de los proyectos, su "
"estrategia es ser proactivos y enfocarse en lo qué está pasando en la "
"proyectos que pudieran requerir muchos recursos de parte de Lumen, priorizan "
"a los que tendrían impacto en el mayor número de estudiantes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4429
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5678
msgid ""
"As a business, Lumen is committed to openness. There are two core "
"nonnegotiables: Lumen’s use of CC BY, the most permissive of the Creative "
"y trabajar con las instituciones para identificar nuevos modelos de negocio "
"que logren las metas de la institución, mientras Lumen se conserva prospera."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4438
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5688
msgid ""
"Openness also means that Lumen’s OER must necessarily be nonexclusive and "
"nonrivalrous. This represents several big challenges for the business model: "
"necesitamos ser claros acerca de como nos beneficiamos de y contribuímos con "
"la comunidad abierta."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4445
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5698
msgid ""
"In the OER sector, there are examples of corporations, and even "
"institutions, acting as free riders. Some simply take and use open resources "
-"without paying anything or contributing anything back. Others give back the "
-"minimum amount so they can save face. Sustainability will require those "
+"without paying anything or contributing anything back. Others give back the "
+"minimum amount so they can save face. Sustainability will require those "
"using open resources to give back an amount that seems fair or even give "
"back something that is generous."
msgstr ""
"aquellos que usan los recursos abiertos que den en retorno una cantidad que "
"sea justa o que den de regreso algo que sea generoso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4454
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5707
msgid ""
-"Lumen does track institutions accessing and using their free content. They "
+"Lumen does track institutions accessing and using their free content. They "
"proactively contact those institutions, with an estimate of how much their "
"students are saving and encouraging them to switch to a paid model. Lumen "
"explains the advantages of the paid model: a more interactive relationship "
"estudiantes; y la sustentabilidad futura con financiamiento que respalde la "
"evolución y la mejora de los OER que estén usando."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4461
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5718
msgid ""
-"Lumen works hard to be a good corporate citizen in the OER community. For "
+"Lumen works hard to be a good corporate citizen in the OER community. For "
"David and Kim, a good corporate citizen gives more than they take, adds "
"unique value, and is very transparent about what they are taking from "
-"community, what they are giving back, and what they are monetizing. Lumen "
+"community, what they are giving back, and what they are monetizing. Lumen "
"believes these are the building blocks of a sustainable model and strives "
"for a correct balance of all these factors."
msgstr ""
"monetizando. Lumen piensa que esos son los cimientos de un modelo "
"sostenible y se esfuerza por un balance correcto de todos estos factores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4466
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5727
msgid ""
"Licensing all the content they produce with CC BY is a key part of giving "
"more value than they take. They’ve also worked hard at finding the right "
"estructura correcta para su agregación de valor y como empacarlo de manera "
"que sea entendible y repetible."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4476
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5733
msgid ""
"As of the fall 2016 term, Lumen had eighty-six different open courses, "
"working relationships with ninety-two institutions, and more than seventy-"
"ciento de ingresos ganados, y 20 por ciento financiado con capital ángel. En "
"el futuro, su estrategia es reemplazar el financiamiento con ingresos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4484
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5745
msgid ""
"In creating Lumen Learning, David and Kim say they’ve landed on solutions "
"they never imagined, and there is still a lot of learning taking place. For "
"su compromiso con los recursos abiertos público, dejar que la gente sepa lo "
"que sostienes, y no alejarse de eso. Ciertamente es acerca de la confianza."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4488
-msgid "lumenlearning.com/innovative-projects/"
-msgstr "lumenlearning.com/innovative-projects/"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5756
+msgid "Jonathan Mann"
+msgstr "Jonathan Mann"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4490
-msgid "## Jonathan Mann"
-msgstr "## Jonathan Mann"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4493
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5759
+#, fuzzy
+#| msgid ""
+#| "Jonathan Mann is a singer and songwriter who is most well known as the "
+#| "“Song A Day” guy. Based in the U.S."
msgid ""
-"Jonathan Mann is a singer and songwriter who is most well known as the “Song "
-"A Day” guy. Based in the U.S."
+"Jonathan Mann is a singer and songwriter who is most well known as the "
+"<quote>Song A Day</quote> guy. Based in the U.S."
msgstr ""
"Jonathan Mann es un cantante y escritor de canciones quien es más conocido "
"como el tipo de “Song A Day”. Vive en los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4495
-msgid "jonathanmann.net and jonathanmann.bandcamp.com"
-msgstr "jonathanmann.net y jonathanmann.bandcamp.com"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4499
-msgid ""
-"Revenue model: charging for custom services, pay-what-you-want, crowdfunding "
-"(subscription-based), charging for in-person version (speaking engagements "
-"and musical performances)"
-msgstr ""
-"Modelo de ingresos: cargos for servicio personalizado, paga-lo-que-quieras, "
-"financiamiento comunitario (basado en subscripción), cargos por versión en-"
-"persona (compromisos y presentaciones musicales)"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4501
-msgid "Interview date: February 22, 2016"
-msgstr "Fecha de la entrevista: 22 de febrero, 2016"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4513
-msgid ""
-"Jonathan Mann thinks of his business model as “hustling”—seizing nearly "
-"every opportunity he sees to make money. The bulk of his income comes from "
-"writing songs under commission for people and companies, but he has a wide "
-"variety of income sources. He has supporters on the crowdfunding site "
-"Patreon. He gets advertising revenue from YouTube and Bandcamp, where he "
-"posts all of his music. He gives paid speaking engagements about creativity "
-"and motivation. He has been hired by major conferences to write songs "
-"summarizing what speakers have said in the conference sessions."
-msgstr ""
-"Jonathan Mann piensa en su modelo de negocios como “hustling”[1]—tomar casi "
-"cualquier oportunidad que veas para hacer dinero. La mayor parte de sus "
-"ingresos vienen de escribir canciones bajo comisión para personas y "
-"compañías, pero el tiene una amplia variedad de fuentes de ingreso. El tiene "
-"patrocinadores en el sitio de financiamiento comunitario Patreon. El obtiene "
-"regalías de la publicidad de YouTube y Bandcamp, donde el publica toda su "
-"música. El da conferencias pagadas acerca de creatividad y motivaciónales. "
-"Ha sido contratado por conferencias importantes para escribir canciones que "
-"resuman lo que el conferencista comentó en las sesiones de la conferencia.\n"
-"[1] en México lo más parecido sería “milusos”"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4522
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5762
+msgid ""
+"<ulink url=\"http://jonathanmann.net\"/> and <ulink url=\"http://"
+"jonathanmann.bandcamp.com\"/>"
+msgstr ""
+"<ulink url=\"http://jonathanmann.net\"/> and <ulink url=\"http://"
+"jonathanmann.bandcamp.com\"/>"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5765
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services, pay-what-you-want, crowdfunding (subscription-based), charging for "
+"in-person version (speaking engagements and musical performances)"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cargos por servicio "
+"personalizado, paga-lo-que-quieras, financiamiento comunitario (basado en "
+"subscripción), cargos por versión en-persona (compromisos y presentaciones "
+"musicales)"
+
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5770
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 22, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 22 de febrero, "
+"2016"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5778
+#, fuzzy
+#| msgid ""
+#| "Jonathan Mann thinks of his business model as “hustling”—seizing nearly "
+#| "every opportunity he sees to make money. The bulk of his income comes "
+#| "from writing songs under commission for people and companies, but he has "
+#| "a wide variety of income sources. He has supporters on the crowdfunding "
+#| "site Patreon. He gets advertising revenue from YouTube and Bandcamp, "
+#| "where he posts all of his music. He gives paid speaking engagements about "
+#| "creativity and motivation. He has been hired by major conferences to "
+#| "write songs summarizing what speakers have said in the conference "
+#| "sessions."
+msgid ""
+"Jonathan Mann thinks of his business model as <quote>hustling</quote>—"
+"seizing nearly every opportunity he sees to make money. The bulk of his "
+"income comes from writing songs under commission for people and companies, "
+"but he has a wide variety of income sources. He has supporters on the "
+"crowdfunding site Patreon. He gets advertising revenue from YouTube and "
+"Bandcamp, where he posts all of his music. He gives paid speaking "
+"engagements about creativity and motivation. He has been hired by major "
+"conferences to write songs summarizing what speakers have said in the "
+"conference sessions."
+msgstr ""
+"Jonathan Mann piensa en su modelo de negocios como “diversificación”—"
+"aprovechar casi cualquier oportunidad que vea para hacer dinero. La mayor "
+"parte de sus ingresos vienen de escribir canciones por encargo para personas "
+"y compañías, pero el tiene una amplia variedad de fuentes de ingreso. El "
+"tiene patrocinadores en el sitio de financiamiento comunitario Patreon. "
+"Obtiene regalías de la publicidad de YouTube y Bandcamp, donde el publica "
+"toda su música. Da conferencias pagadas acerca de creatividad y "
+"motivaciónales. Ha sido contratado por conferencias importantes para "
+"escribir canciones que resuman lo que el conferencista comentó en las "
+"sesiones de la conferencia."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5790
msgid ""
"His entrepreneurial spirit is coupled with a willingness to take action "
"quickly. A perfect illustration of his ability to act fast happened in 2010, "
"conference. The song then went viral, and the experience landed him in Time "
"magazine."
msgstr ""
-"Su espiritu emprendedor está acompañado de la volunta para tomar acción "
+"Su espiritu emprendedor está acompañado de la voluntad para entrar en acción "
"rápidamente. La perfecta ilustración de su habilidad de actuar rápidamente "
"ocurrió en 2010, cuando leyó que Apple estaba teniendo una conferencia al "
-"dia siguiente relatado a un snafu[2] referente al iPhone 4. Decidió escribir "
-"y publicar una canción acerca del iPhone 4 ese dia, y al dia siguiente "
-"recibió una llamada de la gente de relaciones públicas de Apple queriendo "
-"usar y promocionar el video en la conferencia de Apple. La canción se volvió "
-"viral, y la experiencia lo llevó a la revista Time magazine.\n"
-"\n"
-"[2]https://en.wikipedia.org/wiki/SNAFU"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4527
-msgid ""
-"Jonathan’s successful “hustling” is also about old-fashioned persistence. He "
-"is currently in his eighth straight year of writing one song each day. He "
-"holds the Guinness World Record for consecutive daily songwriting, and he is "
-"widely known as the “song-a-day guy.”"
+"dia siguiente para abordar un problema grave referente al iPhone 4. Decidió "
+"escribir y publicar una canción acerca del iPhone 4 ese dia, y al dia "
+"siguiente recibió una llamada de la gente de relaciones públicas de Apple "
+"queriendo usar y promocionar el video en la conferencia de Apple. La canción "
+"se volvió viral, y la experiencia lo llevó a la revista Time magazine."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5801
+#, fuzzy
+#| msgid ""
+#| "Jonathan’s successful “hustling” is also about old-fashioned persistence. "
+#| "He is currently in his eighth straight year of writing one song each day. "
+#| "He holds the Guinness World Record for consecutive daily songwriting, and "
+#| "he is widely known as the “song-a-day guy.”"
+msgid ""
+"Jonathan’s successful <quote>hustling</quote> is also about old-fashioned "
+"persistence. He is currently in his eighth straight year of writing one song "
+"each day. He holds the Guinness World Record for consecutive daily "
+"songwriting, and he is widely known as the <quote>song-a-day guy.</quote>"
msgstr ""
"El exitoso “hustling” de Jonathan es también acerca de la persistencia de la "
"vieja escuela. Actualmente él está su octavo año consecutivo de escribir "
"consecutivamente canciones a diario, y es ampliamente conocido como el tipo "
"“una-canción-al-dia.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4535
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5808
msgid ""
"He fell into this role by, naturally, seizing a random opportunity a friend "
"alerted him to seven years ago—an event called Fun-A-Day, where people are "
"supposed to create a piece of art every day for thirty-one days straight. He "
"was in need of a new project, so he decided to give it a try by writing and "
-"posting a song each day. He added a video component to the songs because he "
+"posting a song each day. He added a video component to the songs because he "
"knew people were more likely to watch video online than simply listening to "
"audio files."
msgstr ""
"un acompañamiento de video a la canción porque sabía que las personas gustan "
"más de mirar videos enlinea que simplemente escuchar archivos de audio."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4549
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5818
msgid ""
"He had a really good time doing the thirty-one-day challenge, so he decided "
-"to see if he could continue it for one year. He never stopped. He has "
+"to see if he could continue it for one year. He never stopped. He has "
"written and posted a new song literally every day, seven days a week, since "
"he began the project in 2009. When he isn’t writing songs that he is hired "
"to write by clients, he writes songs about whatever is on his mind that day. "
"con el límite, preparará con antelación y tendrá a alguien más para publicar "
"la canción por él."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4556
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5834
msgid ""
-"Over time, the song-a-day gig became the basis of his livelihood. In the "
+"Over time, the song-a-day gig became the basis of his livelihood. In the "
"beginning, he made money one of two ways. The first was by entering a wide "
"variety of contests and winning a handful. The second was by having the "
"occasional song and video go some varying degree of viral, which would bring "
"more eyeballs and mean that there were more people wanting him to write "
"songs for them. Today he earns most of his money this way."
msgstr ""
-"Durante el tiempop, el gig[3] de una canción-por-dia se volvió la base de su "
-"forma de vida. Al principio, el ganaba dinero de alguna de dos formas. La "
-"primer manera era entrar en una amplia variedad de concursos y ganar "
-"basstantes. La segunda manera era al tener ocasionalmente una canción y "
-"video que se volviera viral en algún grado, el cuál traería mas ojos y "
-"significaría que habría más gente queriendo que él escriba canciones para "
-"ellos. Actualmente el gana la mayoría de su dinero de esta manera.\n"
-"\n"
-"[3] gig slang (job) (es, eslang ) curro (mx eslang) chamba (ar eslang) "
-"laburo"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4563
-msgid ""
-"His website explains his gig as “taking any message, from the super simple "
-"to the totally complicated, and conveying that message through a heartfelt, "
-"fun and quirky song.” He charges \\$500 to create a produced song and \\$300 "
-"for an acoustic song. He has been hired for product launches, weddings, "
-"conferences, and even Kickstarter campaigns like the one that funded the "
-"production of this book."
+"Con el paso del tiempo, la <emphasis>chamba</emphasis> (N. del T.: De "
+"<emphasis>gig</emphasis>, slang; chamba (mex), curro (es), laburo (ar)) de "
+"una canción-por-dia se volvió la base de su forma de vida. Al principio, el "
+"ganaba dinero de alguna de las siguientes dos formas. La primera era entrar "
+"en una amplia variedad de concursos y ganar algunos. La segunda manera era "
+"hacer ocasionalmente una canción y video que se volviera viral a algún "
+"grado, lo cuál traería mas ojos y significaría que habría más gente "
+"queriendo que él escriba canciones para ellos. Actualmente él gana la "
+"mayoría de su dinero de esta manera."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5843
+#, fuzzy
+#| msgid ""
+#| "His website explains his gig as “taking any message, from the super "
+#| "simple to the totally complicated, and conveying that message through a "
+#| "heartfelt, fun and quirky song.” He charges $500 to create a produced "
+#| "song and $300 for an acoustic song. He has been hired for product "
+#| "launches, weddings, conferences, and even Kickstarter campaigns like the "
+#| "one that funded the production of this book."
+msgid ""
+"His website explains his gig as <quote>taking any message, from the super "
+"simple to the totally complicated, and conveying that message through a "
+"heartfelt, fun and quirky song.</quote> He charges $500 to create a produced "
+"song and $300 for an acoustic song. He has been hired for product launches, "
+"weddings, conferences, and even Kickstarter campaigns like the one that "
+"funded the production of this book."
msgstr ""
"Su sitio web explica su trabajo como “tomar cualquier mensaje, desde el "
"super simple hasta el totalmente complicado, y transportar ese mensaje a "
-"través de toque al corazón, en una canción divertida y peculiar.” El cobra \\"
-"$500 por crear una canción con producción y \\$300 por una canción acústica. "
+"través de una canción divertida y peculiar, que llegue al corazón.” Él cobra "
+"$500 por crear una canción con producción, y $300 por una canción acústica. "
"Ha sido contratado para lanzamiento de productos, bodas, conferencias, e "
"incluso campañas de Kickstarter como aquella que financió la producción de "
"este libro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4570
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5852
+#, fuzzy
+#| msgid ""
+#| "Jonathan can’t recall when exactly he first learned about Creative "
+#| "Commons, but he began applying CC licenses to his songs and videos as "
+#| "soon as he discovered the option. “CC seems like such a no-brainer,” "
+#| "Jonathan said. “I don’t understand how anything else would make sense. It "
+#| "seems like such an obvious thing that you would want your work to be able "
+#| "to be shared.”"
msgid ""
"Jonathan can’t recall when exactly he first learned about Creative Commons, "
"but he began applying CC licenses to his songs and videos as soon as he "
-"discovered the option. “CC seems like such a no-brainer,” Jonathan said. “I "
-"don’t understand how anything else would make sense. It seems like such an "
-"obvious thing that you would want your work to be able to be shared.”"
+"discovered the option. <quote>CC seems like such a no-brainer,</quote> "
+"Jonathan said. <quote>I don’t understand how anything else would make sense. "
+"It seems like such an obvious thing that you would want your work to be able "
+"to be shared.</quote>"
msgstr ""
"Jonathan no puede recordan cuando exactamente aprendio por primera vez "
"acerca de Creative Commons, pero comenzó a aplicar licencias CC a sus "
"tendría sentido. Parece una cosa tan obvia que usted quisiera que su trabajo "
"pudiera ser compartido.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4578
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5861
+#, fuzzy
+#| msgid ""
+#| "His songs are essentially marketing for his services, so obviously the "
+#| "further his songs spread, the better. Using CC licenses helps grease the "
+#| "wheels, letting people know that Jonathan allows and encourages them to "
+#| "copy, interact with, and remix his music. “If you let someone cover your "
+#| "song or remix it or use parts of it, that’s how music is supposed to "
+#| "work,” Jonathan said. “That is how music has worked since the beginning "
+#| "of time. Our me-me, mine-mine culture has undermined that.”"
msgid ""
"His songs are essentially marketing for his services, so obviously the "
"further his songs spread, the better. Using CC licenses helps grease the "
"wheels, letting people know that Jonathan allows and encourages them to "
-"copy, interact with, and remix his music. “If you let someone cover your "
-"song or remix it or use parts of it, that’s how music is supposed to work,” "
-"Jonathan said. “That is how music has worked since the beginning of time. "
-"Our me-me, mine-mine culture has undermined that.”"
+"copy, interact with, and remix his music. <quote>If you let someone cover "
+"your song or remix it or use parts of it, that’s how music is supposed to "
+"work,</quote> Jonathan said. <quote>That is how music has worked since the "
+"beginning of time. Our me-me, mine-mine culture has undermined that.</quote>"
msgstr ""
"Sus canciones son esencialmente marketing para sus servicios, entonces "
"obviamente entre más lejos se distribuyan sus canciones, será mejor. Usar "
"trabajar,” comentó Jonathan. “Así es como la música ha trabajado desde el "
"principio del tiempo. Nuestro yo-yo, mio-mio cultural ha socavado eso.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4584
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5871
+#, fuzzy
+#| msgid ""
+#| "There are some people who cover his songs fairly regularly, and he would "
+#| "never shut that down. But he acknowledges there is a lot more he could do "
+#| "to build community. “There is all of this conventional wisdom about how "
+#| "to build an audience online, and I generally think I don’t do any of "
+#| "that,” Jonathan said."
msgid ""
"There are some people who cover his songs fairly regularly, and he would "
"never shut that down. But he acknowledges there is a lot more he could do to "
-"build community. “There is all of this conventional wisdom about how to "
-"build an audience online, and I generally think I don’t do any of that,” "
-"Jonathan said."
+"build community. <quote>There is all of this conventional wisdom about how "
+"to build an audience online, and I generally think I don’t do any of that,</"
+"quote> Jonathan said."
msgstr ""
"Hay perosnas que versionan sus canciones muy regularmente, y él nunca "
"terminaría con ello. Pero el concuerda que hay mucho más que podría hacer "
"acerca de cómo construír una audiencia enlinea, y generalmente pienso que no "
"hago nada de eso,” comentó Jonathan."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4592
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5878
+#, fuzzy
+#| msgid ""
+#| "He does have a fan community he cultivates on Bandcamp, but it isn’t his "
+#| "major focus. “I do have a core audience that has stuck around for a "
+#| "really long time, some even longer than I’ve been doing song-a-day,” he "
+#| "said. “There is also a transitional aspect that drop in and get what they "
+#| "need and then move on.” Focusing less on community building than other "
+#| "artists makes sense given Jonathan’s primary income source of writing "
+#| "custom songs for clients."
msgid ""
"He does have a fan community he cultivates on Bandcamp, but it isn’t his "
-"major focus. “I do have a core audience that has stuck around for a really "
-"long time, some even longer than I’ve been doing song-a-day,” he said. "
-"“There is also a transitional aspect that drop in and get what they need and "
-"then move on.” Focusing less on community building than other artists makes "
-"sense given Jonathan’s primary income source of writing custom songs for "
-"clients."
+"major focus. <quote>I do have a core audience that has stuck around for a "
+"really long time, some even longer than I’ve been doing song-a-day,</quote> "
+"he said. <quote>There is also a transitional aspect that drop in and get "
+"what they need and then move on.</quote> Focusing less on community building "
+"than other artists makes sense given Jonathan’s primary income source of "
+"writing custom songs for clients."
msgstr ""
"El tiene una comunidad de fans que cultiva en Bandcamp, pero no es su mayor "
"preocupación. “Sí tengo una audiencia primaria que ha estado por un tiempo "
"dandole a Jonathan su principal fuente de ingresos de componer canciones "
"personalizadas a sus clientes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4602
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5888
+#, fuzzy
+#| msgid ""
+#| "Jonathan recognizes what comes naturally to him and leverages those "
+#| "skills. Through the practice of daily songwriting, he realized he has a "
+#| "gift for distilling complicated subjects into simple concepts and putting "
+#| "them to music. In his song “How to Choose a Master Password,” Jonathan "
+#| "explained the process of creating a secure password in a silly, simple "
+#| "song. He was hired to write the song by a client who handed him a long "
+#| "technical blog post from which to draw the information. Like a good (and "
+#| "rare) journalist, he translated the technical concepts into something "
+#| "understandable."
msgid ""
"Jonathan recognizes what comes naturally to him and leverages those skills. "
"Through the practice of daily songwriting, he realized he has a gift for "
"distilling complicated subjects into simple concepts and putting them to "
-"music. In his song “How to Choose a Master Password,” Jonathan explained the "
-"process of creating a secure password in a silly, simple song. He was hired "
-"to write the song by a client who handed him a long technical blog post from "
-"which to draw the information. Like a good (and rare) journalist, he "
-"translated the technical concepts into something understandable."
+"music. In his song <quote>How to Choose a Master Password,</quote> Jonathan "
+"explained the process of creating a secure password in a silly, simple song. "
+"He was hired to write the song by a client who handed him a long technical "
+"blog post from which to draw the information. Like a good (and rare) "
+"journalist, he translated the technical concepts into something "
+"understandable."
msgstr ""
"Jonathan reconoce lo que le viene naturalmente y aprovecha esas "
"habilidades.\n"
"sacar la información. Como un buen (y raro) periodista, tradujo los "
"conceptos técnicos en algo entendible."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4616
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5900
+#, fuzzy
+#| msgid ""
+#| "When he is hired by a client to write a song, he first asks them to send "
+#| "a list of talking points and other information they want to include in "
+#| "the song. He puts all of that into a text file and starts moving things "
+#| "around, cutting and pasting until the message starts to come together. "
+#| "The first thing he tries to do is grok the core message and develop the "
+#| "chorus. Then he looks for connections or parts he can make rhyme. The "
+#| "entire process really does resemble good journalism, but of course the "
+#| "final product of his work is a song rather than news. “There is something "
+#| "about being challenged and forced to take information that doesn’t seem "
+#| "like it should be sung about or doesn’t seem like it lends itself to a "
+#| "song,” he said. “I find that creative challenge really satisfying. I "
+#| "enjoy getting lost in that process.”"
msgid ""
"When he is hired by a client to write a song, he first asks them to send a "
"list of talking points and other information they want to include in the "
"song. He puts all of that into a text file and starts moving things around, "
-"cutting and pasting until the message starts to come together. The first "
+"cutting and pasting until the message starts to come together. The first "
"thing he tries to do is grok the core message and develop the chorus. Then "
"he looks for connections or parts he can make rhyme. The entire process "
"really does resemble good journalism, but of course the final product of his "
-"work is a song rather than news. “There is something about being challenged "
-"and forced to take information that doesn’t seem like it should be sung "
-"about or doesn’t seem like it lends itself to a song,” he said. “I find that "
-"creative challenge really satisfying. I enjoy getting lost in that process.”"
+"work is a song rather than news. <quote>There is something about being "
+"challenged and forced to take information that doesn’t seem like it should "
+"be sung about or doesn’t seem like it lends itself to a song,</quote> he "
+"said. <quote>I find that creative challenge really satisfying. I enjoy "
+"getting lost in that process.</quote>"
msgstr ""
"Cuando es contratado por un cliente para componer una canción, lo primero "
"que les solicita es enviar una lista de los puntos de discusión y otra "
"comentó.”Encuentro ese desafio creativo ciertamente satisfactorio. Me gusta "
"perderme en el proceso. ”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4622
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5916
msgid ""
"Jonathan admits that in an ideal world, he would exclusively write the music "
-"he wanted to write, rather than what clients hire him to write. But his "
+"he wanted to write, rather than what clients hire him to write. But his "
"business model is about capitalizing on his strengths as a songwriter, and "
"he has found a way to keep it interesting for himself."
msgstr ""
"compositor, y ha encontrado un medio para mantenerlo interesante para sí "
"mismo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4632
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5923
+#, fuzzy
+#| msgid ""
+#| "Jonathan uses nearly every tool possible to make money from his art, but "
+#| "he does have lines he won’t cross. He won’t write songs about things he "
+#| "fundamentally does not believe in, and there are times he has turned down "
+#| "jobs on principle. He also won’t stray too much from his natural style. "
+#| "“My style is silly, so I can’t really accommodate people who want "
+#| "something super serious,” Jonathan said. “I do what I do very easily, and "
+#| "it’s part of who I am.” Jonathan hasn’t gotten into writing commercials "
+#| "for the same reasons; he is best at using his own unique style rather "
+#| "than mimicking others."
msgid ""
"Jonathan uses nearly every tool possible to make money from his art, but he "
"does have lines he won’t cross. He won’t write songs about things he "
"fundamentally does not believe in, and there are times he has turned down "
-"jobs on principle. He also won’t stray too much from his natural style. “My "
-"style is silly, so I can’t really accommodate people who want something "
-"super serious,” Jonathan said. “I do what I do very easily, and it’s part of "
-"who I am.” Jonathan hasn’t gotten into writing commercials for the same "
-"reasons; he is best at using his own unique style rather than mimicking "
-"others."
+"jobs on principle. He also won’t stray too much from his natural style. "
+"<quote>My style is silly, so I can’t really accommodate people who want "
+"something super serious,</quote> Jonathan said. <quote>I do what I do very "
+"easily, and it’s part of who I am.</quote> Jonathan hasn’t gotten into "
+"writing commercials for the same reasons; he is best at using his own unique "
+"style rather than mimicking others."
msgstr ""
"Jonathan usa casi cualquier herramienta posible para hacer dinero de su "
"arte, pero el tiene límites que no quiere cruzar. No escribiria canciones "
"ha metido a escribir comerciales por la misma razón; el es mejor al usar su "
"propio estilo único en vez de imitar a otros."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4639
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5935
msgid ""
"Jonathan’s song-a-day commitment exemplifies the power of habit and grit. "
"Conventional wisdom about creative productivity, including advice in books "
"like the best-seller The Creative Habit by Twyla Tharp, routinely emphasizes "
"the importance of ritual and action. No amount of planning can replace the "
-"value of simple practice and just doing. Jonathan Mann’s work is a living "
+"value of simple practice and just doing. Jonathan Mann’s work is a living "
"embodiment of these principles."
msgstr ""
"El compromiso una-canción-al-dia de Jonathan ejemplifica el poder del habito "
"simple práctica y el solo hacer. El trabajo de Jonathan Mann es una "
"encarnación viviente de estos principios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4645
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5944
msgid ""
"When he speaks about his work, he talks about how much the song-a-day "
"process has changed him. Rather than seeing any given piece of work as "
"ha quedado tranquilo con solo hacerlo. Si la canción de hoy es un fracaso, "
"la canción de mañana puede que sea mejor."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4652
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5951
msgid ""
-"Jonathan seems to have this mentality about his career more generally. He "
-"is constantly experimenting with ways to make a living while sharing his "
-"work as widely as possible, seeing what sticks. While he has major "
+"Jonathan seems to have this mentality about his career more generally. He is "
+"constantly experimenting with ways to make a living while sharing his work "
+"as widely as possible, seeing what sticks. While he has major "
"accomplishments he is proud of, like being in the Guinness World Records or "
"having his song used by Steve Jobs, he says he never truly feels successful."
msgstr ""
"el Guiness World Records o tener sus canciones usadas por Steve Jobs, dice "
"que nunca se siente verdaderamente exitoso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4656
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5958
+#, fuzzy
+#| msgid ""
+#| "“Success feels like it’s over,” he said. “To a certain extent, a creative "
+#| "person is not ever going to feel completely satisfied because then so "
+#| "much of what drives you would be gone.”"
msgid ""
-"“Success feels like it’s over,” he said. “To a certain extent, a creative "
-"person is not ever going to feel completely satisfied because then so much "
-"of what drives you would be gone.”"
+"<quote>Success feels like it’s over,</quote> he said. <quote>To a certain "
+"extent, a creative person is not ever going to feel completely satisfied "
+"because then so much of what drives you would be gone.</quote>"
msgstr ""
"“El exito se siente como que se ha terminado,” comentó. \"En cierta medida, "
"una persona creativa nunca se sentirá completamente satisfecha porque "
"entonces mucho de lo que los impulsa se iría.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4658
-msgid "## Noun Project"
-msgstr "## Noun Project"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5965
+msgid "Noun Project"
+msgstr "Noun Project"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4662
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5968
msgid ""
"The Noun Project is a for-profit company offering an online platform to "
"display visual icons from a global network of designers. Founded in 2010 in "
"para mostrar iconos visuales de una red global de diseñadores. Fundada en "
"2010 en los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4664
-msgid "thenounproject.com"
-msgstr "thenounproject.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5973
+msgid "<ulink url=\"http://thenounproject.com\"/>"
+msgstr "<ulink url=\"http://thenounproject.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4666
-msgid "Revenue model: charging a transaction fee, charging for custom services"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5975
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging a transaction "
+"fee, charging for custom services"
msgstr ""
-"Modelo de ingresos: cargos de couta por transacción, cargos por servicios "
-"personalizados"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cargos de cuota por "
+"transacción, cargos por servicios personalizados"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4668
-msgid "Interview date: October 6, 2015"
-msgstr "Fecha de la entrevista: 6 de octubre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5978
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: October 6, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 6 de octubre, "
+"2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4670
-msgid "Interviewee: Edward Boatman, cofounder"
-msgstr "Entrevistado: Edward Boatman, cofundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5981
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Edward Boatman, cofounder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Edward Boatman, cofundador"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4676
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5989
msgid ""
"The Noun Project creates and shares visual language. There are millions who "
"use Noun Project symbols to simplify communication across borders, "
"símbolos del Noun Project para simplificar las comunicaciones a través de "
"las fronteras, lenguajes, y culturas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4683
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:5994
msgid ""
"The original idea for the Noun Project came to cofounder Edward Boatman "
"while he was a student in architecture design school. He’d always done a lot "
"of sketches and started to draw what used to fascinate him as a child, like "
-"trains, sequoias, and bulldozers. He began thinking how great it would be if "
-"he had a simple image or small icon of every single object or concept on the "
-"planet."
+"trains, sequoias, and bulldozers. He began thinking how great it would be "
+"if he had a simple image or small icon of every single object or concept on "
+"the planet."
msgstr ""
"La idea original para el Noun Project llegó al cofundador Edward Boatman "
"mientras era estudiante en la escuela de diseño en arquitectura. Él siempre "
"si él tuviera una imagen simple o u ícono pequeño de cada objeto o concepto "
"en el planeta."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4689
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6002
msgid ""
"When Edward went on to work at an architecture firm, he had to make a lot of "
"presentation boards for clients. But finding high-quality sources for "
"biblioteca de íconos podría ciertamente ayudar a las personas en situaciones "
"similarers."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4696
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6010
msgid ""
"With his partner, Sofya Polyakov, he began collecting symbols for a website "
"and writing a business plan. Inspiration came from the book Professor and "
"the Madman, which chronicles the use of crowdsourcing to create the Oxford "
-"English Dictionary in 1870. Edward began to imagine crowdsourcing icons and "
+"English Dictionary in 1870. Edward began to imagine crowdsourcing icons and "
"symbols from volunteer designers around the world."
msgstr ""
"Con su socia, Sofya Polyakov, comenzó a recolectar símbolos para un sitio "
"imaginar financiar colectivamente iconos y símbolos de diseñadores "
"voluntarios alrededor del mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4704
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6021
+msgid ""
+"<ulink url=\"http://www.kickstarter.com/projects/tnp/building-a-free-"
+"collection-of-our-worlds-visual-sy/description\"/>"
+msgstr ""
+"<ulink url=\"http://www.kickstarter.com/projects/tnp/building-a-free-"
+"collection-of-our-worlds-visual-sy/description\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6018
msgid ""
"Then Edward got laid off during the recession, which turned out to be a huge "
"catalyst. He decided to give his idea a go, and in 2010 Edward and Sofya "
"launched the Noun Project with a Kickstarter campaign, back when Kickstarter "
-"was in its infancy.1 They thought it’d be a good way to introduce the global "
-"web community to their idea. Their goal was to raise \\$1,500, but in twenty "
-"days they got over \\$14,000. They realized their idea had the potential to "
-"be something much bigger."
+"was in its infancy.<placeholder type=\"footnote\" id=\"0\"/> They thought "
+"it’d be a good way to introduce the global web community to their idea. "
+"Their goal was to raise $1,500, but in twenty days they got over $14,000. "
+"They realized their idea had the potential to be something much bigger."
msgstr ""
-"Entonces Edward fue despedido durante la recesión, lo cuál mostró ser un "
+"Entonces, Edward fue despedido durante la recesión, lo cuál mostró ser un "
"gran catalizador. Decidió darle a su idea una oportunidad, y en 2010 Edward "
"y Sofya lanzaron el Noun Project con una campaña en Kickstarter, cuando "
-"Kickstarter estaba en su infancia.1 Pensaron que sería una buen medio de "
-"introducir a la comunidad global de la web a su idea. Su meta fue recolectar "
-"\\$1,500 pero en veinte dias obtuvieron más de \\$14,000. Se dieron cuenta "
-"de que su idea tenía el potencial para ser algo más grande."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4710
+"Kickstarter estaba en su infancia.<placeholder type=\"footnote\" id=\"0\"/> "
+"Pensaron que sería una buen medio de introducir a la comunidad global de la "
+"web a su idea. Su meta fue recolectar $1,500 pero en veinte dias obtuvieron "
+"más de $14,000. Se dieron cuenta de que su idea tenía el potencial para ser "
+"algo más grande."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6027
+#, fuzzy
+#| msgid ""
+#| "They created a platform where symbols and icons could be uploaded, and "
+#| "Edward began recruiting talented designers to contribute their designs, a "
+#| "process he describes as a relatively easy sell. Lots of designers have "
+#| "old drawings just gathering “digital dust” on their hard drives. It’s "
+#| "easy to convince them to finally share them with the world."
msgid ""
"They created a platform where symbols and icons could be uploaded, and "
"Edward began recruiting talented designers to contribute their designs, a "
"process he describes as a relatively easy sell. Lots of designers have old "
-"drawings just gathering “digital dust” on their hard drives. It’s easy to "
-"convince them to finally share them with the world."
+"drawings just gathering <quote>digital dust</quote> on their hard drives. "
+"It’s easy to convince them to finally share them with the world."
msgstr ""
"Crearon una plataforma donde los símbolos e iconos podían subirse, y Edward "
"comenzó a reclutar diseñadores talentosos para contribuir con sus diseños, "
"viejos dibujos que solo estan recolectando “polvo digital” en sus discos "
"duros. Es fácil convencerlos de compartirlos finalmente con el mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4718
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6035
msgid ""
"The Noun Project currently has about seven thousand designers from around "
"the world. But not all submissions are accepted. The Noun Project’s quality-"
"mantiene y contruye las relaciones que tienen con su comunidad global de "
"diseñadores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4723
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6044
msgid ""
"Creative Commons is an integral part of the Noun Project’s business model; "
"this decision was inspired by Chris Anderson’s book Free: The Future of "
"Future of Radical Price, el cual introdujo a Edward a la idea de que puedes "
"construir un modelo de negocios alrededor del contenido libre."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4735
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6051
msgid ""
"Edward knew he wanted to offer a free visual language while still providing "
"some protection and reward for its contributors. There is a tension between "
"quieren ofrecer un ícono que las personas puedan usar sin tener que dar "
"créditos, pueden usar la CC0 para poner el trabajo en el dominio público."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4744
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6065
+#, fuzzy
+#| msgid ""
+#| "Noun Project’s business model and means of generating revenue have "
+#| "evolved significantly over time. Their initial plan was to sell T-shirts "
+#| "with the icons on it, which in retrospect Edward says was a horrible "
+#| "idea. They did get a lot of email from people saying they loved the icons "
+#| "but asking if they could pay a fee instead of giving attribution. Ad "
+#| "agencies (among others) wanted to keep marketing and presentation "
+#| "materials clean and free of attribution statements. For Edward, “That’s "
+#| "when our lightbulb went off.”"
msgid ""
"Noun Project’s business model and means of generating revenue have evolved "
"significantly over time. Their initial plan was to sell T-shirts with the "
"icons on it, which in retrospect Edward says was a horrible idea. They did "
"get a lot of email from people saying they loved the icons but asking if "
-"they could pay a fee instead of giving attribution. Ad agencies (among "
+"they could pay a fee instead of giving attribution. Ad agencies (among "
"others) wanted to keep marketing and presentation materials clean and free "
-"of attribution statements. For Edward, “That’s when our lightbulb went off.”"
+"of attribution statements. For Edward, <quote>That’s when our lightbulb went "
+"off.</quote>"
msgstr ""
"El modelo de negocios del Noun Project y los medios para generar ingresos "
"han evolucionado significativamente a través del tiempo. Su plan inicial fue "
"enunciados de créditos. Para Edward, “Ahí fue cuando se nos acabaron las "
"ideas.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4750
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6076
msgid ""
"They asked their global network of designers whether they’d be open to "
-"receiving modest remuneration instead of attribution. Designers saw it as a "
+"receiving modest remuneration instead of attribution. Designers saw it as a "
"win-win. The idea that you could offer your designs for free and have a "
"global audience and maybe even make some money was pretty exciting for most "
"designers."
"gratuitamente y tener una adudiencia global y tal vez hacer algun dinero fue "
"muy exitante para muchos diseñadores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4762
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6083
msgid ""
"The Noun Project first adopted a model whereby using an icon without giving "
-"attribution would cost \\$1.99 per icon. The model’s second iteration added "
-"a subscription component, where there would be a monthly fee to access a "
+"attribution would cost $1.99 per icon. The model’s second iteration added a "
+"subscription component, where there would be a monthly fee to access a "
"certain number of icons—ten, fifty, a hundred, or five hundred. However, "
"users didn’t like these hard-count options. They preferred to try out many "
"similar icons to see which worked best before eventually choosing the one "
"they wanted to use. So the Noun Project moved to an unlimited model, whereby "
"users have unlimited access to the whole library for a flat monthly fee. "
-"This service is called NounPro and costs \\$9.99 per month. Edward says this "
+"This service is called NounPro and costs $9.99 per month. Edward says this "
"model is working well—good for customers, good for creators, and good for "
"the platform."
msgstr ""
-"El Noun Project en un principio adoptó un modelo donde usar un ícono sin dar "
-"créditos costaría \\$1.99 por ícono. La segunda iteración del modelo agregó "
-"un componente de subscripción, donde habría una cuota mensual para acceder a "
-"cierto número de íconos—diez, cincuenta, un ciento, o quinientos. Sin "
-"embargo, a los usuarios no les gustó estas opciones rígidas. Preferían "
-"intentar muchos íconos similares para ver cual les funcionaba mejor antes de "
-"eventualmente escoger aquella que quisieran usar. Entonces el Noun Project "
-"se movió a un modelo ilimitado, por lo cual los usuarios tienen acceso "
-"ilimitado a la biblioteca completa por una simple cuota mensual. Este "
-"servicio es llamado NounPro y cuesta \\$9.99 por mes. Edward comenta que "
-"este modelo esta trabajando bien—bueno para los usuarios, bueno para los "
+"El Noun Project en un principio adoptó un modelo donde usar un icono sin dar "
+"créditos costaría $1.99 por icono. La segunda iteración del modelo agregó un "
+"componente de subscripción, donde habría una cuota mensual para acceder a "
+"cierto número de iconos — diez, cincuenta, un ciento, o quinientos. Sin "
+"embargo, a los usuarios no les gustaron estas opciones tan rígidas. "
+"Preferían evaluar muchos iconos similares para ver cual les funcionaba mejor "
+"antes de eventualmente escoger aquella que quisieran usar. Entonces el Noun "
+"Project se movió a un modelo ilimitado, por lo cual los usuarios tienen "
+"acceso ilimitado a la biblioteca completa por una simple cuota mensual. Este "
+"servicio es llamado NounPro y cuesta $9.99 por mes. Edward comenta que este "
+"modelo esta trabajando bien—bueno para los usuarios, bueno para los "
"creadores, y bueno para la plataforma."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4773
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6097
+#, fuzzy
+#| msgid ""
+#| "Customers then began asking for an application-programming interface "
+#| "(API), which would allow Noun Project icons and symbols to be directly "
+#| "accessed from within other applications. Edward knew that the icons and "
+#| "symbols would be valuable in a lot of different contexts and that they "
+#| "couldn’t possibly know all of them in advance, so they built an API with "
+#| "a lot of flexibility. Knowing that most API applications would want to "
+#| "use the icons without giving attribution, the API was built with the aim "
+#| "of charging for its use. You can use what’s called the “Playground API” "
+#| "for free to test how it integrates with your application, but full "
+#| "implementation will require you to purchase the API Pro version."
msgid ""
"Customers then began asking for an application-programming interface (API), "
"which would allow Noun Project icons and symbols to be directly accessed "
"from within other applications. Edward knew that the icons and symbols would "
"be valuable in a lot of different contexts and that they couldn’t possibly "
-"know all of them in advance, so they built an API with a lot of flexibility. "
-"Knowing that most API applications would want to use the icons without "
-"giving attribution, the API was built with the aim of charging for its use. "
-"You can use what’s called the “Playground API” for free to test how it "
-"integrates with your application, but full implementation will require you "
-"to purchase the API Pro version."
+"know all of them in advance, so they built an API with a lot of "
+"flexibility. Knowing that most API applications would want to use the icons "
+"without giving attribution, the API was built with the aim of charging for "
+"its use. You can use what’s called the <quote>Playground API</quote> for "
+"free to test how it integrates with your application, but full "
+"implementation will require you to purchase the API Pro version."
msgstr ""
"Los clientes comenzaron a solicitar una API (application-programming "
"interface), la cual permitiría a los íconos y símbolos del Noun Project ser "
"aplicación, pero la implementación completa requerirá que se compre las "
"versión API Pro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4777
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6111
msgid ""
-"The Noun Project shares revenue with its international designers. For one-"
+"The Noun Project shares revenue with its international designers. For one-"
"off purchases, the revenue is split 70 percent to the designer and 30 "
"percent to Noun Project."
msgstr ""
"una compra de una vez, la ganancia se divide en 70 porciento para el "
"diseñador y 30 porciento para Noun Project."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4786
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6116
msgid ""
"The revenue from premium purchases (the subscription and API options) is "
"split a little differently. At the end of each month, the total revenue from "
"subscriptions is divided by Noun Project’s total number of downloads, "
-"resulting in a rate per download—for example, it could be \\$0.13 per "
-"download for that month. For each download, the revenue is split 40 percent "
-"to the designer and 60 percent to the Noun Project. (For API usage, it’s "
-"per use instead of per download.) Noun Project’s share is higher this time "
-"as it’s providing more service to the user."
+"resulting in a rate per download—for example, it could be $0.13 per download "
+"for that month. For each download, the revenue is split 40 percent to the "
+"designer and 60 percent to the Noun Project. (For API usage, it’s per use "
+"instead of per download.) Noun Project’s share is higher this time as it’s "
+"providing more service to the user."
msgstr ""
"Los ingresos de las compras premium (la suscripción y las opciones de la "
"API ) se dividen de una manera diferente. Al final de cada mes, el total de "
"los ingresos por subscripciones es dividido por el cantidad total de "
"descargas en Noun Project, resultando en una tasa por descarga—por ejemplo, "
-"puede ser \\$0.13 por descarga para ese mes. Por cada descarga, las "
-"ganancias se dividen en 40 porciento para el diseñador y 60 porciento para "
-"el Noun Project. (Para el uso de la API, es por uso en vez de por descarga.) "
-"Lo compartido por Noun Project es mayor actualmente porque está "
-"proporcionando más servicios al usuario."
+"puede ser $0.13 por descarga para ese mes. Por cada descarga, las ganancias "
+"se dividen en 40 por ciento para el diseñador y 60 por ciento para el Noun "
+"Project. (Para el uso de la API, es por uso en vez de por descarga.) Lo "
+"compartido por Noun Project es mayor actualmente porque está proporcionando "
+"más servicios al usuario."
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6128
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6200
+msgid ""
+"<ulink url=\"http://thenounproject.com/handbook/royalties/#getting_paid\"/>"
+msgstr ""
+"<ulink url=\"http://thenounproject.com/handbook/royalties/#getting_paid\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4791
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6127
msgid ""
"The Noun Project tries to be completely transparent about their royalty "
-"structure.2 They tend to over communicate with creators about it because "
-"building trust is the top priority."
+"structure.<placeholder type=\"footnote\" id=\"0\"/> They tend to over "
+"communicate with creators about it because building trust is the top "
+"priority."
msgstr ""
"El Noun Project intenta ser completamente transparente acerca de su "
-"estructura de regalias.2 Tienden a sobre-comunicarse con los creadores "
-"acerca de eso porque construir confianza es la principal prioridad."
+"estructura de regalias.<placeholder type=\"footnote\" id=\"0\"/> Tienden a "
+"sobre-comunicarse con los creadores acerca de eso porque construir confianza "
+"es la principal prioridad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4797
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6132
msgid ""
"For most creators, contributing to the Noun Project is not a full-time job "
"but something they do on the side. Edward categorizes monthly earnings for "
"amplias: suficiente dinero para comprar cerveza; suficiente para pagar las "
"cuentas; y el más exitoso de todos, suficiente para pagar la renta."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4809
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6139
msgid ""
-"Recently the Noun Project launched a new app called Lingo. Designers can use "
-"Lingo to organize not just their Noun Project icons and symbols but also "
+"Recently the Noun Project launched a new app called Lingo. Designers can "
+"use Lingo to organize not just their Noun Project icons and symbols but also "
"their photos, illustrations, UX designs, et cetera. You simply drag any "
"visual item directly into Lingo to save it. Lingo also works for teams so "
"people can share visuals with each other and search across their combined "
-"collections. Lingo is free for personal use. A pro version for \\$9.99 per "
-"month lets you add guests. A team version for \\$49.95 per month allows up "
-"to twenty-five team members to collaborate, and to view, use, edit, and add "
-"new assets to each other’s collections. And if you subscribe to NounPro, "
-"you can access Noun Project from within Lingo."
+"collections. Lingo is free for personal use. A pro version for $9.99 per "
+"month lets you add guests. A team version for $49.95 per month allows up to "
+"twenty-five team members to collaborate, and to view, use, edit, and add new "
+"assets to each other’s collections. And if you subscribe to NounPro, you "
+"can access Noun Project from within Lingo."
msgstr ""
"Recientemente Noun Project lanzó una app llamada Lingo. Los diseñadores "
"pueden usar Lingo para organizar no solo sus iconos y símbolos en Noun "
-"Project sino también sus fotos e ilustraciones, diseños UX , et cetera. "
-"Usted simplemente jala un cualquier item visual directamente dentro de Lingo "
-"para salvarlo. Lingo también para los equipos de manera que las personas "
+"Project sino también sus fotos e ilustraciones, diseños UX , etcétera. Usted "
+"simplemente jala un cualquier elemento visual directamente dentro de Lingo "
+"para guardarlo. Lingo también para los equipos de manera que las personas "
"pueden compartir visuales mutuamente y buscar a través de sus colecciones "
-"combinadas. Lingo es gratuito para el uso personal. Una versión pro de \\"
-"$9.99 al mes le permite agregar invitados. Una versión para equipos de \\"
-"$49.95 al mes permite que hasta veinticinco miembros colaboren, y que "
-"observen, usen, editen, y agregen nuevos activos en las colecciones de cada "
-"uno. Y si se suscriben al Noun ProjectPro, pueden acceder al mismo desde "
-"Lingo."
+"combinadas. Lingo es gratuito para el uso personal. Una versión pro de $9.99 "
+"al mes le permite agregar invitados. Una versión para equipos de $49.95 al "
+"mes permite que hasta veinticinco miembros colaboren, y que observen, usen, "
+"editen, y agreguen nuevos activos en las colecciones de cada uno. Y si se "
+"suscriben al Noun ProjectPro, pueden acceder al mismo desde Lingo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4815
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6153
msgid ""
"The Noun Project gives a ton of value away for free. A very large percentage "
"of their roughly one million members have a free account, but there are "
"publicidad y diseño, educadores, y otros quienes necesiten comunicar ideas "
"visuales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4820
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6160
+#, fuzzy
+#| msgid ""
+#| "For Edward, “creating, sharing, and celebrating the world’s visual "
+#| "language” is the most important aspect of what they do; it’s their stated "
+#| "mission. It differentiates them from others who offer graphics, icons, or "
+#| "clip art."
msgid ""
-"For Edward, “creating, sharing, and celebrating the world’s visual language” "
-"is the most important aspect of what they do; it’s their stated mission. It "
-"differentiates them from others who offer graphics, icons, or clip art."
+"For Edward, <quote>creating, sharing, and celebrating the world’s visual "
+"language</quote> is the most important aspect of what they do; it’s their "
+"stated mission. It differentiates them from others who offer graphics, "
+"icons, or clip art."
msgstr ""
"Para Edward, “crear, compartir, y celebrar el lenguaje visual mundial” es el "
"aspecto más importante de lo hacen ellos; es su misión declarada. Eso los "
"diferencia de otros que ofrecen gráficos, iconos o imágenes predefinidas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4827
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6166
msgid ""
"Noun Project creators agree. When surveyed on why they participate in the "
-"Noun Project, this is how designers rank their reasons: 1) to support the "
+"Noun Project, this is how designers rank their reasons: 1) to support the "
"Noun Project mission, 2) to promote their own personal brand, and 3) to "
"generate money. It’s striking to see that money comes third, and mission, "
"first. If you want to engage a global network of contributors, it’s "
"misión , en primero. Si quiere comprometerse en una red global de "
"contribuyentes, es importante tener una misión más allá de hacer dinero."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4832
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6175
msgid ""
"In Edward’s view, Creative Commons is central to their mission of sharing "
"and social good. Using Creative Commons makes the Noun Project’s mission "
"genuina y ha generado mucho de su impulso inicial y credibilidad. CC viene "
"dentro con una comunidad de usuarios y fans."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4840
-msgid ""
-"Edward told us, “Don’t underestimate the power of a passionate community "
-"around your product or your business. They are going to go to bat for you "
-"when you’re getting ripped in the media. If you go down the road of choosing "
-"to work with Creative Commons, you’re taking the first step to building a "
-"great community and tapping into a really awesome community that comes with "
-"it. But you need to continue to foster that community through other "
-"initiatives and continue to nurture it.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6182
+#, fuzzy
+#| msgid ""
+#| "Edward told us, “Don’t underestimate the power of a passionate community "
+#| "around your product or your business. They are going to go to bat for you "
+#| "when you’re getting ripped in the media. If you go down the road of "
+#| "choosing to work with Creative Commons, you’re taking the first step to "
+#| "building a great community and tapping into a really awesome community "
+#| "that comes with it. But you need to continue to foster that community "
+#| "through other initiatives and continue to nurture it.”"
+msgid ""
+"Edward told us, <quote>Don’t underestimate the power of a passionate "
+"community around your product or your business. They are going to go to bat "
+"for you when you’re getting ripped in the media. If you go down the road of "
+"choosing to work with Creative Commons, you’re taking the first step to "
+"building a great community and tapping into a really awesome community that "
+"comes with it. But you need to continue to foster that community through "
+"other initiatives and continue to nurture it.</quote>"
msgstr ""
"Edward nos comentó, “No subestimen el poder de una comunidad apasionada "
"alrededor de su producto o su negocio. Van a apoyarte cuando estes siendo "
"seguir fomentando esa comunidad a través de otras iniciativas y continuar "
"alimentándola.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4845
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6192
msgid ""
"The Noun Project nurtures their creators’ second motivation—promoting a "
"personal brand—by connecting every icon and symbol to the creator’s name and "
"de perfil; cada perfil muestra su colección completa. Los usuarios también "
"pueden buscar los íconos por el nombre del creador."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4853
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6199
msgid ""
"The Noun Project also builds community through Iconathons—hackathons for "
-"icons.2 In partnership with a sponsoring organization, the Noun Project "
-"comes up with a theme (e.g., sustainable energy, food bank, guerrilla "
-"gardening, human rights) and a list of icons that are needed, which "
-"designers are invited to create at the event. The results are vectorized, "
-"and added to the Noun Project using CC0 so they can be used by anyone for "
-"free."
