From: Petter Reinholdtsen <pere@hungry.com>
Date: Mon, 9 Jul 2012 09:31:09 +0000 (+0200)
Subject: Second try, add fuzzy tag to all mtrans tagged translations.
X-Git-Tag: edition-2015-10-10~2580
X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/a793140de8d3f7d28220044dd8d48a301fc6546e

Second try, add fuzzy tag to all mtrans tagged translations.
---

diff --git a/freeculture.nb.po b/freeculture.nb.po
index d1f79ce..a19d4ab 100644
--- a/freeculture.nb.po
+++ b/freeculture.nb.po
@@ -2,6 +2,7 @@
 # This file is distributed under the same license as the PACKAGE package.
 #
 # Petter Reinholdtsen <pere@hungry.com>, 2012.
+#, mtrans, fuzzy
 msgid ""
 msgstr ""
 "Project-Id-Version: \n"
@@ -17,26 +18,32 @@ msgstr ""
 "Plural-Forms: nplurals=2; plural=n != 1;\n"
 
 #. type: Attribute 'lang' of: <book>
+#, mtrans, fuzzy
 msgid "en"
 msgstr "no"
 
 #. type: Content of: <book><bookinfo><title>
+#, mtrans, fuzzy
 msgid "Free Culture"
 msgstr "Fri kultur"
 
 #. type: Content of: <book><bookinfo>
+#, mtrans, fuzzy
 msgid "<abbrev>\"freeculture\"</abbrev>"
 msgstr "<abbrev>\"frikultur\"</abbrev>"
 
 #. type: Content of: <book><bookinfo><subtitle>
+#, mtrans, fuzzy
 msgid "Version 2004-02-10"
 msgstr "Versjon 2004-02-10"
 
 #. type: Content of: <book><bookinfo><authorgroup><author><firstname>
+#, mtrans, fuzzy
 msgid "Lawrence"
 msgstr "Lawrence"
 
 #. type: Content of: <book><bookinfo><authorgroup><author><surname>
+#, mtrans, fuzzy
 msgid "Lessig"
 msgstr "Lessig"
 
@@ -46,39 +53,40 @@ msgid ""
 "Free Culture is licensed under a Creative Commons license. This license "
 "permits non-commercial use of this work, so long as attribution is given.  "
 "For more information about the license, click the icon above, or visit "
-"<ulink "
-"url=\"http://creativecommons.org/licenses/by-nc/1.0/\">http://creativecommons.org/licenses/by-nc/1.0/</ulink> "
-"</holder> </copyright>"
+"<ulink url=\"http://creativecommons.org/licenses/by-nc/1.0/\">http://"
+"creativecommons.org/licenses/by-nc/1.0/</ulink> </holder> </copyright>"
 msgstr ""
 
 #. type: Content of: <book><bookinfo><abstract><title>
+#, mtrans, fuzzy
 msgid "ABOUT THE AUTHOR"
 msgstr "Om forfatteren"
 
 #. type: Content of: <book><bookinfo><abstract><para>
 msgid ""
-"LAWRENCE LESSIG (<ulink "
-"url=\"http://www.lessig.org/\">http://www.lessig.org</ulink>), professor of "
-"law and a John A.  Wilson Distinguished Faculty Scholar at Stanford Law "
-"School, is founder of the Stanford Center for Internet and Society and is "
-"chairman of the Creative Commons (<ulink "
-"url=\"http://creativecommons.org/\">http://creativecommons.org</ulink>).  "
-"The author of The Future of Ideas (Random House, 2001) and Code: And Other "
-"Laws of Cyberspace (Basic Books, 1999), Lessig is a member of the boards of "
-"the Public Library of Science, the Electronic Frontier Foundation, and "
-"Public Knowledge. He was the winner of the Free Software Foundation's Award "
-"for the Advancement of Free Software, twice listed in BusinessWeek's \"e.biz "
-"25,\" and named one of Scientific American's \"50 visionaries.\" A graduate "
-"of the University of Pennsylvania, Cambridge University, and Yale Law "
-"School, Lessig clerked for Judge Richard Posner of the U.S. Seventh Circuit "
-"Court of Appeals."
+"LAWRENCE LESSIG (<ulink url=\"http://www.lessig.org/\">http://www.lessig."
+"org</ulink>), professor of law and a John A.  Wilson Distinguished Faculty "
+"Scholar at Stanford Law School, is founder of the Stanford Center for "
+"Internet and Society and is chairman of the Creative Commons (<ulink url="
+"\"http://creativecommons.org/\">http://creativecommons.org</ulink>).  The "
+"author of The Future of Ideas (Random House, 2001) and Code: And Other Laws "
+"of Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the "
+"Public Library of Science, the Electronic Frontier Foundation, and Public "
+"Knowledge. He was the winner of the Free Software Foundation's Award for the "
+"Advancement of Free Software, twice listed in BusinessWeek's \"e.biz 25,\" "
+"and named one of Scientific American's \"50 visionaries.\" A graduate of the "
+"University of Pennsylvania, Cambridge University, and Yale Law School, "
+"Lessig clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of "
+"Appeals."
 msgstr ""
 
 #. type: Content of: <book><chapter><title>
+#, mtrans, fuzzy
 msgid "Info"
 msgstr "Info"
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid "You can buy a copy of this book by clicking on one of the links below:"
 msgstr ""
 "Du kan kjøpe en kopi av denne boken ved å klikke på en av koblingene "
@@ -97,6 +105,7 @@ msgid "<ulink url=\"http://www.penguin.com/\">Penguin</ulink>"
 msgstr ""
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "ALSO BY LAWRENCE LESSIG The Future of Ideas: The Fate of the Commons in a "
 "Connected World Code: And Other Laws of Cyberspace"
@@ -105,10 +114,12 @@ msgstr ""
 "verden-kode: og andre lover av cyberspace"
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid "THE PENGUIN PRESS NEW YORK"
 msgstr "penguin trykk new york"
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "FREE CULTURE HOW BIG MEDIA USES TECHNOLOGY AND THE HOW BIG MEDIA USES "
 "TECHNOLOGY AND LAW TO LOCK DOWN CULTURE AND CONTROL THE LAW TO LOCK DOWN "
@@ -130,24 +141,25 @@ msgid ""
 "Michael J. Copps.  Library of Congress Cataloging-in-Publication Data "
 "Lessig, Lawrence.  Free culture : how big media uses technology and the law "
 "to lock down culture and control creativity / Lawrence Lessig.  p. cm.  "
-"Includes index.  ISBN 1-59420-006-8 (hardcover)  1. Intellectual "
-"property--United States. 2. Mass media--United States.  3. Technological "
-"innovations--United States. 4. Art--United States. I. Title.  KF2979.L47 "
-"343.7309'9--dc22 This book is printed on acid-free paper.  Printed in the "
-"United States of America 1 3 5 7 9 10 8 6 4 Designed by Marysarah Quinn "
-"Without limiting the rights under copyright reserved above, no part of this "
-"publication may be reproduced, stored in or introduced into a retrieval "
-"system, or transmitted, in any form or by any means (electronic, mechanical, "
-"photocopying, recording or otherwise), without the prior written permission "
-"of both the copyright owner and the above publisher of this book.  The "
-"scanning, uploading, and distribution of this book via the Internet or via "
-"any other means without the permission of the publisher is illegal and "
-"punishable by law. Please purchase only authorized electronic editions and "
-"do not participate in or encourage electronic piracy of copyrighted "
-"materials. Your support of the author's rights is appreciated."
+"Includes index.  ISBN 1-59420-006-8 (hardcover)  1. Intellectual property--"
+"United States. 2. Mass media--United States.  3. Technological innovations--"
+"United States. 4. Art--United States. I. Title.  KF2979.L47 343.7309'9--dc22 "
+"This book is printed on acid-free paper.  Printed in the United States of "
+"America 1 3 5 7 9 10 8 6 4 Designed by Marysarah Quinn Without limiting the "
+"rights under copyright reserved above, no part of this publication may be "
+"reproduced, stored in or introduced into a retrieval system, or transmitted, "
+"in any form or by any means (electronic, mechanical, photocopying, recording "
+"or otherwise), without the prior written permission of both the copyright "
+"owner and the above publisher of this book.  The scanning, uploading, and "
+"distribution of this book via the Internet or via any other means without "
+"the permission of the publisher is illegal and punishable by law. Please "
+"purchase only authorized electronic editions and do not participate in or "
+"encourage electronic piracy of copyrighted materials. Your support of the "
+"author's rights is appreciated."
 msgstr ""
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "To Eric Eldred--whose work first drew me to this cause, and for whom it "
 "continues still."
@@ -156,6 +168,7 @@ msgstr ""
 "den fortsetter fremdeles."
 
 #. type: Content of: <book><chapter><figure><title>
+#, mtrans, fuzzy
 msgid "Creative Commons, Some rights reserved"
 msgstr "Creative commons, noen rettigheter"
 
@@ -164,14 +177,17 @@ msgid "<graphic fileref=\"webcc.gif\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><lot><title>
+#, mtrans, fuzzy
 msgid "List of figures"
 msgstr "figurliste"
 
 #. type: Content of: <book><chapter><title>
+#, mtrans, fuzzy
 msgid "PREFACE"
 msgstr "Forord"
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "At the end of his review of my first book, Code: And Other Laws of "
 "Cyberspace, David Pogue, a brilliant writer and author of countless "
@@ -185,7 +201,8 @@ msgstr ""
 msgid ""
 "David Pogue, \"Don't Just Chat, Do Something,\" New York Times, 30 January "
 "2000."
-msgstr "David pogue, \"ikke bare chat, gjøre noe,\" new york times, 30 januar 2000."
+msgstr ""
+"David pogue, \"ikke bare chat, gjøre noe,\" new york times, 30 januar 2000."
 
 #. type: Content of: <book><chapter><blockquote><para>
 msgid ""
@@ -207,9 +224,9 @@ msgstr ""
 "Pogue var skeptisk til argumentet kjernen av boken--denne programvaren, "
 "eller \"kode\", som fungerte som et slags lov-- og sin anmeldelse foreslo "
 "lykkelig tanken at hvis livet i cyberspace fikk dårlig, vi kan alltid "
-"\"duskregn, drazzle, druzzle, drome\"-som bare snu en bryter og være "
-"hjem. Slå av modemet, koble fra datamaskinen, og eventuelle problemer som "
-"finnes i at plass ikke ville \"påvirke\" oss lenger."
+"\"duskregn, drazzle, druzzle, drome\"-som bare snu en bryter og være hjem. "
+"Slå av modemet, koble fra datamaskinen, og eventuelle problemer som finnes i "
+"at plass ikke ville \"påvirke\" oss lenger."
 
 #, mtrans, fuzzy
 msgid ""
@@ -228,6 +245,7 @@ msgstr ""
 "Internetts effekt."
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "But unlike Code, the argument here is not much about the Internet itself. It "
 "is instead about the consequence of the Internet to a part of our tradition "
@@ -240,12 +258,13 @@ msgstr ""
 "innrømme, mye viktigere."
 
 #. type: Content of: <book><chapter><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Richard M. Stallman, Free Software, Free Societies 57 ( Joshua Gay, ed.  "
 "2002)."
 msgstr ""
-"Richard m stallman, fri programvare, gratis samfunn 57 (joshua homofil, "
-"ed. 2002)."
+"Richard m stallman, fri programvare, gratis samfunn 57 (joshua homofil, ed. "
+"2002)."
 
 #. type: Content of: <book><chapter><para>
 msgid ""
@@ -279,8 +298,7 @@ msgstr ""
 "industri av kultur som definert av det tjuende århundre. enten du er på "
 "venstre eller høyre, hvis du er i denne forstand disinterested, vil "
 "historien jeg fortelle her problemer du. for at endringene beskrive jeg "
-"påvirker verdier som begge sider av vår politiske kultur anser "
-"grunnleggende."
+"påvirker verdier som begge sider av vår politiske kultur anser grunnleggende."
 
 #, mtrans, fuzzy
 msgid ""
@@ -308,11 +326,11 @@ msgstr "William safire, \"stor media svelge,\" mai new york times, 22 2003."
 
 #. type: Content of: <book><chapter><blockquote><para>
 msgid ""
-"Does that sound unconservative? Not to me. The concentration of "
-"power--political, corporate, media, cultural--should be anathema to "
-"conservatives. The diffusion of power through local control, thereby "
-"encouraging individual participation, is the essence of federalism and the "
-"greatest expression of democracy.<placeholder type=\"footnote\" id=\"0\"/>"
+"Does that sound unconservative? Not to me. The concentration of power--"
+"political, corporate, media, cultural--should be anathema to conservatives. "
+"The diffusion of power through local control, thereby encouraging individual "
+"participation, is the essence of federalism and the greatest expression of "
+"democracy.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #, mtrans, fuzzy
@@ -346,6 +364,7 @@ msgstr ""
 
 #.  PAGE BREAK 14 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "I accept that criticism, if indeed it is a criticism. The work of a lawyer "
 "is always derivative, and I mean to do nothing more in this book than to "
@@ -364,18 +383,19 @@ msgstr ""
 "Jeg godtar at kritikk, hvis det er faktisk en kritikk. arbeidet med en "
 "advokat er alltid avledede produkter, og jeg mener å gjøre ingenting mer i "
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-"betalt, er anarki, ikke frihet. Anarki er ikke hva jeg forhånd her."
+"egen. som stallman forsvare jeg denne tradisjonen på grunnlag av verdiene. "
+"som stallman tror jeg det er verdiene av frihet. og som stallman, jeg tror "
+"de er verdiene for vår fortid som må forsvares i vår fremtid. en fri kultur "
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+"vi er på akkurat nå. XV som Stallmans argumenter gratis programvare, et "
+"argument for fri kultur stumbles på en forvirring som er vanskelig å unngå, "
+"og enda vanskeligere å forstå. en fri kultur er ikke en kultur uten "
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+"uten egenskapen eller i hvilke skaperne kan ikke få betalt, er anarki, ikke "
+"frihet. Anarki er ikke hva jeg forhånd her."
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "Instead, the free culture that I defend in this book is a balance between "
 "anarchy and control. A free culture, like a free market, is filled with "
@@ -394,10 +414,12 @@ msgstr ""
 "om vår kultur i dag. Det er mot at ekstremisme som denne boken er skrevet."
 
 #. type: Content of: <book><chapter><title>
+#, mtrans, fuzzy
 msgid "INTRODUCTION"
 msgstr "Introduksjon"
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "On December 17, 1903, on a windy North Carolina beach for just shy of one "
 "hundred seconds, the Wright brothers demonstrated that a heavier-than-air, "
@@ -414,6 +436,7 @@ msgstr ""
 "videre på den."
 
 #. type: Content of: <book><chapter><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "St. George Tucker, Blackstone's Commentaries 3 (South Hackensack, N.J.: "
 "Rothman Reprints, 1969), 18."
@@ -434,12 +457,13 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
-"Then came airplanes, and for the first time, this principle of American "
-"law--deep within the foundations of our tradition, and acknowledged by the "
-"most important legal thinkers of our past--mattered. If my land reaches to "
-"the heavens, what happens when United flies over my field? Do I have the "
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+"Then came airplanes, and for the first time, this principle of American law--"
+"deep within the foundations of our tradition, and acknowledged by the most "
+"important legal thinkers of our past--mattered. If my land reaches to the "
+"heavens, what happens when United flies over my field? Do I have the right "
+"to banish it from my property? Am I allowed to enter into an exclusive "
 "license with Delta Airlines? Could we set up an auction to decide how much "
 "these rights are worth?"
 msgstr ""
@@ -475,12 +499,12 @@ msgstr ""
 msgid ""
 "The Supreme Court agreed to hear the Causbys' case. Congress had declared "
 "the airways public, but if one's property really extended to the heavens, "
-"then Congress's declaration could well have been an unconstitutional "
-"\"taking\" of property without compensation. The Court acknowledged that "
-"\"it is ancient doctrine that common law ownership of the land extended to "
-"the periphery of the universe.\" But Justice Douglas had no patience for "
-"ancient doctrine. In a single paragraph, hundreds of years of property law "
-"were erased. As he wrote for the Court,"
+"then Congress's declaration could well have been an unconstitutional \"taking"
+"\" of property without compensation. The Court acknowledged that \"it is "
+"ancient doctrine that common law ownership of the land extended to the "
+"periphery of the universe.\" But Justice Douglas had no patience for ancient "
+"doctrine. In a single paragraph, hundreds of years of property law were "
+"erased. As he wrote for the Court,"
 msgstr ""
 "Høyesterett enige om å høre causbys' tilfelle. Kongressen hadde erklært "
 "luftveiene offentlige, men hvis ens egenskapen virkelig utvidet til "
@@ -506,9 +530,9 @@ msgstr ""
 "bli en \"tar\" Hvis regjeringens bruken av sine land ødelagt effektivt "
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-"kulturelle geografi forfatterskap,\" stanford law gå gjennom 48 (1996): "
-"året etter, 1333. Se også paul goldstein, fast eiendom (mineola, n.y.: "
-"foundation press (1984)), 1112­13."
+"kulturelle geografi forfatterskap,\" stanford law gå gjennom 48 (1996): året "
+"etter, 1333. Se også paul goldstein, fast eiendom (mineola, n.y.: foundation "
+"press (1984)), 1112­13."
 
 #. type: Content of: <book><chapter><blockquote><para>
 msgid ""
@@ -518,8 +542,8 @@ msgid ""
 "suits. Common sense revolts at the idea. To recognize such private claims to "
 "the airspace would clog these highways, seriously interfere with their "
 "control and development in the public interest, and transfer into private "
-"ownership that to which only the public has a just claim.<placeholder "
-"type=\"footnote\" id=\"0\"/>"
+"ownership that to which only the public has a just claim.<placeholder type="
+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #, mtrans, fuzzy
@@ -529,13 +553,13 @@ msgstr "sunn fornuft opprør på ideen."
 #, mtrans, fuzzy
 msgid ""
 "This is how the law usually works. Not often this abruptly or impatiently, "
-"but eventually, this is how it works. It was Douglas's style not to "
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-"technologies of the time. And as it adjusts, it changes. Ideas that were as "
-"solid as rock in one age crumble in another."
+"but eventually, this is how it works. It was Douglas's style not to dither. "
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+"the time. And as it adjusts, it changes. Ideas that were as solid as rock in "
+"one age crumble in another."
 msgstr ""
 "Dette er hvordan loven fungerer vanligvis. ikke ofte dette brått eller "
 "impatiently, men til slutt, er dette hvordan det fungerer. Det var douglas's "
@@ -568,10 +592,10 @@ msgstr ""
 "den andre siden av endringen. causbys var bare bønder. og selv om det var "
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 "alle de ønsket. de kunne ringe sine representanter eller selv fil en "
@@ -581,6 +605,7 @@ msgstr ""
 
 #.  PAGE BREAK 19 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "Edwin Howard Armstrong is one of America's forgotten inventor geniuses. He "
 "came to the great American inventor scene just after the titans Thomas "
@@ -603,28 +628,29 @@ msgstr ""
 "radio."
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "On the day after Christmas, 1933, four patents were issued to Armstrong for "
 "his most significant invention--FM radio. Until then, consumer radio had "
 "been amplitude-modulated (AM) radio. The theorists of the day had said that "
 "frequency-modulated (FM) radio could never work. They were right about FM "
-"radio in a narrow band of spectrum.  But Armstrong discovered that "
-"frequency-modulated radio in a wide band of spectrum would deliver an "
-"astonishing fidelity of sound, with much less transmitter power and static."
+"radio in a narrow band of spectrum.  But Armstrong discovered that frequency-"
+"modulated radio in a wide band of spectrum would deliver an astonishing "
+"fidelity of sound, with much less transmitter power and static."
 msgstr ""
 "på dagen etter jul, var 1933, fire patenter utstedt til armstrong for hans "
 "viktigste oppfinnelse--fm-radio. inntil da, hadde forbruker radio vært "
-"amplitude modulated (am)-radio. teoretikere av dagen hadde sagt at "
-"frekvens-modulated (fm)-radio kan aldri fungere. de var rett om fm-radio i "
-"et smale band av spekteret. men armstrong oppdaget at frekvens-modulated "
-"radio i et bredt spektrum-band ville levere en forbløffende gjengivelse av "
-"lyd, med mye mindre transmitter strøm og statisk."
+"amplitude modulated (am)-radio. teoretikere av dagen hadde sagt at frekvens-"
+"modulated (fm)-radio kan aldri fungere. de var rett om fm-radio i et smale "
+"band av spekteret. men armstrong oppdaget at frekvens-modulated radio i et "
+"bredt spektrum-band ville levere en forbløffende gjengivelse av lyd, med mye "
+"mindre transmitter strøm og statisk."
 
 #, mtrans, fuzzy
 msgid ""
 "On November 5, 1935, he demonstrated the technology at a meeting of the "
-"Institute of Radio Engineers at the Empire State Building in New York "
-"City. He tuned his radio dial across a range of AM stations, until the radio "
+"Institute of Radio Engineers at the Empire State Building in New York City. "
+"He tuned his radio dial across a range of AM stations, until the radio "
 "locked on a broadcast that he had arranged from seventeen miles away. The "
 "radio fell totally silent, as if dead, and then with a clarity no one else "
 "in that room had ever heard from an electrical device, it produced the sound "
@@ -641,16 +667,18 @@ msgstr ""
 "frekvensmodulasjon to og en halv meter.\""
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid "The audience was hearing something no one had thought possible:"
 msgstr "publikum var høre noe ingen trodde mulig:"
 
 #. type: Content of: <book><chapter><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Lawrence Lessing, Man of High Fidelity: Edwin Howard Armstrong "
 "(Philadelphia: J. B. Lipincott Company, 1956), 209."
 msgstr ""
-"Lawrence lessing, mann av Hi-Fi: edwin howard armstrong (philadelphia: "
-"j. b. lipincott selskap, 1956), 209."
+"Lawrence lessing, mann av Hi-Fi: edwin howard armstrong (philadelphia: j. b. "
+"lipincott selskap, 1956), 209."
 
 #. type: Content of: <book><chapter><blockquote><para>
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@@ -659,19 +687,19 @@ msgid ""
 "sounded like paper and not like a crackling forest fire. . . . Sousa marches "
 "were played from records and a piano solo and guitar number were "
 "performed. . . . The music was projected with a live-ness rarely if ever "
-"heard before from a radio \"music box.\"<placeholder type=\"footnote\" "
-"id=\"0\"/>"
+"heard before from a radio \"music box.\"<placeholder type=\"footnote\" id="
+"\"0\"/>"
 msgstr ""
 
 #.  PAGE BREAK 20 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "As our own common sense tells us, Armstrong had discovered a vastly superior "
 "radio technology. But at the time of his invention, Armstrong was working "
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 #.  PAGE BREAK 22 
 #. type: Content of: <book><chapter><para>
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 msgstr ""
 
 #. type: Content of: <book><chapter><para>
@@ -855,14 +889,15 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><para>
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 "As the Internet has been integrated into ordinary life, it has changed "
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@@ -876,6 +911,7 @@ msgstr ""
 "Internett. men dette er ikke en bok om Internett."
 
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@@ -966,6 +1001,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><para><footnote><para>
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@@ -975,20 +1011,21 @@ msgstr ""
 
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-"This rough divide between the free and the controlled has now been "
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 "konkurransen."
 
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 "ikke en moral-tale. heller ikke er det et kall til jihad mot en bransje."
 
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 "fordeler rcas i vår tid og passer vår egen virke ureflekterende intuisjoner?"
 
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@@ -1280,6 +1322,7 @@ msgstr ""
 "system som fanges opp av noen kraftige spesielle interesser?"
 
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 "ideer."
 
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@@ -1355,6 +1399,7 @@ msgstr ""
 "har alltid vært."
 
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@@ -1390,6 +1435,7 @@ msgstr ""
 
 #.  f1 
 #. type: Content of: <book><chapter><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Bach v. Longman, 98 Eng. Rep. 1274 (1777) (Mansfield)."
 msgstr "Bach v. longman, 98 eng. rep 1274 (1777) (mansfield)."
 
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@@ -1455,20 +1500,21 @@ msgstr ""
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+"brukt, er i sin kjerne en ekstraordinære idé som er nesten helt sikkert galt."
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid "The idea goes something like this:"
 msgstr "ideen går omtrent slik:"
 
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 msgid ""
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@@ -1487,10 +1533,10 @@ msgstr ""
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 "Lisa Bannon, \"The Birds May Sing, but Campers Can't Unless They Pay Up,\" "
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-"\"Calling Off the Copyright War: In Battle of Property vs. Free Speech, No "
-"One Wins,\" Boston Globe, 24 November 2002."
+"Wall Street Journal, 21 August 1996, available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #3</ulink>; Jonathan Zittrain, \"Calling Off the "
+"Copyright War: In Battle of Property vs. Free Speech, No One Wins,\" Boston "
+"Globe, 24 November 2002."
 msgstr ""
 
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@@ -1500,9 +1546,9 @@ msgid ""
 "creative property<placeholder type=\"footnote\" id=\"0\"/> --if there is "
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-"failing to pay for the songs that girls sang around Girl Scout "
-"campfires.<placeholder type=\"footnote\" id=\"1\"/> There was \"value\" (the "
-"songs) so there must have been a \"right\"--even against the Girl Scouts."
+"failing to pay for the songs that girls sang around Girl Scout campfires."
+"<placeholder type=\"footnote\" id=\"1\"/> There was \"value\" (the songs) so "
+"there must have been a \"right\"--even against the Girl Scouts."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -1516,10 +1562,11 @@ msgstr ""
 "Denne ideen er absolutt en mulig forståelse av hvordan kreative egenskapen "
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-"av creative-egenskapen har aldri vært america's teori om "
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+"av creative-egenskapen har aldri vært america's teori om kreative-"
+"egenskapen. Det har aldri tatt tak i vår lov."
 
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+#, mtrans, fuzzy
 msgid ""
 "Instead, in our tradition, intellectual property is an instrument. It sets "
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@@ -1533,6 +1580,7 @@ msgstr ""
 "opptatt av å beskytte instrumentet at vi mister synet av verdien."
 
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+#, mtrans, fuzzy
 msgid ""
 "The source of this confusion is a distinction that the law no longer takes "
 "care to draw--the distinction between republishing someone's work on the one "
@@ -1547,6 +1595,7 @@ msgstr ""
 "regulerer i dag begge."
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "Before the technologies of the Internet, this conflation didn't matter all "
 "that much. The technologies of publishing were expensive; that meant the "
@@ -1562,6 +1611,7 @@ msgstr ""
 
 #.  f4 
 #. type: Content of: <book><chapter><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "In The Rise of the Creative Class (New York: Basic Books, 2002), Richard "
 "Florida documents a shift in the nature of labor toward a labor of "
@@ -1584,19 +1634,18 @@ msgid ""
 "law has disappeared. The law controls not just the creativity of commercial "
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-"extraordinary range of commercial and noncommercial creativity, the law "
-"burdens this creativity with insanely complex and vague rules and with the "
-"threat of obscenely severe penalties. We may be seeing, as Richard Florida "
-"writes, the \"Rise of the Creative Class.\"<placeholder type=\"footnote\" "
-"id=\"0\"/> Unfortunately, we are also seeing an extraordinary rise of "
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+"regulates as broadly and obscurely as it does, the extension matters a lot. "
+"The burden of this law now vastly outweighs any original benefit--certainly "
+"as it affects noncommercial creativity, and increasingly as it affects "
+"commercial creativity as well. Thus, as we'll see more clearly in the "
+"chapters below, the law's role is less and less to support creativity, and "
+"more and more to protect certain industries against competition. Just at the "
+"time digital technology could unleash an extraordinary range of commercial "
+"and noncommercial creativity, the law burdens this creativity with insanely "
+"complex and vague rules and with the threat of obscenely severe penalties. "
+"We may be seeing, as Richard Florida writes, the \"Rise of the Creative "
+"Class.\"<placeholder type=\"footnote\" id=\"0\"/> Unfortunately, we are also "
+"seeing an extraordinary rise of regulation of this creative class."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -1610,10 +1659,12 @@ msgstr ""
 "gjeldende slagene om virkemåten merket \"piratkopiering\"."
 
 #. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy
 msgid "CHAPTER ONE: Creators"
 msgstr "Kapittel en: skaperne"
 
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+#, mtrans, fuzzy
 msgid ""
 "In 1928, a cartoon character was born. An early Mickey Mouse made his debut "
 "in May of that year, in a silent flop called Plane Crazy.  In November, in "
@@ -1627,6 +1678,7 @@ msgstr ""
 "steamboat willie brakt til liv tegnet som skulle bli Mikke Mus."
 
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+#, mtrans, fuzzy
 msgid ""
 "Synchronized sound had been introduced to film a year earlier in the movie "
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@@ -1643,6 +1695,7 @@ msgstr ""
 
 #.  PAGE BREAK 35 
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+#, mtrans, fuzzy
 msgid ""
 "A couple of my boys could read music, and one of them could play a mouth "
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@@ -1655,6 +1708,7 @@ msgstr ""
 "Ã¥ se bildet."
 
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+#, mtrans, fuzzy
 msgid ""
 "The boys worked from a music and sound-effects score. After several false "
 "starts, sound and action got off with the gun. The mouth organist played the "
@@ -1663,8 +1717,8 @@ msgid ""
 msgstr ""
 "gutter jobbet fra en musikk og lydeffekter score. etter flere falske starter "
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+"av oss i lyd avdeling bammed tin pans og blåste lysbilde plystre på beat. "
+"synkroniseringen var ganske nær."
 
