From: Petter Reinholdtsen Date: Thu, 2 Aug 2012 19:17:21 +0000 (+0200) Subject: Update with new indexes and wrap lines. X-Git-Tag: edition-2015-10-10~1924 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/79d7ab66f9dae2663677dde72dc337719295f421?ds=sidebyside Update with new indexes and wrap lines. --- diff --git a/freeculture.nb.po b/freeculture.nb.po index c203dcd..7794bb8 100644 --- a/freeculture.nb.po +++ b/freeculture.nb.po @@ -7,7 +7,7 @@ msgid "" msgstr "" "Project-Id-Version: Free Culture by Lawrence Lessig\n" -"POT-Creation-Date: 2012-08-02 16:54+0300\n" +"POT-Creation-Date: 2012-08-02 20:16+0300\n" "PO-Revision-Date: 2012-07-13 21:50+0200\n" "Last-Translator: Petter Reinholdtsen \n" "Language-Team: Norwegian BokmÃ¥l \n" @@ -3323,29 +3323,27 @@ msgid "" "to learn something about media by doing something with media. By doing, " "they think. By tinkering, they learn." msgstr "" -"Men selv om vi kan tenke oss dette godkjenningssystemet, sÃ¥ vil det " -"være svært vanskelig Ã¥ se hvordan fotografering skulle ha blomstret " -"slik det gjorde hvis det var bygt inn krav om godkjenning i reglene " -"som styrte det. Fotografering ville eksistert. Det ville ha økt sin " -"betydning over tid. Profesjonelle ville ha fortsatt Ã¥ bruke " -"teknologien slik de gjorde—siden profesjonelle enklere kunne " -"hÃ¥ndtert byrdene pÃ¥lagt dem av godkjenningssystemet. Men spredningen " -"av fotografering til vanlige folk villa aldri ha skjedd. Veksten det " -"skapte kunne aldri ha skjedd. Og det ville uten tvil aldri vært " -"realisert en slik vekst i demokratisk uttrykkstenkologi. Hvis du " -"kjører gjennom omrÃ¥det Presidio i San Francisco, kan det hende du ser " -"to gusjegule skolebusser overmalt med fargefulle og iøynefallende " -"bilder, og logoen \"Just Think!\" i stedet for navnet pÃ¥ en skole. " -"Men det er lite som er \"bare\" mentalt i prosjektene som disse " -"bussene muliggjør. Disse bussene er fylt med tekologi som lærer unger " -"Ã¥ fikle med film. Ikke filmen til Eastman. Ikke en gang filmen i din " -"videospiller. I stedet er det snakk om \"filmen\" til digitale " -"kamera. Just Think! er et prosjekt som gjør det mulig for unger Ã¥ " -"lage filmer, som en mÃ¥te Ã¥ forstÃ¥ og kritisere den filmede kulturet " -"som de finner over alt rundt seg. Hvert Ã¥r besøker disse bussene mer " -"enn tredve skoler og gir mellom tre hundre og fire hundre barn " -"muligheten til Ã¥ lære noe om media ved Ã¥ gjøre noe med media. Ved Ã¥ " -"gjøre, sÃ¥ tenker de. Ved Ã¥ fikle, sÃ¥ lærer de." +"Men selv om vi kan tenke oss dette godkjenningssystemet, sÃ¥ vil det være " +"svært vanskelig Ã¥ se hvordan fotografering skulle ha blomstret slik det " +"gjorde hvis det var bygt inn krav om godkjenning i reglene som styrte det. " +"Fotografering ville eksistert. Det ville ha økt sin betydning over tid. " +"Profesjonelle ville ha fortsatt Ã¥ bruke teknologien slik de gjorde—" +"siden profesjonelle enklere kunne hÃ¥ndtert byrdene pÃ¥lagt dem av " +"godkjenningssystemet. Men spredningen av fotografering til vanlige folk " +"villa aldri ha skjedd. Veksten det skapte kunne aldri ha skjedd. Og det " +"ville uten tvil aldri vært realisert en slik vekst i demokratisk " +"uttrykkstenkologi. Hvis du kjører gjennom omrÃ¥det Presidio i San Francisco, " +"kan det hende du ser to gusjegule skolebusser overmalt med fargefulle og " +"iøynefallende bilder, og logoen \"Just Think!\" i stedet for navnet pÃ¥ en " +"skole. Men det er lite som er \"bare\" mentalt i prosjektene som disse " +"bussene muliggjør. Disse bussene er fylt med tekologi som lærer unger Ã¥ " +"fikle med film. Ikke filmen til Eastman. Ikke en gang filmen i din " +"videospiller. I stedet er det snakk om \"filmen\" til digitale kamera. " +"Just Think! er et prosjekt som gjør det mulig for unger Ã¥ lage filmer, som " +"en mÃ¥te Ã¥ forstÃ¥ og kritisere den filmede kulturet som de finner over alt " +"rundt seg. Hvert Ã¥r besøker disse bussene mer enn tredve skoler og gir " +"mellom tre hundre og fire hundre barn muligheten til Ã¥ lære noe om media ved " +"Ã¥ gjøre noe med media. Ved Ã¥ gjøre, sÃ¥ tenker de. Ved Ã¥ fikle, sÃ¥ lærer de." #. f9 #. type: Content of: @@ -5080,17 +5078,20 @@ msgstr "" "deretter Kopier av disse innspillinger. pÃ¥ grunn av dette hullet i loven, sÃ¥ " "kunne jeg effektivt pirat andres sang uten Ã¥ betale sin komponist noe." -#. PAGE BREAK 69 +#. type: Content of:
+msgid "Kittredge, Alfred" +msgstr "Kittredge, Alfred" + #. type: Content of:
#, mtrans, fuzzy msgid "" "The composers (and publishers) were none too happy about this capacity to " -"pirate. As South Dakota senator Alfred Kittredge put it," +"pirate. As South Dakota senator Alfred Kittredge put it, " msgstr "" "komponister (og utgivere) var ingen så glade om denne kapasiteten til pirat. " "som i Sør-dakota senator alfred sa kittredge," -#. f4 #. type: Content of:
#, mtrans, fuzzy msgid "" @@ -5099,7 +5100,7 @@ msgid "" "sess. (1906) (statement of Senator Alfred B. Kittredge, of South Dakota, " "chairman), reprinted in Legislative History of the Copyright Act, E. Fulton Brylawski and Abe Goldman, eds. (South Hackensack, N." -"J.: Rothman Reprints, 1976)." +"J.: Rothman Reprints, 1976). " msgstr "" "endre og konsolidere handlinger som respekterer copyright: hearings på s. " "6330 og hr 19853 før (felles) komiteer på patenter, 59th cong. 59, 1 sess. " @@ -10045,6 +10046,10 @@ msgstr "Kapittel ti: \"Eiendom\"" msgid "Johnson, Lyndon" msgstr "Johnson, Lyndon" +#. type: Content of:
+msgid "Kennedy, John F." +msgstr "Kennedy, John F." + #. type: Content of: #, mtrans, fuzzy msgid "" @@ -10054,7 +10059,8 @@ msgid "" "on Air Force One after the assassination of President Kennedy has Valenti in " "the background. In his almost forty years of running the MPAA, Valenti has " "established himself as perhaps the most prominent and effective lobbyist in " -"Washington. " +"Washington. " msgstr "" "Jack valenti har vært president i motion picture association of america " "siden 1966. først kom han til washington, DC, med lyndon johnson's " @@ -16318,7 +16324,6 @@ msgid "" "radio." msgstr "" -#. PAGE BREAK 204 #. type: Content of:
#, mtrans, fuzzy msgid "" @@ -16329,7 +16334,8 @@ msgid "" "\"Happy Birthday\"—to memorialize her famous performance before " "President Kennedy at Madison Square Garden— then whenever that " "recording was played on the radio, the current copyright owners of \"Happy " -"Birthday\" would get some money, whereas Marilyn Monroe would not." +"Birthday\" would get some money, whereas Marilyn Monroe would not. " +"" msgstr "" "som jeg beskrevet i kapittel 4, nÃ¥r en radiostasjon spiller en sang, fÃ¥r " "ikke innspillingen artisten betalt for at \"radio ytelse\" med mindre han " @@ -21169,6 +21175,10 @@ msgstr "" "hollywood: de fleste folk ikke gjenkjenner Ã¥rsakene til Ã¥ begrense " "opphavsrett vilkÃ¥r; Det er derfor fremdeles mulig Ã¥ se god tro i motstanden." +#. type: Content of: +msgid "Kelly, Kevin" +msgstr "Kelly, Kevin" + #. type: Content of: #, mtrans, fuzzy msgid "" @@ -21179,7 +21189,7 @@ msgid "" "to exercise continued control over his content. It would simply liberate " "what Kevin Kelly calls the \"Dark Content\" that fills archives around the " "world. So when the warriors oppose a change like this, we should ask one " -"simple question:" +"simple question: " msgstr "" "men nÃ¥r opphavsrett eierne motsette et forslag som eldred act, sÃ¥, til " "slutt, er det et eksempel at legger bare naken selfinterest kjører denne " @@ -24162,6 +24172,10 @@ msgstr "" "Benjamin Kaplan, An Unhurried View of Copyright (New " "York: Columbia University Press, 1967), 32." +#. type: Content of:
+msgid "Kaplan, Benjamin" +msgstr "Kaplan, Benjamin" + #. type: Content of:
msgid "" "Congress granted the beginnings of this right in 1870, when it expanded the " @@ -24169,7 +24183,7 @@ msgid "" "dramatizations of a work. The " "courts have expanded it slowly through judicial interpretation ever since. " "This expansion has been commented upon by one of the law's greatest judges, " -"Judge Benjamin Kaplan." +"Judge Benjamin Kaplan. " msgstr "" #. f6. diff --git a/freeculture.pot b/freeculture.pot index 7a59f73..58bd100 100644 --- a/freeculture.pot +++ b/freeculture.pot @@ -7,7 +7,7 @@ msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" -"POT-Creation-Date: 2012-08-02 16:54+0300\n" +"POT-Creation-Date: 2012-08-02 20:16+0300\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: LANGUAGE \n" @@ -473,12 +473,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:415 freeculture.xml:12817 +#: freeculture.xml:415 freeculture.xml:12822 msgid "CodePink Women in Peace" msgstr "" #. type: Content of: -#: freeculture.xml:426 freeculture.xml:436 freeculture.xml:12830 +#: freeculture.xml:426 freeculture.xml:436 freeculture.xml:12835 msgid "Safire, William" msgstr "" @@ -612,12 +612,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:521 freeculture.xml:534 freeculture.xml:565 freeculture.xml:584 freeculture.xml:987 freeculture.xml:1004 freeculture.xml:1050 freeculture.xml:8840 freeculture.xml:12216 freeculture.xml:12921 +#: freeculture.xml:521 freeculture.xml:534 freeculture.xml:565 freeculture.xml:584 freeculture.xml:987 freeculture.xml:1004 freeculture.xml:1050 freeculture.xml:8843 freeculture.xml:12221 freeculture.xml:12926 msgid "Causby, Thomas Lee" msgstr "" #. type: Content of: -#: freeculture.xml:522 freeculture.xml:535 freeculture.xml:566 freeculture.xml:585 freeculture.xml:988 freeculture.xml:1005 freeculture.xml:1051 freeculture.xml:8841 freeculture.xml:12217 freeculture.xml:12922 +#: freeculture.xml:522 freeculture.xml:535 freeculture.xml:566 freeculture.xml:585 freeculture.xml:988 freeculture.xml:1005 freeculture.xml:1051 freeculture.xml:8844 freeculture.xml:12222 freeculture.xml:12927 msgid "Causby, Tinie" msgstr "" @@ -1056,7 +1056,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:856 freeculture.xml:9382 +#: freeculture.xml:856 freeculture.xml:9385 msgid "Litman, Jessica" msgstr "" @@ -1172,7 +1172,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:951 freeculture.xml:14187 +#: freeculture.xml:951 freeculture.xml:14193 msgid "Netanel, Neil Weinstock" msgstr "" @@ -1371,7 +1371,7 @@ msgid "\"PIRACY\"" msgstr "" #. type: Content of: -#: freeculture.xml:1101 freeculture.xml:4731 +#: freeculture.xml:1101 freeculture.xml:4733 msgid "Mansfield, William Murray, Lord" msgstr "" @@ -1472,7 +1472,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:1184 freeculture.xml:6828 +#: freeculture.xml:1184 freeculture.xml:6831 msgid "Zittrain, Jonathan" msgstr "" @@ -2060,7 +2060,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:1626 freeculture.xml:2816 freeculture.xml:4437 freeculture.xml:4664 freeculture.xml:7223 freeculture.xml:8297 +#: freeculture.xml:1626 freeculture.xml:2816 freeculture.xml:4439 freeculture.xml:4666 freeculture.xml:7226 freeculture.xml:8300 msgid "Vaidhyanathan, Siva" msgstr "" @@ -2682,7 +2682,7 @@ msgstr "" #. f31 #. type: Content of:
-#: freeculture.xml:2086 freeculture.xml:3808 freeculture.xml:4850 freeculture.xml:8021 +#: freeculture.xml:2086 freeculture.xml:3810 freeculture.xml:4852 freeculture.xml:8024 msgid "Ibid." msgstr "" @@ -2823,7 +2823,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:2194 freeculture.xml:7959 freeculture.xml:8196 +#: freeculture.xml:2194 freeculture.xml:7962 freeculture.xml:8199 msgid "ABC" msgstr "" @@ -3714,7 +3714,7 @@ msgid "General Film Company" msgstr "" #. type: Content of:
-#: freeculture.xml:2866 freeculture.xml:3116 freeculture.xml:4213 freeculture.xml:9573 +#: freeculture.xml:2866 freeculture.xml:3118 freeculture.xml:4215 freeculture.xml:9577 msgid "Picker, Randal C." msgstr "" @@ -3799,7 +3799,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:2915 freeculture.xml:3061 +#: freeculture.xml:2915 freeculture.xml:3063 msgid "Beatles" msgstr "" @@ -3822,28 +3822,33 @@ msgid "" "pirate someone else's song without paying its composer anything." msgstr "" -#. PAGE BREAK 69 +#. type: Content of:
+#: freeculture.xml:2940 freeculture.xml:2957 +msgid "Kittredge, Alfred" +msgstr "" + #. type: Content of:
#: freeculture.xml:2936 msgid "" "The composers (and publishers) were none too happy about this capacity to " -"pirate. As South Dakota senator Alfred Kittredge put it," +"pirate. As South Dakota senator Alfred Kittredge put it, " msgstr "" -#. f4 #. type: Content of:
-#: freeculture.xml:2950 +#: freeculture.xml:2951 msgid "" "To Amend and Consolidate the Acts Respecting Copyright: Hearings on S. 6330 " "and H.R. 19853 Before the ( Joint) Committees on Patents, 59th Cong. 59, 1st " "sess. (1906) (statement of Senator Alfred B. Kittredge, of South Dakota, " "chairman), reprinted in Legislative History of the Copyright " "Act, E. Fulton Brylawski and Abe Goldman, eds. (South " -"Hackensack, N.J.: Rothman Reprints, 1976)." +"Hackensack, N.J.: Rothman Reprints, 1976). " msgstr "" #. type: Content of:
-#: freeculture.xml:2943 +#: freeculture.xml:2944 msgid "" "Imagine the injustice of the thing. A composer writes a song or an opera. A " "publisher buys at great expense the rights to the same and copyrights " @@ -3855,7 +3860,7 @@ msgstr "" #. f5 #. type: Content of:
-#: freeculture.xml:2964 +#: freeculture.xml:2966 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 223 (statement of " "Nathan Burkan, attorney for the Music Publishers Association)." @@ -3863,7 +3868,7 @@ msgstr "" #. f6 #. type: Content of:
-#: freeculture.xml:2970 +#: freeculture.xml:2972 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 226 (statement of " "Nathan Burkan, attorney for the Music Publishers Association)." @@ -3871,14 +3876,14 @@ msgstr "" #. f7 #. type: Content of:
-#: freeculture.xml:2977 +#: freeculture.xml:2979 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 23 (statement of " "John Philip Sousa, composer)." msgstr "" #. type: Content of:
-#: freeculture.xml:2960 +#: freeculture.xml:2962 msgid "" "The innovators who developed the technology to record other people's works " "were \"sponging upon the toil, the work, the talent, and genius of American " @@ -3891,7 +3896,7 @@ msgstr "" #. f8 #. type: Content of:
-#: freeculture.xml:2990 +#: freeculture.xml:2992 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 283–84 " "(statement of Albert Walker, representative of the Auto-Music Perforating " @@ -3900,7 +3905,7 @@ msgstr "" #. f9 #. type: Content of:
-#: freeculture.xml:3001 +#: freeculture.xml:3003 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 376 (prepared " "memorandum of Philip Mauro, general patent counsel of the American " @@ -3908,12 +3913,12 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3005 +#: freeculture.xml:3007 msgid "American Graphophone Company" msgstr "" #. type: Content of:
-#: freeculture.xml:2982 +#: freeculture.xml:2984 msgid "" "These arguments have familiar echoes in the wars of our day. So, too, do the " "arguments on the other side. The innovators who developed the player piano " @@ -3932,7 +3937,7 @@ msgstr "" #. PAGE BREAK 70 #. type: Content of:
-#: freeculture.xml:3008 +#: freeculture.xml:3010 msgid "" "The law soon resolved this battle in favor of the composer " "and the recording artist. Congress amended the law to " @@ -3947,7 +3952,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3023 +#: freeculture.xml:3025 msgid "" "American law ordinarily calls this a \"compulsory license,\" but I will " "refer to it as a \"statutory license.\" A statutory license is a license " @@ -3958,12 +3963,12 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3038 freeculture.xml:13857 +#: freeculture.xml:3040 freeculture.xml:13863 msgid "Grisham, John" msgstr "" #. type: Content of:
-#: freeculture.xml:3031 +#: freeculture.xml:3033 msgid "" "This is an exception within the law of copyright. When John Grisham writes a " "novel, a publisher is free to publish that novel only if Grisham gives the " @@ -3976,7 +3981,7 @@ msgstr "" #. f10 #. type: Content of:
-#: freeculture.xml:3055 +#: freeculture.xml:3057 msgid "" "Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and " "H.R. 11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., " @@ -3987,7 +3992,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3041 +#: freeculture.xml:3043 msgid "" "But the law governing recordings gives recording artists less. And thus, in " "effect, the law subsidizes the recording industry " @@ -4004,7 +4009,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3064 +#: freeculture.xml:3066 msgid "" "While the recording industry has been quite coy about this recently, " "historically it has been quite a supporter of the statutory license for " @@ -4013,7 +4018,7 @@ msgstr "" #. f11 #. type: Content of:
-#: freeculture.xml:3086 +#: freeculture.xml:3088 msgid "" "Copyright Law Revision: Report to Accompany H.R. 2512, House Committee on " "the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March " @@ -4021,7 +4026,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3071 +#: freeculture.xml:3073 msgid "" "the record producers argued vigorously that the compulsory license system " "must be retained. They asserted that the record industry is a " @@ -4038,29 +4043,29 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3093 +#: freeculture.xml:3095 msgid "" "By limiting the rights musicians have, by partially pirating their creative " "work, the record producers, and the public, benefit." msgstr "" #. type: Content of:
-#: freeculture.xml:3098 freeculture.xml:4178 +#: freeculture.xml:3100 freeculture.xml:4180 msgid "Radio" msgstr "" #. type: Content of:
-#: freeculture.xml:3100 +#: freeculture.xml:3102 msgid "Radio was also born of piracy." msgstr "" #. type: Content of:
-#: freeculture.xml:3115 +#: freeculture.xml:3117 msgid "Hand, Learned" msgstr "" #. type: Content of:
-#: freeculture.xml:3106 +#: freeculture.xml:3108 msgid "" "See 17 United States Code, sections 106 and 110. At " "the beginning, record companies printed \"Not Licensed for Radio Broadcast\" " @@ -4077,7 +4082,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3103 +#: freeculture.xml:3105 msgid "" "When a radio station plays a record on the air, that constitutes a \"public " "performance\" of the composer's work. -#: freeculture.xml:3133 freeculture.xml:8662 freeculture.xml:9123 freeculture.xml:12032 +#: freeculture.xml:3135 freeculture.xml:8665 freeculture.xml:9126 freeculture.xml:12036 msgid "Lovett, Lyle" msgstr "" #. PAGE BREAK 72 #. type: Content of:
-#: freeculture.xml:3123 +#: freeculture.xml:3125 msgid "" "But when the radio station plays a record, it is not only performing a copy " "of the composer's work. The radio station is also " @@ -4108,7 +4113,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3138 +#: freeculture.xml:3140 msgid "" "But it doesn't. Under the law governing radio performances, the radio " "station does not have to pay the recording artist. The radio station need " @@ -4118,12 +4123,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:3146 freeculture.xml:3640 freeculture.xml:6018 +#: freeculture.xml:3148 freeculture.xml:3642 freeculture.xml:6021 msgid "Madonna" msgstr "" #. type: Content of:
-#: freeculture.xml:3149 +#: freeculture.xml:3151 msgid "" "This difference can be huge. Imagine you compose a piece of music. Imagine " "it is your first. You own the exclusive right to authorize public " @@ -4132,7 +4137,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3155 +#: freeculture.xml:3157 msgid "" "Imagine she does sing your song, and imagine she likes it a lot. She then " "decides to make a recording of your song, and it becomes a top hit. Under " @@ -4144,7 +4149,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3166 +#: freeculture.xml:3168 msgid "" "No doubt, one might argue that, on balance, the recording artists " "benefit. On average, the promotion they get is worth more than the " @@ -4155,18 +4160,18 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3175 freeculture.xml:4184 +#: freeculture.xml:3177 freeculture.xml:4186 msgid "Cable TV" msgstr "" #. type: Content of:
-#: freeculture.xml:3178 +#: freeculture.xml:3180 msgid "Cable TV was also born of a kind of piracy." msgstr "" #. PAGE BREAK 73 #. type: Content of:
-#: freeculture.xml:3181 +#: freeculture.xml:3183 msgid "" "When cable entrepreneurs first started wiring communities with cable " "television in 1948, most refused to pay broadcasters for the content that " @@ -4178,18 +4183,18 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3191 +#: freeculture.xml:3193 msgid "Anello, Douglas" msgstr "" #. type: Content of:
-#: freeculture.xml:3192 +#: freeculture.xml:3194 msgid "Burdick, Quentin" msgstr "" #. f13 #. type: Content of:
-#: freeculture.xml:3198 +#: freeculture.xml:3200 msgid "" "Copyright Law Revision—CATV: Hearing on S. 1006 Before the " "Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee " @@ -4199,14 +4204,14 @@ msgstr "" #. f14 #. type: Content of:
-#: freeculture.xml:3209 +#: freeculture.xml:3211 msgid "" "Copyright Law Revision—CATV, 116 (statement of Douglas A. Anello, " "general counsel of the National Association of Broadcasters)." msgstr "" #. type: Content of:
-#: freeculture.xml:3194 +#: freeculture.xml:3196 msgid "" "Broadcasters and copyright owners were quick to attack this theft. Rosel " "Hyde, chairman of the FCC, viewed the practice as a kind of \"unfair and " @@ -4221,14 +4226,14 @@ msgstr "" #. f15 #. type: Content of:
-#: freeculture.xml:3220 +#: freeculture.xml:3222 msgid "" "Copyright Law Revision—CATV, 126 (statement of Ernest W. Jennes, " "general counsel of the Association of Maximum Service Telecasters, Inc.)." msgstr "" #. type: Content of:
-#: freeculture.xml:3216 +#: freeculture.xml:3218 msgid "" "The extraordinary thing about the CATV business is that it is the only " "business I know of where the product that is being sold is not paid " @@ -4236,13 +4241,13 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3226 +#: freeculture.xml:3228 msgid "Again, the demand of the copyright holders seemed reasonable enough:" msgstr "" #. f16 #. type: Content of:
-#: freeculture.xml:3235 +#: freeculture.xml:3237 msgid "" "Copyright Law Revision—CATV, 169 (joint statement of Arthur B. Krim, " "president of United Artists Corp., and John Sinn, president of United " @@ -4250,7 +4255,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3230 +#: freeculture.xml:3232 msgid "" "All we are asking for is a very simple thing, that people who now take our " "property for nothing pay for it. We are trying to stop piracy and I don't " @@ -4260,14 +4265,14 @@ msgstr "" #. f17 #. type: Content of:
-#: freeculture.xml:3246 +#: freeculture.xml:3248 msgid "" "Copyright Law Revision—CATV, 209 (statement of Charlton Heston, " "president of the Screen Actors Guild)." msgstr "" #. type: Content of:
-#: freeculture.xml:3242 +#: freeculture.xml:3244 msgid "" "These were \"free-ride[rs],\" Screen Actor's Guild president Charlton Heston " "said, who were \"depriving actors of compensation.\"
-#: freeculture.xml:3251 +#: freeculture.xml:3253 msgid "" "But again, there was another side to the debate. As Assistant Attorney " "General Edwin Zimmerman put it," msgstr "" #. type: Content of:
-#: freeculture.xml:3267 freeculture.xml:3269 +#: freeculture.xml:3269 freeculture.xml:3271 msgid "Zimmerman, Edwin" msgstr "" #. type: Content of:
-#: freeculture.xml:3265 +#: freeculture.xml:3267 msgid "" "Copyright Law Revision—CATV, 216 (statement of Edwin M. Zimmerman, " "acting assistant attorney general).
-#: freeculture.xml:3256 +#: freeculture.xml:3258 msgid "" "Our point here is that unlike the problem of whether you have any copyright " "protection at all, the problem here is whether copyright holders who are " @@ -4307,14 +4312,14 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3273 +#: freeculture.xml:3275 msgid "" "Copyright owners took the cable companies to court. Twice the Supreme Court " "held that the cable companies owed the copyright owners nothing." msgstr "" #. type: Content of:
-#: freeculture.xml:3277 +#: freeculture.xml:3279 msgid "" "It took Congress almost thirty years before it resolved the question of " "whether cable companies had to pay for the content they \"pirated.\" In the " @@ -4329,7 +4334,7 @@ msgstr "" #. f19 #. type: Content of:
-#: freeculture.xml:3294 +#: freeculture.xml:3296 msgid "" "See, for example, National Music Publisher's Association, The " "Engine of Free Expression: Copyright on the Internet—The Myth of Free " @@ -4340,7 +4345,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:3289 +#: freeculture.xml:3291 msgid "" "These separate stories sing a common theme. If \"piracy\" means using value " "from someone else's creative property without permission from that " @@ -4353,12 +4358,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:3311 +#: freeculture.xml:3313 msgid "CHAPTER FIVE: \"Piracy\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:3313 +#: freeculture.xml:3315 msgid "" "There is piracy of copyrighted material. Lots of it. This piracy comes in " "many forms. The most significant is commercial piracy, the unauthorized " @@ -4369,7 +4374,7 @@ msgstr "" #. PAGE BREAK 76 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:3321 +#: freeculture.xml:3323 msgid "" "But as well as copy-shop piracy, there is another kind of \"taking\" that is " "more directly related to the Internet. That taking, too, seems wrong to " @@ -4381,13 +4386,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:3331 +#: freeculture.xml:3333 msgid "Piracy I" msgstr "" #. f1 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3339 +#: freeculture.xml:3341 msgid "" "See IFPI (International Federation of the Phonographic Industry), " "<citetitle>The Recording Industry Commercial Piracy Report 2003</citetitle>, " @@ -4397,7 +4402,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3333 +#: freeculture.xml:3335 msgid "" "All across the world, but especially in Asia and Eastern Europe, there are " "businesses that do nothing but take others people's copyrighted content, " @@ -4409,7 +4414,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3349 +#: freeculture.xml:3351 msgid "" "This is piracy plain and simple. Nothing in the argument of this book, nor " "in the argument that most people make when talking about the subject of this " @@ -4417,7 +4422,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3355 +#: freeculture.xml:3357 msgid "" "Which is not to say that excuses and justifications couldn't be made for " "it. We could, for example, remind ourselves that for the first one hundred " @@ -4429,7 +4434,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3364 +#: freeculture.xml:3366 msgid "" "That excuse isn't terribly strong. Technically, our law did not ban the " "taking of foreign works. It explicitly limited itself to American " @@ -4444,7 +4449,7 @@ msgstr "" #. PAGE BREAK 77 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3375 +#: freeculture.xml:3377 msgid "" "True, these local rules have, in effect, been imposed upon these " "countries. No country can be part of the world economy and choose not to " @@ -4453,12 +4458,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:3402 freeculture.xml:12311 freeculture.xml:12741 freeculture.xml:12748 +#: freeculture.xml:3404 freeculture.xml:12316 freeculture.xml:12746 freeculture.xml:12753 msgid "Drahos, Peter" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3388 +#: freeculture.xml:3390 msgid "" "See Peter Drahos with John Braithwaite, Information Feudalism: " "<citetitle>Who Owns the Knowledge Economy?</citetitle> (New York: The New " @@ -4477,7 +4482,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3383 +#: freeculture.xml:3385 msgid "" "If a country is to be treated as a sovereign, however, then its laws are its " "laws regardless of their source. The international law under which these " @@ -4489,12 +4494,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3422 freeculture.xml:3687 freeculture.xml:14386 +#: freeculture.xml:3424 freeculture.xml:3689 freeculture.xml:14392 msgid "Liebowitz, Stan" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3415 +#: freeculture.xml:3417 msgid "" "For an analysis of the economic impact of copying technology, see Stan " "Liebowitz, <citetitle>Rethinking the Network Economy</citetitle> (New York: " @@ -4507,7 +4512,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3409 +#: freeculture.xml:3411 msgid "" "Alternatively, we could try to excuse this piracy by noting that in any " "case, it does no harm to the industry. The Chinese who get access to " @@ -4517,7 +4522,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3426 +#: freeculture.xml:3428 msgid "" "This is often true (though I have friends who have purchased many thousands " "of pirated DVDs who certainly have enough money to pay for the content they " @@ -4533,7 +4538,7 @@ msgstr "" #. PAGE BREAK 78 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3439 +#: freeculture.xml:3441 msgid "" "This argument is still very weak. However, although copyright is a property " "right of a very special sort, it <emphasis>is</emphasis> a property " @@ -4551,32 +4556,32 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3468 freeculture.xml:3496 freeculture.xml:11165 freeculture.xml:12623 freeculture.xml:13173 +#: freeculture.xml:3470 freeculture.xml:3498 freeculture.xml:11169 freeculture.xml:12628 freeculture.xml:13178 msgid "GNU/Linux operating system" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3469 freeculture.xml:3497 freeculture.xml:11166 freeculture.xml:12624 freeculture.xml:13174 +#: freeculture.xml:3471 freeculture.xml:3499 freeculture.xml:11170 freeculture.xml:12629 freeculture.xml:13179 msgid "Linux operating system" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3471 +#: freeculture.xml:3473 msgid "Microsoft" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><secondary> -#: freeculture.xml:3472 +#: freeculture.xml:3474 msgid "Windows operating system of" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3474 +#: freeculture.xml:3476 msgid "Windows" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3457 +#: freeculture.xml:3459 msgid "" "Finally, we could try to excuse this piracy with the argument that the " "piracy actually helps the copyright owner. When the Chinese \"steal\" " @@ -4594,7 +4599,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3477 +#: freeculture.xml:3479 msgid "" "This argument, too, is somewhat true. The addiction strategy is a good " "one. Many businesses practice it. Some thrive because of it. Law students, " @@ -4605,7 +4610,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3485 +#: freeculture.xml:3487 msgid "" "Still, the argument is not terribly persuasive. We don't give the alcoholic " "a defense when he steals his first beer, merely because that will make it " @@ -4622,7 +4627,7 @@ msgstr "" #. PAGE BREAK 79 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3501 +#: freeculture.xml:3503 msgid "" "Thus, while I understand the pull of these justifications for piracy, and I " "certainly see the motivation, in my view, in the end, these efforts at " @@ -4634,7 +4639,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3511 +#: freeculture.xml:3513 msgid "" "But as the examples from the four chapters that introduced this part " "suggest, even if some piracy is plainly wrong, not all \"piracy\" is. Or at " @@ -4646,7 +4651,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3520 +#: freeculture.xml:3522 msgid "" "This doesn't mean that there are no questions raised by the latest piracy " "concern, peer-to-peer file sharing. But it does mean that we need to " @@ -4655,7 +4660,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3526 +#: freeculture.xml:3528 msgid "" "For (1) like the original Hollywood, p2p sharing escapes an overly " "controlling industry; and (2) like the original recording industry, it " @@ -4664,20 +4669,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3532 +#: freeculture.xml:3534 msgid "" "These differences distinguish p2p sharing from true piracy. They should push " "us to find a way to protect artists while enabling this sharing to survive." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:3538 +#: freeculture.xml:3540 msgid "Piracy II" msgstr "" #. f4 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3543 +#: freeculture.xml:3545 msgid "" "<citetitle>Bach</citetitle> v. <citetitle>Longman</citetitle>, 98 " "Eng. Rep. 1274 (1777)." @@ -4685,7 +4690,7 @@ msgstr "" #. PAGE BREAK 80 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3540 +#: freeculture.xml:3542 msgid "" "The key to the \"piracy\" that the law aims to quash is a use that \"rob[s] " "the author of [his] profit.\"<placeholder type=\"footnote\" id=\"0\"/> This " @@ -4695,12 +4700,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3566 freeculture.xml:8090 +#: freeculture.xml:3568 freeculture.xml:8093 msgid "Christensen, Clayton M." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3557 +#: freeculture.xml:3559 msgid "" "See Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The " "Revolutionary National Bestseller That Changed the Way We Do " @@ -4714,12 +4719,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3569 +#: freeculture.xml:3571 msgid "Fanning, Shawn" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3552 +#: freeculture.xml:3554 msgid "" "Peer-to-peer sharing was made famous by Napster. But the inventors of the " "Napster technology had not made any major technological innovations. Like " @@ -4731,7 +4736,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3577 +#: freeculture.xml:3579 msgid "" "See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" " "<citetitle>San Francisco Chronicle</citetitle>, 24 September 2002, A1; " @@ -4744,7 +4749,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3572 +#: freeculture.xml:3574 msgid "" "The result was spontaneous combustion. Launched in July 1999, Napster " "amassed over 10 million users within nine months. After eighteen months, " @@ -4760,7 +4765,7 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3599 +#: freeculture.xml:3601 msgid "" "See Ipsos-Insight, <citetitle>TEMPO: Keeping Pace with Online Music " "Distribution</citetitle> (September 2002), reporting that 28 percent of " @@ -4771,14 +4776,14 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3608 +#: freeculture.xml:3610 msgid "" "Amy Harmon, \"Industry Offers a Carrot in Online Music Fight,\" " "<citetitle>New York Times</citetitle>, 6 June 2003, A1." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3593 +#: freeculture.xml:3595 msgid "" "According to a number of estimates, a huge proportion of Americans have " "tasted file-sharing technology. A study by Ipsos-Insight in September 2002 " @@ -4794,7 +4799,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3617 +#: freeculture.xml:3619 msgid "" "Some of this enjoying involves copyright infringement. Some of it does " "not. And even among the part that is technically copyright infringement, " @@ -4806,14 +4811,14 @@ msgstr "" #. PAGE BREAK 81 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3627 +#: freeculture.xml:3629 msgid "" "File sharers share different kinds of content. We can divide these different " "kinds into four types." msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3633 +#: freeculture.xml:3635 msgid "" "There are some who use sharing networks as substitutes for purchasing " "content. Thus, when a new Madonna CD is released, rather than buying the CD, " @@ -4826,7 +4831,7 @@ msgstr "" #. B. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3644 +#: freeculture.xml:3646 msgid "" "There are some who use sharing networks to sample music before purchasing " "it. Thus, a friend sends another friend an MP3 of an artist he's not heard " @@ -4839,7 +4844,7 @@ msgstr "" #. C. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3655 +#: freeculture.xml:3657 msgid "" "There are many who use sharing networks to get access to copyrighted content " "that is no longer sold or that they would not have purchased because the " @@ -4858,26 +4863,26 @@ msgstr "" #. PAGE BREAK 82 #. D. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3672 +#: freeculture.xml:3674 msgid "" "Finally, there are many who use sharing networks to get access to content " "that is not copyrighted or that the copyright owner wants to give away." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3678 +#: freeculture.xml:3680 msgid "How do these different types of sharing balance out?" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3686 +#: freeculture.xml:3688 msgid "" "See Liebowitz, <citetitle>Rethinking the Network Economy</citetitle>, " "148–49. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3681 +#: freeculture.xml:3683 msgid "" "Let's start with some simple but important points. From the perspective of " "the law, only type D sharing is clearly legal. From the perspective of " @@ -4891,7 +4896,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3697 +#: freeculture.xml:3699 msgid "" "Whether on balance sharing is harmful depends importantly on how harmful " "type A sharing is. Just as Edison complained about Hollywood, composers " @@ -4902,7 +4907,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3712 +#: freeculture.xml:3714 msgid "" "See Cap Gemini Ernst & Young, <citetitle>Technology Evolution and the " "Music Industry's Business Model Crisis</citetitle> (2003), 3. This report " @@ -4918,7 +4923,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3705 +#: freeculture.xml:3707 msgid "" "While the numbers do suggest that sharing is harmful, how harmful is harder " "to reckon. It has long been the recording industry's practice to blame " @@ -4933,12 +4938,12 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3738 +#: freeculture.xml:3740 msgid "U.S. Congress, <citetitle>Copyright and Home Copying</citetitle>, 4." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3730 +#: freeculture.xml:3732 msgid "" "Yet soon thereafter, and before Congress was given an opportunity to enact " "regulation, MTV was launched, and the industry had a record turnaround. \"In " @@ -4949,7 +4954,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3742 +#: freeculture.xml:3744 msgid "" "But just because the industry was wrong before does not mean it is wrong " "today. To evaluate the real threat that p2p sharing presents to the industry " @@ -4962,7 +4967,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3752 +#: freeculture.xml:3754 msgid "" "We start to answer this question by focusing on the net harm, from the " "standpoint of the industry as a whole, that sharing networks cause. The " @@ -4974,7 +4979,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3763 +#: freeculture.xml:3765 msgid "" "Could that be true? Could the industry as a whole be gaining because of file " "sharing? Odd as that might sound, the data about CD sales actually suggest " @@ -4983,7 +4988,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3772 +#: freeculture.xml:3774 msgid "" "See Recording Industry Association of America, <citetitle>2002 Yearend " "Statistics</citetitle>, available at <ulink " @@ -5001,12 +5006,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3799 +#: freeculture.xml:3801 msgid "Black, Jane" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3796 +#: freeculture.xml:3798 msgid "" "Jane Black, \"Big Music's Broken Record,\" BusinessWeek online, 13 February " "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -5014,7 +5019,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3768 +#: freeculture.xml:3770 msgid "" "In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 " "million to 803 million units; revenues fell 6.7 percent.<placeholder " @@ -5035,7 +5040,7 @@ msgstr "" #. PAGE BREAK 84 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3814 +#: freeculture.xml:3816 msgid "" "But let's assume the RIAA is right, and all of the decline in CD sales is " "because of Internet sharing. Here's the rub: In the same period that the " @@ -5046,7 +5051,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3822 +#: freeculture.xml:3824 msgid "" "There are too many different things happening at the same time to explain " "these numbers definitively, but one conclusion is unavoidable: The recording " @@ -5064,7 +5069,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3837 +#: freeculture.xml:3839 msgid "" "These are the harms—alleged and perhaps exaggerated but, let's assume, " "real. What of the benefits? File sharing may impose costs on the recording " @@ -5073,7 +5078,7 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3849 +#: freeculture.xml:3851 msgid "" "By one estimate, 75 percent of the music released by the major labels is no " "longer in print. See Online Entertainment and Copyright Law—Coming " @@ -5084,7 +5089,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3843 +#: freeculture.xml:3845 msgid "" "One benefit is type C sharing—making available content that is " "technically still under copyright but is no longer commercially available. " @@ -5099,7 +5104,7 @@ msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3869 +#: freeculture.xml:3871 msgid "" "While there are not good estimates of the number of used record stores in " "existence, in 2002, there were 7,198 used book dealers in the United States, " @@ -5113,7 +5118,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3863 +#: freeculture.xml:3865 msgid "" "In real space—long before the Internet—the market had a simple " "response to this problem: used book and record stores. There are thousands " @@ -5128,12 +5133,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3889 +#: freeculture.xml:3891 msgid "Bernstein, Leonard" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3891 +#: freeculture.xml:3893 msgid "" "Type C sharing, then, is very much like used book stores or used record " "stores. It is different, of course, because the person making the content " @@ -5148,7 +5153,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3904 +#: freeculture.xml:3906 msgid "" "It may well be, all things considered, that it would be better if the " "copyright owner got something from this trade. But just because it may well " @@ -5160,7 +5165,7 @@ msgstr "" #. PAGE BREAK 86 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3912 +#: freeculture.xml:3914 msgid "" "Finally, and perhaps most importantly, file-sharing networks enable type D " "sharing to occur—the sharing of content that copyright owners want to " @@ -5177,7 +5182,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3929 +#: freeculture.xml:3931 msgid "" "Likewise for work in the public domain: This sharing benefits society with " "no legal harm to authors at all. If efforts to solve the problem of type A " @@ -5186,7 +5191,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3935 +#: freeculture.xml:3937 msgid "" "The point throughout is this: While the recording industry understandably " "says, \"This is how much we've lost,\" we must also ask, \"How much has " @@ -5195,7 +5200,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3942 +#: freeculture.xml:3944 msgid "" "For unlike the piracy I described in the first section of this chapter, much " "of the \"piracy\" that file sharing enables is plainly legal and good. And " @@ -5211,7 +5216,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3956 +#: freeculture.xml:3958 msgid "" "\"But isn't the war just a war against illegal sharing? Isn't the target " "just what you call type A sharing?