From: Petter Reinholdtsen Date: Mon, 9 Jul 2012 12:48:12 +0000 (+0200) Subject: Add images fetched from http://www.ibiblio.org/ebooks/Lessig/index.html. X-Git-Tag: edition-2015-10-10~2576 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/ab1e4ff3d289b03ebb076603fcb801f80627caf6?ds=inline Add images fetched from http://www.ibiblio.org/ebooks/Lessig/index.html. --- diff --git a/README.md b/README.md index 8b1a331..1a5bbc4 100644 --- a/README.md +++ b/README.md @@ -6,6 +6,10 @@ the Docbook version by Hans Schou. Other versions of the book can be found from the Elegant +Ebooks. + The source of this project is available from the free-culture-lessig github repository. diff --git a/freeculture.xml b/freeculture.xml index 689b73e..d5c713c 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -160,7 +160,7 @@ it continues still.
Creative Commons, Some rights reserved - +
@@ -6191,18 +6191,17 @@ to assure that artists get paid need also control how culture develops. -To answer these questions, we need a more general way to talk -about how property is protected. More precisely, we need a more - general -way than the narrow language of the law allows. In Code and Other -Laws of Cyberspace, I used a simple model to capture this more general -perspective. For any particular right or regulation, this model asks how -four different modalities of regulation interact to support or weaken -the right or regulation. I represented it with this diagram: +To answer these questions, we need a more general way to talk about +how property is protected. More precisely, we need a more general way +than the narrow language of the law allows. In Code and Other Laws of +Cyberspace, I used a simple model to capture this more general +perspective. For any particular right or regulation, this model asks +how four different modalities of regulation interact to support or +weaken the right or regulation. I represented it with this diagram:
- - +How four different modalities of regulation interact to support or weaken the right or regulation. +
At the center of this picture is a regulated dot: the individual or @@ -6327,17 +6326,16 @@ strict--a federal requirement that states decrease the speed limit, for example--so as to decrease the attractiveness of fast driving.
- - +Law has a special role in affecting the three. +
These constraints can thus change, and they can be changed. To -understand the effective protection of liberty or protection of property -at any particular moment, we must track these changes over time. A - restriction -imposed by one modality might be erased by another. A - freedom -enabled by one modality might be displaced by another. +understand the effective protection of liberty or protection of +property at any particular moment, we must track these changes over +time. A restriction imposed by one modality might be erased by +another. A freedom enabled by one modality might be displaced by +another. Some people object to this way of talking about "liberty." They object because @@ -6386,8 +6384,8 @@ Let's say this is the picture of copyright's regulation before the Internet:
- - +Copyright's regulation before the Internet. +
@@ -6425,8 +6423,8 @@ after the fall of Saddam, but this time no government is justifying the looting that results.
- - +effective state of anarchy after the Internet. +
Neither this analysis nor the conclusions that follow are new to the @@ -6716,15 +6714,15 @@ particular concentration of market power. In terms of our model, we started here:
- - +Copyright's regulation before the Internet. +
We will end here:
- - +"Copyright" today. +
Let me explain how. @@ -7188,28 +7186,26 @@ We can see this point abstractly by beginning with this largely empty circle.
- - +All potential uses of a book. +
-Think about a book in real space, and imagine this circle to - represent -all its potential uses. Most of these uses are unregulated by copyright -law, because the uses don't create a copy. If you read a book, that act is not -regulated by copyright law. If you give someone the book, that act is -not regulated by copyright law. If you resell a book, that act is not - regulated -(copyright law expressly states that after the first sale of a book, -the copyright owner can impose no further conditions on the - disposition -of the book). If you sleep on the book or use it to hold up a lamp or -let your puppy chew it up, those acts are not regulated by copyright law, -because those acts do not make a copy. +Think about a book in real space, and imagine this circle to represent +all its potential uses. Most of these uses are unregulated by +copyright law, because the uses don't create a copy. If you read a +book, that act is not regulated by copyright law. If you give someone +the book, that act is not regulated by copyright law. If you resell a +book, that act is not regulated (copyright law expressly states that +after the first sale of a book, the copyright owner can impose no +further conditions on the disposition of the book). If you sleep on +the book or use it to hold up a lamp or let your puppy chew it up, +those acts are not regulated by copyright law, because those acts do +not make a copy.
- - +Examples of unregulated uses of a book. +
Obviously, however, some uses of a copyrighted book are regulated @@ -7225,8 +7221,8 @@ that remain unregulated because the law considers these "fair uses."
- - +Republishing stands at the core of this circle of possible uses of a copyrighted work. +
These are uses that themselves involve copying, but which the law treats @@ -7240,13 +7236,13 @@ denies the owner any exclusive right over such "fair uses" for public policy (and possibly First Amendment) reasons.
- - +Unregulated copying considered "fair uses." +
- - +Uses that before were presumptively unregulated are now presumptively regulated. +
@@ -7546,17 +7542,16 @@ Middlemarch, you'll see a fancy cover, and then a button at the bottom called Permissions.
-Acrobat eBook Reader - +Picture of an old version of Adobe eBook Reader +
-If you click on the Permissions button, you'll see a list of the - permissions -that the publisher purports to grant with this book. +If you click on the Permissions button, you'll see a list of the +permissions that the publisher purports to grant with this book.
- +
@@ -7576,16 +7571,12 @@ read aloud through the computer. -Here's the e-book for another -work in the public domain - (including -the translation): - Aristotle's -Politics. +Here's the e-book for another work in the public domain (including the +translation): Aristotle's Politics.
- - +E-book of Aristotle;s "Politics" +
According to its permissions, no printing or copying is permitted @@ -7593,8 +7584,8 @@ at all. But fortunately, you can use the Read Aloud button to hear the book.
- - +List of the permissions for Aristotle;s "Politics". +
Finally (and most embarrassingly), here are the permissions for the @@ -7602,8 +7593,8 @@ original e-book version of my last book, The Future of Ideas:
- - +List of the permissions for "The Future of Ideas". +
No copying, no printing, and don't you dare try to listen to this book! @@ -7682,8 +7673,9 @@ This wonderful book is in the public domain. Yet when you clicked on Permissions for that book, you got the following report:
- - +List of the permissions for "Alice's Adventures in +Wonderland". +
@@ -8034,8 +8026,8 @@ such a use would be good. It, too, is a technology that has both good and bad uses.
- - +VCR/handgun cartoon. +
The obvious point of Conrad's cartoon is the weirdness of a world @@ -8251,8 +8243,8 @@ owning as many outlets of media as possible. A picture describes this pattern better than a thousand words could do:
- - +Pattern of modern media ownership. +
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