From: Petter Reinholdtsen Date: Wed, 28 Aug 2013 21:12:00 +0000 (+0200) Subject: Adjust to new source. X-Git-Tag: edition-2015-10-10~682 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/3a88370ac7771789eb959cd46a49125cfefb56f1?ds=inline Adjust to new source. --- diff --git a/freeculture.nb.po b/freeculture.nb.po index c9c9c14..63b53b7 100644 --- a/freeculture.nb.po +++ b/freeculture.nb.po @@ -8,7 +8,7 @@ msgid "" msgstr "" "Project-Id-Version: Free Culture by Lawrence Lessig\n" -"POT-Creation-Date: 2013-08-28 23:02+0300\n" +"POT-Creation-Date: 2013-08-28 23:08+0300\n" "PO-Revision-Date: 2012-08-29 11:14+0200\n" "Last-Translator: Petter Reinholdtsen \n" "Language-Team: Norwegian BokmÃ¥l \n" @@ -225,8 +225,8 @@ msgstr "Code: And Other Laws of Cyberspace" #. type: Content of: msgid "" -"To Eric Eldred—whose work first drew me to this cause, and for whom it " -"continues still." +"To Eric Eldred — whose work first drew me to this cause, and for whom " +"it continues still." msgstr "" "Til Eric Eldred — hvis arbeid først trakk meg til denne saken, og for " "hvem saken fortsetter." @@ -2878,7 +2878,7 @@ msgid "" "flourish. As American graphic novelist Judd Winick said to me, The " "early days of comics in America are very much like what's going on in Japan " "now. … American comics were born out of copying each other. … " -"That's how [the artists] learn to draw—by going into comic books and " +"That's how [the artists] learn to draw — by going into comic books and " "not tracing them, but looking at them and copying them and building " "from them." msgstr "" @@ -2887,7 +2887,7 @@ msgstr "" "blomstrer. Som USAs tegneserieskaper Judd Winick fortalte meg, I " "amerikansk tegneseriers første dager var det ganske likt det som foregÃ¥r i " "Japan i dag. … Amerikanske tegneserier kom til verden ved Ã¥ kopiere " -"hverandre. … Det er slik [kunstnerne] lærer Ã¥ tegne—ved Ã¥ se i " +"hverandre. … Det er slik [kunstnerne] lærer Ã¥ tegne — ved Ã¥ se i " "tegneseriebøker og ikke følge streken, men ved Ã¥ se pÃ¥ dem og kopiere dem og bygge basert pÃ¥ dem." @@ -3037,17 +3037,17 @@ msgid "" "Copyrights and Copywrongs, 11 (New York: New York " "University Press, 2001). See also Lawrence Lessig, The Future of " "Ideas (New York: Random House, 2001), 293 n. 26. The term " -"accurately describes a set of property rights—" -"copyright, patents, trademark, and trade-secret—but the nature of " +"accurately describes a set of property rights — " +"copyright, patents, trademark, and trade-secret — but the nature of " "those rights is very different." msgstr "" -" Begrepet immateriell " +" Begrepet intellektuell " "eiendom er av relativ ny opprinnelse. Se See Siva Vaidhyanathan, " "Copyrights and Copywrongs, 11 (New York: New York " "University Press, 2001). Se ogsÃ¥ Lawrence Lessig, The Future of " "Ideas (New York: Random House, 2001), 293 n. 26. Begrepet " -"presist beskriver et sett med eiendoms-rettigheter—" -"opphavsretter, patenter, varemerker og forretningshemmeligheter—men " +"beskriver presist et sett med eiendoms-rettigheter — " +"opphavsretter, patenter, varemerker og forretningshemmeligheter — men " "egenskapene til disse rettighetene er svært forskjellige." #. type: Content of: