From: Petter Reinholdtsen Date: Sat, 21 Jul 2012 16:58:45 +0000 (+0200) Subject: Two more index entries. X-Git-Tag: edition-2015-10-10~2242 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/83b73f020a13af3d5c30acc646503b75a6982670?ds=sidebyside Two more index entries. --- diff --git a/freeculture.xml b/freeculture.xml index 1e2b97b..e0e75cd 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -2786,6 +2786,7 @@ Edison to the Broadcast Flag: Mechanisms of Consent and Refusal and the Propertization of Copyright" (September 2002), University of Chicago Law School, James M. Olin Program in Law and Economics, Working Paper No. 159. +General Film Company @@ -11180,19 +11181,19 @@ pornography." Brief of Amici Dr. Seuss Enterprise et al., Eldred v. Ashcroft, 537 U.S. (2003) (No. 01-618), 19. -That was also the motive of -the Gershwin estate, which defended its "protection" of the work of -George Gershwin. They refuse, for example, to license Porgy and Bess -to anyone who refuses to use African Americans in the cast. +That was also the motive of the Gershwin estate, which defended its +"protection" of the work of George Gershwin. They refuse, for example, +to license Porgy and Bess to anyone who refuses to use African +Americans in the cast. Dinitia Smith, "Immortal Words, Immortal Royalties? Even Mickey Mouse Joins the Fray," New York Times, 28 March 1998, B7. That's - their view of how this part of American culture should be controlled, and they wanted this law to help them effect that control. +Gershwin, George This argument made clear a theme that is rarely noticed in this @@ -13265,6 +13266,7 @@ aim is to build a movement of consumers and producers of content ("content conducers," as attorney Mia Garlick calls them) who help build the public domain and, by their work, demonstrate the importance of the public domain to other creativity. +Garlick, Mia The aim is not to fight the "All Rights Reserved" sorts. The aim is to