From: Petter Reinholdtsen <pere@hungry.com>
Date: Tue, 7 Aug 2012 09:21:14 +0000 (+0200)
Subject: More index entries.
X-Git-Tag: edition-2015-10-10~1783
X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/83b6e24e12517f5c423584efccb583c20ca7ee42

More index entries.
---

diff --git a/freeculture.xml b/freeculture.xml
index 59bdc76..f986889 100644
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -2921,6 +2921,7 @@ how requires a bit of detail about the way the law regulates music.
 <indexterm id="idxfourneauxhenri" class='startofrange'>
   <primary>Fourneaux, Henri</primary>
 </indexterm>
+<indexterm><primary>Russel, Phil</primary></indexterm>
 <para>
 At the time that Edison and Henri Fourneaux invented machines
 for reproducing music (Edison the phonograph, Fourneaux the player
@@ -4706,6 +4707,7 @@ under the Statute of Anne.<footnote><para>
 <!-- f8 -->
 Mark Rose, <citetitle>Authors and Owners</citetitle> (Cambridge: Harvard University Press,
 1993), 92.
+<indexterm><primary>Rose, Mark</primary></indexterm>
 </para></footnote>
 Donaldson's publishing house prospered
 <!-- PAGE BREAK 102 -->
@@ -6870,6 +6872,7 @@ derivative works. See Jed Rubenfeld, "The Freedom of Imagination:
 Copyright's Constitutionality," <citetitle>Yale Law
 Journal</citetitle> 112 (2002): 1&ndash;60 (see especially
 pp. 53&ndash;59).
+<indexterm><primary>Rubenfeld, Jeb</primary></indexterm>
 </para></footnote>
 These two different uses of my creative work are treated the same.
 </para>
@@ -7678,6 +7681,7 @@ suggested, Felten himself was distributing a circumvention technology.
 Thus, even though he was not himself infringing anyone's copyright,
 his academic paper was enabling others to infringe others' copyright.
 </para>
+<indexterm><primary>Rogers, Fred</primary></indexterm>
 <para>
 The bizarreness of these arguments is captured in a cartoon drawn in
 1981 by Paul Conrad. At that time, a court in California had held that
@@ -7710,6 +7714,7 @@ important.<footnote><para>
 455 fn. 27 (1984). Rogers never changed his view about the VCR. See
 James Lardner, <citetitle>Fast Forward: Hollywood, the Japanese, and the Onslaught of
 the VCR</citetitle> (New York: W. W. Norton, 1987), 270&ndash;71.
+<indexterm><primary>Rogers, Fred</primary></indexterm>
 </para></footnote>
 </para>
 </blockquote>
@@ -14506,6 +14511,7 @@ began when I read of Eric Eldred's war to keep books free. Eldred's
 work helped launch a movement, the free culture movement, and it is
 to him that this book is dedicated.
 </para>
+<indexterm><primary>Rose, Mark</primary></indexterm>
 <para>
 I received guidance in various places from friends and academics,
 including Glenn Brown, Peter DiCola, Jennifer Mnookin, Richard Posner,