\"" @@ -5219,7 +5224,7 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3973 +#: freeculture.xml:3975 msgid "" "See Transcript of Proceedings, In Re: Napster Copyright Litigation at 34- 35 " "(N.D. Cal., 11 July 2001), nos. MDL-00-1369 MHP, C 99-5183 MHP, available at " @@ -5230,7 +5235,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3960 +#: freeculture.xml:3962 msgid "" "You would think. And we should hope. But so far, it is not. The effect of " "the war purportedly on type A sharing alone has been felt far beyond that " @@ -5243,7 +5248,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3984 +#: freeculture.xml:3986 msgid "" "If 99.4 percent is not good enough, then this is a war on file-sharing " "technologies, not a war on copyright infringement. There is no way to assure " @@ -5257,7 +5262,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3995 +#: freeculture.xml:3997 msgid "" "Zero tolerance has not been our history. It has not produced the content " "industry that we know today. The history of American law has been a process " @@ -5269,7 +5274,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4004 +#: freeculture.xml:4006 msgid "" "So, as we've seen, when \"mechanical reproduction\" threatened the interests " "of composers, Congress balanced the rights of composers against the " @@ -5283,7 +5288,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4016 +#: freeculture.xml:4018 msgid "" "Cable TV followed the pattern of record albums. When the courts rejected the " "claim that cable broadcasters had to pay for the content they rebroadcast, " @@ -5294,7 +5299,7 @@ msgstr "" #. PAGE BREAK 88 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4026 +#: freeculture.xml:4028 msgid "" "This compromise, like the compromise affecting records and player pianos, " "served two important goals—indeed, the two central goals of any " @@ -5312,12 +5317,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:4041 +#: freeculture.xml:4043 msgid "Betamax" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4043 +#: freeculture.xml:4045 msgid "" "In the same year that Congress struck this balance, two major producers and " "distributors of film content filed a lawsuit against another technology, the " @@ -5333,7 +5338,7 @@ msgstr "" #. PAGE BREAK 89 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4056 +#: freeculture.xml:4058 msgid "" "There was something to Disney's and Universal's claim. Sony did decide to " "design its machine to make it very simple to record television shows. It " @@ -5350,7 +5355,7 @@ msgstr "" #. f18 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4078 +#: freeculture.xml:4080 msgid "" "Copyright Infringements (Audio and Video Recorders): Hearing on S. 1758 " "Before the Senate Committee on the Judiciary, 97th Cong., 1st and 2nd sess., " @@ -5360,13 +5365,13 @@ msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4090 +#: freeculture.xml:4092 msgid "Copyright Infringements (Audio and Video Recorders), 475." msgstr "" #. f20 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4095 +#: freeculture.xml:4097 msgid "" "<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony " "Corp. of America</citetitle>, 480 F. Supp. 429, (C.D. Cal., 1979)." @@ -5374,14 +5379,14 @@ msgstr "" #. f21 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4106 +#: freeculture.xml:4108 msgid "" "Copyright Infringements (Audio and Video Recorders), 485 (testimony of Jack " "Valenti)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4071 +#: freeculture.xml:4073 msgid "" "MPAA president Jack Valenti became the studios' most vocal champion. Valenti " "called VCRs \"tapeworms.\" He warned, \"When there are 20, 30, 40 million of " @@ -5407,14 +5412,14 @@ msgstr "" #. f22 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4123 +#: freeculture.xml:4125 msgid "" "<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony " "Corp. of America</citetitle>, 659 F. 2d 963 (9th Cir. 1981)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4111 +#: freeculture.xml:4113 msgid "" "It took eight years for this case to be resolved by the Supreme Court. In " "the interim, the Ninth Circuit Court of Appeals, which includes Hollywood in " @@ -5430,7 +5435,7 @@ msgstr "" #. PAGE BREAK 90 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4128 +#: freeculture.xml:4130 msgid "" "But the Supreme Court reversed the decision of the Ninth Circuit. And in " "its reversal, the Court clearly articulated its understanding of when and " @@ -5439,14 +5444,14 @@ msgstr "" #. f23 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:4147 +#: freeculture.xml:4149 msgid "" "<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City " "Studios, Inc</citetitle>., 464 U.S. 417, 431 (1984)." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:4137 +#: freeculture.xml:4139 msgid "" "Sound policy, as well as history, supports our consistent deference to " "Congress when major technological innovations alter the market for " @@ -5457,7 +5462,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4152 +#: freeculture.xml:4154 msgid "" "Congress was asked to respond to the Supreme Court's decision. But as with " "the plea of recording artists about radio broadcasts, Congress ignored the " @@ -5467,82 +5472,82 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:4160 +#: freeculture.xml:4162 msgid "Pattern of Court and Congress response" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4164 +#: freeculture.xml:4166 msgid "CASE" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4165 +#: freeculture.xml:4167 msgid "WHOSE VALUE WAS \"PIRATED\"" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4166 +#: freeculture.xml:4168 msgid "RESPONSE OF THE COURTS" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4167 +#: freeculture.xml:4169 msgid "RESPONSE OF CONGRESS" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4172 +#: freeculture.xml:4174 msgid "Recordings" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4173 +#: freeculture.xml:4175 msgid "Composers" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4174 freeculture.xml:4186 freeculture.xml:4192 +#: freeculture.xml:4176 freeculture.xml:4188 freeculture.xml:4194 msgid "No protection" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4175 freeculture.xml:4187 +#: freeculture.xml:4177 freeculture.xml:4189 msgid "Statutory license" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4179 +#: freeculture.xml:4181 msgid "Recording artists" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4180 +#: freeculture.xml:4182 msgid "N/A" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4181 freeculture.xml:4193 +#: freeculture.xml:4183 freeculture.xml:4195 msgid "Nothing" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4185 +#: freeculture.xml:4187 msgid "Broadcasters" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4190 +#: freeculture.xml:4192 msgid "VCR" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4191 +#: freeculture.xml:4193 msgid "Film creators" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4203 +#: freeculture.xml:4205 msgid "" "These are the most important instances in our history, but there are other " "cases as well. The technology of digital audio tape (DAT), for example, was " @@ -5559,7 +5564,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4200 +#: freeculture.xml:4202 msgid "" "In each case throughout our history, a new technology changed the way " "content was distributed.<placeholder type=\"footnote\" id=\"0\"/> In each " @@ -5569,7 +5574,7 @@ msgstr "" #. PAGE BREAK 91 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4220 +#: freeculture.xml:4222 msgid "" "In <emphasis>none</emphasis> of these cases did either the courts or " "Congress eliminate all free riding. In <emphasis>none</emphasis> of these " @@ -5582,7 +5587,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4232 +#: freeculture.xml:4234 msgid "" "When you think across these examples, and the other examples that make up " "the first four chapters of this section, this balance makes sense. Was Walt " @@ -5596,14 +5601,14 @@ msgstr "" #. f25 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4249 +#: freeculture.xml:4251 msgid "" "<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City " "Studios, Inc</citetitle>., 464 U.S. 417, (1984)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4244 +#: freeculture.xml:4246 msgid "" "We could answer yes to each of these questions, but our tradition has " "answered no. In our tradition, as the Supreme Court has stated, copyright " @@ -5617,7 +5622,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4260 +#: freeculture.xml:4262 msgid "" "We should be doing the same thing today. The technology of the Internet is " "changing quickly. The way people connect to the Internet (wires " @@ -5634,7 +5639,7 @@ msgstr "" #. f26 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4284 +#: freeculture.xml:4286 msgid "" "John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes " "Past Efforts,\" <citetitle>New York Times</citetitle>, 22 September 2003, " @@ -5642,7 +5647,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4276 +#: freeculture.xml:4278 msgid "" "This is especially true when a new technology enables a vastly superior mode " "of distribution. And this p2p has done. P2p technologies can be ideally " @@ -5662,20 +5667,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4298 +#: freeculture.xml:4300 msgid "" "\"It is <emphasis>our property</emphasis>,\" the warriors insist. \"And it " "should be protected just as any other property is protected.\"" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:4306 +#: freeculture.xml:4308 msgid "\"PROPERTY\"" msgstr "" #. PAGE BREAK 94 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4311 +#: freeculture.xml:4313 msgid "" "The copyright warriors are right: A copyright is a kind of property. It can " "be owned and sold, and the law protects against its theft. Ordinarily, the " @@ -5684,7 +5689,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4318 +#: freeculture.xml:4320 msgid "" "But in ordinary language, to call a copyright a \"property\" right is a bit " "misleading, for the property of copyright is an odd kind of property. " @@ -5699,7 +5704,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:4343 +#: freeculture.xml:4345 msgid "" "Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in " "<citetitle>The Writings of Thomas Jefferson</citetitle>, vol. 6 (Andrew " @@ -5707,7 +5712,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4330 +#: freeculture.xml:4332 msgid "" "The point is not just about the thingness of picnic tables versus ideas, " "though that's an important difference. The point instead is that in the " @@ -5723,7 +5728,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4349 +#: freeculture.xml:4351 msgid "" "The exceptions to free use are ideas and expressions within the reach of the " "law of patent and copyright, and a few other domains that I won't discuss " @@ -5733,7 +5738,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:4362 +#: freeculture.xml:4364 msgid "" "As the legal realists taught American law, all property rights are " "intangible. A property right is simply a right that an individual has " @@ -5745,7 +5750,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4357 +#: freeculture.xml:4359 msgid "" "But how, and to what extent, and in what form—the details, in other " "words—matter. To get a good sense of how this practice of turning the " @@ -5754,7 +5759,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4372 +#: freeculture.xml:4374 msgid "" "My strategy in doing this will be the same as my strategy in the preceding " "part. I offer four stories to help put the idea of \"copyright material is " @@ -5766,12 +5771,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:4385 +#: freeculture.xml:4387 msgid "CHAPTER SIX: Founders" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4387 +#: freeculture.xml:4389 msgid "" "William Shakespeare wrote <citetitle>Romeo and Juliet</citetitle> in " "1595. The play was first published in 1597. It was the eleventh major play " @@ -5785,7 +5790,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4402 +#: freeculture.xml:4404 msgid "" "Jacob Tonson is typically remembered for his associations with prominent " "eighteenth-century literary figures, especially John Dryden, and for his " @@ -5799,7 +5804,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4413 +#: freeculture.xml:4415 msgid "" "Lyman Ray Patterson, <citetitle>Copyright in Historical " "Perspective</citetitle> (Nashville: Vanderbilt University Press, 1968), " @@ -5808,7 +5813,7 @@ msgstr "" #. PAGE BREAK 97 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4398 +#: freeculture.xml:4400 msgid "" "In 1774, almost 180 years after <citetitle>Romeo and Juliet</citetitle> was " "written, the \"copy-right\" for the work was still thought by many to be the " @@ -5824,7 +5829,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4435 +#: freeculture.xml:4437 msgid "" "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a " "\"copyright law.\" See Vaidhyanathan, <citetitle>Copyrights and " @@ -5832,7 +5837,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4426 +#: freeculture.xml:4428 msgid "" "Now, there's something puzzling about the year 1774 to anyone who knows a " "little about copyright law. The better-known year in the history of " @@ -5847,12 +5852,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4452 +#: freeculture.xml:4454 msgid "Licensing Act (1662)" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4443 +#: freeculture.xml:4445 msgid "" "The reason is that the English hadn't yet agreed on what a \"copyright\" " "was—indeed, no one had. At the time the English passed the Statute of " @@ -5865,7 +5870,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4455 +#: freeculture.xml:4457 msgid "" "There was no <emphasis>positive</emphasis> law, but that didn't mean that " "there was no law. The Anglo-American legal tradition looks to both the words " @@ -5881,7 +5886,7 @@ msgstr "" #. PAGE BREAK 98 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4467 +#: freeculture.xml:4469 msgid "" "This question was important to the publishers, or \"booksellers,\" as they " "were called, because there was growing competition from foreign " @@ -5893,7 +5898,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4479 +#: freeculture.xml:4481 msgid "" "The Statute of Anne granted the author or \"proprietor\" of a book an " "exclusive right to print that book. In an important limitation, however, and " @@ -5904,7 +5909,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4488 +#: freeculture.xml:4490 msgid "" "Now, the thing to puzzle about for a moment is this: Why would Parliament " "limit the exclusive right? Not why would they limit it to the particular " @@ -5913,7 +5918,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4494 +#: freeculture.xml:4496 msgid "" "For the booksellers, and the authors whom they represented, had a very " "strong claim. Take <citetitle>Romeo and Juliet</citetitle> as an example: " @@ -5927,7 +5932,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4505 +#: freeculture.xml:4507 msgid "" "The answer comes in two parts. We first need to see something special about " "the notion of \"copyright\" that existed at the time of the Statute of " @@ -5936,7 +5941,7 @@ msgstr "" #. PAGE BREAK 99 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4511 +#: freeculture.xml:4513 msgid "" "First, about copyright. In the last three hundred years, we have come to " "apply the concept of \"copyright\" ever more broadly. But in 1710, it wasn't " @@ -5952,7 +5957,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4526 +#: freeculture.xml:4528 msgid "" "So, for example, even if the copyright to Shakespeare's works were " "perpetual, all that would have meant under the original meaning of the term " @@ -5965,7 +5970,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4538 +#: freeculture.xml:4540 msgid "" "Even that limited right was viewed with skepticism by the British. They had " "had a long and ugly experience with \"exclusive rights,\" especially " @@ -5980,7 +5985,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4554 +#: freeculture.xml:4556 msgid "" "Thus the \"copy-right,\" when viewed as a monopoly right, was naturally " "viewed as a right that should be limited. (However convincing the claim that " @@ -5993,14 +5998,14 @@ msgstr "" #. f4 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4580 +#: freeculture.xml:4582 msgid "" "Philip Wittenberg, <citetitle>The Protection and Marketing of Literary " "Property</citetitle> (New York: J. Messner, Inc., 1937), 31." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4565 +#: freeculture.xml:4567 msgid "" "Second, about booksellers. It wasn't just that the copyright was a " "monopoly. It was also that it was a monopoly held by the booksellers. " @@ -6016,7 +6021,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4585 +#: freeculture.xml:4587 msgid "" "Many believed the power the booksellers exercised over the spread of " "knowledge was harming that spread, just at the time the Enlightenment was " @@ -6026,7 +6031,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4593 +#: freeculture.xml:4595 msgid "" "To balance this power, Parliament decided to increase competition among " "booksellers, and the simplest way to do that was to spread the wealth of " @@ -6040,7 +6045,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4605 +#: freeculture.xml:4607 msgid "" "When 1731 (1710 + 21) came along, however, the booksellers were getting " "anxious. They saw the consequences of more competition, and like every " @@ -6052,7 +6057,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4614 +#: freeculture.xml:4616 msgid "" "Parliament rejected their requests. As one pamphleteer put it, in words that " "echo today," @@ -6060,7 +6065,7 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:4629 +#: freeculture.xml:4631 msgid "" "A Letter to a Member of Parliament concerning the Bill now depending in the " "House of Commons, for making more effectual an Act in the Eighth Year of the " @@ -6072,7 +6077,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4619 +#: freeculture.xml:4621 msgid "" "I see no Reason for granting a further Term now, which will not hold as well " "for granting it again and again, as often as the Old ones Expire; so that " @@ -6084,7 +6089,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4640 +#: freeculture.xml:4642 msgid "" "Having failed in Parliament, the publishers turned to the courts in a series " "of cases. Their argument was simple and direct: The Statute of Anne gave " @@ -6101,7 +6106,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4661 +#: freeculture.xml:4663 msgid "" "Lyman Ray Patterson, \"Free Speech, Copyright, and Fair Use,\" " "<citetitle>Vanderbilt Law Review</citetitle> 40 (1987): 28. For a " @@ -6110,7 +6115,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4655 +#: freeculture.xml:4657 msgid "" "This was a clever argument, and one that had the support of some of the " "leading jurists of the day. It also displayed extraordinary chutzpah. Until " @@ -6123,14 +6128,14 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4674 +#: freeculture.xml:4676 msgid "" "For a compelling account, see David Saunders, <citetitle>Authorship and " "Copyright</citetitle> (London: Routledge, 1992), 62–69." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4670 +#: freeculture.xml:4672 msgid "" "The booksellers' argument was not accepted without a fight. The hero of " "this fight was a Scottish bookseller named Alexander Donaldson.<placeholder " @@ -6139,7 +6144,7 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4684 +#: freeculture.xml:4686 msgid "" "Mark Rose, <citetitle>Authors and Owners</citetitle> (Cambridge: Harvard " "University Press, 1993), 92." @@ -6147,17 +6152,17 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4694 +#: freeculture.xml:4696 msgid "Ibid., 93." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4696 +#: freeculture.xml:4698 msgid "Erskine, Andrew" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4679 +#: freeculture.xml:4681 msgid "" "Donaldson was an outsider to the London Conger. He began his career in " "Edinburgh in 1750. The focus of his business was inexpensive reprints \"of " @@ -6172,14 +6177,14 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4705 +#: freeculture.xml:4707 msgid "" "Lyman Ray Patterson, <citetitle>Copyright in Historical " "Perspective</citetitle>, 167 (quoting Borwell)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4699 +#: freeculture.xml:4701 msgid "" "When the London booksellers tried to shut down Donaldson's shop in Scotland, " "he responded by moving his shop to London, where he sold inexpensive " @@ -6191,7 +6196,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4713 +#: freeculture.xml:4715 msgid "" "The London booksellers quickly brought suit to block \"piracy\" like " "Donaldson's. A number of actions were successful against the \"pirates,\" " @@ -6201,7 +6206,7 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4725 +#: freeculture.xml:4727 msgid "" "Howard B. Abrams, \"The Historic Foundation of American Copyright Law: " "Exploding the Myth of Common Law Copyright,\" <citetitle>Wayne Law " @@ -6209,7 +6214,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4718 +#: freeculture.xml:4720 msgid "" "Millar was a bookseller who in 1729 had purchased the rights to James " "Thomson's poem \"The Seasons.\" Millar complied with the requirements of the " @@ -6220,7 +6225,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4734 +#: freeculture.xml:4736 msgid "" "Astonishingly to modern lawyers, one of the greatest judges in English " "history, Lord Mansfield, agreed with the booksellers. Whatever protection " @@ -6234,7 +6239,7 @@ msgstr "" #. PAGE BREAK 103 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4745 +#: freeculture.xml:4747 msgid "" "Considered as a matter of abstract justice—reasoning as if justice " "were just a matter of logical deduction from first " @@ -6249,25 +6254,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4760 +#: freeculture.xml:4762 msgid "" "The fight to defend the limits of the Statute of Anne was not to end there, " "however, and it is here that Donaldson enters the mix." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:4763 +#: freeculture.xml:4765 msgid "Beckett, Thomas" msgstr "" #. f12 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4769 +#: freeculture.xml:4771 msgid "Ibid., 1156." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4765 +#: freeculture.xml:4767 msgid "" "Millar died soon after his victory, so his case was not appealed. His estate " "sold Thomson's poems to a syndicate of printers that included Thomas " @@ -6281,7 +6286,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4779 +#: freeculture.xml:4781 msgid "" "As few legal cases ever do, <citetitle>Donaldson</citetitle> " "v. <citetitle>Beckett</citetitle> drew an enormous amount of attention " @@ -6294,7 +6299,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4789 +#: freeculture.xml:4791 msgid "" "The House of Lords was an odd institution. Legal questions were presented to " "the House and voted upon first by the \"law lords,\" members of special " @@ -6304,7 +6309,7 @@ msgstr "" #. PAGE BREAK 104 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4796 +#: freeculture.xml:4798 msgid "" "The reports about the law lords' votes are mixed. On some counts, it looks " "as if perpetual copyright prevailed. But there is no ambiguity about how the " @@ -6316,32 +6321,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4814 +#: freeculture.xml:4816 msgid "Bacon, Francis" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4815 +#: freeculture.xml:4817 msgid "Bunyan, John" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4816 +#: freeculture.xml:4818 msgid "Johnson, Samuel" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4817 +#: freeculture.xml:4819 msgid "Milton, John" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4818 +#: freeculture.xml:4820 msgid "Shakespeare, William" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4806 +#: freeculture.xml:4808 msgid "" "\"The public domain.\" Before the case of <citetitle>Donaldson</citetitle> " "v. <citetitle>Beckett</citetitle>, there was no clear idea of a public " @@ -6358,12 +6363,12 @@ msgstr "" #. f13 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4831 +#: freeculture.xml:4833 msgid "Rose, 97." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4821 +#: freeculture.xml:4823 msgid "" "It is hard for us to imagine, but this decision by the House of Lords fueled " "an extraordinarily popular and political reaction. In Scotland, where most " @@ -6377,7 +6382,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4835 +#: freeculture.xml:4837 msgid "" "In London, however, at least among publishers, the reaction was equally " "strong in the opposite direction. The <citetitle>Morning " @@ -6385,7 +6390,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4841 +#: freeculture.xml:4843 msgid "" "By the above decision … near 200,000 pounds worth of what was " "honestly purchased at public sale, and which was yesterday thought property " @@ -6399,7 +6404,7 @@ msgstr "" #. PAGE BREAK 105 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4856 +#: freeculture.xml:4858 msgid "" "\"Ruined\" is a bit of an exaggeration. But it is not an exaggeration to say " "that the change was profound. The decision of the House of Lords meant that " @@ -6421,7 +6426,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4877 +#: freeculture.xml:4879 msgid "" "At least, this was the rule in a world where the Parliament is antimonopoly, " "resistant to the protectionist pleas of publishers. In a world where the " @@ -6429,12 +6434,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:4885 +#: freeculture.xml:4887 msgid "CHAPTER SEVEN: Recorders" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4887 +#: freeculture.xml:4889 msgid "" "Jon Else is a filmmaker. He is best known for his documentaries and has been " "very successful in spreading his art. He is also a teacher, and as a teacher " @@ -6443,19 +6448,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4894 +#: freeculture.xml:4896 msgid "" "Else worked on a documentary that I was involved in. At a break, he told me " "a story about the freedom to create with film in America today." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4905 freeculture.xml:4974 +#: freeculture.xml:4907 freeculture.xml:4976 msgid "San Francisco Opera" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4899 +#: freeculture.xml:4901 msgid "" "In 1990, Else was working on a documentary about Wagner's Ring Cycle. The " "focus was stagehands at the San Francisco Opera. Stagehands are a " @@ -6467,7 +6472,7 @@ msgstr "" #. PAGE BREAK 107 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4908 +#: freeculture.xml:4910 msgid "" "During one of the performances, Else was shooting some stagehands playing " "checkers. In one corner of the room was a television set. Playing on the " @@ -6478,7 +6483,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4917 +#: freeculture.xml:4919 msgid "" "Years later, when he finally got funding to complete the film, Else " "attempted to clear the rights for those few seconds of <citetitle>The " @@ -6488,12 +6493,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4929 freeculture.xml:4937 +#: freeculture.xml:4931 freeculture.xml:4939 msgid "Gracie Films" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4924 +#: freeculture.xml:4926 msgid "" "Else called <citetitle>Simpsons</citetitle> creator Matt Groening's office " "to get permission. Groening approved the shot. The shot was a " @@ -6504,7 +6509,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4932 +#: freeculture.xml:4934 msgid "" "Gracie Films was okay with it, too, but they, like Groening, wanted to be " "careful. So they told Else to contact Fox, Gracie's parent company. Else " @@ -6515,7 +6520,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4940 +#: freeculture.xml:4942 msgid "" "Then, as Else told me, \"two things happened. First we discovered … " "that Matt Groening doesn't own his own creation—or at least that " @@ -6526,7 +6531,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4948 +#: freeculture.xml:4950 msgid "" "Else was certain there was a mistake. He worked his way up to someone he " "thought was a vice president for licensing, Rebecca Herrera. He explained " @@ -6537,7 +6542,7 @@ msgstr "" #. PAGE BREAK 108 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4956 +#: freeculture.xml:4958 msgid "" "\"I wanted to make sure I had my facts straight,\" he told me. \"Yes, you " "have your facts straight,\" she said. It would cost $10,000 to use the clip " @@ -6549,12 +6554,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4975 +#: freeculture.xml:4977 msgid "Day After Trinity, The" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4968 +#: freeculture.xml:4970 msgid "" "Else didn't have the money to buy the right to replay what was playing on " "the television backstage at the San Francisco Opera. To reproduce this " @@ -6566,7 +6571,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4978 +#: freeculture.xml:4980 msgid "" "There's no doubt that someone, whether Matt Groening or Fox, owns the " "copyright to <citetitle>The Simpsons</citetitle>. That copyright is their " @@ -6580,7 +6585,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4989 +#: freeculture.xml:4991 msgid "" "For example, \"public performance\" is a use of <citetitle>The " "Simpsons</citetitle> that the copyright owner gets to control. If you take a " @@ -6593,7 +6598,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5001 +#: freeculture.xml:5003 msgid "" "For an excellent argument that such use is \"fair use,\" but that lawyers " "don't permit recognition that it is \"fair use,\" see Richard A. Posner with " @@ -6603,7 +6608,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4998 +#: freeculture.xml:5000 msgid "" "But when lawyers hear this story about Jon Else and Fox, their first thought " "is \"fair use.\"<placeholder type=\"footnote\" id=\"0\"/> Else's use of just " @@ -6614,12 +6619,12 @@ msgstr "" #. PAGE BREAK 109 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5013 +#: freeculture.xml:5015 msgid "So I asked Else why he didn't just rely upon \"fair use.\" Here's his reply:" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5017 +#: freeculture.xml:5019 msgid "" "The <citetitle>Simpsons</citetitle> fiasco was for me a great lesson in the " "gulf between what lawyers find irrelevant in some abstract sense, and what " @@ -6631,7 +6636,7 @@ msgstr "" #. 1. #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5027 +#: freeculture.xml:5029 msgid "" "Before our films can be broadcast, the network requires that we buy Errors " "and Omissions insurance. The carriers require a detailed \"visual cue " @@ -6641,12 +6646,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para><indexterm><primary> -#: freeculture.xml:5044 +#: freeculture.xml:5046 msgid "Lucas, George" msgstr "" #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5035 +#: freeculture.xml:5037 msgid "" "I probably never should have asked Matt Groening in the first place. But I " "knew (at least from folklore) that Fox had a history of tracking down and " @@ -6662,7 +6667,7 @@ msgstr "" #. 3. #. PAGE BREAK 110 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5048 +#: freeculture.xml:5050 msgid "" "I did, in fact, speak with one of your colleagues at Stanford Law School " "… who confirmed that it was fair use. He also confirmed that Fox " @@ -6673,14 +6678,14 @@ msgstr "" #. 4. #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5058 +#: freeculture.xml:5060 msgid "" "The question of fair use usually comes up at the end of the project, when we " "are up against a release deadline and out of money." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5065 +#: freeculture.xml:5067 msgid "" "In theory, fair use means you need no permission. The theory therefore " "supports free culture and insulates against a permission culture. But in " @@ -6691,7 +6696,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5073 +#: freeculture.xml:5075 msgid "" "This practice shows just how far the law has come from its " "eighteenth-century roots. The law was born as a shield to protect " @@ -6700,22 +6705,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5082 +#: freeculture.xml:5084 msgid "CHAPTER EIGHT: Transformers" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5083 +#: freeculture.xml:5085 msgid "Allen, Paul" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:5084 freeculture.xml:5092 freeculture.xml:5103 freeculture.xml:5118 freeculture.xml:5127 freeculture.xml:5132 freeculture.xml:5184 freeculture.xml:5200 freeculture.xml:5223 freeculture.xml:5286 freeculture.xml:9676 +#: freeculture.xml:5086 freeculture.xml:5094 freeculture.xml:5105 freeculture.xml:5120 freeculture.xml:5129 freeculture.xml:5134 freeculture.xml:5186 freeculture.xml:5202 freeculture.xml:5225 freeculture.xml:5288 freeculture.xml:9680 msgid "Alben, Alex" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5086 +#: freeculture.xml:5088 msgid "" "In 1993, Alex Alben was a lawyer working at Starwave, Inc. Starwave was an " "innovative company founded by Microsoft cofounder Paul Allen to develop " @@ -6725,7 +6730,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5094 +#: freeculture.xml:5096 msgid "" "Alben had a special interest in new technology. He was intrigued by the " "emerging market for CD-ROM technology—not to distribute film, but to " @@ -6737,7 +6742,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5105 +#: freeculture.xml:5107 msgid "" "At that time, Eastwood had made more than fifty films, as an actor and as a " "director. Alben began with a series of interviews with Eastwood, asking him " @@ -6747,7 +6752,7 @@ msgstr "" #. PAGE BREAK 112 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5112 +#: freeculture.xml:5114 msgid "" "That alone would not have made a very interesting product, so Starwave " "wanted to add content from the movies in Eastwood's career: posters, " @@ -6757,7 +6762,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5120 +#: freeculture.xml:5122 msgid "" "Then Alben and his team decided to include actual film clips. \"Our goal was " "that we were going to have a clip from every one of Eastwood's films,\" " @@ -6767,24 +6772,24 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5129 +#: freeculture.xml:5131 msgid "" "Alben brought the idea to Michael Slade, the CEO of Starwave. Slade asked, " "\"Well, what will it take?\"" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:5145 +#: freeculture.xml:5147 msgid "artists" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><secondary> -#: freeculture.xml:5146 +#: freeculture.xml:5148 msgid "publicity rights on images of" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5140 +#: freeculture.xml:5142 msgid "" "Technically, the rights that Alben had to clear were mainly those of " "publicity—rights an artist has to control the commercial exploitation " @@ -6793,7 +6798,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5134 +#: freeculture.xml:5136 msgid "" "Alben replied, \"Well, we're going to have to clear rights from everyone who " "appears in these films, and the music and everything else that we want to " @@ -6802,7 +6807,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5151 +#: freeculture.xml:5153 msgid "" "The problem was that neither Alben nor Slade had any idea what clearing " "those rights would mean. Every actor in each of the films could have a claim " @@ -6812,7 +6817,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5158 +#: freeculture.xml:5160 msgid "" "I asked Alben how he dealt with the problem. With an obvious pride in his " "resourcefulness that obscured the obvious bizarreness of his tale, Alben " @@ -6820,7 +6825,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5164 +#: freeculture.xml:5166 msgid "" "So we very mechanically went about looking up the film clips. We made some " "artistic decisions about what film clips to include—of course we were " @@ -6832,7 +6837,7 @@ msgstr "" #. PAGE BREAK 113 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5173 +#: freeculture.xml:5175 msgid "" "We decided that it would be fair if we offered them the dayplayer rate for " "the right to reuse that performance. We're talking about a clip of less than " @@ -6845,7 +6850,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5186 +#: freeculture.xml:5188 msgid "" "Some actors were glad to help—Donald Sutherland, for example, followed " "up himself to be sure that the rights had been cleared. Others were " @@ -6858,14 +6863,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5197 +#: freeculture.xml:5199 msgid "" "It was one <emphasis>year</emphasis> later—\"and even then we weren't " "sure whether we were totally in the clear.\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5202 +#: freeculture.xml:5204 msgid "" "Alben is proud of his work. The project was the first of its kind and the " "only time he knew of that a team had undertaken such a massive project for " @@ -6873,7 +6878,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5208 +#: freeculture.xml:5210 msgid "" "Everyone thought it would be too hard. Everyone just threw up their hands " "and said, \"Oh, my gosh, a film, it's so many copyrights, there's the music, " @@ -6886,20 +6891,20 @@ msgstr "" #. PAGE BREAK 114 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5220 +#: freeculture.xml:5222 msgid "" "And no doubt, the product itself was exceptionally good. Eastwood loved it, " "and it sold very well." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5224 +#: freeculture.xml:5226 msgid "Drucker, Peter" msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5232 +#: freeculture.xml:5234 msgid "" "U.S. Department of Commerce Office of Acquisition Management, " "<citetitle>Seven Steps to Performance-Based Services " @@ -6908,7 +6913,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5226 +#: freeculture.xml:5228 msgid "" "But I pressed Alben about how weird it seems that it would have to take a " "year's work simply to clear rights. No doubt Alben had done this " @@ -6919,7 +6924,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5240 +#: freeculture.xml:5242 msgid "" "For, as he acknowledged, \"very few … have the time and resources, " "and the will to do this,\" and thus, very few such works would ever be " @@ -6929,7 +6934,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5248 +#: freeculture.xml:5250 msgid "" "I don't think so. When an actor renders a performance in a movie, he or she " "gets paid very well. … And then when 30 seconds of that performance " @@ -6938,7 +6943,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5256 +#: freeculture.xml:5258 msgid "" "Or at least, is this <emphasis>how</emphasis> the artist should be " "compensated? Would it make sense, I asked, for there to be some kind of " @@ -6951,7 +6956,7 @@ msgstr "" #. PAGE BREAK 115 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5267 +#: freeculture.xml:5269 msgid "" "Absolutely. I think that if there were some fair-licensing " "mechanism—where you weren't subject to hold-ups and you weren't " @@ -6971,7 +6976,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5288 +#: freeculture.xml:5290 msgid "" "Alben worked for a big company. His company was backed by some of the " "richest investors in the world. He therefore had authority and access that " @@ -6991,7 +6996,7 @@ msgstr "" #. PAGE BREAK 116 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5305 +#: freeculture.xml:5307 msgid "" "I've seen the flash of recognition when people get this point, but only a " "few times. The first was at a conference of federal judges in California. " @@ -7002,7 +7007,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5315 +#: freeculture.xml:5317 msgid "" "The video was a brilliant collage of film from every period in the twentieth " "century, all framed around the idea of a <citetitle>60 Minutes</citetitle> " @@ -7011,12 +7016,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5320 +#: freeculture.xml:5322 msgid "Nimmer, David" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5322 +#: freeculture.xml:5324 msgid "" "When the lights came up, I looked over to my copanelist, David Nimmer, " "perhaps the leading copyright scholar and practitioner in the nation. He had " @@ -7027,12 +7032,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5329 +#: freeculture.xml:5331 msgid "Boies, David" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5331 +#: freeculture.xml:5333 msgid "" "For of course, the two brilliantly talented creators who made this film " "hadn't done what Alben did. They hadn't spent a year clearing the rights to " @@ -7049,7 +7054,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5346 +#: freeculture.xml:5348 msgid "" "We live in a \"cut and paste\" culture enabled by technology. Anyone " "building a presentation knows the extraordinary freedom that the cut and " @@ -7059,12 +7064,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5362 +#: freeculture.xml:5364 msgid "Camp Chaos" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5353 +#: freeculture.xml:5355 msgid "" "But presentations are just a tiny beginning. Using the Internet and its " "archives, musicians are able to string together mixes of sound never before " @@ -7077,7 +7082,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5365 +#: freeculture.xml:5367 msgid "" "All of these creations are technically illegal. Even if the creators wanted " "to be \"legal,\" the cost of complying with the law is impossibly " @@ -7087,7 +7092,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5372 +#: freeculture.xml:5374 msgid "" "To some, these stories suggest a solution: Let's alter the mix of rights so " "that people are free to build upon our culture. Free to add or mix as they " @@ -7104,7 +7109,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5387 +#: freeculture.xml:5389 msgid "" "Who could possibly object to this? And what reason would there be for " "objecting? We're talking about work that is not now being made; which if " @@ -7114,7 +7119,7 @@ msgstr "" #. PAGE BREAK 118 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5393 +#: freeculture.xml:5395 msgid "" "In February 2003, DreamWorks studios announced an agreement with Mike Myers, " "the comic genius of <citetitle>Saturday Night Live</citetitle> and Austin " @@ -7127,7 +7132,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5405 +#: freeculture.xml:5407 msgid "" "The announcement called this \"film sampling.\" As Myers explained, \"Film " "Sampling is an exciting way to put an original spin on existing films and " @@ -7138,7 +7143,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5414 +#: freeculture.xml:5416 msgid "" "Spielberg is right. Film sampling by Myers will be brilliant. But if you " "don't think about it, you might miss the truly astonishing point about this " @@ -7151,7 +7156,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5424 +#: freeculture.xml:5426 msgid "" "This privilege becomes reserved for two sorts of reasons. The first " "continues the story of the last chapter: the vagueness of \"fair use.\" Much " @@ -7167,12 +7172,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5439 +#: freeculture.xml:5441 msgid "CHAPTER NINE: Collectors" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5441 +#: freeculture.xml:5443 msgid "" "In April 1996, millions of \"bots\"—computer codes designed to " "\"spider,\" or automatically search the Internet and copy " @@ -7184,7 +7189,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5450 +#: freeculture.xml:5452 msgid "" "By October 2001, the bots had collected more than five years of copies. And " "at a small announcement in Berkeley, California, the archive that these " @@ -7195,7 +7200,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5458 +#: freeculture.xml:5460 msgid "" "This is the thing about the Internet that Orwell would have appreciated. In " "the dystopia described in <citetitle>1984</citetitle>, old newspapers were " @@ -7205,7 +7210,7 @@ msgstr "" #. PAGE BREAK 120 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5466 +#: freeculture.xml:5468 msgid "" "Thousands of workers constantly reedited the past, meaning there was no way " "ever to know whether the story you were reading today was the story that was " @@ -7213,7 +7218,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5471 +#: freeculture.xml:5473 msgid "" "It's the same with the Internet. If you go to a Web page today, there's no " "way for you to know whether the content you are reading is the same as the " @@ -7224,7 +7229,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5484 +#: freeculture.xml:5486 msgid "" "The temptations remain, however. Brewster Kahle reports that the White House " "changes its own press releases without notice. A May 13, 2003, press release " @@ -7234,7 +7239,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5478 +#: freeculture.xml:5480 msgid "" "Until the Way Back Machine, at least. With the Way Back Machine, and the " "Internet Archive underlying it, you can see what the Internet was. You have " @@ -7244,7 +7249,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5492 +#: freeculture.xml:5494 msgid "" "We take it for granted that we can go back to see what we remember " "reading. Think about newspapers. If you wanted to study the reaction of your " @@ -7257,7 +7262,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5503 +#: freeculture.xml:5505 msgid "" "It is said that those who fail to remember history are doomed to repeat " "it. That's not quite correct. We <emphasis>all</emphasis> forget " @@ -7270,7 +7275,7 @@ msgstr "" #. PAGE BREAK 121 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5512 +#: freeculture.xml:5514 msgid "" "The Internet was an exception to this presumption. Until the Internet " "Archive, there was no way to go back. The Internet was the quintessentially " @@ -7282,7 +7287,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5523 +#: freeculture.xml:5525 msgid "" "Brewster Kahle is the founder of the Internet Archive. He was a very " "successful Internet entrepreneur after he was a successful computer " @@ -7295,7 +7300,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5533 +#: freeculture.xml:5535 msgid "" "The Way Back Machine is the largest archive of human knowledge in human " "history. At the end of 2002, it held \"two hundred and thirty terabytes of " @@ -7315,7 +7320,7 @@ msgstr "" #. PAGE BREAK 122 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5551 +#: freeculture.xml:5553 msgid "" "Do you remember when Dan Quayle was interacting with Murphy Brown? Remember " "that back and forth surreal experience of a politician interacting with a " @@ -7327,7 +7332,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5563 +#: freeculture.xml:5565 msgid "" "Why is that? Why is it that the part of our culture that is recorded in " "newspapers remains perpetually accessible, while the part that is recorded " @@ -7338,7 +7343,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5571 +#: freeculture.xml:5573 msgid "" "In part, this is because of the law. Early in American copyright law, " "copyright owners were required to deposit copies of their work in " @@ -7349,7 +7354,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5588 +#: freeculture.xml:5590 msgid "" "Doug Herrick, \"Toward a National Film Collection: Motion Pictures at the " "Library of Congress,\" <citetitle>Film Library Quarterly</citetitle> 13 " @@ -7359,7 +7364,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5579 +#: freeculture.xml:5581 msgid "" "These rules applied to film as well. But in 1915, the Library of Congress " "made an exception for film. Film could be copyrighted so long as such " @@ -7372,7 +7377,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5596 +#: freeculture.xml:5598 msgid "" "The same is generally true about television. Television broadcasts were " "originally not copyrighted—there was no way to capture the broadcasts, " @@ -7386,7 +7391,7 @@ msgstr "" #. PAGE BREAK 123 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5607 +#: freeculture.xml:5609 msgid "" "Kahle was eager to correct this. Before September 11, 2001, he and his " "allies had started capturing television. They selected twenty stations from " @@ -7398,12 +7403,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5634 +#: freeculture.xml:5636 msgid "Movie Archive" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5618 +#: freeculture.xml:5620 msgid "" "Kahle had the same idea with film. Working with Rick Prelinger, whose " "archive of film includes close to 45,000 \"ephemeral films\" (meaning films " @@ -7424,7 +7429,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5637 +#: freeculture.xml:5639 msgid "" "Here again, Kahle is providing access to a part of our culture that we " "otherwise could not get easily, if at all. It is yet another part of what " @@ -7434,7 +7439,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5645 +#: freeculture.xml:5647 msgid "" "The key here is access, not price. Kahle wants to enable free access to this " "content, but he also wants to enable others to sell access to it. His aim is " @@ -7445,7 +7450,7 @@ msgstr "" #. PAGE BREAK 124 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5653 +#: freeculture.xml:5655 msgid "" "For here is an idea that we should more clearly recognize. Every bit of " "creative property goes through different \"lives.\" In its first life, if " @@ -7457,7 +7462,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5665 +#: freeculture.xml:5667 msgid "" "After the commercial life of creative property has ended, our tradition has " "always supported a second life as well. A newspaper delivers the news every " @@ -7469,7 +7474,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5677 +#: freeculture.xml:5679 msgid "" "Dave Barns, \"Fledgling Career in Antique Books: Woodstock Landlord, Bar " "Owner Starts a New Chapter by Adopting Business,\" <citetitle>Chicago " @@ -7480,7 +7485,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5674 +#: freeculture.xml:5676 msgid "" "The same has always been true about books. A book goes out of print very " "quickly (the average today is after about a year<placeholder " @@ -7492,7 +7497,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5691 +#: freeculture.xml:5693 msgid "" "Yet increasingly, any assumption about a stable second life for creative " "property does not hold true with the most important components of popular " @@ -7506,7 +7511,7 @@ msgstr "" #. PAGE BREAK 125 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5702 +#: freeculture.xml:5704 msgid "" "For most of the twentieth century, it was economics that made this so. It " "would have been insanely expensive to collect and make accessible all " @@ -7518,7 +7523,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5714 +#: freeculture.xml:5716 msgid "" "Perhaps the single most important feature of the digital revolution is that " "for the first time since the Library of Alexandria, it is feasible to " @@ -7529,7 +7534,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5722 +#: freeculture.xml:5724 msgid "" "The scale of this potential archive is something we've never imagined " "before. The Brewster Kahles of our history have dreamed about it; but we are " @@ -7538,7 +7543,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5729 +#: freeculture.xml:5731 msgid "" "It looks like there's about two to three million recordings of music. " "Ever. There are about a hundred thousand theatrical releases of movies, " @@ -7555,7 +7560,7 @@ msgstr "" #. PAGE BREAK 126 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5743 +#: freeculture.xml:5745 msgid "" "Kahle is not the only librarian. The Internet Archive is not the only " "archive. But Kahle and the Internet Archive suggest what the future of " @@ -7571,7 +7576,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5758 +#: freeculture.xml:5760 msgid "" "Technologists have thus removed the economic costs of building such an " "archive. But lawyers' costs remain. For as much as we might like to call " @@ -7582,17 +7587,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5768 +#: freeculture.xml:5770 msgid "CHAPTER TEN: \"Property\"" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5777 +#: freeculture.xml:5779 msgid "Johnson, Lyndon" msgstr "" +#. type: Content of: <book><part><chapter><section><para><indexterm><primary> +#: freeculture.xml:5780 freeculture.xml:9452 +msgid "Kennedy, John F." +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5770 +#: freeculture.xml:5772 msgid "" "Jack Valenti has been the president of the Motion Picture Association of " "America since 1966. He first came to Washington, D.C., with Lyndon Johnson's " @@ -7600,46 +7610,47 @@ msgid "" "on Air Force One after the assassination of President Kennedy has Valenti in " "the background. In his almost forty years of running the MPAA, Valenti has " "established himself as perhaps the most prominent and effective lobbyist in " -"Washington. <placeholder type=\"indexterm\" id=\"0\"/>" +"Washington. <placeholder type=\"indexterm\" id=\"0\"/> <placeholder " +"type=\"indexterm\" id=\"1\"/>" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5790 +#: freeculture.xml:5793 msgid "Disney, Inc." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5791 +#: freeculture.xml:5794 msgid "Sony Pictures Entertainment" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5792 +#: freeculture.xml:5795 msgid "MGM" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5793 +#: freeculture.xml:5796 msgid "Paramount Pictures" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5794 +#: freeculture.xml:5797 msgid "Twentieth Century Fox" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5795 +#: freeculture.xml:5798 msgid "Universal Pictures" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:5796 freeculture.xml:7201 +#: freeculture.xml:5799 freeculture.xml:7204 msgid "Warner Brothers" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5780 +#: freeculture.xml:5783 msgid "" "The MPAA is the American branch of the international Motion Picture " "Association. It was formed in 1922 as a trade association whose goal was to " @@ -7658,7 +7669,7 @@ msgstr "" #. PAGE BREAK 128 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5800 +#: freeculture.xml:5803 msgid "" "Valenti is only the third president of the MPAA. No president before him has " "had as much influence over that organization, or over Washington. As a " @@ -7672,7 +7683,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5812 +#: freeculture.xml:5815 msgid "" "In defending artistic liberty and the freedom of speech that our culture " "depends upon, the MPAA has done important good. In crafting the MPAA rating " @@ -7684,13 +7695,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5821 +#: freeculture.xml:5824 msgid "In 1982, Valenti's testimony to Congress captured the strategy perfectly:" msgstr "" #. f1 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:5835 +#: freeculture.xml:5838 msgid "" "Home Recording of Copyrighted Works: Hearings on H.R. 4783, H.R. 4794, " "H.R. 4808, H.R. 5250, H.R. 5488, and H.R. 5705 Before the Subcommittee on " @@ -7700,7 +7711,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5826 +#: freeculture.xml:5829 msgid "" "No matter the lengthy arguments made, no matter the charges and the " "counter-charges, no matter the tumult and the shouting, reasonable men and " @@ -7714,7 +7725,7 @@ msgstr "" #. PAGE BREAK 129 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5845 +#: freeculture.xml:5848 msgid "" "The strategy of this rhetoric, like the strategy of most of Valenti's " "rhetoric, is brilliant and simple and brilliant because simple. The " @@ -7726,7 +7737,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5856 +#: freeculture.xml:5859 msgid "" "This claim has an obvious and powerful intuitive pull. It is stated with " "such clarity as to make the idea as obvious as the notion that we use " @@ -7742,7 +7753,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5871 +#: freeculture.xml:5874 msgid "" "Lawyers speak of \"property\" not as an absolute thing, but as a bundle of " "rights that are sometimes associated with a particular object. Thus, my " @@ -7754,7 +7765,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5868 +#: freeculture.xml:5871 msgid "" "While \"creative property\" is certainly \"property\" in a nerdy and precise " "sense that lawyers are trained to understand,<placeholder type=\"footnote\" " @@ -7766,7 +7777,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5886 +#: freeculture.xml:5889 msgid "" "Valenti knows this. But he speaks for an industry that cares squat for our " "tradition and the values it represents. He speaks for an industry that is " @@ -7777,7 +7788,7 @@ msgstr "" #. PAGE BREAK 130 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5894 +#: freeculture.xml:5897 msgid "" "I have two purposes in this chapter. The first is to convince you that, " "historically, Valenti's claim is absolutely wrong. The second is to convince " @@ -7791,7 +7802,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5909 +#: freeculture.xml:5912 msgid "" "Organizations such as the MPAA, whose board includes the most powerful of " "the old guard, have little interest, their rhetoric notwithstanding, in " @@ -7805,7 +7816,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5921 +#: freeculture.xml:5924 msgid "" "The framers of our Constitution loved \"property.\" Indeed, so strongly did " "they love property that they built into the Constitution an important " @@ -7820,7 +7831,7 @@ msgstr "" #. PAGE BREAK 131 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5932 +#: freeculture.xml:5935 msgid "" "Yet the very same Constitution speaks very differently about what Valenti " "calls \"creative property.\" In the clause granting Congress the power to " @@ -7836,7 +7847,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5947 +#: freeculture.xml:5950 msgid "" "The Constitution thus on its face states that these two forms of property " "are not to be accorded the same rights. They are plainly to be treated " @@ -7847,7 +7858,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5956 +#: freeculture.xml:5959 msgid "" "Arguing for a change in our Constitution is not necessarily wrong. There " "was much in our original Constitution that was plainly wrong. The " @@ -7861,7 +7872,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5968 +#: freeculture.xml:5971 msgid "" "Instead, my argument is that because Jefferson did it, we should at least " "try to understand <emphasis>why</emphasis>. Why did the framers, fanatical " @@ -7871,7 +7882,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5976 +#: freeculture.xml:5979 msgid "" "To answer this question, we need to get some perspective on the history of " "these \"creative property\" rights, and the control that they enabled. Once " @@ -7887,7 +7898,7 @@ msgstr "" #. PAGE BREAK 132 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5991 +#: freeculture.xml:5994 msgid "" "To answer these questions, we need a more general way to talk about how " "property is protected. More precisely, we need a more general way than the " @@ -7899,19 +7910,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:6000 +#: freeculture.xml:6003 msgid "" "How four different modalities of regulation interact to support or weaken " "the right or regulation." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6001 freeculture.xml:6176 freeculture.xml:6478 +#: freeculture.xml:6004 freeculture.xml:6179 freeculture.xml:6481 msgid "<graphic fileref=\"images/1331.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6004 +#: freeculture.xml:6007 msgid "" "At the center of this picture is a regulated dot: the individual or group " "that is the target of regulation, or the holder of a right. (In each case " @@ -7928,7 +7939,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6021 +#: freeculture.xml:6024 msgid "" "Norms are a different kind of constraint. They, too, punish an individual " "for violating a rule. But the punishment of a norm is imposed by a " @@ -7941,7 +7952,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6032 +#: freeculture.xml:6035 msgid "" "The market is a third type of constraint. Its constraint is effected through " "conditions: You can do X if you pay Y; you'll be paid M if you do N. These " @@ -7953,7 +7964,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6042 +#: freeculture.xml:6045 msgid "" "Finally, and for the moment, perhaps, most mysteriously, " "\"architecture\"—the physical world as one finds it—is a " @@ -7971,7 +7982,7 @@ msgstr "" #. PAGE BREAK 134 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6059 +#: freeculture.xml:6062 msgid "" "So the first point about these four modalities of regulation is obvious: " "They interact. Restrictions imposed by one might be reinforced by " @@ -7979,7 +7990,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6065 +#: freeculture.xml:6068 msgid "" "The second point follows directly: If we want to understand the effective " "freedom that anyone has at a given moment to do any particular thing, we " @@ -7991,12 +8002,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:6074 +#: freeculture.xml:6077 msgid "driving speed, constraints on" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6077 +#: freeculture.xml:6080 msgid "" "So, for example, consider the \"freedom\" to drive a car at a high " "speed. That freedom is in part restricted by laws: speed limits that say how " @@ -8013,7 +8024,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:6095 +#: freeculture.xml:6098 msgid "" "By describing the way law affects the other three modalities, I don't mean " "to suggest that the other three don't affect law. Obviously, they do. Law's " @@ -8027,7 +8038,7 @@ msgstr "" #. PAGE BREAK 135 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6091 +#: freeculture.xml:6094 msgid "" "The final point about this simple model should also be fairly clear: While " "these four modalities are analytically independent, law has a special role " @@ -8044,22 +8055,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:6119 +#: freeculture.xml:6122 msgid "Law has a special role in affecting the three." msgstr "" #. type: Content of: <book><part><chapter><figure> -#: freeculture.xml:6120 +#: freeculture.xml:6123 msgid "<graphic fileref=\"images/1361.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:6159 +#: freeculture.xml:6162 msgid "Commons, John R." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:6131 +#: freeculture.xml:6134 msgid "" "Some people object to this way of talking about \"liberty.\" They object " "because their focus when considering the constraints that exist at any " @@ -8092,7 +8103,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6123 +#: freeculture.xml:6126 msgid "" "These constraints can thus change, and they can be changed. To understand " "the effective protection of liberty or protection of property at any " @@ -8103,12 +8114,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6163 +#: freeculture.xml:6166 msgid "Why Hollywood Is Right" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6165 +#: freeculture.xml:6168 msgid "" "The most obvious point that this model reveals is just why, or just how, " "Hollywood is right. The copyright warriors have rallied Congress and the " @@ -8117,18 +8128,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6171 +#: freeculture.xml:6174 msgid "Let's say this is the picture of copyright's regulation before the Internet:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6175 freeculture.xml:6477 +#: freeculture.xml:6178 freeculture.xml:6480 msgid "Copyright's regulation before the Internet." msgstr "" #. PAGE BREAK 136 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6180 +#: freeculture.xml:6183 msgid "" "There is balance between law, norms, market, and architecture. The law " "limits the ability to copy and share content, by imposing penalties on those " @@ -8142,7 +8153,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6192 +#: freeculture.xml:6195 msgid "" "Enter the Internet, or, more precisely, technologies such as MP3s and p2p " "sharing. Now the constraint of architecture changes dramatically, as does " @@ -8154,7 +8165,7 @@ msgstr "" #. PAGE BREAK 137 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6200 +#: freeculture.xml:6203 msgid "" "Thus the sense of, and justification for, the warriors' response. " "Technology has changed, the warriors say, and the effect of this change, " @@ -8165,17 +8176,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6210 +#: freeculture.xml:6213 msgid "effective state of anarchy after the Internet." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6211 +#: freeculture.xml:6214 msgid "<graphic fileref=\"images/1381.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6214 +#: freeculture.xml:6217 msgid "" "Neither this analysis nor the conclusions that follow are new to the " "warriors. Indeed, in a \"White Paper\" prepared by the Commerce Department " @@ -8190,7 +8201,7 @@ msgstr "" #. PAGE BREAK 138 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6226 +#: freeculture.xml:6229 msgid "" "This mixed strategy is just what copyright needed—if it was to " "preserve the particular balance that existed before the change induced by " @@ -8207,7 +8218,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6243 +#: freeculture.xml:6246 msgid "" "Thus, there's nothing wrong or surprising in the content industry's campaign " "to protect itself from the harmful consequences of a technological " @@ -8219,7 +8230,7 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6259 +#: freeculture.xml:6262 msgid "" "See Geoffrey Smith, \"Film vs. Digital: Can Kodak Build a Bridge?\" " "BusinessWeek online, 2 August 1999, available at <ulink " @@ -8230,7 +8241,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6251 +#: freeculture.xml:6254 msgid "" "But just because a particular interest asks for government support, it " "doesn't follow that support should be granted. And just because technology " @@ -8253,19 +8264,19 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6291 +#: freeculture.xml:6294 msgid "" "Fred Warshofsky, <citetitle>The Patent Wars</citetitle> (New York: Wiley, " "1994), 170–71." msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:6300 freeculture.xml:12715 +#: freeculture.xml:6303 freeculture.xml:12720 msgid "Gates, Bill" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6281 +#: freeculture.xml:6284 msgid "" "The obvious answer to these obviously rhetorical questions is no. In a free " "society, with a free market, supported by free enterprise and free trade, " @@ -8284,7 +8295,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6303 +#: freeculture.xml:6306 msgid "" "Thus, while it is understandable for industries threatened with new " "technologies that change the way they do business to look to the government " @@ -8296,7 +8307,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6313 +#: freeculture.xml:6316 msgid "" "In the context of laws regulating speech—which include, obviously, " "copyright law—that duty is even stronger. When the industry " @@ -8313,7 +8324,7 @@ msgstr "" #. PAGE BREAK 140 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6327 +#: freeculture.xml:6330 msgid "" "My argument just now, however, has nothing to do with whether the changes " "that are being pushed by the copyright warriors are \"justified.\" My " @@ -8324,22 +8335,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6336 +#: freeculture.xml:6339 msgid "Here's the metaphor that will capture the argument to follow." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:6339 +#: freeculture.xml:6342 msgid "DDT" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6347 +#: freeculture.xml:6350 msgid "Müller, Paul Hermann" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6342 +#: freeculture.xml:6345 msgid "" "In 1873, the chemical DDT was first synthesized. In 1948, Swiss chemist Paul " "Hermann Müller won the Nobel Prize for his work demonstrating the " @@ -8349,7 +8360,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6350 +#: freeculture.xml:6353 msgid "" "No one doubts that killing disease-carrying pests or increasing crop " "production is a good thing. No one doubts that the work of Müller was " @@ -8357,17 +8368,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6354 freeculture.xml:6360 +#: freeculture.xml:6357 freeculture.xml:6363 msgid "Carson, Rachel" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6361 +#: freeculture.xml:6364 msgid "Silent Sprint (Carson)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6356 +#: freeculture.xml:6359 msgid "" "But in 1962, Rachel Carson published <citetitle>Silent Spring</citetitle>, " "which argued that DDT, whatever its primary benefits, was also having " @@ -8377,7 +8388,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6364 +#: freeculture.xml:6367 msgid "" "No one set out to destroy the environment. Paul Müller certainly did not aim " "to harm any birds. But the effort to solve one set of problems produced " @@ -8390,7 +8401,7 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6377 +#: freeculture.xml:6380 msgid "" "See, for example, James Boyle, \"A Politics of Intellectual Property: " "Environmentalism for the Net?\" <citetitle>Duke Law Journal</citetitle> 47 " @@ -8399,7 +8410,7 @@ msgstr "" #. PAGE BREAK 141 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6373 +#: freeculture.xml:6376 msgid "" "It is to this image precisely that Duke University law professor James Boyle " "appeals when he argues that we need an \"environmentalism\" for " @@ -8417,7 +8428,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6394 +#: freeculture.xml:6397 msgid "" "My argument, in the balance of this chapter, tries to map exactly this " "effect. No doubt the technology of the Internet has had a dramatic effect on " @@ -8431,19 +8442,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6405 +#: freeculture.xml:6408 msgid "" "In a line: To kill a gnat, we are spraying DDT with consequences for free " "culture that will be far more devastating than that this gnat will be lost." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6412 +#: freeculture.xml:6415 msgid "Beginnings" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6414 +#: freeculture.xml:6417 msgid "" "America copied English copyright law. Actually, we copied and improved " "English copyright law. Our Constitution makes the purpose of \"creative " @@ -8452,7 +8463,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6420 +#: freeculture.xml:6423 msgid "" "The power to establish \"creative property\" rights is granted to Congress " "in a way that, for our Constitution, at least, is very odd. Article I, " @@ -8461,7 +8472,7 @@ msgstr "" #. PAGE BREAK 142 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6425 +#: freeculture.xml:6428 msgid "" "Congress has the power to promote the Progress of Science and useful Arts, " "by securing for limited Times to Authors and Inventors the exclusive Right " @@ -8475,7 +8486,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6438 +#: freeculture.xml:6441 msgid "" "The Progress Clause expressly limits the term of copyrights. As we saw in " "chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"founders\"/>, the " @@ -8488,7 +8499,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6448 +#: freeculture.xml:6451 msgid "" "The design of the Progress Clause reflects something about the " "Constitution's design in general. To avoid a problem, the framers built " @@ -8505,7 +8516,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6463 +#: freeculture.xml:6466 msgid "" "I doubt the framers would recognize the regulation we call \"copyright\" " "today. The scope of that regulation is far beyond anything they ever " @@ -8516,7 +8527,7 @@ msgstr "" #. PAGE BREAK 143 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6470 +#: freeculture.xml:6473 msgid "" "Some of these changes come from the law: some in light of changes in " "technology, and some in light of changes in technology given a particular " @@ -8524,38 +8535,38 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6481 +#: freeculture.xml:6484 msgid "We will end here:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6484 +#: freeculture.xml:6487 msgid ""Copyright" today." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6485 +#: freeculture.xml:6488 msgid "<graphic fileref=\"images/1442.png\"></graphic>" msgstr "" #. PAGE BREAK 144 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6488 +#: freeculture.xml:6491 msgid "Let me explain how." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6493 +#: freeculture.xml:6496 msgid "Law: Duration" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:6509 +#: freeculture.xml:6512 msgid "Crosskey, William W." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6503 +#: freeculture.xml:6506 msgid "" "William W. Crosskey, <citetitle>Politics and the Constitution in the History " "of the United States</citetitle> (London: Cambridge University Press, 1953), " @@ -8566,7 +8577,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6495 +#: freeculture.xml:6498 msgid "" "When the first Congress enacted laws to protect creative property, it faced " "the same uncertainty about the status of creative property that the English " @@ -8582,7 +8593,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6519 +#: freeculture.xml:6522 msgid "" "That uncertainty ended after Congress passed legislation granting " "copyrights. Because federal law overrides any contrary state law, federal " @@ -8593,7 +8604,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6527 +#: freeculture.xml:6530 msgid "" "In 1790, Congress enacted the first copyright law. It created a federal " "copyright and secured that copyright for fourteen years. If the author was " @@ -8604,7 +8615,7 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6542 +#: freeculture.xml:6545 msgid "" "Although 13,000 titles were published in the United States from 1790 to " "1799, only 556 copyright registrations were filed; John Tebbel, <citetitle>A " @@ -8623,7 +8634,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6534 +#: freeculture.xml:6537 msgid "" "While there were many works created in the United States in the first ten " "years of the Republic, only 5 percent of the works were actually registered " @@ -8636,7 +8647,7 @@ msgstr "" #. PAGE BREAK 145 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6558 +#: freeculture.xml:6561 msgid "" "This system of renewal was a crucial part of the American system of " "copyright. It assured that the maximum terms of copyright would be granted " @@ -8647,7 +8658,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6573 +#: freeculture.xml:6576 msgid "" "Few copyright holders ever chose to renew their copyrights. For instance, of " "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For " @@ -8661,7 +8672,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6567 +#: freeculture.xml:6570 msgid "" "Fourteen years may not seem long to us, but for the vast majority of " "copyright owners at that time, it was long enough: Only a small minority of " @@ -8672,12 +8683,12 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6588 +#: freeculture.xml:6591 msgid "See Ringer, ch. 9, n. 2." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6584 +#: freeculture.xml:6587 msgid "" "Even today, this structure would make sense. Most creative work has an " "actual commercial life of just a couple of years. Most books fall out of " @@ -8690,7 +8701,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6596 +#: freeculture.xml:6599 msgid "" "In the first hundred years of the Republic, the term of copyright was " "changed once. In 1831, the term was increased from a maximum of 28 years to " @@ -8701,7 +8712,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6604 +#: freeculture.xml:6607 msgid "" "Then, beginning in 1962, Congress started a practice that has defined " "copyright law since. Eleven times in the last forty years, Congress has " @@ -8715,7 +8726,7 @@ msgstr "" #. PAGE BREAK 146 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6614 +#: freeculture.xml:6617 msgid "" "The effect of these extensions is simply to toll, or delay, the passing of " "works into the public domain. This latest extension means that the public " @@ -8727,7 +8738,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6625 +#: freeculture.xml:6628 msgid "" "The effect of these extensions has been exacerbated by another, " "little-noticed change in the copyright law. Remember I said that the framers " @@ -8739,7 +8750,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6635 +#: freeculture.xml:6638 msgid "" "The United States abandoned this sensible system in 1976. For all works " "created after 1978, there was only one copyright term—the maximum " @@ -8751,7 +8762,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6645 +#: freeculture.xml:6648 msgid "" "This change meant that American law no longer had an automatic way to assure " "that works that were no longer exploited passed into the public domain. And " @@ -8763,7 +8774,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6662 +#: freeculture.xml:6665 msgid "" "These statistics are understated. Between the years 1910 and 1962 (the first " "year the renewal term was extended), the average term was never more than " @@ -8772,7 +8783,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6654 +#: freeculture.xml:6657 msgid "" "The effect of these changes on the average duration of copyright is " "dramatic. In 1973, more than 85 percent of copyright owners failed to renew " @@ -8784,12 +8795,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6671 +#: freeculture.xml:6674 msgid "Law: Scope" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6673 +#: freeculture.xml:6676 msgid "" "The \"scope\" of a copyright is the range of rights granted by the law. The " "scope of American copyright has changed dramatically. Those changes are not " @@ -8798,7 +8809,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6679 +#: freeculture.xml:6682 msgid "" "In 1790, that scope was very narrow. Copyright covered only \"maps, charts, " "and books.\" That means it didn't cover, for example, music or " @@ -8814,7 +8825,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6692 +#: freeculture.xml:6695 msgid "" "This, too, has changed dramatically. While the contours of copyright today " "are extremely hard to describe simply, in general terms, the right covers " @@ -8832,7 +8843,7 @@ msgstr "" #. PAGE BREAK 148 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6707 +#: freeculture.xml:6710 msgid "" "At the same time that the scope of copyright has expanded, procedural " "limitations on the right have been relaxed. I've already described the " @@ -8847,7 +8858,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6721 +#: freeculture.xml:6724 msgid "" "The reason for the registration requirement was the sensible understanding " "that for most works, no copyright was required. Again, in the first ten " @@ -8863,7 +8874,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6735 +#: freeculture.xml:6738 msgid "" "All of these \"formalities\" were abolished in the American system when we " "decided to follow European copyright law. There is no requirement that you " @@ -8874,13 +8885,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6743 +#: freeculture.xml:6746 msgid "Consider a practical example to understand the scope of these differences." msgstr "" #. f13 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6754 +#: freeculture.xml:6757 msgid "" "See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of " "American Literature,\" 29 <citetitle>New York University Journal of " @@ -8889,7 +8900,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6747 +#: freeculture.xml:6750 msgid "" "If, in 1790, you wrote a book and you were one of the 5 percent who actually " "copyrighted that book, then the copyright law protected you against another " @@ -8903,7 +8914,7 @@ msgstr "" #. PAGE BREAK 149 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6766 +#: freeculture.xml:6769 msgid "" "The act left other creators totally unregulated. If I copied your poem by " "hand, over and over again, as a way to learn it by heart, my act was totally " @@ -8914,7 +8925,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6775 +#: freeculture.xml:6778 msgid "" "Today the story is very different: If you write a book, your book is " "automatically protected. Indeed, not just your book. Every e-mail, every " @@ -8925,7 +8936,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6784 +#: freeculture.xml:6787 msgid "" "That protection gives you the right (subject to a narrow range of fair use " "exceptions) to control how others copy the work, whether they copy it to " @@ -8933,7 +8944,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6789 +#: freeculture.xml:6792 msgid "" "That much is the obvious part. Any system of copyright would control " "competing publishing. But there's a second part to the copyright of today " @@ -8948,7 +8959,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6803 +#: freeculture.xml:6806 msgid "" "It is this derivative right that would seem most bizarre to our framers, " "though it has become second nature to us. Initially, this expansion was " @@ -8960,7 +8971,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6825 +#: freeculture.xml:6828 msgid "" "Jonathan Zittrain, \"The Copyright Cage,\" <citetitle>Legal " "Affairs</citetitle>, July/August 2003, available at <ulink " @@ -8969,7 +8980,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6815 +#: freeculture.xml:6818 msgid "" "In preventing that joke, the law created an astonishing power within a free " "culture—at least, it's astonishing when you understand that the law " @@ -8985,7 +8996,7 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6840 +#: freeculture.xml:6843 msgid "" "Professor Rubenfeld has presented a powerful constitutional argument about " "the difference that copyright law should draw (from the perspective of the " @@ -8996,7 +9007,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6835 +#: freeculture.xml:6838 msgid "" "Yet copyright law treats these two different wrongs in the same way. I can " "go to court and get an injunction against your pirating my book. I can go to " @@ -9006,7 +9017,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6851 +#: freeculture.xml:6854 msgid "" "This again may seem right to you. If I wrote a book, then why should you be " "able to write a movie that takes my story and makes money from it without " @@ -9016,7 +9027,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6860 +#: freeculture.xml:6863 msgid "" "These are good arguments, and, in general, my point is not that the " "derivative right is unjustified. My aim just now is much narrower: simply to " @@ -9025,13 +9036,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6868 +#: freeculture.xml:6871 msgid "Law and Architecture: Reach" msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6875 +#: freeculture.xml:6878 msgid "" "This is a simplification of the law, but not much of one. The law certainly " "regulates more than \"copies\"—a public performance of a copyrighted " @@ -9044,7 +9055,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6870 +#: freeculture.xml:6873 msgid "" "Whereas originally the law regulated only publishers, the change in " "copyright's scope means that the law today regulates publishers, users, and " @@ -9055,7 +9066,7 @@ msgstr "" #. PAGE BREAK 151 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6887 +#: freeculture.xml:6890 msgid "" "\"Copies.\" That certainly sounds like the obvious thing for " "<emphasis>copy</emphasis>right law to regulate. But as with Jack Valenti's " @@ -9071,7 +9082,7 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6905 +#: freeculture.xml:6908 msgid "" "Thus, my argument is not that in each place that copyright law extends, we " "should repeal it. It is instead that we should have a good argument for its " @@ -9080,7 +9091,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6900 +#: freeculture.xml:6903 msgid "" "This is perhaps the central claim of this book, so let me take this very " "slowly so that the point is not easily missed. My claim is that the Internet " @@ -9092,25 +9103,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6916 +#: freeculture.xml:6919 msgid "" "We can see this point abstractly by beginning with this largely empty " "circle." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6920 +#: freeculture.xml:6923 msgid "All potential uses of a book." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6921 +#: freeculture.xml:6924 msgid "<graphic fileref=\"images/1521.png\"></graphic>" msgstr "" #. PAGE BREAK 152 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6925 +#: freeculture.xml:6928 msgid "" "Think about a book in real space, and imagine this circle to represent all " "its potential <emphasis>uses</emphasis>. Most of these uses are unregulated " @@ -9125,17 +9136,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6938 +#: freeculture.xml:6941 msgid "Examples of unregulated uses of a book." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6939 +#: freeculture.xml:6942 msgid "<graphic fileref=\"images/1531.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6942 +#: freeculture.xml:6945 msgid "" "Obviously, however, some uses of a copyrighted book are regulated by " "copyright law. Republishing the book, for example, makes a copy. It is " @@ -9146,26 +9157,26 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6950 +#: freeculture.xml:6953 msgid "" "Finally, there is a tiny sliver of otherwise regulated copying uses that " "remain unregulated because the law considers these \"fair uses.\"" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6955 +#: freeculture.xml:6958 msgid "" "Republishing stands at the core of this circle of possible uses of a " "copyrighted work." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6956 +#: freeculture.xml:6959 msgid "<graphic fileref=\"images/1541.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6959 +#: freeculture.xml:6962 msgid "" "These are uses that themselves involve copying, but which the law treats as " "unregulated because public policy demands that they remain unregulated. You " @@ -9178,30 +9189,30 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6970 +#: freeculture.xml:6973 msgid "Unregulated copying considered "fair uses."" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6971 +#: freeculture.xml:6974 msgid "<graphic fileref=\"images/1542.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6975 +#: freeculture.xml:6978 msgid "" "Uses that before were presumptively unregulated are now presumptively " "regulated." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6976 +#: freeculture.xml:6979 msgid "<graphic fileref=\"images/1551.png\"></graphic>" msgstr "" #. PAGE BREAK 154 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6980 +#: freeculture.xml:6983 msgid "" "In real space, then, the possible uses of a book are divided into three " "sorts: (1) unregulated uses, (2) regulated uses, and (3) regulated uses that " @@ -9210,7 +9221,7 @@ msgstr "" #. f18 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6988 +#: freeculture.xml:6991 msgid "" "I don't mean \"nature\" in the sense that it couldn't be different, but " "rather that its present instantiation entails a copy. Optical networks need " @@ -9220,7 +9231,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6985 +#: freeculture.xml:6988 msgid "" "Enter the Internet—a distributed, digital network where every use of a " "copyrighted work produces a copy.