From: ben Date: Sun, 4 Oct 2015 00:31:28 +0000 (+0200) Subject: Fix URL links. X-Git-Tag: edition-2015-10-10~42^2 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/88f2631addac919c72748376d130547046a0eac6?ds=sidebyside;hp=-c Fix URL links. --- 88f2631addac919c72748376d130547046a0eac6 diff --git a/freeculture.fr.po b/freeculture.fr.po index a91d7f9..83cb21c 100644 --- a/freeculture.fr.po +++ b/freeculture.fr.po @@ -976,7 +976,7 @@ msgid "" msgstr "" "Voir Saints: The Heroes and Geniuses of the Electronic Era, " "First Electronic Church of America, à www.webstationone.com/fecha, " -"disponible au link #1." +"disponible au lien #1." #. type: Content of:
msgid "" @@ -1176,7 +1176,8 @@ msgid "" msgstr "" "Amanda Lenhart, The Ever-Shifting Internet Population: A New Look at " "Internet Access and the Digital Divide, Pew Internet and American " -"Life Project, 15 April 2003: 6, disponible au link #2." +"Life Project, 15 April 2003: 6, disponible au lien #2." #. type: Content of: msgid "" @@ -2084,9 +2085,10 @@ msgid "" msgstr "" "Lisa Bannon, The Birds May Sing, but Campers Can’t Unless They Pay " "Up, Wall Street Journal, 21 août 1996, " -"disponible au link #3; Jonathan Zittrain, Calling Off the Copyright " -"War: In Battle of Property vs. Free Speech, No One Wins, " -"Boston Globe, 24 novembre 2002. lien #3; " +"Jonathan Zittrain, Calling Off the Copyright War: In Battle of " +"Property vs. Free Speech, No One Wins, Boston " +"Globe, 24 novembre 2002. " #. type: Content of: @@ -2487,13 +2489,14 @@ msgid "" "Harry Surden, 10 July 2003, on file with author." msgstr "" "Je suis reconnaissant envers David Gerstein et son histoire attentive, " -"décrite au link #4. D'après Dave Smith des Disney Archives, Disney payait " -"des royalties pour utiliser la musique de cinq chansons dans " -"Steamboat Willie: Steamboat Bill, " -"The Simpleton (Delille), Mischief Makers " -"(Carbonara), Joyful Hurry No. 1 (Baron) et Gawky Rube (Lakay). Une sixième chanson, The Turkey in the Straw, " -"était déjà dans le domaine public. Lettre de David Smith à Harry Surden, 10 " +"décrite au lien #4. " +"D'après Dave Smith des Disney Archives, Disney payait des royalties pour " +"utiliser la musique de cinq chansons dans Steamboat " +"Willie: Steamboat Bill, The " +"Simpleton (Delille), Mischief Makers (Carbonara), " +"Joyful Hurry No. 1 (Baron) et Gawky Rube " +"(Lakay). Une sixième chanson, The Turkey in the Straw, était " +"déjà dans le domaine public. Lettre de David Smith à Harry Surden, 10 " "juillet 2003." #. type: Content of: @@ -2534,8 +2537,9 @@ msgid "" "that Ate the Public Domain, Findlaw, 5 March 2002, at link #5." msgstr "" -"Il était également un fan du domaine public. Voir Chris Sprigman, The " -"Mouse that Ate the Public Domain, Findlaw, 5 March 2002, at link #5." +"Il était également un fan du domaine public. Voir Chris Sprigman, " +"The Mouse that Ate the Public Domain, Findlaw, 5 March 2002, " +"at lien #5." #. type: Content of: msgid "" @@ -2686,13 +2690,14 @@ msgid "" msgstr "" "Jusqu'à 1976, la loi du copyright copyright accordait à un auteur la " "possibilité de deux durées: une durée initiale et une durée de " -"renouvellement. J'ai calculé la durée moyenne en déterminant " -"la moyenne pondérée du total des enregistrements pour chaque année, et la " -"proportion de renouvellement. Ainsi, si 100 copyrights sont enregistrés à " -"l'année 1, et que seuls 15 sont renouvelés, et que la durée du " -"renouvellement est de 28 ans, alors la durée moyenne es de 32,2 ans. Pour " -"les données de renouvellement et d'autres données pertinentes, voir le site " -"web associé à ce livre, disponible au lien #6." +"renouvellement. J'ai calculé la durée moyenne en " +"déterminant la moyenne pondérée du total des enregistrements pour chaque " +"année, et la proportion de renouvellement. Ainsi, si 100 copyrights sont " +"enregistrés à l'année 1, et que seuls 15 sont renouvelés, et que la " +"durée du renouvellement est de 28 ans, alors la durée moyenne es de 32,2 " +"ans. Pour les données de renouvellement et d'autres données pertinentes, " +"voir le site web associé à ce livre, disponible au lien #6." #. type: Content of: msgid "" @@ -3821,7 +3826,8 @@ msgid "" msgstr "" "H. Edward Goldberg, Essential Presentation Tools: Hardware and " "Software You Need to Create Digital Multimedia Presentations, " -"cadalyst, 1 February 2002, disponible au lien #7." +"cadalyst, 1 February 2002, disponible au lien #7." #. type: Content of: msgid "" @@ -3994,9 +4000,11 @@ msgid "" "\">link #8; Timeline, 22 November 2000, available at " "link #9." msgstr "" -"Voir Scott Steinberg, Crichton Gets Medieval on PCs, E!" -"online, 4 novembre 2000, disponible au lien #8; Timeline, 22 " -"novembre 2000, disponible au lien #9." +"Voir Scott Steinberg, Crichton Gets Medieval on PCs, E!online, " +"4 novembre 2000, disponible au lien #8; Timeline, 22 novembre " +"2000, disponible au lien " +"#9." #. type: Content of: msgid "" @@ -4840,10 +4848,10 @@ msgid "" "available at link #10." msgstr "" "John Schwartz, Loss of the Shuttle: The Internet; A Wealth of " -"Information Online, New York Times, 2 " -"February 2003, A28; Staci D. Kramer, Shuttle Disaster Coverage Mixed, " -"but Strong Overall, Online Journalism Review, 2 February 2003, " -"disponible au lien #10." +"Information Online, New York Times, 2 February " +"2003, A28; Staci D. Kramer, Shuttle Disaster Coverage Mixed, but " +"Strong Overall, Online Journalism Review, 2 February 2003, disponible " +"au lien #10." #. type: Content of: msgid "" @@ -5883,12 +5891,13 @@ msgstr "" "Motion Picture Producers (Cobblestone Entertainment, 2000) et " "textes complétés postés à The Edison Movie Monopoly: The Motion " "Picture Patents Company vs. the Independent Outlaws, disponible au " -"lien #11. Pour une discussion sur la motivation économique derrière ces " -"limites et les limites imposées par Victor sur les phonographes, voir Randal " -"C. Picker, From Edison to the Broadcast Flag: Mechanisms of Consent " -"and Refusal and the Prop- ertization of Copyright (September 2002), " -"University of Chicago Law School, James M. Olin Program in Law and " -"Economics, Working Paper No. 159." +"lien #11. Pour une " +"discussion sur la motivation économique derrière ces limites et les limites " +"imposées par Victor sur les phonographes, voir Randal C. Picker, From " +"Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and the Prop- " +"ertization of Copyright (September 2002), University of Chicago Law " +"School, James M. Olin Program in Law and Economics, Working Paper No. " +"159." #. type: Content of:
msgid "" @@ -5923,7 +5932,8 @@ msgid "" "\">link #12." msgstr "" "Marc Wanamaker, The First Studios, The Silents " -"Majority, archivé au lien #12." +"Majority, archivé au lien #12." #. type: Content of:
msgid "" @@ -6813,9 +6823,10 @@ msgid "" msgstr "" "Voir, par exemple, National Music Publisher's Association, The " "Engine of Free Expression: Copyright on the Internet—The Myth of Free " -"Information, disponible au lien #13. La menace du " -"piratage - l'utilisation du travail créatif de quelqu'un d'autre sans " -"permission ni compensation - a augmenté avec Internet." +"Information, disponible au lien #13. La menace du piratage - " +"l'utilisation du travail créatif de quelqu'un d'autre sans permission ni " +"compensation - a augmenté avec Internet." #. type: Content of:
msgid "" @@ -6908,9 +6919,9 @@ msgid "" msgstr "" "Voir IFPI (International Federation of the Phonographic Industry), " "The Recording Industry Commercial Piracy Report 2003, " -"juillet 2003, disponible au lien #14. Voir aussi Ben Hunt, Companies " -"Warned on Music Piracy Risk, Financial Times, " -"14 février 2003, 11." +"juillet 2003, disponible au lien " +"#14. Voir aussi Ben Hunt, Companies Warned on Music Piracy " +"Risk, Financial Times, 14 février 2003, 11." #. type: Content of:
msgid "" @@ -7895,19 +7906,21 @@ msgid "" "dollar value of shipments)." msgstr "" "Voir Recording Industry Association of America, 2002 Yearend " -"Statistics, disponible au lien #15. Un rapport ultérieur indique " -"des pertes encore plus grandes. Voir Recording Industry Association of " -"America, Some Facts About Music Piracy, 25 juin 2003, " -"disponible au lien #16 : dans les quatre dernières années, les " +"Statistics, disponible au lien #15. Un rapport ultérieur indique des " +"pertes encore plus grandes. Voir Recording Industry Association of America, " +"Some Facts About Music Piracy, 25 juin 2003, " +"disponible au lien " +"#16 : dans les quatre dernières années, les " "expéditions d'unité de musique enregistrée sont tombées de 26 pour cent, " "passant de 1,16 milliards d'unités en 1999 à 860 millions d'unités en 2002 " "aux Etats-Unis (basé sur des unités expédiées). En termes de ventes, les " "revenus sont en baisse de 14 pour cent, passant de 14,6 milliards de dollars " -"en 1999 à 12,6 milliards de dollars l'année dernière (basé sur la valeur du " -"dollar américain à l'exportation). L'industrie mondiale de la musique est " -"passée du statut d'une industrie de 39 milliards de dollars en 2000 à une " -"industrie de 32 milliards de dollars en 2002 (basé sur la valeur du dollar " -"américain à l'exportation)." +"en 1999 à 12,6 milliards de dollars l'année dernière (basé sur la valeur " +"du dollar américain à l'exportation). L'industrie mondiale de la musique " +"est passée du statut d'une industrie de 39 milliards de dollars en 2000 à " +"une industrie de 32 milliards de dollars en 2002 (basé sur la valeur du " +"dollar américain à l'exportation)." #. type: Content of:
msgid "Black, Jane" @@ -7919,8 +7932,9 @@ msgid "" "13 February 2003, available at link #17. " msgstr "" -"Jane Black, Big Music's Broken Record, BusinessWeek online, " -"13 February 2003, disponible au lien #17. Big Music's Broken Record, BusinessWeek online, 13 " +"February 2003, disponible au lien #17. " #. type: Content of:
@@ -8030,12 +8044,12 @@ msgid "" "the Future of Music Coalition), available at link #18." msgstr "" -"Selon une estimation, 75 pour cent de la musique mise en vente par les " -"Labels principaux n'est plus disponible en magasin. Voir Online " -"Entertainment and Copyright Law — Coming Soon to a Digital Device Near " -"You: Hearing Before the Senate Committee on the Judiciary, 107th Cong., 1st " -"sess. (3 avril 2001) (déclaration préparée de la coalition pour l'avenir de " -"la musique), disponible au lien #18." +"Selon une estimation, 75 pour cent de la musique mise en vente par les Labels " +"principaux n'est plus disponible en magasin. Voir Online Entertainment and " +"Copyright Law — Coming Soon to a Digital Device Near You: Hearing " +"Before the Senate Committee on the Judiciary, 107th Cong., 1st sess. (3 avril " +"2001) (déclaration préparée de la coalition pour l'avenir de la musique), " +"disponible au lien #18." #. type: Content of:
msgid "" @@ -8088,11 +8102,12 @@ msgstr "" "estimation du nombre de magasins de CDs d'occasion existants, en 2002, il y " "avait 7 198 vendeurs de livres d'occasion aux Etats Unis, soit une " "augmentation de 20 pour cent depuis 1993. Voir Book Hunter Press, " -"The Quiet Revolution: The Expansion of the Used Book Market (2002), disponible au lien #19. Les ventes de CDs d'occasion se " -"sont chiffrées à 260 millions de dollars en 2002. Voir National Association " -"of Recording Merchandisers, 2002 Annual Survey Results, " -"disponible au lien #20." +"The Quiet Revolution: The Expansion of the Used Book " +"Market (2002), disponible au lien #19. Les ventes de CDs d'occasion se sont " +"chiffrées à 260 millions de dollars en 2002. Voir National Association of " +"Recording Merchandisers, 2002 Annual Survey Results, " +"disponible au lien #20." #. type: Content of:
msgid "" @@ -8307,10 +8322,10 @@ msgid "" msgstr "" "Voir Transcript of Proceedings, dans la réédition de Napster Copyright " "Litigation at 34- 35 (N.D. Cal., 11 July 2001), nos. MDL-00-1369 MHP, C " -"99-5183 MHP, disponible au lien #21. Pour un compte rendu du litige et de " -"son coût sur Napster, voir Joseph Menn, All the Rave: The Rise " -"and Fall of Shawn Fanning's Napster (New York: Crown Business, " -"2003), 269-82." +"99-5183 MHP, disponible au lien " +"#21. Pour un compte rendu du litige et de son coût sur Napster, voir " +"Joseph Menn, All the Rave: The Rise and Fall of Shawn Fanning's " +"Napster (New York: Crown Business, 2003), 269-82." #. type: Content of:
msgid "" @@ -10997,8 +11012,8 @@ msgid "" "#22." msgstr "" "U.S. Department of Commerce Office of Acquisition Management, " -"Seven Steps to Performance-Based Services Acquisition, " -"disponible au lien #22." +"Seven Steps to Performance-Based Services Acquisition, disponible " +"au lien #22." #. type: Content of: msgid "" @@ -13165,11 +13180,13 @@ msgid "" "Make Up for Lost Moments? Forbes.com, 6 October 2003, available at " "link #24." msgstr "" -"See Geoffrey Smith, Film vs. Digital: Can Kodak Build a Bridge? BusinessWeek online, 2 August 1999, available at link #23. For a more " -"recent analysis of Kodak's place in the market, see Chana R. Schoenberger, " +"See Geoffrey Smith, Film vs. Digital: Can Kodak Build a " +"Bridge? BusinessWeek online, 2 August 1999, available at lien #23. For a more recent " +"analysis of Kodak's place in the market, see Chana R. Schoenberger, " "Can Kodak Make Up for Lost Moments? Forbes.com, 6 October " -"2003, available at link #24." +"2003, available at lien " +"#24." #. type: Content of:
msgid "" @@ -13819,19 +13836,20 @@ msgid "" "fourteen years, with the option of renewal for an additional fourteen years. " "Copyright Act of May 31, 1790, §1, 1 stat. 124." msgstr "" -"Although 13,000 titles were published in the United States from 1790 to " -"1799, only 556 copyright registrations were filed; John Tebbel, A " -"History of Book Publishing in the United States, vol. 1," -" The Creation of an Industry, 1630-1865 (New York: " +"Although 13,000 titles were published in the United States from 1790 to 1799, " +"only 556 copyright registrations were filed; John Tebbel, A " +"History of Book Publishing in the United States, vol. " +"1, The Creation of an Industry, 1630-1865 (New York: " "Bowker, 1972), 141. Of the 21,000 imprints recorded before 1790, only twelve " "were copyrighted under the 1790 act; William J. Maher, Copyright " "Term, Retrospective Extension and the Copyright Law of 1790 in Historical " -"Context, 7-10 (2002), available at link #25. Thus, the " -"overwhelming majority of works fell immediately into the public domain. Even " -"those works that were copyrighted fell into the public domain quickly, " -"because the term of copyright was short. The initial term of copyright was " -"fourteen years, with the option of renewal for an additional fourteen years. " -"Copyright Act of May 31, 1790, §1, 1 stat. 124." +"Context, 7-10 (2002), available at lien #25. Thus, the overwhelming majority of " +"works fell immediately into the public domain. Even those works that were " +"copyrighted fell into the public domain quickly, because the term of " +"copyright was short. The initial term of copyright was fourteen years, with " +"the option of renewal for an additional fourteen years. Copyright Act of May " +"31, 1790, §1, 1 stat. 124." #. type: Content of:
msgid "" @@ -14412,8 +14430,9 @@ msgid "" "\"0\"/>" msgstr "" "Jonathan Zittrain, The Copyright Cage, Legal " -"Affairs, juillet/août 2003, disponible par le link #26. " -"" +"Affairs, juillet/août 2003, disponible par le lien #26. " #. type: Content of:
msgid "" @@ -16733,10 +16752,11 @@ msgid "" "free-culture.cc/notes/\">link #29)." msgstr "" "Leonard Hill, The Axis of Access, remarks before Weidenbaum " -"Center Forum, Entertainment Economics: The Movie Industry, " -"St. Louis, Missouri, 3 April 2003 (transcript of prepared remarks available " -"at link #28; for the Lear story, not included in the prepared remarks, see " -"link #29)." +"Center Forum, Entertainment Economics: The Movie Industry, St. " +"Louis, Missouri, 3 April 2003 (transcript of prepared remarks available at " +"lien #28; for the Lear " +"story, not included in the prepared remarks, see lien #29)." #. type: Content of:
msgid "" @@ -16778,12 +16798,13 @@ msgid "" "president of Writers Guild of America, West, in her Remarks at FCC En Banc " "Hearing, Richmond, Virginia, 27 February 2003." msgstr "" -"NewsCorp./DirecTV Merger and Media Consolidation: Hearings on Media " -"Ownership Before the Senate Commerce Committee, 108th Cong., 1st sess. " -"(2003) (testimony of Gene Kimmelman on behalf of Consumers Union and the " -"Consumer Federation of America), available at link #30. Kimmelman quotes " -"Victoria Riskin, president of Writers Guild of America, West, in her Remarks " -"at FCC En Banc Hearing, Richmond, Virginia, 27 February 2003." +"NewsCorp./DirecTV Merger and Media Consolidation: Hearings on Media Ownership " +"Before the Senate Commerce Committee, 108th Cong., 1st sess. (2003) " +"(testimony of Gene Kimmelman on behalf of Consumers Union and the Consumer " +"Federation of America), available at lien #30. Kimmelman quotes Victoria Riskin, " +"president of Writers Guild of America, West, in her Remarks at FCC En Banc " +"Hearing, Richmond, Virginia, 27 February 2003." #. type: Content of:
msgid "" @@ -16858,7 +16879,7 @@ msgid "" msgstr "" "Barry Diller Takes on Media Deregulation, Now with " "Bill Moyers, Bill Moyers, 25 April 2003, edited transcript " -"available at link #31." +"available at lien #31." #. type: Content of:
msgid "" @@ -18416,9 +18437,10 @@ msgid "" "exhibition, see link #41." msgstr "" -"See Danit Lidor, Artists Just Wanna Be Free, Wired," -" 7 July 2003, available at link #40. For an overview of the " -"exhibition, see link #41." +"See Danit Lidor, Artists Just Wanna Be Free, " +"Wired, 7 July 2003, available at lien #40. For an overview of the exhibition, see " +"lien #41." #. type: Content of:
msgid "" @@ -18947,13 +18969,14 @@ msgid "" "Services Besieged, Los Angeles Times, 28 May " "2001." msgstr "" -"See Joseph Menn, Universal, EMI Sue Napster Investor, Los Angeles Times, 23 April 2003. For a " -"parallel argument about the effects on innovation in the distribution of " -"music, see Janelle Brown, The Music Revolution Will Not Be Digitized," -" Salon.com, 1 June 2001, available at link #42. See also Jon Healey, " -"Online Music Services Besieged, Los Angeles Times," -" 28 May 2001." +"See Joseph Menn, Universal, EMI Sue Napster " +"Investor, Los Angeles Times, 23 April 2003. " +"For a parallel argument about the effects on innovation in the distribution " +"of music, see Janelle Brown, The Music Revolution Will Not Be " +"Digitized, Salon.com, 1 June 2001, available at lien #42. See also Jon Healey, " +"Online Music Services Besieged, Los Angeles " +"Times, 28 May 2001." #. type: Content of:
msgid "" @@ -19174,9 +19197,10 @@ msgid "" "School (2003), 33–35, available at link #44." msgstr "" -"Copyright and Digital Media in a Post-Napster World, " -"GartnerG2 and the Berkman Center for Internet and Society at Harvard Law " -"School (2003), 33-35, available at link #44." +"Copyright and Digital Media in a Post-Napster World, GartnerG2 " +"and the Berkman Center for Internet and Society at Harvard Law School (2003), " +"33-35, available at lien " +"#44." #. f7. #. type: Content of:
@@ -19917,9 +19941,10 @@ msgid "" "music files from the Internet by early 2001." msgstr "" "Mike Graziano and Lee Rainie, The Music Downloading Deluge, " -"Pew Internet and American Life Project (24 April 2001), available at link " -"#46. The Pew Internet and American Life Project reported that 37 million " -"Americans had downloaded music files from the Internet by early 2001." +"Pew Internet and American Life Project (24 April 2001), available at lien #46. The Pew Internet and " +"American Life Project reported that 37 million Americans had downloaded music " +"files from the Internet by early 2001." #. PAGE BREAK 209 #. type: Content of:
@@ -20557,7 +20582,8 @@ msgid "" "culture.cc/notes/\">link #47." msgstr "" "See Revealed: How RIAA Tracks Downloaders: Music Industry Discloses " -"Some Methods Used, CNN.com, available at link #47." +"Some Methods Used, CNN.com, available at lien #47." #. type: Content of:
msgid "" @@ -21386,8 +21412,9 @@ msgid "" "quote> available at link #49." msgstr "" -"See Nick Brown, Fair Use No More?: Copyright in the Information Age, available at link #49." +"See Nick Brown, Fair Use No More?: Copyright in the Information " +"Age, available at lien " +"#49." #. f5. #. type: Content of: @@ -21396,9 +21423,10 @@ msgid "" "Congressional Quarterly This Week, 8 August 1990, " "available at link #50." msgstr "" -"Alan K. Ota, Disney in Washington: The Mouse That Roars, Congressional Quarterly This Week, 8 August " -"1990, available at link #50." +"Alan K. Ota, Disney in Washington: The Mouse That " +"Roars, Congressional Quarterly This Week, 8 " +"August 1990, available at lien " +"#50." #. type: Content of: msgid "" @@ -21704,9 +21732,9 @@ msgid "" "01-618), n.10, available at link #51." msgstr "" -"Brief of the Nashville Songwriters Association, Eldred v. Ashcroft, 537 U.S. 186 (2003) (No. " -"01-618), n.10, available at link #51." +"Brief of the Nashville Songwriters Association, Eldred " +"v. Ashcroft, 537 U.S. 186 (2003) (No. 01-618), n.10, " +"available at lien #51." #. type: Content of: msgid "" @@ -21778,9 +21806,10 @@ msgid "" "culture.cc/notes/\">link #52." msgstr "" "The figure of 2 percent is an extrapolation from the study by the " -"Congressional Research Service, in light of the estimated renewal ranges. " -"See Brief of Petitioners, Eldred v. " -"Ashcroft, 7, available at link #52." +"Congressional Research Service, in light of the estimated renewal ranges. See " +"Brief of Petitioners, Eldred v. " +"Ashcroft, 7, available at lien #52." #. type: Content of: msgid "" @@ -22052,10 +22081,11 @@ msgid "" "at link #53." msgstr "" "Brief of Hal Roach Studios and Michael Agee as Amicus Curiae Supporting the " -"Petitoners, Eldred v. Ashcroft, 537 U.S. 186 (2003) (No. 01- 618), 12. See also Brief of Amicus " -"Curiae filed on behalf of Petitioners by the Internet Archive, " -"Eldred v. Ashcroft, available at link #53." +"Petitoners, Eldred v. Ashcroft, " +"537 U.S. 186 (2003) (No. 01- 618), 12. See also Brief of Amicus Curiae filed " +"on behalf of Petitioners by the Internet Archive, " +"Eldred v. Ashcroft, available at lien #53." #. type: Content of: msgid "" @@ -22390,7 +22420,8 @@ msgid "" msgstr "" "Jason Schultz, The Myth of the 1976 Copyright Chaos " "Theory, 20 décembre 2002, disponible au lien #54." +"culture.cc/notes/\">lien " +"#54." #. type: Content of: msgid "" @@ -25008,9 +25039,10 @@ msgid "" msgstr "" "Commission on Intellectual Property Rights, Final Report: Integrating " "Intellectual Property Rights and Development Policy (London, 2002), " -"available at link #55. According to a World Health Organization press " -"release issued 9 July 2002, only 230,000 of the 6 million who need drugs in " -"the developing world receive them—and half of them are in Brazil." +"available at lien #55. " +"According to a World Health Organization press release issued 9 July 2002, " +"only 230,000 of the 6 million who need drugs in the developing world receive " +"them—and half of them are in Brazil." #. type: Content of: msgid "" @@ -25157,11 +25189,12 @@ msgstr "" "International Intellectual Property Institute (IIPI), Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " "Report Prepared for the World Intellectual Property Organization " -"(Washington, D.C., 2000), 14, available at link #56. For a firsthand account " -"of the struggle over South Africa, see Hearing Before the Subcommittee on " -"Criminal Justice, Drug Policy, and Human Resources, House Committee on " -"Government Reform, H. Rep., 1st sess., Ser. No. 106-126 (22 July 1999), " -"150-57 (statement of James Love)." +"(Washington, D.C., 2000), 14, available at lien #56. For a firsthand account of the struggle " +"over South Africa, see Hearing Before the Subcommittee on Criminal Justice, " +"Drug Policy, and Human Resources, House Committee on Government Reform, H. " +"Rep., 1st sess., Ser. No. 106-126 (22 July 1999), 150-57 (statement of James " +"Love)." #. f4. #. type: Content of: @@ -25291,16 +25324,17 @@ msgid "" msgstr "" "See