+"icons.<placeholder type=\"footnote\" id=\"0\"/> In partnership with a "
+"sponsoring organization, the Noun Project comes up with a theme (e.g., "
+"sustainable energy, food bank, guerrilla gardening, human rights) and a list "
+"of icons that are needed, which designers are invited to create at the "
+"event. The results are vectorized, and added to the Noun Project using CC0 "
+"so they can be used by anyone for free."
msgstr ""
"El Noun Project tambien construye una comunidad a través de Iconotones—"
-"hackatones para íconos. En sociedad con una sociedad patrocinadora, el Noun "
-"Project llega con un tema (e.g., energía sustentable, bancos de alilmentos, "
-"horticultura guerrillera, derechos humanos) y una lista de iconos que son "
-"necesarios, los cuales los diseñadores estan invitados a crear en el evento. "
-"Los resultados son vectorizados, y agregados en el Noun Project usando la "
-"CC0 de tal manera que puedan ser usados por cualquiera gratuitamente."
+"hackatones para iconos.<placeholder type=\"footnote\" id=\"0\"/> En sociedad "
+"con una organización patrocinadora, el Noun Project llega con un tema (p. "
+"ej., energía sustentable, bancos de alilmentos, horticultura guerrillera, "
+"derechos humanos) y una lista de iconos que son necesarios, los cuales los "
+"diseñadores están invitados a crear en el evento. Los resultados son "
+"vectorizados, y agregados en el Noun Project usando la CC0 de tal manera que "
+"puedan ser usados por cualquiera gratuitamente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4861
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6208
msgid ""
"Providing a free version of their product that satisfies a lot of their "
"customers’ needs has actually enabled the Noun Project to build the paid "
"mundial. Integrar Creative Commons dentro de su modelo ha sido clave para "
"esa meta."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4867
-msgid ""
-"www.kickstarter.com/projects/tnp/building-a-free-collection-of-our-worlds-"
-"visual-sy/description"
-msgstr ""
-"www.kickstarter.com/projects/tnp/building-a-free-collection-of-our-worlds-"
-"visual-sy/description"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4867
-msgid "thenounproject.com/handbook/royalties/\\#getting\\_paid"
-msgstr "thenounproject.com/handbook/royalties/\\#getting\\_paid"
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4867
-msgid "thenounproject.com/iconathon/"
-msgstr "thenounproject.com/iconathon/"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4869
-msgid "## Open Data Institute"
-msgstr "## Open Data Institute"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6219
+msgid "Open Data Institute"
+msgstr "Open Data Institute"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4873
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6222
msgid ""
"The Open Data Institute is an independent nonprofit that connects, equips, "
-"and inspires people around the world to innovate with data. Founded in 2012 "
+"and inspires people around the world to innovate with data. Founded in 2012 "
"in the UK."
msgstr ""
"El Open Data Institute es una entidad no lucrativa independiente que "
"conecta, equipa, e inspira a gente alrededor del mundo para inovar con "
"datos. Fundada en 2012 en RU."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4875
-msgid "theodi.org"
-msgstr "theodi.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6227
+msgid "<ulink url=\"http://theodi.org\"/>"
+msgstr "<ulink url=\"http://theodi.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4878
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6229
msgid ""
-"Revenue model: grant and government funding, charging for custom services, "
-"donations"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grant and government "
+"funding, charging for custom services, donations"
msgstr ""
-"Modelo de ingresos: financiamiento por subvenciones y gubernamental, cargos "
-"por servicios personalizados, donaciones"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: financiamiento por "
+"subvenciones y aportaciones gubernamentales, cargos por servicios "
+"personalizados, donaciones"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4880
-msgid "Interview date: November 11, 2015"
-msgstr "Fecha de la entrevista: 11 de noviembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6232
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: November 11, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 11 de "
+"noviembre, 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4882
-msgid "Interviewee: Jeni Tennison, technical director"
-msgstr "Entrevistado: Jeni Tennison, director técnico"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6235
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Jeni Tennison, technical "
+"director"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Jeni Tennison, director "
+"técnico"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4892
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6243
msgid ""
"Cofounded by Sir Tim Berners-Lee and Sir Nigel Shadbolt in 2012, the London-"
"based Open Data Institute (ODI) offers data-related training, events, "
"consulting services, and research. For ODI, Creative Commons licenses are "
"central to making their own business model and their customers’ open. CC BY "
"(Attribution), CC BY-SA (Attribution-ShareAlike), and CC0 (placed in the "
-"public domain) all play a critical role in ODI’s mission to help people "
+"public domain) all play a critical role in ODI’s mission to help people "
"around the world innovate with data."
msgstr ""
"Cofundado entre Sir Tim Berners-Lee y Sir Nigel Shadbolt en 2012, el Open "
"rol crítico en la misión del ODI ayudando a las personas alrededor del mundo "
"a inovar con los datos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4902
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6253
msgid ""
"Data underpins planning and decision making across all aspects of society. "
"Weather data helps farmers know when to plant their crops, flight time data "
"inversiones. Pueden ayudar a los ciudadanos a mejorar sus vidas al "
"permitirles entender mejor qué es lo que esta pasando alrededor de ellos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4908
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6265
msgid ""
"The Open Data Institute’s 2012–17 business plan starts out by describing its "
"vision to establish itself as a world-leading center and to research and be "
"políticas abiertas y de datos abiertos.) Continua diciendo que el ODI "
"quiere —"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6275
msgid ""
"demonstrate the commercial value of open government data and how open-data "
"policies affect this;"
"demostrar el valor comercial de los datos de gobierno abiertos y cómo las "
"políticas de datos abiertos afectan esto;"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6281
msgid "develop the economic benefits case and business models for open data;"
msgstr ""
"desarrollar el caso del beneficio económico y el modelos de negocios para "
"los datos abiertos;"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6287
msgid "help UK businesses use open data; and"
msgstr "ayudar a los negocios del RU a usar los datos abiertos; y"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4915
-msgid "show how open data can improve public services.1"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6292
+msgid ""
+"<ulink url=\"http://e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6."
+"cf3.rackcdn.com/odi-business-plan-may-release.pdf\"/>"
+msgstr ""
+"<ulink url=\"http://e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6."
+"cf3.rackcdn.com/odi-business-plan-may-release.pdf\"/>"
+
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6292
+msgid ""
+"show how open data can improve public services.<placeholder type=\"footnote"
+"\" id=\"0\"/>"
msgstr ""
-"mostrar cómo los datos abiertos pueden mejorar los servicios públicos.1"
+"mostrar cómo los datos abiertos pueden mejorar los servicios públicos."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4923
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6297
+#, fuzzy
+#| msgid ""
+#| "ODI is very explicit about how it wants to make open business models, and "
+#| "defining what this means. Jeni Tennison, ODI’s technical director, puts "
+#| "it this way: “There is a whole ecosystem of open—open-source software, "
+#| "open government, open-access research—and a whole ecosystem of data. "
+#| "ODI’s work cuts across both, with an emphasis on where they overlap—with "
+#| "open data.” ODI’s particular focus is to show open data’s potential for "
+#| "revenue."
msgid ""
"ODI is very explicit about how it wants to make open business models, and "
"defining what this means. Jeni Tennison, ODI’s technical director, puts it "
-"this way: “There is a whole ecosystem of open—open-source software, open "
-"government, open-access research—and a whole ecosystem of data. ODI’s work "
-"cuts across both, with an emphasis on where they overlap—with open data.” "
-"ODI’s particular focus is to show open data’s potential for revenue."
+"this way: <quote>There is a whole ecosystem of open—open-source software, "
+"open government, open-access research—and a whole ecosystem of data. ODI’s "
+"work cuts across both, with an emphasis on where they overlap—with open data."
+"</quote> ODI’s particular focus is to show open data’s potential for revenue."
msgstr ""
"El ODI es muy explícito acerca de cómo quiere hacer los modelos de negocios "
"abiertos, y definiendo lo que esto significa. Jeni Tennison, director "
"particular del ODI es mostrar el potencial de los datos abiertos para los "
"ingresos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4929
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6307
msgid ""
"As an independent nonprofit, ODI secured £10 million over five years from "
"the UK government via Innovate UK, an agency that promotes innovation in "
"science and technology. For this funding, ODI has to secure matching funds "
-"from other sources, some of which were met through a \\$4.75-million "
+"from other sources, some of which were met through a $4.75-million "
"investment from the Omidyar Network."
msgstr ""
"Como una entidad independiente y sin ánimo de lucro, el ODI aseguró £10 "
"Innovate UK, una agencia que promueve la inovación en ciencia y tecnología. "
"Por este financiamiento, el ODI tiene que asegurar fondos complementarios "
"de otras fuentes, algunas de las cuales fueron cubiertas a través de una "
-"inversión de \\$4.75 millones de la Omidyar Network."
+"inversión de $4.75 millones de la Omidyar Network."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4935
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6315
msgid ""
"Jeni started out as a developer and technical architect for data.gov.uk, the "
-"UK government’s pioneering open-data initiative. She helped make data sets "
+"UK government’s pioneering open-data initiative. She helped make data sets "
"from government departments available as open data. She joined ODI in 2012 "
"when it was just starting up, as one of six people. It now has a staff of "
"about sixty."
"comenzando, como una de seis personas que lo conformaban. Actualmente tiene "
"un staff de sesenta."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4942
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6322
msgid ""
"ODI strives to have half its annual budget come from the core UK government "
"and Omidyar grants, and the other half from project-based research and "
"tmabién los mantiene motivados para salir y generar esos fondos "
"complementarios en respuesta a las necesidades del mercado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4945
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6330
msgid ""
"On the commercial side, ODI generates funding through memberships, training, "
"and advisory services."
"En el lado comercial, el ODI genera fondos a través de membresías, "
"capacitación, y servicios de asesoría."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4956
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6345
+msgid "<ulink url=\"http://directory.theodi.org/members\"/>"
+msgstr "<ulink url=\"http://directory.theodi.org/members\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6334
msgid ""
-"You can join the ODI as an individual or commercial member. Individual "
-"membership is pay-what-you-can, with options ranging from £1 to £100. "
+"You can join the ODI as an individual or commercial member. Individual "
+"membership is pay-what-you-can, with options ranging from £1 to £100. "
"Members receive a newsletter and related communications and a discount on "
"ODI training courses and the annual summit, and they can display an ODI-"
"supporter badge on their website. Commercial membership is divided into two "
"corporations and government organizations at £2,200 a year. Commercial "
"members have greater opportunities to connect and collaborate, explore the "
"benefits of open data, and unlock new business opportunities. (All members "
-"are listed on their website.)2"
+"are listed on their website.)<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Usted se puede unir al ODI como individuo o miembro comercial. Las "
"membresías individuales son paga-lo-que-puedas, con opciones dentro del "
"organizacinoes gubernamentales a £2,200 por año. Los miembros comerciales "
"tienen mayores oportunidades de conectarse y colaborar, explorarr los "
"beneficios de los datos abiertos, y abrir nuevas oportunidades. (Todos "
-"miembros son listados en su sitio web.)2"
+"miembros son listados en su sitio web.)<placeholder type=\"footnote\" id="
+"\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4968
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6348
+#, fuzzy
+#| msgid ""
+#| "ODI provides standardized open data training courses in which anyone can "
+#| "enroll. The initial idea was to offer an intensive and academically "
+#| "oriented diploma in open data, but it quickly became clear there was no "
+#| "market for that. Instead, they offered a five-day-long public training "
+#| "course, which has subsequently been reduced to three days; now the most "
+#| "popular course is one day long. The fee, in addition to the time "
+#| "commitment, can be a barrier for participation. Jeni says, “Most of the "
+#| "people who would be able to pay don’t know they need it. Most who know "
+#| "they need it can’t pay.” Public-sector organizations sometimes give "
+#| "vouchers to their employees so they can attend as a form of professional "
+#| "development."
msgid ""
"ODI provides standardized open data training courses in which anyone can "
"enroll. The initial idea was to offer an intensive and academically oriented "
"that. Instead, they offered a five-day-long public training course, which "
"has subsequently been reduced to three days; now the most popular course is "
"one day long. The fee, in addition to the time commitment, can be a barrier "
-"for participation. Jeni says, “Most of the people who would be able to pay "
-"don’t know they need it. Most who know they need it can’t pay.” Public-"
-"sector organizations sometimes give vouchers to their employees so they can "
-"attend as a form of professional development."
+"for participation. Jeni says, <quote>Most of the people who would be able to "
+"pay don’t know they need it. Most who know they need it can’t pay.</quote> "
+"Public-sector organizations sometimes give vouchers to their employees so "
+"they can attend as a form of professional development."
msgstr ""
"El ODI proporciona cursos de capacitación estandarizados de datos abiertos "
"en los cuales cualquiera se puede suscribir. Al comienzo la idea era ofrecer "
"algunas veces dan vouchers a sus empleados de tal manera que puedan asistir "
"como una forma de desarrollo profesional."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4976
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6362
msgid ""
"ODI customizes training for clients as well, for which there is more demand. "
"Custom training usually emerges through an established relationship with an "
"ejecutivos de alto nivel, administradores y equipo técnico. La capacitación "
"tiende a generar gran interés y compromiso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4983
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6371
msgid ""
"Education about open data is also a part of ODI’s annual summit event, where "
"curated presentations and speakers showcase the work of ODI and its members "
"personas y organizaciones asisten y participan. En 2014, hubo cuatro "
"temáticas principales y más de 750 asistentes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4990
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6379
msgid ""
"In addition to memberships and training, ODI provides advisory services to "
"help with technical-data support, technology development, change management, "
"gobierno, pero el ODI está trabajando para desplazarse más hacia las "
"organizaciones comerciales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:4993
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6388
msgid ""
"On the commercial side, the following value propositions seem to resonate:"
msgstr ""
"Del lado comercial, las siguiente proposiciones de valor parecen resonar:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5008
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6394
msgid ""
"Data-driven insights. Businesses need data from outside their business to "
"get more insight. Businesses can generate value and more effectively pursue "
"valor y perseguir más efectivamente sus propias metas si abren sus propios "
"datos también. Los datos abiertos son un tópico candente."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5008
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6402
msgid ""
"Open innovation. Many large-scale enterprises are aware they don’t innovate "
"very well. One way they can innovate is to open up their data. ODI "
"principal es invitar a otras personas para ayudar mientras aún se mantien la "
"autonomía organizativa."
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5008
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6411
msgid ""
"Corporate social responsibility. While this resonates with businesses, ODI "
"cautions against having it be the sole reason for making data open. If a "
"una manera de ser transparente y rendir cuentas, pueden perder en eficiencia "
"y oportunidades."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5016
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6420
+#, fuzzy
+#| msgid ""
+#| "During their early years, ODI wanted to focus solely on the United "
+#| "Kingdom. But in their first year, large delegations of government "
+#| "visitors from over fifty countries wanted to learn more about the UK "
+#| "government’s open-data practices and how ODI saw that translating into "
+#| "economic value. They were contracted as a service provider to "
+#| "international governments, which prompted a need to set up international "
+#| "ODI “nodes.”"
msgid ""
"During their early years, ODI wanted to focus solely on the United Kingdom. "
"But in their first year, large delegations of government visitors from over "
"fifty countries wanted to learn more about the UK government’s open-data "
"practices and how ODI saw that translating into economic value. They were "
"contracted as a service provider to international governments, which "
-"prompted a need to set up international ODI “nodes.”"
+"prompted a need to set up international ODI <quote>nodes.</quote>"
msgstr ""
"Durante los primeros años, el ODI quería enfocarse solamente en el Reino "
"Unido. Pero en el primer año, grandes delegaciones de visitantes "
"servicios para gobiernos internacionales, quienes mostraron una necesidad de "
"crear “nodos” internacionales del ODI."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5026
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6429
msgid ""
-"Nodes are franchises of the ODI at a regional or city level. Hosted by "
+"Nodes are franchises of the ODI at a regional or city level. Hosted by "
"existing (for-profit or not-for-profit) organizations, they operate locally "
"but are part of the global network. Each ODI node adopts the charter, a set "
-"of guiding principles and rules under which ODI operates. They develop and "
+"of guiding principles and rules under which ODI operates. They develop and "
"deliver training, connect people and businesses through membership and "
"events, and communicate open-data stories from their part of the world. "
"There are twenty-seven different nodes across nineteen countries. ODI nodes "
"diferentes a través de diecinueve naciones. A dos nodos ODI se les cobra una "
"pequeña cuota por ser parte de la red y usar la marca."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5030
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6443
+msgid ""
+"<ulink url=\"http://theodi.org/odi-startup-programme\"/>; <ulink url="
+"\"http://theodi.org/open-data-incubator-for-europe\"/>"
+msgstr ""
+"<ulink url=\"http://theodi.org/odi-startup-programme\"/>; <ulink url="
+"\"http://theodi.org/open-data-incubator-for-europe\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6441
msgid ""
"ODI also runs programs to help start-ups in the UK and across Europe develop "
"a sustainable business around open data, offering mentoring, advice, "
-"training, and even office space.3"
+"training, and even office space.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"El ODI también tiene programas para ayudar a las start-ups en el RU y a "
"través de Europa a desarrollar un negocio sostenible alrededor de los datos "
"abiertos, ofreciendo mentoría, consejo, capacitación, e incluso espacio para "
-"oficinas.3"
+"oficinas.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5038
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6447
msgid ""
-"A big part of ODI’s business model revolves around community building. "
+"A big part of ODI’s business model revolves around community building. "
"Memberships, training, summits, consulting services, nodes, and start-up "
-"programs create an ever-growing network of open-data users and leaders. (In "
+"programs create an ever-growing network of open-data users and leaders. (In "
"fact, ODI even operates something called an Open Data Leaders Network.) For "
"ODI, community is key to success. They devote significant time and effort to "
"build it, not just online but through face-to-face events."
"es fundamental para triunfar. Dedican tiempo y esfuerzos significativos para "
"construirla, no únicamente enlinea sino a través de eventos cara-a-cara."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5044
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6461
+msgid "<ulink url=\"http://certificates.theodi.org\"/>"
+msgstr "<ulink url=\"http://certificates.theodi.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6456
msgid ""
"ODI has created an online tool that organizations can use to assess the "
"legal, practical, technical, and social aspects of their open data. If it is "
"of high quality, the organization can earn ODI’s Open Data Certificate, a "
"globally recognized mark that signals that their open data is useful, "
-"reliable, accessible, discoverable, and supported.4"
+"reliable, accessible, discoverable, and supported.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"El ODI ha creado una herramienta enlinea que las organizaciones pueden "
"utilizarla para evaluar los aspectos legales, prácticos, técnicos, y "
"sociales de sus datos abiertos. Si es de alta calidad, la organización puede "
"ganar el Open Data Certificate (certificado de datos abiertos ) de la ODI, "
"una marca reconocida globalmente que declara que sus datos abiertos son "
-"usables, confiables, accesibles, descubribles, y que están soportados.4"
+"usables, confiables, accesibles, descubribles, y que están soportados."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5049
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6464
msgid ""
"Separate from commercial activities, the ODI generates funding through "
"research grants. Research includes looking at evidence on the impact of open "
"herramientas de datos abiertos, y cómo implementar los datos abiertos en "
"escala."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5054
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6470
+#, fuzzy
+#| msgid ""
+#| "Creative Commons 4.0 licenses cover database rights and ODI recommends CC "
+#| "BY, CC BY-SA, and CC0 for data releases. ODI encourages publishers of "
+#| "data to use Creative Commons licenses rather than creating new “open "
+#| "licenses” of their own."
msgid ""
"Creative Commons 4.0 licenses cover database rights and ODI recommends CC "
"BY, CC BY-SA, and CC0 for data releases. ODI encourages publishers of data "
-"to use Creative Commons licenses rather than creating new “open licenses” of "
-"their own."
+"to use Creative Commons licenses rather than creating new <quote>open "
+"licenses</quote> of their own."
msgstr ""
"Las licencias Creative Commons 4.0 cubren los derechos de bases de datos y "
"el ODI recomienda CC BY, CC BY-SA, y CC0 para la liberacion de datos. El ODI "
"alienta a los publicadores de datos a usar las licencias Creative Commons en "
"vez de crear “licencias abiertas” de su autoría."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5070
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6477
+#, fuzzy
+#| msgid ""
+#| "For ODI, open is at the heart of what they do. They also release any "
+#| "software code they produce under open-source-software licenses, and "
+#| "publications and reports under CC BY or CC BY-SA licenses. ODI’s mission "
+#| "is to connect and equip people around the world so they can innovate with "
+#| "data. Disseminating stories, research, guidance, and code under an open "
+#| "license is essential for achieving that mission. It also demonstrates "
+#| "that it is perfectly possible to generate sustainable revenue streams "
+#| "that do not rely on restrictive licensing of content, data, or code. "
+#| "People pay to have ODI experts provide training to them, not for the "
+#| "content of the training; people pay for the advice ODI gives them, not "
+#| "for the methodologies they use. Producing open content, data, and source "
+#| "code helps establish credibility and creates leads for the paid services "
+#| "that they offer. According to Jeni, “The biggest lesson we have learned "
+#| "is that it is completely possible to be open, get customers, and make "
+#| "money.”"
msgid ""
"For ODI, open is at the heart of what they do. They also release any "
"software code they produce under open-source-software licenses, and "
"Disseminating stories, research, guidance, and code under an open license is "
"essential for achieving that mission. It also demonstrates that it is "
"perfectly possible to generate sustainable revenue streams that do not rely "
-"on restrictive licensing of content, data, or code. People pay to have ODI "
+"on restrictive licensing of content, data, or code. People pay to have ODI "
"experts provide training to them, not for the content of the training; "
"people pay for the advice ODI gives them, not for the methodologies they "
"use. Producing open content, data, and source code helps establish "
"credibility and creates leads for the paid services that they offer. "
-"According to Jeni, “The biggest lesson we have learned is that it is "
-"completely possible to be open, get customers, and make money.”"
+"According to Jeni, <quote>The biggest lesson we have learned is that it is "
+"completely possible to be open, get customers, and make money.</quote>"
msgstr ""
"Para el ODI, abierto está en el corazón de lo que hacen. También liberan "
"cualquier código de software que ellos produzcan bajo las licencias de "
"es que es completamente posible ser abierto, conseguir clientes, y hacer "
"dinero.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5074
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6495
msgid ""
"To serve as evidence of a successful open business model and return on "
-"investment, ODI has a public dashboard of key performance indicators. Here "
+"investment, ODI has a public dashboard of key performance indicators. Here "
"are a few metrics as of April 27, 2016:"
msgstr ""
"Para que sirva de evidencia de un modelo de negocios abierto exitoso y del "
"desempeño fundamentales. He aquí unas cuantas mediciones a pertir del 27 de "
"Abril de 2016:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6503
msgid ""
"Total amount of cash investments unlocked in direct investments in ODI, "
"competition funding, direct contracts, and partnerships, and income that ODI "
"directos y asociaciones, y los ingresos que los nodos y las nuevas empresas "
"del ODI han generado desde su incorporación al programa ODI: £ 44.5 millones"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6511
msgid "Total number of active members and nodes across the globe: 1,350"
msgstr "Número total de miembros activos y nodos alrededor del mundo: 1,350"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6517
msgid "Total sales since ODI began: £7.44 million"
msgstr "Ventas totales desde que comenzó el ODI: £7.44 millones"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6522
msgid ""
"Total number of unique people reached since ODI began, in person and online: "
"2.2 million"
"Número total de personas individuales alcanzadas desde que comenzó el ODI, "
"en persona y enlinea: 2.2 millones"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6528
msgid "Total Open Data Certificates created: 151,000"
msgstr "Total de certificados de Open Data creados: 151, 000"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5086
-msgid ""
-"Total number of people trained by ODI and its nodes since ODI began: 5,0805"
-msgstr ""
-"Número total de personas capacitadas por el ODI y sus nodos desde que el ODI "
-"comenzó: 50,805"
-
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid ""
-"e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6.cf3.rackcdn.com/odi-"
-"business-plan-may-release.pdf"
-msgstr ""
-"e642e8368e3bf8d5526e-464b4b70b4554c1a79566214d402739e.r6.cf3.rackcdn.com/odi-"
-"business-plan-may-release.pdf"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid "directory.theodi.org/members"
-msgstr "directory.theodi.org/members"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6534
+msgid "<ulink url=\"http://dashboards.theodi.org/company/all\"/>"
+msgstr "<ulink url=\"http://dashboards.theodi.org/company/all\"/>"
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6533
msgid ""
-"theodi.org/odi-startup-programme; theodi.org/open-data-incubator-for-europe"
+"Total number of people trained by ODI and its nodes since ODI began: "
+"5,080<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"theodi.org/odi-startup-programme; theodi.org/open-data-incubator-for-europe"
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid "certificates.theodi.org"
-msgstr "certificates.theodi.org"
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5095
-msgid "dashboards.theodi.org/company/all"
-msgstr "dashboards.theodi.org/company/all"
+"Número total de personas capacitadas por el ODI y sus nodos desde que el ODI "
+"comenzó: 5,080<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5097
-msgid "## OpenDesk"
-msgstr "## OpenDesk"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6540
+msgid "OpenDesk"
+msgstr "OpenDesk"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5101
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6543
msgid ""
"Opendesk is a for-profit company offering an online platform that connects "
"furniture designers around the world with customers and local makers who "
-"bring the designs to life. Founded in 2014 in the UK."
+"bring the designs to life. Founded in 2014 in the UK."
msgstr ""
"Opendesk es una compañía de lucro que ofrece una plataforma enlinea que "
"conecta a los diseñadores de mobiliario alrededor del mundo con clientes y "
"creadores locales quienes traen el diseño a la vida. Fundada en 2014 en el "
"RU."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5103
-msgid "www.opendesk.cc"
-msgstr "www.opendesk.cc"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6549
+msgid "<ulink url=\"http://www.opendesk.cc\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5105
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7055
-msgid "Revenue model: charging a transaction fee"
-msgstr "Modelo de ingresos: cargos por una cuota de transacción"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6551
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8982
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging a transaction "
+"fee"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cargos por una "
+"cuota de transacción"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5107
-msgid "Interview date: November 4, 2015"
-msgstr "Fecha de la entrevista: 4 de noviembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6554
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: November 4, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 4 de noviembre, "
+"2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5109
-msgid "Interviewees: Nick Ierodiaconou and Joni Steiner, cofounders"
-msgstr "Entrevistados: Nick Ierodiaconou y Joni Steiner, cofundadores"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6557
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: Nick Ierodiaconou and "
+"Joni Steiner, cofounders"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistados</emphasis>: Nick Ierodiaconou y Joni "
+"Steiner, cofundadores"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5116
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6565
msgid ""
"Opendesk is an online platform that connects furniture designers around the "
"world not just with customers but also with local registered makers who "
"Opendesk y el diseñador reciben una porción de cada venta que es realizada "
"por un creador."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5131
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6571
+#, fuzzy
+#| msgid ""
+#| "Cofounders Nick Ierodiaconou and Joni Steiner studied and worked as "
+#| "architects together. They also made goods. Their first client was Mint "
+#| "Digital, who had an interest in open licensing. Nick and Joni were "
+#| "exploring digital fabrication, and Mint’s interest in open licensing got "
+#| "them to thinking how the open-source world may interact and apply to "
+#| "physical goods. They sought to design something for their client that was "
+#| "also reproducible. As they put it, they decided to “ship the recipe, but "
+#| "not the goods.” They created the design using software, put it under an "
+#| "open license, and had it manufactured locally near the client. This was "
+#| "the start of the idea for Opendesk. The idea for Wikihouse—another open "
+#| "project dedicated to accessible housing for all—started as discussions "
+#| "around the same table. The two projects ultimately went on separate "
+#| "paths, with Wikihouse becoming a nonprofit foundation and Opendesk a for-"
+#| "profit company."
msgid ""
"Cofounders Nick Ierodiaconou and Joni Steiner studied and worked as "
"architects together. They also made goods. Their first client was Mint "
"digital fabrication, and Mint’s interest in open licensing got them to "
"thinking how the open-source world may interact and apply to physical goods. "
"They sought to design something for their client that was also reproducible. "
-"As they put it, they decided to “ship the recipe, but not the goods.” They "
-"created the design using software, put it under an open license, and had it "
-"manufactured locally near the client. This was the start of the idea for "
-"Opendesk. The idea for Wikihouse—another open project dedicated to "
+"As they put it, they decided to <quote>ship the recipe, but not the goods.</"
+"quote> They created the design using software, put it under an open license, "
+"and had it manufactured locally near the client. This was the start of the "
+"idea for Opendesk. The idea for Wikihouse—another open project dedicated to "
"accessible housing for all—started as discussions around the same table. The "
"two projects ultimately went on separate paths, with Wikihouse becoming a "
"nonprofit foundation and Opendesk a for-profit company."
"caminos separados, con Wikihouse volviendose una fundación sin ánimo de "
"lucro y Opendesk en una campañía de lucro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5137
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6588
msgid ""
"When Nick and Joni set out to create Opendesk, there were a lot of questions "
"about the viability of distributed manufacturing. No one was doing it in a "
"del diseño tenía la intención, pero completar esa visión estaba todavía "
"lejos del camino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5147
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6595
msgid ""
"And now this sector is emerging, and Nick and Joni are highly interested in "
"the commercialization aspects of it. As part of coming up with a business "
"mantener la propiedad? Al final, decidieron que no había necesidad de "
"reinventar la rueda y decidieron usar las Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5153
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6606
msgid ""
"When designing the Opendesk system, they had two goals. They wanted anyone, "
"anywhere in the world, to be able to download designs so that they could be "
"viable que beneficiara a los diseñadores cuando sus diseños se vendieran. "
"Salir con un modelo de negocios iba a ser complejo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5157
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6613
msgid ""
"They gave a lot of thought to three angles—the potential for social sharing, "
"allowing designers to choose their license, and the impact these choices "
"permitir a los diseñadores escoger sus licencias, y el impacto que estas "
"decisiones en el modelo de negocios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5163
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6618
msgid ""
"In support of social sharing, Opendesk actively advocates for (but doesn’t "
"demand) open licensing. And Nick and Joni are agnostic about which Creative "
"Creative Commons, decidiendo por sí mismos que tan abiertos o cerrados "
"quieren ser."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5168
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6630
+msgid "<ulink url=\"http://www.opendesk.cc/designers\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc/designers\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6626
+#, fuzzy
+#| msgid ""
+#| "For the most part, designers love the idea of sharing content. They "
+#| "understand that you get positive feedback when you’re attributed, what "
+#| "Nick and Joni called “reputational glow.” And Opendesk does an awesome "
+#| "job profiling the designers.<placeholder type=\"footnote\" id=\"0\"/>"
msgid ""
-"For the most part, designers love the idea of sharing content. They "
+"For the most part, designers love the idea of sharing content. They "
"understand that you get positive feedback when you’re attributed, what Nick "
-"and Joni called “reputational glow.” And Opendesk does an awesome job "
-"profiling the designers.1"
+"and Joni called <quote>reputational glow.</quote> And Opendesk does an "
+"awesome job profiling the designers.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"En su mayoría, los diseñadores aman la idea de compartir contenido. "
"Entienden que reciben realimentación positiva cuando se les dá crédito, lo "
"que Nick y Joni llamaron “atractivo reputacional.” Y Opendesk hace un "
-"magnífico trabajo perfilando a los diseñadores.1"
+"magnífico trabajo perfilando a los diseñadores.<placeholder type=\"footnote"
+"\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5173
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6633
msgid ""
"While designers are largely OK with personal sharing, there is a concern "
"that someone will take the design and manufacture the furniture in bulk, "
"beneficio. Por lo que la mayoría de los diseñadores Opendesk escogen la "
"licencia Attributtion-NonCommercial (CC BY-NC)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5182
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6640
msgid ""
"Anyone can download a design and make it themselves, provided it’s for "
-"noncommercial use — and there have been many, many downloads. Or users can "
+"noncommercial use — and there have been many, many downloads. Or users can "
"buy the product from Opendesk, or from a registered maker in Opendesk’s "
-"network, for on-demand personal fabrication. The network of Opendesk makers "
+"network, for on-demand personal fabrication. The network of Opendesk makers "
"currently is made up of those who do digital fabrication using a computer-"
"controlled CNC (Computer Numeric Control) machining device that cuts shapes "
"out of wooden sheets according to the specifications in the design file."
"Control) que corta formas de las hojas de madera de acuerdo a las "
"especificaciones en el archivo de diseño."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5190
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6657
+msgid "<ulink url=\"http://www.opendesk.cc/open-making/makers/\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc/open-making/makers/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6650
+#, fuzzy
+#| msgid ""
+#| "Makers benefit from being part of Opendesk’s network. Making furniture "
+#| "for local customers is paid work, and Opendesk generates business for "
+#| "them. Joni said, “Finding a whole network and community of makers was "
+#| "pretty easy because we built a site where people could write in about "
+#| "their capabilities. Building the community by learning from the maker "
+#| "community is how we have moved forward.” Opendesk now has relationships "
+#| "with hundreds of makers in countries all around the world.<placeholder "
+#| "type=\"footnote\" id=\"0\"/>"
msgid ""
"Makers benefit from being part of Opendesk’s network. Making furniture for "
"local customers is paid work, and Opendesk generates business for them. Joni "
-"said, “Finding a whole network and community of makers was pretty easy "
+"said, <quote>Finding a whole network and community of makers was pretty easy "
"because we built a site where people could write in about their "
"capabilities. Building the community by learning from the maker community is "
-"how we have moved forward.” Opendesk now has relationships with hundreds of "
-"makers in countries all around the world.2"
+"how we have moved forward.</quote> Opendesk now has relationships with "
+"hundreds of makers in countries all around the world.<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"Los creadores se benefician de ser parte de la red de Opendesk. Elaborar "
"mobilario para los clientes locales es un trabajo pagado, y Opendesk genera "
"donde las personas podían escribir ahí acerca de sus capacidades. Construir "
"la comunidad del aprendizaje de la comunidad de creadores es como nos hemos "
"avanzado.” Actualmente Opendesk tiene relaciones con cientos de creadores en "
-"países alrededor del mundo.2"
+"países alrededor del mundo.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5194
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6660
msgid ""
-"The makers are a critical part of the Opendesk business model. Their model "
+"The makers are a critical part of the Opendesk business model. Their model "
"builds off the makers’ quotes. Here’s how it’s expressed on Opendesk’s "
"website:"
msgstr ""
"modelo se basa en las cotizaciones de los creadores. Asi es como se expresa "
"en el sitio web de Opendesk:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5197
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6665
msgid ""
"When customers buy an Opendesk product directly from a registered maker, "
"they pay:"
"Cuando los clientes compran un producto Opendesk directamente de un creador "
"registrado, ellos pagan:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6671
msgid ""
"the manufacturing cost as set by the maker (this covers material and labour "
"costs for the product to be manufactured and any extra assembly costs "
"costos de fabricación del producto que será manufacturado y cualquier costo "
"extra por ensamblado cargado por el creador)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6678
msgid ""
"a design fee for the designer (a design fee that is paid to the designer "
"every time their design is used)"
"una cuota por diseño para el diseñador (una cuota por diseño que es pagada "
"al diseñador cada vez que su diseño es usado)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6684
msgid ""
"a percentage fee to the Opendesk platform (this supports the infrastructure "
"and ongoing development of the platform that helps us build out our "
"infraestructura y el desarrollo continuo de la plataforma que nos ayuda a "
"contruir nuestro mercado)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6691
msgid ""
"a percentage fee to the channel through which the sale is made (at the "
"moment this is Opendesk, but in the future we aim to open this up to third-"
"de sus propios canales—esto cubre ventas y cuotas de marketing para el canal "
"relevante)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6700
msgid ""
"a local delivery service charge (the delivery is typically charged by the "
"maker, but in some cases may be paid to a third-party delivery partner)"
"por el creador, pero en algunos casos puede ser pagada a un servicio de "
"entrega externo asociado)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6707
msgid ""
"charges for any additional services the customer chooses, such as on-site "
"assembly (additional services are discretionary—in many cases makers will be "
"casos los creadores estarán felices de presupuestar por el ensamblado en "
"sitio y los diseñadores podrían ofrecer opciones de diseño a la medida)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5219
-msgid "local sales taxes (variable by customer and maker location)3"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6716
+msgid "<ulink url=\"http://www.opendesk.cc/open-making/join\"/>"
+msgstr "<ulink url=\"http://www.opendesk.cc/open-making/join\"/>"
+
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6715
+msgid ""
+"local sales taxes (variable by customer and maker location)<placeholder type="
+"\"footnote\" id=\"0\"/>"
msgstr ""
"impuestos por ventas locales (variable por la ubicación del cliente y el "
-"creador)3"
+"creador)<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5221
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6721
msgid "They then go into detail how makers’ quotes are created:"
msgstr ""
"A continuación, se detallan cómo se crean las cotizaciones de los creadores:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5230
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6724
msgid ""
"When a customer wants to buy an Opendesk . . . they are provided with a "
"transparent breakdown of fees including the manufacturing cost, design fee, "
"Opendesk platform fee and channel fees. If a customer opts to buy by getting "
"in touch directly with a registered local maker using a downloaded Opendesk "
"file, the maker is responsible for ensuring the design fee, Opendesk "
-"platform fee and channel fees are included in any quote at the time of sale. "
-"Percentage fees are always based on the underlying manufacturing cost and "
-"are typically apportioned as follows:"
+"platform fee and channel fees are included in any quote at the time of "
+"sale. Percentage fees are always based on the underlying manufacturing cost "
+"and are typically apportioned as follows:"
msgstr ""
"Cuando los clientes quieren comprar un Opendesk . . . se les proporciona un "
"desglose transparente de las cuotas incluyendo el costo de manufactura, "
"venta. Las cuotas de porcentaje están basadas siempre en los costos de "
"manufactura subyacentes y son típicamente prorrateado de la siguiente manera:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6737
msgid ""
"manufacturing cost: fabrication, finishing and any other costs as set by the "
"maker (excluding any services like delivery or on-site assembly)"
"por el creador (excluyendo cualquier servicio como la entrega o el "
"ensamblado en sitio)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6744
msgid "design fee: 8 percent of the manufacturing cost"
msgstr "cuota por diseño: 8 porciento del costo de manufactura"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6749
msgid "platform fee: 12 percent of the manufacturing cost"
msgstr "cuota de plataforma: 12 porciento del costo de manufactura"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6754
msgid "channel fee: 18 percent of the manufacturing cost"
msgstr "cuota de canal: 18 porciento del costo de manufactura"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5238
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6759
msgid "sales tax: as applicable (depends on product and location)"
msgstr "impuesto de venta: los aplicables (depende del producto y ubicación)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5243
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6764
msgid ""
-"Opendesk shares revenue with their community of designers. According to Nick "
-"and Joni, a typical designer fee is around 2.5 percent, so Opendesk’s 8 "
+"Opendesk shares revenue with their community of designers. According to "
+"Nick and Joni, a typical designer fee is around 2.5 percent, so Opendesk’s 8 "
"percent is more generous, and providing a higher value to the designer."
msgstr ""
"Opendesk comparte ingresos con su comunidad de diseñadores. De acuerdo con "
"asi el 8 porciento de Opendesk es más generoso, y proporciona una mayor "
"valor al diseñador."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5250
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6770
msgid ""
-"The Opendesk website features stories of designers and makers. Denis Fuzii "
+"The Opendesk website features stories of designers and makers. Denis Fuzii "
"published the design for the Valovi Chair from his studio in São Paulo. His "
"designs have been downloaded over five thousand times in ninety-five "
"countries. I.J. CNC Services is Ian Jinks, a professional maker based in the "
"países. I.J. CNC Services es Ian Jinks, un creador profesional ubicado en el "
"Reino Unido. Actualmente Opendesk representa una gran parte de sus negocios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5258
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6778
msgid ""
"To manage resources and remain effective, Opendesk has so far focused on a "
"very narrow niche—primarily office furniture of a certain simple aesthetic, "
"which uses only one type of material and one manufacturing technique. This "
"allows them to be more strategic and more disruptive in the market, by "
-"getting things to market quickly with competitive prices. It also reflects "
+"getting things to market quickly with competitive prices. It also reflects "
"their vision of creating reproducible and functional pieces."
msgstr ""
"Para administrar recursos y mantenerse eficaz, Opendesk desde hace mucho se "
"rápidamente con precios competitivos. También refleja su visión de crear "
"piezas funcionales y reproducibles."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5264
-msgid ""
-"On their website, Opendesk describes what they do as “open making”: "
-"“Designers get a global distribution channel. Makers get profitable jobs and "
-"new customers. You get designer products without the designer price tag, a "
-"more social, eco-friendly alternative to mass-production and an affordable "
-"way to buy custom-made products.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6787
+#, fuzzy
+#| msgid ""
+#| "On their website, Opendesk describes what they do as “open making”: "
+#| "“Designers get a global distribution channel. Makers get profitable jobs "
+#| "and new customers. You get designer products without the designer price "
+#| "tag, a more social, eco-friendly alternative to mass-production and an "
+#| "affordable way to buy custom-made products.”"
+msgid ""
+"On their website, Opendesk describes what they do as <quote>open making</"
+"quote>: <quote>Designers get a global distribution channel. Makers get "
+"profitable jobs and new customers. You get designer products without the "
+"designer price tag, a more social, eco-friendly alternative to mass-"
+"production and an affordable way to buy custom-made products.</quote>"
msgstr ""
"En su sitio web, Opendesk describe lo que hacen como “open making (creación "
"abierta)”:”Los diseñadores obtienen un canal de distribución global. Los "
"social y amigable con el ambiente, a la producción en masa y una forma más "
"asequible para comprar productos personalizados.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5270
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6795
msgid ""
"Nick and Joni say that customers like the fact that the furniture has a "
"known provenance. People really like that their furniture was designed by a "
"para contar. Ciertamente pone aparte al mobilario Opendesk de los objetos "
"usuales producidos en masa de una tienda."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5278
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6808
+msgid "<ulink url=\"http://openmaking.is\"/>"
+msgstr "<ulink url=\"http://openmaking.is\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6803
+#, fuzzy
+#| msgid ""
+#| "Nick and Joni are taking a community-based approach to define and evolve "
+#| "Opendesk and the “open making” business model. They’re engaging thought "
+#| "leaders and practitioners to define this new movement. They have a "
+#| "separate Open Making site, which includes a manifesto, a field guide, and "
+#| "an invitation to get involved in the Open Making community.<placeholder "
+#| "type=\"footnote\" id=\"0\"/> People can submit ideas and discuss the "
+#| "principles and business practices they’d like to see used."
msgid ""
"Nick and Joni are taking a community-based approach to define and evolve "
-"Opendesk and the “open making” business model. They’re engaging thought "
-"leaders and practitioners to define this new movement. They have a separate "
-"Open Making site, which includes a manifesto, a field guide, and an "
-"invitation to get involved in the Open Making community.4 People can submit "
-"ideas and discuss the principles and business practices they’d like to see "
-"used."
+"Opendesk and the <quote>open making</quote> business model. They’re "
+"engaging thought leaders and practitioners to define this new movement. They "
+"have a separate Open Making site, which includes a manifesto, a field guide, "
+"and an invitation to get involved in the Open Making community.<placeholder "
+"type=\"footnote\" id=\"0\"/> People can submit ideas and discuss the "
+"principles and business practices they’d like to see used."
msgstr ""
"Nick y Joni estan tomando un acercamiento basado en la comunidad para "
"definir y evolucionar a Opendesk y el modelo de negocios de “creación "
"abierta”. Estan involucrando a los líderes del pensamiento y a los afiliados "
"a definir este nuevo movimiento. Tienen un sitio separado de Open Making, el "
"cual incluye un manifiesto, una guía de campo, y una invitación a "
-"involucrarse en la comunidad del Open Making.4 La gente puede enviar sus "
-"ideas y discutir los principios y las prácticas de negocios que a ellos les "
-"gustaría ver que se usaran."
+"involucrarse en la comunidad del Open Making.<placeholder type=\"footnote\" "
+"id=\"0\"/> La gente puede enviar sus ideas y discutir los principios y las "
+"prácticas de negocios que a ellos les gustaría ver que se usaran."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5284
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6812
msgid ""
"Nick and Joni talked a lot with us about intellectual property (IP) and "
"commercialization. Many of their designers fear the idea that someone could "
"mayoría de los diseñadores Opendesk escogen la licencia Attribution-"
"NonCommercial (CC BY-NC)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5287
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6820
msgid ""
"Opendesk established a set of principles for what their community considers "
"commercial and noncommercial use. Their website states:"
"Opendesk estableció un conjunto de principios para lo que su comunidad "
"considera usos comerciales y no comerciales. Su sitio web declara:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5289
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6824
msgid "It is unambiguously commercial use when anyone:"
msgstr "Es inequívocamente uso comercial cuando alguien:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5292
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6829
msgid "charges a fee or makes a profit when making an Opendesk"
msgstr "carga una cuota o tiene una ganancia cuando hace un Opendesk"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5292
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6834
msgid "sells (or bases a commercial service on) an Opendesk"
msgstr "vende (o tiene un servicio comercial basado en) un OpenDesk"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5296
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6839
msgid ""
"It follows from this that noncommercial use is when you make an Opendesk "
"yourself, with no intention to gain commercial advantage or monetary "
"por tí mismo, sin intención de ganar ventaja comercial o compensación "
"monetaria. Por ejemplo, estos califican como no comercial:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5305
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6847
msgid ""
"you are an individual with your own CNC machine, or access to a shared CNC "
"machine, and will personally cut and make a few pieces of furniture yourself"
"CNC compartida, y personalmente cortará y hará unas pocas piezas de "
"mobiliario por sí mismo"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5305
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6854
msgid ""
"you are a student (or teacher) and you use the design files for educational "
"purposes or training (and do not intend to sell the resulting pieces)"
"es un estudiante (o un maestro) y usa el archivo de diseño con propósitos "
"educativos o capacitación (y no intenta vender las piezas resultantes)"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5305
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6861
msgid ""
"you work for a charity and get furniture cut by volunteers, or by employees "
"at a fab lab or maker space"
"objetos o artefactos haciendo uso de las herramientas que se encuentran "
"disponibles para ti en los diferentes talleres que lo conforman"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5314
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6867
+#, fuzzy
+#| msgid ""
+#| "Whether or not people technically are doing things that implicate IP, "
+#| "Nick and Joni have found that people tend to comply with the wishes of "
+#| "creators out of a sense of fairness. They have found that behavioral "
+#| "economics can replace some of the thorny legal issues. In their business "
+#| "model, Nick and Joni are trying to suspend the focus on IP and build an "
+#| "open business model that works for all stakeholders—designers, channels, "
+#| "manufacturers, and customers. For them, the value Opendesk generates "
+#| "hangs off “open,” not IP."
msgid ""
"Whether or not people technically are doing things that implicate IP, Nick "
"and Joni have found that people tend to comply with the wishes of creators "
"replace some of the thorny legal issues. In their business model, Nick and "
"Joni are trying to suspend the focus on IP and build an open business model "
"that works for all stakeholders—designers, channels, manufacturers, and "
-"customers. For them, the value Opendesk generates hangs off “open,” not IP."
+"customers. For them, the value Opendesk generates hangs off <quote>open,</"
+"quote> not IP."
msgstr ""
"Independientemente de que las personas técnicamente estén haciendo cosas que "
"implican propiedad intelectual, Nick y Joni encontraron que la gente tiende "
"diseñadores, canales, manufacturadores, y clientes. Para ellos, el valor que "
"genera Opendesk depende del “abierto,” no de la propiedad intelectual."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5320
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6878
msgid ""
"The mission of Opendesk is about relocalizing manufacturing, which changes "
-"the way we think about how goods are made. Commercialization is integral to "
+"the way we think about how goods are made. Commercialization is integral to "
"their mission, and they’ve begun to focus on success metrics that track how "
"many makers and designers are engaged through Opendesk in revenue-making "
"work."
"en mediciones del éxito que registran cuantos creadores y diseñadores estan "
"involucrados a través de Opendesk en trabajo generador de ingresos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5325
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6885
msgid ""
"As a global platform for local making, Opendesk’s business model has been "
"built on honesty, transparency, and inclusivity. As Nick and Joni describe "
"inclusividad. Como lo describen Nick y Joni, ponen ideas ahí afuera que "
"ganan impulso y entonces tienen esperanza en las personas."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "www.opendesk.cc/designers"
-msgstr "www.opendesk.cc/designers"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "www.opendesk.cc/open-making/makers/"
-msgstr "www.opendesk.cc/open-making/makers/"
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "www.opendesk.cc/open-making/join"
-msgstr "www.opendesk.cc/open-making/join"
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5332
-msgid "openmaking.is"
-msgstr "openmaking.is"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5334
-msgid "## OpenStax"
-msgstr "## OpenStax"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6892
+msgid "OpenStax"
+msgstr "OpenStax"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5338
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6895
msgid ""
"OpenStax is a nonprofit that provides free, openly licensed textbooks for "
"high-enrollment introductory college courses and Advanced Placement courses. "
"de texto de licencia abierta para cursos de introducción escolar de alta "
"demanda y cursos de posicionamiento avanzado. Fundado en 2012 en los EUA."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5340
-msgid "www.openstaxcollege.org"
-msgstr "www.openstaxcollege.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6900
+msgid "<ulink url=\"http://www.openstaxcollege.org\"/>"
+msgstr "<ulink url=\"http://www.openstaxcollege.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5343
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6902
msgid ""
-"Revenue model: grant funding, charging for custom services, charging for "
-"physical copies (textbook sales)"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grant funding, charging "
+"for custom services, charging for physical copies (textbook sales)"
msgstr ""
-"Modelo de ingresos: donaciones, cobros por servicios personalizados, cobros "
-"por copias físicas (ventas de libros de texto)"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: donaciones, cobros "
+"por servicios personalizados, cobros por copias físicas (ventas de libros de "
+"texto)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5345
-msgid "Interview date: December 16, 2015"
-msgstr "Fecha de la entrevista: 16 de diciembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6906
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 16, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 16 de "
+"diciembre, 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5347
-msgid "Interviewee: David Harris, editor-in-chief"
-msgstr "Entrevistado: David Harris, Editor en Jefe"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6909
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: David Harris, editor-in-"
+"chief"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: David Harris, Editor en "
+"Jefe"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5360
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6917
+#, fuzzy
+#| msgid ""
+#| "OpenStax is an extension of a program called Connexions, which was "
+#| "started in 1999 by Dr. Richard Baraniuk, the Victor E. Cameron Professor "
+#| "of Electrical and Computer Engineering at Rice University in Houston, "
+#| "Texas. Frustrated by the limitations of traditional textbooks and "
+#| "courses, Dr. Baraniuk wanted to provide authors and learners a way to "
+#| "share and freely adapt educational materials such as courses, books, and "
+#| "reports. Today, Connexions (now called OpenStax CNX) is one of the "
+#| "world’s best libraries of customizable educational materials, all "
+#| "licensed with Creative Commons and available to anyone, anywhere, anytime—"
+#| "for free."
msgid ""
"OpenStax is an extension of a program called Connexions, which was started "
-"in 1999 by Dr. Richard Baraniuk, the Victor E. Cameron Professor of "
+"in 1999 by Dr. Richard Baraniuk, the Victor E. Cameron Professor of "
"Electrical and Computer Engineering at Rice University in Houston, Texas. "
-"Frustrated by the limitations of traditional textbooks and courses, Dr. "
-"Baraniuk wanted to provide authors and learners a way to share and freely "
-"adapt educational materials such as courses, books, and reports. Today, "
-"Connexions (now called OpenStax CNX) is one of the world’s best libraries of "
-"customizable educational materials, all licensed with Creative Commons and "
-"available to anyone, anywhere, anytime—for free."
+"Frustrated by the limitations of traditional textbooks and courses, "
+"Dr. Baraniuk wanted to provide authors and learners a way to share and "
+"freely adapt educational materials such as courses, books, and reports. "
+"Today, Connexions (now called OpenStax CNX) is one of the world’s best "
+"libraries of customizable educational materials, all licensed with Creative "
+"Commons and available to anyone, anywhere, anytime—for free."
msgstr ""
"OpenStax es una extensión del programa llamado Connexions, el cual fue "
"comenzado en 1999 por el Dr. Richard Baraniuk, profesor Victor E. Cameron de "
"licenciado con Creative Commons y disponible para cualquiera, donde sea, en "
"cualquier momento— sin costo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5369
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6929
msgid ""
"In 2008, while in a senior leadership role at WebAssign and looking at ways "
"to reduce the risk that came with relying on publishers, David Harris began "
"investigating open educational resources (OER) and discovered Connexions. A "
"year and a half later, Connexions received a grant to help grow the use of "
"OER so that it could meet the needs of students who couldn’t afford "
-"textbooks. David came on board to spearhead this effort. Connexions became "
+"textbooks. David came on board to spearhead this effort. Connexions became "
"OpenStax CNX; the program to create open textbooks became OpenStax College, "
"now simply called OpenStax."
msgstr ""
"OpenStax CNX; el programa para crear libros de texto abiertos se volvió "
"OpenStax College, ahora simplemente OpenStax."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5379
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6940
msgid ""
"David brought with him a deep understanding of the best practices of "
"publishing along with where publishers have inefficiencies. In David’s view, "
"que esto conduciria a un posterior y acelerado crecimiento a través de la "
"fácil adopción por parte de los estudiantes y profesores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5388
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6958
+msgid ""
+"<ulink url=\"http://news.rice.edu/files/2016/01/0119-"
+"OPENSTAX-2016Infographic-lg-1tahxiu.jpg\"/>"
+msgstr ""
+"<ulink url=\"http://news.rice.edu/files/2016/01/0119-"
+"OPENSTAX-2016Infographic-lg-1tahxiu.jpg\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6952
msgid ""
"In 2012, OpenStax College launched as a nonprofit with the aim of producing "
"high-quality, peer-reviewed full-color textbooks that would be available for "
"free for the twenty-five most heavily attended college courses in the "
-"nation. Today they are fast approaching that number. There is data that "
+"nation. Today they are fast approaching that number. There is data that "
"proves the success of their original hypothesis on how many students they "
-"could help and how much money they could help save.1 Professionally produced "
-"content scales rapidly. All with no sales force!"
+"could help and how much money they could help save.<placeholder type="
+"\"footnote\" id=\"0\"/> Professionally produced content scales rapidly. All "
+"with no sales force!"
msgstr ""
"En 2012, se lanzó OpenStax College como una organización sin animo de lucro "
"con la intención de producir libros de texto de alta calidad, con revisión "
"por pares y a completos que pudieran estar disponibles sin costo para los "
"veinticinco cursos con la más alta matrícula colegial en la nación. Hay "
"información que prueba el exito de su hipótesis original de cuantos "
-"estudiantes pueden ayudara y cuanto dinero pueden ayudar a ahorrar.1 El "
-"contenido producido profesionalente escala rápidamente. Todo sin una fuerza "
-"de ventas!"
+"estudiantes pueden ayudara y cuanto dinero pueden ayudar a ahorrar."
+"<placeholder type=\"footnote\" id=\"0\"/> El contenido producido "
+"profesionalente escala rápidamente. Todo sin una fuerza de ventas!"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5396
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6962
msgid ""
"OpenStax textbooks are all Attribution (CC BY) licensed, and each textbook "
"is available as a PDF, an e-book, or web pages. Those who want a physical "
"incita a los estudiantes para que hablen con sus profesores y bibliotecarios "
"acerca de estos libros de texto y que promuevan su uso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5403
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6971
msgid ""
"Teachers are invited to try out a single chapter from one of the textbooks "
"with students. If that goes well, they’re encouraged to adopt the entire "
"capítulos, realizar cambios, y personalizar cualquier libro para que se "
"adecúe a sus necesidades."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5408
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6979
msgid ""
"Any teacher can post corrections, suggest examples for difficult concepts, "
"or volunteer as an editor or author. As many teachers also want supplemental "
"texto, OpenStax tambien provee presentaciones, bancos de pruebas, preguntas "
"clave, y más."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5413
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6990
+msgid "<ulink url=\"http://openstax.org/adopters\"/>"
+msgstr "<ulink url=\"http://openstax.org/adopters\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6986
msgid ""
"Institutions can stand out by offering students a lower-cost education "
"through the use of OpenStax textbooks; there’s even a textbook-savings "
"calculator they can use to see how much students would save. OpenStax keeps "
-"a running list of institutions that have adopted their textbooks.2"
+"a running list of institutions that have adopted their textbooks."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"Las instituciones pueden sobresalir al ofrecer a los estudiantes una "
"educación de costo reducido a través del uso de los libros de texto de "
"OpenStax; incluso existe una calculadora de ahorro por costo de libros de "
"texto que pueden usar para observar que tanto pueden ahorrase los "
"estudiantes. OpenStax mantiene una lista de instituciones que han adoptado "
-"sus libros de texto. 2"
+"sus libros de texto.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5418
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6993
msgid ""
"Unlike traditional publishers’ monolithic approach of controlling "
"intellectual property, distribution, and so many other aspects, OpenStax has "
"OpenStax adoptó un modelo que adopta las licencias abiertas y se apoya una "
"red extensiva de asociados."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5427
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:6999
msgid ""
"Up-front funding of a professionally produced all-color turnkey textbook is "
"expensive. For this part of their model, OpenStax relies on philanthropy. "
"titulos adicionales y costear la tecnología se espera que todavia requiera "
"inversión filantrópica."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5436
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7010
msgid ""
"However, ongoing operations will not rely on foundation grants but instead "
"on funds received through an ecosystem of over forty partners, whereby a "
"detalladas y un tutorial de apoyo. Los recursos de WebAssign estan "
"disponibles a los alumnos por una cuota."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5444
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7020
msgid ""
"Another example is Odigia, who has turned OpenStax books into interactive "
"learning experiences and created additional tools to measure and promote "
"student engagement. Odigia licenses its learning platform to institutions. "
"Partners like Odigia and WebAssign give a percentage of the revenue they "
-"earn back to OpenStax, as mission-support fees. OpenStax has already "
+"earn back to OpenStax, as mission-support fees. OpenStax has already "
"published revisions of their titles, such as Introduction to Sociology 2e, "
"using these funds."
msgstr ""
"proyecto. OpenStax ha públicado revisiones de sus titulos, tales como "
"Introducción a la Sociología 2da Ed, usando estos fondos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5454
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7030
msgid ""
"In David’s view, this approach lets the market operate at peak efficiency. "
"OpenStax’s partners don’t have to worry about developing textbook content, "
"freeing them up from those development costs and letting them focus on what "
-"they do best. With OpenStax textbooks available at no cost, they can provide "
-"their services at a lower cost—not free, but still saving students money. "
-"OpenStax benefits not only by receiving mission-support fees but through "
-"free publicity and marketing. OpenStax doesn’t have a sales force; partners "
-"are out there showcasing their materials."
+"they do best. With OpenStax textbooks available at no cost, they can "
+"provide their services at a lower cost—not free, but still saving students "
+"money. OpenStax benefits not only by receiving mission-support fees but "
+"through free publicity and marketing. OpenStax doesn’t have a sales force; "
+"partners are out there showcasing their materials."
msgstr ""
"En la visión de David, este acercamiento permite al mercado operar con "
"eficiencia máxima. Los participantes de OpenStax no tienen que preocuparse "
"tambien a través de publicidad gratuita y mercadeo. OpenStax no tiene una "
"fuerza de ventas; sus participantes estan afuera mostrando sus materiales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5460
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7042
msgid ""
"OpenStax’s cost of sales to acquire a single student is very, very low and "
"is a fraction of what traditional players in the market face. This year, "
"OER parecido a OpenStax en comparación con los inconvenientes. David espera "
"compartir estos hallazgos con la comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5469
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7050
msgid ""
"While OpenStax books are available online for free, many students still want "
"a print copy. Through a partnership with a print and courier company, "
-"OpenStax offers a complete solution that scales. OpenStax sells tens of "
+"OpenStax offers a complete solution that scales. OpenStax sells tens of "
"thousands of print books. The price of an OpenStax sociology textbook is "
"about twenty-eight dollars, a fraction of what sociology textbooks usually "
"cost. OpenStax keeps the prices low but does aim to earn a small margin on "
"pequeño de cada libro vendido, lo cual también contribuye a las operaciones "
"corrientes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5480
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7060
msgid ""
-"Campus-based bookstores are part of the OpenStax solution. OpenStax "
+"Campus-based bookstores are part of the OpenStax solution. OpenStax "
"collaborates with NACSCORP (the National Association of College Stores "
-"Corporation) to provide print versions of their textbooks in the stores. "
+"Corporation) to provide print versions of their textbooks in the stores. "
"While the overall cost of the textbook is significantly less than a "
-"traditional textbook, bookstores can still make a profit on sales. "
-"Sometimes students take the savings they have from the lower-priced book and "
-"use it to buy other things in the bookstore. And OpenStax is trying to break "
-"the expensive behavior of excessive returns by having a no-returns policy. "
-"This is working well, since the sell-through of their print titles is "
-"virtually a hundred percent."
+"traditional textbook, bookstores can still make a profit on sales. Sometimes "
+"students take the savings they have from the lower-priced book and use it to "
+"buy other things in the bookstore. And OpenStax is trying to break the "
+"expensive behavior of excessive returns by having a no-returns policy. This "
+"is working well, since the sell-through of their print titles is virtually a "
+"hundred percent."
msgstr ""
"Las librerías ubicadas en los campus son parte de la solución de OpenStax. "
"OpenStax colabora con la NACSCORP ( Asociación Nacional de la Corporación de "
"política no retornable. Esto funciona bien, ya que la venta de sus títulos "
"impresos es prácticamente del cien por ciento."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5487
-msgid ""
-"David thinks of the OpenStax model as “OER 2.0.” So what is OER 1.0? "
-"Historically in the OER field, many OER initiatives have been locally funded "
-"by institutions or government ministries. In David’s view, this results in "
-"content that has high local value but is infrequently adopted nationally. "
-"It’s therefore difficult to show payback over a time scale that is "
-"reasonable."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7073
+#, fuzzy
+#| msgid ""
+#| "David thinks of the OpenStax model as “OER 2.0.” So what is OER 1.0? "
+#| "Historically in the OER field, many OER initiatives have been locally "
+#| "funded by institutions or government ministries. In David’s view, this "
+#| "results in content that has high local value but is infrequently adopted "
+#| "nationally. It’s therefore difficult to show payback over a time scale "
+#| "that is reasonable."
+msgid ""
+"David thinks of the OpenStax model as <quote>OER 2.0.</quote> So what is OER "
+"1.0? Historically in the OER field, many OER initiatives have been locally "
+"funded by institutions or government ministries. In David’s view, this "
+"results in content that has high local value but is infrequently adopted "
+"nationally. It’s therefore difficult to show payback over a time scale that "
+"is reasonable."
msgstr ""
"David piensa acerca del modelo de OpenStax como «OER 2.0». Entonces, ¿ qué "
"es OER 1.0 ? históricamente en el campo de los OER, muchas iniciativas OER "
"Entonces se vuelve difícil mostrar la restitución sobre una escala de tiempo "
"que sea razonable."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5498
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7081
msgid ""
"OER 2.0 is about OER intended to be used and adopted on a national level "
"right from the start. This requires a bigger investment up front but pays "
"derechos a los autores. El segundo modelo es desarrollar un libro desde "
"cero, un buen ejemplo es su libro de biología."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5513
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7094
msgid ""
"The process is similar for both models. First they look at the scope and "
"sequence of existing textbooks. They ask questions like what does the "
"customer need? Where are students having challenges? Then they identify "
"potential authors and put them through a rigorous evaluation—only one in ten "
-"authors make it through. OpenStax selects a team of authors who come "
+"authors make it through. OpenStax selects a team of authors who come "
"together to develop a template for a chapter and collectively write the "
"first draft (or revise it, in the acquisitions model). (OpenStax doesn’t do "
"books with just a single author as David says it risks the project going "
"longer than scheduled.) The draft is peer-reviewed with no less than three "
"reviewers per chapter. A second draft is generated, with artists producing "
-"illustrations and visuals to go along with the text. The book is then "
+"illustrations and visuals to go along with the text. The book is then "
"copyedited to ensure grammatical correctness and a singular voice. Finally, "
"it goes into production and through a final proofread. The whole process is "
"very time-consuming."
"a producción y a través de la corrección de estilo. El proceso completo es "
"muy laborioso."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5522
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7112
msgid ""
"All the people involved in this process are paid. OpenStax does not rely on "
"volunteers. Writers, reviewers, illustrators, and editors are all paid an up-"
"modelo OER 2.0, donde no hay riesgo para ellos y ellos ganan todo el dinero "
"por adelantado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5530
-msgid ""
-"David thinks of the Attribution license (CC BY) as the “innovation license.” "
-"It’s core to the mission of OpenStax, letting people use their textbooks in "
-"innovative ways without having to ask for permission. It frees up the whole "
-"market and has been central to OpenStax being able to bring on partners. "
-"OpenStax sees a lot of customization of their materials. By enabling "
-"frictionless remixing, CC BY gives teachers control and academic freedom."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7122
+#, fuzzy
+#| msgid ""
+#| "David thinks of the Attribution license (CC BY) as the “innovation "
+#| "license.” It’s core to the mission of OpenStax, letting people use their "
+#| "textbooks in innovative ways without having to ask for permission. It "
+#| "frees up the whole market and has been central to OpenStax being able to "
+#| "bring on partners. OpenStax sees a lot of customization of their "
+#| "materials. By enabling frictionless remixing, CC BY gives teachers "
+#| "control and academic freedom."
+msgid ""
+"David thinks of the Attribution license (CC BY) as the <quote>innovation "
+"license.</quote> It’s core to the mission of OpenStax, letting people use "
+"their textbooks in innovative ways without having to ask for permission. It "
+"frees up the whole market and has been central to OpenStax being able to "
+"bring on partners. OpenStax sees a lot of customization of their materials. "
+"By enabling frictionless remixing, CC BY gives teachers control and academic "
+"freedom."
msgstr ""
"David piensa de la licencia Attribution (CC BY) como la «licencia de "
"innovación». Es fundamental para la misión de OpenStax, permitiendole a la "
"permitir combinaciones sin restricciones, la licencia CC BY da a los "
"profesore el control y libertad académica."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5539
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7132
msgid ""
"Using CC BY is also a good example of using strategies that traditional "
"publishers can’t. Traditional publishers rely on copyright to prevent others "
"from making copies and heavily invest in digital rights management to ensure "
-"their books aren’t shared. By using CC BY, OpenStax avoids having to deal "
-"with digital rights management and its costs. OpenStax books can be copied "
+"their books aren’t shared. By using CC BY, OpenStax avoids having to deal "
+"with digital rights management and its costs. OpenStax books can be copied "
"and shared over and over again. CC BY changes the rules of engagement and "
"takes advantage of traditional market inefficiencies."
msgstr ""
"compartidos una y otra vez. La licencia CC BY cambia las reglas del "
"compromiso y toma ventaja de las ineficiencias del mercado tradicional."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5542
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7142
msgid ""
-"As of September 16, 2016, OpenStax has achieved some impressive results. "
+"As of September 16, 2016, OpenStax has achieved some impressive results. "
"From the OpenStax at a Glance fact sheet from their recent press kit:"
msgstr ""
"Hasta el 16 de septiembre de 2016, OpenStax había alcanzado algunos "
"resultados impresionantes. De la hoja de datos de «OpenStax en un vistazo» "
"de su reciente material para la prensa:"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7149
msgid "Books published: 23"
msgstr "Libros publicados: 23"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7154
msgid "Students who have used OpenStax: 1.6 million"
msgstr "Estudiantes que han usado OpenStax: 1.6 millones"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
-msgid "Money saved for students: \\$155 million"
-msgstr "Dinero ahorrado por los estudiantes: \\$ 155 millones"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7159
+msgid "Money saved for students: $155 million"
+msgstr "Dinero ahorrado por los estudiantes: $ 155 millones"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
-msgid "Money saved for students in the 2016/17 academic year: \\$77 million"
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7164
+msgid "Money saved for students in the 2016/17 academic year: $77 million"
msgstr ""
-"Dinero ahorrado por los estudiantes en el ciclo académico 2016-17: \\$77 "
+"Dinero ahorrado por los estudiantes en el ciclo académico 2016-17: $77 "
"millones"
-#. type: Bullet: '- '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5551
+#. type: Content of: <book><part><chapter><itemizedlist><listitem><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7170
msgid ""
"Schools that have used OpenStax: 2,668 (This number reflects all "
"institutions using at least one OpenStax textbook. Out of 2,668 schools, 517 "
"las 2,668 escuelas, 517 son colegios de dos años, 835 colegios de cuatro "
"años y universidades, y 344 colegios y universidades fuera de los E.U.A.)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5556
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7179
msgid ""
"While OpenStax has to date been focused on the United States, there is "
"overseas adoption especially in the science, technology, engineering, and "
"los Estados Unidos se ve como un precursor necesario para el interes "
"internacional."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5562
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7186
msgid ""
"OpenStax has primarily focused on introductory-level college courses where "
"there is high enrollment, but they are starting to think about verticals—a "
"acceso a libros de texto sin costo a través del plan curricular de la "
"carrera de enfermería, por ejemplo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5572
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7194
msgid ""
"Finally, for OpenStax success is not just about the adoption of their "
"textbooks and student savings. There is a human aspect to the work that is "
"hace posible para cada estudiante que quiere acceder a la educación, "
"alcanzarla."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5577
-msgid ""
-"news.rice.edu/files/2016/01/0119-OPENSTAX-2016Infographic-lg-1tahxiu.jpg"
-msgstr ""
-"news.rice.edu/files/2016/01/0119-OPENSTAX-2016Infographic-lg-1tahxiu.jpg"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5577
-msgid "openstax.org/adopters"
-msgstr "openstax.org/adopters"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5579
-msgid "## Amanda Palmer"
-msgstr "## Amanda Palmer"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7207
+msgid "Amanda Palmer"
+msgstr "Amanda Palmer"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5581
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7210
msgid "Amanda Palmer is a musician, artist, and writer. Based in the U.S."
msgstr "Amanda Palmer es música, artista, y escritora. Vive en los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5583
-msgid "amandapalmer.net"
-msgstr "amandapalmer.net"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7214
+msgid "<ulink url=\"http://amandapalmer.net\"/>"
+msgstr "<ulink url=\"http://amandapalmer.net\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5587
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7216
msgid ""
-"Revenue model: crowdfunding (subscription-based), pay-what-you-want, "
-"charging for physical copies (book and album sales), charg-ing for in-person "
-"version (performances), selling merchandise"
+"<emphasis role=\"strong\">Revenue model</emphasis>: crowdfunding "
+"(subscription-based), pay-what-you-want, charging for physical copies (book "
+"and album sales), charg-ing for in-person version (performances), selling "
+"merchandise"
msgstr ""
-"Modelo de ingresos: financiamiento comunitario (en base a subscripciones), "
-"paga-lo-que-quieras, cobros por copias físicas ( libros y venta de álbums), "
-"cobros para versiones en vivo (performances), venta de mercancia"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: financiamiento "
+"comunitario (en base a subscripciones), paga-lo-que-quieras, cobros por "
+"copias físicas ( libros y venta de álbums), cobros para versiones en vivo "
+"(performances), venta de mercancia"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5589
-msgid "Interview date: December 15, 2015"
-msgstr "Fecha de la entrevista: 15 de diciembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7221
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 15, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 15 de "
+"diciembre, 2015"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7232
+msgid ""
+"<ulink url=\"http://www.forbes.com/sites/zackomalleygreenburg/2015/04/16/"
+"amanda-palmer-uncut-the-kickstarter-queen-on-spotify-patreon-and-taylor-"
+"swift/#44e20ce46d67\"/>"
+msgstr ""
+"<ulink url=\"http://www.forbes.com/sites/zackomalleygreenburg/2015/04/16/"
+"amanda-palmer-uncut-the-kickstarter-queen-on-spotify-patreon-and-taylor-"
+"swift/#44e20ce46d67\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5595
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7229
+#, fuzzy
+#| msgid ""
+#| "Since the beginning of her career, Amanda Palmer has been on what she "
+#| "calls a “journey with no roadmap,” continually experimenting to find new "
+#| "ways to sustain her creative work.<placeholder type=\"footnote\" id=\"0\"/"
+#| ">"
msgid ""
"Since the beginning of her career, Amanda Palmer has been on what she calls "
-"a “journey with no roadmap,” continually experimenting to find new ways to "
-"sustain her creative work. 1"
+"a <quote>journey with no roadmap,</quote> continually experimenting to find "
+"new ways to sustain her creative work.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
"Desde el principio de su carrera, Amanda Palmer ha estado en lo que ella "
"llama «un viaje sin mapa», continuamente experimentando para encontrar "
-"nuevas vias de continuar su trabajo creativo. 1"
+"nuevas vias de continuar su trabajo creativo.<placeholder type=\"footnote\" "
+"id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5601
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7235
+#, fuzzy
+#| msgid ""
+#| "In her best-selling book, The Art of Asking, Amanda articulates exactly "
+#| "what she has been and continues to strive for—“the ideal sweet spot . . . "
+#| "in which the artist can share freely and directly feel the reverberations "
+#| "of their artistic gifts to the community, and make a living doing that.”"
msgid ""
"In her best-selling book, The Art of Asking, Amanda articulates exactly what "
-"she has been and continues to strive for—“the ideal sweet spot . . . in "
-"which the artist can share freely and directly feel the reverberations of "
-"their artistic gifts to the community, and make a living doing that.”"
+"she has been and continues to strive for—<quote>the ideal sweet spot . . . "
+"in which the artist can share freely and directly feel the reverberations of "
+"their artistic gifts to the community, and make a living doing that.</quote>"
msgstr ""
"En su libro best-seller, The Art of Asking, Amanda comenta exactamente que "
"ha sido y que continua esforzandose por ser—«el punto justo ideal … en "
"reverberaciones de sus regalos artisticos a la comunidad, y vivir de eso "
"haciendolo.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5608
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7242
+#, fuzzy
+#| msgid ""
+#| "While she seems to have successfully found that sweet spot for herself, "
+#| "Amanda is the first to acknowledge there is no silver bullet. She thinks "
+#| "the digital age is both an exciting and frustrating time for creators. "
+#| "“On the one hand, we have this beautiful shareability,” Amanda said. “On "
+#| "the other, you’ve got a bunch of confused artists wondering how to make "
+#| "money to buy food so we can make more art.”"
msgid ""
"While she seems to have successfully found that sweet spot for herself, "
"Amanda is the first to acknowledge there is no silver bullet. She thinks the "
-"digital age is both an exciting and frustrating time for creators. “On the "
-"one hand, we have this beautiful shareability,” Amanda said. “On the other, "
-"you’ve got a bunch of confused artists wondering how to make money to buy "
-"food so we can make more art.”"
+"digital age is both an exciting and frustrating time for creators. <quote>On "
+"the one hand, we have this beautiful shareability,</quote> Amanda said. "
+"<quote>On the other, you’ve got a bunch of confused artists wondering how to "
+"make money to buy food so we can make more art.</quote>"
msgstr ""
"Mientras parece que ella tuvo exito al encontrar ese punto justo para sí "
"misma, Amanda es la primera en reconocer que hay soluciones milagrosas. "
"pensando como hacer dinero para comprar comida de tal manera que puedan "
"seguir haciendo arte.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5620
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7251
+#, fuzzy
+#| msgid ""
+#| "Amanda began her artistic career as a street performer. She would dress "
+#| "up in an antique wedding gown, paint her face white, stand on a stack of "
+#| "milk crates, and hand out flowers to strangers as part of a silent "
+#| "dramatic performance. She collected money in a hat. Most people walked by "
+#| "her without stopping, but an essential few stopped to watch and drop some "
+#| "money into her hat to show their appreciation. Rather than dwelling on "
+#| "the majority of people who ignored her, she felt thankful for those who "
+#| "stopped. “All I needed was . . . some people,” she wrote in her book. "
+#| "“Enough people. Enough to make it worth coming back the next day, enough "
+#| "people to help me make rent and put food on the table. Enough so I could "
+#| "keep making art.”"
msgid ""
"Amanda began her artistic career as a street performer. She would dress up "
"in an antique wedding gown, paint her face white, stand on a stack of milk "
"performance. She collected money in a hat. Most people walked by her without "
"stopping, but an essential few stopped to watch and drop some money into her "
"hat to show their appreciation. Rather than dwelling on the majority of "
-"people who ignored her, she felt thankful for those who stopped. “All I "
-"needed was . . . some people,” she wrote in her book. “Enough people. Enough "
-"to make it worth coming back the next day, enough people to help me make "
-"rent and put food on the table. Enough so I could keep making art.”"
+"people who ignored her, she felt thankful for those who stopped. <quote>All "
+"I needed was . . . some people,</quote> she wrote in her book. <quote>Enough "
+"people. Enough to make it worth coming back the next day, enough people to "
+"help me make rent and put food on the table. Enough so I could keep making "
+"art.</quote>"
msgstr ""
"Amanda comenzó su carrera artística como una interprete callejera. Se vestia "
"con un vestido de novia antiguo, se pintó la cara de blanco, se apoyaba en "
"poner comida en la mesa. Suficientes de tal manera que pudiera seguir "
"haciendo arte.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5629
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7265
+#, fuzzy
+#| msgid ""
+#| "Amanda has come a long way from her street-performing days, but her "
+#| "career remains dominated by that same sentiment—finding ways to reach "
+#| "“her crowd” and feeling gratitude when she does. With her band the "
+#| "Dresden Dolls, Amanda tried the traditional path of signing with a record "
+#| "label. It didn’t take for a variety of reasons, but one of them was that "
+#| "the label had absolutely no interest in Amanda’s view of success. They "
+#| "wanted hits, but making music for the masses was never what Amanda and "
+#| "the Dresden Dolls set out to do."
msgid ""
"Amanda has come a long way from her street-performing days, but her career "
-"remains dominated by that same sentiment—finding ways to reach “her crowd” "
-"and feeling gratitude when she does. With her band the Dresden Dolls, Amanda "
-"tried the traditional path of signing with a record label. It didn’t take "
-"for a variety of reasons, but one of them was that the label had absolutely "
-"no interest in Amanda’s view of success. They wanted hits, but making music "
-"for the masses was never what Amanda and the Dresden Dolls set out to do."
+"remains dominated by that same sentiment—finding ways to reach <quote>her "
+"crowd</quote> and feeling gratitude when she does. With her band the Dresden "
+"Dolls, Amanda tried the traditional path of signing with a record label. It "
+"didn’t take for a variety of reasons, but one of them was that the label had "
+"absolutely no interest in Amanda’s view of success. They wanted hits, but "
+"making music for the masses was never what Amanda and the Dresden Dolls set "
+"out to do."
msgstr ""
"Amanda ha transitado una larga jornada desde sus dias de artista callejero, "
"pero su carrera continua dominada por el mismo sentimiento—encontrar vias "
"Ellos querían exitos de ventas, pero hacer música para las masas nunca fué "
"lo que Amanda y the Dresden Dolls querían hacer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5639
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7276
+#, fuzzy
+#| msgid ""
+#| "After leaving the record label in 2008, she began experimenting with "
+#| "different ways to make a living. She released music directly to the "
+#| "public without involving a middle man, releasing digital files on a “pay "
+#| "what you want” basis and selling CDs and vinyl. She also made money from "
+#| "live performances and merchandise sales. Eventually, in 2012 she decided "
+#| "to try her hand at the sort of crowdfunding we know so well today. Her "
+#| "Kickstarter project started with a goal of $100,000, and she made $1.2 "
+#| "million. It remains one of the most successful Kickstarter projects of "
+#| "all time."
msgid ""
"After leaving the record label in 2008, she began experimenting with "
"different ways to make a living. She released music directly to the public "
-"without involving a middle man, releasing digital files on a “pay what you "
-"want” basis and selling CDs and vinyl. She also made money from live "
-"performances and merchandise sales. Eventually, in 2012 she decided to try "
-"her hand at the sort of crowdfunding we know so well today. Her Kickstarter "
-"project started with a goal of \\$100,000, and she made \\$1.2 million. It "
-"remains one of the most successful Kickstarter projects of all time."
+"without involving a middle man, releasing digital files on a <quote>pay what "
+"you want</quote> basis and selling CDs and vinyl. She also made money from "
+"live performances and merchandise sales. Eventually, in 2012 she decided to "
+"try her hand at the sort of crowdfunding we know so well today. Her "
+"Kickstarter project started with a goal of $100,000, and she made $1.2 "
+"million. It remains one of the most successful Kickstarter projects of all "
+"time."
msgstr ""
"Despues de dejar a la disquera en 2008, comenzó a experimentar con "
"diferentes vias de hacer un ingreso. Liberó música directamente al público "
"«paga lo que quieras» además de vender CDs y viniles. También ganó dinero al "
"realizar performances en vivo y venta de mercancias. Finalmente, en 2012 "
"decidió intentar el tipo de financiamiento comunitario que conocemos bien el "
-"dia de hoy. Su proyecto kickstarter comenzó con una meta de \\$100,000, y "
-"ella logró \\$1.2 millones. Es uno de los más exitosos proyectos de "
-"kickstarter de todos los tiempos."
+"dia de hoy. Su proyecto kickstarter comenzó con una meta de $100,000, y ella "
+"logró $1.2 millones. Es uno de los más exitosos proyectos de kickstarter de "
+"todos los tiempos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5649
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7288
+#, fuzzy
+#| msgid ""
+#| "Today, Amanda has switched gears away from crowdfunding for specific "
+#| "projects to instead getting consistent financial support from her fan "
+#| "base on Patreon, a crowdfunding site that allows artists to get recurring "
+#| "donations from fans. More than eight thousand people have signed up to "
+#| "support her so she can create music, art, and any other creative “thing” "
+#| "that she is inspired to make. The recurring pledges are made on a “per "
+#| "thing” basis. All of the content she makes is made freely available under "
+#| "an Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA)."
msgid ""
"Today, Amanda has switched gears away from crowdfunding for specific "
"projects to instead getting consistent financial support from her fan base "
"on Patreon, a crowdfunding site that allows artists to get recurring "
"donations from fans. More than eight thousand people have signed up to "
-"support her so she can create music, art, and any other creative “thing” "
-"that she is inspired to make. The recurring pledges are made on a “per "
-"thing” basis. All of the content she makes is made freely available under an "
-"Attribution-NonCommercial-ShareAlike license (CC BY-NC-SA)."
+"support her so she can create music, art, and any other creative "
+"<quote>thing</quote> that she is inspired to make. The recurring pledges are "
+"made on a <quote>per thing</quote> basis. All of the content she makes is "
+"made freely available under an Attribution-NonCommercial-ShareAlike license "
+"(CC BY-NC-SA)."
msgstr ""
"En el presente, Amanda se ha alejado del financiamiento colectivo para "
"proyectos específicos y en lugar de eso obtener un soporte financiero "
"inspirada a hacer. Todo el contenido que ella crear se hace disponible sin "
"costo bajo la licencia Attribution-NonCommercial-ShareAlike (CC BY-NC-SA)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5664
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7300
+#, fuzzy
+#| msgid ""
+#| "Making her music and art available under Creative Commons licensing "
+#| "undoubtedly limits her options for how she makes a living. But sharing "
+#| "her work has been part of her model since the beginning of her career, "
+#| "even before she discovered Creative Commons. Amanda says the Dresden "
+#| "Dolls used to get ten emails per week from fans asking if they could use "
+#| "their music for different projects. They said yes to all of the requests, "
+#| "as long as it wasn’t for a completely for-profit venture. At the time, "
+#| "they used a short-form agreement written by Amanda herself. “I made "
+#| "everyone sign that contract so at least I wouldn’t be leaving the band "
+#| "vulnerable to someone later going on and putting our music in a Camel "
+#| "cigarette ad,” Amanda said. Once she discovered Creative Commons, "
+#| "adopting the licenses was an easy decision because it gave them a more "
+#| "formal, standardized way of doing what they had been doing all along. The "
+#| "NonCommercial licenses were a natural fit."
msgid ""
"Making her music and art available under Creative Commons licensing "
"undoubtedly limits her options for how she makes a living. But sharing her "
"to get ten emails per week from fans asking if they could use their music "
"for different projects. They said yes to all of the requests, as long as it "
"wasn’t for a completely for-profit venture. At the time, they used a short-"
-"form agreement written by Amanda herself. “I made everyone sign that "
+"form agreement written by Amanda herself. <quote>I made everyone sign that "
"contract so at least I wouldn’t be leaving the band vulnerable to someone "
-"later going on and putting our music in a Camel cigarette ad,” Amanda said. "
-"Once she discovered Creative Commons, adopting the licenses was an easy "
-"decision because it gave them a more formal, standardized way of doing what "
-"they had been doing all along. The NonCommercial licenses were a natural "
-"fit."
+"later going on and putting our music in a Camel cigarette ad,</quote> Amanda "
+"said. Once she discovered Creative Commons, adopting the licenses was an "
+"easy decision because it gave them a more formal, standardized way of doing "
+"what they had been doing all along. The NonCommercial licenses were a "
+"natural fit."
msgstr ""
"Hacere su arte y música disponibles bajo licencias Creative Commons sin duda "
"limita sus opciones en la forma que ella hace un ingreso. Pero compartir su "
"estandarizado de hacer lo que habían hecho todo el tiempo. Las licencias "
"NonCommercial fueron como hechas a la medida."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5671
-msgid ""
-"Amanda embraces the way her fans share and build upon her music. In The Art "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7318
+#, fuzzy
+#| msgid ""
+#| "Amanda embraces the way her fans share and build upon her music. In The "
+#| "Art of Asking, she wrote that some of her fans’ unofficial videos using "
+#| "her music surpass the official videos in number of views on YouTube. "
+#| "Rather than seeing this sort of thing as competition, Amanda celebrates "
+#| "it. “We got into this because we wanted to share the joy of music,” she "
+#| "said."
+msgid ""
+"Amanda embraces the way her fans share and build upon her music. In The Art "
"of Asking, she wrote that some of her fans’ unofficial videos using her "
-"music surpass the official videos in number of views on YouTube. Rather "
-"than seeing this sort of thing as competition, Amanda celebrates it. “We got "
-"into this because we wanted to share the joy of music,” she said."
+"music surpass the official videos in number of views on YouTube. Rather than "
+"seeing this sort of thing as competition, Amanda celebrates it. <quote>We "
+"got into this because we wanted to share the joy of music,</quote> she said."
msgstr ""
"Amanda acepta las vias en que sus fans comparten y construyen a partir de su "
"música. En su libro, The Art of Asking, escribió que algunos de los videos "
"Amanda lo celebra. «Nos metimos en esto porque queriamos compartir el "
"disfrute de la música, » dijo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5679
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7326
+#, fuzzy
+#| msgid ""
+#| "This is symbolic of how nearly everything she does in her career is "
+#| "motivated by a desire to connect with her fans. At the start of her "
+#| "career, she and the band would throw concerts at house parties. As the "
+#| "gatherings grew, the line between fans and friends was completely "
+#| "blurred. “Not only did most our early fans know where I lived and where "
+#| "we practiced, but most of them had also been in my kitchen,” Amanda wrote "
+#| "in The Art of Asking."
msgid ""
"This is symbolic of how nearly everything she does in her career is "
"motivated by a desire to connect with her fans. At the start of her career, "
"she and the band would throw concerts at house parties. As the gatherings "
-"grew, the line between fans and friends was completely blurred. “Not only "
-"did most our early fans know where I lived and where we practiced, but most "
-"of them had also been in my kitchen,” Amanda wrote in The Art of Asking."
+"grew, the line between fans and friends was completely blurred. <quote>Not "
+"only did most our early fans know where I lived and where we practiced, but "
+"most of them had also been in my kitchen,</quote> Amanda wrote in The Art of "
+"Asking."
msgstr ""
"Esto simboliza como casi todo lo que hace en su carrera está motivado por un "
"deseo de conectarse con sus fans. Al inicio de su carrera, ella y la banda "
"nuestros fans sabían donde vivia y donde practicabamos, sino la mayoría "
"habían estado en mi cosina,» escribió Amanda en The Art of Asking."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5689
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7336
+#, fuzzy
+#| msgid ""
+#| "Even though her fan base is now huge and global, she continues to seek "
+#| "this sort of human connection with her fans. She seeks out face-to-face "
+#| "contact with her fans every chance she can get. Her hugely successful "
+#| "Kickstarter featured fifty concerts at house parties for backers. She "
+#| "spends hours in the signing line after shows. It helps that Amanda has "
+#| "the kind of dynamic, engaging personality that instantly draws people to "
+#| "her, but a big component of her ability to connect with people is her "
+#| "willingness to listen. “Listening fast and caring immediately is a skill "
+#| "unto itself,” Amanda wrote."
msgid ""
"Even though her fan base is now huge and global, she continues to seek this "
"sort of human connection with her fans. She seeks out face-to-face contact "
"the signing line after shows. It helps that Amanda has the kind of dynamic, "
"engaging personality that instantly draws people to her, but a big component "
"of her ability to connect with people is her willingness to listen. "
-"“Listening fast and caring immediately is a skill unto itself,” Amanda wrote."
+"<quote>Listening fast and caring immediately is a skill unto itself,</quote> "
+"Amanda wrote."
msgstr ""
"Aunque ahora que la base de admiradores es amplia y global, ella continúa "
"buscando este tipo de conexión humana con sus fans. Busca el contacto cara-a-"
"escuchar. «Escuchar y tomar en cuenta de inmediato es una habilidad de uno "
"mismo,» escribió Amanda."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5698
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7348
msgid ""
"Another part of the connection fans feel with Amanda is how much they know "
"about her life. Rather than trying to craft a public persona or image, she "
-"essentially lives her life as an open book. She has written openly about "
+"essentially lives her life as an open book. She has written openly about "
"incredibly personal events in her life, and she isn’t afraid to be "
"vulnerable. Having that kind of trust in her fans—the trust it takes to be "
"truly honest—begets trust from her fans in return. When she meets fans for "
"retorno de sus fans. Cuando ella se reune con sus fans por primera vez "
"después de un espectáculo, ellos pueden sentir legitimamente que la conocen."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5705
-msgid ""
-"“With social media, we’re so concerned with the picture looking palatable "
-"and consumable that we forget that being human and showing the flaws and "
-"exposing the vulnerability actually create a deeper connection than just "
-"looking fantastic,” Amanda said. “Everything in our culture is telling us "
-"otherwise. But my experience has shown me that the risk of making yourself "
-"vulnerable is almost always worth it.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7357
+#, fuzzy
+#| msgid ""
+#| "“With social media, we’re so concerned with the picture looking palatable "
+#| "and consumable that we forget that being human and showing the flaws and "
+#| "exposing the vulnerability actually create a deeper connection than just "
+#| "looking fantastic,” Amanda said. “Everything in our culture is telling "
+#| "us otherwise. But my experience has shown me that the risk of making "
+#| "yourself vulnerable is almost always worth it.”"
+msgid ""
+"<quote>With social media, we’re so concerned with the picture looking "
+"palatable and consumable that we forget that being human and showing the "
+"flaws and exposing the vulnerability actually create a deeper connection "
+"than just looking fantastic,</quote> Amanda said. <quote>Everything in our "
+"culture is telling us otherwise. But my experience has shown me that the "
+"risk of making yourself vulnerable is almost always worth it.</quote>"
msgstr ""
"«Con los medios de interacción social en línea, estamos tan preocupados de "
"que la imágen sea aceptable y consumible que olvidamos que mostrarse "
"en nuestra cultura nos dice lo contrario. Pero mi experiencia me ha mostrado "
"que el riesgo de hacerte vulnerable casi siempre vale la pena. »"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5713
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7366
msgid ""
"Not only does she disclose intimate details of her life to them, she sleeps "
"on their couches, listens to their stories, cries with them. In short, she "
"el uso de las licencias Creative Commons que hace ella. Porque eso es lo que "
"haces con los amigos—compartes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5721
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7376
msgid ""
"After years of investing time and energy into building trust with her fans, "
"she has a strong enough relationship with them to ask for support—through "
"from people who know and trust you. People who feel personally invested in "
"your success."
msgstr ""
-"Despues de años de invertir tiempo y energía en construir confianza con sus "
+"Después de años de invertir tiempo y energía en construir confianza con sus "
"fans, ella tiene una relación con ellos para solicitar apoyo—a través de "
"donaciones paga-lo-que-quieras, Kickstarter, Patreon, e incluso pedirles que "
"den una mano en un concierto. Como Amanda lo explica, el financiamiento "
"comunitario ( que es realmente lo que todas estas diferentes opciones son) "
-"es acerca de solicitar apoyo de la gente que te conoce y confía en tí. "
-"Personas que se sienten involucradas en su exito."
+"es acerca de solicitar apoyo de la gente que te conoce y confía en ti. "
+"Personas que se sienten involucradas en su éxito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5728
-msgid ""
-"“When you openly, radically trust people, they not only take care of you, "
-"they become your allies, your family,” she wrote. There really is a feeling "
-"of solidarity within her core fan base. From the beginning, Amanda and her "
-"band encouraged people to dress up for their shows. They consciously "
-"cultivated a feeling of belonging to their “weird little family.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7385
+#, fuzzy
+#| msgid ""
+#| "“When you openly, radically trust people, they not only take care of you, "
+#| "they become your allies, your family,” she wrote. There really is a "
+#| "feeling of solidarity within her core fan base. From the beginning, "
+#| "Amanda and her band encouraged people to dress up for their shows. They "
+#| "consciously cultivated a feeling of belonging to their “weird little "
+#| "family.”"
+msgid ""
+"<quote>When you openly, radically trust people, they not only take care of "
+"you, they become your allies, your family,</quote> she wrote. There really "
+"is a feeling of solidarity within her core fan base. From the beginning, "
+"Amanda and her band encouraged people to dress up for their shows. They "
+"consciously cultivated a feeling of belonging to their <quote>weird little "
+"family.</quote>"
msgstr ""
"«Cuando confias en la gente, decidida y radicalmente, no solo te cuidan, se "
"vuelven tus aliados, tu familia,» ella escribió. Existe un sentimiento de "
"espectáculos. Ellos cultivaron conscientemente un sentimiento de pertenencia "
"a su «pequeña familia rara.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5736
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7393
+#, fuzzy
+#| msgid ""
+#| "This sort of intimacy with fans is not possible or even desirable for "
+#| "every creator. “I don’t take for granted that I happen to be the type of "
+#| "person who loves cavorting with strangers,” Amanda said. “I recognize "
+#| "that it’s not necessarily everyone’s idea of a good time. Everyone does "
+#| "it differently. Replicating what I have done won’t work for others if it "
+#| "isn’t joyful to them. It’s about finding a way to channel energy in a way "
+#| "that is joyful to you.”"
msgid ""
"This sort of intimacy with fans is not possible or even desirable for every "
-"creator. “I don’t take for granted that I happen to be the type of person "
-"who loves cavorting with strangers,” Amanda said. “I recognize that it’s not "
-"necessarily everyone’s idea of a good time. Everyone does it differently. "
-"Replicating what I have done won’t work for others if it isn’t joyful to "
-"them. It’s about finding a way to channel energy in a way that is joyful to "
-"you.”"
+"creator. <quote>I don’t take for granted that I happen to be the type of "
+"person who loves cavorting with strangers,</quote> Amanda said. <quote>I "
+"recognize that it’s not necessarily everyone’s idea of a good time. Everyone "
+"does it differently. Replicating what I have done won’t work for others if "
+"it isn’t joyful to them. It’s about finding a way to channel energy in a way "
+"that is joyful to you.</quote>"
msgstr ""
"Este tipo de intimidad con los fans no es posible o incluso deseable para "
"cualquier creador. «No doy por hecho que yo sea el tipo de persona que guste "
"placentero para ellos. Es acerca de encontrar un medio de canalizar energía "
"en una forma que sea placentera para tí.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5747
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7403
msgid ""
"Yet while Amanda joyfully interacts with her fans and involves them in her "
"work as much as possible, she does keep one job primarily to herself—writing "
"persona y en línea. En su libro, Amanda lo describe como crear una red. "
"Comineza con el arte y entonces el nexo se fortalece con la conexión humana."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5755
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7416
+#, fuzzy
+#| msgid ""
+#| "For Amanda, the entire point of being an artist is to establish and "
+#| "maintain this connection. “It sounds so corny,” she said, “but my "
+#| "experience in forty years on this planet has pointed me to an obvious "
+#| "truth—that connection with human beings feels so much better and more "
+#| "fulfilling than approaching art through a capitalist lens. There is no "
+#| "more satisfying end goal than having someone tell you that what you do is "
+#| "genuinely of value to them.”"
msgid ""
"For Amanda, the entire point of being an artist is to establish and maintain "
-"this connection. “It sounds so corny,” she said, “but my experience in forty "
-"years on this planet has pointed me to an obvious truth—that connection with "
-"human beings feels so much better and more fulfilling than approaching art "
-"through a capitalist lens. There is no more satisfying end goal than having "
-"someone tell you that what you do is genuinely of value to them.”"
+"this connection. <quote>It sounds so corny,</quote> she said, <quote>but my "
+"experience in forty years on this planet has pointed me to an obvious truth—"
+"that connection with human beings feels so much better and more fulfilling "
+"than approaching art through a capitalist lens. There is no more satisfying "
+"end goal than having someone tell you that what you do is genuinely of value "
+"to them.</quote>"
msgstr ""
"Para Amanda, el punto de ser una artista es establecer y mantener esta "
"conexión. «Suena muy cursi,» dice ella,«pero mi experiencia en cuarenta años "
"tener alguien que te diga que lo que hace es genuinamente valioso para "
"ellos.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5763
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7426
msgid ""
"As she explains it, when a fan gives her a ten-dollar bill, usually what "
"they are saying is that the money symbolizes some deeper value the music "
"provided them. For Amanda, art is not just a product; it’s a relationship. "
"Viewed from this lens, what Amanda does today is not that different from "
"what she did as a young street performer. She shares her music and other "
-"artistic gifts. She shares herself. And then rather than forcing people to "
+"artistic gifts. She shares herself. And then rather than forcing people to "
"help her, she lets them."
msgstr ""
"Como ella explica, cuando un fan le da diez dolares, usualmente lo que ellos "
"otros obsequiso artísticos. Ella se comparte a sí misma. Y en vez de forzar "
"a la gente a ayudarla, los deja hacer."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5767
-msgid ""
-"http://www.forbes.com/sites/zackomalleygreenburg/2015/04/16/amanda-palmer-"
-"uncut-the-kickstarter-queen-on-spotify-patreon-and-taylor-swift/"
-"\\#44e20ce46d67"
-msgstr ""
-"http://www.forbes.com/sites/zackomalleygreenburg/2015/04/16/amanda-palmer-"
-"uncut-the-kickstarter-queen-on-spotify-patreon-and-taylor-swift/"
-"\\#44e20ce46d67"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5769
-msgid "## PLOS (Public Library of Science)"
-msgstr "## PLOS (Biblioteca pública de ciencia)"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7437
+msgid "PLOS (Public Library of Science)"
+msgstr "PLOS (Biblioteca pública de ciencia)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5773
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7440
msgid ""
"PLOS (Public Library of Science) is a nonprofit that publishes a library of "
-"academic journals and other scientific literature. Founded in 2000 in the U."
+"academic journals and other scientific literature. Founded in 2000 in the U."
"S."
msgstr ""
"PLOS (Public Library of Science/Biblioteca pública de ciencia) es una "
"entidad sin ánimo de lucro que publica una biblioteca de revistas académicas "
"y otra literatura científica. Fundada en el 2000 en los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5775
-msgid "plos.org"
-msgstr "plos.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7445
+msgid "<ulink url=\"http://plos.org\"/>"
+msgstr "<ulink url=\"http://plos.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5778
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7447
msgid ""
-"Revenue model: charging content creators an author processing charge to be "
-"featured in the journal"
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging content "
+"creators an author processing charge to be featured in the journal"
msgstr ""
-"Modelo de ingresos: cobrar a los creadores de contenido un cargo por "
-"procesamiento de autor para ser incluido en la revista"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cobrar a los "
+"creadores de contenido un cargo por procesamiento de autor para ser incluido "
+"en la revista"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5780
-msgid "Interview date: March 7, 2016"
-msgstr "Fecha de la entrevista: 7 de marzo, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7451
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 7, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 7 de marzo, 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5782
-msgid "Interviewee: Louise Page, publisher"
-msgstr "Entrevistado: Louise Page, Editor"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7453
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Louise Page, publisher"
+msgstr "<emphasis role=\"strong\">Entrevistado</emphasis>: Louise Page, Editor"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5796
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7461
msgid ""
"The Public Library of Science (PLOS) began in 2000 when three leading "
"scientists—Harold E. Varmus, Patrick O. Brown, and Michael Eisen—started an "
"biomedicina, con artículos de investigación que son sacados bajo licencias "
"Attribution (CC BY)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5806
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7475
msgid ""
"Traditionally, academic publishing begins with an author submitting a "
"manuscript to a publisher. After in-house technical and ethical "
"considerations, the article is then peer-reviewed to determine if the "
-"quality of the work is acceptable for publishing. Once accepted, the "
+"quality of the work is acceptable for publishing. Once accepted, the "
"publisher takes the article through the process of copyediting, typesetting, "
-"and eventual publishing in a print or online publication. Traditional "
+"and eventual publishing in a print or online publication. Traditional "
"journal publishers recover costs and earn profit by charging a subscription "
"fee to libraries or an access fee to users wanting to read the journal or "
"article."
"suscripción a las bibliotecas o una cuota de acceso a los usuario que "
"quieran leer la revista especializada o un artículo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5816
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7486
msgid ""
"For Louise Page, the current publisher of PLOS, this traditional model "
"results in inequity. Access is restricted to those who can pay. Most "
"resultados de las investigaciones científicas ralentizan la diseminación de "
"la investigación y avance del campo. Era tiempo para un nuevo modelo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5826
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7498
msgid ""
"That new model became known as open access. That is, free and open "
"availability on the Internet. Open-access research articles are not behind a "
"paywall and do not require a login. A key benefit of open access is that it "
"allows people to freely use, copy, and distribute the articles, as they are "
-"primarily published under an Attribution (CC BY) license (which only "
+"primarily published under an Attribution (CC BY) license (which only "
"requires the user to provide appropriate attribution). And more importantly, "
"policy makers, clinicians, entrepreneurs, educators, and students around the "
"world have free and timely access to the latest research immediately on "
"tienen acceso libre y en tiempo a la última investigación inmediatamente en "
"publicación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5837
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7510
msgid ""
"However, open access requires rethinking the business model of research "
"publication. Rather than charge a subscription fee to access the journal, "
"PLOS decided to turn the model on its head and charge a publication fee, "
-"known as an article-processing charge. This up-front fee, generally paid by "
+"known as an article-processing charge. This up-front fee, generally paid by "
"the funder of the research or the author’s institution, covers the expenses "
"such as editorial oversight, peer-review management, journal production, "
"online hosting, and support for discovery. Fees are per article and are "
"cuando se acepta para publicación. No hay cargos adicionales basados en "
"logitud de palabras, figuras, u otros elementos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5845
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7522
msgid ""
"Calculating the article-processing charge involves taking all the costs "
"associated with publishing the journal and determining a cost per article "
"that collectively recovers costs. For PLOS’s journals in biology, medicine, "
"genetics, computational biology, neglected tropical diseases, and pathogens, "
-"the article-processing charge ranges from \\$2,250 to \\$2,900. Article-"
+"the article-processing charge ranges from $2,250 to $2,900. Article-"
"publication charges for PLOS ONE, a journal started in 2006, are just under "
-"\\$1,500."
+"$1,500."
msgstr ""
"Calcular el cobro por procesamiento de artículo involucra tomar todos los "
"costos asociados con la publicación de una revista especializada y "
"determinar un costo por artículo que colectivamente recupere los costos. "
"Para las revistas especializadas de PLOS en biología, medicina, genética, "
"biología computacional, enfermedades tropicales descuidadas, y patógenos, el "
-"cobro pro procesamiento por artículo va de \\$2,250 a \\$2,900. Los cobros "
-"de publicación por artículo para PLOS ONE, una revista especializada que "
-"comenzó en 2006, son debajo de los \\$1,500."
+"cobro pro procesamiento por artículo va de $2,250 a $2,900. Los cobros de "
+"publicación por artículo para PLOS ONE, una revista especializada que "
+"comenzó en 2006, son debajo de los $1,500."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5850
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7531
msgid ""
-"PLOS believes that lack of funds should not be a barrier to publication. "
+"PLOS believes that lack of funds should not be a barrier to publication. "
"Since its inception, PLOS has provided fee support for individuals and "
"institutions to help authors who can’t afford the article-processing charges."
msgstr ""
"instituciones para ayudar a los autores que no pueden pagar los cargos por "
"procesamiento por artículo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5865
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7537
msgid ""
"Louise identifies marketing as one area of big difference between PLOS and "
"traditional journal publishers. Traditional journals have to invest heavily "
"in staff, buildings, and infrastructure to market their journal and convince "
-"customers to subscribe. Restricting access to subscribers means that tools "
+"customers to subscribe. Restricting access to subscribers means that tools "
"for managing access control are necessary. They spend millions of dollars on "
-"access-control systems, staff to manage them, and sales staff. With PLOS’s "
+"access-control systems, staff to manage them, and sales staff. With PLOS’s "
"open-access publishing, there’s no need for these massive expenses; the "
"articles are free, open, and accessible to all upon publication. "
"Additionally, traditional publishers tend to spend more on marketing to "
"darles exposición a los autores. Y esto motiva a otros autores para enviar "
"su trabajo para publicación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5872
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7554
msgid ""
"For Louise, PLOS would not exist without the Attribution license (CC BY). "
"This makes it very clear what rights are associated with the content and "
"provides a safe way for researchers to make their work available while "
-"ensuring they get recognition (appropriate attribution). For PLOS, all of "
+"ensuring they get recognition (appropriate attribution). For PLOS, all of "
"this aligns with how they think research content should be published and "
"disseminated."
msgstr ""
"apropiada ). Para PLOS, todo esto se alinea con la idea que tienen acerca de "
"cómo debería ser publicado y difundido el contenido de investigación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5876
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7562
msgid ""
"PLOS also has a broad open-data policy. To get their research paper "
"published, PLOS authors must also make their data available in a public "
"disponibles en un repositorio público y proporcionar un declaración de "
"disponibilidad de datos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5884
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7567
msgid ""
"Business-operation costs associated with the open-access model still largely "
"follow the existing publishing model. PLOS journals are online only, but the "
"otras revistas especializadas prominentes, porque los investigadores tienen "
"opciones en donde publicar."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5889
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7576
msgid ""
"Researchers are influenced by journal rankings, which reflect the place of a "
"journal within its field, the relative difficulty of being published in that "
"asociado con ello. Las revistas especializadas PLOS se clasifican alto, "
"incluso cuando ellas son relativamente nuevas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5897
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7582
msgid ""
"The promotion and tenure of researchers are partially based how many times "
"other researchers cite their articles. Louise says when researchers want to "
"PLOS licenciados bajo CC BY garantizan el fácil acceso a los lectores y "
"generan más descubrimientos y citas a los autores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5904
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7591
msgid ""
"Louise believes that open access has been a huge success, progressing from a "
"movement led by a small cadre of researchers to something that is now "
"publicado más artículos de acceso abierto que BioMed Central, la editorial "
"de acceso abierto inicial, o que cualquiera."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5925
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7599
msgid ""
"PLOS further disrupted the traditional journal-publishing model by "
"pioneering the concept of a megajournal. The PLOS ONE megajournal, launched "
"larger than a traditional journal, publishing thousands of articles per year "
"and benefiting from economies of scale. PLOS ONE has a broad scope, covering "
"science and medicine as well as social sciences and the humanities. The "
-"review and editorial process is less subjective. Articles are accepted for "
+"review and editorial process is less subjective. Articles are accepted for "
"publication based on whether they are technically sound rather than "
"perceived importance or relevance. This is very important in the current "
"debate about the integrity and reproducibility of research because negative "
"or null results can then be published as well, which are generally rejected "
-"by traditional journals. PLOS ONE, like all the PLOS journals, is online "
+"by traditional journals. PLOS ONE, like all the PLOS journals, is online "
"only with no print version. PLOS passes on the financial savings accrued "
"through economies of scale to researchers and the public by lowering the "
"article-processing charges, which are below that of other journals. PLOS ONE "
"ofreciendo sus propios foros multidisciplinarios para la publicación de todo "
"lo referente a la ciencia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5929
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7623
msgid ""
"Louise outlined some other aspects of the research-journal business model "
"PLOS is experimenting with, describing each as a kind of slider that could "
"describiendolos como un tipo de deslizador que puede ser ajustado para "
"cambiar la práctica actual."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5934
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7628
msgid ""
"One slider is time to publication. Time to publication may shorten as "
-"journals get better at providing quicker decisions to authors. However, "
+"journals get better at providing quicker decisions to authors. However, "
"there is always a trade-off with scale, as the bigger the volume of "
"articles, the more time the approval process inevitably takes."
msgstr ""
"tema con la escala, mientras más grande sea el volumen de los artículos, "
"más tiempo requerirá inevitablemente el tiempo de aprobación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5944
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7635
msgid ""
"Peer review is another part of the process that could change. It’s possible "
"to redefine what peer review actually is, when to review, and what "
"puede asegurar a todos obtener credito; en este momento, los créditos están "
"limitados al autor y la editorial."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5949
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7647
msgid ""
"Louise says research with negative outcomes is almost as important as "
"positive results. If journals published more research with negative "
"que no funcionó. También podría disminuír la cantidad de veces que la rueda "
"de la investigación se reinventa alrededor del mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5964
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7654
msgid ""
"Another adjustable practice is the sharing of articles at early preprint "
"stages. Publication of research in a peer-reviewed journal can take a long "
"practice of distributing pre-print documents that have not yet undergone "
"peer review. Preprints broaden the peer-review process, allowing authors to "
"receive early feedback from a wide group of peers, which can help revise and "
-"prepare the article for submission. Offsetting the advantages of preprints "
+"prepare the article for submission. Offsetting the advantages of preprints "
"are author concerns over ensuring their primacy of being first to come up "
-"with findings based on their research. Other researches may see findings "
-"the preprint author has not yet thought of. However, preprints help "
-"researchers get their discoveries out early and establish precedence. A big "
-"challenge is that researchers don’t have a lot of time to comment on "
-"preprints."
+"with findings based on their research. Other researches may see findings the "
+"preprint author has not yet thought of. However, preprints help researchers "
+"get their discoveries out early and establish precedence. A big challenge is "
+"that researchers don’t have a lot of time to comment on preprints."
msgstr ""
"Otra práctica ajustable es la distribución de artículos en las etapas "
"iniciales de preimpresión. La publicación de la investigación en una revista "
"descubrimientos temprano y establecen precedencia. Un gran desafío es que "
"los investigadores no tienen mucho tiempo para comentar los preprints."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5972
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7672
msgid ""
"What constitutes a journal article could also change. The idea of a research "
-"article as printed, bound, and in a library stack is outdated. Digital and "
+"article as printed, bound, and in a library stack is outdated. Digital and "
"online open up new possibilities, such as a living document evolving over "
"time, inclusion of audio and video, and interactivity, like discussion and "
"recommendations. Even the size of what gets published could change. With "
"para lo que constituye un artículo de investigación sufriría "
"transformaciones."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5984
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7686
+msgid "<ulink url=\"http://collections.plos.org\"/>"
+msgstr "<ulink url=\"http://collections.plos.org\"/>"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7690
+msgid "<ulink url=\"http://plos.org/article-level-metrics\"/>"
+msgstr "<ulink url=\"http://plos.org/article-level-metrics\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7682
msgid ""
"As journals scale up, and new journals are introduced, more and more "
"information is being pushed out to readers, making the experience feel like "
"drinking from a fire hose. To help mitigate this, PLOS aggregates and "
-"curates content from PLOS journals and their network of blogs.1 It also "
-"offers something called Article-Level Metrics, which helps users assess "
-"research most relevant to the field itself, based on indicators like usage, "
-"citations, social bookmarking and dissemination activity, media and blog "
-"coverage, discussions, and ratings.2 Louise believes that the journal model "
-"could evolve to provide a more friendly and interactive user experience, "
-"including a way for readers to communicate with authors."
+"curates content from PLOS journals and their network of blogs.<placeholder "
+"type=\"footnote\" id=\"0\"/> It also offers something called Article-Level "
+"Metrics, which helps users assess research most relevant to the field "
+"itself, based on indicators like usage, citations, social bookmarking and "
+"dissemination activity, media and blog coverage, discussions, and ratings."
+"<placeholder type=\"footnote\" id=\"1\"/> Louise believes that the journal "
+"model could evolve to provide a more friendly and interactive user "
+"experience, including a way for readers to communicate with authors."
msgstr ""
"Mientras las revistas especializadas crecen, y nuevas revistas "
"especializadas son introducidas, más y más información es empujada a los "
"lectores; haciendo a la experiencia como beber de una manguera contra "
"incendios. Para ayudar a mitigar esto, PLOS agrega y cura el contenido de "
-"las revistas especializadas PLOS y de su red de blogs. 1 También ofrece algo "
-"llamado métricas artículo-nivel, las que ayudan al usuario a evaluar las "
-"investigaciones más relevantes para el campo mísmo, basadas en indicadores "
-"como uso, citas, marcadores sociales y diseminación de la actividad, medios "
-"y cubrimiento por blogs, discusiones, e índices de audiencias. 2 Louise cree "
-"que el modelo de revista especializada puede evolucionar para proveer una "
-"experiencia de uso más amigable e interactiva, incluyendo una via para los "
-"lectores para comunicarse con los autores."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:5993
+"las revistas especializadas PLOS y de su red de blogs.<placeholder type="
+"\"footnote\" id=\"0\"/> También ofrece algo llamado métricas artículo-nivel, "
+"las que ayudan al usuario a evaluar las investigaciones más relevantes para "
+"el campo mísmo, basadas en indicadores como uso, citas, marcadores sociales "
+"y diseminación de la actividad, medios y cubrimiento por blogs, discusiones, "
+"e índices de audiencias.<placeholder type=\"footnote\" id=\"1\"/> Louise "
+"cree que el modelo de revista especializada puede evolucionar para proveer "
+"una experiencia de uso más amigable e interactiva, incluyendo una via para "
+"los lectores para comunicarse con los autores."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7695
msgid ""
"The big picture for PLOS going forward is to combine and adjust these "
"experimental practices in ways that continue to improve accessibility and "
"dissemination of research, while ensuring its integrity and reliability. The "
-"ways they interlink are complex. The process of change and adjustment is not "
-"linear. PLOS sees itself as a very flexible publisher interested in "
+"ways they interlink are complex. The process of change and adjustment is "
+"not linear. PLOS sees itself as a very flexible publisher interested in "
"exploring all the permutations research-publishing can take, with authors "
"and readers who are open to experimentation."
msgstr ""
"editorial, con autores y lectores quienes estan abiertos a la "
"experimentación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6001
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7705
msgid ""
"For PLOS, success is not about revenue. Success is about proving that "
"scientific research can be communicated rapidly and economically at scale, "
-"for the benefit of researchers and society. The CC BY license makes it "
+"for the benefit of researchers and society. The CC BY license makes it "
"possible for PLOS to publish in a way that is unfettered, open, and fast, "
-"while ensuring that the authors get credit for their work. More than two "
+"while ensuring that the authors get credit for their work. More than two "
"million scientists, scholars, and clinicians visit PLOS every month, with "
"more than 135,000 quality articles to peruse for free."
msgstr ""
"y especialistas profesionales de la salud visitan PLOS cada mes, con más de "
"135,000 articulos de calidad para su lectura sin costo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6005
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7715
msgid ""
"Ultimately, for PLOS, its authors, and its readers, success is about making "
"research discoverable, available, and reproducible for the advancement of "
"consiste en hacer que la investigación sea visible, disponible y "
"reproducible para el avance de la ciencia."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6010
-msgid "collections.plos.org"
-msgstr "collections.plos.org"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6010
-msgid "plos.org/article-level-metrics"
-msgstr "plos.org/article-level-metrics"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7721
+msgid "Rijksmuseum"
+msgstr "Rijksmuseum"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6012
-msgid "## Rijksmuseum"
-msgstr "## Rijksmuseum"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6015
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7724
msgid ""
-"The Rijksmuseum is a Dutch national museum dedicated to art and history. "
+"The Rijksmuseum is a Dutch national museum dedicated to art and history. "
"Founded in 1800 in the Netherlands"
msgstr ""
"El Rijksmuseum es un museo nacional holandés dedicado al arte y a la "
-"historia. Fundado en 1800 en Holanda (Países Bajos)."
+"historia. Fundado en 1800 en Holanda (Países Bajos)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6017
-msgid "www.rijksmuseum.nl"
-msgstr "www.rijksmuseum.nl"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7728
+msgid "<ulink url=\"http://www.rijksmuseum.nl\"/>"
+msgstr "<ulink url=\"http://www.rijksmuseum.nl\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6021
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7730
msgid ""
-"Revenue model: grants and government funding, charging for in-person version "
-"(museum admission), selling merchandise"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grants and government "
+"funding, charging for in-person version (museum admission), selling "
+"merchandise"
msgstr ""
-"Modelo de ingresos: subvenciones y financiamiento gubernamental, cobro de "
-"entrada por persona (entrada al museo), venta de mercancía"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: subvenciones y "
+"financiamiento gubernamental, cobro de entrada por persona (entrada al "
+"museo), venta de mercancía"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6023
-msgid "Interview date: December 11, 2015"
-msgstr "Fecha de la entrevista: 11 de diciembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7734
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 11, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 11 de "
+"diciembre, 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6026
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7737
msgid ""
-"Interviewee: Lizzy Jongma, the data manager of the collections information "
-"department"
+"<emphasis role=\"strong\">Interviewee</emphasis>: Lizzy Jongma, the data "
+"manager of the collections information department"
msgstr ""
-"Entrevistada: Lizzy Jongma, Gerente de Datos del Departamento de Información "
-"sobre Colecciones"
+"<emphasis role=\"strong\">Entrevistada</emphasis>: Lizzy Jongma, Gerente de "
+"Datos del Departamento de Información sobre Colecciones"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6042
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7745
msgid ""
"The Rijksmuseum, a national museum in the Netherlands dedicated to art and "
"history, has been housed in its current building since 1885. The monumental "
"la memoria del público. A partir de estas circunstancias, nació un nuevo "
"modelo para el museo, más abierto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6054
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7761
msgid ""
"By the time Lizzy Jongma joined the Rijksmuseum in 2011 as a data manager, "
-"staff were fed up with the situation the museum was in. They also realized "
+"staff were fed up with the situation the museum was in. They also realized "
"that even with the new and larger space, it still wouldn’t be able to show "
"very much of the whole collection—eight thousand of over one million works "
"representing just 1 percent. Staff began exploring ways to express "
"themselves, to have something to show for all of the work they had been "
-"doing. The Rijksmuseum is primarily funded by Dutch taxpayers, so was there "
+"doing. The Rijksmuseum is primarily funded by Dutch taxpayers, so was there "
"a way for the museum provide benefit to the public while it was closed? They "
"began thinking about sharing Rijksmuseum’s collection using information "
"technology. And they put up a card-catalog like database of the entire "
"utilizando tecnologías informáticas. Y pusieron una base de datos parecida a "
"un catálogo de fichas de toda la colección en línea."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6062
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7775
msgid ""
"It was effective but a bit boring. It was just data. A hackathon they were "
"invited to got them to start talking about events like that as having "
"colección del Rijksmuseum? Eso eventualmente llevó a ¿y por qué no poner "
"toda la colección en línea?"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6074
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7786
+msgid "<ulink url=\"http://www.europeana.eu/portal/en\"/>"
+msgstr "<ulink url=\"http://www.europeana.eu/portal/en\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7784
msgid ""
"Then, Lizzy says, Europeana came along. Europeana is Europe’s digital "
-"library, museum, and archive for cultural heritage.1 As an online portal to "
-"museum collections all across Europe, Europeana had become an important "
-"online platform. In October 2010 Creative Commons released CC0 and its "
-"public-domain mark as tools people could use to identify works as free of "
-"known copyright. Europeana was the first major adopter, using CC0 to release "
-"metadata about their collection and the public domain mark for millions of "
-"digital works in their collection. Lizzy says the Rijksmuseum initially "
-"found this change in business practice a bit scary, but at the same time it "
-"stimulated even more discussion on whether the Rijksmuseum should follow "
-"suit."
+"library, museum, and archive for cultural heritage.<placeholder type="
+"\"footnote\" id=\"0\"/> As an online portal to museum collections all across "
+"Europe, Europeana had become an important online platform. In October 2010 "
+"Creative Commons released CC0 and its public-domain mark as tools people "
+"could use to identify works as free of known copyright. Europeana was the "
+"first major adopter, using CC0 to release metadata about their collection "
+"and the public domain mark for millions of digital works in their "
+"collection. Lizzy says the Rijksmuseum initially found this change in "
+"business practice a bit scary, but at the same time it stimulated even more "
+"discussion on whether the Rijksmuseum should follow suit."
msgstr ""
"Luego, dice Lizzy, llegó Europeana. Europeana es la biblioteca, museo y "
-"archivo digital del patrimonio cultural de Europa. Como portal en línea de "
-"las colecciones de los museos alrededor de Europa, Europeana se había vuelto "
-"una plataforma en línea importante. En 2010, Creative Commons lanzó la "
-"licencia CC0 y su marca del dominio público como herramientas que la gente "
-"podía utilizar para identificar obras de las que se conociera que estaban "
-"libres de derecho de autor. Lizzy dice que inicialmente el Rijksmuseum "
-"sintió un poco de miedo de este cambio en la forma de gestionar el museo, "
-"pero al mismo tiempo estimuló aún más discusiones sobre si el Rijksmuseum "
-"debería seguir el ejemplo."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6085
-msgid ""
-"They realized that they don’t “own” the collection and couldn’t "
+"archivo digital del patrimonio cultural de Europa.<placeholder type="
+"\"footnote\" id=\"0\"/> Como portal en línea de las colecciones de los "
+"museos alrededor de Europa, Europeana se había vuelto una plataforma en "
+"línea importante. En 2010, Creative Commons lanzó la licencia CC0 y su marca "
+"del dominio público como herramientas que la gente podía utilizar para "
+"identificar obras de las que se conociera que estaban libres de derecho de "
+"autor. Lizzy dice que inicialmente el Rijksmuseum sintió un poco de miedo de "
+"este cambio en la forma de gestionar el museo, pero al mismo tiempo estimuló "
+"aún más discusiones sobre si el Rijksmuseum debería seguir el ejemplo."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7798
+#, fuzzy
+#| msgid ""
+#| "They realized that they don’t “own” the collection and couldn’t "
+#| "realistically monitor and enforce compliance with the restrictive "
+#| "licensing terms they currently had in place. For example, many copies and "
+#| "versions of Vermeer’s Milkmaid (part of their collection) were already "
+#| "online, many of them of very poor quality. They could spend time and "
+#| "money policing its use, but it would probably be futile and wouldn’t make "
+#| "people stop using their images online. They ended up thinking it’s an "
+#| "utter waste of time to hunt down people who use the Rijksmuseum "
+#| "collection. And anyway, restricting access meant the people they were "
+#| "frustrating the most were schoolkids."
+msgid ""
+"They realized that they don’t <quote>own</quote> the collection and couldn’t "
"realistically monitor and enforce compliance with the restrictive licensing "
"terms they currently had in place. For example, many copies and versions of "
"Vermeer’s Milkmaid (part of their collection) were already online, many of "
"acceso significaba que la gente que más se frustraba eran los niños en edad "
"escolar."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6097
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7811
msgid ""
"In 2011 the Rijksmuseum began making their digital photos of works known to "
"be free of copyright available online, using Creative Commons CC0 to place "
"overseas customers. The administrative costs often offset revenue, and "
"income above costs was relatively low. In addition, having to pay for an "
"image of a work in the public domain from a collection owned by the Dutch "
-"government (i.e., paid for by the public) was contentious and frustrating "
+"government (i.e., paid for by the public) was contentious and frustrating "
"for some. Lizzy says they had lots of fierce debates about what to do."
msgstr ""
"En el 2011 el Rijksmuseum comenzó a poner en línea sus fotos digitales de "
"algunos. Lizzy dice que tuvieron un montón de debates feroces sobre qué "
"hacer."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6107
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7825
msgid ""
"In 2013 the Rijksmuseum changed its business model. They Creative Commons "
"licensed their highest-quality images and released them online for free. "
"disposición 150,000 imágenes de alta calidad de su colección, con el "
"objetivo de eventualmente tener toda la colección en Internet."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6120
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7836
+#, fuzzy
+#| msgid ""
+#| "Releasing these high-quality images for free reduced the number of poor-"
+#| "quality images that were proliferating. The high-quality image of "
+#| "Vermeer’s Milkmaid, for example, is downloaded two to three thousand "
+#| "times a month. On the Internet, images from a source like the Rijksmuseum "
+#| "are more trusted, and releasing them with a Creative Commons CC0 means "
+#| "they can easily be found in other platforms. For example, Rijksmuseum "
+#| "images are now used in thousands of Wikipedia articles, receiving ten to "
+#| "eleven million views per month. This extends Rijksmuseum’s reach far "
+#| "beyond the scope of its website. Sharing these images online creates what "
+#| "Lizzy calls the “Mona Lisa effect,” where a work of art becomes so famous "
+#| "that people want to see it in real life by visiting the actual museum."
msgid ""
"Releasing these high-quality images for free reduced the number of poor-"
"quality images that were proliferating. The high-quality image of Vermeer’s "
"found in other platforms. For example, Rijksmuseum images are now used in "
"thousands of Wikipedia articles, receiving ten to eleven million views per "
"month. This extends Rijksmuseum’s reach far beyond the scope of its website. "
-"Sharing these images online creates what Lizzy calls the “Mona Lisa effect,” "
-"where a work of art becomes so famous that people want to see it in real "
-"life by visiting the actual museum."
+"Sharing these images online creates what Lizzy calls the <quote>Mona Lisa "
+"effect,</quote> where a work of art becomes so famous that people want to "
+"see it in real life by visiting the actual museum."
msgstr ""
"Liberar estas imágenes de alta calidad de manera gratuita redujo el número "
"de imágenes de baja calidad que proliferaban por Internet. La imagen de alta "
"Lizzy llama \"el efecto Mona Lisa\", cuando una obra de arte es tan famosa "
"que la gente quiere verla en la vida real visitando de hecho el museo real."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6127
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7851
msgid ""
"Every museum tends to be driven by the number of physical visitors. The "
"Rijksmuseum is primarily publicly funded, receiving roughly 70 percent of "
-"its operating budget from the government. But like many museums, it must "
+"its operating budget from the government. But like many museums, it must "
"generate the rest of the funding through other means. The admission fee has "
"long been a way to generate revenue generation, including for the "
"Rijksmuseum."
"través de otros medios. El cobro de entradas ha sido durante mucho tiempo "
"una forma de generar ingresos, incluso para el Rijksmuseum."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6139
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7859
msgid ""
"As museums create a digital presence for themselves and put up digital "
"representations of their collection online, there’s frequently a worry that "
"cartones de leche y juguetes de los niños, la gente también ve de qué Museo "
"proviene la imagen y esto incrementa la visibilidad del Museo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6146
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7879
+msgid "<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio\"/>"
+msgstr "<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7873
msgid ""
"In 2011 the Rijksmuseum received €1 million from the Dutch lottery to create "
"a new web presence that would be different from any other museum’s. In "
"addition to redesigning their main website to be mobile friendly and "
"responsive to devices like the iPad, the Rijksmuseum also created the "
"Rijksstudio, where users and artists could use and do various things with "
-"the Rijksmuseum collection.2"
+"the Rijksmuseum collection.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"En el 2011, el Rijksmuseum recibió un millón de euros de la lotería "
"holandesa para crear una nueva presencia web que sería diferente de la de "
"cualquier otro museo. Además de rediseñar su sitio principal para ser "
"amigable a los celulares y responsivo a los dispositivos tales como el iPad, "
"el Museo también creó el Rijksstudio, donde los usuarios y los artistas "
-"pueden utilizar y hacer varias cosas con la colección del Rijksmuseum.2"
+"pueden utilizar y hacer varias cosas con la colección del Rijksmuseum."
+"<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6155
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7882
+#, fuzzy
+#| msgid ""
+#| "The Rijksstudio gives users access to over two hundred thousand high-"
+#| "quality digital representations of masterworks from the collection. Users "
+#| "can zoom in to any work and even clip small parts of images they like. "
+#| "Rijksstudio is a bit like Pinterest. You can “like” works and compile "
+#| "your personal favorites, and you can share them with friends or download "
+#| "them free of charge. All the images in the Rijksstudio are copyright and "
+#| "royalty free, and users are encouraged to use them as they like, for "
+#| "private or even commercial purposes."
msgid ""
"The Rijksstudio gives users access to over two hundred thousand high-quality "
-"digital representations of masterworks from the collection. Users can zoom "
+"digital representations of masterworks from the collection. Users can zoom "
"in to any work and even clip small parts of images they like. Rijksstudio is "
-"a bit like Pinterest. You can “like” works and compile your personal "
-"favorites, and you can share them with friends or download them free of "
-"charge. All the images in the Rijksstudio are copyright and royalty free, "
-"and users are encouraged to use them as they like, for private or even "
+"a bit like Pinterest. You can <quote>like</quote> works and compile your "
+"personal favorites, and you can share them with friends or download them "
+"free of charge. All the images in the Rijksstudio are copyright and royalty "
+"free, and users are encouraged to use them as they like, for private or even "
"commercial purposes."
msgstr ""
"El Rijksstudio da acceso a alrededor de doscientas mil representaciones "
"y se fomenta a los usuarios para que las utilicen de la forma en que "
"quieran, para fines privados o incluso comerciales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6160
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7893
msgid ""
"Users have created over 276,000 Rijksstudios, generating their own themed "
"virtual exhibitions on a wide variety of topics ranging from tapestries to "
"imágenes con propósitos educativos, incluyendo el uso para exámenes "
"escolares."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6170
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7900
msgid ""
"Some contemporary artists who have works in the Rijksmuseum collection "
"contacted them to ask why their works were not included in the Rijksstudio. "
"el uso comercial. De esa manera, sus obras pueden ponerse a disposición del "
"público, pero dentro de los límites establecidos por los artistas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6180
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7920
+msgid ""
+"<ulink url=\"http://www.etsy.com/ca/listing/175696771/fringe-kimono-silk-"
+"kimono-kimono-robe\"/>"
+msgstr ""
+"<ulink url=\"http://www.etsy.com/ca/listing/175696771/fringe-kimono-silk-"
+"kimono-kimono-robe\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7911
msgid ""
-"The Rijksmuseum believes that art stimulates entrepreneurial activity. The "
-"line between creative and commercial can be blurry. As Lizzy says, even "
+"The Rijksmuseum believes that art stimulates entrepreneurial activity. The "
+"line between creative and commercial can be blurry. As Lizzy says, even "
"Rembrandt was commercial, making his livelihood from selling his paintings. "
"The Rijksmuseum encourages entrepreneurial commercial use of the images in "
-"Rijksstudio. They’ve even partnered with the DIY marketplace Etsy to inspire "
-"people to sell their creations. One great example you can find on Etsy is a "
-"kimono designed by Angie Johnson, who used an image of an elaborate cabinet "
-"along with an oil painting by Jan Asselijn called The Threatened Swan.3"
+"Rijksstudio. They’ve even partnered with the DIY marketplace Etsy to "
+"inspire people to sell their creations. One great example you can find on "
+"Etsy is a kimono designed by Angie Johnson, who used an image of an "
+"elaborate cabinet along with an oil painting by Jan Asselijn called The "
+"Threatened Swan.<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
"El Rijksmuseum cree que el arte estimula la actividad empresarial. La línea "
"entre lo creativo y lo comercial puede ser difusa. Como dice Lizzy, incluso "
"a la gente a vender sus creaciones. Un ejemplo genial que se puede encontrar "
"en Etsy es un kimono diseñado por Angie Johnson, que utilizó una imagen de "
"un armario elaborado junto con una pintura al óleo de Jan Asselijn llamada "
-"\"El cisne amenazado\".3"
+"\"El cisne amenazado\".<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6193
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7924
+msgid ""
+"<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award\"/>; the 2014 "
+"award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award-2014\"/>; "
+"the 2015 award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-"
+"award-2015\"/>"
+msgstr ""
+"<ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award\"/>; the 2014 "
+"award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-award-2014\"/>; "
+"the 2015 award: <ulink url=\"http://www.rijksmuseum.nl/en/rijksstudio-"
+"award-2015\"/>"
+
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7936
+msgid ""
+"<ulink url=\"http://www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-"
+"rijksstudio-award/creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4\"/>"
+msgstr ""
+"<ulink url=\"http://www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-"
+"rijksstudio-award/creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7923
msgid ""
"In 2013 the Rijksmuseum organized their first high-profile design "
-"competition, known as the Rijksstudio Award.4 With the call to action Make "
-"Your Own Masterpiece, the competition invites the public to use Rijksstudio "
-"images to make new creative designs. A jury of renowned designers and "
-"curators selects ten finalists and three winners. The final award comes with "
-"a prize of €10,000. The second edition in 2015 attracted a staggering 892 "
-"top-class entries. Some award winners end up with their work sold through "
-"the Rijksmuseum store, such as the 2014 entry featuring makeup based on a "
-"specific color scheme of a work of art.5 The Rijksmuseum has been thrilled "
-"with the results. Entries range from the fun to the weird to the "
-"inspirational. The third international edition of the Rijksstudio Award "
-"started in September 2016."
+"competition, known as the Rijksstudio Award.<placeholder type=\"footnote\" "
+"id=\"0\"/> With the call to action Make Your Own Masterpiece, the "
+"competition invites the public to use Rijksstudio images to make new "
+"creative designs. A jury of renowned designers and curators selects ten "
+"finalists and three winners. The final award comes with a prize of €10,000. "
+"The second edition in 2015 attracted a staggering 892 top-class entries. "
+"Some award winners end up with their work sold through the Rijksmuseum "
+"store, such as the 2014 entry featuring makeup based on a specific color "
+"scheme of a work of art.<placeholder type=\"footnote\" id=\"1\"/> The "
+"Rijksmuseum has been thrilled with the results. Entries range from the fun "
+"to the weird to the inspirational. The third international edition of the "
+"Rijksstudio Award started in September 2016."
msgstr ""
"En 2013, el Rijksmuseum organizó su primera competencia de diseño de alto "
-"perfil, conocida como el Premio Rijksstudio.4 Con el llamado a la acción de "
-"\"Haz tu propia obra maestra\", la competencia invita al público a utilizar "
-"las imágenes del Rijksstudio para hacer nuevos diseños creativos. Un jurado "
-"de reconocidos diseñadores y curadores selecciona diez finalistas y tres "
-"ganadores. El premio final es de 10,000 euros. La segunda edición en 2015 "
-"atrajo un impactante número de 892 entradas de primer nivel. Algunos de los "
-"ganadores del premio terminaron con su obra siendo vendida a través de la "
-"tienda del Rijksmuseum, tal como la entrada de 2014 protagonizando un "
-"maquillaje basado en el esquema de colores específico de una obra de arte.5 "
-"El Rijksmuseum está emocionado con los resultados. Los candidatos van desde "
-"lo divertido a lo extraño a lo inspiracional. La tercera edición "
-"internacional del Premio Rijksstudio comenzó en septiembre de 2016."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6197
+"perfil, conocida como el Premio Rijksstudio.<placeholder type=\"footnote\" "
+"id=\"0\"/> Con el llamado a la acción de \"Haz tu propia obra maestra\", la "
+"competencia invita al público a utilizar las imágenes del Rijksstudio para "
+"hacer nuevos diseños creativos. Un jurado de reconocidos diseñadores y "
+"curadores selecciona diez finalistas y tres ganadores. El premio final es de "
+"10,000 euros. La segunda edición en 2015 atrajo un impactante número de 892 "
+"entradas de primer nivel. Algunos de los ganadores del premio terminaron con "
+"su obra siendo vendida a través de la tienda del Rijksmuseum, tal como la "
+"entrada de 2014 protagonizando un maquillaje basado en el esquema de colores "
+"específico de una obra de arte.<placeholder type=\"footnote\" id=\"1\"/> El "
+"Rijksmuseum está emocionado con los resultados. Los candidatos van desde lo "
+"divertido a lo extraño a lo inspiracional. La tercera edición internacional "
+"del Premio Rijksstudio comenzó en septiembre de 2016."
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7942
msgid ""
"For the next iteration of the Rijksstudio, the Rijksmuseum is considering an "
"upload tool, for people to upload their own works of art, and enhanced "
"sus propias obras de arte, y elementos sociales habilitados para que los "
"usuarios puedan interactuar más entre sí."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6204
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7948
msgid ""
"Going with a more open business model generated lots of publicity for the "
"Rijksmuseum. They were one of the first museums to open up their collection "
"dramáticamente las visitas a su sitio web, de 35 mil visitas por mes a 300 "
"mil visitas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6215
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7957
msgid ""
"The Rijksmuseum has been experimenting with other ways to invite the public "
"to look at and interact with their collection. On an international day "
"celebrating animals, they ran a successful bird-themed event. The museum put "
"together a showing of two thousand works that featured birds and invited "
-"bird-watchers to identify the birds depicted. Lizzy notes that while museum "
+"bird-watchers to identify the birds depicted. Lizzy notes that while museum "
"curators know a lot about the works in their collections, they may not know "
"about certain details in the paintings such as bird species. Over eight "
"hundred different birds were identified, including a specific species of "
"de grullas que era desconocida para la comunidad científica al momento de la "
"pintura."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6232
-msgid ""
-"For the Rijksmuseum, adopting an open business model was scary. They came up "
-"with many worst-case scenarios, imagining all kinds of awful things people "
-"might do with the museum’s works. But Lizzy says those fears did not come "
-"true because “ninety-nine percent of people have respect for great art.” "
-"Many museums think they can make a lot of money by selling things related to "
-"their collection. But in Lizzy’s experience, museums are usually bad at "
-"selling things, and sometimes efforts to generate a small amount of money "
-"block something much bigger—the real value that the collection has. For "
-"Lizzy, clinging to small amounts of revenue is being penny-wise but pound-"
-"foolish. For the Rijksmuseum, a key lesson has been to never lose sight of "
-"its vision for the collection. Allowing access to and use of their "
-"collection has generated great promotional value—far more than the previous "
-"practice of charging fees for access and use. Lizzy sums up their "
-"experience: “Give away; get something in return. Generosity makes people "
-"happy to join you and help out.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7970
+#, fuzzy
+#| msgid ""
+#| "For the Rijksmuseum, adopting an open business model was scary. They "
+#| "came up with many worst-case scenarios, imagining all kinds of awful "
+#| "things people might do with the museum’s works. But Lizzy says those "
+#| "fears did not come true because “ninety-nine percent of people have "
+#| "respect for great art.” Many museums think they can make a lot of money "
+#| "by selling things related to their collection. But in Lizzy’s "
+#| "experience, museums are usually bad at selling things, and sometimes "
+#| "efforts to generate a small amount of money block something much bigger—"
+#| "the real value that the collection has. For Lizzy, clinging to small "
+#| "amounts of revenue is being penny-wise but pound-foolish. For the "
+#| "Rijksmuseum, a key lesson has been to never lose sight of its vision for "
+#| "the collection. Allowing access to and use of their collection has "
+#| "generated great promotional value—far more than the previous practice of "
+#| "charging fees for access and use. Lizzy sums up their experience: “Give "
+#| "away; get something in return. Generosity makes people happy to join you "
+#| "and help out.”"
+msgid ""
+"For the Rijksmuseum, adopting an open business model was scary. They came "
+"up with many worst-case scenarios, imagining all kinds of awful things "
+"people might do with the museum’s works. But Lizzy says those fears did not "
+"come true because <quote>ninety-nine percent of people have respect for "
+"great art.</quote> Many museums think they can make a lot of money by "
+"selling things related to their collection. But in Lizzy’s experience, "
+"museums are usually bad at selling things, and sometimes efforts to generate "
+"a small amount of money block something much bigger—the real value that the "
+"collection has. For Lizzy, clinging to small amounts of revenue is being "
+"penny-wise but pound-foolish. For the Rijksmuseum, a key lesson has been to "
+"never lose sight of its vision for the collection. Allowing access to and "
+"use of their collection has generated great promotional value—far more than "
+"the previous practice of charging fees for access and use. Lizzy sums up "
+"their experience: <quote>Give away; get something in return. Generosity "
+"makes people happy to join you and help out.</quote>"
msgstr ""
"Para el Rijksmuseum, adoptar un modelo de negocios abierto les daba miedo. "
"Elaboraron varios escenarios del \"peor caso\", imaginando todo tipo de "
"resume su experiencia: \"Hay que regalar y obtener algo a cambio. La "
"generosidad hace que la gente esté feliz de acompañarte y ayudarte.\""
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid "www.europeana.eu/portal/en"
-msgstr "www.europeana.eu/portal/en"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid "www.rijksmuseum.nl/en/rijksstudio"
-msgstr "www.rijksmuseum.nl/en/rijksstudio"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7990
+msgid "Shareable"
+msgstr "Shareable"
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid "www.etsy.com/ca/listing/175696771/fringe-kimono-silk-kimono-kimono-robe"
-msgstr ""
-"www.etsy.com/ca/listing/175696771/fringe-kimono-silk-kimono-kimono-robe"
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid ""
-"www.rijksmuseum.nl/en/rijksstudio-award; the 2014 award: www.rijksmuseum.nl/"
-"en/rijksstudio-award-2014; the 2015 award: www.rijksmuseum.nl/en/rijksstudio-"
-"award-2015"
-msgstr ""
-"www.rijksmuseum.nl/en/rijksstudio-award; el premio de 2014: www.rijksmuseum."
-"nl/en/rijksstudio-award-2014; el premio de 2015: www.rijksmuseum.nl/en/"
-"rijksstudio-award-2015"
-
-#. type: Bullet: '5. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6242
-msgid ""
-"www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-rijksstudio-award/"
-"creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4"
-msgstr ""
-"www.rijksmuseum.nl/nl/rijksstudio/142328--nominees-rijksstudio-award/"
-"creaties/ba595afe-452d-46bd-9c8c-48dcbdd7f0a4"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6244
-msgid "## Shareable"
-msgstr "## Shareable"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6247
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7993
msgid ""
"Shareable is an online magazine about sharing. Founded in 2009 in the U.S."
msgstr ""
"Shareable es una revista enlinea acerca de compartir. Fundada en 2009 en los "
"E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6249
-msgid "www.shareable.net"
-msgstr "www.shareable.net"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7997
+msgid "<ulink url=\"http://www.shareable.net\"/>"
+msgstr "<ulink url=\"http://www.shareable.net\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6252
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:7999
msgid ""
-"Revenue model: grant funding, crowdfunding (project-based), donations, "
-"sponsorships"
+"<emphasis role=\"strong\">Revenue model</emphasis>: grant funding, "
+"crowdfunding (project-based), donations, sponsorships"
msgstr ""
-"Modelo de ingresos: subsidios, financiamiento comunitario ( basado en "
-"proyectos), donaciones, patrocinios"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: subsidios, "
+"financiamiento comunitario ( basado en proyectos), donaciones, patrocinios"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6254
-msgid "Interview date: February 24, 2016"
-msgstr "Fecha de la entrevista: 24 de febrero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8002
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 24, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 24 de febrero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6256
-msgid "Interviewee: Neal Gorenflo, cofounder and executive editor"
-msgstr "Entrevistado: Neal Gorenflo, cofundador y editor ejecutivo"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8005
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Neal Gorenflo, cofounder "
+"and executive editor"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Neal Gorenflo, cofundador "
+"y editor ejecutivo"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6267
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8013
+#, fuzzy
+#| msgid ""
+#| "In 2013, Shareable faced an impasse. The nonprofit online publication had "
+#| "helped start a sharing movement four years prior, but over time, they "
+#| "watched one part of the movement stray from its ideals. As giants like "
+#| "Uber and Airbnb gained ground, attention began to center on the “sharing "
+#| "economy” we know now—profit-driven, transactional, and loaded with "
+#| "venture-capital money. Leaders of corporate start-ups in this domain "
+#| "invited Shareable to advocate for them. The magazine faced a choice: ride "
+#| "the wave or stand on principle."
msgid ""
"In 2013, Shareable faced an impasse. The nonprofit online publication had "
"helped start a sharing movement four years prior, but over time, they "
"watched one part of the movement stray from its ideals. As giants like Uber "
-"and Airbnb gained ground, attention began to center on the “sharing economy” "
-"we know now—profit-driven, transactional, and loaded with venture-capital "
-"money. Leaders of corporate start-ups in this domain invited Shareable to "
-"advocate for them. The magazine faced a choice: ride the wave or stand on "
-"principle."
+"and Airbnb gained ground, attention began to center on the <quote>sharing "
+"economy</quote> we know now—profit-driven, transactional, and loaded with "
+"venture-capital money. Leaders of corporate start-ups in this domain invited "
+"Shareable to advocate for them. The magazine faced a choice: ride the wave "
+"or stand on principle."
msgstr ""
"En el 2013, Shareable enfrentó a un impasse. La publicación enlinea sin "
"ánimo de lucro había ayudado a comenzar un movimiento colaborativo en los "
"revista enfrentó una elección: seguir la corriente o mantenerse en sus "
"principios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6277
-msgid ""
-"As an organization, Shareable decided to draw a line in the sand. In 2013, "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8024
+#, fuzzy
+#| msgid ""
+#| "As an organization, Shareable decided to draw a line in the sand. In "
+#| "2013, the cofounder and executive editor Neal Gorenflo wrote an opinion "
+#| "piece in the PandoDaily that charted Shareable’s new critical stance on "
+#| "the Silicon Valley version of the sharing economy, while contrasting it "
+#| "with aspects of the real sharing economy like open-source software, "
+#| "participatory budgeting (where citizens decide how a public budget is "
+#| "spent), cooperatives, and more. He wrote, “It’s not so much that "
+#| "collaborative consumption is dead, it’s more that it risks dying as it "
+#| "gets absorbed by the ‘Borg.’”"
+msgid ""
+"As an organization, Shareable decided to draw a line in the sand. In 2013, "
"the cofounder and executive editor Neal Gorenflo wrote an opinion piece in "
"the PandoDaily that charted Shareable’s new critical stance on the Silicon "
"Valley version of the sharing economy, while contrasting it with aspects of "
"the real sharing economy like open-source software, participatory budgeting "
"(where citizens decide how a public budget is spent), cooperatives, and "
-"more. He wrote, “It’s not so much that collaborative consumption is dead, "
-"it’s more that it risks dying as it gets absorbed by the ‘Borg.’”"
+"more. He wrote, <quote>It’s not so much that collaborative consumption is "
+"dead, it’s more that it risks dying as it gets absorbed by the <quote>Borg.</"
+"quote></quote>"
msgstr ""
"Como organización, Shareable decidió establecer su posición. En 2013, el "
"cofundador y editor ejecutivo Neal Gorenflo escribió una opinión en el "
"Escribió, «No es tanto de que el consumo colaborativo esté muerto, es más "
"acerca del riesgo de morir mientras es absorbido por los «Borg».»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6284
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8036
+#, fuzzy
+#| msgid ""
+#| "Neal said their public critique of the corporate sharing economy defined "
+#| "what Shareable was and is. He does not think the magazine would still be "
+#| "around had they chosen differently. “We would have gotten another type of "
+#| "audience, but it would have spelled the end of us,” he said. “We are a "
+#| "small, mission-driven organization. We would never have been able to "
+#| "weather the criticism that Airbnb and Uber are getting now.”"
msgid ""
"Neal said their public critique of the corporate sharing economy defined "
"what Shareable was and is. He does not think the magazine would still be "
-"around had they chosen differently. “We would have gotten another type of "
-"audience, but it would have spelled the end of us,” he said. “We are a "
-"small, mission-driven organization. We would never have been able to weather "
-"the criticism that Airbnb and Uber are getting now.”"
+"around had they chosen differently. <quote>We would have gotten another type "
+"of audience, but it would have spelled the end of us,</quote> he said. "
+"<quote>We are a small, mission-driven organization. We would never have been "
+"able to weather the criticism that Airbnb and Uber are getting now.</quote>"
msgstr ""
"Neal dice que su crítica pública de la economía colaborativa corporativa "
"definió lo que Shareable era y es. El piensa que la revista no estaría en el "
"una oranización pequeña, conducidad por una misión. Nunca hubieramos sido "
"capaces de soportar las críticas que Airbnb y Uber estan teniendo ahora.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6293
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8046
+#, fuzzy
+#| msgid ""
+#| "Interestingly, impassioned supporters are only a small sliver of "
+#| "Shareable’s total audience. Most are casual readers who come across a "
+#| "Shareable story because it happens to align with a project or interest "
+#| "they have. But choosing principles over the possibility of riding the "
+#| "coattails of the major corporate players in the sharing space saved "
+#| "Shareable’s credibility. Although they became detached from the corporate "
+#| "sharing economy, the online magazine became the voice of the “real "
+#| "sharing economy” and continued to grow their audience."
msgid ""
"Interestingly, impassioned supporters are only a small sliver of Shareable’s "
"total audience. Most are casual readers who come across a Shareable story "
"choosing principles over the possibility of riding the coattails of the "
"major corporate players in the sharing space saved Shareable’s credibility. "
"Although they became detached from the corporate sharing economy, the online "
-"magazine became the voice of the “real sharing economy” and continued to "
-"grow their audience."
+"magazine became the voice of the <quote>real sharing economy</quote> and "
+"continued to grow their audience."
msgstr ""
"Interesantemente, los seguidores desapasionados son sólo una pequeña "
"porción de la audiencia total de Shareable. La mayoría son lectores "
"enlinea se volvió la voz de la «verdadera economía colaborativa» y continuo "
"creciendo su audiencia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6303
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8057
+#, fuzzy
+#| msgid ""
+#| "Shareable is a magazine, but the content they publish is a means to "
+#| "furthering their role as a leader and catalyst of a movement. Shareable "
+#| "became a leader in the movement in 2009. “At that time, there was a "
+#| "sharing movement bubbling beneath the surface, but no one was connecting "
+#| "the dots,” Neal said. “We decided to step into that space and take on "
+#| "that role.” The small team behind the nonprofit publication truly "
+#| "believed sharing could be central to solving some of the major problems "
+#| "human beings face—resource inequality, social isolation, and global "
+#| "warming."
msgid ""
"Shareable is a magazine, but the content they publish is a means to "
-"furthering their role as a leader and catalyst of a movement. Shareable "
-"became a leader in the movement in 2009. “At that time, there was a sharing "
-"movement bubbling beneath the surface, but no one was connecting the dots,” "
-"Neal said. “We decided to step into that space and take on that role.” The "
-"small team behind the nonprofit publication truly believed sharing could be "
-"central to solving some of the major problems human beings face—resource "
-"inequality, social isolation, and global warming."
+"furthering their role as a leader and catalyst of a movement. Shareable "
+"became a leader in the movement in 2009. <quote>At that time, there was a "
+"sharing movement bubbling beneath the surface, but no one was connecting the "
+"dots,</quote> Neal said. <quote>We decided to step into that space and take "
+"on that role.</quote> The small team behind the nonprofit publication truly "
+"believed sharing could be central to solving some of the major problems "
+"human beings face—resource inequality, social isolation, and global warming."
msgstr ""
"Shareable es una revista, pero el contenido que publican es un medio para "
"promover su rol como líder y catalizador del movimiento. Shareable se volvió "
"algunos de los grandes problemas que los seres humanos enfrentan—desigualdad "
"de recursos, aislamientos sociales, y calentamiento global."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6312
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8069
+#, fuzzy
+#| msgid ""
+#| "They have worked hard to find ways to tell stories that show different "
+#| "metrics for success. “We wanted to change the notion of what constitutes "
+#| "the good life,” Neal said. While they started out with a very broad focus "
+#| "on sharing generally, today they emphasize stories about the physical "
+#| "commons like “sharing cities” (i.e., urban areas managed in a "
+#| "sustainable, cooperative way), as well as digital platforms that are run "
+#| "democratically. They particularly focus on how-to content that help their "
+#| "readers make changes in their own lives and communities."
msgid ""
"They have worked hard to find ways to tell stories that show different "
-"metrics for success. “We wanted to change the notion of what constitutes the "
-"good life,” Neal said. While they started out with a very broad focus on "
-"sharing generally, today they emphasize stories about the physical commons "
-"like “sharing cities” (i.e., urban areas managed in a sustainable, "
-"cooperative way), as well as digital platforms that are run democratically. "
-"They particularly focus on how-to content that help their readers make "
-"changes in their own lives and communities."
+"metrics for success. <quote>We wanted to change the notion of what "
+"constitutes the good life,</quote> Neal said. While they started out with a "
+"very broad focus on sharing generally, today they emphasize stories about "
+"the physical commons like <quote>sharing cities</quote> (i.e., urban areas "
+"managed in a sustainable, cooperative way), as well as digital platforms "
+"that are run democratically. They particularly focus on how-to content that "
+"help their readers make changes in their own lives and communities."
msgstr ""
"Han trabajado duro para hallar vias para contar historias que exhiban "
"diferentes medidas para triunfar. «Queríamos cambiar la noción de lo que "
"Particularmente ellos se enfocan en contenido cómo-hacer que ayude a sus "
"lectores a realizar cambios en sus propias vidas y comunidades."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6324
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8081
+#, fuzzy
+#| msgid ""
+#| "More than half of Shareable’s stories are written by paid journalists "
+#| "that are contracted by the magazine. “Particularly in content areas that "
+#| "are a priority for us, we really want to go deep and control the "
+#| "quality,” Neal said. The rest of the content is either contributed by "
+#| "guest writers, often for free, or written by other publications from "
+#| "their network of content publishers. Shareable is a member of the Post "
+#| "Growth Alliance, which facilitates the sharing of content and audiences "
+#| "among a large and growing group of mostly nonprofits. Each organization "
+#| "gets a chance to present stories to the group, and the organizations can "
+#| "use and promote each other’s stories. Much of the content created by the "
+#| "network is licensed with Creative Commons."
msgid ""
"More than half of Shareable’s stories are written by paid journalists that "
-"are contracted by the magazine. “Particularly in content areas that are a "
-"priority for us, we really want to go deep and control the quality,” Neal "
-"said. The rest of the content is either contributed by guest writers, often "
-"for free, or written by other publications from their network of content "
-"publishers. Shareable is a member of the Post Growth Alliance, which "
-"facilitates the sharing of content and audiences among a large and growing "
-"group of mostly nonprofits. Each organization gets a chance to present "
-"stories to the group, and the organizations can use and promote each other’s "
-"stories. Much of the content created by the network is licensed with "
-"Creative Commons."
+"are contracted by the magazine. <quote>Particularly in content areas that "
+"are a priority for us, we really want to go deep and control the quality,</"
+"quote> Neal said. The rest of the content is either contributed by guest "
+"writers, often for free, or written by other publications from their network "
+"of content publishers. Shareable is a member of the Post Growth Alliance, "
+"which facilitates the sharing of content and audiences among a large and "
+"growing group of mostly nonprofits. Each organization gets a chance to "
+"present stories to the group, and the organizations can use and promote each "
+"other’s stories. Much of the content created by the network is licensed "
+"with Creative Commons."
msgstr ""
"Más de la mitad de las historias en Shareable son escritas por periodístas "
"que son contratados por la revista.«Particularmente en áreas cuyo contenido "
"uno. Mucho del contenido creado por la red es licenciado con Creative "
"Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6336
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8096
+#, fuzzy
+#| msgid ""
+#| "All of Shareable’s original content is published under the Attribution "
+#| "license (CC BY), meaning it can be used for any purpose as long as credit "
+#| "is given to Shareable. Creative Commons licensing is aligned with "
+#| "Shareable’s vision, mission, and identity. That alone explains the "
+#| "organization’s embrace of the licenses for their content, but Neal also "
+#| "believes CC licensing helps them increase their reach. “By using CC "
+#| "licensing,” he said, “we realized we could reach far more people through "
+#| "a formal and informal network of republishers or affiliates. That has "
+#| "definitely been the case. It’s hard for us to measure the reach of other "
+#| "media properties, but most of the outlets who republish our work have "
+#| "much bigger audiences than we do.”"
msgid ""
"All of Shareable’s original content is published under the Attribution "
"license (CC BY), meaning it can be used for any purpose as long as credit is "
"given to Shareable. Creative Commons licensing is aligned with Shareable’s "
"vision, mission, and identity. That alone explains the organization’s "
"embrace of the licenses for their content, but Neal also believes CC "
-"licensing helps them increase their reach. “By using CC licensing,” he said, "
-"“we realized we could reach far more people through a formal and informal "
-"network of republishers or affiliates. That has definitely been the case. "
-"It’s hard for us to measure the reach of other media properties, but most of "
-"the outlets who republish our work have much bigger audiences than we do.”"
+"licensing helps them increase their reach. <quote>By using CC licensing,</"
+"quote> he said, <quote>we realized we could reach far more people through a "
+"formal and informal network of republishers or affiliates. That has "
+"definitely been the case. It’s hard for us to measure the reach of other "
+"media properties, but most of the outlets who republish our work have much "
+"bigger audiences than we do.</quote>"
msgstr ""
"Todo el contenido original de Shareable es publicado bajo la licencia "
"Attibution (CC BY), lo que significa que puede ser usado para cualquier "
"los medios, pero la mayoría de los medios que republican nuestro trabajo "
"tienen audiencias más grandes que las nuestras.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6344
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8111
msgid ""
"In addition to their regular news and commentary online, Shareable has also "
"experimented with book publishing. In 2012, they worked with a traditional "
"Shareable Cities—son dos de los mayores generadores de tráfico en su sitio "
"web."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6349
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8121
msgid ""
"In 2016, Shareable self-published a book of curated Shareable stories called "
"How to: Share, Save Money and Have Fun. The book was available for sale, but "
-"a PDF version of the book was available for free. Shareable plans to offer "
+"a PDF version of the book was available for free. Shareable plans to offer "
"the book in upcoming fund-raising campaigns."
msgstr ""
"En 2016, Shareable auto-publicó un libro de cuidadas y trabajadas historias "
"estuvo disponible sin costo. Shareable planea ofrecer el libro en las "
"siguientes campañas de recaudación de fondos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6357
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8128
msgid ""
"This recent book is one of many fund-raising experiments Shareable has "
"conducted in recent years. Currently, Shareable is primarily funded by "
"grants from foundations, but they are actively moving toward a more "
"diversified model. They have organizational sponsors and are working to "
-"expand their base of individual donors. Ideally, they will eventually be a "
+"expand their base of individual donors. Ideally, they will eventually be a "
"hundred percent funded by their audience. Neal believes being fully "
"community-supported will better represent their vision of the world."
msgstr ""
"porciento por su audiencia. Neal cree que ser totalmente financiados por la "
"comunidad representará mejor su visión del mundo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6367
-msgid ""
-"For Shareable, success is very much about their impact on the world. This "
-"is true for Neal, but also for everyone who works for Shareable. “We "
-"attract passionate people,” Neal said. At times, that means employees work "
-"so hard they burn out. Neal tries to stress to the Shareable team that "
-"another part of success is having fun and taking care of yourself while you "
-"do something you love. “A central part of human beings is that we long to be "
-"on a great adventure with people we love,” he said. “We are a species who "
-"look over the horizon and imagine and create new worlds, but we also seek "
-"the comfort of hearth and home.”"
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8138
+#, fuzzy
+#| msgid ""
+#| "For Shareable, success is very much about their impact on the world. This "
+#| "is true for Neal, but also for everyone who works for Shareable. “We "
+#| "attract passionate people,” Neal said. At times, that means employees "
+#| "work so hard they burn out. Neal tries to stress to the Shareable team "
+#| "that another part of success is having fun and taking care of yourself "
+#| "while you do something you love. “A central part of human beings is that "
+#| "we long to be on a great adventure with people we love,” he said. “We are "
+#| "a species who look over the horizon and imagine and create new worlds, "
+#| "but we also seek the comfort of hearth and home.”"
+msgid ""
+"For Shareable, success is very much about their impact on the world. This is "
+"true for Neal, but also for everyone who works for Shareable. <quote>We "
+"attract passionate people,</quote> Neal said. At times, that means "
+"employees work so hard they burn out. Neal tries to stress to the Shareable "
+"team that another part of success is having fun and taking care of yourself "
+"while you do something you love. <quote>A central part of human beings is "
+"that we long to be on a great adventure with people we love,</quote> he "
+"said. <quote>We are a species who look over the horizon and imagine and "
+"create new worlds, but we also seek the comfort of hearth and home.</quote>"
msgstr ""
"Para Shareable, el éxito es mucho acerca de su impacto en el mundo. Esto es "
"ciento para Neal, pero también para cualquiera que trabaje para Shareable. « "
"especie que observa sobre el horizonte e imagina y crea nuevos mundos, pero "
"también buscamos el bienestar del hogar y el corazón.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6376
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8151
+#, fuzzy
+#| msgid ""
+#| "In 2013, Shareable ran its first crowdfunding campaign to launch their "
+#| "Sharing Cities Network. Neal said at first they were on pace to fail "
+#| "spectacularly. They called in their advisers in a panic and asked for "
+#| "help. The advice they received was simple—“Sit your ass in a chair and "
+#| "start making calls.” That’s exactly what they did, and they ended up "
+#| "reaching their $50,000 goal. Neal said the campaign helped them reach new "
+#| "people, but the vast majority of backers were people in their existing "
+#| "base."
msgid ""
"In 2013, Shareable ran its first crowdfunding campaign to launch their "
"Sharing Cities Network. Neal said at first they were on pace to fail "
"spectacularly. They called in their advisers in a panic and asked for help. "
-"The advice they received was simple—“Sit your ass in a chair and start "
-"making calls.” That’s exactly what they did, and they ended up reaching "
-"their \\$50,000 goal. Neal said the campaign helped them reach new people, "
-"but the vast majority of backers were people in their existing base."
+"The advice they received was simple—<quote>Sit your ass in a chair and start "
+"making calls.</quote> That’s exactly what they did, and they ended up "
+"reaching their $50,000 goal. Neal said the campaign helped them reach new "
+"people, but the vast majority of backers were people in their existing base."
msgstr ""
"En 2013, Shareable comenzó su primera campaña de financiamiento comunitario "
"para lanzar su _Sharing Cities Network_ (Red de Ciudades Colaborativas). "
"espectacularmente. Llamaron a sus asesores en pánico y solicitaron ayuda. El "
"consejo que recibieron fue simple—«Sienta tú trasero en una silla y empieza "
"a realizar llamadas.» Eso fue exactamente lo que hicieron, y terminaron "
-"alcanzando su meta de \\$50,000. Neal dijo que la campaña los ayudó para "
+"alcanzando su meta de $50,000. Neal dijo que la campaña los ayudó para "
"alcanzar nuevas personas, pero que la vasta mayoría de los participantes fue "
"gente de su base existente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6382
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8161
msgid ""
"For Neal, this symbolized how so much of success comes down to "
"relationships. Over time, Shareable has invested time and energy into the "
-"relationships they have forged with their readers and supporters. They have "
+"relationships they have forged with their readers and supporters. They have "
"also invested resources into building relationships between their readers "
"and supporters."
msgstr ""
"las relaciones que han forjado con sus lectores y seguidores. Han invertido "
"recursos en construir relaciones entre sus lectores y seguidores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6396
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8168
+#, fuzzy
+#| msgid ""
+#| "Shareable began hosting events in 2010. These events were designed to "
+#| "bring the sharing community together. But over time they realized they "
+#| "could reach far more people if they helped their readers to host their "
+#| "own events. “If we wanted to go big on a conference, there was a huge "
+#| "risk and huge staffing needs, plus only a fraction of our community could "
+#| "travel to the event,” Neal said. Enabling others to create their own "
+#| "events around the globe allowed them to scale up their work more "
+#| "effectively and reach far more people. Shareable has catalyzed three "
+#| "hundred different events reaching over twenty thousand people since "
+#| "implementing this strategy three years ago. Going forward, Shareable is "
+#| "focusing the network on creating and distributing content meant to spur "
+#| "local action. For instance, Shareable will publish a new CC-licensed book "
+#| "in 2017 filled with ideas for their network to implement."
msgid ""
"Shareable began hosting events in 2010. These events were designed to bring "
"the sharing community together. But over time they realized they could reach "
-"far more people if they helped their readers to host their own events. “If "
-"we wanted to go big on a conference, there was a huge risk and huge staffing "
-"needs, plus only a fraction of our community could travel to the event,” "
-"Neal said. Enabling others to create their own events around the globe "
-"allowed them to scale up their work more effectively and reach far more "
-"people. Shareable has catalyzed three hundred different events reaching over "
-"twenty thousand people since implementing this strategy three years ago. "
-"Going forward, Shareable is focusing the network on creating and "
-"distributing content meant to spur local action. For instance, Shareable "
-"will publish a new CC-licensed book in 2017 filled with ideas for their "
-"network to implement."
+"far more people if they helped their readers to host their own events. "
+"<quote>If we wanted to go big on a conference, there was a huge risk and "
+"huge staffing needs, plus only a fraction of our community could travel to "
+"the event,</quote> Neal said. Enabling others to create their own events "
+"around the globe allowed them to scale up their work more effectively and "
+"reach far more people. Shareable has catalyzed three hundred different "
+"events reaching over twenty thousand people since implementing this strategy "
+"three years ago. Going forward, Shareable is focusing the network on "
+"creating and distributing content meant to spur local action. For instance, "
+"Shareable will publish a new CC-licensed book in 2017 filled with ideas for "
+"their network to implement."
msgstr ""
"Shareable comenzó a realizar eventos en 2010. Estos eventos fueron "
"designados para traer a la comunidad colaborativa junta. Pero durante el "
"Por ejemplo, Shareable publicará un nuevo libro bajo licencia CC en 2017 "
"lleno de ideas para que las implemente su red."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6401
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8185
msgid ""
"Neal says Shareable stumbled upon this strategy, but it seems to perfectly "
-"encapsulate just how the commons is supposed to work. Rather than a one-size-"
-"fits-all approach, Shareable puts the tools out there for people take the "
-"ideas and adapt them to their own communities."
+"encapsulate just how the commons is supposed to work. Rather than a one-"
+"size-fits-all approach, Shareable puts the tools out there for people take "
+"the ideas and adapt them to their own communities."
msgstr ""
"Neal comentó que Shareable accidentalmente descubrió esta estrategia, pero "
"parece que encapsula perfectamente como se supone que deben de trabajar los "
"herramientas al alcance de la gente para que tome las ideas y las adapte a "
"sus propias comunidades."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6403
-msgid "## Siyavula"
-msgstr "## Siyavula"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8193
+msgid "Siyavula"
+msgstr "Siyavula"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6407
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8196
msgid ""
"Siyavula is a for-profit educational-technology company that creates "
"textbooks and integrated learning experiences. Founded in 2012 in South "
"Siyavula es una compañía tecnológica educativa que crea libros de texto e "
"integra experiencias de aprendizaje. Fundada en 2012 en Sudafrica."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6409
-msgid "www.siyavula.com"
-msgstr "www.siyavula.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8201
+msgid "<ulink url=\"http://www.siyavula.com\"/>"
+msgstr "<ulink url=\"http://www.siyavula.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6411
-msgid "Revenue model: charging for custom services, sponsorships"
-msgstr "Modelo de ingresos: cargos por servicios personalizados, patrocinios"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8203
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for custom "
+"services, sponsorships"
+msgstr ""
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cargos por "
+"servicios personalizados, patrocinios"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6413
-msgid "Interview date: April 5, 2016"
-msgstr "Fecha de la entrevista: 5 de abril, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8206
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: April 5, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 5 de abril, 2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6415
-msgid "Interviewee: Mark Horner, CEO"
-msgstr "Entrevistado: Mark Horner, CEO"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8208
+msgid "<emphasis role=\"strong\">Interviewee</emphasis>: Mark Horner, CEO"
+msgstr "<emphasis role=\"strong\">Entrevistado</emphasis>: Mark Horner, CEO"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6423
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8215
msgid ""
"Openness is a key principle for Siyavula. They believe that every learner "
"and teacher should have access to high-quality educational resources, as "
-"this forms the basis for long-term growth and development. Siyavula has "
-"been a pioneer in creating high-quality open textbooks on mathematics and "
-"science subjects for grades 4 to 12 in South Africa."
+"this forms the basis for long-term growth and development. Siyavula has been "
+"a pioneer in creating high-quality open textbooks on mathematics and science "
+"subjects for grades 4 to 12 in South Africa."
msgstr ""
"La franqueza es un valor principal para Siyavula. Ellos creen que cualquier "
"estudiante y maestrodebería tener acceso a recursos educativos de alta "
"calidad en temas de matemática y ciencia para los grados 4 al 12 en "
"Sudáfrica."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6428
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8223
msgid ""
"In terms of creating an open business model that involves Creative Commons, "
"Siyavula—and its founder, Mark Horner—have been around the block a few "
"Siyavula ha cambiado significativamente su dirección y estrategia para "
"sobrevivir y prosperar. Mark dice que ha sido muy orgánico."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6435
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8230
msgid ""
"It all started in 2002, when Mark and several other colleagues at the "
"University of Cape Town in South Africa founded the Free High School Science "
"ciencias, asi que Mark y sus colegas se dieron a la tarea de editarlos y "
"ponerlos disponibles libremente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6443
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8241
+msgid "<ulink url=\"http://www.gnu.org/licenses/fdl\"/>"
+msgstr "<ulink url=\"http://www.gnu.org/licenses/fdl\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8238
msgid ""
"As physicists, Mark and his colleagues were advocates of open-source "
"software. To make the books open and free, they adopted the Free Software "
-"Foundation’s GNU Free Documentation License.1 They chose LaTeX, a "
-"typesetting program used to publish scientific documents, to author the "
-"books. Over a period of five years, the Free High School Science Texts "
-"project produced math and physical-science textbooks for grades 10 to 12."
+"Foundation’s GNU Free Documentation License.<placeholder type=\"footnote\" "
+"id=\"0\"/> They chose LaTeX, a typesetting program used to publish "
+"scientific documents, to author the books. Over a period of five years, the "
+"Free High School Science Texts project produced math and physical-science "
+"textbooks for grades 10 to 12."
msgstr ""
"Como físicos, Mark y sus colegas eran partidarios del software de código "
"abierto. Para hacer a los libros abiertos y gratuitos, adoptaron la licencia "
-"GNU de documentación libre de la Free Software Foundation.1 Escogieron "
-"LaTeX, un programa de composición de texto usado para publicar documentos "
-"científicos, para escribir los libros. Durante un periodo de cinco años, el "
-"proyecto de libros de texto libres para nivel medio superior produjo libros "
-"de matemáticas y ciencias físicas para los grados 10 al 12."
+"GNU de documentación libre de la Free Software Foundation.<placeholder type="
+"\"footnote\" id=\"0\"/> Escogieron LaTeX, un programa de composición de "
+"texto usado para publicar documentos científicos, para escribir los libros. "
+"Durante un periodo de cinco años, el proyecto de libros de texto libres para "
+"nivel medio superior produjo libros de matemáticas y ciencias físicas para "
+"los grados 10 al 12."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6450
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8247
msgid ""
"In 2007, the Shuttleworth Foundation offered funding support to make the "
-"textbooks available for trial use at more schools. Surveys before and after "
+"textbooks available for trial use at more schools. Surveys before and after "
"the textbooks were adopted showed there were no substantial criticisms of "
"the textbooks’ pedagogical content. This pleased both the authors and "
"Shuttleworth; Mark remains incredibly proud of this accomplishment."
"como a la fundación Shuttlewoth; Mark continúa sintiendo profundo orgullo de "
"este logro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6455
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8255
msgid ""
"But the development of new textbooks froze at this stage. Mark shifted his "
"focus to rural schools, which didn’t have textbooks at all, and looked into "
"Algunos promotores se unieron pero no los necesarios para cubrir las "
"necesidades."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6463
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8265
+msgid "<ulink url=\"http://www.capetowndeclaration.org\"/>"
+msgstr "<ulink url=\"http://www.capetowndeclaration.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8261
msgid ""
"In 2007, Shuttleworth and the Open Society Institute convened a group of "
-"open-education activists for a small but lively meeting in Cape Town. One "
+"open-education activists for a small but lively meeting in Cape Town. One "
"result was the Cape Town Open Education Declaration, a statement of "
"principles, strategies, and commitment to help the open-education movement "
-"grow.2 Shuttleworth also invited Mark to run a project writing open content "
-"for all subjects for K–12 in English. That project became Siyavula."
+"grow.<placeholder type=\"footnote\" id=\"0\"/> Shuttleworth also invited "
+"Mark to run a project writing open content for all subjects for K–12 in "
+"English. That project became Siyavula."
msgstr ""
"En 2007, Shuttleworth y el instituto Open Society reunieron a un grupo de "
"activistas de la educación abierta para una reunión pequeña pero vivida en "
"ciudad del Cabo. Uno de los resultados fue la declaración de educación "
"abierta de la ciudad del Cabo, una declaración de principios, estrategias, y "
-"compromisos para ayudar al movimiento de educación abierta para crecer. 2 "
-"Shuttleworth también invitó a Mark para comenzar un proyecto escribiendo "
-"contenido abierto para todos los temas del K-12 en inglés. Ese proyecto se "
-"volvió Siyavula."
+"compromisos para ayudar al movimiento de educación abierta para crecer."
+"<placeholder type=\"footnote\" id=\"0\"/> Shuttleworth también invitó a Mark "
+"para comenzar un proyecto escribiendo contenido abierto para todos los temas "
+"del K-12 en inglés. Ese proyecto se volvió Siyavula."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6470
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8270
msgid ""
"They wrote six original textbooks. A small publishing company offered "
"Shuttleworth the option to buy out the publisher’s existing K–9 content for "
"licenciado con Creative Commons, ampliando significativamente la colección "
"mas allá de los seis libros iniciales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6483
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8278
msgid ""
"Mark wanted to build out the remaining curricula collaboratively through "
-"communities of practice—that is, with fellow educators and writers. "
-"Although sharing is fundamental to teaching, there can be a few challenges "
-"when you create educational resources collectively. One concern is legal. It "
-"is standard practice in education to copy diagrams and snippets of text, but "
-"of course this doesn’t always comply with copyright law. Another concern is "
+"communities of practice—that is, with fellow educators and writers. Although "
+"sharing is fundamental to teaching, there can be a few challenges when you "
+"create educational resources collectively. One concern is legal. It is "
+"standard practice in education to copy diagrams and snippets of text, but of "
+"course this doesn’t always comply with copyright law. Another concern is "
"transparency. Sharing what you’ve authored means everyone can see it and "
"opens you up to criticism. To alleviate these concerns, Mark adopted a team-"
"based approach to authoring and insisted the curricula be based entirely on "
"enteramente en recursos bajo licencias Creative Commons, asegurandose que de "
"esa manera estarían seguros para compartir y libres de repercusiones legales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6491
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8297
+msgid "<ulink url=\"http://cnx.org\"/>"
+msgstr "<ulink url=\"http://cnx.org\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8293
msgid ""
"Not only did Mark want the resources to be shareable, he wanted all teachers "
"to be able to remix and edit the content. Mark and his team had to come up "
-"with an open editable format and provide tools for editing. They ended up "
+"with an open editable format and provide tools for editing. They ended up "
"putting all the books they’d acquired and authored on a platform called "
-"Connexions.3 Siyavula trained many teachers to use Connexions, but it proved "
-"to be too complex and the textbooks were rarely edited."
+"Connexions.<placeholder type=\"footnote\" id=\"0\"/> Siyavula trained many "
+"teachers to use Connexions, but it proved to be too complex and the "
+"textbooks were rarely edited."
msgstr ""
"Mark no solo quería que los recursos se pudieran compartir, quería que todos "
"los maestros fueran capaced de editar y combinar el contenido. Mark y su "
"equipo tuvieron que proporcionar un formato abierto editable y herramientas "
"para la edición. Terminaron colocando todos los libros que habían adquirido "
-"y creado en una plataforma llamada Connexions.3 Siyavula entrenó a varios "
-"maestros para usar Connexions, pero probo ser demasiado complejo y los "
-"libros de texto rara vez fueron editados."
+"y creado en una plataforma llamada Connexions.<placeholder type=\"footnote\" "
+"id=\"0\"/> Siyavula entrenó a varios maestros para usar Connexions, pero "
+"probo ser demasiado complejo y los libros de texto rara vez fueron editados."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6497
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8301
msgid ""
"Then the Shuttleworth Foundation decided to completely restructure its work "
"as a foundation into a fellowship model (for reasons completely unrelated to "
"heredó Siyavula como una entidad independiente y tomó posesión de esta como "
"un fellow de Shuttleworth."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6504
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8308
msgid ""
-"Mark and his team experimented with several different strategies. They tried "
-"creating an authoring and hosting platform called Full Marks so that "
+"Mark and his team experimented with several different strategies. They "
+"tried creating an authoring and hosting platform called Full Marks so that "
"teachers could share assessment items. They tried creating a service called "
"Open Press, where teachers could ask for open educational resources to be "
"aggregated into a package and printed for them. These services never really "
"agregados en un paquete e impreso para ellos. Estos servicios nunca "
"funcionaron realmente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6511
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8316
msgid ""
"Then the South African government approached Siyavula with an interest in "
"printing out the original six Free High School Science Texts (math and "
-"physical-science textbooks for grades 10 to 12) for all high school students "
-"in South Africa. Although at this point Siyavula was a bit discouraged by "
-"open educational resources, they saw this as a big opportunity."
+"physical-science textbooks for grades 10 to 12) for all high school "
+"students in South Africa. Although at this point Siyavula was a bit "
+"discouraged by open educational resources, they saw this as a big "
+"opportunity."
msgstr ""
"Entonces el gobierno de Sudáfrica se acerco a Siyavula con el interés de "
"imprimir los seis libros libres de text de ciencias para nivel medio "
"en este punto Siyavula estaba un poco decepcionado de los recursos "
"educativos abiertos, vieron esto como una gran oportunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6519
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8324
msgid ""
"They began to conceive of the six books as having massive marketing "
"potential for Siyavula. Printing Siyavula books for every kid in South "
"posible para los estudiantes tener acceso a ellos usando cualquier "
"dispositivo—computadora, tableta, o teléfono móvil."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6530
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8333
msgid ""
"Mark and his team began imagining what they could develop beyond what was in "
"the textbooks as a service they charge for. One key thing you can’t do well "
"in a printed textbook is demonstrate solutions. Typically, a one-line answer "
"is given at the end of the book but nothing on the process for arriving at "
-"that solution. Mark and his team developed practice items and detailed "
+"that solution. Mark and his team developed practice items and detailed "
"solutions, giving learners plenty of opportunity to test out what they’ve "
"learned. Furthermore, an algorithm could adapt these practice items to the "
"individual needs of each learner. They called this service Intelligent "
"Llamaron a este servicio Intelligent Practice y agregaron vínculos a el "
"dentro de los libros de texto abiertos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6535
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8346
msgid ""
"The costs for using Intelligent Practice were set very low, making it "
"accessible even to those with limited financial means. Siyavula was going "
"iba por grandes volúmenes y amplio uso en vez de un producto costoso "
"dirigido únicamente a la parte más alta del mercado."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6543
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8352
msgid ""
"The government distributed the books to 1.5 million students, but there was "
-"an unexpected wrinkle: the books were delivered late. Rather than wait, "
+"an unexpected wrinkle: the books were delivered late. Rather than wait, "
"schools who could afford it provided students with a different textbook. The "
"Siyavula books were eventually distributed, but with well-off schools mainly "
"using a different book, the primary market for Siyavula’s Intelligent "
"el mercado primario para el servicio Intelligent Practice de Siyavula "
"involuntariamente se volvió los estudiantes de bajos ingresos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6551
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8361
+#, fuzzy
+#| msgid ""
+#| "Siyavula’s site did see a dramatic increase in traffic. They got five "
+#| "hundred thousand visitors per month to their math site and the same "
+#| "number to their science site. Two-fifths of the traffic was reading on a "
+#| "“feature phone” (a nonsmartphone with no apps). People on basic phones "
+#| "were reading math and science on a two-inch screen at all hours of the "
+#| "day. To Mark, it was quite amazing and spoke to a need they were "
+#| "servicing."
msgid ""
"Siyavula’s site did see a dramatic increase in traffic. They got five "
"hundred thousand visitors per month to their math site and the same number "
-"to their science site. Two-fifths of the traffic was reading on a “feature "
-"phone” (a nonsmartphone with no apps). People on basic phones were reading "
-"math and science on a two-inch screen at all hours of the day. To Mark, it "
-"was quite amazing and spoke to a need they were servicing."
+"to their science site. Two-fifths of the traffic was reading on a "
+"<quote>feature phone</quote> (a nonsmartphone with no apps). People on basic "
+"phones were reading math and science on a two-inch screen at all hours of "
+"the day. To Mark, it was quite amazing and spoke to a need they were "
+"servicing."
msgstr ""
"El sitio de Siyavula contempló un dramático incremento en su tráfico. "
"Tuvieron quinientos mil visitantes por mes a su sitio de matemáticas y la "
"bastante sorprendente y hablaba de una necesidad de lo que estaban "
"atendiendo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6558
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8370
msgid ""
"At first, the Intelligent Practice services could only be paid using a "
"credit card. This proved problematic, especially for those in the low-income "
-"demographic, as credit cards were not prevalent. Mark says Siyavula got a "
+"demographic, as credit cards were not prevalent. Mark says Siyavula got a "
"harsh business-model lesson early on. As he describes it, it’s not just "
"about product, but how you sell it, who the market is, what the price is, "
"and what the barriers to entry are."
"lo describe, no es acerca del producto, sino de cómo lo vendes, quién es el "
"mercado, cuál es el precio, y que barreras para acceder hay."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6563
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8379
msgid ""
"Mark describes this as the first version of Siyavula’s business model: open "
"textbooks serving as marketing material and driving traffic to your site, "
"mercadotecnia y dirigiendo tráfico a ti sitio, donde puede ofrecer un "
"servicio relacionado y convertir algunas personas en clientes de pago."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6570
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8385
msgid ""
"For Mark a key decision for Siyavula’s business was to focus on how they can "
"add value on top of their basic service. They’ll charge only if they are "
"cerrarlo y cobrar por el. Mark contrasta esto con los editores tradicionales "
"quienes cobran una y otra vez por el mismo contenido sin agregar valor."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6580
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8394
msgid ""
"Version two of Siyavula’s business model was a big, ambitious idea—scale up. "
"They also decided to sell the Intelligent Practice service to schools "
"directly. Schools can subscribe on a per-student, per-subject basis. A "
"single subscription gives a learner access to a single subject, including "
-"practice content from every grade available for that subject. Lower "
+"practice content from every grade available for that subject. Lower "
"subscription rates are provided when there are over two hundred students, "
"and big schools have a price cap. A 40 percent discount is offered to "
"schools where both the science and math departments subscribe."
"ofrece a las escuelas donde los departamentos de matemáticas y de ciencias "
"se suscriben."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6588
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8405
msgid ""
"Teachers get a dashboard that allows them to monitor the progress of an "
"entire class or view an individual learner’s results. They can see the "
"que han practicado, cuantos puntos han obtenido, y como se va mejorando su "
"desempeño."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6594
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8414
msgid ""
"Based on the success of this effort, Siyavula decided to substantially "
"increase the production of open educational resources so they could provide "
-"the Intelligent Practice service for a wider range of books. Grades 10 to "
-"12 math and science books were reworked each year, and new books created for "
+"the Intelligent Practice service for a wider range of books. Grades 10 to 12 "
+"math and science books were reworked each year, and new books created for "
"grades 4 to 6 and later grades 7 to 9."
msgstr ""
"Basado en el éxito de este esfuerzo, Siyavula decidió incrementar "
"grados 10 al 12 fueron retrabajados cada año, y nuevos libros fueron creados "
"para los grados 4 al 6 y depués para los grados 7 al 9."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6600
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8425
+msgid "<ulink url=\"http://www.siyavula.com/products-primary-school.html\"/>"
+msgstr "<ulink url=\"http://www.siyavula.com/products-primary-school.html\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8422
msgid ""
"In partnership with, and sponsored by, the Sasol Inzalo Foundation, Siyavula "
"produced a series of natural sciences and technology workbooks for grades 4 "
-"to 6 called Thunderbolt Kids that uses a fun comic-book style.4 It’s a "
-"complete curriculum that also comes with teacher’s guides and other "
-"resources."
+"to 6 called Thunderbolt Kids that uses a fun comic-book style.<placeholder "
+"type=\"footnote\" id=\"0\"/> It’s a complete curriculum that also comes with "
+"teacher’s guides and other resources."
msgstr ""
"En asociación, y patrocinado por, la fundación Sasol Inzalo, Siyavula "
"produjo una serie de libros de trabajo de ciencias naturales y tecnología "
-"para los grados 4 al 6 titulados Thunderbolt Kids que usa un estilo "
-"divertido de cuento de cómic. Es un curriculum completo que también viene "
-"con una guía de maestro y otros recursos."
+"para cuarto a sexto grados titulados Thunderbolt Kids que usa un estilo "
+"divertido de cuento de cómic.<placeholder type=\"footnote\" id=\"0\"/> Es "
+"una curricula completa que también viene con una guía de maestro y otros "
+"recursos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6608
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8429
msgid ""
"Through this experience, Siyavula learned they could get sponsors to help "
"fund openly licensed textbooks. It helped that Siyavula had by this time "
-"nailed the production model. It cost roughly \\$150,000 to produce a book in "
+"nailed the production model. It cost roughly $150,000 to produce a book in "
"two languages. Sponsors liked the social-benefit aspect of textbooks "
"unlocked via a Creative Commons license. They also liked the exposure their "
-"brand got. For roughly \\$150,000, their logo would be visible on books "
+"brand got. For roughly $150,000, their logo would be visible on books "
"distributed to over one million students."
msgstr ""
"A través de esta experiencia, Siyavula aprendió que podían conseguir "
"patrocinadores para ayudar a financiar los libros de texto con lincencias "
"abiertas. Ayudó que Siyavula para este tiempo había coseguido el modelo de "
-"producción. Costó aproximadamente \\$150,000 producir un libro en dos "
-"idiomas. A los patrocinadores les gustó el aspecto del beneficio social de "
-"los libros de texto abiertos via la licencia Creative Commons. También les "
-"gustó la exposición que su marca obtuvo. Por cerca de \\$150,000, su logo "
-"sería visible en lobros distribuidos a más de un millon de estudiantes."
+"producción. Costó aproximadamente $150,000 producir un libro en dos idiomas. "
+"A los patrocinadores les gustó el aspecto del beneficio social de los libros "
+"de texto abiertos via la licencia Creative Commons. También les gustó la "
+"exposición que su marca obtuvo. Por cerca de $150,000, su logo sería visible "
+"en lobros distribuidos a más de un millon de estudiantes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6615
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8439
msgid ""
"The Siyavula books that are reviewed, approved, and branded by the "
"government are freely and openly available on Siyavula’s website under an "
"de marca no gubernamentales estan disponibles bajo una licencia Attribution "
"(CC BY), permitiendo a otros modificar y redistribuir los libros."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6624
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8447
msgid ""
"Although the South African government paid to print and distribute hard "
"copies of the books to schoolkids, Siyavula itself received no funding from "
"libros, y proveído el servicio Intelligent Practice sin costo para cada "
"menor en el país. Pero después de una larga negociación, el gobierno se negó."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6632
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8458
msgid ""
"Using Siyavula books generated huge savings for the government. Providing "
"students with a traditionally published grade 12 science or math textbook "
-"costs around 250 rand per book (about US\\$18). Providing the Siyavula "
-"version cost around 36 rand (about \\$2.60), a savings of over 200 rand per "
+"costs around 250 rand per book (about US$18). Providing the Siyavula "
+"version cost around 36 rand (about $2.60), a savings of over 200 rand per "
"book. But none of those savings were passed on to Siyavula. In retrospect, "
"Mark thinks this may have turned out in their favor as it allowed them to "
"remain independent from the government."
"Usar los libros de Siyavula generó grandes ahorros para el gobierno. Proveer "
"a los estudiantes con libro de texto publicado tradicional de ciencia o "
"matemáticas para el grado 12 costaría alrededor de 250 rands por libro "
-"(cerca de US\\$18). Proporcionar la versión de Siyavula costaría alrededor "
-"de 36 rands (cerca de \\$2.60), un ahorro de cerca de 200 rands por libro. "
-"Pero ninguno de estos ahorros fue transferido a Siyavula. En retrospectiva, "
-"Mark cree que esto podría haberlos ayudado ya que les permitió mantenerse "
+"(cerca de US$18). Proporcionar la versión de Siyavula costaría alrededor de "
+"36 rands (cerca de $2.60), un ahorro de cerca de 200 rands por libro. Pero "
+"ninguno de estos ahorros fue transferido a Siyavula. En retrospectiva, Mark "
+"cree que esto podría haberlos ayudado ya que les permitió mantenerse "
"independientes del gobierno."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6639
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8468
msgid ""
"Just as Siyavula was planning to scale up the production of open textbooks "
"even more, the South African government changed its textbook policy. To save "
"costs, the government declared there would be only one authorized textbook "
"for each grade and each subject. There was no guarantee that Siyavula’s "
-"would be chosen. This scared away potential sponsors."
+"would be chosen. This scared away potential sponsors."
msgstr ""
"Justo cuando Siyavula estaba planeando incrementar aún más la producción de "
"libros de texto abiertos, el gobierno de Sudáfrica cambió su política de "
"garantía de que Siyavula sería escogido. Esto ahuyentó a patrocinadores "
"potenciales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6648
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8476
msgid ""
"Rather than producing more textbooks, Siyavula focused on improving its "
"Intelligent Practice technology for its existing books. Mark calls this "
"iniciada por el fundador de eBay Pierre Omidyar y su esposa), y continua "
"siendo el modelo que usa Siyavula actualmente."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6653
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8487
msgid ""
"Mark says sales are way up, and they are really nailing Intelligent "
"Practice. Schools continue to use their open textbooks. The government-"
"existiría únicamente un libro de texto por tema mostró ser bastante "
"conflictiva y está en el limbo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6660
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8494
msgid ""
-"Siyavula is exploring a range of enhancements to their business model. "
-"These include charging a small amount for assessment services provided over "
-"the phone, diversifying their market to all English-speaking countries in "
+"Siyavula is exploring a range of enhancements to their business model. These "
+"include charging a small amount for assessment services provided over the "
+"phone, diversifying their market to all English-speaking countries in "
"Africa, and setting up a consortium that makes Intelligent Practice free to "
"all kids by selling the nonpersonal data Intelligent Practice collects."
msgstr ""
"Practice libre para todos los niños al vender los datos no personales que "
"Intelligent Practice recolecta."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6673
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8502
msgid ""
-"Siyavula is a for-profit business but one with a social mission. Their "
+"Siyavula is a for-profit business but one with a social mission. Their "
"shareholders’ agreement lists lots of requirements around openness for "
"Siyavula, including stipulations that content always be put under an open "
"license and that they can’t charge for something that people volunteered to "
"negocios abiertos, Mark y Siyavula pueden haber tenido experiencias, pero "
"ambos, él y la compañía son más fuertes por eso."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "www.gnu.org/licenses/fdl"
-msgstr "www.gnu.org/licenses/fdl"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "www.capetowndeclaration.org"
-msgstr "www.capetowndeclaration.org"
-
-#. type: Bullet: '3. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "cnx.org"
-msgstr "cnx.org"
-
-#. type: Bullet: '4. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6680
-msgid "www.siyavula.com/products-primary-school.html"
-msgstr "www.siyavula.com/products-primary-school.html"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6682
-msgid "## Sparkfun"
-msgstr "## Sparkfun"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8518
+msgid "SparkFun"
+msgstr "SparkFun"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6685
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8521
msgid ""
"SparkFun is an online electronics retailer specializing in open hardware. "
"Founded in 2003 in the U.S."
"SparkFun es una tienda en línea de ventas al por menor que se especializa en "
"hardware abierto. Fundada en 2003 en Estados Unidos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6687
-msgid "www.sparkfun.com"
-msgstr "www.sparkfun.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8525
+msgid "<ulink url=\"http://www.sparkfun.com\"/>"
+msgstr "<ulink url=\"http://www.sparkfun.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6689
-msgid "Revenue model: charging for physical copies (electronics sales)"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8527
+msgid ""
+"<emphasis role=\"strong\">Revenue model</emphasis>: charging for physical "
+"copies (electronics sales)"
msgstr ""
-"Modelo de ingresos: cobrar por copias físicas (ventas de componentes "
-"electrónicos)"
+"<emphasis role=\"strong\">Modelo de ingresos</emphasis>: cobrar por copias "
+"físicas (ventas de componentes electrónicos)"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6691
-msgid "Interview date: February 29, 2016"
-msgstr "Fecha de la entrevista: 29 de febrero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8530
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: February 29, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 29 de febrero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6693
-msgid "Interviewee: Nathan Seidle, founder"
-msgstr "Entrevistado: Nathan Seidle, fundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8533
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Nathan Seidle, founder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Nathan Seidle, fundador"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6701
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8541
msgid ""
"SparkFun founder and former CEO Nathan Seidle has a picture of himself "
"holding up a clone of a SparkFun product in an electronics market in China, "
"en China cuando se encontró su tecnología de indumentaria LilyPad siendo "
"hecha por alguien más. Su reacción fue de júbilo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6706
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8547
+#, fuzzy
+#| msgid ""
+#| "“Being copied is the greatest earmark of flattery and success,” Nathan "
+#| "said. “I thought it was so cool that they were selling to a market we "
+#| "were never going to get access to otherwise. It was evidence of our "
+#| "impact on the world.”"
msgid ""
-"“Being copied is the greatest earmark of flattery and success,” Nathan said. "
-"“I thought it was so cool that they were selling to a market we were never "
-"going to get access to otherwise. It was evidence of our impact on the "
-"world.”"
+"<quote>Being copied is the greatest earmark of flattery and success,</quote> "
+"Nathan said. <quote>I thought it was so cool that they were selling to a "
+"market we were never going to get access to otherwise. It was evidence of "
+"our impact on the world.</quote>"
msgstr ""
"«Ser copiado es el mayor destino de adulación y éxito,» dijo Nathan. «Yo "
"pensé que era tan genial que ellos estuvieran vendiendo en un mercado al que "
"nunca vamos a obtener acceso de otra forma. Fue evidencia de nuestro impacto "
"en el mundo.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6714
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8553
msgid ""
"This worldview runs through everything SparkFun does. SparkFun is an "
"electronics manufacturer. The company sells its products directly to the "
"planes de estudio, de forma que cualquier persona pueda hacer sus productos "
"por su cuenta. Ser copiados es parte del diseño."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6722
-msgid ""
-"Nathan believes open licensing is good for the world. “It touches on our "
-"natural human instinct to share,” he said. But he also strongly believes it "
-"makes SparkFun better at what they do. They encourage copying, and their "
-"products are copied at a very fast rate, often within ten to twelve weeks of "
-"release. This forces the company to compete on something other than product "
-"design, or what most commonly consider their intellectual property."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8562
+#, fuzzy
+#| msgid ""
+#| "Nathan believes open licensing is good for the world. “It touches on our "
+#| "natural human instinct to share,” he said. But he also strongly believes "
+#| "it makes SparkFun better at what they do. They encourage copying, and "
+#| "their products are copied at a very fast rate, often within ten to twelve "
+#| "weeks of release. This forces the company to compete on something other "
+#| "than product design, or what most commonly consider their intellectual "
+#| "property."
+msgid ""
+"Nathan believes open licensing is good for the world. <quote>It touches on "
+"our natural human instinct to share,</quote> he said. But he also strongly "
+"believes it makes SparkFun better at what they do. They encourage copying, "
+"and their products are copied at a very fast rate, often within ten to "
+"twelve weeks of release. This forces the company to compete on something "
+"other than product design, or what most commonly consider their intellectual "
+"property."
msgstr ""
"Nathan cree que el licenciamiento libre es bueno para el mundo. «Esto toca "
"nuestro instinto humano de compartir,» dijo. Pero él también cree firmemente "
"algo que no sea su diseño de productos, o lo que más comúnmente se considera "
"como propiedad intelectual."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6726
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8571
+#, fuzzy
+#| msgid ""
+#| "“We compete on business principles,” Nathan said. “Claiming your "
+#| "territory with intellectual property allows you to get comfy and rest on "
+#| "your laurels. It gives you a safety net. We took away that safety net.”"
msgid ""
-"“We compete on business principles,” Nathan said. “Claiming your territory "
-"with intellectual property allows you to get comfy and rest on your laurels. "
-"It gives you a safety net. We took away that safety net.”"
+"<quote>We compete on business principles,</quote> Nathan said. "
+"<quote>Claiming your territory with intellectual property allows you to get "
+"comfy and rest on your laurels. It gives you a safety net. We took away that "
+"safety net.</quote>"
msgstr ""
"«Competimos con principios de negocio,» dijo Nathan. «Reclamar el territorio "
"con propiedad intelectual permite ponerse cómodos y dormirse en los "
"laureles. Da una red de seguridad. Nosotros quitamos esa red de seguridad.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6734
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8577
+#, fuzzy
+#| msgid ""
+#| "The result is an intense company-wide focus on product development and "
+#| "improvement. “Our products are so much better than they were five years "
+#| "ago,” Nathan said. “We used to just sell products. Now it’s a product "
+#| "plus a video, a seventeen-page hookup guide, and example firmware on "
+#| "three different platforms to get you up and running faster. We have "
+#| "gotten better because we had to in order to compete. As painful as it is "
+#| "for us, it’s better for the customers.”"
msgid ""
"The result is an intense company-wide focus on product development and "
-"improvement. “Our products are so much better than they were five years "
-"ago,” Nathan said. “We used to just sell products. Now it’s a product plus a "
-"video, a seventeen-page hookup guide, and example firmware on three "
-"different platforms to get you up and running faster. We have gotten better "
-"because we had to in order to compete. As painful as it is for us, it’s "
-"better for the customers.”"
+"improvement. <quote>Our products are so much better than they were five "
+"years ago,</quote> Nathan said. <quote>We used to just sell products. Now "
+"it’s a product plus a video, a seventeen-page hookup guide, and example "
+"firmware on three different platforms to get you up and running faster. We "
+"have gotten better because we had to in order to compete. As painful as it "
+"is for us, it’s better for the customers.</quote>"
msgstr ""
"El resultado es un intenso enfoque en toda la compañía hacia el desarrollo y "
"mejoramiento de productos. «Nuestros productos son mucho mejores de lo que "
"mejorado porque tuvimos que hacerlo para competir. Tan doloroso como es para "
"nosotros, es mejor para los clientes.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6742
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8587
+#, fuzzy
+#| msgid ""
+#| "SparkFun parts are available on eBay for lower prices. But people come "
+#| "directly to SparkFun because SparkFun makes their lives easier. The "
+#| "example code works; there is a service number to call; they ship "
+#| "replacement parts the day they get a service call. They invest heavily in "
+#| "service and support. “I don’t believe businesses should be competing with "
+#| "IP [intellectual property] barriers,” Nathan said. “This is the stuff "
+#| "they should be competing on.”"
msgid ""
"SparkFun parts are available on eBay for lower prices. But people come "
"directly to SparkFun because SparkFun makes their lives easier. The example "
"code works; there is a service number to call; they ship replacement parts "
"the day they get a service call. They invest heavily in service and support. "
-"“I don’t believe businesses should be competing with IP \\[intellectual "
-"property\\] barriers,” Nathan said. “This is the stuff they should be "
-"competing on.”"
+"<quote>I don’t believe businesses should be competing with IP [intellectual "
+"property] barriers,</quote> Nathan said. <quote>This is the stuff they "
+"should be competing on.</quote>"
msgstr ""
"Las partes de SparkFun están disponibles en eBay a precios más bajos. Pero "
-"la gente viene directamente a SparkFun porque SparkFun hace sus vidas más "
+"la gente acude directamente a SparkFun porque SparkFun hace sus vidas más "
"fáciles. El código de ejemplo funciona, hay un número de servicio para "
"llamar, envían partes de reemplazo el día que reciben una llamada de "
"servicio. Invierten mucho en servicio y soporte. «Yo no creo que los "
"negocios deberían competir con barreras de propiedad intelectual,» dijo "
"Nathan. «Esto es con lo que deberían competir.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6751
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8597
+#, fuzzy
+#| msgid ""
+#| "SparkFun’s company history began in Nathan’s college dorm room. He spent "
+#| "a lot of time experimenting with and building electronics, and he "
+#| "realized there was a void in the market. “If you wanted to place an order "
+#| "for something,” he said, “you first had to search far and wide to find "
+#| "it, and then you had to call or fax someone.” In 2003, during his third "
+#| "year of college, he registered <ulink url=\"http://sparkfun.com\"/> and "
+#| "started reselling products out of his bedroom. After he graduated, he "
+#| "started making and selling his own products."
msgid ""
"SparkFun’s company history began in Nathan’s college dorm room. He spent a "
"lot of time experimenting with and building electronics, and he realized "
-"there was a void in the market. “If you wanted to place an order for "
-"something,” he said, “you first had to search far and wide to find it, and "
-"then you had to call or fax someone.” In 2003, during his third year of "
-"college, he registered sparkfun.com and started reselling products out of "
-"his bedroom. After he graduated, he started making and selling his own "
-"products."
-msgstr ""
-"La historia de la compañía de SparkFun comenzó en el dormitorio de la "
+"there was a void in the market. <quote>If you wanted to place an order for "
+"something,</quote> he said, <quote>you first had to search far and wide to "
+"find it, and then you had to call or fax someone.</quote> In 2003, during "
+"his third year of college, he registered <ulink url=\"http://sparkfun.com\"/"
+"> and started reselling products out of his bedroom. After he graduated, he "
+"started making and selling his own products."
+msgstr ""
+"La historia de la compañía SparkFun comenzó en el dormitorio de la "
"universidad de Nathan. Él pasó mucho tiempo experimentando y construyendo "
"componentes electrónicos, y se dio cuenta de que había un vacío en el "
"mercado. «Si usted quería hacer una orden de algo,» dijo, «primero tenía que "
"buscar por todas partes para encontrarlo, y luego tenía que llamar o enviar "
"un fax a alguien.» En 2013, durante su tercer año de universidad, registró "
-"sparkfun.com y empezó a revender productos desde su dormitorio. Después de "
-"graduarse, empezó a hacer y vender sus propios productos."
+"<ulink url=\"http://sparkfun.com\"/> y empezó a revender productos desde su "
+"dormitorio. Después de graduarse, empezó a hacer y vender sus propios "
+"productos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6758
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8609
+#, fuzzy
+#| msgid ""
+#| "Once he started designing his own products, he began putting the software "
+#| "and schematics online to help with technical support. After doing some "
+#| "research on licensing options, he chose Creative Commons licenses because "
+#| "he was drawn to the “human-readable deeds” that explain the licensing "
+#| "terms in simple terms. SparkFun still uses CC licenses for all of the "
+#| "schematics and firmware for the products they create."
msgid ""
"Once he started designing his own products, he began putting the software "
-"and schematics online to help with technical support. After doing some "
+"and schematics online to help with technical support. After doing some "
"research on licensing options, he chose Creative Commons licenses because he "
-"was drawn to the “human-readable deeds” that explain the licensing terms in "
-"simple terms. SparkFun still uses CC licenses for all of the schematics and "
-"firmware for the products they create."
+"was drawn to the <quote>human-readable deeds</quote> that explain the "
+"licensing terms in simple terms. SparkFun still uses CC licenses for all of "
+"the schematics and firmware for the products they create."
msgstr ""
"Una vez que empezó a diseñar sus propios productos, comenzó a poner el "
"software y los diagramas en línea para ayudar con el soporte técnico. "
"simples. SparkFun aun usa licencias CC para todos sus diagramas y firmware "
"para los productos que crean."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6765
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8618
msgid ""
"The company has grown from a solo project to a corporation with 140 "
-"employees. In 2015, SparkFun earned \\$33 million in revenue. Selling "
+"employees. In 2015, SparkFun earned $33 million in revenue. Selling "
"components and widgets to hobbyists, professionals, and artists remains a "
"major part of SparkFun’s business. They sell their own products, but they "
"also partner with Arduino (also profiled in this book) by manufacturing "
"boards for resale using Arduino’s brand."
msgstr ""
"La compañía ha crecido de un proyecto en solitario a una corporación con 140 "
-"empleados. En 2015, Sparkfun ganó \\$33 millones en ingresos. Vender "
+"empleados. En 2015, Sparkfun ganó $33 millones en ingresos. Vender "
"componentes y dispositivos a aficionados, profesionales y artistas sigue "
"siendo una gran parte del negocio de SparkFun. Venden sus propios productos, "
"pero también están asociados con Arduino (también perfilado en este libro) "
"para producir placas para revender usando la marca de Arduino."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6772
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8627
msgid ""
"SparkFun also has an educational department dedicated to creating a hands-on "
"curriculum to teach students about electronics using prototyping parts. "
"cuenta, el enfoque más reciente de introducir a personas jóvenes a la "
"tecnología es una extensión natural de su negocio central."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6776
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8634
+#, fuzzy
+#| msgid ""
+#| "“We have the burden and opportunity to educate the next generation of "
+#| "technical citizens,” Nathan said. “Our goal is to affect the lives of "
+#| "three hundred and fifty thousand high school students by 2020.”"
msgid ""
-"“We have the burden and opportunity to educate the next generation of "
-"technical citizens,” Nathan said. “Our goal is to affect the lives of three "
-"hundred and fifty thousand high school students by 2020.”"
+"<quote>We have the burden and opportunity to educate the next generation of "
+"technical citizens,</quote> Nathan said. <quote>Our goal is to affect the "
+"lives of three hundred and fifty thousand high school students by 2020.</"
+"quote>"
msgstr ""
"«Tenemos la carga y la oportunidad de educar a la siguiente generación de "
"ciudadanos técnicos,» dijo Nathan. «Nuestro objetivo es afectar las vidas de "
"trescientos y cincuenta mil estudiantes de colegio para el 2020.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6785
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8640
+#, fuzzy
+#| msgid ""
+#| "The Creative Commons license underlying all of SparkFun’s products is "
+#| "central to this mission. The license not only signals a willingness to "
+#| "share, but it also expresses a desire for others to get in and tinker "
+#| "with their products, both to learn and to make their products better. "
+#| "SparkFun uses the Attribution-ShareAlike license (CC BY-SA), which is a "
+#| "“copyleft” license that allows people to do anything with the content as "
+#| "long as they provide credit and make any adaptations available under the "
+#| "same licensing terms."
msgid ""
"The Creative Commons license underlying all of SparkFun’s products is "
"central to this mission. The license not only signals a willingness to "
"share, but it also expresses a desire for others to get in and tinker with "
-"their products, both to learn and to make their products better. SparkFun "
-"uses the Attribution-ShareAlike license (CC BY-SA), which is a “copyleft” "
-"license that allows people to do anything with the content as long as they "
-"provide credit and make any adaptations available under the same licensing "
-"terms."
+"their products, both to learn and to make their products better. SparkFun "
+"uses the Attribution-ShareAlike license (CC BY-SA), which is a "
+"<quote>copyleft</quote> license that allows people to do anything with the "
+"content as long as they provide credit and make any adaptations available "
+"under the same licensing terms."
msgstr ""
"La licencia Creative Commons detrás de todos los productos de SparkFun es "
"central para su misión. La licencia no solo señala una voluntad de "
"contenido siempre y cuando den crédito y hagan cualquier adaptación "
"disponible bajo los mismo términos de licenciamiento."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6794
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8651
msgid ""
"From the beginning, Nathan has tried to create a work environment at "
"SparkFun that he himself would want to work in. The result is what appears "
"veces a la semana, y abren sus puertas al público una vez al año para una "
"competencia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6805
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8662
+#, fuzzy
+#| msgid ""
+#| "The public event, called the Autonomous Vehicle Competition, brings in a "
+#| "thousand to two thousand customers and other technology enthusiasts from "
+#| "around the area to race their own self-created bots against each other, "
+#| "participate in training workshops, and socialize. From a business "
+#| "perspective, Nathan says it’s a terrible idea. But they don’t hold the "
+#| "event for business reasons. “The reason we do it is because I get to "
+#| "travel and have interactions with our customers all the time, but most of "
+#| "our employees don’t,” he said. “This event gives our employees the "
+#| "opportunity to get face-to-face contact with our customers.” The event "
+#| "infuses their work with a human element, which makes it more meaningful."
msgid ""
"The public event, called the Autonomous Vehicle Competition, brings in a "
"thousand to two thousand customers and other technology enthusiasts from "
"around the area to race their own self-created bots against each other, "
"participate in training workshops, and socialize. From a business "
"perspective, Nathan says it’s a terrible idea. But they don’t hold the event "
-"for business reasons. “The reason we do it is because I get to travel and "
-"have interactions with our customers all the time, but most of our employees "
-"don’t,” he said. “This event gives our employees the opportunity to get face-"
-"to-face contact with our customers.” The event infuses their work with a "
-"human element, which makes it more meaningful."
+"for business reasons. <quote>The reason we do it is because I get to travel "
+"and have interactions with our customers all the time, but most of our "
+"employees don’t,</quote> he said. <quote>This event gives our employees the "
+"opportunity to get face-to-face contact with our customers.</quote> The "
+"event infuses their work with a human element, which makes it more "
+"meaningful."
msgstr ""
"El evento público, llamado «Autonomous Vehicle Competition» (Competencia de "
"Vehículos Autónomos), atrae de mil a dos mil clientes y otras personas "
"nuestros clientes.» El evento infunde su trabajo con un elemento humano, que "
"lo hace más significativo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6813
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8676
+#, fuzzy
+#| msgid ""
+#| "Nathan has worked hard to imbue a deeper meaning into the work SparkFun "
+#| "does. The company is, of course, focused on being fiscally responsible, "
+#| "but they are ultimately driven by something other than money. “Profit is "
+#| "not the goal; it is the outcome of a well-executed plan,” Nathan said. "
+#| "“We focus on having a bigger impact on the world.” Nathan believes they "
+#| "get some of the brightest and most amazing employees because they aren’t "
+#| "singularly focused on the bottom line."
msgid ""
"Nathan has worked hard to imbue a deeper meaning into the work SparkFun "
"does. The company is, of course, focused on being fiscally responsible, but "
-"they are ultimately driven by something other than money. “Profit is not the "
-"goal; it is the outcome of a well-executed plan,” Nathan said. “We focus on "
-"having a bigger impact on the world.” Nathan believes they get some of the "
-"brightest and most amazing employees because they aren’t singularly focused "
-"on the bottom line."
+"they are ultimately driven by something other than money. <quote>Profit is "
+"not the goal; it is the outcome of a well-executed plan,</quote> Nathan "
+"said. <quote>We focus on having a bigger impact on the world.</quote> Nathan "
+"believes they get some of the brightest and most amazing employees because "
+"they aren’t singularly focused on the bottom line."
msgstr ""
"Nathan ha trabajado duro para inculcar un significado más profundo al "
"trabajo que hace SparkFun. La compañía está, por supuesto, enfocada en ser "
"mundo.» Nathan cree que obtienen a los empleados más brillantes y asombrosos "
"porque no se enfocan de forma singular en el resultado final."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6819
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8686
msgid ""
"The company is committed to transparency and shares all of its financials "
"with its employees. They also generally strive to avoid being another "
"los humanos detrás de la compañía, y trabajan para asegurar que las personas "
"que vienen a su sitio no solo encuentren contenido sin cambios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6829
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8693
+#, fuzzy
+#| msgid ""
+#| "SparkFun’s customer base is largely made up of industrious electronics "
+#| "enthusiasts. They have customers who are regularly involved in the "
+#| "company’s customer support, independently responding to questions in "
+#| "forums and product-comment sections. Customers also bring product ideas "
+#| "to the company. SparkFun regularly sifts through suggestions from "
+#| "customers and tries to build on them where they can. “From the beginning, "
+#| "we have been listening to the community,” Nathan said. “Customers would "
+#| "identify a pain point, and we would design something to address it.”"
msgid ""
"SparkFun’s customer base is largely made up of industrious electronics "
"enthusiasts. They have customers who are regularly involved in the company’s "
"customer support, independently responding to questions in forums and "
-"product-comment sections. Customers also bring product ideas to the company. "
-"SparkFun regularly sifts through suggestions from customers and tries to "
-"build on them where they can. “From the beginning, we have been listening to "
-"the community,” Nathan said. “Customers would identify a pain point, and we "
-"would design something to address it.”"
+"product-comment sections. Customers also bring product ideas to the "
+"company. SparkFun regularly sifts through suggestions from customers and "
+"tries to build on them where they can. <quote>From the beginning, we have "
+"been listening to the community,</quote> Nathan said. <quote>Customers "
+"would identify a pain point, and we would design something to address it.</"
+"quote>"
msgstr ""
"La clientela de SparkFun está en gran parte compuesta por personas "
"entusiastas industriosas de los electrónicos. Ellos tienen clientes que "
"inicio, hemos estado escuchando a la comunidad,» dijo Nathan. «Los clientes "
"identifican puntos débiles, y nosotros diseñamos algo para solucionarlos.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6837
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8705
+#, fuzzy
+#| msgid ""
+#| "However, this sort of customer engagement does not always translate to "
+#| "people actively contributing to SparkFun’s projects. The company has a "
+#| "public repository of software code for each of its devices online. On a "
+#| "particularly active project, there will only be about two dozen people "
+#| "contributing significant improvements. The vast majority of projects are "
+#| "relatively untouched by the public. “There is a theory that if you open-"
+#| "source it, they will come,” Nathan said. “That’s not really true.”"
msgid ""
"However, this sort of customer engagement does not always translate to "
-"people actively contributing to SparkFun’s projects. The company has a "
+"people actively contributing to SparkFun’s projects. The company has a "
"public repository of software code for each of its devices online. On a "
"particularly active project, there will only be about two dozen people "
"contributing significant improvements. The vast majority of projects are "
-"relatively untouched by the public. “There is a theory that if you open-"
-"source it, they will come,” Nathan said. “That’s not really true.”"
+"relatively untouched by the public. <quote>There is a theory that if you "
+"open-source it, they will come,</quote> Nathan said. <quote>That’s not "
+"really true.</quote>"
msgstr ""
"Sin embargo, este tipo de involucramiento con los clientes no siempre se "
"traduce en personas contribuyendo de forma activa en los proyectos de "
"público. «Hay una teoría de que si usted publica el código, ellos vendrán,» "
"dijo Nathan. «Eso no es realmente cierto.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6845
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8716
+#, fuzzy
+#| msgid ""
+#| "Rather than focusing on cocreation with their customers, SparkFun instead "
+#| "focuses on enabling people to copy, tinker, and improve products on their "
+#| "own. They heavily invest in tutorials and other material designed to help "
+#| "people understand how the products work so they can fix and improve "
+#| "things independently. “What gives me joy is when people take open-source "
+#| "layouts and then build their own circuit boards from our designs,” Nathan "
+#| "said."
msgid ""
"Rather than focusing on cocreation with their customers, SparkFun instead "
"focuses on enabling people to copy, tinker, and improve products on their "
"own. They heavily invest in tutorials and other material designed to help "
"people understand how the products work so they can fix and improve things "
-"independently. “What gives me joy is when people take open-source layouts "
-"and then build their own circuit boards from our designs,” Nathan said."
+"independently. <quote>What gives me joy is when people take open-source "
+"layouts and then build their own circuit boards from our designs,</quote> "
+"Nathan said."
msgstr ""
"En lugar de enfocarse en la cocreación con sus clientes, Sparkfun se enfoca "
"en permitir que las personas copien, jugueteen y mejoren productos por su "
"luego construyen sus propias placas de circuitos a partir de nuestros "
"diseños,» dijo Nathan."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6857
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8726
msgid ""
"Obviously, opening up the design of their products is a necessary step if "
"their goal is to empower the public. Nathan also firmly believes it makes "
"e innovador. En otras palabras, los hace el tipo de compañía que se "
"propusieron ser."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6859
-msgid "## TeachAIDS"
-msgstr "## TeachAIDS"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8740
+msgid "TeachAIDS"
+msgstr "TeachAIDS"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6863
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8743
msgid ""
"TeachAIDS is a nonprofit that creates educational materials designed to "
-"teach people around the world about HIV and AIDS. Founded in 2005 in the U.S."
