From: Petter Reinholdtsen Date: Fri, 10 Aug 2012 19:11:19 +0000 (+0200) Subject: More cleanup. X-Git-Tag: edition-2015-10-10~1692 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/dd5bad7c4ea669171b1e4848a3b7ef8cebec3aa8?ds=inline More cleanup. --- diff --git a/freeculture.nb.po b/freeculture.nb.po index 312f724..aea692f 100644 --- a/freeculture.nb.po +++ b/freeculture.nb.po @@ -1963,17 +1963,6 @@ msgstr "" "citetitle>, 24. november 2002. " #. type: Content of: -#, fuzzy -#| msgid "" -#| "This view runs deep within the current debates. It is what NYU law " -#| "professor Rochelle Dreyfuss criticizes as the \"if value, then right\" " -#| "theory of creative property " -#| "—if there is value, then someone must have a right to that value. " -#| "It is the perspective that led a composers' rights organization, ASCAP, " -#| "to sue the Girl Scouts for failing to pay for the songs that girls sang " -#| "around Girl Scout campfires. " -#| "There was \"value\" (the songs) so there must have been a \"right\"—" -#| "even against the Girl Scouts." msgid "" "This view runs deep within the current debates. It is what NYU law professor " "Rochelle Dreyfuss criticizes as the if value, then right " @@ -1987,13 +1976,13 @@ msgid "" msgstr "" "Dette synet gÃ¥r dypt i de pÃ¥gÃ¥ende debattene. Det er hva jussprofessor " "Rochelle Dreyfuss ved NYU kritiserer som hvis verdi, sÃ¥ " -"rettighet-teorien for kreative eierrettigheter -teorien for kreative eierrettigheter —hvis det finnes verdi, sÃ¥ mÃ¥ noen ha " "rettigheten til denne verdien. Det er perspektivet som fikk komponistenes " "rettighetsorganisasjon, ASCAP, til Ã¥ saksøke jentespeiderne for Ã¥ ikke " "betale for sangene som jentene sagt rundt jentespeidernes leirbÃ¥l." -" Det fantes verdi " -"(sangene), sÃ¥ det mÃ¥tte ha vært en rettighet—til og med " +" Det fantes verdi " +"(sangene), sÃ¥ det mÃ¥tte ha vært en rettighet—til og med " "mot jentespeiderne." #. type: Content of: @@ -2002,13 +1991,6 @@ msgstr "ASCAP" #. PAGE BREAK 32 #. type: Content of: -#, fuzzy -#| msgid "" -#| "This idea is certainly a possible understanding of how creative property " -#| "should work. It might well be a possible design for a system of law " -#| "protecting creative property. But the \"if value, then right\" theory of " -#| "creative property has never been America's theory of creative property. " -#| "It has never taken hold within our law." msgid "" "This idea is certainly a possible understanding of how creative property " "should work. It might well be a possible design for a system of law " @@ -2018,8 +2000,8 @@ msgid "" msgstr "" "Denne idéen er helt klart en mulig forstÃ¥else om hvordan kreative " "eierrettigheter bør virke. Det er helt klart et mulig design for et " -"lovsystem som beskytter kreative eierrettigheter. Men teorien om \"hvis " -"verdi, sÃ¥ rettighet\" for kreative eierrettigheter har aldri vært USAs teori " +"lovsystem som beskytter kreative eierrettigheter. Men teorien om hvis " +"verdi, sÃ¥ rettighet for kreative eierrettigheter har aldri vært USAs teori " "for kreative eierrettigheter. It har aldri stÃ¥tt rot i vÃ¥rt lovverk." #. type: Content of: @@ -2092,25 +2074,6 @@ msgstr "" "\"indexterm\" id=\"1\"/>" #. type: Content of: -#, fuzzy -#| msgid "" -#| "But with the birth of the Internet, this natural limit to the reach of " -#| "the law has disappeared. The law controls not just the creativity of " -#| "commercial creators but effectively that of anyone. Although that " -#| "expansion would not matter much if copyright law regulated only \"copying," -#| "\" when the law regulates as broadly and obscurely as it does, the " -#| "extension matters a lot. The burden of this law now vastly outweighs any " -#| "original benefit—certainly as it affects noncommercial creativity, " -#| "and increasingly as it affects commercial creativity as well. Thus, as " -#| "we'll see more clearly in the chapters below, the law's role is less and " -#| "less to support creativity, and more and more to protect certain " -#| "industries against competition. Just at the time digital technology could " -#| "unleash an extraordinary range of commercial and noncommercial " -#| "creativity, the law burdens this creativity with insanely complex and " -#| "vague rules and with the threat of obscenely severe penalties. We may be " -#| "seeing, as Richard Florida writes, the \"Rise of the Creative Class." -#| "\" Unfortunately, we are also " -#| "seeing an extraordinary rise of regulation of this creative class." msgid "" "But with the birth of the Internet, this natural limit to the reach of the " "law has disappeared. The law controls not just the creativity of commercial " @@ -2134,7 +2097,7 @@ msgstr "" "lovens virkeomrÃ¥de. Loven kontrollerer ikke bare kreativiteten til " "kommersielle skapere, men effektivt sett kreativiteten til alle. Selv om " "utvidelsen ikke ville bety stort hvis opphavsrettsloven kun regulerte " -"\"kopiering\", sÃ¥ betyr utvidelsen mye nÃ¥r loven regulerer sÃ¥ bredt og " +"kopiering, sÃ¥ betyr utvidelsen mye nÃ¥r loven regulerer sÃ¥ bredt og " "obskurt som den gjør. Byrden denne loven gir oppveier nÃ¥ langt fordelene " "den ga da den ble vedtatt—helt klart slik den pÃ¥virker ikke-" "kommersiell kreativitet, og i stadig større grad slik den pÃ¥virker " @@ -2144,16 +2107,11 @@ msgstr "" "digital teknologi kunne sluppet løs en ekstraordinær mengde med kommersiell " "og ikke-kommersiell kreativitet, tynger loven denne kreativiteten med " "sinnsykt kompliserte og vage regler og med trusselen om uanstendig harde " -"straffer. Vi ser kanskje, som Richard Florida skriver, \"Fremveksten av den " -"kreative klasse\" Dessverre ser vi " +"straffer. Vi ser kanskje, som Richard Florida skriver, Fremveksten av den " +"kreative klasse Dessverre ser vi " "ogsÃ¥ en ekstraordinær fremvekst av reguleringer av denne kreative klassen." #. type: Content of: -#, fuzzy -#| msgid "" -#| "These burdens make no sense in our tradition. We should begin by " -#| "understanding that tradition a bit more and by placing in their proper " -#| "context the current battles about behavior labeled \"piracy.\"" msgid "" "These burdens make no sense in our tradition. We should begin by " "understanding that tradition a bit more and by placing in their proper " @@ -2161,7 +2119,7 @@ msgid "" msgstr "" "Disse byrdene gir ingen mening i vÃ¥r tradisjon. Vi bør begynne med Ã¥ forstÃ¥ " "den tradisjonen litt mer, og ved Ã¥ plassere dagens slag om oppførsel med " -"merkelappen \"piratvirksomhet\" i sin rette sammenheng." +"merkelappen piratvirksomhet i sin rette sammenheng." #. type: Content of: msgid "CHAPTER ONE: Creators" @@ -2255,12 +2213,6 @@ msgid "Iwerks, Ub" msgstr "Iwerks, Ub" #. type: Content of: <book><part><chapter><para> -#, fuzzy -#| msgid "" -#| "Disney's then partner, and one of animation's most extraordinary talents, " -#| "Ub Iwerks, put it more strongly: \"I have never been so thrilled in my " -#| "life. Nothing since has ever equaled it.\" <placeholder type=\"indexterm" -#| "\" id=\"0\"/>" msgid "" "Disney's then partner, and one of animation's most extraordinary talents, Ub " "Iwerks, put it more strongly: <quote>I have never been so thrilled in my " @@ -2268,8 +2220,8 @@ msgid "" "\"indexterm\" id=\"0\"/>" msgstr "" "Disneys daværende partner, og en av animasjonsverdenens mest ekstraordinære " -"talenter, Ub Iwerks, uttalte det sterkere: \"Jeg har aldri vært sÃ¥ " -"begeistret i hele mitt liv. Ingenting annet har noen sinne vært like bra.\" " +"talenter, Ub Iwerks, uttalte det sterkere: <quote>Jeg har aldri vært sÃ¥ " +"begeistret i hele mitt liv. Ingenting annet har noen sinne vært like bra.</quote> " "<placeholder type=\"indexterm\" id=\"0\"/>" #. type: Content of: <book><part><chapter><para> @@ -2319,17 +2271,6 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#, fuzzy -#| msgid "" -#| "I am grateful to David Gerstein and his careful history, described at " -#| "<ulink url=\"http://free-culture.cc/notes/\">link #4</ulink>. According " -#| "to Dave Smith of the Disney Archives, Disney paid royalties to use the " -#| "music for five songs in <citetitle>Steamboat Willie</citetitle>: " -#| "\"Steamboat Bill,\" \"The Simpleton\" (Delille), \"Mischief Makers" -#| "\" (Carbonara), \"Joyful Hurry No. 1\" (Baron), and \"Gawky Rube" -#| "\" (Lakay). A sixth song, \"The Turkey in the Straw,\" was already in the " -#| "public domain. Letter from David Smith to Harry Surden, 10 July 2003, on " -#| "file with author." msgid "" "I am grateful to David Gerstein and his careful history, described at <ulink " "url=\"http://free-culture.cc/notes/\">link #4</ulink>. According to Dave " @@ -2345,9 +2286,9 @@ msgstr "" "beskrevet pÃ¥ <ulink url=\"http://free-culture.cc/notes/\">link #4</ulink>. " "I følge Dave Smith ved the Disney Archives, betalte Disney for Ã¥ bruke " "musikken til fem sanger i <citetitle>Steamboat Willie</citetitle>: " -"\"Steamboat Bill,\" \"The Simpleton\" (Delille), \"Mischief Makers" -"\" (Carbonara), \"Joyful Hurry No. 1\" (Baron), og \"Gawky Rube\" (Lakay). " -"En sjette sang, \"The Turkey in the Straw,\" var allerede allemannseie. " +"<quote>Steamboat Bill,</quote> <quote>The Simpleton</quote> (Delille), <quote>Mischief Makers" +"</quote> (Carbonara), <quote>Joyful Hurry No. 1</quote> (Baron), og <quote>Gawky Rube</quote> (Lakay). " +"En sjette sang, <quote>The Turkey in the Straw,</quote> var allerede allemannseie. " "Brev fra David Smith til Harry Surden, 10. juli 2003, tilgjenglig i arkivet " "til forfatteren."