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 #. type: Content of: <book><chapter><sect1><blockquote><para><footnote><para>
@@ -1681,37 +1735,39 @@ msgid ""
 "The effect on our little audience was nothing less than electric.  They "
 "responded almost instinctively to this union of sound and motion. I thought "
 "they were kidding me. So they put me in the audience and ran the action "
-"again. It was terrible, but it was wonderful! And it was something "
-"new!<placeholder type=\"footnote\" id=\"0\"/>"
+"again. It was terrible, but it was wonderful! And it was something new!"
+"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #, mtrans, fuzzy
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 "Disney's then partner, and one of animation's most extraordinary talents, Ub "
-"Iwerks, put it more strongly: \"I have never been so thrilled in my "
-"life. Nothing since has ever equaled it.\""
+"Iwerks, put it more strongly: \"I have never been so thrilled in my life. "
+"Nothing since has ever equaled it.\""
 msgstr ""
 "Disney's deretter partner, og en av animasjons mest ekstraordinære talenter, "
 "ub iwerks, sette det mer sterkt: \"Jeg har aldri vært så begeistret i mitt "
 "liv. ingenting siden har noensinne equaled den.\""
 
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+#, mtrans, fuzzy
 msgid ""
-"Disney had created something very new, based upon something relatively "
-"new. Synchronized sound brought life to a form of creativity that had "
-"rarely--except in Disney's hands--been anything more than filler for other "
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+"standard that others struggled to match.  And quite often, Disney's great "
+"genius, his spark of creativity, was built upon the work of others."
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-"Disney hadde opprettet noe veldig nytt, basert på noe relativt "
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 "This much is familiar. What you might not know is that 1928 also marks "
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 "keaton. filmen var steamboat bill, jr."
 
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+#, mtrans, fuzzy
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-"July 2003, on file with author."
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+"\" (Delille), \"Mischief Makers\" (Carbonara), \"Joyful Hurry No. "
+"1\" (Baron), and \"Gawky Rube\" (Lakay). A sixth song, \"The Turkey in the "
+"Straw,\" was already in the public domain. Letter from David Smith to Harry "
+"Surden, 10 July 2003, on file with author."
 msgstr ""
 
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 "He was also a fan of the public domain. See Chris Sprigman, \"The Mouse that "
-"Ate the Public Domain,\" Findlaw, 5 March 2002, at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #5</ulink>."
+"Ate the Public Domain,\" Findlaw, 5 March 2002, at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #5</ulink>."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
@@ -1777,14 +1834,15 @@ msgid ""
 "his day.<placeholder type=\"footnote\" id=\"0\"/> So did many others. Early "
 "cartoons are filled with knockoffs--slight variations on winning themes; "
 "retellings of ancient stories. The key to success was the brilliance of the "
-"differences. With Disney, it was sound that gave his animation its "
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 "cartoons with which he competed. Yet these additions were built upon a base "
 "that was borrowed.  Disney added to the work of others before him, creating "
 "something new out of something just barely old."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Sometimes this borrowing was slight. Sometimes it was significant.  Think "
 "about the fairy tales of the Brothers Grimm. If you're as oblivious as I "
@@ -1797,13 +1855,14 @@ msgstr ""
 "noen ganger var denne lån liten. noen ganger var det betydelig. Tenk på "
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+"sengetid eller når som helst."
 
 #.  PAGE BREAK 37 
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 "Disney took these stories and retold them in a way that carried them into a "
 "new age. He animated the stories, with both characters and light. Without "
@@ -1819,8 +1878,8 @@ msgid ""
 "recent example that we should perhaps quickly forget, Treasure Planet "
 "(2003). In all of these cases, Disney (or Disney, Inc.) ripped creativity "
 "from the culture around him, mixed that creativity with his own "
-"extraordinary talent, and then burned that mix into the soul of his "
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+"Rip, mix, and burn."
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 "Dette er en slags kreativitet. Det er en kreativitet som vi bør huske og "
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+"Det er mer presist, \"walt disney kreativitet\"--en form for uttrykk og geni "
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 #.  f4 
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@@ -1864,20 +1923,20 @@ msgid ""
 "year, and the proportion renewing. Thus, if 100 copyrights are registered in "
 "year 1, and only 15 are renewed, and the renewal term is 28 years, then the "
 "average term is 32.2 years. For the renewal data and other relevant data, "
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-"url=\"http://free-culture.cc/notes/\">link #6</ulink>."
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-"In 1928, the culture that Disney was free to draw upon was relatively "
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-"type=\"footnote\" id=\"0\"/> That means that for thirty years, on average, "
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+"\"footnote\" id=\"0\"/> That means that for thirty years, on average, the "
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 msgstr ""
 
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@@ -1891,14 +1950,15 @@ msgid ""
 msgstr ""
 "på slutten av en opphavsrett sikt sender et arbeid i public domain. Ingen "
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+"hvis du vil bruke, og bygge på."
 
 #.  PAGE BREAK 38 
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@@ -1924,20 +1984,20 @@ msgid ""
 "does America. The norm of free culture has, until recently, and except "
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 "Consider, for example, a form of creativity that seems strange to many "
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 "But my purpose here is not to understand manga. It is to describe a variant "
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+"review doujinshi for inclusion within shows and reject any copycat comic "
+"that is merely a copy."
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-"These copycat comics are not a tiny part of the manga market. They are "
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-"together twice a year, in the largest public gathering in the country, to "
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-"manga market to shut the doujinshi market down. It flourishes, despite the "
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+"med en annen historie-linje. eller tegneserier kan holde tegnet i karakter, "
+"men endre sitt utseende litt. Det er ingen formel for det som gjør doujinshi "
+"tilstrekkelig \"annerledes.\", men de må være forskjellige hvis de skal "
+"anses som sann doujinshi. Det er faktisk komiteer som gjennomgå doujinshi "
+"for inkludering i viser og avvise enhver copycat tegneserie som er bare en "
+"kopi."
+
+#, mtrans, fuzzy
+msgid ""
+"These copycat comics are not a tiny part of the manga market. They are huge. "
+"More than 33,000 \"circles\" of creators from across Japan produce these "
+"bits of Walt Disney creativity. More than 450,000 Japanese come together "
+"twice a year, in the largest public gathering in the country, to exchange "
+"and sell them. This market exists in parallel to the mainstream commercial "
+"manga market. In some ways, it obviously competes with that market, but "
+"there is no sustained effort by those who control the commercial manga "
+"market to shut the doujinshi market down. It flourishes, despite the "
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 msgstr ""
 "disse copycat tegneseriene er ikke en liten del av manga-markedet. de er "
@@ -2021,8 +2082,8 @@ msgstr ""
 "to ganger i året, i den største offentlig sammenkomst i landet, å bytte og "
 "selge dem. Dette markedet finnes i parallell til det mainstream kommersielle "
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 #, mtrans, fuzzy
@@ -2053,6 +2114,7 @@ msgstr ""
 
 #.  f5 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "For an excellent history, see Scott McCloud, Reinventing Comics (New York: "
 "Perennial, 2000)."
@@ -2068,25 +2130,25 @@ msgid ""
 "days of comics in America are very much like what's going on in Japan "
 "now. . . . American comics were born out of copying each other. . . . That's "
 "how [the artists] learn to draw--by going into comic books and not tracing "
-"them, but looking at them and copying them\" and building from "
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 #, mtrans, fuzzy
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 "American comics now are quite different, Winick explains, in part because of "
-"the legal difficulty of adapting comics the way doujinshi are "
-"allowed. Speaking of Superman, Winick told me, \"there are these rules and "
-"you have to stick to them.\" There are things Superman \"cannot\" do. \"As a "
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+"Speaking of Superman, Winick told me, \"there are these rules and you have "
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+"old.\""
 msgstr ""
 "amerikanske tegneserier nå er helt forskjellige, winick forklarer, delvis på "
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+"\"som en creator, det er frustrerende måtte holde oss til noen parametere "
+"som er femti år.\""
 
 #, mtrans, fuzzy
 msgid ""
@@ -2096,8 +2158,8 @@ msgid ""
 "would lead manga and anime artists to forgo bringing legal actions for "
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 msgstr ""
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@@ -2114,9 +2176,9 @@ msgid ""
 "the benefit accruing to the Japanese manga market that explains the "
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+"ban doujinshi.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #, mtrans, fuzzy
@@ -2144,8 +2206,8 @@ msgid ""
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 msgstr ""
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@@ -2155,6 +2217,7 @@ msgstr ""
 
 #.  PAGE BREAK 41 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "This is a theme to which we will return: that regulation by law is a "
 "function of both the words on the books and the costs of making those words "
@@ -2177,6 +2240,7 @@ msgstr ""
 "en pause for et øyeblikk."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "If you're like I was a decade ago, or like most people are when they first "
 "start thinking about these issues, then just about now you should be puzzled "
@@ -2222,14 +2286,15 @@ msgid ""
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+"from the Grimms because the Grimms' work was in the public domain."
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 #.  PAGE BREAK 42 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "Thus, even though the things that Disney took--or more generally, the things "
 "taken by anyone exercising Walt Disney creativity--are valuable, our "
@@ -2242,6 +2307,7 @@ msgstr ""
 "innenfor en fri kultur, og at frihet er bra."
 
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+#, mtrans, fuzzy
 msgid ""
 "The same with the doujinshi culture. If a doujinshi artist broke into a "
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@@ -2282,9 +2348,9 @@ msgid ""
 "of movie: five asteroid films in the late 1990s; two volcano disaster films "
 "in 1997."
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-"Det er det samme med tusen eksempler som vises overalt når du begynner å "
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@@ -2295,6 +2361,7 @@ msgstr ""
 
 #.  PAGE BREAK 43 
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@@ -2336,6 +2403,7 @@ msgstr ""
 "studio eller ikke?"
 
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+#, mtrans, fuzzy
 msgid ""
 "Free cultures are cultures that leave a great deal open for others to build "
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@@ -2362,21 +2430,21 @@ msgstr ""
 "i 1839, louis daguerre oppfant den første praktiske teknologien for å "
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-"konkurranse å holde prisene.)"
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 "Yet despite high prices, the demand for daguerreotypes was strong.  This "
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+"\" But because the negatives were glass, and had to be kept wet, the process "
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 "likevel til tross for høye priser var etterspørselen etter daguerreotypes "
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@@ -2389,27 +2457,29 @@ msgstr ""
 
 #.  PAGE BREAK 45 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "The technological change that made mass photography possible didn't happen "
 "until 1888, and was the creation of a single man. George Eastman, himself an "
 "amateur photographer, was frustrated by the technology of photographs made "
 "with plates. In a flash of insight (so to speak), Eastman saw that if the "
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 "photography down substantially. By lowering the costs, Eastman expected he "
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 msgstr ""
 "teknologiske endringen som gjorde det mulig masse fotografering skje ikke "
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+"teknologi. i en flash av innsikt (så å si), så eastman at hvis filmen kan "
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 "fotografering vesentlig. ved å senke kostnadene, forventet eastman han kan "
 "dramatisk utvide befolkningen av fotografer."
 
 #.  f1 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Reese V. Jenkins, Images and Enterprise (Baltimore: Johns Hopkins University "
 "Press, 1975), 112."
@@ -2427,6 +2497,7 @@ msgstr ""
 
 #.  f2 
 #. type: Content of: <book><chapter><sect1><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Brian Coe, The Birth of Photography (New York: Taplinger Publishing, 1977), "
 "53."
@@ -2448,11 +2519,13 @@ msgstr ""
 
 #.  f3 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Jenkins, 177."
 msgstr "Jenkins, 177."
 
 #.  f4 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Based on a chart in Jenkins, p. 178."
 msgstr "basert på et diagram i jenkins, s. 178."
 
@@ -2473,6 +2546,7 @@ msgstr ""
 
 #.  f5 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Coe, 58."
 msgstr "Coe, 58."
 
@@ -2515,6 +2589,7 @@ msgstr ""
 
 #.  f6 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "For illustrative cases, see, for example, Pavesich v. N.E. Life Ins. Co., 50 "
 "S.E."
@@ -2530,8 +2605,8 @@ msgid ""
 "photography, there was a series of judicial decisions that could well have "
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-"could capture and print whatever image he wanted. Their answer was "
-"no.<placeholder type=\"footnote\" id=\"0\"/>"
+"could capture and print whatever image he wanted. Their answer was no."
+"<placeholder type=\"footnote\" id=\"0\"/>"
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 #, mtrans, fuzzy
@@ -2566,9 +2641,9 @@ msgid ""
 "Brandeis, who would become a Supreme Court Justice, thought the rule should "
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+"without compensating the source."
 msgstr ""
 
 #.  f8 
@@ -2577,13 +2652,13 @@ msgstr ""
 msgid ""
 "See Melville B. Nimmer, \"The Right of Publicity,\" Law and Contemporary "
 "Problems 19 (1954): 203; William L. Prosser, \"Privacy,\" California Law "
-"Review 48 (1960) 398­407; White v. Samsung Electronics America, Inc., 971 "
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+"Review 48 (1960) 398­407; White v. Samsung Electronics America, Inc., 971 F.  "
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-"f. 2D 1395 (9 cir. 1992), cert. nektet, 508 amerikansk 951 (1993)."
+"(1954): 203; William l. prosser, \"personvern\", california lov gå gjennom "
+"48 (1960) 398­407; hvite v. samsung electronics america, inc., 971 f. 2D 1395 "
+"(9 cir. 1992), cert. nektet, 508 amerikansk 951 (1993)."
 
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-"type=\"footnote\" id=\"0\"/>)"
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+"\" id=\"0\"/>)"
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@@ -2630,30 +2705,30 @@ msgid ""
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+"something about media by doing something with media.  By doing, they think. "
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 msgstr ""
 "men selv om vi kunne tenke seg dette systemet av tillatelse, det ville være "
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 "H. Edward Goldberg, \"Essential Presentation Tools: Hardware and Software "
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-"These buses are not cheap, but the technology they carry is increasingly "
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 "stedet, som daley forklart,"
 
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@@ -2851,11 +2931,13 @@ msgstr ""
 
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 msgstr "Intervju med daley og barish."
 
 #.  f31 
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 msgstr "ibid."
 
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 msgid "Telephone interview with David Winer, 16 April 2003."
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 #.  PAGE BREAK 60 
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 #.  PAGE BREAK 63 
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+"student at RPI, one at Michigan Technical University, and one at Princeton. "
+"Their situations were similar to Jesse's. Though each case was different in "
+"detail, the bottom line in each was exactly the same: huge demands for "
+"\"damages\" that the RIAA claimed it was entitled to.  If you added up the "
+"claims, these four lawsuits were asking courts in the United States to award "
+"the plaintiffs close to $100 billion--six times the total profit of the film "
+"industry in 2001.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "Jesse called his parents. They were supportive but a bit frightened.  An "
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@@ -3930,12 +4034,13 @@ msgstr ""
 "mange felt av teknologi for resten av sitt liv. han nektet. de gjorde ham "
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+"fortalte jesse, \"du ikke ønsker å betale et besøk til en tannlege som meg."
+"\") og hele riaa insisterte den ikke ville avgjøre saken før det tok hver "
+"krone jesse hadde lagret."
 
 #.  PAGE BREAK 65 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -3954,6 +4059,7 @@ msgstr ""
 "papir sier han og hans familie var konkurs."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "So Jesse faced a mafia-like choice: $250,000 and a chance at winning, or "
 "$12,000 and a settlement."
@@ -3965,13 +4071,13 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
 #, mtrans, fuzzy
 msgid ""
-"Occupational Employment Survey, U.S. Dept. of Labor (2001)  "
-"(27­2042--Musicians and Singers). See also National Endowment for the Arts, "
-"More Than One in a Blue Moon (2000)."
+"Occupational Employment Survey, U.S. Dept. of Labor (2001)  (27­2042--"
+"Musicians and Singers). See also National Endowment for the Arts, More Than "
+"One in a Blue Moon (2000)."
 msgstr ""
-"yrkesmessig sysselsetting undersøkelse, US dept. of labor (2001) "
-"(27­2042--musikere og vokalister). Se også nasjonale legat for arts, mer enn "
-"en i en blå månen (2000)."
+"yrkesmessig sysselsetting undersøkelse, US dept. of labor (2001) (27­2042--"
+"musikere og vokalister). Se også nasjonale legat for arts, mer enn en i en "
+"blå månen (2000)."
 
 #, mtrans, fuzzy
 msgid ""
@@ -3995,6 +4101,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "On June 23, Jesse wired his savings to the lawyer working for the RIAA. The "
 "case against him was then dismissed. And with this, this kid who had "
@@ -4005,6 +4112,7 @@ msgstr ""
 "hadde endret noe en datamaskin til en $15 millioner rettssak en aktivist:"
 
 #. type: Content of: <book><chapter><sect1><blockquote><para>
+#, mtrans, fuzzy
 msgid ""
 "I was definitely not an activist [before]. I never really meant to be an "
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@@ -4024,11 +4132,11 @@ msgid ""
 "pick on him. But he wants to let people know that they're sending the wrong "
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 msgstr ""
-"jesse's foreldre forråde en bestemt stolthet i deres motvillige "
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+"budskap. og han ønsker å korrigere posten."
 
 #, mtrans, fuzzy
 msgid "CHAPTER FOUR: \"Pirates\""
@@ -4045,13 +4153,14 @@ msgid ""
 msgstr ""
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-"denne generasjon country club--før nå."
+"deretter historien av innhold industrien er en historie om piratkopiering. "
+"viktig sektor av \"store media\" i dag - filmen, poster, radio og kabel-tv--"
+"ble født av en form for piratkopiering derfor definert. konsekvent historien "
+"er hvordan siste generasjon pirater bli med denne generasjon country club--"
+"før nå."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Film"
 msgstr "filmen"
 
@@ -4065,8 +4174,7 @@ msgid ""
 msgstr ""
 "Jeg er takknemlig til peter dimauro for å sette meg til dette ekstraordinære "
 "historie. Se også siva vaidhyanathan, opphavsrett og copywrongs, 87­93, som "
-"inneholder informasjon om edison's \"opplevelser\" med opphavsrett og "
-"patent."
+"inneholder informasjon om edison's \"opplevelser\" med opphavsrett og patent."
 
 #.  PAGE BREAK 67 
 #. type: Content of: <book><chapter><sect1><sect2><para>
@@ -4074,19 +4182,21 @@ msgid ""
 "The film industry of Hollywood was built by fleeing pirates.<placeholder "
 "type=\"footnote\" id=\"0\"/> Creators and directors migrated from the East "
 "Coast to California in the early twentieth century in part to escape "
-"controls that patents granted the inventor of filmmaking, Thomas "
-"Edison. These controls were exercised through a monopoly \"trust,\" the "
-"Motion Pictures Patents Company, and were based on Thomas Edison's creative "
+"controls that patents granted the inventor of filmmaking, Thomas Edison. "
+"These controls were exercised through a monopoly \"trust,\" the Motion "
+"Pictures Patents Company, and were based on Thomas Edison's creative "
 "property--patents.  Edison formed the MPPC to exercise the rights this "
 "creative property gave him, and the MPPC was serious about the control it "
 "demanded."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "As one commentator tells one part of the story,"
 msgstr "som en kommentator forteller en del av historien,"
 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
+#, mtrans, fuzzy
 msgid ""
 "A January 1909 deadline was set for all companies to comply with the "
 "license. By February, unlicensed outlaws, who referred to themselves as "
@@ -4098,9 +4208,9 @@ msgstr ""
 "en tidsfrist for januar 1909 ble angitt for alle selskaper i samsvar med "
 "lisens. februar, ulisensiert outlaws, som henviste til seg selv som "
 "independents protesterte tillit og videreførte virksomhet uten å sende til "
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-"importerte film lager til å lage sine egne underjordisk marked."
+"edison-monopol. i løpet av 1909 sommeren var uavhengige bevegelsen i full-"
+"swing, med produsenter og teater eiere bruker ulovlig utstyr og importerte "
+"film lager til å lage sine egne underjordisk marked."
 
 #.  f2 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
@@ -4108,13 +4218,13 @@ msgid ""
 "J. A. Aberdeen, Hollywood Renegades: The Society of Independent Motion "
 "Picture Producers (Cobblestone Entertainment, 2000) and expanded texts "
 "posted at \"The Edison Movie Monopoly: The Motion Picture Patents Company "
-"vs. the Independent Outlaws,\" available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #11</ulink>. For a discussion of "
-"the economic motive behind both these limits and the limits imposed by "
-"Victor on phonographs, see Randal C. Picker, \"From Edison to the Broadcast "
-"Flag: Mechanisms of Consent and Refusal and the Propertization of "
-"Copyright\" (September 2002), University of Chicago Law School, James "
-"M. Olin Program in Law and Economics, Working Paper No. 159."
+"vs. the Independent Outlaws,\" available at <ulink url=\"http://free-culture."
+"cc/notes/\">link #11</ulink>. For a discussion of the economic motive behind "
+"both these limits and the limits imposed by Victor on phonographs, see "
+"Randal C. Picker, \"From Edison to the Broadcast Flag: Mechanisms of Consent "
+"and Refusal and the Propertization of Copyright\" (September 2002), "
+"University of Chicago Law School, James M. Olin Program in Law and "
+"Economics, Working Paper No. 159."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
@@ -4127,8 +4237,8 @@ msgid ""
 "discontinued product supply to theaters which showed unlicensed films, and "
 "effectively monopolized distribution with the acquisition of all U.S. film "
 "exchanges, except for the one owned by the independent William Fox who "
-"defied the Trust even after his license was revoked.<placeholder "
-"type=\"footnote\" id=\"0\"/>"
+"defied the Trust even after his license was revoked.<placeholder type="
+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #.  f3 
@@ -4140,8 +4250,8 @@ msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
-"The Napsters of those days, the \"independents,\" were companies like "
-"Fox. And no less than today, these independents were vigorously resisted.  "
+"The Napsters of those days, the \"independents,\" were companies like Fox. "
+"And no less than today, these independents were vigorously resisted.  "
 "\"Shooting was disrupted by machinery stolen, and `accidents' resulting in "
 "loss of negatives, equipment, buildings and sometimes life and limb "
 "frequently occurred.\"<placeholder type=\"footnote\" id=\"0\"/> That led the "
@@ -4166,10 +4276,12 @@ msgstr ""
 "delvis fra piratkopiering av Edisons kreative eiendom."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Recorded Music"
 msgstr "innspilt musikk"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The record industry was born of another kind of piracy, though to see how "
 "requires a bit of detail about the way the law regulates music."
@@ -4190,11 +4302,11 @@ msgstr ""
 "på tiden at edison og henri fourneaux oppfunnet maskiner for å gjengi musikk "
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-"deres. med andre ord, i 1900, hvis jeg ønsket en kopi av phil russel's 1899 "
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-"den musikalske poeng, og jeg vil også måtte betale for retten til å utføre "
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+"eksklusive retten til å kontrollere offentlig fremføring av musikken deres. "
+"med andre ord, i 1900, hvis jeg ønsket en kopi av phil russel's 1899 hit "
+"\"happy mose,\" loven sa jeg måtte betale for rett til å få en kopi av den "
+"musikalske poeng, og jeg vil også måtte betale for retten til å utføre det "
+"offentlig."
 
 #, mtrans, fuzzy
 msgid ""
@@ -4230,15 +4342,17 @@ msgstr ""
 
 #.  PAGE BREAK 69 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The composers (and publishers) were none too happy about this capacity to "
 "pirate. As South Dakota senator Alfred Kittredge put it,"
 msgstr ""
-"komponister (og utgivere) var ingen så glade om denne kapasiteten til "
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+"som i Sør-dakota senator alfred sa kittredge,"
 
 #.  f4 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright: Hearings on S. 6330 "
 "and H.R. 19853 Before the ( Joint) Committees on Patents, 59th Cong. 59, 1st "
@@ -4247,25 +4361,25 @@ msgid ""
 "Brylawski and Abe Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, "
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 msgstr ""
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-"1976)."
+"endre og konsolidere handlinger som respekterer copyright: hearings på s. "
+"6330 og hr 19853 før (felles) komiteer på patenter, 59th cong. 59, 1 sess. "
+"(1906) (setning av senator alfred b. kittredge av Sør-dakota, formann), "
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+"og abe goldman, Red. (south hackensack, NJ: rothman opptrykk, 1976)."
 
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-"without any regard for [their] rights.<placeholder type=\"footnote\" "
-"id=\"0\"/>"
+"publisher buys at great expense the rights to the same and copyrights it. "
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+"deliberately steal the work of the brain of the composer and publisher "
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+"\"0\"/>"
 msgstr ""
 
 #.  f5 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 223 (statement of "
 "Nathan Burkan, attorney for the Music Publishers Association)."
@@ -4275,6 +4389,7 @@ msgstr ""
 
 #.  f6 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 226 (statement of "
 "Nathan Burkan, attorney for the Music Publishers Association)."
@@ -4284,6 +4399,7 @@ msgstr ""
 
 #.  f7 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 23 (statement of "
 "John Philip Sousa, composer)."
@@ -4296,10 +4412,10 @@ msgid ""
 "The innovators who developed the technology to record other people's works "
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 "composers,\"<placeholder type=\"footnote\" id=\"0\"/> and the \"music "
-"publishing industry\" was thereby \"at the complete mercy of this one "
-"pirate.\"<placeholder type=\"footnote\" id=\"1\"/> As John Philip Sousa put "
-"it, in as direct a way as possible, \"When they make money out of my pieces, "
-"I want a share of it.\"<placeholder type=\"footnote\" id=\"2\"/>"
+"publishing industry\" was thereby \"at the complete mercy of this one pirate."
+"\"<placeholder type=\"footnote\" id=\"1\"/> As John Philip Sousa put it, in "
+"as direct a way as possible, \"When they make money out of my pieces, I want "
+"a share of it.\"<placeholder type=\"footnote\" id=\"2\"/>"
 msgstr ""
 
 #.  f8 
@@ -4316,6 +4432,7 @@ msgstr ""
 
 #.  f9 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "To Amend and Consolidate the Acts Respecting Copyright, 376 (prepared "
 "memorandum of Philip Mauro, general patent counsel of the American "
@@ -4337,8 +4454,8 @@ msgid ""
 "of [the public], whom they represent, and whose servants they are.\" \"All "
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+"ideas musical, literary or artistic, except as defined by statute."
+"\"<placeholder type=\"footnote\" id=\"1\"/>"
 msgstr ""
 
 #, mtrans, fuzzy
@@ -4349,10 +4466,10 @@ msgid ""
 "granting the composer complete control over the right to make mechanical "
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-"once. This is the part of copyright law that makes cover songs "
-"possible. Once a composer authorizes a recording of his song, others are "
-"free to record the same song, so long as they pay the original composer a "
-"fee set by the law."
+"once. This is the part of copyright law that makes cover songs possible. "
+"Once a composer authorizes a recording of his song, others are free to "
+"record the same song, so long as they pay the original composer a fee set by "
+"the law."
 msgstr ""
 "loven løst snart denne kampen til fordel for komponisten og opptak "
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@@ -4382,6 +4499,7 @@ msgstr ""
 "Vedtektene."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This is an exception within the law of copyright. When John Grisham writes a "
 "novel, a publisher is free to publish that novel only if Grisham gives the "
@@ -4399,12 +4517,13 @@ msgstr ""
 
 #.  f10 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
-"Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and "
-"H.R. 11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., "
-"217 (1908) (statement of Senator Reed Smoot, chairman), reprinted in "
-"Legislative History of the 1909 Copyright Act, E. Fulton Brylawski and Abe "
-"Goldman, eds. (South Hackensack, N.J.: Rothman Reprints, 1976)."
+"Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and H.R. "
+"11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., 217 "
+"(1908) (statement of Senator Reed Smoot, chairman), reprinted in Legislative "
+"History of the 1909 Copyright Act, E. Fulton Brylawski and Abe Goldman, eds. "
+"(South Hackensack, N.J.: Rothman Reprints, 1976)."
 msgstr ""
 "Copyright lov revision: hearings på s. 2499, s. 2900, hr 243 og hr 11794 før "
 "(felles) komiteen på patenter, 60 cong., 1 sess., 217 (1908) (setning av "
@@ -4415,19 +4534,20 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "But the law governing recordings gives recording artists less. And thus, in "
-"effect, the law subsidizes the recording industry through a kind of "
-"piracy--by giving recording artists a weaker right than it otherwise gives "
-"creative authors. The Beatles have less control over their creative work "
-"than Grisham does. And the beneficiaries of this less control are the "
-"recording industry and the public. The recording industry gets something of "
-"value for less than it otherwise would pay; the public gets access to a much "
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-"its reasons for granting this right. Its fear was the monopoly power of "
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-"creativity.<placeholder type=\"footnote\" id=\"0\"/>"
+"effect, the law subsidizes the recording industry through a kind of piracy--"
+"by giving recording artists a weaker right than it otherwise gives creative "
+"authors. The Beatles have less control over their creative work than Grisham "
+"does. And the beneficiaries of this less control are the recording industry "
+"and the public. The recording industry gets something of value for less than "
+"it otherwise would pay; the public gets access to a much wider range of "
+"musical creativity. Indeed, Congress was quite explicit about its reasons "
+"for granting this right. Its fear was the monopoly power of rights holders, "
+"and that that power would stifle follow-on creativity.<placeholder type="
+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "While the recording industry has been quite coy about this recently, "
 "historically it has been quite a supporter of the statutory license for "
@@ -4439,10 +4559,11 @@ msgstr ""
 
 #.  f11 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Copyright Law Revision: Report to Accompany H.R. 2512, House Committee on "
-"the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March "
-"1967). I am grateful to Glenn Brown for drawing my attention to this report."
+"the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March 1967). "
+"I am grateful to Glenn Brown for drawing my attention to this report."
 msgstr ""
 "Copyright lov revision: rapporten skal følge med HR 2512, huset committee on "
 "rettsvesenet, 90th cong., 1 sess., huset dokument nr. 83, (8 mars 1967). Jeg "
@@ -4452,20 +4573,21 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
 msgid ""
 "the record producers argued vigorously that the compulsory license system "
-"must be retained. They asserted that the record industry is a "
-"half-billion-dollar business of great economic importance in the United "
-"States and throughout the world; records today are the principal means of "
-"disseminating music, and this creates special problems, since performers "
-"need unhampered access to musical material on nondiscriminatory "
-"terms. Historically, the record producers pointed out, there were no "
-"recording rights before 1909 and the 1909 statute adopted the compulsory "
-"license as a deliberate anti-monopoly condition on the grant of these "
-"rights. They argue that the result has been an outpouring of recorded music, "
-"with the public being given lower prices, improved quality, and a greater "
-"choice.<placeholder type=\"footnote\" id=\"0\"/>"
+"must be retained. They asserted that the record industry is a half-billion-"
+"dollar business of great economic importance in the United States and "
+"throughout the world; records today are the principal means of disseminating "
+"music, and this creates special problems, since performers need unhampered "
+"access to musical material on nondiscriminatory terms. Historically, the "
+"record producers pointed out, there were no recording rights before 1909 and "
+"the 1909 statute adopted the compulsory license as a deliberate anti-"
+"monopoly condition on the grant of these rights. They argue that the result "
+"has been an outpouring of recorded music, with the public being given lower "
+"prices, improved quality, and a greater choice.<placeholder type=\"footnote"
+"\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "By limiting the rights musicians have, by partially pirating their creative "
 "work, the record producers, and the public, benefit."
@@ -4474,10 +4596,12 @@ msgstr ""
 "skapende arbeid, registrere produsentene og offentligheten."
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Radio"
 msgstr "Radio"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "Radio was also born of piracy."
 msgstr "Radio ble også født av piratkopiering."
 
@@ -4487,29 +4611,29 @@ msgid ""
 "companies printed \"Not Licensed for Radio Broadcast\" and other messages "
 "purporting to restrict the ability to play a record on a radio station.  "
 "Judge Learned Hand rejected the argument that a warning attached to a record "
-"might restrict the rights of the radio station. See RCA Manufacturing "
-"Co. v. Whiteman, 114 F. 2d 86 (2nd Cir. 1940). See also Randal C.  Picker, "
-"\"From Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and "
-"the Propertization of Copyright,\" University of Chicago Law Review 70 "
-"(2003): 281."
+"might restrict the rights of the radio station. See RCA Manufacturing Co. v. "
+"Whiteman, 114 F. 2d 86 (2nd Cir. 1940). See also Randal C.  Picker, \"From "
+"Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and the "
+"Propertization of Copyright,\" University of Chicago Law Review 70 (2003): "
+"281."
 msgstr ""
 "se 17, united states code, inndelinger 106 og 110. på begynnelsen av, spille "
 "inn selskapene skrives ut \"ikke lisensiert for radiosendingen\" og andre "
 "meldinger purporting å begrense muligheten til å spille en post på en "
 "radiostasjon. dommer lært hånd avvist argumentet at en advarsel som er "
 "knyttet til en post kan begrense rettighetene til radiostasjonen. se rca "
-"produksjon co v. whiteman, 114 f. 2d 86 (2nd cir. 1940). Se også randal "
-"c. datovelger, \"fra edison til kringkasting flagg: mekanismer av samtykke "
-"og nektet og propertization av opphavsrett,\" university of chicago lov gå "
+"produksjon co v. whiteman, 114 f. 2d 86 (2nd cir. 1940). Se også randal c. "
+"datovelger, \"fra edison til kringkasting flagg: mekanismer av samtykke og "
+"nektet og propertization av opphavsrett,\" university of chicago lov gå "
 "gjennom 70 (2003): 281."
 
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 "When a radio station plays a record on the air, that constitutes a \"public "
-"performance\" of the composer's work.<placeholder type=\"footnote\" "
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-"holder) an exclusive right to public performances of his work. The radio "
-"station thus owes the composer money for that performance."
+"performance\" of the composer's work.<placeholder type=\"footnote\" id=\"0\"/"
+"> As I described above, the law gives the composer (or copyright holder) an "
+"exclusive right to public performances of his work. The radio station thus "
+"owes the composer money for that performance."
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@@ -4533,6 +4657,7 @@ msgstr ""
 "arbeid, akkurat som det lønner seg komponist av musikken for sitt arbeid."
 
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+#, mtrans, fuzzy
 msgid ""
 "But it doesn't. Under the law governing radio performances, the radio "
 "station does not have to pay the recording artist. The radio station need "
@@ -4547,6 +4672,7 @@ msgstr ""
 "noe for privilegiet av å spille sangen."
 
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+#, mtrans, fuzzy
 msgid ""
 "This difference can be huge. Imagine you compose a piece of music.  Imagine "
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@@ -4577,13 +4703,13 @@ msgstr ""
 "verdien av madonna's arbeid uten å betale henne noe."
 
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+#, mtrans, fuzzy
 msgid ""
-"No doubt, one might argue that, on balance, the recording artists "
-"benefit. On average, the promotion they get is worth more than the "
-"performance rights they give up. Maybe. But even if so, the law ordinarily "
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-"nothing."
+"No doubt, one might argue that, on balance, the recording artists benefit. "
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+"the right to make this choice. By making the choice for him or her, the law "
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 msgstr ""
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 "radiostasjonen retten til å ta noe for ingenting."
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Cable TV"
 msgstr "kabel-tv"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "Cable TV was also born of a kind of piracy."
 msgstr "kabel-tv ble også født av en form for piratkopiering."
 
 #.  PAGE BREAK 73 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "When cable entrepreneurs first started wiring communities with cable "
 "television in 1948, most refused to pay broadcasters for the content that "
@@ -4614,12 +4743,12 @@ msgstr ""
 "nektet å betale broadcasters for innhold som de echoed til sine kunder. selv "
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-"noensinne--napster belastet aldri for innholdet det aktivert andre til å gi "
-"bort."
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+"napster belastet aldri for innholdet det aktivert andre til å gi bort."
 
 #.  f13 
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+#, mtrans, fuzzy
 msgid ""
 "Copyright Law Revision--CATV: Hearing on S. 1006 Before the Subcommittee on "
 "Patents, Trademarks, and Copyrights of the Senate Committee on the "
@@ -4633,6 +4762,7 @@ msgstr ""
 
 #.  f14 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Copyright Law Revision--CATV, 116 (statement of Douglas A. Anello, general "
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@@ -4644,17 +4774,17 @@ msgstr ""
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-"\"Does public interest dictate that you use somebody else's "
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-"put it,"
+"potentially destructive competition.\"<placeholder type=\"footnote\" id="
+"\"0\"/> There may have been a \"public interest\" in spreading the reach of "
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+"type=\"footnote\" id=\"1\"/> As another broadcaster put it,"
 msgstr ""
 
 #.  f15 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
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@@ -4665,16 +4795,18 @@ msgstr ""
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+"business I know of where the product that is being sold is not paid for."
+"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "Again, the demand of the copyright holders seemed reasonable enough:"
 msgstr "igjen, etterspørselen av rettighetshavere virket fornuftig nok:"
 
 #.  f16 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Copyright Law Revision--CATV, 169 (joint statement of Arthur B.  Krim, "
 "president of United Artists Corp., and John Sinn, president of United "
@@ -4694,6 +4826,7 @@ msgstr ""
 
 #.  f17 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Copyright Law Revision--CATV, 209 (statement of Charlton Heston, president "
 "of the Screen Actors Guild)."
@@ -4704,11 +4837,12 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "These were \"free-ride[rs],\" Screen Actor's Guild president Charlton Heston "
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-"type=\"footnote\" id=\"0\"/>"
+"said, who were \"depriving actors of compensation.\"<placeholder type="
+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "But again, there was another side to the debate. As Assistant Attorney "
 "General Edwin Zimmerman put it,"
@@ -4718,6 +4852,7 @@ msgstr ""
 
 #.  f18 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Copyright Law Revision--CATV, 216 (statement of Edwin M.  Zimmerman, acting "
 "assistant attorney general)."
@@ -4731,11 +4866,12 @@ msgid ""
 "protection at all, the problem here is whether copyright holders who are "
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 "extend that monopoly. . . . The question here is how much compensation they "
-"should have and how far back they should carry their right to "
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+"should have and how far back they should carry their right to compensation."
+"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Copyright owners took the cable companies to court. Twice the Supreme Court "
 "held that the cable companies owed the copyright owners nothing."
@@ -4761,27 +4897,27 @@ msgstr ""
 "posten spillere og spilleren pianoer. Ja, kabelselskaper 'd have to pay for "
 "innholdet som de kringkaster; men prisen de vil måtte betale ble ikke angitt "
 "av eieren av opphavsretten. Prisen ble satt ved lov, slik at broadcasters "
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+"ikke kunne utøve vetorett over de nye teknologiene av-kabelen. "
+"kabelselskaper dermed bygde sitt imperium delvis på en \"piratkopiering\" av "
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 "See, for example, National Music Publisher's Association, The Engine of Free "
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-"#13</ulink>. \"The threat of piracy--the use of someone else's creative work "
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+"available at <ulink url=\"http://free-culture.cc/notes/\">link #13</ulink>. "
+"\"The threat of piracy--the use of someone else's creative work without "
+"permission or compensation--has grown with the Internet.\""
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "These separate stories sing a common theme. If \"piracy\" means using value "
-"from someone else's creative property without permission from that "
-"creator--as it is increasingly described today<placeholder type=\"footnote\" "
-"id=\"0\"/> -- then every industry affected by copyright today is the product "
-"and beneficiary of a certain kind of piracy. Film, records, radio, cable "
+"from someone else's creative property without permission from that creator--"
+"as it is increasingly described today<placeholder type=\"footnote\" id=\"0\"/"
+"> -- then every industry affected by copyright today is the product and "
+"beneficiary of a certain kind of piracy. Film, records, radio, cable "
 "TV. . . . The list is long and could well be expanded. Every generation "
 "welcomes the pirates from the last. Every generation--until now."
 msgstr ""
@@ -4791,12 +4927,13 @@ msgid "CHAPTER FIVE: \"Piracy\""
 msgstr "Kapittel fem: \"piratkopiering\""
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "There is piracy of copyrighted material. Lots of it. This piracy comes in "
 "many forms. The most significant is commercial piracy, the unauthorized "
 "taking of other people's content within a commercial context. Despite the "
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@@ -4808,11 +4945,10 @@ msgstr ""
 msgid ""
 "But as well as copy-shop piracy, there is another kind of \"taking\" that is "
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+"this taking is significantly more ambiguous than outright copying, and the "
+"law should account for that ambiguity, as it has so often done in the past."
 msgstr ""
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@@ -4822,6 +4958,7 @@ msgstr ""
 "det så ofte har gjort i fortiden."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Piracy I"
 msgstr "piratkopiering jeg"
 
@@ -4847,6 +4984,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This is piracy plain and simple. Nothing in the argument of this book, nor "
 "in the argument that most people make when talking about the subject of this "
@@ -4858,14 +4996,14 @@ msgstr ""
 "galt."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
-"Which is not to say that excuses and justifications couldn't be made for "
-"it. We could, for example, remind ourselves that for the first one hundred "
-"years of the American Republic, America did not honor foreign copyrights. We "
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+"of the American Republic, America did not honor foreign copyrights. We were "
+"born, in this sense, a pirate nation. It might therefore seem hypocritical "
+"for us to insist so strongly that other developing nations treat as wrong "
+"what we, for the first hundred years of our existence, treated as right."
 msgstr ""
 "som er ikke å si at unnskyldninger og justifications ikke kunne laget for "
 "den. Vi kan, for eksempel minne oss at for de første hundre år av den "
@@ -4875,10 +5013,11 @@ msgstr ""
 "feil hva vi, for de første hundre år av vår eksistens, behandlet som høyre."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "That excuse isn't terribly strong. Technically, our law did not ban the "
-"taking of foreign works. It explicitly limited itself to American "
-"works. Thus the American publishers who published foreign works without the "
+"taking of foreign works. It explicitly limited itself to American works. "
+"Thus the American publishers who published foreign works without the "
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 "in Asia, by contrast, are violating Asian law. Asian law does protect "
 "foreign copyrights, and the actions of the copy shops violate that law. So "
@@ -4887,22 +5026,23 @@ msgid ""
 "legal wrong as well."
 msgstr ""
 "den unnskyldning er ikke veldig sterk. teknisk, vår lov ikke Ben å ta av "
-"utenlandske fungerer. det begrenset eksplisitt seg til amerikanske "
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 #.  PAGE BREAK 77 
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+#, mtrans, fuzzy
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-"True, these local rules have, in effect, been imposed upon these "
-"countries. No country can be part of the world economy and choose not to "
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 msgstr ""
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@@ -4914,18 +5054,18 @@ msgstr ""
 #, mtrans, fuzzy
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 "See Peter Drahos with John Braithwaite, Information Feudalism: Who Owns the "
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-"Trade-Related Aspects of Intellectual Property Rights (TRIPS)  agreement "
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-"of foreign patents at lower prices. This is a promising strategy for "
-"developing nations within the TRIPS framework."
+"Knowledge Economy? (New York: The New Press, 2003), 10­13, 209.  The Trade-"
+"Related Aspects of Intellectual Property Rights (TRIPS)  agreement obligates "
+"member nations to create administrative and enforcement mechanisms for "
+"intellectual property rights, a costly proposition for developing countries. "
+"Additionally, patent rights may lead to higher prices for staple industries "
+"such as agriculture. Critics of TRIPS question the disparity between burdens "
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+"Developing nations may be able to use this to gain the benefits of foreign "
+"patents at lower prices. This is a promising strategy for developing nations "
+"within the TRIPS framework."
 msgstr ""
 "se peter drahos med john braithwaite, informasjon Føydalisme: hvem som eier "
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@@ -4956,16 +5096,15 @@ msgstr ""
 #, mtrans, fuzzy
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 "For an analysis of the economic impact of copying technology, see Stan "
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-"144­90. \"In some instances . . . the impact of piracy on the copyright "
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-"in pirating would not have purchased an original even if pirating were not "
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+"Liebowitz, Rethinking the Network Economy (New York: Amacom, 2002), 144­90. "
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+"have purchased an original even if pirating were not an option.\" Ibid., 149."
 msgstr ""
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@@ -4988,10 +5127,10 @@ msgid ""
 "taking. Extremists in this debate love to say, \"You wouldn't go into Barnes "
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 msgstr ""
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@@ -5000,9 +5139,9 @@ msgstr ""
 "barnes &amp; noble og ta en bok på sokkelen uten å betale; Hvorfor bør det "
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+"or not the copyright owner wants to sell. But where the law does not give "
+"people the right to take content, it is wrong to take that content even if "
+"the wrong does no harm. If we have a property system, and that system is "
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@@ -5048,20 +5187,21 @@ msgid ""
 msgstr ""
 
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+#, mtrans, fuzzy
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-"This argument, too, is somewhat true. The addiction strategy is a good "
-"one. Many businesses practice it. Some thrive because of it. Law students, "
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@@ -5079,6 +5219,7 @@ msgstr ""
 
 #.  PAGE BREAK 79 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Thus, while I understand the pull of these justifications for piracy, and I "
 "certainly see the motivation, in my view, in the end, these efforts at "
@@ -5090,12 +5231,12 @@ msgid ""
 msgstr ""
 "dermed mens jeg forstår drar av disse justifications for piratkopiering, og "
 "jeg absolutt se motivasjon, etter min mening, til slutt, kuttes disse "
-"innsats på rettferdiggjørende kommersielle piratkopiering bare ikke "
-"det. Denne typen piratkopiering er frodig og bare ren galt. det forandre "
-"ikke innholdet det stjeler; det ikke forandre markedet den konkurrerer "
-"i. den bare gir noen tilgang til noe som loven sier han ikke skal "
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-"piratkopiering er flat ut feil."
+"innsats på rettferdiggjørende kommersielle piratkopiering bare ikke det. "
+"Denne typen piratkopiering er frodig og bare ren galt. det forandre ikke "
+"innholdet det stjeler; det ikke forandre markedet den konkurrerer i. den "
+"bare gir noen tilgang til noe som loven sier han ikke skal ha. ingenting er "
+"endret for å tegne den lov i tvil. denne formen for piratkopiering er flat "
+"ut feil."
 
 #, mtrans, fuzzy
 msgid ""
@@ -5117,6 +5258,7 @@ msgstr ""
 "begrepet."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This doesn't mean that there are no questions raised by the latest piracy "
 "concern, peer-to-peer file sharing. But it does mean that we need to "
@@ -5129,6 +5271,7 @@ msgstr ""
 "piratkopiering."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "For (1) like the original Hollywood, p2p sharing escapes an overly "
 "controlling industry; and (2) like the original recording industry, it "
@@ -5141,6 +5284,7 @@ msgstr ""
 "til kabel-tv, ingen selger innholdet som er delt på p2p tjenester."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "These differences distinguish p2p sharing from true piracy. They should push "
 "us to find a way to protect artists while enabling this sharing to survive."
@@ -5150,11 +5294,13 @@ msgstr ""
 "overleve."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Piracy II"
 msgstr "piratkopiering ii"
 
 #.  f4 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Bach v. Longman, 98 Eng. Rep. 1274 (1777)."
 msgstr "Bach v. longman, 98 eng. rep 1274 (1777)."
 
@@ -5205,9 +5351,9 @@ msgid ""
 "See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" San "
 "Francisco Chronicle, 24 September 2002, A1; \"Rock 'n' Roll Suicide,\" New "
 "Scientist, 6 July 2002, 42; Benny Evangelista, \"Napster Names CEO, Secures "
-"New Financing,\" San Francisco Chronicle, 23 May 2003, C1; \"Napster's "
-"Wake-Up Call,\" Economist, 24 June 2000, 23; John Naughton, \"Hollywood at "
-"War with the Internet\" (London) Times, 26 July 2002, 18."
+"New Financing,\" San Francisco Chronicle, 23 May 2003, C1; \"Napster's Wake-"
+"Up Call,\" Economist, 24 June 2000, 23; John Naughton, \"Hollywood at War "
+"with the Internet\" (London) Times, 26 July 2002, 18."
 msgstr ""
 "se carolyn lochhead, \"silicon valley dream, hollywood mareritt\" san "
 "francisco chronicle, 24 september 2002, a1; \"rock 'n' roll suicide,\" new "
@@ -5232,6 +5378,7 @@ msgstr ""
 
 #.  f7 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "See Ipsos-Insight, TEMPO: Keeping Pace with Online Music Distribution "
 "(September 2002), reporting that 28 percent of Americans aged twelve and "
@@ -5258,32 +5405,34 @@ msgid ""
 "estimated that 60 million Americans had downloaded music--28 percent of "
 "Americans older than 12.<placeholder type=\"footnote\" id=\"0\"/> A survey "
 "by the NPD group quoted in The New York Times estimated that 43 million "
-"citizens used file-sharing networks to exchange content in May "
-"2003.<placeholder type=\"footnote\" id=\"1\"/> The vast majority of these "
-"are not kids. Whatever the actual figure, a massive quantity of content is "
-"being \"taken\" on these networks. The ease and inexpensiveness of "
-"file-sharing networks have inspired millions to enjoy music in a way that "
-"they hadn't before."
+"citizens used file-sharing networks to exchange content in May 2003."
+"<placeholder type=\"footnote\" id=\"1\"/> The vast majority of these are not "
+"kids. Whatever the actual figure, a massive quantity of content is being "
+"\"taken\" on these networks. The ease and inexpensiveness of file-sharing "
+"networks have inspired millions to enjoy music in a way that they hadn't "
+"before."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
-"Some of this enjoying involves copyright infringement. Some of it does "
-"not. And even among the part that is technically copyright infringement, "
+"Some of this enjoying involves copyright infringement. Some of it does not. "
+"And even among the part that is technically copyright infringement, "
 "calculating the actual harm to copyright owners is more complicated than one "
 "might think. So consider--a bit more carefully than the polarized voices "
 "around this debate usually do--the kinds of sharing that file sharing "
 "enables, and the kinds of harm it entails."
 msgstr ""
-"noen av denne nyter innebærer brudd på opphavsrettigheter. noen av det "
-"ikke. og selv blant delen som er teknisk brudd på opphavsrettigheter, "
-"beregne faktiske skade til opphavsrett eiere er mer komplisert enn man "
-"skulle tro. så vurdere--litt mer forsiktig enn polarisert stemmene rundt "
-"denne debatten vanligvis gjør--hvilke deler som gir mulighet for fildeling, "
-"og hva slags skade det innebærer."
+"noen av denne nyter innebærer brudd på opphavsrettigheter. noen av det ikke. "
+"og selv blant delen som er teknisk brudd på opphavsrettigheter, beregne "
+"faktiske skade til opphavsrett eiere er mer komplisert enn man skulle tro. "
+"så vurdere--litt mer forsiktig enn polarisert stemmene rundt denne debatten "
+"vanligvis gjør--hvilke deler som gir mulighet for fildeling, og hva slags "
+"skade det innebærer."
 
 #.  PAGE BREAK 81 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "File sharers share different kinds of content. We can divide these different "
 "kinds into four types."
@@ -5293,6 +5442,7 @@ msgstr ""
 
 #.  A. 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid ""
 "There are some who use sharing networks as substitutes for purchasing "
 "content. Thus, when a new Madonna CD is released, rather than buying the CD, "
@@ -5302,15 +5452,16 @@ msgid ""
 "would.  The latter are the target of category A: users who download instead "
 "of purchasing."
 msgstr ""
-"Det er noen som bruker deling nettverk som erstatninger for å kjøpe "
-"innhold. Derfor, når en ny madonna cd frigis, i stedet for å kjøpe cd, disse "
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+"Det er noen som bruker deling nettverk som erstatninger for å kjøpe innhold. "
+"Derfor, når en ny madonna cd frigis, i stedet for å kjøpe cd, disse brukerne "
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+"a: brukere som laster ned i stedet for å kjøpe."
 
 #.  B. 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid ""
 "There are some who use sharing networks to sample music before purchasing "
 "it. Thus, a friend sends another friend an MP3 of an artist he's not heard "
@@ -5359,6 +5510,7 @@ msgstr ""
 #.  PAGE BREAK 82 
 #.  D. 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid ""
 "Finally, there are many who use sharing networks to get access to content "
 "that is not copyrighted or that the copyright owner wants to give away."
@@ -5368,6 +5520,7 @@ msgstr ""
 "opphavsretten ønsker å gi bort."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "How do these different types of sharing balance out?"
 msgstr "hvordan disse ulike typer deling balanse?"
 
@@ -5381,13 +5534,13 @@ msgstr "se liebowitz, rethinking nettverk økonomien, 148­49."
 msgid ""
 "Let's start with some simple but important points. From the perspective of "
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-"economics, only type A sharing is clearly harmful.<placeholder "
-"type=\"footnote\" id=\"0\"/> Type B sharing is illegal but plainly "
-"beneficial. Type C sharing is illegal, yet good for society (since more "
-"exposure to music is good) and harmless to the artist (since the work is not "
-"otherwise available). So how sharing matters on balance is a hard question "
-"to answer--and certainly much more difficult than the current rhetoric "
-"around the issue suggests."
+"economics, only type A sharing is clearly harmful.<placeholder type="
+"\"footnote\" id=\"0\"/> Type B sharing is illegal but plainly beneficial. "
+"Type C sharing is illegal, yet good for society (since more exposure to "
+"music is good) and harmless to the artist (since the work is not otherwise "
+"available). So how sharing matters on balance is a hard question to answer--"
+"and certainly much more difficult than the current rhetoric around the issue "
+"suggests."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -5416,21 +5569,21 @@ msgid ""
 "audio tape became a threat, the Office of Technical Assessment conducted a "
 "survey of consumer behavior. In 1988, 40 percent of consumers older than ten "
 "had taped music to a cassette format. U.S.  Congress, Office of Technology "
-"Assessment, Copyright and Home Copying: Technology Challenges the Law, "
-"OTA-CIT-422 (Washington, D.C.: U.S.  Government Printing Office, October "
-"1989), 145­56."
+"Assessment, Copyright and Home Copying: Technology Challenges the Law, OTA-"
+"CIT-422 (Washington, D.C.: U.S.  Government Printing Office, October 1989), "
+"145­56."
 msgstr ""
 "se cap gemini ernst og unge, teknologiutviklingen og music industriens "
 "business modell krisen (2003), 3. Denne rapporten beskriver musikkbransjens "
-"innsats for å stigmatiserer spirende praksisen med kassett taping på "
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-"utfordringer loven, ota-cit-422 (washington, DC: USA Government printing "
-"office, oktober 1989), 145­56."
+"innsats for å stigmatiserer spirende praksisen med kassett taping på 1970-"
+"tallet, inkludert en reklamekampanje med en kassett-figur skull og "
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+"forbrukernes adferd. i 1988 hadde 40 prosent av forbrukere som er eldre enn "
+"ti tapet musikk til en kassett-format. USA Kongressen, office of technology "
+"vurdering, copyright og hjem kopiering: teknologi utfordringer loven, ota-"
+"cit-422 (washington, DC: USA Government printing office, oktober 1989), 145­"
+"56."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
@@ -5438,8 +5591,8 @@ msgid ""
 "to reckon. It has long been the recording industry's practice to blame "
 "technology for any drop in sales. The history of cassette recording is a "
 "good example. As a study by Cap Gemini Ernst &amp; Young put it, \"Rather "
-"than exploiting this new, popular technology, the labels fought "
-"it.\"<placeholder type=\"footnote\" id=\"0\"/> The labels claimed that every "
+"than exploiting this new, popular technology, the labels fought it."
+"\"<placeholder type=\"footnote\" id=\"0\"/> The labels claimed that every "
 "album taped was an album unsold, and when record sales fell by 11.4 percent "
 "in 1981, the industry claimed that its point was proved. Technology was the "
 "problem, and banning or regulating technology was the answer."
@@ -5447,6 +5600,7 @@ msgstr ""
 
 #.  f11 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid "U.S. Congress, Copyright and Home Copying, 4."
 msgstr "amerikanske Kongressen, copyright og hjem kopiering, 4."
 
@@ -5456,11 +5610,12 @@ msgid ""
 "regulation, MTV was launched, and the industry had a record turnaround. \"In "
 "the end,\" Cap Gemini concludes, \"the `crisis' . . . was not the fault of "
 "the tapers--who did not [stop after MTV came into being]--but had to a large "
-"extent resulted from stagnation in musical innovation at the major "
-"labels.\"<placeholder type=\"footnote\" id=\"0\"/>"
+"extent resulted from stagnation in musical innovation at the major labels."
+"\"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "But just because the industry was wrong before does not mean it is wrong "
 "today. To evaluate the real threat that p2p sharing presents to the industry "
@@ -5489,14 +5644,15 @@ msgid ""
 "little static reason to resist them."
 msgstr ""
 "Vi begynner å svare på dette spørsmålet ved å fokusere på netto skade, fra "
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 "ha liten statisk grunn til å motstå dem."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "Could that be true? Could the industry as a whole be gaining because of file "
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@@ -5510,47 +5666,48 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Recording Industry Association of America, 2002 Yearend Statistics, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#15</ulink>. A later report indicates even greater losses. See Recording "
-"Industry Association of America, Some Facts About Music Piracy, 25 June "
-"2003, available at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#16</ulink>: \"In the past four years, unit shipments of recorded music have "
-"fallen by 26 percent from 1.16 billion units in to 860 million units in 2002 "
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-"(based on U.S. dollar value of shipments).\""
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #15</ulink>. "
+"A later report indicates even greater losses. See Recording Industry "
+"Association of America, Some Facts About Music Piracy, 25 June 2003, "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #16</ulink>: "
+"\"In the past four years, unit shipments of recorded music have fallen by 26 "
+"percent from 1.16 billion units in to 860 million units in 2002 in the "
+"United States (based on units shipped).  In terms of sales, revenues are "
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+"U.S. dollar value of shipments). The music industry worldwide has gone from "
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+"on U.S. dollar value of shipments).\""
 msgstr ""
 
 #.  f13 
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 "Jane Black, \"Big Music's Broken Record,\" BusinessWeek online, 13 February "
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-"#17</ulink>."
+"2003, available at <ulink url=\"http://free-culture.cc/notes/\">link #17</"
+"ulink>."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 "
-"million to 803 million units; revenues fell 6.7 percent.<placeholder "
-"type=\"footnote\" id=\"0\"/> This confirms a trend over the past few "
-"years. The RIAA blames Internet piracy for the trend, though there are many "
-"other causes that could account for this drop. SoundScan, for example, "
-"reports a more than 20 percent drop in the number of CDs released since "
-"1999. That no doubt accounts for some of the decrease in sales. Rising "
-"prices could account for at least some of the loss. \"From 1999 to 2001, the "
-"average price of a CD rose 7.2 percent, from $13.04 to $14.19.\"<placeholder "
-"type=\"footnote\" id=\"1\"/> Competition from other forms of media could "
-"also account for some of the decline.  As Jane Black of BusinessWeek notes, "
-"\"The soundtrack to the film High Fidelity has a list price of $18.98. You "
-"could get the whole movie [on DVD] for $19.99.\"<placeholder "
-"type=\"footnote\" id=\"2\"/>"
+"million to 803 million units; revenues fell 6.7 percent.<placeholder type="
+"\"footnote\" id=\"0\"/> This confirms a trend over the past few years. The "
+"RIAA blames Internet piracy for the trend, though there are many other "
+"causes that could account for this drop. SoundScan, for example, reports a "
+"more than 20 percent drop in the number of CDs released since 1999. That no "
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+"account for at least some of the loss. \"From 1999 to 2001, the average "
+"price of a CD rose 7.2 percent, from $13.04 to $14.19.\"<placeholder type="
+"\"footnote\" id=\"1\"/> Competition from other forms of media could also "
+"account for some of the decline.  As Jane Black of BusinessWeek notes, \"The "
+"soundtrack to the film High Fidelity has a list price of $18.98. You could "
+"get the whole movie [on DVD] for $19.99.\"<placeholder type=\"footnote\" id="
+"\"2\"/>"
 msgstr ""
 
 #.  PAGE BREAK 84 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "But let's assume the RIAA is right, and all of the decline in CD sales is "
 "because of Internet sharing. Here's the rub: In the same period that the "
@@ -5571,14 +5728,14 @@ msgid ""
 "these numbers definitively, but one conclusion is unavoidable: The recording "
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 "and stealing a CD?\"--but their own numbers reveal the difference. If I "
-"steal a CD, then there is one less CD to sell. Every taking is a lost "
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+"But on the basis of the numbers the RIAA provides, it is absolutely clear "
+"that the same is not true of downloads. If every download were a lost sale--"
+"if every use of Kazaa \"rob[bed] the author of [his] profit\"--then the "
+"industry would have suffered a 100 percent drop in sales last year, not a 7 "
+"percent drop. If 2.6 times the number of CDs sold were downloaded for free, "
+"and yet sales revenue dropped by just 6.7 percent, then there is a huge "
+"difference between \"downloading a song and stealing a CD.\""
 msgstr ""
 "Det er for mange forskjellige ting skjer samtidig å forklare disse tallene "
 "definitively, men en konklusjon er uunngåelig: recording industry stadig "
@@ -5594,6 +5751,7 @@ msgstr ""
 "og stjele en cd."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "These are the harms--alleged and perhaps exaggerated but, let's assume, "
 "real. What of the benefits? File sharing may impose costs on the recording "
@@ -5610,8 +5768,8 @@ msgid ""
 "longer in print. See Online Entertainment and Copyright Law--Coming Soon to "
 "a Digital Device Near You: Hearing Before the Senate Committee on the "
 "Judiciary, 107th Cong., 1st sess. (3 April 2001) (prepared statement of the "
-"Future of Music Coalition), available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #18</ulink>."
+"Future of Music Coalition), available at <ulink url=\"http://free-culture.cc/"
+"notes/\">link #18</ulink>."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
@@ -5644,8 +5802,8 @@ msgstr ""
 msgid ""
 "In real space--long before the Internet--the market had a simple response to "
 "this problem: used book and record stores. There are thousands of used book "
-"and used record stores in America today.<placeholder type=\"footnote\" "
-"id=\"0\"/> These stores buy content from owners, then sell the content they "
+"and used record stores in America today.<placeholder type=\"footnote\" id="
+"\"0\"/> These stores buy content from owners, then sell the content they "
 "buy. And under American copyright law, when they buy and sell this content, "
 "even if the content is still under copyright, the copyright owner doesn't "
 "get a dime. Used book and record stores are commercial entities; their "
@@ -5679,13 +5837,13 @@ msgstr ""
 "tilgjengelig, gjennom felles deling, uten konkurrerer med markedet."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "It may well be, all things considered, that it would be better if the "
 "copyright owner got something from this trade. But just because it may well "
-"be better, it doesn't follow that it would be good to ban used book "
-"stores. Or put differently, if you think that type C sharing should be "
-"stopped, do you think that libraries and used book stores should be shut as "
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+"be better, it doesn't follow that it would be good to ban used book stores. "
+"Or put differently, if you think that type C sharing should be stopped, do "
+"you think that libraries and used book stores should be shut as well?"
 msgstr ""
 "Det kan godt være, alle ting betraktes, at det ville være bedre hvis eieren "
 "av opphavsretten fikk noe fra denne handelen. men bare fordi det kan godt "
@@ -5705,8 +5863,8 @@ msgid ""
 "for the \"real\" book. People would read part on-line, and then decide "
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-"enable his work to be spread, then both he and society are better "
-"off. (Actually, much better off: It is a great book!)"
+"enable his work to be spread, then both he and society are better off. "
+"(Actually, much better off: It is a great book!)"
 msgstr ""
 "til slutt, og kanskje viktigst, tillater fildelings-nettverk typen d deling "
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@@ -5715,13 +5873,14 @@ msgstr ""
 "eksempel utgitt sin første roman, ned og ut i magiske riket, begge to ledig "
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-"ikke. Hvis de likte det, ville de være mer sannsynlig å kjøpe den. Doctorow "
-"er innholdet er typen d innhold. Hvis deling nettverk aktiverer sitt arbeid "
-"til å bli spredt, er både han og samfunnet bedre. (faktisk, mye bedre av: "
-"det er en stor bok!)"
+"lese delen on-line, og deretter bestemmer deg om de likte boken eller ikke. "
+"Hvis de likte det, ville de være mer sannsynlig å kjøpe den. Doctorow er "
+"innholdet er typen d innhold. Hvis deling nettverk aktiverer sitt arbeid til "
+"å bli spredt, er både han og samfunnet bedre. (faktisk, mye bedre av: det er "
+"en stor bok!)"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Likewise for work in the public domain: This sharing benefits society with "
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@@ -5792,15 +5951,16 @@ msgstr ""
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+#, mtrans, fuzzy
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@@ -5812,17 +5972,18 @@ msgid ""
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@@ -5854,14 +6015,14 @@ msgstr ""
 "så, som vi har sett, når \"mekaniske reproduksjon\" truet interessene til "
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+"det kringkaste), Kongressen avvist deres krav. en indirekte fordel var nok."
 
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+#, mtrans, fuzzy
 msgid ""
 "Cable TV followed the pattern of record albums. When the courts rejected the "
 "claim that cable broadcasters had to pay for the content they rebroadcast, "
@@ -5877,19 +6038,20 @@ msgstr ""
 
 #.  PAGE BREAK 88 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This compromise, like the compromise affecting records and player pianos, "
 "served two important goals--indeed, the two central goals of any copyright "
 "legislation. First, the law assured that new innovators would have the "
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-"that copyright holders would be paid for the content that was "
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-"copyright holders whatever they demanded for their content, then copyright "
-"holders associated with broadcasters would use their power to stifle this "
-"new technology, cable. But if Congress had permitted cable to use "
-"broadcasters' content for free, then it would have unfairly subsidized "
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-"giving the past (broadcasters)  control over the future (cable)."
+"that copyright holders would be paid for the content that was distributed. "
+"One fear was that if Congress simply required cable TV to pay copyright "
+"holders whatever they demanded for their content, then copyright holders "
+"associated with broadcasters would use their power to stifle this new "
+"technology, cable. But if Congress had permitted cable to use broadcasters' "
+"content for free, then it would have unfairly subsidized cable. Thus "
+"Congress chose a path that would assure compensation without giving the past "
+"(broadcasters)  control over the future (cable)."
 msgstr ""
 "denne sårbarheten, som kompromiss som påvirker poster og spilleren pianoer, "
 "servert to viktige mål--faktisk to sentrale målene noen opphavsrett "
@@ -5900,9 +6062,9 @@ msgstr ""
 "opphavsrett hva de krevde for innholdet, og deretter rettighetshavere som er "
 "tilknyttet broadcasters ville bruke sin makt for å undertrykke denne nye "
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-"broadcasters' innhold gratis, ville det ha urettferdig subsidierte "
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-"Ã¥ gi siste (broadcasters) kontroll over fremtiden (kabel)."
+"broadcasters' innhold gratis, ville det ha urettferdig subsidierte kabel. "
+"Dermed Kongressen valgte en bane som ville forsikre kompensasjon uten å gi "
+"siste (broadcasters) kontroll over fremtiden (kabel)."
 
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@@ -5943,19 +6105,20 @@ msgid ""
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 #.  f18 
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+#, mtrans, fuzzy
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 "Copyright Infringements (Audio and Video Recorders): Hearing on S. 1758 "
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@@ -5969,20 +6132,23 @@ msgstr ""
 
 #.  f19 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Copyright Infringements (Audio and Video Recorders), 475."
 msgstr "opphavsrett infringements (lyd og video-opptakere), 475."
 
 #.  f20 
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+#, mtrans, fuzzy
 msgid ""
-"Universal City Studios, Inc. v. Sony Corp. of America, 480 F. Supp. 429, "
-"(C.D. Cal., 1979)."
+"Universal City Studios, Inc. v. Sony Corp. of America, 480 F. Supp. 429, (C."
+"D. Cal., 1979)."
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-"Universal city studios, inc. v. sony Corporation of america, 480 "
-"f. supp. 429, (klientadgangslisens CAL (CD), 1979)."
+"Universal city studios, inc. v. sony Corporation of america, 480 f. supp. "
+"429, (klientadgangslisens CAL (CD), 1979)."
 
 #.  f21 
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+#, mtrans, fuzzy
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 "Copyright Infringements (Audio and Video Recorders), 485 (testimony of Jack "
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@@ -5996,14 +6162,14 @@ msgid ""
 "called VCRs \"tapeworms.\" He warned, \"When there are 20, 30, 40 million of "
 "these VCRs in the land, we will be invaded by millions of `tapeworms,' "
 "eating away at the very heart and essence of the most precious asset the "
-"copyright owner has, his copyright.\"<placeholder type=\"footnote\" "
-"id=\"0\"/> \"One does not have to be trained in sophisticated marketing and "
-"creative judgment,\" he told Congress, \"to understand the devastation on "
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-"that will adversely impact on the future of the creative community in this "
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-"sense.\"<placeholder type=\"footnote\" id=\"1\"/> Indeed, as surveys would "
-"later show, percent of VCR owners had movie libraries of ten videos or "
+"copyright owner has, his copyright.\"<placeholder type=\"footnote\" id=\"0\"/"
+"> \"One does not have to be trained in sophisticated marketing and creative "
+"judgment,\" he told Congress, \"to understand the devastation on the after-"
+"theater marketplace caused by the hundreds of millions of tapings that will "
+"adversely impact on the future of the creative community in this country. It "
+"is simply a question of basic economics and plain common sense."
+"\"<placeholder type=\"footnote\" id=\"1\"/> Indeed, as surveys would later "
+"show, percent of VCR owners had movie libraries of ten videos or "
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 "of an exemption from copyright infringement without creating a mechanism to "
@@ -6015,6 +6181,7 @@ msgstr ""
 
 #.  f22 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Universal City Studios, Inc. v. Sony Corp. of America, 659 F. 2d 963 (9th "
 "Cir.  1981)."
@@ -6037,6 +6204,7 @@ msgstr ""
 
 #.  PAGE BREAK 90 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "But the Supreme Court reversed the decision of the Ninth Circuit.  And in "
 "its reversal, the Court clearly articulated its understanding of when and "
@@ -6048,6 +6216,7 @@ msgstr ""
 
 #.  f23 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, 431 "
 "(1984)."
@@ -6061,29 +6230,29 @@ msgid ""
 "Congress when major technological innovations alter the market for "
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 "institutional ability to accommodate fully the varied permutations of "
-"competing interests that are inevitably implicated by such new "
-"technology.<placeholder type=\"footnote\" id=\"0\"/>"
+"competing interests that are inevitably implicated by such new technology."
+"<placeholder type=\"footnote\" id=\"0\"/>"
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 #, mtrans, fuzzy
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 "Congress was asked to respond to the Supreme Court's decision.  But as with "
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-"request. Congress was convinced that American film got enough, this "
-"\"taking\" notwithstanding.  If we put these cases together, a pattern is "
-"clear:"
+"request. Congress was convinced that American film got enough, this \"taking"
+"\" notwithstanding.  If we put these cases together, a pattern is clear:"
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 "Kongressen ble bedt om å svare på den Høyesterett beslutningen. men som med "
-"appell av artister om radiosendinger, Kongressen ignorert "
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-"denne \"tar\" til tross for. Hvis vi setter disse tilfellene sammen, et "
-"mønster er klart:"
+"appell av artister om radiosendinger, Kongressen ignorert forespørselen. "
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+"tross for. Hvis vi setter disse tilfellene sammen, et mønster er klart:"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><title>
+#, mtrans, fuzzy
 msgid "Table"
 msgstr "tabell"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
+#, mtrans, fuzzy
 msgid "CASE"
 msgstr "tilfelle"
 
@@ -6092,30 +6261,37 @@ msgid "WHOSE VALUE WAS \"PIRATED\""
 msgstr "verdien var \"piratkopiert\""
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
+#, mtrans, fuzzy
 msgid "RESPONSE OF THE COURTS"
 msgstr "Svar til domstolene"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><thead><row><entry>
+#, mtrans, fuzzy
 msgid "RESPONSE OF CONGRESS"
 msgstr "Responsen til Kongressen"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Recordings"
 msgstr "innspillinger"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Composers"
 msgstr "komponister"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "No protection"
 msgstr "ingen beskyttelse"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Statutory license"
 msgstr "lovbestemte lisens"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Recording artists"
 msgstr "artister"
 
@@ -6124,18 +6300,22 @@ msgid "N/A"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Nothing"
 msgstr "ingenting"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Broadcasters"
 msgstr "TV-stasjoner"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "VCR"
 msgstr "VCR"
 
 #. type: Content of: <book><chapter><sect1><sect2><table><tgroup><tbody><row><entry>
+#, mtrans, fuzzy
 msgid "Film creators"
 msgstr "filmen skaperne"
 
@@ -6148,22 +6328,22 @@ msgid ""
 "regulated by Congress to minimize the risk of piracy. The remedy Congress "
 "imposed did burden DAT producers, by taxing tape sales and controlling the "
 "technology of DAT. See Audio Home Recording Act of 1992 (Title 17 of the "
-"United States Code), Pub. L. No. 102-563, 106 Stat.  4237, codified at 17 "
-"U.S.C. §1001. Again, however, this regulation did not eliminate the "
+"United States Code), Pub. L. No. 102-563, 106 Stat.  4237, codified at 17 U."
+"S.C. §1001. Again, however, this regulation did not eliminate the "
 "opportunity for free riding in the sense I've described. See Lessig, Future, "
 "71. See also Picker, \"From Edison to the Broadcast Flag,\" University of "
 "Chicago Law Review 70 (2003): 293­96."
 msgstr ""
 "disse er de viktigste forekomstene i vår historie, men det finnes andre "
 "tilfeller også. teknologi for digital audio tape (dat), for eksempel var "
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-"piratkopiering. rettsmiddel Kongressen pålagt belaster dat produsenter, "
-"taxing bånd salg og kontrollere teknologien for dat. ser lyd Hjem "
-"innspillingen act av 1992 (tittel 17 av USA-koden), pub. l. nr. 102-563, 106 "
-"stat. 4237, kodifisert på 17 USC §1001. igjen, men denne forskriften ikke "
-"eliminere muligheten gratis ridning i den forstand jeg har beskrevet. se "
-"lessig, fremtidige, 71. Se også datovelger, \"fra edison til flagget "
-"kringkasting,\" university of chicago lov gjennomgå 70 (2003): 293­96."
+"regulert av Kongressen for å minimere risikoen for piratkopiering. "
+"rettsmiddel Kongressen pålagt belaster dat produsenter, taxing bånd salg og "
+"kontrollere teknologien for dat. ser lyd Hjem innspillingen act av 1992 "
+"(tittel 17 av USA-koden), pub. l. nr. 102-563, 106 stat. 4237, kodifisert på "
+"17 USC §1001. igjen, men denne forskriften ikke eliminere muligheten gratis "
+"ridning i den forstand jeg har beskrevet. se lessig, fremtidige, 71. Se også "
+"datovelger, \"fra edison til flagget kringkasting,\" university of chicago "
+"lov gjennomgå 70 (2003): 293­96."
 
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@@ -6190,10 +6370,11 @@ msgstr ""
 "hans copyright opprettet. i alle tilfeller klaget opphavsrett eierne av "
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+"Kongressen tillatt noen ny teknologi for å dra nytte av innhold gjort før. "
+"det balansert interesser på spill."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "When you think across these examples, and the other examples that make up "
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@@ -6216,7 +6397,9 @@ msgstr ""
 
 #.  f25 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
-msgid "Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, (1984)."
+#, mtrans, fuzzy
+msgid ""
+"Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, (1984)."
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 "Sony Corporation of america v. universal city studios, inc., 464 amerikanske "
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@@ -6237,20 +6420,20 @@ msgstr ""
 #, mtrans, fuzzy
 msgid ""
 "We should be doing the same thing today. The technology of the Internet is "
-"changing quickly. The way people connect to the Internet (wires "
-"vs. wireless) is changing very quickly. No doubt the network should not "
-"become a tool for \"stealing\" from artists. But neither should the law "
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-"interim. These changes should be designed to balance the protection of the "
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+"changing quickly. The way people connect to the Internet (wires vs. "
+"wireless) is changing very quickly. No doubt the network should not become a "
+"tool for \"stealing\" from artists. But neither should the law become a tool "
+"to entrench one particular way in which artists (or more accurately, "
+"distributors) get paid. As I describe in some detail in the last chapter of "
+"this book, we should be securing income to artists while we allow the market "
+"to secure the most efficient way to promote and distribute content. This "
+"will require changes in the law, at least in the interim. These changes "
+"should be designed to balance the protection of the law against the strong "
+"public interest that innovation continue."
 msgstr ""
 "Vi bør gjøre samme i dag. teknologien for Internett endrer seg raskt. endrer "
-"måten brukere koble seg til Internett (ledninger vs. trådløs) svært "
-"raskt. ingen tvil om bør nettverket ikke bli et verktøy for \"stjele\" fra "
+"måten brukere koble seg til Internett (ledninger vs. trådløs) svært raskt. "
+"ingen tvil om bør nettverket ikke bli et verktøy for \"stjele\" fra "
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 "bestemte måten hvilke artister (eller mer nøyaktig, distributører) får "
 "betalt. som jeg beskriver i noen detalj i det siste kapitlet i denne boken, "
@@ -6300,6 +6483,7 @@ msgstr "egenskapen"
 
 #.  PAGE BREAK 94 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
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 "The copyright warriors are right: A copyright is a kind of property. It can "
 "be owned and sold, and the law protects against its theft. Ordinarily, the "
@@ -6315,12 +6499,12 @@ msgstr ""
 msgid ""
 "But in ordinary language, to call a copyright a \"property\" right is a bit "
 "misleading, for the property of copyright is an odd kind of property.  "
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-"put a picnic table in the backyard--by, for example, going to Sears, buying "
-"a table, and putting it in my backyard? What is the thing I am taking then?"
+"Indeed, the very idea of property in any idea or any expression is very odd. "
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+"table, and putting it in my backyard? What is the thing I am taking then?"
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@@ -6358,6 +6542,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
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 "The exceptions to free use are ideas and expressions within the reach of the "
 "law of patent and copyright, and a few other domains that I won't discuss "
@@ -6383,16 +6568,16 @@ msgstr ""
 "eiendomsrettigheter immaterielle. egenskapen rett er ganske enkelt en "
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-"sammen,\"-arizona lov, se 45 (2003): 373, 429 n. 241."
+"immaterielle, selv om objektet som det er (metaforisk) tilknyttet er varige. "
+"se adam mossoff, \"Hva er egenskapen? å sette dem tilbake sammen,\"-arizona "
+"lov, se 45 (2003): 373, 429 n. 241."
 
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+"But how, and to what extent, and in what form--the details, in other words--"
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 msgstr ""
 
 #, mtrans, fuzzy
@@ -6415,6 +6600,7 @@ msgstr ""
 "ville ha oss til å tegne."
 
 #. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy
 msgid "CHAPTER SIX: Founders"
 msgstr "kapittel seks: grunnleggerne"
 
@@ -6452,11 +6638,11 @@ msgid ""
 msgstr ""
 "Jacob tonson er vanligvis husket for hans assosiasjoner med fremtredende "
 "1700-tallet litterære figurer, spesielt john dryden, og for hans kjekk "
-"\"endelige versjoner\" av klassiske verk. i tillegg til romeo og Julie, "
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+"en utrolig rekke fungerer som fortsatt er igjen i hjertet av den engelske "
+"canon, inkludert collected works Shakespeare, ben jonson, john milton, og "
+"john dryden. se Pioquinto Bernal Pioquinto Bernal, \"jacob tonson, bokhandel,"
+"\" amerikansk forsker-61:3 (1992): 424­31."
 
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@@ -6471,17 +6657,16 @@ msgstr ""
 #.  PAGE BREAK 97 
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-"In 1774, almost 180 years after Romeo and Juliet was written, the "
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 msgstr ""
 
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@@ -6500,10 +6685,10 @@ msgid ""
 "\"copyright\" act. Known as the Statute of Anne, the act stated that all "
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 #, mtrans, fuzzy
@@ -6551,12 +6736,12 @@ msgstr ""
 #, mtrans, fuzzy
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@@ -6582,6 +6767,7 @@ msgstr ""
 "av alle. eller så legislature antas å ha trodd."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
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@@ -6616,8 +6802,8 @@ msgstr ""
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 msgstr ""
 "svaret kommer i to deler. Først må vi se noe spesielt med oppfatningen av "
 "\"copyright\" som fantes på tidspunktet for Vedtektene for anne. andre, har "
@@ -6654,9 +6840,9 @@ msgid ""
 "was that no one could reprint Shakespeare's work without the permission of "
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 msgstr ""
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@@ -6705,12 +6891,13 @@ msgstr ""
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+#, mtrans, fuzzy
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 "Philip Wittenberg, The Protection and Marketing of Literary Property (New "
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@@ -6720,20 +6907,20 @@ msgstr ""
 
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 #. type: Content of: <book><chapter><sect1><para>
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@@ -6748,6 +6935,7 @@ msgstr ""
 "forstyrrer at ideen."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -6769,6 +6957,7 @@ msgstr ""
 "konkurranse mellom utgivere, og dermed konstruksjon og spredning av kultur."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -6786,6 +6975,7 @@ msgstr ""
 "var ikke nok, de sa; de trengte mer tid."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Parliament rejected their requests. As one pamphleteer put it, in words that "
 "echo today,"
@@ -6795,6 +6985,7 @@ msgstr ""
 
 #.  f5 
 #. type: Content of: <book><chapter><sect1><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "A Letter to a Member of Parliament concerning the Bill now depending in the "
 "House of Commons, for making more effectual an Act in the Eighth Year of the "
@@ -6857,19 +7048,19 @@ msgid ""
 "Law Review 40 (1987): 28. For a wonderfully compelling account, see "
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 msgstr ""
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 msgstr ""
 
 #.  f7 
@@ -6891,6 +7082,7 @@ msgstr ""
 
 #.  f8 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Mark Rose, Authors and Owners (Cambridge: Harvard University Press, 1993), "
 "92."
@@ -6900,6 +7092,7 @@ msgstr ""
 
 #.  f9 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Ibid., 93."
 msgstr "ibid., 93."
 
@@ -6912,12 +7105,13 @@ msgid ""
 "publishing house prospered and became \"something of a center for literary "
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 msgstr ""
 
 #.  f10 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Lyman Ray Patterson, Copyright in Historical Perspective, 167 (quoting "
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@@ -6930,8 +7124,8 @@ msgid ""
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@@ -6960,10 +7154,10 @@ msgstr ""
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 msgstr ""
 
 #, mtrans, fuzzy
@@ -6988,6 +7182,7 @@ msgstr ""
 
 #.  PAGE BREAK 103 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Considered as a matter of abstract justice--reasoning as if justice were "
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 msgstr ""
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 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -7021,14 +7217,15 @@ msgstr ""
 
 #.  f12 
 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Ibid., 1156."
 msgstr "ibid., 1156."
 
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@@ -7037,6 +7234,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -7071,6 +7269,7 @@ msgstr ""
 
 #.  PAGE BREAK 104 
 #. type: Content of: <book><chapter><sect1><para>
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@@ -7107,6 +7306,7 @@ msgstr ""
 
 #.  f13 
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+#, mtrans, fuzzy
 msgid "Rose, 97."
 msgstr "Rose, 97."
 
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 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
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@@ -7159,8 +7360,7 @@ msgid ""
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@@ -7180,6 +7380,7 @@ msgstr ""
 "får tilgang til den er laget av få til tross for ønskene til mange."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -7190,10 +7391,12 @@ msgstr ""
 "parlamentet er mer pliant, ville fri kultur være mindre beskyttet."
 
 #. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy
 msgid "CHAPTER SEVEN: Recorders"
 msgstr "Kapittel 7: opptakere"
 
 #. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "Jon Else is a filmmaker. He is best known for his documentaries and has been "
 "very successful in spreading his art. He is also a teacher, and as a teacher "
@@ -7203,10 +7406,11 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><para>
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 "Else worked on a documentary that I was involved in. At a break, he told me "
 "a story about the freedom to create with film in America today."
@@ -7215,6 +7419,7 @@ msgstr ""
 "fortalte meg en historie om frihet å opprette med film i Amerika i dag."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "focus was stagehands at the San Francisco Opera.  Stagehands are a "
@@ -7230,6 +7435,7 @@ msgstr ""
 
 #.  PAGE BREAK 107 
 #. type: Content of: <book><chapter><sect1><para>
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 "checkers. In one corner of the room was a television set.  Playing on the "
@@ -7259,6 +7465,7 @@ msgstr ""
 "privilegium gjelder."
 
 #. type: Content of: <book><chapter><sect1><para>
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 msgid ""
 "Else called Simpsons creator Matt Groening's office to get permission.  "
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@@ -7333,6 +7541,7 @@ msgstr ""
 "fortalte andre senere, \"de ikke gir faen. de vil bare penger.\""
 
 #. type: Content of: <book><chapter><sect1><para>
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@@ -7348,15 +7557,16 @@ msgstr ""
 "en annen film som han hadde jobbet på, dagen etter trinity, fra ti år før."
 
 #. type: Content of: <book><chapter><sect1><para>
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 msgstr ""
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@@ -7387,8 +7597,8 @@ msgstr ""
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@@ -7406,7 +7616,8 @@ msgid ""
 msgstr ""
 
 #, mtrans, fuzzy
-msgid "So I asked Else why he didn't just rely upon \"fair use.\" Here's his reply:"
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 msgstr ""
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@@ -7443,6 +7654,7 @@ msgstr ""
 
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@@ -7488,6 +7701,7 @@ msgstr ""
 "vi er opp mot en release frist og tom for penger."
 
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@@ -7504,11 +7718,12 @@ msgstr ""
 "praksis har beseiret målet."
 
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@@ -7516,10 +7731,12 @@ msgstr ""
 "forstyrrer bruke transformative eller ikke."
 
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 msgid "CHAPTER EIGHT: Transformers"
 msgstr "Kapittel åtte: transformatorer"
 
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 "of networks."
 
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 #.  PAGE BREAK 112 
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@@ -7622,6 +7842,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
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 "gjøre."
 
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@@ -7661,6 +7883,7 @@ msgstr ""
 
 #.  PAGE BREAK 113 
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@@ -7709,6 +7932,7 @@ msgstr ""
 "klartekst.\""
 
 #. type: Content of: <book><chapter><sect1><para>
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 #.  PAGE BREAK 114 
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 "U.S. Department of Commerce Office of Acquisition Management, Seven Steps to "
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 #. type: Content of: <book><chapter><sect1><para>
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@@ -7960,6 +8190,7 @@ msgstr ""
 
 #.  PAGE BREAK 117 
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 msgid "CHAPTER NINE: Collectors"
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+#, mtrans, fuzzy
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 "Kahle is not the only librarian. The Internet Archive is not the only "
 "archive. But Kahle and the Internet Archive suggest what the future of "
@@ -8661,11 +8912,11 @@ msgstr ""
 "eller Arkiver kan være. Når kommersielle livet av kreative egenskapen "
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-"den. noen vil bruke den, som walt disney gjorde, for å gjenopprette siste "
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+"drømmen om biblioteket i alexandria virkelig igjen."
 
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@@ -8688,6 +8939,7 @@ msgid "CHAPTER TEN: \"Property\""
 msgstr "Kapittel 10: \"property\""
 
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+#, mtrans, fuzzy
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 "Jack Valenti has been the president of the Motion Picture Association of "
 "America since 1966. He first came to Washington, D.C., with Lyndon Johnson's "
@@ -8705,6 +8957,7 @@ msgstr ""
 "kanskje mest iøynefallende og effektiv korridorpolitiker i washington."
 
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@@ -8727,26 +8980,27 @@ msgstr ""
 
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+"intellekt. til denne dag har spiller valenti enkel, ydmyke mann. men denne "
+"harvard mba, og forfatter av fire bøker, som fullført videregående skole i "
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+"verdenskrig, er ingen mr. smith. NÃ¥r valenti gikk til washington, han "
+"mestret byen i en typiske washingtonian måte."
 
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@@ -8766,17 +9020,21 @@ msgstr ""
 "redefinere betydningen av \"kreative property.\""
 
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-msgid "In 1982, Valenti's testimony to Congress captured the strategy perfectly:"
-msgstr "i 1982 innspilt valenti's vitnesbyrd til Kongressen strategien perfekt:"
+#, mtrans, fuzzy
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+"In 1982, Valenti's testimony to Congress captured the strategy perfectly:"
+msgstr ""
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-"Home Recording of Copyrighted Works: Hearings on H.R. 4783, H.R.  4794, "
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+"Judiciary of the House of Representatives, 97th Cong., 2nd sess. (1982): 65 "
+"(testimony of Jack Valenti)."
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@@ -8786,9 +9044,9 @@ msgstr ""
 
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-"No matter the lengthy arguments made, no matter the charges and the "
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@@ -8802,28 +9060,28 @@ msgid ""
 "rhetoric, is brilliant and simple and brilliant because simple. The "
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-"resident in all other property owners in the nation.\" There are no "
-"second-class citizens, Valenti might have continued. There should be no "
-"second-class property owners."
+"resident in all other property owners in the nation.\" There are no second-"
+"class citizens, Valenti might have continued. There should be no second-"
+"class property owners."
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+"advokater snakker om \"property\" ikke som en absolute ting, men som en bunt "
+"av rettigheter som er noen ganger knyttet til bestemte objekter. Dermed gir "
+"min \"eiendom rett\" til bilen min meg retten til eksklusiv bruk, men ikke "
+"rettigheten til å kjøre på 150 miles i timen. å koble den vanlige "
+"betydningen av \"eiendom\" til \"advokat talk\" beste innsats, kan du se "
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 #. type: Content of: <book><chapter><sect1><para>
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@@ -8867,6 +9125,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "Valenti knows this. But he speaks for an industry that cares squat for our "
 "tradition and the values it represents. He speaks for an industry that is "
@@ -8882,6 +9141,7 @@ msgstr ""
 
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@@ -8899,11 +9159,12 @@ msgstr ""
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-"samme vil være å svekke fundamentalt mulighet for nye skapere å "
-"lage. kreativitet, avhenger av eierne av kreativitet som har mindre enn "
-"perfekt kontroll."
+"samme vil være å svekke fundamentalt mulighet for nye skapere å lage. "
+"kreativitet, avhenger av eierne av kreativitet som har mindre enn perfekt "
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@@ -8939,10 +9200,10 @@ msgstr ""
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-"\"takings setningen,\" å betale deg \"bare erstatning\" for som "
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-"erstatning\" for denne \"tar.\" i stedet samme grunnlov som krever "
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-"uten noen kompensasjon overhodet."
+"Kongressen ta tilbake rettighetene at det har gitt og egenskapen \"kreative"
+"\" gratis til public domain. men når Kongressen gjør dette, når utløpet av "
+"en opphavsrett begrepet \"tar\" din opphavsrett og snur den over til public "
+"domain, Kongressen ikke har noen forpliktelse til å betale \"bare erstatning"
+"\" for denne \"tar.\" i stedet samme grunnlov som krever erstatning for ditt "
+"land krever at du mister din \"kreative eiendom\" rett uten noen "
+"kompensasjon overhodet."
 
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+#, mtrans, fuzzy
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 "The Constitution thus on its face states that these two forms of property "
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@@ -8978,13 +9240,14 @@ msgid ""
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 msgstr ""
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+"Grunnloven selv."
 
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@@ -9007,6 +9270,7 @@ msgstr ""
 "jefferson gjorde det, vi bør, også."
 
 #. type: Content of: <book><chapter><sect1><para>
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@@ -9044,6 +9308,7 @@ msgstr ""
 
 #.  PAGE BREAK 132 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -9068,6 +9333,7 @@ msgstr ""
 
 #.  PAGE BREAK 133 
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@@ -9092,10 +9358,10 @@ msgstr ""
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-"er en ex post straff for å bryte en ex ante regelen. Det er pålagt av "
-"staten."
+"er en ex post straff for å bryte en ex ante regelen. Det er pålagt av staten."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Norms are a different kind of constraint. They, too, punish an individual "
 "for violating a rule. But the punishment of a norm is imposed by a "
@@ -9116,6 +9382,7 @@ msgstr ""
 "håndhevelse."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "The market is a third type of constraint. Its constraint is effected through "
 "conditions: You can do X if you pay Y; you'll be paid M if you do N. These "
@@ -9127,26 +9394,26 @@ msgid ""
 msgstr ""
 "markedet er en tredje type betingelse. betingelsen er berørt gjennom "
 "betingelser: du kan gjøre x Hvis du betaler y; vil du få betalt m Hvis du "
-"gjør n. slike betingelser er åpenbart ikke uavhengig av loven eller "
-"normer--det er regler som definerer hva må kjøpes Hvis det er å bli tatt "
-"lovlig; Det er normer som sier hva selges på riktig måte. men gitt et sett "
-"av normer og bakgrunn av eiendom og kontrakt lov, markedet pålegger en "
-"samtidige begrensning på hvor en person eller gruppe kan oppføre seg."
-
-#, mtrans, fuzzy
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-"integrate its social life. As with the market, architecture does not effect "
-"its constraint through ex post punishments. Instead, also as with the "
-"market, architecture effects its constraint through simultaneous "
-"conditions. These conditions are imposed not by courts enforcing contracts, "
-"or by police punishing theft, but by nature, by \"architecture.\" If a "
-"500-pound boulder blocks your way, it is the law of gravity that enforces "
-"this constraint. If a $500 airplane ticket stands between you and a flight "
-"to New York, it is the market that enforces this constraint."
+"gjør n. slike betingelser er åpenbart ikke uavhengig av loven eller normer--"
+"det er regler som definerer hva må kjøpes Hvis det er å bli tatt lovlig; Det "
+"er normer som sier hva selges på riktig måte. men gitt et sett av normer og "
+"bakgrunn av eiendom og kontrakt lov, markedet pålegger en samtidige "
+"begrensning på hvor en person eller gruppe kan oppføre seg."
+
+#, mtrans, fuzzy
+msgid ""
+"Finally, and for the moment, perhaps, most mysteriously, \"architecture\"--"
+"the physical world as one finds it--is a constraint on behavior.  A fallen "
+"bridge might constrain your ability to get across a river. Railroad tracks "
+"might constrain the ability of a community to integrate its social life. As "
+"with the market, architecture does not effect its constraint through ex post "
+"punishments. Instead, also as with the market, architecture effects its "
+"constraint through simultaneous conditions. These conditions are imposed not "
+"by courts enforcing contracts, or by police punishing theft, but by nature, "
+"by \"architecture.\" If a 500-pound boulder blocks your way, it is the law "
+"of gravity that enforces this constraint. If a $500 airplane ticket stands "
+"between you and a flight to New York, it is the market that enforces this "
+"constraint."
 msgstr ""
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@@ -9162,16 +9429,18 @@ msgstr ""
 
 #.  PAGE BREAK 134 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "So the first point about these four modalities of regulation is obvious: "
-"They interact. Restrictions imposed by one might be reinforced by "
-"another. Or restrictions imposed by one might be undermined by another."
+"They interact. Restrictions imposed by one might be reinforced by another. "
+"Or restrictions imposed by one might be undermined by another."
 msgstr ""
 "så det første punktet om disse fire metoder av regulering er åpenbare: de "
 "samhandler. restriksjoner pålagt av en kan bli forsterket av en annen. eller "
 "restriksjoner pålagt av en kan bli undergravd av en annen."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "The second point follows directly: If we want to understand the effective "
 "freedom that anyone has at a given moment to do any particular thing, we "
@@ -9190,9 +9459,9 @@ msgstr ""
 
 #, mtrans, fuzzy
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-"So, for example, consider the \"freedom\" to drive a car at a high "
-"speed. That freedom is in part restricted by laws: speed limits that say how "
-"fast you can drive in particular places at particular times. It is in part "
+"So, for example, consider the \"freedom\" to drive a car at a high speed. "
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@@ -9220,19 +9489,19 @@ msgstr ""
 msgid ""
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-"only distinction is that it alone speaks as if it has a right "
-"self-consciously to change the other three. The right of the other three is "
-"more timidly expressed.  See Lawrence Lessig, Code: And Other Laws of "
-"Cyberspace (New York: Basic Books, 1999): 90­95; Lawrence Lessig, \"The New "
-"Chicago School,\" Journal of Legal Studies, June 1998."
+"only distinction is that it alone speaks as if it has a right self-"
+"consciously to change the other three. The right of the other three is more "
+"timidly expressed.  See Lawrence Lessig, Code: And Other Laws of Cyberspace "
+"(New York: Basic Books, 1999): 90­95; Lawrence Lessig, \"The New Chicago "
+"School,\" Journal of Legal Studies, June 1998."
 msgstr ""
 "ved å beskrive hvordan trenger ikke loven påvirker andre tre metoder, jeg "
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 "eneste forskjellen er at det alene snakker som om den har en rett "
 "selvbevisst til å endre de andre tre. høyre for tre andre uttrykkes mer "
 "beskjedent. se lawrence lessig, kode: og andre lover av cyberspace (new "
-"york: grunnleggende bøker, 1999): 90­95; Lawrence lessig, \"den nye "
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+"york: grunnleggende bøker, 1999): 90­95; Lawrence lessig, \"den nye chicago "
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@@ -9299,10 +9568,10 @@ msgstr ""
 "ytringsfriheten, for eksempel fra tyranni av trange sinn, ikke fra frykt for "
 "regjeringen rettsforfølgelse; John stuart mill, på frihet (indiana: hackett "
 "publishing co., 1978), 19. John r. commons forsvarte famously økonomiske "
-"friheten av arbeidskraft fra begrensninger pålagt av markedet; John "
-"r. commons, \"rett til arbeid,\" i malcom rutherford og warren j. samuels, "
-"Red., john r. Commons: valgt essays (london: routledge: 1997), "
-"62. amerikanerne med funksjonshemminger act øker frihet for personer med "
+"friheten av arbeidskraft fra begrensninger pålagt av markedet; John r. "
+"commons, \"rett til arbeid,\" i malcom rutherford og warren j. samuels, "
+"Red., john r. Commons: valgt essays (london: routledge: 1997), 62. "
+"amerikanerne med funksjonshemminger act øker frihet for personer med "
 "funksjonshemninger ved å endre arkitekturen i visse offentlige steder, og "
 "dermed gjør tilgang til de plasserer enklere; 42 united states code, delen "
 "12101 (2000). hver av disse intervensjoner for å endre eksisterende "
@@ -9316,15 +9585,17 @@ msgid ""
 "the effective protection of liberty or protection of property at any "
 "particular moment, we must track these changes over time. A restriction "
 "imposed by one modality might be erased by another. A freedom enabled by one "
-"modality might be displaced by another.<placeholder type=\"footnote\" "
-"id=\"0\"/>"
+"modality might be displaced by another.<placeholder type=\"footnote\" id="
+"\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Why Hollywood Is Right"
 msgstr "Hvorfor hollywood er rett"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The most obvious point that this model reveals is just why, or just how, "
 "Hollywood is right. The copyright warriors have rallied Congress and the "
@@ -9337,7 +9608,8 @@ msgstr ""
 "samlingspunkt fornuftig."
 
 #, mtrans, fuzzy
-msgid "Let's say this is the picture of copyright's regulation before the Internet:"
+msgid ""
+"Let's say this is the picture of copyright's regulation before the Internet:"
 msgstr "La oss si at dette er bilde av copyright's regulering før Internett:"
 
 #. type: Content of: <book><chapter><sect1><sect2><figure>
@@ -9346,6 +9618,7 @@ msgstr ""
 
 #.  PAGE BREAK 136 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "There is balance between law, norms, market, and architecture. The law "
 "limits the ability to copy and share content, by imposing penalties on those "
@@ -9362,12 +9635,13 @@ msgstr ""
 "som kopiere og dele innhold. disse straffer er forsterket av teknologier som "
 "gjør det vanskelig å kopiere og dele innhold (arkitektur) og det er dyrt å "
 "kopiere og dele innhold (markedet). til slutt, disse straffer er mitigated "
-"ved normer vi gjenkjenner--barn, for eksempel taping andre barn "
-"poster. disse bruk av opphavsrettsbeskyttet materiale kan være brudd, men "
-"normer for vårt samfunn (før Internett, minst) hadde ingen problemer med "
-"denne form for krenkelse av."
+"ved normer vi gjenkjenner--barn, for eksempel taping andre barn poster. "
+"disse bruk av opphavsrettsbeskyttet materiale kan være brudd, men normer for "
+"vårt samfunn (før Internett, minst) hadde ingen problemer med denne form for "
+"krenkelse av."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Enter the Internet, or, more precisely, technologies such as MP3s and p2p "
 "sharing. Now the constraint of architecture changes dramatically, as does "
@@ -9376,15 +9650,15 @@ msgid ""
 "warriors, at least) of life before the Internet becomes an effective state "
 "of anarchy after the Internet."
 msgstr ""
-"Angi Internett eller, mer presist, teknologier som MP3-er og p2p "
-"fildeling. nå begrensningen av arkitektur endres dramatisk, som gjør "
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 #.  PAGE BREAK 137 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Thus the sense of, and justification for, the warriors' response.  "
 "Technology has changed, the warriors say, and the effect of this change, "
@@ -9427,19 +9701,20 @@ msgstr ""
 
 #.  PAGE BREAK 138 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This mixed strategy is just what copyright needed--if it was to preserve the "
-"particular balance that existed before the change induced by the "
-"Internet. And it's just what we should expect the content industry to push "
-"for. It is as American as apple pie to consider the happy life you have as "
-"an entitlement, and to look to the law to protect it if something comes "
-"along to change that happy life. Homeowners living in a flood plain have no "
+"particular balance that existed before the change induced by the Internet. "
+"And it's just what we should expect the content industry to push for. It is "
+"as American as apple pie to consider the happy life you have as an "
+"entitlement, and to look to the law to protect it if something comes along "
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-"the government to bail them out when imports (market) wipe out the "
-"U.S. steel industry."
+"the government to bail them out when imports (market) wipe out the U.S. "
+"steel industry."
 msgstr ""
 "Dette blandet strategi er bare hva copyright needed--Hvis det var å bevare "
 "bestemt saldoen som eksisterte før endringen indusert av Internett. og det "
@@ -9474,11 +9749,11 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "See Geoffrey Smith, \"Film vs. Digital: Can Kodak Build a Bridge?\" "
-"BusinessWeek online, 2 August 1999, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #23</ulink>. For a more recent "
-"analysis of Kodak's place in the market, see Chana R. Schoenberger, \"Can "
-"Kodak Make Up for Lost Moments?\" Forbes.com, 6 October 2003, available at "
-"<ulink url=\"http://free-culture.cc/notes/\">link #24</ulink>."
+"BusinessWeek online, 2 August 1999, available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #23</ulink>. For a more recent analysis of Kodak's "
+"place in the market, see Chana R. Schoenberger, \"Can Kodak Make Up for Lost "
+"Moments?\" Forbes.com, 6 October 2003, available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #24</ulink>."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
@@ -9486,20 +9761,20 @@ msgid ""
 "But just because a particular interest asks for government support, it "
 "doesn't follow that support should be granted. And just because technology "
 "has weakened a particular way of doing business, it doesn't follow that the "
-"government should intervene to support that old way of doing "
-"business. Kodak, for example, has lost perhaps as much as 20 percent of "
-"their traditional film market to the emerging technologies of digital "
-"cameras.<placeholder type=\"footnote\" id=\"0\"/> Does anyone believe the "
-"government should ban digital cameras just to support Kodak? Highways have "
-"weakened the freight business for railroads. Does anyone think we should ban "
-"trucks from roads for the purpose of protecting the railroads? Closer to the "
-"subject of this book, remote channel changers have weakened the "
-"\"stickiness\" of television advertising (if a boring commercial comes on "
-"the TV, the remote makes it easy to surf ), and it may well be that this "
-"change has weakened the television advertising market. But does anyone "
-"believe we should regulate remotes to reinforce commercial television? "
-"(Maybe by limiting them to function only once a second, or to switch to only "
-"ten channels within an hour?)"
+"government should intervene to support that old way of doing business. "
+"Kodak, for example, has lost perhaps as much as 20 percent of their "
+"traditional film market to the emerging technologies of digital cameras."
+"<placeholder type=\"footnote\" id=\"0\"/> Does anyone believe the government "
+"should ban digital cameras just to support Kodak? Highways have weakened the "
+"freight business for railroads. Does anyone think we should ban trucks from "
+"roads for the purpose of protecting the railroads? Closer to the subject of "
+"this book, remote channel changers have weakened the \"stickiness\" of "
+"television advertising (if a boring commercial comes on the TV, the remote "
+"makes it easy to surf ), and it may well be that this change has weakened "
+"the television advertising market. But does anyone believe we should "
+"regulate remotes to reinforce commercial television? (Maybe by limiting them "
+"to function only once a second, or to switch to only ten channels within an "
+"hour?)"
 msgstr ""
 
 #.  f6 
@@ -9526,6 +9801,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Thus, while it is understandable for industries threatened with new "
 "technologies that change the way they do business to look to the government "
@@ -9553,9 +9829,9 @@ msgid ""
 "business of regulating speech markets. The risks and dangers of that game "
 "are precisely why our framers created the First Amendment to our "
 "Constitution: \"Congress shall make no law . . .  abridging the freedom of "
-"speech.\" So when Congress is being asked to pass laws that would "
-"\"abridge\" the freedom of speech, it should ask-- carefully--whether such "
-"regulation is justified."
+"speech.\" So when Congress is being asked to pass laws that would \"abridge"
+"\" the freedom of speech, it should ask-- carefully--whether such regulation "
+"is justified."
 msgstr ""
 "i sammenheng med lover som regulerer tale--, og som omfatter, tydeligvis, "
 "copyright lov--at plikt er enda sterkere. NÃ¥r industrien klagende om hvordan "
@@ -9564,10 +9840,9 @@ msgstr ""
 "forespørselen. Det er alltid en dårlig deal for regjeringen å komme inn i "
 "virksomheten av regulerer tale markeder. risikoer og farer av spillet er "
 "nøyaktig hvorfor våre underskrev opprettet den første endringen til vår "
-"grunnlov: \"Kongressen skal gjøre ingen lov... abridging friheten til "
-"tale.\" så når Kongressen blir bedt om å passere lovgivning som ville "
-"\"abridge\" ytringsfriheten, det bør spørre--nøye--om slike regulering er "
-"begrunnet."
+"grunnlov: \"Kongressen skal gjøre ingen lov... abridging friheten til tale."
+"\" så når Kongressen blir bedt om å passere lovgivning som ville \"abridge\" "
+"ytringsfriheten, det bør spørre--nøye--om slike regulering er begrunnet."
 
 #, mtrans, fuzzy
 msgid ""
@@ -9585,6 +9860,7 @@ msgstr ""
 "av endringene innhold industrien ønsker."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "Here's the metaphor that will capture the argument to follow."
 msgstr "Her er til metaforen vil fange opp argumentet å følge."
 
@@ -9615,6 +9891,7 @@ msgstr ""
 "verdifull og sannsynligvis lagret liv, kanskje millioner."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "But in 1962, Rachel Carson published Silent Spring, which argued that DDT, "
 "whatever its primary benefits, was also having unintended environmental "
@@ -9622,9 +9899,9 @@ msgid ""
 "the ecology were being destroyed."
 msgstr ""
 "men i 1962, rachel carson publisert stille våren, som hevdet at ddt, uansett "
-"dens primære fordeler, hadde også utilsiktede miljømessige "
-"konsekvenser. fugler var å miste muligheten til å reprodusere. hele kjeder "
-"av økologi ble blir ødelagt."
+"dens primære fordeler, hadde også utilsiktede miljømessige konsekvenser. "
+"fugler var å miste muligheten til å reprodusere. hele kjeder av økologi ble "
+"blir ødelagt."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 #, mtrans, fuzzy
@@ -9656,13 +9933,13 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
 "It is to this image precisely that Duke University law professor James Boyle "
-"appeals when he argues that we need an \"environmentalism\" for "
-"culture.<placeholder type=\"footnote\" id=\"0\"/> His point, and the point I "
-"want to develop in the balance of this chapter, is not that the aims of "
-"copyright are flawed. Or that authors should not be paid for their work. Or "
-"that music should be given away \"for free.\" The point is that some of the "
-"ways in which we might protect authors will have unintended consequences for "
-"the cultural environment, much like DDT had for the natural environment. And "
+"appeals when he argues that we need an \"environmentalism\" for culture."
+"<placeholder type=\"footnote\" id=\"0\"/> His point, and the point I want to "
+"develop in the balance of this chapter, is not that the aims of copyright "
+"are flawed. Or that authors should not be paid for their work. Or that music "
+"should be given away \"for free.\" The point is that some of the ways in "
+"which we might protect authors will have unintended consequences for the "
+"cultural environment, much like DDT had for the natural environment. And "
 "just as criticism of DDT is not an endorsement of malaria or an attack on "
 "farmers, so, too, is criticism of one particular set of regulations "
 "protecting copyright not an endorsement of anarchy or an attack on authors.  "
@@ -9671,6 +9948,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "My argument, in the balance of this chapter, tries to map exactly this "
 "effect. No doubt the technology of the Internet has had a dramatic effect on "
@@ -9693,6 +9971,7 @@ msgstr ""
 "kreativitet."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "In a line: To kill a gnat, we are spraying DDT with consequences for free "
 "culture that will be far more devastating than that this gnat will be lost."
@@ -9701,6 +9980,7 @@ msgstr ""
 "fri kultur som vil være langt mer ødeleggende enn denne mygg, vil gå tapt."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Beginnings"
 msgstr "begynnelse"
 
@@ -9723,8 +10003,8 @@ msgid ""
 "section 8, clause 8 of our Constitution states that:"
 msgstr ""
 "makt til å etablere \"kreative\" eiendomsrettigheter gis til Kongressen på "
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-"8-setningsdelen i vår grunnlov sier at:"
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+"setningsdelen i vår grunnlov sier at:"
 
 #, mtrans, fuzzy
 msgid ""
@@ -9753,8 +10033,8 @@ msgid ""
 "few would not exercise disproportionate control over culture by exercising "
 "disproportionate control over publishing. We can assume the framers followed "
 "the English for a similar purpose. Indeed, unlike the English, the framers "
-"reinforced that objective, by requiring that copyrights extend \"to "
-"Authors\" only."
+"reinforced that objective, by requiring that copyrights extend \"to Authors"
+"\" only."
 msgstr ""
 "fremdrift-setningsdelen begrenser uttrykkelig begrepet av opphavsretten. som "
 "vi så i kapittel 6, ville engelsk begrenset av copyright å forsikre om at "
@@ -9765,6 +10045,7 @@ msgstr ""
 "bare."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The design of the Progress Clause reflects something about the "
 "Constitution's design in general. To avoid a problem, the framers built "
@@ -9807,6 +10088,7 @@ msgstr ""
 
 #.  PAGE BREAK 143 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Some of these changes come from the law: some in light of changes in "
 "technology, and some in light of changes in technology given a particular "
@@ -9821,6 +10103,7 @@ msgid "<graphic fileref=\"1441.jpg\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "We will end here:"
 msgstr "Vi vil ende her:"
 
@@ -9830,10 +10113,12 @@ msgstr ""
 
 #.  PAGE BREAK 144 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "Let me explain how."
 msgstr "La meg forklare hvordan."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Law: Duration"
 msgstr "loven: varighet"
 
@@ -9848,10 +10133,10 @@ msgid ""
 "under the Common Law\" (emphasis added)."
 msgstr ""
 "William w. crosskey, politikk og Grunnloven i historien av USA (london: "
-"cambridge university press, 1953), vol. 1, 485­86: \"slukke [ing], ved "
-"vanlig implikasjon av\"øverstkommanderende lov av land\", evigvarende "
-"rettigheter som forfattere hadde eller skulle etter noen å ha, under felles "
-"lov\" (vekt legges til)."
+"cambridge university press, 1953), vol. 1, 485­86: \"slukke [ing], ved vanlig "
+"implikasjon av\"øverstkommanderende lov av land\", evigvarende rettigheter "
+"som forfattere hadde eller skulle etter noen å ha, under felles lov\" (vekt "
+"legges til)."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
@@ -9859,8 +10144,8 @@ msgid ""
 "the same uncertainty about the status of creative property that the English "
 "had confronted in 1774. Many states had passed laws protecting creative "
 "property, and some believed that these laws simply supplemented common law "
-"rights that already protected creative authorship.<placeholder "
-"type=\"footnote\" id=\"0\"/> This meant that there was no guaranteed public "
+"rights that already protected creative authorship.<placeholder type="
+"\"footnote\" id=\"0\"/> This meant that there was no guaranteed public "
 "domain in the United States in 1790. If copyrights were protected by the "
 "common law, then there was no simple way to know whether a work published in "
 "the United States was controlled or free. Just as in England, this lingering "
@@ -9869,6 +10154,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "That uncertainty ended after Congress passed legislation granting "
 "copyrights. Because federal law overrides any contrary state law, federal "
@@ -9885,6 +10171,7 @@ msgstr ""
 "vedtekter betydde at staten opphavsrettigheter utløpt også."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "In 1790, Congress enacted the first copyright law. It created a federal "
 "copyright and secured that copyright for fourteen years. If the author was "
@@ -9905,15 +10192,15 @@ msgid ""
 "1799, only 556 copyright registrations were filed; John Tebbel, A History of "
 "Book Publishing in the United States, vol. 1, The Creation of an Industry, "
 "1630­1865 (New York: Bowker, 1972), 141. Of the 21,000 imprints recorded "
-"before 1790, only twelve were copyrighted under the 1790 act; William "
-"J. Maher, Copyright Term, Retrospective Extension and the Copyright Law of "
-"1790 in Historical Context, 7­10 (2002), available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #25</ulink>.  Thus, the "
-"overwhelming majority of works fell immediately into the public domain. Even "
-"those works that were copyrighted fell into the public domain quickly, "
-"because the term of copyright was short. The initial term of copyright was "
-"fourteen years, with the option of renewal for an additional fourteen "
-"years. Copyright Act of May 31, 1790, §1, 1 stat. 124."
+"before 1790, only twelve were copyrighted under the 1790 act; William J. "
+"Maher, Copyright Term, Retrospective Extension and the Copyright Law of 1790 "
+"in Historical Context, 7­10 (2002), available at <ulink url=\"http://free-"
+"culture.cc/notes/\">link #25</ulink>.  Thus, the overwhelming majority of "
+"works fell immediately into the public domain. Even those works that were "
+"copyrighted fell into the public domain quickly, because the term of "
+"copyright was short. The initial term of copyright was fourteen years, with "
+"the option of renewal for an additional fourteen years. Copyright Act of May "
+"31, 1790, §1, 1 stat. 124."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
@@ -9923,12 +10210,13 @@ msgid ""
 "under the federal copyright regime. Of all the work created in the United "
 "States both before 1790 and from 1790 through 1800, 95 percent immediately "
 "passed into the public domain; the balance would pass into the pubic domain "
-"within twenty-eight years at most, and more likely within fourteen "
-"years.<placeholder type=\"footnote\" id=\"0\"/>"
+"within twenty-eight years at most, and more likely within fourteen years."
+"<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #.  PAGE BREAK 145 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This system of renewal was a crucial part of the American system of "
 "copyright. It assured that the maximum terms of copyright would be granted "
@@ -9958,23 +10246,23 @@ msgstr ""
 "noen rettighetshavere valgte noensinne å fornye sine opphavsrettigheter. for "
 "eksempel av 25,006 opphavsretten registrert i 1883, ble bare 894 fornyet i "
 "1910. for et år etter år analyse av opphavsrett fornyelse priser, kan du se "
-"barbara a. ringer, \"studere nr. 31: fornyelse av opphavsrett,\" studier "
-"på opphavsrett, vol. 1 (new york: praktisere loven institute, 1963), "
-"618. Hvis en nyere og omfattende analyse, se william m landes og richard "
-"en. Posner, \"på ubestemt tid fornybar copyright,\" university of "
-"chicago lov gå gjennom 70 (2003): 471, 498­501 og tilhørende tallene."
+"barbara a. ringer, \"studere nr. 31: fornyelse av opphavsrett,\" studier på "
+"opphavsrett, vol. 1 (new york: praktisere loven institute, 1963), 618. Hvis "
+"en nyere og omfattende analyse, se william m landes og richard en. Posner, "
+"\"på ubestemt tid fornybar copyright,\" university of chicago lov gå gjennom "
+"70 (2003): 471, 498­501 og tilhørende tallene."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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 "Fourteen years may not seem long to us, but for the vast majority of "
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-"work to pass into the public domain.<placeholder type=\"footnote\" "
-"id=\"0\"/>"
+"work to pass into the public domain.<placeholder type=\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #.  f11 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid "See Ringer, ch. 9, n. 2."
 msgstr "se ringer, ch. 9, n. 2."
 