+"teach people around the world about HIV and AIDS. Founded in 2005 in the U."
+"S."
msgstr ""
"TeachAIDS es una entidad no lucrativa que crea materiales educativos "
"designados para enseñar a gente alrededor del mundo acerca del VIH y el "
"SIDA. Fundada en 2005 en los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6865
-msgid "teachaids.org"
-msgstr "teachaids.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8748
+msgid "<ulink url=\"http://teachaids.org\"/>"
+msgstr "<ulink url=\"http://teachaids.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6867
-msgid "Revenue model: sponsorships"
-msgstr "Modelo de ingresos: patrocinios"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8750
+msgid "<emphasis role=\"strong\">Revenue model</emphasis>: sponsorships"
+msgstr "<emphasis role=\"strong\">Modelo de ingresos</emphasis>: patrocinios"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6869
-msgid "Interview date: March 24, 2016"
-msgstr "Fecha de la entrevista: 24 de marzo, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8752
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: March 24, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 24 de marzo, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6871
-msgid "Interviewees: Piya Sorcar, the CEO, and Shuman Ghosemajumder, the chair"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8755
+msgid ""
+"<emphasis role=\"strong\">Interviewees</emphasis>: Piya Sorcar, the CEO, and "
+"Shuman Ghosemajumder, the chair"
msgstr ""
-"Entrevistados: Piyar Sorcar, el CEO, y Shuman Ghosemajumder, el presidente"
+"<emphasis role=\"strong\">Entrevistados</emphasis>: Piyar Sorcar, el CEO, y "
+"Shuman Ghosemajumder, el presidente"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6878
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8763
msgid ""
"TeachAIDS is an unconventional media company with a conventional revenue "
-"model. Like most media companies, they are subsidized by advertising. "
+"model. Like most media companies, they are subsidized by advertising. "
"Corporations pay to have their logos appear on the educational materials "
"TeachAIDS distributes."
msgstr ""
"por los anuncios. Los corporativos pagan por que sus logotipos aparezcan en "
"los materiales educativos que distribuye TeachAIDS."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6889
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8769
msgid ""
"But unlike most media companies, Teach-AIDS is a nonprofit organization with "
"a purely social mission. TeachAIDS is dedicated to educating the global "
"normas y costumbres locales. Todo el contenido es libre y se pone a "
"disposición bajo una licencia Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6907
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8782
msgid ""
"TeachAIDS is a labor of love for founder and CEO Piya Sorcar, who earns a "
"salary of one dollar per year from the nonprofit. The project grew out of "
"comunicación masivos, lo que significaba que las personas estaban recibiendo "
"únicamente pedazos de información."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6917
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8802
+#, fuzzy
+#| msgid ""
+#| "In late 2005, Piya and her team used research-based design to create new "
+#| "educational materials and worked with local partners in India to help "
+#| "distribute them. As soon as the animated software was posted online, "
+#| "Piya’s team started receiving requests from individuals and governments "
+#| "who were interested in bringing this model to more countries. “We "
+#| "realized fairly quickly that educating large populations about a topic "
+#| "that was considered taboo would be challenging. We began by identifying "
+#| "optimal local partners and worked toward creating an effective, "
+#| "culturally appropriate education,” Piya said."
msgid ""
"In late 2005, Piya and her team used research-based design to create new "
"educational materials and worked with local partners in India to help "
"distribute them. As soon as the animated software was posted online, Piya’s "
"team started receiving requests from individuals and governments who were "
-"interested in bringing this model to more countries. “We realized fairly "
-"quickly that educating large populations about a topic that was considered "
-"taboo would be challenging. We began by identifying optimal local partners "
-"and worked toward creating an effective, culturally appropriate education,” "
-"Piya said."
+"interested in bringing this model to more countries. <quote>We realized "
+"fairly quickly that educating large populations about a topic that was "
+"considered taboo would be challenging. We began by identifying optimal local "
+"partners and worked toward creating an effective, culturally appropriate "
+"education,</quote> Piya said."
msgstr ""
"A finales del 2005, Piya y su equipo usaron un diseño basada en "
"investigación para crear nuevos materiales educativos y trabajaron con "
"Comenzamos a identificar socios locales óptimos y trabajaron hacia la "
"creación una educación eficaz, culturalmente apropiada,\" Piya comentó."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6921
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8814
msgid ""
"Very shortly after the initial release, Piya’s team decided to spin the "
"endeavor into an independent nonprofit out of Stanford University. They also "
"Universidad de Stanford. También decidieron utilizar las licencias de "
"Creative Commons en los materiales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6934
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8820
+#, fuzzy
+#| msgid ""
+#| "Given their educational mission, TeachAIDS had an obvious interest in "
+#| "seeing the materials as widely shared as possible. But they also needed "
+#| "to preserve the integrity of the medical information in the content. They "
+#| "chose the Attribution-NonCommercial-NoDerivs license (CC BY-NC-ND), which "
+#| "essentially gives the public the right to distribute only verbatim copies "
+#| "of the content, and for noncommercial purposes. “We wanted attribution "
+#| "for TeachAIDS, and we couldn’t stand by derivatives without vetting "
+#| "them,” the cofounder and chair Shuman Ghosemajumder said. “It was almost "
+#| "a no-brainer to go with a CC license because it was a plug-and-play "
+#| "solution to this exact problem. It has allowed us to scale our materials "
+#| "safely and quickly worldwide while preserving our content and protecting "
+#| "us at the same time.”"
msgid ""
"Given their educational mission, TeachAIDS had an obvious interest in seeing "
"the materials as widely shared as possible. But they also needed to preserve "
-"the integrity of the medical information in the content. They chose the "
+"the integrity of the medical information in the content. They chose the "
"Attribution-NonCommercial-NoDerivs license (CC BY-NC-ND), which essentially "
"gives the public the right to distribute only verbatim copies of the "
-"content, and for noncommercial purposes. “We wanted attribution for "
-"TeachAIDS, and we couldn’t stand by derivatives without vetting them,” the "
-"cofounder and chair Shuman Ghosemajumder said. “It was almost a no-brainer "
-"to go with a CC license because it was a plug-and-play solution to this "
-"exact problem. It has allowed us to scale our materials safely and quickly "
-"worldwide while preserving our content and protecting us at the same time.”"
+"content, and for noncommercial purposes. <quote>We wanted attribution for "
+"TeachAIDS, and we couldn’t stand by derivatives without vetting them,</"
+"quote> the cofounder and chair Shuman Ghosemajumder said. <quote>It was "
+"almost a no-brainer to go with a CC license because it was a plug-and-play "
+"solution to this exact problem. It has allowed us to scale our materials "
+"safely and quickly worldwide while preserving our content and protecting us "
+"at the same time.</quote>"
msgstr ""
"Dada su misión educativa, TeachAIDS tiene un interés obvio en que estos "
"materiales se compartan tán ampliamente como sea posible. Pero también "
"escalar nuestros materiales de forma segura y rápida en todo el mundo, "
"preservando nuestro contenido y protegiéndonos al mismo tiempo.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6941
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8836
+#, fuzzy
+#| msgid ""
+#| "Choosing a license that does not allow adaptation of the content was an "
+#| "outgrowth of the careful precision with which TeachAIDS crafts their "
+#| "content. The organization invests heavily in research and testing to "
+#| "determine the best method of conveying the information. “Creating high-"
+#| "quality content is what matters most to us,” Piya said. “Research drives "
+#| "everything we do.”"
msgid ""
"Choosing a license that does not allow adaptation of the content was an "
"outgrowth of the careful precision with which TeachAIDS crafts their "
"content. The organization invests heavily in research and testing to "
-"determine the best method of conveying the information. “Creating high-"
-"quality content is what matters most to us,” Piya said. “Research drives "
-"everything we do.”"
+"determine the best method of conveying the information. <quote>Creating high-"
+"quality content is what matters most to us,</quote> Piya said. "
+"<quote>Research drives everything we do.</quote>"
msgstr ""
"Escoger una licencia que no permita la adaptación del contenido fue una "
"consecuencia de la cuidadosa precisión con la que TeachAIDS elabora su "
"contenidos de alta calidad es lo que más nos importa,\" Piya comentó. \"La "
"investigación impulsa todo lo que hacemos.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6948
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8845
msgid ""
"One important finding was that people accept the message best when it comes "
"from familiar voices they trust and admire. To achieve this, TeachAIDS "
"usarlas en el software de animación. Las celebridades involucradas varían "
"para cada versión adaptada de los materiales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6961
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8854
msgid ""
"Localization is probably the single-most important aspect of the way "
"TeachAIDS creates its content. While each regional version builds from the "
"versiones por genero para lugares donde las personas tiendan más a aceptar "
"la información de alguien del mismo genero."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6975
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8869
msgid ""
"The localization process relies heavily on volunteers. Their volunteer base "
"is deeply committed to the cause, and the organization has had better luck "
"sus estándares. Para la versión tibetana, pasaron a través de este ciclo "
"once veces."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:6992
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8885
+#, fuzzy
+#| msgid ""
+#| "TeachAIDS employs full-time employees, contractors, and volunteers, all "
+#| "in different capacities and organizational configurations. They are "
+#| "careful to use people from diverse backgrounds to create the materials, "
+#| "including teachers, students, and doctors, as well as individuals "
+#| "experienced in working in the NGO space. This diversity and breadth of "
+#| "knowledge help ensure their materials resonate with people from all walks "
+#| "of life. Additionally, TeachAIDS works closely with film writers and "
+#| "directors to help keep the concepts entertaining and easy to understand. "
+#| "The inclusive, but highly controlled, creative process is undertaken "
+#| "entirely by people who are specifically brought on to help with a "
+#| "particular project, rather than ongoing staff. The final product they "
+#| "create is designed to require zero training for people to implement in "
+#| "practice. “In our research, we found we can’t depend on people passing on "
+#| "the information correctly, even if they have the best of intentions,” "
+#| "Piya said. “We need materials where you can push play and they will work.”"
msgid ""
"TeachAIDS employs full-time employees, contractors, and volunteers, all in "
"different capacities and organizational configurations. They are careful to "
"use people from diverse backgrounds to create the materials, including "
"teachers, students, and doctors, as well as individuals experienced in "
"working in the NGO space. This diversity and breadth of knowledge help "
-"ensure their materials resonate with people from all walks of life. "
+"ensure their materials resonate with people from all walks of life. "
"Additionally, TeachAIDS works closely with film writers and directors to "
"help keep the concepts entertaining and easy to understand. The inclusive, "
"but highly controlled, creative process is undertaken entirely by people who "
"are specifically brought on to help with a particular project, rather than "
"ongoing staff. The final product they create is designed to require zero "
-"training for people to implement in practice. “In our research, we found we "
-"can’t depend on people passing on the information correctly, even if they "
-"have the best of intentions,” Piya said. “We need materials where you can "
-"push play and they will work.”"
+"training for people to implement in practice. <quote>In our research, we "
+"found we can’t depend on people passing on the information correctly, even "
+"if they have the best of intentions,</quote> Piya said. <quote>We need "
+"materials where you can push play and they will work.</quote>"
msgstr ""
"TeachAIDS emplea trabajadores de tiempo completo, contratistas, y "
"voluntarios, todos en diferentes cargos y configuraciones organizacionales. "
"comentó Piya. \"Necesitamos materiales donde puedas ponerlos en reproduccir "
"y que funcionen.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7003
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8905
+#, fuzzy
+#| msgid ""
+#| "Piya’s team was able to produce all of these versions over several years "
+#| "with a head count that never exceeded eight full-time employees. The "
+#| "organization is able to reduce costs by relying heavily on volunteers and "
+#| "in-kind donations. Nevertheless, the nonprofit needed a sustainable "
+#| "revenue model to subsidize content creation and physical distribution of "
+#| "the materials. Charging even a low price was simply not an option. "
+#| "“Educators from various nonprofits around the world were just creating "
+#| "their own materials using whatever they could find for free online,” "
+#| "Shuman said. “The only way to persuade them to use our highly effective "
+#| "model was to make it completely free.”"
msgid ""
"Piya’s team was able to produce all of these versions over several years "
"with a head count that never exceeded eight full-time employees. The "
"organization is able to reduce costs by relying heavily on volunteers and in-"
"kind donations. Nevertheless, the nonprofit needed a sustainable revenue "
"model to subsidize content creation and physical distribution of the "
-"materials. Charging even a low price was simply not an option. “Educators "
-"from various nonprofits around the world were just creating their own "
-"materials using whatever they could find for free online,” Shuman said. “The "
-"only way to persuade them to use our highly effective model was to make it "
-"completely free.”"
+"materials. Charging even a low price was simply not an option. "
+"<quote>Educators from various nonprofits around the world were just creating "
+"their own materials using whatever they could find for free online,</quote> "
+"Shuman said. <quote>The only way to persuade them to use our highly "
+"effective model was to make it completely free.</quote>"
msgstr ""
"El equipo de Piya fue capaz de producir todas estas versiones a través de "
"varios años con un número de personal que nunca excedió los ocho empleados "
"persuadirlos de usar nuestro modelo altamente efectivo era hacerlo "
"completamente gratuito.\""
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7012
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8918
msgid ""
"Like many content creators offering their work for free, they settled on "
"advertising as a funding model. But they were extremely careful not to let "
"derecho de tener sus logotipos apareciendo antes y después del contenido "
"educativo. Todo el contenido permanece con la marca de TeachAIDS."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7020
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8929
+#, fuzzy
+#| msgid ""
+#| "TeachAIDS is careful not to seek funding to cover the costs of a specific "
+#| "project. Instead, sponsorships are structured as unrestricted donations "
+#| "to the nonprofit. This gives the nonprofit more stability, but even more "
+#| "importantly, it enables them to subsidize projects being localized for an "
+#| "area with no sponsors. “If we just created versions based on where we "
+#| "could get sponsorships, we would only have materials for wealthier "
+#| "countries,” Shuman said."
msgid ""
"TeachAIDS is careful not to seek funding to cover the costs of a specific "
"project. Instead, sponsorships are structured as unrestricted donations to "
"the nonprofit. This gives the nonprofit more stability, but even more "
"importantly, it enables them to subsidize projects being localized for an "
-"area with no sponsors. “If we just created versions based on where we could "
-"get sponsorships, we would only have materials for wealthier countries,” "
-"Shuman said."
+"area with no sponsors. <quote>If we just created versions based on where we "
+"could get sponsorships, we would only have materials for wealthier countries,"
+"</quote> Shuman said."
msgstr ""
"TeachAIDS es cuidadoso de no buscar financiamiento para cubrir los costos de "
-"un proyecto específico. En vez de eso, los patrocinios estan estructurados "
+"un proyecto específico. En vez de eso, los patrocinios están estructurados "
"como donaciones sin restricciones para la entidad no lucrativa. Esto le da "
-"más estabilidad, pero incluso más importante, les permitte subvencionar "
-"proyectos que estan siendo adaptados localmente para áreas que no tienen "
+"más estabilidad, pero incluso más importante, les permite subvencionar "
+"proyectos que están siendo adaptados localmente para áreas que no tienen "
"patrocinadores.\"Si únicamente creamos versiones basadas en donde podemos "
"obtener patrocinios, solo tendríamos materiales para los países ricos,\" "
"comentó Shuman."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7031
-msgid ""
-"As of 2016, TeachAIDS has dozens of sponsors. “When we go into a new "
-"country, various companies hear about us and reach out to us,” Piya said. "
-"“We don’t have to do much to find or attract them.” They believe the "
-"sponsorships are easy to sell because they offer so much value to sponsors. "
-"TeachAIDS sponsorships give corporations the chance to reach new eyeballs "
-"with their brand, but at a much lower cost than other advertising channels. "
-"The audience for TeachAIDS content also tends to skew young, which is often "
-"a desirable demographic for brands. Unlike traditional advertising, the "
-"content is not time-sensitive, so an investment in a sponsorship can benefit "
-"a brand for many years to come."
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8939
+#, fuzzy
+#| msgid ""
+#| "As of 2016, TeachAIDS has dozens of sponsors. “When we go into a new "
+#| "country, various companies hear about us and reach out to us,” Piya said. "
+#| "“We don’t have to do much to find or attract them.” They believe the "
+#| "sponsorships are easy to sell because they offer so much value to "
+#| "sponsors. TeachAIDS sponsorships give corporations the chance to reach "
+#| "new eyeballs with their brand, but at a much lower cost than other "
+#| "advertising channels. The audience for TeachAIDS content also tends to "
+#| "skew young, which is often a desirable demographic for brands. Unlike "
+#| "traditional advertising, the content is not time-sensitive, so an "
+#| "investment in a sponsorship can benefit a brand for many years to come."
+msgid ""
+"As of 2016, TeachAIDS has dozens of sponsors. <quote>When we go into a new "
+"country, various companies hear about us and reach out to us,</quote> Piya "
+"said. <quote>We don’t have to do much to find or attract them.</quote> They "
+"believe the sponsorships are easy to sell because they offer so much value "
+"to sponsors. TeachAIDS sponsorships give corporations the chance to reach "
+"new eyeballs with their brand, but at a much lower cost than other "
+"advertising channels. The audience for TeachAIDS content also tends to skew "
+"young, which is often a desirable demographic for brands. Unlike traditional "
+"advertising, the content is not time-sensitive, so an investment in a "
+"sponsorship can benefit a brand for many years to come."
msgstr ""
"A partir del 2016, TeachAIDS ha tenido docenas de patrocinadores. \"Cuando "
"vamos a un nuevo país, varias compañías escuchan de nosotros y se acercan,\" "
"inversión en un patrocinio puede beneficiar a la marca en muchos años por "
"venir."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7038
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8953
+#, fuzzy
+#| msgid ""
+#| "Importantly, the value to corporate sponsors goes beyond commercial "
+#| "considerations. As a nonprofit with a clearly articulated social mission, "
+#| "corporate sponsorships are donations to a cause. “This is something "
+#| "companies can be proud of internally,” Shuman said. Some companies have "
+#| "even built publicity campaigns around the fact that they have sponsored "
+#| "these initiatives."
msgid ""
"Importantly, the value to corporate sponsors goes beyond commercial "
"considerations. As a nonprofit with a clearly articulated social mission, "
-"corporate sponsorships are donations to a cause. “This is something "
-"companies can be proud of internally,” Shuman said. Some companies have even "
-"built publicity campaigns around the fact that they have sponsored these "
-"initiatives."
+"corporate sponsorships are donations to a cause. <quote>This is something "
+"companies can be proud of internally,</quote> Shuman said. Some companies "
+"have even built publicity campaigns around the fact that they have sponsored "
+"these initiatives."
msgstr ""
"Importantemente, el valor para los patrocinadores corporativos va más allá "
"de las consideraciones comerciales. Como una entidad no lucrativa con una "
"construido campañas publicitarias alrededor del hecho de que han patrocinado "
"estas iniciativas."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7045
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8962
+#, fuzzy
+#| msgid ""
+#| "The core mission of TeachAIDS—ensuring global access to life-saving "
+#| "education—is at the root of everything the organization does. It "
+#| "underpins the work; it motivates the funders. The CC license on the "
+#| "materials they create furthers that mission, allowing them to safely and "
+#| "quickly scale their materials worldwide. “The Creative Commons license "
+#| "has been a game changer for TeachAIDS,” Piya said."
msgid ""
"The core mission of TeachAIDS—ensuring global access to life-saving education"
"—is at the root of everything the organization does. It underpins the work; "
"it motivates the funders. The CC license on the materials they create "
"furthers that mission, allowing them to safely and quickly scale their "
-"materials worldwide. “The Creative Commons license has been a game changer "
-"for TeachAIDS,” Piya said."
+"materials worldwide. <quote>The Creative Commons license has been a game "
+"changer for TeachAIDS,</quote> Piya said."
msgstr ""
"El núcleo de la misión de TeachAIDS—asegurar acceso global a educación que "
"protege la vida—está en la raíz de todo lo que la organización realiza. Esto "
"Creative Commons ha sido como un punto de inflexión para TeachAIDS,\" "
"comentó Piya."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7047
-msgid "## Tribe of Noise"
-msgstr "## Tribe of Noise"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8972
+msgid "Tribe of Noise"
+msgstr "Tribe of Noise"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7051
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8975
msgid ""
"Tribe of Noise is a for-profit online music platform serving the film, TV, "
"video, gaming, and in-store-media industries. Founded in 2008 in the "
"las industrias fílmica, de TV, video, juegos, y de medios en tienda. Fue "
"fundada en 2008 en los Países Bajos (Holanda)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7053
-msgid "www.tribeofnoise.com"
-msgstr "www.tribeofnoise.com"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8980
+msgid "<ulink url=\"http://www.tribeofnoise.com\"/>"
+msgstr "<ulink url=\"http://www.tribeofnoise.com\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7057
-msgid "Interview date: January 26, 2016"
-msgstr "Fecha de la entrevista: 26 de enero, 2016"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8985
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: January 26, 2016"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 26 de enero, "
+"2016"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7059
-msgid "Interviewee: Hessel van Oorschot, cofounder"
-msgstr "Entrevistado: Hessel van Oorschot, cofundador"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8988
+msgid ""
+"<emphasis role=\"strong\">Interviewee</emphasis>: Hessel van Oorschot, "
+"cofounder"
+msgstr ""
+"<emphasis role=\"strong\">Entrevistado</emphasis>: Hessel van Oorschot, "
+"cofundador"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7069
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:8996
msgid ""
"In the early 2000s, Hessel van Oorschot was an entrepreneur running a "
"business where he coached other midsize entrepreneurs how to create an "
"online business. He also coauthored a number of workbooks for small- to "
-"medium-size enterprises to use to optimize their business for the Web. "
+"medium-size enterprises to use to optimize their business for the Web. "
"Through this early work, Hessel became familiar with the principles of open "
"licensing, including the use of open-source software and Creative Commons."
msgstr ""
"Hessel se familiarizó con los principios del licenciamiento permisivo, "
"incluyendo el uso de software de fuentes abiertas y Creative Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7077
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9005
msgid ""
"In 2005, Hessel and Sandra Brandenburg launched a niche video-production "
"initiative. Almost immediately, they ran into issues around finding and "
"licenciar música directamente del titular de sus derechos no era "
"suficientemente fácil de encontrar."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7085
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9015
+#, fuzzy
+#| msgid ""
+#| "They hired two lawyers to investigate further, and while they uncovered "
+#| "five or six examples, Hessel found the business models lacking. The "
+#| "lawyers expressed interest in being their legal team should they decide "
+#| "to pursue this as an entrepreneurial opportunity. Hessel says, “When "
+#| "lawyers are interested in a venture like this, you might have something "
+#| "special.” So after some more research, in early 2008, Hessel and Sandra "
+#| "decided to build a platform."
msgid ""
"They hired two lawyers to investigate further, and while they uncovered five "
"or six examples, Hessel found the business models lacking. The lawyers "
"expressed interest in being their legal team should they decide to pursue "
-"this as an entrepreneurial opportunity. Hessel says, “When lawyers are "
-"interested in a venture like this, you might have something special.” So "
-"after some more research, in early 2008, Hessel and Sandra decided to build "
-"a platform."
+"this as an entrepreneurial opportunity. Hessel says, <quote>When lawyers are "
+"interested in a venture like this, you might have something special.</quote> "
+"So after some more research, in early 2008, Hessel and Sandra decided to "
+"build a platform."
msgstr ""
"Contrataron a dos abogados para investigar a mayor profundidad, y si bien "
"encontraron cinco o seis ejemplos, Hessel encontró que los modelos de "
"después de hacer algo más de investigación, a principios de 2008 Hessel y "
"Sandra se decidieron a construir una plataforma."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7091
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9025
msgid ""
"Building a platform posed a real chicken-and-egg problem. The platform had "
"to build an online community of music-rights holders and, at the same time, "
"economía. La disposición de la comunidad para probar nuevos modelos de "
"negocio musicales requiere de una relación de confianza."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7098
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9032
msgid ""
"In July 2008, Tribe of Noise opened its virtual doors with a couple hundred "
"musicians willing to use the CC BY-SA license (Attribution-ShareAlike) for a "
-"limited part of their repertoire. The two entrepreneurs wanted to take the "
+"limited part of their repertoire. The two entrepreneurs wanted to take the "
"pain away for media makers who wanted to license music and solve the "
"problems the two had personally experienced finding this music."
msgstr ""
"licenciar música, y resolver los problemas que ambos habían experimentado "
"personalmente para encontrar dicha música."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7106
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9047
+msgid "<ulink url=\"http://www.instoremusicservice.com\"/>"
+msgstr "<ulink url=\"http://www.instoremusicservice.com\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9040
msgid ""
"As they were growing the community, Hessel got a phone call from a company "
"that made in-store music playlists asking if they had enough music licensed "
-"with Creative Commons that they could use. Stores need quality, good-"
+"with Creative Commons that they could use. Stores need quality, good-"
"listening music but not necessarily hits, a bit like a radio show without "
"the DJ. This opened a new opportunity for Tribe of Noise. They started their "
"In-store Music Service, using music (licensed with CC BY-SA) uploaded by the "
-"Tribe of Noise community of musicians.1"
+"Tribe of Noise community of musicians.<placeholder type=\"footnote\" id="
+"\"0\"/>"
msgstr ""
"Al tiempo que su comunidad iba creciendo, Hessel recibió una llamada "
"telefónica de una compañía que creaba listas de reproducción para su uso "
"poco como un programa de radio sin DJ. Esto abrió una nueva oportunidad para "
"Tribe of Noise. Iniciaron su servicio de música dentro del negocio, "
"utilizando música (licenciada bajo CC BY-SA) subida por la comunidad de "
-"músicos de Tribe of Noise.1"
+"músicos de Tribe of Noise.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7124
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9050
+#, fuzzy
+#| msgid ""
+#| "In most countries, artists, authors, and musicians join a collecting "
+#| "society that manages the licensing and helps collect the royalties. "
+#| "Copyright collecting societies in the European Union usually hold "
+#| "monopolies in their respective national markets. In addition, they "
+#| "require their members to transfer exclusive administration rights to them "
+#| "of all of their works. This complicates the picture for Tribe of Noise, "
+#| "who wants to represent artists, or at least a portion of their "
+#| "repertoire. Hessel and his legal team reached out to collecting "
+#| "societies, starting with those in the Netherlands. What would be the best "
+#| "legal way forward that would respect the wishes of composers and "
+#| "musicians who’d be interested in trying out new models like the In-store "
+#| "Music Service? Collecting societies at first were hesitant and said no, "
+#| "but Tribe of Noise persisted arguing that they primarily work with "
+#| "unknown artists and provide them exposure in parts of the world where "
+#| "they don’t get airtime normally and a source of revenue—and this "
+#| "convinced them that it was OK. However, Hessel says, “We are still "
+#| "fighting for a good cause every single day.”"
msgid ""
"In most countries, artists, authors, and musicians join a collecting society "
-"that manages the licensing and helps collect the royalties. Copyright "
+"that manages the licensing and helps collect the royalties. Copyright "
"collecting societies in the European Union usually hold monopolies in their "
"respective national markets. In addition, they require their members to "
-"transfer exclusive administration rights to them of all of their works. This "
-"complicates the picture for Tribe of Noise, who wants to represent artists, "
-"or at least a portion of their repertoire. Hessel and his legal team reached "
-"out to collecting societies, starting with those in the Netherlands. What "
-"would be the best legal way forward that would respect the wishes of "
-"composers and musicians who’d be interested in trying out new models like "
-"the In-store Music Service? Collecting societies at first were hesitant and "
-"said no, but Tribe of Noise persisted arguing that they primarily work with "
-"unknown artists and provide them exposure in parts of the world where they "
-"don’t get airtime normally and a source of revenue—and this convinced them "
-"that it was OK. However, Hessel says, “We are still fighting for a good "
-"cause every single day.”"
+"transfer exclusive administration rights to them of all of their works. "
+"This complicates the picture for Tribe of Noise, who wants to represent "
+"artists, or at least a portion of their repertoire. Hessel and his legal "
+"team reached out to collecting societies, starting with those in the "
+"Netherlands. What would be the best legal way forward that would respect the "
+"wishes of composers and musicians who’d be interested in trying out new "
+"models like the In-store Music Service? Collecting societies at first were "
+"hesitant and said no, but Tribe of Noise persisted arguing that they "
+"primarily work with unknown artists and provide them exposure in parts of "
+"the world where they don’t get airtime normally and a source of revenue—and "
+"this convinced them that it was OK. However, Hessel says, <quote>We are "
+"still fighting for a good cause every single day.</quote>"
msgstr ""
"En la mayor parte de los países, los artistas, autores y músicos se unen a "
"una sociedad recaudatoria que gestiona el licenciamiento y ayuda a cobrar "
"ingresos — Y esto los convenció de que estaba bien. Pero, dice Hessel, "
"”Seguimos luchando por una buena causa todos los días.”"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7135
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9071
+#, fuzzy
+#| msgid ""
+#| "Instead of building a large sales force, Tribe of Noise partnered with "
+#| "big organizations who have lots of clients and can act as a kind of Tribe "
+#| "of Noise reseller. The largest telecom network in the Netherlands, for "
+#| "example, sells Tribe’s In-store Music Service subscriptions to their "
+#| "business clients, which include fashion retailers and fitness centers. "
+#| "They have a similar deal with the leading trade association representing "
+#| "hotels and restaurants in the country. Hessel hopes to “copy and paste” "
+#| "this service into other countries where collecting societies understand "
+#| "what you can do with Creative Commons. Outside of the Netherlands, early "
+#| "adoptions have happened in Scandinavia, Belgium, and the U.S."
msgid ""
"Instead of building a large sales force, Tribe of Noise partnered with big "
"organizations who have lots of clients and can act as a kind of Tribe of "
"Noise reseller. The largest telecom network in the Netherlands, for example, "
"sells Tribe’s In-store Music Service subscriptions to their business "
-"clients, which include fashion retailers and fitness centers. They have a "
+"clients, which include fashion retailers and fitness centers. They have a "
"similar deal with the leading trade association representing hotels and "
-"restaurants in the country. Hessel hopes to “copy and paste” this service "
-"into other countries where collecting societies understand what you can do "
-"with Creative Commons. Outside of the Netherlands, early adoptions have "
-"happened in Scandinavia, Belgium, and the U.S."
+"restaurants in the country. Hessel hopes to <quote>copy and paste</quote> "
+"this service into other countries where collecting societies understand what "
+"you can do with Creative Commons. Outside of the Netherlands, early "
+"adoptions have happened in Scandinavia, Belgium, and the U.S."
msgstr ""
"En vez de construir una fuerza de ventas más grande, Tribe of Noise se alió "
"con las grandes organizaciones que tienen muchos clientes y pueden actuar "
"bajos, se han presentado adopciones tempranas en Escandinavia, Bélgica y los "
"Estados Unidos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7142
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9085
msgid ""
"Tribe of Noise doesn’t pay the musicians up front; they get paid when their "
"music ends up in Tribe of Noise’s in-store music channels. The musicians’ "
"share is 42.5 percent. It’s not uncommon in a traditional model for the "
"artist to get only 5 to 10 percent, so a share of over 40 percent is a "
-"significantly better deal. Here’s how they give an example on their website:"
+"significantly better deal. Here’s how they give an example on their website:"
msgstr ""
"Tribe of Noise no le paga directamente a los músicos; les pagan cuando su "
"música aparece en los canales de música en el negocio de Tribe of Noise. La "
"lo que una participación del 40% es un negocio significativamente mejor. Así "
"es como presentan el ejemplo en su sitio Web:"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7151
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9101
+msgid "<ulink url=\"http://www.tribeofnoise.com/info_instoremusic.php\"/>"
+msgstr "<ulink url=\"http://www.tribeofnoise.com/info_instoremusic.php\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9093
msgid ""
-"A few of your songs \\[licensed with CC BY-SA\\], for example five in total, "
-"are selected for a bespoke in-store music channel broadcasting at a large "
+"A few of your songs [licensed with CC BY-SA], for example five in total, are "
+"selected for a bespoke in-store music channel broadcasting at a large "
"retailer with 1,000 stores nationwide. In this case the overall playlist "
-"contains 350 songs so the musician’s share is 5/350 = 1.43%. The license "
-"fee agreed with this retailer is US\\$12 per month per play-out. So if 42.5% "
-"is shared with the Tribe musicians in this playlist and your share is 1.43%, "
-"you end up with US\\$12 \\* 1000 stores \\* 0.425 \\* 0.0143 = US\\$73 per "
-"month.2"
+"contains 350 songs so the musician’s share is 5/350 = 1.43%. The license fee "
+"agreed with this retailer is US$12 per month per play-out. So if 42.5% is "
+"shared with the Tribe musicians in this playlist and your share is 1.43%, "
+"you end up with US$12 * 1000 stores * 0.425 * 0.0143 = US$73 per month."
+"<placeholder type=\"footnote\" id=\"0\"/>"
msgstr ""
-"Algunas de sus canciones \\[licenciadas bajo CC BY-SA\\], cinco en total por "
+"Algunas de sus canciones [licenciadas bajo CC BY-SA], cinco en total por "
"poner un ejemplo, han sido seleccionadas para un canal de música en el "
"negocio, que se transmite a un conglomerado con 1,000 tiendas en el país. En "
"este caso, la lista de reproducción global contiene 350 canciones, con lo "
"que la proporción del músico es 5/350 = 1.43%. El costo de licenciamiento "
-"acordado con el conglomerado es de US\\$12 por mes por reproducción. Así que "
+"acordado con el conglomerado es de US$12 por mes por reproducción. Así que "
"si 42.5% de esto es compartido con los músicos de Tribe en esta lista, y su "
-"participación es de 1.43%, termina recibiendo US\\$12 \\* 1000 tiendas "
-"\\*0.425 \\* 0.142 = US\\$73 por mes.2"
+"participación es de 1.43%, termina recibiendo US$12 * 1000 tiendas * 0.425 * "
+"0.142 = US$73 por mes.<placeholder type=\"footnote\" id=\"0\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7160
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9104
msgid ""
-"Tribe of Noise has another model that does not involve Creative Commons. In "
+"Tribe of Noise has another model that does not involve Creative Commons. In "
"a survey with members, most said they liked the exposure using Creative "
"Commons gets them and the way it lets them reach out to others to share and "
"remix. However, they had a bit of a mental struggle with Creative Commons "
-"licenses being perpetual. A lot of musicians have the mind-set that one day "
+"licenses being perpetual. A lot of musicians have the mind-set that one day "
"one of their songs may become an overnight hit. If that happened the CC BY-"
"SA license would preclude them getting rich off the sale of that song."
msgstr ""
"noche a la mañana. Si eso ocurriera, el licenciamiento CC BY-SA les "
"impediría volverse ricos por las ventas de dicha canción."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7169
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9115
+#, fuzzy
+#| msgid ""
+#| "Hessel’s legal team took this feedback and created a second model and "
+#| "separate area of the platform called Tribe of Noise Pro. Songs uploaded "
+#| "to Tribe of Noise Pro aren’t Creative Commons licensed; Tribe of Noise "
+#| "has instead created a “nonexclusive exploitation” contract, similar to a "
+#| "Creative Commons license but allowing musicians to opt out whenever they "
+#| "want. When you opt out, Tribe of Noise agrees to take your music off the "
+#| "Tribe of Noise platform within one to two months. This lets the musician "
+#| "reuse their song for a better deal."
msgid ""
"Hessel’s legal team took this feedback and created a second model and "
"separate area of the platform called Tribe of Noise Pro. Songs uploaded to "
"Tribe of Noise Pro aren’t Creative Commons licensed; Tribe of Noise has "
-"instead created a “nonexclusive exploitation” contract, similar to a "
-"Creative Commons license but allowing musicians to opt out whenever they "
-"want. When you opt out, Tribe of Noise agrees to take your music off the "
-"Tribe of Noise platform within one to two months. This lets the musician "
+"instead created a <quote>nonexclusive exploitation</quote> contract, similar "
+"to a Creative Commons license but allowing musicians to opt out whenever "
+"they want. When you opt out, Tribe of Noise agrees to take your music off "
+"the Tribe of Noise platform within one to two months. This lets the musician "
"reuse their song for a better deal."
msgstr ""
"El equipo legal de Hesse obtuvo esta retroalimentación y creó un segundo "
"lapso de entre uno y dos meses. Esto permite al músico reutilizar su canción "
"en un posible mejor acuerdo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7176
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9126
msgid ""
"Tribe of Noise Pro is primarily geared toward media makers who are looking "
"for music. If they buy a license from this catalog, they don’t have to state "
"the name of the creator; they just license the song for a specific amount. "
-"This is a big plus for media makers. And musicians can pull their repertoire "
-"at any time. Hessel sees this as a more direct and clean deal."
+"This is a big plus for media makers. And musicians can pull their "
+"repertoire at any time. Hessel sees this as a more direct and clean deal."
msgstr ""
"Tribe of Noise Pro está principalmente enfocado a los creadores de medios "
"que buscan música. Si compran una licencia de éste catálogo, no hace falta "
"consideren mejor. Hessel opina que esto lleva a acuerdos más directos y "
"limpios."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7181
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9134
msgid ""
"Lots of Tribe of Noise musicians upload songs to both Tribe of Noise Pro and "
"the community area of Tribe of Noises. There aren’t that many artists who "
"su contenido únicamente a Tribe of Noise Pro, el cual tiene un mucho menor "
"repertorio musical que el área comunitaria."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7188
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9140
msgid ""
"Hessel sees the two as complementary. Both are needed for the model to work. "
"With a whole generation of musicians interested in the sharing economy, the "
"dinero. Después de eso, los músicos pueden desarrollar mayor interés en "
"explorar otros modelos como el de Tribe of Noise Pro."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7197
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9148
msgid ""
"Every musician who joins Tribe of Noise gets their own home page and free "
"unlimited Web space to upload as much of their own music as they like. Tribe "
"a productores de medios. Los miembros realmente gustan de que haya gente en "
"la plataforma que genuinamente se involucran con ellos."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7205
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9159
msgid ""
"Another way Tribe of Noise creates community and interest is with contests, "
"which are organized in partnership with Tribe of Noise clients. The client "
"comprendiendo lo que quieren, y creando una canción que cubra dicha "
"necesidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7216
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9169
msgid ""
"Tribe of Noise now has twenty-seven thousand members from 192 countries, and "
-"many are exploring do-it-yourself models for generating revenue. Some came "
+"many are exploring do-it-yourself models for generating revenue. Some came "
"from music labels and publishers, having gone through the traditional way of "
"music licensing and now seeing if this new model makes sense for them. "
"Others are young musicians, who grew up with a DIY mentality and see little "
"bajo CC BY-SA y adoptando junto con otros a los contratos societales como "
"ASCAP o BMI."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7231
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9181
msgid ""
"It’s not uncommon for performance-rights organizations, record labels, or "
"music publishers to sign contracts with musicians based on exclusivity. Such "
"músicos a quienes representan. Hasta ahora, Tribe of Noise ha podido operar "
"sin tener que enfrentar batallas legales."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7240
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9198
msgid ""
"For Hessel the key to Tribe of Noise’s success is trust. The fact that "
"Creative Commons licenses work the same way all over the world and have been "
"posibilita crear un nuevo modelo de negocios para la música, un modelo "
"basado en la confianza."
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7245
-msgid "www.instoremusicservice.com"
-msgstr "www.instoremusicservice.com"
-
-#. type: Bullet: '2. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7245
-msgid "www.tribeofnoise.com/info\\_instoremusic.php"
-msgstr "www.tribeofnoise.com/info\\_instoremusic.php"
+#. type: Content of: <book><part><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9210
+msgid "Wikimedia Foundation"
+msgstr "Fundación Wikimedia"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7247
-msgid "## Wikimedia Foundation"
-msgstr "## Wikimedia Foundation"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7250
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9213
msgid ""
"The Wikimedia Foundation is the nonprofit organization that hosts Wikipedia "
"and its sister projects. Founded in 2003 in the U.S."
"La fundación Wikimedia es una organización sin ánimo de lucro que hospeda "
"Wikipedia y sus proyectos hermanos. Fundada en 2003 en los E.U.A."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7252
-msgid "wikimediafoundation.org"
-msgstr "wikimediafoundation.org"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9218
+msgid "<ulink url=\"http://wikimediafoundation.org\"/>"
+msgstr "<ulink url=\"http://wikimediafoundation.org\"/>"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7254
-msgid "Revenue model: donations"
-msgstr "Modelo de ingresos: donaciones"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9220
+msgid "<emphasis role=\"strong\">Revenue model</emphasis>: donations"
+msgstr "<emphasis role=\"strong\">Modelo de ganancia</emphasis>: donations"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7256
-msgid "Interview date: December 18, 2015"
-msgstr "Fecha de la entrevista: 18 de diciembre, 2015"
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9222
+msgid "<emphasis role=\"strong\">Interview date</emphasis>: December 18, 2015"
+msgstr ""
+"<emphasis role=\"strong\">Fecha de la entrevista</emphasis>: 18 de "
+"diciembre, 2015"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7259
+#. type: Content of: <book><part><chapter><blockquote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9225
msgid ""
-"Interviewees: Luis Villa, former Chief Officer of Community Engagement, and "
-"Stephen LaPorte, legal counsel"
+"<emphasis role=\"strong\">Interviewees</emphasis>: Luis Villa, former Chief "
+"Officer of Community Engagement, and Stephen LaPorte, legal counsel"
msgstr ""
-"Entrevistados: Luis Villa, ex Director de Compromiso Comunitario, y Stephen "
-"LaPorte, asesor legal"
+"<emphasis role=\"strong\">Entrevistados</emphasis>: Luis Villa, ex Director "
+"de Compromiso Comunitario, y Stephen LaPorte, asesor legal"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7263
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9234
msgid "Nearly every person with an online presence knows Wikipedia."
msgstr "Casi cualquier persona con una presencia enlinea conoce la Wikipedia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7269
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9237
msgid ""
"In many ways, it is the preeminent open project: The online encyclopedia is "
"created entirely by volunteers. Anyone in the world can edit the articles. "
"enlinea. Todo el contenido es liberado bajo la licencia Creative Commons que "
"permite a las personas reusarlo y adaptarlo para cualquier propósito."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7273
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9245
msgid ""
"As of December 2016, there were more than forty-two million articles in the "
"295 language editions of the online encyclopedia, according to—what else?—"
"los 295 lenguajes de la enciclopedia enlinea, de acuerdo con —¿ quién más?— "
"el artículo de la Wikipedia acerca de la Wikipedia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7285
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9250
msgid ""
"The Wikimedia Foundation is a U.S.-based nonprofit organization that owns "
"the Wikipedia domain name and hosts the site, along with many other related "
"enfocados en un tema en partícular, grupos de usuarios, y varios miles que "
"no estan conectados con alguna organización en partícular."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7290
-msgid ""
-"As Wikimedia legal counsel Stephen LaPorte told us, “There is a common "
-"saying that Wikipedia works in practice but not in theory.” While it "
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9264
+#, fuzzy
+#| msgid ""
+#| "As Wikimedia legal counsel Stephen LaPorte told us, “There is a common "
+#| "saying that Wikipedia works in practice but not in theory.” While it "
+#| "undoubtedly has its challenges and flaws, Wikipedia and its sister "
+#| "projects are a striking testament to the power of human collaboration."
+msgid ""
+"As Wikimedia legal counsel Stephen LaPorte told us, <quote>There is a common "
+"saying that Wikipedia works in practice but not in theory.</quote> While it "
"undoubtedly has its challenges and flaws, Wikipedia and its sister projects "
"are a striking testament to the power of human collaboration."
msgstr ""
"proyectos hermanos son un testamento impactante del poder de la colaboración "
"humana."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7297
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9271
msgid ""
"Because of its extraordinary breadth and scope, it does feel a bit like a "
-"unicorn. Indeed, there is nothing else like Wikipedia. Still, much of what "
+"unicorn. Indeed, there is nothing else like Wikipedia. Still, much of what "
"makes the projects successful—community, transparency, a strong mission, "
"trust—are consistent with what it takes to be successfully Made with "
"Creative Commons more generally. With Wikipedia, everything just happens at "
"exitosamente hecho con Creative Commons más generalmente. Con Wikipedia, "
"simplemente todo ocurre a una escala sin precedentes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7307
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9280
msgid ""
"The story of Wikipedia has been told many times. For our purposes, it is "
"enough to know the experiment started in 2001 at a small scale, inspired by "
"artículos nuevos son creados en Wikipedia, y casi quince mil ediciones son "
"hechas cada hora."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7327
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9292
+#, fuzzy
+#| msgid ""
+#| "The nature of the content the community creates is ideal for asynchronous "
+#| "cocreation. “An encyclopedia is something where incremental community "
+#| "improvement really works,” Luis Villa, former Chief Officer of Community "
+#| "Engagement, told us. The rules and processes that govern cocreation on "
+#| "Wikipedia and its sister projects are all community-driven and vary by "
+#| "language edition. There are entire books written on the intricacies of "
+#| "their systems, but generally speaking, there are very few exceptions to "
+#| "the rule that anyone can edit any article, even without an account on "
+#| "their system. The extensive peer-review process includes elaborate "
+#| "systems to resolve disputes, methods for managing particularly "
+#| "controversial subject areas, talk pages explaining decisions, and much, "
+#| "much more. The Wikimedia Foundation’s decision to leave governance of the "
+#| "projects to the community is very deliberate. “We look at the things that "
+#| "the community can do well, and we want to let them do those things,” "
+#| "Stephen told us. Instead, the foundation focuses its time and resources "
+#| "on what the community cannot do as effectively, like the software "
+#| "engineering that supports the technical infrastructure of the sites. In "
+#| "2015-16, about half of the foundation’s budget went to direct support for "
+#| "the Wikimedia sites."
msgid ""
"The nature of the content the community creates is ideal for asynchronous "
-"cocreation. “An encyclopedia is something where incremental community "
-"improvement really works,” Luis Villa, former Chief Officer of Community "
-"Engagement, told us. The rules and processes that govern cocreation on "
-"Wikipedia and its sister projects are all community-driven and vary by "
-"language edition. There are entire books written on the intricacies of their "
-"systems, but generally speaking, there are very few exceptions to the rule "
-"that anyone can edit any article, even without an account on their system. "
-"The extensive peer-review process includes elaborate systems to resolve "
-"disputes, methods for managing particularly controversial subject areas, "
-"talk pages explaining decisions, and much, much more. The Wikimedia "
+"cocreation. <quote>An encyclopedia is something where incremental community "
+"improvement really works,</quote> Luis Villa, former Chief Officer of "
+"Community Engagement, told us. The rules and processes that govern "
+"cocreation on Wikipedia and its sister projects are all community-driven and "
+"vary by language edition. There are entire books written on the intricacies "
+"of their systems, but generally speaking, there are very few exceptions to "
+"the rule that anyone can edit any article, even without an account on their "
+"system. The extensive peer-review process includes elaborate systems to "
+"resolve disputes, methods for managing particularly controversial subject "
+"areas, talk pages explaining decisions, and much, much more. The Wikimedia "
"Foundation’s decision to leave governance of the projects to the community "
-"is very deliberate. “We look at the things that the community can do well, "
-"and we want to let them do those things,” Stephen told us. Instead, the "
-"foundation focuses its time and resources on what the community cannot do as "
-"effectively, like the software engineering that supports the technical "
-"infrastructure of the sites. In 2015-16, about half of the foundation’s "
-"budget went to direct support for the Wikimedia sites."
+"is very deliberate. <quote>We look at the things that the community can do "
+"well, and we want to let them do those things,</quote> Stephen told us. "
+"Instead, the foundation focuses its time and resources on what the community "
+"cannot do as effectively, like the software engineering that supports the "
+"technical infrastructure of the sites. In 2015-16, about half of the "
+"foundation’s budget went to direct support for the Wikimedia sites."
msgstr ""
"La naturaleza del contenido que la comunidad crea es ideal para la creación "
"conjunta. «Una enciclopedia es algo en donde las mejoras incrementales "
"presupuesto de la fundación se fue al soporte directo para los sitios de "
"Wikimedia."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7340
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9316
+#, fuzzy
+#| msgid ""
+#| "Some of that is directed at servers and general IT support, but the "
+#| "foundation also invests a significant amount on architecture designed to "
+#| "help the site function as effectively as possible. “There is a "
+#| "constantly evolving system to keep the balance in place to avoid "
+#| "Wikipedia becoming the world’s biggest graffiti wall,” Luis said. "
+#| "Depending on how you measure it, somewhere between 90 to 98 percent of "
+#| "edits to Wikipedia are positive. Some portion of that success is "
+#| "attributable to the tools Wikimedia has in place to try to incentivize "
+#| "good actors. “The secret to having any healthy community is bringing back "
+#| "the right people,” Luis said. “Vandals tend to get bored and go away. "
+#| "That is partially our model working, and partially just human nature.” "
+#| "Most of the time, people want to do the right thing."
msgid ""
"Some of that is directed at servers and general IT support, but the "
"foundation also invests a significant amount on architecture designed to "
-"help the site function as effectively as possible. “There is a constantly "
-"evolving system to keep the balance in place to avoid Wikipedia becoming the "
-"world’s biggest graffiti wall,” Luis said. Depending on how you measure it, "
-"somewhere between 90 to 98 percent of edits to Wikipedia are positive. Some "
-"portion of that success is attributable to the tools Wikimedia has in place "
-"to try to incentivize good actors. “The secret to having any healthy "
-"community is bringing back the right people,” Luis said. “Vandals tend to "
-"get bored and go away. That is partially our model working, and partially "
-"just human nature.” Most of the time, people want to do the right thing."
+"help the site function as effectively as possible. <quote>There is a "
+"constantly evolving system to keep the balance in place to avoid Wikipedia "
+"becoming the world’s biggest graffiti wall,</quote> Luis said. Depending on "
+"how you measure it, somewhere between 90 to 98 percent of edits to Wikipedia "
+"are positive. Some portion of that success is attributable to the tools "
+"Wikimedia has in place to try to incentivize good actors. <quote>The secret "
+"to having any healthy community is bringing back the right people,</quote> "
+"Luis said. <quote>Vandals tend to get bored and go away. That is partially "
+"our model working, and partially just human nature.</quote> Most of the "
+"time, people want to do the right thing."
msgstr ""
"Algo de eso se dirige a los servidores y al soporte IT general, pero la "
"fundación también invierte una cantidad significativa en diseño de "
"trabajando, y parcialmente solo naturaleza humana.» La mayor parte del "
"tiempo, la gente quiere hacer lo correcto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7351
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9332
+#, fuzzy
+#| msgid ""
+#| "Wikipedia not only relies on good behavior within its community and on "
+#| "its sites, but also by everyone else once the content leaves Wikipedia. "
+#| "All of the text of Wikipedia is available under an Attribution-ShareAlike "
+#| "license (CC BY-SA), which means it can be used for any purpose and "
+#| "modified so long as credit is given and anything new is shared back with "
+#| "the public under the same license. In theory, that means anyone can copy "
+#| "the content and start a new Wikipedia. But as Stephen explained, “Being "
+#| "open has only made Wikipedia bigger and stronger. The desire to protect "
+#| "is not always what is best for everyone.”"
msgid ""
"Wikipedia not only relies on good behavior within its community and on its "
-"sites, but also by everyone else once the content leaves Wikipedia. All of "
+"sites, but also by everyone else once the content leaves Wikipedia. All of "
"the text of Wikipedia is available under an Attribution-ShareAlike license "
"(CC BY-SA), which means it can be used for any purpose and modified so long "
"as credit is given and anything new is shared back with the public under the "
"same license. In theory, that means anyone can copy the content and start a "
-"new Wikipedia. But as Stephen explained, “Being open has only made Wikipedia "
-"bigger and stronger. The desire to protect is not always what is best for "
-"everyone.”"
+"new Wikipedia. But as Stephen explained, <quote>Being open has only made "
+"Wikipedia bigger and stronger. The desire to protect is not always what is "
+"best for everyone.</quote>"
msgstr ""
"Wikipedia no solo se basa en el buen comportamiento dentro de su comunidad y "
"en sus sitios, sino tambien en todos los demas una vez que el contenido deja "
"hecho a Wikipedia más grande y más fuerte. El deseo de proteger no es "
"siempre lo mejor para todos.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7367
+#. type: Content of: <book><part><chapter><para><footnote><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9356
+msgid ""
+"<ulink url=\"http://gimletmedia.com/episode/14-the-art-of-making-and-fixing-"
+"mistakes/\"/>"
+msgstr ""
+"<ulink url=\"http://gimletmedia.com/episode/14-the-art-of-making-and-fixing-"
+"mistakes/\"/>"
+
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9344
+#, fuzzy
+#| msgid ""
+#| "Of course, the primary reason no one has successfully co-opted Wikipedia "
+#| "is that copycat efforts do not have the Wikipedia community to sustain "
+#| "what they do. Wikipedia is not simply a source of up-to-the-minute "
+#| "content on every given topic—it is also a global patchwork of humans "
+#| "working together in a million different ways, in a million different "
+#| "capacities, for a million different reasons. While many have tried to "
+#| "guess what makes Wikipedia work as well it does, the fact is there is no "
+#| "single explanation. “In a movement as large as ours, there is an "
+#| "incredible diversity of motivations,” Stephen said. For example, there is "
+#| "one editor of the English Wikipedia edition who has corrected a single "
+#| "grammatical error in articles more than forty-eight thousand times."
+#| "<placeholder type=\"footnote\" id=\"0\"/> Only a fraction of Wikipedia "
+#| "users are also editors. But editing is not the only way to contribute to "
+#| "Wikipedia. “Some donate text, some donate images, some donate "
+#| "financially,” Stephen told us. “They are all contributors.”"
msgid ""
"Of course, the primary reason no one has successfully co-opted Wikipedia is "
"that copycat efforts do not have the Wikipedia community to sustain what "
"in a million different ways, in a million different capacities, for a "
"million different reasons. While many have tried to guess what makes "
"Wikipedia work as well it does, the fact is there is no single explanation. "
-"“In a movement as large as ours, there is an incredible diversity of "
-"motivations,” Stephen said. For example, there is one editor of the English "
-"Wikipedia edition who has corrected a single grammatical error in articles "
-"more than forty-eight thousand times.1 Only a fraction of Wikipedia users "
-"are also editors. But editing is not the only way to contribute to "
-"Wikipedia. “Some donate text, some donate images, some donate financially,” "
-"Stephen told us. “They are all contributors.”"
+"<quote>In a movement as large as ours, there is an incredible diversity of "
+"motivations,</quote> Stephen said. For example, there is one editor of the "
+"English Wikipedia edition who has corrected a single grammatical error in "
+"articles more than forty-eight thousand times.<placeholder type=\"footnote\" "
+"id=\"0\"/> Only a fraction of Wikipedia users are also editors. But editing "
+"is not the only way to contribute to Wikipedia. <quote>Some donate text, "
+"some donate images, some donate financially,</quote> Stephen told us. "
+"<quote>They are all contributors.</quote>"
msgstr ""
"Por supuesto, la principal razón por la que nadie ha cooptado exitosamente a "
"Wikipedia es que los esfuerzos de los imitadores no tienen a la comunidad de "
"movimiento tan largo como el nuetro, hay una increible diversidad de "
"motivaciones,» comentó Stephen. Por ejemplo, hay un editor de la edición de "
"la Wikipedia en inglés quien ha corregido un único error gramaticál en los "
-"artículos más de cuarenta y ocho mil veces. 1 Solo una fracción de los "
-"usuarios de Wikipedia también son editores. Pero editar no es el único medio "
-"para contribuir a la Wikipedia. «Algunos donan textos, algunos donan "
-"imágenes, algunos donan financieramente,» nos comentó Stephen. «Todos son "
-"contribuyentes.»"
+"artículos más de cuarenta y ocho mil veces.<placeholder type=\"footnote\" id="
+"\"0\"/> Solo una fracción de los usuarios de Wikipedia también son editores. "
+"Pero editar no es el único medio para contribuir a la Wikipedia. «Algunos "
+"donan textos, algunos donan imágenes, algunos donan financieramente,» nos "
+"comentó Stephen. «Todos son contribuyentes.»"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7375
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9363
msgid ""
"But the vast majority of us who use Wikipedia are not contributors; we are "
"passive readers. The Wikimedia Foundation survives primarily on individual "
-"donations, with about \\$15 as the average. Because Wikipedia is one of the "
+"donations, with about $15 as the average. Because Wikipedia is one of the "
"ten most popular websites in terms of total page views, donations from a "
"small portion of that audience can translate into a lot of money. In the "
-"2015-16 fiscal year, they received more than \\$77 million from more than "
-"five million donors."
+"2015-16 fiscal year, they received more than $77 million from more than five "
+"million donors."
msgstr ""
"Pero la gran mayoría de los que usamos la Wikipedia no somos contribuyentes; "
"somos lectores pasivos. La fundación Wikimedia sobrevive principalmente de "
-"las donaciones individuales, con un promedio de \\$15. Porque la Wikipedia "
-"es uno de los diwz sitios web más populares en terminos de total de páginas "
+"las donaciones individuales, con un promedio de $15. Porque la Wikipedia es "
+"uno de los diwz sitios web más populares en términos de total de páginas "
"vistas, las donaciones de una pequeña porción de esa audiencia se pueden "
-"traducir en un monton de dinero. En el año fiscal 2015-16, recibieron más de "
-"\\$77 millones de más de cinco millones de donadores."
+"traducir en un montón de dinero. En el año fiscal 2015-16, recibieron más de "
+"$77 millones de más de cinco millones de donadores."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7384
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9373
msgid ""
"The foundation has a fund-raising team that works year-round to raise money, "
"but the bulk of their revenue comes in during the December campaign in "
"Proporcionamos a nuestros lectores y el mundo un valor inmenso, así que "
"retornen. Cada poco ayuda. Con las suficientes miradas, ellos estan bien."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7392
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9384
msgid ""
"The vision of the Wikimedia Foundation is a world in which every single "
-"human being can freely share in the sum of all knowledge. They work to "
+"human being can freely share in the sum of all knowledge. They work to "
"realize this vision by empowering people around the globe to create "
"educational content made freely available under an open license or in the "
"public domain. Stephen and Luis said the mission, which is rooted in the "
"enraizada en la misma filosofía detras de Creative Commons, dirige todo lo "
"que hace la fundación."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7397
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9393
msgid ""
"The philosophy behind the endeavor also enables the foundation to be "
"financially sustainable. It instills trust in their readership, which is "
"critical for a revenue strategy that relies on reader donations. It also "
"instills trust in their community."
msgstr ""
-"La filosofía detras de la empresa tambien permite a la fundación ser "
+"La filosofía detrás de la empresa también permite a la fundación ser "
"sostenible financieramente. Infunde confianza en sus lectores, lo cual es "
"crítico por una estrategia de ingresos que se apoya en las donaciones de sus "
-"lectores. Tambien infunde confianza en su comunidad."
+"lectores. También infunde confianza en su comunidad."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7402
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9399
+#, fuzzy
+#| msgid ""
+#| "Any given edit on Wikipedia could be motivated by nearly an infinite "
+#| "number of reasons. But the social mission of the project is what binds "
+#| "the global community together. “Wikipedia is an example of how a mission "
+#| "can motivate an entire movement,” Stephen told us."
msgid ""
"Any given edit on Wikipedia could be motivated by nearly an infinite number "
"of reasons. But the social mission of the project is what binds the global "
-"community together. “Wikipedia is an example of how a mission can motivate "
-"an entire movement,” Stephen told us."
+"community together. <quote>Wikipedia is an example of how a mission can "
+"motivate an entire movement,</quote> Stephen told us."
msgstr ""
"Cualquier edición en la Wikipedia podría estar motivada por casi un número "
"infinito de razones. Pero la misión social del proyecto es lo que ata a la "
"comunidad global junta. «Wikipedia es un ejemplo de como una misión puede "
"motivar un movimiento entero,» Stephen nos comentó."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7408
+#. type: Content of: <book><part><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9406
+#, fuzzy
+#| msgid ""
+#| "Of course, what results from that movement is one of the Internet’s great "
+#| "public resources. “The Internet has a lot of businesses and stores, but "
+#| "it is missing the digital equivalent of parks and open public spaces,” "
+#| "Stephen said. “Wikipedia has found a way to be that open public space.”"
msgid ""
"Of course, what results from that movement is one of the Internet’s great "
-"public resources. “The Internet has a lot of businesses and stores, but it "
-"is missing the digital equivalent of parks and open public spaces,” Stephen "
-"said. “Wikipedia has found a way to be that open public space.”"
+"public resources. <quote>The Internet has a lot of businesses and stores, "
+"but it is missing the digital equivalent of parks and open public spaces,</"
+"quote> Stephen said. <quote>Wikipedia has found a way to be that open "
+"public space.</quote>"
msgstr ""
"Por supuesto, el resultado de ese movimiento es uno de los grandes recursos "
"públicos de Internet. «La Internet tiene un monton de negocios y tiendas, "
"públicos,» Stephen comentó. «Wikipedia encontró un medio de ser ese espacio "
"público abierto.»"
-#. type: Bullet: '1. '
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7412
-msgid "gimletmedia.com/episode/14-the-art-of-making-and-fixing-mistakes/"
-msgstr "gimletmedia.com/episode/14-the-art-of-making-and-fixing-mistakes/"
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7414
-msgid "## Bibliography"
-msgstr "## Bibliografía"
+#. type: Content of: <book><chapter><title>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9416
+msgid "Bibliography"
+msgstr "Bibliografía"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7419
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9418
msgid ""
"Alperovitz, Gar. What Then Must We Do? Straight Talk about the Next American "
"Revolution; Democratizing Wealth and Building a Community-Sustaining Economy "
"Revolution; Democratizing Wealth and Building a Community-Sustaining Economy "
"from the Ground Up. White River Junction, VT: Chelsea Green, 2013."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7423
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9424
msgid ""
"Anderson, Chris. Free: How Today’s Smartest Businesses Profit by Giving "
"Something for Nothing, reprint with new preface. New York: Hyperion, 2010."
"Something for Nothing, reimpresión con nuevo prefacio. New York: Hyperion, "
"2010."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7425
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9429
msgid "———. Makers: The New Industrial Revolution. New York: Signal, 2012."
-msgstr "———. Makers: The New Industrial Revolution. New York: Signal, 2012."
+msgstr ""
+"Chris Anderson. Makers: The New Industrial Revolution. New York: Signal, "
+"2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7428
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9432
+#, fuzzy
+#| msgid ""
+#| "Ariely, Dan. Predictably Irrational: The Hidden Forces That Shape Our "
+#| "Decisions. Rev. ed. New York: Harper Perennial, 2010."
msgid ""
"Ariely, Dan. Predictably Irrational: The Hidden Forces That Shape Our "
-"Decisions. Rev. ed. New York: Harper Perennial, 2010."
+"Decisions. Rev. ed. New York: Harper Perennial, 2010."
msgstr ""
"Ariely, Dan. Predictably Irrational: The Hidden Forces That Shape Our "
"Decisions. Rev. ed. New York: Harper Perennial, 2010."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7431
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9436
msgid ""
"Bacon, Jono. The Art of Community. 2nd ed. Sebastopol, CA: O’Reilly Media, "
"2012."
"Bacon, Jono. The Art of Community. 2a. Ed. Sebastopol, CA: O’Reilly Media, "
"2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7436
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9440
msgid ""
"Benkler, Yochai. The Wealth of Networks: How Social Production Transforms "
-"Markets and Freedom. New Haven: Yale University Press, 2006. www.benkler."
-"org/Benkler\\_Wealth\\_Of\\_Networks.pdf (licensed under CC BY-NC-SA)."
+"Markets and Freedom. New Haven: Yale University Press, 2006. <ulink url="
+"\"http://www.benkler.org/Benkler_Wealth_Of_Networks.pdf\"/> (licensed under "
+"CC BY-NC-SA)."
msgstr ""
"Benkler, Yochai. The Wealth of Networks: How Social Production Transforms "
-"Markets and Freedom. New Haven: Yale University Press, 2006. www.benkler."
-"org/Benkler\\_Wealth\\_Of\\_Networks.pdf (licenciado bajo CC BY-NC-SA)."
+"Markets and Freedom. New Haven: Yale University Press, 2006. <ulink url="
+"\"http://www.benkler.org/Benkler_Wealth_Of_Networks.pdf\"/> (licenciado bajo "
+"CC BY-NC-SA)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7441
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9447
msgid ""
"Benyayer, Louis-David, ed. Open Models: Business Models of the Open Economy. "
-"Cachan, France: Without Model, 2016. www.slideshare.net/WithoutModel/open-"
-"models-book-64463892 (licensed under CC BY-SA)."
+"Cachan, France: Without Model, 2016. <ulink url=\"http://www.slideshare.net/"
+"WithoutModel/open-models-book-64463892\"/> (licensed under CC BY-SA)."
msgstr ""
"Benyayer, Louis-David, ed. Open Models: Business Models of the Open Economy. "
-"Cachan, France: Without Model, 2016. www.slideshare.net/WithoutModel/open-"
-"models-book-64463892 (licenciado bajo CC BY-SA)."
+"Cachan, Francia: Without Model, 2016. <ulink url=\"http://www.slideshare."
+"net/WithoutModel/open-models-book-64463892\"/> (licenciado bajo CC BY-SA)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7446
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9453
msgid ""
"Bollier, David. Commoning as a Transformative Social Paradigm. Paper "
"commissioned by the Next Systems Project. Washington, DC: Democracy "
-"Collaborative, 2016. thenextsystem.org/commoning-as-a-transformative-social-"
-"paradigm/."
+"Collaborative, 2016. <ulink url=\"http://thenextsystem.org/commoning-as-a-"
+"transformative-social-paradigm/\"/>."
msgstr ""
-"Bollier, David. Commoning as a Transformative Social Paradigm. Paper "
-"comisionado por el Next Systems Project. Washington, DC: Democracy "
-"Collaborative, 2016. thenextsystem.org/commoning-as-a-transformative-social-"
-"paradigm/."
+"Bollier, David. Commoning as a Transformative Social Paradigm. Artículo "
+"escrito bajo encargo del Next Systems Project. Washington, DC: Democracy "
+"Collaborative, 2016. <ulink url=\"http://thenextsystem.org/commoning-as-a-"
+"transformative-social-paradigm/\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7449
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9459
msgid ""
"———. Think Like a Commoner: A Short Introduction to the Life of the Commons. "
"Gabriola Island, BC: New Society, 2014."
msgstr ""
-"———. Think Like a Commoner: A Short Introduction to the Life of the Commons. "
-"Gabriola Island, BC: New Society, 2014."
+"David Bollier. Think Like a Commoner: A Short Introduction to the Life of "
+"the Commons. Gabriola Island, BC: New Society, 2014."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7457
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9463
msgid ""
"Bollier, David, and Pat Conaty. Democratic Money and Capital for the "
"Commons: Strategies for Transforming Neoliberal Finance through Commons-"
"Based Alternatives. A report on a Commons Strategies Group Workshop in "
"cooperation with the Heinrich Böll Foundation, Berlin, Germany, 2015. "
-"bollier.org/democratic-money-and-capital-commons-report-pdf. For more "
-"information, see bollier.org/blog/democratic-money-and-capital-commons."
+"<ulink url=\"http://bollier.org/democratic-money-and-capital-commons-report-"
+"pdf\"/>. For more information, see <ulink url=\"http://bollier.org/blog/"
+"democratic-money-and-capital-commons\"/>."
msgstr ""
-"Bollier, David, y Pat Conaty. Democratic Money and Capital for the Commons: "
+"Bollier, David y Pat Conaty. Democratic Money and Capital for the Commons: "
"Strategies for Transforming Neoliberal Finance through Commons-Based "
-"Alternatives. A report on a Commons Strategies Group Workshop in cooperation "
-"with the Heinrich Böll Foundation, Berlin, Germany, 2015. bollier.org/"
-"democratic-money-and-capital-commons-report-pdf. Para más información, vere "
-"bollier.org/blog/democratic-money-and-capital-commons."
+"Alternatives. Reporte en el Commons Strategies Group Workshop en cooperación "
+"con la Fundación Heinrich Böll, Berlín, Alemania, 2015. <ulink url=\"http://"
+"bollier.org/democratic-money-and-capital-commons-report-pdf\"/>. Para mayor "
+"información, vea <ulink url=\"http://bollier.org/blog/democratic-money-and-"
+"capital-commons\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7460
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9473
msgid ""
"Bollier, David, and Silke Helfrich, eds. The Wealth of the Commons: A World "
"Beyond Market and State. Amherst, MA: Levellers Press, 2012."
"Bollier, David, and Silke Helfrich, eds. The Wealth of the Commons: A World "
"Beyond Market and State. Amherst, MA: Levellers Press, 2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7463
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9477
msgid ""
"Botsman, Rachel, and Roo Rogers. What’s Mine Is Yours: The Rise of "
"Collaborative Consumption. New York: Harper Business, 2010."
"Botsman, Rachel, and Roo Rogers. What’s Mine Is Yours: The Rise of "
"Collaborative Consumption. New York: Harper Business, 2010."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7466
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9481
msgid ""
-"Boyle, James. The Public Domain: Enclosing the Commons of the Mind. New "
+"Boyle, James. The Public Domain: Enclosing the Commons of the Mind. New "
"Haven: Yale University Press, 2008."
msgstr ""
"Boyle, James. The Public Domain: Enclosing the Commons of the Mind. New "
"Haven: Yale University Press, 2008."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7468
-msgid "www.thepublicdomain.org/download/ (licensed under CC BY-NC-SA)."
-msgstr "www.thepublicdomain.org/download/ (licenciado bajo CC BY-NC-SA)."
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9484
+msgid ""
+"<ulink url=\"http://www.thepublicdomain.org/download/\"/> (licensed under CC "
+"BY-NC-SA)."
+msgstr ""
+"<ulink url=\"http://www.thepublicdomain.org/download/\"/> (licenciado bajo "
+"CC BY-NC-SA)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7472
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9488
msgid ""
"Capra, Fritjof, and Ugo Mattei. The Ecology of Law: Toward a Legal System in "
"Tune with Nature and Community. Oakland, CA: Berrett-Koehler, 2015."
"Capra, Fritjof, y Ugo Mattei. The Ecology of Law: Toward a Legal System in "
"Tune with Nature and Community. Oakland, CA: Berrett-Koehler, 2015."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7475
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9493
msgid ""
"Chesbrough, Henry. Open Business Models: How to Thrive in the New Innovation "
"Landscape. Boston: Harvard Business School Press, 2006."
"Chesbrough, Henry. Open Business Models: How to Thrive in the New Innovation "
"Landscape. Boston: Harvard Business School Press, 2006."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7478
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9497
msgid ""
"———. Open Innovation: The New Imperative for Creating and Profiting from "
"Technology. Boston: Harvard Business Review Press, 2006."
msgstr ""
-"———. Open Innovation: The New Imperative for Creating and Profiting from "
-"Technology. Boston: Harvard Business Review Press, 2006."
+"Henry Chesbrough. Open Innovation: The New Imperative for Creating and "
+"Profiting from Technology. Boston: Harvard Business Review Press, 2006."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7484
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9501
msgid ""
"City of Bologna. Regulation on Collaboration between Citizens and the City "
"for the Care and Regeneration of Urban Commons. Translated by LabGov "
"(LABoratory for the GOVernance of Commons). Bologna, Italy: City of Bologna, "
-"2014). www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-on-"
-"collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-of-"
-"urban-commons1.pdf."
+"2014). <ulink url=\"http://www.labgov.it/wp-content/uploads/sites/9/Bologna-"
+"Regulation-on-collaboration-between-citizens-and-the-city-for-the-cure-and-"
+"regeneration-of-urban-commons1.pdf\"/>."
msgstr ""
"City of Bologna. Regulation on Collaboration between Citizens and the City "
-"for the Care and Regeneration of Urban Commons. Translated por LabGov "
-"(LABoratory for the GOVernance of Commons). Bologna, Italia: Ciudad de "
-"Boloña, 2014). www.labgov.it/wp-content/uploads/sites/9/Bologna-Regulation-"
-"on-collaboration-between-citizens-and-the-city-for-the-cure-and-regeneration-"
-"of-urban-commons1.pdf."
-
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7488
+"for the Care and Regeneration of Urban Commons. Traducido al inglés por "
+"LabGov (LABoratory for the GOVernance of Commons). Bologna, Italia: Ciudad "
+"de Boloña, 2014). <ulink url=\"http://www.labgov.it/wp-content/uploads/"
+"sites/9/Bologna-Regulation-on-collaboration-between-citizens-and-the-city-"
+"for-the-cure-and-regeneration-of-urban-commons1.pdf\"/>."
+
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9508
+#, fuzzy
+#| msgid ""
+#| "Cole, Daniel H. “Learning from Lin: Lessons and Cautions from the Natural "
+#| "Commons for the Knowledge Commons.” Chap. 2 in Frischmann, Madison, and "
+#| "Strandburg, Governing Knowledge Commons."
msgid ""
-"Cole, Daniel H. “Learning from Lin: Lessons and Cautions from the Natural "
-"Commons for the Knowledge Commons.” Chap. 2 in Frischmann, Madison, and "
-"Strandburg, Governing Knowledge Commons."
+"Cole, Daniel H. <quote>Learning from Lin: Lessons and Cautions from the "
+"Natural Commons for the Knowledge Commons.</quote> Chap. 2 in Frischmann, "
+"Madison, and Strandburg, Governing Knowledge Commons."
msgstr ""
"Cole, Daniel H. “Learning from Lin: Lessons and Cautions from the Natural "
"Commons for the Knowledge Commons.” Chap. 2 in Frischmann, Madison, and "
"Strandburg, Governing Knowledge Commons."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7491
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9513
msgid ""
"Creative Commons. 2015 State of the Commons. Mountain View, CA: Creative "
-"Commons, 2015. stateof.creativecommons.org/2015/."
+"Commons, 2015. <ulink url=\"http://stateof.creativecommons.org/2015/\"/>."
msgstr ""
"Creative Commons. 2015 State of the Commons. Mountain View, CA: Creative "
-"Commons, 2015. stateof.creativecommons.org/2015/."
+"Commons, 2015. <ulink url=\"http://stateof.creativecommons.org/2015/\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7494
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9518
msgid ""
"Doctorow, Cory. Information Doesn’t Want to Be Free: Laws for the Internet "
"Age. San Francisco: McSweeney’s, 2014."
"Doctorow, Cory. Information Doesn’t Want to Be Free: Laws for the Internet "
"Age. San Francisco: McSweeney’s, 2014."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7498
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9522
+#, fuzzy
+#| msgid ""
+#| "Eckhardt, Giana, and Fleura Bardhi. “The Sharing Economy Isn’t about "
+#| "Sharing at All.” Harvard Business Review, January 28, 2015. <ulink url="
+#| "\"http://hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all\"/"
+#| ">."
msgid ""
-"Eckhardt, Giana, and Fleura Bardhi. “The Sharing Economy Isn’t about Sharing "
-"at All.” Harvard Business Review, January 28, 2015. hbr.org/2015/01/the-"
-"sharing-economy-isnt-about-sharing-at-all."
+"Eckhardt, Giana, and Fleura Bardhi. <quote>The Sharing Economy Isn’t about "
+"Sharing at All.</quote> Harvard Business Review, January 28, 2015. <ulink "
+"url=\"http://hbr.org/2015/01/the-sharing-economy-isnt-about-sharing-at-all\"/"
+">."
msgstr ""
-"Eckhardt, Giana, and Fleura Bardhi. “The Sharing Economy Isn’t about Sharing "
-"at All.” Harvard Business Review, Enero 28, 2015. hbr.org/2015/01/the-"
-"sharing-economy-isnt-about-sharing-at-all."
+"Eckhardt, Giana y Fleura Bardhi. “The Sharing Economy Isn’t about Sharing at "
+"All.” Harvard Business Review, 28 de enero, 2015. <ulink url=\"http://hbr."
+"org/2015/01/the-sharing-economy-isnt-about-sharing-at-all\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7503
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9528
msgid ""
"Elliott, Patricia W., and Daryl H. Hepting, eds. (2015). Free Knowledge: "
-"Confronting the Commodification of Human Discovery. Regina, SK: University "
-"of Regina Press, 2015. uofrpress.ca/publications/Free-Knowledge (licensed "
-"under CC BY-NC-ND)."
+"Confronting the Commodification of Human Discovery. Regina, SK: University "
+"of Regina Press, 2015. <ulink url=\"http://uofrpress.ca/publications/Free-"
+"Knowledge\"/> (licensed under CC BY-NC-ND)."
msgstr ""
-"Elliott, Patricia W., y Daryl H. Hepting, eds. (2015). Free Knowledge: "
+"Elliott, Patricia W. y Daryl H. Hepting, eds. (2015). Free Knowledge: "
"Confronting the Commodification of Human Discovery. Regina, SK: University "
-"of Regina Press, 2015. uofrpress.ca/publications/Free-Knowledge (licensed "
-"under CC BY-NC-ND)."
+"of Regina Press, 2015. <ulink url=\"http://uofrpress.ca/publications/Free-"
+"Knowledge\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7506
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9535
msgid ""
"Eyal, Nir. Hooked: How to Build Habit-Forming Products. With Ryan Hoover. "
"New York: Portfolio, 2014."
"Eyal, Nir. Hooked: How to Build Habit-Forming Products. With Ryan Hoover. "
"New York: Portfolio, 2014."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7509
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9539
+#, fuzzy
+#| msgid ""
+#| "Farley, Joshua, and Ida Kubiszewski. “The Economics of Information in a "
+#| "Post-Carbon Economy.” Chap. 11 in Elliott and Hepting, Free Knowledge."
msgid ""
-"Farley, Joshua, and Ida Kubiszewski. “The Economics of Information in a Post-"
-"Carbon Economy.” Chap. 11 in Elliott and Hepting, Free Knowledge."
+"Farley, Joshua, and Ida Kubiszewski. <quote>The Economics of Information in "
+"a Post-Carbon Economy.</quote> Chap. 11 in Elliott and Hepting, Free "
+"Knowledge."
msgstr ""
"Farley, Joshua, and Ida Kubiszewski. “The Economics of Information in a Post-"
"Carbon Economy.” Cap. 11 en Elliott y Hepting, Free Knowledge."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7513
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9544
+#, fuzzy
+#| msgid ""
+#| "Foster, William Landes, Peter Kim, and Barbara Christiansen. “Ten "
+#| "Nonprofit Funding Models.” Stanford Social Innovation Review, Spring "
+#| "2009. <ulink url=\"http://ssir.org/articles/entry/"
+#| "ten_nonprofit_funding_models\"/>."
msgid ""
-"Foster, William Landes, Peter Kim, and Barbara Christiansen. “Ten Nonprofit "
-"Funding Models.” Stanford Social Innovation Review, Spring 2009. ssir.org/"
-"articles/entry/ten\\_nonprofit\\_funding\\_models."
+"Foster, William Landes, Peter Kim, and Barbara Christiansen. <quote>Ten "
+"Nonprofit Funding Models.</quote> Stanford Social Innovation Review, Spring "
+"2009. <ulink url=\"http://ssir.org/articles/entry/"
+"ten_nonprofit_funding_models\"/>."
msgstr ""
"Foster, William Landes, Peter Kim, y Barbara Christiansen. “Ten Nonprofit "
-"Funding Models.” Stanford Social Innovation Review, Spring 2009. ssir.org/"
-"articles/entry/ten\\_nonprofit\\_funding\\_models."
+"Funding Models.” Stanford Social Innovation Review, Spring 2009. <ulink url="
+"\"http://ssir.org/articles/entry/ten_nonprofit_funding_models\"/>."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7516
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9550
msgid ""
"Frischmann, Brett M. Infrastructure: The Social Value of Shared Resources. "
"New York: Oxford University Press, 2012."
"Frischmann, Brett M. Infrastructure: The Social Value of Shared Resources. "
"Nueva York: Oxford University Press, 2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7520
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9554
msgid ""
-"Frischmann, Brett M., Michael J. Madison, and Katherine J. Strandburg, eds. "
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msgstr ""
"Frischmann, Brett M., Michael J. Madison, y Katherine J. Strandburg. "
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-"Gansky, Lisa. The Mesh: Why the Future of Business Is Sharing. Reprint with "
+"Gansky, Lisa. The Mesh: Why the Future of Business Is Sharing. Reprint with "
"new epilogue. New York: Portfolio, 2012."
msgstr ""
"Gansky, Lisa. The Mesh: Why the Future of Business Is Sharing. Reimpresión "
"con nuevo epílogo. New York: Portfolio, 2012."
-#. type: Plain text
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-"Grant, Adam. Give and Take: Why Helping Others Drives Our Success. New York: "
-"Viking, 2013."
+"Grant, Adam. Give and Take: Why Helping Others Drives Our Success. New "
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"Grant, Adam. Give and Take: Why Helping Others Drives Our Success. Nueva "
"York: Viking, 2013."
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"Haiven, Max. Crises of Imagination, Crises of Power: Capitalism, Creativity "
"and the Commons. New York: Zed Books, 2014."
"Haiven, Max. Crises of Imagination, Crises of Power: Capitalism, Creativity "
"and the Commons. Nueva York: Zed Books, 2014."
-#. type: Plain text
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"Harris, Malcom, ed. Share or Die: Voices of the Get Lost Generation in the "
"Age of Crisis. With Neal Gorenflo. Gabriola Island, BC: New Society, 2012."
"Harris, Malcom, ed. Share or Die: Voices of the Get Lost Generation in the "
"Age of Crisis. With Neal Gorenflo. Gabriola Island, BC: New Society, 2012."
-#. type: Plain text
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"Hermida, Alfred. Tell Everyone: Why We Share and Why It Matters. Toronto: "
"Doubleday Canada, 2014."
"Hermida, Alfred. Tell Everyone: Why We Share and Why It Matters. Toronto: "
"Doubleday Canada, 2014."
-#. type: Plain text
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"Hyde, Lewis. Common as Air: Revolution, Art, and Ownership. New York: "
"Farrar, Straus and Giroux, 2010."
"Hyde, Lewis. Common as Air: Revolution, Art, and Ownership. Nueva York: "
"Farrar, Straus y Giroux, 2010."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7546
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"———. The Gift: Creativity and the Artist in the Modern World. 2nd Vintage "
"Books edition. New York: Vintage Books, 2007."
"———. The Gift: Creativity and the Artist in the Modern World. 2a ed. Vintage "
"Books. Nueva York: Vintage Books, 2007."
-#. type: Plain text
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"Kelley, Tom, and David Kelley. Creative Confidence: Unleashing the Potential "
"within Us All. New York: Crown, 2013."
"Kelley, Tom, and David Kelley. Creative Confidence: Unleashing the Potential "
"within Us All. Nueva York: Crown, 2013."
-#. type: Plain text
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+#. type: Content of: <book><chapter><para>
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"Kelly, Marjorie. Owning Our Future: The Emerging Ownership Revolution; "
-"Journeys to a Generative Economy. San Francisco:"
+"Journeys to a Generative Economy. San Francisco: Berrett-Koehler, 2012."
msgstr ""
"Kelly, Marjorie. Owning Our Future: The Emerging Ownership Revolution; "
-"Journeys to a Generative Economy. San Francisco:"
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-#. type: Plain text
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"Kleon, Austin. Show Your Work: 10 Ways to Share Your Creativity and Get "
"Discovered. New York: Workman, 2014."
"Kleon, Austin. Show Your Work: 10 Ways to Share Your Creativity and Get "
"Discovered. Nueva York: Workman, 2014."
-#. type: Plain text
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"———. Steal Like an Artist: 10 Things Nobody Told You about Being Creative. "
"New York: Workman, 2012."
"———. Steal Like an Artist: 10 Things Nobody Told You about Being Creative. "
"Nueva York: Workman, 2012."
-#. type: Plain text
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-"Kramer, Bryan. Shareology: How Sharing Is Powering the Human Economy. New "
+"Kramer, Bryan. Shareology: How Sharing Is Powering the Human Economy. New "
"York: Morgan James, 2016."
msgstr ""
"Kramer, Bryan. Shareology: How Sharing Is Powering the Human Economy. Nueva "
"York: Morgan James, 2016."
-#. type: Plain text
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+#| "Lee, David. “Inside Medium: An Attempt to Bring Civility to the "
+#| "Internet.” BBC News, March 3, 2016. <ulink url=\"http://www.bbc.com/news/"
+#| "technology-35709680\"/>"
msgid ""
-"Lee, David. “Inside Medium: An Attempt to Bring Civility to the Internet.” "
-"BBC News, March 3, 2016. www.bbc.com/news/technology-35709680"
+"Lee, David. <quote>Inside Medium: An Attempt to Bring Civility to the "
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msgstr ""
"Lee, David. “Inside Medium: An Attempt to Bring Civility to the Internet.” "
-"BBC News, Marzo 3, 2016. www.bbc.com/news/technology-35709680"
+"BBC News, 3 de marzo, 2016. <ulink url=\"http://www.bbc.com/news/"
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-#. type: Plain text
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"Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid "
"Economy. New York: Penguin Press, 2008."
"Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid "
"Economy. Nueva York: Penguin Press, 2008."
-#. type: Plain text
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"Menzies, Heather. Reclaiming the Commons for the Common Good: A Memoir and "
"Manifesto. Gabriola Island, BC: New Society, 2014."
"Menzies, Heather. Reclaiming the Commons for the Common Good: A Memoir and "
"Manifesto. Gabriola Island, BC: New Society, 2014."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7575
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msgid ""
"Mason, Paul. Postcapitalism: A Guide to Our Future. New York: Farrar, Straus "
"and Giroux, 2015."
"Mason, Paul. Postcapitalism: A Guide to Our Future. Nueva York: Farrar, "
"Straus y Giroux, 2015."
-#. type: Plain text
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"New York Times Customer Insight Group. The Psychology of Sharing: Why Do "
-"People Share Online? New York: New York Times Customer Insight Group, 2011. "
-"www.iab.net/media/file/POSWhitePaper.pdf."
+"People Share Online? New York: New York Times Customer Insight Group, 2011. "
+"<ulink url=\"http://www.iab.net/media/file/POSWhitePaper.pdf\"/>."
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"New York Times Customer Insight Group. The Psychology of Sharing: Why Do "
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-"2011. www.iab.net/media/file/POSWhitePaper.pdf."
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-#. type: Plain text
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msgid ""
-"Osterwalder, Alex, and Yves Pigneur. Business Model Generation. Hoboken, NJ: "
-"John Wiley and Sons, 2010. A preview of the book is available at strategyzer."
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+"Osterwalder, Alex, and Yves Pigneur. Business Model Generation. Hoboken, "
+"NJ: John Wiley and Sons, 2010. A preview of the book is available at <ulink "
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msgstr ""
"Osterwalder, Alex, e Yves Pigneur. Business Model Generation. Hoboken, NJ: "
-"John Wiley and Sons, 2010. Un avance del libro está disponible en "
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-"Osterwalder, Alex, Yves Pigneur, Greg Bernarda, and Adam Smith. Value "
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"Osterwalder, Alex, Yves Pigneur, Greg Bernarda, y Adam Smith. Value "
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msgid ""
"Palmer, Amanda. The Art of Asking: Or How I Learned to Stop Worrying and Let "
"People Help. New York: Grand Central, 2014."
"Palmer, Amanda. The Art of Asking: Or How I Learned to Stop Worrying and Let "
"People Help. Nueva York: Grand Central, 2014."
-#. type: Plain text
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msgid ""
"Pekel, Joris. Democratising the Rijksmuseum: Why Did the Rijksmuseum Make "
"Available Their Highest Quality Material without Restrictions, and What Are "
-"the Results? The Hague, Netherlands: Europeana Foundation, 2014. pro."
-"europeana.eu/publication/democratising-the-rijksmuseum (licensed under CC BY-"
-"SA)."
+"the Results? The Hague, Netherlands: Europeana Foundation, 2014. <ulink url="
+"\"http://pro.europeana.eu/publication/democratising-the-rijksmuseum\"/> "
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msgstr ""
"Pekel, Joris. Democratising the Rijksmuseum: Why Did the Rijksmuseum Make "
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-"europeana.eu/publication/democratising-the-rijksmuseum (licenciado bajo CC "
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-"Ramos, José Maria, ed. The City as Commons: A Policy Reader. Melbourne, "
-"Australia: Commons Transition Coalition, 2016. www.academia.edu/27143172/The"
-"\\_City\\_as\\_Commons\\_a\\_Policy\\_Reader (licensed under CC BY-NC-ND)."
+"Ramos, José Maria, ed. The City as Commons: A Policy Reader. Melbourne, "
+"Australia: Commons Transition Coalition, 2016. <ulink url=\"http://www."
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"Ramos, José Maria, ed. The City as Commons: A Policy Reader. Melbourne, "
-"Australia: Commons Transition Coalition, 2016. www.academia.edu/27143172/The"
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+#| "Raymond, Eric S. The Cathedral and the Bazaar: Musings on Linux and Open "
+#| "Source by an Accidental Revolutionary. Rev. ed. Sebastopol, CA: O’Reilly "
+#| "Media, 2001. See esp. “The Magic Cauldron.” <ulink url=\"http://www.catb."
+#| "org/esr/writings/cathedral-bazaar/\"/>."
msgid ""
"Raymond, Eric S. The Cathedral and the Bazaar: Musings on Linux and Open "
-"Source by an Accidental Revolutionary. Rev. ed. Sebastopol, CA: O’Reilly "
-"Media, 2001. See esp. “The Magic Cauldron.” www.catb.org/esr/writings/"
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+"Source by an Accidental Revolutionary. Rev. ed. Sebastopol, CA: O’Reilly "
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msgstr ""
"Raymond, Eric S. The Cathedral and the Bazaar: Musings on Linux and Open "
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-"Media, 2001. See esp. “The Magic Cauldron.” www.catb.org/esr/writings/"
-"cathedral-bazaar/."
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-#. type: Plain text
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+#. type: Content of: <book><chapter><para>
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msgid ""
"Ries, Eric. The Lean Startup: How Today’s Entrepreneurs Use Continuous "
"Innovation to Create Radically Successful Businesses. New York: Crown "
"Innovation to Create Radically Successful Businesses. Nueva York: Crown "
"Business, 2011."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7614
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9678
msgid ""
"Rifkin, Jeremy. The Zero Marginal Cost Society: The Internet of Things, the "
-"Collaborative Commons, and the Eclipse of Capitalism. New York: Palgrave "
+"Collaborative Commons, and the Eclipse of Capitalism. New York: Palgrave "
"Macmillan, 2014."
msgstr ""
"Rifkin, Jeremy. The Zero Marginal Cost Society: The Internet of Things, the "
"Collaborative Commons, and the Eclipse of Capitalism. Nueva York: Palgrave "
"Macmillan, 2014."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7616
+#. type: Content of: <book><chapter><para>
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msgid ""
"Rowe, Jonathan. Our Common Wealth. San Francisco: Berrett-Koehler, 2013."
msgstr ""
"Rowe, Jonathan. Our Common Wealth. San Francisco: Berrett-Koehler, 2013."
-#. type: Plain text
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msgid ""
"Rushkoff, Douglas. Throwing Rocks at the Google Bus: How Growth Became the "
"Enemy of Prosperity. New York: Portfolio, 2016."
"Rushkoff, Douglas. Throwing Rocks at the Google Bus: How Growth Became the "
"Enemy of Prosperity. Nueva York: Portfolio, 2016."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7622
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msgid ""
-"Sandel, Michael J. What Money Can’t Buy: The Moral Limits of Markets. New "
+"Sandel, Michael J. What Money Can’t Buy: The Moral Limits of Markets. New "
"York: Farrar, Straus and Giroux, 2012."
msgstr ""
"Sandel, Michael J. What Money Can’t Buy: The Moral Limits of Markets. Nueva "
"York: Farrar, Straus y Giroux, 2012."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7625
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msgid ""
"Shirky, Clay. Cognitive Surplus: How Technology Makes Consumers into "
"Collaborators. London, England: Penguin Books, 2010."
"Shirky, Clay. Cognitive Surplus: How Technology Makes Consumers into "
"Collaborators. Londres, Inglaterra: Penguin Books, 2010."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7628
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"Slee, Tom. What’s Yours Is Mine: Against the Sharing Economy. New York: OR "
"Books, 2015."
"Slee, Tom. What’s Yours Is Mine: Against the Sharing Economy. Nueva York: OR "
"Books, 2015."
-#. type: Plain text
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"Stephany, Alex. The Business of Sharing: Making in the New Sharing Economy. "
"New York: Palgrave Macmillan, 2015."
"Stephany, Alex. The Business of Sharing: Making in the New Sharing Economy. "
"Nueva York: Palgrave Macmillan, 2015."
-#. type: Plain text
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"Stepper, John. Working Out Loud: For a Better Career and Life. New York: "
"Ikigai Press, 2015."
"Stepper, John. Working Out Loud: For a Better Career and Life. Nueva York: "
"Ikigai Press, 2015."
-#. type: Plain text
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"Sull, Donald, and Kathleen M. Eisenhardt. Simple Rules: How to Thrive in a "
"Complex World. Boston: Houghton Mifflin Harcourt, 2015."
"Sull, Donald, y Kathleen M. Eisenhardt. Simple Rules: How to Thrive in a "
"Complex World. Boston: Houghton Mifflin Harcourt, 2015."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7640
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"Sundararajan, Arun. The Sharing Economy: The End of Employment and the Rise "
"of Crowd-Based Capitalism. Cambridge, MA: MIT Press, 2016."
"Sundararajan, Arun. The Sharing Economy: The End of Employment and the Rise "
"of Crowd-Based Capitalism. Cambridge, MA: MIT Press, 2016."
-#. type: Plain text
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msgid "Surowiecki, James. The Wisdom of Crowds. New York: Anchor Books, 2005."
msgstr ""
"Surowiecki, James. The Wisdom of Crowds. Nueva York: Anchor Books, 2005."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7646
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"Tapscott, Don, and Alex Tapscott. Blockchain Revolution: How the Technology "
-"Behind Bitcoin Is Changing Money, Business, and the World. Toronto: "
+"Behind Bitcoin Is Changing Money, Business, and the World. Toronto: "
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msgstr ""
"Tapscott, Don, y Alex Tapscott. Blockchain Revolution: How the Technology "
"Behind Bitcoin Is Changing Money, Business, and the World. Toronto: "
"Portfolio, 2016."
-#. type: Plain text
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"Tharp, Twyla. The Creative Habit: Learn It and Use It for Life. With Mark "
"Reiter. New York: Simon and Schuster, 2006."
"Tharp, Twyla. The Creative Habit: Learn It and Use It for Life. With Mark "
"Reiter. Nueva York: Simon y Schuster, 2006."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7652
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"Tkacz, Nathaniel. Wikipedia and the Politics of Openness. Chicago: "
"University of Chicago Press, 2015."
"Tkacz, Nathaniel. Wikipedia and the Politics of Openness. Chicago: "
"University of Chicago Press, 2015."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7658
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-"Van Abel, Bass, Lucas Evers, Roel Klaassen, and Peter Troxler, eds. Open "
+"Van Abel, Bass, Lucas Evers, Roel Klaassen, and Peter Troxler, eds. Open "
"Design Now: Why Design Cannot Remain Exclusive. Amsterdam: BIS Publishers, "
"with Creative Commons Netherlands; Premsela, the Netherlands Institute for "
-"Design and Fashion; and the Waag Society, 2011. opendesignnow.org (licensed "
-"under CC BY-NC-SA)."
+"Design and Fashion; and the Waag Society, 2011. <ulink url=\"http://"
+"opendesignnow.org\"/> (licensed under CC BY-NC-SA)."
msgstr ""
"Van Abel, Bass, Lucas Evers, Roel Klaassen, y Peter Troxler, eds. Open "
"Design Now: Why Design Cannot Remain Exclusive. Amsterdam: BIS Publishers, "
"con Creative Commons Netherlands; Premsela, el Netherlands Institute for "
-"Design and Fashion; y la Waag Society, 2011. opendesignnow.org (licenciado "
-"bajo CC BY-NC-SA)."
+"Design and Fashion; y la Waag Society, 2011. <ulink url=\"http://"
+"opendesignnow.org\"/> (licenciado bajo CC BY-NC-SA)."
-#. type: Plain text
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+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9744
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"Van den Hoff, Ronald. Mastering the Global Transition on Our Way to Society "
-"3.0. Utrecht, the Netherlands: Society 3.0 Foundation, 2014. society30.com/"
-"get-the-book/ (licensed under CC BY-NC-ND)."
+"3.0. Utrecht, the Netherlands: Society 3.0 Foundation, 2014. <ulink url="
+"\"http://society30.com/get-the-book/\"/> (licensed under CC BY-NC-ND)."
msgstr ""
"Van den Hoff, Ronald. Mastering the Global Transition on Our Way to Society "
-"3.0. Utrecht, the Netherlands: Society 3.0 Foundation, 2014. society30.com/"
-"get-the-book/ (licenciado bajo CC BY-NC-ND)."
+"3.0. Utrecht, the Netherlands: Society 3.0 Foundation, 2014. <ulink url="
+"\"http://society30.com/get-the-book/\"/> (licenciado bajo CC BY-NC-ND)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7665
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9750
msgid ""
-"Von Hippel, Eric. Democratizing Innovation. London: MIT Press, 2005. web."
-"mit.edu/evhippel/www/democ1.htm (licensed under CC BY-NC-ND)."
+"Von Hippel, Eric. Democratizing Innovation. London: MIT Press, 2005. <ulink "
+"url=\"http://web.mit.edu/evhippel/www/democ1.htm\"/> (licensed under CC BY-"
+"NC-ND)."
msgstr ""
-"Von Hippel, Eric. Democratizing Innovation. London: MIT Press, 2005. web."
-"mit.edu/evhippel/www/democ1.htm (licenciado bajo CC BY-NC-ND)."
+"Von Hippel, Eric. Democratizing Innovation. London: MIT Press, 2005. <ulink "
+"url=\"http://web.mit.edu/evhippel/www/democ1.htm\"/> (licenciado bajo CC BY-"
+"NC-ND)."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7668
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9755
msgid ""
"Whitehurst, Jim. The Open Organization: Igniting Passion and Performance. "
"Boston: Harvard Business Review Press, 2015."
"Whitehurst, Jim. The Open Organization: Igniting Passion and Performance. "
"Boston: Harvard Business Review Press, 2015."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7670
-msgid "## Acknowledgments"
-msgstr "## Agradecimientos"
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+msgid "Acknowledgments"
+msgstr "Agradecimientos"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7676
+#. type: Content of: <book><chapter><para>
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msgid ""
"We extend special thanks to Creative Commons CEO Ryan Merkley, the Creative "
"Commons Board, and all of our Creative Commons colleagues for "
"especial a la Fundación William and Flora Hewlett por el financiamiento "
"inicial que nos permitió empezar este proyecto."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7680
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9769
msgid ""
"Huge appreciation to all the Made with Creative Commons interviewees for "
-"sharing their stories with us. You make the commons come alive. Thanks for "
+"sharing their stories with us. You make the commons come alive. Thanks for "
"the inspiration."
msgstr ""
"Apreciamos enormemente a todos los entrevistados del libro Hecho con "
"Creative Commons por compartir sus historias con nosotros. Ustedes hacen que "
"los comunes tengan vida. Gracias por la inspiración."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7686
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9774
msgid ""
"We interviewed more than the twenty-four organizations profiled in this "
"book. We extend special thanks to Gooru, OERu, Sage Bionetworks, and Medium "
"animamos a nuestros lectores a que visiten sus sitios web y exploren su "
"trabajo."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7691
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9782
msgid ""
"This book was made possible by the generous support of 1,687 Kickstarter "
"backers listed below. We especially acknowledge our many Kickstarter co-"
"borradores de este trabajo y nos ofrecieron una retroalimentación "
"invaluable. Gracias de todo corazón a todos ustedes."
