From a48ffa111afa8fc239f9b054c95932c59127fdae Mon Sep 17 00:00:00 2001 From: Petter Reinholdtsen Date: Sat, 12 Sep 2015 10:38:24 +0200 Subject: [PATCH] Add more index entries. --- freeculture.xml | 7 +++++++ 1 file changed, 7 insertions(+) diff --git a/freeculture.xml b/freeculture.xml index fc1f830..2d702a2 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -3352,6 +3352,7 @@ As I described above, the law gives the composer (or copyright holder) an exclusive right to public performances of his work. The radio station thus owes the composer money for that performance. +radiomusic recordings played on But when the radio station plays a record, it is not only performing a copy of the composer's work. The radio station is @@ -3393,6 +3394,7 @@ the sale of her CDs. The public performance of her recording is not a her anything. + No doubt, one might argue that, on balance, the recording artists @@ -8605,6 +8607,7 @@ Molly Ivins, Media Consolidation Must Be Stopped, Char 31 May 2003. +radioownership consolidation in The story with radio is even more dramatic. Before deregulation, the nation's largest radio broadcasting conglomerate owned fewer than @@ -8653,6 +8656,7 @@ James Fallows, The Age of Murdoch, Atlantic Monthly + The pattern with Murdoch is the pattern of modern media. Not just large companies owning many radio stations, but a few companies @@ -10231,6 +10235,8 @@ the story of the demise of Internet radio. artistsrecording industry payments to Kennedy, John F. +Monroe, Marilyn +radiomusic recordings played on @@ -10255,6 +10261,7 @@ than with the power of radio stations: Their lobbyists were quite good at stopping any efforts to get Congress to require compensation to the recording artists. + Enter Internet radio. Like regular radio, Internet radio is a technology to stream content from a broadcaster to a listener. The -- 2.47.2