@@ -9990,6 +10278,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "In the first hundred years of the Republic, the term of copyright was "
 "changed once. In 1831, the term was increased from a maximum of 28 years to "
@@ -10005,6 +10294,7 @@ msgstr ""
 "av 14 år til 28 år, angi en maksimal periode på 56 år."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Then, beginning in 1962, Congress started a practice that has defined "
 "copyright law since. Eleven times in the last forty years, Congress has "
@@ -10020,13 +10310,13 @@ msgstr ""
 "vilkårene i eksisterende opphavsrettigheter; to ganger i de førti år utvidet "
 "Kongressen begrepet av fremtidige opphavsretten. i utgangspunktet var "
 "utvidelser av eksisterende opphavsrettigheter kort, bare ett til to år. i "
-"1976 utvidet Kongressen alle eksisterende opphavsrettigheter av nitten "
-"Ã¥r. og i 1998, i sonny bono opphavsrett begrepet forlengelse loven "
-"Kongressen utvidet begrepet av eksisterende og fremtidige opphavsretten av "
-"tjue år."
+"1976 utvidet Kongressen alle eksisterende opphavsrettigheter av nitten år. "
+"og i 1998, i sonny bono opphavsrett begrepet forlengelse loven Kongressen "
+"utvidet begrepet av eksisterende og fremtidige opphavsretten av tjue år."
 
 #.  PAGE BREAK 146 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The effect of these extensions is simply to toll, or delay, the passing of "
 "works into the public domain. This latest extension means that the public "
@@ -10041,13 +10331,13 @@ msgstr ""
 "at allemannseie vil ha blitt kirkeklokkene for trettini fifty-fem år, eller "
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 "million patenter vil passere i den offentlige sfæren, vil dermed null "
-"opphavsrett passerer i public domain kraft av utløpet av en opphavsrett "
-"sikt."
+"opphavsrett passerer i public domain kraft av utløpet av en opphavsrett sikt."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
-"The effect of these extensions has been exacerbated by another, "
-"little-noticed change in the copyright law. Remember I said that the framers "
+"The effect of these extensions has been exacerbated by another, little-"
+"noticed change in the copyright law. Remember I said that the framers "
 "established a two-part copyright regime, requiring a copyright owner to "
 "renew his copyright after an initial term. The requirement of renewal meant "
 "that works that no longer needed copyright protection would pass more "
@@ -10093,8 +10383,8 @@ msgstr ""
 "forsikre som fungerer som utnyttes ikke lenger sendes til public domain. og "
 "faktisk, etter disse endringene, er det uklart om det er også mulig å sette "
 "fungerer i public domain. public domain er foreldreløse av disse endringene "
-"i lov om opphavsrett. til tross for kravet om at vilkårene være "
-"\"begrenset\", har vi ingen bevis for at noe vil begrense dem."
+"i lov om opphavsrett. til tross for kravet om at vilkårene være \"begrenset"
+"\", har vi ingen bevis for at noe vil begrense dem."
 
 #, mtrans, fuzzy
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@@ -10115,11 +10405,12 @@ msgid ""
 "their copyright. That meant that the average term of copyright in 1973 was "
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-"the average term has tripled, from 32.2 years to 95 years.<placeholder "
-"type=\"footnote\" id=\"0\"/>"
+"the average term has tripled, from 32.2 years to 95 years.<placeholder type="
+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Law: Scope"
 msgstr "loven: Virkeområde"
 
@@ -10130,23 +10421,23 @@ msgid ""
 "necessarily bad. But we should understand the extent of the changes if we're "
 "to keep this debate in context."
 msgstr ""
-"\"område\" av en opphavsrett er området av rettigheter gitt av "
-"loven. omfanget av amerikanske copyright har endret seg dramatisk. disse "
-"endringene er ikke nødvendigvis dårlig. men vi bør forstå omfanget av "
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 #, mtrans, fuzzy
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 "In 1790, that scope was very narrow. Copyright covered only \"maps, charts, "
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+"and books.\" That means it didn't cover, for example, music or architecture. "
+"More significantly, the right granted by a copyright gave the author the "
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 msgstr ""
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@@ -10155,10 +10446,10 @@ msgstr ""
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@@ -10199,9 +10490,9 @@ msgid ""
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 msgstr ""
 "på samme tid som har utvidet omfanget av copyright, er fremgangsmåter for "
@@ -10215,6 +10506,7 @@ msgstr ""
 "opphavsretten som kan sikres."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The reason for the registration requirement was the sensible understanding "
 "that for most works, no copyright was required. Again, in the first ten "
@@ -10249,14 +10541,16 @@ msgid ""
 "copyright exists whether or not you actually make a copy available for "
 "others to copy."
 msgstr ""
-"alle disse \"formaliteter\" ble avskaffet i det amerikanske systemet når "
-"vi besluttet å følge europeiske lov om opphavsrett. Det er ingen krav at du "
+"alle disse \"formaliteter\" ble avskaffet i det amerikanske systemet når vi "
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 #. type: Content of: <book><chapter><sect1><sect2><para>
-msgid "Consider a practical example to understand the scope of these differences."
+#, mtrans, fuzzy
+msgid ""
+"Consider a practical example to understand the scope of these differences."
 msgstr "vurdere et praktisk eksempel å forstå omfanget av disse forskjellene."
 
 #.  f13 
@@ -10269,24 +10563,25 @@ msgid ""
 "1790­1800 (U.S. G.P.O., 1987)."
 msgstr ""
 "se thomas bender og david sampliner, \"poeter, pirater og etableringen av "
-"amerikansk litteratur,\" 29 new york university journal of internasjonal "
-"lov og politikk 255 (1997), og james gilraeth, ed., føderale opphavsrett "
+"amerikansk litteratur,\" 29 new york university journal of internasjonal lov "
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+"The aim of the act was to regulate publishers so as to prevent that kind of "
+"unfair competition. In 1790, there were 174 publishers in the United States."
+"<placeholder type=\"footnote\" id=\"0\"/> The Copyright Act was thus a tiny "
+"regulation of a tiny proportion of a tiny part of the creative market in the "
+"United States--publishers."
 msgstr ""
 
 #.  PAGE BREAK 149 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The act left other creators totally unregulated. If I copied your poem by "
 "hand, over and over again, as a way to learn it by heart, my act was totally "
@@ -10299,11 +10594,12 @@ msgstr ""
 "for hånd, igjen og igjen, som en måte å lære det ved hjertet, var min "
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-"act. disse kreative aktivitetene forble gratis, mens aktivitetene til "
-"utgivere var behersket."
+"var ingen av disse aktivitetene regulert av opprinnelige copyright act. "
+"disse kreative aktivitetene forble gratis, mens aktivitetene til utgivere "
+"var behersket."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Today the story is very different: If you write a book, your book is "
 "automatically protected. Indeed, not just your book. Every e-mail, every "
@@ -10320,6 +10616,7 @@ msgstr ""
 "ditt. beskyttelse følger etablering, ikke trinnene du ta for å beskytte den."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "That protection gives you the right (subject to a narrow range of fair use "
 "exceptions) to control how others copy the work, whether they copy it to "
@@ -10354,6 +10651,7 @@ msgstr ""
 "andel av skrifter som er inspirert av dem."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "It is this derivative right that would seem most bizarre to our framers, "
 "though it has become second nature to us. Initially, this expansion was "
@@ -10386,10 +10684,10 @@ msgid ""
 "understand the wrong in duplicating and selling someone else's work. But "
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 "wrong. Some view transformation as no wrong at all--they believe that our "
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-"all.<placeholder type=\"footnote\" id=\"0\"/> Whether or not you go that "
-"far, it seems plain that whatever wrong is involved is fundamentally "
-"different from the wrong of direct piracy."
+"law, as the framers penned it, should not protect derivative rights at all."
+"<placeholder type=\"footnote\" id=\"0\"/> Whether or not you go that far, it "
+"seems plain that whatever wrong is involved is fundamentally different from "
+"the wrong of direct piracy."
 msgstr ""
 
 #.  f15 
@@ -10404,18 +10702,17 @@ msgid ""
 msgstr ""
 "professor rubenfeld har presentert en kraftig konstitusjonelle argument om "
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-"første endringen) bare \"Kopier\" og avledede produkter. se jed "
-"rubenfeld, \"ytringsfriheten fantasi: opphavsrett 's "
-"constitutionality,\" yale law journal 112 (2002): 1­60 (se spesielt "
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+"\"ytringsfriheten fantasi: opphavsrett 's constitutionality,\" yale law "
+"journal 112 (2002): 1­60 (se spesielt s. 53­59)."
 
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+"<placeholder type=\"footnote\" id=\"0\"/> These two different uses of my "
+"creative work are treated the same."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -10433,6 +10730,7 @@ msgstr ""
 "til å handle på verdien som disney opprinnelig opprettet?"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "These are good arguments, and, in general, my point is not that the "
 "derivative right is unjustified. My aim just now is much narrower: simply to "
@@ -10444,6 +10742,7 @@ msgstr ""
 "at denne utvidelsen er en betydelig endring fra de opprinnelig rettighetene."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Law and Architecture: Reach"
 msgstr "lov og arkitektur: nå"
 
@@ -10470,8 +10769,8 @@ msgid ""
 "Whereas originally the law regulated only publishers, the change in "
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-"and the core of the regulation of copyright law is copies.<placeholder "
-"type=\"footnote\" id=\"0\"/>"
+"and the core of the regulation of copyright law is copies.<placeholder type="
+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #, mtrans, fuzzy
@@ -10497,6 +10796,7 @@ msgstr ""
 
 #.  f17 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "Thus, my argument is not that in each place that copyright law extends, we "
 "should repeal it. It is instead that we should have a good argument for its "
@@ -10515,17 +10815,15 @@ msgid ""
 "should at least force us to rethink the conditions under which the law of "
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-"law."
+"contemplated, much less chosen, by the legislators who enacted copyright law."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
-"We can see this point abstractly by beginning with this largely empty "
-"circle."
+"We can see this point abstractly by beginning with this largely empty circle."
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-"Vi kan se dette punktet abstractly begynner med dette i stor grad tom "
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+"Vi kan se dette punktet abstractly begynner med dette i stor grad tom sirkel."
 
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 msgid "<graphic fileref=\"1521.jpg\"></graphic>"
@@ -10533,6 +10831,7 @@ msgstr ""
 
 #.  PAGE BREAK 152 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Think about a book in real space, and imagine this circle to represent all "
 "its potential uses. Most of these uses are unregulated by copyright law, "
@@ -10562,6 +10861,7 @@ msgid "<graphic fileref=\"1531.jpg\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Obviously, however, some uses of a copyrighted book are regulated by "
 "copyright law. Republishing the book, for example, makes a copy. It is "
@@ -10637,8 +10937,8 @@ msgid ""
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@@ -10659,6 +10959,7 @@ msgstr ""
 
 #.  PAGE BREAK 155 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
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 "reguleres av lov om opphavsrett, fordi ingen av de bruker produsert en kopi."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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+#, mtrans, fuzzy
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@@ -10711,6 +11013,7 @@ msgstr ""
 "punkter også klar:"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
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@@ -10771,6 +11073,7 @@ msgstr ""
 "beskyttet før fordi lesing ikke ble regulert."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
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@@ -10790,15 +11093,15 @@ msgstr ""
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 msgid ""
@@ -10863,6 +11166,7 @@ msgstr ""
 "video rørledning for $100 millioner."
 
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+#, mtrans, fuzzy
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@@ -10906,6 +11210,7 @@ msgstr ""
 
 #.  PAGE BREAK 158 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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+#, mtrans, fuzzy
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@@ -10950,15 +11256,17 @@ msgstr ""
 "er en oppskrift på katastrofe i enkelte sammenhenger."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Architecture and Law: Force"
 msgstr "arkitektur og lov: tvinge"
 
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@@ -10966,6 +11274,7 @@ msgstr ""
 "slike regulering fremtvinges."
 
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@@ -11014,18 +11323,20 @@ msgid ""
 msgstr ""
 
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 "en absurd og hul trussel, selvfølgelig, fordi warner brothers, the marx "
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+"Denne ekstremisme var irrelevant for ekte friheter nytes alle (inkludert "
+"warner brothers)."
 
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+#, mtrans, fuzzy
 msgid ""
 "On the Internet, however, there is no check on silly rules, because on the "
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@@ -11044,10 +11355,12 @@ msgstr ""
 "av the marx brothers. konsekvensen av dette er overhodet ikke morsomt."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "Consider the life of my Adobe eBook Reader."
 msgstr "vurdere livet av min adobe eBok-leser."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "An e-book is a book delivered in electronic form. An Adobe eBook is not a "
 "book that Adobe has published; Adobe simply produces the software that "
@@ -11060,11 +11373,15 @@ msgstr ""
 "innholdet ved hjelp av teknologien."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
-msgid "On the next page is a picture of an old version of my Adobe eBook Reader."
-msgstr "på neste er siden et bilde av en gammel versjon av min adobe eBok-leser."
+#, mtrans, fuzzy
+msgid ""
+"On the next page is a picture of an old version of my Adobe eBook Reader."
+msgstr ""
+"på neste er siden et bilde av en gammel versjon av min adobe eBok-leser."
 
 #.  PAGE BREAK 160 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "As you can see, I have a small collection of e-books within this e-book "
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@@ -11074,15 +11391,15 @@ msgid ""
 "on my e-book copy of Middlemarch, you'll see a fancy cover, and then a "
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-"som du ser, har jeg en liten samling av e-bøker i denne e-boken "
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+"vil du se en fancy cover og deretter en knapp på bunnen kalt tillatelser."
 
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+#, mtrans, fuzzy
 msgid "Acrobat eBook Reader"
 msgstr "Acrobat eBok-leser"
 
@@ -11091,6 +11408,7 @@ msgid "<graphic fileref=\"1611.jpg\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "If you click on the Permissions button, you'll see a list of the permissions "
 "that the publisher purports to grant with this book."
@@ -11104,6 +11422,7 @@ msgstr ""
 
 #.  PAGE BREAK 161 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "According to my eBook Reader, I have the permission to copy to the clipboard "
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@@ -11118,6 +11437,7 @@ msgstr ""
 "for å høre middlemarch lest høyt gjennom datamaskinen."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Here's the e-book for another work in the public domain (including the "
 "translation): Aristotle's Politics."
@@ -11130,9 +11450,10 @@ msgid "<graphic fileref=\"1621.jpg\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
-"According to its permissions, no printing or copying is permitted at "
-"all. But fortunately, you can use the Read Aloud button to hear the book."
+"According to its permissions, no printing or copying is permitted at all. "
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@@ -11142,6 +11463,7 @@ msgid "<graphic fileref=\"1622.jpg\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Finally (and most embarrassingly), here are the permissions for the original "
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@@ -11154,6 +11476,7 @@ msgid "<graphic fileref=\"1631.jpg\"></graphic>"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "No copying, no printing, and don't you dare try to listen to this book!"
 msgstr ""
 "ingen kopiering, ingen utskrift, og ikke våger du prøver å lytte til denne "
@@ -11161,6 +11484,7 @@ msgstr ""
 
 #.  f21 
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+#, mtrans, fuzzy
 msgid ""
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@@ -11182,8 +11506,8 @@ msgid ""
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@@ -11198,39 +11522,39 @@ msgid ""
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+"that says that you can't use the Read Aloud button to read my book aloud--"
+"it's not that the company will sue you if you do; instead, if you push the "
+"Read Aloud button with my book, the machine simply won't read aloud."
+msgstr ""
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 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This is the future of copyright law: not so much copyright law as copyright "
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@@ -11248,6 +11572,7 @@ msgstr ""
 "innebygde kontroller."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "How significant is this? Isn't it always possible to get around the controls "
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@@ -11262,14 +11587,16 @@ msgstr ""
 "være trivielt å beseire slik beskyttelse også?"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "We've only scratched the surface of this story. Return to the Adobe eBook "
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-"Vi har bare riper i overflaten av denne historien. gå tilbake til adobe "
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+"Vi har bare riper i overflaten av denne historien. gå tilbake til adobe eBok-"
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 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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@@ -11297,6 +11624,7 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "The public relations nightmare attached to that final permission.  For the "
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@@ -11312,6 +11640,7 @@ msgstr ""
 "syntes å si mildt, absurd."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "restrict the right to read a book aloud. Obviously it was only restricting "
@@ -11337,6 +11666,7 @@ msgstr ""
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 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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@@ -11351,6 +11681,7 @@ msgstr ""
 "kontrollen. dette insentiv er forståelig, men hva som skaper er ofte gal."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
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@@ -11370,6 +11701,7 @@ msgstr ""
 
 #.  PAGE BREAK 165 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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@@ -11397,15 +11729,15 @@ msgstr ""
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+"en driver for å aktivere datamaskinen til å kjøre skriveren du nettopp kjøpt."
 
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+#, mtrans, fuzzy
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@@ -11440,12 +11771,12 @@ msgstr ""
 "respekt som går med talent å hacke etisk."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
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@@ -11454,6 +11785,7 @@ msgstr ""
 
 #.  PAGE BREAK 166 
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+#, mtrans, fuzzy
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@@ -11541,6 +11873,7 @@ msgstr ""
 "stole på systemet av Internett mye mer."
 
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@@ -11554,6 +11887,7 @@ msgstr ""
 
 #.  PAGE BREAK 167 
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+#, mtrans, fuzzy
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@@ -11566,13 +11900,14 @@ msgstr ""
 "de som studerer kryptering."
 
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@@ -11582,6 +11917,7 @@ msgstr ""
 "eller personer eller ideer kritisert."
 
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@@ -11596,16 +11932,18 @@ msgstr ""
 "ville ikke, så dag konstituert, lykkes."
 
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+#, mtrans, fuzzy
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 "digital millennium copyright act."
 
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+#, mtrans, fuzzy
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@@ -11638,6 +11977,7 @@ msgstr ""
 "millennium copyright act (\"dmca\")."
 
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+#, mtrans, fuzzy
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@@ -11648,6 +11988,7 @@ msgstr ""
 "slik informasjon en krenkelser."
 
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@@ -11695,6 +12038,7 @@ msgstr ""
 
 #.  PAGE BREAK 169 
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 #.  PAGE BREAK 170 
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-msgid "This led Conrad to draw the cartoon below, which we can adopt to the DMCA."
-msgstr "Dette førte conrad å trekke tegneserie nedenfor, som vi kan vedta å dmca."
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 #. type: Content of: <book><chapter><sect1><sect2><para>
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 msgid "No argument I have can top this picture, but let me try to get close."
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 #.  PAGE BREAK 171 
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@@ -11835,6 +12186,7 @@ msgid "<graphic fileref=\"1711.jpg\"></graphic>"
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@@ -11851,6 +12203,7 @@ msgstr ""
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+#, mtrans, fuzzy
 msgid "Market: Concentration"
 msgstr "markedet: konsentrasjon"
 
 #.  PAGE BREAK 173 
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 #.  f25 
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 #.  PAGE BREAK 174 
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 #.  PAGE BREAK 175 
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-"and concentrated networks is increasingly homogenous.  Increasingly "
-"safe. Increasingly sterile. The product of news shows from networks like "
-"this is increasingly tailored to the message the network wants to "
-"convey. This is not the communist party, though from the inside, it must "
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-"nonetheless. Independent, critical, different views are quashed. This is not "
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+"Increasingly sterile. The product of news shows from networks like this is "
+"increasingly tailored to the message the network wants to convey. This is "
+"not the communist party, though from the inside, it must feel a bit like the "
+"communist party. No one can question without risk of consequence--not "
+"necessarily banishment to Siberia, but punishment nonetheless. Independent, "
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+"little sprinting."
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-"In addition to the copyright wars, we're in the middle of the drug "
-"wars. Government policy is strongly directed against the drug cartels; "
-"criminal and civil courts are filled with the consequences of this battle."
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+"i tillegg til opphavsrett krigene er vi midt i narkotika-krigene. "
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 "kostnadene."
 
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@@ -12477,11 +12854,12 @@ msgstr ""
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-"Property,\" in Nomos XXII: Property, J. Roland Pennock and John W.  Chapman, "
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+"and private interests. See Thomas C. Grey, \"The Disintegration of Property,"
+"\" in Nomos XXII: Property, J. Roland Pennock and John W.  Chapman, eds. "
+"(New York: New York University Press, 1980)."
 msgstr ""
 "Det var enkelt viktigste bidrag av juridiske realist-bevegelse for å "
 "demonstrere at alle eiendomsrettigheter alltid er laget for å balansere "
 "offentlige og private interesser. se thomas c. grey, \"oppløsningen av "
-"eiendom,\" i nomos xxii: eiendom, j. roland pennock og john w. Chapman, "
-"Red. (new york: new york university press, 1980)."
+"eiendom,\" i nomos xxii: eiendom, j. roland pennock og john w. Chapman, Red. "
+"(new york: new york university press, 1980)."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
 msgid ""
@@ -12879,8 +13276,7 @@ msgid ""
 "light of new technologies.  And for almost half of our tradition, the "
 "\"copyright\" did not control at all the freedom of others to build upon or "
 "transform a creative work. American culture was born free, and for almost "
-"180 years our country consistently protected a vibrant and rich free "
-"culture."
+"180 years our country consistently protected a vibrant and rich free culture."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -12916,6 +13312,7 @@ msgstr ""
 "debatten i dag."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Free culture is increasingly the casualty in this war on piracy. In response "
 "to a real, if not yet quantified, threat that the technologies of the "
@@ -12934,16 +13331,17 @@ msgstr ""
 "distribusjon av kultur, blir lov og teknologi forvandlet på en måte som vil "
 "undergrave vår tradisjon for fri kultur. eiendommen er copyright ikke lenger "
 "rettigheten balansert som det var, eller var ment å være. egenskapen akkurat "
-"det vil si opphavsrett har blitt ubalansert, skråstilt mot en "
-"ekstrem. muligheten til å opprette og transformere blir svekket i en verden "
-"der oppretting krever tillatelse og kreativitet må kontrollere med en "
-"advokat."
+"det vil si opphavsrett har blitt ubalansert, skråstilt mot en ekstrem. "
+"muligheten til å opprette og transformere blir svekket i en verden der "
+"oppretting krever tillatelse og kreativitet må kontrollere med en advokat."
 
 #. type: Content of: <book><chapter><title>
+#, mtrans, fuzzy
 msgid "PUZZLES"
 msgstr "puslespill"
 
 #. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy
 msgid "CHAPTER ELEVEN: Chimera"
 msgstr "Kapittel 11: chimera"
 
@@ -12965,8 +13363,8 @@ msgid ""
 "extraordinarily beautiful, with \"sweet water, pasture, an even climate, "
 "slopes of rich brown soil with tangles of a shrub that bore an excellent "
 "fruit.\" But the villagers are all blind. Nunez takes this as an "
-"opportunity. \"In the Country of the Blind,\" he tells himself, \"the "
-"One-Eyed Man is King.\" So he resolves to live with the villagers to explore "
+"opportunity. \"In the Country of the Blind,\" he tells himself, \"the One-"
+"Eyed Man is King.\" So he resolves to live with the villagers to explore "
 "life as a king."
 msgstr ""
 
@@ -12982,13 +13380,13 @@ msgid ""
 "blind and I can see. Leave me alone!'\""
 msgstr ""
 "ting går ikke helt som han har planlagt. han prøver å forklare ideen om "
-"synet til landsbyboere. de forstår ikke. Han forteller dem at de er "
-"\"blind.\" de ikke har word-blind. de tror han er bare tykk. faktisk, som de "
-"stadig mer merke tingene han ikke kan gjøre (høre lyden av gress å bli "
-"trappet på, for eksempel), de stadig prøver å kontrollere ham. han, i sin "
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-"var ment å være stor og resolutt, og som brøt. ' du er blind, og jeg kan "
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+"\" de ikke har word-blind. de tror han er bare tykk. faktisk, som de stadig "
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+"å være stor og resolutt, og som brøt. ' du er blind, og jeg kan se. La meg "
+"være! \"\""
 
 #, mtrans, fuzzy
 msgid ""
@@ -13056,11 +13454,11 @@ msgid ""
 "have to read the original to learn what happens in the end. I believe in "
 "free culture, but never in giving away the end of a story.)  It sometimes "
 "happens that the eggs of twins fuse in the mother's womb. That fusion "
-"produces a \"chimera.\" A chimera is a single creature with two sets of "
-"DNA. The DNA in the blood, for example, might be different from the DNA of "
-"the skin. This possibility is an underused plot for murder mysteries. \"But "
-"the DNA shows with 100 percent certainty that she was not the person whose "
-"blood was at the scene. . . .\""
+"produces a \"chimera.\" A chimera is a single creature with two sets of DNA. "
+"The DNA in the blood, for example, might be different from the DNA of the "
+"skin. This possibility is an underused plot for murder mysteries. \"But the "
+"DNA shows with 100 percent certainty that she was not the person whose blood "
+"was at the scene. . . .\""
 msgstr ""
 "\"thank heaven for science!\", sier faren til legen. de informere nunez av "
 "denne tilstanden som er nødvendig for ham å være tillatt hans brud. (du må "
@@ -13149,6 +13547,7 @@ msgstr ""
 
 #.  PAGE BREAK 189 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "But it is not quite stealing from Tower. After all, when I take a CD from "
 "Tower Records, Tower has one less CD to sell. And when I take a CD from "
@@ -13167,6 +13566,7 @@ msgstr ""
 "dataoverføre en ti-sang-cd, jeg ansvarlig for $1,500,000 i skader.)"
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "The point is not that it is as neither side describes. The point is that it "
 "is both--both as the RIAA describes it and as Kazaa describes it. It is a "
@@ -13191,25 +13591,24 @@ msgid ""
 "that would treat unauthorized on-line copying as a felony offense with "
 "punishments ranging as high as five years imprisonment; see Jon Healey, "
 "\"House Bill Aims to Up Stakes on Piracy,\" Los Angeles Times, 17 July 2003, "
-"available at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#34</ulink>. Civil penalties are currently set at $150,000 per copied "
-"song. For a recent (and unsuccessful)  legal challenge to the RIAA's demand "
-"that an ISP reveal the identity of a user accused of sharing more than 600 "
-"songs through a family computer, see RIAA v. Verizon Internet Services (In "
-"re. Verizon Internet Services), 240 F.  Supp. 2d 24 (D.D.C. 2003). Such a "
-"user could face liability ranging as high as $90 million. Such astronomical "
-"figures furnish the RIAA with a powerful arsenal in its prosecution of file "
-"sharers. Settlements ranging from $12,000 to $17,500 for four students "
-"accused of heavy file sharing on university networks must have seemed a mere "
-"pittance next to the $98 billion the RIAA could seek should the matter "
-"proceed to court. See Elizabeth Young, \"Downloading Could Lead to Fines,\" "
-"redandblack.com, August 2003, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #35</ulink>. For an example of "
-"the RIAA's targeting of student file sharing, and of the subpoenas issued to "
-"universities to reveal student file-sharer identities, see James Collins, "
-"\"RIAA Steps Up Bid to Force BC, MIT to Name Students,\" Boston Globe, 8 "
-"August 2003, D3, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #36</ulink>."
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #34</ulink>. "
+"Civil penalties are currently set at $150,000 per copied song. For a recent "
+"(and unsuccessful)  legal challenge to the RIAA's demand that an ISP reveal "
+"the identity of a user accused of sharing more than 600 songs through a "
+"family computer, see RIAA v. Verizon Internet Services (In re. Verizon "
+"Internet Services), 240 F.  Supp. 2d 24 (D.D.C. 2003). Such a user could "
+"face liability ranging as high as $90 million. Such astronomical figures "
+"furnish the RIAA with a powerful arsenal in its prosecution of file sharers. "
+"Settlements ranging from $12,000 to $17,500 for four students accused of "
+"heavy file sharing on university networks must have seemed a mere pittance "
+"next to the $98 billion the RIAA could seek should the matter proceed to "
+"court. See Elizabeth Young, \"Downloading Could Lead to Fines,\" redandblack."
+"com, August 2003, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #35</ulink>. For an example of the RIAA's targeting of student file "
+"sharing, and of the subpoenas issued to universities to reveal student file-"
+"sharer identities, see James Collins, \"RIAA Steps Up Bid to Force BC, MIT "
+"to Name Students,\" Boston Globe, 8 August 2003, D3, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #36</ulink>."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><para>
@@ -13220,11 +13619,12 @@ msgid ""
 "file sharing occurred on a family computer. And we can get universities to "
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-"been proposed or actually implemented.<placeholder type=\"footnote\" "
-"id=\"0\"/>"
+"been proposed or actually implemented.<placeholder type=\"footnote\" id="
+"\"0\"/>"
 msgstr ""
 
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 "Alternatively, we could respond to file sharing the way many kids act as "
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@@ -13239,6 +13639,7 @@ msgstr ""
 "hele tatt, av sosiale normer, men ikke av loven."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Either response is possible. I think either would be a mistake.  Rather than "
 "embrace one of these two extremes, we should embrace something that "
@@ -13258,6 +13659,7 @@ msgstr ""
 
 #.  PAGE BREAK 190 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Yet zero tolerance is increasingly our government's policy. In the middle of "
 "the chaos that the Internet has created, an extraordinary land grab is "
@@ -13295,6 +13697,7 @@ msgstr ""
 "opphavsrettsbeskyttet materiale,"
 
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+#, mtrans, fuzzy
 msgid ""
 "eMusic opposes music piracy. We are a distributor of copyrighted material, "
 "and we want to protect those rights."
@@ -13303,6 +13706,7 @@ msgstr ""
 "opphavsrettsbeskyttet materiale, og vi ønsker å beskytte disse rettighetene."
 