Sabin Russell, New Crusade to Lower AIDS Drug Costs: Africa's " "Needs at Odds with Firms' Profit Motive, San Francisco " -"Chronicle, 24 May 1999, A1, available at link #57 " -"(compulsory licenses and gray markets pose a threat to the entire " -"system of intellectual property protection); Robert Weissman, " -"AIDS and Developing Countries: Democratizing Access to Essential " -"Medicines, Foreign Policy in Focus 4:23 " -"(August 1999), available at link #58 (describing U.S. policy); John A. " -"Harrelson, TRIPS, Pharmaceutical Patents, and the HIV/AIDS Crisis: " -"Finding the Proper Balance Between Intellectual Property Rights and " -"Compassion, a Synopsis, Widener Law Symposium Journal (Spring 2001): 175." +"Chronicle, 24 May 1999, A1, available at lien #57 (compulsory licenses and " +"gray markets pose a threat to the entire system of intellectual property " +"protection); Robert Weissman, AIDS and Developing Countries: " +"Democratizing Access to Essential Medicines, Foreign " +"Policy in Focus 4:23 (August 1999), available at lien #58 (describing U.S. " +"policy); John A. Harrelson, TRIPS, Pharmaceutical Patents, and the " +"HIV/AIDS Crisis: Finding the Proper Balance Between Intellectual Property " +"Rights and Compassion, a Synopsis, Widener Law Symposium " +"Journal (Spring 2001): 175." #. type: Content of: msgid "" @@ -25586,12 +25620,15 @@ msgid "" "culture.cc/notes/\">link #61." msgstr "" "Jonathan Krim, The Quiet War over Open-Source, " -"Washington Post, 21 août 2003, E1, disponible au link #59; " -"William New, Global Group's Shift on Open Source Meeting Spurs Stir" -", National Journal's Technology Daily, 19 " -"août 2003, disponible au lien #60; William New, U.S. Official " -"Opposes Open Source Talks at WIPO, National Journal's " -"Technology Daily, 19 août 2003, disponible au link #61." +"Washington Post, 21 août 2003, E1, disponible au lien #59; William New, " +"Global Group's Shift on Open Source Meeting Spurs " +"Stir, National Journal's Technology Daily, 19 " +"août 2003, disponible au lien " +"#60; William New, U.S. Official Opposes Open " +"Source Talks at WIPO, National Journal's " +"Technology Daily, 19 août 2003, disponible au lien #61." #. PAGE BREAK 270 #. type: Content of: @@ -25806,14 +25843,15 @@ msgstr "" "Microsoft's principal opposition is to free software licensed " "under a copyleft license, meaning a license that requires the " "licensee to adopt the same terms on any derivative work. See Bradford L. " -"Smith, The Future of Software: Enabling the Marketplace to Decide, Government Policy Toward Open Source Software " -"(Washington, D.C.: AEI-Brookings Joint Center for Regulatory Studies, " -"American Enterprise Institute for Public Policy Research, 2002), 69, " -"available at link #62. See also Craig Mundie, Microsoft senior vice " +"Smith, The Future of Software: Enabling the Marketplace to " +"Decide, Government Policy Toward Open Source " +"Software (Washington, D.C.: AEI-Brookings Joint Center for " +"Regulatory Studies, American Enterprise Institute for Public Policy Research, " +"2002), 69, available at lien " +"#62. See also Craig Mundie, Microsoft senior vice " "president, The Commercial Software Model, discussion " "at New York University Stern School of Business (3 May 2001), available at " -"link #63." +"lien #63." #. type: Content of: msgid "" @@ -25892,7 +25930,8 @@ msgid "" "Krim, The Quiet War over Open-Source, available at link #64." msgstr "" -"Krim, The Quiet War over Open-Source, available at link #64." +"Krim, The Quiet War over Open-Source, available at lien #64." #. type: Content of: msgid "" @@ -26377,16 +26416,18 @@ msgid "" "cc/notes/\">link #67." msgstr "" "John Borland, RIAA Sues 261 File Swappers, CNET News.com, 8 " -"September 2003, available at link #65; Paul R. La Monica, Music " +"September 2003, available at lien #65; Paul R. La Monica, Music " "Industry Sues Swappers, CNN/Money, 8 September 2003, available at " -"link #66; Soni Sangha and Phyllis Furman with Robert Gearty, Sued for " -"a Song, N.Y.C. 12-Yr-Old