<placeholder type=\"footnote\" id=\"0\"/> " @@ -9237,7 +9248,7 @@ msgstr "" #. PAGE BREAK 155 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7009 +#: freeculture.xml:7012 msgid "" "So let's be very specific to make this general point clear. Before the " "Internet, if you purchased a book and read it ten times, there would be no " @@ -9250,7 +9261,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7022 +#: freeculture.xml:7025 msgid "" "But the same book as an e-book is effectively governed by a different set of " "rules. Now if the copyright owner says you may read the book only once or " @@ -9264,7 +9275,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7034 +#: freeculture.xml:7037 msgid "" "There are some people who think this makes perfect sense. My aim just now is " "not to argue about whether it makes sense or not. My aim is only to make " @@ -9273,7 +9284,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7040 +#: freeculture.xml:7043 msgid "" "First, making category 1 disappear is not anything any policy maker ever " "intended. Congress did not think through the collapse of the presumptively " @@ -9284,7 +9295,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7048 +#: freeculture.xml:7051 msgid "" "Second, this shift is especially troubling in the context of transformative " "uses of creative content. Again, we can all understand the wrong in " @@ -9299,7 +9310,7 @@ msgstr "" #. PAGE BREAK 156 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7060 +#: freeculture.xml:7063 msgid "" "Third, this shift from category 1 to category 2 puts an extraordinary burden " "on category 3 (\"fair use\") that fair use never before had to bear. If a " @@ -9313,7 +9324,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7075 +#: freeculture.xml:7078 msgid "" "This point about fair use is totally ignored, even by advocates for free " "culture. We have been cornered into arguing that our rights depend upon fair " @@ -9325,7 +9336,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7085 +#: freeculture.xml:7088 msgid "" "The case of Video Pipeline is a good example. Video Pipeline was in the " "business of making \"trailer\" advertisements for movies available to video " @@ -9335,7 +9346,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7092 +#: freeculture.xml:7095 msgid "" "The company did this for about fifteen years. Then, in 1997, it began to " "think about the Internet as another way to distribute these previews. The " @@ -9347,7 +9358,7 @@ msgstr "" #. PAGE BREAK 157 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7104 +#: freeculture.xml:7107 msgid "" "In 1998, Video Pipeline informed Disney and other film distributors that it " "intended to distribute the trailers through the Internet (rather than " @@ -9363,7 +9374,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7121 +#: freeculture.xml:7124 msgid "" "Disney countersued—for $100 million in damages. Those damages were " "predicated upon a claim that Video Pipeline had \"willfully infringed\" on " @@ -9376,7 +9387,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7133 +#: freeculture.xml:7136 msgid "" "Disney has the right to control its property, of course. But the video " "stores that were selling Disney's films also had some sort of right to be " @@ -9388,7 +9399,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7142 +#: freeculture.xml:7145 msgid "" "Now, you might think this is a close case, and I think the courts would " "consider it a close case. My point here is to map the change that gives " @@ -9405,7 +9416,7 @@ msgstr "" #. PAGE BREAK 158 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7157 +#: freeculture.xml:7160 msgid "" "No doubt, a potential is not yet an abuse, and so the potential for control " "is not yet the abuse of control. Barnes & Noble has the right to say you " @@ -9422,7 +9433,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7172 +#: freeculture.xml:7175 msgid "" "Again, my aim so far is simply to map the changes that this changed " "architecture enables. Enabling technology to enforce the control of " @@ -9433,12 +9444,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:7181 +#: freeculture.xml:7184 msgid "Architecture and Law: Force" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7183 +#: freeculture.xml:7186 msgid "" "The disappearance of unregulated uses would be change enough, but a second " "important change brought about by the Internet magnifies its " @@ -9447,7 +9458,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7189 +#: freeculture.xml:7192 msgid "" "In the world before digital technology, it was generally the law that " "controlled whether and how someone was regulated by copyright law. The law, " @@ -9457,25 +9468,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7196 +#: freeculture.xml:7199 msgid "Casablanca" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7198 freeculture.xml:7377 +#: freeculture.xml:7201 freeculture.xml:7380 msgid "Marx Brothers" msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7212 +#: freeculture.xml:7215 msgid "" "See David Lange, \"Recognizing the Public Domain,\" <citetitle>Law and " "Contemporary Problems</citetitle> 44 (1981): 172–73." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7204 +#: freeculture.xml:7207 msgid "" "There's a famous story about a battle between the Marx Brothers and Warner " "Brothers. The Marxes intended to make a parody of " @@ -9486,7 +9497,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7221 +#: freeculture.xml:7224 msgid "" "Ibid. See also Vaidhyanathan, <citetitle>Copyrights and " "Copywrongs</citetitle>, 1–3. <placeholder type=\"indexterm\" " @@ -9494,7 +9505,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7217 +#: freeculture.xml:7220 msgid "" "This led the Marx Brothers to respond in kind. They warned Warner Brothers " "that the Marx Brothers \"were brothers long before you were.\"<placeholder " @@ -9505,7 +9516,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7231 +#: freeculture.xml:7234 msgid "" "An absurd and hollow threat, of course, because Warner Brothers, like the " "Marx Brothers, knew that no court would ever enforce such a silly " @@ -9514,7 +9525,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7237 +#: freeculture.xml:7240 msgid "" "On the Internet, however, there is no check on silly rules, because on the " "Internet, increasingly, rules are enforced not by a human but by a machine: " @@ -9526,17 +9537,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7250 +#: freeculture.xml:7253 msgid "Adobe eBook Reader" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7253 +#: freeculture.xml:7256 msgid "Consider the life of my Adobe eBook Reader." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7256 +#: freeculture.xml:7259 msgid "" "An e-book is a book delivered in electronic form. An Adobe eBook is not a " "book that Adobe has published; Adobe simply produces the software that " @@ -9545,13 +9556,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7263 +#: freeculture.xml:7266 msgid "On the next page is a picture of an old version of my Adobe eBook Reader." msgstr "" #. PAGE BREAK 160 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7267 +#: freeculture.xml:7270 msgid "" "As you can see, I have a small collection of e-books within this e-book " "library. Some of these books reproduce content that is in the public domain: " @@ -9564,35 +9575,35 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7280 +#: freeculture.xml:7283 msgid "Picture of an old version of Adobe eBook Reader" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7281 +#: freeculture.xml:7284 msgid "<graphic fileref=\"images/1611.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7284 +#: freeculture.xml:7287 msgid "" "If you click on the Permissions button, you'll see a list of the permissions " "that the publisher purports to grant with this book." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7288 +#: freeculture.xml:7291 msgid "List of the permissions that the publisher purports to grant." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7289 +#: freeculture.xml:7292 msgid "<graphic fileref=\"images/1612.png\"></graphic>" msgstr "" #. PAGE BREAK 161 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7293 +#: freeculture.xml:7296 msgid "" "According to my eBook Reader, I have the permission to copy to the clipboard " "of the computer ten text selections every ten days. (So far, I've copied no " @@ -9603,17 +9614,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7303 +#: freeculture.xml:7306 msgid "Aristotle" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7304 +#: freeculture.xml:7307 msgid "<citetitle>Politics</citetitle>, (Aristotle)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7301 +#: freeculture.xml:7304 msgid "" "Here's the e-book for another work in the public domain (including the " "translation): Aristotle's <citetitle>Politics</citetitle>. <placeholder " @@ -9621,57 +9632,57 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7307 +#: freeculture.xml:7310 msgid "E-book of Aristotle;s "Politics"" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7308 +#: freeculture.xml:7311 msgid "<graphic fileref=\"images/1621.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7311 +#: freeculture.xml:7314 msgid "" "According to its permissions, no printing or copying is permitted at " "all. But fortunately, you can use the Read Aloud button to hear the book." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7316 +#: freeculture.xml:7319 msgid "List of the permissions for Aristotle;s "Politics"." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7317 +#: freeculture.xml:7320 msgid "<graphic fileref=\"images/1622.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7320 +#: freeculture.xml:7323 msgid "" "Finally (and most embarrassingly), here are the permissions for the original " "e-book version of my last book, <citetitle>The Future of Ideas</citetitle>:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7326 +#: freeculture.xml:7329 msgid "List of the permissions for "The Future of Ideas"." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7327 +#: freeculture.xml:7330 msgid "<graphic fileref=\"images/1631.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7330 +#: freeculture.xml:7333 msgid "No copying, no printing, and don't you dare try to listen to this book!" msgstr "" #. f21 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7340 +#: freeculture.xml:7343 msgid "" "In principle, a contract might impose a requirement on me. I might, for " "example, buy a book from you that includes a contract that says I will read " @@ -9682,7 +9693,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7333 +#: freeculture.xml:7336 msgid "" "Now, the Adobe eBook Reader calls these controls \"permissions\"— as " "if the publisher has the power to control how you use these works. For " @@ -9697,7 +9708,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7355 +#: freeculture.xml:7358 msgid "" "The control comes instead from the code—from the technology within " "which the e-book \"lives.\" Though the e-book says that these are " @@ -9716,7 +9727,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7373 +#: freeculture.xml:7376 msgid "" "These are <emphasis>controls</emphasis>, not permissions. Imagine a world " "where the Marx Brothers sold word processing software that, when you tried " @@ -9725,7 +9736,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7380 +#: freeculture.xml:7383 msgid "" "This is the future of copyright law: not so much copyright " "<emphasis>law</emphasis> as copyright <emphasis>code</emphasis>. The " @@ -9737,7 +9748,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7389 +#: freeculture.xml:7392 msgid "" "How significant is this? Isn't it always possible to get around the controls " "built into the technology? Software used to be sold with technologies that " @@ -9747,19 +9758,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7396 +#: freeculture.xml:7399 msgid "" "We've only scratched the surface of this story. Return to the Adobe eBook " "Reader." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7406 +#: freeculture.xml:7409 msgid "Alice's Adventures in Wonderland (Carroll)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7400 +#: freeculture.xml:7403 msgid "" "Early in the life of the Adobe eBook Reader, Adobe suffered a public " "relations nightmare. Among the books that you could download for free on the " @@ -9770,18 +9781,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7409 +#: freeculture.xml:7412 msgid "List of the permissions for "Alice's Adventures in Wonderland"." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7411 +#: freeculture.xml:7414 msgid "<graphic fileref=\"images/1641.png\"></graphic>" msgstr "" #. PAGE BREAK 164 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7415 +#: freeculture.xml:7418 msgid "" "Here was a public domain children's book that you were not allowed to copy, " "not allowed to lend, not allowed to give, and, as the \"permissions\" " @@ -9789,7 +9800,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7420 +#: freeculture.xml:7423 msgid "" "The public relations nightmare attached to that final permission. For the " "text did not say that you were not permitted to use the Read Aloud button; " @@ -9800,7 +9811,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7428 +#: freeculture.xml:7431 msgid "" "Adobe responded quickly that it was absurd to think that it was trying to " "restrict the right to read a book aloud. Obviously it was only restricting " @@ -9815,7 +9826,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7441 +#: freeculture.xml:7444 msgid "" "The point is not to blame Adobe. Indeed, Adobe is among the most innovative " "companies developing strategies to balance open access to content with " @@ -9825,19 +9836,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7450 +#: freeculture.xml:7453 msgid "" "To see the point in a particularly absurd context, consider a favorite story " "of mine that makes the same point." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7454 +#: freeculture.xml:7457 msgid "Aibo robotic dog" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7457 +#: freeculture.xml:7460 msgid "" "Consider the robotic dog made by Sony named \"Aibo.\" The Aibo learns " "tricks, cuddles, and follows you around. It eats only electricity and that " @@ -9846,7 +9857,7 @@ msgstr "" #. PAGE BREAK 165 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7462 +#: freeculture.xml:7465 msgid "" "The Aibo is expensive and popular. Fans from around the world have set up " "clubs to trade stories. One fan in particular set up a Web site to enable " @@ -9857,7 +9868,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7471 +#: freeculture.xml:7474 msgid "" "\"Teach\" here has a special meaning. Aibos are just cute computers. You " "teach a computer how to do something by programming it differently. So to " @@ -9868,7 +9879,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7479 +#: freeculture.xml:7482 msgid "" "If you're not a programmer or don't know many programmers, the word " "<citetitle>hack</citetitle> has a particularly unfriendly " @@ -9884,7 +9895,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7491 +#: freeculture.xml:7494 msgid "" "Some hacks are easy. Some are unbelievably hard. Hackers as a community like " "to challenge themselves and others with increasingly difficult " @@ -9894,7 +9905,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7498 +#: freeculture.xml:7501 msgid "" "The Aibo fan was displaying a bit of both when he hacked the program and " "offered to the world a bit of code that would enable the Aibo to dance " @@ -9905,7 +9916,7 @@ msgstr "" #. PAGE BREAK 166 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7506 +#: freeculture.xml:7509 msgid "" "I've told this story in many contexts, both inside and outside the United " "States. Once I was asked by a puzzled member of the audience, is it " @@ -9920,7 +9931,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7522 +#: freeculture.xml:7525 msgid "" "Let's put the dog to sleep for a minute, and turn to a pony show— not " "literally a pony show, but rather a paper that a Princeton academic named Ed " @@ -9934,12 +9945,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7545 freeculture.xml:9990 +#: freeculture.xml:7548 freeculture.xml:9994 msgid "Electronic Frontier Foundation" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7535 +#: freeculture.xml:7538 msgid "" "See Pamela Samuelson, \"Anticircumvention Rules: Threat to Science,\" " "<citetitle>Science</citetitle> 293 (2001): 2028; Brendan I. Koerner, \"Play " @@ -9956,7 +9967,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7533 +#: freeculture.xml:7536 msgid "" "But Felten's bravery was really tested in April 2001.<placeholder " "type=\"footnote\" id=\"0\"/> He and a group of colleagues were working on a " @@ -9966,7 +9977,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7553 +#: freeculture.xml:7556 msgid "" "The SDMI coalition had as its goal a technology to enable content owners to " "exercise much better control over their content than the Internet, as it " @@ -9978,7 +9989,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7563 +#: freeculture.xml:7566 msgid "" "When SDMI thought it was close to a standard, it set up a competition. In " "exchange for providing contestants with the code to an SDMI-encrypted bit of " @@ -9988,7 +9999,7 @@ msgstr "" #. PAGE BREAK 167 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7570 +#: freeculture.xml:7573 msgid "" "Felten and his team figured out the encryption system quickly. He and the " "team saw the weakness of this system as a type: Many encryption systems " @@ -9997,7 +10008,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7576 +#: freeculture.xml:7579 msgid "" "Let's review just what Felten was doing. Again, this is the United " "States. We have a principle of free speech. We have this principle not just " @@ -10008,7 +10019,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7584 +#: freeculture.xml:7587 msgid "" "What Felten and his colleagues were doing was publishing a paper describing " "the weakness in a technology. They were not spreading free music, or " @@ -10018,7 +10029,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7592 +#: freeculture.xml:7595 msgid "" "What links these two, aibopet.com and Felten, is the letters they then " "received. Aibopet.com received a letter from Sony about the aibopet.com " @@ -10026,7 +10037,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7599 +#: freeculture.xml:7602 msgid "" "Your site contains information providing the means to circumvent AIBO-ware's " "copy protection protocol constituting a violation of the anti-circumvention " @@ -10034,7 +10045,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7605 +#: freeculture.xml:7608 msgid "" "And though an academic paper describing the weakness in a system of " "encryption should also be perfectly legal, Felten received a letter from an " @@ -10043,7 +10054,7 @@ msgstr "" #. PAGE BREAK 168 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7611 +#: freeculture.xml:7614 msgid "" "Any disclosure of information gained from participating in the Public " "Challenge would be outside the scope of activities permitted by the " @@ -10052,7 +10063,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7619 +#: freeculture.xml:7622 msgid "" "In both cases, this weirdly Orwellian law was invoked to control the spread " "of information. The Digital Millennium Copyright Act made spreading such " @@ -10060,7 +10071,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7624 +#: freeculture.xml:7627 msgid "" "The DMCA was enacted as a response to copyright owners' first fear about " "cyberspace. The fear was that copyright control was effectively dead; the " @@ -10073,7 +10084,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7635 +#: freeculture.xml:7638 msgid "" "The DMCA was a bit of law intended to back up the protection of this code " "designed to protect copyrighted material. It was, we could say, " @@ -10083,7 +10094,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7642 +#: freeculture.xml:7645 msgid "" "But the DMCA was not designed merely to protect copyrighted works to the " "extent copyright law protected them. Its protection, that is, did not end at " @@ -10095,7 +10106,7 @@ msgstr "" #. PAGE BREAK 169 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7651 +#: freeculture.xml:7654 msgid "" "Aibopet.com and Felten make the point. The Aibo hack circumvented a " "copyright protection system for the purpose of enabling the dog to dance " @@ -10109,7 +10120,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7663 +#: freeculture.xml:7666 msgid "" "The threat against Felten was more attenuated, but it followed the same line " "of reasoning. By publishing a paper describing how a copyright protection " @@ -10120,12 +10131,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7679 freeculture.xml:7714 freeculture.xml:7746 +#: freeculture.xml:7682 freeculture.xml:7717 freeculture.xml:7749 msgid "Conrad, Paul" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7671 +#: freeculture.xml:7674 msgid "" "The bizarreness of these arguments is captured in a cartoon drawn in 1981 by " "Paul Conrad. At that time, a court in California had held that the VCR could " @@ -10139,7 +10150,7 @@ msgstr "" #. f23 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7698 +#: freeculture.xml:7701 msgid "" "<citetitle>Sony Corporation of America</citetitle> v. <citetitle>Universal " "City Studios, Inc</citetitle>., 464 U.S. 417, 455 fn. 27 (1984). Rogers " @@ -10149,7 +10160,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7683 +#: freeculture.xml:7686 msgid "" "Some public stations, as well as commercial stations, program the " "\"Neighborhood\" at hours when some children cannot use it. I think that " @@ -10168,7 +10179,7 @@ msgstr "" #. PAGE BREAK 170 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7707 +#: freeculture.xml:7710 msgid "" "Even though there were uses that were legal, because there were some uses " "that were illegal, the court held the companies producing the VCR " @@ -10176,19 +10187,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7712 +#: freeculture.xml:7715 msgid "" "This led Conrad to draw the cartoon below, which we can adopt to the DMCA. " "<placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7717 +#: freeculture.xml:7720 msgid "No argument I have can top this picture, but let me try to get close." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7720 +#: freeculture.xml:7723 msgid "" "The anticircumvention provisions of the DMCA target copyright circumvention " "technologies. Circumvention technologies can be used for different " @@ -10200,7 +10211,7 @@ msgstr "" #. PAGE BREAK 171 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7728 +#: freeculture.xml:7731 msgid "" "A handgun can be used to shoot a police officer or a child. Most would agree " "such a use is bad. Or a handgun can be used for target practice or to " @@ -10209,17 +10220,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7736 +#: freeculture.xml:7739 msgid "VCR/handgun cartoon." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7737 +#: freeculture.xml:7740 msgid "<graphic fileref=\"images/1711.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7740 +#: freeculture.xml:7743 msgid "" "The obvious point of Conrad's cartoon is the weirdness of a world where guns " "are legal, despite the harm they can do, while VCRs (and circumvention " @@ -10231,7 +10242,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7749 +#: freeculture.xml:7752 msgid "" "The Aibo and RIAA examples demonstrate how copyright owners are changing the " "balance that copyright law grants. Using code, copyright owners restrict " @@ -10242,7 +10253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7757 +#: freeculture.xml:7760 msgid "" "This is how <emphasis>code</emphasis> becomes <emphasis>law</emphasis>. The " "controls built into the technology of copy and access protection become " @@ -10256,7 +10267,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7769 +#: freeculture.xml:7772 msgid "" "There is one final aspect of the interaction between architecture and law " "that contributes to the force of copyright's regulation. This is the ease " @@ -10271,7 +10282,7 @@ msgstr "" #. f24 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7788 +#: freeculture.xml:7791 msgid "" "For an early and prescient analysis, see Rebecca Tushnet, \"Legal Fictions, " "Copyright, Fan Fiction, and a New Common Law,\" <citetitle>Loyola of Los " @@ -10279,7 +10290,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7782 +#: freeculture.xml:7785 msgid "" "For example, imagine you were part of a <citetitle>Star Trek</citetitle> fan " "club. You gathered every month to share trivia, and maybe to enact a kind of " @@ -10289,7 +10300,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7794 +#: freeculture.xml:7797 msgid "" "Before the Internet, this was, in effect, a totally unregulated activity. " "No matter what happened inside your club room, you would never be interfered " @@ -10299,7 +10310,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7801 +#: freeculture.xml:7804 msgid "" "But if you moved your club onto the Internet, and made it generally " "available for others to join, the story would be very different. Bots " @@ -10312,7 +10323,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7811 +#: freeculture.xml:7814 msgid "" "This change in the effective force of the law is caused by a change in the " "ease with which the law can be enforced. That change too shifts the law's " @@ -10323,13 +10334,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:7820 +#: freeculture.xml:7823 msgid "Market: Concentration" msgstr "" #. PAGE BREAK 173 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7822 +#: freeculture.xml:7825 msgid "" "So copyright's duration has increased dramatically—tripled in the past " "thirty years. And copyright's scope has increased as well—from " @@ -10347,7 +10358,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7840 +#: freeculture.xml:7843 msgid "" "Still, in my view, all of these changes would not matter much if it weren't " "for one more change that we must also consider. This is a change that is in " @@ -10357,7 +10368,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7847 +#: freeculture.xml:7850 msgid "" "This is the change in the concentration and integration of the media. In " "the past twenty years, the nature of media ownership has undergone a radical " @@ -10370,18 +10381,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7858 +#: freeculture.xml:7861 msgid "These changes are of two sorts: the scope of concentration, and its nature." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7861 +#: freeculture.xml:7864 msgid "BMG" msgstr "" #. f25 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7867 +#: freeculture.xml:7870 msgid "" "FCC Oversight: Hearing Before the Senate Commerce, Science and " "Transportation Committee, 108th Cong., 1st sess. (22 May 2003) (statement " @@ -10390,7 +10401,7 @@ msgstr "" #. f26 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7874 +#: freeculture.xml:7877 msgid "" "Lynette Holloway, \"Despite a Marketing Blitz, CD Sales Continue to Slide,\" " "<citetitle>New York Times</citetitle>, 23 December 2002." @@ -10398,19 +10409,19 @@ msgstr "" #. f27 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7880 +#: freeculture.xml:7883 msgid "" "Molly Ivins, \"Media Consolidation Must Be Stopped,\" <citetitle>Charleston " "Gazette</citetitle>, 31 May 2003." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7883 +#: freeculture.xml:7886 msgid "McCain, John" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7863 +#: freeculture.xml:7866 msgid "" "Changes in scope are the easier ones to describe. As Senator John McCain " "summarized the data produced in the FCC's review of media ownership, \"five " @@ -10425,7 +10436,7 @@ msgstr "" #. PAGE BREAK 174 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7886 +#: freeculture.xml:7889 msgid "" "The story with radio is even more dramatic. Before deregulation, the " "nation's largest radio broadcasting conglomerate owned fewer than " @@ -10438,7 +10449,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7897 +#: freeculture.xml:7900 msgid "" "Newspaper ownership is becoming more concentrated as well. Today, there are " "six hundred fewer daily newspapers in the United States than there were " @@ -10452,12 +10463,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:7911 freeculture.xml:7928 +#: freeculture.xml:7914 freeculture.xml:7931 msgid "Fallows, James" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7908 +#: freeculture.xml:7911 msgid "" "Concentration in size alone is one thing. The more invidious change is in " "the nature of that concentration. As author James Fallows put it in a recent " @@ -10465,7 +10476,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7926 +#: freeculture.xml:7929 msgid "" "James Fallows, \"The Age of Murdoch,\" <citetitle>Atlantic " "Monthly</citetitle> (September 2003): 89. <placeholder type=\"indexterm\" " @@ -10473,7 +10484,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7915 +#: freeculture.xml:7918 msgid "" "Murdoch's companies now constitute a production system unmatched in its " "integration. They supply content—Fox movies … Fox TV shows " @@ -10488,7 +10499,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7933 +#: freeculture.xml:7936 msgid "" "The pattern with Murdoch is the pattern of modern media. Not just large " "companies owning many radio stations, but a few companies owning as many " @@ -10497,18 +10508,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7939 +#: freeculture.xml:7942 msgid "Pattern of modern media ownership." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7940 +#: freeculture.xml:7943 msgid "<graphic fileref=\"images/1761.png\"></graphic>" msgstr "" #. PAGE BREAK 175 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7944 +#: freeculture.xml:7947 msgid "" "Does this concentration matter? Will it affect what is made, or what is " "distributed? Or is it merely a more efficient way to produce and distribute " @@ -10516,7 +10527,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7949 +#: freeculture.xml:7952 msgid "" "My view was that concentration wouldn't matter. I thought it was nothing " "more than a more efficient financial structure. But now, after reading and " @@ -10525,24 +10536,24 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7955 +#: freeculture.xml:7958 msgid "" "Here's a representative story that begins to suggest how this integration " "may matter." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7958 +#: freeculture.xml:7961 msgid "Lear, Norman" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7960 freeculture.xml:8024 +#: freeculture.xml:7963 freeculture.xml:8027 msgid "All in the Family" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7962 +#: freeculture.xml:7965 msgid "" "In 1969, Norman Lear created a pilot for <citetitle>All in the " "Family</citetitle>. He took the pilot to ABC. The network didn't like it. It " @@ -10553,7 +10564,7 @@ msgstr "" #. f29 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7974 +#: freeculture.xml:7977 msgid "" "Leonard Hill, \"The Axis of Access,\" remarks before Weidenbaum Center " "Forum, \"Entertainment Economics: The Movie Industry,\" St. Louis, Missouri, " @@ -10564,7 +10575,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7969 +#: freeculture.xml:7972 msgid "" "Rather than comply, Lear simply took the show elsewhere. CBS was happy to " "have the series; ABC could not stop Lear from walking. The copyrights that " @@ -10574,7 +10585,7 @@ msgstr "" #. PAGE BREAK 176 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7986 +#: freeculture.xml:7989 msgid "" "The network did not control those copyrights because the law forbade the " "networks from controlling the content they syndicated. The law required a " @@ -10586,7 +10597,7 @@ msgstr "" #. f30 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8005 +#: freeculture.xml:8008 msgid "" "NewsCorp./DirecTV Merger and Media Consolidation: Hearings on Media " "Ownership Before the Senate Commerce Committee, 108th Cong., 1st " @@ -10598,7 +10609,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7995 +#: freeculture.xml:7998 msgid "" "In 1994, the FCC abandoned the rules that required this independence. After " "that change, the networks quickly changed the balance. In 1985, there were " @@ -10617,7 +10628,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8026 +#: freeculture.xml:8029 msgid "" "Today, another Norman Lear with another <citetitle>All in the " "Family</citetitle> would find that he had the choice either to make the show " @@ -10626,17 +10637,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8035 +#: freeculture.xml:8038 msgid "Diller, Barry" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8036 +#: freeculture.xml:8039 msgid "Moyers, Bill" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8032 +#: freeculture.xml:8035 msgid "" "While the number of channels has increased dramatically, the ownership of " "those channels has narrowed to an ever smaller and smaller few. As Barry " @@ -10646,7 +10657,7 @@ msgstr "" #. f32 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:8049 +#: freeculture.xml:8052 msgid "" "\"Barry Diller Takes on Media Deregulation,\" <citetitle>Now with Bill " "Moyers</citetitle>, Bill Moyers, 25 April 2003, edited transcript available " @@ -10654,7 +10665,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:8040 +#: freeculture.xml:8043 msgid "" "Well, if you have companies that produce, that finance, that air on their " "channel and then distribute worldwide everything that goes through their " @@ -10665,7 +10676,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8056 +#: freeculture.xml:8059 msgid "" "This narrowing has an effect on what is produced. The product of such large " "and concentrated networks is increasingly homogenous. Increasingly " @@ -10679,13 +10690,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8067 +#: freeculture.xml:8070 msgid "Clark, Kim B." msgstr "" #. f33 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8076 +#: freeculture.xml:8079 msgid "" "Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The " "Revolutionary National Bestseller that Changed the Way We Do " @@ -10701,7 +10712,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8069 +#: freeculture.xml:8072 msgid "" "Economics itself offers a parallel that explains why this integration " "affects creativity. Clay Christensen has written about the \"Innovator's " @@ -10715,7 +10726,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8093 +#: freeculture.xml:8096 msgid "" "I don't think we know enough about the economics of the media market to say " "with certainty what concentration and integration will do. The efficiencies " @@ -10723,14 +10734,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8099 +#: freeculture.xml:8102 msgid "" "But there is a quintessentially obvious example that does strongly suggest " "the concern." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8103 +#: freeculture.xml:8106 msgid "" "In addition to the copyright wars, we're in the middle of the drug " "wars. Government policy is strongly directed against the drug cartels; " @@ -10739,7 +10750,7 @@ msgstr "" #. PAGE BREAK 178 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8108 +#: freeculture.xml:8111 msgid "" "Let me hereby disqualify myself from any possible appointment to any " "position in government by saying I believe this war is a profound mistake. I " @@ -10757,7 +10768,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8127 +#: freeculture.xml:8130 msgid "" "You may not be convinced. That's fine. We live in a democracy, and it is " "through votes that we are to choose policy. But to do that, we depend " @@ -10765,7 +10776,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8133 +#: freeculture.xml:8136 msgid "" "Beginning in 1998, the Office of National Drug Control Policy launched a " "media campaign as part of the \"war on drugs.\" The campaign produced scores " @@ -10780,14 +10791,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8145 +#: freeculture.xml:8148 msgid "" "Fair enough. It's a good ad. Not terribly misleading. It delivers its " "message well. It's a fair and reasonable message." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8149 +#: freeculture.xml:8152 msgid "" "But let's say you think it is a wrong message, and you'd like to run a " "countercommercial. Say you want to run a series of ads that try to " @@ -10797,7 +10808,7 @@ msgstr "" #. PAGE BREAK 179 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8155 +#: freeculture.xml:8158 msgid "" "Well, obviously, these ads cost lots of money. Assume you raise the " "money. Assume a group of concerned citizens donates all the money in the " @@ -10806,32 +10817,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8197 +#: freeculture.xml:8200 msgid "Comcast" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8198 +#: freeculture.xml:8201 msgid "Marijuana Policy Project" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8199 +#: freeculture.xml:8202 msgid "NBC" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8200 +#: freeculture.xml:8203 msgid "WJOA" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8201 +#: freeculture.xml:8204 msgid "WRC" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8172 +#: freeculture.xml:8175 msgid "" "The Marijuana Policy Project, in February 2003, sought to place ads that " "directly responded to the Nick and Norm series on stations within the " @@ -10864,7 +10875,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8162 +#: freeculture.xml:8165 msgid "" "No. You cannot. Television stations have a general policy of avoiding " "\"controversial\" ads. Ads sponsored by the government are deemed " @@ -10878,7 +10889,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8205 +#: freeculture.xml:8208 msgid "" "I'd be happy to defend the networks' rights, as well—if we lived in a " "media market that was truly diverse. But concentration in the media throws " @@ -10891,12 +10902,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8217 +#: freeculture.xml:8220 msgid "Together" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8219 +#: freeculture.xml:8222 msgid "" "There is something innocent and obvious about the claim of the copyright " "warriors that the government should \"protect my property.\" In the " @@ -10906,7 +10917,7 @@ msgstr "" #. PAGE BREAK 180 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8225 +#: freeculture.xml:8228 msgid "" "But when we see how dramatically this \"property\" has changed— when " "we recognize how it might now interact with both technology and markets to " @@ -10921,7 +10932,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8241 +#: freeculture.xml:8244 msgid "" "Not starkly. Or absolutely. My point is not that we should abolish copyright " "or go back to the eighteenth century. That would be a total mistake, " @@ -10930,7 +10941,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8247 +#: freeculture.xml:8250 msgid "" "But there is a space between zero and one, Internet culture " "notwithstanding. And these massive shifts in the effective power of " @@ -10944,7 +10955,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8259 +#: freeculture.xml:8262 msgid "" "Copyright law has not been a rock of Gibraltar. It's not a set of constant " "commitments that, for some mysterious reason, teenagers and geeks now " @@ -10959,7 +10970,7 @@ msgstr "" #. PAGE BREAK 181 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8271 +#: freeculture.xml:8274 msgid "" "For the single point that is lost in this war on pirates is a point that we " "see only after surveying the range of these changes. When you add together " @@ -10970,7 +10981,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8295 +#: freeculture.xml:8298 msgid "" "Siva Vaidhyanathan captures a similar point in his \"four surrenders\" of " "copyright law in the digital age. See Vaidhyanathan, 159–60. " @@ -10978,7 +10989,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8280 +#: freeculture.xml:8283 msgid "" "Not when copyrights were perpetual, for when copyrights were perpetual, they " "affected only that precise creative work. Not when only publishers had the " @@ -10996,12 +11007,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8301 +#: freeculture.xml:8304 msgid "This has been a long chapter. Its point can now be briefly stated." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8304 +#: freeculture.xml:8307 msgid "" "At the start of this book, I distinguished between commercial and " "noncommercial culture. In the course of this chapter, I have distinguished " @@ -11011,43 +11022,43 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8312 +#: freeculture.xml:8315 msgid "Law status in 1790" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:8317 freeculture.xml:8355 +#: freeculture.xml:8320 freeculture.xml:8358 msgid "PUBLISH" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:8318 freeculture.xml:8356 freeculture.xml:8395 freeculture.xml:8428 +#: freeculture.xml:8321 freeculture.xml:8359 freeculture.xml:8398 freeculture.xml:8431 msgid "TRANSFORM" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8323 freeculture.xml:8361 freeculture.xml:8400 freeculture.xml:8433 +#: freeculture.xml:8326 freeculture.xml:8364 freeculture.xml:8403 freeculture.xml:8436 msgid "Commercial" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8324 freeculture.xml:8362 freeculture.xml:8363 freeculture.xml:8401 freeculture.xml:8402 freeculture.xml:8434 freeculture.xml:8435 freeculture.xml:8439 freeculture.xml:8440 +#: freeculture.xml:8327 freeculture.xml:8365 freeculture.xml:8366 freeculture.xml:8404 freeculture.xml:8405 freeculture.xml:8437 freeculture.xml:8438 freeculture.xml:8442 freeculture.xml:8443 msgid "©" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8325 freeculture.xml:8329 freeculture.xml:8330 freeculture.xml:8367 freeculture.xml:8368 freeculture.xml:8407 +#: freeculture.xml:8328 freeculture.xml:8332 freeculture.xml:8333 freeculture.xml:8370 freeculture.xml:8371 freeculture.xml:8410 msgid "Free" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8328 freeculture.xml:8366 freeculture.xml:8405 freeculture.xml:8438 +#: freeculture.xml:8331 freeculture.xml:8369 freeculture.xml:8408 freeculture.xml:8441 msgid "Noncommercial" msgstr "" #. PAGE BREAK 182 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8337 +#: freeculture.xml:8340 msgid "" "The act of publishing a map, chart, and book was regulated by copyright " "law. Nothing else was. Transformations were free. And as copyright attached " @@ -11057,17 +11068,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8346 +#: freeculture.xml:8349 msgid "By the end of the nineteenth century, the law had changed to this:" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8350 +#: freeculture.xml:8353 msgid "Law status at the end of ninetheenth centory" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8375 +#: freeculture.xml:8378 msgid "" "Derivative works were now regulated by copyright law—if published, " "which again, given the economics of publishing at the time, means if offered " @@ -11076,7 +11087,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8381 +#: freeculture.xml:8384 msgid "" "In 1909 the law changed to regulate copies, not publishing, and after this " "change, the scope of the law was tied to technology. As the technology of " @@ -11086,22 +11097,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8389 +#: freeculture.xml:8392 msgid "Law status in 1975" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:8394 freeculture.xml:8427 +#: freeculture.xml:8397 freeculture.xml:8430 msgid "COPY" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8406 +#: freeculture.xml:8409 msgid "©/Free" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8414 +#: freeculture.xml:8417 msgid "" "The law was interpreted to reach noncommercial copying through, say, copy " "machines, but still much of copying outside of the commercial market " @@ -11111,13 +11122,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8422 +#: freeculture.xml:8425 msgid "Law status now" msgstr "" #. PAGE BREAK 183 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8447 +#: freeculture.xml:8450 msgid "" "Every realm is governed by copyright law, whereas before most creativity was " "not. The law now regulates the full range of creativity— commercial or " @@ -11126,7 +11137,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8455 +#: freeculture.xml:8458 msgid "" "Obviously, copyright law is not the enemy. The enemy is regulation that does " "no good. So the question that we should be asking just now is whether " @@ -11135,7 +11146,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8461 +#: freeculture.xml:8464 msgid "" "I have no doubt that it does good in regulating commercial copying. But I " "also have no doubt that it does more harm than good when regulating (as it " @@ -11150,7 +11161,7 @@ msgstr "" #. f36 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8479 +#: freeculture.xml:8482 msgid "" "It was the single most important contribution of the legal realist movement " "to demonstrate that all property rights are always crafted to balance public " @@ -11161,7 +11172,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8473 +#: freeculture.xml:8476 msgid "" "The issue is therefore not simply whether copyright is property. Of course " "copyright is a kind of \"property,\" and of course, as with any property, " @@ -11179,7 +11190,7 @@ msgstr "" #. PAGE BREAK 184 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8496 +#: freeculture.xml:8499 msgid "" "We achieved that free culture because our law respected important limits on " "the scope of the interests protected by \"property.\" The very birth of " @@ -11198,7 +11209,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8515 +#: freeculture.xml:8518 msgid "" "Free culture is increasingly the casualty in this war on piracy. In response " "to a real, if not yet quantified, threat that the technologies of the " @@ -11213,33 +11224,33 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:8532 +#: freeculture.xml:8535 msgid "PUZZLES" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:8536 +#: freeculture.xml:8539 msgid "CHAPTER ELEVEN: Chimera" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8538 +#: freeculture.xml:8541 msgid "chimeras" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8541 +#: freeculture.xml:8544 msgid "Wells, H. G." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8544 +#: freeculture.xml:8547 msgid ""Country of the Blind, The" (Wells)" msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:8552 +#: freeculture.xml:8555 msgid "" "H. G. Wells, \"The Country of the Blind\" (1904, 1911). See H. G. Wells, " "<citetitle>The Country of the Blind and Other Stories</citetitle>, Michael " @@ -11247,7 +11258,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8548 +#: freeculture.xml:8551 msgid "" "In a well-known short story by H. G. Wells, a mountain climber named Nunez " "trips (literally, down an ice slope) into an unknown and isolated valley in " @@ -11261,7 +11272,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8564 +#: freeculture.xml:8567 msgid "" "Things don't go quite as he planned. He tries to explain the idea of sight " "to the villagers. They don't understand. He tells them they are \"blind.\" " @@ -11275,7 +11286,7 @@ msgstr "" #. PAGE BREAK 187 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8576 +#: freeculture.xml:8579 msgid "" "The villagers don't leave him alone. Nor do they see (so to speak) the " "virtue of his special power. Not even the ultimate target of his affection, " @@ -11289,7 +11300,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8587 +#: freeculture.xml:8590 msgid "" "When Nunez announces his desire to marry his \"mysteriously delighted\" " "love, the father and the village object. \"You see, my dear,\" her father " @@ -11298,14 +11309,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8593 +#: freeculture.xml:8596 msgid "" "After a careful examination, the doctor gives his opinion. \"His brain is " "affected,\" he reports." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8597 +#: freeculture.xml:8600 msgid "" "\"What affects it?\" the father asks. \"Those queer things that are called " "the eyes … are diseased … in such a way as to affect his " @@ -11313,7 +11324,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8602 +#: freeculture.xml:8605 msgid "" "The doctor continues: \"I think I may say with reasonable certainty that in " "order to cure him completely, all that we need to do is a simple and easy " @@ -11323,7 +11334,7 @@ msgstr "" #. PAGE BREAK 188 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8608 +#: freeculture.xml:8611 msgid "" "\"Thank Heaven for science!\" says the father to the doctor. They inform " "Nunez of this condition necessary for him to be allowed his bride. (You'll " @@ -11338,7 +11349,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8625 +#: freeculture.xml:8628 msgid "" "Before I had read about chimeras, I would have said they were impossible. A " "single person can't have two sets of DNA. The very idea of DNA is that it is " @@ -11349,7 +11360,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8633 +#: freeculture.xml:8636 msgid "" "The more I work to understand the current struggle over copyright and " "culture, which I've sometimes called unfairly, and sometimes not unfairly " @@ -11366,7 +11377,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8647 +#: freeculture.xml:8650 msgid "" "But the description is also false in part. For when my p2p server is on a " "p2p network through which anyone can get access to my music, then sure, my " @@ -11378,7 +11389,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8656 +#: freeculture.xml:8659 msgid "" "Likewise, when the other side says, \"File sharing is just like walking into " "a Tower Records and taking a CD off the shelf and walking out with it,\" " @@ -11390,7 +11401,7 @@ msgstr "" #. PAGE BREAK 189 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8667 +#: freeculture.xml:8670 msgid "" "But it is not quite stealing from Tower. After all, when I take a CD from " "Tower Records, Tower has one less CD to sell. And when I take a CD from " @@ -11402,7 +11413,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8677 +#: freeculture.xml:8680 msgid "" "The point is not that it is as neither side describes. The point is that it " "is both—both as the RIAA describes it and as Kazaa describes it. It is " @@ -11412,17 +11423,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:8723 +#: freeculture.xml:8726 msgid "Conyers, John, Jr." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8724 freeculture.xml:9432 +#: freeculture.xml:8727 freeculture.xml:9435 msgid "Berman, Howard L." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:8693 +#: freeculture.xml:8696 msgid "" "For an excellent summary, see the report prepared by GartnerG2 and the " "Berkman Center for Internet and Society at Harvard Law School, \"Copyright " @@ -11456,7 +11467,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8684 +#: freeculture.xml:8687 msgid "" "We could respond by simply pretending that it is not a chimera. We could, " "with the RIAA, decide that every act of file sharing should be a felony. We " @@ -11469,7 +11480,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8730 +#: freeculture.xml:8733 msgid "" "Alternatively, we could respond to file sharing the way many kids act as " "though we've responded. We could totally legalize it. Let there be no " @@ -11479,7 +11490,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8737 +#: freeculture.xml:8740 msgid "" "Either response is possible. I think either would be a mistake. Rather than " "embrace one of these two extremes, we should embrace something that " @@ -11493,7 +11504,7 @@ msgstr "" #. PAGE BREAK 190 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8749 +#: freeculture.xml:8752 msgid "" "Yet zero tolerance is increasingly our government's policy. In the middle of " "the chaos that the Internet has created, an extraordinary land grab is " @@ -11504,7 +11515,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8757 +#: freeculture.xml:8760 msgid "" "I'm not talking about the opportunities for kids to \"steal\" music. My " "focus instead is the commercial and cultural innovation that this war will " @@ -11518,14 +11529,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8770 +#: freeculture.xml:8773 msgid "" "eMusic opposes music piracy. We are a distributor of copyrighted material, " "and we want to protect those rights." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8774 +#: freeculture.xml:8777 msgid "" "But building a technology fortress that locks in the clout of the major " "labels is by no means the only way to protect copyright interests, nor is it " @@ -11536,7 +11547,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:8792 +#: freeculture.xml:8795 msgid "" "WIPO and the DMCA One Year Later: Assessing Consumer Access to Digital " "Entertainment on the Internet and Other Media: Hearing Before the " @@ -11547,7 +11558,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8782 +#: freeculture.xml:8785 msgid "" "This is a critical point. The choices that industry sectors make with " "respect to these systems will in many ways directly shape the market for " @@ -11560,12 +11571,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8806 freeculture.xml:9159 +#: freeculture.xml:8809 freeculture.xml:9162 msgid "Vivendi Universal" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8803 +#: freeculture.xml:8806 msgid "" "In April 2001, eMusic.com was purchased by Vivendi Universal, one of \"the " "major labels.\" Its position on these matters has now changed. <placeholder " @@ -11573,7 +11584,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8809 +#: freeculture.xml:8812 msgid "" "Reversing our tradition of tolerance now will not merely quash piracy. It " "will sacrifice values that are important to this culture, and will kill " @@ -11581,12 +11592,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:8817 +#: freeculture.xml:8820 msgid "CHAPTER TWELVE: Harms" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8820 +#: freeculture.xml:8823 msgid "" "To fight \"piracy,\" to protect \"property,\" the content industry has " "launched a war. Lobbying and lots of campaign contributions have now brought " @@ -11596,7 +11607,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8828 +#: freeculture.xml:8831 msgid "" "My aim so far has been to describe the consequences of this war, in " "particular, the consequences for \"free culture.\" But my aim now is to " @@ -11605,7 +11616,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8835 +#: freeculture.xml:8838 msgid "" "In my view, it is not. There is no good reason why this time, for the first " "time, the law should defend the old against the new, just when the power of " @@ -11614,7 +11625,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8843 +#: freeculture.xml:8846 msgid "" "Yet \"common sense\" does not see it this way. Common sense is still on the " "side of the Causbys and the content industry. The extreme claims of control " @@ -11624,7 +11635,7 @@ msgstr "" #. PAGE BREAK 193 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8850 +#: freeculture.xml:8853 msgid "" "There will be many consequences of continuing this war. I want to describe " "just three. All three might be said to be unintended. I am quite confident " @@ -11634,12 +11645,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8857 +#: freeculture.xml:8860 msgid "Constraining Creators" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8859 +#: freeculture.xml:8862 msgid "" "In the next ten years we will see an explosion of digital technologies. " "These technologies will enable almost anyone to capture and share " @@ -11656,7 +11667,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8874 +#: freeculture.xml:8877 msgid "" "This digital \"capturing and sharing\" is in part an extension of the " "capturing and sharing that has always been integral to our culture, and in " @@ -11671,7 +11682,7 @@ msgstr "" #. PAGE BREAK 194 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8885 +#: freeculture.xml:8888 msgid "" "Technology has thus given us an opportunity to do something with culture " "that has only ever been possible for individuals in small groups, isolated " @@ -11681,7 +11692,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8895 +#: freeculture.xml:8898 msgid "" "Yet all this is possible only if the activity is presumptively legal. In the " "current regime of legal regulation, it is not. Forget file sharing for a " @@ -11695,12 +11706,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8923 freeculture.xml:8944 +#: freeculture.xml:8926 freeculture.xml:8947 msgid "Worldcom" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8918 +#: freeculture.xml:8921 msgid "" "See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at " "WorldCom</citetitle> (Hoboken, N.J.: John Wiley & Sons, 2003), 176, 204; " @@ -11711,12 +11722,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8939 +#: freeculture.xml:8942 msgid "Bush, George W." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8930 +#: freeculture.xml:8933 msgid "" "The bill, modeled after California's tort reform model, was passed in the " "House of Representatives but defeated in a Senate vote in July 2003. For an " @@ -11730,7 +11741,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8906 +#: freeculture.xml:8909 msgid "" "That presumption will increasingly chill creativity, as the examples of " "extreme penalties for vague infringements continue to proliferate. It is " @@ -11752,7 +11763,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8966 +#: freeculture.xml:8969 msgid "" "See Danit Lidor, \"Artists Just Wanna Be Free,\" " "<citetitle>Wired</citetitle>, 7 July 2003, available at <ulink " @@ -11762,7 +11773,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8947 +#: freeculture.xml:8950 msgid "" "The consequence of this legal uncertainty, tied to these extremely high " "penalties, is that an extraordinary amount of creativity will either never " @@ -11782,7 +11793,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8976 +#: freeculture.xml:8979 msgid "" "Part of the reason for this fear of illegality has to do with the changing " "law. I described that change in detail in chapter <xref xrefstyle=\"select: " @@ -11796,7 +11807,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8988 +#: freeculture.xml:8991 msgid "" "Never in our history has a painter had to worry about whether his painting " "infringed on someone else's work; but the modern-day painter, using the " @@ -11810,7 +11821,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8999 +#: freeculture.xml:9002 msgid "" "Lawyers rarely see this because lawyers are rarely empirical. As I described " "in chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"recorders\"/>, " @@ -11821,7 +11832,7 @@ msgstr "" #. PAGE BREAK 196 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9010 +#: freeculture.xml:9013 msgid "" "But fair use in America simply means the right to hire a lawyer to defend " "your right to create. And as lawyers love to forget, our system for " @@ -11834,7 +11845,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9020 +#: freeculture.xml:9023 msgid "" "Judges and lawyers can tell themselves that fair use provides adequate " "\"breathing room\" between regulation by the law and the access the law " @@ -11847,7 +11858,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9031 +#: freeculture.xml:9034 msgid "" "For in a world that threatens $150,000 for a single willful infringement of " "a copyright, and which demands tens of thousands of dollars to even defend " @@ -11860,13 +11871,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9042 +#: freeculture.xml:9045 msgid "As Jed Horovitz, the businessman behind Video Pipeline, said to me," msgstr "" #. PAGE BREAK 197 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9046 +#: freeculture.xml:9049 msgid "" "We're losing [creative] opportunities right and left. Creative people are " "being forced not to express themselves. Thoughts are not being " @@ -11879,12 +11890,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:9059 +#: freeculture.xml:9062 msgid "Constraining Innovators" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9061 +#: freeculture.xml:9064 msgid "" "The story of the last section was a crunchy-lefty story—creativity " "quashed, artists who can't speak, yada yada yada. Maybe that doesn't get you " @@ -11895,7 +11906,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9069 +#: freeculture.xml:9072 msgid "" "But there's an aspect of this story that is not lefty in any sense. Indeed, " "it is an aspect that could be written by the most extreme promarket " @@ -11907,7 +11918,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9078 +#: freeculture.xml:9081 msgid "" "The charge I've been making about the regulation of culture is the same " "charge free marketers make about regulating markets. Everyone, of course, " @@ -11922,13 +11933,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9090 freeculture.xml:9197 +#: freeculture.xml:9093 freeculture.xml:9200 msgid "Barry, Hank" msgstr "" #. PAGE BREAK 198 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9092 +#: freeculture.xml:9095 msgid "" "This is the single most dramatic effect of the shift in regulatory strategy " "that I described in chapter <xref xrefstyle=\"select: labelnumber\" " @@ -11943,7 +11954,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9105 +#: freeculture.xml:9108 msgid "" "Consider one example to make the point, a story whose beginning I told in " "<citetitle>The Future of Ideas</citetitle> and which has progressed in a way " @@ -11951,7 +11962,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9110 +#: freeculture.xml:9113 msgid "" "In 1997, Michael Roberts launched a company called MP3.com. MP3.com was " "keen to remake the music business. Their goal was not just to facilitate new " @@ -11962,7 +11973,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9118 +#: freeculture.xml:9121 msgid "" "To make this system work, however, MP3.com needed a reliable way to " "recommend music to its users. The idea behind this alternative was to " @@ -11972,7 +11983,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9126 +#: freeculture.xml:9129 msgid "" "This idea required a simple way to gather data about user preferences. " "MP3.com came up with an extraordinarily clever way to gather this preference " @@ -11987,7 +11998,7 @@ msgstr "" #. PAGE BREAK 199 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9138 +#: freeculture.xml:9141 msgid "" "No doubt some could use this system to illegally copy content. But that " "opportunity existed with or without MP3.com. The aim of the my.mp3.com " @@ -11997,7 +12008,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9147 +#: freeculture.xml:9150 msgid "" "To make this system function, however, MP3.com needed to copy 50,000 CDs to " "a server. (In principle, it could have been the user who uploaded the music, " @@ -12011,7 +12022,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9162 +#: freeculture.xml:9165 msgid "" "Nine days after MP3.com launched its service, the five major labels, headed " "by the RIAA, brought a lawsuit against MP3.com. MP3.com settled with four of " @@ -12023,12 +12034,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9172 +#: freeculture.xml:9175 msgid "That part of the story I have told before. Now consider its conclusion." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9175 +#: freeculture.xml:9178 msgid "" "After Vivendi purchased MP3.com, Vivendi turned around and filed a " "malpractice lawsuit against the lawyers who had advised it that they had a " @@ -12041,7 +12052,7 @@ msgstr "" #. PAGE BREAK 200 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9185 +#: freeculture.xml:9188 msgid "" "The clear purpose of this lawsuit (which was settled for an unspecified " "amount shortly after the story was no longer covered in the press) was to " @@ -12053,13 +12064,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9196 +#: freeculture.xml:9199 msgid "Hummer, John" msgstr "" #. f4. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9205 +#: freeculture.xml:9208 msgid "" "See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" <citetitle>Los " "Angeles Times</citetitle>, 23 April 2003. For a parallel argument about the " @@ -12071,7 +12082,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9199 +#: freeculture.xml:9202 msgid "" "This strategy is not just limited to the lawyers. In April 2003, Universal " "and EMI brought a lawsuit against Hummer Winblad, the venture capital firm " @@ -12091,17 +12102,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><indexterm><primary> -#: freeculture.xml:9226 +#: freeculture.xml:9229 msgid "BMW" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:9241 +#: freeculture.xml:9244 msgid "Needleman, Rafe" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:9237 +#: freeculture.xml:9240 msgid "" "Rafe Needleman, \"Driving in Cars with MP3s,\" <citetitle>Business " "2.0</citetitle>, 16 June 2003, available at <ulink " @@ -12111,7 +12122,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9228 +#: freeculture.xml:9231 msgid "" "I asked why, with all the storage capacity and computer power in the car, " "there was no way to play MP3 files. I was told that BMW engineers in Germany " @@ -12123,7 +12134,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9246 +#: freeculture.xml:9249 msgid "" "This is the world of the mafia—filled with \"your money or your life\" " "offers, governed in the end not by courts but by the threats that the law " @@ -12135,7 +12146,7 @@ msgstr "" #. PAGE BREAK 201 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9256 +#: freeculture.xml:9259 msgid "" "The point is not that businesses should have a right to start illegal " "enterprises. The point is the definition of \"illegal.\" The law is a mess " @@ -12151,7 +12162,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9271 +#: freeculture.xml:9274 msgid "" "The point is directly parallel to the crunchy-lefty point about fair " "use. Whatever the \"real\" law is, realism about the effect of law in both " @@ -12166,7 +12177,7 @@ msgstr "" #. PAGE BREAK 202 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9283 +#: freeculture.xml:9286 msgid "" "The building of a permission culture, rather than a free culture, is the " "first important way in which the changes I have described will burden " @@ -12189,7 +12200,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9305 +#: freeculture.xml:9308 msgid "" "The motivation for this response is obvious. The Internet enables the " "efficient spread of content. That efficiency is a feature of the Internet's " @@ -12203,7 +12214,7 @@ msgstr "" #. f6. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9319 +#: freeculture.xml:9322 msgid "" "\"Copyright and Digital Media in a Post-Napster World,\" GartnerG2 and the " "Berkman Center for Internet and Society at Harvard Law School (2003), " @@ -12213,12 +12224,12 @@ msgstr "" #. f7. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9335 +#: freeculture.xml:9338 msgid "GartnerG2, 26–27." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9315 +#: freeculture.xml:9318 msgid "" "The examples of this form of legislation are many. At the urging of the " "content industry, some in Congress have threatened legislation that would " @@ -12236,7 +12247,7 @@ msgstr "" #. PAGE BREAK 203 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9340 +#: freeculture.xml:9343 msgid "" "In one sense, these solutions seem sensible. If the problem is the code, why " "not regulate the code to remove the problem. But any regulation of technical " @@ -12247,14 +12258,14 @@ msgstr "" #. f8. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9354 +#: freeculture.xml:9357 msgid "" "See David McGuire, \"Tech Execs Square Off Over Piracy,\" Newsbytes, " "February 2002 (Entertainment)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9351 +#: freeculture.xml:9354 msgid "" "In March 2002, a broad coalition of technology companies, led by Intel, " "tried to get Congress to see the harm that such legislation would " @@ -12264,7 +12275,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9362 +#: freeculture.xml:9365 msgid "" "There is one more obvious way in which this war has harmed " "innovation—again, a story that will be quite familiar to the free " @@ -12272,7 +12283,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9368 +#: freeculture.xml:9371 msgid "" "Copyright may be property, but like all property, it is also a form of " "regulation. It is a regulation that benefits some and harms others. When " @@ -12281,14 +12292,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9380 +#: freeculture.xml:9383 msgid "" "Jessica Litman, <citetitle>Digital Copyright</citetitle> (Amherst, N.Y.: " "Prometheus Books, 2001). <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9374 +#: freeculture.xml:9377 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, despite this feature of copyright as regulation, " @@ -12302,7 +12313,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9391 +#: freeculture.xml:9394 msgid "" "But that pattern of deference to new technologies has now changed with the " "rise of the Internet. Rather than striking a balance between the claims of a " @@ -12313,7 +12324,7 @@ msgstr "" #. f10. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9400 +#: freeculture.xml:9403 msgid "" "The only circuit court exception is found in <citetitle>Recording Industry " "Association of America (RIAA)</citetitle> v. <citetitle>Diamond Multimedia " @@ -12331,7 +12342,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9418 +#: freeculture.xml:9421 msgid "" "For example, in July 2002, Representative Howard Berman introduced the " "Peer-to-Peer Piracy Prevention Act (H.R. 5211), which would immunize " @@ -12350,7 +12361,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9398 +#: freeculture.xml:9401 msgid "" "The response by the courts has been fairly universal.<placeholder " "type=\"footnote\" id=\"0\"/> It has been mirrored in the responses " @@ -12360,9 +12371,8 @@ msgid "" "demise of Internet radio." msgstr "" -#. PAGE BREAK 204 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9440 +#: freeculture.xml:9443 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"pirates\"/>, when a radio station plays a song, the recording " @@ -12371,11 +12381,12 @@ msgid "" "of \"Happy Birthday\"—to memorialize her famous performance before " "President Kennedy at Madison Square Garden— then whenever that " "recording was played on the radio, the current copyright owners of \"Happy " -"Birthday\" would get some money, whereas Marilyn Monroe would not." +"Birthday\" would get some money, whereas Marilyn Monroe would not. " +"<placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9451 +#: freeculture.xml:9455 msgid "" "The reasoning behind this balance struck by Congress makes some sense. The " "justification was that radio was a kind of advertising. The recording artist " @@ -12388,7 +12399,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9462 +#: freeculture.xml:9466 msgid "" "Enter Internet radio. Like regular radio, Internet radio is a technology to " "stream content from a broadcaster to a listener. The broadcast travels " @@ -12399,7 +12410,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9471 +#: freeculture.xml:9475 msgid "" "This feature of the architecture of Internet radio means that there are " "potentially an unlimited number of radio stations that a user could tune in " @@ -12415,7 +12426,7 @@ msgstr "" #. PAGE BREAK 205 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9486 +#: freeculture.xml:9490 msgid "" "Internet radio is thus to radio what FM was to AM. It is an improvement " "potentially vastly more significant than the FM improvement over AM, since " @@ -12427,12 +12438,12 @@ msgstr "" #. f12. #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:9510 +#: freeculture.xml:9514 msgid "Lessing, 239." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9496 +#: freeculture.xml:9500 msgid "" "An almost unlimited number of FM stations was possible in the shortwaves, " "thus ending the unnatural restrictions imposed on radio in the crowded " @@ -12450,12 +12461,12 @@ msgstr "" #. f13. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9520 +#: freeculture.xml:9524 msgid "Ibid., 229." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9515 +#: freeculture.xml:9519 msgid "" "This potential for FM radio was never realized—not because Armstrong " "was wrong about the technology, but because he underestimated the power of " @@ -12465,7 +12476,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9525 +#: freeculture.xml:9529 msgid "" "Now the very same claim could be made about Internet radio. For again, there " "is no technical limitation that could restrict the number of Internet radio " @@ -12476,7 +12487,7 @@ msgstr "" #. PAGE BREAK 206 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9533 +#: freeculture.xml:9537 msgid "" "But here the power of the lobbyists is reversed. Internet radio is a new " "industry. The recording artists, on the other hand, have a very powerful " @@ -12491,12 +12502,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:9572 +#: freeculture.xml:9576 msgid "CARP (Copyright Arbitration Royalty Panel)" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9555 +#: freeculture.xml:9559 msgid "" "This example was derived from fees set by the original Copyright Arbitration " "Royalty Panel (CARP) proceedings, and is drawn from an example offered by " @@ -12518,7 +12529,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9548 +#: freeculture.xml:9552 msgid "" "This financial burden is not slight. As Harvard law professor William Fisher " "estimates, if an Internet radio station distributed adfree popular music to " @@ -12529,7 +12540,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9579 +#: freeculture.xml:9583 msgid "" "The burden is not financial only. Under the original rules that were " "proposed, an Internet radio station (but not a terrestrial radio station) " @@ -12538,57 +12549,57 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9587 +#: freeculture.xml:9591 msgid "name of the service;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9590 +#: freeculture.xml:9594 msgid "channel of the program (AM/FM stations use station ID);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9593 +#: freeculture.xml:9597 msgid "type of program (archived/looped/live);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9596 +#: freeculture.xml:9600 msgid "date of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9599 +#: freeculture.xml:9603 msgid "time of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9602 +#: freeculture.xml:9606 msgid "time zone of origination of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9605 +#: freeculture.xml:9609 msgid "numeric designation of the place of the sound recording within the program;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9608 +#: freeculture.xml:9612 msgid "duration of transmission (to nearest second);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9611 +#: freeculture.xml:9615 msgid "sound recording title;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9614 +#: freeculture.xml:9618 msgid "ISRC code of the recording;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9617 +#: freeculture.xml:9621 msgid "" "release year of the album per copyright notice and in the case of " "compilation albums, the release year of the album and copy- right date of " @@ -12596,77 +12607,77 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9620 +#: freeculture.xml:9624 msgid "featured recording artist;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9623 +#: freeculture.xml:9627 msgid "retail album title;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9626 +#: freeculture.xml:9630 msgid "recording label;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9629 +#: freeculture.xml:9633 msgid "UPC code of the retail album;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9632 +#: freeculture.xml:9636 msgid "catalog number;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9635 +#: freeculture.xml:9639 msgid "copyright owner information;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9638 +#: freeculture.xml:9642 msgid "musical genre of the channel or program (station format);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9641 +#: freeculture.xml:9645 msgid "name of the service or entity;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9644 +#: freeculture.xml:9648 msgid "channel or program;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9647 +#: freeculture.xml:9651 msgid "date and time that the user logged in (in the user's time zone);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9650 +#: freeculture.xml:9654 msgid "date and time that the user logged out (in the user's time zone);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9653 +#: freeculture.xml:9657 msgid "time zone where the signal was received (user);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9656 +#: freeculture.xml:9660 msgid "Unique User identifier;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9659 +#: freeculture.xml:9663 msgid "the country in which the user received the transmissions." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9664 +#: freeculture.xml:9668 msgid "" "The Librarian of Congress eventually suspended these reporting requirements, " "pending further study. And he also changed the original rates set by the " @@ -12677,7 +12688,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9672 +#: freeculture.xml:9676 msgid "" "Why? What justifies this difference? Was there any study of the economic " "consequences from Internet radio that would justify these differences? Was " @@ -12685,7 +12696,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9678 +#: freeculture.xml:9682 msgid "" "In a rare bit of candor, one RIAA expert admitted what seemed obvious to " "everyone at the time. As Alex Alben, vice president for Public Policy at " @@ -12694,7 +12705,7 @@ msgstr "" #. PAGE BREAK 208 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9684 +#: freeculture.xml:9688 msgid "" "The RIAA, which was representing the record labels, presented some testimony " "about what they thought a willing buyer would pay to a willing seller, and " @@ -12708,7 +12719,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9700 +#: freeculture.xml:9704 msgid "" "And the RIAA experts said, \"Well, we don't really model this as an industry " "with thousands of webcasters, <emphasis>we think it should be an industry " @@ -12717,7 +12728,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9708 +#: freeculture.xml:9712 msgid "" "Translation: The aim is to use the law to eliminate competition, so that " "this platform of potentially immense competition, which would cause the " @@ -12728,12 +12739,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:9718 +#: freeculture.xml:9722 msgid "Corrupting Citizens" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9720 +#: freeculture.xml:9724 msgid "" "Overregulation stifles creativity. It smothers innovation. It gives " "dinosaurs a veto over the future. It wastes the extraordinary opportunity " @@ -12741,7 +12752,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9726 +#: freeculture.xml:9730 msgid "" "In addition to these important harms, there is one more that was important " "to our forebears, but seems forgotten today. Overregulation corrupts " @@ -12750,7 +12761,7 @@ msgstr "" #. f15. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9735 +#: freeculture.xml:9739 msgid "" "Mike Graziano and Lee Rainie, \"The Music Downloading Deluge,\" Pew Internet " "and American Life Project (24 April 2001), available at <ulink " @@ -12761,7 +12772,7 @@ msgstr "" #. PAGE BREAK 209 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9731 +#: freeculture.xml:9735 msgid "" "The war that is being waged today is a war of prohibition. As with every war " "of prohibition, it is targeted against the behavior of a very large number " @@ -12779,14 +12790,14 @@ msgstr "" #. f16. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9769 +#: freeculture.xml:9773 msgid "" "Alex Pham, \"The Labels Strike Back: N.Y. Girl Settles RIAA Case,\" " "<citetitle>Los Angeles Times</citetitle>, 10 September 2003, Business." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9756 +#: freeculture.xml:9760 msgid "" "The content industry's tactics exploit the failings of the American legal " "system. When the RIAA brought suit against Jesse Jordan, it knew that in " @@ -12809,7 +12820,7 @@ msgstr "" #. f17. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9791 +#: freeculture.xml:9795 msgid "" "Jeffrey A. Miron and Jeffrey Zwiebel, \"Alcohol Consumption During " "Prohibition,\" <citetitle>American Economic Review</citetitle> 81, no. 2 " @@ -12818,7 +12829,7 @@ msgstr "" #. f18. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9799 +#: freeculture.xml:9803 msgid "" "National Drug Control Policy: Hearing Before the House Government Reform " "Committee, 108th Cong., 1st sess. (5 March 2003) (statement of John " @@ -12827,7 +12838,7 @@ msgstr "" #. f19. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9809 +#: freeculture.xml:9813 msgid "" "See James Andreoni, Brian Erard, and Jonathon Feinstein, \"Tax Compliance,\" " "<citetitle>Journal of Economic Literature</citetitle> 36 (1998): 818 (survey " @@ -12835,12 +12846,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:9816 +#: freeculture.xml:9820 msgid "alcohol prohibition" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9781 +#: freeculture.xml:9785 msgid "" "Wars of prohibition are nothing new in America. This one is just something " "more extreme than anything we've seen before. We experimented with alcohol " @@ -12863,7 +12874,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9819 +#: freeculture.xml:9823 msgid "" "This state of affairs is not without consequence. It is a particularly " "salient issue for teachers like me, whose job it is to teach law students " @@ -12882,7 +12893,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9836 +#: freeculture.xml:9840 msgid "" "The response to this general illegality is either to enforce the law more " "severely or to change the law. We, as a society, have to learn how to make " @@ -12896,7 +12907,7 @@ msgstr "" #. PAGE BREAK 211 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9849 +#: freeculture.xml:9853 msgid "" "My point is not the idiotic one: Just because people violate a law, we " "should therefore repeal it. Obviously, we could reduce murder statistics " @@ -12906,7 +12917,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9856 +#: freeculture.xml:9860 msgid "" "My point is instead one that democracies understood for generations, but " "that we recently have learned to forget. The rule of law depends upon people " @@ -12923,7 +12934,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9870 +#: freeculture.xml:9874 msgid "" "When at least forty-three million citizens download content from the " "Internet, and when they use tools to combine that content in ways " @@ -12937,13 +12948,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9882 +#: freeculture.xml:9886 msgid "This abstract point can be made more clear with a particular example." msgstr "" #. PAGE BREAK 212 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9885 +#: freeculture.xml:9889 msgid "" "We all own CDs. Many of us still own phonograph records. These pieces of " "plastic encode music that in a certain sense we have bought. The law " @@ -12954,7 +12965,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9896 +#: freeculture.xml:9900 msgid "" "But as the MP3 craze has demonstrated, there is another use of phonograph " "records that is effectively free. Because these recordings were made without " @@ -12965,12 +12976,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9904 +#: freeculture.xml:9908 msgid "Adromeda" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9906 +#: freeculture.xml:9910 msgid "" "This \"use\" of my records is certainly valuable. I have begun a large " "process at home of ripping all of my and my wife's CDs, and storing them in " @@ -12984,7 +12995,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9917 +#: freeculture.xml:9921 msgid "" "This use is enabled by unprotected media—either CDs or records. But " "unprotected media also enable file sharing. File sharing threatens (or so " @@ -12997,7 +13008,7 @@ msgstr "" #. PAGE BREAK 213 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9927 +#: freeculture.xml:9931 msgid "" "If these technologies took off, then the building of large archives of your " "own music would become quite difficult. You might hang in hacker circles, " @@ -13011,7 +13022,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9941 +#: freeculture.xml:9945 msgid "" "If the only way to assure that artists get paid were the elimination of the " "ability to freely move content, then these technologies to interfere with " @@ -13023,7 +13034,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9950 +#: freeculture.xml:9954 msgid "" "My point just now is not to prove that there is such a system. I offer a " "version of such a system in the last chapter of this book. For now, the only " @@ -13036,7 +13047,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9961 +#: freeculture.xml:9965 msgid "" "I believe there is a way to assure that artists are paid without turning " "forty-three million Americans into felons. But the salient feature of this " @@ -13048,7 +13059,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9970 +#: freeculture.xml:9974 msgid "" "Except that this generation's buggy manufacturers have already saddled " "Congress, and are riding the law to protect themselves against this new form " @@ -13057,7 +13068,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9976 +#: freeculture.xml:9980 msgid "" "It is understandable why they choose as they do. It is not understandable " "why we as a democracy continue to choose as we do. Jack Valenti is charming; " @@ -13072,19 +13083,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:9995 freeculture.xml:10104 +#: freeculture.xml:9999 freeculture.xml:10108 msgid "von Lohmann, Fred" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9993 +#: freeculture.xml:9997 msgid "" "\"If you can treat someone as a putative lawbreaker,\" von Lohmann explains, " "<placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9999 +#: freeculture.xml:10003 msgid "" "then all of a sudden a lot of basic civil liberty protections evaporate to " "one degree or another. … If you're a copyright infringer, how can you " @@ -13097,7 +13108,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10011 +#: freeculture.xml:10015 msgid "" "And the consequence of this transformation of the American public into " "criminals is that it becomes trivial, as a matter of due process, to " @@ -13105,7 +13116,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10016 +#: freeculture.xml:10020 msgid "" "Users of the Internet began to see this generally in 2003 as the RIAA " "launched its campaign to force Internet service providers to turn over the " @@ -13117,7 +13128,7 @@ msgstr "" #. f20. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10034 +#: freeculture.xml:10038 msgid "" "See Frank Ahrens, \"RIAA's Lawsuits Meet Surprised Targets; Single Mother in " "Calif., 12-Year-Old Girl in N.Y. Among Defendants,\" <citetitle>Washington " @@ -13133,7 +13144,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10025 +#: freeculture.xml:10029 msgid "" "The RIAA then expanded this campaign, by announcing a general strategy to " "sue individual users of the Internet who are alleged to have downloaded " @@ -13147,7 +13158,7 @@ msgstr "" #. f21. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10052 +#: freeculture.xml:10056 msgid "" "See \"Revealed: How RIAA Tracks Downloaders: Music Industry Discloses Some " "Methods Used,\" CNN.com, available at <ulink " @@ -13155,7 +13166,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10048 +#: freeculture.xml:10052 msgid "" "Even this understates the espionage that is being waged by the RIAA. A " "report from CNN late last summer described a strategy the RIAA had adopted " @@ -13167,7 +13178,7 @@ msgstr "" #. f22. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10073 +#: freeculture.xml:10077 msgid "" "See Jeff Adler, \"Cambridge: On Campus, Pirates Are Not Penitent,\" " "<citetitle>Boston Globe</citetitle>, 18 May 2003, City Weekly, 1; Frank " @@ -13188,7 +13199,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10061 +#: freeculture.xml:10065 msgid "" "So imagine the following not-implausible scenario: Imagine a friend gives a " "CD to your daughter—a collection of songs just like the cassettes you " @@ -13205,7 +13216,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10092 +#: freeculture.xml:10096 msgid "" "Now, of course, she'll have the right to defend herself. You can hire a " "lawyer for her (at $300 per hour, if you're lucky), and she can plead that " @@ -13219,7 +13230,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:10108 +#: freeculture.xml:10112 msgid "" "So when we're talking about numbers like forty to sixty million Americans " "that are essentially copyright infringers, you create a situation where the " @@ -13240,7 +13251,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10128 +#: freeculture.xml:10132 msgid "" "When forty to sixty million Americans are considered \"criminals\" under the " "law, and when the law could achieve the same objective— securing " @@ -13251,12 +13262,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:10141 +#: freeculture.xml:10145 msgid "BALANCES" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10146 +#: freeculture.xml:10150 msgid "" "So here's the picture: You're standing at the side of the road. Your car is " "on fire. You are angry and upset because in part you helped start the " @@ -13265,7 +13276,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10152 +#: freeculture.xml:10156 msgid "" "As you ponder the mess, someone else comes along. In a panic, she grabs the " "bucket. Before you have a chance to tell her to stop—or before she " @@ -13275,7 +13286,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10160 +#: freeculture.xml:10164 msgid "" "A war about copyright rages all around—and we're all focusing on the " "wrong thing. No doubt, current technologies threaten existing businesses. " @@ -13287,7 +13298,7 @@ msgstr "" #. PAGE BREAK 219 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10169 +#: freeculture.xml:10173 msgid "" "Yet policy makers are not willing to leave this fire to itself. Primed with " "plenty of lobbyists' money, they are keen to intervene to eliminate the " @@ -13297,7 +13308,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10177 +#: freeculture.xml:10181 msgid "" "Somehow we have to find a way to turn attention to this more important and " "fundamental issue. Somehow we have to find a way to avoid pouring gasoline " @@ -13305,7 +13316,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10182 +#: freeculture.xml:10186 msgid "" "We have not found that way yet. Instead, we seem trapped in a simpler, " "binary view. However much many people push to frame this debate more " @@ -13314,7 +13325,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10188 +#: freeculture.xml:10192 msgid "" "This challenge has been my life these last few years. It has also been my " "failure. In the two chapters that follow, I describe one small brace of " @@ -13323,12 +13334,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:10198 +#: freeculture.xml:10202 msgid "CHAPTER THIRTEEN: Eldred" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10200 +#: freeculture.xml:10204 msgid "" "In 1995, a father was frustrated that his daughters didn't seem to like " "Hawthorne. No doubt there was more than one such father, but at least one " @@ -13339,7 +13350,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10209 +#: freeculture.xml:10213 msgid "" "It didn't work—at least for his daughters. They didn't find Hawthorne " "any more interesting than before. But Eldred's experiment gave birth to a " @@ -13349,7 +13360,7 @@ msgstr "" #. PAGE BREAK 221 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10216 +#: freeculture.xml:10220 msgid "" "Eldred's library was not simply a copy of certain public domain works, " "though even a copy would have been of great value to people across the world " @@ -13361,7 +13372,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10227 +#: freeculture.xml:10231 msgid "" "Eldred's freedom to do this with Hawthorne's work grew from the same source " "as Disney's. Hawthorne's <citetitle>Scarlet Letter</citetitle> had passed " @@ -13378,7 +13389,7 @@ msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10250 +#: freeculture.xml:10254 msgid "" "There's a parallel here with pornography that is a bit hard to describe, but " "it's a strong one. One phenomenon that the Internet created was a world of " @@ -13396,7 +13407,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10239 +#: freeculture.xml:10243 msgid "" "The Internet created the possibility of noncommercial publications of public " "domain works. Eldred's is just one example. There are literally thousands of " @@ -13410,7 +13421,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10267 +#: freeculture.xml:10271 msgid "" "As I said, Eldred lives in New Hampshire. In 1998, Robert Frost's collection " "of poems <citetitle>New Hampshire</citetitle> was slated to pass into the " @@ -13427,7 +13438,7 @@ msgstr "" #. f2. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10288 +#: freeculture.xml:10292 msgid "" "The full text is: \"Sonny [Bono] wanted the term of copyright protection to " "last forever. I am informed by staff that such a change would violate the " @@ -13439,7 +13450,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10283 +#: freeculture.xml:10287 msgid "" "This was the Sonny Bono Copyright Term Extension Act (CTEA), enacted in " "memory of the congressman and former musician Sonny Bono, who, his widow, " @@ -13448,7 +13459,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10299 +#: freeculture.xml:10303 msgid "" "Eldred decided to fight this law. He first resolved to fight it through " "civil disobedience. In a series of interviews, Eldred announced that he " @@ -13459,7 +13470,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10308 +#: freeculture.xml:10312 msgid "" "It was here that I became involved in Eldred's battle. I was a " "constitutional scholar whose first passion was constitutional " @@ -13469,7 +13480,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:10319 +#: freeculture.xml:10323 msgid "" "Congress has the power to promote the Progress of Science … by " "securing for limited Times to Authors … exclusive Right to their " @@ -13477,7 +13488,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10325 +#: freeculture.xml:10329 msgid "" "As I've described, this clause is unique within the power-granting clause of " "Article I, section 8 of our Constitution. Every other clause granting power " @@ -13490,12 +13501,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10344 freeculture.xml:11791 +#: freeculture.xml:10348 freeculture.xml:11795 msgid "Jaszi, Peter" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10335 +#: freeculture.xml:10339 msgid "" "In the past forty years, Congress has gotten into the practice of extending " "existing terms of copyright protection. What puzzled me about this was, if " @@ -13508,7 +13519,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10347 +#: freeculture.xml:10351 msgid "" "As an academic, my first response was to hit the books. I remember sitting " "late at the office, scouring on-line databases for any serious consideration " @@ -13521,7 +13532,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10358 +#: freeculture.xml:10362 msgid "" "For this is the core of the corruption in our present system of " "government. \"Corruption\" not in the sense that representatives are " @@ -13533,7 +13544,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10367 +#: freeculture.xml:10371 msgid "" "If that's not obvious to you, consider the following: Say you're one of the " "very few lucky copyright owners whose copyright continues to make money one " @@ -13545,7 +13556,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10377 +#: freeculture.xml:10381 msgid "" "So imagine the Robert Frost estate is earning $100,000 a year from three of " "Frost's poems. And imagine the copyright for those poems is about to " @@ -13555,7 +13566,7 @@ msgstr "" #. PAGE BREAK 224 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10384 +#: freeculture.xml:10388 msgid "" "\"Next year,\" the adviser announces, \"our copyrights in works A, B, and C " "will expire. That means that after next year, we will no longer be receiving " @@ -13563,7 +13574,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10392 +#: freeculture.xml:10396 msgid "" "\"There's a proposal in Congress, however,\" she continues, \"that could " "change this. A few congressmen are floating a bill to extend the terms of " @@ -13572,14 +13583,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10398 +#: freeculture.xml:10402 msgid "" "\"Hope?\" a fellow board member says. \"Can't we be doing something about " "it?\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10402 +#: freeculture.xml:10406 msgid "" "\"Well, obviously, yes,\" the adviser responds. \"We could contribute to the " "campaigns of a number of representatives to try to assure that they support " @@ -13587,7 +13598,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10407 +#: freeculture.xml:10411 msgid "" "You hate politics. You hate contributing to campaigns. So you want to know " "whether this disgusting practice is worth it. \"How much would we get if " @@ -13595,7 +13606,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10413 +#: freeculture.xml:10417 msgid "" "\"Well,\" the adviser says, \"if you're confident that you will continue to " "get at least $100,000 a year from these copyrights, and you use the " @@ -13604,14 +13615,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10419 +#: freeculture.xml:10423 msgid "" "You're a bit shocked by the number, but you quickly come to the correct " "conclusion:" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10423 +#: freeculture.xml:10427 msgid "" "\"So you're saying it would be worth it for us to pay more than $1,000,000 " "in campaign contributions if we were confident those contributions would " @@ -13619,7 +13630,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10429 +#: freeculture.xml:10433 msgid "" "\"Absolutely,\" the adviser responds. \"It is worth it to you to contribute " "up to the `present value' of the income you expect from these " @@ -13628,7 +13639,7 @@ msgstr "" #. PAGE BREAK 225 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10435 +#: freeculture.xml:10439 msgid "" "You quickly get the point—you as the member of the board and, I trust, " "you the reader. Each time copyrights are about to expire, every beneficiary " @@ -13640,7 +13651,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10446 +#: freeculture.xml:10450 msgid "" "Thus a congressional perpetual motion machine: So long as legislation can be " "bought (albeit indirectly), there will be all the incentive in the world to " @@ -13649,7 +13660,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10458 +#: freeculture.xml:10462 msgid "" "Associated Press, \"Disney Lobbying for Copyright Extension No Mickey Mouse " "Effort; Congress OKs Bill Granting Creators 20 More Years,\" " @@ -13658,7 +13669,7 @@ msgstr "" #. f4. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10465 +#: freeculture.xml:10469 msgid "" "See Nick Brown, \"Fair Use No More?: Copyright in the Information Age,\" " "available at <ulink url=\"http://free-culture.cc/notes/\">link #49</ulink>." @@ -13666,7 +13677,7 @@ msgstr "" #. f5. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10473 +#: freeculture.xml:10477 msgid "" "Alan K. Ota, \"Disney in Washington: The Mouse That Roars,\" " "<citetitle>Congressional Quarterly This Week</citetitle>, 8 August 1990, " @@ -13674,7 +13685,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10451 +#: freeculture.xml:10455 msgid "" "In the lobbying that led to the passage of the Sonny Bono Copyright Term " "Extension Act, this \"theory\" about incentives was proved real. Ten of the " @@ -13689,7 +13700,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10480 +#: freeculture.xml:10484 msgid "" "Constitutional law is not oblivious to the obvious. Or at least, it need not " "be. So when I was considering Eldred's complaint, this reality about the " @@ -13703,7 +13714,7 @@ msgstr "" #. PAGE BREAK 226 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10493 +#: freeculture.xml:10497 msgid "" "It was also my judgment that <emphasis>this</emphasis> Supreme Court would " "not allow Congress to extend existing terms. As anyone close to the Supreme " @@ -13715,7 +13726,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10506 +#: freeculture.xml:10510 msgid "" "Since 1937, the Supreme Court had interpreted Congress's granted powers very " "broadly; so, while the Constitution grants Congress the power to regulate " @@ -13725,7 +13736,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10516 +#: freeculture.xml:10520 msgid "" "As the economy grew, this standard increasingly meant that there was no " "limit to Congress's power to regulate, since just about every activity, when " @@ -13735,7 +13746,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10523 +#: freeculture.xml:10527 msgid "" "The Supreme Court, under Chief Justice Rehnquist's command, changed that in " "<citetitle>United States</citetitle> v. <citetitle>Lopez</citetitle>. The " @@ -13751,7 +13762,7 @@ msgstr "" #. f6. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10538 +#: freeculture.xml:10542 msgid "" "<citetitle>United States</citetitle> v. <citetitle>Lopez</citetitle>, 514 " "U.S. 549, 564 (1995)." @@ -13759,14 +13770,14 @@ msgstr "" #. f7. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10545 +#: freeculture.xml:10549 msgid "" "<citetitle>United States</citetitle> v. <citetitle>Morrison</citetitle>, 529 " "U.S. 598 (2000)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10536 +#: freeculture.xml:10540 msgid "" "\"We pause to consider the implications of the government's arguments,\" the " "Chief Justice wrote.<placeholder type=\"footnote\" id=\"0\"/> If anything " @@ -13779,7 +13790,7 @@ msgstr "" #. f8. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10552 +#: freeculture.xml:10556 msgid "" "If it is a principle about enumerated powers, then the principle carries " "from one enumerated power to another. The animating point in the context of " @@ -13793,7 +13804,7 @@ msgstr "" #. PAGE BREAK 227 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10549 +#: freeculture.xml:10553 msgid "" "If a principle were at work here, then it should apply to the Progress " "Clause as much as the Commerce Clause.<placeholder type=\"footnote\" " @@ -13807,7 +13818,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10573 +#: freeculture.xml:10577 msgid "" "<emphasis>If</emphasis>, that is, the principle announced in " "<citetitle>Lopez</citetitle> stood for a principle. Many believed the " @@ -13823,7 +13834,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10586 +#: freeculture.xml:10590 msgid "" "Now let's pause for a moment to make sure we understand what the argument in " "<citetitle>Eldred</citetitle> was not about. By insisting on the " @@ -13843,7 +13854,7 @@ msgstr "" #. f9. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10609 +#: freeculture.xml:10613 msgid "" "Brief of the Nashville Songwriters Association, " "<citetitle>Eldred</citetitle> v. <citetitle>Ashcroft</citetitle>, 537 U.S. " @@ -13852,12 +13863,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10617 +#: freeculture.xml:10621 msgid "Nashville Songwriters Association" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10603 +#: freeculture.xml:10607 msgid "" "Some people view the public domain with contempt. In their brief before the " "Supreme Court, the Nashville Songwriters Association wrote that the public " @@ -13869,7 +13880,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10620 +#: freeculture.xml:10624 msgid "" "As we've seen, our constitutional system requires limits on copyright as a " "way to assure that copyright holders do not too heavily influence the " @@ -13881,7 +13892,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10632 +#: freeculture.xml:10636 msgid "" "It is valuable copyrights that are responsible for terms being extended. " "Mickey Mouse and \"Rhapsody in Blue.\" These works are too valuable for " @@ -13895,7 +13906,7 @@ msgstr "" #. f10. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10653 +#: freeculture.xml:10657 msgid "" "The figure of 2 percent is an extrapolation from the study by the " "Congressional Research Service, in light of the estimated renewal " @@ -13905,7 +13916,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10647 +#: freeculture.xml:10651 msgid "" "If you look at the work created in the first twenty years (1923 to 1942) " "affected by the Sonny Bono Copyright Term Extension Act, 2 percent of that " @@ -13917,7 +13928,7 @@ msgstr "" #. PAGE BREAK 229 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10662 +#: freeculture.xml:10666 msgid "" "Think practically about the consequence of this extension—practically, " "as a businessperson, and not as a lawyer eager for more legal work. In 1930, " @@ -13928,7 +13939,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10674 +#: freeculture.xml:10678 msgid "" "Well, first, you'd have to determine which of the 9,873 books were still " "under copyright. That requires going to a library (these data are not " @@ -13939,14 +13950,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10682 +#: freeculture.xml:10686 msgid "" "Then for the books still under copyright, you would need to locate the " "current copyright owners. How would you do that?" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10686 +#: freeculture.xml:10690 msgid "" "Most people think that there must be a list of these copyright owners " "somewhere. Practical people think this way. How could there be thousands and " @@ -13954,7 +13965,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10693 +#: freeculture.xml:10697 msgid "" "But there is no list. There may be a name from 1930, and then in 1959, of " "the person who registered the copyright. But just think practically about " @@ -13964,14 +13975,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10702 +#: freeculture.xml:10706 msgid "" "\"But there isn't a list of who owns property generally,\" the apologists " "for the system respond. \"Why should there be a list of copyright owners?\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10707 +#: freeculture.xml:10711 msgid "" "Well, actually, if you think about it, there <emphasis>are</emphasis> plenty " "of lists of who owns what property. Think about deeds on houses, or titles " @@ -13983,7 +13994,7 @@ msgstr "" #. PAGE BREAK 230 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10716 +#: freeculture.xml:10720 msgid "" "So: You walk down a street and see a house. You can know who owns the house " "by looking it up in the courthouse registry. If you see a car, there is " @@ -13997,7 +14008,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10731 +#: freeculture.xml:10735 msgid "" "Compare this story to intangible property. You go into a library. The " "library owns the books. But who owns the copyrights? As I've already " @@ -14011,7 +14022,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10743 +#: freeculture.xml:10747 msgid "" "The consequence with respect to old books is that they won't be digitized, " "and hence will simply rot away on shelves. But the consequence for other " @@ -14019,13 +14030,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10748 +#: freeculture.xml:10752 msgid "Agee, Michael" msgstr "" #. f11. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10761 +#: freeculture.xml:10765 msgid "" "See David G. Savage, \"High Court Scene of Showdown on Copyright Law,\" " "<citetitle>Los Angeles Times</citetitle>, 6 October 2002; David Streitfeld, " @@ -14035,12 +14046,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10767 +#: freeculture.xml:10771 msgid "Lucky Dog, The" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10750 +#: freeculture.xml:10754 msgid "" "Consider the story of Michael Agee, chairman of Hal Roach Studios, which " "owns the copyrights for the Laurel and Hardy films. Agee is a direct " @@ -14055,7 +14066,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10770 +#: freeculture.xml:10774 msgid "" "Yet Agee opposed the CTEA. His reasons demonstrate a rare virtue in this " "culture: selflessness. He argued in a brief before the Supreme Court that " @@ -14065,7 +14076,7 @@ msgstr "" #. PAGE BREAK 231 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10776 +#: freeculture.xml:10780 msgid "" "His argument is straightforward. A tiny fraction of this work has any " "continuing commercial value. The rest—to the extent it survives at " @@ -14077,7 +14088,7 @@ msgstr "" #. f12. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10794 +#: freeculture.xml:10798 msgid "" "Brief of Hal Roach Studios and Michael Agee as Amicus Curiae Supporting the " "Petitoners, <citetitle>Eldred</citetitle> " @@ -14089,7 +14100,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10787 +#: freeculture.xml:10791 msgid "" "We can't know the benefits, but we do know a lot about the costs. For most " "of the history of film, the costs of restoring film were very high; digital " @@ -14100,7 +14111,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10804 +#: freeculture.xml:10808 msgid "" "Restoration technology is not the only cost, nor the most important. " "Lawyers, too, are a cost, and increasingly, a very important one. In " @@ -14110,7 +14121,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10812 +#: freeculture.xml:10816 msgid "" "Or more accurately, <emphasis>owners</emphasis>. As we've seen, there isn't " "only a single copyright associated with a film; there are many. There isn't " @@ -14121,7 +14132,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10820 +#: freeculture.xml:10824 msgid "" "\"But can't you just restore the film, distribute it, and then pay the " "copyright owner when she shows up?\" Sure, if you want to commit a " @@ -14136,7 +14147,7 @@ msgstr "" #. PAGE BREAK 232 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10831 +#: freeculture.xml:10835 msgid "" "For some films, the benefit of releasing the film may well exceed these " "costs. But for the vast majority of them, there is no way the benefit would " @@ -14146,7 +14157,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10841 +#: freeculture.xml:10845 msgid "" "But by the time the copyright for these films expires, the film will have " "expired. These films were produced on nitrate-based stock, and nitrate stock " @@ -14155,7 +14166,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10849 +#: freeculture.xml:10853 msgid "" "Of all the creative work produced by humans anywhere, a tiny fraction has " "continuing commercial value. For that tiny fraction, the copyright is a " @@ -14165,7 +14176,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10858 +#: freeculture.xml:10862 msgid "" "But even for that tiny fraction, the actual time during which the creative " "work has a commercial life is extremely short. As I've indicated, most books " @@ -14176,7 +14187,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10868 +#: freeculture.xml:10872 msgid "" "Yet that doesn't mean the life of the creative work ends. We don't keep " "libraries of books in order to compete with Barnes & Noble, and we don't " @@ -14190,7 +14201,7 @@ msgstr "" #. PAGE BREAK 233 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10881 +#: freeculture.xml:10885 msgid "" "Copyrights in this context do not drive an engine of free expression. In " "this context, there is no need for an exclusive right. Copyrights in this " @@ -14198,7 +14209,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10888 +#: freeculture.xml:10892 msgid "" "Yet, for most of our history, they also did little harm. For most of our " "history, when a work ended its commercial life, there was no " @@ -14211,7 +14222,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10899 +#: freeculture.xml:10903 msgid "" "The same was effectively true of film. Because the costs of restoring a " "film—the real economic costs, not the lawyer costs—were so high, " @@ -14222,7 +14233,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10908 +#: freeculture.xml:10912 msgid "" "In other words, though copyright has been relatively short for most of our " "history, long copyrights wouldn't have mattered for the works that lost " @@ -14231,12 +14242,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10914 +#: freeculture.xml:10918 msgid "But this situation has now changed." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10917 +#: freeculture.xml:10921 msgid "" "One crucially important consequence of the emergence of digital technologies " "is to enable the archive that Brewster Kahle dreams of. Digital " @@ -14251,7 +14262,7 @@ msgstr "" #. PAGE BREAK 234 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10930 +#: freeculture.xml:10934 msgid "" "And now copyright law does get in the way. Every step of producing this " "digital archive of our culture infringes on the exclusive right of " @@ -14264,7 +14275,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10940 +#: freeculture.xml:10944 msgid "" "Here is the core of the harm that comes from extending terms: Now that " "technology enables us to rebuild the library of Alexandria, the law gets in " @@ -14278,7 +14289,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10951 +#: freeculture.xml:10955 msgid "" "You may well ask, \"But if digital technologies lower the costs for Brewster " "Kahle, then they will lower the costs for Random House, too. So won't " @@ -14286,7 +14297,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10957 +#: freeculture.xml:10961 msgid "" "Maybe. Someday. But there is absolutely no evidence to suggest that " "publishers would be as complete as libraries. If Barnes & Noble offered " @@ -14300,7 +14311,7 @@ msgstr "" #. f13. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10980 +#: freeculture.xml:10984 msgid "" "Jason Schultz, \"The Myth of the 1976 Copyright `Chaos' Theory,\" 20 " "December 2002, available at <ulink " @@ -14308,7 +14319,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10968 +#: freeculture.xml:10972 msgid "" "I would be the first to agree that it should do as much as it can: We should " "rely upon the market as much as possible to spread and enable culture. My " @@ -14322,7 +14333,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10987 +#: freeculture.xml:10991 msgid "" "In January 1999, we filed a lawsuit on Eric Eldred's behalf in federal " "district court in Washington, D.C., asking the court to declare the Sonny " @@ -14333,7 +14344,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10995 +#: freeculture.xml:10999 msgid "" "The district court dismissed our claims without even hearing an argument. A " "panel of the Court of Appeals for the D.C. Circuit also dismissed our " @@ -14343,7 +14354,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11002 +#: freeculture.xml:11006 msgid "" "Judge David Sentelle said the CTEA violated the requirement that copyrights " "be for \"limited Times\" only. His argument was as elegant as it was simple: " @@ -14356,7 +14367,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11013 +#: freeculture.xml:11017 msgid "" "We asked the Court of Appeals for the D.C. Circuit as a whole to hear the " "case. Cases are ordinarily heard in panels of three, except for important " @@ -14366,7 +14377,7 @@ msgstr "" #. PAGE BREAK 236 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11019 +#: freeculture.xml:11023 msgid "" "The Court of Appeals rejected our request to hear the case en banc. This " "time, Judge Sentelle was joined by the most liberal member of the " @@ -14376,7 +14387,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11028 +#: freeculture.xml:11032 msgid "" "It was here that most expected Eldred v. Ashcroft would die, for the Supreme " "Court rarely reviews any decision by a court of appeals. (It hears about one " @@ -14386,7 +14397,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11035 +#: freeculture.xml:11039 msgid "" "But in February 2002, the Supreme Court surprised the world by granting our " "petition to review the D.C. Circuit opinion. Argument was set for October of " @@ -14394,7 +14405,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11041 +#: freeculture.xml:11045 msgid "" "It is over a year later as I write these words. It is still astonishingly " "hard. If you know anything at all about this story, you know that we lost " @@ -14407,7 +14418,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11051 +#: freeculture.xml:11055 msgid "" "But my client and these friends were wrong. This case could have been " "won. It should have been won. And no matter how hard I try to retell this " @@ -14415,13 +14426,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11056 freeculture.xml:11070 +#: freeculture.xml:11060 freeculture.xml:11074 msgid "Steward, Geoffrey" msgstr "" #. PAGE BREAK 237 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11058 +#: freeculture.xml:11062 msgid "" "The mistake was made early, though it became obvious only at the very " "end. Our case had been supported from the very beginning by an extraordinary " @@ -14433,17 +14444,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11068 freeculture.xml:11412 freeculture.xml:11427 freeculture.xml:11520 freeculture.xml:11734 freeculture.xml:11765 freeculture.xml:11857 +#: freeculture.xml:11072 freeculture.xml:11416 freeculture.xml:11431 freeculture.xml:11524 freeculture.xml:11738 freeculture.xml:11769 freeculture.xml:11861 msgid "Ayer, Don" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11069 +#: freeculture.xml:11073 msgid "Bromberg, Dan" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11072 +#: freeculture.xml:11076 msgid "" "There were three key lawyers on the case from Jones Day. Geoff Stewart was " "the first, but then Dan Bromberg and Don Ayer became quite " @@ -14456,7 +14467,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11082 +#: freeculture.xml:11086 msgid "" "I hate this view of the law. Of course I thought the Sonny Bono Act was a " "dramatic harm to free speech and free culture. Of course I still think it " @@ -14477,7 +14488,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11103 +#: freeculture.xml:11107 msgid "" "In any case, I thought, the Court must already see the danger and the harm " "caused by this sort of law. Why else would they grant review? There was no " @@ -14488,7 +14499,7 @@ msgstr "" #. PAGE BREAK 238 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11111 +#: freeculture.xml:11115 msgid "" "There was one way, however, in which I felt politics would matter and in " "which I thought a response was appropriate. I was convinced that the Court " @@ -14507,17 +14518,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11142 freeculture.xml:11167 +#: freeculture.xml:11146 freeculture.xml:11171 msgid "Eagle Forum" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11143 +#: freeculture.xml:11147 msgid "Schlafly, Phyllis" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11130 +#: freeculture.xml:11134 msgid "" "The first step happened all by itself. Phyllis Schlafly's organization, " "Eagle Forum, had been an opponent of the CTEA from the very beginning. " @@ -14535,7 +14546,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11146 +#: freeculture.xml:11150 msgid "" "In the Court of Appeals, Eagle Forum was eager to file a brief supporting " "our position. Their brief made the argument that became the core claim in " @@ -14545,7 +14556,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11154 +#: freeculture.xml:11158 msgid "" "In the Supreme Court, the briefs on our side were about as diverse as it " "gets. They included an extraordinary historical brief by the Free Software " @@ -14560,17 +14571,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11174 +#: freeculture.xml:11178 msgid "American Association of Law Libraries" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11175 +#: freeculture.xml:11179 msgid "National Writers Union" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11170 +#: freeculture.xml:11174 msgid "" "Those briefs framed a legal argument. Then to support the legal argument, " "there were a number of powerful briefs by libraries and archives, including " @@ -14580,7 +14591,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11178 +#: freeculture.xml:11182 msgid "" "But two briefs captured the policy argument best. One made the argument I've " "already described: A brief by Hal Roach Studios argued that unless the law " @@ -14589,32 +14600,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11184 +#: freeculture.xml:11188 msgid "Akerlof, George" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11185 +#: freeculture.xml:11189 msgid "Arrow, Kenneth" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11186 +#: freeculture.xml:11190 msgid "Buchanan, James" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11187 +#: freeculture.xml:11191 msgid "Coase, Ronald" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11188 +#: freeculture.xml:11192 msgid "Friedman, Milton" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11190 +#: freeculture.xml:11194 msgid "" "This economists' brief was signed by seventeen economists, including five " "Nobel Prize winners, including Ronald Coase, James Buchanan, Milton " @@ -14628,12 +14639,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11213 freeculture.xml:11226 freeculture.xml:11418 freeculture.xml:11770 +#: freeculture.xml:11217 freeculture.xml:11230 freeculture.xml:11422 freeculture.xml:11774 msgid "Fried, Charles" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11201 +#: freeculture.xml:11205 msgid "" "The same effort at balance was reflected in the legal team we gathered to " "write our briefs in the case. The Jones Day lawyers had been with us from " @@ -14648,7 +14659,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11216 +#: freeculture.xml:11220 msgid "" "Fried was a special victory for our side. Every other former solicitor " "general was hired by the other side to defend Congress's power to give media " @@ -14663,7 +14674,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11229 +#: freeculture.xml:11233 msgid "" "The government, in defending the statute, had its collection of friends, as " "well. Significantly, however, none of these \"friends\" included historians " @@ -14672,7 +14683,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11236 +#: freeculture.xml:11240 msgid "" "The media companies were not surprising. They had the most to gain from the " "law. The congressmen were not surprising either—they were defending " @@ -14684,7 +14695,7 @@ msgstr "" #. f14. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11252 +#: freeculture.xml:11256 msgid "" "Brief of Amici Dr. Seuss Enterprise et al., <citetitle>Eldred</citetitle> " "v. <citetitle>Ashcroft</citetitle>, 537 U.S. (2003) (No. 01-618), 19." @@ -14692,19 +14703,19 @@ msgstr "" #. f15. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11260 +#: freeculture.xml:11264 msgid "" "Dinitia Smith, \"Immortal Words, Immortal Royalties? Even Mickey Mouse Joins " "the Fray,\" <citetitle>New York Times</citetitle>, 28 March 1998, B7." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11267 +#: freeculture.xml:11271 msgid "Gershwin, George" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11245 +#: freeculture.xml:11249 msgid "" "Dr. Seuss's representatives, for example, argued that it was better for the " "Dr. Seuss estate to control what happened to Dr. Seuss's work— better " @@ -14721,7 +14732,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11270 +#: freeculture.xml:11274 msgid "" "This argument made clear a theme that is rarely noticed in this debate. " "When Congress decides to extend the term of existing copyrights, Congress is " @@ -14736,7 +14747,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11282 +#: freeculture.xml:11286 msgid "" "We argued as much in a final brief. Not only would upholding the CTEA mean " "that there was no limit to the power of Congress to extend " @@ -14748,7 +14759,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11291 +#: freeculture.xml:11295 msgid "" "The Supreme Court was divided into two important camps. One camp we called " "\"the Conservatives.\" The other we called \"the Rest.\" The Conservatives " @@ -14761,13 +14772,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11300 freeculture.xml:11324 freeculture.xml:11663 freeculture.xml:11675 +#: freeculture.xml:11304 freeculture.xml:11328 freeculture.xml:11667 freeculture.xml:11679 msgid "Breyer, Stephen" msgstr "" #. PAGE BREAK 242 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11302 +#: freeculture.xml:11306 msgid "" "The Rest were the four Justices who had strongly opposed limits on " "Congress's power. These four—Justice Stevens, Justice Souter, Justice " @@ -14780,7 +14791,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11314 +#: freeculture.xml:11318 msgid "" "In particular, the least likely was Justice Ginsburg's. In addition to her " "general view about deference to Congress (except where issues of gender are " @@ -14793,7 +14804,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11326 +#: freeculture.xml:11330 msgid "" "Close behind Justice Ginsburg were two justices whom we also viewed as " "unlikely allies, though possible surprises. Justice Souter strongly favored " @@ -14803,7 +14814,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11334 +#: freeculture.xml:11338 msgid "" "The only vote we could be confident about was that of Justice " "Stevens. History will record Justice Stevens as one of the greatest judges " @@ -14814,7 +14825,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11342 +#: freeculture.xml:11346 msgid "" "This analysis of \"the Rest\" showed most clearly where our focus had to be: " "on the Conservatives. To win this case, we had to crack open these five and " @@ -14827,7 +14838,7 @@ msgstr "" #. PAGE BREAK 243 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11352 +#: freeculture.xml:11356 msgid "" "This then was the core of our strategy—a strategy for which I am " "responsible. We would get the Court to see that just as with the " @@ -14842,7 +14853,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11366 +#: freeculture.xml:11370 msgid "" "The argument on the government's side came down to this: Congress has done " "it before. It should be allowed to do it again. The government claimed that " @@ -14852,7 +14863,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11373 +#: freeculture.xml:11377 msgid "" "There was some truth to the government's claim, but not much. We certainly " "agreed that Congress had extended existing terms in and in 1909. And of " @@ -14862,7 +14873,7 @@ msgstr "" #. PAGE BREAK 244 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11380 +#: freeculture.xml:11384 msgid "" "But this \"consistency\" should be kept in perspective. Congress extended " "existing terms once in the first hundred years of the Republic. It then " @@ -14880,7 +14891,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11403 +#: freeculture.xml:11407 msgid "" "I was convinced that to win, I had to keep the Court focused on a single " "point: that if this extension is permitted, then there is no limit to the " @@ -14891,7 +14902,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11414 +#: freeculture.xml:11418 msgid "" "One moot was before the lawyers at Jones Day. Don Ayer was the skeptic. He " "had served in the Reagan Justice Department with Solicitor General Charles " @@ -14901,7 +14912,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11421 +#: freeculture.xml:11425 msgid "" "\"I'm just afraid that unless they really see the harm, they won't be " "willing to upset this practice that the government says has been a " @@ -14912,7 +14923,7 @@ msgstr "" #. PAGE BREAK 245 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11429 +#: freeculture.xml:11433 msgid "" "He may have argued many cases before this Court, I thought, but he didn't " "understand its soul. As a clerk, I had seen the Justices do the right " @@ -14930,7 +14941,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11446 +#: freeculture.xml:11450 msgid "" "Not everyone has to wait in line. People who know the Justices can ask for " "seats they control. (I asked Justice Scalia's chambers for seats for my " @@ -14946,7 +14957,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11461 +#: freeculture.xml:11465 msgid "" "When the Chief Justice called me to begin my argument, I began where I " "intended to stay: on the question of the limits on Congress's power. This " @@ -14955,14 +14966,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11467 +#: freeculture.xml:11471 msgid "" "Justice O'Connor stopped me within one minute of my opening. The history " "was bothering her." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11472 +#: freeculture.xml:11476 msgid "" "justice o'connor: Congress has extended the term so often through the years, " "and if you are right, don't we run the risk of upsetting previous extensions " @@ -14971,7 +14982,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11479 +#: freeculture.xml:11483 msgid "" "She was quite willing to concede \"that this flies directly in the face of " "what the framers had in mind.