 #. type: Content of: <book><chapter><sect1><blockquote><para>
+#, mtrans, fuzzy
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 "But building a technology fortress that locks in the clout of the major "
 "labels is by no means the only way to protect copyright interests, nor is it "
@@ -13318,6 +13722,7 @@ msgstr ""
 
 #.  f3. 
 #. type: Content of: <book><chapter><sect1><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "WIPO and the DMCA One Year Later: Assessing Consumer Access to Digital "
 "Entertainment on the Internet and Other Media: Hearing Before the "
@@ -13354,6 +13759,7 @@ msgstr ""
 "etiketter.\" posisjonen på disse sakene er nå endret."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "Reversing our tradition of tolerance now will not merely quash piracy. It "
 "will sacrifice values that are important to this culture, and will kill "
@@ -13364,6 +13770,7 @@ msgstr ""
 "kan være svært verdifull."
 
 #. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy
 msgid "CHAPTER TWELVE: Harms"
 msgstr "Kapittel 12: skader"
 
@@ -13408,8 +13815,8 @@ msgstr ""
 msgid ""
 "Yet \"common sense\" does not see it this way. Common sense is still on the "
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-"in the name of property still resonate; the uncritical rejection of "
-"\"piracy\" still has play."
+"in the name of property still resonate; the uncritical rejection of \"piracy"
+"\" still has play."
 msgstr ""
 "ennå se \"sunn fornuft\" ikke det på denne måten. sunn fornuft er fortsatt "
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@@ -13418,6 +13825,7 @@ msgstr ""
 
 #.  PAGE BREAK 193 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
 "There will be many consequences of continuing this war. I want to describe "
 "just three. All three might be said to be unintended. I am quite confident "
@@ -13432,23 +13840,25 @@ msgstr ""
 "bekjempe dagens monopolists kultur."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Constraining Creators"
 msgstr "Begrensende skaperne"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "In the next ten years we will see an explosion of digital technologies.  "
-"These technologies will enable almost anyone to capture and share "
-"content. Capturing and sharing content, of course, is what humans have done "
-"since the dawn of man. It is how we learn and communicate. But capturing and "
-"sharing through digital technology is different. The fidelity and power are "
+"These technologies will enable almost anyone to capture and share content. "
+"Capturing and sharing content, of course, is what humans have done since the "
+"dawn of man. It is how we learn and communicate. But capturing and sharing "
+"through digital technology is different. The fidelity and power are "
 "different. You could send an e-mail telling someone about a joke you saw on "
 "Comedy Central, or you could send the clip. You could write an essay about "
 "the inconsistencies in the arguments of the politician you most love to "
-"hate, or you could make a short film that puts statement against "
-"statement. You could write a poem to express your love, or you could weave "
-"together a string--a mash-up-- of songs from your favorite artists in a "
-"collage and make it available on the Net."
+"hate, or you could make a short film that puts statement against statement. "
+"You could write a poem to express your love, or you could weave together a "
+"string--a mash-up-- of songs from your favorite artists in a collage and "
+"make it available on the Net."
 msgstr ""
 "i de neste ti årene vil vi se en eksplosjon av digitale teknologier. disse "
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@@ -13472,20 +13882,20 @@ msgid ""
 "\"capturing and sharing\" promises a world of extraordinarily diverse "
 "creativity that can be easily and broadly shared. And as that creativity is "
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+"technology to express and criticize and contribute to the culture all around."
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-"og dele det har alltid vært del av vår kultur, og delvis det er noe "
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+"til kultur rundt."
 
 #.  PAGE BREAK 194 
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@@ -13494,12 +13904,12 @@ msgid ""
 "across the globe."
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 "teknologien har dermed gitt oss en mulighet til å gjøre noe med kultur som "
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 "Yet all this is possible only if the activity is presumptively legal. In the "
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@@ -13527,8 +13937,8 @@ msgid ""
 "See Lynne W. Jeter, Disconnected: Deceit and Betrayal at WorldCom (Hoboken, "
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-"Settlement\" (7 July 2003), available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #37</ulink>."
+"Settlement\" (7 July 2003), available at <ulink url=\"http://free-culture.cc/"
+"notes/\">link #37</ulink>."
 msgstr ""
 
 #.  f2. 
@@ -13537,10 +13947,10 @@ msgid ""
 "The bill, modeled after California's tort reform model, was passed in the "
 "House of Representatives but defeated in a Senate vote in July 2003. For an "
 "overview, see Tanya Albert, \"Measure Stalls in Senate: `We'll Be Back,' Say "
-"Tort Reformers,\" amednews.com, 28 July 2003, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #38</ulink>, and \"Senate Turns "
-"Back Malpractice Caps,\" CBSNews.com, 9 July 2003, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #39</ulink>. President Bush has "
+"Tort Reformers,\" amednews.com, 28 July 2003, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #38</ulink>, and \"Senate Turns Back "
+"Malpractice Caps,\" CBSNews.com, 9 July 2003, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #39</ulink>. President Bush has "
 "continued to urge tort reform in recent months."
 msgstr ""
 
@@ -13554,23 +13964,23 @@ msgid ""
 "was just one) were threatened with a $98 billion lawsuit for building search "
 "engines that permitted songs to be copied. Yet World-Com--which defrauded "
 "investors of $11 billion, resulting in a loss to investors in market "
-"capitalization of over $200 billion--received a fine of a mere $750 "
-"million.<placeholder type=\"footnote\" id=\"0\"/> And under legislation "
-"being pushed in Congress right now, a doctor who negligently removes the "
-"wrong leg in an operation would be liable for no more than $250,000 in "
-"damages for pain and suffering.<placeholder type=\"footnote\" id=\"1\"/> Can "
-"common sense recognize the absurdity in a world where the maximum fine for "
-"downloading two songs off the Internet is more than the fine for a doctor's "
-"negligently butchering a patient?"
+"capitalization of over $200 billion--received a fine of a mere $750 million."
+"<placeholder type=\"footnote\" id=\"0\"/> And under legislation being pushed "
+"in Congress right now, a doctor who negligently removes the wrong leg in an "
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+"suffering.<placeholder type=\"footnote\" id=\"1\"/> Can common sense "
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+"two songs off the Internet is more than the fine for a doctor's negligently "
+"butchering a patient?"
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-"available at <ulink url=\"http://free-culture.cc/notes/\">link "
-"#40</ulink>. For an overview of the exhibition, see <ulink "
-"url=\"http://free-culture.cc/notes/\">link #41</ulink>."
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #40</ulink>. "
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+"notes/\">link #41</ulink>."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
@@ -13586,13 +13996,14 @@ msgid ""
 "very different reasons, we will begin to see a world of underground art--not "
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-"\"illegality\" consist? In the act of mixing the culture around us with an "
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+"fraught. Already, exhibits of \"illegal art\" tour the United States."
+"<placeholder type=\"footnote\" id=\"0\"/> In what does their \"illegality\" "
+"consist? In the act of mixing the culture around us with an expression that "
+"is critical or reflective."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "Part of the reason for this fear of illegality has to do with the changing "
 "law. I described that change in detail in chapter 10. But an even bigger "
@@ -13613,11 +14024,12 @@ msgstr ""
 "hjemmeside som noen kunne tune inn uansett grunn de valgte."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Never in our history has a painter had to worry about whether his painting "
 "infringed on someone else's work; but the modern-day painter, using the "
-"tools of Photoshop, sharing content on the Web, must worry all the "
-"time. Images are all around, but the only safe images to use in the act of "
+"tools of Photoshop, sharing content on the Web, must worry all the time. "
+"Images are all around, but the only safe images to use in the act of "
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 "purchasing, censoring happens. There is a free market in pencils; we needn't "
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@@ -13635,6 +14047,7 @@ msgstr ""
 "måte gratis."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "Lawyers rarely see this because lawyers are rarely empirical. As I described "
 "in chapter 7, in response to the story about documentary filmmaker Jon Else, "
@@ -13649,6 +14062,7 @@ msgstr ""
 
 #.  PAGE BREAK 196 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "But fair use in America simply means the right to hire a lawyer to defend "
 "your right to create. And as lawyers love to forget, our system for "
@@ -13676,17 +14090,16 @@ msgid ""
 "become that anyone actually believes this. The rules that publishers impose "
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-"\"law\" with which judges comfort themselves."
+"governing creativity. And these rules have little relationship to the \"law"
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 "dommere og advokater kan fortelle seg selv at fair use gir tilstrekkelig "
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@@ -13703,25 +14116,25 @@ msgstr ""
 "opphavsretten, og som krever titusenvis av dollar til selv forsvar mot "
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-"studert blindhet for folk å fortsette å tro de bor i en kultur som er "
-"gratis."
+"denne verden, astonishingly bred regelverket at pass under navnet \"copyright"
+"\" stillhet tale og kreativitet. og i denne verden, det tar en studert "
+"blindhet for folk å fortsette å tro de bor i en kultur som er gratis."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "As Jed Horovitz, the businessman behind Video Pipeline, said to me,"
 msgstr "som jed horovitz, forretningsmann bak video rørledning, sa til meg,"
 
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 "We're losing [creative] opportunities right and left. Creative people are "
-"being forced not to express themselves. Thoughts are not being "
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 "de kontrollen."
 
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+#, mtrans, fuzzy
 msgid "Constraining Innovators"
 msgstr "Begrensende innovators"
 
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-"artists who can't speak, yada yada yada. Maybe that doesn't get you "
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 msgstr ""
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@@ -13768,6 +14182,7 @@ msgstr ""
 "det samme, selv om interesser som påvirker kultur er mer grunnleggende."
 
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+#, mtrans, fuzzy
 msgid ""
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@@ -13813,6 +14228,7 @@ msgstr ""
 "blitt lært."
 
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@@ -13823,6 +14239,7 @@ msgstr ""
 "(pessimist extraordinaire) ville aldri ha forutsett."
 
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@@ -13839,6 +14256,7 @@ msgstr ""
 "engasjement fra skaperne."
 
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+"therefore a kind of music-lockbox."
 msgstr ""
 
 #.  PAGE BREAK 199 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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@@ -13881,6 +14300,7 @@ msgstr ""
 "likte."
 
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+#, mtrans, fuzzy
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@@ -13903,6 +14323,7 @@ msgstr ""
 "kunder noe de hadde allerede kjøpt."
 
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+#, mtrans, fuzzy
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-"mp3.com omtrent et år senere."
+"saksøker, vivendi universal, betaler over $54 millioner. Vivendi kjøpt mp3."
+"com omtrent et år senere."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "That part of the story I have told before. Now consider its conclusion."
 msgstr "som en del av historien jeg har fortalt før. nå Vurder sin konklusjon."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "After Vivendi purchased MP3.com, Vivendi turned around and filed a "
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@@ -13944,6 +14367,7 @@ msgstr ""
 
 #.  PAGE BREAK 200 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The clear purpose of this lawsuit (which was settled for an unspecified "
 "amount shortly after the story was no longer covered in the press)  was to "
@@ -13967,9 +14391,9 @@ msgid ""
 "See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" Los Angeles Times, "
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 "the distribution of music, see Janelle Brown, \"The Music Revolution Will "
-"Not Be Digitized,\" Salon.com, 1 June 2001, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #42</ulink>.  See also Jon "
-"Healey, \"Online Music Services Besieged,\" Los Angeles Times, 28 May 2001."
+"Not Be Digitized,\" Salon.com, 1 June 2001, available at <ulink url=\"http://"
+"free-culture.cc/notes/\">link #42</ulink>.  See also Jon Healey, \"Online "
+"Music Services Besieged,\" Los Angeles Times, 28 May 2001."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
@@ -13977,15 +14401,15 @@ msgid ""
 "This strategy is not just limited to the lawyers. In April 2003, Universal "
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-"cofounder ( John Hummer), and general partner (Hank Barry).<placeholder "
-"type=\"footnote\" id=\"0\"/> The claim here, as well, was that the VC should "
-"have recognized the right of the content industry to control how the "
-"industry should develop. They should be held personally liable for funding a "
-"company whose business turned out to be beyond the law. Here again, the aim "
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-"company whose business is not approved of by the dinosaurs, you are at risk "
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-"buys you not only a company, it also buys you a lawsuit.  So extreme has the "
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+"\"footnote\" id=\"0\"/> The claim here, as well, was that the VC should have "
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+"should develop. They should be held personally liable for funding a company "
+"whose business turned out to be beyond the law. Here again, the aim of the "
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+"whose business is not approved of by the dinosaurs, you are at risk not just "
+"in the marketplace, but in the courtroom as well.  Your investment buys you "
+"not only a company, it also buys you a lawsuit.  So extreme has the "
 "environment become that even car manufacturers are afraid of technologies "
 "that touch content. In an article in Business 2.0, Rafe Needleman describes "
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@@ -13995,8 +14419,8 @@ msgstr ""
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 "Rafe Needleman, \"Driving in Cars with MP3s,\" Business 2.0, 16 June 2003, "
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+"available at <ulink url=\"http://free-culture.cc/notes/\">link #43</ulink>. "
+"I am grateful to Dr. Mohammad Al-Ubaydli for this example."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para>
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 "This is the world of the mafia--filled with \"your money or your life\" "
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 "empowers copyright holders to exercise. It is a system that will obviously "
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 msgstr ""
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@@ -14039,12 +14462,12 @@ msgid ""
 "uncertain and unlimited liability, we will have much less vibrant innovation "
 "and much less creativity."
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-"Poenget er ikke at virksomheter bør ha rett til å starte ulovlig "
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-"The point is directly parallel to the crunchy-lefty point about fair "
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@@ -14075,6 +14498,7 @@ msgstr ""
 
 #.  PAGE BREAK 202 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "The building of a permission culture, rather than a free culture, is the "
 "first important way in which the changes I have described will burden "
@@ -14152,25 +14576,25 @@ msgid ""
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-"type=\"footnote\" id=\"0\"/> Congress has already launched proceedings to "
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+"disable their machines.<placeholder type=\"footnote\" id=\"1\"/>"
 msgstr ""
 
 #.  PAGE BREAK 203 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "In one sense, these solutions seem sensible. If the problem is the code, why "
 "not regulate the code to remove the problem. But any regulation of technical "
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 msgstr ""
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+"should not do more harm than good."
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 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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-"There is one more obvious way in which this war has harmed "
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+#, mtrans, fuzzy
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@@ -14218,22 +14643,26 @@ msgstr ""
 
 #.  f9. 
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-msgid "Jessica Litman, Digital Copyright (Amherst, N.Y.: Prometheus Books, 2001)."
-msgstr "Jessica litman, digitale copyright (amherst, n.y.: prometheus bøker, 2001)."
+#, mtrans, fuzzy
+msgid ""
+"Jessica Litman, Digital Copyright (Amherst, N.Y.: Prometheus Books, 2001)."
+msgstr ""
+"Jessica litman, digitale copyright (amherst, n.y.: prometheus bøker, 2001)."
 
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-"id=\"0\"/> overall this history of copyright is not bad. As chapter 10 "
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-"statutory, licenses have been one part of that strategy. Free use (as in the "
-"case of the VCR) has been another."
+"Litman in her book Digital Copyright,<placeholder type=\"footnote\" id=\"0\"/"
+"> overall this history of copyright is not bad. As chapter 10 details, when "
+"new technologies have come along, Congress has struck a balance to assure "
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+"have been one part of that strategy. Free use (as in the case of the VCR) "
+"has been another."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
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 "But that pattern of deference to new technologies has now changed with the "
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@@ -14249,11 +14678,12 @@ msgstr ""
 
 #.  f10. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "The only circuit court exception is found in Recording Industry Association "
-"of America (RIAA) v. Diamond Multimedia Systems, 180 F. 3d 1072 (9th "
-"Cir. 1999). There the court of appeals for the Ninth Circuit reasoned that "
-"makers of a portable MP3 player were not liable for contributory copyright "
+"of America (RIAA) v. Diamond Multimedia Systems, 180 F. 3d 1072 (9th Cir. "
+"1999). There the court of appeals for the Ninth Circuit reasoned that makers "
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 #.  f11. 
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 msgid ""
-"For example, in July 2002, Representative Howard Berman introduced the "
-"Peer-to-Peer Piracy Prevention Act (H.R. 5211), which would immunize "
-"copyright holders from liability for damage done to computers when the "
-"copyright holders use technology to stop copyright infringement. In August "
-"2002, Representative Billy Tauzin introduced a bill to mandate that "
-"technologies capable of rebroadcasting digital copies of films broadcast on "
-"TV (i.e., computers) respect a \"broadcast flag\" that would disable copying "
-"of that content. And in March of the same year, Senator Fritz Hollings "
-"introduced the Consumer Broadband and Digital Television Promotion Act, "
-"which mandated copyright protection technology in all digital media "
-"devices. See GartnerG2, \"Copyright and Digital Media in a Post-Napster "
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-"url=\"http://free-culture.cc/notes/\">link #44</ulink>."
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+"Representative Billy Tauzin introduced a bill to mandate that technologies "
+"capable of rebroadcasting digital copies of films broadcast on TV (i.e., "
+"computers) respect a \"broadcast flag\" that would disable copying of that "
+"content. And in March of the same year, Senator Fritz Hollings introduced "
+"the Consumer Broadband and Digital Television Promotion Act, which mandated "
+"copyright protection technology in all digital media devices. See GartnerG2, "
+"\"Copyright and Digital Media in a Post-Napster World,\" 27 June 2003, 33­34, "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #44</ulink>."
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-"The response by the courts has been fairly universal.<placeholder "
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+"\"footnote\" id=\"0\"/> It has been mirrored in the responses threatened and "
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 #, mtrans, fuzzy
@@ -14323,6 +14752,7 @@ msgstr ""
 "birthday\" ville få noen penger, mens marilyn monroe ville ikke."
 
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+#, mtrans, fuzzy
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 "The reasoning behind this balance struck by Congress makes some sense. The "
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@@ -14359,6 +14789,7 @@ msgstr ""
 "radiostasjon langt utover san francisco metropolitan area."
 
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@@ -14384,6 +14815,7 @@ msgstr ""
 
 #.  PAGE BREAK 205 
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@@ -14401,6 +14833,7 @@ msgstr ""
 
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+#, mtrans, fuzzy
 msgid "Lessing, 239."
 msgstr "Lessing, 239."
 
@@ -14422,6 +14855,7 @@ msgstr ""
 
 #.  f13. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Ibid., 229."
 msgstr "ibid., 229."
 
@@ -14429,12 +14863,12 @@ msgstr "ibid., 229."
 msgid ""
 "This potential for FM radio was never realized--not because Armstrong was "
 "wrong about the technology, but because he underestimated the power of "
-"\"vested interests, habits, customs and legislation\"<placeholder "
-"type=\"footnote\" id=\"0\"/> to retard the growth of this competing "
-"technology."
+"\"vested interests, habits, customs and legislation\"<placeholder type="
+"\"footnote\" id=\"0\"/> to retard the growth of this competing technology."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Now the very same claim could be made about Internet radio. For again, there "
 "is no technical limitation that could restrict the number of Internet radio "
@@ -14457,9 +14891,9 @@ msgid ""
 "for Internet radio than the rule that applies to terrestrial radio. While "
 "terrestrial radio does not have to pay our hypothetical Marilyn Monroe when "
 "it plays her hypothetical recording of \"Happy Birthday\" on the air, "
-"Internet radio does. Not only is the law not neutral toward Internet "
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-"terrestrial radio."
+"Internet radio does. Not only is the law not neutral toward Internet radio--"
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+"radio."
 msgstr ""
 "men her kraften i lobbyister tilbakeføres. Internett-radio er en ny "
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@@ -14480,8 +14914,8 @@ msgid ""
 "2003, on file with author. Professors Fisher and Zittrain submitted "
 "testimony in the CARP proceeding that was ultimately rejected.  See Jonathan "
 "Zittrain, Digital Performance Right in Sound Recordings and Ephemeral "
-"Recordings, Docket No. 2000-9, CARP DTRA 1 and 2, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #45</ulink>.  For an excellent "
+"Recordings, Docket No. 2000-9, CARP DTRA 1 and 2, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #45</ulink>.  For an excellent "
 "analysis making a similar point, see Randal C. Picker, \"Copyright as Entry "
 "Policy: The Case of Digital Distribution,\" Antitrust Bulletin (Summer/Fall "
 "2002): 461: \"This was not confusion, these are just old-fashioned entry "
@@ -14496,12 +14930,13 @@ msgid ""
 "This financial burden is not slight. As Harvard law professor William Fisher "
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+"<placeholder type=\"footnote\" id=\"0\"/> A regular radio station "
 "broadcasting the same content would pay no equivalent fee."
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The burden is not financial only. Under the original rules that were "
 "proposed, an Internet radio station (but not a terrestrial radio station)  "
@@ -14512,6 +14947,7 @@ msgstr ""
 "ville ha til å samle inn følgende data fra hver lytting transaksjon:"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "name of the service;"
 msgstr "navnet på tjenesten,"
 
@@ -14524,34 +14960,43 @@ msgid "type of program (archived/looped/live);"
 msgstr ""
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "date of transmission;"
 msgstr "dato for overføring;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "time of transmission;"
 msgstr "tidspunktet for overføring;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "time zone of origination of transmission;"
 msgstr "tidssonen til opprinnelse av overføring;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
-msgid "numeric designation of the place of the sound recording within the program;"
+#, mtrans, fuzzy
+msgid ""
+"numeric designation of the place of the sound recording within the program;"
 msgstr "numeriske angivelsen av i stedet for lydopptak programmet;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "duration of transmission (to nearest second);"
 msgstr "varigheten av overføring (til nærmeste sekund):"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "sound recording title;"
 msgstr "Lydinnspilling-tittel;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "ISRC code of the recording;"
 msgstr "ISRC-koden på opptaket;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid ""
 "release year of the album per copyright notice and in the case of "
 "compilation albums, the release year of the album and copy- right date of "
@@ -14561,62 +15006,77 @@ msgstr ""
 "av albumet og kopi høyre datoen for spor;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "featured recording artist;"
 msgstr "anbefalte Plateartist;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "retail album title;"
 msgstr "detaljhandel albumtittel;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "recording label;"
 msgstr "plateselskap;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "UPC code of the retail album;"
 msgstr "UPC koden for selge i detalj albumet;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "catalog number;"
 msgstr "katalognummer;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "copyright owner information;"
 msgstr "opphavsrettsinnehaveren informasjon;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "musical genre of the channel or program (station format);"
 msgstr "musikksjanger av kanal eller -programmet (stasjon format);"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "name of the service or entity;"
 msgstr "navnet på tjenesten eller selskap;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "channel or program;"
 msgstr "kanal eller program;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "date and time that the user logged in (in the user's time zone);"
 msgstr "datoen og klokkeslettet da brukeren logget på (i brukerens tidssone);"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "date and time that the user logged out (in the user's time zone);"
 msgstr "datoen og klokkeslettet da brukeren logget ut (i brukerens tidssone);"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "time zone where the signal was received (user);"
 msgstr "tidssone der signalet ble mottatt (bruker);"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "Unique User identifier;"
 msgstr "unik bruker identifikator;"
 
 #. type: Content of: <book><chapter><sect1><sect2><orderedlist><listitem><para>
+#, mtrans, fuzzy
 msgid "the country in which the user received the transmissions."
 msgstr "landet som brukeren mottok sendinger."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The Librarian of Congress eventually suspended these reporting requirements, "
 "pending further study. And he also changed the original rates set by the "
@@ -14631,6 +15091,7 @@ msgstr ""
 "radio har å betale en type opphavsrett gebyr som bakkesendte radio ikke."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Why? What justifies this difference? Was there any study of the economic "
 "consequences from Internet radio that would justify these differences? Was "
@@ -14641,6 +15102,7 @@ msgstr ""
 "forskjellene? var motivet å beskytte kunstnere mot piratkopiering?"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "In a rare bit of candor, one RIAA expert admitted what seemed obvious to "
 "everyone at the time. As Alex Alben, vice president for Public Policy at "
@@ -14685,6 +15147,7 @@ msgstr ""
 "stabil, forutsigbar marked.\" (vekt legges)."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Translation: The aim is to use the law to eliminate competition, so that "
 "this platform of potentially immense competition, which would cause the "
@@ -14702,10 +15165,12 @@ msgstr ""
 "for å hindre den."
 
 #. type: Content of: <book><chapter><sect1><sect2><title>
+#, mtrans, fuzzy
 msgid "Corrupting Citizens"
 msgstr "ødelegge borgere"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Overregulation stifles creativity. It smothers innovation. It gives "
 "dinosaurs a veto over the future. It wastes the extraordinary opportunity "
@@ -14716,6 +15181,7 @@ msgstr ""
 "demokratisk kreativitet som digital teknologi gjør det mulig."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "In addition to these important harms, there is one more that was important "
 "to our forebears, but seems forgotten today. Overregulation corrupts "
@@ -14729,10 +15195,10 @@ msgstr ""
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
 msgid ""
 "Mike Graziano and Lee Rainie, \"The Music Downloading Deluge,\" Pew Internet "
-"and American Life Project (24 April 2001), available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #46</ulink>.  The Pew Internet "
-"and American Life Project reported that 37 million Americans had downloaded "
-"music files from the Internet by early 2001."
+"and American Life Project (24 April 2001), available at <ulink url=\"http://"
+"free-culture.cc/notes/\">link #46</ulink>.  The Pew Internet and American "
+"Life Project reported that 37 million Americans had downloaded music files "
+"from the Internet by early 2001."
 msgstr ""
 
 #.  PAGE BREAK 209 
@@ -14776,9 +15242,9 @@ msgid ""
 "discovered, it will always cost more to defend against these suits than it "
 "would cost to simply settle. (The twelve year old, for example, like Jesse "
 "Jordan, paid her life savings of $2,000 to settle the case.) Our law is an "
-"awful system for defending rights. It is an embarrassment to our "
-"tradition. And the consequence of our law as it is, is that those with the "
-"power can use the law to quash any rights they oppose."
+"awful system for defending rights. It is an embarrassment to our tradition. "
+"And the consequence of our law as it is, is that those with the power can "
+"use the law to quash any rights they oppose."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -14791,10 +15257,11 @@ msgstr ""
 
 #.  f18. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
 msgid ""
 "National Drug Control Policy: Hearing Before the House Government Reform "
-"Committee, 108th Cong., 1st sess. (5 March 2003) (statement of John "
-"P. Walters, director of National Drug Control Policy)."
+"Committee, 108th Cong., 1st sess. (5 March 2003) (statement of John P. "
+"Walters, director of National Drug Control Policy)."
 msgstr ""
 "nasjonale narkotikapolitikken kontroll: høre før house government reform "
 "committee, 108th cong., 1 sess. (5 mars 2003) (setning av john p. walters, "
@@ -14821,15 +15288,14 @@ msgid ""
 "level. Americans were drinking just about as much, but now, a vast number "
 "were criminals.<placeholder type=\"footnote\" id=\"0\"/> We have launched a "
 "war on drugs aimed at reducing the consumption of regulated narcotics that 7 "
-"percent (or 16 million) Americans now use.<placeholder type=\"footnote\" "
-"id=\"1\"/> That is a drop from the high (so to speak) in 1979 of 14 percent "
-"of the population. We regulate automobiles to the point where the vast "
-"majority of Americans violate the law every day. We run such a complex tax "
-"system that a majority of cash businesses regularly cheat.<placeholder "
-"type=\"footnote\" id=\"2\"/> We pride ourselves on our \"free society,\" but "
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-"as a result, a huge proportion of Americans regularly violate at least some "
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+"percent (or 16 million) Americans now use.<placeholder type=\"footnote\" id="
+"\"1\"/> That is a drop from the high (so to speak) in 1979 of 14 percent of "
+"the population. We regulate automobiles to the point where the vast majority "
+"of Americans violate the law every day. We run such a complex tax system "
+"that a majority of cash businesses regularly cheat.<placeholder type="
+"\"footnote\" id=\"2\"/> We pride ourselves on our \"free society,\" but an "
+"endless array of ordinary behavior is regulated within our society. And as a "
+"result, a huge proportion of Americans regularly violate at least some law."
 msgstr ""
 
 #, mtrans, fuzzy
@@ -14855,15 +15321,15 @@ msgstr ""
 "studentene som har ulovlig lastet ned musikk, ulovlig konsumert alkohol og "
 "noen ganger narkotika, ulovlig arbeidet uten å betale skatt, ulovlig drevet "
 "biler. disse er barna som oppfører seg ulovlig er stadig normen. og deretter "
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-"eller ære et krav til å avsløre et dokument som betyr at ditt tilfelle er "
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+"normalt og lovlig, siden \"normalt\" innebærer en viss grad av illegality."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "The response to this general illegality is either to enforce the law more "
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@@ -14885,6 +15351,7 @@ msgstr ""
 
 #.  PAGE BREAK 211 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "My point is not the idiotic one: Just because people violate a law, we "
 "should therefore repeal it. Obviously, we could reduce murder statistics "
@@ -14906,10 +15373,10 @@ msgid ""
 "experience violating the law, the less we respect the law. Obviously, in "
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+"incarcerate the rapist. But I do care whether my students respect the law. "
+"And I do care if the rules of law sow increasing disrespect because of the "
+"extreme of regulation they impose.  Twenty million Americans have come of "
+"age since the Internet introduced this different idea of \"sharing.\" We "
 "need to be able to call these twenty million Americans \"citizens,\" not "
 "\"felons.\""
 msgstr ""
@@ -14926,6 +15393,7 @@ msgstr ""
 "kunne ringe disse fem millioner amerikanere \"borgere,\" ikke \"felons\"."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "When at least forty-three million citizens download content from the "
 "Internet, and when they use tools to combine that content in ways "
@@ -14948,6 +15416,7 @@ msgstr ""
 "får betalt uten å transformere Amerika til en nasjon av felons?"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid "This abstract point can be made more clear with a particular example."
 msgstr "Denne abstrakte punkt kan gjøres mer tydelig med en bestemt eksempel."
 