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:7738
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9788
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"Co-editor Kickstarter backers (alphabetically by first name): Abraham "
"Taherivand, Alan Graham, Alfredo Louro, Anatoly Volynets, Aurora Thornton, "
"Wayne Mackintosh, William Peter Nash, Winie Evers, Wolfgang Renninger, "
"Xavier Antoviaque, Yancey Strickler"
-#. type: Plain text
-#: MadewithCreativeCommonsmostup-to-dateversion.md:8091
+#. type: Content of: <book><chapter><para>
+#: MadewithCreativeCommonsmostup-to-dateversion.xml:9839
#, fuzzy
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-"All other Kickstarter backers (alphabetically by first name): A. Lee, Aaron "
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+#| "Ericsson, Andi Popp, André Bose Do Amaral, Andre Dickson, André Koot, "
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+#| "Nurnberger, Bernhard Seefeld, Beth Gis, Beth Tillinghast, Bethanye "
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+#| "Boutot, Bruno Girin, Bryan Mock, Bryant Durrell, Bryce Barbato, Buzz "
+#| "Technology Limited, Byung-Geun Jeon, C. Glen Williams, C. L. Couch, Cable "
+#| "Green, Callum Gare, Cameron Callahan, Cameron Colby Thomson, Cameron "
+#| "Mulder, Camille Bissuel / Nylnook, Candace Robertson, Carl Morris, Carl "
+#| "Perry, Carl Rigney, Carles Mateu, Carlos Correa Loyola, Carlos Solis, "
+#| "Carmen Garcia Wiedenhoeft, Carol Long, Carol marquardsen, Caroline "
+#| "Calomme, Caroline Mailloux, Carolyn Hinchliff, Carolyn Rude, Carrie "
+#| "Cousins, Carrie Watkins, Casey Hunt, Casey Milford, Casey Powell "
+#| "Shorthouse, Cat Cooper, Cecilie Maria, Cedric Howe, Cefn Hoile, "
+#| "@ShrimpingIt, Celia Muller, Ces Keller, Chad Anderson, Charles Butler, "
+#| "Charles Carstensen, Charles Chi Thoi Le, Charles Kobbe, Charles S. Tritt, "
+#| "Charles Stanhope, Charlotte Ong-Wisener, Chealsye Bowley, Chelle "
+#| "Destefano, Chenpang Chou, Cheryl Corte, Cheryl Todd, Chip Dickerson, Chip "
+#| "McIntosh, Chris Bannister, Chris Betcher, Chris Coleman, Chris Conway, "
+#| "Chris Foote (Spike), Chris Hurst, Chris Mitchell, Chris Muscat Azzopardi, "
+#| "Chris Niewiarowski, Chris Opperwall, Chris Stieha, Chris Thorne, Chris "
+#| "Weber, Chris Woolfrey, Chris Zabriskie, Christi Reid, Christian "
+#| "Holzberger, Christian Schubert, Christian Sheehy, Christian Thibault, "
+#| "Christian Villum, Christian Wachter, Christina Bennett, Christine Henry, "
+#| "Christine Rico, Christopher Burrows, Christopher Chan, Christopher Clay, "
+#| "Christopher Harris, Christopher Opiah, Christopher Swenson, Christos "
+#| "Keramitsis, Chuck Roslof, Chutika Udomsinn, Claire Wardle, Clare Forrest, "
+#| "Claudia Cristiani, Claudio Gallo, Claudio Ruiz, Clayton Dewey, Clement "
+#| "Delort, Cliff Church, Clint Lalonde, Clint O’Connor, Cody Allard, Cody "
+#| "Taylor, Colin Ayer, Colin Campbell, Colin Dean, Colin Mutchler, Colleen "
+#| "Cressman, Comfy Nomad, Connie Roberts, Connor Bär, Connor Merkley, "
+#| "Constantin Graf, Corbett Messa, Cory Chapman, Cosmic Wombat Games, Craig "
+#| "Engler, Craig Heath, Craig Maloney, Craig Thomler, Creative Commons "
+#| "Uruguay, Crina Kienle, Cristiano Gozzini, Curt McNamara, D C Petty, D. "
+#| "Moonfire, D. Rohhyn, D. Schulz, Dacian Herbei, Dagmar M. Meyer, Dan "
+#| "Mcalister, Dan Mohr, Dan Parson, Dana Freeman, Dana Ospina, Dani Leviss, "
+#| "Daniel Bustamante, Daniel Demmel, Daniel Dominguez, Daniel Dultz, Daniel "
+#| "Gallant, Daniel Kossmann, Daniel Kruse, Daniel Morado, Daniel Morgan, "
+#| "Daniel Pimley, Daniel Sabo, Daniel Sobey, Daniel Stein, Daniel Wildt, "
+#| "Daniele Prati, Danielle Moss, Danny Mendoza, Dario Taraborelli, Darius "
+#| "Irvin, Darius Whelan, Darla Anderson, Dasha Brezinova, Dave Ainscough, "
+#| "Dave Bull, Dave Crosby, Dave Eagle, Dave Moskovitz, Dave Neeteson, Dave "
+#| "Taillefer, Dave Witzel, David Bailey, David Cheung, David Eriksson, David "
+#| "Gallagher, David H. Bronke, David Hartley, David Hellam, David Hood, "
+#| "David Hunter, David jlaietta, David Lewis, David Mason, David Mcconville, "
+#| "David Mikula, David Nelson, David Orban, David Parry, David Spira, David "
+#| "T. Kindler, David Varnes, David Wiley, David Wormley, Deborah Nas, Denis "
+#| "Jean, dennis straub, Dennis Whittle, Denver Gingerich, Derek Slater, "
+#| "Devon Cooke, Diana Pasek-Atkinson, Diane Johnston Graves, Diane K. "
+#| "Kovacs, Diane Trout, Diderik van Wingerden, Diego Cuevas, Diego De La "
+#| "Cruz, Dimitrie Grigorescu, Dina Marie Rodriguez, Dinah Fabela, Dirk Haun, "
+#| "Dirk Kiefer, Dirk Loop, DJ Fusion - FuseBox Radio Broadcast, Dom "
+#| "jurkewitz, Dom Lane, Domi Enders, Domingo Gallardo, Dominic de Haas, "
+#| "Dominique Karadjian, Dongpo Deng, Donnovan Knight, Door de Flines, Doug "
+#| "Fitzpatrick, Doug Hoover, Douglas Craver, Douglas Van Camp, Douglas Van "
+#| "Houweling, Dr. Braddlee, Drew Spencer, Duncan Sample, Durand D’souza, "
+#| "Dylan Field, E C Humphries, Eamon Caddigan, Earleen Smith, Eden Sarid, "
+#| "Eden Spodek, Eduardo Belinchon, Eduardo Castro, Edwin Vandam, Einar "
+#| "Joergensen, Ejnar Brendsdal, Elad Wieder, Elar Haljas, Elena Valhalla, "
+#| "Eli Doran, Elias Bouchi, Elie Calhoun, Elizabeth Holloway, Ellen Buecher, "
+#| "Ellen Kaye- Cheveldayoff, Elli Verhulst, Elroy Fernandes, Emery Hurst "
+#| "Mikel, Emily Catedral, Enrique Mandujano R., Eric Astor, Eric Axelrod, "
+#| "Eric Celeste, Eric Finkenbiner, Eric Hellman, Eric Steuer, Erica "
+#| "Fletcher, Erik Hedman, Erik Lindholm Bundgaard, Erika Reid, Erin Hawley, "
+#| "Erin McKean of Wordnik, Ernest Risner, Erwan Bousse, Erwin Bell, Ethan "
+#| "Celery, Étienne Gilli, Eugeen Sablin, Evan Tangman, Evonne Okafor, Evtim "
+#| "Papushev, Fabien Cambi, Fabio Natali, Fauxton Software, Felix Deierlein, "
+#| "Felix Gebauer, Felix Maximiliano Obes, Felix Schmidt, Felix Zephyr Hsiao, "
+#| "Ferdies Food Lab, Fernand Deschambault, Filipe Rodrigues, Filippo Toso, "
+#| "Fiona MacAlister, fiona.mac.uk, Floor Scheffer, Florent Darrault, Florian "
+#| "Hähnel, Florian Schneider, Floyd Wilde, Foxtrot Games, Francis Clarke, "
+#| "Francisco Rivas-Portillo, Francois Dechery, Francois Grey, François Gros, "
+#| "François Pelletier, Fred Benenson, Frédéric Abella, Frédéric Schütz, "
+#| "Fredrik Ekelund, Fumi Yamazaki, Gabor Sooki-Toth, Gabriel Staples, "
+#| "Gabriel Véjar Valenzuela, Gal Buki, Gareth Jordan, Garrett Heath, Gary "
+#| "Anson, Gary Forster, Gatien de Broucker, Gaurav Kapil, Gauthier de "
+#| "Valensart, Gavin Gray, Gavin Romig-Koch, Geoff Wood, Geoffrey Lehr, "
+#| "George Baier IV, George De Bruin, George Lawie, George Strakhov, Gerard "
+#| "Gorman, Geronimo de la Lama, Gianpaolo Rando, Gil Stendig, Gino Cingolani "
+#| "Trucco, Giovanna Sala, Glen Moffat, Glenn D. Jones, Glenn Otis Brown, "
+#| "Global Lives Project, Gorm Lai, Govindarajan Umakanthan, Graham Bird, "
+#| "Graham Freeman, Graham Heath, Graham Jones, Graham Smith-Gordon, Graham "
+#| "Vowles, Greg Brodsky, Greg Malone, Grégoire Detrez, Gregory Chevalley, "
+#| "Gregory Flynn, Grit Matthias, Gui Louback, Guillaume Rischard, Gustavo "
+#| "Vaz de Carvalho Gonçalves, Gustin Johnson, Gwen Franck, Gwilym Lucas, "
+#| "Haggen So, Håkon T Sønderland, Hamid Larbi, Hamish MacEwan, Hannes Leo, "
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+#| "Brest, Irwin Madriaga, Isaac Sandaljian, Isaiah Tanenbaum, Ivan F. "
+#| "Villanueva B., J P Cleverdon, Jaakko Tammela Jr, Jacek Darken "
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+#| "Marco Montanari, Marco Morales, Marcos Medionegro, Marcus Bitzl, Marcus "
+#| "Norrgren, Margaret Gary, Mari Moreshead, Maria Liberman, Marielle Hsu, "
+#| "Marino Hernandez, Mario Lurig, Mario R. Hemsley, MD, Marissa Demers, Mark "
+#| "Chandler, Mark Cohen, Mark De Solla Price, Mark Gabby, Mark Gray, Mark "
+#| "Koudritsky, Mark Kupfer, Mark Lednor, Mark McGuire, Mark Moleda, Mark "
+#| "Mullen, Mark Murphy, Mark Perot, Mark Reeder, Mark Spickett, Mark Vincent "
+#| "Adams, Mark Waks, Mark Zuccarell II, Markus Deimann, Markus Jaritz, "
+#| "Markus Luethi, Marshal Miller, Marshall Warner, Martijn Arets, Martin "
+#| "Beaudoin, Martin Decky, Martin DeMello, Martin Humpolec, Martin Mayr, "
+#| "Martin Peck, Martin Sanchez, Martino Loco, Martti Remmelgas, Martyn "
+#| "Eggleton, Martyn Lewis, Mary Ellen Davis, Mary Heacock, Mary Hess, Mary "
+#| "Mi, Masahiro Takagi, Mason Du, Massimo V.A. Manzari, Mathias Bavay, "
+#| "Mathias Nicolajsen Kjærgaard, Matias Kruk, Matija Nalis, Matt Alcock, "
+#| "Matt Black, Matt Broach, Matt Hall, Matt Haughey, Matt Lee, Matt Plec, "
+#| "Matt Skoss, Matt Thompson, Matt Vance, Matt Wagstaff, Matteo Cocco, "
+#| "Matthew Bendert, Matthew Bergholt, Matthew Darlison, Matthew Epler, "
+#| "Matthew Hawken, Matthew Heimbecker, Matthew Orstad, Matthew Peterworth, "
+#| "Matthew Sheehy, Matthew Tucker, Adaptive Handy Apps, LLC, Mattias Axell, "
+#| "Max Green, Max Kossatz, Max lupo, Max Temkin, Max van Balgooy, Médéric "
+#| "Droz-dit-Busset, Megan Ingle, Megan Wacha, Meghan Finlayson, Melissa Aho, "
+#| "Melissa Sterry, Melle Funambuline, Menachem Goldstein, Micah Bridges, "
+#| "Michael Ailberto, Michael Anderson, Michael Andersson Skane, Michael C. "
+#| "Stewart, Michael Carroll, Michael Cavette, Michael Crees, Michael David "
+#| "Johas Teener, Michael Dennis Moore, Michael Freundt Karlsen, Michael "
+#| "Harries, Michael Hawel, Michael Lewis, Michael May, Michael Murphy, "
+#| "Michael Murvine, Michael Perkins, Michael Sauers, Michael St.Onge, "
+#| "Michael Stanford, Michael Stanley, Michael Underwood, Michael Weiss, "
+#| "Michael Wright, Michael-Andreas Kuttner, Michaela Voigt, Michal Rosenn, "
+#| "Michał Szymański, Michel Gallez, Michell Zappa, Michelle Heeyeon You, "
+#| "Miha Batic, Mik Ishmael, Mikael Andersson, Mike Chelen, Mike Habicher, "
+#| "Mike Maloney, Mike Masnick, Mike McDaniel, Mike Pouraryan, Mike Sheldon, "
+#| "Mike Stop Continues, Mike Stringer, Mike Wittenstein, Mikkel Ovesen, "
+#| "Mikołaj Podlaszewski, Millie Gonzalez, Mindi Lovell, Mindy Lin, Mirko "
+#| "“Macro” Fichtner, Mitch Featherston, Mitchell Adams, Molika Oum, Molly "
+#| "Shaffer Van Houweling, Monica Mora, Morgan Loomis, Moritz Schubert, Mrs. "
+#| "Paganini, Mushin Schilling, Mustafa K Calik, MD, Myk Pilgrim, Myra "
+#| "Harmer, Nadine Forget-Dubois, Nagle Industries, LLC, Nah Wee Yang, "
+#| "Natalie Brown, Natalie Freed, Nathan D Howell, Nathan Massey, Nathan "
+#| "Miller, Neal Gorenflo, Neal McBurnett, Neal Stimler, Neil Wilson, Nele "
+#| "Wollert, Neuchee Chang, Niall McDonagh, Niall Twohig, Nic McPhee, "
+#| "Nicholas Bentley, Nicholas Koran, Nicholas Norfolk, Nicholas Potter, Nick "
+#| "Bell, Nick Coghlan, Nick Isaacs, Nick M. Daly, Nick Vance, Nickolay "
+#| "Vedernikov, Nicky Weaver-Weinberg, Nico Prin, Nicolas Weidinger, Nicole "
+#| "Hickman, Niek Theunissen, Nigel Robertson, Nikki Thompson, Nikko Marie, "
+#| "Nikola Chernev, Nils Lavesson, Noah Blumenson-Cook, Noah Fang, Noah "
+#| "Kardos-Fein, Noah Meyerhans, Noel Hanigan, Noel Hart, Norrie Mailer, O.P. "
+#| "Gobée, Ohad Mayblum, Olivia Wilson, Olivier De Doncker, Olivier "
+#| "Schulbaum, Olle Ahnve, Omar Kaminski, Omar Willey, OpenBuilds, Ove "
+#| "Ødegård, Øystein Kjærnet, Pablo López Soriano, Pablo Vasquez, Pacific "
+#| "Design, Paige Mackay, Papp István Péter, Paris Marx, Parker Higgins, "
+#| "Pasquale Borriello, Pat Allan, Pat Hawks, Pat Ludwig, Pat Sticks, "
+#| "Patricia Brennan, Patricia Rosnel, Patricia Wolf, Patrick Berry, Patrick "
+#| "Beseda, Patrick Hurley, Patrick M. Lozeau, Patrick McCabe, Patrick "
+#| "Nafarrete, Patrick Tanguay, Patrick von Hauff, Patrik Kernstock, Patti J "
+#| "Ryan, Paul A Golder, Paul and Iris Brest, Paul Bailey, Paul Bryan, Paul "
+#| "Bunkham, Paul Elosegui, Paul Hibbitts, Paul Jacobson, Paul Keller, Paul "
+#| "Rowe, Paul Timpson, Paul Walker, Pavel Dostál, Peeter Sällström Randsalu, "
+#| "Peggy Frith, Pen-Yuan Hsing, Penny Pearson, Per Åström, Perry Jetter, "
+#| "Péter Fankhauser, Peter Hirtle, Peter Humphries, Peter Jenkins, Peter "
+#| "Langmar, Peter le Roux, Peter Marinari, Peter Mengelers, Peter O’Brien, "
+#| "Peter Pinch, Peter S. Crosby, Peter Wells, Petr Fristedt, Petr Viktorin, "
+#| "Petronella Jeurissen, Phil Flickinger, Philip Chung, Philip Pangrac, "
+#| "Philip R. Skaggs Jr., Philip Young, Philippa Lorne Channer, Philippe "
+#| "Vandenbroeck, Pierluigi Luisi, Pierre Suter, Pieter-Jan Pauwels, "
+#| "Playground Inc., Pomax, Popenoe, Pouhiou Noenaute, Prilutskiy Kirill, "
+#| "Print3Dreams Ltd., Quentin Coispeau, R. Smith, Race DiLoreto, Rachel "
+#| "Mercer, Rafael Scapin, Rafaela Kunz, Rain Doggerel, Raine Lourie, Rajiv "
+#| "Jhangiani, Ralph Chapoteau, Randall Kirby, Randy Brians, Raphaël "
+#| "Alexandre, Raphaël Schröder, Rasmus Jensen, Rayn Drahps, Rayna "
+#| "Stamboliyska, Rebecca Godar, Rebecca Lendl, Rebecca Weir, Regina Tschud, "
+#| "Remi Dino, Ric Herrero, Rich McCue, Richard “TalkToMeGuy” Olson, Richard "
+#| "Best, Richard Blumberg, Richard Fannon, Richard Heying, Richard Karnesky, "
+#| "Richard Kelly, Richard Littauer, Richard Sobey, Richard White, Richard "
+#| "Winchell, Rik ToeWater, Rita Lewis, Rita Wood, Riyadh Al Balushi, Rob "
+#| "Balder, Rob Berkley, Rob Bertholf, Rob Emanuele, Rob McAuliffe, Rob "
+#| "McKaughan, Rob Tillie, Rob Utter, Rob Vincent, Robert Gaffney, Robert "
+#| "Jones, Robert Kelly, Robert Lawlis, Robert McDonald, Robert Orzanna, "
+#| "Robert Paterson Hunter, Robert R. Daniel Jr., Robert Ryan-Silva, Robert "
+#| "Thompson, Robert Wagoner, Roberto Selvaggio, Robin DeRosa, Robin Rist "
+#| "Kildal, Rodrigo Castilhos, Roger Bacon, Roger Saner, Roger So, Roger "
+#| "Solé, Roger Tregear, Roland Tanglao, Rolf and Mari von Walthausen, Rolf "
+#| "Egstad, Rolf Schaller, Ron Zuijlen, Ronald Bissell, Ronald van den Hoff, "
+#| "Ronda Snow, Rory Landon Aronson, Ross Findlay, Ross Pruden, Ross "
+#| "Williams, Rowan Skewes, Roy Ivy III, Ruben Flores, Rupert Hitzenberger, "
+#| "Rusi Popov, Russ Antonucci, Russ Spollin, Russell Brand, Rute Correia, "
+#| "Ruth Ann Carpenter, Ruth White, Ryan Mentock, Ryan Merkley, Ryan Price, "
+#| "Ryan Sasaki, Ryan Singer, Ryan Voisin, Ryan Weir, S Searle, Salem Bin "
+#| "Kenaid, Salomon Riedo, Sam Hokin, Sam Twidale, Samantha Levin, Samantha-"
+#| "Jayne Chapman, Samarth Agarwal, Sami Al-AbdRabbuh, Samuel A. Rebelsky, "
+#| "Samuel Goëta, Samuel Hauser, Samuel Landete, Samuel Oliveira Cersosimo, "
+#| "Samuel Tait, Sandra Fauconnier, Sandra Markus, Sandy Bjar, Sandy ONeil, "
+#| "Sang-Phil Ju, Sanjay Basu, Santiago Garcia, Sara Armstrong, Sara Lucca, "
+#| "Sara Rodriguez Marin, Sarah Brand, Sarah Cove, Sarah Curran, Sarah Gold, "
+#| "Sarah McGovern, Sarah Smith, Sarinee Achavanuntakul, Sasha Moss, Sasha "
+#| "VanHoven, Saul Gasca, Scott Abbott, Scott Akerman, Scott Beattie, Scott "
+#| "Bruinooge, Scott Conroy, Scott Gillespie, Scott Williams, Sean Anderson, "
+#| "Sean Johnson, Sean Lim, Sean Wickett, Seb Schmoller, Sebastiaan Bekker, "
+#| "Sebastiaan ter Burg, Sebastian Makowiecki, Sebastian Meyer, Sebastian "
+#| "Schweizer, Sebastian Sigloch, Sebastien Huchet, Seokwon Yang, Sergey "
+#| "Chernyshev, Sergey Storchay, Sergio Cardoso, Seth Drebitko, Seth Gover, "
+#| "Seth Lepore, Shannon Turner, Sharon Clapp, Shauna Redmond, Shawn Gaston, "
+#| "Shawn Martin, Shay Knohl, Shelby Hatfield, Sheldon (Vila) Widuch, Sheona "
+#| "Thomson, Si Jie, Sicco van Sas, Siena Oristaglio, Simon Glover, Simon "
+#| "John King, Simon Klose, Simon Law, Simon Linder, Simon Moffitt, Solomon "
+#| "Kahn, Solomon Simon, Soujanna Sarkar, Stanislav Trifonov, Stefan Dumont, "
+#| "Stefan Jansson, Stefan Langer, Stefan Lindblad, Stefano Guidotti, Stefano "
+#| "Luzardi, Stephan Meißl, Stéphane Wojewoda, Stephanie Pereira, Stephen "
+#| "Gates, Stephen Murphey, Stephen Pearce, Stephen Rose, Stephen Suen, "
+#| "Stephen Walli, Stevan Matheson, Steve Battle, Steve Fisches, Steve "
+#| "Fitzhugh, Steve Guen-gerich, Steve Ingram, Steve Kroy, Steve Midgley, "
+#| "Steve Rhine, Steven Kasprzyk, Steven Knudsen, Steven Melvin, Stig-Jørund "
+#| "B. Ö. Arnesen, Stuart Drewer, Stuart Maxwell, Stuart Reich, Subhendu "
+#| "Ghosh, Sujal Shah, Sune Bøegh, Susan Chun, Susan R Grossman, Suzie Wiley, "
+#| "Sven Fielitz, Swan/Starts, Sylvain Carle, Sylvain Chery, Sylvia Green, "
+#| "Sylvia van Bruggen, Szabolcs Berecz, T. L. Mason, Tanbir Baeg, Tanya "
+#| "Hart, Tara Tiger Brown, Tara Westover, Tarmo Toikkanen, Tasha Turner "
+#| "Lennhoff, Tathagat Varma, Ted Timmons, Tej Dhawan, Teresa Gonczy, Terry "
+#| "Hook, Theis Madsen, Theo M. Scholl, Theresa Bernardo, Thibault Badenas, "
+#| "Thomas Bacig, Thomas Boehnlein, Thomas Bøvith, Thomas Chang, Thomas "
+#| "Hartman, Thomas Kent, Thomas Morgan, Thomas Philipp-Edmonds, Thomas "
+#| "Thrush, Thomas Werkmeister, Tieg Zaharia, Tieu Thuy Nguyen, Tim Chambers, "
+#| "Tim Cook, Tim Evers, Tim Nichols, Tim Stahmer, Timothée Planté, Timothy "
+#| "Arfsten, Timothy Hinchliff, Timothy Vollmer, Tina Coffman, Tisza Gergő, "
+#| "Tobias Schonwetter, Todd Brown, Todd Pousley, Todd Sattersten, Tom "
+#| "Bamford, Tom Caswell, Tom Goren, Tom Kent, Tom MacWright, Tom Maillioux, "
+#| "Tom Merkli, Tom Merritt, Tom Myers, Tom Olijhoek, Tom Rubin, Tommaso De "
+#| "Benetti, Tommy Dahlen, Tony Ciak, Tony Nwachukwu, Torsten Skomp, Tracey "
+#| "Depellegrin, Tracey Henton, Tracey James, Traci Long DeForge, Trent "
+#| "Yarwood, Trevor Hogue, Trey Blalock, Trey Hunner, Tryggvi Björgvinsson, "
+#| "Tumuult, Tushar Roy, Tyler Occhiogrosso, Udo Blenkhorn, Uri Sivan, Vanja "
+#| "Bobas, Vantharith Oum, Vaughan jenkins, Veethika Mishra, Vic King, Vickie "
+#| "Goode, Victor DePina, Victor Grigas, Victoria Klassen, Victorien "
+#| "Elvinger, VIGA Manufacture, Vikas Shah, Vinayak S.Kaujalgi, Vincent "
+#| "O’Leary, Violette Paquet, Virginia Gentilini, Virginia Kopelman, Vitor "
+#| "Menezes, Vivian Marthell, Wayne Mackintosh, Wendy Keenan, Werner "
+#| "Wiethege, Wesley Derbyshire, Widar Hellwig, Willa Köerner, William "
+#| "Bettridge-Radford, William Jefferson, William Marshall, William Peter "
+#| "Nash, William Ray, William Robins, Willow Rosenberg, Winie Evers, "
+#| "Wolfgang Renninger, Xavier Antoviaque, Xavier Hugonet, Xavier Moisant, "
+#| "Xueqi Li, Yancey Strickler, Yann Heurtaux, Yasmine Hajjar, Yu-Hsian Sun, "
+#| "Yves Deruisseau, Zach Chandler, Zak Zebrowski, Zane Amiralis and Joshua "
+#| "de Haan, ZeMarmot Open Movie"
+msgid ""
+"All other Kickstarter backers (alphabetically by first name): A. Lee, Aaron "
"C. Rathbun, Aaron Stubbs, Aaron Suggs, Abdul Razak Manaf, Abraham "
"Taherivand, Adam Croom, Adam Finer, Adam Hansen, Adam Morris, Adam Procter, "
"Adam Quirk, Adam Rory Porter, Adam Simmons, Adam Tinworth, Adam Zimmerman, "
"Alexander Brunner, Alexander Eliesen, Alexander Hawson, Alexander Klar, "
"Alexander Neumann, Alexander Plaum, Alexander Wendland, Alexandre "
"Rafalovitch, Alexey Volkow, Alexi Wheeler, Alexis Sevault, Alfredo Louro, "
-"Ali Sternburg, Alicia Gibb & Lunchbox Electronics, Alison Link, Alison "
+"Ali Sternburg, Alicia Gibb & Lunchbox Electronics, Alison Link, Alison "
"Pentecost, Alistair Boettiger, Alistair Walder, Alix Bernier, Allan "
"Callaghan, Allen Riddell, Allison Breland Crotwell, Allison Jane Smith, "
"Álvaro Justen, Amanda Palmer, Amanda Wetherhold, Amit Bagree, Amit Tikare, "
"Woods, Angela Brett, Angeliki Kapoglou, Angus Keenan, Anne-Marie Scott, "
"Antero Garcia, Antoine Authier, Antoine Michard, Anton Kurkin, Anton "
"Porsche, Antònia Folguera, António Ornelas, Antonis Triantafyllakis, aois21 "
-"publishing, April Johnson, Aria F. Chernik, Ariane Allan, Ariel Katz, "
+"publishing, April Johnson, Aria F. Chernik, Ariane Allan, Ariel Katz, "
"Arithmomaniac, Arnaud Tessier, Arnim Sommer, Ashima Bawa, Ashley Elsdon, "
"Athanassios Diacakis, Aurora Thornton, Aurore Chavet Henry, Austin "
"Hartzheim, Austin Tolentino, Avner Shanan, Axel Pettersson, Axel "
"Carolyn Rude, Carrie Cousins, Carrie Watkins, Casey Hunt, Casey Milford, "
"Casey Powell Shorthouse, Cat Cooper, Cecilie Maria, Cedric Howe, Cefn Hoile, "
"@ShrimpingIt, Celia Muller, Ces Keller, Chad Anderson, Charles Butler, "
-"Charles Carstensen, Charles Chi Thoi Le, Charles Kobbe, Charles S. Tritt, "
+"Charles Carstensen, Charles Chi Thoi Le, Charles Kobbe, Charles S. Tritt, "
"Charles Stanhope, Charlotte Ong-Wisener, Chealsye Bowley, Chelle Destefano, "
"Chenpang Chou, Cheryl Corte, Cheryl Todd, Chip Dickerson, Chip McIntosh, "
"Chris Bannister, Chris Betcher, Chris Coleman, Chris Conway, Chris Foote "
"Eriksson, David Gallagher, David H. Bronke, David Hartley, David Hellam, "
"David Hood, David Hunter, David jlaietta, David Lewis, David Mason, David "
"Mcconville, David Mikula, David Nelson, David Orban, David Parry, David "
-"Spira, David T. Kindler, David Varnes, David Wiley, David Wormley, Deborah "
+"Spira, David T. Kindler, David Varnes, David Wiley, David Wormley, Deborah "
"Nas, Denis Jean, dennis straub, Dennis Whittle, Denver Gingerich, Derek "
"Slater, Devon Cooke, Diana Pasek-Atkinson, Diane Johnston Graves, Diane K. "
"Kovacs, Diane Trout, Diderik van Wingerden, Diego Cuevas, Diego De La Cruz, "
"Kiefer, Dirk Loop, DJ Fusion - FuseBox Radio Broadcast, Dom jurkewitz, Dom "
"Lane, Domi Enders, Domingo Gallardo, Dominic de Haas, Dominique Karadjian, "
"Dongpo Deng, Donnovan Knight, Door de Flines, Doug Fitzpatrick, Doug Hoover, "
-"Douglas Craver, Douglas Van Camp, Douglas Van Houweling, Dr. Braddlee, Drew "
+"Douglas Craver, Douglas Van Camp, Douglas Van Houweling, Dr. Braddlee, Drew "
"Spencer, Duncan Sample, Durand D’souza, Dylan Field, E C Humphries, Eamon "
"Caddigan, Earleen Smith, Eden Sarid, Eden Spodek, Eduardo Belinchon, Eduardo "
"Castro, Edwin Vandam, Einar Joergensen, Ejnar Brendsdal, Elad Wieder, Elar "
"Valensart, Gavin Gray, Gavin Romig-Koch, Geoff Wood, Geoffrey Lehr, George "
"Baier IV, George De Bruin, George Lawie, George Strakhov, Gerard Gorman, "
"Geronimo de la Lama, Gianpaolo Rando, Gil Stendig, Gino Cingolani Trucco, "
-"Giovanna Sala, Glen Moffat, Glenn D. Jones, Glenn Otis Brown, Global Lives "
+"Giovanna Sala, Glen Moffat, Glenn D. Jones, Glenn Otis Brown, Global Lives "
"Project, Gorm Lai, Govindarajan Umakanthan, Graham Bird, Graham Freeman, "
"Graham Heath, Graham Jones, Graham Smith-Gordon, Graham Vowles, Greg "
"Brodsky, Greg Malone, Grégoire Detrez, Gregory Chevalley, Gregory Flynn, "
"Newman, Judy Tuan, Jukka Hellén, Julia Benson-Slaughter, Julia Devonshire, "
"Julian Fietkau, Julie Harboe, Julien Brossoit, Julien Leroy, Juliet Chen, "
"Julio Terra, Julius Mikkelä, Justin Christian, Justin Grimes, Justin Jones, "
-"Justin Szlasa, Justin Walsh, JustinChung.com, K. J. Przybylski, Kaloyan "
+"Justin Szlasa, Justin Walsh, JustinChung.com, K. J. Przybylski, Kaloyan "
"Raev, Kamil Śliwowski, Kaniska Padhi, Kara Malenfant, Kara Monroe, Karen Pe, "
"Karl Jahn, Karl Jonsson, Karl Nelson, Kasia Zygmuntowicz, Kat Lim, Kate "
"Chapman, Kate Stewart, Kathleen Beck, Kathleen Hanrahan, Kathryn Abuzzahab, "
"Chelen, Mike Habicher, Mike Maloney, Mike Masnick, Mike McDaniel, Mike "
"Pouraryan, Mike Sheldon, Mike Stop Continues, Mike Stringer, Mike "
"Wittenstein, Mikkel Ovesen, Mikołaj Podlaszewski, Millie Gonzalez, Mindi "
-"Lovell, Mindy Lin, Mirko “Macro” Fichtner, Mitch Featherston, Mitchell "
-"Adams, Molika Oum, Molly Shaffer Van Houweling, Monica Mora, Morgan Loomis, "
-"Moritz Schubert, Mrs. Paganini, Mushin Schilling, Mustafa K Calik, MD, Myk "
-"Pilgrim, Myra Harmer, Nadine Forget-Dubois, Nagle Industries, LLC, Nah Wee "
-"Yang, Natalie Brown, Natalie Freed, Nathan D Howell, Nathan Massey, Nathan "
-"Miller, Neal Gorenflo, Neal McBurnett, Neal Stimler, Neil Wilson, Nele "
-"Wollert, Neuchee Chang, Niall McDonagh, Niall Twohig, Nic McPhee, Nicholas "
-"Bentley, Nicholas Koran, Nicholas Norfolk, Nicholas Potter, Nick Bell, Nick "
-"Coghlan, Nick Isaacs, Nick M. Daly, Nick Vance, Nickolay Vedernikov, Nicky "
-"Weaver-Weinberg, Nico Prin, Nicolas Weidinger, Nicole Hickman, Niek "
-"Theunissen, Nigel Robertson, Nikki Thompson, Nikko Marie, Nikola Chernev, "
-"Nils Lavesson, Noah Blumenson-Cook, Noah Fang, Noah Kardos-Fein, Noah "
-"Meyerhans, Noel Hanigan, Noel Hart, Norrie Mailer, O.P. Gobée, Ohad Mayblum, "
-"Olivia Wilson, Olivier De Doncker, Olivier Schulbaum, Olle Ahnve, Omar "
-"Kaminski, Omar Willey, OpenBuilds, Ove Ødegård, Øystein Kjærnet, Pablo López "
-"Soriano, Pablo Vasquez, Pacific Design, Paige Mackay, Papp István Péter, "
-"Paris Marx, Parker Higgins, Pasquale Borriello, Pat Allan, Pat Hawks, Pat "
-"Ludwig, Pat Sticks, Patricia Brennan, Patricia Rosnel, Patricia Wolf, "
-"Patrick Berry, Patrick Beseda, Patrick Hurley, Patrick M. Lozeau, Patrick "
-"McCabe, Patrick Nafarrete, Patrick Tanguay, Patrick von Hauff, Patrik "
-"Kernstock, Patti J Ryan, Paul A Golder, Paul and Iris Brest, Paul Bailey, "
-"Paul Bryan, Paul Bunkham, Paul Elosegui, Paul Hibbitts, Paul Jacobson, Paul "
-"Keller, Paul Rowe, Paul Timpson, Paul Walker, Pavel Dostál, Peeter Sällström "
-"Randsalu, Peggy Frith, Pen-Yuan Hsing, Penny Pearson, Per Åström, Perry "
-"Jetter, Péter Fankhauser, Peter Hirtle, Peter Humphries, Peter Jenkins, "
-"Peter Langmar, Peter le Roux, Peter Marinari, Peter Mengelers, Peter "
-"O’Brien, Peter Pinch, Peter S. Crosby, Peter Wells, Petr Fristedt, Petr "
-"Viktorin, Petronella Jeurissen, Phil Flickinger, Philip Chung, Philip "
+"Lovell, Mindy Lin, Mirko <quote>Macro</quote> Fichtner, Mitch Featherston, "
+"Mitchell Adams, Molika Oum, Molly Shaffer Van Houweling, Monica Mora, Morgan "
+"Loomis, Moritz Schubert, Mrs. Paganini, Mushin Schilling, Mustafa K Calik, "
+"MD, Myk Pilgrim, Myra Harmer, Nadine Forget-Dubois, Nagle Industries, LLC, "
+"Nah Wee Yang, Natalie Brown, Natalie Freed, Nathan D Howell, Nathan Massey, "
+"Nathan Miller, Neal Gorenflo, Neal McBurnett, Neal Stimler, Neil Wilson, "
+"Nele Wollert, Neuchee Chang, Niall McDonagh, Niall Twohig, Nic McPhee, "
+"Nicholas Bentley, Nicholas Koran, Nicholas Norfolk, Nicholas Potter, Nick "
+"Bell, Nick Coghlan, Nick Isaacs, Nick M. Daly, Nick Vance, Nickolay "
+"Vedernikov, Nicky Weaver-Weinberg, Nico Prin, Nicolas Weidinger, Nicole "
+"Hickman, Niek Theunissen, Nigel Robertson, Nikki Thompson, Nikko Marie, "
+"Nikola Chernev, Nils Lavesson, Noah Blumenson-Cook, Noah Fang, Noah Kardos-"
+"Fein, Noah Meyerhans, Noel Hanigan, Noel Hart, Norrie Mailer, O.P. Gobée, "
+"Ohad Mayblum, Olivia Wilson, Olivier De Doncker, Olivier Schulbaum, Olle "
+"Ahnve, Omar Kaminski, Omar Willey, OpenBuilds, Ove Ødegård, Øystein Kjærnet, "
+"Pablo López Soriano, Pablo Vasquez, Pacific Design, Paige Mackay, Papp "
+"István Péter, Paris Marx, Parker Higgins, Pasquale Borriello, Pat Allan, Pat "
+"Hawks, Pat Ludwig, Pat Sticks, Patricia Brennan, Patricia Rosnel, Patricia "
+"Wolf, Patrick Berry, Patrick Beseda, Patrick Hurley, Patrick M. Lozeau, "
+"Patrick McCabe, Patrick Nafarrete, Patrick Tanguay, Patrick von Hauff, "
+"Patrik Kernstock, Patti J Ryan, Paul A Golder, Paul and Iris Brest, Paul "
+"Bailey, Paul Bryan, Paul Bunkham, Paul Elosegui, Paul Hibbitts, Paul "
+"Jacobson, Paul Keller, Paul Rowe, Paul Timpson, Paul Walker, Pavel Dostál, "
+"Peeter Sällström Randsalu, Peggy Frith, Pen-Yuan Hsing, Penny Pearson, Per "
+"Åström, Perry Jetter, Péter Fankhauser, Peter Hirtle, Peter Humphries, Peter "
+"Jenkins, Peter Langmar, Peter le Roux, Peter Marinari, Peter Mengelers, "
+"Peter O’Brien, Peter Pinch, Peter S. Crosby, Peter Wells, Petr Fristedt, "
+"Petr Viktorin, Petronella Jeurissen, Phil Flickinger, Philip Chung, Philip "
"Pangrac, Philip R. Skaggs Jr., Philip Young, Philippa Lorne Channer, "
"Philippe Vandenbroeck, Pierluigi Luisi, Pierre Suter, Pieter-Jan Pauwels, "
"Playground Inc., Pomax, Popenoe, Pouhiou Noenaute, Prilutskiy Kirill, "
"Ralph Chapoteau, Randall Kirby, Randy Brians, Raphaël Alexandre, Raphaël "
"Schröder, Rasmus Jensen, Rayn Drahps, Rayna Stamboliyska, Rebecca Godar, "
"Rebecca Lendl, Rebecca Weir, Regina Tschud, Remi Dino, Ric Herrero, Rich "
-"McCue, Richard “TalkToMeGuy” Olson, Richard Best, Richard Blumberg, Richard "
-"Fannon, Richard Heying, Richard Karnesky, Richard Kelly, Richard Littauer, "
-"Richard Sobey, Richard White, Richard Winchell, Rik ToeWater, Rita Lewis, "
-"Rita Wood, Riyadh Al Balushi, Rob Balder, Rob Berkley, Rob Bertholf, Rob "
-"Emanuele, Rob McAuliffe, Rob McKaughan, Rob Tillie, Rob Utter, Rob Vincent, "
-"Robert Gaffney, Robert Jones, Robert Kelly, Robert Lawlis, Robert McDonald, "
-"Robert Orzanna, Robert Paterson Hunter, Robert R. Daniel Jr., Robert Ryan-"
-"Silva, Robert Thompson, Robert Wagoner, Roberto Selvaggio, Robin DeRosa, "
-"Robin Rist Kildal, Rodrigo Castilhos, Roger Bacon, Roger Saner, Roger So, "
-"Roger Solé, Roger Tregear, Roland Tanglao, Rolf and Mari von Walthausen, "
-"Rolf Egstad, Rolf Schaller, Ron Zuijlen, Ronald Bissell, Ronald van den "
-"Hoff, Ronda Snow, Rory Landon Aronson, Ross Findlay, Ross Pruden, Ross "
-"Williams, Rowan Skewes, Roy Ivy III, Ruben Flores, Rupert Hitzenberger, Rusi "
-"Popov, Russ Antonucci, Russ Spollin, Russell Brand, Rute Correia, Ruth Ann "
-"Carpenter, Ruth White, Ryan Mentock, Ryan Merkley, Ryan Price, Ryan Sasaki, "
-"Ryan Singer, Ryan Voisin, Ryan Weir, S Searle, Salem Bin Kenaid, Salomon "
-"Riedo, Sam Hokin, Sam Twidale, Samantha Levin, Samantha-Jayne Chapman, "
-"Samarth Agarwal, Sami Al-AbdRabbuh, Samuel A. Rebelsky, Samuel Goëta, Samuel "
-"Hauser, Samuel Landete, Samuel Oliveira Cersosimo, Samuel Tait, Sandra "
-"Fauconnier, Sandra Markus, Sandy Bjar, Sandy ONeil, Sang-Phil Ju, Sanjay "
-"Basu, Santiago Garcia, Sara Armstrong, Sara Lucca, Sara Rodriguez Marin, "
-"Sarah Brand, Sarah Cove, Sarah Curran, Sarah Gold, Sarah McGovern, Sarah "
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-"Gillespie, Scott Williams, Sean Anderson, Sean Johnson, Sean Lim, Sean "
-"Wickett, Seb Schmoller, Sebastiaan Bekker, Sebastiaan ter Burg, Sebastian "
-"Makowiecki, Sebastian Meyer, Sebastian Schweizer, Sebastian Sigloch, "
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+"Richard Littauer, Richard Sobey, Richard White, Richard Winchell, Rik "
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+"Rob Bertholf, Rob Emanuele, Rob McAuliffe, Rob McKaughan, Rob Tillie, Rob "
+"Utter, Rob Vincent, Robert Gaffney, Robert Jones, Robert Kelly, Robert "
+"Lawlis, Robert McDonald, Robert Orzanna, Robert Paterson Hunter, Robert R. "
+"Daniel Jr., Robert Ryan-Silva, Robert Thompson, Robert Wagoner, Roberto "
+"Selvaggio, Robin DeRosa, Robin Rist Kildal, Rodrigo Castilhos, Roger Bacon, "
+"Roger Saner, Roger So, Roger Solé, Roger Tregear, Roland Tanglao, Rolf and "
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+"Hitzenberger, Rusi Popov, Russ Antonucci, Russ Spollin, Russell Brand, Rute "
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"Hatfield, Sheldon (Vila) Widuch, Sheona Thomson, Si Jie, Sicco van Sas, "
"Siena Oristaglio, Simon Glover, Simon John King, Simon Klose, Simon Law, "
"Simon Linder, Simon Moffitt, Solomon Kahn, Solomon Simon, Soujanna Sarkar, "
"Stephen Rose, Stephen Suen, Stephen Walli, Stevan Matheson, Steve Battle, "
"Steve Fisches, Steve Fitzhugh, Steve Guen-gerich, Steve Ingram, Steve Kroy, "
"Steve Midgley, Steve Rhine, Steven Kasprzyk, Steven Knudsen, Steven Melvin, "
-"Stig-Jørund B. Ö. Arnesen, Stuart Drewer, Stuart Maxwell, Stuart Reich, "
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"Subhendu Ghosh, Sujal Shah, Sune Bøegh, Susan Chun, Susan R Grossman, Suzie "
"Wiley, Sven Fielitz, Swan/Starts, Sylvain Carle, Sylvain Chery, Sylvia "
"Green, Sylvia van Bruggen, Szabolcs Berecz, T. L. Mason, Tanbir Baeg, Tanya "
"ZeMarmot Open Movie"
msgstr ""
"A todo el resto de los patrocinadores de Kickstarter (ordenados "
-"alfabéticamente por nombre): A. Lee, Aaron C. Rathbun, Aaron Stubbs, Aaron "
+"alfabéticamente por nombre): A. Lee, Aaron C. Rathbun, Aaron Stubbs, Aaron "
"Suggs, Abdul Razak Manaf, Abraham Taherivand, Adam Croom, Adam Finer, Adam "
"Hansen, Adam Morris, Adam Procter, Adam Quirk, Adam Rory Porter, Adam "
"Simmons, Adam Tinworth, Adam Zimmerman, Adrian Ho, Adrian Smith, Adriane "
"Ross Shaw, Alexander Bartl, Alexander Brown, Alexander Brunner, Alexander "
"Eliesen, Alexander Hawson, Alexander Klar, Alexander Neumann, Alexander "
"Plaum, Alexander Wendland, Alexandre Rafalovitch, Alexey Volkow, Alexi "
-"Wheeler, Alexis Sevault, Alfredo Louro, Ali Sternburg, Alicia Gibb & "
+"Wheeler, Alexis Sevault, Alfredo Louro, Ali Sternburg, Alicia Gibb & "
"Lunchbox Electronics, Alison Link, Alison Pentecost, Alistair Boettiger, "
"Alistair Walder, Alix Bernier, Allan Callaghan, Allen Riddell, Allison "
"Breland Crotwell, Allison Jane Smith, Álvaro Justen, Amanda Palmer, Amanda "
"Angeliki Kapoglou, Angus Keenan, Anne-Marie Scott, Antero Garcia, Antoine "
"Authier, Antoine Michard, Anton Kurkin, Anton Porsche, Antònia Folguera, "
"António Ornelas, Antonis Triantafyllakis, aois21 publishing, April Johnson, "
-"Aria F. Chernik, Ariane Allan, Ariel Katz, Arithmomaniac, Arnaud Tessier, "
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"Arnim Sommer, Ashima Bawa, Ashley Elsdon, Athanassios Diacakis, Aurora "
"Thornton, Aurore Chavet Henry, Austin Hartzheim, Austin Tolentino, Avner "
"Shanan, Axel Pettersson, Axel Stieglbauer, Ay Okpokam, Barb Bartkowiak, "
"Cousins, Carrie Watkins, Casey Hunt, Casey Milford, Casey Powell Shorthouse, "
"Cat Cooper, Cecilie Maria, Cedric Howe, Cefn Hoile, @ShrimpingIt, Celia "
"Muller, Ces Keller, Chad Anderson, Charles Butler, Charles Carstensen, "
-"Charles Chi Thoi Le, Charles Kobbe, Charles S. Tritt, Charles Stanhope, "
+"Charles Chi Thoi Le, Charles Kobbe, Charles S. Tritt, Charles Stanhope, "
"Charlotte Ong-Wisener, Chealsye Bowley, Chelle Destefano, Chenpang Chou, "
"Cheryl Corte, Cheryl Todd, Chip Dickerson, Chip McIntosh, Chris Bannister, "
"Chris Betcher, Chris Coleman, Chris Conway, Chris Foote (Spike), Chris "
"Bailey, David Cheung, David Eriksson, David Gallagher, David H. Bronke, "
"David Hartley, David Hellam, David Hood, David Hunter, David jlaietta, David "
"Lewis, David Mason, David Mcconville, David Mikula, David Nelson, David "
-"Orban, David Parry, David Spira, David T. Kindler, David Varnes, David "
+"Orban, David Parry, David Spira, David T. Kindler, David Varnes, David "
"Wiley, David Wormley, Deborah Nas, Denis Jean, dennis straub, Dennis "
"Whittle, Denver Gingerich, Derek Slater, Devon Cooke, Diana Pasek-Atkinson, "
"Diane Johnston Graves, Diane K. Kovacs, Diane Trout, Diderik van Wingerden, "
"Broadcast, Dom jurkewitz, Dom Lane, Domi Enders, Domingo Gallardo, Dominic "
"de Haas, Dominique Karadjian, Dongpo Deng, Donnovan Knight, Door de Flines, "
"Doug Fitzpatrick, Doug Hoover, Douglas Craver, Douglas Van Camp, Douglas Van "
-"Houweling, Dr. Braddlee, Drew Spencer, Duncan Sample, Durand D’souza, Dylan "
+"Houweling, Dr. Braddlee, Drew Spencer, Duncan Sample, Durand D’souza, Dylan "
"Field, E C Humphries, Eamon Caddigan, Earleen Smith, Eden Sarid, Eden "
"Spodek, Eduardo Belinchon, Eduardo Castro, Edwin Vandam, Einar Joergensen, "
"Ejnar Brendsdal, Elad Wieder, Elar Haljas, Elena Valhalla, Eli Doran, Elias "
"Gaurav Kapil, Gauthier de Valensart, Gavin Gray, Gavin Romig-Koch, Geoff "
"Wood, Geoffrey Lehr, George Baier IV, George De Bruin, George Lawie, George "
"Strakhov, Gerard Gorman, Geronimo de la Lama, Gianpaolo Rando, Gil Stendig, "
-"Gino Cingolani Trucco, Giovanna Sala, Glen Moffat, Glenn D. Jones, Glenn "
+"Gino Cingolani Trucco, Giovanna Sala, Glen Moffat, Glenn D. Jones, Glenn "
"Otis Brown, Global Lives Project, Gorm Lai, Govindarajan Umakanthan, Graham "
"Bird, Graham Freeman, Graham Heath, Graham Jones, Graham Smith-Gordon, "
"Graham Vowles, Greg Brodsky, Greg Malone, Grégoire Detrez, Gregory "
"James Docherty, James Ellars, James K Wood, James Tyler, Jamie Finlay, Jamie "
"Stevens, Jamil Khatib, Jan E Ellison, Jan Gondol, Jan Sepp, Jan Zuppinger, "
"Jane Finette, jane Lofton, Jane Mason, Jane Park, Janos Kovacs, Jasmina "
-"Bricic, Jason Blasso, Jason Chu"
-
-#~ msgid "#### Notes"
-#~ msgstr "#### Notas"
-
-#~ msgid "jonathanmann.net and"
-#~ msgstr "jonathanmann.net and"
-
-#~ msgid "# Part 1"
-#~ msgstr "# Parte 1"
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-#~ msgid "# Part 2"
-#~ msgstr "# Parte 2"
-
-#~ msgid ""
-#~ "Being accountable does not mean operating on consensus. According to "
-#~ "James Surowiecki, consensus-driven groups tend to resort to lowest-common-"
-#~ "denominator solutions and"
-#~ msgstr ""
-#~ "Ser responsable no significa operar bajo concenso. De acuerdo con James "
-#~ "Surowiecki, los grupos que operan bajo concenso tienden a utilizar la "
-#~ "solución común más básica y"
-
-#~ msgid "(museum admission), selling merchandise"
-#~ msgstr "(admisión al museo), venta de mercancías"
-
-#~ msgid "commitment.68"
-#~ msgstr "68"
-
-#~ msgid "service."
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+"Nick M. Daly, Nick Vance, Nickolay Vedernikov, Nicky Weaver-Weinberg, Nico "
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+"Stahmer, Timothée Planté, Timothy Arfsten, Timothy Hinchliff, Timothy "
+"Vollmer, Tina Coffman, Tisza Gergő, Tobias Schonwetter, Todd Brown, Todd "
+"Pousley, Todd Sattersten, Tom Bamford, Tom Caswell, Tom Goren, Tom Kent, Tom "
+"MacWright, Tom Maillioux, Tom Merkli, Tom Merritt, Tom Myers, Tom Olijhoek, "
+"Tom Rubin, Tommaso De Benetti, Tommy Dahlen, Tony Ciak, Tony Nwachukwu, "
+"Torsten Skomp, Tracey Depellegrin, Tracey Henton, Tracey James, Traci Long "
+"DeForge, Trent Yarwood, Trevor Hogue, Trey Blalock, Trey Hunner, Tryggvi "
+"Björgvinsson, Tumuult, Tushar Roy, Tyler Occhiogrosso, Udo Blenkhorn, Uri "
+"Sivan, Vanja Bobas, Vantharith Oum, Vaughan jenkins, Veethika Mishra, Vic "
+"King, Vickie Goode, Victor DePina, Victor Grigas, Victoria Klassen, "
+"Victorien Elvinger, VIGA Manufacture, Vikas Shah, Vinayak S.Kaujalgi, "
+"Vincent O’Leary, Violette Paquet, Virginia Gentilini, Virginia Kopelman, "
+"Vitor Menezes, Vivian Marthell, Wayne Mackintosh, Wendy Keenan, Werner "
+"Wiethege, Wesley Derbyshire, Widar Hellwig, Willa Köerner, William Bettridge-"
+"Radford, William Jefferson, William Marshall, William Peter Nash, William "
+"Ray, William Robins, Willow Rosenberg, Winie Evers, Wolfgang Renninger, "
+"Xavier Antoviaque, Xavier Hugonet, Xavier Moisant, Xueqi Li, Yancey "
+"Strickler, Yann Heurtaux, Yasmine Hajjar, Yu-Hsian Sun, Yves Deruisseau, "
+"Zach Chandler, Zak Zebrowski, Zane Amiralis and Joshua de Haan, ZeMarmot "
+"Open Movie"
-#, fuzzy
#~ msgid ""
-#~ "resources marketing those services (and by extension, the OpenStax "
-#~ "textbooks)."
+#~ " <city>Mexico City</city>\n"
+#~ " "
#~ msgstr ""
-#~ "recursos publicitando esos servicios (y, por extensión, los libros de "
-#~ "texto de OpenStax)."
+#~ " <city>Ciudad de México</city>\n"
+#~ " "
-#, fuzzy
#~ msgid ""
-#~ "cases, rather than the quid pro quo exchange of money for value that "
-#~ "typically drives market transactions, the recipient gives money out of a "
-#~ "sense of reciprocity."
+#~ "<copyright> <year>2017</year> <holder>Creative Commons</holder> </"
+#~ "copyright> <publisher> <publishername>Gunnar Wolf</publishername> "
+#~ "<placeholder type=\"address\" id=\"0\"/> </publisher>"
#~ msgstr ""
-#~ "en vez del típico intercambio quid pro quo de dinero por valor que "
-#~ "típicamente conduce a las transacciones en el mercado, el receptor "
-#~ "entrega dinero a partir de un sentido de reciprocidad."
-
-#~ msgid "Made"
-#~ msgstr "Hecho"
-
-#~ msgid "with"
-#~ msgstr "con"
-
-#~ msgid "Creative"
-#~ msgstr "Creative"
-
-#~ msgid "Commons"
-#~ msgstr "Commons"
-
-#~ msgid "The New"
-#~ msgstr "El nuevo"
-
-#~ msgid "World of"
-#~ msgstr "Mundo del"
-
-#~ msgid "Digital"
-#~ msgstr "Procomún Digital"
-
-#~ msgid "How"
-#~ msgstr "Cómo"
-
-#~ msgid "to Be"
-#~ msgstr "ser"
-
-#~ msgid "Made with"
-#~ msgstr "Hecho con"
-
-#~ msgid "<span id=\"anchor\"></span>Made"
-#~ msgstr "<span id=\"anchor\"></span>Hecho"
-
-#~ msgid "<span id=\"anchor-1\"></span>with"
-#~ msgstr "<span id=\"anchor-1\"></span>con"
-
-#~ msgid "<span id=\"anchor-2\"></span>Creative"
-#~ msgstr "<span id=\"anchor-2\"></span>Creative"
-
-#~ msgid "<span id=\"anchor-3\"></span>Commons"
-#~ msgstr "<span id=\"anchor-3\"></span>Commons"
+#~ "<copyright> <year>2017</year> <holder>Creative Commons</holder> </"
+#~ "copyright> <publisher> <publishername>Gunnar Wolf</publishername> "
+#~ "<placeholder type=\"address\" id=\"0\"/> </publisher>"
-#~ msgid "<span id=\"anchor-5\"></span>"
-#~ msgstr "<span id=\"anchor-5\"></span>"
-
-#~ msgid "<span id=\"anchor-7\"></span>Foreword"
-#~ msgstr "<span id=\"anchor-7\"></span>Prefacio"
-
-#~ msgid "<span id=\"anchor-8\"></span>Introduction"
-#~ msgstr "<span id=\"anchor-8\"></span>Introducción"
-
-#~ msgid "<span id=\"anchor-9\"></span>Part 1"
-#~ msgstr "<span id=\"anchor-9\"></span>Parte 1"
-
-#~ msgid "<span id=\"anchor-10\"></span>The Big Picture"
-#~ msgstr "<span id=\"anchor-10\"></span>El panorama completo"
-
-#~ msgid "<span id=\"anchor-11\"></span>The New"
-#~ msgstr "<span id=\"anchor-11\"></span>El nuevo"
-
-#~ msgid "<span id=\"anchor-12\"></span>World of"
-#~ msgstr "<span id=\"anchor-12\"></span>mundo del"
-
-#~ msgid "<span id=\"anchor-13\"></span>Digital"
-#~ msgstr "<span id=\"anchor-13\"></span>procomún"
-
-#~ msgid "<span id=\"anchor-14\"></span>Commons"
-#~ msgstr "<span id=\"anchor-14\"></span>digital"
-
-#~ msgid "<span id=\"anchor-17\"></span>Characteristics"
-#~ msgstr "<span id=\"anchor-17\"></span>Características"
-
-#~ msgid "<span id=\"anchor-18\"></span>People and processes"
-#~ msgstr "<span id=\"anchor-18\"></span>Personas y procesos"
-
-#~ msgid "<span id=\"anchor-19\"></span>Norms and rules"
-#~ msgstr "<span id=\"anchor-19\"></span>Normas y reglas"
-
-#~ msgid "<span id=\"anchor-20\"></span>Goals"
-#~ msgstr "<span id=\"anchor-20\"></span>Objetivos"
-
-#~ msgid "<span id=\"anchor-23\"></span>The Birth of Creative Commons"
-#~ msgstr "<span id=\"anchor-23\"></span>El nacimiento de Creative Commons"
-
-#~ msgid "<span id=\"anchor-24\"></span>The Changing Market"
-#~ msgstr "<span id=\"anchor-24\"></span>El mercado cambiante"
-
-#~ msgid "<span id=\"anchor-26\"></span>Our Case Studies"
-#~ msgstr "<span id=\"anchor-26\"></span>Nuestros casos de estudio"
-
-#~ msgid "<span id=\"anchor-27\"></span>How"
-#~ msgstr "<span id=\"anchor-27\"></span>Cómo"
-
-#~ msgid "<span id=\"anchor-28\"></span>to Be"
-#~ msgstr "<span id=\"anchor-28\"></span>ser"
-
-#~ msgid "<span id=\"anchor-29\"></span>Made with"
-#~ msgstr "<span id=\"anchor-29\"></span>Hecho con"
-
-#~ msgid "<span id=\"anchor-30\"></span>Creative"
-#~ msgstr "<span id=\"anchor-30\"></span>Creative"
-
-#~ msgid "<span id=\"anchor-31\"></span>Commons"
-#~ msgstr "<span id=\"anchor-31\"></span>Commons"
-
-#, fuzzy
-#~ msgid "<span id=\"anchor-62\"></span>The"
-#~ msgstr "<span id=\"anchor-62\"></span>Las"
-
-#, fuzzy
-#~ msgid "<span id=\"anchor-63\"></span>Creative"
-#~ msgstr "<span id=\"anchor-63\"></span>Licencias"
-
-#, fuzzy
-#~ msgid "<span id=\"anchor-64\"></span>Commons"
-#~ msgstr "<span id=\"anchor-64\"></span>Creative"
-
-#, fuzzy
-#~ msgid "<span id=\"anchor-65\"></span>Licenses"
-#~ msgstr "<span id=\"anchor-65\"></span>Commons"
-
-#, fuzzy
#~ msgid ""
-#~ "All of the Creative Commons licenses grant a basic set of permissions. "
-#~ "At a minimum, a CC-"
+#~ "Kelly, Marjorie. Owning Our Future: The Emerging Ownership Revolution; "
+#~ "Journeys to a Generative Economy. San Francisco:"
#~ msgstr ""
-#~ "Todas las licencias Creative Commons otorgan un conjunto básico de "
-#~ "permisos. Como mínimo, un"
-
-#~ msgid "<span id=\"anchor-66\"></span>Note"
-#~ msgstr "<span id=\"anchor-66\"></span>Nota"
-
-#~ msgid "<span id=\"anchor-67\"></span>Part 2"
-#~ msgstr "<span id=\"anchor-67\"></span>Parte 2"
+#~ "Kelly, Marjorie. Owning Our Future: The Emerging Ownership Revolution; "
+#~ "Journeys to a Generative Economy. San Francisco:"
-#~ msgid "<span id=\"anchor-68\"></span>The Case Studies"
-#~ msgstr "<span id=\"anchor-68\"></span>Los estudios de caso"
+#~ msgid "Berrett-Koehler, 2012."
+#~ msgstr "Berrett-Koehler, 2012."
-#~ msgid "<span id=\"anchor-69\"></span>Arduino"
-#~ msgstr "<span id=\"anchor-69\"></span>Arduino\t"
+#~ msgid "Made With Creative Commons"
+#~ msgstr "Hecho con Creative Commons"
-#~ msgid "product.”"
-#~ msgstr "producto.”"
+#~ msgid "Enterprise engagements"
+#~ msgstr "Compromisos empresariales"
-#~ msgid "<span id=\"anchor-70\"></span>Ártica"
-#~ msgstr "<span id=\"anchor-70\"></span>Ártica"
+#~ msgid "Different views on resources"
+#~ msgstr "Diferentes puntos de vista sobre recursos"
-#~ msgid "<span id=\"anchor-71\"></span>Blender Institute"
-#~ msgstr "<span id=\"anchor-71\"></span>Blender Institute"
+#~ msgid "Long ago"
+#~ msgstr "Hace mucho tiempo"
-#~ msgid "<span id=\"anchor-87\"></span>Rijksmuseum"
-#~ msgstr "<span id=\"anchor-87\"></span>Rijksmuseum"
+#~ msgid "State takeover of the commons"
+#~ msgstr "Adquisición estatal de los bienes comunes"
-#~ msgid "<span id=\"anchor-90\"></span>Sparkfun"
-#~ msgstr "<span id=\"anchor-90\"></span>Sparkfun"
+#~ msgid "Today"
+#~ msgstr "Hoy"
projects / text-madewithcc.git / blobdiff