\" But my response again and again was to " @@ -14980,7 +14991,7 @@ msgstr "" #. PAGE BREAK 246 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11485 +#: freeculture.xml:11489 msgid "" "mr. lessig: Well, if it flies in the face of what the framers had in mind, " "then the question is, is there a way of interpreting their words that gives " @@ -14988,14 +14999,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11493 +#: freeculture.xml:11497 msgid "" "There were two points in this argument when I should have seen where the " "Court was going. The first was a question by Justice Kennedy, who observed," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11499 +#: freeculture.xml:11503 msgid "" "justice kennedy: Well, I suppose implicit in the argument that the '76 act, " "too, should have been declared void, and that we might leave it alone " @@ -15005,14 +15016,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11507 +#: freeculture.xml:11511 msgid "" "Here follows my clear mistake. Like a professor correcting a student, I " "answered," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11513 +#: freeculture.xml:11517 msgid "" "mr. lessig: Justice, we are not making an empirical claim at all. Nothing " "in our Copyright Clause claim hangs upon the empirical assertion about " @@ -15022,7 +15033,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11522 +#: freeculture.xml:11526 msgid "" "That was a correct answer, but it wasn't the right answer. The right answer " "was instead that there was an obvious and profound harm. Any number of " @@ -15032,7 +15043,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11529 +#: freeculture.xml:11533 msgid "" "The second came from the Chief, for whom the whole case had been " "crafted. For the Chief Justice had crafted the <citetitle>Lopez</citetitle> " @@ -15041,21 +15052,21 @@ msgstr "" #. PAGE BREAK 247 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11534 +#: freeculture.xml:11538 msgid "" "It was clear a second into his question that he wasn't at all sympathetic. " "To him, we were a bunch of anarchists. As he asked:" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11541 +#: freeculture.xml:11545 msgid "" "chief justice: Well, but you want more than that. You want the right to copy " "verbatim other people's books, don't you?" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11545 +#: freeculture.xml:11549 msgid "" "mr. lessig: We want the right to copy verbatim works that should be in the " "public domain and would be in the public domain but for a statute that " @@ -15064,7 +15075,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11554 +#: freeculture.xml:11558 msgid "" "Things went better for us when the government gave its argument; for now the " "Court picked up on the core of our claim. As Justice Scalia asked Solicitor " @@ -15072,7 +15083,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11560 +#: freeculture.xml:11564 msgid "" "justice scalia: You say that the functional equivalent of an unlimited time " "would be a violation [of the Constitution], but that's precisely the " @@ -15081,7 +15092,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11568 +#: freeculture.xml:11572 msgid "" "When Olson was finished, it was my turn to give a closing rebuttal. Olson's " "flailing had revived my anger. But my anger still was directed to the " @@ -15097,7 +15108,7 @@ msgstr "" #. PAGE BREAK 248 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11581 +#: freeculture.xml:11585 msgid "" "As I left the court that day, I knew there were a hundred points I wished I " "could remake. There were a hundred questions I wished I had answered " @@ -15105,7 +15116,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11589 +#: freeculture.xml:11593 msgid "" "The government had been asked over and over again, what is the limit? Over " "and over again, it had answered there is no limit. This was precisely the " @@ -15122,7 +15133,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11604 +#: freeculture.xml:11608 msgid "" "The morning of January 15, 2003, I was five minutes late to the office and " "missed the 7:00 A.M. call from the Supreme Court clerk. Listening to the " @@ -15132,7 +15143,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11611 +#: freeculture.xml:11615 msgid "" "A few seconds later, the opinions arrived by e-mail. I took the phone off " "the hook, posted an announcement to our blog, and sat down to see where I " @@ -15140,7 +15151,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11616 +#: freeculture.xml:11620 msgid "" "My <emphasis>reasoning</emphasis>. Here was a case that pitted all the money " "in the world against <emphasis>reasoning</emphasis>. And here was the last " @@ -15148,7 +15159,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11622 +#: freeculture.xml:11626 msgid "" "I first scoured the opinion, looking for how the Court would distinguish the " "principle in this case from the principle in " @@ -15159,7 +15170,7 @@ msgstr "" #. PAGE BREAK 249 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11631 +#: freeculture.xml:11635 msgid "" "Justice Ginsburg simply ignored the enumerated powers argument. Consistent " "with her view that Congress's power was not limited generally, she had found " @@ -15167,7 +15178,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11636 +#: freeculture.xml:11640 msgid "" "Her opinion was perfectly reasonable—for her, and for Justice " "Souter. Neither believes in <citetitle>Lopez</citetitle>. It would be too " @@ -15176,7 +15187,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11642 +#: freeculture.xml:11646 msgid "" "But as I realized what had happened, I couldn't quite believe what I was " "reading. I had said there was no way this Court could reconcile limited " @@ -15190,7 +15201,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11653 +#: freeculture.xml:11657 msgid "" "Yet by what right did they get to choose which of the framers' values they " "would respect? By what right did they—the silent five—get to " @@ -15203,7 +15214,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11665 +#: freeculture.xml:11669 msgid "" "Justices Breyer and Stevens wrote very strong dissents. Stevens's opinion " "was crafted internal to the law: He argued that the tradition of " @@ -15218,7 +15229,7 @@ msgstr "" #. PAGE BREAK 250 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11678 +#: freeculture.xml:11682 msgid "" "Justice Breyer's opinion, perhaps the best opinion he has ever written, was " "external to the Constitution. He argued that the term of copyrights has " @@ -15231,7 +15242,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11689 +#: freeculture.xml:11693 msgid "" "These two justices understood all the arguments we had made. But because " "neither believed in the <citetitle>Lopez</citetitle> case, neither was " @@ -15242,7 +15253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11696 +#: freeculture.xml:11700 msgid "" "Defeat brings depression. They say it is a sign of health when depression " "gives way to anger. My anger came quickly, but it didn't cure the " @@ -15250,7 +15261,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11701 +#: freeculture.xml:11705 msgid "" "It was first anger with the five \"Conservatives.\" It would have been one " "thing for them to have explained why the principle of " @@ -15267,7 +15278,7 @@ msgstr "" #. PAGE BREAK 251 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11714 +#: freeculture.xml:11718 msgid "" "Here, they had joined an opinion that never once tried to explain what the " "framers had meant by crafting the Progress Clause as they did; they joined " @@ -15282,7 +15293,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11729 +#: freeculture.xml:11733 msgid "" "My anger with the Conservatives quickly yielded to anger with myself. For I " "had let a view of the law that I liked interfere with a view of the law as " @@ -15290,7 +15301,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11736 +#: freeculture.xml:11740 msgid "" "Most lawyers, and most law professors, have little patience for idealism " "about courts in general and this Supreme Court in particular. Most have a " @@ -15305,7 +15316,7 @@ msgstr "" #. PAGE BREAK 252 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11747 +#: freeculture.xml:11751 msgid "" "As I read back over the transcript from that argument in October, I can see " "a hundred places where the answers could have taken the conversation in " @@ -15324,7 +15335,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11767 +#: freeculture.xml:11771 msgid "" "Would it have been different if I had argued it differently? Would it have " "been different if Don Ayer had argued it? Or Charles Fried? Or Kathleen " @@ -15332,7 +15343,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11773 +#: freeculture.xml:11777 msgid "" "My friends huddled around me to insist it would not. The Court was not " "ready, my friends insisted. This was a loss that was destined. It would take " @@ -15341,7 +15352,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11779 +#: freeculture.xml:11783 msgid "" "Maybe, but I doubt it. These Justices have no financial interest in doing " "anything except the right thing. They are not lobbied. They have little " @@ -15351,7 +15362,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11786 +#: freeculture.xml:11790 msgid "" "And even if I couldn't, then that doesn't excuse what happened in " "January. For at the start of this case, one of America's leading " @@ -15363,7 +15374,7 @@ msgstr "" #. PAGE BREAK 253 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11794 +#: freeculture.xml:11798 msgid "" "After the argument and after the decision, Peter said to me, and publicly, " "that he was wrong. But if indeed that Court could not have been persuaded, " @@ -15383,7 +15394,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11815 +#: freeculture.xml:11819 msgid "" "In effect, the Supreme Court's decision makes it likely that we are seeing " "the beginning of the end of public domain and the birth of copyright " @@ -15394,12 +15405,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11829 +#: freeculture.xml:11833 msgid "Bolling, Ruben" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11824 +#: freeculture.xml:11828 msgid "" "The best responses were in the cartoons. There was a gaggle of hilarious " "images—of Mickey in jail and the like. The best, from my view of the " @@ -15410,17 +15421,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:11832 +#: freeculture.xml:11836 msgid "Tom the Dancing Bug cartoon" msgstr "" #. type: Content of: <book><part><chapter><figure> -#: freeculture.xml:11833 +#: freeculture.xml:11837 msgid "<graphic fileref=\"images/18.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11836 +#: freeculture.xml:11840 msgid "" "The image that will always stick in my head is that evoked by the quote from " "<citetitle>The New York Times</citetitle>. That \"grand experiment\" we call " @@ -15432,12 +15443,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:11847 +#: freeculture.xml:11851 msgid "CHAPTER FOURTEEN: Eldred II" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11849 +#: freeculture.xml:11853 msgid "" "The day <citetitle>Eldred</citetitle> was decided, fate would have it that I " "was to travel to Washington, D.C. (The day the rehearing petition in " @@ -15449,7 +15460,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11859 +#: freeculture.xml:11863 msgid "" "It was an act of contrition. During the whole of the flight from San " "Francisco to Washington, I had heard over and over again in my head the same " @@ -15463,7 +15474,7 @@ msgstr "" #. PAGE BREAK 256 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11869 +#: freeculture.xml:11873 msgid "" "<citetitle>The New York Times</citetitle> published the piece. In it, I " "proposed a simple fix: Fifty years after a work has been published, the " @@ -15473,7 +15484,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11877 +#: freeculture.xml:11881 msgid "" "We called this the Eldred Act, but that was just to give it a name. Eric " "Eldred was kind enough to let his name be used once again, but as he said " @@ -15481,7 +15492,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11882 +#: freeculture.xml:11886 msgid "" "Or another two names. For depending upon your perspective, this is either " "the \"Public Domain Enhancement Act\" or the \"Copyright Term Deregulation " @@ -15492,12 +15503,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11890 freeculture.xml:12090 +#: freeculture.xml:11894 freeculture.xml:12094 msgid "Forbes, Steve" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11892 +#: freeculture.xml:11896 msgid "" "The reaction to this idea was amazingly strong. Steve Forbes endorsed it in " "an editorial. I received an avalanche of e-mail and letters expressing " @@ -15511,7 +15522,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11904 +#: freeculture.xml:11908 msgid "" "Indeed, many recognized the obvious benefit of the registration " "requirement. For one of the hardest things about the current system for " @@ -15524,18 +15535,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11914 +#: freeculture.xml:11918 msgid "Berlin Act (1908)" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11915 freeculture.xml:11955 +#: freeculture.xml:11919 freeculture.xml:11959 msgid "Berne Convention (1908)" msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11923 +#: freeculture.xml:11927 msgid "" "Until the 1908 Berlin Act of the Berne Convention, national copyright " "legislation sometimes made protection depend upon compliance with " @@ -15557,7 +15568,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11918 +#: freeculture.xml:11922 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, formalities in copyright law were removed in 1976, " @@ -15572,7 +15583,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11949 +#: freeculture.xml:11953 msgid "" "That's great rhetoric. It sounds wonderfully romantic. But it is absurd " "copyright policy. It is absurd especially for authors, because a world " @@ -15582,7 +15593,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11957 +#: freeculture.xml:11961 msgid "" "The fight against formalities achieved its first real victory in Berlin in " "1908. International copyright lawyers amended the Berne Convention in 1908, " @@ -15595,7 +15606,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11967 +#: freeculture.xml:11971 msgid "" "These complaints were real and sensible. And the strictness of the " "formalities, especially in the United States, was absurd. The law should " @@ -15606,7 +15617,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11975 +#: freeculture.xml:11979 msgid "" "Even that would have been resisted, however, because registration in the " "nineteenth and twentieth centuries was still expensive. It was also a " @@ -15617,7 +15628,7 @@ msgstr "" #. PAGE BREAK 258 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11983 +#: freeculture.xml:11987 msgid "" "In addition to the practical complaint of authors in 1908, there was a moral " "claim as well. There was no reason that creative property should be a " @@ -15629,7 +15640,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11995 +#: freeculture.xml:11999 msgid "" "This argument is correct, but its implications are misleading. For the " "argument in favor of formalities does not depend upon creative property " @@ -15640,7 +15651,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12004 +#: freeculture.xml:12008 msgid "" "No one thinks, for example, that land is second-class property just because " "you have to register a deed with a court if your sale of land is to be " @@ -15658,7 +15669,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12020 +#: freeculture.xml:12024 msgid "" "It is similarly special physics that makes formalities important in " "copyright law. Unlike a carpenter's table, there's nothing in nature that " @@ -15673,7 +15684,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12035 +#: freeculture.xml:12039 msgid "" "This was the understanding of the problem with the Sonny Bono Act that we " "tried to demonstrate to the Court. This was the part it didn't \"get.\" " @@ -15685,7 +15696,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12045 +#: freeculture.xml:12049 msgid "" "But now that copyrights can be just about a century long, the inability to " "know what is protected and what is not protected becomes a huge and obvious " @@ -15697,7 +15708,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12054 +#: freeculture.xml:12058 msgid "" "The Eldred Act was designed to respond to exactly this problem. If it is " "worth $1 to you, then register your work and you can get the longer " @@ -15707,7 +15718,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12061 +#: freeculture.xml:12065 msgid "" "If it isn't worth it to you to register to get the benefit of an extended " "term, then it shouldn't be worth it for the government to defend your " @@ -15717,7 +15728,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12068 +#: freeculture.xml:12072 msgid "" "Some worry about the burden on authors. Won't the burden of registering the " "work mean that the $1 is really misleading? Isn't the hassle worth more than " @@ -15726,7 +15737,7 @@ msgstr "" #. PAGE BREAK 260 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12074 +#: freeculture.xml:12078 msgid "" "It is. The hassle is terrible. The system that exists now is awful. I " "completely agree that the Copyright Office has done a terrible job (no doubt " @@ -15744,7 +15755,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12092 +#: freeculture.xml:12096 msgid "" "When Steve Forbes endorsed the idea, some in Washington began to pay " "attention. Many people contacted me pointing to representatives who might be " @@ -15753,12 +15764,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:12105 +#: freeculture.xml:12109 msgid "Lofgren, Zoe" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12098 +#: freeculture.xml:12102 msgid "" "One representative, Zoe Lofgren of California, went so far as to get the " "bill drafted. The draft solved any problem with international law. It " @@ -15770,7 +15781,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12108 +#: freeculture.xml:12112 msgid "" "But at this stage, the lobbyists began to intervene. Jack Valenti and the " "MPAA general counsel came to the congresswoman's office to give the view of " @@ -15782,7 +15793,7 @@ msgstr "" #. PAGE BREAK 261 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12116 +#: freeculture.xml:12120 msgid "" "The MPAA argued first that Congress had \"firmly rejected the central " "concept in the proposed bill\"—that copyrights be renewed. That was " @@ -15804,7 +15815,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12137 +#: freeculture.xml:12141 msgid "" "Finally, the MPAA argued that existing law enabled copyright owners to do " "this if they wanted. But the whole point is that there are thousands of " @@ -15815,7 +15826,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12145 +#: freeculture.xml:12149 msgid "" "At the beginning of this book, I told two stories about the law reacting to " "changes in technology. In the one, common sense prevailed. In the other, " @@ -15827,7 +15838,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12155 +#: freeculture.xml:12159 msgid "" "I used these two cases as a way to frame the war that this book has been " "about. For here, too, a new technology is forcing the law to react. And " @@ -15837,7 +15848,7 @@ msgstr "" #. PAGE BREAK 262 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12164 +#: freeculture.xml:12168 msgid "" "When the issue is piracy, it is right for the law to back the copyright " "owners. The commercial piracy that I described is wrong and harmful, and the " @@ -15850,8 +15861,13 @@ msgid "" "resistance." msgstr "" +#. type: Content of: <book><part><chapter><para><indexterm><primary> +#: freeculture.xml:12187 +msgid "Kelly, Kevin" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12175 +#: freeculture.xml:12179 msgid "" "But when the copyright owners oppose a proposal such as the Eldred Act, " "then, finally, there is an example that lays bare the naked selfinterest " @@ -15860,16 +15876,16 @@ msgid "" "to exercise continued control over his content. It would simply liberate " "what Kevin Kelly calls the \"Dark Content\" that fills archives around the " "world. So when the warriors oppose a change like this, we should ask one " -"simple question:" +"simple question: <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12185 +#: freeculture.xml:12190 msgid "What does this industry really want?" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12188 +#: freeculture.xml:12193 msgid "" "With very little effort, the warriors could protect their content. So the " "effort to block something like the Eldred Act is not really about protecting " @@ -15882,7 +15898,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12199 +#: freeculture.xml:12204 msgid "" "The opposition to the Eldred Act reveals how extreme the other side is. The " "most powerful and sexy and well loved of lobbies really has as its aim not " @@ -15893,7 +15909,7 @@ msgstr "" #. PAGE BREAK 263 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12207 +#: freeculture.xml:12212 msgid "" "It is not hard to understand why the warriors take this view. It is not hard " "to see why it would benefit them if the competition of the public domain " @@ -15904,7 +15920,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12219 +#: freeculture.xml:12224 msgid "" "What is hard to understand is why the public takes this view. It is as if " "the law made airplanes trespassers. The MPAA stands with the Causbys and " @@ -15914,7 +15930,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12226 +#: freeculture.xml:12231 msgid "" "All this seems to follow easily from this untroubled acceptance of the " "\"property\" in intellectual property. Common sense supports it, and so long " @@ -15926,12 +15942,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:12238 +#: freeculture.xml:12243 msgid "CONCLUSION" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12240 +#: freeculture.xml:12245 msgid "" "There are more than 35 million people with the AIDS virus " "worldwide. Twenty-five million of them live in sub-Saharan Africa. " @@ -15941,7 +15957,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12247 +#: freeculture.xml:12252 msgid "" "There is no cure for AIDS, but there are drugs to slow its progression. " "These antiretroviral therapies are still experimental, but they have already " @@ -15952,7 +15968,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12262 +#: freeculture.xml:12267 msgid "" "Commission on Intellectual Property Rights, \"Final Report: Integrating " "Intellectual Property Rights and Development Policy\" (London, 2002), " @@ -15963,7 +15979,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12255 +#: freeculture.xml:12260 msgid "" "These drugs are expensive. When they were first introduced in the United " "States, they cost between $10,000 and $15,000 per person per year. Today, " @@ -15976,7 +15992,7 @@ msgstr "" #. PAGE BREAK 265 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12273 +#: freeculture.xml:12278 msgid "" "These prices are not high because the ingredients of the drugs are " "expensive. These prices are high because the drugs are protected by " @@ -15987,7 +16003,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12281 +#: freeculture.xml:12286 msgid "" "There are many who are skeptical of patents, especially drug patents. I am " "not. Indeed, of all the areas of research that might be supported by " @@ -16000,7 +16016,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12292 +#: freeculture.xml:12297 msgid "" "But it is one thing to support patents, even drug patents. It is another " "thing to determine how best to deal with a crisis. And as African leaders " @@ -16010,12 +16026,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12310 freeculture.xml:12742 +#: freeculture.xml:12315 freeculture.xml:12747 msgid "Braithwaite, John" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12308 +#: freeculture.xml:12313 msgid "" "See Peter Drahos with John Braithwaite, <citetitle>Information Feudalism: " "Who Owns the Knowledge Economy?</citetitle> (New York: The New Press, 2003), " @@ -16024,7 +16040,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12299 +#: freeculture.xml:12304 msgid "" "In 1997, South Africa tried one tack. It passed a law to allow the " "importation of patented medicines that had been produced or sold in another " @@ -16037,7 +16053,7 @@ msgstr "" #. f3. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12321 +#: freeculture.xml:12326 msgid "" "International Intellectual Property Institute (IIPI), <citetitle>Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " @@ -16052,7 +16068,7 @@ msgstr "" #. f4. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12348 +#: freeculture.xml:12353 msgid "" "International Intellectual Property Institute (IIPI), <citetitle>Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " @@ -16061,7 +16077,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12315 +#: freeculture.xml:12320 msgid "" "However, the United States government opposed the bill. Indeed, more than " "opposed. As the International Intellectual Property Association " @@ -16084,7 +16100,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12354 +#: freeculture.xml:12359 msgid "" "We should place the intervention by the United States in context. No doubt " "patents are not the most important reason that Africans don't have access to " @@ -16096,7 +16112,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12364 +#: freeculture.xml:12369 msgid "" "By stopping the flow of HIV treatment into Africa, the United States " "government was not saving drugs for United States citizens. This is not " @@ -16107,7 +16123,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12372 +#: freeculture.xml:12377 msgid "" "Nor was the intervention by the United States going to protect the profits " "of United States drug companies—at least, not substantially. It was " @@ -16121,7 +16137,7 @@ msgstr "" #. f5. #. PAGE BREAK 333 #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12387 +#: freeculture.xml:12392 msgid "" "See Sabin Russell, \"New Crusade to Lower AIDS Drug Costs: Africa's Needs at " "Odds with Firms' Profit Motive,\" <citetitle>San Francisco " @@ -16139,7 +16155,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12381 +#: freeculture.xml:12386 msgid "" "Instead, the argument in favor of restricting this flow of information, " "which was needed to save the lives of millions, was an argument about the " @@ -16151,7 +16167,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12408 +#: freeculture.xml:12413 msgid "" "Now just step back for a moment. There will be a time thirty years from now " "when our children look back at us and ask, how could we have let this " @@ -16164,7 +16180,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12418 +#: freeculture.xml:12423 msgid "" "Some blame the drug companies. I don't. They are corporations. Their " "managers are ordered by law to make money for the corporation. They push a " @@ -16175,7 +16191,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12426 +#: freeculture.xml:12431 msgid "" "The corruption is our own politicians' failure of integrity. For the drug " "companies would love—they say, and I believe them—to sell their " @@ -16187,7 +16203,7 @@ msgstr "" #. PAGE BREAK 268 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12434 +#: freeculture.xml:12439 msgid "" "A different problem, however, could not be overcome. This is the fear of the " "grandstanding politician who would call the presidents of the drug companies " @@ -16203,7 +16219,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12449 +#: freeculture.xml:12454 msgid "" "So when the common sense of your child confronts you, what will you say? " "When the common sense of a generation finally revolts against what we have " @@ -16211,7 +16227,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12455 +#: freeculture.xml:12460 msgid "" "A sensible patent policy could endorse and strongly support the patent " "system without having to reach everyone everywhere in exactly the same " @@ -16226,7 +16242,7 @@ msgstr "" #. PAGE BREAK 269 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12467 +#: freeculture.xml:12472 msgid "" "But we as a culture have lost this sense of balance. We have lost the " "critical eye that helps us see the difference between truth and extremism. " @@ -16246,7 +16262,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12487 +#: freeculture.xml:12492 msgid "" "So far, common sense sleeps. There is no revolt. Common sense does not yet " "see what there could be to revolt about. The extremism that now dominates " @@ -16264,7 +16280,7 @@ msgstr "" #. f6. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12504 +#: freeculture.xml:12509 msgid "" "Jonathan Krim, \"The Quiet War over Open-Source,\" <citetitle>Washington " "Post</citetitle>, August 2003, E1, available at <ulink " @@ -16278,17 +16294,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:12532 freeculture.xml:13201 +#: freeculture.xml:12537 freeculture.xml:13206 msgid "academic journals" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:12533 freeculture.xml:13265 +#: freeculture.xml:12538 freeculture.xml:13270 msgid "PLoS (Public Library of Science)" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12501 +#: freeculture.xml:12506 msgid "" "In August 2003, a fight broke out in the United States about a decision by " "the World Intellectual Property Organization to cancel a " @@ -16313,7 +16329,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12536 +#: freeculture.xml:12541 msgid "" "The aim of the meeting was to consider this wide range of projects from one " "common perspective: that none of these projects relied upon intellectual " @@ -16324,14 +16340,14 @@ msgstr "" #. f7. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12544 +#: freeculture.xml:12549 msgid "" "I should disclose that I was one of the people who asked WIPO for the " "meeting." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12543 +#: freeculture.xml:12548 msgid "" "From the perspective of this book, then, the conference was " "ideal.<placeholder type=\"footnote\" id=\"0\"/> The projects within its " @@ -16343,7 +16359,7 @@ msgstr "" #. PAGE BREAK 271 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12554 +#: freeculture.xml:12559 msgid "" "Indeed, I was once publicly scolded for not recognizing this fact about " "WIPO. In February 2003, I delivered a keynote address to a preparatory " @@ -16367,7 +16383,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12578 +#: freeculture.xml:12583 msgid "" "So whether or not WSIS can discuss balance in intellectual property, I had " "thought it was taken for granted that WIPO could and should. And thus the " @@ -16376,7 +16392,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12584 +#: freeculture.xml:12589 msgid "" "But there is one project within that list that is highly controversial, at " "least among lobbyists. That project is \"open source and free software.\" " @@ -16391,7 +16407,7 @@ msgstr "" #. f8. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12606 +#: freeculture.xml:12611 msgid "" "Microsoft's position about free and open source software is more " "sophisticated. As it has repeatedly asserted, it has no problem with \"open " @@ -16411,12 +16427,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:12622 +#: freeculture.xml:12627 msgid "\"copyleft\" licenses" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12595 +#: freeculture.xml:12600 msgid "" "I don't mean to enter that debate here. It is important only to make clear " "that the distinction is not between commercial and noncommercial " @@ -16434,7 +16450,7 @@ msgstr "" #. PAGE BREAK 272 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12627 +#: freeculture.xml:12632 msgid "" "More important for our purposes, to support \"open source and free " "software\" is not to oppose copyright. \"Open source and free software\" is " @@ -16453,14 +16469,14 @@ msgstr "" #. f9. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12653 +#: freeculture.xml:12658 msgid "" "Krim, \"The Quiet War over Open-Source,\" available at <ulink " "url=\"http://free-culture.cc/notes/\">link #64</ulink>." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12645 +#: freeculture.xml:12650 msgid "" "It is therefore understandable that as a proprietary software developer, " "Microsoft would oppose this WIPO meeting, and understandable that it would " @@ -16473,7 +16489,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12659 +#: freeculture.xml:12664 msgid "" "I don't blame Microsoft for doing what it can to advance its own interests, " "consistent with the law. And lobbying governments is plainly consistent with " @@ -16483,7 +16499,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12667 +#: freeculture.xml:12672 msgid "" "What was surprising was the United States government's reason for opposing " "the meeting. Again, as reported by Krim, Lois Boland, acting director of " @@ -16495,12 +16511,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12677 +#: freeculture.xml:12682 msgid "These statements are astonishing on a number of levels." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12681 +#: freeculture.xml:12686 msgid "" "First, they are just flat wrong. As I described, most open source and free " "software relies fundamentally upon the intellectual property right called " @@ -16513,7 +16529,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12691 +#: freeculture.xml:12696 msgid "" "Second, who ever said that WIPO's exclusive aim was to \"promote\" " "intellectual property maximally? As I had been scolded at the preparatory " @@ -16528,7 +16544,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12704 +#: freeculture.xml:12709 msgid "" "Third, even if one believed that the purpose of WIPO was to maximize " "intellectual property rights, in our tradition, intellectual property rights " @@ -16545,7 +16561,7 @@ msgstr "" #. PAGE BREAK 274 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12718 +#: freeculture.xml:12723 msgid "" "When Ms. Boland says that there is something wrong with a meeting \"which " "has as its purpose to disclaim or waive such rights,\" she's saying that " @@ -16558,7 +16574,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12730 +#: freeculture.xml:12735 msgid "" "There is a history of just such a property system that is well known in the " "Anglo-American tradition. It is called \"feudalism.\" Under feudalism, not " @@ -16572,14 +16588,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12747 +#: freeculture.xml:12752 msgid "" "See Drahos with Braithwaite, <citetitle>Information Feudalism</citetitle>, " "210–20. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12744 +#: freeculture.xml:12749 msgid "" "As Peter Drahos and John Braithwaite relate, this is precisely the choice we " "are now making about intellectual property.<placeholder type=\"footnote\" " @@ -16590,7 +16606,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12756 +#: freeculture.xml:12761 msgid "" "When this battle broke, I blogged it. A spirited debate within the comment " "section ensued. Ms. Boland had a number of supporters who tried to show why " @@ -16600,7 +16616,7 @@ msgstr "" #. PAGE BREAK 275 #. type: Content of: <book><chapter><blockquote><para> -#: freeculture.xml:12763 +#: freeculture.xml:12768 msgid "" "George, you misunderstand Lessig: He's only talking about the world as it " "should be (\"the goal of WIPO, and the goal of any government, should be to " @@ -16613,7 +16629,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12775 +#: freeculture.xml:12780 msgid "" "I missed the irony the first time I read it. I read it quickly and thought " "the poster was supporting the idea that seeking balance was what our " @@ -16626,7 +16642,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12785 +#: freeculture.xml:12790 msgid "" "Obviously, however, the poster was not supporting that idea. Instead, the " "poster was ridiculing the very idea that in the real world, the \"goal\" of " @@ -16637,7 +16653,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12793 +#: freeculture.xml:12798 msgid "" "I understand criticism of academic utopianism. I think utopianism is silly, " "too, and I'd be the first to poke fun at the absurdly unrealistic ideals of " @@ -16645,7 +16661,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12799 +#: freeculture.xml:12804 msgid "" "But when it has become silly to suppose that the role of our government " "should be to \"seek balance,\" then count me with the silly, for that means " @@ -16659,7 +16675,7 @@ msgstr "" #. PAGE BREAK 276 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12810 +#: freeculture.xml:12815 msgid "" "It might be crazy to expect a high government official to speak the " "truth. It might be crazy to believe that government policy will be something " @@ -16669,12 +16685,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:12829 +#: freeculture.xml:12834 msgid "Turner, Ted" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12819 +#: freeculture.xml:12824 msgid "" "If this is crazy, then let there be more crazies. Soon. There are moments " "of hope in this struggle. And moments that surprise. When the FCC was " @@ -16689,7 +16705,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12833 +#: freeculture.xml:12838 msgid "" "This activism did not stop the FCC, but soon after, a broad coalition in the " "Senate voted to reverse the FCC decision. The hostile hearings leading up to " @@ -16699,7 +16715,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12841 +#: freeculture.xml:12846 msgid "" "But even this movement misses an important piece of the puzzle. Largeness " "as such is not bad. Freedom is not threatened just because some become very " @@ -16709,7 +16725,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12848 +#: freeculture.xml:12853 msgid "" "The danger in media concentration comes not from the concentration, but " "instead from the feudalism that this concentration, tied to the change in " @@ -16721,7 +16737,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12858 +#: freeculture.xml:12863 msgid "" "It is therefore significant that so many would rally to demand competition " "and increased diversity. Still, if the rally is understood as being about " @@ -16731,7 +16747,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12865 +#: freeculture.xml:12870 msgid "" "It would be something new, and something very important, if an equal number " "could be rallied to fight the increasing extremism built within the idea of " @@ -16742,20 +16758,20 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12873 +#: freeculture.xml:12878 msgid "" "If we were Achilles, this would be our heel. This would be the place of our " "tragedy." msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12876 +#: freeculture.xml:12881 msgid "Dylan, Bob" msgstr "" #. f11. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12881 +#: freeculture.xml:12886 msgid "" "John Borland, \"RIAA Sues 261 File Swappers,\" CNET News.com, September " "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -16774,7 +16790,7 @@ msgstr "" #. f12. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12899 +#: freeculture.xml:12904 msgid "" "Jon Wiederhorn, \"Eminem Gets Sued … by a Little Old Lady,\" mtv.com, " "17 September 2003, available at <ulink " @@ -16784,7 +16800,7 @@ msgstr "" #. f13. #. PAGE BREAK 334 #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12906 +#: freeculture.xml:12911 msgid "" "Kenji Hall, Associated Press, \"Japanese Book May Be Inspiration for Dylan " "Songs,\" Kansascity.com, 9 July 2003, available at <ulink " @@ -16792,7 +16808,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12878 +#: freeculture.xml:12883 msgid "" "As I write these final words, the news is filled with stories about the RIAA " "lawsuits against almost three hundred individuals.<placeholder " @@ -16811,18 +16827,18 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:12923 freeculture.xml:13282 +#: freeculture.xml:12928 freeculture.xml:13287 msgid "Creative Commons" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12924 +#: freeculture.xml:12929 msgid "Gil, Gilberto" msgstr "" #. f14. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12929 +#: freeculture.xml:12934 msgid "" "\"BBC Plans to Open Up Its Archive to the Public,\" BBC press release, 24 " "August 2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -16831,7 +16847,7 @@ msgstr "" #. f15. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12938 +#: freeculture.xml:12943 msgid "" "\"Creative Commons and Brazil,\" Creative Commons Weblog, 6 August 2003, " "available at <ulink url=\"http://free-culture.cc/notes/\">link #71</ulink>." @@ -16839,7 +16855,7 @@ msgstr "" #. PAGE BREAK 278 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12926 +#: freeculture.xml:12931 msgid "" "Yet on the other side of the Atlantic, the BBC has just announced that it " "will build a \"Creative Archive,\" from which British citizens can download " @@ -16858,20 +16874,20 @@ msgstr "" #. PAGE BREAK 279 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12952 +#: freeculture.xml:12957 msgid "" "Common sense must revolt. It must act to free culture. Soon, if this " "potential is ever to be realized." msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:12960 +#: freeculture.xml:12965 msgid "AFTERWORD" msgstr "" #. PAGE BREAK 280 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12964 +#: freeculture.xml:12969 msgid "" "At least some who have read this far will agree with me that something must " "be done to change where we are heading. The balance of this book maps what " @@ -16879,7 +16895,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12969 +#: freeculture.xml:12974 msgid "" "I divide this map into two parts: that which anyone can do now, and that " "which requires the help of lawmakers. If there is one lesson that we can " @@ -16888,7 +16904,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12975 +#: freeculture.xml:12980 msgid "" "That means this movement must begin in the streets. It must recruit a " "significant number of parents, teachers, librarians, creators, authors, " @@ -16897,7 +16913,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12982 +#: freeculture.xml:12987 msgid "" "Once this movement has its effect in the streets, it has some hope of having " "an effect in Washington. We are still a democracy. What people think " @@ -16907,12 +16923,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><title> -#: freeculture.xml:12991 +#: freeculture.xml:12996 msgid "US, NOW" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12993 +#: freeculture.xml:12998 msgid "" "Common sense is with the copyright warriors because the debate so far has " "been framed at the extremes—as a grand either/or: either property or " @@ -16921,7 +16937,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12999 +#: freeculture.xml:13004 msgid "" "The mistake here is the error of the excluded middle. There are extremes in " "this debate, but the extremes are not all that there is. There are those who " @@ -16935,7 +16951,7 @@ msgstr "" #. PAGE BREAK 282 #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13009 +#: freeculture.xml:13014 msgid "" "When the Internet was first born, its initial architecture effectively " "tilted in the \"no rights reserved\" direction. Content could be copied " @@ -16946,7 +16962,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13021 +#: freeculture.xml:13026 msgid "" "This initial character produced a reaction (opposite, but not quite equal) " "by copyright owners. That reaction has been the topic of this book. Through " @@ -16962,7 +16978,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13035 +#: freeculture.xml:13040 msgid "" "What's needed is a way to say something in the middle—neither \"all " "rights reserved\" nor \"no rights reserved\" but \"some rights " @@ -16972,12 +16988,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13044 +#: freeculture.xml:13049 msgid "Rebuilding Freedoms Previously Presumed: Examples" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13046 +#: freeculture.xml:13051 msgid "" "If you step back from the battle I've been describing here, you will " "recognize this problem from other contexts. Think about privacy. Before the " @@ -16989,12 +17005,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13056 +#: freeculture.xml:13061 msgid "What made it assured?" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13060 +#: freeculture.xml:13065 msgid "" "Well, if we think in terms of the modalities I described in chapter <xref " "xrefstyle=\"select: labelnumber\" linkend=\"property-i\"/>, your privacy was " @@ -17012,17 +17028,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13075 +#: freeculture.xml:13080 msgid "Amazon" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13085 +#: freeculture.xml:13090 msgid "cookies, Internet" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13077 +#: freeculture.xml:13082 msgid "" "Enter the Internet, where the cost of tracking browsing in particular has " "become quite tiny. If you're a customer at Amazon, then as you browse the " @@ -17035,7 +17051,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13088 +#: freeculture.xml:13093 msgid "" "Amazon, of course, is not the problem. But we might begin to worry about " "libraries. If you're one of those crazy lefties who thinks that people " @@ -17048,7 +17064,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13104 +#: freeculture.xml:13109 msgid "" "See, for example, Marc Rotenberg, \"Fair Information Practices and the " "Architecture of Privacy (What Larry Doesn't Get),\" <citetitle>Stanford " @@ -17062,7 +17078,7 @@ msgstr "" #. PAGE BREAK 284 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13098 +#: freeculture.xml:13103 msgid "" "It is this reality that explains the push of many to define \"privacy\" on " "the Internet. It is the recognition that technology can remove what friction " @@ -17075,7 +17091,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13122 +#: freeculture.xml:13127 msgid "" "A similar story could be told about the birth of the free software " "movement. When computers with software were first made available " @@ -17086,12 +17102,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13129 +#: freeculture.xml:13134 msgid "Stallman, Richard" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13131 +#: freeculture.xml:13136 msgid "" "That was the world Richard Stallman was born into, and while he was a " "researcher at MIT, he grew to love the community that developed when one was " @@ -17101,7 +17117,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13139 +#: freeculture.xml:13144 msgid "" "In an academic setting, at least, that's not a terribly radical idea. In a " "math department, anyone would be free to tinker with a proof that someone " @@ -17115,7 +17131,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13151 +#: freeculture.xml:13156 msgid "" "No one answered that question. Instead, the architecture of revenue for " "computing changed. As it became possible to import programs from one system " @@ -17128,7 +17144,7 @@ msgstr "" #. PAGE BREAK 285 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13160 +#: freeculture.xml:13165 msgid "" "Thus, the practice of proprietary code began to spread, and by the early " "1980s, Stallman found himself surrounded by proprietary code. The world of " @@ -17138,7 +17154,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13169 +#: freeculture.xml:13174 msgid "" "Therefore, in 1984, Stallman began a project to build a free operating " "system, so that at least a strain of free software would survive. That was " @@ -17148,7 +17164,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13177 +#: freeculture.xml:13182 msgid "" "Stallman's technique was to use copyright law to build a world of software " "that must be kept free. Software licensed under the Free Software " @@ -17161,7 +17177,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13188 +#: freeculture.xml:13193 msgid "" "Stallman was thus doing for software what privacy advocates now do for " "privacy. He was seeking a way to rebuild a kind of freedom that was taken " @@ -17172,7 +17188,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13196 +#: freeculture.xml:13201 msgid "" "Finally, consider a very recent example that more directly resonates with " "the story of this book. This is the shift in the way academic and scientific " @@ -17181,7 +17197,7 @@ msgstr "" #. PAGE BREAK 286 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13204 +#: freeculture.xml:13209 msgid "" "As digital technologies develop, it is becoming obvious to many that " "printing thousands of copies of journals every month and sending them to " @@ -17198,7 +17214,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13220 +#: freeculture.xml:13225 msgid "" "There's nothing wrong in general with this, and indeed, the ability to " "charge for access to even public domain materials is a good incentive for " @@ -17210,7 +17226,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13229 +#: freeculture.xml:13234 msgid "" "But what if the only way to get access to social and scientific data was " "through proprietary services? What if no one had the ability to browse this " @@ -17218,7 +17234,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13234 +#: freeculture.xml:13239 msgid "" "As many are beginning to notice, this is increasingly the reality with " "scientific journals. When these journals were distributed in paper form, " @@ -17233,7 +17249,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13246 +#: freeculture.xml:13251 msgid "" "As journals become electronic, however, the publishers are demanding that " "libraries not give the general public access to the journals. This means " @@ -17243,7 +17259,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13254 +#: freeculture.xml:13259 msgid "" "This shrinking freedom has led many to take affirmative steps to restore the " "freedom that has been lost. The Public Library of Science (PLoS), for " @@ -17258,7 +17274,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13268 +#: freeculture.xml:13273 msgid "" "This is one of many such efforts to restore a freedom taken for granted " "before, but now threatened by changing technology and markets. There's no " @@ -17269,19 +17285,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13280 +#: freeculture.xml:13285 msgid "Rebuilding Free Culture: One Idea" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13285 +#: freeculture.xml:13290 msgid "" "The same strategy could be applied to culture, as a response to the " "increasing control effected through law and technology." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13289 +#: freeculture.xml:13294 msgid "" "Enter the Creative Commons. The Creative Commons is a nonprofit corporation " "established in Massachusetts, but with its home at Stanford University. Its " @@ -17295,7 +17311,7 @@ msgstr "" #. PAGE BREAK 288 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13300 +#: freeculture.xml:13305 msgid "" "<emphasis>Simple</emphasis>—which means without a middleman, or " "without a lawyer. By developing a free set of licenses that people can " @@ -17313,7 +17329,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13318 +#: freeculture.xml:13323 msgid "" "These freedoms are beyond the freedoms promised by fair use. Their precise " "contours depend upon the choices the creator makes. The creator can choose a " @@ -17326,7 +17342,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13329 +#: freeculture.xml:13334 msgid "" "These choices thus establish a range of freedoms beyond the default of " "copyright law. They also enable freedoms that go beyond traditional fair " @@ -17339,12 +17355,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13350 +#: freeculture.xml:13355 msgid "Garlick, Mia" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13340 +#: freeculture.xml:13345 msgid "" "This is just one project among many within the Creative Commons. And of " "course, Creative Commons is not the only organization pursuing such " @@ -17358,7 +17374,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13353 +#: freeculture.xml:13358 msgid "" "The aim is not to fight the \"All Rights Reserved\" sorts. The aim is to " "complement them. The problems that the law creates for us as a culture are " @@ -17372,7 +17388,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13365 +#: freeculture.xml:13370 msgid "" "Why would creators participate in giving up total control? Some participate " "to better spread their content. Cory Doctorow, for example, is a science " @@ -17382,7 +17398,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13372 +#: freeculture.xml:13377 msgid "" "Why would a publisher ever agree to this? I suspect his publisher reasoned " "like this: There are two groups of people out there: (1) those who will buy " @@ -17396,7 +17412,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13384 +#: freeculture.xml:13389 msgid "" "Indeed, the experience of his publisher clearly supports that conclusion. " "The book's first printing was exhausted months before the publisher had " @@ -17404,17 +17420,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13399 +#: freeculture.xml:13404 msgid "Free for All (Wayner)" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13400 +#: freeculture.xml:13405 msgid "Wayner, Peter" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13390 +#: freeculture.xml:13395 msgid "" "The idea that free content might increase the value of nonfree content was " "confirmed by the experience of another author. Peter Wayner, who wrote a " @@ -17429,7 +17445,7 @@ msgstr "" #. f2. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13419 +#: freeculture.xml:13424 msgid "" "<citetitle>Willful Infringement: A Report from the Front Lines of the Real " "Culture Wars</citetitle> (2003), produced by Jed Horovitz, directed by Greg " @@ -17438,7 +17454,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13403 +#: freeculture.xml:13408 msgid "" "These are examples of using the Commons to better spread proprietary " "content. I believe that is a wonderful and common use of the Commons. There " @@ -17458,7 +17474,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13428 +#: freeculture.xml:13433 msgid "" "Finally, there are many who mark their content with a Creative Commons " "license just because they want to express to others the importance of " @@ -17473,7 +17489,7 @@ msgstr "" #. PAGE BREAK 291 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13440 +#: freeculture.xml:13445 msgid "" "In the first six months of the Creative Commons experiment, over 1 million " "objects were licensed with these free-culture licenses. The next step is " @@ -17484,7 +17500,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13450 +#: freeculture.xml:13455 msgid "" "These are first steps to rebuilding a public domain. They are not mere " "arguments; they are action. Building a public domain is the first step to " @@ -17495,7 +17511,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13458 +#: freeculture.xml:13463 msgid "" "Creative Commons is just one example of voluntary efforts by individuals and " "creators to change the mix of rights that now govern the creative field. The " @@ -17506,12 +17522,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><title> -#: freeculture.xml:13472 +#: freeculture.xml:13477 msgid "THEM, SOON" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13474 +#: freeculture.xml:13479 msgid "" "We will not reclaim a free culture by individual action alone. It will also " "take important reforms of laws. We have a long way to go before the " @@ -17521,7 +17537,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13481 +#: freeculture.xml:13486 msgid "" "In this chapter, I outline five kinds of changes: four that are general, and " "one that's specific to the most heated battle of the day, music. Each is a " @@ -17530,12 +17546,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13488 +#: freeculture.xml:13493 msgid "1. More Formalities" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13490 +#: freeculture.xml:13495 msgid "" "If you buy a house, you have to record the sale in a deed. If you buy land " "upon which to build a house, you have to record the purchase in a deed. If " @@ -17545,14 +17561,14 @@ msgstr "" #. PAGE BREAK 293 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13497 +#: freeculture.xml:13502 msgid "" "These are all formalities associated with property. They are requirements " "that we all must bear if we want our property to be protected." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13502 +#: freeculture.xml:13507 msgid "" "In contrast, under current copyright law, you automatically get a copyright, " "regardless of whether you comply with any formality. You don't have to " @@ -17561,12 +17577,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13508 +#: freeculture.xml:13513 msgid "Why?" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13511 +#: freeculture.xml:13516 msgid "" "As I suggested in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, the motivation to abolish formalities was a good " @@ -17577,7 +17593,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13520 +#: freeculture.xml:13525 msgid "" "But the Internet changes all this. Formalities today need not be a " "burden. Rather, the world without formalities is the world that burdens " @@ -17592,7 +17608,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13534 +#: freeculture.xml:13539 msgid "" "The proposal I am advancing here would apply to American works only. " "Obviously, I believe it would be beneficial for the same idea to be adopted " @@ -17600,7 +17616,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13532 +#: freeculture.xml:13537 msgid "" "The law should therefore change this requirement<placeholder " "type=\"footnote\" id=\"0\"/>—but it should not change it by going back " @@ -17610,7 +17626,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13542 +#: freeculture.xml:13547 msgid "" "The important formalities are three: marking copyrighted work, registering " "copyrights, and renewing the claim to copyright. Traditionally, the first of " @@ -17621,12 +17637,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><title> -#: freeculture.xml:13554 +#: freeculture.xml:13559 msgid "REGISTRATION AND RENEWAL" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13556 +#: freeculture.xml:13561 msgid "" "Under the old system, a copyright owner had to file a registration with the " "Copyright Office to register or renew a copyright. When filing that " @@ -17641,7 +17657,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13569 +#: freeculture.xml:13574 msgid "" "Yet it is always astonishing to me that we, who come from a tradition of " "extraordinary innovation in governmental design, can no longer think " @@ -17653,7 +17669,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13578 +#: freeculture.xml:13583 msgid "" "In the context of registration, one obvious model is the Internet. There " "are at least 32 million Web sites registered around the world. Domain name " @@ -17666,7 +17682,7 @@ msgstr "" #. PAGE BREAK 295 #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13588 +#: freeculture.xml:13593 msgid "" "We should adopt a similar model for the registration and renewal of " "copyrights. The Copyright Office may well serve as the central registry, but " @@ -17680,12 +17696,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><title> -#: freeculture.xml:13603 +#: freeculture.xml:13608 msgid "MARKING" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13605 +#: freeculture.xml:13610 msgid "" "It used to be that the failure to include a copyright notice on a creative " "work meant that the copyright was forfeited. That was a harsh punishment for " @@ -17697,7 +17713,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13615 +#: freeculture.xml:13620 msgid "" "The aim of marking is to signal to the public that this work is copyrighted " "and that the author wants to enforce his rights. The mark also makes it easy " @@ -17705,7 +17721,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13621 +#: freeculture.xml:13626 msgid "" "One of the problems the copyright system confronted early on was that " "different copyrighted works had to be differently marked. It wasn't clear " @@ -17719,7 +17735,7 @@ msgstr "" #. f2. #. type: Content of: <book><chapter><section><section><section><para><footnote><para> -#: freeculture.xml:13638 +#: freeculture.xml:13643 msgid "" "There would be a complication with derivative works that I have not solved " "here. In my view, the law of derivatives creates a more complicated system " @@ -17728,7 +17744,7 @@ msgstr "" #. PAGE BREAK 296 #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13631 +#: freeculture.xml:13636 msgid "" "Let's start with the last point. If a copyright owner allows his work to be " "published without a copyright notice, the consequence of that failure need " @@ -17744,7 +17760,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13651 +#: freeculture.xml:13656 msgid "" "That in turn raises the question about how work should best be marked. Here " "again, the system needs to adjust as the technologies evolve. The best way " @@ -17754,7 +17770,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13658 +#: freeculture.xml:13663 msgid "" "For example, if a recording industry association devises a method for " "marking CDs, it would propose that to the Copyright Office. The Copyright " @@ -17768,7 +17784,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13670 +#: freeculture.xml:13675 msgid "" "Finally, marking content clearly would simplify registration requirements. " "If photographs were marked by author and year, there would be little reason " @@ -17779,7 +17795,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13678 +#: freeculture.xml:13683 msgid "" "The objective of formalities is to make things clear. The existing system " "does nothing to make things clear. Indeed, it seems designed to make things " @@ -17787,7 +17803,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13683 +#: freeculture.xml:13688 msgid "" "If formalities such as registration were reinstated, one of the most " "difficult aspects of relying upon the public domain would be removed. It " @@ -17798,12 +17814,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13695 +#: freeculture.xml:13700 msgid "2. Shorter Terms" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13697 +#: freeculture.xml:13702 msgid "" "The term of copyright has gone from fourteen years to ninety-five years for " "corporate authors, and life of the author plus seventy years for natural " @@ -17812,7 +17828,7 @@ msgstr "" #. f3. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13710 +#: freeculture.xml:13715 msgid "" "\"A Radical Rethink,\" <citetitle>Economist</citetitle>, 366:8308 (25 " "January 2003): 15, available at <ulink " @@ -17820,7 +17836,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13702 +#: freeculture.xml:13707 msgid "" "In <citetitle>The Future of Ideas</citetitle>, I proposed a " "seventy-five-year term, granted in five-year increments with a requirement " @@ -17833,7 +17849,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13717 +#: freeculture.xml:13722 msgid "" "I agree with those who believe that we need a radical change in copyright's " "term. But whether fourteen years or seventy-five, there are four principles " @@ -17842,7 +17858,7 @@ msgstr "" #. (1) #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13725 +#: freeculture.xml:13730 msgid "" "<emphasis>Keep it short:</emphasis> The term should be as long as necessary " "to give incentives to create, but no longer. If it were tied to very strong " @@ -17855,7 +17871,7 @@ msgstr "" #. (2) #. PAGE BREAK 298 #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13734 +#: freeculture.xml:13739 msgid "" "<emphasis>Keep it simple:</emphasis> The line between the public domain and " "protected content must be kept clear. Lawyers like the fuzziness of \"fair " @@ -17869,7 +17885,7 @@ msgstr "" #. f4. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para><footnote><para> -#: freeculture.xml:13755 +#: freeculture.xml:13760 msgid "" "Department of Veterans Affairs, Veteran's Application for Compensation " "and/or Pension, VA Form 21-526 (OMB Approved No. 2900-0001), available at " @@ -17877,12 +17893,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para><indexterm><primary> -#: freeculture.xml:13763 +#: freeculture.xml:13768 msgid "veterans' pensions" msgstr "" #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13747 +#: freeculture.xml:13752 msgid "" "<emphasis>Keep it alive:</emphasis> Copyright should have to be renewed. " "Especially if the maximum term is long, the copyright owner should be " @@ -17897,7 +17913,7 @@ msgstr "" #. (4) #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13767 +#: freeculture.xml:13772 msgid "" "<emphasis>Keep it prospective:</emphasis> Whatever the term of copyright " "should be, the clearest lesson that economists teach is that a term once " @@ -17914,7 +17930,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13783 +#: freeculture.xml:13788 msgid "" "These changes together should produce an <emphasis>average</emphasis> " "copyright term that is much shorter than the current term. Until 1976, the " @@ -17922,7 +17938,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13789 +#: freeculture.xml:13794 msgid "" "No doubt the extremists will call these ideas \"radical.\" (After all, I " "call them \"extremists.\") But again, the term I recommended was longer than " @@ -17931,12 +17947,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13799 +#: freeculture.xml:13804 msgid "3. Free Use Vs. Fair Use" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13801 +#: freeculture.xml:13806 msgid "" "As I observed at the beginning of this book, property law originally granted " "property owners the right to control their property from the ground to the " @@ -17947,7 +17963,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13809 +#: freeculture.xml:13814 msgid "" "Our Constitution gives Congress the power to give authors \"exclusive " "right\" to \"their writings.\" Congress has given authors an exclusive right " @@ -17959,31 +17975,36 @@ msgstr "" #. f5. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13822 +#: freeculture.xml:13827 msgid "" "Benjamin Kaplan, <citetitle>An Unhurried View of Copyright</citetitle> (New " "York: Columbia University Press, 1967), 32." msgstr "" +#. type: Content of: <book><chapter><section><section><para><indexterm><primary> +#: freeculture.xml:13833 +msgid "Kaplan, Benjamin" +msgstr "" + #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13818 +#: freeculture.xml:13823 msgid "" "Congress granted the beginnings of this right in 1870, when it expanded the " "exclusive right of copyright to include a right to control translations and " "dramatizations of a work.<placeholder type=\"footnote\" id=\"0\"/> The " "courts have expanded it slowly through judicial interpretation ever " "since. This expansion has been commented upon by one of the law's greatest " -"judges, Judge Benjamin Kaplan." +"judges, Judge Benjamin Kaplan. <placeholder type=\"indexterm\" id=\"1\"/>" msgstr "" #. f6. #. type: Content of: <book><chapter><section><section><blockquote><para><footnote><para> -#: freeculture.xml:13835 +#: freeculture.xml:13841 msgid "Ibid., 56." msgstr "" #. type: Content of: <book><chapter><section><section><blockquote><para> -#: freeculture.xml:13831 +#: freeculture.xml:13837 msgid "" "So inured have we become to the extension of the monopoly to a large range " "of so-called derivative works, that we no longer sense the oddity of " @@ -17992,7 +18013,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13840 +#: freeculture.xml:13846 msgid "" "I think it's time to recognize that there are airplanes in this field and " "the expansiveness of these rights of derivative use no longer make " @@ -18002,7 +18023,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13847 +#: freeculture.xml:13853 msgid "" "<emphasis>Term:</emphasis> If Congress wants to grant a derivative right, " "then that right should be for a much shorter term. It makes sense to protect " @@ -18014,7 +18035,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13860 +#: freeculture.xml:13866 msgid "" "<emphasis>Scope:</emphasis> Likewise should the scope of derivative rights " "be narrowed. Again, there are some cases in which derivative rights are " @@ -18029,7 +18050,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13873 +#: freeculture.xml:13879 msgid "" "This was the point that Alben made when describing the making of the Clint " "Eastwood CD. While it makes sense to require negotiation for foreseeable " @@ -18039,12 +18060,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:13889 +#: freeculture.xml:13895 msgid "Goldstein, Paul" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13887 +#: freeculture.xml:13893 msgid "" "Paul Goldstein, <citetitle>Copyright's Highway: From Gutenberg to the " "Celestial Jukebox</citetitle> (Stanford: Stanford University Press, 2003), " @@ -18052,7 +18073,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13881 +#: freeculture.xml:13887 msgid "" "In each of these cases, the law should mark the uses that are protected, and " "the presumption should be that other uses are not protected. This is the " @@ -18062,7 +18083,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13895 +#: freeculture.xml:13901 msgid "" "Goldstein's analysis would make perfect sense if the cost of the legal " "system were small. But as we are currently seeing in the context of the " @@ -18073,7 +18094,7 @@ msgstr "" #. PAGE BREAK 301 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13902 +#: freeculture.xml:13908 msgid "" "The law could remedy this problem either by removing protection beyond the " "part explicitly drawn or by granting reuse rights upon certain statutory " @@ -18083,12 +18104,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13912 +#: freeculture.xml:13918 msgid "4. Liberate the Music—Again" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13914 +#: freeculture.xml:13920 msgid "" "The battle that got this whole war going was about music, so it wouldn't be " "fair to end this book without addressing the issue that is, to most people, " @@ -18098,7 +18119,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13921 +#: freeculture.xml:13927 msgid "" "The appeal of file-sharing music was the crack cocaine of the Internet's " "growth. It drove demand for access to the Internet more powerfully than any " @@ -18109,7 +18130,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13930 +#: freeculture.xml:13936 msgid "" "The aim of copyright, with respect to content in general and music in " "particular, is to create the incentives for music to be composed, performed, " @@ -18119,7 +18140,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13937 +#: freeculture.xml:13943 msgid "" "File-sharing networks complicate this model by enabling the spread of " "content for which the performer has not been paid. But of course, that's not " @@ -18130,7 +18151,7 @@ msgstr "" #. A. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13946 +#: freeculture.xml:13952 msgid "" "There are some who are using sharing networks as substitutes for purchasing " "CDs." @@ -18138,7 +18159,7 @@ msgstr "" #. B. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13951 +#: freeculture.xml:13957 msgid "" "There are also some who are using sharing networks to sample, on the way to " "purchasing CDs." @@ -18147,7 +18168,7 @@ msgstr "" #. PAGE BREAK 302 #. C. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13957 +#: freeculture.xml:13963 msgid "" "There are many who are using file-sharing networks to get access to content " "that is no longer sold but is still under copyright or that would have been " @@ -18156,7 +18177,7 @@ msgstr "" #. D. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13963 +#: freeculture.xml:13969 msgid "" "There are many who are using file-sharing networks to get access to content " "that is not copyrighted or to get access that the copyright owner plainly " @@ -18164,7 +18185,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13969 +#: freeculture.xml:13975 msgid "" "Any reform of the law needs to keep these different uses in focus. It must " "avoid burdening type D even if it aims to eliminate type A. The eagerness " @@ -18175,7 +18196,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13977 +#: freeculture.xml:13983 msgid "" "As I said in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"piracy\"/>, the actual harm caused by sharing is controversial. " @@ -18185,7 +18206,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13985 +#: freeculture.xml:13991 msgid "" "Nonetheless, there is a crucial fact about the current technological context " "that we must keep in mind if we are to understand how the law should " @@ -18193,7 +18214,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13990 +#: freeculture.xml:13996 msgid "" "Today, file sharing is addictive. In ten years, it won't be. It is addictive " "today because it is the easiest way to gain access to a broad range of " @@ -18208,7 +18229,7 @@ msgstr "" #. PAGE BREAK 303 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14002 +#: freeculture.xml:14008 msgid "" "But it will become a reality, and that means the way we get access to the " "Internet today is a technology in transition. Policy makers should not make " @@ -18225,7 +18246,7 @@ msgstr "" #. f8. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14035 +#: freeculture.xml:14041 msgid "" "See, for example, \"Music Media Watch,\" The J@pan Inc. Newsletter, 3 April " "2002, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -18233,7 +18254,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14017 +#: freeculture.xml:14023 msgid "" "In that world, it will be extremely easy to connect to services that give " "you access to content on the fly—such as Internet radio, content that " @@ -18255,7 +18276,7 @@ msgstr "" #. PAGE BREAK 304 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14042 +#: freeculture.xml:14048 msgid "" "This point about the future is meant to suggest a perspective on the " "present: It is emphatically temporary. The \"problem\" with file " @@ -18271,7 +18292,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14058 +#: freeculture.xml:14064 msgid "" "The answer begins with recognizing that there are different \"problems\" " "here to solve. Let's start with type D content—uncopyrighted content " @@ -18284,7 +18305,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14069 +#: freeculture.xml:14075 msgid "" "Type C content raises a different \"problem.\" This is content that was, at " "one time, published and is no longer available. It may be unavailable " @@ -18295,7 +18316,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14078 +#: freeculture.xml:14084 msgid "" "Again, the model here is the used book store. Once a book goes out of print, " "it may still be available in libraries and used book stores. But libraries " @@ -18307,7 +18328,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14088 +#: freeculture.xml:14094 msgid "" "The model of used book stores suggests that the law could simply deem " "out-of-print music fair game. If the publisher does not make copies of the " @@ -18320,7 +18341,7 @@ msgstr "" #. PAGE BREAK 305 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14099 +#: freeculture.xml:14105 msgid "" "Alternatively, the law could create a statutory license that would ensure " "that artists get something from the trade of their work. For example, if the " @@ -18332,7 +18353,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14109 +#: freeculture.xml:14115 msgid "" "This system would also create an incentive for publishers to keep works " "available commercially. Works that are available commercially would not be " @@ -18345,7 +18366,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14119 +#: freeculture.xml:14125 msgid "" "The hard case is content of types A and B, and again, this case is hard only " "because the extent of the problem will change over time, as the technologies " @@ -18356,14 +18377,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14127 +#: freeculture.xml:14133 msgid "" "So here's a solution that will at first seem very strange to both sides in " "this war, but which upon reflection, I suggest, should make some sense." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14131 +#: freeculture.xml:14137 msgid "" "Stripped of the rhetoric about the sanctity of property, the basic claim of " "the content industry is this: A new technology (the Internet) has harmed a " @@ -18377,7 +18398,7 @@ msgstr "" #. PAGE BREAK 306 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14142 +#: freeculture.xml:14148 msgid "" "I love the Internet, and so I don't like likening it to tobacco or " "asbestos. But the analogy is a fair one from the perspective of the law. " @@ -18388,12 +18409,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:14188 +#: freeculture.xml:14194 msgid "Fisher, William" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14154 +#: freeculture.xml:14160 msgid "" "William Fisher, <citetitle>Digital Music: Problems and " "Possibilities</citetitle> (last revised: 10 October 2000), available at " @@ -18432,7 +18453,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14150 +#: freeculture.xml:14156 msgid "" "The idea would be a modification of a proposal that has been floated by " "Harvard law professor William Fisher.<placeholder type=\"footnote\" " @@ -18447,7 +18468,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14201 +#: freeculture.xml:14207 msgid "" "Fisher's proposal is careful and comprehensive. It raises a million " "questions, most of which he answers well in his upcoming book, " @@ -18465,7 +18486,7 @@ msgstr "" #. PAGE BREAK 307 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14216 +#: freeculture.xml:14222 msgid "" "Fisher would balk at the idea of allowing the system to lapse. His aim is " "not just to ensure that artists are paid, but also to ensure that the system " @@ -18478,7 +18499,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14229 +#: freeculture.xml:14235 msgid "" "No doubt it would be difficult to calculate the proper measure of \"harm\" " "to an industry. But the difficulty of making that calculation would be " @@ -18495,7 +18516,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14244 +#: freeculture.xml:14250 msgid "" "This competition has already occurred against the background of \"free\" " "music from p2p systems. As the sellers of cable television have known for " @@ -18510,7 +18531,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14256 +#: freeculture.xml:14262 msgid "" "This regime of competition, with a backstop to assure that artists don't " "lose, would facilitate a great deal of innovation in the delivery of " @@ -18521,13 +18542,13 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14265 +#: freeculture.xml:14271 msgid "In summary, then, my proposal is this:" msgstr "" #. PAGE BREAK 308 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14270 +#: freeculture.xml:14276 msgid "" "The Internet is in transition. We should not be regulating a technology in " "transition. We should instead be regulating to minimize the harm to " @@ -18536,19 +18557,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14277 +#: freeculture.xml:14283 msgid "We can minimize that harm while maximizing the benefit to innovation by" msgstr "" #. 1. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14283 +#: freeculture.xml:14289 msgid "guaranteeing the right to engage in type D sharing;" msgstr "" #. 2. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14287 +#: freeculture.xml:14293 msgid "" "permitting noncommercial type C sharing without liability, and commercial " "type C sharing at a low and fixed rate set by statute;" @@ -18556,14 +18577,14 @@ msgstr "" #. 3. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14293 +#: freeculture.xml:14299 msgid "" "while in this transition, taxing and compensating for type A sharing, to the " "extent actual harm is demonstrated." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14298 +#: freeculture.xml:14304 msgid "" "But what if \"piracy\" doesn't disappear? What if there is a competitive " "market providing content at a low cost, but a significant number of " @@ -18572,7 +18593,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14304 +#: freeculture.xml:14310 msgid "" "Yes, it should. But, again, what it should do depends upon how the facts " "develop. These changes may not eliminate type A sharing. But the real issue " @@ -18589,7 +18610,7 @@ msgstr "" #. PAGE BREAK 309 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14318 +#: freeculture.xml:14324 msgid "" "But we're a long way away from whittling the problem down to this subset of " "type A sharers. And our focus until we're there should not be on finding " @@ -18599,12 +18620,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:14329 +#: freeculture.xml:14335 msgid "5. Fire Lots of Lawyers" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14331 +#: freeculture.xml:14337 msgid "" "I'm a lawyer. I make lawyers for a living. I believe in the law. I believe " "in the law of copyright. Indeed, I have devoted my life to working in law, " @@ -18613,7 +18634,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14337 +#: freeculture.xml:14343 msgid "" "Yet much of this book has been a criticism of lawyers, or the role lawyers " "have played in this debate. The law speaks to ideals, but it is my view that " @@ -18624,7 +18645,7 @@ msgstr "" #. f10. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14354 +#: freeculture.xml:14360 msgid "" "Lawrence Lessig, \"Copyright's First Amendment\" (Melville B. Nimmer " "Memorial Lecture), <citetitle>UCLA Law Review</citetitle> 48 (2001): 1057, " @@ -18632,7 +18653,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14345 +#: freeculture.xml:14351 msgid "" "The evidence of this bending is compelling. I'm attacked as a \"radical\" by " "many within the profession, yet the positions that I am advocating are " @@ -18645,7 +18666,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14360 +#: freeculture.xml:14366 msgid "" "However, my criticism of the role that lawyers have played in this debate is " "not just about a professional bias. It is more importantly about our failure " @@ -18653,7 +18674,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14370 +#: freeculture.xml:14376 msgid "" "A good example is the work of Professor Stan Liebowitz. Liebowitz is to be " "commended for his careful review of data about infringement, leading him to " @@ -18673,7 +18694,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14365 +#: freeculture.xml:14371 msgid "" "Economists are supposed to be good at reckoning costs and benefits. But " "more often than not, economists, with no clue about how the legal system " @@ -18685,7 +18706,7 @@ msgstr "" #. PAGE BREAK 310 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14394 +#: freeculture.xml:14400 msgid "" "But the legal system doesn't work. Or more accurately, it doesn't work for " "anyone except those with the most resources. Not because the system is " @@ -18695,7 +18716,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14402 +#: freeculture.xml:14408 msgid "" "These costs distort free culture in many ways. A lawyer's time is billed at " "the largest firms at more than $400 per hour. How much time should such a " @@ -18708,7 +18729,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14412 +#: freeculture.xml:14418 msgid "" "The costliness and clumsiness and randomness of this system mock our " "tradition. And lawyers, as well as academics, should consider it their duty " @@ -18719,7 +18740,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14420 +#: freeculture.xml:14426 msgid "" "But until that reform is complete, we as a society should keep the law away " "from areas that we know it will only harm. And that is precisely what the " @@ -18727,7 +18748,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14426 +#: freeculture.xml:14432 msgid "" "Think about the amazing things your kid could do or make with digital " "technology—the film, the music, the Web page, the blog. Or think about " @@ -18740,7 +18761,7 @@ msgstr "" #. PAGE BREAK 311 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14435 +#: freeculture.xml:14441 msgid "" "The law should regulate in certain areas of culture—but it should " "regulate culture only where that regulation does good. Yet lawyers rarely " @@ -18750,7 +18771,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14444 +#: freeculture.xml:14450 msgid "" "We should ask, \"Why?\" Show me why your regulation of culture is " "needed. Show me how it does good. And until you can show me both, keep your " @@ -18758,12 +18779,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:14453 +#: freeculture.xml:14459 msgid "NOTES" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14455 +#: freeculture.xml:14461 msgid "" "Throughout this text, there are references to links on the World Wide " "Web. As anyone who has tried to use the Web knows, these links can be highly " @@ -18777,12 +18798,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:14470 +#: freeculture.xml:14476 msgid "ACKNOWLEDGMENTS" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14472 +#: freeculture.xml:14478 msgid "" "This book is the product of a long and as yet unsuccessful struggle that " "began when I read of Eric Eldred's war to keep books free. Eldred's work " @@ -18791,7 +18812,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14478 +#: freeculture.xml:14484 msgid "" "I received guidance in various places from friends and academics, including " "Glenn Brown, Peter DiCola, Jennifer Mnookin, Richard Posner, Mark Rose, and " @@ -18807,7 +18828,7 @@ msgstr "" #. PAGE BREAK 337 #. type: Content of: <book><chapter><para> -#: freeculture.xml:14491 +#: freeculture.xml:14497 msgid "" "Yuko Noguchi helped me to understand the laws of Japan as well as its " "culture. I am thankful to her, and to the many in Japan who helped me " @@ -18820,7 +18841,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14502 +#: freeculture.xml:14508 msgid "" "These are the traditional sorts of help that academics regularly draw " "upon. But in addition to them, the Internet has made it possible to receive " @@ -18841,7 +18862,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14522 +#: freeculture.xml:14528 msgid "" "Richard Stallman and Michael Carroll each read the whole book in draft, and " "each provided extremely helpful correction and advice. Michael helped me to " @@ -18852,7 +18873,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14531 +#: freeculture.xml:14537 msgid "" "Finally, and forever, I am thankful to Bettina, who has always insisted that " "there would be unending happiness away from these battles, and who has "