@@ -14957,8 +15426,7 @@ msgid ""
 "plastic encode music that in a certain sense we have bought.  The law "
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 "infringement for me to sell all my classical records at a used record store "
-"and buy jazz records to replace them. That \"use\" of the recordings is "
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 msgstr ""
 "vi alle egne CDer. mange av oss fortsatt eier fonograf poster. disse bitene "
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@@ -14990,9 +15458,8 @@ msgid ""
 "Andromeda, we can build different play lists of our music: Bach, Baroque, "
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 msgstr ""
 "Denne \"Bruk\" av min poster er absolutt verdifull. Jeg har begynt en stor "
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@@ -15005,6 +15472,7 @@ msgstr ""
 "rett."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "This use is enabled by unprotected media--either CDs or records.  But "
 "unprotected media also enable file sharing. File sharing threatens (or so "
@@ -15026,13 +15494,13 @@ msgstr ""
 msgid ""
 "If these technologies took off, then the building of large archives of your "
 "own music would become quite difficult. You might hang in hacker circles, "
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 msgstr ""
 "Hvis disse teknologiene tok av, ville og bygging av store arkiver av din "
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@@ -15045,6 +15513,7 @@ msgstr ""
 "systemet."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "If the only way to assure that artists get paid were the elimination of the "
 "ability to freely move content, then these technologies to interfere with "
@@ -15062,6 +15531,7 @@ msgstr ""
 "som du beholder også bevege innhold lett?"
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "My point just now is not to prove that there is such a system. I offer a "
 "version of such a system in the last chapter of this book. For now, the only "
@@ -15082,14 +15552,15 @@ msgstr ""
 "være mellom forskjellige eiendom systemer og frihetene hver tillatt."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "I believe there is a way to assure that artists are paid without turning "
 "forty-three million Americans into felons. But the salient feature of this "
 "alternative is that it would lead to a very different market for producing "
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+"drawn buggy."
 msgstr ""
 "Jeg tror det er en måte å sikre at kunstnere er betalt uten å slå førti - "
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@@ -15100,6 +15571,7 @@ msgstr ""
 "hest trukket buggy."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Except that this generation's buggy manufacturers have already saddled "
 "Congress, and are riding the law to protect themselves against this new form "
@@ -15135,8 +15607,10 @@ msgstr ""
 "skader på borgerrettigheter vanligvis."
 
 #, mtrans, fuzzy
-msgid "\"If you can treat someone as a putative lawbreaker,\" von Lohmann explains,"
-msgstr "\"Hvis du kan behandle noen som en antatte lawbreaker,\" forklarer von sang,"
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+msgstr ""
+"\"Hvis du kan behandle noen som en antatte lawbreaker,\" forklarer von sang,"
 
 #, mtrans, fuzzy
 msgid ""
@@ -15160,6 +15634,7 @@ msgstr ""
 "befolkningen i \"lawbreakers.\""
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "And the consequence of this transformation of the American public into "
 "criminals is that it becomes trivial, as a matter of due process, to "
@@ -15170,13 +15645,14 @@ msgstr ""
 "til å effektivt viske ut mye av personvernet mest ville anta."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
+#, mtrans, fuzzy
 msgid ""
 "Users of the Internet began to see this generally in 2003 as the RIAA "
 "launched its campaign to force Internet service providers to turn over the "
-"names of customers who the RIAA believed were violating copyright "
-"law. Verizon fought that demand and lost. With a simple request to a judge, "
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 msgstr ""
 "brukere av Internett begynte å se dette vanligvis i 2003 som riaa lanserte "
 "sin kampanje for å tvinge nettleverandører til å snu navnene på kundene som "
@@ -15199,14 +15675,14 @@ msgid ""
 msgstr ""
 "se frank ahrens, \"riaa's søksmål møte overrasket over mål; enkelt mor i "
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-"prøver å lure programvare fra hjemme-PC å unngå blir saksøkte,\"orlando "
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+"2003, c1; Margo varadi, \"er brianna en kriminell?\" toronto star, 18 "
+"september 2003, p7."
 
 #. type: Content of: <book><chapter><sect1><sect2><para>
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@@ -15216,16 +15692,16 @@ msgid ""
 "potential damages from these suits are astronomical: If a family's computer "
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-"type=\"footnote\" id=\"0\"/>"
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+"\"footnote\" id=\"0\"/>"
 msgstr ""
 
 #.  f21. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
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 "See \"Revealed: How RIAA Tracks Downloaders: Music Industry Discloses Some "
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 "Becker and Angela Rozas, \"Music Pirate Hunt Turns to Loyola; Two Students "
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 #. type: Content of: <book><chapter><sect1><para><footnote><para>
+#, mtrans, fuzzy
 msgid "United States v. Lopez, 514 U.S. 549, 564 (1995)."
 msgstr "USA v. lopez, 514 amerikanske 549, 564 (1995)."
 
 #.  f7. 
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+#, mtrans, fuzzy
 msgid "United States v. Morrison, 529 U.S. 598 (2000)."
 msgstr "USA v. morrison, 529 amerikanske 598 (2000)."
 
@@ -16007,8 +16512,8 @@ msgid ""
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@@ -16023,8 +16528,8 @@ msgid ""
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 "politikere."
 
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 msgstr ""
 
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@@ -16141,15 +16648,15 @@ msgid ""
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@@ -16177,6 +16684,7 @@ msgstr ""
 
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 "gjøre?"
 
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@@ -16209,6 +16718,7 @@ msgstr ""
 "bøker som fortsatt under opphavsrett."
 
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 "liste?"
 
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@@ -16251,6 +16763,7 @@ msgstr ""
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@@ -16268,6 +16781,7 @@ msgstr ""
 
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@@ -16290,6 +16804,7 @@ msgstr ""
 "vanligvis vet svært godt hvem som eier hva egenskapen."
 
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 msgstr ""
 
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@@ -16361,10 +16878,11 @@ msgstr ""
 
 #.  PAGE BREAK 231 
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+"copyright er å aktivere det kommersielle markedet som sprer kultur. Nei, vi "
+"snakker om kultur etter at det har bodd sin kommersiell levetid. i denne "
+"sammenhengen er copyright serverer ingen formål på alle relatert til "
+"spredning av kunnskap. i denne sammenheng er copyright ikke en motor gratis "
+"uttrykksmåter. Copyright er en brems."
 
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 "Jason Schultz, \"The Myth of the 1976 Copyright `Chaos' Theory,\" 20 "
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@@ -16924,6 +17459,7 @@ msgstr ""
 
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 "create pornography.\"<placeholder type=\"footnote\" id=\"0\"/> That was also "
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 #.  PAGE BREAK 246 
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+"setningsdelen kan komme til å bety helt forskjellige ting som er avhengig av "
+"om ordene var om patenter eller opphavsrett. Retten la rettferdighet stevens "
+"kostnad gå ubesvart."
 
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 msgid ""
@@ -17864,6 +18440,7 @@ msgstr ""
 "forfatningsstridig."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "neither believed in the Lopez case, neither was willing to push it as a "
@@ -17878,41 +18455,43 @@ msgstr ""
 "hamlet uten prinsen."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "depression. This anger was of two sorts."
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@@ -17937,6 +18516,7 @@ msgstr ""
 "egen prinsipper."
 
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@@ -17946,6 +18526,7 @@ msgstr ""
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@@ -17969,21 +18550,22 @@ msgstr ""
 
 #.  PAGE BREAK 252 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "As I read back over the transcript from that argument in October, I can see "
 "a hundred places where the answers could have taken the conversation in "
 "different directions, where the truth about the harm that this unchecked "
 "power will cause could have been made clear to this Court. Justice Kennedy "
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+"stubbornness, my refusal to give in, stopped me. I have stood before "
+"hundreds of audiences trying to persuade; I have used passion in that effort "
+"to persuade; but I refused to stand before this audience and try to persuade "
+"with the passion I had used elsewhere. It was not the basis on which a court "
+"should decide the issue."
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 "som jeg leste tilbake over transkripsjon fra argumentet i oktober, kan jeg "
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@@ -18001,6 +18583,7 @@ msgstr ""
 "problemet."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
 msgid ""
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 "been different if Don Ayer had argued it? Or Charles Fried? Or Kathleen "
@@ -18011,6 +18594,7 @@ msgstr ""
 "eller kathleen sullivan?"
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "My friends huddled around me to insist it would not. The Court was not "
 "ready, my friends insisted. This was a loss that was destined. It would take "
@@ -18023,6 +18607,7 @@ msgstr ""
 "gjør det, vil vi være i stand til å vise at domstolen."
 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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 "Maybe, but I doubt it. These Justices have no financial interest in doing "
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@@ -18038,20 +18623,21 @@ msgstr ""
 
 #, mtrans, fuzzy
 msgid ""
-"And even if I couldn't, then that doesn't excuse what happened in "
-"January. For at the start of this case, one of America's leading "
-"intellectual property professors stated publicly that my bringing this case "
-"was a mistake. \"The Court is not ready,\" Peter Jaszi said; this issue "
-"should not be raised until it is."
+"And even if I couldn't, then that doesn't excuse what happened in January. "
+"For at the start of this case, one of America's leading intellectual "
+"property professors stated publicly that my bringing this case was a "
+"mistake. \"The Court is not ready,\" Peter Jaszi said; this issue should not "
+"be raised until it is."
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 "og selv om jeg ikke kunne, deretter som unnskylde ikke hva som skjedde i "
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-"feil. -domstolen ikke er klar,\"sagt peter jaszi, Dette problemet bør ikke "
-"heves før det er."
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+"-domstolen ikke er klar,\"sagt peter jaszi, Dette problemet bør ikke heves "
+"før det er."
 
 #.  PAGE BREAK 253 
 #. type: Content of: <book><chapter><sect1><para>
+#, mtrans, fuzzy
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@@ -18078,14 +18664,14 @@ msgstr ""
 "beslutning om jeg hadde gjort fire år før--var galt. mens reaksjonen til "
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+#, mtrans, fuzzy
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@@ -18105,9 +18691,8 @@ msgstr ""
 msgid ""
 "The best responses were in the cartoons. There was a gaggle of hilarious "
 "images--of Mickey in jail and the like. The best, from my view of the case, "
-"was Ruben Bolling's, reproduced on the next page. The \"powerful and "
-"wealthy\" line is a bit unfair. But the punch in the face felt exactly like "
-"that."
+"was Ruben Bolling's, reproduced on the next page. The \"powerful and wealthy"
+"\" line is a bit unfair. But the punch in the face felt exactly like that."
 msgstr ""
 "de beste svarene var i tegneserier. Det var en gaggle av morsom bilder--av "
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+"effektivt at satsing. ha ville gjort en bedre advokat dem se annerledes."
 
 #. type: Content of: <book><chapter><sect1><title>
+#, mtrans, fuzzy
 msgid "CHAPTER FOURTEEN: Eldred II"
 msgstr "Kapittel fjorten: eldred ii"
 
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-"Washington, D.C. (The day the rehearing petition in Eldred was "
-"denied--meaning the case was really finally over--fate would have it that I "
-"was giving a speech to technologists at Disney World.) This was a "
-"particularly long flight to my least favorite city. The drive into the city "
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+"long flight to my least favorite city. The drive into the city from Dulles "
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@@ -18176,6 +18762,7 @@ msgstr ""
 
 #.  PAGE BREAK 256 
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 "The New York Times published the piece. In it, I proposed a simple fix: "
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@@ -18190,6 +18777,7 @@ msgstr ""
 "gjorde bestått arbeidet i public domain."
 
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@@ -18216,6 +18804,7 @@ msgstr ""
 "er verdt minst $1. men for alt annet, kan du la til innhold gå."
 
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@@ -18224,20 +18813,21 @@ msgid ""
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 "blocking access and the spread of knowledge for no good reason. Indeed, "
-"there is no real difference between Democrats and Republicans on this "
-"issue. Anyone can recognize the stupid harm of the present system."
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+"demokratene og republikanerne på dette problemet. noen kan gjenkjenne de "
+"dumme skader som dagens ordning."
 
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 msgstr ""
@@ -18325,6 +18913,7 @@ msgstr ""
 "og hva som ikke."
 
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 "The fight against formalities achieved its first real victory in Berlin in "
 "1908. International copyright lawyers amended the Berne Convention in 1908, "
@@ -18334,15 +18923,16 @@ msgid ""
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 "cross a t resulted in the loss of widows' only income."
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-"kampen mot formaliteter oppnådde sin første virkelige seier i berlin i "
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@@ -18358,6 +18948,7 @@ msgstr ""
 "system for registrering."
 
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 "Even that would have been resisted, however, because registration in the "
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 msgstr "konklusjon"
 
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 msgstr ""
 "men vi som en kultur har mistet denne følelse av balanse. Vi har mistet blir "
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+"hypocrisy is not even noticed. Powerful lobbies, complex issues, and MTV "
+"attention spans produce the \"perfect storm\" for free culture."
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 "Spurs Stir,\" National Journal's Technology Daily, 19 August 2003, available "
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-"Journal's Technology Daily, 19 August 2003, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #61</ulink>."
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 #.  PAGE BREAK 270 
 #. type: Content of: <book><chapter><para>
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 "In August 2003, a fight broke out in the United States about a decision by "
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-"meeting.<placeholder type=\"footnote\" id=\"0\"/> At the request of a wide "
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@@ -19268,6 +19886,7 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
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 "The aim of the meeting was to consider this wide range of projects from one "
 "common perspective: that none of these projects relied upon intellectual "
@@ -19283,6 +19902,7 @@ msgstr ""
 
 #.  f7. 
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+#, mtrans, fuzzy
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 "I should disclose that I was one of the people who asked WIPO for the "
 "meeting."
@@ -19290,12 +19910,12 @@ msgstr "Jeg skal formidle at jeg var en av folk som ba wipo for møtet."
 
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-"From the perspective of this book, then, the conference was "
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+"<placeholder type=\"footnote\" id=\"0\"/> The projects within its scope "
+"included both commercial and noncommercial work. They primarily involved "
+"science, but from many perspectives.  And WIPO was an ideal venue for this "
+"discussion, since WIPO is the preeminent international body dealing with "
+"intellectual property issues."
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@@ -19308,8 +19928,8 @@ msgid ""
 "in intellectual property for the development of an information society. The "
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 "faktisk var jeg en gang offentlig scolded for ikke å kjenne igjen dette "
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 "the Marketplace to Decide,\" Government Policy Toward Open Source Software "
 "(Washington, D.C.: AEI-Brookings Joint Center for Regulatory Studies, "
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-"Commercial Software Model, discussion at New York University Stern School of "
-"Business (3 May 2001), available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #63</ulink>."
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+"Software Model, discussion at New York University Stern School of Business "
+"(3 May 2001), available at <ulink url=\"http://free-culture.cc/notes/\">link "
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 "først, de er bare flatt feil. som jeg beskrevet, mest åpen kildekode og fri "
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 "konferansen av wsis, wipo er å vurdere hvordan man best kan beskytte "
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 "tredje, selv om en antatt at hensikten med wipo var å maksimere immaterielle "
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 "depended upon maximum control and concentration. It fought any freedom that "
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-"url=\"http://free-culture.cc/notes/\">link #67</ulink>."
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+"ulink>; Paul R. La Monica, \"Music Industry Sues Swappers,\" CNN/Money, 8 "
+"September 2003, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #66</ulink>; Soni Sangha and Phyllis Furman with Robert Gearty, "
+"\"Sued for a Song, N.Y.C. 12-Yr-Old Among 261 Cited as Sharers,\" New York "
+"Daily News, 9 September 2003, 3; Frank Ahrens, \"RIAA's Lawsuits Meet "
+"Surprised Targets; Single Mother in Calif., 12-Year-Old Girl in N.Y. Among "
+"Defendants,\" Washington Post, 10 September 2003, E1; Katie Dean, "
+"\"Schoolgirl Settles with RIAA,\" Wired News, 10 September 2003, available "
+"at <ulink url=\"http://free-culture.cc/notes/\">link #67</ulink>."
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+"September 2003, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #68</ulink>."
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 "Kenji Hall, Associated Press, \"Japanese Book May Be Inspiration for Dylan "
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 "Yet on the other side of the Atlantic, the BBC has just announced that it "
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-"id=\"0\"/> And in Brazil, the culture minister, Gilberto Gil, himself a folk "
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+"\"0\"/> And in Brazil, the culture minister, Gilberto Gil, himself a folk "
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+"it will take some will to transform the RCAs of our day into the Causbys."
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 "potensialet er stadig å bli realisert."
 
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 "tenker om det samme problemet."
 
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@@ -19964,6 +20595,7 @@ msgstr ""
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@@ -19978,6 +20610,7 @@ msgstr ""
 "kan gjøre for å sikre bedre en fri kultur."
 
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+#, mtrans, fuzzy
 msgid "US, NOW"
 msgstr "oss nå"
 
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 msgstr ""
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 "gjenopprette et sett med andre friheter som vi bare kunne ta for gitt før."
 
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+#, mtrans, fuzzy
 msgid "Rebuilding Freedoms Previously Presumed: Examples"
 msgstr "Ã¥ gjenoppbygge friheter tidligere antatt: eksempler"
 
@@ -20087,6 +20721,7 @@ msgstr ""
 "var trygg på."
 
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+#, mtrans, fuzzy
 msgid "What made it assured?"
 msgstr "Hva gjorde det forsikret?"
 
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 msgid ""
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@@ -20182,22 +20817,23 @@ msgid ""
 msgstr ""
 
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+#, mtrans, fuzzy
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@@ -20715,6 +21368,7 @@ msgstr ""
 
 #.  PAGE BREAK 291 
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@@ -20731,13 +21385,13 @@ msgstr ""
 "som bygger innhold basert på innhold satt fri."
 
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@@ -20746,6 +21400,7 @@ msgstr ""
 "vil føre til en verden der flere frivillige trinnene er mulig."
 
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 "til vår side."
 
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 msgid "1. More Formalities"
 msgstr "1. mer formaliteter"
 
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@@ -20808,6 +21468,7 @@ msgstr ""
 
 #.  PAGE BREAK 293 
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 msgid "Why?"
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@@ -21132,6 +21809,7 @@ msgstr ""
 "som er uklart."
 
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@@ -21148,10 +21826,12 @@ msgstr ""
 "påstanden på riktig tidspunkt."
 
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 msgid "2. Shorter Terms"
 msgstr "2. kortere vilkår"
 
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@@ -21170,15 +21850,16 @@ msgstr ""
 
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@@ -21190,6 +21871,7 @@ msgstr ""
 
 #.  (1) 
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@@ -21241,6 +21923,7 @@ msgstr ""
 
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@@ -21260,15 +21943,15 @@ msgstr ""
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@@ -21291,10 +21974,12 @@ msgstr ""
 "om en mer sjenerøs opphavsrettighet enn richard nixon presided over?"
 
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 msgid "3. Free Use Vs. Fair Use"
 msgstr "3. gratis bruk vs. fair use"
 
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@@ -21312,9 +21997,9 @@ msgstr ""
 
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@@ -21328,6 +22013,7 @@ msgstr ""
 
 #.  f5. 
 #. type: Content of: <book><chapter><sect1><sect2><para><footnote><para>
+#, mtrans, fuzzy
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 "Benjamin Kaplan, An Unhurried View of Copyright (New York: Columbia "
 "University Press, 1967), 32."
@@ -21340,13 +22026,14 @@ msgid ""
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 msgstr ""
 
 #.  f6. 
 #. type: Content of: <book><chapter><sect1><sect2><blockquote><para><footnote><para>
+#, mtrans, fuzzy
 msgid "Ibid., 56."
 msgstr "ibid., 56."
 
@@ -21359,21 +22046,23 @@ msgid ""
 msgstr ""
 
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@@ -21464,6 +22155,7 @@ msgstr ""
 
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 "lærer erfaringene fra denne boken enn slagene rundt deling av musikk."
 
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@@ -21524,6 +22220,7 @@ msgstr ""
 "kontrollere kopier av hennes ytelse."
 
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@@ -21537,13 +22234,16 @@ msgstr ""
 
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@@ -21565,6 +22266,7 @@ msgstr ""
 
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@@ -21575,22 +22277,22 @@ msgstr ""
 "eieren av opphavsretten tydelig godkjenner."
 
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-"whatever they want for content if they kept the work commercially "
-"available. But if they don't keep it available, and instead, the computer "
-"hard disks of fans around the world keep it alive, then any royalty owed for "
-"such copying should be much less than the amount owed a commercial "
-"publisher."
+"whatever they want for content if they kept the work commercially available. "
+"But if they don't keep it available, and instead, the computer hard disks of "
+"fans around the world keep it alive, then any royalty owed for such copying "
+"should be much less than the amount owed a commercial publisher."
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 "en kommersiell utgiver."
 
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@@ -21841,6 +22544,7 @@ msgstr ""
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@@ -21870,6 +22575,7 @@ msgstr ""
 
 #.  PAGE BREAK 306 
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+#, mtrans, fuzzy
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 "I love the Internet, and so I don't like likening it to tobacco or "
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 "William Fisher, Digital Music: Problems and Possibilities (last revised: 10 "
-"October 2000), available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #77</ulink>; William Fisher, "
-"Promises to Keep: Technology, Law, and the Future of Entertainment "
-"(forthcoming) (Stanford: Stanford University Press, 2004), ch. 6, available "
-"at <ulink url=\"http://free-culture.cc/notes/\">link #78</ulink>. Professor "
-"Netanel has proposed a related idea that would exempt noncommercial sharing "
-"from the reach of copyright and would establish compensation to artists to "
-"balance any loss. See Neil Weinstock Netanel, \"Impose a Noncommercial Use "
-"Levy to Allow Free P2P File Sharing,\" available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #79</ulink>. For other proposals, "
-"see Lawrence Lessig, \"Who's Holding Back Broadband?\" Washington Post, 8 "
-"January 2002, A17; Philip S. Corwin on behalf of Sharman Networks, A Letter "
-"to Senator Joseph R. Biden, Jr., Chairman of the Senate Foreign Relations "
-"Committee, 26 February 2002, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #80</ulink>; Serguei Osokine, A "
-"Quick Case for Intellectual Property Use Fee (IPUF), 3 March 2002, available "
-"at <ulink url=\"http://free-culture.cc/notes/\">link #81</ulink>; Jefferson "
+"October 2000), available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #77</ulink>; William Fisher, Promises to Keep: Technology, Law, and "
+"the Future of Entertainment (forthcoming) (Stanford: Stanford University "
+"Press, 2004), ch. 6, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #78</ulink>. Professor Netanel has proposed a related idea that "
+"would exempt noncommercial sharing from the reach of copyright and would "
+"establish compensation to artists to balance any loss. See Neil Weinstock "
+"Netanel, \"Impose a Noncommercial Use Levy to Allow Free P2P File Sharing,\" "
+"available at <ulink url=\"http://free-culture.cc/notes/\">link #79</ulink>. "
+"For other proposals, see Lawrence Lessig, \"Who's Holding Back Broadband?\" "
+"Washington Post, 8 January 2002, A17; Philip S. Corwin on behalf of Sharman "
+"Networks, A Letter to Senator Joseph R. Biden, Jr., Chairman of the Senate "
+"Foreign Relations Committee, 26 February 2002, available at <ulink url="
+"\"http://free-culture.cc/notes/\">link #80</ulink>; Serguei Osokine, A Quick "
+"Case for Intellectual Property Use Fee (IPUF), 3 March 2002, available at "
+"<ulink url=\"http://free-culture.cc/notes/\">link #81</ulink>; Jefferson "
 "Graham, \"Kazaa, Verizon Propose to Pay Artists Directly,\" USA Today, 13 "
 "May 2002, available at <ulink url=\"http://free-culture.cc/notes/\">link "
 "#82</ulink>; Steven M. Cherry, \"Getting Copyright Right,\" IEEE Spectrum "
-"Online, 1 July 2002, available at <ulink "
-"url=\"http://free-culture.cc/notes/\">link #83</ulink>; Declan McCullagh, "
-"\"Verizon's Copyright Campaign,\" CNET News.com, 27 August 2002, available "
-"at <ulink url=\"http://free-culture.cc/notes/\">link #84</ulink>.  Fisher's "
-"proposal is very similar to Richard Stallman's proposal for DAT. Unlike "
-"Fisher's, Stallman's proposal would not pay artists directly proportionally, "
-"though more popular artists would get more than the less popular. As is "
-"typical with Stallman, his proposal predates the current debate by about a "
-"decade. See <ulink url=\"http://free-culture.cc/notes/\">link #85</ulink>."
+"Online, 1 July 2002, available at <ulink url=\"http://free-culture.cc/notes/"
+"\">link #83</ulink>; Declan McCullagh, \"Verizon's Copyright Campaign,\" "
+"CNET News.com, 27 August 2002, available at <ulink url=\"http://free-culture."
+"cc/notes/\">link #84</ulink>.  Fisher's proposal is very similar to Richard "
+"Stallman's proposal for DAT. Unlike Fisher's, Stallman's proposal would not "
+"pay artists directly proportionally, though more popular artists would get "
+"more than the less popular. As is typical with Stallman, his proposal "
+"predates the current debate by about a decade. See <ulink url=\"http://free-"
+"culture.cc/notes/\">link #85</ulink>."
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+"evade these marks; as you'll see, there's no incentive to evade them). Once "
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+"be paid for by (4) an appropriate tax."
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 "proven correct: Apple has sold millions of songs at even the very high price "
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@@ -22032,6 +22737,7 @@ msgstr ""
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@@ -22084,6 +22796,7 @@ msgstr ""
 
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@@ -22104,6 +22817,7 @@ msgstr ""
 "deretter?"
 
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@@ -22130,6 +22844,7 @@ msgstr ""
 
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@@ -22144,10 +22859,12 @@ msgstr ""
 "Internett er."
 
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@@ -22160,6 +22877,7 @@ msgstr ""
 "som jeg ville elske å leve."
 
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@@ -22191,11 +22909,12 @@ msgid ""
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+"\" id=\"0\"/>"
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@@ -22235,6 +22954,7 @@ msgstr ""
 
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@@ -22249,6 +22969,7 @@ msgstr ""
 "astonishingly høyt som rettferdighet praktisk talt aldri kan gjøres."
 
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 "høyprofilerte og kostbare tilfeller."
 
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@@ -22285,6 +23007,7 @@ msgstr ""
 "radikalt mer rettferdig."
 
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 "altfor ofte gjøre hvis for mye av vår kultur er igjen til gjennomgangen."
 
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-"We should ask, \"Why?\" Show me why your regulation of culture is "
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 "holde advokater din unna."
 
 #. type: Content of: <book><chapter><title>
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 msgstr "notater"
 
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-"Throughout this text, there are references to links on the World Wide "
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+"Throughout this text, there are references to links on the World Wide Web. "
+"As anyone who has tried to use the Web knows, these links can be highly "
 "unstable. I have tried to remedy the instability by redirecting readers to "
 "the original source through the Web site associated with this book. For each "
 "link below, you can go to http://free-culture.cc/notes and locate the "
@@ -22354,10 +23079,12 @@ msgid ""
 msgstr ""
 
 #. type: Content of: <book><chapter><title>
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 msgid "ACKNOWLEDGMENTS"
 msgstr "bekreftelser"
 
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@@ -22370,6 +23097,7 @@ msgstr ""
 "dedikert."
 
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 #.  PAGE BREAK 337 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
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 "Yuko Noguchi helped me to understand the laws of Japan as well as its "
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 "og korrigering fra mange hvem jeg har aldri møtt. blant de som har svart med "
-"svært nyttig råd til forespørsler på bloggen min om boken er dr. Muhammed "
-"al-ubaydli, david gerstein og peter dimauro, samt en lang liste med de som "
+"svært nyttig råd til forespørsler på bloggen min om boken er dr. Muhammed al-"
+"ubaydli, david gerstein og peter dimauro, samt en lang liste med de som "
 "hadde spesifikke ideer om måter å utvikle mitt argument. de inkludert "
 "richard bondi, steven cherry, david coe, nik cubrilovic, bob devine, charles "
 "eicher, thomas fjord, elihu m gerson, jeremy hunsinger, vaughn iverson, john "
@@ -22450,6 +23179,7 @@ msgstr ""
 "jeg mistet en haug med stor svar.)"
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "Richard Stallman and Michael Carroll each read the whole book in draft, and "
 "each provided extremely helpful correction and advice.  Michael helped me to "
@@ -22465,6 +23195,7 @@ msgstr ""
 "Stallmans, enig han ikke med meg viktige steder i denne boken."
 
 #. type: Content of: <book><chapter><para>
+#, mtrans, fuzzy
 msgid ""
 "Finally, and forever, I am thankful to Bettina, who has always insisted that "
 "there would be unending happiness away from these battles, and who has "