Among 261 Cited as Sharers, New " -"York Daily News, 9 September 2003, 3; Frank Ahrens, " -"RIAA's Lawsuits Meet Surprised Targets; Single Mother in Calif., 12-" -"Year-Old Girl in N.Y. Among Defendants, Washington Post, 10 September 2003, E1; Katie Dean, Schoolgirl Settles with " -"RIAA, Wired News, 10 September 2003, " -"available at link #67." +"lien #66; Soni Sangha " +"and Phyllis Furman with Robert Gearty, Sued for a Song, N.Y.C. 12-Yr- " +"Old Among 261 Cited as Sharers, New York Daily " +"News, 9 September 2003, 3; Frank Ahrens, RIAA's Lawsuits " +"Meet Surprised Targets; Single Mother in Calif., 12-Year-Old Girl in N.Y. " +"Among Defendants, Washington Post, 10 " +"September 2003, E1; Katie Dean, Schoolgirl Settles with " +"RIAA, Wired News, 10 September 2003, available " +"at lien #67." #. f12. #. type: Content of: @@ -26396,7 +26437,8 @@ msgid "" "culture.cc/notes/\">link #68." msgstr "" "Jon Wiederhorn, Eminem Gets Sued . . . by a Little Old Lady, " -"mtv.com, 17 September 2003, available at link #68." +"mtv.com, 17 September 2003, available at lien #68." #. f13. #. PAGE BREAK 334 @@ -26407,7 +26449,8 @@ msgid "" "\"http://free-culture.cc/notes/\">link #69." msgstr "" "Kenji Hall, Associated Press, Japanese Book May Be Inspiration for " -"Dylan Songs, Kansascity.com, 9 July 2003, available at link #69." +"Dylan Songs, Kansascity.com, 9 July 2003, available at lien #69." #. type: Content of: msgid "" @@ -26473,7 +26516,8 @@ msgid "" "notes/\">link #70." msgstr "" "BBC Plans to Open Up Its Archive to the Public, BBC press " -"release, 24 August 2003, available at link #70." +"release, 24 August 2003, available at lien #70." #. f15. #. type: Content of: @@ -26482,8 +26526,9 @@ msgid "" "August 2003, available at link " "#71." msgstr "" -"Creative Commons and Brazil, Creative Commons Weblog, 6 " -"August 2003, available at link #71." +"Creative Commons and Brazil, Creative Commons Weblog, 6 August " +"2003, available at lien " +"#71." #. PAGE BREAK 278 #. type: Content of: @@ -26832,13 +26877,13 @@ msgid "" "2004) (mapping tradeoffs between technology and privacy)." msgstr "" "Voir, par exemple, Marc Rotenberg, Fair Information Practices and the " -"Architecture of Privacy (What Larry Doesn't Get), " -"Stanford Technology Law Review 1 (2001): par. 6-18, disponible " -"au lien #72 (description des exemples dans lesquels la technologie définit " -"la politique de vie privée). Voir aussi Jeffrey Rosen, The Naked " -"Crowd: Reclaiming Security and Freedom in an Anxious Age (New " -"York: Random House, 2004) (cartographie des compromis entre la technologie " -"et la vie privée)." +"Architecture of Privacy (What Larry Doesn't Get), Stanford " +"Technology Law Review 1 (2001): par. 6-18, disponible au lien #72 (description des " +"exemples dans lesquels la technologie définit la politique de vie privée). " +"Voir aussi Jeffrey Rosen, The Naked Crowd: Reclaiming Security and " +"Freedom in an Anxious Age (New York: Random House, 2004) " +"(cartographie des compromis entre la technologie et la vie privée)." #. PAGE BREAK 284 #. type: Content of:
@@ -27467,7 +27512,8 @@ msgid "" msgstr "" "Willful Infringement: A Report from the Front Lines of the Real " "Culture Wars (2003), produit par Jed Horovitz, réalisé par Greg " -"Hittelman, une production Fiat Lucre, disponible au lien #72." +"Hittelman, une production Fiat Lucre, disponible au lien #72." #. type: Content of:
msgid "" @@ -28045,7 +28091,8 @@ msgid "" "notes/\">link #74." msgstr "" "A Radical Rethink, Economist, 366:8308 " -"(25 January 2003): 15, available at link #74." +"(25 January 2003): 15, available at lien #74." #. type: Content of:
msgid "" @@ -28639,7 +28686,8 @@ msgid "" "notes/\">link #76." msgstr "" "Voir, par exemple, Music Media Watch, The J@pan Inc. " -"Newsletter, 3 avril 2002, disponible au link #76." +"Newsletter, 3 avril 2002, disponible au lien #76." #. type: Content of:
msgid "" @@ -29856,9 +29904,3 @@ msgid "" "book on the collision of media and technology" msgstr "" -#~ msgid "" -#~ " " -#~ msgstr "" -#~ " "